1 00:00:02,045 --> 00:00:03,829 BILLY: BABY, WHICH TIE DO YOU THINK 2 00:00:03,873 --> 00:00:08,051 I SHOULD, UH-- LAURA: WHAT? SORRY. I--I'M A MESS. 3 00:00:08,095 --> 00:00:11,620 NO, NO, NO, YOU'RE FINE. AND I THINK YOU LOOK S-SEXY IN YOUR--IN YOUR ROLLERS. 4 00:00:11,663 --> 00:00:14,101 ALL THESE GIRLS IN THE HOUSE ARE KILLING ME. 5 00:00:14,144 --> 00:00:16,407 MY CLOTHES KEEP DISAPPEARING, I CAN'T GET IN THE BATHROOM. 6 00:00:16,451 --> 00:00:18,409 I CAN'T EVEN GET IN OUR BATHROOM. BILLY: WELL, I'M SOR-- 7 00:00:18,453 --> 00:00:21,369 OLIVIA: WHAT'S UP, PARENTS? BILLY: HEY, UH, WH-WHICH TIE 8 00:00:21,412 --> 00:00:24,894 DO YOU LIKE BETTER? I'M GOING FOR APPROACHABLE MEETS JOE CLARK. 9 00:00:24,937 --> 00:00:26,939 OLIVIA: UM, I LIKE THAT ONE. 10 00:00:26,983 --> 00:00:28,941 OK, YEAH, ME, TOO. I KNOW IT'S TEMPORARY, 11 00:00:28,985 --> 00:00:31,422 BUT I JUST WANT TO MAKE A GOOD IMPRESSION. MY LIST. 12 00:00:31,466 --> 00:00:33,424 LAURA: YOUR PRINCIPAL TO-DO LIST? BILLY: YEAH. 13 00:00:33,468 --> 00:00:35,165 - UPSTAIRS ON THE DRESSER. - THANK YOU, AND YOU 14 00:00:35,209 --> 00:00:36,819 LOOK BEAUTIFUL. THANK YOU. LAURA: THANK YOU. 15 00:00:36,862 --> 00:00:38,603 OLIVIA: WELL, SOMEBODY'S EXCITED 16 00:00:38,647 --> 00:00:40,953 ABOUT THEIR FIRST DAY OF SCHOOL AS INTERIM PRINCIPAL. 17 00:00:40,997 --> 00:00:44,566 AND YOU SHOULD BE EXCITED FOR YOUR FIRST DAY OF CLASS AT G.A.U. 18 00:00:44,609 --> 00:00:47,177 LAYLA: HEY, GOOD MORNING. LAURA: MY LITTLE BABIES ARE GROWING UP... 19 00:00:47,221 --> 00:00:49,571 LAYLA: MMM. LAURA: AND MY BONUS BABY 20 00:00:49,614 --> 00:00:52,008 IS ABOUT TO TAKE THE MUSIC INDUSTRY BY STORM. 21 00:00:52,052 --> 00:00:54,010 LAYLA: WELL, IF "BY STORM," YOU MEAN, 22 00:00:54,054 --> 00:00:56,665 UM, FIGHTING OVER CONTRACTS ALL DAY, THEN YAY ME. 23 00:00:56,708 --> 00:00:58,884 OK. I'LL SEE YOU LATER. LAURA: BYE. 24 00:00:58,928 --> 00:01:01,104 OLIVIA: GOOD LUCK. LAYLA: THANK YOU. PATIENCE: HEY. MORNING, Y'ALL. 25 00:01:01,148 --> 00:01:05,108 GOOD MORNING, PATIEN-- UH, IS THAT MY JACKET? 26 00:01:05,152 --> 00:01:07,676 PATIENCE: NO, NO, NO. I BORROWED IT FROM LIV. LAURA: AH. 27 00:01:07,719 --> 00:01:10,896 OH. THAT'S WHERE THAT JACKET'S FROM. 28 00:01:10,940 --> 00:01:12,898 GIRL. MY BAD, MRS. BAKER. 29 00:01:12,942 --> 00:01:15,901 [SIGHING] IT'S OK. IT LOOKS CUTE ON YOU. YOU CAN KEEP IT. 30 00:01:15,945 --> 00:01:18,600 - THANK YOU, AND I KNOW, RIGHT? - HAVE YOU TALKED TO COOP? 31 00:01:18,643 --> 00:01:20,689 UH, YEAH, WE TALKED BRIEFLY LAST NIGHT. 32 00:01:20,732 --> 00:01:22,647 UM, TAKING A LITTLE BIT OF SPACE, BUT SHE'S 33 00:01:22,691 --> 00:01:24,997 ENJOYING HER TIME ON THE ROAD WITH HER DAD. 34 00:01:25,041 --> 00:01:26,999 IT'S THEIR FIRST REAL CHANCE FOR SOME QUALITY TIME TOGETHER 35 00:01:27,043 --> 00:01:29,001 SINCE COOP RECOVERED FROM THE SHOOTING. 36 00:01:29,045 --> 00:01:32,004 UM, OK, WELL, I GOT TO GET TO CAMPUS. 37 00:01:32,048 --> 00:01:35,007 I WILL SEE YOU GUYS LATER. THANK YOU. LAURA, SIGHING: BYE. 38 00:01:35,051 --> 00:01:37,619 OLIVIA: OK, I NEED TO GET GOING, TOO. UM, 39 00:01:37,662 --> 00:01:40,361 YOU SHOULD DEFINITELY DO SOMETHING WITH YOUR HAIR. 40 00:01:40,404 --> 00:01:42,754 YEAH. LOVE YOU. LAURA: HMM. 41 00:01:42,798 --> 00:01:44,626 BILLY: HAVE A GOOD DAY. OLIVIA: BYE, DAD. 42 00:01:44,669 --> 00:01:46,280 LAURA: I REALLY LOVE THESE GIRLS, BUT WE GOTTA, LIKE, 43 00:01:46,323 --> 00:01:48,151 DRAW STRAWS OR ROCK, PAPER, SCISSOR 44 00:01:48,195 --> 00:01:50,153 TO DECIDE WHO'S KICKING WHO OUT. 45 00:01:50,197 --> 00:01:52,764 IT'S TEMPORARY. WE JUST NEED TO BE A LITTLE BIT MORE PATIENT. 46 00:01:52,808 --> 00:01:55,767 WHERE ARE MY SERGEANT SUGAR FLAKES? 47 00:01:55,811 --> 00:01:59,467 OH, YEAH, THOSE? THE GIRLS THREW IT OUT. 48 00:01:59,510 --> 00:02:02,731 - HUH? - THEY SAID WE ONLY NEEDED HEALTHY CEREAL IN THE HOUSE. 49 00:02:02,774 --> 00:02:06,256 OH, HELL NO. THEY GOTTA GO. 50 00:02:06,300 --> 00:02:08,693 [SEAGULLS SQUAWK] 51 00:02:10,826 --> 00:02:12,784 MORNING, BROS. [SIGHS] 52 00:02:12,828 --> 00:02:15,222 M-MORNIN'. WHAT ARE YOU DOING UP SO EARLY? 53 00:02:15,265 --> 00:02:18,964 OH, I'M TAKING ASHER TO MEET COACH MR. MONTES ABOUT A JOB. 54 00:02:19,008 --> 00:02:20,270 YOU REALLY GONNA KEEP CALLING HIM THAT? 55 00:02:20,314 --> 00:02:22,272 WHAT ELSE AM I SUPPOSED TO CALL HIM? 56 00:02:22,316 --> 00:02:24,927 COACH MONTES IS ALWAYS GONNA BE "COACH MONTES," 57 00:02:24,970 --> 00:02:28,757 SO HER HUSBAND IS "COACH MR. MONTES." MAKES PERFECT SENSE. 58 00:02:28,800 --> 00:02:31,194 JORDAN: WELL... SPENCER: OK. I'M LEAVING THAT ALONE. 59 00:02:31,238 --> 00:02:32,978 GOTTA DO MY MORNING MEDITATION 60 00:02:33,022 --> 00:02:34,763 AND SUN SALUTATIONS BEFORE BREAKFAST. 61 00:02:34,806 --> 00:02:36,852 - MMM, RIGHT. - I DECIDED I'M GONNA BE 62 00:02:36,895 --> 00:02:39,376 A WELLNESS INFLUENCER, TEACH MY FOLLOWERS ABOUT BEING ZEN. 63 00:02:39,420 --> 00:02:42,118 INSTEAD OF A MENTORSHIP, I'M PROVIDING 64 00:02:42,162 --> 00:02:44,729 A ZENTORSHIP. HA HA HA! JORDAN: "ZENTORSHIP." 65 00:02:44,773 --> 00:02:46,209 JJ: DOPE, RIGHT? JORDAN: MM-HMM. 66 00:02:46,253 --> 00:02:47,732 [DOOR OPENS, CLOSES] IT'S SOMETHING. 67 00:02:47,776 --> 00:02:49,560 JORDAN: OH, BOY. BILLY: FELLAS! 68 00:02:49,604 --> 00:02:51,649 IT'S ME! SPENCER: HEY, WHAT UP, WHAT UP? 69 00:02:51,693 --> 00:02:53,738 BILLY: WHAT'S HAPPENING? JORDAN: GOOD MORNING, GOOD MORNING. 70 00:02:53,782 --> 00:02:55,784 YOU DO KNOW THAT SOUTH CRENSHAW HIGH IS THE OTHER WAY, RIGHT? 71 00:02:55,827 --> 00:02:57,568 I DO, I DO. I JUST STOPPED BY 72 00:02:57,612 --> 00:03:00,528 FOR A QUICK BREATH OF FRESH TESTOSTERONE. 73 00:03:00,571 --> 00:03:02,356 WOW. WHAT IS HE DOING? SPENCER: NOPE, NOPE. 74 00:03:02,399 --> 00:03:04,184 DON'T ASK. DON'T ASK. BILLY: OK. 75 00:03:04,227 --> 00:03:06,011 ALL RIGHT. CAN I GET SOME CEREAL? 76 00:03:06,055 --> 00:03:08,100 THANK YOU. 77 00:03:08,144 --> 00:03:10,494 YOU'RE A LITTLE OVERDRESSED FOR YOUR MEETING WITH PREACH, RIGHT? 78 00:03:10,538 --> 00:03:13,802 OH, THIS IS, UH, THIS IS MY PRINCIPAL LOOK 'CAUSE I'M A PRINCIPAL, 79 00:03:13,845 --> 00:03:16,413 SPEAKING OF WHICH, PREACH-- 80 00:03:16,457 --> 00:03:18,763 YOU REALLY THINK HE'S THE RIGHT CHOICE TO HELP TUTOR THE FOOTBALL TEAM? 81 00:03:18,807 --> 00:03:20,765 I KNOW I SAID I WAS DESPERATE, BUT-- 82 00:03:20,809 --> 00:03:22,724 COOP WOULD HAVE NEVER PASSED THAT G.E.D. WITHOUT PREACH. 83 00:03:22,767 --> 00:03:24,943 TRUST ME. HE'S YOUR GUY. 84 00:03:24,987 --> 00:03:26,641 NOW I GOTTA GO 'CAUSE IT'S GONNA BE A LONG-ASS DAY 85 00:03:26,684 --> 00:03:28,295 AND I'M ALREADY LATE FOR CALCULUS CLASS. 86 00:03:28,338 --> 00:03:30,253 BILLY: ALL RIGHT. JORDAN: ALL RIGHT. 87 00:03:30,297 --> 00:03:31,950 SPENCER: HOLLA AT YOU. JORDAN: ALL RIGHT. GOOD LUCK. 88 00:03:31,994 --> 00:03:34,953 [DOOR OPENS, CLOSES] BILLY: HOLD UP. 89 00:03:34,997 --> 00:03:38,261 IS IT...IS THIS MY CEREAL THAT YOU TOOK FROM THE HOUSE? 90 00:03:38,305 --> 00:03:41,830 MALE SINGER: ♪ I AIN'T NEVER SEEN SOMETHING LOOK THIS GOOD ♪ 91 00:03:41,873 --> 00:03:44,049 - ♪ NO CAP - ♪ EVERYTHING GREAT, MAN 92 00:03:44,093 --> 00:03:46,051 ♪ IT FEEL LIKE IT SHOULD [ECHOES] 93 00:03:46,095 --> 00:03:47,705 - ♪ THAT'S THAT - ♪ AND SURVIVE 94 00:03:47,749 --> 00:03:49,533 ♪ YOU CAN FEEL FROM NEW YORK TO L.A. ♪ 95 00:03:49,577 --> 00:03:51,187 ♪ YEAH, THAT'S THAT, AND THE REAL ♪ 96 00:03:51,231 --> 00:03:53,363 ♪ NO, REAL, MAN, WHAT THEY GONNA SAY? ♪ 97 00:03:53,407 --> 00:03:56,366 ♪ UH, BACK THAT, MOVE BACK, NOT A HASHTAG ♪ 98 00:03:56,410 --> 00:03:58,368 ♪ I WAS BORN BROKE, I REVERSED THAT ♪ 99 00:03:58,412 --> 00:04:00,370 ♪ MONEY CAN'T QUIT, THAT'S A CASH APP ♪ 100 00:04:00,414 --> 00:04:02,372 ♪ BUT I SPENT SLOW, GOTTA SAVE THAT ♪ 101 00:04:02,416 --> 00:04:04,374 ♪ SEE THE COPS LIKE PAT ON SAJAK ♪ 102 00:04:04,418 --> 00:04:06,246 ♪ YOUNG, DOWN, AND RICH, BOY, THAT'S A PAYBACK ♪ 103 00:04:06,289 --> 00:04:07,769 ♪ FOR ANYONE WHO EVER DOUBTED, TELL ME... ♪ 104 00:04:07,812 --> 00:04:10,511 WELCOME TO ADVANCED MOLECULAR BIOLOGY. 105 00:04:10,554 --> 00:04:13,514 ALL RIGHT, AS PROMISED TODAY, WE WILL BE DISCUSSING THE... 106 00:04:13,557 --> 00:04:15,994 SPENCER: THIS ISN'T CALCULUS? PROFESSOR: ...EXPERIMENTS. 107 00:04:16,038 --> 00:04:18,083 FEMALE SINGER: ♪ DO YOU LIKE WHAT YOU SEE? 108 00:04:19,998 --> 00:04:22,914 ["PUT 'EM UP" BY BALANCE PLAYING] 109 00:04:24,525 --> 00:04:27,136 ♪ ON MY GROUND, I'LL TELL YOU NOW ♪ [SCHOOL BELL RINGS] 110 00:04:27,179 --> 00:04:30,139 ♪ I CAN'T STOP TILL MY... BILLY: ALL RIGHT, GOOD MORNING, YOUNG LEARNERS. 111 00:04:30,182 --> 00:04:32,315 HOW YOU DOING, YOUNG MAN? YOU GONNA MAKE TODAY COUNT? 112 00:04:32,359 --> 00:04:34,491 - YES, SIR. - THAT'S WHAT I LIKE TO HEAR. 113 00:04:34,535 --> 00:04:36,798 SINGER: ♪ I CAN'T STOP TILL MY PAPER'S RIGHT ♪ 114 00:04:36,841 --> 00:04:38,887 ♪ MY CHICKS, WHAT'S UP? 115 00:04:38,930 --> 00:04:40,889 - THAT'S WHAT I LIKE TO HEAR. - ♪ MY CHICKS, WHAT'S UP? 116 00:04:40,932 --> 00:04:42,760 ♪ I'M GOIN' DOWN BILLY: ALL RIGHT. 117 00:04:42,804 --> 00:04:44,675 - ♪ PUT 'EM UP - MY MAN PREACH. 118 00:04:44,719 --> 00:04:46,895 - WHAT'S GOOD, COACH BAKER? - GLAD TO HAVE YOU. 119 00:04:46,938 --> 00:04:49,550 - YES, SIR. YEAH. - YOU READY? WOW. LET'S GET YOU SITUATED, 120 00:04:49,593 --> 00:04:51,769 INTRODUCE YOU TO THE BOYS. UH, MOST OF THE PLAYERS HAVE 121 00:04:51,813 --> 00:04:55,947 STUDY HALL FIRST PERIOD, SO I'M, UH... [DISTANT SHOUTING] 122 00:04:55,991 --> 00:04:59,037 'SCUSE ME. [SHOUTING GROWS LOUDER] 123 00:05:05,392 --> 00:05:09,918 BILLY: SO, AS YOU CAN SEE, A LOT OF THESE BOYS ARE, UH, LITTLE HARD TO HANDLE. 124 00:05:09,961 --> 00:05:12,268 I TUTORED DUDES ON DEATH ROW. CAN'T BE MUCH HARDER THAN THAT. 125 00:05:12,312 --> 00:05:14,575 THE LAST GUY RAN OUTTA HERE IN TEARS, SO... 126 00:05:14,618 --> 00:05:16,228 NOT EVERYBODY IS BUILT FOR THIS. 127 00:05:16,272 --> 00:05:18,840 HE ACTUALLY SERVED 3 TOURS IN AFGHANISTA-- 128 00:05:18,883 --> 00:05:21,712 THAT DOESN'T MATTER. GO IN THERE, DO YOUR THING. 129 00:05:21,756 --> 00:05:24,367 REMEMBER, THEY-- THEY DO SMELL FEAR, SO BE CAREFUL. 130 00:05:24,411 --> 00:05:27,370 WOMAN ON WALKIE-TALKIE: COACH BAKER, YOU'RE NEEDED IN THE CAFETERIA. 131 00:05:27,414 --> 00:05:30,634 YOU CAN GO HANDLE THAT CAFETERIA SITUATION. I'LL INTRODUCE MYSELF. 132 00:05:30,678 --> 00:05:32,636 - YOU SURE? - I'M SURE. 133 00:05:32,680 --> 00:05:34,638 ALL RIGHT. 134 00:05:34,682 --> 00:05:36,727 [SHOUTING CONTINUES] 135 00:05:39,034 --> 00:05:41,079 [SILENCE] 136 00:05:51,960 --> 00:05:53,918 [OVERLAPPING CHATTER] 137 00:05:53,962 --> 00:05:56,530 JORDAN: PROFESSORS. MY GUY, MY GUY. 138 00:05:56,573 --> 00:05:58,183 NICE TO SEE YOU AGAIN. MAN: WHAT UP, WHAT UP? 139 00:05:58,227 --> 00:06:00,795 HAVE A GOOD DAY. OLIVIA: WOW. IT IS SERIOUSLY 140 00:06:00,838 --> 00:06:02,797 LIKE BEING AT BEVERLY ALL OVER AGAIN. 141 00:06:02,840 --> 00:06:04,886 AH, WHAT CAN I SAY? PEOPLE LOVE ME. 142 00:06:04,929 --> 00:06:06,235 - OK. WHATEVER. - HMM, HMM. 143 00:06:06,278 --> 00:06:07,976 HAVE YOU SEEN SPENCER? 144 00:06:08,019 --> 00:06:09,978 I MEAN, WE'RE SUPPOSED TO BE MEETING FOR SNACK TIME. 145 00:06:10,021 --> 00:06:11,936 YEAH, I REALLY WISH YOU WOULDN'T REFER TO IT 146 00:06:11,980 --> 00:06:13,895 AS "SNACK TIME" WHEN YOU'RE TALKING TO ME. 147 00:06:13,938 --> 00:06:15,679 OH, WHAT, YOU CAN'T HANDLE THE FACT THAT YOUR SISTER'S A SNACK? 148 00:06:15,723 --> 00:06:18,116 - DON'T MAKE ME THROW UP. - SERIOUSLY, WHERE IS HE? 149 00:06:18,160 --> 00:06:20,945 LOOK, LIV, THE DEPTH CHART RESULTS ARE GOING UP TODAY, OK? 150 00:06:20,989 --> 00:06:23,992 HE PROBABLY JUST STOPPED BY THE GYM. HE'S BEEN WORKING 151 00:06:24,035 --> 00:06:25,950 LIKE A MADMAN TRYING TO MAKE THIRD-STRING, ALL RIGHT? 152 00:06:25,994 --> 00:06:27,561 NO DEPTH CHART, NO PLAYING TIME. 153 00:06:27,604 --> 00:06:29,867 YEAH, I KNOW. MY DAD'S A FOOTBALL COACH, TOO? 154 00:06:29,911 --> 00:06:32,087 - OH, YOUR DAD'S A COACH, TOO? - UH, YEAH. [GIBBERISH] 155 00:06:32,130 --> 00:06:34,350 [PHONE VIBRATING] JORDAN: YOU'RE ANNOYING. 156 00:06:34,394 --> 00:06:38,049 MAN: HEY, JORDAN! OLIVIA: WAIT. UH, GIVE ME A SEC. 157 00:06:38,093 --> 00:06:40,095 HELLO? 158 00:06:40,138 --> 00:06:42,706 [OVERLAPPING CHATTER] ISAIAH: YO, 159 00:06:42,750 --> 00:06:45,361 WE DID THAT. SPENCER: WHAT'S ALL THIS? 160 00:06:45,405 --> 00:06:47,145 HEY, COACH POSTED THE DEPTH CHART. 161 00:06:47,189 --> 00:06:49,757 I MADE THIRD STRING. SPENCER: OH, THAT'S WHAT'S UP. 162 00:06:49,800 --> 00:06:52,934 DISTANT MAN: CHECK THE CHART? IS YOUR NAME UP THERE? 163 00:06:57,939 --> 00:07:00,115 HEY, DON'T EVEN WORRY ABOUT IT. 164 00:07:00,158 --> 00:07:02,509 YOU'LL GET YOUR SHOT. SPENCER: MY SHOT? 165 00:07:02,552 --> 00:07:04,598 [CELLPHONE VIBRATING] 166 00:07:06,208 --> 00:07:07,905 HEY, WHAT'S UP? 167 00:07:07,949 --> 00:07:10,560 I--I KNOW WE SAID WE WERE MEETING UP TODAY, BUT, UM, 168 00:07:10,604 --> 00:07:13,868 I THINK THAT JENN NEEDS ME-- SPENCER: LIV, I CAN'T RIGHT NOW, ALL RIGHT? 169 00:07:13,911 --> 00:07:15,870 THERE'S SOMETHING IMPORTANT I GOTTA TAKE CARE OF. 170 00:07:15,913 --> 00:07:17,959 HELLO? 171 00:07:27,577 --> 00:07:29,536 [LINE RINGS] COME ON. 172 00:07:29,579 --> 00:07:31,538 COME ON, COME ON, COME ON. 173 00:07:31,581 --> 00:07:34,192 [BEEP] COACH, COACH. 174 00:07:34,236 --> 00:07:36,194 THIS IS SOME B.S., MAN. I DON'T KNOW IF THIS 175 00:07:36,238 --> 00:07:39,110 COACH GARRETT DUDE'S GOT IT IN FOR ME OR WHAT-- 176 00:07:42,723 --> 00:07:46,422 I NEED YOU TO CALL ME BACK. SOMETHING AIN'T RIGHT. 177 00:07:51,645 --> 00:07:53,081 OLIVIA: I MEAN, JENN IS TECHNICALLY MISSING! JORDAN: YEAH. 178 00:07:53,124 --> 00:07:54,822 I MEAN, SHE COULD BE IN DANGER, AND HE JUST BLEW ME OFF! 179 00:07:54,865 --> 00:07:57,085 I MEAN, HE DIDN'T EVEN LET ME FINISH MY DAMN SENTENCE! 180 00:07:57,128 --> 00:07:59,087 AND I'M JUST STUCK WITH YOU. JORDAN: OK, WELL, HOLD ON. 181 00:07:59,130 --> 00:08:01,089 I THINK THE WORDS YOU'RE LOOKING FOR ARE "THANK YOU"? 182 00:08:01,132 --> 00:08:03,744 LOOK, I--I'M SORRY, OK? I JUST--I'M SCARED 183 00:08:03,787 --> 00:08:05,397 THAT JENN'S FALLEN OFF THE WAGON. 184 00:08:05,441 --> 00:08:07,399 I MEAN, HER PARENTS HAVE NO IDEA WHERE SHE IS, 185 00:08:07,443 --> 00:08:09,967 AND I--I KNOW FIRSTHAND HOW QUICKLY SHE CAN SPIRAL. 186 00:08:10,011 --> 00:08:13,275 - OK, OK, WHOA, WHOA, WHOA, LIV, HEY. - [SIGHS] 187 00:08:13,318 --> 00:08:16,278 RELAX. STOP WORRYING, OK? WE'RE GONNA FIND HER, 188 00:08:16,321 --> 00:08:19,194 HOWEVER LONG IT TAKES. [CELLPHONE VIBRATES] OLIVIA: WAIT, WAIT. 189 00:08:19,237 --> 00:08:20,804 HELLO? 190 00:08:20,848 --> 00:08:22,632 DRAYMOND WHO? 191 00:08:22,676 --> 00:08:24,852 OH, OH, OK. YES, UM, 192 00:08:24,895 --> 00:08:28,159 THANK YOU SO MUCH. WE'LL--WE'LL BE RIGHT THERE. 193 00:08:28,203 --> 00:08:30,988 SHE'S AT SLAUSON CAFEÉ. JORDAN: ALL RIGHT, THAT'S COOL. COME ON. 194 00:08:33,469 --> 00:08:36,646 [TAPS DOOR] IMPRESSIVE DIGS. 195 00:08:36,690 --> 00:08:39,649 OH, MY GOD. SABINE. UM, YOU'RE HERE, 196 00:08:39,693 --> 00:08:42,391 IN MY STUDIO. UM, I THOUGHT YOU WERE ON TOUR. 197 00:08:42,434 --> 00:08:44,567 - CLEARLY NOT ANYMORE. - [CHUCKLES] 198 00:08:44,611 --> 00:08:47,222 DID YOU THINK I WAS KIDDING WHEN I SAID I WANTED TO WORK TOGETHER? 199 00:08:47,265 --> 00:08:49,224 YOU KNOW, I JUST--I DIDN'T KNOW IF IT WAS ONE OF THOSE THINGS 200 00:08:49,267 --> 00:08:51,618 PEOPLE SAY TO, LIKE, BE POLITE, YOU KNOW, LIKE, UH, 201 00:08:51,661 --> 00:08:54,098 "LET'S DO LUNCH" OR "SURE, I'LL HELP YOU MOVE." 202 00:08:54,142 --> 00:08:56,536 NO, NO, I--I SAID IT AND I MEANT EVERY WORD. 203 00:08:56,579 --> 00:08:58,581 OK, WELL, UH, 204 00:08:58,625 --> 00:09:00,583 LET'S--YOU KNOW, WE CAN SET A TIME. 205 00:09:00,627 --> 00:09:03,064 I CAN DO-- SABINE: HOW 'BOUT NOW? 206 00:09:03,107 --> 00:09:06,067 YOU KNOW, I'LL JUST CALL MY MANAGER REAL QUICK, I NEED TO CHECK IN, 207 00:09:06,110 --> 00:09:08,635 AND THEN WE CAN GET STARTED ON SOMETHING. 208 00:09:08,678 --> 00:09:11,289 YEAH. YEAH, NOW--NOW WORKS. THAT'S GREAT. 209 00:09:11,333 --> 00:09:14,379 - OK. PERFECT. - OK. 210 00:09:16,643 --> 00:09:18,906 [WHISTLE BLOWS] 211 00:09:18,949 --> 00:09:20,647 FEMALE SINGER: ♪ KEEP ON BEATIN' THAT, BEATIN' THAT DRUM ♪ 212 00:09:20,690 --> 00:09:22,692 ♪ BEATIN' THAT, BEATIN' THAT ♪ 213 00:09:22,736 --> 00:09:24,738 ♪ KEEP ON BEATIN' THAT, BEATIN' THAT DRUM ♪ 214 00:09:24,781 --> 00:09:26,696 ♪ BEATIN' THAT, BEATIN' THAT, BEATIN' THAT DRUM ♪ 215 00:09:26,740 --> 00:09:28,437 IT DOESN'T FEEL RIGHT DROPPING IN ON COACH MONTES LIKE THIS. 216 00:09:28,480 --> 00:09:30,047 DUDE, RELAX. YOU GOT TO SHOOT YOUR SHOT 217 00:09:30,091 --> 00:09:31,875 WHENEVER YOU CAN TAKE IT, ALL RIGHT? 218 00:09:31,919 --> 00:09:34,486 YOU SAID YOU WANTED A JOB AS A STUDENT COACH. 219 00:09:34,530 --> 00:09:37,228 NOW, YOU GET TO PITCH YOURSELF-- ASHER: I SHOULD HAVE CALLED FIRST OR SOMETHING. 220 00:09:37,272 --> 00:09:39,361 I'VE ONLY MET THE MAN ONE TIME. JJ: I'M TELLING YOU, COACH MR. MONTES IS COOL, ALL RIGHT? 221 00:09:39,404 --> 00:09:41,798 I'VE BEEN TALKING YOU UP TO HIM. SO HAS COACH MRS. MONTES. 222 00:09:41,842 --> 00:09:44,671 - YOU KNOW, YOU COULD JUST CALL THEM BOTH "COACH MONTES," RIGHT? - YEAH. AHEM. 223 00:09:44,714 --> 00:09:46,803 MR. PARKER, YOU'RE LATE FOR WARMUPS. 224 00:09:46,847 --> 00:09:49,284 UH, MY BAD, COACH. I JUST WANTED TO BRING MY BOY ASHER HERE 225 00:09:49,327 --> 00:09:52,374 TO CHAT YOU UP A LITTLE BEFORE PRACTICE. 226 00:09:54,550 --> 00:09:56,596 UH, I'M SORRY FOR THE UNANNOUNCED VISIT, 227 00:09:56,639 --> 00:09:59,599 COACH MR. M-- UH, COACH MONTES. 228 00:09:59,642 --> 00:10:03,603 IT'S NO WORRIES. IT'S GOOD TO SEE YOU AGAIN. HOW'S THE TICKER, TIN MAN? 229 00:10:03,646 --> 00:10:06,301 UH, IT'S GOOD. IT'S GOOD. I'M FEELING GREAT. 230 00:10:06,344 --> 00:10:08,869 GOOD. MY WIFE TOLD ME HOW WELL YOU HANDLED THE DIAGNOSIS. 231 00:10:08,912 --> 00:10:11,393 HOPEFULLY SHE ALSO TOLD YOU THAT I CAN BREAK DOWN FILM 232 00:10:11,436 --> 00:10:13,787 AND HOW I DESIGNED PLAYS FOR THE CHAMPIONSHIP GAME, 233 00:10:13,830 --> 00:10:16,441 WHICH IS WHY I THINK I WOULD BE AN ASSET 234 00:10:16,485 --> 00:10:19,923 ON YOUR STAFF AS A STUDENT COACH, SIR. 235 00:10:21,708 --> 00:10:24,319 MONTES: NICKY? NICKY: HERE YOU GO, COACH. 236 00:10:24,362 --> 00:10:26,930 I GOT TO GET PRACTICE STARTED, BUT I WANT YOU TO WATCH GAME TAPE 237 00:10:26,974 --> 00:10:29,150 FROM THE BATTLE FOR CALI IN 2012. 238 00:10:29,193 --> 00:10:31,500 THE ANNUAL RIVALRY GAME WITH G.A.U.? 239 00:10:31,543 --> 00:10:33,241 I REMEMBER THAT GAME. YOU GUYS WERE, LIKE, 240 00:10:33,284 --> 00:10:34,851 A 20-POINT UNDERDOG AND STILL WON. 241 00:10:34,895 --> 00:10:36,548 IT WAS MY FIRST JOB ON A COACHING STAFF 242 00:10:36,592 --> 00:10:38,463 AT A D1 SCHOOL UNDER COACH FOX. 243 00:10:38,507 --> 00:10:41,466 TAKE A LOOK AT IT. LET ME KNOW IF SOMETHING JUMPS OUT AT YOU. 244 00:10:41,510 --> 00:10:45,601 WILL DO. I--I WON'T LET YOU DOWN. 245 00:10:47,081 --> 00:10:49,039 [KEYS JANGLING] 246 00:10:49,083 --> 00:10:51,041 [CELLPHONE VIBRATES] 247 00:10:51,085 --> 00:10:54,131 OH. MMM. HEY. 248 00:10:54,175 --> 00:10:56,133 GRACE: HEY. BILLY: UM... 249 00:10:56,177 --> 00:10:58,570 [CHUCKLING] WHY DO PRINCIPALS CARRY AROUND ALL THESE KEYS? 250 00:10:58,614 --> 00:11:00,660 WHY IS PREACH IN A CLASSROOM? 251 00:11:00,703 --> 00:11:02,662 OH, I PUT HIM THERE. 252 00:11:02,705 --> 00:11:04,664 I WANTED TO TEST HIM OUT AS A, UH, 253 00:11:04,707 --> 00:11:07,014 A POSSIBLE REPLACEMENT TUTOR FOR THE FOOTBALL TEAM. 254 00:11:07,057 --> 00:11:09,016 HE'S A CONVICTED FELON WITH TWO STRIKES. 255 00:11:09,059 --> 00:11:11,235 HE IS NOT ALLOWED ON SCHOOL GROUNDS. 256 00:11:11,279 --> 00:11:14,238 WELL, ACTUALLY, AS PRINCIPAL, IT'S LEFT TO MY DISCRETION WHO IS 257 00:11:14,282 --> 00:11:16,676 AND ISN'T ALLOWED HERE. GRACE: INTERIM PRINCIPAL. 258 00:11:16,719 --> 00:11:19,679 AH. LOOK, ANYWAY, I'M HAVING A GREAT TIME 259 00:11:19,722 --> 00:11:21,855 AT THIS JOB. UH, THANKS FOR ASKING. 260 00:11:21,898 --> 00:11:23,944 - BILLY-- - BUT I WANTED TO TALK TO YOU ABOUT INCORPORATING 261 00:11:23,987 --> 00:11:27,121 MY FINANCIAL LITERACY COURSE INTO THE-- THE MAIN CURRICULUM. 262 00:11:27,164 --> 00:11:29,297 - BILLY-- - AND PREACH, HE'S OFF 263 00:11:29,340 --> 00:11:32,126 TO A REALLY GREAT START, SO THE--THE ONLY THING I'M NOT REALLY FEELING 264 00:11:32,169 --> 00:11:35,738 ARE THOSE KEYS. GRACE: WELL, YOU WON'T HAVE TO CARRY THEM MUCH LONGER 265 00:11:35,782 --> 00:11:37,392 'CAUSE THERE BEEN A VERY STRONG CANDIDATE 266 00:11:37,435 --> 00:11:39,176 WHO HAS EMERGED FOR THE PRINCIPAL SLOT. 267 00:11:39,220 --> 00:11:42,310 OH...OK. FOR REAL? 268 00:11:42,353 --> 00:11:45,313 YES. CHANGE IS COMING, 269 00:11:45,356 --> 00:11:48,142 SO DON'T GET PREACH'S HOPES UP. 270 00:11:48,185 --> 00:11:50,274 [FOOTSTEPS RETREAT] 271 00:11:50,318 --> 00:11:53,277 [HIP-HOP TRACK PLAYING] 272 00:11:53,321 --> 00:11:55,932 WOMAN: ♪ OH 273 00:11:55,976 --> 00:11:58,065 ♪ OH 274 00:11:58,108 --> 00:12:01,633 ♪ OH SABINE: I-IT'S COOL. IT'S NOT ME, THOUGH. 275 00:12:01,677 --> 00:12:05,942 IT'S GIVING TIMBALAND VIBES, AND I AM JUST--I'M LOOKING FOR SOMETHING DIFFERENT. 276 00:12:05,986 --> 00:12:07,944 OK. UM, AHEM. 277 00:12:07,988 --> 00:12:10,381 UH, CHECK THIS OUT. 278 00:12:10,425 --> 00:12:12,775 [SLOWER TRACK PLAYS] 279 00:12:12,819 --> 00:12:14,646 IT SOUNDS TOO MUCH LIKE SWIZZ BEATZ. 280 00:12:14,690 --> 00:12:17,040 OK. UM... [TURNS OFF TRACK] 281 00:12:17,084 --> 00:12:19,260 YOU JUST HAVE, UH, LIKE, A BIGGER SOUND, 282 00:12:19,303 --> 00:12:21,828 SO I'M TRYING TO CATER TO THAT. SABINE: BY NOT BEING YOU? 283 00:12:21,871 --> 00:12:25,396 IF I WANTED TIMBALAND, I'D BE WORKING WITH HIM. 284 00:12:25,440 --> 00:12:28,617 YOU WROTE "TRUST" FOR PATIENCE ROBINSON, RIGHT? 285 00:12:28,660 --> 00:12:30,967 ♪ TRUST IN THE MOMENT [SNAPPING FINGERS] 286 00:12:31,011 --> 00:12:32,969 ♪ TRUST IN THE FUTURE 287 00:12:33,013 --> 00:12:35,102 ♪ TRUST IN MY PEOPLE 288 00:12:35,145 --> 00:12:38,496 ♪ BUT I TRUST IN ME FIRST LAYLA: YOU KNOW "TRUST"? 289 00:12:38,540 --> 00:12:40,498 THE VIBE OF THAT SONG, THE BLEND, 290 00:12:40,542 --> 00:12:42,500 PATIENCE'S ESSENCE, HER VOICE-- 291 00:12:42,544 --> 00:12:44,720 THERE'S NOTHING OUT THERE THAT SOUNDS LIKE THAT RIGHT NOW. 292 00:12:44,764 --> 00:12:48,115 WHAT YOU DID FOR HER WITH THAT SONG IS WHAT I WANT YOU TO DO FOR ME-- 293 00:12:48,158 --> 00:12:50,117 CULTIVATE A UNIQUE SOUND, 294 00:12:50,160 --> 00:12:53,816 TAKE MY ESSENCE AND PUT A TWIST ON IT. 295 00:12:57,820 --> 00:13:00,388 OK. HOW 'BOUT WE JUST TAKE A BREAK FROM MUSIC FOR A SECOND 296 00:13:00,431 --> 00:13:03,478 AND GRAB SOME LUNCH? LAYLA: UH, NO, WE GOT WORK TO DO. 297 00:13:03,521 --> 00:13:06,220 LOOK, YOU'RE RIGHT, AND PART OF THE REASON I'M ABLE TO DO THAT 298 00:13:06,263 --> 00:13:08,222 FOR PATIENCE IS BECAUSE I KNOW HER SO WELL, 299 00:13:08,265 --> 00:13:10,659 SO I THINK IT'S TIME THAT I GET TO KNOW YOU. 300 00:13:10,702 --> 00:13:14,141 FIRST LOVE, LAST LOVE, GREATEST HEARTBREAK-- I WANT IT ALL. 301 00:13:14,184 --> 00:13:16,839 - AND IF I'M HUNGRY? - THAT'S WHAT TAKEOUT IS FOR. 302 00:13:16,883 --> 00:13:18,972 - THERE SHE IS! - HA HA HA! 303 00:13:19,015 --> 00:13:21,626 WHOO! I'VE BEEN WAITING FOR THIS LAYLA KEATING ALL DAY. 304 00:13:21,670 --> 00:13:24,020 OK. LET'S HEAR IT. 305 00:13:24,064 --> 00:13:26,806 - HMM. HA HA! - GONNA WRITE THIS DOWN. 306 00:13:28,416 --> 00:13:31,419 SPENCER: COACH! KENNY: SPENCE, WHAT'S UP? 307 00:13:31,462 --> 00:13:33,290 I'VE BEEN BUSTING MY ASS TRYING TO MAKE 308 00:13:33,334 --> 00:13:35,249 THIS DEPTH CHART, BUT I NEVER STOOD A CHANCE. 309 00:13:35,292 --> 00:13:37,294 COACH GARRETT CLEARLY GOT HIS FAVORITES. 310 00:13:37,338 --> 00:13:40,167 GARRETT: WHOA, SON. IT'S NOT FAVORITISM. ISAIAH'S A BETTER PLAYER. 311 00:13:40,210 --> 00:13:42,691 IF ANYONE SHOULD BE PISSED, IT SHOULD BE HIM. 312 00:13:42,734 --> 00:13:45,389 KENNY: LOOK, COACH, THIS IS-- GARRETT: NO. THAT SCHOLARSHIP YOU'RE HERE ON? 313 00:13:45,433 --> 00:13:48,740 THAT WAS ISAIAH'S. COACH KENNY WOULD ONLY COME WORK FOR ME 314 00:13:48,784 --> 00:13:50,742 IF THE SCHOLARSHIP WENT TO YOU. 315 00:13:50,786 --> 00:13:53,223 IS THAT TRUE? 316 00:13:53,267 --> 00:13:57,314 IT'S SLIGHTLY MORE COMPLICATED THAN THAT, BUT... 317 00:13:57,358 --> 00:13:59,926 LOOK, SPENCE, I BELIEVE IN YOUR TALENT. 318 00:13:59,969 --> 00:14:02,537 GARRETT: AND YOU'RE LUCKY HE DOES, 11, 'CAUSE I HAVEN'T SEEN IT YET. 319 00:14:02,580 --> 00:14:06,628 CAN YOU PLAY? SURE. SO CAN EVERYONE ELSE ON THIS TEAM. 320 00:14:06,671 --> 00:14:08,848 I'VE BEEN COMING IN AND I'VE BEEN PUTTING IN THE WORK, COACH. 321 00:14:08,891 --> 00:14:11,024 THERE'S A SAYING: 322 00:14:11,067 --> 00:14:13,635 "SUCCESS IS RENTED, NOT OWNED," 323 00:14:13,678 --> 00:14:15,593 AND THAT RENT IS DUE EVERY DAY. 324 00:14:15,637 --> 00:14:17,595 YOUR PROBLEM IS YOU'RE TRYING TO PAY IT WITH 325 00:14:17,639 --> 00:14:20,250 THE CURRENCY OF WHAT YOU ACCOMPLISHED IN HIGH SCHOOL, 326 00:14:20,294 --> 00:14:23,427 BUT YOUR EGO WON'T ALLOW YOU TO SEE THAT. 327 00:14:27,388 --> 00:14:29,956 THE TRUTH STINGS A BIT, DOESN'T IT? 328 00:14:29,999 --> 00:14:32,610 NOW THAT IT'S OUT THERE, 329 00:14:32,654 --> 00:14:36,876 HOW ARE YOU GONNA RESPOND TO THE CHALLENGE? 330 00:14:46,320 --> 00:14:48,278 PLAYER: AW! 331 00:14:48,322 --> 00:14:50,541 THAT WAS RIGHT THERE! GOTTA CATCH IT. 332 00:14:52,108 --> 00:14:55,677 - LET'S HEAR IT. WHAT DO YOU GOT? - THE OPPOSING QB HAD A TELL. 333 00:14:55,720 --> 00:14:57,853 HIS LEFT SHOULDER DIPPED WHENEVER IT WAS A RUNNING PLAY, 334 00:14:57,897 --> 00:14:59,942 IT STAYED LEVEL WHEN HE WAS PASSING. 335 00:14:59,986 --> 00:15:02,379 NO. WATCH IT AGAIN. 336 00:15:03,946 --> 00:15:06,906 MALE SINGER: ♪ I'VE BEEN FLOATING IN MY... ♪ 337 00:15:06,949 --> 00:15:09,952 [CELLPHONE VIBRATING] OLIVIA: OH, GOD. 338 00:15:09,996 --> 00:15:13,782 [SIGHS] [CELLPHONE VIBRATING] 339 00:15:13,825 --> 00:15:15,958 DON'T YOU DARE ANSWER THAT. 340 00:15:16,002 --> 00:15:18,656 ARE YOU REALLY GONNA PUT ME IN THE MIDDLE OF THIS? 341 00:15:20,136 --> 00:15:22,138 OK. THERE SHE IS. 342 00:15:22,182 --> 00:15:25,185 HEY. WE'VE BEEN LOOKING ALL OVER FOR YOU. 343 00:15:25,228 --> 00:15:28,753 YOUR PARENTS CALLED. THEY WERE SCARED. I WAS SCARED. 344 00:15:28,797 --> 00:15:31,408 I MEAN, WHY AREN'T YOU IN SCHOOL? IT'S YOUR FIRST DAY. 345 00:15:31,452 --> 00:15:33,062 JENN: I'M FINE. OLIVIA: THAT IS NOT AN ANSWER. 346 00:15:33,106 --> 00:15:35,412 OK, I THINK I KNOW HOW WE CAN GET IT OUT OF HER. 347 00:15:39,939 --> 00:15:42,245 ARE YOU SERIOUSLY TRYING TO BRIBE ME 348 00:15:42,289 --> 00:15:44,247 WITH ICE CREAM LIKE I'M 5? 349 00:15:44,291 --> 00:15:46,902 [OLIVIA SNICKERS] JORDAN: ICE CREAM? 350 00:15:46,946 --> 00:15:50,253 NO, NO, NO, NO. THIS--THIS IS NOT JUST ICE CREAM. 351 00:15:50,297 --> 00:15:53,691 THIS IS A FAMILY CONCOCTION, THE BAKER DELIGHT. 352 00:15:53,735 --> 00:15:57,130 IF YOU'RE SO TOUGH... TAKE A BITE. 353 00:15:57,173 --> 00:15:59,132 GO ON. 354 00:15:59,175 --> 00:16:01,873 [INDISTINCT SINGING CONTINUES] 355 00:16:06,356 --> 00:16:08,228 OLIVIA: MM-HMM. JORDAN: MM-HMM. 356 00:16:08,271 --> 00:16:11,448 - YEAH. OK. NOW... - [CHUCKLES] 357 00:16:11,492 --> 00:16:13,450 SPILL IT. 358 00:16:13,494 --> 00:16:15,975 WHY'D YOU CUT YOUR FIRST DAY OF SCHOOL? 359 00:16:19,282 --> 00:16:21,241 I SKIPPED 'CAUSE... 360 00:16:21,284 --> 00:16:23,243 I WAS AFRAID OF BEING BACK. 361 00:16:23,286 --> 00:16:25,897 ALL MY FRIENDS THERE... 362 00:16:25,941 --> 00:16:28,770 THEY'RE WHO I USED TO PARTY WITH. 363 00:16:28,813 --> 00:16:31,077 SOUNDS FAMILIAR. 364 00:16:31,120 --> 00:16:33,079 REALLY? 365 00:16:33,122 --> 00:16:36,082 I'VE BEEN WORKING SO HARD TO STAY CLEAN 366 00:16:36,125 --> 00:16:39,737 THIS SUMMER THAT I KIND OF... 367 00:16:39,781 --> 00:16:42,740 DIDN'T THINK ABOUT WHAT IT WOULD FEEL LIKE WHEN SUMMER WAS OVER 368 00:16:42,784 --> 00:16:46,744 AND HAD TO BE AROUND THEM AGAIN. OLIVIA: WELL, UNFORTUNATELY, 369 00:16:46,788 --> 00:16:51,010 THERE WILL ALWAYS BE TRIGGERS EVERYWHERE. 370 00:16:51,053 --> 00:16:54,535 EVEN I WAS WORRIED ABOUT STARTING AT G.A.U. AND BEING TRIGGERED, 371 00:16:54,578 --> 00:16:56,841 BUT THAT'S WHY WE WORK THE PROGRAM. 372 00:16:56,885 --> 00:17:00,062 IT ACTS AS A DEFENSE AGAINST THAT FIRST TEMPTATION. 373 00:17:00,106 --> 00:17:03,065 AND IF YOU'RE WORRIED ABOUT BEING TRIGGERED, 374 00:17:03,109 --> 00:17:06,112 I MEAN, CALL ME. THAT'S WHAT I'M HERE FOR. 375 00:17:09,767 --> 00:17:11,726 SO HOW PISSED ARE MY PARENTS? 376 00:17:11,769 --> 00:17:14,163 [INHALES DEEPLY] 377 00:17:14,207 --> 00:17:17,166 OH, LET'S JUST SAY, UM... [SETS DOWN PLATE] 378 00:17:17,210 --> 00:17:19,168 ENJOY THAT WHILE YOU HAVE THE TIME. 379 00:17:19,212 --> 00:17:21,257 OLIVIA: YEAH. 380 00:17:23,129 --> 00:17:26,088 PREACH: YO, I'M TELLING Y'ALL--HEY, HEY!-- I'M TELLING Y'ALL! 381 00:17:26,132 --> 00:17:28,264 I'M TELLING Y'ALL, HE HAD BARS. LOOK, THERE'S A LOT 382 00:17:28,308 --> 00:17:31,093 OF SIMILARITIES BETWEEN SHAKESPEARE AND HIP-HOP. 383 00:17:31,137 --> 00:17:34,618 YOUR BOY SHAKESPEARE USED TO DWELLETH IN YE OLDE TRAPHOUSE? 384 00:17:34,662 --> 00:17:37,012 [LAUGHTER] PREACH: ALL RIGHT, 385 00:17:37,056 --> 00:17:40,885 I'MMA GIVE YOU A LINE, AND YOU TELL ME IF IT'S SHAKESPEARE OR HIP-HOP. 386 00:17:40,929 --> 00:17:44,933 "MEN WOULD RATHER USE THEIR BROKEN WEAPONS THAN THEIR BARE HANDS." 387 00:17:44,976 --> 00:17:48,893 - EASY. NBA YOUNGBOY. - NAH, THAT'S MONEYBAGG YO. 388 00:17:48,937 --> 00:17:51,418 JABARI: THAT'S YOUNGBOY, BRO. PREACH, CHUCKLING: LOOK, BOTH OF Y'ALL ARE WRONG. 389 00:17:51,461 --> 00:17:54,943 THAT'S OTHELLO. THAT'S ONE OF SHAKESPEARE'S MOST POPULAR TRAGEDIES 390 00:17:54,986 --> 00:17:57,163 OK, HERE'S ANOTHER ONE: 391 00:17:57,206 --> 00:18:01,167 "AND THEIR LOVE FOR IT IS THE REASON THAT I HAVE BECOME THIS PRAISED." 392 00:18:01,210 --> 00:18:03,473 THAT'S DEFINITELY SHAKESPEARE. 393 00:18:03,517 --> 00:18:05,475 - YOU SURE? - WHO ELSE? 394 00:18:05,519 --> 00:18:07,129 MAN, YOU'RE WRONG AGAIN. 395 00:18:07,173 --> 00:18:09,827 THAT'S LUPE FIASCO, "PUT YOU ON GAME." 396 00:18:09,871 --> 00:18:12,352 I SEE I'MMA HAVE TO PUT BOTH Y'ALL ON GAME, MAN. 397 00:18:12,395 --> 00:18:14,005 GIRL IN HALLWAY: FIGHT! FIGHT! PREACH: HEY! HEY! 398 00:18:14,049 --> 00:18:16,007 Y'ALL STAY RIGHT THERE! I'LL BE RIGHT BACK! 399 00:18:16,051 --> 00:18:18,575 [STUDENTS SHOUTING] BILLY: OUT THE WAY, OUT THE WAY. 400 00:18:18,619 --> 00:18:21,012 ALL RIGHT, COMING THROUGH. CLEAR OUT, CLEAR OUT. EXCUSE ME. 401 00:18:21,056 --> 00:18:23,406 QUIET! QUIET! 402 00:18:23,450 --> 00:18:25,321 AW, COME ON, NOW. NOT AGAIN. 403 00:18:25,365 --> 00:18:28,150 JOJO AND VERNON, YOU-- 404 00:18:28,194 --> 00:18:30,065 Y'ALL KNOW BETTER. 405 00:18:30,109 --> 00:18:32,154 PICK UP YOUR STUFF, GET YOUR BEHINDS IN MY OFFICE. 406 00:18:32,198 --> 00:18:34,548 LOOK, DON'T WORRY ABOUT IT, COACH BAKER. LET ME HANDLE 'EM. 407 00:18:34,591 --> 00:18:37,028 [STUDENTS MURMUR] 408 00:18:37,072 --> 00:18:39,030 OK. COOL-- 409 00:18:39,074 --> 00:18:41,381 WHEN YOU SAY, "HANDLE IT," YOU MEAN-- 410 00:18:41,424 --> 00:18:43,383 TAKE 'EM BACK TO THE CLASSROOM FOR TUTORING. 411 00:18:43,426 --> 00:18:45,254 FOR TUTORING. RIGHT. GENTLEMEN, 412 00:18:45,298 --> 00:18:46,908 YOU'RE GONNA GO WITH MR. PREACH. PREACH: GET YOUR STUFF. 413 00:18:46,951 --> 00:18:48,779 EVERYBODY ELSE, GET MOVING. 414 00:18:48,823 --> 00:18:50,390 - MAN, Y'ALL HEARD HIM. LET'S GO. - GET TO CLASS. 415 00:18:50,433 --> 00:18:53,088 [KEYS JANGLE, DOOR OPENS] 416 00:18:58,311 --> 00:19:01,705 MS. ROBINSON? I DON'T KNOW IF YOU REMEMBER ME. 417 00:19:04,273 --> 00:19:06,449 DETECTIVE, UM, POWORSKI. 418 00:19:06,493 --> 00:19:08,843 OH, GOOD. YOU DO REMEMBER. 419 00:19:08,886 --> 00:19:11,454 I WAS HOPING TO SPEAK TO YOUR GIRLFRIEND COOP. 420 00:19:11,498 --> 00:19:14,153 I HAVE SOME QUESTIONS ABOUT MONIQUE MOORE'S MURDER. 421 00:19:22,596 --> 00:19:26,034 PATIENCE: UM, I THOUGHT THE CASE WAS CLOSED, LIKE, INVESTIGATION DONE. 422 00:19:26,077 --> 00:19:29,080 - IS COOP AVAILABLE? - SHE'S OUTTA TOWN RIGHT NOW. 423 00:19:29,124 --> 00:19:32,475 WELL, THAT'S CONVENIENT. MAYBE YOU COULD HELP ME. 424 00:19:32,519 --> 00:19:35,217 YOU SEE, SOME NEW INFORMATION HAS COME TO LIGHT. 425 00:19:35,261 --> 00:19:38,220 I GOTTA SAY, IT'S ALWAYS BAFFLED ME HOW COOP MADE IT 426 00:19:38,264 --> 00:19:41,310 TO THE HOSPITAL AFTER SHE WAS SHOT AND PASSED OUT. 427 00:19:41,354 --> 00:19:43,617 - GOOD SAMARITAN, I GUESS. - YEAH, OK, BUT WOULDN'T 428 00:19:43,660 --> 00:19:46,663 A GOOD SAMARITAN STICK AROUND AND MAKE SURE SHE WAS OK? 429 00:19:46,707 --> 00:19:50,232 MAYBE JUST A SEMI-GOOD SAMARITAN. 430 00:19:50,276 --> 00:19:53,453 YOU'RE FUNNY. I--I DIDN'T KNOW YOU WERE A COMEDIAN AND A SINGER. 431 00:19:53,496 --> 00:19:56,586 SPEAKING OF, IT WOULD BE A SHAME 432 00:19:56,630 --> 00:19:59,241 FOR YOU TO RUIN YOUR BLOSSOMING CAREER 433 00:19:59,285 --> 00:20:01,983 BECAUSE YOU WERE COVERING FOR YOUR GIRLFRIEND. 434 00:20:02,026 --> 00:20:05,378 SEE, WE CALL THAT ACCESSORY AFTER THE FACT. 435 00:20:05,421 --> 00:20:07,815 [FOOTSTEPS APPROACH] LAURA: I THINK THAT'S A CONVERSATION 436 00:20:07,858 --> 00:20:10,948 YOU SHOULD BE HAVING WITH HER ATTORNEY, AND THAT WOULD BE ME. 437 00:20:10,992 --> 00:20:12,950 D.A. BAKER. OH, SORRY. 438 00:20:12,994 --> 00:20:15,170 IT'S NOT "D.A." ANYMORE, RIGHT? 439 00:20:15,214 --> 00:20:18,391 WE WERE JUST HAVING A CASUAL CONVERSATION. LAURA: MM-HMM, 440 00:20:18,434 --> 00:20:20,915 A CONVERSATION THAT IS NOW OVER, AND IF YOU'D LIKE 441 00:20:20,958 --> 00:20:23,526 TO CONVERSE WITH MY CLIENT AGAIN, YOU CAN REACH OUT 442 00:20:23,570 --> 00:20:25,528 TO MY ASSISTANT AND SCHEDULE A MEETING, 443 00:20:25,572 --> 00:20:27,878 IF PATIENCE IS AVAILABLE. 444 00:20:32,143 --> 00:20:33,971 [DOOR CLOSES] 445 00:20:34,015 --> 00:20:36,539 ALL RIGHT, I GOT A FEW MINUTES BEFORE THE COACHES' MEETING. 446 00:20:36,583 --> 00:20:38,541 TELL ME WHAT YOU SAW ON THE GAME FILM. 447 00:20:38,585 --> 00:20:40,543 WELL, UM... 448 00:20:40,587 --> 00:20:43,198 YOUR D-LINEMAN LED THE CONFERENCE IN SACKS, 449 00:20:43,242 --> 00:20:45,766 BUT HE WAS FRUSTRATED ALL GAME 'CAUSE HIS BULL RUSH WASN'T WORKING. 450 00:20:45,809 --> 00:20:47,768 SHOULD HAVE SWITCHED TECHNIQUE. 451 00:20:47,811 --> 00:20:49,770 STILL NOT IT, 452 00:20:49,813 --> 00:20:51,902 BUT YOU RAISED A SOLID OBSERVATION. 453 00:20:51,946 --> 00:20:54,253 TELL ME MORE. 454 00:20:56,559 --> 00:20:59,170 UM, OK. UH... 455 00:20:59,214 --> 00:21:01,172 THERE ARE A LOT OF GIFTED ATHLETES 456 00:21:01,216 --> 00:21:04,219 OUT THERE WHO DON'T REALIZE 457 00:21:04,263 --> 00:21:06,700 THAT JUST BECAUSE THEY'VE HAD SUCCESS WITH ONE APPROACH... 458 00:21:06,743 --> 00:21:08,745 MALE SINGER: ♪ OH ASHER: DOESN'T MEAN 459 00:21:08,789 --> 00:21:11,008 THAT THEY CAN APPLY IT TO EVERY SITUATION. 460 00:21:11,052 --> 00:21:13,533 [SPENCER GRUNTING] MALE SINGER: ♪ WILL I GIVE IT UP? ♪ 461 00:21:13,576 --> 00:21:17,319 ASHER: YOU HAVE TO HAVE SELF-AWARENESS A-AND VERSATILITY 462 00:21:17,363 --> 00:21:19,800 TO KNOW WHEN TO CHANGE YOUR METHOD OF ATTACK... 463 00:21:19,843 --> 00:21:21,802 SINGER: ♪ OH 464 00:21:21,845 --> 00:21:25,327 ASHER: 'CAUSE ULTIMATELY, LIKE, IF ALL YOU HAVE IS A HAMMER, 465 00:21:25,371 --> 00:21:27,416 EVERYTHING'S GONNA START LOOKING LIKE NAILS. 466 00:21:27,460 --> 00:21:30,332 BACKGROUND SINGERS: ♪ HEY! SINGER: ♪ NOW GIVE IT UP 467 00:21:30,376 --> 00:21:32,813 ♪ WHOA-OH-OH 468 00:21:34,989 --> 00:21:37,034 KEEP TRYING. 469 00:21:38,514 --> 00:21:40,734 [DISTANT COACHES SHOUT] PATIENCE: COOP, 470 00:21:40,777 --> 00:21:42,344 CALL ME BACK! 471 00:21:42,388 --> 00:21:44,955 FOR REAL, PLEASE CALL ME BACK, SERIOUSLY. 472 00:21:44,999 --> 00:21:47,088 [SIGHS] GOD. 473 00:21:47,131 --> 00:21:50,091 SHE IS STILL NOT ANSWERING, AND I KNOW THAT HER DAD 474 00:21:50,134 --> 00:21:53,312 SAID CELL SERVICE IS CRAPPY OUT THERE, BUT, LIKE--LIKE, DAMN! 475 00:21:53,355 --> 00:21:56,010 OK, HONEY, I NEED YOU TO CALM DOWN, OK? 476 00:21:56,053 --> 00:21:58,839 HERE, DRINK THE TEA... PATIENCE: THANK YOU. 477 00:21:58,882 --> 00:22:02,886 AND I NEED YOU TO TELL ME EVERYTHING ABOUT THAT NIGHT. 478 00:22:02,930 --> 00:22:05,498 START TALKING. 479 00:22:05,541 --> 00:22:08,065 BILLY: I WANT TO HEAR HOW IT GOES. STUDENT: ALL RIGHT. 480 00:22:08,109 --> 00:22:10,329 BILLY: ALL RIGHT, MAN. PREACH: 'SUP, COACH? 481 00:22:10,372 --> 00:22:12,635 - HEY, NOW, WHAT'S HAPPENING? - LOOK LIKE WE BOTH SURVIVED DAY ONE. 482 00:22:12,679 --> 00:22:14,637 YEAH, YEAH, I HEARD YOU WERE A BIG HIT. 483 00:22:14,681 --> 00:22:16,900 PLUS, JABARI'S ENGLISH TEACHER DID A DOUBLE-TAKE 484 00:22:16,944 --> 00:22:19,816 AFTER HIS QUIZ TODAY, SAID HE WAS QUOTING SHAKESPEARE. 485 00:22:19,860 --> 00:22:22,819 I GUESS THAT'S 'CAUSE OF YOU. PREACH: MAN, IT AIN'T THAT DEEP, MAN. 486 00:22:22,863 --> 00:22:26,083 LOOK, THESE KIDS JUST NEED TO KNOW THAT YOU REALLY CARE ABOUT 'EM, 487 00:22:26,127 --> 00:22:28,085 GOT THEY BEST INTEREST AT HEART. BILLY: MM-HMM. 488 00:22:28,129 --> 00:22:31,088 I MEAN, WHEN THEY FEEL THAT, THEY'LL GIVE YOU THEY BEST, 489 00:22:31,132 --> 00:22:33,526 MAN, EVEN RUN THROUGH A WALL FOR YOU. 490 00:22:33,569 --> 00:22:35,745 BUT I AIN'T TELLING YOU NOTHING THAT YOU DON'T ALREADY KNOW. 491 00:22:35,789 --> 00:22:38,661 I MEAN, THAT'S WHAT MAKES YOU A GREAT COACH 492 00:22:38,705 --> 00:22:40,315 AND GREAT PRINCIPAL. 493 00:22:40,359 --> 00:22:42,230 I MEAN, YOUR JOB IS BASICALLY THE SAME, RIGHT? 494 00:22:42,273 --> 00:22:43,840 THE TEACHERS ARE LIKE YOUR COACHING STAFF, 495 00:22:43,884 --> 00:22:45,842 AND THE STUDENTS ARE YOUR PLAYERS. 496 00:22:45,886 --> 00:22:48,410 YOU'RE BACK HERE TOMORROW? 497 00:22:48,454 --> 00:22:50,630 FA SHO. I TOLD THE BOYS I'LL BREAK DOWN HOW 498 00:22:50,673 --> 00:22:52,806 "THE GREAT GATSBY" IS LIKE "LOVE & HIP HOP." 499 00:22:52,849 --> 00:22:54,547 HEH! WHAT? 500 00:22:54,590 --> 00:22:56,287 ATLANTA, NOT HOLLYWOOD. 501 00:22:56,331 --> 00:22:59,769 OF COURSE. HA HA! ALL RIGHT, MAN. 502 00:23:05,296 --> 00:23:07,255 [SIGHS] HMM. 503 00:23:07,298 --> 00:23:09,300 MALE SINGER: ♪ HIGH PROFILE, WHAT CAN I REALLY SAY? ♪ 504 00:23:09,344 --> 00:23:11,868 OLIVIA: HEY. SPENCER: HEY, I BEEN TRYING TO CALL. 505 00:23:11,912 --> 00:23:15,263 AND I'VE BEEN BUSY, JUST LIKE YOU. 506 00:23:15,306 --> 00:23:18,179 - HOLD UP. ARE YOU MAD AT ME? - SPENCER, I NEEDED YOU TODAY, 507 00:23:18,222 --> 00:23:20,790 AND YOU WERE NOWHERE TO BE FOUND. 508 00:23:20,834 --> 00:23:22,444 MY ENTIRE COLLEGE FOOTBALL CAREER IS 509 00:23:22,488 --> 00:23:24,359 FALLING APART, LIV. I WAS DEALING WITH THAT. 510 00:23:24,403 --> 00:23:26,535 SO YOU COULDN'T BE HERE WITH ME HERE TODAY 511 00:23:26,579 --> 00:23:28,537 BECAUSE YOU WERE DEALING WITH FOOTBALL, 512 00:23:28,581 --> 00:23:30,539 AND YET JORDAN IS RIGHT BY MY SIDE. 513 00:23:30,583 --> 00:23:32,541 JORDAN AND I ARE NOT WALKING THE SAME PATH. 514 00:23:32,585 --> 00:23:34,543 WE DON'T HAVE THE SAME STRUGGLES. 515 00:23:34,587 --> 00:23:37,546 YOU KNOW WHAT? IT'S WHATEVER. 516 00:23:37,590 --> 00:23:41,768 IT DOESN'T EVEN MATTER. I'M HERE NOW, SO... WHAT'S GOING ON? 517 00:23:41,811 --> 00:23:43,770 NOTHING. I'VE--I'VE HANDLED IT. 518 00:23:43,813 --> 00:23:46,076 I MEAN, I--I THOUGHT JENN HAD RELAPSED, 519 00:23:46,120 --> 00:23:48,035 BUT I FOUND HER AND SHE'S OK. 520 00:23:48,078 --> 00:23:50,037 BUT, I MEAN, THIS-- THIS COULD HAVE BEEN LIFE-OR-DEATH. 521 00:23:50,080 --> 00:23:52,474 - BUT YOU JUST SAID SHE WAS FINE. - RIGHT, AND YOU 522 00:23:52,518 --> 00:23:54,694 HAD MORE IMPORTANT THINGS, LIKE ALMIGHTY FOOTBALL. 523 00:23:54,737 --> 00:23:57,261 AND WHAT HAPPENED TO YOU LOOKING FORWARD TO OUR SNACK BREAKS TOGETHER? 524 00:23:57,305 --> 00:23:59,786 DON'T DO THAT. DON'T ACT LIKE YOU NOT A PRIORITY TO ME. 525 00:23:59,829 --> 00:24:04,007 THINGS HERE HAVE CHANGED. LOOK, MY FOOTBALL DREAMS ARE SHATTERING, LIV. 526 00:24:04,051 --> 00:24:07,054 I'M NOT HERE PLAYING GAMES. I GOT TO MAKE THIS D1 THING WORK, 527 00:24:07,097 --> 00:24:09,186 AND RIGHT NOW, THAT IS NOT HAPPENING! 528 00:24:09,230 --> 00:24:11,624 COACH GARRETT ADMITTED THAT HE AIN'T EVEN WANT ME HERE! 529 00:24:11,667 --> 00:24:14,017 - SPENCER, I--I DIDN'T KNOW. - NAH, NAH, NAH. IT'S COOL. 530 00:24:14,061 --> 00:24:15,932 IT'S COOL. YOU GOOD. YOU WITH JENN, RIGHT? YEAH, YOU SHOULD GO 531 00:24:15,976 --> 00:24:18,065 TAKE CARE OF HER. TELL HER I SAID WHAT'S UP 532 00:24:18,108 --> 00:24:20,067 AND I'MMA HOLLA AT YOU LATER. 533 00:24:24,637 --> 00:24:26,726 [PHONE CRASHES] 534 00:24:32,732 --> 00:24:33,863 SABINE: HA HA HA! LAYLA: YOU REALLY PAWNED THE RING? 535 00:24:33,907 --> 00:24:36,475 HELL YES, I DID, GAVE THE MONEY TO CHARITY. 536 00:24:36,518 --> 00:24:39,913 TOOK A LOT LONGER FOR THE HEART TO HEAL, BUT-- [SIGHS]--THAT'S LIFE. 537 00:24:39,956 --> 00:24:43,351 WELL, I THINK I HAVE THE BEGINNINGS OF SOMETHING. 538 00:24:43,394 --> 00:24:46,049 [SULTRY NEO-SOUL TRACK PLAYING] 539 00:25:00,063 --> 00:25:01,761 [CHUCKLES] WHAT? 540 00:25:01,804 --> 00:25:04,546 OK, KEATING! OH, I SEE YOU. 541 00:25:04,590 --> 00:25:06,592 TOOK ME LONG ENOUGH. 542 00:25:06,635 --> 00:25:08,594 [EXHALES SHARPLY] 543 00:25:08,637 --> 00:25:10,987 WHAT DO YOU WANT? 544 00:25:11,031 --> 00:25:13,860 BIG DREAM, WISHES GRANTED, 545 00:25:13,903 --> 00:25:16,297 YOU COULD JUST REACH OUT AND TOUCH IT. WHAT IS THAT THING? 546 00:25:16,340 --> 00:25:18,778 UH, I'M DOING IT. 547 00:25:18,821 --> 00:25:22,172 NO, YOU'RE PLAYING IT SAFE, AND I'M TRYING TO FIGURE OUT WHY. 548 00:25:22,216 --> 00:25:25,001 LOOK, IF YOU CAN HONESTLY TELL ME THIS SMALL, INDIE THING 549 00:25:25,045 --> 00:25:28,135 IS LEGITIMATELY THE DREAM, THEN I'LL LEAVE IT ALONE, 550 00:25:28,178 --> 00:25:31,573 BUT IF YOU'RE PLAYING IT SAFE BECAUSE YOU FEAR WHAT IT'LL TAKE 551 00:25:31,617 --> 00:25:34,010 TO DOMINATE AS A FEMALE PRODUCER WITH A MAJOR LABEL, 552 00:25:34,054 --> 00:25:36,012 THAT'S A WHOLE 'NOTHER STORY. 553 00:25:36,056 --> 00:25:37,797 MAYBE YOUR NERVES JUST GOT THE BETTER 554 00:25:37,840 --> 00:25:40,582 OF YOU TODAY, NOT YOUR TALENT, 555 00:25:40,626 --> 00:25:43,803 BUT THEN YOU PUSHED THROUGH AND LOOK AT THE SOUND YOU CREATED. 556 00:25:43,846 --> 00:25:47,458 SO JUST GONNA ASK YOU ONE MORE TIME: 557 00:25:47,502 --> 00:25:49,765 WHAT DO YOU WANT? 558 00:25:52,681 --> 00:25:55,379 I WANT THE EMPIRE. 559 00:25:56,946 --> 00:25:58,469 THERE IT IS. 560 00:25:58,513 --> 00:26:01,472 I THINK I SPENT SO LONG TRYING TO CARVE A PATH 561 00:26:01,516 --> 00:26:04,301 SEPARATE FROM MY DAD THAT I--I CONVINCED MYSELF 562 00:26:04,345 --> 00:26:06,869 THAT SMALL AND INDIE WAS THE DREAM. SABINE: BUT IT'S NOT. 563 00:26:06,913 --> 00:26:09,089 - BUT IT'S NOT. - THEN STOP BEING SCARED 564 00:26:09,132 --> 00:26:11,700 AND TAKE THE LEAP, BABY GIRL. 565 00:26:11,744 --> 00:26:13,746 THE INDUSTRY NEEDS YOU. 566 00:26:13,789 --> 00:26:15,965 [TEXT CHIME BUZZES] 567 00:26:16,009 --> 00:26:18,359 OOH. I GOTTA GET GOING. 568 00:26:18,402 --> 00:26:21,580 OK. UH, WELL, THANK YOU FOR TODAY, FOR EVERYTHING. 569 00:26:21,623 --> 00:26:23,320 UM, I'M GONNA KEEP WORKING ON THIS FOR YOU, 570 00:26:23,364 --> 00:26:25,496 AND THEN I'LL SEND IT TO YOUR MANAGER OR-- 571 00:26:25,540 --> 00:26:27,368 OR YOU GIVE IT TO ME IN PERSON WHEN I COME BACK TOMORROW. 572 00:26:27,411 --> 00:26:30,371 - OK. - YOU'RE BUILDING THAT EMPIRE, LAYLA, 573 00:26:30,414 --> 00:26:33,069 AND IT'LL START WITH OUR FIRST COLLABORATION. 574 00:26:35,245 --> 00:26:38,031 [DOOR SLAMS, SPENCER SIGHING] 575 00:26:44,994 --> 00:26:48,607 YOU JUST GONNA KEEP BANGING STUFF, OR YOU WANT TO ACTUALLY SAY WHAT'S GOING ON? 576 00:26:48,650 --> 00:26:51,261 ISAIAH MADE THIRD STRING OVER ME, 577 00:26:51,305 --> 00:26:52,828 AND I AIN'T EVEN SNIFFING THE DEPTH CHART 578 00:26:52,872 --> 00:26:54,482 BECAUSE THE COACH HAS GOT IT OUT FOR ME, 579 00:26:54,525 --> 00:26:56,484 AND THEN, ME AND LIV GOT INTO IT 'CAUSE SHE 580 00:26:56,527 --> 00:26:59,269 DON'T UNDERSTAND HOW IMPORTANT ALL THIS IS! 581 00:26:59,313 --> 00:27:01,402 YOU'RE TALKING TO THE GUY WHOSE SPOT YOU TOOK IN HIGH SCHOOL 582 00:27:01,445 --> 00:27:03,926 AND HIS GIRLFRIEND, TOO, 583 00:27:03,970 --> 00:27:07,756 TWICE, SO, YEAH, I--I GET IT, MAN. 584 00:27:07,800 --> 00:27:10,411 - ASH, LISTEN, MAN-- - BRO, AFTER THE DAY I'VE HAD, 585 00:27:10,454 --> 00:27:13,414 I'M NOT TRYING TO HAVE THAT CONVO TONIGHT. 586 00:27:13,457 --> 00:27:16,373 LOOK, YOU'VE JUST NEVER FACED THIS KIND OF ADVERSITY ON THE FIELD. 587 00:27:16,417 --> 00:27:18,462 COME ON, MAN. I FACED ADVERSITY BEFORE. 588 00:27:18,506 --> 00:27:21,161 NOT LIKE THIS; NOT ON A D1 LEVEL, NOT WHERE 589 00:27:21,204 --> 00:27:23,424 YOU WORK YOUR ASS OFF AND THINGS STILL DON'T GO YOUR WAY. 590 00:27:23,467 --> 00:27:25,861 SO WHAT DO I DO? WHAT, JUST GIVE UP? 591 00:27:25,905 --> 00:27:28,516 CHANGE YOUR WHOLE APPROACH. 592 00:27:28,559 --> 00:27:31,171 GET OUTTA YOUR HEAD. 593 00:27:31,214 --> 00:27:33,608 AND HOW AM I SUPPOSED TO DO THAT? 594 00:27:37,351 --> 00:27:39,396 [FORCEFUL EXHALING] 595 00:27:41,485 --> 00:27:43,009 [CHUCKLES] 596 00:27:45,968 --> 00:27:47,622 [SOFTLY] RELAX, DUDE. 597 00:27:47,666 --> 00:27:51,582 JUST CLEAR YOUR MIND, LIKE A BLADE OF GRASS. 598 00:27:51,626 --> 00:27:54,585 - IT'S GRASS, MAN. IT DON'T HAVE A MIND. - JUST FOCUS, ALL RIGHT? 599 00:27:54,629 --> 00:27:56,979 FEEL THE ENERGY AROUND YOU AND FLOW WITH IT. 600 00:27:57,023 --> 00:27:59,329 [SIGHS] WHAT DOES THAT EVEN MEAN, BRO? 601 00:27:59,373 --> 00:28:01,636 YOUR LIFE IS ONE BIG, POWERFUL RIVER, 602 00:28:01,680 --> 00:28:03,203 AND YOU'RE TRYING TO BE A SALMON 603 00:28:03,246 --> 00:28:05,248 AND FIGHT YOUR HARDEST TO SWIM UPSTREAM, 604 00:28:05,292 --> 00:28:08,948 BUT IT'S OK TO BE A REGULAR FISH AND GO WITH THE FLOW. 605 00:28:08,991 --> 00:28:11,428 THAT ACTUALLY MAKES SENSE. 606 00:28:11,472 --> 00:28:14,040 ESPECIALLY SINCE THERE'S A HUNGRY BEAR 607 00:28:14,083 --> 00:28:16,738 WAITING UPSTREAM TO TURN YOU INTO SUSHI. 608 00:28:16,782 --> 00:28:19,349 - A'IGHT, YOU LOST ME AGAIN. - [SIGHS] 609 00:28:19,393 --> 00:28:22,352 BRO, JUST TRUST. 610 00:28:22,396 --> 00:28:24,267 - AHEM. - [INHALES, EXHALES] 611 00:28:24,311 --> 00:28:26,269 JJ: JUST FLOW WITH IT. 612 00:28:26,313 --> 00:28:27,880 MMM. 613 00:28:27,923 --> 00:28:30,404 [SPENCER EXHALES SLOWLY] JJ: YEAH, THAT'S IT. 614 00:28:30,447 --> 00:28:34,016 BE AT PEACE WITH THE UNIVERSE AND YOUR SURROUNDINGS. 615 00:28:34,060 --> 00:28:35,931 BE NIMBLE. 616 00:28:35,975 --> 00:28:38,020 BE NIMBLE. 617 00:28:40,414 --> 00:28:42,764 BE NIMBLE. 618 00:28:42,808 --> 00:28:46,420 SO, UM, I WANT TO LOSE "INTERIM" FROM THE TITLE. 619 00:28:46,463 --> 00:28:50,206 I WANT TO BE THE ACTUAL PRINCIPAL OF SOUTH CRENSHAW. 620 00:28:50,250 --> 00:28:53,079 [CHUCKLES] EXCUSE ME? 621 00:28:53,122 --> 00:28:54,384 WHAT? 622 00:28:54,428 --> 00:28:56,647 - OH. YOU SERIOUS? - YEAH. 623 00:28:56,691 --> 00:28:58,649 I--I'VE GIVEN IT A LOT OF THOUGHT, AND--AND 624 00:28:58,693 --> 00:29:00,477 I THINK I'M THE BEST CANDIDATE FOR THE JOB. 625 00:29:00,521 --> 00:29:03,480 MIGHT I REMIND YOU, A JOB I HAD TO TRICK YOU INTO TAKING. 626 00:29:03,524 --> 00:29:07,833 UH, BUT THAT WAS BEFORE I KNEW HOW GREAT OF A FIT I'D BE, AND... 627 00:29:07,876 --> 00:29:11,837 AHEM. I'M READY TO DO THIS FOR THE LONG HAUL. 628 00:29:11,880 --> 00:29:14,491 YOU MEAN BEFORE THE D1 SCHOOLS 629 00:29:14,535 --> 00:29:16,493 AND THE NFL COMES KNOCKING. 630 00:29:16,537 --> 00:29:18,974 DON'T FORGET, BILLY, I KNOW YOU AND YOUR DREAM. 631 00:29:19,018 --> 00:29:20,715 WHY ARE YOU GIVING ME SUCH GRIEF? 632 00:29:20,759 --> 00:29:22,238 BECAUSE I CARE ABOUT SOUTH CRENSHAW! 633 00:29:22,282 --> 00:29:24,806 - OK. SO DO I. - AND I CARE ABOUT YOU. 634 00:29:24,850 --> 00:29:27,417 LOOK, LET'S KEEP IT REAL. 635 00:29:27,461 --> 00:29:29,419 YOU'RE A GOOD MAN 636 00:29:29,463 --> 00:29:32,031 WITH SOME SELFISH TENDENCIES. 637 00:29:32,074 --> 00:29:36,035 WELL, THAT'S TRUE OF A LOT OF PEOPLE, BUT I'M... 638 00:29:36,078 --> 00:29:38,864 I ALWAYS RISE TO THE OCCASION. 639 00:29:38,907 --> 00:29:40,866 WELL--[SIGHS]-- 640 00:29:40,909 --> 00:29:42,955 WE'VE FOUND SOMEONE 641 00:29:42,998 --> 00:29:44,957 WHO DOESN'T NEED TO RISE TO THE OCCASION 642 00:29:45,000 --> 00:29:47,176 BECAUSE SHE'S ALREADY THERE. 643 00:29:47,220 --> 00:29:50,571 SHE WORKS AT THE SCHOOL, SHE HAS TONS OF EXPERIENCE, 644 00:29:50,614 --> 00:29:53,748 AND SHE'S COMMITTED TO THESE KIDS AND SHE LIVES RIGHT HERE OFF OF CRENSHAW. 645 00:29:55,271 --> 00:29:58,884 SHE'S THE BEST CHOICE FOR THE SCHOOL, BILLY. 646 00:29:58,927 --> 00:30:00,973 I'M SORRY. 647 00:30:02,670 --> 00:30:04,715 [SCOFFS] 648 00:30:06,195 --> 00:30:08,937 PATIENCE: AND THEN SHE FLAT-OUT LIED TO THE COPS 649 00:30:08,981 --> 00:30:11,244 AND SAID THAT SHE SHOT MO, 650 00:30:11,287 --> 00:30:13,812 AND THERE WAS NOTHING I COULD DO ABOUT IT. 651 00:30:13,855 --> 00:30:18,642 COOP STAYS PUTTING HERSELF IN THESE SITUATIONS. 652 00:30:18,686 --> 00:30:21,254 WELL, IT WASN'T THE WISEST DECISION, 653 00:30:21,297 --> 00:30:24,953 BUT I'M SURE SHE WAS JUST DOING WHAT SHE THOUGHT WAS BEST. 654 00:30:24,997 --> 00:30:28,348 YEAH, AND NOW IT'S COMING BACK TO BITE HER IN THE ASS AND ME, TOO. 655 00:30:28,391 --> 00:30:31,438 WELL, WE DON'T KNOW IF THERE IS ANYTHING 656 00:30:31,481 --> 00:30:33,875 OR IF POWORSKI'S JUST THROWING DARTS 657 00:30:33,919 --> 00:30:36,095 AT THE WALL TO SEE WHAT STICKS. PATIENCE: YEAH, WELL, 658 00:30:36,138 --> 00:30:38,880 IT'S PRETTY CLEAR THAT HE HAS ME AS A BULL'S-EYE, SO-- 659 00:30:38,924 --> 00:30:41,491 IF HE OR ANYBODY TRIES 660 00:30:41,535 --> 00:30:44,103 TO APPROACH YOU AGAIN, DO NOT SAY 661 00:30:44,146 --> 00:30:46,757 A WORD, OK? IN THE MEANTIME, 662 00:30:46,801 --> 00:30:49,673 I STILL HAVE SOME OLD FRIENDS AT THE D.A.'s OFFICE. 663 00:30:49,717 --> 00:30:52,459 IF THERE'S ANY REAL EVIDENCE, THEY'LL KNOW, 664 00:30:52,502 --> 00:30:55,375 AND I'LL MAKE SOME CALLS FIRST THING IN THE MORNING. 665 00:30:55,418 --> 00:30:58,160 UNTIL THEN, BREATHE, OK? 666 00:30:58,204 --> 00:31:01,076 - OK. - AND I'LL LET YOU KNOW WHEN TO WORRY. 667 00:31:01,120 --> 00:31:04,079 [DOOR OPENS] JORDAN: LOOK, ALL I'M SAYING IS 668 00:31:04,123 --> 00:31:07,474 HE'S ON SCHOLARSHIP. I'M A WALK-ON, LIV. THE STAKES ARE DIFFERENT. 669 00:31:07,517 --> 00:31:09,476 LAURA: HEY, GUYS. [JORDAN SIGHS] 670 00:31:09,519 --> 00:31:11,957 FIGHT WITH SPENCER. LAURA: OH. 671 00:31:12,000 --> 00:31:14,698 [PATIENCE SCOFFS] [CELLPHONE VIBRATES] 672 00:31:17,527 --> 00:31:19,703 [SIGHS] 673 00:31:19,747 --> 00:31:22,402 [SIGHS, DROPS PHONE] 674 00:31:25,971 --> 00:31:28,016 [EXHALES] 675 00:31:30,149 --> 00:31:32,760 [KNOCKS ON DOOR] BILLY: HEY, MAN. SORRY TO INTERRUPT. 676 00:31:32,803 --> 00:31:35,371 JJ JUST LET ME IN AND SAID SOMETHING ABOUT A ZENTORSHIP? 677 00:31:35,415 --> 00:31:37,591 HA HA! YEAH, NAH, YOU GOOD. 678 00:31:37,634 --> 00:31:39,985 I WAS JUST CLEARING MY HEAD A LITTLE. 679 00:31:40,028 --> 00:31:42,988 TURNS OUT MEDITATION'S FOR ME. BILLY: AH. WHO KNEW? 680 00:31:43,031 --> 00:31:45,381 - MM-HMM. - AH. 681 00:31:45,425 --> 00:31:47,731 UH, SORRY ABOUT MISSING ALL THOSE CALLS. 682 00:31:47,775 --> 00:31:50,256 UH, I GUESS I KINDA GOT CAUGHT UP IN THE PRINCIPAL THING. 683 00:31:50,299 --> 00:31:52,258 BUT, UH, WHAT'S GOING ON WITH GARRETT? 684 00:31:52,301 --> 00:31:54,869 YOUR VOICEMAIL SAID THAT SOMETHING AIN'T RIGHT? 685 00:31:54,913 --> 00:31:57,089 YEAH. I MEAN, I WAS JUST IN MY HEAD 686 00:31:57,132 --> 00:31:59,352 ABOUT THE WHOLE SITUATION, BUT I'M GOOD NOW. 687 00:31:59,395 --> 00:32:01,832 - YOU SURE? - YEAH. 688 00:32:01,876 --> 00:32:05,445 I WAS TRYING TO BE THE SALMON, SWIMMING UPSTREAM, 689 00:32:05,488 --> 00:32:08,056 BUT I JUST GOT TO BE NIMBLE, 690 00:32:08,100 --> 00:32:11,320 TAKE A BEAT, FIGURE OUT WHAT I REALLY AM. 691 00:32:12,843 --> 00:32:14,671 - THAT ACTUALLY MAKES SENSE. - RIGHT? 692 00:32:14,715 --> 00:32:16,238 JJ. 693 00:32:23,724 --> 00:32:26,292 YOU'RE SCARED TO GO HOME TO ALL THEM WOMEN, AIN'T YOU? 694 00:32:26,335 --> 00:32:28,816 SPENCER, IT'S--IT'S SO MANY OF 'EM. 695 00:32:28,859 --> 00:32:31,732 [CHUCKLING] 696 00:32:34,343 --> 00:32:36,302 [DOOR OPENS] 697 00:32:36,345 --> 00:32:38,304 BILLY: HEY. AHEM. 698 00:32:38,347 --> 00:32:40,306 [DOOR CLOSES] 699 00:32:40,349 --> 00:32:42,525 DO YOU HEAR THAT? LAURA: SILENCE. 700 00:32:42,569 --> 00:32:44,136 [CHUCKLES] 701 00:32:44,179 --> 00:32:46,181 ENJOY IT WHILE IT LASTS. 702 00:32:46,225 --> 00:32:48,183 WHAT YOU WORKING ON? 703 00:32:48,227 --> 00:32:50,838 [KISS] LAURA: UH, I'M PRAYING NOTHING. 704 00:32:50,881 --> 00:32:53,232 HOW WAS YOUR DAY, MR. PRINCIPAL? 705 00:32:53,275 --> 00:32:55,234 UH, INTERIM PRINCIPAL. 706 00:32:55,277 --> 00:32:57,888 AND IT WAS EXHILARATING, YEAH. 707 00:32:57,932 --> 00:33:01,066 - THAT'S AMAZING. - YEAH, SO MUCH SO THAT I THINK 708 00:33:01,109 --> 00:33:04,460 I MIGHT SET MY SIGHTS ON THIS AS A PERMANENT GIG. 709 00:33:04,504 --> 00:33:07,072 I MEAN, GRACE HAS ALREADY SHOT ME DOWN BECAUSE SHE'S-- 710 00:33:07,115 --> 00:33:09,726 SHE HAS A CANDIDATE, AND SHE HAS EXPERIENCE 711 00:33:09,770 --> 00:33:12,381 AND SHE LIVES IN THE NEIGHBORHOOD... [SPEAKS GIBBERISH] 712 00:33:12,425 --> 00:33:15,036 SO WHAT'S THE PLAN? I MEAN, COME ON, BILLY. 713 00:33:15,080 --> 00:33:17,038 I HAVEN'T SEEN YOU THIS EXCITED ABOUT ANYTHING IN A WHILE. 714 00:33:17,082 --> 00:33:19,606 YOU CAN'T JUST GIVE UP. BILLY: YEAH. 715 00:33:19,649 --> 00:33:21,608 I SHOULDN'T BE A SALMON. 716 00:33:21,651 --> 00:33:23,610 I SHOULD BE NIMBLE. 717 00:33:23,653 --> 00:33:26,439 WHAT DOES THAT EVEN MEAN? 718 00:33:26,482 --> 00:33:30,051 I DON'T KNOW, BUT IT SOUNDED REALLY COOL WHEN SPENCER SAID IT. 719 00:33:30,095 --> 00:33:32,053 [BOTH CHUCKLE] 720 00:33:32,097 --> 00:33:34,490 ALL RIGHT, WELL, IF GRACE 721 00:33:34,534 --> 00:33:36,492 AND THE SEARCH COMMITTEE ARE SO HIGH 722 00:33:36,536 --> 00:33:39,495 ON THIS PRINCIPAL CANDIDATE BECAUSE SHE LIVES IN SOUTH L.A., 723 00:33:39,539 --> 00:33:43,108 THEN MAYBE BEING NIMBLE IS 724 00:33:43,151 --> 00:33:45,762 MOVING YOU THERE. 725 00:33:45,806 --> 00:33:49,549 I MEAN, MOVING US...THERE. 726 00:33:49,592 --> 00:33:52,639 G.W.'s HOUSE IS EMPTY. [DOOR OPENS] 727 00:33:52,682 --> 00:33:56,208 LAYLA: OH. [GASPS] MR. AND MRS. BAKER. 728 00:33:56,251 --> 00:33:59,211 OK, AHEM. I HAD THE MOST AMAZING DAY. 729 00:33:59,254 --> 00:34:01,604 BILLY: MMM. LAYLA: UM, SO... 730 00:34:01,648 --> 00:34:03,998 I'M INTERRUPTING. BILLY: HA HA HA! 731 00:34:04,042 --> 00:34:06,783 LAYLA: OK, UM, I'M REALLY SORRY. I'M JUST--I'M GONNA GO UP TO MY ROOM. 732 00:34:06,827 --> 00:34:09,090 NO, SWEETIE, IT'S OK. TELL US ABOUT YOUR DAY. 733 00:34:09,134 --> 00:34:11,092 NO, NO, NO, REALLY. IT--IT'S FINE. IT CAN WAIT. 734 00:34:11,136 --> 00:34:13,094 BILLY, CHUCKLING: OK. LAYLA: OK. 735 00:34:13,138 --> 00:34:15,096 [FOOTSTEPS RETREAT] 736 00:34:15,140 --> 00:34:18,099 [QUIETLY] LIKE I SAID, G.W.'s IS EMPTY. 737 00:34:18,143 --> 00:34:20,275 YOU MEAN TO TELL ME YOU WOULD ACTUALLY 738 00:34:20,319 --> 00:34:23,757 MOVE TO SOUTH L.A., PERMANENTLY? 739 00:34:23,800 --> 00:34:25,976 OF COURSE I WOULD. I MEAN, THIS OBVIOUSLY 740 00:34:26,020 --> 00:34:28,979 MEANS A LOT TO YOU, SO I'M WILLING TO DO 741 00:34:29,023 --> 00:34:31,286 WHATEVER IT TAKES TO FIGHT FOR IT. 742 00:34:31,330 --> 00:34:34,985 BABY, YOU MAKE ME FALL MORE AND MORE 743 00:34:35,029 --> 00:34:37,379 AND MORE IN LOVE WITH YOU EVERY DAY. 744 00:34:37,423 --> 00:34:40,469 MM-HMM. [CHUCKLES] 745 00:34:41,992 --> 00:34:43,951 PLUS YOU'D GET TO HAVE YOUR OWN BATHROOM. 746 00:34:43,994 --> 00:34:45,561 - OH, GOD. - YEAH. 747 00:34:45,605 --> 00:34:48,173 - THERE'S JUST SO MANY OF THEM. - UH-HUH. 748 00:34:48,216 --> 00:34:50,523 YEAH. 749 00:34:54,004 --> 00:34:55,180 [DOOR CLOSES] JORDAN: LOOK, THIS'LL 750 00:34:55,223 --> 00:34:57,225 ONLY TAKE A MINUTE, I PROMISE. COME ON. 751 00:34:57,269 --> 00:34:58,574 I JUST NEED TO GRAB ONE THING. 752 00:34:58,618 --> 00:35:01,969 JORDAN, I TOLD YOU THAT I DON'T WANT TO BE HERE. 753 00:35:06,930 --> 00:35:08,976 GOOD LUCK, BRO. 754 00:35:12,762 --> 00:35:15,504 MALE SINGER: ♪ BEEN THERE BEFORE 755 00:35:15,548 --> 00:35:18,812 ♪ SO MANY TIMES 756 00:35:18,855 --> 00:35:21,815 - I'M SORRY. - ♪ WHEN IT SEEMS LIKE EVERYONE'S... ♪ 757 00:35:21,858 --> 00:35:24,426 YES, I HAD A BAD DAY. 758 00:35:24,470 --> 00:35:26,515 YES, MY FOOTBALL CAREER FEELS LIKE IT'S 759 00:35:26,559 --> 00:35:28,561 FALLING APART AT THE SEAMS, AND YES, 760 00:35:28,604 --> 00:35:30,563 THE PRESSURES OF BEING AN ATHLETE AT THIS LEVEL IS 761 00:35:30,606 --> 00:35:32,695 SOMETHING WE BOTH NEED TO UNDERSTAND. 762 00:35:32,739 --> 00:35:34,697 SINGER: ♪ WHEN YOUR WORLD HAS TURNED AND FLIPPED YOU ♪ 763 00:35:34,741 --> 00:35:37,613 ♪ ON YOUR SIDE SPENCER: BUT... 764 00:35:37,657 --> 00:35:40,573 - BUT... - ♪ BECAUSE... 765 00:35:40,616 --> 00:35:42,879 I SHOULD HAVE NEVER CAME AT YOU LIKE THAT. 766 00:35:42,923 --> 00:35:45,795 MY MIND WAS ALL CLUTTERED WITH EVERYTHING AND 767 00:35:45,839 --> 00:35:48,015 I JUST DIDN'T TAKE THE TIME TO SEE THINGS FROM YOUR PERSPECTIVE, 768 00:35:48,058 --> 00:35:50,104 BUT I'M GONNA DO BETTER. 769 00:35:50,148 --> 00:35:52,715 [SIGHS] SO... 770 00:35:52,759 --> 00:35:54,761 WHAT DECLUTTERS YOUR MIND? 771 00:35:54,804 --> 00:35:56,241 MEDITATION. 772 00:35:56,284 --> 00:35:57,981 MEDI--REALLY? 773 00:35:58,025 --> 00:36:00,201 - YEAH. - WOW. THAT IS SO NOT 774 00:36:00,245 --> 00:36:03,857 THE ANSWER I WAS EXPECTING. SPENCER: YEAH, ME, TOO. HMM. 775 00:36:05,337 --> 00:36:07,295 UM... 776 00:36:07,339 --> 00:36:09,558 I'M SORRY, TOO. 777 00:36:09,602 --> 00:36:11,560 YES... 778 00:36:11,604 --> 00:36:13,562 TODAY WAS SCARY 779 00:36:13,606 --> 00:36:16,435 WHEN I THOUGHT JENN WAS IN TROUBLE. 780 00:36:16,478 --> 00:36:19,742 AND YES, BEING A SPONSOR 781 00:36:19,786 --> 00:36:21,744 SCARES ME, 782 00:36:21,788 --> 00:36:24,138 BUT... 783 00:36:24,182 --> 00:36:26,184 [SIGHS] 784 00:36:26,227 --> 00:36:28,664 BUT I SHOULD HAVE TAKEN A SECOND 785 00:36:28,708 --> 00:36:31,537 TO CONSIDER THINGS FROM YOUR PERSPECTIVE 786 00:36:31,580 --> 00:36:35,410 BECAUSE I KNOW WHAT IT TAKES TO ACHIEVE THE DREAMS THAT YOU HAVE, 787 00:36:35,454 --> 00:36:40,067 AND I KNOW THE SACRIFICE THAT COMES WITH BEING AN ELITE ATHLETE AND... 788 00:36:40,110 --> 00:36:43,244 I GUESS THAT I JUST HADN'T READIED MYSELF, YOU KNOW, 789 00:36:43,288 --> 00:36:47,205 TO BECOME A PART OF THAT SACRIFICE, SO-- SPENCER: HEY, HEY, 790 00:36:47,248 --> 00:36:50,817 IT'S A BALANCE, OK? I'LL FIND IT. 791 00:36:50,860 --> 00:36:52,906 I'LL FIND IT. 792 00:36:55,430 --> 00:36:59,608 WE'LL FIND IT, OK? FOR THE BOTH OF US. 793 00:36:59,652 --> 00:37:02,176 WE WILL. SINGER: ♪ OOH 794 00:37:02,220 --> 00:37:04,787 ♪ OH, NEVER GONNA LET ME DOWN ♪ 795 00:37:04,831 --> 00:37:08,008 ♪ OH, I WANT TO LET YOU 796 00:37:08,051 --> 00:37:10,010 [SIGHS] 797 00:37:10,053 --> 00:37:13,666 WOW. THAT WAS OUR FIRST BIG FIGHT. 798 00:37:13,709 --> 00:37:15,668 - I GUESS IT WAS. - [GIGGLES] 799 00:37:15,711 --> 00:37:17,887 WELL, YOU KNOW WHAT THAT MEANS. 800 00:37:17,931 --> 00:37:20,455 - WHAT? - MAKEUP SEX. 801 00:37:20,499 --> 00:37:22,283 - ♪ SO WE CAN MAKE A PLAN - YES, MA'AM. 802 00:37:22,327 --> 00:37:26,896 SINGER: ♪ TO CALL, CALL ON ME 803 00:37:26,940 --> 00:37:29,856 ♪ CALL ON ME 804 00:37:29,899 --> 00:37:32,337 [SEAGULLS SQUAWK] 805 00:37:32,380 --> 00:37:34,991 [GRUNTS] WHOA. 806 00:37:35,035 --> 00:37:36,993 YOU'RE LOOKING A LITTLE ROUGH. 807 00:37:37,037 --> 00:37:39,387 YOU LOOK LIKE YOU COULD USE A MORNING JOLT. 808 00:37:39,431 --> 00:37:41,607 YOU DRINK MATCHA? YOU LOOK LIKE A MATCHA MAN. 809 00:37:41,650 --> 00:37:44,174 I STAYED UP ALL NIGHT LOOKING AT BOTH SIDES OF THE BALL, EVERY 810 00:37:44,218 --> 00:37:46,699 SINGLE PLAY, AND I CANNOT FIGURE IT OUT WHAT IT IS THAT YOU 811 00:37:46,742 --> 00:37:48,701 WANT ME TO FIND. IT'S LIKE I'M LOOKING FOR A NEEDLE IN 812 00:37:48,744 --> 00:37:50,964 A HAYSTACK THAT PROBABLY DOESN'T EVEN EXIST. 813 00:37:51,007 --> 00:37:52,879 SO NO MATCHA? GREEN TEA? 814 00:37:52,922 --> 00:37:55,403 [SCOFFS] LOOK, IF YOU DIDN'T WANT TO HIRE ME, 815 00:37:55,447 --> 00:37:58,014 YOU SHOULD HAVE JUST SAID SO INSTEAD OF WASTING MY TIME. 816 00:37:58,058 --> 00:38:00,800 YOU PICK UP ANYTHING FROM OUR QB? 817 00:38:00,843 --> 00:38:02,280 OTHER THAN THE FACT THAT HE WASN'T CONNECTING 818 00:38:02,323 --> 00:38:04,412 WITH HIS DEEP PASSES, NO. 819 00:38:04,456 --> 00:38:08,111 EXACTLY, AND THE REASON HE WAS OFF-TARGET IS BECAUSE HE WASN'T PROPERLY-- 820 00:38:08,155 --> 00:38:11,419 - PLANTING HIS BACK FOOT, YEAH. - TURNS OUT HE COULDN'T PLANT IT BECAUSE HE WAS INJURED. 821 00:38:11,463 --> 00:38:14,248 HE HAD A BROKEN BONE IN HIS FOOT, AND HE HID IT FROM US. 822 00:38:14,292 --> 00:38:15,858 WE SHOULD HAVE PICKED UP ON THAT. 823 00:38:15,902 --> 00:38:18,034 AS THE QB COACH, I SHOULD HAVE PICKED UP ON IT. 824 00:38:18,078 --> 00:38:20,341 I DON'T UNDERSTAND HOW IT'S YOUR FAULT IF HE HID IT FROM YOU. 825 00:38:20,385 --> 00:38:22,343 PART OF BEING A COACH 826 00:38:22,387 --> 00:38:25,172 IS BEING ABLE TO PROTECT THE PLAYERS FROM THEMSELVES. 827 00:38:25,215 --> 00:38:28,523 I WAS A YOUNG ASSISTANT COACH, AND I SHOULD HAVE CAUGHT THAT. 828 00:38:28,567 --> 00:38:31,396 NOW, LOOK, SON, YOU HAVE PHENOMENAL INSTINCTS. 829 00:38:31,439 --> 00:38:34,268 THERE'S NO DOUBT ABOUT THAT, BUT YOU'RE NOT READY. 830 00:38:34,312 --> 00:38:36,749 YOU'LL GET THERE. 831 00:38:36,792 --> 00:38:39,360 ALL RIGHT, I DON'T HAVE A COACHING POSITION OPEN, 832 00:38:39,404 --> 00:38:42,015 BUT I DO NEED SOMEONE TO WASH JERSEYS. 833 00:38:42,058 --> 00:38:44,191 - I'LL DO IT. - WOW. 834 00:38:44,234 --> 00:38:46,367 NO HESITATION, HUH? 835 00:38:46,411 --> 00:38:48,978 IF I'M SERIOUS ABOUT WANTING TO COACH, WHICH I AM, 836 00:38:49,022 --> 00:38:50,980 I'D BE A FOOL NOT TO DO WHATEVER IT TAKES 837 00:38:51,024 --> 00:38:52,765 TO LEARN FROM THE BEST, WHICH YOU ARE. 838 00:38:52,808 --> 00:38:54,767 I'LL GET A LOAD STARTED RIGHT AWAY. 839 00:38:54,810 --> 00:38:56,769 MMM, ONE MORE THING. 840 00:38:56,812 --> 00:38:59,859 THAT TELL YOU PICKED UP FROM THE QUARTERBACK YESTERDAY? 841 00:38:59,902 --> 00:39:03,297 NOBODY'S EVER CAUGHT THAT. 842 00:39:03,341 --> 00:39:05,255 GOOD JOB, SON. 843 00:39:06,779 --> 00:39:11,131 MALE SINGER: ♪ I LIFT YOU UP, UP, UP, UP ♪ 844 00:39:12,611 --> 00:39:14,395 PREACH: 'SUP, COACH? 845 00:39:14,439 --> 00:39:16,397 - OH, OK. - I HAD TO STEP IT UP. 846 00:39:16,441 --> 00:39:18,617 HEARD A FEW PEOPLE AIN'T HAPPY ABOUT ME BEING HERE. 847 00:39:18,660 --> 00:39:20,619 THEY AIN'T TOO THRILLED ABOUT ME BEING HERE, EITHER. 848 00:39:20,662 --> 00:39:22,534 I AIN'T GOING NOWHERE, THOUGH. 849 00:39:22,577 --> 00:39:24,971 I APPRECIATE YOU TAKING A CHANCE ON ME, 850 00:39:25,014 --> 00:39:27,713 GIVING ME THAT SHOT. A LOT OF PEOPLE WOULDN'T. 851 00:39:27,756 --> 00:39:31,194 HEY, AS LONG AS I'M PRINCIPAL, YOU'LL ALWAYS HAVE A JOB 852 00:39:31,238 --> 00:39:33,719 HERE, IF YOU'RE WILLING TO ROCK WITH ME. 853 00:39:33,762 --> 00:39:36,417 JUST SAY THE WORD AND I'LL RUN THROUGH A WALL FOR YOU. 854 00:39:36,461 --> 00:39:38,593 - ♪ LIFT YOU UP - MY MAN. 855 00:39:38,637 --> 00:39:42,597 SINGER: ♪ OH, 'CAUSE I KNOW IT WILL GET BETTER ♪ 856 00:39:42,641 --> 00:39:46,558 ♪ THROUGH THE DAYS AND NIGHTS, YOU'LL NEVER BE ALONE ♪ 857 00:39:46,601 --> 00:39:49,430 ♪ BE ALONE 'CAUSE I'LL LIFT YOU UP ♪ 858 00:39:49,474 --> 00:39:52,477 ♪ UP, UP, UP, HEY... 859 00:39:52,520 --> 00:39:54,479 KENNY: SPENCE. SPENCER: HEY. 860 00:39:54,522 --> 00:39:56,829 - WHAT'S UP? - ♪ LIFT YOU UP 861 00:39:56,872 --> 00:39:58,831 KENNY: I SAW YOU OUT THERE HITTING THE JUGS MACHINE. SPENCER: YEAH, YEAH. 862 00:39:58,874 --> 00:40:00,920 I WANTED TO GET SOME CATCHES IN. KENNY: ALL RIGHT. 863 00:40:00,963 --> 00:40:04,532 LISTEN, I WANTED TO APOLOGIZE TO YOU FOR MY BEHAVIOR YESTERDAY. 864 00:40:04,576 --> 00:40:07,143 IT WAS OUTTA LINE, ME COMING AT YOU AND COACH LIKE THAT. 865 00:40:07,187 --> 00:40:08,754 YEAH. 866 00:40:08,797 --> 00:40:10,756 WELL, LIKE I SAID, 867 00:40:10,799 --> 00:40:13,106 WHAT ARE YOU GONNA DO ABOUT IT? 868 00:40:13,149 --> 00:40:16,501 I'MMA SHOW COACH GARRETT WHY HE'S LUCKY TO HAVE ME ON HIS TEAM. 869 00:40:16,544 --> 00:40:19,504 CHANGING MY WHOLE APPROACH. IT'S TIME FOR ME TO BE THE BEAR. 870 00:40:19,547 --> 00:40:21,984 - HEH HEH! YEAH. - HA HA! 871 00:40:22,028 --> 00:40:23,551 THAT'S WHAT I'M TALKING ABOUT, MAN. 872 00:40:23,595 --> 00:40:25,118 THAT'S WHAT I LIKE TO HEAR. 873 00:40:25,161 --> 00:40:26,728 SO WHAT'S UP? YOU ABOUT TO HIT THE WEIGHTS? 874 00:40:26,772 --> 00:40:28,730 NO, I'MMA HIT UP OUR GAME FILM IN ABOUT A HOUR, 875 00:40:28,774 --> 00:40:30,602 WITH YOU IF YOU GOT THE TIME. 876 00:40:30,645 --> 00:40:32,081 - UH-HUH. - I'M SERIOUS, MAN. 877 00:40:32,125 --> 00:40:33,605 I'M TRYING TO STUDY EVERY SINGLE ONE 878 00:40:33,648 --> 00:40:35,128 OF OUR PLAYERS, INSIDE AND OUT. 879 00:40:35,171 --> 00:40:37,130 OH, FA SHO. I'LL MAKE THE TIME. 880 00:40:37,173 --> 00:40:39,741 WHY NOT NOW? SPENCER: NAH. 881 00:40:39,785 --> 00:40:41,830 SOMETHING ELSE IMPORTANT I GOTTA TAKE CARE OF FIRST. 882 00:40:41,874 --> 00:40:44,006 SINGER: ♪ WON'T LET YOU GO SPENCER: I'LL HOLLA AT YOU. 883 00:40:44,050 --> 00:40:47,488 SINGER: ♪ LET YOU GO, LET YOU GO ♪ 884 00:40:47,532 --> 00:40:51,405 CHORUS: ♪ LIFT YOU UP, UP, UP, UP ♪ 885 00:40:51,449 --> 00:40:54,974 SINGER: ♪ WE'LL GET THROUGH THIS TOGETHER ♪ CHORUS: ♪ LIFT YOU UP... 886 00:40:55,017 --> 00:40:58,151 SINGER: ♪ PROMISE I WILL NEVER LET YOU GO ♪ 887 00:40:58,194 --> 00:41:01,720 ♪ LET YOU GO, LIFT YOU UP ♪ 888 00:41:01,763 --> 00:41:04,723 ♪ WHEN THE DAYS GET TOUGH 889 00:41:04,766 --> 00:41:07,726 ♪ WE WILL RISE ABOVE 890 00:41:07,769 --> 00:41:11,381 ♪ NO, WE WON'T GIVE UP 891 00:41:11,425 --> 00:41:14,820 ♪ I'LL LIFT YOU UP 892 00:41:14,863 --> 00:41:16,822 [FOOTSTEPS DESCENDING] 893 00:41:16,865 --> 00:41:18,476 HEY. GOOD MORNING. 894 00:41:18,519 --> 00:41:21,130 HEY, PATIENCE. [SIGHS] UH, 895 00:41:21,174 --> 00:41:24,133 WE NEED TO TALK. 896 00:41:24,177 --> 00:41:26,962 UM, I SPOKE TO MY FRIENDS AT THE D.A.'s OFFICE, 897 00:41:27,006 --> 00:41:31,140 AND THEY'VE FOUND SOME INCRIMINATING EVIDENCE AGAINST COOP. 898 00:41:31,184 --> 00:41:34,187 THEY WOULDN'T GET INTO SPECIFICS, BUT 899 00:41:34,230 --> 00:41:38,583 REMEMBER WHEN I SAID THAT I'D TELL YOU WHEN IT'S TIME TO WORRY? 900 00:41:38,626 --> 00:41:39,845 MM-HMM. 901 00:41:39,888 --> 00:41:42,282 IT'S TIME. 902 00:41:42,325 --> 00:41:45,372 COOP NEEDS TO GET HOME, LIKE, NOW. 903 00:42:15,968 --> 00:42:17,535 GREG, MOVE YOUR HEAD!