1 00:00:03,568 --> 00:00:06,180 [SEAGULLS SQUAWKING] 2 00:00:10,880 --> 00:00:12,751 [ALARM BLARING] MALE SINGER: HEY! 3 00:00:12,795 --> 00:00:15,058 ♪ I'M ON MY OWN, FITTIN' TO GET IT ♪ [ECHOING] 4 00:00:15,102 --> 00:00:17,060 ♪ FAST TRACK, LOOKIN' LIKE I'M WINNING ♪ 5 00:00:17,104 --> 00:00:19,062 ♪ IN THE ZONE, CALLIN' HOME, MA, I'M GROWN ♪ 6 00:00:19,106 --> 00:00:21,064 ♪ AND THERE'S NO COMPETITION, BLOW THE DOORS OFF ♪ 7 00:00:21,108 --> 00:00:22,848 ♪ THE BUSINESS NOW 8 00:00:22,892 --> 00:00:25,025 ♪ TAKE THE TRAIN, BIG WHAT ♪ 9 00:00:25,068 --> 00:00:27,505 ♪ ONCE I KNOW EVERYBODY ON THE BUS ♪ 10 00:00:27,549 --> 00:00:29,507 ♪ SWEAT SUMMER, EVERY TIME WE'RE IN THE SUN ♪ 11 00:00:29,551 --> 00:00:32,728 ♪ WHEN THE SUN UP, I DON'T WANT UP, THIS A BUST, YO ♪ 12 00:00:32,771 --> 00:00:35,339 ♪ THEY'RE SO MISINFORMED, I THOUGHT I TOLD SOMEBODY ♪ 13 00:00:35,383 --> 00:00:38,038 ♪ IF YOU WAS REAL, YOU GONNA ASK ABOUT ME ♪ 14 00:00:38,081 --> 00:00:40,692 ♪ PUTTING IN FOURS, ABOUT TO BREAK THE BANK ♪ 15 00:00:40,736 --> 00:00:43,260 ♪ I'M FEELIN' GOOD, YOU AIN'T SEEN NOTHIN' ♪ 16 00:00:47,090 --> 00:00:49,614 ♪ SO LET ME MAKE IT CLEAR SPENCER: AH! 17 00:00:49,658 --> 00:00:52,574 SINGER: ♪ WHOO! 18 00:00:52,617 --> 00:00:55,533 ♪ YOU AIN'T SEEN NOTHIN' [ALARM BLARES] 19 00:00:55,577 --> 00:00:57,231 ♪ WHOO! 20 00:00:58,754 --> 00:01:01,061 ♪ WHOO! 21 00:01:01,104 --> 00:01:02,540 ♪ WHOO! 22 00:01:02,584 --> 00:01:05,195 ♪ YOU AIN'T SEEN NOTHIN' 23 00:01:05,239 --> 00:01:07,197 ♪ PUT IT ALL UP IN THE MIX 24 00:01:07,241 --> 00:01:09,591 ♪ SODA-SIPPIN' WITH MY BABY IN THE VIT ♪ 25 00:01:09,634 --> 00:01:12,202 ♪ KNOWIN' ALSO YOU REALLY KNOW WHAT IT IS ♪ 26 00:01:12,246 --> 00:01:14,639 ♪ BET TO A HUNDRED AND 25th ♪ 27 00:01:14,683 --> 00:01:17,381 ♪ SO-SO, MY HOPE IS THE RIGHT SO'S, HEY ♪ 28 00:01:17,425 --> 00:01:20,123 ♪ LOW LINGER, THIS TINGLE IS SO COLD, EH ♪ 29 00:01:20,167 --> 00:01:22,604 ♪ NO REASON THESE SEASONS GO ALL 4 ♪ 30 00:01:22,647 --> 00:01:25,389 ♪ WHEN THE LIGHT'S LOW, PUT 'EM IN THEIR PLACE WITH A MIC SHOW ♪ 31 00:01:25,433 --> 00:01:27,913 [ALARM BLARES] ♪ MIGHT ROLL, WHY SHE PUT AN "X" ON MY LIFELINE ♪ 32 00:01:27,957 --> 00:01:30,481 ♪ SETS FOR MY BEST FRIEND, BRO, YOU GONNA GO LONG ♪ 33 00:01:30,525 --> 00:01:32,918 ♪ WHOO! 34 00:01:32,962 --> 00:01:34,920 ♪ WHOO! 35 00:01:34,964 --> 00:01:37,314 SPENCER: I CAN'T FEEL MY LEGS. 36 00:01:37,358 --> 00:01:39,316 WELL, DON'T WORRY. THEY'RE STILL THERE. 37 00:01:39,360 --> 00:01:41,579 HEY, I DON'T EVEN KNOW WHAT DAY IT IS, FOR REAL. 38 00:01:41,623 --> 00:01:43,581 UH, IT'S THURSDAY. 39 00:01:43,625 --> 00:01:45,583 [BOTH CHUCKLE] 40 00:01:45,627 --> 00:01:48,586 YO, I KNOW IT'S ONLY BEEN A WEEK OF D-1 BALL, 41 00:01:48,630 --> 00:01:52,590 BUT THIS PRESEASON SCHEDULE IS BRUTAL. LOOK AT THIS THING. 42 00:01:52,634 --> 00:01:55,245 WELL, I MEAN, NOBODY SAID IT WAS GONNA BE EASY-- 43 00:01:55,289 --> 00:01:57,856 WHOA! SPENCER: THERE YOU GO. 44 00:01:57,900 --> 00:02:00,468 THIS--THIS IS PACKED! 45 00:02:00,511 --> 00:02:02,470 WHAT, ALL DAY? 46 00:02:02,513 --> 00:02:05,473 6 A.M. TO 10:30 P.M., NO BREAKS? 47 00:02:05,516 --> 00:02:07,475 WE GET TWO SNACK BREAKS A DAY. 48 00:02:07,518 --> 00:02:10,347 - WHEN ARE THOSE? - I'M ON THE FIRST ONE RIGHT NOW. 49 00:02:10,391 --> 00:02:13,785 OH. SO... I'M A SNACK? 50 00:02:13,829 --> 00:02:15,439 MY BAD. 51 00:02:15,483 --> 00:02:17,441 WHEN I HEAR IT OUT LOUD, IT KINDA SOUNDS-- 52 00:02:17,485 --> 00:02:20,052 NO, I'LL--I'LL BE YOUR SNACK TWICE A DAY. 53 00:02:20,096 --> 00:02:21,706 OK. 54 00:02:23,665 --> 00:02:27,625 I'M GUESSING YOU DON'T HAVE ANY TIME TO HEAR ANY OF MY IDEAS. 55 00:02:27,669 --> 00:02:30,193 - FOR WHAT? - REMEMBER? 56 00:02:30,237 --> 00:02:33,153 TODAY'S MY FIRST OFFICIAL DAY AT THE "L.A. TRIBUNE" ONLINE. 57 00:02:33,196 --> 00:02:35,372 YOU'VE BEEN WORKING FOR THEM ALL SUMMER. 58 00:02:35,416 --> 00:02:38,636 I MEAN, YEAH, AS AN UNPAID SUMMER INTERN, BUT NOW I'M ACTUALLY ON PAID STAFF. 59 00:02:38,680 --> 00:02:40,812 - THEY GIVING YOU AN OFFICE? - A CUBICLE. 60 00:02:40,856 --> 00:02:44,468 - [CHUCKLES] - I'M, LIKE, I DON'T KNOW, KIND OF EXCITED ABOUT IT. 61 00:02:44,512 --> 00:02:46,166 CAN I COME VISIT? 62 00:02:46,209 --> 00:02:47,732 [CHUCKLES] WHEN? 63 00:02:47,776 --> 00:02:49,734 OK, SNACK BREAK'S OVER. 64 00:02:49,778 --> 00:02:52,433 YOU HAVE A POSITION MEETING IN 20 MINUTES. 65 00:02:54,043 --> 00:02:57,002 I'M ON IT, AND YOU ARE GONNA BE GREAT. 66 00:02:57,046 --> 00:02:59,701 THANK YOU. 67 00:03:01,268 --> 00:03:04,532 KENNY: EVERY PLAYER OUT THERE ON THAT FIELD WANTS TO CLEAN YOUR CLOCK, 68 00:03:04,575 --> 00:03:06,534 AND IT'S NOT JUST ABOUT MAKING THEM MISS. 69 00:03:06,577 --> 00:03:09,624 IT'S ABOUT BALL SECURITY... [DOOR OPENS] 70 00:03:11,452 --> 00:03:13,671 AND WHEN YOU'RE STRIPPED, 71 00:03:13,715 --> 00:03:17,240 ALMOST ALWAYS IS IT GONNA BE BY AN UNSEEN DEFENDER. 72 00:03:17,284 --> 00:03:19,329 AWARENESS IS KEY. 73 00:03:19,373 --> 00:03:21,331 PROTECT THAT BALL. 74 00:03:21,375 --> 00:03:23,507 NOW LET'S GET TO WORK. 75 00:03:23,551 --> 00:03:25,553 [INDISTINCT CHATTER] 76 00:03:30,645 --> 00:03:32,603 THE MEETING'S OVER ALREADY? 77 00:03:32,647 --> 00:03:34,866 - YOU GET CAUGHT IN TRAFFIC? - COACH, I'M ON TIME. 78 00:03:34,910 --> 00:03:37,347 MY SCHEDULE SAYS-- KENNY: THE MEETING STARTS WHEN I'M HERE 79 00:03:37,391 --> 00:03:40,263 AND WHEN THE 1s AND 2s ARE HERE. ANYBODY WHO ISN'T IS LATE. 80 00:03:40,307 --> 00:03:42,352 THIS IS D-1 BALL, SPENCER. 81 00:03:42,396 --> 00:03:45,529 TO BE ON TIME IS TO BE 15 MINUTES EARLY. 82 00:03:45,573 --> 00:03:48,228 MY BAD, COACH. I AIN'T REALIZE. 83 00:03:48,271 --> 00:03:51,231 ALL GOOD. EVERY GUY HERE HAS MADE 84 00:03:51,274 --> 00:03:53,798 THAT SAME MISTAKE AS A FRESHMAN. 85 00:03:53,842 --> 00:03:56,236 WHAT YOU GOT NEXT? 86 00:03:56,279 --> 00:03:58,629 FOOTWORK--CONES. 87 00:03:58,673 --> 00:04:00,588 YOU'RE ALREADY LATE. 88 00:04:11,425 --> 00:04:14,254 IT'S TOO EARLY. COME BACK TO BED. 89 00:04:14,297 --> 00:04:16,560 HMM. THAT IS A COUCH, NOT A BED. 90 00:04:16,604 --> 00:04:19,781 - IT STILL DOESN'T MEAN YOU HAVE TO LEAVE. - NO, YOU HAVE TO LEAVE. 91 00:04:19,824 --> 00:04:23,263 I HAVE A SESSION IN 25 MINUTES, SO GET DRESSED. 92 00:04:28,224 --> 00:04:30,182 HEY, WE DIDN'T... 93 00:04:30,226 --> 00:04:32,620 ACCIDENTALLY RECORD OURSELVES LAST NIGHT, DID WE? 94 00:04:32,663 --> 00:04:35,623 - [CHUCKLING] YOU WISH. - MAYBE NEXT TIME. 95 00:04:35,666 --> 00:04:39,279 WELL, SPEAKING OF NEXT TIME, WHEN DO YOU GET BACK IN TOWN? 96 00:04:39,322 --> 00:04:41,324 - ACTUALLY, I GOT SOME GOOD NEWS. - OK. 97 00:04:41,368 --> 00:04:43,979 I'M BACK IN L.A. FOR A WHILE, WHICH MEANS WE'LL GET TO SEE A LOT 98 00:04:44,022 --> 00:04:47,287 MORE OF EACH OTHER, NOT JUST HOOKING UP IN RANDOM CITIES. 99 00:04:47,330 --> 00:04:48,810 [CHUCKLES] GREAT. 100 00:04:48,853 --> 00:04:50,812 - I'LL CALL YOU LATER? - YEAH. 101 00:04:50,855 --> 00:04:52,509 [KISS] 102 00:04:55,338 --> 00:04:57,601 - WHAT'S UP, LIV? - HEY. OH, GOOD TIMING. 103 00:04:57,645 --> 00:05:00,604 UM, DO YOU MIND IF I BOUNCE A FEW STORY IDEAS OFF YOU TWO? 104 00:05:00,648 --> 00:05:02,780 UH, IT'S JUST ME. 105 00:05:02,824 --> 00:05:07,219 - WHERE'S COOP? - SHE IS, UH, SLEEPING IN AGAIN. 106 00:05:07,263 --> 00:05:09,831 - AM I SENSING FRUSTRATION? - YEAH, IT'S NOT AIMED AT YOU. 107 00:05:09,874 --> 00:05:14,139 IT'S JUST EVERYBODY THINKS THAT ME AND COOP ARE ATTACHED AT THE HIP, SO... 108 00:05:14,183 --> 00:05:16,664 WELL, IN EVERYONE'S DEFENSE, YOU GUYS ARE 109 00:05:16,707 --> 00:05:19,841 ALWAYS TOGETHER, LIKE, ALWAYS. 110 00:05:19,884 --> 00:05:22,800 SHE'S DRIVING ME CRAZY, LIV, LIKE-- 111 00:05:22,844 --> 00:05:25,150 - I THOUGHT IT WAS KINDA SWEET. - IT WAS SWEET, UM, 112 00:05:25,194 --> 00:05:27,718 LIKE, 3 WEEKS AGO, WHEN WE MOVED IN, 113 00:05:27,762 --> 00:05:31,331 AND NOW...IT'S LIKE I DON'T EVEN GET THE CHANCE TO MISS HER 114 00:05:31,374 --> 00:05:33,985 'CAUSE EVERY TIME I TURN AROUND, SHE'S, LIKE, RIGHT THERE. 115 00:05:34,029 --> 00:05:37,685 LIKE, THERE'S COOP, ALL THE TIME. 116 00:05:37,728 --> 00:05:40,035 WELL, DON'T TURN AROUND. AHEM. 117 00:05:40,078 --> 00:05:41,993 - HEY, BABE. - HEY. 118 00:05:42,037 --> 00:05:43,908 [KISS] MORNIN', LIV. 119 00:05:43,952 --> 00:05:46,520 - HI, COOP. - WHAT WE DOIN' TODAY? 120 00:05:54,092 --> 00:05:56,051 HEY, SHOULDN'T YOU BE AT PRACTICE? 121 00:05:56,094 --> 00:05:58,401 UH, I'M SUPPOSED TO BE AT THE GYM. 122 00:05:58,445 --> 00:06:01,665 - THEN WHY AREN'T YOU? - OH, LOOK AT ME. 123 00:06:01,709 --> 00:06:04,102 [CHUCKLING] I'M ALREADY RIPPED. 124 00:06:04,146 --> 00:06:06,496 DUDE, SPENCER AND JORDAN ARE BUSTING THEIR ASSES 125 00:06:06,540 --> 00:06:09,499 AT G.A.U., AND YOU'RE-- WHAT ARE YOU DOING? 126 00:06:09,543 --> 00:06:11,762 THIS IS A HOME WHISKEY DISTILLER. 127 00:06:11,806 --> 00:06:13,503 YOU'RE MAKING MOONSHINE? 128 00:06:13,547 --> 00:06:15,505 YOU'RE WELCOME. HEH! 129 00:06:15,549 --> 00:06:18,203 WHATEVER. HEY, HERE'S MY FINAL RENT PAYMENT. 130 00:06:18,247 --> 00:06:20,684 - OH, YEAH. - CAN'T BELIEVE THIS IS 131 00:06:20,728 --> 00:06:22,773 OUR LAST WEEK IN THE BEACH HOUSE. JJ: WHEW! 132 00:06:22,817 --> 00:06:25,602 YO, THAT BOOKIE JOB IS DELIVERING SOME FAT STACKS. 133 00:06:25,646 --> 00:06:28,039 WHAT HAPPENS IF SOMEONE DOESN'T PAY? 134 00:06:28,083 --> 00:06:31,608 ASHER: I HAVE NO IDEA. [KNOCK ON DOOR] JJ: YEAH, COME IN. 135 00:06:31,652 --> 00:06:34,306 THEY DON'T SEND YOU OUT TO BREAK THEIR KNEECAPS? 136 00:06:34,350 --> 00:06:37,571 WHAT? NO, DUDE. I HELP WITH THE BETTING LINES. IT'S A RESEARCH JOB. 137 00:06:37,614 --> 00:06:39,442 WELL, WHAT HAPPENS IF YOU MESS UP THE LINE? 138 00:06:39,486 --> 00:06:41,270 THEY GONNA BREAK YOUR KNEECAPS? 139 00:06:41,313 --> 00:06:43,054 - DUDE, STOP WITH THE KNEECAPS. - OK. 140 00:06:43,098 --> 00:06:45,753 - NO KNEECAPS. [SCOFFS] - ALL RIGHT. 141 00:06:49,104 --> 00:06:50,322 HI. 142 00:06:50,366 --> 00:06:51,976 JAYMEE. 143 00:06:52,020 --> 00:06:53,935 HOW ARE YOU? 144 00:06:53,978 --> 00:06:55,893 I'M ACTUALLY ON MY WAY OUT. 145 00:06:55,937 --> 00:06:58,592 OH, FINE. I'LL COME BACK LATER. 146 00:06:58,635 --> 00:07:00,594 - WHY? - TO TALK. 147 00:07:00,637 --> 00:07:02,596 I TEXTED YOU AND CALLED YOU 148 00:07:02,639 --> 00:07:04,293 FOR, LIKE, TWO STRAIGHT MONTHS. 149 00:07:04,336 --> 00:07:06,904 YEAH, IT--IT WAS A CRAZY SUMMER. 150 00:07:06,948 --> 00:07:09,559 BUT I'M BACK AT JACOB'S NOW. 151 00:07:09,603 --> 00:07:11,561 THEY SAID YOU QUIT. 152 00:07:11,605 --> 00:07:14,129 YEAH. I--I FOUND A BETTER JOB. 153 00:07:14,172 --> 00:07:18,133 LOOK, I--I GOT TO GO, AND KINDA BUSY LATER, 154 00:07:18,176 --> 00:07:20,570 BUT IT'S GOOD TO SEE YOU. 155 00:07:20,614 --> 00:07:22,311 BYE. 156 00:07:27,969 --> 00:07:30,580 [DISTANT PHONES RINGING] CHRISTEL: OK, SO HERE WE ARE. 157 00:07:30,624 --> 00:07:32,974 THIS IS YOU. 158 00:07:33,017 --> 00:07:34,976 OH, THIS IS SO EXCITING. 159 00:07:35,019 --> 00:07:36,978 [CHUCKLES] IS IT? 160 00:07:37,021 --> 00:07:39,459 I MEAN, I'VE--I'VE NEVER HAD MY OWN CUBICLE BEFORE. 161 00:07:39,502 --> 00:07:41,373 YOU KNOW, IT JUST FEELS VERY ADULT. 162 00:07:41,417 --> 00:07:44,986 OLIVIA: SORRY. THIS IS JUST, LIKE, SUCH A BIG MOMENT FOR ME. 163 00:07:45,029 --> 00:07:47,945 I--I'M JUST TAKING IT ALL IN, YOU KNOW. 164 00:07:47,989 --> 00:07:50,513 DO YOU WANT TO TAKE A PICTURE OR SOMETHING? 165 00:07:50,557 --> 00:07:52,515 OH, NO, NO. NO. 166 00:07:52,559 --> 00:07:54,778 I MEAN, IF YOU-- IF YOU WANT TO, I-- 167 00:07:54,822 --> 00:07:56,519 HOW 'BOUT AFTER THE STAFF MEETING? 168 00:07:56,563 --> 00:07:58,303 YEAH, YEAH, SURE. WHEN'S THAT? 169 00:07:58,347 --> 00:08:00,784 - UH, RIGHT NOW. LET'S GO. - OH. OK. 170 00:08:00,828 --> 00:08:02,786 JORDAN: SET, GO! 171 00:08:02,830 --> 00:08:04,658 WHOO! KENNY: OK, WINFIELD 172 00:08:04,701 --> 00:08:06,660 WITH THE NICE MOVES. I SEE YOU. JORDAN: THERE YOU GO. 173 00:08:06,703 --> 00:08:08,183 NICE CATCH, ISAIAH, JUST LIKE THE PLATINUM 174 00:08:08,226 --> 00:08:09,663 ALL-AMERICAN GAME. ISAIAH: THANKS, J. 175 00:08:09,706 --> 00:08:11,316 KENNY: NEXT. SPENCE, LET'S GET IT. 176 00:08:11,360 --> 00:08:13,362 READY, GO? SET, GO! 177 00:08:16,408 --> 00:08:18,367 JORDAN: BOOM! NICE GRAB, SPENCE! 178 00:08:18,410 --> 00:08:21,239 GARRETT: 11! THERE SOMETHING WRONG WITH YOUR OTHER HAND? 179 00:08:21,283 --> 00:08:22,850 SPENCER: JUST TRYING TO SHOW EVERYBODY WHAT I CAN DO, SIR. 180 00:08:22,893 --> 00:08:24,416 THAT'S NOT WHAT WE DO HERE! 181 00:08:24,460 --> 00:08:26,549 [BLOWS WHISTLE] BRING IT IN! 182 00:08:26,593 --> 00:08:28,769 EVERYBODY! LET'S GO! 183 00:08:31,075 --> 00:08:33,991 ON THIS TEAM, WE DON'T SHOWBOAT! 184 00:08:34,035 --> 00:08:36,385 WE PRACTICE FUNDAMENTALS DURING THE WEEK, 185 00:08:36,428 --> 00:08:38,561 AND THAT IS WHY WE WIN ON SATURDAYS! 186 00:08:38,605 --> 00:08:40,563 NONE OF THIS HIGHLIGHT-REEL CRAP! 187 00:08:40,607 --> 00:08:42,565 EVERYBODY UNDERSTAND? 188 00:08:42,609 --> 00:08:44,045 PLAYERS: YES, SIR. 189 00:08:44,088 --> 00:08:45,742 - I DIDN'T HEAR YOU. - YES, SIR. 190 00:08:45,786 --> 00:08:47,439 YOU GOT TWO HANDS. 191 00:08:47,483 --> 00:08:49,920 USE 'EM! LET'S GO! 192 00:08:49,964 --> 00:08:52,053 GET BACK TO WORK! 193 00:08:57,885 --> 00:09:00,278 DENISE. WHAT YOU DOING HERE? 194 00:09:00,322 --> 00:09:03,543 WE GOT AN EMERGENCY MEETING OF THE SEARCH COMMITTEE IN 15 MINUTES. 195 00:09:03,586 --> 00:09:05,545 WHAT ARE Y'ALL SEARCHING FOR? 196 00:09:05,588 --> 00:09:07,895 SCHOOL STARTS IN A WEEK AND WE STILL AIN'T GOT A PRINCIPAL. 197 00:09:07,938 --> 00:09:10,550 I THOUGHT WE GOT TANNER FROM INGLEWOOD TO COME OVER HERE. 198 00:09:10,593 --> 00:09:12,726 AH, WELL, IT TURNS OUT TANNER WAS USING US 199 00:09:12,769 --> 00:09:15,206 AS LEVERAGE TO GET HIS OWN GOLF CART. 200 00:09:15,250 --> 00:09:17,208 THEY BOUGHT HIM A GOLF CART? 201 00:09:17,252 --> 00:09:19,559 OR MAYBE IT WAS A SCOOTER. I DON'T KNOW. 202 00:09:19,602 --> 00:09:21,561 EITHER WAY, THAT FOOL'S PROBABLY RIDING THAT THING 203 00:09:21,604 --> 00:09:23,563 UP AND DOWN THE HALLWAYS RIGHT ABOUT NOW. 204 00:09:23,606 --> 00:09:25,216 SO WHO ARE YOU GOING AFTER NEXT? 205 00:09:25,260 --> 00:09:26,609 WE JUST NEED AN INTERIM PRINCIPAL 206 00:09:26,653 --> 00:09:28,045 TO GET US THROUGH THE FIRST FEW WEEKS. 207 00:09:28,089 --> 00:09:30,613 WELL, UH, IF THERE'S ANYTHING I CAN DO. 208 00:09:30,657 --> 00:09:33,616 GREAT! I'LL SEE YOU IN THE MEETING! OH! 209 00:09:33,660 --> 00:09:36,880 - UM, WELL, NO, I WAS-- - TEN MINUTES. 210 00:09:36,924 --> 00:09:39,404 DON'T BE LATE. [KISS] HMM! 211 00:09:39,448 --> 00:09:41,058 PATIENCE: HEY. 212 00:09:41,102 --> 00:09:43,060 HEY. WHERE'S COOP? 213 00:09:43,104 --> 00:09:45,585 WE ARE NOT ATTACHED AT THE HIP. 214 00:09:45,628 --> 00:09:47,064 AH, COULDA FOOLED ME. 215 00:09:47,108 --> 00:09:49,327 OK, YOU KNOW WHAT? THAT'S IT. I-- 216 00:09:49,371 --> 00:09:51,591 WE--WE HAVE TO FIND SOMETHING FOR HER, REALLY. 217 00:09:51,634 --> 00:09:54,071 - WHAT DO YOU MEAN? - SHE JUST NEEDS 218 00:09:54,115 --> 00:09:56,508 TO FIND SOMETHING TO DO, ANYTHING. 219 00:09:56,552 --> 00:09:59,120 SHE'S NOT EVEN ON THE LABEL ANYMORE, AND HONESTLY, I AM SWAMPED 220 00:09:59,163 --> 00:10:01,731 ORGANIZING TOMORROW'S SHOWCASE AT SLAUSON CAFEÉ. 221 00:10:01,775 --> 00:10:04,647 SHE CAN HELP WITH THAT IF YOU WANT-- PATIENCE: NO, NO, NO, NO. 222 00:10:04,691 --> 00:10:06,780 I AM PERFORMING AT THE SHOWCASE, OK? 223 00:10:06,823 --> 00:10:10,784 MAYBE GIVE HER SOMETHING TO JUST DO ON HER OWN, SEPARATE FROM MY THING. 224 00:10:10,827 --> 00:10:13,438 I WILL, UH, GET HER TO MENTOR SOME OF THE NEWER ARTISTS. 225 00:10:13,482 --> 00:10:15,527 SHE'S GONNA BE REALLY GOOD AT IT, AND YOU'RE NOT EVEN 226 00:10:15,571 --> 00:10:17,181 GONNA NOTICE SHE'S THERE, I PROMISE. 227 00:10:17,225 --> 00:10:19,749 - DON'T PLAY WITH ME. - SORRY TO INTERRUPT. 228 00:10:19,793 --> 00:10:21,751 - HEY. - HEY. - HEY. 229 00:10:21,795 --> 00:10:23,361 UH, YOU REMEMBER CLAY. 230 00:10:23,405 --> 00:10:25,625 YEAH. NEW ORLEANS, RIGHT? 231 00:10:25,668 --> 00:10:27,757 WHAT'S UP? CLAY: I'M GOOD. 232 00:10:27,801 --> 00:10:29,759 JUST WANTED TO STOP BY AND GIVE LAYLA HER COFFEE. 233 00:10:29,803 --> 00:10:31,805 ICE, TWO SUGARS, A DAB OF WHIP MIXED IN, 234 00:10:31,848 --> 00:10:34,111 JUST THE WAY YOU LIKE IT, RIGHT? LAYLA: UH, YES. THANK YOU. 235 00:10:34,155 --> 00:10:36,113 - I'LL SEE YOU TONIGHT, LOVE. - OH. 236 00:10:36,157 --> 00:10:37,854 [KISS] HEY, GOOD SEEING YOU AGAIN. 237 00:10:37,898 --> 00:10:39,508 - YEAH, YOU, TOO, YEAH, YOU, TOO. - THANK YOU. 238 00:10:39,551 --> 00:10:41,423 YOU'RE WELCOME. 239 00:10:43,033 --> 00:10:46,689 GIRL, YOU GOT A BOYFRIEND! 240 00:10:46,733 --> 00:10:49,300 HA HA! LAYLA: NO, NO, NO, NO. NO, HE'S NOT MY BOYFRIEND, 241 00:10:49,344 --> 00:10:52,042 HE'S...JUST, LIKE, A-- LIKE, A SUMMER THING. 242 00:10:52,086 --> 00:10:55,132 SUMMER'S OVER, AND I SAW WHAT I SAW. 243 00:10:55,176 --> 00:10:58,309 - OK. - OK, RIGHT. 244 00:10:58,353 --> 00:11:00,311 SEARCH COMMITTEE IS WORTHLESS. 245 00:11:00,355 --> 00:11:02,313 THEY RECOMMENDED HAYDEN FROM VENICE? 246 00:11:02,357 --> 00:11:04,315 WHAT'S WRONG WITH HAYDEN? 247 00:11:04,359 --> 00:11:06,491 HAVE YOU SEEN HIM SINCE HE SHAVED HIS MUSTACHE OFF? 248 00:11:06,535 --> 00:11:09,494 HUH! SOMETHING AIN'T RIGHT WITH THAT UPPER LIP. PASS. 249 00:11:09,538 --> 00:11:11,496 HEY, GIRL, HEY. [GIGGLES] 250 00:11:11,540 --> 00:11:13,498 CAN'T YOU JUST ASK HIM TO GROW IT BACK? 251 00:11:13,542 --> 00:11:15,718 OH, THERE'S NOT ENOUGH TIME. CLASS STARTS IN A WEEK. 252 00:11:15,762 --> 00:11:18,329 BESIDES, THAT PROBABLY VIOLATES SOME RULE OR SOMETHING. 253 00:11:18,373 --> 00:11:21,985 OK, LOOK, SINCE WE'RE JUST LOOKING FOR AN INTERIM PRINCIPAL, 254 00:11:22,029 --> 00:11:23,987 HOW 'BOUT WE LOOK FOR SOMEONE RIGHT HERE? 255 00:11:24,031 --> 00:11:26,337 HOW 'BOUT BILLY BAKER? DENISE: YOU THINK HE'D SAY YES? 256 00:11:26,381 --> 00:11:27,730 I CAN ASK HIM. 257 00:11:27,774 --> 00:11:30,080 SHOULD WE OFFER HIM A SCOOTER? 258 00:11:30,124 --> 00:11:32,343 OR NO. MAYBE WE CAN JUST 259 00:11:32,387 --> 00:11:33,997 PUT THAT IN OUR BACK POCKET FOR NOW. 260 00:11:34,041 --> 00:11:35,825 LET'S PUT THAT IN OUR BACK POCKET, YEP. 261 00:11:35,869 --> 00:11:37,348 ALL RIGHT, COME ON, LET'S GO. DENISE: ALL RIGHT. 262 00:11:37,392 --> 00:11:39,916 - WELL, YOU'RE EARLY. - NOPE. 263 00:11:39,960 --> 00:11:43,572 TURNS OUT BEING ON TIME AROUND HERE IS ACTUALLY LATE. 264 00:11:43,615 --> 00:11:45,748 WHAT, EVEN FOR A SNACK BREAK? 265 00:11:45,792 --> 00:11:48,403 I DON'T KNOW. MAYBE, MAYBE NOT. 266 00:11:48,446 --> 00:11:51,014 I'M STILL TRYING TO FIGURE OUT ALL THE RULES HERE. 267 00:11:51,058 --> 00:11:53,364 I'M PROBABLY SUPPOSED TO BE SOMEWHERE ELSE RIGHT NOW. 268 00:11:53,408 --> 00:11:56,019 YOU SAID YOU WERE TOO TIRED TO TALK LAST NIGHT. 269 00:11:56,063 --> 00:11:58,630 YOU WANT TO TALK TO ME NOW? 270 00:11:58,674 --> 00:12:00,632 - YOU GO FIRST. - OH... 271 00:12:00,676 --> 00:12:02,852 COME ON, COME ON. I NEED SOME GOOD NEWS. 272 00:12:02,896 --> 00:12:05,463 UH, UM...I'M SORRY. 273 00:12:05,507 --> 00:12:07,727 I, UH, DON'T HAVE ANY GOOD NEWS. 274 00:12:07,770 --> 00:12:09,729 UM, DAY ONE AT THE "TRIBUNE"-- 275 00:12:09,772 --> 00:12:12,732 [SIGHS]--WASN'T EXACTLY WHAT I ENVISIONED. 276 00:12:12,775 --> 00:12:14,777 WELL, WHAT HAPPENED? 277 00:12:14,821 --> 00:12:17,606 WELL, THIS BAND-AID WAS FROM A PAPER JAM IN THE SHREDDER. 278 00:12:17,649 --> 00:12:21,088 THAT WAS ACTUALLY EASIER THAN THE PAPER JAM IN THE COPIER. 279 00:12:21,131 --> 00:12:23,743 THEY DON'T GOT NOBODY TO DO ALL THAT? 280 00:12:23,786 --> 00:12:25,745 THEY DO NOW. 281 00:12:25,788 --> 00:12:29,400 [SIGHS] OK, SO THEY NOT LETTING YOU WRITE FOR 'EM. 282 00:12:29,444 --> 00:12:32,403 - MM-MMM. - BUT YOU WAS WRITING FOR 'EM ALL SUMMER. 283 00:12:32,447 --> 00:12:35,406 I MEAN, ONE ARTICLE, YOU KNOW, AND THAT WAS 284 00:12:35,450 --> 00:12:38,061 JUST PART OF THE SUMMER INTERNSHIP. 285 00:12:38,105 --> 00:12:40,063 JUST--[SIGHS]--- 286 00:12:40,107 --> 00:12:42,805 IT'S LIKE I'M STARTING FROM SCRATCH. 287 00:12:42,849 --> 00:12:45,460 YEAH. I KNOW HOW THAT FEELS. 288 00:12:45,503 --> 00:12:48,463 OBVIOUSLY, THE HEAD COACH DOESN'T CARE HOW GOOD I WAS IN HIGH SCHOOL, 289 00:12:48,506 --> 00:12:50,595 SO I GOT TO PROVE MYSELF ALL OVER AGAIN. 290 00:12:50,639 --> 00:12:52,815 OH, WHICH YOU WILL, 291 00:12:52,859 --> 00:12:55,513 AND JUST BE LUCKY THAT YOU'RE NOT COVERED IN BAND-AIDS. 292 00:12:56,993 --> 00:12:58,952 [HISSES] OUCH! 293 00:12:58,995 --> 00:13:01,171 YEAH. SPENCER: YEAH. 294 00:13:01,215 --> 00:13:03,434 OLIVIA: MMM. [BOTH CHUCKLE] 295 00:13:03,478 --> 00:13:06,002 I GOTTA GET TO MY POSITIONS MEETING, BUT DON'T WORRY. 296 00:13:06,046 --> 00:13:08,004 THEY GONNA SEE HOW VALUABLE YOU ARE. 297 00:13:08,048 --> 00:13:10,137 - THANKS. - ALL RIGHT. 298 00:13:11,529 --> 00:13:13,793 LAYLA: HEY. WHAT YOU WATCHING? 299 00:13:13,836 --> 00:13:15,969 - BAKING COMPETITION. - OOH, WHICH ONE? 300 00:13:16,012 --> 00:13:18,449 THEY'RE ALL THE SAME, BUT THIS IS THE BEST PART. 301 00:13:18,493 --> 00:13:20,364 HE'S ABOUT TO PUT THE FINISHING TOUCHES 302 00:13:20,408 --> 00:13:22,279 ON HIS DESSERT. THIS IS ART. 303 00:13:22,323 --> 00:13:25,805 [CHUCKLES] OK, UM, I HAVE AN IDEA. 304 00:13:25,848 --> 00:13:28,285 YOU WANT TO BAKE SOMETHING? 305 00:13:28,329 --> 00:13:30,810 NO. WELL, I MEAN, NOW, KIND OF, BUT NO. 306 00:13:30,853 --> 00:13:34,378 UM, LOOK, I WAS WONDERING IF YOU WOULD HELP ME PRODUCE 307 00:13:34,422 --> 00:13:37,947 THE SHOWCASE CONCERT AT SLAUSON CAFEÉ TOMORROW. 308 00:13:37,991 --> 00:13:40,558 NAH. I'M GOOD. 309 00:13:40,602 --> 00:13:42,996 I COULD REALLY USE YOUR HELP MENTORING THESE NEWER ARTISTS. 310 00:13:43,039 --> 00:13:45,346 IT'S A REALLY GREAT OPPORTUNITY FOR THEM 311 00:13:45,389 --> 00:13:47,739 AND KIM NITTY TO GET SOME GREAT EXPOSURE. 312 00:13:47,783 --> 00:13:49,959 WELL, WAIT. AIN'T--AIN'T PATIENCE 313 00:13:50,003 --> 00:13:52,353 SUPPOSED TO PERFORM, TOO? 'CAUSE YOU DIDN'T MENTION HER. 314 00:13:52,396 --> 00:13:55,182 YES, BUT I WANT YOU TO FOCUS ON THE NEWER ACTS. 315 00:13:55,225 --> 00:13:57,662 OK, UM, THINK OF YOURSELF 316 00:13:57,706 --> 00:14:01,231 AS A KEY INGREDIENT IN ONE OF THESE BAKING SHOWS, OK? 317 00:14:01,275 --> 00:14:03,843 FINAL PRODUCT'S GONNA BE BETTER IF YOU'RE INVOLVED. 318 00:14:05,409 --> 00:14:07,411 [LAYLA CHUCKLES] 319 00:14:09,196 --> 00:14:11,763 [CHUCKLES] I SAID ON TIME 320 00:14:11,807 --> 00:14:14,375 IS 15 MINUTES EARLY, NOT 30 MINUTES EARLY. 321 00:14:14,418 --> 00:14:16,377 YEAH, MAN, I'M JUST TRYING TO DO IT RIGHT. 322 00:14:16,420 --> 00:14:19,902 I MEAN, THIS FIRST YEAR, ESPECIALLY THESE FIRST FEW WEEKS, 323 00:14:19,946 --> 00:14:21,904 IT'S GONNA BE A BIG ADJUSTMENT FOR YOU. 324 00:14:21,948 --> 00:14:25,255 COACH, I GOT TO ADMIT, MAN, THIS SCHEDULE? 325 00:14:25,299 --> 00:14:27,518 I CAN BARELY KEEP MY EYES OPEN. 326 00:14:27,562 --> 00:14:30,739 I MEAN, I'M DOING EVERYTHING I CAN TO MAKE A GOOD IMPRESSION, 327 00:14:30,782 --> 00:14:33,002 BUT INSTEAD, I GOT COACH THINKING I'M A SHOW-BOATER. 328 00:14:33,046 --> 00:14:35,352 I MEAN, YOU DID HIT US WITH YOUR HIGHLIGHT REEL, MAN. 329 00:14:35,396 --> 00:14:37,354 STOP. STOP, MAN. [CHUCKLES] 330 00:14:37,398 --> 00:14:39,922 SERIOUSLY, MAN, I DOUBT HE EVEN REMEMBERS. 331 00:14:39,966 --> 00:14:42,359 COACH, HE SINGLED ME OUT IN FRONT OF THE WHOLE TEAM. 332 00:14:42,403 --> 00:14:45,275 LOOK, I AM TEAM FIRST. ALWAYS HAVE BEEN. 333 00:14:45,319 --> 00:14:48,235 AND NOW EVERYBODY ELSE IS GONNA THINK THAT I'M, LIKE-- 334 00:14:48,278 --> 00:14:51,238 STOP. LOOK, IT DOESN'T EVEN MATTER 335 00:14:51,281 --> 00:14:53,805 BECAUSE TOMORROW NIGHT, YOU WILL GET THE CHANCE 336 00:14:53,849 --> 00:14:55,895 TO SHOW EVERYBODY WHO YOU REALLY ARE. 337 00:14:55,938 --> 00:14:58,723 - WHAT'S TOMORROW? - COACH IS GONNA ANNOUNCE IT AT PRACTICE, 338 00:14:58,767 --> 00:15:02,249 BUT WE GET TO PLAY A LIVE SCRIMMAGE, UNDER THE LIGHTS. 339 00:15:02,292 --> 00:15:04,904 YEAH. THIS IS YOUR CHANCE 340 00:15:04,947 --> 00:15:07,080 TO CLIMB THAT DEPTH CHART, AND YOU GOTTA TAKE 341 00:15:07,123 --> 00:15:10,953 FULL ADVANTAGE OF THESE OPPORTUNITIES, SPENCE, SO BRING IT 342 00:15:10,997 --> 00:15:13,956 BECAUSE EVERYBODY ELSE WILL. 343 00:15:14,000 --> 00:15:16,611 YES, SIR. 344 00:15:21,137 --> 00:15:22,747 YOU'RE PROBABLY ALL WONDERING WHY 345 00:15:22,791 --> 00:15:24,401 I CALLED A HOUSE MEETING THIS MORNING. 346 00:15:24,445 --> 00:15:26,403 SINCE OUR LEASE IS UP IN A FEW DAYS, 347 00:15:26,447 --> 00:15:29,232 I THOUGHT WE SHOULD HAVE A TOAST TO THE BEST SUMMER EVER. 348 00:15:29,276 --> 00:15:31,060 WITH THIS STUFF? IS IT SAFE? 349 00:15:31,104 --> 00:15:34,846 WELL, THE FERMENTATION PROCESS IS COMPLETE... 350 00:15:36,544 --> 00:15:38,502 ACCORDING TO THE INSTRUCTIONS. 351 00:15:38,546 --> 00:15:40,940 JORDAN: MMM. SPENCER: NOPE, NOPE, NOT DRINKING THAT. 352 00:15:40,983 --> 00:15:42,985 BESIDES, ME AND J. GOT A SCRIMMAGE TONIGHT, SO... 353 00:15:43,029 --> 00:15:45,596 JORDAN: WELL, HOLD ON. I MEAN, IT IS ONLY ONE SIP, SPENCE. 354 00:15:45,640 --> 00:15:47,598 THAT'S EASY FOR YOU TO SAY. COACH GARRETT DIDN'T 355 00:15:47,642 --> 00:15:49,252 SINGLE YOU OUT DURING PRACTICE. 356 00:15:49,296 --> 00:15:50,950 JORDAN: NO, I MEAN, HE'S JUST NOT PLAYING 357 00:15:50,993 --> 00:15:52,473 FAVORITES IN HANDING PLAYERS THEIR SPOTS, 358 00:15:52,516 --> 00:15:54,083 WHICH--I THINK THAT'S A GOOD THING. 359 00:15:54,127 --> 00:15:55,955 MEANS THAT EVEN THOUGH I'M JUST A WALK-ON, 360 00:15:55,998 --> 00:15:57,521 I CAN STILL EARN A SPOT ON THE DEPTH CHART. 361 00:15:57,565 --> 00:16:00,133 JJ: GUYS--HEH!--UH, YOU'RE KINDA RUINING 362 00:16:00,176 --> 00:16:02,700 MY BIG TOAST. SPENCER: HOLD UP. J., I'M NOT SAYING MY SPOT 363 00:16:02,744 --> 00:16:05,355 SHOULD BE HANDED TO ME. JORDAN: NO, YOU'RE JUST SURPRISED THAT IT WASN'T. 364 00:16:05,399 --> 00:16:08,010 - BRO, I'VE BEEN WORKING MY ASS OFF. - EVERYONE HAS. 365 00:16:08,054 --> 00:16:10,012 I MEAN, WE ALL GOT THE SAME TRAINING SCHEDULE, SPENCE-- 366 00:16:10,056 --> 00:16:12,145 6 A.M. TO 10:30 P.M. 367 00:16:12,188 --> 00:16:14,974 WHAT, YOU GUYS ARE ACTUALLY FOLLOWING YOUR SCHEDULES? 368 00:16:15,017 --> 00:16:17,802 ASHER: JJ, DON'T EVEN GET ME STARTED, DUDE. JJ: BUT WHAT? 369 00:16:17,846 --> 00:16:20,327 THESE GUYS ARE TRYING TO MAKE IT TO THE NFL, 370 00:16:20,370 --> 00:16:22,807 ALL RIGHT? THAT'S NOT MY DREAM. 371 00:16:22,851 --> 00:16:25,462 I WANTED A FULL RIDE TO COASTAL, AND I GOT IT. 372 00:16:25,506 --> 00:16:28,683 OK, LOOK, ALL I'M SAYING IS YOU GOT MY SCHOLARSHIP, 373 00:16:28,726 --> 00:16:30,859 ALL RIGHT? SO JUST EARN IT. 374 00:16:30,902 --> 00:16:33,035 JORDAN: AND THAT'S ALL I'M SAYING, SPENCE, IS THAT 375 00:16:33,079 --> 00:16:35,037 NOTHING WE DID IN HIGH SCHOOL MATTERS ANYMORE. 376 00:16:35,081 --> 00:16:37,692 NOW WE ALL GOTTA EARN IT, THE WAY IT SHOULD BE. 377 00:16:37,735 --> 00:16:40,912 HEY, TO THE BEACH HOUSE. 378 00:16:42,436 --> 00:16:45,395 - TO THE BEACH HOUSE. - HEH HEH! 379 00:16:45,439 --> 00:16:48,355 [SPENCER COUGHING] JORDAN: GOD! 380 00:16:48,398 --> 00:16:50,574 ASHER: DUDE, WOW. THAT'S-- JORDAN: MMM, NO. 381 00:16:50,618 --> 00:16:52,663 SPENCER: WHAT IS WRONG WITH YOU? JJ: I'M GETTING 382 00:16:52,707 --> 00:16:54,752 SUBTLE HINTS OF OAK. HEH! 383 00:16:57,277 --> 00:16:58,887 [KNOCKS ON DOOR] HEY. 384 00:16:58,930 --> 00:17:00,584 - HEY. - THIS A BAD TIME? 385 00:17:00,628 --> 00:17:04,197 UH, NOT IF YOU HAVE AN IDEA ON REPLACING 14 PLAYERS 386 00:17:04,240 --> 00:17:07,896 FROM A TEAM THAT WAS ONE BAD CALL AWAY FROM A STATE TITLE. 387 00:17:07,939 --> 00:17:10,203 CAN'T HELP YOU WITH THE LINEUP, BUT 388 00:17:10,246 --> 00:17:12,553 YOU COULD REALLY HELP THE SCHOOL OUT. 389 00:17:12,596 --> 00:17:15,077 WE'RE LOOKING FOR AN INTERIM PRINCIPAL. 390 00:17:15,121 --> 00:17:17,949 OK, AND YOU CAME TO ME FOR SUGGESTIONS? 391 00:17:17,993 --> 00:17:19,908 NO, BILLY, I WANT YOU TO DO IT. 392 00:17:19,951 --> 00:17:21,953 IT'S ONLY FOR A FEW WEEKS. 393 00:17:21,997 --> 00:17:25,087 ALL YOU HAVE TO DO IS ATTEND A FEW MEETINGS AND A COUPLE ASSEMBLIES. 394 00:17:25,131 --> 00:17:28,047 - WELL, I HATE ASSEMBLIES. - EVERYBODY DOES. 395 00:17:28,090 --> 00:17:30,049 SO WHAT DO YOU THINK? 396 00:17:30,092 --> 00:17:32,051 UM--[EXHALES SHARPLY]-- 397 00:17:32,094 --> 00:17:34,705 THANK YOU FOR THE CONSIDERATION... GRACE: MM-HMM. 398 00:17:34,749 --> 00:17:36,707 BUT RIGHT NOW, ALL MY FREE TIME IS GOING 399 00:17:36,751 --> 00:17:39,362 TO PUTTING TOGETHER A WINNING FORMULA FOR THIS TEAM. 400 00:17:39,406 --> 00:17:42,061 YOU KNOW, UNFORTUNATELY, WE DON'T HAVE THE LUXURY 401 00:17:42,104 --> 00:17:44,759 OF HANDING OFF THE BALL TO YOUR SON ANYMORE, SO... 402 00:17:44,802 --> 00:17:47,370 WAIT. HOW OLD IS-- HOW OLD IS DILLON? 403 00:17:47,414 --> 00:17:50,286 - NOT EVEN CLOSE. - 'CAUSE WE COULD FAKE HIS BIRTH CERTIFICATE. 404 00:17:50,330 --> 00:17:52,723 BILLY, TH--THIS IS SERIOUS. 405 00:17:52,767 --> 00:17:54,725 I'M JUST KIDDING, KIND OF. 406 00:17:54,769 --> 00:17:56,379 UM, I CAN'T. 407 00:17:56,423 --> 00:17:58,077 I'M SORRY. 408 00:17:58,120 --> 00:18:00,383 [WHISPERS] OK. 409 00:18:00,427 --> 00:18:02,472 [HUMMING] AH. 410 00:18:03,952 --> 00:18:05,910 - CAN I HELP YOU? - YES, ACTUALLY. 411 00:18:05,954 --> 00:18:07,912 COULD YOU, UH, PUT THIS IN THE BAG FOR ME? 412 00:18:07,956 --> 00:18:10,480 THANK YOU. OLIVIA: UH, NO. 413 00:18:10,524 --> 00:18:12,482 OK, WELL, THEN WHY DID YOU ASK TO HELP? 414 00:18:12,526 --> 00:18:14,745 OK, THIS IS OUR FOOD, OK? 415 00:18:14,789 --> 00:18:17,574 YOU DON'T LIVE HERE ANYMORE, AND YOU DON'T EVEN EAT CELERY. 416 00:18:17,618 --> 00:18:20,316 OK, WELL, JJ EATS EVERYTHING, ALL RIGHT? 417 00:18:20,360 --> 00:18:22,971 AND WE'RE HAVING A LITTLE "FAREWELL TO THE BEACH HOUSE" THING 418 00:18:23,014 --> 00:18:25,016 AFTER TONIGHT'S SCRIMMAGE, SO I NEED APPETIZERS. 419 00:18:25,060 --> 00:18:27,106 DID YOU WANT TO COME? 420 00:18:27,149 --> 00:18:29,238 - SPENCER ALREADY INVITED ME. - COOL. 421 00:18:29,282 --> 00:18:31,936 HE SEEMS TO BE STRUGGLING WITH HIS SCHEDULE. 422 00:18:31,980 --> 00:18:34,765 - IT'S BRUTAL. - I MEAN, ALSO, I THINK THE EXPECTATIONS 423 00:18:34,809 --> 00:18:37,116 HE PUT ON HIMSELF ARE ALSO WEIGHING HIM DOWN, TOO, BUT, 424 00:18:37,159 --> 00:18:39,161 I ONLY GET TO SEE HIM, LIKE, TWICE A DAY FOR SNACK BREAKS. 425 00:18:39,205 --> 00:18:41,424 MMM, YEAH, THOSE ARE MY FAVORITE. SNACK BREAKS. 426 00:18:41,468 --> 00:18:44,340 WELL, YOU SEEM TO BE HANDLING THIS BRUTAL SCHEDULE PRETTY WELL. 427 00:18:44,384 --> 00:18:46,473 YEAH, THAT'S BECAUSE MAYBE WHEN I'M ACTUALLY 428 00:18:46,516 --> 00:18:48,605 ON MY SNACK BREAK, I'M HAVING SNACKS. 429 00:18:48,649 --> 00:18:51,652 LOOK, LIV, I--I LOVE SIMONE, OK? I DO, 430 00:18:51,695 --> 00:18:54,655 BUT I CANNOT IMAGINE PULLING OFF THIS SCHEDULE IF SHE WAS STILL IN TOWN. 431 00:18:54,698 --> 00:18:57,266 I MEAN, TRYING TO SQUEEZE HER INTO TWO MEASLY SNACK BREAKS? 432 00:18:57,310 --> 00:18:59,616 HMM, NO, THANK YOU. [GASPS] 433 00:18:59,660 --> 00:19:01,618 WHOO! AHA! 434 00:19:01,662 --> 00:19:04,273 SLICED CHEESE. THIS'LL DO, RIGHT? 435 00:19:04,317 --> 00:19:07,798 YEAH. RIGHT ON. AWESOME. I'LL SEE YOU TONIGHT. BOOP. 436 00:19:07,842 --> 00:19:10,279 PATIENCE: SO I JUST WANT IT, LIKE, A LITTLE BIT LOUDER, UM, 437 00:19:10,323 --> 00:19:12,977 BUT NOT TOO-- LAYLA: HEY. HELLO? WHAT IS THIS? 438 00:19:13,021 --> 00:19:15,502 I...DON'T KNOW. WHAT IS IT? 439 00:19:15,545 --> 00:19:19,506 UH, COOP SUBMITTED A RIDER FOR YOU, A RIDICULOUS LIST OF DEMANDS. 440 00:19:19,549 --> 00:19:22,161 - NO, SHE DIDN'T. - YEAH, SHE DID. 441 00:19:22,204 --> 00:19:24,859 UM, "SCENTED CANDLE, NOTHING TOO WOODSY." 442 00:19:24,902 --> 00:19:27,340 - I DID NOT ASK FOR THIS. - MM-HMM. 443 00:19:27,383 --> 00:19:30,343 "HOT TEA WITH UNWAXED LEMONS. 444 00:19:30,386 --> 00:19:32,997 "BIG SLICES SO THEY'RE EASIER TO SQUEEZE, 445 00:19:33,041 --> 00:19:36,218 SOUR GUMMI WORMS"? PATIENCE-- PATIENCE: OH, MY GOD. NO. LIS--HONESTLY, JUST 446 00:19:36,262 --> 00:19:38,829 GO AHEAD AND SHUT THAT 'CAUSE I'M ABOUT TO STRIKE COOP RIGHT NOW, 447 00:19:38,873 --> 00:19:42,485 LIKE, I HONESTLY-- LAYLA: WHAT? NO. NO, NO, NO, NO. OK. 448 00:19:42,529 --> 00:19:45,488 THE WHOLE POINT OF THIS WAS SO YOU GET A BREAK 449 00:19:45,532 --> 00:19:49,188 FROM HER, SO, LIKE, LET'S JUST IGNORE THIS. 450 00:19:50,711 --> 00:19:54,889 I MEAN, HOT TEA WITH LEMON DOES SOUND... PRETTY DOPE, THOUGH. 451 00:19:54,932 --> 00:19:56,369 HMM. 452 00:19:57,979 --> 00:19:59,546 JACOB: HEY. ASHER: HEY. 453 00:19:59,589 --> 00:20:02,026 THERE HE IS. YOU KNOW, WE MISS YOU AROUND HERE. 454 00:20:02,070 --> 00:20:04,507 THANKS, BUT I'M DOING PRETTY WELL. 455 00:20:04,551 --> 00:20:06,509 - GOOD. - IN FACT, UH, 456 00:20:06,553 --> 00:20:09,208 HERE IS MY TUITION PAYMENT FOR THE NEXT TWO MONTHS. 457 00:20:11,471 --> 00:20:14,430 CASH. WOW. LOOK AT YOU, BIG MAN. 458 00:20:14,474 --> 00:20:17,607 OK. SO, UH, WHAT'S GOING ON HERE? 459 00:20:17,651 --> 00:20:19,609 YOU GUYS SETTING UP FOR A PARTY OR SOMETHING? 460 00:20:19,653 --> 00:20:22,264 OH, WE'RE HAVING A CHARITY EVENT. WE TRY TO HOLD A FEW 461 00:20:22,308 --> 00:20:24,875 EVERY YEAR, BUT THIS ONE'S FOR LUPUS RESEARCH, 462 00:20:24,919 --> 00:20:28,139 WHICH IS ACTUALLY JAYMEE'S IDEA, YOU KNOW, 463 00:20:28,183 --> 00:20:30,925 WITH EVERYTHING SHE WENT THROUGH THIS PAST SUMMER. 464 00:20:30,968 --> 00:20:34,145 THIS IS VERY IMPORTANT TO HER; YOU KNOW SHE STARTED WORKING HERE AGAIN, RIGHT? 465 00:20:34,189 --> 00:20:36,757 YEAH, SHE TOLD ME. WAIT. WHAT DO YOU MEAN WHEN YOU SAID, "EVERYTHING 466 00:20:36,800 --> 00:20:39,368 SHE WENT THROUGH THIS PAST SUMMER"? 467 00:20:39,412 --> 00:20:42,545 LOOK, I--[SIGHS]-- I SHOULDN'T HAVE SAID ANYTHING. 468 00:20:42,589 --> 00:20:45,722 IT'S NOT MY PLACE. ASHER: DOES JAYMEE HAVE LUPUS? 469 00:20:45,766 --> 00:20:48,986 LOOK, ASHER, SHE DOESN'T REALLY HIDE IT, 470 00:20:49,030 --> 00:20:51,598 BUT SHE ALSO DOESN'T GO OUT OF HER WAY TO TELL EVERYONE 471 00:20:51,641 --> 00:20:54,253 BECAUSE SHE DOESN'T WANT TO BE TREATED DIFFERENTLY. 472 00:20:54,296 --> 00:20:56,820 I SUCK, MAN. 473 00:20:56,864 --> 00:21:00,084 JACOB, THANKS, AND GOOD LUCK WITH THE EVENT, OK? 474 00:21:00,128 --> 00:21:01,782 YEAH. 475 00:21:06,439 --> 00:21:10,094 [PLAYERS SHOUTING INDISTINCTLY] 476 00:21:10,138 --> 00:21:13,097 QUARTERBACK: RIGHT, 59! SET, GO! 477 00:21:13,141 --> 00:21:15,274 [PLAYERS GRUNTING] 478 00:21:15,317 --> 00:21:17,667 [WHISTLE BLOWS] JORDAN: WHEW! SPENCE, YOU READY FOR THIS? 479 00:21:17,711 --> 00:21:19,669 MAN, I BEEN READY. JUST GOTTA TAKE ADVANTAGE OF 480 00:21:19,713 --> 00:21:22,324 THESE OPPORTUNITIES, YOU KNOW? ISAIAH: MAN, I'M SURE YOU'LL 481 00:21:22,368 --> 00:21:24,326 GET A CHANCE. NOT SURE US WALK-ONS WILL PLAY. 482 00:21:24,370 --> 00:21:26,328 AH, COME ON. WE'LL GET IN THERE. 483 00:21:26,372 --> 00:21:28,330 JUST GOTTA BELIEVE, RIGHT? 484 00:21:28,374 --> 00:21:31,028 KENNY: FIRST TEAM, SWITCH OUT. 485 00:21:33,683 --> 00:21:36,295 COACH, YOU KNOW WHEN I'M GONNA PLAY? 486 00:21:36,338 --> 00:21:38,949 YOU'LL GET YOUR SHOT. SIT TIGHT. 487 00:21:38,993 --> 00:21:40,995 YES, SIR. 488 00:21:42,388 --> 00:21:44,781 [CROWD CHEERS] 489 00:21:44,825 --> 00:21:48,350 LAYLA: OK, THAT WAS CORA PAIGE. 490 00:21:48,394 --> 00:21:51,788 WASN'T SHE INCREDIBLE? LET'S GIVE HER ANOTHER ROUND OF APPLAUSE. 491 00:21:51,832 --> 00:21:55,009 OK, OUR NEXT ACT NEEDS NO INTRODUCTION. 492 00:21:55,052 --> 00:21:58,012 IN FACT, SHE JUST GOT OFF OF HEADLINING HER OWN TOUR, 493 00:21:58,055 --> 00:22:01,450 SO I'M JUST GONNA BRING HER UP ONSTAGE. PATIENCE, YOU'RE UP. 494 00:22:01,494 --> 00:22:04,061 [APPLAUSE] WHOO! 495 00:22:04,105 --> 00:22:06,499 COOP: WAIT, WAIT. HOLD ON, HOLD ON. 496 00:22:06,542 --> 00:22:08,501 KIM NITTY HASN'T GONE YET. PATIENCE: COOP, IT'S NOT A BIG DEAL. STOP, ALL RIGHT? 497 00:22:08,544 --> 00:22:10,851 - NO WAY. - WHAT ARE YOU DOING? 498 00:22:10,894 --> 00:22:12,809 LAYLA: PATIENCE, YOU COMING? PATIENCE: STOP. WHAT ARE YOU DOING? STOP. 499 00:22:12,853 --> 00:22:14,855 COOP: MAN, HELL NO. YOU JUST HEADLINED YOUR OWN TOUR, 500 00:22:14,898 --> 00:22:16,639 ALL RIGHT? ONLY WAY YOU OPENING UP FOR SOMEBODY IS 501 00:22:16,683 --> 00:22:18,641 IF THEY NAMED BEYONCEÉ. - OK, HONESTLY... 502 00:22:18,685 --> 00:22:20,469 HEY, HEY, IS THERE A PROBLEM? 503 00:22:20,513 --> 00:22:22,863 - YES, COOP IS THE PROBLEM! - HOW AM I THE PROBLEM? 504 00:22:22,906 --> 00:22:25,474 - STOP. - NO, LISTEN. PATIENCE IS NOT OPENING UP FOR KIM NITTY. 505 00:22:25,518 --> 00:22:27,650 - IT'S JUST A SHOWCASE, COOP. - OK, AND YOU'RE SHOWCASING 506 00:22:27,694 --> 00:22:29,652 EVERYONE ELSE EXCEPT FOR PATIENCE. 507 00:22:29,696 --> 00:22:31,350 THIS AIN'T HAPPENING. I'M PULLING HER FROM THE SHOW. 508 00:22:31,393 --> 00:22:33,264 - WHAT?! - YOU ARE TOO GOOD FOR THIS. 509 00:22:33,308 --> 00:22:35,528 KIM NITTY: WHAT'S GOIN' ON, SLAUSON? [CROWD CHEERS] 510 00:22:35,571 --> 00:22:38,269 YEAH, YEAH, Y'ALL HAVING SOME FUN TONIGHT? 511 00:22:38,313 --> 00:22:41,490 UH, SO WE HAD A LITTLE, UH, MISUNDERSTANDING, BUT IT'S OK. 512 00:22:41,534 --> 00:22:44,406 WE GETTIN' PAST THAT NOW, SO I AM KIM NITTY. 513 00:22:44,450 --> 00:22:47,017 ["NO QUESTIONS ASKED" BEGINS] YEAH! 514 00:22:47,061 --> 00:22:49,019 OH, YEAH! 515 00:22:49,063 --> 00:22:52,545 [RAPPING] ♪ GIMME, GIMME, GIMME ALL OF THAT ♪ 516 00:22:52,588 --> 00:22:55,025 ♪ GIMME ALL OF THAT, GIMME THAT ♪ 517 00:22:55,069 --> 00:22:58,072 ♪ GIMME THAT, NO QUESTIONS ASKED ♪ 518 00:22:58,115 --> 00:23:00,074 ♪ I'M AT THE TOP, I CAN SING... ♪ 519 00:23:00,117 --> 00:23:01,728 YOU'RE WELCOME. 520 00:23:01,771 --> 00:23:03,382 KIM: ♪ MAKIN' MY MOVES, DOIN' MY THING ♪ 521 00:23:03,425 --> 00:23:05,558 ♪ HEAR MY DANCE, BIG BOSS VIBES ♪ 522 00:23:05,601 --> 00:23:07,951 ♪ CLEARLY WHAT'S MINE, IT'S TIME TO EXPAND ♪ 523 00:23:07,995 --> 00:23:11,128 ♪ NO QUESTIONS ASKED, NO QUESTIONS ASKED ♪ 524 00:23:16,133 --> 00:23:18,092 QUARTERBACK: LET'S GO! HUT, HUT! 525 00:23:18,135 --> 00:23:20,181 [PLAYERS GRUNTING] 526 00:23:21,617 --> 00:23:24,490 GARRETT: ALL RIGHT, LET'S GO. SECOND TEAM, HUSTLE UP! 527 00:23:25,969 --> 00:23:29,886 HEY, UH, RELAX. RELAX. 528 00:23:29,930 --> 00:23:32,323 HEY, HOW'S THE, UH, HOW'S THE SEARCH COMING ALONG? 529 00:23:32,367 --> 00:23:35,152 HEY. OH, IT'S GOING GREAT. WE FOUND AN INTERIM PRINCIPAL, 530 00:23:35,196 --> 00:23:38,547 SOMEONE WHO'S A TRUE LEADER, WHO THE STUDENTS REALLY RESPECT. 531 00:23:38,591 --> 00:23:40,549 - GLAD IT WORKED OUT. - MM-HMM. 532 00:23:40,593 --> 00:23:42,551 - WHO'D YOU GET? - UH, MR. THOMPSON, 533 00:23:42,595 --> 00:23:45,162 THE SHOP TEACHER. - STUBBS? 534 00:23:45,206 --> 00:23:47,164 COME ON. YOU KNOW YOU CAN'T CALL HIM THAT, BILLY. 535 00:23:47,208 --> 00:23:49,558 IT WAS AN ACCIDENT. HE'S SENSITIVE ABOUT HIS FINGERS. 536 00:23:49,602 --> 00:23:51,647 HOLD UP. YOU ARE TELLING ME RIGHT NOW 537 00:23:51,691 --> 00:23:54,084 THAT STUBBS IS ABOUT TO BE MY NEW BOSS? 538 00:23:54,128 --> 00:23:57,610 - TEMPORARILY. - THIS CAN'T BE HAPPENING. YOU COULDN'T FIND NOBODY ELSE? 539 00:23:57,653 --> 00:24:00,482 WE DID. YOU SAID NO. 540 00:24:03,877 --> 00:24:05,487 [SIGHS] 541 00:24:05,531 --> 00:24:08,098 [PLAYERS GRUNTING] 542 00:24:08,142 --> 00:24:10,666 KENNY: GOOD JOB. GARRETT: THERE WE GO. 543 00:24:10,710 --> 00:24:12,451 KENNY: GOOD BALL. GOOD CATCH, GOOD CATCH. 544 00:24:12,494 --> 00:24:14,322 GARRETT: GOOD JOB. KENNY: HEY, COACH, LET'S GET 545 00:24:14,365 --> 00:24:16,629 SPENCER JAMES IN THERE, SEE WHAT HE CAN DO OUT THERE. 546 00:24:16,672 --> 00:24:19,370 - WHICH ONE IS HE? - NUMBER 11. 547 00:24:21,155 --> 00:24:23,157 NOT YET. 548 00:24:26,813 --> 00:24:29,468 KENNY: NICE, NICE. GOOD HUSTLE. MAN: GET UP THERE. 549 00:24:31,078 --> 00:24:33,341 COACH GARRETT AIN'T WANT ME HERE, DID HE? 550 00:24:33,384 --> 00:24:35,952 - IT'S NOT THE TIME, SPENCER. - WHAT, HE ALREADY GOT HIS FAVORITES? 551 00:24:35,996 --> 00:24:37,954 IT DOESN'T MATTER. THAT DOESN'T MEAN 552 00:24:37,998 --> 00:24:40,000 YOU'RE NOT GONNA GET THE OPPORTUNITY TO SHOWCASE 553 00:24:40,043 --> 00:24:42,132 HOW ELECTRIC YOU ARE OUT THERE ON THAT FIELD. 554 00:24:42,176 --> 00:24:44,134 - WHEN? - NEXT SERIES. 555 00:24:44,178 --> 00:24:47,007 BE READY. SPENCER: YES, SIR. 556 00:24:47,050 --> 00:24:49,618 ALL RIGHT, LET'S GO! 557 00:24:49,662 --> 00:24:51,838 LAYLA: HEY. OLIVIA: WHAT WAS ALL THAT DRAMA? 558 00:24:51,881 --> 00:24:54,405 OH, THAT WAS COOP LOSING HER MIND. 559 00:24:54,449 --> 00:24:56,538 - UH-OH. - NO, IT ALL WORKED ITSELF OUT, 560 00:24:56,582 --> 00:24:59,193 BUT ONLY BECAUSE KIM NITTY IS A PRO. OLIVIA: NO, I MEANT, "UH-OH, 561 00:24:59,236 --> 00:25:02,022 ISN'T THAT YOUR BOYFRIEND WALKING IN WITH SOME DATE?" 562 00:25:03,676 --> 00:25:07,331 UH, HE'S, UM, HE'S NOT MY BOYFRIEND. NO. 563 00:25:07,375 --> 00:25:09,333 YOU'VE BEEN SLEEPING WITH HIM ALL SUMMER. 564 00:25:09,377 --> 00:25:11,335 - UH, NOT ALL SUMMER. - OK, SORRY. 565 00:25:11,379 --> 00:25:13,512 MOST OF THE SUMMER. 566 00:25:13,555 --> 00:25:16,166 SO, THEN, WHAT-- WHAT IS HE? 567 00:25:16,210 --> 00:25:19,996 HE'S, UM... 568 00:25:20,040 --> 00:25:24,348 I DON'T KNOW, BUT WHATEVER HE IS, IT WORKS BETTER WHEN HE'S AWAY. 569 00:25:24,392 --> 00:25:27,917 THAT IS SO WEIRD. YOU ARE THE SECOND PERSON TO SAY THAT TO ME TODAY. 570 00:25:27,961 --> 00:25:30,572 JORDAN SAID THAT, YOU KNOW, 571 00:25:30,616 --> 00:25:32,574 SINCE HE HAS HIS BRUTAL SCHEDULE, YOU KNOW, 572 00:25:32,618 --> 00:25:34,663 HIS RELATIONSHIP WITH SIMONE HAS BEEN EASIER, 573 00:25:34,707 --> 00:25:36,665 YOU KNOW, WITH HER AWAY IN ATLANTA. 574 00:25:36,709 --> 00:25:38,711 YEAH. I MEAN, THAT MAKES SENSE. 575 00:25:38,754 --> 00:25:41,714 JORDAN'S FOCUSED ON FOOTBALL, I AM FOCUSED ON MY LABEL. 576 00:25:41,757 --> 00:25:44,586 YOU KNOW, RIGHT NOW, A SERIOUS RELATIONSHIP 577 00:25:44,630 --> 00:25:47,458 CAN ONLY GET IN THE WAY OF WHAT'S MOST IMPORTANT TO ME. 578 00:25:49,417 --> 00:25:51,593 [WHISTLE BLOWS] MALE SINGER: ♪ YEAH 579 00:25:51,637 --> 00:25:54,248 ALL RIGHT. SPENCER, IT'S YOUR TIME. 580 00:25:54,291 --> 00:25:56,250 LET'S GET IT. SINGER: ♪ YOU KNOW WHAT TIME IT IS ♪ 581 00:25:56,293 --> 00:25:58,034 JORDAN: ALL RIGHT. 582 00:25:58,078 --> 00:26:00,080 ♪ IT'S GAME TIME 583 00:26:00,123 --> 00:26:02,299 ♪ IT'S GAME TIME 584 00:26:02,343 --> 00:26:04,780 ♪ LOOK QUARTERBACK: BREAK. 585 00:26:04,824 --> 00:26:08,088 SINGER: ♪ I'M BACK AROUND, THEY THOUGHT I WAS DOWN BUT LOOK AT ME NOW ♪ 586 00:26:08,131 --> 00:26:10,612 ♪ THEY TRIED TO CUT ME OUT, BUT THE METHANE, I TOOK THE EXACT AMOUNT ♪ 587 00:26:10,656 --> 00:26:12,266 - ♪ IT DON'T ADD UP - ♪ THIS IS THE THEME MUSIC 588 00:26:12,309 --> 00:26:14,573 ♪ FOR ANYONE WHO'S EVER BEEN THROUGH ♪ 589 00:26:14,616 --> 00:26:16,575 ♪ THE TRAIN OFF THE TRACK, BUT YOU CLING TO IT ♪ 590 00:26:16,618 --> 00:26:18,707 ♪ TIME TO SHOW 'EM YOU AIN'T OUTTA STEAM, PROVE IT ♪ 591 00:26:18,751 --> 00:26:20,404 - ♪ WATCH - ♪ I DON'T EVER QUIT 592 00:26:20,448 --> 00:26:22,972 ♪ ALL MY ENEMIES WISH, BUT I NEVER DID ♪ 593 00:26:23,016 --> 00:26:24,974 ♪ I'M TOO HEAVY, KID, I'M AN ANIMAL, DAWG ♪ 594 00:26:25,018 --> 00:26:28,630 ♪ I'M AN ELEPHANT, I DON'T PLAY WHEN IT'S GAME TIME ♪ 595 00:26:28,674 --> 00:26:30,327 ♪ I WON'T LET YOU COME AND TAKE MINE ♪ 596 00:26:30,371 --> 00:26:32,329 ♪ THE FRUITS OF MY LABOR GONNA TASTE FINE ♪ 597 00:26:32,373 --> 00:26:33,896 ♪ DON'T CARE WHAT YOU HEARD FROM THE GRAPEVINE ♪ 598 00:26:33,940 --> 00:26:35,637 BACKGROUND SINGERS: ♪ NAH, HEY, HEY 599 00:26:35,681 --> 00:26:36,725 SINGER: ♪ YOU BETTER GET OUT OF THE WAY ♪ 600 00:26:36,769 --> 00:26:38,335 ♪ I WANT IT ALL 601 00:26:38,379 --> 00:26:39,598 ♪ THE WHOLE THING 602 00:26:39,641 --> 00:26:41,077 ♪ NOT A PIECE OF THE PIE 603 00:26:41,121 --> 00:26:43,079 ♪ I'M GONNA BALL GARRETT: AH! 604 00:26:43,123 --> 00:26:45,604 GET 11 OUTTA THERE! SINGER: ♪ OOH 605 00:26:45,647 --> 00:26:48,258 ♪ WHEN THE STAKES ARE HIGH KENNY: SPENCER JAMES! OUT! 606 00:26:48,302 --> 00:26:50,260 SINGER: ♪ SEE ME PUT THE WORK IN TILL MY TEAM LEADS ♪ 607 00:26:50,304 --> 00:26:53,263 ♪ I'LL BE RIGHT THERE WHEN THEY NEED ME, LIKE WHOO! ♪ 608 00:26:53,307 --> 00:26:55,309 [RHYTHMIC CLAPPING] 609 00:27:07,713 --> 00:27:10,324 KENNY: BAKER, WINFIELD, GO GET IT. 610 00:27:10,367 --> 00:27:12,631 JORDAN: SIR, YES, SIR. 611 00:27:12,674 --> 00:27:14,458 SINGER: ♪ HOW YOUSE LOOK LIKE, LOOK ♪ 612 00:27:14,502 --> 00:27:16,678 ♪ AND WHEN I HOP OUT, ALL EYES ON ME ♪ 613 00:27:16,722 --> 00:27:19,115 ♪ I'M A-FLASHIN', AH, I'M REACTIN'... ♪ 614 00:27:19,159 --> 00:27:21,161 JORDAN: ALL RIGHT, Y'ALL. 615 00:27:21,204 --> 00:27:23,163 FIRST ROUND. WHAT DO YOU SAY? 616 00:27:23,206 --> 00:27:25,644 RIVER RUNS RED ON ONE. READY? PLAYERS: BREAK! 617 00:27:25,687 --> 00:27:28,690 JORDAN: HERE WE GO. SINGER: ♪ WE'RE SO FLY, WAY UP IN THE LIMELIGHT ♪ 618 00:27:28,734 --> 00:27:32,041 JORDAN: 155, 155. HERE WE GO. DOWN, SET! 619 00:27:32,085 --> 00:27:34,696 RIGHT, 60. SET! SINGER: ♪ BIG BLING, BIG BLING 620 00:27:34,740 --> 00:27:37,481 ♪ I'MMA MAKE IT, I'MMA MAKE IT TO THE TOP ♪ 621 00:27:37,525 --> 00:27:39,527 ♪ WATCH ME WORK, I AIN'T NEVER GONNA STOP ♪ 622 00:27:39,570 --> 00:27:41,964 ♪ YEAH, I AIN'T WORRIED, I'MMA MAKE IT TO THE TOP ♪ 623 00:27:42,008 --> 00:27:44,140 THAT'S HOW YOU GET OFF THE LINE. 624 00:27:44,184 --> 00:27:47,056 SINGER: ♪ I'M WHIPPIN' UP A BRAND-NEW ONE... ♪ 625 00:27:48,536 --> 00:27:51,060 PATIENCE: ♪ TRUST IN THE MOMENT 626 00:27:51,104 --> 00:27:53,715 ♪ TRUST IN THE FUTURE 627 00:27:53,759 --> 00:27:56,326 ♪ TRUST IN MY PEOPLE 628 00:27:56,370 --> 00:27:59,242 ♪ BUT I TRUST IN ME FIRST 629 00:27:59,286 --> 00:28:01,854 ♪ TRUST GOES A LONG WAY... 630 00:28:01,897 --> 00:28:04,378 - SHE'S GREAT, ISN'T SHE? - WHAT THE HELL WAS THAT? 631 00:28:04,421 --> 00:28:06,075 LAYLA-- 632 00:28:06,119 --> 00:28:07,555 NO, THIS IS MY SHOW, COOP. 633 00:28:07,598 --> 00:28:09,209 - I KNOW-- - NO, I PICK THE ORDER. 634 00:28:09,252 --> 00:28:11,341 - OK, BUT I THOUGHT-- - STOP. I DON'T CARE. 635 00:28:11,385 --> 00:28:13,692 I ASKED YOU TO HELP BECAUSE I FELT BAD THAT YOU HAD NOTHING TO DO-- 636 00:28:13,735 --> 00:28:16,695 - WAIT. SO YOU HELPED ME OUT OF PITY? - NO, I... 637 00:28:16,738 --> 00:28:20,524 I REALLY THOUGHT YOU COULD MAKE THE SHOWCASE BETTER. 638 00:28:20,568 --> 00:28:22,526 I WAS WRONG. 639 00:28:22,570 --> 00:28:26,052 PATIENCE: ♪ TO SEE EVERYTHING I COULD BE ♪ 640 00:28:27,923 --> 00:28:30,578 [GRACE AND DENISE CHATTING INDISTINCTLY] 641 00:28:32,145 --> 00:28:35,104 HEY, YO, ARE YOU OFF TO THE, UH, SEARCH COMMITTEE MEETING? 642 00:28:35,148 --> 00:28:37,541 YEP. GOTTA FINALIZE SOME THINGS. 643 00:28:37,585 --> 00:28:39,543 OK, WELL, BEFORE YOU GO, UM, 644 00:28:39,587 --> 00:28:41,545 I THINK THAT YOU SHOULD KNOW THAT I 645 00:28:41,589 --> 00:28:44,287 HAVE, UH, I'VE HAD A CHANGE OF HEART. 646 00:28:44,331 --> 00:28:47,464 YEAH, AND IF YOU TWO WOULD KINDLY RECONSIDER, 647 00:28:47,508 --> 00:28:49,728 IF THE OFFER STILL STANDS, 648 00:28:49,771 --> 00:28:53,775 I'D LIKE TO--TO ACCEPT THE POSITION OF INTERIM PRINCIPAL. 649 00:28:53,819 --> 00:28:57,213 [SQUEALS LOUDLY] OH, BILLY B., SAVING THE DAMN DAY! 650 00:28:57,257 --> 00:28:58,867 HA! YOU KNOW, YOU'RE LIKE A 651 00:28:58,911 --> 00:29:00,739 3-POINTER AT THE BUZZER. 652 00:29:00,782 --> 00:29:03,263 SWISH. BILLY: HA HA! I'M JUST HAPPY TO HELP. 653 00:29:03,306 --> 00:29:05,613 I'M SURE MR. THOMPSON WON'T MIND. 654 00:29:05,656 --> 00:29:07,789 STUBBS? AIN'T NOBODY THINKING 655 00:29:07,833 --> 00:29:10,792 ABOUT STUBBS. WHAT MADE YOU THINK THAT? 656 00:29:10,836 --> 00:29:14,230 OH. I, UH--HEH!-- I GUESS I 657 00:29:14,274 --> 00:29:16,798 GOT SOME, UH, SOME BAD INFORMATION. 658 00:29:16,842 --> 00:29:19,801 DENISE: HMM. I THOUGHT WE WERE GONNA BE HERE ALL NIGHT, BUT NOW, 659 00:29:19,845 --> 00:29:22,891 I AM GOING OUT. WHO'S COMING? HEH! 660 00:29:22,935 --> 00:29:25,285 NO? OK. THAT'S FINE. 661 00:29:25,328 --> 00:29:27,896 UM, LISTEN, BILLY B., WE WILL HAVE SOMEONE 662 00:29:27,940 --> 00:29:30,899 SEND OVER YOUR NEW SCHEDULE. BILLY: OK. HA HA HA! 663 00:29:30,943 --> 00:29:33,032 THAT'S GREAT. [DENISE CHUCKLES] 664 00:29:38,124 --> 00:29:39,647 HEY. 665 00:29:39,690 --> 00:29:41,301 HI. 666 00:29:41,344 --> 00:29:43,085 HOW'D IT GO? 667 00:29:43,129 --> 00:29:45,696 JACOB ALREADY LEFT, SO... 668 00:29:45,740 --> 00:29:47,829 ACTUALLY, I--I CAME TO SEE YOU. 669 00:29:47,873 --> 00:29:50,136 WHY DIDN'T YOU TELL ME THAT YOU HAD LUPUS? 670 00:29:50,179 --> 00:29:52,138 I--I THOUGHT THAT YOU WERE JUST GHOSTING ME ALL SUMMER. 671 00:29:52,181 --> 00:29:53,835 I WASN'T GHOSTING YOU. 672 00:29:53,879 --> 00:29:56,620 I DIDN'T TELL YOU BECAUSE, WELL, YOU 673 00:29:56,664 --> 00:29:58,492 WERE ONLY SUPPOSED TO BE THE ONE DATE, 674 00:29:58,535 --> 00:30:00,363 AND THEN WE HAD THAT STUPID FIGHT. 675 00:30:00,407 --> 00:30:03,497 WHICH I--I LEFT, LIKE A HUNDRED VOICEMAILS APOLOGIZING FOR. 676 00:30:05,760 --> 00:30:08,154 I REALLY LIKED YOU, 677 00:30:08,197 --> 00:30:10,634 AND HOW DO YOU TELL THE GUY THAT YOU LIKE 678 00:30:10,678 --> 00:30:12,636 THAT HE'LL PROBABLY HAVE TO DEAL WITH A DEBILITATING ILLNESS 679 00:30:12,680 --> 00:30:14,987 EVERY FEW MONTHS? ASHER: HEY... 680 00:30:15,030 --> 00:30:17,467 IT WOULDN'T HAVE SCARED ME AWAY, 681 00:30:17,511 --> 00:30:19,513 OK? 682 00:30:21,384 --> 00:30:24,126 I WANTED TO DROP THIS OFF. 683 00:30:24,170 --> 00:30:26,128 IT'S FOR YOU. 684 00:30:26,172 --> 00:30:28,348 THE CHARITY, I MEAN. 685 00:30:28,391 --> 00:30:31,830 YOU CAN ADD IT TO THE REST OF THE DONATIONS YOU GOT TONIGHT. 686 00:30:33,353 --> 00:30:35,572 WHAT'S THIS NEW JOB YOU'VE GOT? 687 00:30:35,616 --> 00:30:39,185 HEH! BEEN WORKING FOR A SPORTS BOOKIE. 688 00:30:39,228 --> 00:30:42,057 OH, SO YOU, LIKE, BREAK PEOPLE'S KNEECAPS IF THEY DON'T PAY. 689 00:30:42,101 --> 00:30:43,754 - NO, I DON'T-- - [CHUCKLING] 690 00:30:43,798 --> 00:30:46,757 WHAT IS WITH THE KNEECAP ASSUMPTIONS? 691 00:30:46,801 --> 00:30:50,370 [SIGHS] I--I JUST HELP WITH THE ODDS, 692 00:30:50,413 --> 00:30:53,068 WHICH ALWAYS FAVOR THE HOUSE. IT'S EASY MONEY. 693 00:30:53,112 --> 00:30:55,505 THERE'S NO SUCH THING AS EASY MONEY. 694 00:30:55,549 --> 00:30:57,551 OH, AND YOU KNOW YOU CAN'T WORK FOR A SPORTS BOOKIE 695 00:30:57,594 --> 00:30:59,858 AND LIVE WITH COLLEGE ATHLETES. - WELL, OUR LEASE IS UP 696 00:30:59,901 --> 00:31:03,513 THIS WEEK, SO I'M--I'M GOOD. JAYMEE: OK. 697 00:31:03,557 --> 00:31:07,343 IN FACT, WE'RE HAVING A "GOOD-BYE, BEACH HOUSE" THING TONIGHT. 698 00:31:07,387 --> 00:31:09,476 YOU SHOULD COME. 699 00:31:11,565 --> 00:31:13,610 OK. AHEM. 700 00:31:14,829 --> 00:31:16,918 - YOU'RE HERE KINDA LATE. - SORRY. 701 00:31:16,962 --> 00:31:19,573 I LIVE IN A FULL HOUSE, AND SO I JUST THOUGHT THAT I'D 702 00:31:19,616 --> 00:31:22,010 COME HERE TO FIND A NICE, QUIET PLACE TO WORK. 703 00:31:22,054 --> 00:31:24,186 I HOPE--I HOPE THAT'S OK. CHRISTEL: OF COURSE. 704 00:31:24,230 --> 00:31:26,406 I MEAN, LOOK AT ME. I PRACTICALLY LIVE HERE. 705 00:31:26,449 --> 00:31:29,931 I MEAN, YOU'RE THE BOSS. I JUST HOPE I CAN GET TO THAT LEVEL EVENTUALLY. 706 00:31:29,975 --> 00:31:32,934 ARE YOU KIDDIN'? WE'RE ALL GONNA BE WORKING FOR YOU SOMEDAY. 707 00:31:32,978 --> 00:31:36,285 UH, IF YOU FEEL THAT WAY, THEN WHY 708 00:31:36,329 --> 00:31:39,288 WASN'T I PUT ON STAFF TO ACTUALLY WRITE? 709 00:31:39,332 --> 00:31:42,944 I AM SO GRATEFUL FOR THE OPPORTUNITY TO JUST BE HERE, 710 00:31:42,988 --> 00:31:46,208 BUT I GUESS I'M A LITTLE... CONFUSED, THAT'S ALL. 711 00:31:46,252 --> 00:31:49,908 EVERYONE HERE STARTS AT THE SAME PLACE AND WORKS THEIR WAY UP. 712 00:31:49,951 --> 00:31:53,041 IN FACT, I STARTED AT YOUR CUBICLE. 713 00:31:53,085 --> 00:31:57,089 - YOU DID? - EVERYBODY DID, BUT NOT EVERYONE STUCK IT OUT. 714 00:31:57,132 --> 00:31:59,569 THOSE WHO DID, THEY EARNED THEIR SPOT. 715 00:31:59,613 --> 00:32:01,223 YOU CAN, TOO. 716 00:32:01,267 --> 00:32:03,225 JUST CURIOUS. UM, 717 00:32:03,269 --> 00:32:05,488 HOW MANY BAND-AIDS DID YOU GO THROUGH? 718 00:32:05,532 --> 00:32:08,404 [EXHALES SHARPLY] LET ME TELL YA, THE OLD COPY MACHINE 719 00:32:08,448 --> 00:32:11,407 NEARLY TOOK MY ENTIRE HAND OFF. OLIVIA: OOH! 720 00:32:11,451 --> 00:32:13,409 MM-MMM. [CHRISTEL CHUCKLES] 721 00:32:13,453 --> 00:32:15,411 - UNDERSTOOD. - MM-HMM. 722 00:32:15,455 --> 00:32:18,153 UM, ACTUALLY... 723 00:32:18,197 --> 00:32:20,808 CAN I STILL SUBMIT SOME OF MY IDEAS, 724 00:32:20,851 --> 00:32:24,072 EVEN IF...SOMEBODY ELSE WRITES 'EM? 725 00:32:24,116 --> 00:32:27,641 - WHAT YOU GOT? - I'M VERY GLAD THAT YOU ASKED. OK. 726 00:32:29,121 --> 00:32:32,472 YO, HOW LONG I GOTTA WAIT FOR YOU TO SAY SOMETHING? 727 00:32:32,515 --> 00:32:34,474 [CHUCKLES] 728 00:32:34,517 --> 00:32:36,476 MMM. 729 00:32:36,519 --> 00:32:40,306 HOW LONG AM I SUPPOSED TO WAIT FOR AN APOLOGY? 730 00:32:40,349 --> 00:32:43,004 BABY, I WAS JUST LOOKING OUT FOR YOU WHEN NO ONE ELSE WAS. 731 00:32:43,048 --> 00:32:46,007 LAYLA SEEMED MORE CONCERNED WITH MAKING KIM NITTY A STAR. 732 00:32:46,051 --> 00:32:48,967 YOU'RE THE STAR. PATIENCE: THIS HAS NOTHING TO DO 733 00:32:49,010 --> 00:32:51,621 WITH ME OR LAYLA OR KIM NITTY. 734 00:32:51,665 --> 00:32:54,320 THIS IS ABOUT YOU HAVING NOTHING GOING ON RIGHT NOW. 735 00:32:54,363 --> 00:32:56,322 I GOT STUFF GOING ON. 736 00:32:56,365 --> 00:32:58,541 OH. LIKE WHAT? 737 00:32:58,585 --> 00:33:01,327 LIKE WHAT? LIKE, UH, MICROMANAGING A SHOWCASE THAT 738 00:33:01,370 --> 00:33:03,982 WAS JUST SUPPOSED TO GET A FEW ARTISTS SOME EXPOSURE? 739 00:33:04,025 --> 00:33:07,159 BY THE WAY, UM, THAT'S WHY I WASN'T HEADLINING. 740 00:33:07,202 --> 00:33:10,031 YEAH, I WAS DOING LAYLA A FAVOR. 741 00:33:10,075 --> 00:33:12,512 THAT TOUR WAS MY OPPORTUNITY TO SHINE, AND I DID. 742 00:33:12,555 --> 00:33:14,470 - WHY YOU AIN'T JUST TELL ME THAT? - WELL, BECAUSE YOU WERE 743 00:33:14,514 --> 00:33:16,472 SUPPOSED TO BE MENTORING THOSE NEW ARTISTS, 744 00:33:16,516 --> 00:33:18,474 NOT MICROMANAGING MY CAREER. 745 00:33:18,518 --> 00:33:21,173 LIKE, COME ON. WHAT WAS WITH THAT RIDER? 746 00:33:21,216 --> 00:33:25,220 ALL TOP TALENT HAVE RIDERS, PLUS I KNOW HOW MUCH YOU LIKE GUMMI WORMS. 747 00:33:25,264 --> 00:33:26,874 OK, I... 748 00:33:26,917 --> 00:33:29,485 I NEED YOU TO STAY OUT OF MY BUSINESS 749 00:33:29,529 --> 00:33:32,140 AND JUST GO FIND YOUR OWN. 750 00:33:32,184 --> 00:33:35,143 LIKE...YOU ARE NOT MY MANAGER, COOP. 751 00:33:35,187 --> 00:33:37,711 YOU ARE MY GIRLFRIEND, 752 00:33:37,754 --> 00:33:40,192 AND I--I NEED A BREAK. 753 00:33:40,235 --> 00:33:42,237 - FROM ME? - JUST FROM US. 754 00:33:42,281 --> 00:33:44,892 - YOU BREAKING UP WITH ME? - NO. 755 00:33:44,935 --> 00:33:47,329 I JUST... 756 00:33:47,373 --> 00:33:49,679 MAYBE A SUSPENSION, 757 00:33:49,723 --> 00:33:52,030 LIKE, JUST ONE NIGHT. 758 00:34:00,734 --> 00:34:02,779 [PAPERS RUSTLING] 759 00:34:06,609 --> 00:34:08,568 [KNOCKS ON DOOR] GOOD SHOW. 760 00:34:08,611 --> 00:34:10,178 HI. THANKS. 761 00:34:10,222 --> 00:34:12,180 YOU DEFINITELY KNOW HOW TO FIND TALENT. 762 00:34:12,224 --> 00:34:14,530 WELL, SO DO YOU. I SAW YOUR DATE. 763 00:34:14,574 --> 00:34:16,750 NICE WORK. CLAY: HEH! SHE WAS NOT A DATE. 764 00:34:16,793 --> 00:34:19,187 - RIGHT. HEH! - SHE'S JUST A COLLEAGUE. 765 00:34:19,231 --> 00:34:22,060 - SO AM I. - WE'RE MORE THAN THAT, 766 00:34:22,103 --> 00:34:24,062 AREN'T WE? 767 00:34:24,105 --> 00:34:26,368 UM... 768 00:34:26,412 --> 00:34:29,067 WE'RE--WE'RE JUST FRIENDS, CLAY, 769 00:34:29,110 --> 00:34:32,374 YOU KNOW, WHO--WHO HAVE FUN TOGETHER ON THE ROAD. 770 00:34:32,418 --> 00:34:35,377 I HAVE FUN WITH YOU IN NEW ORLEANS, I HAVE FUN IN AUSTIN, 771 00:34:35,421 --> 00:34:39,251 I AM LOOKING FORWARD TO HAVING FUN WITH YOU AT THE PALM SPRINGS MUSIC FEST. 772 00:34:39,294 --> 00:34:41,383 WHAT IF WE DON'T WAIT UNTIL PALM SPRINGS? 773 00:34:41,427 --> 00:34:43,951 I'M HERE NOW, LAYLA. 774 00:34:43,994 --> 00:34:46,214 WE COULD... 775 00:34:46,258 --> 00:34:48,564 I WANT TO BE WITH YOU. 776 00:34:48,608 --> 00:34:50,610 [SIGHS] 777 00:34:52,438 --> 00:34:54,266 [KISS] 778 00:34:54,309 --> 00:34:57,486 I WILL SEE YOU IN PALM SPRINGS. 779 00:35:02,448 --> 00:35:05,407 SPENCER: HEY. WHAT'S UP, COACH? BILLY: HEY. WHAT'S HAPPENING, CAPTAIN? 780 00:35:05,451 --> 00:35:07,409 I WAS, UH... [CLOSES DOOR] 781 00:35:07,453 --> 00:35:10,412 DROPPING BY TO SEE YOUR MOMS, BUT WHY YOU HOME? 782 00:35:10,456 --> 00:35:13,415 HAD A BAD DAY. FIGURED I'D COME HOME FOR A WHILE, YOU KNOW. 783 00:35:13,459 --> 00:35:16,810 - YEAH. MOMS ARE GOOD FOR THEM BAD DAYS. - MM-HMM. 784 00:35:16,853 --> 00:35:21,249 UH, JORDAN TOLD ME YOU HAD A SCRIMMAGE TONIGHT, SO I'M GUESSING-- 785 00:35:21,293 --> 00:35:23,991 - THEY GAVE ME AN OPPORTUNITY AND I BLEW IT. - OOH. 786 00:35:26,080 --> 00:35:28,256 [SIGHS] SPENCER: IT WAS CRAZY, MAN. 787 00:35:28,300 --> 00:35:30,998 I WAS BREAKING DOWN MY DEFENDER LIKE I'VE DONE A MILLION TIMES. 788 00:35:31,041 --> 00:35:33,609 - RIGHT. - TURNS OUT HE WAS DOING THE SAME THING TO ME. 789 00:35:33,653 --> 00:35:35,481 WHO WON THE BATTLE? 790 00:35:35,524 --> 00:35:37,047 [EXHALES SHARPLY] HE BLEW UP MY ROUTE, 791 00:35:37,091 --> 00:35:38,962 FORCED THE PICK. BILLY: YEAH. 792 00:35:39,006 --> 00:35:41,008 ALL RIGHT. WELL, YOU'LL WIN THE NEXT ONE. 793 00:35:41,051 --> 00:35:43,619 I'M RUNNING OUT OF CHANCES WITH THIS HEAD COACH, MAN. 794 00:35:43,663 --> 00:35:45,795 TURNS OUT HE DIDN'T EVEN WANT ME HERE. 795 00:35:45,839 --> 00:35:47,797 WHAT ARE YOU GONNA DO ABOUT IT? 796 00:35:47,841 --> 00:35:50,713 - I'M ALREADY DOING EVERYTHING I CAN, COACH. - ARE YOU? 797 00:35:50,757 --> 00:35:53,673 ONE OF THE BIGGEST LESSONS I EVER LEARNED WHEN I WAS IN COLLEGE WAS THAT I 798 00:35:53,716 --> 00:35:56,676 WAS NO LONGER THE BEST PLAYER ON THE FIELD. 799 00:35:56,719 --> 00:35:58,982 I JUST WASN'T, AND, UH, 800 00:35:59,026 --> 00:36:01,637 THAT HURT MY EGO, BUT IT WAS TRUE. 801 00:36:01,681 --> 00:36:04,640 - SO YOU'RE SAYING ALL THESE DUDES IS BETTER THAN ME? - ABSOLUTELY. 802 00:36:04,684 --> 00:36:07,339 HEH HEH HEH! I'M PLAYING. NO, WHAT I'M SAYING IS 803 00:36:07,382 --> 00:36:10,342 NOW YOU'RE ON A TEAM FULL OF SPENCER JAMES, 804 00:36:10,385 --> 00:36:12,822 SO THE ONLY WAY YOU CAN STAND OUT 805 00:36:12,866 --> 00:36:15,216 IS TO OUTWORK ALL OF 'EM. 806 00:36:15,260 --> 00:36:17,697 - I'M ALREADY WORKING SO HARD, MAN. - NOT ENOUGH. 807 00:36:17,740 --> 00:36:19,829 - THEN WHAT'S ENOUGH? - IT'S NEVER ENOUGH. 808 00:36:19,873 --> 00:36:23,833 LOOK, YOU GOT TO GET TO THE POINT WHERE NOTHING IS EVER GOOD ENOUGH... 809 00:36:23,877 --> 00:36:27,402 AND WHEN THAT HAPPENS, WHEN YOU EMBRACE THAT GRIND, 810 00:36:27,446 --> 00:36:29,665 SKY'S THE LIMIT. 811 00:36:29,709 --> 00:36:31,841 GRACE: BILLY. BILLY: HEY. 812 00:36:31,885 --> 00:36:34,235 YOU WANT ME TO GET ANOTHER HOT CHOCOLATE FOR YOU? 813 00:36:34,279 --> 00:36:37,934 NO, HE CAN HAVE MINE. GOT TO GET BACK TO THE BEACH HOUSE. 814 00:36:37,978 --> 00:36:39,545 - STAY UP. - I APPRECIATE YOU. 815 00:36:39,588 --> 00:36:41,547 MA, I LOVE YOU. GRACE: LOVE YOU, TOO. 816 00:36:41,590 --> 00:36:43,505 SPENCER: THANKS, COACH. BILLY: YES, SIR. 817 00:36:43,549 --> 00:36:45,507 [DOOR CLOSES] GRACE: MMM. 818 00:36:45,551 --> 00:36:47,683 [SIGHS] HE'LL BE ALL RIGHT. 819 00:36:47,727 --> 00:36:49,772 YEAH. 820 00:36:51,296 --> 00:36:53,385 YOU TRICKED ME. 821 00:36:54,821 --> 00:36:56,779 UH... GRACE: YES, 822 00:36:56,823 --> 00:36:59,217 UM, BUT I ONLY DID IT 823 00:36:59,260 --> 00:37:01,784 BECAUSE I KNEW YOU WERE THE RIGHT PERSON FOR THE JOB. 824 00:37:01,828 --> 00:37:03,395 MM-HMM. 825 00:37:03,438 --> 00:37:06,398 YOU'RE A LEADER, BILLY. THE STUDENTS RESPECT YOU, 826 00:37:06,441 --> 00:37:09,227 AND LIKE I SAID, IT'LL ONLY LAST A FEW WEEKS. 827 00:37:09,270 --> 00:37:11,446 OK, THEN I GET DILLON ON THE TEAM. 828 00:37:11,490 --> 00:37:13,883 - NO. - DAMN. [CHUCKLES] 829 00:37:13,927 --> 00:37:16,538 ALL RIGHT. WELL, I GUESS I CAN DO A COUPLE WEEKS. 830 00:37:16,582 --> 00:37:19,149 HEY, WELL, LOOK, BEFORE YOU GO... 831 00:37:19,193 --> 00:37:21,543 THEY GAVE ME YOUR SCHEDULE. 832 00:37:21,587 --> 00:37:22,805 OH. 833 00:37:22,849 --> 00:37:24,894 THIS IS FOR THE WEEK? 834 00:37:24,938 --> 00:37:27,114 OH, NO. THAT'S FOR TOMORROW, 835 00:37:27,157 --> 00:37:28,550 PRINCIPAL BAKER. 836 00:37:28,594 --> 00:37:31,727 - [SCOFFS] - SORRY. 837 00:37:31,771 --> 00:37:33,599 SHOULD I START WITHOUT SPENCER? 838 00:37:33,642 --> 00:37:36,993 - START WHAT? - I HAVE A TOAST TO THE BEACH HOUSE. 839 00:37:37,037 --> 00:37:39,387 - JJ, YOU ALREADY DID THAT. - THIS ONE'S DIFFERENT. 840 00:37:39,431 --> 00:37:41,563 [DOOR OPENS] AH! THERE HE IS, 841 00:37:41,607 --> 00:37:44,174 JUST IN TIME. HEH! SPENCER: IN TIME FOR WHAT? 842 00:37:44,218 --> 00:37:46,481 JJ's MAKING A FINAL TOAST 843 00:37:46,525 --> 00:37:48,483 TO THE BEACH HOUSE. SPENCER: WE DID THIS ALREADY. 844 00:37:48,527 --> 00:37:50,485 WELL, THIS IS NEW INFORMATION. 845 00:37:50,529 --> 00:37:52,792 PROMISE. [SIGHS] 846 00:37:52,835 --> 00:37:55,316 SINCE OUR LEASE IS UP IN A FEW DAYS, 847 00:37:55,360 --> 00:37:57,492 I THOUGHT WE SHOULD HAVE A TOAST TO 848 00:37:57,536 --> 00:37:59,755 THE BEST SUMMER EVER. 849 00:37:59,799 --> 00:38:02,192 ASHER: SOUNDS VERY FAMILIAR. JORDAN: IT'S THE EXACT, SAME SPEECH. 850 00:38:02,236 --> 00:38:04,934 AND--LET ME FINISH-- [SIGHS] 851 00:38:04,978 --> 00:38:07,023 I THINK WE SHOULD KEEP IT GOING. 852 00:38:07,067 --> 00:38:10,288 ALL RIGHT? I SAY WE EXTEND OUR LEASE FOR A YEAR. 853 00:38:10,331 --> 00:38:13,465 HUH? HEH HEH! LIKE, KEEP THE BROTHERHOOD TOGETHER? 854 00:38:15,510 --> 00:38:17,512 ACTUALLY, I'LL DRINK TO THAT. 855 00:38:17,556 --> 00:38:20,820 JJ: YEAH. ASHER: ME, TOO. I'M IN. SPENCE? 856 00:38:20,863 --> 00:38:23,126 SPENCER: LET'S DO IT. JJ: HA HA HA! 857 00:38:23,170 --> 00:38:26,216 YO, TO NEVER LEAVING THE BEACH HOUSE. 858 00:38:26,260 --> 00:38:27,827 SPENCER: NO, NO. ASHER: JJ, TOO FAR. 859 00:38:27,870 --> 00:38:30,003 OK, OK, THEN, UH... 860 00:38:30,046 --> 00:38:31,787 TO US. 861 00:38:31,831 --> 00:38:33,789 ASHER: TO US. JJ, CHUCKLING: YES. 862 00:38:33,833 --> 00:38:35,791 CHEERS. 863 00:38:35,835 --> 00:38:38,185 AH! WHOO! 864 00:38:38,228 --> 00:38:40,013 [GROANS] 865 00:38:40,056 --> 00:38:41,623 [COUGHS] 866 00:38:41,667 --> 00:38:43,799 SPENCER: GOOD, CHAMP? JORDAN: MMM. 867 00:38:43,843 --> 00:38:45,453 HEH HEH! 868 00:38:45,497 --> 00:38:48,021 ASHER: AHEM. 869 00:38:48,064 --> 00:38:51,067 SO, I GUESS I NEED A NEW JOB, RIGHT? 870 00:38:51,111 --> 00:38:53,461 LIKE YOU SAID, I CAN'T LIVE HERE 871 00:38:53,505 --> 00:38:55,985 WITH COLLEGE ATHLETES AND WORK FOR A SPORTS BOOKIE. 872 00:38:56,029 --> 00:38:58,988 - SO YOU JUST MADE THAT DECISION NOW? - OH, YEAH. 873 00:38:59,032 --> 00:39:00,990 - YEAH? [CHUCKLES] - YEAH, THAT'S WHAT I'M GOING WITH. 874 00:39:01,034 --> 00:39:02,992 BETWEEN US, I WAS TERRIFIED 875 00:39:03,036 --> 00:39:05,691 EVERY SINGLE DAY THAT THEY WOULD BREAK MY KNEECAPS IF I MESSED UP. 876 00:39:05,734 --> 00:39:08,737 [CHUCKLING] I KNEW IT. I KNEW IT. 877 00:39:10,304 --> 00:39:12,872 WELL, WE HAVE AN OPENING AT THE RESTAURANT. 878 00:39:12,915 --> 00:39:15,178 I AM SURE THAT JACOB WOULD TAKE YOU BACK. 879 00:39:15,222 --> 00:39:17,529 YOU JUST WANT AN EXCUSE TO SEE ME EVERY DAY. 880 00:39:17,572 --> 00:39:20,009 - GET OVER YOURSELF. - [CHUCKLES] 881 00:39:20,053 --> 00:39:22,447 MALE SINGER: ♪ AH 882 00:39:24,274 --> 00:39:26,320 [SIGHS] 883 00:39:30,237 --> 00:39:32,195 SORRY I'M LATE. 884 00:39:32,239 --> 00:39:34,720 HEARD ABOUT THE SCRIMMAGE. 885 00:39:34,763 --> 00:39:37,070 NOTHING'S GOING ACCORDING TO PLAN, LIV. 886 00:39:37,113 --> 00:39:39,072 I KNOW. 887 00:39:39,115 --> 00:39:41,074 MAYBE I'M...ADDING 888 00:39:41,117 --> 00:39:45,121 TO YOUR CRAZY SCHEDULE? SPENCER: NO, NO, COME ON. 889 00:39:45,165 --> 00:39:47,123 OK... 890 00:39:47,167 --> 00:39:50,692 SO I WAS THINKING, YOU KNOW, MAYBE, 891 00:39:50,736 --> 00:39:53,913 ON YOUR SNACK BREAKS, YOU KNOW, INSTEAD OF MEETING ME, 892 00:39:53,956 --> 00:39:55,915 MAYBE YOU JUST... 893 00:39:55,958 --> 00:39:58,526 EAT SOME SNACKS, YOU KNOW, 894 00:39:58,570 --> 00:40:01,224 MAYBE HANG OUT WITH YOUR TEAMMATES? 895 00:40:01,268 --> 00:40:04,227 I DON'T KNOW. I JUST-- I DON'T WANT TO-- SPENCER: STOP. STOP. 896 00:40:04,271 --> 00:40:07,883 FIRST, SNACK BREAKS ARE THE ONLY THING I LOOK FORWARD TO. 897 00:40:07,927 --> 00:40:11,278 THIS AIN'T ABOUT MY SCHEDULE. EVERYBODY'S GOT THE SAME SCHEDULE. 898 00:40:11,321 --> 00:40:13,889 THIS IS ABOUT ME... 899 00:40:13,933 --> 00:40:17,458 AND THE FACT THAT FOR THE FIRST TIME IN MY LIFE, 900 00:40:17,502 --> 00:40:20,461 I AM NOT THE BEST PLAYER ON THE TEAM. 901 00:40:20,505 --> 00:40:23,899 - THAT IS NOT TRUE. - IT'S NOT A BAD THING. 902 00:40:23,943 --> 00:40:25,988 IT'S MOTIVATION. 903 00:40:27,990 --> 00:40:29,949 I WAS LOOKING AT THIS SCHEDULE 904 00:40:29,992 --> 00:40:32,560 AS SOMETHING I NEEDED TO GET THROUGH, BUT IT'S 905 00:40:32,604 --> 00:40:35,650 ONLY THERE TO MAKE ME BETTER, SO I GOT TO EMBRACE IT... 906 00:40:35,694 --> 00:40:37,304 MM-HMM. 907 00:40:37,347 --> 00:40:39,654 JUST LIKE I LOOK FORWARD TO OUR SNACK BREAKS, 908 00:40:39,698 --> 00:40:42,788 I GOT TO LOOK FORWARD TO WHATEVER THESE PEOPLE THROW AT ME. 909 00:40:45,704 --> 00:40:48,924 YEAH. IF THE ORIGINAL PLAN AIN'T WORKING, 910 00:40:48,968 --> 00:40:51,927 THAT MEANS IT'S TIME FOR A NEW PLAN, RIGHT? 911 00:40:51,971 --> 00:40:53,929 - OK. - OK. 912 00:40:53,973 --> 00:40:56,976 MALE SINGER: ♪ HEY [ECHOES] OLIVIA: SO... 913 00:40:58,499 --> 00:41:00,849 - [KISS] - WHAT'S THE NEW PLAN? 914 00:41:02,503 --> 00:41:04,940 [ALARM BLARES] MALE SINGER: ♪ I'VE BEEN ON THE GRIND HERE FOR LONG ENOUGH ♪ 915 00:41:04,984 --> 00:41:07,856 - ♪ HEY - ♪ AIN'T NOBODY HERE WHO GONNA STOP ME NOW ♪ 916 00:41:07,900 --> 00:41:11,338 - ♪ STOP ME NOW - ♪ 'CAUSE THERE AIN'T NOTHING LEFT BUT KEEP ON GOING ON ♪ 917 00:41:11,381 --> 00:41:12,774 [ECHOING] 918 00:41:12,818 --> 00:41:14,776 ♪ HEY, HEY, HEY, HEY 919 00:41:14,820 --> 00:41:17,779 ♪ I PUT IN THE WORK, I DON'T NEED NO LUCK ♪ 920 00:41:17,823 --> 00:41:20,869 ♪ BOY, TO BE THE KING, YEAH, I GOT THE CROWN ♪ 921 00:41:20,913 --> 00:41:23,524 ♪ SEE 'EM FROM THE TOP, COMING FOR MY SPOT ♪ 922 00:41:23,568 --> 00:41:26,179 SPENCER: HEY, COACH. 923 00:41:28,181 --> 00:41:30,705 LISTEN, MAN, I--I JUST WANT TO SAY I'M SORRY 924 00:41:30,749 --> 00:41:33,708 ABOUT PRACTICE, CATCHING THE BALL WITH ONE HAND. 925 00:41:33,752 --> 00:41:37,146 THAT'S NOT WHO I AM, AND IT WON'T HAPPEN AGAIN. 926 00:41:37,190 --> 00:41:39,540 AND I'M SORRY I LOST MY BATTLE AT THE SCRIMMAGE, 927 00:41:39,584 --> 00:41:42,238 BUT I'MMA WIN THE NEXT ONE. I PROMISE YOU THAT. 928 00:41:42,282 --> 00:41:44,806 YOU'RE NUMBER 11, RIGHT? 929 00:41:44,850 --> 00:41:46,982 - YES, SIR. - BETTER GET BACK TO WORK. 930 00:41:47,026 --> 00:41:48,810 SINGER: ♪ YEAH, I GOT THE CROWN ♪ 931 00:41:48,854 --> 00:41:51,204 ♪ SEE 'EM FROM THE TOP, COMIN' FOR MY SPOT ♪ 932 00:41:51,247 --> 00:41:52,814 ♪ SET 'EM UP, SET 'EM UP, SET 'EM UP, SET 'EM UP ♪ 933 00:41:52,858 --> 00:41:54,816 ♪ SET 'EM UP AND I KNOCK 'EM DOWN ♪ 934 00:41:54,860 --> 00:41:56,818 ♪ HEY! [ECHOES] 935 00:41:56,862 --> 00:41:58,690 ♪ HEY! 936 00:42:21,408 --> 00:42:22,409 GREG, MOVE YOUR HEAD!