1 00:00:02,567 --> 00:00:05,570 [COOP'S HIP-HOP MUSIC PLAYING] 2 00:00:05,614 --> 00:00:08,399 KIM NITTY, RAPPING: ♪ NO QUESTIONS ASKED 3 00:00:08,443 --> 00:00:11,054 ♪ I'M AT THE TOP, I JUST MIGHT BUILD ME A HOUSE ON THE MOON ♪ 4 00:00:11,098 --> 00:00:14,231 ♪ YOU CAN TELL THAT I'M GREAT, ONCE I'M DONE, I'M GETTIN' TO IT ♪ 5 00:00:14,275 --> 00:00:17,582 ♪ I'LL KEEP IT MOVIN', NEVER NO STOPPIN' ME, I'M A BLAST ♪ 6 00:00:17,626 --> 00:00:21,064 ♪ NO QUESTIONS ASKED, NO QUESTIONS ASKED ♪ 7 00:00:21,108 --> 00:00:23,066 [MUSIC STOPS] LAYLA: THAT WAS GREAT, 8 00:00:23,110 --> 00:00:25,112 REALLY GREAT. KIM: THANK YOU. APPRECIATE IT. 9 00:00:25,155 --> 00:00:27,114 I WANT TO TRY A FEW THINGS, JUST ADD A COUPLE 10 00:00:27,157 --> 00:00:28,767 DIFFERENT BEATS. CAN YOU STICK AROUND FOR A BIT? 11 00:00:28,811 --> 00:00:31,074 YEAH, FOR SURE. 12 00:00:31,118 --> 00:00:33,685 SO, SHE MY REPLACEMENT? 13 00:00:33,729 --> 00:00:36,427 I'M--I'M JUST TRYING OUT A FEW ARTISTS. 14 00:00:36,471 --> 00:00:38,081 I CAN'T BELIEVE YOU'RE REALLY DOING THIS. 15 00:00:38,125 --> 00:00:39,691 COOP, I TOLD YOU. 16 00:00:39,735 --> 00:00:42,085 THIS IS MY SONG, LAYLA. I WROTE IT. 17 00:00:42,129 --> 00:00:44,696 IT'S OUR SONG, AND WE NEVER GOT A CHANCE 18 00:00:44,740 --> 00:00:46,481 TO FINISH IT, JUST LIKE THE OTHER ONES. 19 00:00:46,524 --> 00:00:48,918 SO YOU JUST WHAT, GIVE IT TO SOMEONE ELSE? 20 00:00:48,961 --> 00:00:50,789 [SCOFFS] LIKE FATHER, LIKE DAUGHTER, I SEE. 21 00:00:50,833 --> 00:00:53,662 - WHAT IS THAT SUPPOSED TO MEAN? - EXACTLY WHAT I SAID. 22 00:00:53,705 --> 00:00:56,665 PATIENCE WROTE A SONG, AND YOUR POPS GAVE IT TO SOMEONE ELSE. 23 00:00:56,708 --> 00:00:59,276 WHAT IS THE DIFFERENCE? [LAYLA EXHALES SHARPLY] 24 00:00:59,320 --> 00:01:03,280 I'M NOT GONNA SIT HERE AND LET YOU DISRESPECT ME IN MY OWN STUDIO. 25 00:01:03,324 --> 00:01:06,109 I INVESTED VIRTUALLY ALL MY TIME AND MONEY 26 00:01:06,153 --> 00:01:08,807 INTO PRODUCING THESE TRACKS THAT ARE STILL INCOMPLETE. 27 00:01:08,851 --> 00:01:11,332 YOU QUIT ON ME, COOP, WITHOUT EVEN TELLING ME, 28 00:01:11,375 --> 00:01:13,551 SO WHAT I CHOOSE TO DO WITH THESE TRACKS 29 00:01:13,595 --> 00:01:16,728 TO MAKE THE BEST OUT OF A DIFFICULT SITUATION IS MY BUSINESS. 30 00:01:16,772 --> 00:01:19,949 WHATEVER. GOOD LUCK WITH YOUR REPLACEMENT COOP. 31 00:01:21,864 --> 00:01:25,172 OLIVIA: FROM MY PODCAST, I'VE TRIED TO AT LEAST GIVE A SMALL VOICE 32 00:01:25,215 --> 00:01:29,915 TO SOME INJUSTICES THAT WOULD HAVE OTHERWISE GONE COMPLETELY UNNOTICED. 33 00:01:32,266 --> 00:01:34,050 OH, THAT'S IT? 34 00:01:34,094 --> 00:01:35,834 - SHOULD I SAY MORE? - NO, NO, THAT'S GOOD. 35 00:01:35,878 --> 00:01:38,098 OK, ASK ME THE NEXT QUESTION. 36 00:01:38,141 --> 00:01:40,709 SPENCER: YOU REALLY NEED TO BE REHEARSING YOUR ANSWERS? [OLIVIA SIGHS] 37 00:01:40,752 --> 00:01:43,320 SPENCER: JUST BE YOU. THEY'RE GONNA LOVE YOU. [OLIVIA GROANS] 38 00:01:43,364 --> 00:01:46,149 - I KNOW. I JUST-- I REALLY WANT THIS. - I KNOW. 39 00:01:46,193 --> 00:01:49,413 GRACE: WANT WHAT? SPENCER: LIV'S GOT A BIG-TIME JOB INTERVIEW IN AN HOUR. 40 00:01:49,457 --> 00:01:52,460 OLIVIA: IT'S FOR A SUMMER JOB AT THE "L.A. TRIBUNE" ONLINE. 41 00:01:52,503 --> 00:01:55,811 OK. HEH! LOOK AT YOU BEING GREAT. 42 00:01:55,854 --> 00:01:59,119 THANK YOU. WELL, I SHOULD PROBABLY GET GOING. 43 00:01:59,162 --> 00:02:01,164 WISH ME LUCK. 44 00:02:02,774 --> 00:02:05,342 [KISS] SPENCER: GOOD LUCK. OLIVIA: THANK YOU. 45 00:02:05,386 --> 00:02:07,823 BYE, MS. GRACE. GRACE: BYE. 46 00:02:07,866 --> 00:02:09,781 [DOOR CLOSES] SO HOW YOU FEELING? 47 00:02:09,825 --> 00:02:11,218 I STILL AIN'T HEARD ANYTHING FROM COACH DANTE 48 00:02:11,261 --> 00:02:12,958 SINCE HE RESIGNED FROM TOLEDO. 49 00:02:13,002 --> 00:02:15,439 - MM-HMM. - I MEAN, THAT MAN RECRUITED ME, 50 00:02:15,483 --> 00:02:17,441 CONVINCED ME TO SIGN WITH 'EM. 51 00:02:17,485 --> 00:02:20,096 THE LEAST HE CAN DO IS CALL ME BACK WITH AN EXPLANATION. 52 00:02:20,140 --> 00:02:22,185 - WHAT ABOUT THE HEAD COACH? - COACH HUDSON? 53 00:02:22,229 --> 00:02:24,187 YEAH, HE'S STOPPING BY THE SCHOOL LATER TODAY. 54 00:02:24,231 --> 00:02:26,189 HE WANTS TO CHECK IN AND SHOW ME HOW THEY'RE 55 00:02:26,233 --> 00:02:28,278 BUILDING THE ENTIRE OFFENSE AROUND ME NEXT YEAR. 56 00:02:28,322 --> 00:02:30,454 - THAT'S EXCITING. - YEAH, I GUESS. 57 00:02:30,498 --> 00:02:32,674 - SPENCER. - DO YOU THINK THEY KNEW 58 00:02:32,717 --> 00:02:34,980 COACH DANTE WAS LEAVING WHEN I SIGNED WITH 'EM? 59 00:02:35,024 --> 00:02:36,982 ACTUALLY, NEVER MIND. 60 00:02:37,026 --> 00:02:39,202 NEVER MIND. I'M JUST IN MY HEAD. 61 00:02:39,246 --> 00:02:42,292 JUST ASK COACH HUDSON WHEN HE COME DOWN TO THE SCHOOL TODAY. 62 00:02:42,336 --> 00:02:45,295 AND REMEMBER, YOU WOULDN'T BE THE FIRST PLAYER 63 00:02:45,339 --> 00:02:47,428 WHO BACKED OFF OF A COMMITMENT, 64 00:02:47,471 --> 00:02:49,647 BUT DON'T WRITE THEM OFF JUST YET. 65 00:02:49,691 --> 00:02:52,607 TOLEDO STATE IS STILL AN INCREDIBLE OPPORTUNITY. 66 00:03:01,703 --> 00:03:04,271 JORDAN: I GO TO JUNIOR COLLEGE, I BALL OUT, 67 00:03:04,314 --> 00:03:07,926 AND TWO YEARS FROM NOW, I HAVE MULTIPLE OFFERS FROM D1 SCHOOLS. 68 00:03:07,970 --> 00:03:09,928 SOUNDS LIKE A GOOD PLAN. 69 00:03:09,972 --> 00:03:11,930 WELL, MY DAD AND COACH MONTES THINK 70 00:03:11,974 --> 00:03:14,324 IT'S THE BEST OPTION FOR ME, SO... 71 00:03:14,368 --> 00:03:16,326 DO YOU? 72 00:03:16,370 --> 00:03:18,328 I KNOW IT'S THE RIGHT MOVE, 73 00:03:18,372 --> 00:03:20,983 BUT HONESTLY, ASH, AFTER THE SEASON THAT I HAD, 74 00:03:21,026 --> 00:03:23,594 EVEN WITH THE CONCUSSIONS, IT STINGS TO KNOW 75 00:03:23,638 --> 00:03:26,249 THAT NOT ONE D1 COACH WANTED ME. 76 00:03:26,293 --> 00:03:29,252 - YOU KNOW WHAT STINGS EVEN MORE THAN THAT? - HMM? 77 00:03:29,296 --> 00:03:31,254 NOT BEING ABLE TO PLAY FOOTBALL EVER AGAIN. 78 00:03:31,298 --> 00:03:34,257 - UH, ASH, I'M--I'M SORRY. - NO, NO, HEY, LOOK, 79 00:03:34,301 --> 00:03:36,259 I'M NOT GUILT-TRIPPING YOU. I GET IT. 80 00:03:36,303 --> 00:03:38,566 YOU DESERVE A D1 OFFER. 81 00:03:38,609 --> 00:03:40,524 - THANKS. - JUST REMEMBER HOW LUCKY YOU ARE. 82 00:03:40,568 --> 00:03:42,483 YOU GET TO KEEP PLAYING FOOTBALL, 83 00:03:42,526 --> 00:03:46,138 SO GO BALL OUT, STARTING WITH THAT ALL-AMERICAN GAME THIS WEEK. 84 00:03:46,182 --> 00:03:50,142 YEAH, WELL, I'M A RESERVE. I MEAN, THERE'S NO CHANCE I EVEN SEE THE FIELD. 85 00:03:50,186 --> 00:03:53,102 HELL, I SHOULD--I SHOULD BE UP IN THE STANDS WITH YOU, RIGHT? 86 00:03:53,145 --> 00:03:56,714 UH, I WON'T BE THERE. I'M JUST NOT READY TO BE AROUND FOOTBALL YET. 87 00:03:56,758 --> 00:03:59,239 I'LL BE ROOTING FOR YOU TO GET INTO THE GAME. 88 00:03:59,282 --> 00:04:01,893 - RIGHT, YEAH, THANKS. - YEAH. 89 00:04:01,937 --> 00:04:04,940 WOMAN: ARE YOU A READER OF OUR PUBLICATION? 90 00:04:04,983 --> 00:04:07,551 OLIVIA: YES, FOR AS LONG AS I CAN REMEMBER. 91 00:04:07,595 --> 00:04:10,902 UM, MY PARENTS STILL GET THE NEWSPAPER EDITION... WOMAN: MMM. 92 00:04:10,946 --> 00:04:14,602 AND I READ THE ONLINE SITE, WHICH IS, YOU KNOW, PRETTY MUCH WHY I'M HERE. 93 00:04:14,645 --> 00:04:16,995 SO WHAT CAN WE DO BETTER? 94 00:04:17,039 --> 00:04:18,910 UH, UM...NOTHING, 95 00:04:18,954 --> 00:04:20,912 I THINK IT'S GREAT. 96 00:04:20,956 --> 00:04:22,914 GOOD TO KNOW. 97 00:04:22,958 --> 00:04:25,308 SO WHY WOULD WE NEED YOUR HELP, 98 00:04:25,352 --> 00:04:27,919 IF WE'RE ALREADY PERFECT? 99 00:04:27,963 --> 00:04:31,009 UM, WELL... 100 00:04:32,533 --> 00:04:34,491 [CHUCKLES] 101 00:04:34,535 --> 00:04:36,667 THAT QUESTION STUMPS EVERYONE. [OLIVIA CHUCKLES] 102 00:04:36,711 --> 00:04:39,061 IT'S A BIT UNFAIR, PUTTING YOU ON THE SPOT LIKE THAT. 103 00:04:39,104 --> 00:04:41,281 WE ASK IT TO CHALLENGE EACH APPLICANT 104 00:04:41,324 --> 00:04:43,457 TO SPEAK UP, BUT THAT'S A RARE QUALITY 105 00:04:43,500 --> 00:04:45,807 WE ALREADY KNOW YOU POSSESS. 106 00:04:45,850 --> 00:04:47,809 - REALLY? - I WAS IMPRESSED WITH YOUR PODCAST. 107 00:04:47,852 --> 00:04:49,854 - OH, YOU LISTENED TO IT? - MM-HMM. 108 00:04:49,898 --> 00:04:52,074 THANK YOU. YEAH, I WAS JUST TRYING 109 00:04:52,117 --> 00:04:54,468 TO GIVE A SMALL VOICE TO THOSE AFFECTED BY INJUSTICES. 110 00:04:54,511 --> 00:04:56,470 WELL, I'D SAY YOU GAVE THEM A BIG VOICE. 111 00:04:56,513 --> 00:04:59,124 ANYWAY, WHILE I AM THRILLED TO KNOW YOU THINK 112 00:04:59,168 --> 00:05:01,518 THE "L.A. TRIBUNE IS PERFECT THE WAY IT IS, 113 00:05:01,562 --> 00:05:03,868 I AM ALWAYS LOOKING FOR WAYS TO IMPROVE, 114 00:05:03,912 --> 00:05:06,349 NEW VOICES, LIKE YOURS. 115 00:05:06,393 --> 00:05:08,569 AND IT'S BEEN A HEAVY COUPLE YEARS. 116 00:05:08,612 --> 00:05:11,572 PEOPLE ARE EXHAUSTED, SO I'D LIKE TO START 117 00:05:11,615 --> 00:05:14,966 BALANCING OUR STORIES WITH SOME... LIGHTER TOPICS. 118 00:05:15,010 --> 00:05:17,969 THAT'S A GREAT IDEA. UM, I'M PERSONALLY TRYING 119 00:05:18,013 --> 00:05:22,539 TO EMBRACE MORE LIGHT THIS YEAR, YOU KNOW, LEAN INTO THE JOY. 120 00:05:22,583 --> 00:05:26,195 THEN THAT'S PERFECT. SEE, WE ALREADY KNOW THAT YOU ARE MORE 121 00:05:26,238 --> 00:05:28,589 THAN CAPABLE OF HARDER-HITTING PIECES. 122 00:05:28,632 --> 00:05:30,591 NOW WE'D LIKE TO SEE IF YOU CAN DELIVER SOMETHING A BIT 123 00:05:30,634 --> 00:05:32,723 MORE...FUN AND POPPY, 124 00:05:32,767 --> 00:05:34,856 AN INSPIRING STORY. 125 00:05:34,899 --> 00:05:37,467 - ARE YOU GIVING ME AN ASSIGNMENT? - CONSIDER IT A TRYOUT. 126 00:05:37,511 --> 00:05:40,557 YOU THINK YOU CAN DELIVER SOMETHING IN TWO DAYS? 127 00:05:40,601 --> 00:05:43,560 YES, OF COURSE. WHAT'S THE TOPIC? 128 00:05:43,604 --> 00:05:46,215 I WILL LEAVE THAT UP TO YOU. 129 00:05:46,258 --> 00:05:48,435 JUST... MAKE US SMILE. 130 00:05:48,478 --> 00:05:50,567 [CHUCKLES] OK. 131 00:05:50,611 --> 00:05:53,048 MALE SINGER: ♪ WHAT A TIME TO BE ALIVE, YEAH ♪ 132 00:05:53,091 --> 00:05:56,660 YEAH, I GUESS I DIDN'T REALIZE SHE WAS SO ICE-COLD. 133 00:05:56,704 --> 00:06:00,098 - OH, OK, YOU'RE OVERREACTING. - [SIGHS] 134 00:06:00,142 --> 00:06:02,492 WELL, YOU SHOULD HAVE SEEN HER, LIKE, JUST 135 00:06:02,536 --> 00:06:04,886 BACK IN THE STUDIO, BUSINESS AS USUAL. 136 00:06:04,929 --> 00:06:07,367 - WELL, WHAT DID YOU EXPECT HER TO DO? - WHY ARE YOU DEFENDING LAYLA? 137 00:06:07,410 --> 00:06:10,370 I'M NOT, BUT, YOU KNOW, SHE'S UNDER A LOT OF PRESSURE 138 00:06:10,413 --> 00:06:13,329 TO FINISH THESE TRACKS, AND YOU JUST TOLD HER THAT YOU COULDN'T DO IT. 139 00:06:13,373 --> 00:06:15,505 YOU KNOW, I HONESTLY THOUGHT YOU'D BE ON MY SIDE AFTER WHAT J.P. DID TO YOU. 140 00:06:15,549 --> 00:06:17,333 NO, THIS AIN'T NOTHING LIKE THAT. 141 00:06:17,377 --> 00:06:19,248 J.P. CUT ME OUT OF THE PROCESS. 142 00:06:19,291 --> 00:06:21,381 NOW, LAYLA WOULD WELCOME YOUR INPUT, 143 00:06:21,424 --> 00:06:24,775 BUT YOU JUST TOLD HER THAT YOU DON'T WANT TO BE AROUND MUSIC ANYMORE. 144 00:06:24,819 --> 00:06:27,561 OR MAYBE I JUST DON'T WANT TO HEAR ANOTHER ARTIST BUTCHER MY LYRICS. 145 00:06:27,604 --> 00:06:29,563 LOOK, HER CAREER IS ON THE LINE, 146 00:06:29,606 --> 00:06:32,392 AND YOU CAN'T JUST EXPECT LAYLA TO GIVE UP. 147 00:06:37,353 --> 00:06:39,311 [EXHALES] 148 00:06:39,355 --> 00:06:42,184 THEY SAY CHAMPIONS ARE MADE IN THE OFFSEASON. 149 00:06:42,227 --> 00:06:44,534 [CHUCKLES] KEEP ON GRINDIN'. 150 00:06:44,578 --> 00:06:46,536 HEH! WHAT'S UP, COACH? 151 00:06:46,580 --> 00:06:48,190 HEH HEH HEH! WAIT TILL YOU SEE 152 00:06:48,233 --> 00:06:50,453 OUR WEIGHT ROOM, MAN. IT'S STATE-OF-THE-ART. 153 00:06:50,497 --> 00:06:53,456 COACH BAKER SAID IT DON'T MATTER WHERE YOU SWEAT, JUST AS LONG AS YOU GIVE 100. 154 00:06:53,500 --> 00:06:55,502 COACH BILLY'S A GOOD COACH. 155 00:06:57,504 --> 00:06:59,157 THANK YOU. 156 00:06:59,201 --> 00:07:01,159 YEAH, SO WAS COACH DANTE. 157 00:07:01,203 --> 00:07:03,771 YEP, AND WE WERE SORRY TO SEE HIM GO. 158 00:07:03,814 --> 00:07:05,990 BUT DON'T YOU WORRY. WE'RE GONNA FILL HIS SPOT 159 00:07:06,034 --> 00:07:08,210 WITH SOMEBODY WHO'S TOP-NOTCH WITH NFL EXPERIENCE. 160 00:07:08,253 --> 00:07:10,473 HEH! YOU'RE--YOU'RE GONNA BE IN GOOD HANDS. 161 00:07:10,517 --> 00:07:12,910 OK. CAN I ASK YOU A QUESTION? 162 00:07:12,954 --> 00:07:14,564 ALWAYS. 163 00:07:14,608 --> 00:07:16,566 DID YOU KNOW COACH DANTE WAS LEAVING 164 00:07:16,610 --> 00:07:18,220 WHEN I SIGNED MY LETTER OF INTENT? 165 00:07:18,263 --> 00:07:20,265 - YES. - AND HOW COME NOBODY TOLD ME? 166 00:07:20,309 --> 00:07:23,486 I WAS UNDER THE IMPRESSION THAT YOU WERE... 167 00:07:23,530 --> 00:07:26,097 COMMITTED TO THE SCHOOL, THE TRADITION, 168 00:07:26,141 --> 00:07:28,491 THE TOP-25 PROGRAM, OR WAS I MISTAKEN? 169 00:07:28,535 --> 00:07:31,712 WERE YOU...COMMITTING TO AN ASSISTANT COACH? 170 00:07:31,755 --> 00:07:33,365 NO. 171 00:07:33,409 --> 00:07:35,977 I MEAN... 172 00:07:36,020 --> 00:07:37,979 MAYBE ALL OF IT. 173 00:07:38,022 --> 00:07:41,591 SPENCER, I ASSURE YOU YOU ARE THE JEWEL IN OUR RECRUITMENT CLASS. 174 00:07:41,635 --> 00:07:43,811 YOU ARE THE NUMBER-ONE PRIORITY. 175 00:07:43,854 --> 00:07:47,815 I CAME OUT HERE TO SEE YOU PLAY IN THE PLATINUM ALL-AMERICAN GAME. 176 00:07:47,858 --> 00:07:50,208 I THOUGHT YOU'D BE GRATEFUL. 177 00:07:50,252 --> 00:07:52,472 GRATEFUL? 178 00:07:52,515 --> 00:07:57,085 THAT A POWER-5 TEAM IS WILLING TO BUILD ITS ENTIRE OFFENSE 179 00:07:57,128 --> 00:08:00,001 AROUND A FRESHMAN NAMED SPENCER JAMES. 180 00:08:00,044 --> 00:08:01,524 I AM. 181 00:08:01,568 --> 00:08:03,178 - GOOD! - YES, SIR. 182 00:08:03,221 --> 00:08:05,180 BECAUSE, YOU KNOW, NOT EVERYBODY GETS 183 00:08:05,223 --> 00:08:07,922 THE GOLDEN OPPORTUNITY WE'RE GIVING YOU AT TOLEDO STATE. 184 00:08:07,965 --> 00:08:10,011 REMEMBER THAT. 185 00:08:14,711 --> 00:08:16,713 [KNOCK ON DOOR, DOOR OPENS] 186 00:08:16,757 --> 00:08:18,846 ALREADY WORKING ON YOUR PLAYBOOK FOR NEXT SEASON? 187 00:08:18,889 --> 00:08:20,500 HA HA HA! COACH. 188 00:08:20,543 --> 00:08:22,197 YOU'RE A LONG WAY FROM OHIO. 189 00:08:22,240 --> 00:08:24,199 HAD TO COME OUT AND SEE MY STAR RECRUIT 190 00:08:24,242 --> 00:08:26,114 PLAY IN THE PLATINUM ALL-AMERICAN GAME. BILLY: HA HA! 191 00:08:26,157 --> 00:08:28,725 DRAWING UP PLAYS FOR THAT VERY GAME. 192 00:08:28,769 --> 00:08:31,423 TRYING TO KEEP IT SIMPLE, INVOLVE EVERYBODY. 193 00:08:31,467 --> 00:08:33,469 GONNA BE A LOT OF EGOS OUT THERE ON THAT FIELD. 194 00:08:33,513 --> 00:08:35,515 WELL, I'M GLAD I SIGNED ONE OF 'EM. 195 00:08:35,558 --> 00:08:37,125 NO, NO, NOT SPENCER. 196 00:08:37,168 --> 00:08:39,257 HE IS A TEAM PLAYER ALL THE WAY. 197 00:08:39,301 --> 00:08:41,564 YOU GOT A GREAT YOUNG MAN ON YOUR HANDS. 198 00:08:41,608 --> 00:08:46,395 I'VE BEEN LUCKY, LUCKY TO, UH, COACH HIM FOR THE PAST TWO YEARS. 199 00:08:46,438 --> 00:08:49,485 YOU WANT TO KEEP THAT RELATIONSHIP GOING? 200 00:08:52,140 --> 00:08:54,098 ARE YOU OFFERING ME A JOB? 201 00:08:54,142 --> 00:08:56,100 WIDE RECEIVER COACH. 202 00:08:56,144 --> 00:08:58,015 POSITION JUST OPENED UP. 203 00:08:58,059 --> 00:09:00,235 YEAH, I HAD HEARD. 204 00:09:00,278 --> 00:09:03,151 COACH DANTE DID A REALLY GOOD JOB AT RECRUITING SPENCER. 205 00:09:03,194 --> 00:09:06,154 ARE YOU OFFERING ME THIS JOB TO MAKE SURE SPENCER STAYS COMMITTED? 206 00:09:06,197 --> 00:09:09,157 SPENCER'S SIGNED, HE'S NOT COMMITTED. 207 00:09:09,200 --> 00:09:11,159 I'M OFFERING YOU THE JOB BECAUSE YOU'RE ONE OF 208 00:09:11,202 --> 00:09:13,248 THE BEST HIGH SCHOOL COACHES IN AMERICA, 209 00:09:13,291 --> 00:09:15,859 AND I THINK YOU'RE READY TO TAKE THE NEXT STEP. DO YOU THINK YOU ARE? 210 00:09:15,903 --> 00:09:19,863 AH, POWER-5. HONESTLY, I HAVEN'T--I HAVEN'T EVEN CONSIDERED-- 211 00:09:19,907 --> 00:09:24,041 SURE, YOU HAVE. I'VE FOLLOWED YOUR CAREER SINCE YOU LEFT THE NFL. 212 00:09:24,085 --> 00:09:26,261 SEAMLESSLY TRANSITIONED INTO COACHING, 213 00:09:26,304 --> 00:09:29,612 NOW TWO BACK-TO-BACK STATE CHAMPIONSHIP GAMES. 214 00:09:29,656 --> 00:09:31,614 IT'S CLEAR YOU'RE A WINNER. 215 00:09:31,658 --> 00:09:34,878 WELL, THANKS, COACH, AND I APPRECIATE THAT. 216 00:09:34,922 --> 00:09:38,882 UH...WOW. CAN I THINK ABOUT IT, TALK TO THE WIFE? 217 00:09:38,926 --> 00:09:41,581 - SURE. JUST LET ME KNOW AT THE GAME. - ALL RIGHT. 218 00:09:41,624 --> 00:09:45,715 UH, WHILE I CONSIDER, LET'S NOT TELL SPENCER. 219 00:09:45,759 --> 00:09:47,978 GOOD LUCK ON THOSE PLAYS. 220 00:09:48,022 --> 00:09:50,677 ALL RIGHT. THANKS, COACH. 221 00:09:58,336 --> 00:10:00,687 SIMONE: LOOK AT YOUR LITTLE RECORDER 222 00:10:00,730 --> 00:10:02,558 [CHUCKLING] AND CUTE LITTLE NOTEPAD. 223 00:10:02,602 --> 00:10:04,168 THIS IS CUTE. 224 00:10:04,212 --> 00:10:06,388 YOU KNOW, I'M TRYING TO BE PROFESSIONAL. 225 00:10:06,431 --> 00:10:08,999 WELL, THEN, WELL, THEN, WHAT IS THIS ASSIGNMENT? 226 00:10:09,043 --> 00:10:13,003 IT'S BASICALLY A TRYOUT FOR A SUMMER JOB AT THE "L.A. TRIBUNE" ONLINE. 227 00:10:13,047 --> 00:10:16,659 YOU KNOW, THEY LIKE ME. THEY JUST WANT TO SEE IF I CAN DELIVER 228 00:10:16,703 --> 00:10:19,140 A FUN, POPPY, UPLIFTING STORY. 229 00:10:19,183 --> 00:10:21,098 POPPY? YOU? 230 00:10:21,142 --> 00:10:22,665 I CAN BE POPPY. 231 00:10:22,709 --> 00:10:24,319 GIRL, YOU ARE THE POSTER CHILD 232 00:10:24,362 --> 00:10:26,408 FOR BLACK EMO CHICK, BUT YOU KNOW WHAT? 233 00:10:26,451 --> 00:10:28,628 LET'S JUST GIVE IT A SHOT ANYWAY, HMM? 234 00:10:28,671 --> 00:10:30,673 SO, WHAT'S THE TOPIC? 235 00:10:30,717 --> 00:10:32,675 WELL, THEY LET ME PICK THAT MYSELF, 236 00:10:32,719 --> 00:10:35,591 AND I DECIDED ON BLACK EXCELLENCE. 237 00:10:35,635 --> 00:10:38,202 SO YOU'RE INTERVIEWING ME? 238 00:10:38,246 --> 00:10:40,727 OF COURSE I AM. READY? 239 00:10:40,770 --> 00:10:43,120 [TURNS ON, SETS DOWN RECORDER] 240 00:10:44,948 --> 00:10:48,082 TELL ME ABOUT YOUR DECISION TO ATTEND BRINGSTON UNIVERSITY. 241 00:10:48,125 --> 00:10:52,086 WELL, MY WHOLE LIFE, I WANTED TO GO TO PRINCETON 242 00:10:52,129 --> 00:10:55,089 BECAUSE I THOUGHT ATTENDING AN IVY WAS 243 00:10:55,132 --> 00:10:58,005 THE EPITOME OF BLACK EXCELLENCE, 244 00:10:58,048 --> 00:11:01,965 YOU KNOW, LIKE A BADGE OF HONOR, BUT THEN I REALIZED 245 00:11:02,009 --> 00:11:04,968 BRINGSTON WAS A VERY DIFFERENT VERSION OF BLACK EXCELLENCE, 246 00:11:05,012 --> 00:11:07,667 ONE THAT DIDN'T COME WITH THAT BURDEN. 247 00:11:07,710 --> 00:11:09,669 - WHAT BURDEN? - WELL, BLACK ATHLETES HAVE 248 00:11:09,712 --> 00:11:11,845 UNREALISTIC EXPECTATIONS PUT ON THEM. 249 00:11:11,888 --> 00:11:15,500 THERE'S ALWAYS THIS...PRESSURE TO BE PERFECT. 250 00:11:15,544 --> 00:11:17,154 CAN YOU GIVE ME AN EXAMPLE? 251 00:11:17,198 --> 00:11:19,156 GIRL, DID YOU WATCH THE OLYMPICS? 252 00:11:19,200 --> 00:11:21,724 TAKE SIMONE BILES OR EVEN TIGER WOODS. 253 00:11:21,768 --> 00:11:24,727 PEOPLE ARE JUST WAITING TO TEAR YOU DOWN. 254 00:11:24,771 --> 00:11:28,383 WHEN I STARTED PLAYING TENNIS AGAIN, I... 255 00:11:28,426 --> 00:11:31,386 I DIDN'T TELL MY COACH THAT IN MY YEAR OFF, 256 00:11:31,429 --> 00:11:34,389 I HAD GOTTEN PREGNANT. 257 00:11:34,432 --> 00:11:38,001 I HID IT FROM MY JUNIOR TENNIS LEAGUE... 258 00:11:38,045 --> 00:11:42,092 BECAUSE I DIDN'T WANT THEM TO SEE ME AS LESS THAN PERFECT. 259 00:11:43,703 --> 00:11:46,270 AND AT BRINGSTON, 260 00:11:46,314 --> 00:11:50,710 BEING GREAT IS-- IS A JOURNEY. 261 00:11:50,753 --> 00:11:53,538 YOU GET TO DO YOU, SO I CAN MAKE MISTAKES 262 00:11:53,582 --> 00:11:55,758 AND STILL BE GREAT. 263 00:12:00,241 --> 00:12:02,199 [SETS DOWN PEN] 264 00:12:02,243 --> 00:12:04,201 BILLY: HEY. YOU HEADED OUT? 265 00:12:04,245 --> 00:12:06,421 YEAH. I'M ON MY WAY TO MEET LIV. 266 00:12:06,464 --> 00:12:08,640 SHE WANT TO INTERVIEW ME FOR THIS ASSIGNMENT SHE DOING. 267 00:12:08,684 --> 00:12:11,643 OK, COOL. WELL, SEE YOU AT PRACTICE TOMORROW. 268 00:12:11,687 --> 00:12:14,603 - HEY, CAN I ASK YOU SOMETHING? - YEAH. 269 00:12:14,646 --> 00:12:17,737 WHEN YOU WERE PICKING YOUR COLLEGE, DID YOU CHOOSE THE COACH OR THE SCHOOL? 270 00:12:17,780 --> 00:12:20,740 I CHOSE THE SCHOOL. 271 00:12:20,783 --> 00:12:23,655 YEAH, I THINK THE COACH THAT RECRUITED ME WAS GONE 272 00:12:23,699 --> 00:12:25,657 BY MY SOPHOMORE YEAR OR SOMETHING. 273 00:12:25,701 --> 00:12:28,660 - HMM. - IS THIS ABOUT COACH DANTE LEAVING TOLEDO? 274 00:12:28,704 --> 00:12:32,664 KINDA. I'M TRYING TO FIGURE OUT WHY I CHOSE TOLEDO STATE. 275 00:12:32,708 --> 00:12:34,666 WELL, WHAT'S YOUR ANSWER? 276 00:12:34,710 --> 00:12:36,843 BOTH, I THINK. 277 00:12:36,886 --> 00:12:39,280 I MEAN, I--I DEFINITELY WANTED TO PLAY FOR HIM. BILLY: RIGHT. 278 00:12:39,323 --> 00:12:43,284 I LIKE HAVING A CONNECTION TO MY COACH, JUST LIKE HOW I FOLLOWED YOU TO BEVERLY, 279 00:12:43,327 --> 00:12:46,069 AND THEN WE CAME BACK HERE TOGETHER, 280 00:12:46,113 --> 00:12:49,290 BUT THAT SCHOOL, MAN, THAT IS EVERYTHING I WANT. 281 00:12:49,333 --> 00:12:51,771 - YEAH. - THAT STADIUM, THE FANS, 282 00:12:51,814 --> 00:12:53,816 I'D BE ON NATIONAL TV EVERY WEEK. 283 00:12:53,860 --> 00:12:57,428 PLUS, COACH HUDSON, YOU KNOW, HE SENDS A LOT OF PLAYERS TO THE NFL. 284 00:12:57,472 --> 00:12:59,039 YEAH. 285 00:12:59,082 --> 00:13:01,476 I MEAN, I KNOW IT'S A GREAT OPPORTUNITY FOR ME, 286 00:13:01,519 --> 00:13:04,479 SO...WHY AM I DOUBTING IT ALL OF A SUDDEN? 287 00:13:04,522 --> 00:13:08,135 LOOK, MAN, THIS IS THE SINGLE BIGGEST DECISION YOU'VE EVER MADE. 288 00:13:08,178 --> 00:13:11,747 I'D JUST SAY FOLLOW YOUR INSTINCTS, FOLLOW YOUR GUT. 289 00:13:11,791 --> 00:13:13,836 YOU'LL FIGURE IT OUT. SPENCER: YEAH. 290 00:13:13,880 --> 00:13:15,620 [FOOTSTEPS RETREAT] 291 00:13:18,188 --> 00:13:20,147 - HEY. - HEY. 292 00:13:20,190 --> 00:13:22,149 [KISS] SPENCER: SORRY I'M LATE. 293 00:13:22,192 --> 00:13:24,847 - AH, I JUST FINISHED UP WITH SIMONE. - HOW'D THAT GO? 294 00:13:24,891 --> 00:13:27,850 SIMONE WAS GREAT. UM, YOU KNOW, SHE HAS 295 00:13:27,894 --> 00:13:30,505 SUCH A STRONG POINT OF VIEW. IT JUST... 296 00:13:30,548 --> 00:13:32,507 IT JUST WASN'T THE ASSIGNMENT THAT I WAS GIVEN. 297 00:13:32,550 --> 00:13:34,770 - WHICH IS? - POPPY. 298 00:13:34,814 --> 00:13:37,381 - POPPY? - POPPY AND FUN, 299 00:13:37,425 --> 00:13:40,689 WHICH, SIMONE'S INTERVIEW GOT PRETTY SERIOUS... 300 00:13:40,732 --> 00:13:42,691 - HMM. - AND, YOU KNOW, THEY'VE 301 00:13:42,734 --> 00:13:45,172 ALREADY SEEN THAT SIDE OF ME FROM MY PODCAST. 302 00:13:45,215 --> 00:13:48,392 YOU KNOW, I WANT TO PROVE TO THEM THAT I HAVE SOME RANGE. 303 00:13:48,436 --> 00:13:50,394 - SO THE PRESSURE'S ON ME? - BIG TIME. 304 00:13:50,438 --> 00:13:52,788 - I GOT TO BRING THE FUN? - YEAH, JUST BE 305 00:13:52,832 --> 00:13:54,790 UPLIFTING AND INSPIRING. 306 00:13:54,834 --> 00:13:57,184 AND POPPY. GOT IT. HEH HEH! 307 00:13:59,186 --> 00:14:02,232 [SETS DOWN RECORDER] OK. 308 00:14:03,843 --> 00:14:06,410 TELL ME WHAT IT'S LIKE TO GET A FULL SCHOLARSHIP 309 00:14:06,454 --> 00:14:09,022 TO PLAY FOOTBALL AT A MAJOR DIVISION-1 SCHOOL. 310 00:14:09,065 --> 00:14:11,676 IT IS A DREAM COME TRUE. 311 00:14:11,720 --> 00:14:15,289 CAN'T BELIEVE I'M GONNA BE SCORING TOUCHDOWNS ON NATIONAL TV NEXT YEAR. 312 00:14:15,332 --> 00:14:17,726 [BOTH CHUCKLE] SPENCER: AND CONSIDERING WHERE 313 00:14:17,769 --> 00:14:19,989 I CAME FROM, I'M JUST GRATEFUL FOR THE OPPORTUNITY. 314 00:14:20,033 --> 00:14:22,774 OOH, THIS IS GOOD STUFF. KEEP IT GOING. 315 00:14:22,818 --> 00:14:27,170 OK, UH...I THINK THE HEAD COACH AT TOLEDO STATE WISHES I WAS MORE GRATEFUL, 316 00:14:27,214 --> 00:14:29,869 BUT, UM-- OLIVIA: WHAT MAKES YOU SAY THAT? 317 00:14:29,912 --> 00:14:32,480 WELL, WHEN I QUESTIONED HIM ABOUT COACH DANTE LEAVING, 318 00:14:32,523 --> 00:14:36,136 HE SAID...HE THOUGHT I'D BE MORE GRATEFUL. 319 00:14:36,179 --> 00:14:38,790 BUT HE'S RIGHT, YOU KNOW, WITH THE OPPORTUNITY 320 00:14:38,834 --> 00:14:41,184 THEY'VE GIVEN ME... 321 00:14:41,228 --> 00:14:43,970 I GUESS...I DON'T KNOW. OLIVIA: UM, 322 00:14:44,013 --> 00:14:45,623 PAUSE. 323 00:14:45,667 --> 00:14:47,625 HELL NO. 324 00:14:47,669 --> 00:14:51,238 HE'S GASLIGHTING YOU. HE'S MAKING YOU FEEL BAD FOR ASKING 325 00:14:51,281 --> 00:14:54,328 A SIMPLE QUESTION, ALL BECAUSE THE ANSWER MIGHT MAKE HIM LOOK BAD. 326 00:14:54,371 --> 00:14:56,939 BUT I AM GRATEFUL. I AIN'T HAD THAT MANY OFFERS 327 00:14:56,983 --> 00:14:58,941 FROM ANY OF THE OTHER BIG-TIME SCHOOLS, 328 00:14:58,985 --> 00:15:01,988 AND AFTER I GOT SHOT, A LOT OF THOSE SCHOOLS BACKED OFF. 329 00:15:02,031 --> 00:15:04,991 ONCE I WAS HEALED, IT AIN'T LIKE THEY CAME POURING BACK IN. 330 00:15:05,034 --> 00:15:06,906 - BECAUSE YOU WEREN'T PERFECT. - WHAT? 331 00:15:06,949 --> 00:15:08,908 I THINK YOU'RE PERFECT, 332 00:15:08,951 --> 00:15:12,737 BUT...I MEAN, SIMONE WAS JUST TALKING 333 00:15:12,781 --> 00:15:15,740 ABOUT THIS BURDEN THAT BLACK ATHLETES FACE 334 00:15:15,784 --> 00:15:17,960 AND HOW THEY'RE HELD TO THIS HIGHER STANDARD, 335 00:15:18,004 --> 00:15:20,136 AND IT SOUNDS LIKE YOU NEED TO BE PERFECT... 336 00:15:20,180 --> 00:15:22,530 OR I AIN'T WORTH THE TROUBLE. 337 00:15:22,573 --> 00:15:24,532 [SIGHS] MY BAD. 338 00:15:24,575 --> 00:15:27,535 I'M NOT BRINGING THE FUN. UM...COME ON. 339 00:15:27,578 --> 00:15:30,842 ASK ME A POPPY QUESTION, AND I WILL GIVE YOU A POPPY ANSWER. 340 00:15:30,886 --> 00:15:32,844 IT'S OK. 341 00:15:32,888 --> 00:15:35,935 THE TRUTH IS MORE IMPORTANT THAN THE FUN. 342 00:15:41,723 --> 00:15:43,681 BABY. 343 00:15:43,725 --> 00:15:46,684 WHEN WAS THE LAST TIME... 344 00:15:46,728 --> 00:15:48,817 YOU WERE IN OHIO? 345 00:15:48,860 --> 00:15:51,689 I THINK WHEN YOU PLAYED CLEVELAND, 346 00:15:51,733 --> 00:15:53,735 OR WAS IT CINCINNATI? BILLY: YEAH, THAT WAS CLEVELAND. 347 00:15:53,778 --> 00:15:55,737 YEAH, DON'T REMIND ME. [SCOFFS] 348 00:15:55,780 --> 00:15:58,522 AND YOU FUMBLED IN THE FOURTH QUARTER 349 00:15:58,566 --> 00:16:00,524 AND LOST THE GAME. 350 00:16:00,568 --> 00:16:04,180 - DIDN'T I TELL YOU NOT TO-- - OK, SORRY. YOU BROUGHT IT UP. 351 00:16:04,224 --> 00:16:06,835 - YOU EVER BEEN IN TOLEDO? - NO, BUT, UH, 352 00:16:06,878 --> 00:16:09,838 I PROMISED THAT WE'D GO FOR SPENCER'S FIRST GAME. 353 00:16:09,881 --> 00:16:12,232 OK, WELL, WHAT IF WE WENT 354 00:16:12,275 --> 00:16:14,234 FOR SPENCER'S FIRST GAME 355 00:16:14,277 --> 00:16:17,324 AND THEN...STAYED? 356 00:16:20,283 --> 00:16:22,894 - UM... - THE, UH, 357 00:16:22,938 --> 00:16:26,376 THE HEAD COACH FROM TOLEDO STATE OFFERED ME A JOB-- 358 00:16:26,420 --> 00:16:29,031 WIDE RECEIVERS COACH. 359 00:16:29,075 --> 00:16:31,903 AND WE'D LIVE IN OHIO? 360 00:16:31,947 --> 00:16:33,905 YEAH. IS THAT A DEAL-BREAKER? 361 00:16:33,949 --> 00:16:36,734 I'M JUST PROCESSING THIS NEW INFORMATION. 362 00:16:36,778 --> 00:16:38,736 YEAH. 363 00:16:38,780 --> 00:16:40,738 BUT... 364 00:16:40,782 --> 00:16:42,740 FOR THE FIRST TIME IN MY CAREER, 365 00:16:42,784 --> 00:16:46,353 I'M...FREE TO MOVE ANYWHERE, 366 00:16:46,396 --> 00:16:49,008 SO I GUESS... 367 00:16:49,051 --> 00:16:53,012 THE QUESTION IS, AND BE HONEST, 368 00:16:53,055 --> 00:16:55,449 DO YOU WANT THIS JOB? 369 00:16:58,104 --> 00:17:02,151 YEAH...I THINK I DO. 370 00:17:05,720 --> 00:17:07,287 SIMONE ON RECORDING: WELL, MY WHOLE LIFE, 371 00:17:07,330 --> 00:17:09,941 I WANTED TO GO TO PRINCETON BECAUSE I THOUGHT ATTENDING... 372 00:17:09,985 --> 00:17:11,813 - [SIGHS] IS THAT SIMONE? - YUP. 373 00:17:11,856 --> 00:17:13,902 WELL, YOU KNOW YOU COULD HAVE ASKED ME, RIGHT? 374 00:17:13,945 --> 00:17:16,513 I DON'T NEED YOUR PERMISSION TO TALK TO SIMONE. 375 00:17:16,557 --> 00:17:19,125 NO, I MEANT YOU COULD HAVE ASKED TO INTERVIEW ME FOR YOUR PROJECT, 376 00:17:19,168 --> 00:17:21,562 OR AM I NOT AN EXAMPLE OF BLACK EXCELLENCE? 377 00:17:21,605 --> 00:17:23,172 DON'T TAKE IT PERSONALLY, JORDAN, OK? 378 00:17:23,216 --> 00:17:24,826 I JUST THOUGHT THAT SIMONE AND SPENCER 379 00:17:24,869 --> 00:17:26,306 WOULD HAVE INTERESTING POINT OF VIEWS. 380 00:17:26,349 --> 00:17:28,743 [SCOFFS] OK, SO YOU ASKED SPENCER AS WELL. 381 00:17:28,786 --> 00:17:31,789 IF IT MAKES YOU FEEL ANY BETTER, THE PROJECT ISN'T GOING VERY WELL. 382 00:17:31,833 --> 00:17:34,009 NICE. [THUMPS COUNTER] 383 00:17:34,053 --> 00:17:36,838 [SIGHS] WHY DOES NOBODY SEE ME AS GREAT? 384 00:17:36,881 --> 00:17:39,449 - JORDAN. - NO, NO, I'M SERIOUS, LIV. 385 00:17:39,493 --> 00:17:42,626 LOOK, COLLEGE COACHES OBVIOUSLY DON'T SEE ME AS GREAT. 386 00:17:42,670 --> 00:17:44,628 MY OWN SISTER DOESN'T EVEN SEE ME AS GREAT. 387 00:17:44,672 --> 00:17:46,456 YES, I DO. 388 00:17:46,500 --> 00:17:49,677 IT'S JUST THAT SOMETIMES YOU DON'T SEE YOURSELF THAT WAY, 389 00:17:49,720 --> 00:17:52,027 AND THAT AFFECTS HOW OTHER PEOPLE SEE YOU. 390 00:17:52,071 --> 00:17:55,030 NO, MAYBE I USED TO DOUBT MYSELF, ALL RIGHT, BUT NOT ANYMORE. 391 00:17:55,074 --> 00:17:57,424 LOOK, I KNOW THAT I CAN GREAT, OLIVIA. 392 00:17:57,467 --> 00:17:59,643 IT'S JUST THAT NOBODY ELSE WANTS TO SEE IT. 393 00:17:59,687 --> 00:18:01,341 WELL, THEN CHANGE THE WAY THAT PEOPLE SEE YOU. 394 00:18:01,384 --> 00:18:03,734 - HOW? - BY BEING GREAT. 395 00:18:05,432 --> 00:18:08,348 [MALE SINGERS VOCALIZE] 396 00:18:08,391 --> 00:18:10,350 SPENCER JAMES, 397 00:18:10,393 --> 00:18:12,134 ALL-AMERICAN. 398 00:18:12,178 --> 00:18:14,658 CAM. I HEARD YOU GOT THE INVITE. 399 00:18:14,702 --> 00:18:17,270 YEAH, MAN. BACK ON THE SAME TEAM AGAIN. 400 00:18:17,313 --> 00:18:19,707 - YEP. - HEY, YO, WE'D BETTER SMOKE THESE FOOLS TOMORROW. 401 00:18:19,750 --> 00:18:21,709 IT'S JUST AN EXHIBITION GAME, MAN. 402 00:18:21,752 --> 00:18:23,711 I DON'T THINK THE SCORE REALLY MATTERS. 403 00:18:23,754 --> 00:18:26,409 WE'RE JUST HERE TO SHOWCASE OUR TALENTS, YOU KNOW? 404 00:18:26,453 --> 00:18:30,500 ONLY THING THAT DUDE'S SHOWCASING IS THAT BIG-ASS HEAD. 405 00:18:32,285 --> 00:18:34,113 WHAT DID YOU JUST SAY? 406 00:18:34,156 --> 00:18:36,115 YO, HEY, HEY, CHILL, CHILL. 407 00:18:36,158 --> 00:18:38,421 HE AIN'T SAY NOTHIN'. 408 00:18:44,340 --> 00:18:46,951 WHY YOU GOTTA RUN YOUR MOUTH TO EVERYBODY, MAN? 409 00:18:46,995 --> 00:18:50,172 I GET THAT'S YOUR THING, BUT THAT IS A 5-STAR LINEBACKER OUTTA TEXAS. 410 00:18:50,216 --> 00:18:52,174 HE WILL BREAK YOU IN HALF. 411 00:18:52,218 --> 00:18:55,569 - HE DID HAVE A BIG-ASS HEAD, THOUGH, RIGHT? - HUGE. 412 00:18:55,612 --> 00:18:58,224 - THAT'S ALL I'M SAYIN'. - [CHUCKLING] GO, MAN. 413 00:19:00,704 --> 00:19:02,663 [DISTANT SHOUTING] 414 00:19:02,706 --> 00:19:05,361 KENT: YO, WE NEED ANOTHER BALL OUT HERE! 415 00:19:09,800 --> 00:19:11,976 - BOOM. - [WHISTLES] WHOO! 416 00:19:13,848 --> 00:19:16,416 - NICE TOSS. - THANKS. 417 00:19:16,459 --> 00:19:18,418 PROBABLY THE ONLY ONE I'LL THROW TODAY. 418 00:19:18,461 --> 00:19:19,941 - RESERVE? - YEAH. 419 00:19:19,984 --> 00:19:22,335 HEY, ME, TOO. ISAIAH WINFIELD, ARIZONA. 420 00:19:22,378 --> 00:19:24,337 JORDAN BAKER FROM RIGHT HERE. 421 00:19:24,380 --> 00:19:26,382 - OH, OK. CALI BOY. - YEAH. 422 00:19:26,426 --> 00:19:28,384 YO, THERE'S SOME SERIOUS TALENT ON THIS FIELD, HUH? 423 00:19:28,428 --> 00:19:30,038 - MAN, BEST IN THE COUNTRY. - YEAH. 424 00:19:30,081 --> 00:19:32,040 AND THAT INCLUDES US. HEY, WHETHER WE GET 425 00:19:32,083 --> 00:19:34,042 INTO THAT GAME OR NOT, WE STILL GET TO PUT ON 426 00:19:34,085 --> 00:19:36,740 THE SAME UNIFORMS AS THEM, SAYS "ALL-AMERICAN" ACROSS THE FRONT. 427 00:19:36,784 --> 00:19:38,916 HUH. 428 00:19:38,960 --> 00:19:41,528 IT SURE WOULD BE NICE TO COMPETE AGAINST THEM, THOUGH, RIGHT? 429 00:19:41,571 --> 00:19:44,183 YEAH. HEY, THAT DUDE RIGHT THERE IS GOING TO 'BAMA, 430 00:19:44,226 --> 00:19:46,794 THAT DUDE'S FLORIDA. HE'S OREGON. 431 00:19:46,837 --> 00:19:48,796 WOW. WHERE ARE YOU GOING? 432 00:19:48,839 --> 00:19:51,581 UNDECIDED. STILL TRYING TO FIND THE RIGHT FIT FOR ME, YOU KNOW? 433 00:19:51,625 --> 00:19:53,583 - RIGHT. - HOW 'BOUT YOU? 434 00:19:53,627 --> 00:19:56,325 JUCO FOR A COUPLE YEARS AND THEN TRANSFER INTO D1. 435 00:19:56,369 --> 00:19:58,588 - HEY, JUCO ROUTE'S STILL LEGIT. - MM-HMM. 436 00:19:58,632 --> 00:20:01,417 - GRADES? - TWO CONCUSSIONS. 437 00:20:06,030 --> 00:20:08,207 KIM NITTY, VOICE-OVER: ♪ NO QUESTIONS ASKED 438 00:20:08,250 --> 00:20:11,035 ♪ I'M AT THE TOP, I JUST MIGHT BUILD ME A HOUSE ON THE MOON ♪ 439 00:20:11,079 --> 00:20:13,864 ♪ YOU CAN TELL THAT I'M GREAT, ONCE I'M DONE, I'M GETTIN' TO IT ♪ 440 00:20:13,908 --> 00:20:17,433 ♪ I'LL KEEP ON MOVIN', NEVER NO STOPPIN' ME, I'M A BLAST ♪ 441 00:20:17,477 --> 00:20:20,567 ♪ NO QUESTIONS ASKED, NO QUESTIONS ASKED ♪ 442 00:20:20,610 --> 00:20:23,004 ASHER: LAYLA. [KNOCKS ON DOOR] 443 00:20:23,047 --> 00:20:26,007 - ASHER. WHAT UP, BRO? - HEY, COOP. 444 00:20:26,050 --> 00:20:28,618 HEY, YOU, UH, YOU SEEN LAYLA AROUND? 445 00:20:28,662 --> 00:20:32,840 ACTUALLY, NAH, MAN. SHE'S GONE FOR THE DAY. ONLY REASON I'M HERE. 446 00:20:32,883 --> 00:20:34,842 HARD TO STAY AWAY, ISN'T IT? 447 00:20:34,885 --> 00:20:36,887 I KNOW EXACTLY HOW IT FEELS. 448 00:20:36,931 --> 00:20:39,194 WE GOT A LOT MORE IN COMMON ALL OF A SUDDEN. 449 00:20:39,238 --> 00:20:42,937 WE WERE BOTH LIVING OUR DREAMS, AND IN A BLINK-- 450 00:20:42,980 --> 00:20:45,548 IT WAS GONE. 451 00:20:45,592 --> 00:20:48,551 WHAT'S NEXT FOR US, COOP? 452 00:20:48,595 --> 00:20:51,772 I DON'T KNOW, MAN. I AM, UH, 453 00:20:51,815 --> 00:20:53,774 OBVIOUSLY SITTING IN AN EMPTY STUDIO 454 00:20:53,817 --> 00:20:56,385 AFTER HOURS BECAUSE I MISS IT. 455 00:20:56,429 --> 00:21:00,041 SO, UH... THERE'S STEP ONE. 456 00:21:00,084 --> 00:21:03,349 DOES THAT MEAN I'LL BE SITTING ON AN EMPTY FOOTBALL FIELD SOON? 457 00:21:04,872 --> 00:21:06,787 - IT'S A START. - YOU KNOW, HALF OF ME WANTS 458 00:21:06,830 --> 00:21:09,616 TO GO TO THAT GAME BECAUSE JORDAN AND SPENCER ARE BOTH IN IT, 459 00:21:09,659 --> 00:21:13,315 BUT...THE OTHER HALF OF ME... 460 00:21:14,925 --> 00:21:19,452 IT'S TOO HARD. YOU WANT TO BE THE TIE-BREAKER FOR ME? 461 00:21:19,495 --> 00:21:23,107 I'D SAY COME TO THE GAME, BRO. SUPPORT YOUR BOYS. 462 00:21:23,151 --> 00:21:25,501 AIN'T LIKE YOU GOT TO SIT AND LISTEN 463 00:21:25,545 --> 00:21:27,808 TO SOMEONE ELSE SING YOUR SONG. 464 00:21:27,851 --> 00:21:30,419 YOU KNOW, FOR WHAT IT'S WORTH, COOP, UM, 465 00:21:30,463 --> 00:21:33,422 IF SOMEONE WAS SINGING A SONG THAT I WROTE, 466 00:21:33,466 --> 00:21:35,642 IT PROBABLY MEANS I WROTE A DAMN GOOD SONG, 467 00:21:35,685 --> 00:21:38,297 SO I'D BE PROUD TO LISTEN TO THAT. 468 00:21:41,256 --> 00:21:43,214 KENT: THAT'S ME, THAT'S ME. COME ON. 469 00:21:43,258 --> 00:21:45,782 YEAH. YOU REMEMBER ME, RIGHT? 470 00:21:45,826 --> 00:21:47,393 I REMEMBER THAT BIG-ASS HEAD. 471 00:21:47,436 --> 00:21:49,090 THAT HELMET CUSTOM-MADE FOR IT? 472 00:21:49,133 --> 00:21:51,048 REMEMBER YOU SAID THAT. 473 00:21:51,092 --> 00:21:52,659 TYRONE BRIGGS: ♪ TAKIN' OVER THE GAME 474 00:21:52,702 --> 00:21:54,095 ♪ LIKE I'M SUPPOSED TO DO 475 00:21:54,138 --> 00:21:55,705 ♪ FEEL THAT CROWD ENERGY 476 00:21:55,749 --> 00:21:57,533 ♪ YOU CAN GO ASSUME THIS GAME OVER ♪ 477 00:21:57,577 --> 00:21:59,361 ♪ GO BLOW THE TUNE, DO IT FOR THE WHOLE TOWN ♪ 478 00:21:59,405 --> 00:22:01,015 ♪ THEY GOTTA LOVE IT SINGER: ♪ HEY! 479 00:22:01,058 --> 00:22:02,930 BRIGGS: ♪ GO AHEAD, BLOW THE TRUMPET ♪ 480 00:22:02,973 --> 00:22:04,801 ♪ LABEL ME THE GOAT, Y'ALL CAN'T TELL ME NOTHING ♪ 481 00:22:04,845 --> 00:22:06,803 - ♪ HEY! - ♪ GO AHEAD, BLOW THE TRUMPET 482 00:22:06,847 --> 00:22:09,371 - ♪ HEY, HEY, HEY... - ♪ BLOW THE TRUMPET 483 00:22:09,415 --> 00:22:12,026 YO, WHAT'S YOUR PROBLEM, BRO? 484 00:22:12,069 --> 00:22:14,028 THIS IS PRACTICE FOR AN ALL-STAR GAME. 485 00:22:14,071 --> 00:22:17,379 CAM: BRO, I PRACTICE THE WAY I PLAY. 486 00:22:17,423 --> 00:22:20,034 - WHAT IS GOING ON OUT THERE? - OH, IT'S JUST CAM BEING CAM. 487 00:22:20,077 --> 00:22:22,079 CAM: THIS SUPPOSED TO BE THE BIG LEAGUES, DAWG. 488 00:22:22,123 --> 00:22:25,692 - THEN WHY ARE YOU HERE? - I JUST SHOWED YOU WHY I'M HERE. 489 00:22:25,735 --> 00:22:28,782 - WHAT SCHOOL YOU GOING TO? - YOU'LL FIND OUT TOMORROW AT HALFTIME. 490 00:22:28,825 --> 00:22:32,829 WHEREVER YOU END UP, THEM SKINNY LEGS AIN'T GONNA LAST ONE SEASON. 491 00:22:32,873 --> 00:22:35,266 PLAYER: HEY, HEY, HEY! KENT: WHAT'S UP? WANT TO DO THIS? 492 00:22:35,310 --> 00:22:37,399 YOU WANT TO DO THIS? WE'LL DO THIS ALL DAY, BRO! 493 00:22:37,443 --> 00:22:39,967 PLAYER: HEY, CALM DOWN! YO! 494 00:22:40,010 --> 00:22:42,839 JORDAN: HEY! HEY! HEY! HEY, COME ON! 495 00:22:42,883 --> 00:22:45,189 WHAT IS WRONG WITH YOU? GUYS, STOP! 496 00:22:45,233 --> 00:22:49,324 WHAT ARE YOU DOING, FIGHTING 20 MINUTES INTO OUR ONLY PRACTICE, OVER WHAT? 497 00:22:49,368 --> 00:22:52,980 WHO'S GOING TO THE BEST COLLEGE? HOW MANY STARS YOU HAVE NEXT TO YOUR NAME? 498 00:22:53,023 --> 00:22:56,244 YOU'RE SUPPOSED TO BE THE BEST PLAYERS IN THE COUNTRY. ACT LIKE IT! 499 00:22:56,287 --> 00:22:58,638 YOU'RE ABOUT TO PLAY IN A GAME CELEBRATING HOW TALENTED YOU ALL ARE, 500 00:22:58,681 --> 00:23:02,206 HOW GREAT YOU ARE! IT'S SUPPOSED TO BE FUN! 501 00:23:02,250 --> 00:23:04,818 DROP YOUR EGOS FOR ONE GAME 502 00:23:04,861 --> 00:23:07,647 AND SHAKE HANDS AND KNOCK IT OFF! 503 00:23:07,690 --> 00:23:10,127 I SAID SHAKE HANDS, NOW! 504 00:23:13,392 --> 00:23:15,568 PLAY FOOTBALL. 505 00:23:15,611 --> 00:23:17,831 [BILLY CHUCKLES] 506 00:23:17,874 --> 00:23:20,442 HE GOT THAT FROM ME. 507 00:23:20,486 --> 00:23:23,532 NO. PRETTY SURE HE GOT THAT FROM ME. 508 00:23:30,800 --> 00:23:32,367 YOU SHOULD HAVE SEEN HIM, BABY. 509 00:23:32,411 --> 00:23:33,977 JORDAN WAS IN COMPLETE CONTROL. 510 00:23:34,021 --> 00:23:35,588 HE WAS A LEADER. 511 00:23:35,631 --> 00:23:38,242 I HADN'T SEEN THAT SIDE OF HIM. 512 00:23:38,286 --> 00:23:40,984 OH. I'VE SEEN GLIMPSES OF IT THIS YEAR. 513 00:23:41,028 --> 00:23:42,986 HUH. 514 00:23:43,030 --> 00:23:45,424 I GUESS MONTES HAS BEEN A REALLY GOOD INFLUENCE ON HIM. 515 00:23:45,467 --> 00:23:50,037 WELL, SHE'S DEFINITELY CHALLENGED HIM TO STEP UP. 516 00:23:50,080 --> 00:23:52,039 YEAH. 517 00:23:52,082 --> 00:23:54,781 MAYBE SPENCER NEEDS THAT. 518 00:23:54,824 --> 00:23:58,437 I'D HATE TO ROB HIM OF A--OF A MENTOR, 519 00:23:58,480 --> 00:24:02,049 YOU KNOW, SOMEONE WHO COULD BUILD ON WHAT WE'VE WORKED ON TOGETHER. 520 00:24:02,092 --> 00:24:05,879 WAIT, ARE YOU-- ARE YOU BACKING OUT OF THE TOLEDO STATE GIG? 521 00:24:05,922 --> 00:24:08,098 I MEAN, MAYBE IT'S TIME 522 00:24:08,142 --> 00:24:11,101 FOR SPENCER TO SPREAD HIS WINGS, 523 00:24:11,145 --> 00:24:13,103 YOU KNOW, AND LET'S BE HONEST. 524 00:24:13,147 --> 00:24:16,542 ME TAKING THAT JOB, YOU KNOW, WOULD COMPLETELY UPROOT YOU-- 525 00:24:16,585 --> 00:24:18,195 - DO NOT DO THAT. - DO WHAT? 526 00:24:18,239 --> 00:24:20,197 DON'T MAKE THIS DECISION 527 00:24:20,241 --> 00:24:22,809 ABOUT ME, OK? 528 00:24:22,852 --> 00:24:25,464 I AM SUPPORTING YOU. 529 00:24:25,507 --> 00:24:28,075 FOR THE FIRST HALF OF OUR LIVES, YOU-- YOU SPENT LIVING 530 00:24:28,118 --> 00:24:30,991 IN MY WORLD, AND YOU DID THAT FOR ME, 531 00:24:31,034 --> 00:24:33,123 FOR MY CAREER. 532 00:24:33,167 --> 00:24:36,387 I WILL FOLLOW YOU WHEREVER YOU WANT TO GO. 533 00:24:41,958 --> 00:24:44,526 ANNOUNCER: WELCOME TO LOS ANGELES, CALIFORNIA, 534 00:24:44,570 --> 00:24:47,529 WHERE THE BEST HIGH SCHOOL FOOTBALL PLAYERS IN THE COUNTRY 535 00:24:47,573 --> 00:24:49,531 HAVE GATHERED TO SHOW OFF THEIR SKILLS 536 00:24:49,575 --> 00:24:51,751 IN THE PLATINUM ALL-AMERICAN GAME. 537 00:24:51,794 --> 00:24:54,188 A NUMBER OF UNDECIDED PROSPECTS WILL ANNOUNCE 538 00:24:54,231 --> 00:24:56,538 THEIR COLLEGE DECISIONS AT HALFTIME. 539 00:24:56,582 --> 00:24:59,367 37 FORMER PLATINUM ALL-AMERICANS WERE SELECTED 540 00:24:59,410 --> 00:25:01,761 IN THE FIRST ROUND OF THE NFL DRAFT, 541 00:25:01,804 --> 00:25:03,719 SO THIS IS THE CREAM OF THE CROP, 542 00:25:03,763 --> 00:25:05,373 THE FUTURE OF THE NFL. 543 00:25:05,416 --> 00:25:07,331 MALE SINGER: ♪ WE AIN'T THE SAME 544 00:25:07,375 --> 00:25:08,942 ♪ NOT ONLY DEAL, NOT ONLY NAME ♪ 545 00:25:08,985 --> 00:25:10,552 BILLY: HEH HEH! 546 00:25:10,596 --> 00:25:12,467 WHAT YOU THINK ABOUT THIS GUY RIGHT HERE? 547 00:25:12,511 --> 00:25:14,338 JORDAN: HE'S FROM ARKAN-- ISAIAH: YO, JORDAN. 548 00:25:14,382 --> 00:25:16,732 HEY, ISAIAH. UH, WANT YOU TO MEET MY DAD. 549 00:25:16,776 --> 00:25:19,735 - BILLY BAKER. IT'S AN HONOR. - OK. GOOD TO MEET YOU, YOUNG MAN. 550 00:25:19,779 --> 00:25:21,911 - THANK YOU. MY OLDER BROTHER HAD YOUR JERSEY. - OH, FOR REAL? 551 00:25:21,955 --> 00:25:24,044 WELL, TELL HIM I SAID HI. ISAIAH: HEY, I WILL. 552 00:25:24,087 --> 00:25:26,133 IF HE NEEDS ME TO SIGN IT OR ANYTHING, I CAN DO THAT, TOO. 553 00:25:26,176 --> 00:25:29,658 OH, I DON'T THINK HE HAS IT NO MORE. THAT WAS A LONG TIME AGO. 554 00:25:29,702 --> 00:25:32,661 - [CHUCKLES] AHEM! - THE HELL YOU LAUGHIN' AT? 555 00:25:32,705 --> 00:25:35,316 JORDAN: I'M NOT. I'M--I'M SORRY. 556 00:25:35,359 --> 00:25:37,927 BILLY: IT WAS GOOD TO MEET YOU, ISAIAH. ISAIAH: LIKEWISE. 557 00:25:37,971 --> 00:25:40,234 JORDAN: SEE YOU OUT THERE. 558 00:25:40,277 --> 00:25:42,845 [LAUGHING] YO, MAN, THAT WAS CLASSIC. 559 00:25:42,889 --> 00:25:45,021 OH, YO, I CAN'T BELIEVE YOUR POPS WAS IN THE NFL. 560 00:25:45,065 --> 00:25:47,023 THAT'S THE DREAM, RIGHT? JORDAN: IT'S COOL. 561 00:25:47,067 --> 00:25:49,025 I'M NOT GONNA LIE TO YOU, THOUGH. 562 00:25:49,069 --> 00:25:51,027 IT HONESTLY WAS TOUGH GROWING UP IN HIS SHADOW. 563 00:25:51,071 --> 00:25:52,681 I MEAN EVERYTHING I DID ON THE FIELD WAS ALWAYS 564 00:25:52,725 --> 00:25:54,553 COMPARED TO HIM, YOU KNOW? I MEAN, 565 00:25:54,596 --> 00:25:55,858 I ALMOST QUIT FOOTBALL A FEW TIMES. 566 00:25:55,902 --> 00:25:57,294 YEAH, BUT YOU DIDN'T, 567 00:25:57,338 --> 00:25:59,122 AND NOW LOOK WHERE YOU'RE AT, AND BECAUSE 568 00:25:59,166 --> 00:26:01,211 YOU TOOK THAT PRESSURE AND YOU TURNED IT INTO FUEL, MAN. 569 00:26:01,255 --> 00:26:02,865 I DID. 570 00:26:02,909 --> 00:26:04,867 I TURNED IT INTO FUEL. YOU'RE RIGHT. 571 00:26:04,911 --> 00:26:06,521 COME ON. LET'S WARM UP. 572 00:26:06,565 --> 00:26:08,436 OLIVIA, VOICE-OVER: WHAT IS BLACK EXCELLENCE? 573 00:26:08,479 --> 00:26:10,307 THE EASY DEFINITION IS IT'S CELEBRATING 574 00:26:10,351 --> 00:26:12,309 THE ACHIEVEMENTS OF BLACK PEOPLE, 575 00:26:12,353 --> 00:26:15,312 BUT IS IT ATTAINABLE? SOMETIMES BLACK EXCELLENCE COMES 576 00:26:15,356 --> 00:26:17,445 WITH AN UNREALISTIC BURDEN ATTACHED TO IT. 577 00:26:17,488 --> 00:26:19,273 JUST LOOK AT BLACK ATHLETES. 578 00:26:19,316 --> 00:26:21,623 THEY'RE CELEBRATED WHEN THEY ACHIEVE GREATNESS, 579 00:26:21,667 --> 00:26:23,625 BUT JUST AS QUICKLY TORN DOWN 580 00:26:23,669 --> 00:26:25,627 AT THE SLIGHTEST GLIMPSE OF IMPERFECTION 581 00:26:25,671 --> 00:26:27,716 BECAUSE THEY'RE OFTEN SEEN AS COMMODITIES. 582 00:26:27,760 --> 00:26:29,718 A BLACK FOOTBALL PLAYER IS PRAISED 583 00:26:29,762 --> 00:26:31,720 AS LONG AS HE'S SCORING TOUCHDOWNS, 584 00:26:31,764 --> 00:26:33,722 BUT ANY OFF-THE-FIELD MISTAKE, AND THE NARRATIVE 585 00:26:33,766 --> 00:26:37,726 QUICKLY CHANGES TO "HE DOESN'T REALLY DESERVE THIS OPPORTUNITY. 586 00:26:37,770 --> 00:26:41,164 DOESN'T HE KNOW HOW LUCKY HE IS TO HAVE THIS OPPORTUNITY?" 587 00:26:41,208 --> 00:26:45,168 THIS BURDEN IS UNFAIR, AND IT'S IMPOSSIBLE TO SUSTAIN, 588 00:26:45,212 --> 00:26:47,780 BUT IT'S BECOME INGRAINED IN THE WORLD THAT WE LIVE IN. 589 00:26:47,823 --> 00:26:50,391 SPENCER: THAT'S WHAT I'M TALKIN' 'BOUT. JUST LIKE HOME, BABY. CAM: JUST LIKE HOME, BABY. 590 00:26:50,434 --> 00:26:52,219 MALE SINGER: ♪ LIKE A TRAIN COMIN', NO BRAKES ON ♪ 591 00:26:52,262 --> 00:26:53,829 ♪ CAN'T STOP ME, YOU BETTER MOVE ♪ 592 00:26:53,873 --> 00:26:55,657 ♪ FEEL THE GROUND RUMBLE LIKE A STAMPEDE ♪ 593 00:26:55,701 --> 00:26:57,485 ♪ WHEN I TAKE OFF, I CAN'T LOSE ♪ 594 00:26:57,528 --> 00:26:59,182 ♪ I'M LIKE AN EARTHQUAKE WITH MY HEART PUMPIN' ♪ 595 00:26:59,226 --> 00:27:01,184 ♪ I'M DIALED IN, WE GONNA START SOMETHING ♪ 596 00:27:01,228 --> 00:27:03,230 ♪ WE GONNA LIGHT IT UP, CAN'T SHUT US DOWN ♪ 597 00:27:03,273 --> 00:27:05,145 ♪ YOU HEAR THE THUNDER ROAR, YOU KNOW THE STORM COMIN' ♪ 598 00:27:05,188 --> 00:27:06,842 [WHISTLE BLOWS] ♪ YEAH, I ZERO IN LIKE A PREDATOR ♪ 599 00:27:06,886 --> 00:27:08,888 ♪ AND YOU LOOKIN' LIKE PREY ♪ 600 00:27:08,931 --> 00:27:10,498 ♪ GET READY FOR THE WAR ZONE CAM: WHOO! 601 00:27:10,541 --> 00:27:12,543 OLIVIA, VOICE-OVER: LET US MAKE MISTAKES 602 00:27:12,587 --> 00:27:16,156 WITHOUT IMMEDIATELY DECLARING, "THEY DON'T DESERVE TO BE HERE," 603 00:27:16,199 --> 00:27:18,680 AND LET US STRIVE FOR GREATNESS [WHISTLE BLOWS] 604 00:27:18,724 --> 00:27:21,552 WITHOUT THAT IMPOSSIBLE BURDEN OF PERFECTION. 605 00:27:21,596 --> 00:27:24,555 [CHUCKLES] DAMN, I ALMOST CAUGHT THAT, BRUH. 606 00:27:24,599 --> 00:27:26,166 YEAH, I KNOW, MAN. HEH! 607 00:27:26,209 --> 00:27:27,776 HEY, YO, YOU SEE ME BLOW PAST 608 00:27:27,820 --> 00:27:29,430 THAT BIG-HEADED 5-STAR FROM TEXAS? 609 00:27:29,473 --> 00:27:31,040 HEY, I'M NOT GONNA LIE TO YOU. 610 00:27:31,084 --> 00:27:32,694 I WOULDN'T MIND HAVING THAT DUDE ON MY TEAM. 611 00:27:32,738 --> 00:27:34,304 FOR REAL. DUDE'S A BEAST. 612 00:27:34,348 --> 00:27:35,915 WHEN HE TACKLED ME ON THAT SCREEN PASS, 613 00:27:35,958 --> 00:27:37,786 I THOUGHT I'D DIED FOR A MINUTE. 614 00:27:37,830 --> 00:27:39,788 DON'T TELL HIM I SAID THAT. SPENCER: HEH HEH! I WON'T. 615 00:27:39,832 --> 00:27:41,442 YO, IT'S BEEN DOPE HAVING YOU 616 00:27:41,485 --> 00:27:43,444 ON THE SAME TEAM AGAIN, MAN. CAM: OH, YEAH. 617 00:27:43,487 --> 00:27:45,446 I FEEL BAD FOR THE DEFENSE, THOUGH. 618 00:27:45,489 --> 00:27:47,709 YOU WERE UNSTOPPABLE OUT THERE, BRO. 619 00:27:47,753 --> 00:27:49,885 THANKS, AND IMAGINE IF YOU NEVER LEFT CRENSHAW. 620 00:27:49,929 --> 00:27:52,061 - MAN, YOU LEFT FIRST. - BUT I CAME BACK. 621 00:27:52,105 --> 00:27:54,498 - YOU RIGHT. - HEH HEH! 622 00:27:54,542 --> 00:27:57,719 YOU KNOW, OHIO'S GONNA FEEL A LOT DIFFERENT THAN CRENSHAW, BRO. 623 00:27:57,763 --> 00:27:59,939 YEAH, I KNOW. SO WHERE YOU GOING? 624 00:27:59,982 --> 00:28:01,941 I'M ANNOUNCING MY DECISION AT HALFTIME. 625 00:28:01,984 --> 00:28:03,594 YOU WANT TO GO CHECK IT OUT? 626 00:28:03,638 --> 00:28:05,596 - MAYBE. - ALL RIGHT, WHATEVER. 627 00:28:05,640 --> 00:28:07,598 - [CHUCKLING] - HEY, YO, SPENCE? 628 00:28:07,642 --> 00:28:08,991 YO? 629 00:28:09,035 --> 00:28:10,993 TOLEDO STATE'S GOT THEM SOME GREATNESS. 630 00:28:11,037 --> 00:28:13,387 THEY DON'T EVEN KNOW WHAT'S COMING. 631 00:28:13,430 --> 00:28:15,389 YOU GONNA LIGHT OHIO UP, BRO. 632 00:28:15,432 --> 00:28:17,783 THEY'RE LUCKY TO HAVE YOU. 633 00:28:17,826 --> 00:28:21,308 YOU KNOW WHAT, CAM? YOU'RE DAMN RIGHT. 634 00:28:29,446 --> 00:28:30,839 WE'LL SEE YOU OUT THERE. 635 00:28:30,883 --> 00:28:32,972 BILLY: HEY. HUDSON: GREAT FIRST HALF. 636 00:28:33,015 --> 00:28:34,974 THOSE YOUR PLAYERS CARVING UP THAT 5-STAR DEFENSE OUT THERE? 637 00:28:35,017 --> 00:28:36,889 HA HA! SOME OF THEM WERE, BUT, UH, 638 00:28:36,932 --> 00:28:39,326 COACH MONTES HAD SOME GEMS IN THERE, TOO. 639 00:28:39,369 --> 00:28:41,763 WOW. WELL, MAYBE I SHOULD OFFER HER THE JOB. 640 00:28:41,807 --> 00:28:44,374 [BOTH CHUCKLE] BILLY: ACTUALLY, 641 00:28:44,418 --> 00:28:46,637 UM, MAYBE YOU SHOULD. 642 00:28:48,161 --> 00:28:50,337 OH. IS THIS WHERE YOU TURN ME DOWN? 643 00:28:50,380 --> 00:28:53,340 OH, COACH, I WENT BACK AND FORTH, LIKE, 20 TIMES, 644 00:28:53,383 --> 00:28:55,559 BUT, UH, BUT, YEAH. 645 00:28:55,603 --> 00:28:58,171 I, UH, I'M GONNA HAVE TO RESPECTFULLY DECLINE. 646 00:28:58,214 --> 00:29:00,782 I, UH, I APPRECIATE YOU CONSIDERING ME, THOUGH. I DO. 647 00:29:00,826 --> 00:29:03,219 I'M SORRY TO HEAR THAT. CAN I ASK WHY? 648 00:29:03,263 --> 00:29:05,787 THIS IS A PRETTY BIG OPPORTUNITY. 649 00:29:05,831 --> 00:29:07,789 IT IS A BIG OPPORTUNITY, BUT I JUST FEEL 650 00:29:07,833 --> 00:29:09,791 LIKE SPENCER NEEDS TO SPREAD HIS WINGS 651 00:29:09,835 --> 00:29:12,272 WITHOUT ME BY HIS SIDE, YOU KNOW? 652 00:29:12,315 --> 00:29:15,841 AND TO BE HONEST, UH, I HAVEN'T FIGURED OUT 653 00:29:15,884 --> 00:29:18,800 WHAT THIS NEXT CHAPTER IS FOR ME. HUDSON: OH. 654 00:29:18,844 --> 00:29:21,542 MAYBE I HAVEN'T FINISHED EVERYTHING I WAS SUPPOSED TO DO HERE, 655 00:29:21,585 --> 00:29:24,675 BUT AGAIN, I APPRECIATE THE CONSIDERATION. 656 00:29:24,719 --> 00:29:27,766 - GOOD LUCK. - THANKS COACH. 657 00:29:27,809 --> 00:29:31,160 REPORTER: IN TODAY'S GAME, WE HAVE 12 ELITE PROSPECTS 658 00:29:31,204 --> 00:29:32,988 WHO ARE CURRENTLY UNDECIDED. 659 00:29:33,032 --> 00:29:34,947 EIGHT OF THEM WILL BE CHOOSING THEIR 660 00:29:34,990 --> 00:29:37,601 COLLEGE DESTINATION LIVE, RIGHT NOW. 661 00:29:37,645 --> 00:29:39,995 FIRST UP IS 4-STAR WIDE RECEIVER 662 00:29:40,039 --> 00:29:42,215 OUT OF WESTLAKE, CALIFORNIA, CAM WATKINS. 663 00:29:42,258 --> 00:29:45,566 CAM, I SEE YOU'VE NARROWED IT DOWN TO 4 LUCKY SCHOOLS. 664 00:29:45,609 --> 00:29:47,568 THE MOMENT IS NOW YOURS. 665 00:29:47,611 --> 00:29:50,179 WHERE WILL YOU BE SPENDING THE NEXT 4 YEARS? 666 00:29:50,223 --> 00:29:52,834 WELL, FIRST I'D LIKE TO THANK GOD, 667 00:29:52,878 --> 00:29:56,446 UM, MY FAMILY, MY COACHES, AND TEAMMATES. 668 00:29:56,490 --> 00:30:00,711 WITHOUT ANY OF THEM, NONE OF THIS WOULD BE POSSIBLE, SO THANK YOU. 669 00:30:00,755 --> 00:30:03,279 AND, WITH THAT BEING SAID, 670 00:30:03,323 --> 00:30:06,369 I WILL BE TAKING MY TALENTS TO... 671 00:30:08,328 --> 00:30:10,504 AND THE LUCKY SCHOOL IS? 672 00:30:10,547 --> 00:30:12,811 [CAMERA SHUTTERS CLICKING] 673 00:30:15,204 --> 00:30:17,380 [SIGHS, SETS DOWN HAT] 674 00:30:25,432 --> 00:30:27,434 CAM: STAY TUNED. [LAUGHTER] 675 00:30:27,477 --> 00:30:30,263 REPORTER: OK, SO IT APPEARS CAM WATKINS IS 676 00:30:30,306 --> 00:30:32,700 GOING TO REMAIN UNDECIDED FOR 677 00:30:32,743 --> 00:30:35,311 A LITTLE WHILE LONGER. STAY TUNED. 678 00:30:35,355 --> 00:30:37,052 [APPLAUSE] 679 00:30:37,096 --> 00:30:38,706 BAKER. 680 00:30:38,749 --> 00:30:40,099 YOU'RE IN. 681 00:30:40,142 --> 00:30:41,752 JORDAN: WHAT? BILLY: GO GET 'EM. 682 00:30:41,796 --> 00:30:44,364 - YO! - GET YOUR HELMET, BOY. 683 00:30:44,407 --> 00:30:46,366 - HELMET. - RELAX, RELAX, RELAX. 684 00:30:46,409 --> 00:30:48,803 ISAIAH: ATTA BOY, J! JORDAN: MY MAN. 685 00:30:48,847 --> 00:30:50,413 UM... 686 00:30:50,457 --> 00:30:53,460 COACH...CAN YOU PUT ISAIAH IN? 687 00:30:55,157 --> 00:30:57,768 WINFIELD, GRAB A HELMET. 688 00:30:57,812 --> 00:30:59,205 - UH-OH. - HEY. 689 00:30:59,248 --> 00:31:00,859 PLAYER: UH-OH! PLAYER 2: LET'S DO THIS. 690 00:31:00,902 --> 00:31:02,773 YO, YOU DID THAT FOR ME? 691 00:31:02,817 --> 00:31:04,775 YOU EARNED THIS, ALL RIGHT? IT'S OUR TIME NOW. 692 00:31:04,819 --> 00:31:07,082 WE BOTH TURNED IT INTO FUEL. LET'S PLAY SOME FOOTBALL. 693 00:31:07,126 --> 00:31:08,910 [WHISTLE BLOWS] 694 00:31:08,954 --> 00:31:10,912 STADIUM ANNOUNCER: WESTERN RESERVE JORDAN BAKER 695 00:31:10,956 --> 00:31:13,088 OUT OF CALIFORNIA CHECKS IN TO QUARTERBACK. 696 00:31:13,132 --> 00:31:15,264 [PLAYERS SHOUTING] 697 00:31:15,308 --> 00:31:18,180 ANNOUNCER: TAKES THE SNAP, THIRD AND LONG. 698 00:31:18,224 --> 00:31:20,835 QUICK PASS TO ISAIAH WINFIELD, 699 00:31:20,879 --> 00:31:24,317 AND HE GETS THE FIRST DOWN! [CROWD CHEERS] 700 00:31:24,360 --> 00:31:26,101 MALE SINGER: ♪ I KNOW WHAT... 701 00:31:26,145 --> 00:31:29,104 JORDAN: HERE YOU GO. GUN RIGHT CHAIR ON 1. READY? 702 00:31:29,148 --> 00:31:31,759 HEY, HEY, DON'T LET ME OVERTHROW YOU. 703 00:31:31,802 --> 00:31:33,979 ISAIAH: NOT POSSIBLE. JORDAN: ALL RIGHT. 704 00:31:34,022 --> 00:31:37,373 - ♪ LET'S MAKE A TOAST TO THE REBELS ♪ - HERE WE GO. DOWN, SET. 705 00:31:37,417 --> 00:31:40,072 WIDE 60. WIDE, SET, HUT! 706 00:31:41,812 --> 00:31:44,772 ANNOUNCER: BAKER ROLLS OUT, THROWS A DEEP BALL TO WINFIELD. 707 00:31:44,815 --> 00:31:47,949 - ♪ CAN'T WORRY 'BOUT YESTERDAY ♪ - TOUCHDOWN! 708 00:31:47,993 --> 00:31:50,386 - WHOO! - NICE PASS, BRO. 709 00:31:50,430 --> 00:31:52,954 SPENCER: HA HA! HERE COME J! 710 00:31:52,998 --> 00:31:56,001 [MUSIC AND SINGING STOP] 711 00:31:56,044 --> 00:31:57,916 IF YOU THINK YOU'LL FINISH WRITING BY SUMMER, 712 00:31:57,959 --> 00:31:59,526 I'LL JUST GO AHEAD AND BOOK THE MUSICIANS NOW 713 00:31:59,569 --> 00:32:01,528 SO THEY'LL BE AVAILABLE TO RECORD. 714 00:32:01,571 --> 00:32:04,748 - OK, I'M GOOD WITH THAT. - OK, SO I'LL DO IT IN-- 715 00:32:04,792 --> 00:32:06,750 COOP: WHAT'S UP, LAYLA? LAYLA: HEY. 716 00:32:06,794 --> 00:32:08,752 I THOUGHT YOU WERE AT SPENCER'S GAME. [COOP SIGHS] 717 00:32:08,796 --> 00:32:11,712 I WAS, AND ACTUALLY, I CAN'T STAY. I JUST-- 718 00:32:11,755 --> 00:32:14,106 I WANTED TO APOLOGIZE FOR THE PAST COUPLE DAYS. 719 00:32:14,149 --> 00:32:16,108 I MEAN, ONE MINUTE, I'M ACCUSING YOU OF BEING YOUR POPS, 720 00:32:16,151 --> 00:32:18,110 WHICH YOU'RE NOT, AND THE NEXT, I'M WALKING OUT 721 00:32:18,153 --> 00:32:20,112 OF THE STUDIO WITHOUT EXPLAINING MYSELF. 722 00:32:20,155 --> 00:32:23,115 IT'S TOO HARD TO ACTUALLY...BE INVOLVED IN THE MIX, 723 00:32:23,158 --> 00:32:25,769 KNOWING MY DREAM IS GONE, EVEN THOUGH I MISS IT. 724 00:32:25,813 --> 00:32:28,729 AND HOPEFULLY, I'LL GET THERE. I DON'T KNOW, 725 00:32:28,772 --> 00:32:31,340 BUT I DO KNOW THAT YOU HAVE TO FIND A WAY 726 00:32:31,384 --> 00:32:33,473 TO FINISH THESE TRACKS, AND I GET IT. 727 00:32:33,516 --> 00:32:36,171 WELL, LIKE I TOLD YOU, I WISH IT WAS YOU IN THAT BOOTH. 728 00:32:36,215 --> 00:32:38,565 ME, TOO, BUT THAT NEW ARTIST, UH... 729 00:32:38,608 --> 00:32:41,437 - KIM NITTY. - YEAH. SHE'S DOPE. 730 00:32:41,481 --> 00:32:43,439 I KNEW IT THE FIRST TIME I SEEN HER 731 00:32:43,483 --> 00:32:45,441 LAST YEAR, WHEN I BATTLED HER. 732 00:32:45,485 --> 00:32:49,445 SHE CAN GET IT DONE, BUT IF I'M BEING HONEST, 733 00:32:49,489 --> 00:32:52,666 UM, SHE DOESN'T REALLY SOUND RIGHT 734 00:32:52,709 --> 00:32:55,277 SINGING MY LYRICS BECAUSE IT'S MY EXPERIENCES. 735 00:32:55,321 --> 00:32:57,279 IT'S NOT HER FAULT, 736 00:32:57,323 --> 00:32:59,934 BUT I'VE SEEN HER DO HER THING, 737 00:32:59,978 --> 00:33:01,544 SO LET HER FREESTYLE. 738 00:33:01,588 --> 00:33:04,852 SAME SOUND, HER EXPERIENCES. 739 00:33:04,895 --> 00:33:07,507 I THINK IT COULD ADD SOMETHING MAGICAL TO THE TRACK. 740 00:33:07,550 --> 00:33:09,204 YOU MIGHT BE RIGHT. 741 00:33:09,248 --> 00:33:11,859 COOP: I KNOW I'M RIGHT. PATIENCE: OK. 742 00:33:11,902 --> 00:33:14,253 COOP: WHATEVER. I'LL SEE Y'ALL AROUND, THOUGH. LAYLA: OK. 743 00:33:14,296 --> 00:33:16,995 PATIENCE: I LOVE YOU. COOP: LOVE YOU. 744 00:33:18,953 --> 00:33:21,303 WELL, THAT WENT WELL. THAT'S A START. 745 00:33:21,347 --> 00:33:24,002 - HA! OK. - RIGHT? 746 00:33:24,045 --> 00:33:25,916 [OVERLAPPING CHATTER] 747 00:33:25,960 --> 00:33:29,007 WOMAN: OH, MY GOSH. DID YOU SEE THAT TOUCHDOWN? 748 00:33:29,050 --> 00:33:31,183 ASHER: NICE PASS. JORDAN: I THOUGHT THAT YOU WEREN'T COMING. 749 00:33:31,226 --> 00:33:33,185 IF I WOULD HAVE MISSED THAT TOUCHDOWN, I NEVER WOULD HAVE HEARD 750 00:33:33,228 --> 00:33:34,838 THE END OF IT. JORDAN: MMM, YOU THINK YOU'RE GONNA HEAR 751 00:33:34,882 --> 00:33:36,449 THE END OF IT ANYWAY? [ASHER CHUCKLES] 752 00:33:36,492 --> 00:33:38,277 - I'MMA HOLLER AT Y'ALL. - YEAH. 753 00:33:38,320 --> 00:33:39,930 - YOU HUNGRY? - I COULD EAT. 754 00:33:39,974 --> 00:33:41,845 I COULD EAT. [SIGHS] 755 00:33:41,889 --> 00:33:43,847 HUDSON: AFTER WATCHING THIS GAME, 756 00:33:43,891 --> 00:33:45,849 I THINK IT'S SAFE TO SAY TOLEDO STATE 757 00:33:45,893 --> 00:33:48,461 GOT THE BEST PLAYER IN THE COUNTRY. 758 00:33:48,504 --> 00:33:50,506 [BOTH CHUCKLE] SPENCER: THANK YOU, COACH. 759 00:33:50,550 --> 00:33:53,509 LISTEN, I APPRECIATE YOU, EVERYTHING YOU'VE DONE, 760 00:33:53,553 --> 00:33:56,512 GOING OUT OF YOUR WAY TO BE HERE FOR ME TODAY... 761 00:33:56,556 --> 00:34:00,908 BUT I DON'T THINK TOLEDO STATE'S THE RIGHT FIT FOR ME, 762 00:34:00,951 --> 00:34:04,216 SO I'VE DECIDED TO REOPEN MY RECRUITMENT. 763 00:34:04,259 --> 00:34:07,871 - WHO--WHO PAID YOU? - WHO PAID ME? 764 00:34:07,915 --> 00:34:10,657 I'M NOT STUPID. I KNOW SOME OF THESE SCHOOLS GOT DEEP POCKETS. 765 00:34:10,700 --> 00:34:13,225 - THAT AIN'T WHAT THIS IS ABOUT. - RIGHT. SHOULD HAVE KNOWN 766 00:34:13,268 --> 00:34:15,270 SOMETHING WAS UP WHEN BILLY TURNED ME DOWN. - WHAT ARE YOU TALKING ABOUT? 767 00:34:15,314 --> 00:34:17,968 HUDSON: I OFFERED BILLY COACH DANTE'S OLD JOB. 768 00:34:18,012 --> 00:34:20,580 BEST COACHING OPPORTUNITY OF HIS CAREER, 769 00:34:20,623 --> 00:34:23,191 AND HE JUST TURNED ME DOWN AT HALFTIME, AND NOW THIS. 770 00:34:23,235 --> 00:34:25,846 YEAH, I GUESS YOU TWO GOT OFFERED 771 00:34:25,889 --> 00:34:28,240 A BETTER PACKAGE DEAL. 772 00:34:28,283 --> 00:34:30,764 [SCOFFS, MUTTERS] 773 00:34:50,088 --> 00:34:52,655 [BILLY SIGHS] SPENCER: WHY DIDN'T YOU TELL ME 774 00:34:52,699 --> 00:34:55,354 TOLEDO STATE OFFERED YOU COACH DANTE'S JOB? 775 00:34:55,397 --> 00:34:57,573 BECAUSE I DIDN'T WANT TO INFLUENCE YOUR DECISION. 776 00:34:57,617 --> 00:35:00,010 AND IT WOULD HAVE. 777 00:35:00,054 --> 00:35:02,883 COACH, WE COULD HAVE RUN IT BACK FOR FOUR MORE YEARS. 778 00:35:02,926 --> 00:35:06,582 BILLY: HEH HEH HEH! BELIEVE ME, I THOUGHT ABOUT IT, 779 00:35:08,323 --> 00:35:10,934 BUT IT'S, UH, 780 00:35:10,978 --> 00:35:13,807 TIME FOR SPENCER JAMES TO FIND A NEW MENTOR. 781 00:35:13,850 --> 00:35:16,810 MAN, I LEARNED SO MUCH FROM YOU, MAN. 782 00:35:16,853 --> 00:35:20,814 AND YOU'LL CONTINUE TO LEARN, FROM OTHER COACHES. 783 00:35:20,857 --> 00:35:22,859 YOUR CAREER IS JUST BEGINNING. 784 00:35:31,390 --> 00:35:34,436 - IT JUST HIT ME. - WHAT? 785 00:35:35,959 --> 00:35:37,961 THAT'S REALLY IT. 786 00:35:39,485 --> 00:35:42,531 - WE HAD A GOOD RUN, DIDN'T WE? - YEAH. 787 00:35:45,534 --> 00:35:48,146 [SIGHS] 788 00:35:48,189 --> 00:35:51,845 THANK YOU FOR COMING INTO MY LIFE... 789 00:35:53,803 --> 00:35:57,111 FOR EVERYTHING YOU DID FOR ME. 790 00:35:59,331 --> 00:36:02,377 I'LL NEVER FORGET THESE LAST TWO YEARS TOGETHER. 791 00:36:05,946 --> 00:36:07,991 NEITHER WILL I. 792 00:36:11,256 --> 00:36:13,040 [SIGHS] 793 00:36:19,307 --> 00:36:21,570 KIM: YO, SAME THING FROM THE TOP? 794 00:36:21,614 --> 00:36:23,790 ACTUALLY, WE'RE GONNA TRY SOMETHING DIFFERENT. 795 00:36:23,833 --> 00:36:27,228 SO SAME ARRANGEMENT, BUT I WANT YOU TO FREESTYLE 796 00:36:27,272 --> 00:36:29,230 YOUR OWN LYRICS. CAN YOU DO THAT? 797 00:36:29,274 --> 00:36:32,277 OK, LOOK, I'M ALL ABOUT THAT. LET'S GET IT. 798 00:36:32,320 --> 00:36:34,496 BACKGROUND VOCAL: ♪ NO QUESTIONS ASKED 799 00:36:34,540 --> 00:36:36,585 KIM: ♪ LOOK, FEEL BAD FOR MY COMPETITION ♪ 800 00:36:36,629 --> 00:36:38,326 ♪ Y'ALL SHOULDA NEVER LET ME IN THIS ♪ 801 00:36:38,370 --> 00:36:40,067 ♪ BEEN HAVIN' MY DUCKS LINED UP IN A ROW ♪ 802 00:36:40,110 --> 00:36:41,721 ♪ WHEN YOU EVEN KNEW HOW TO GO FISHIN' ♪ 803 00:36:41,764 --> 00:36:43,331 ♪ YEAH, I GOT THAT HEAT LIKE FRICTION ♪ 804 00:36:43,375 --> 00:36:44,985 ♪ AND RESPECT LIKE HILLARY CLINTON ♪ 805 00:36:45,028 --> 00:36:46,900 ♪ AS FAR AS Gs GO, YEAH, I KNOW WHO FAKE ♪ 806 00:36:46,943 --> 00:36:48,075 ♪ YOU DON'T BE PRETENDIN' 807 00:36:48,118 --> 00:36:49,250 ♪ I'M EATIN' CHEESE 808 00:36:49,294 --> 00:36:50,469 ♪ SIPPIN' VINO 809 00:36:50,512 --> 00:36:51,774 ♪ BOUGIE WITH A EGO 810 00:36:51,818 --> 00:36:53,036 ♪ MIGHT HAVE TO CHANGE MY NAME 811 00:36:53,080 --> 00:36:55,038 ♪ TO KIM NITTY BAMBINO 812 00:36:55,082 --> 00:36:58,216 ♪ I AIN'T NEVER HIDIN', Y'ALL KNOW WHERE TO FIND ME ♪ 813 00:36:58,259 --> 00:37:01,915 ♪ THIS GOES OUT TO EVERYBODY TRY THEIR LUCK, DON'T TRY ME ♪ 814 00:37:03,395 --> 00:37:05,353 HEY, CONGRATULATIONS. 815 00:37:05,397 --> 00:37:07,007 BILLY: YES. OLIVIA: HEH HEH! 816 00:37:07,050 --> 00:37:09,836 YOUR BOY BALLED OUT TODAY, AND AGAINST SOME 817 00:37:09,879 --> 00:37:11,838 OF THE BEST ATHLETES IN THE COUNTRY. 818 00:37:11,881 --> 00:37:14,275 I KNOW. I CAUGHT THE SECOND HALF ON TV, AND I SAW JORDAN 819 00:37:14,319 --> 00:37:18,279 GOT INTO THE GAME, TOO. SPENCER: HEY, THAT BOY THREW A DIME FOR 50 YARDS. 820 00:37:18,323 --> 00:37:20,281 BILLY: I THINK HE OPENED UP SOME EYES TODAY. SPENCER: RIGHT. 821 00:37:20,325 --> 00:37:23,371 BILLY: HE OPENED UP SOME EYES. OLIVIA: YEAH. HEH HEH HEH! 822 00:37:23,415 --> 00:37:26,374 YOU HAND IN YOUR ASSIGNMENT? 823 00:37:26,418 --> 00:37:29,029 YEAH. 824 00:37:29,072 --> 00:37:32,032 AND I'M GUESSING YOU AIN'T HEARD NOTHING BACK? 825 00:37:32,075 --> 00:37:34,948 [PATS LEG] I MEAN, I DON'T EXPECT TO. 826 00:37:34,991 --> 00:37:37,429 I MEAN, THEY GAVE ME A VERY CLEAR AND SPECIFIC ASSIGNMENT. 827 00:37:37,472 --> 00:37:39,300 AND SIMONE AND I RUINED IT. 828 00:37:39,344 --> 00:37:41,084 SORTA. [SIGHS] 829 00:37:41,128 --> 00:37:45,306 I'M KIDDING. I GAVE THEM A GREAT STORY, BUT... 830 00:37:45,350 --> 00:37:48,309 I DON'T KNOW. MAYBE FUN AND POPPY JUST ISN'T MY THING, 831 00:37:48,353 --> 00:37:50,442 AND I'M OK WITH THAT. 832 00:37:50,485 --> 00:37:53,358 GOOD. YOU STILL WANT TO WATCH A MOVIE? 833 00:37:53,401 --> 00:37:56,012 SURE. LET'S MAKE SOME POPCORN. 834 00:37:56,056 --> 00:37:58,363 CAN THE MOVIE BE FUN AND POPPY? 835 00:37:58,406 --> 00:38:00,278 - TOO SOON. - SORRY. 836 00:38:00,321 --> 00:38:02,758 MALE SINGER: ♪ CAN YOU GIVE IT ONE DAY? ♪ 837 00:38:02,802 --> 00:38:04,978 JORDAN: DID YOU SEE ME OUT THERE TODAY? ASHER: I SAW. 838 00:38:05,021 --> 00:38:07,197 - WHEN I DUCKED OUT THAT DEFENSIVE END? - I WAS THERE, JORDAN. 839 00:38:07,241 --> 00:38:09,983 - YOU KNOW THAT GUY'S GOING TO FLORIDA STATE, RIGHT? - GOOD SCHOOL. 840 00:38:10,026 --> 00:38:13,073 I MEAN, I WAS JUST AS GOOD AS EVERYONE ELSE ON THAT FIELD TODAY. 841 00:38:13,116 --> 00:38:16,206 DUDE, IT'S OBVIOUS THAT YOU'RE JUST AS GOOD AS ANY PLAYER OUT THERE ON THE FIELD. 842 00:38:16,250 --> 00:38:21,211 THANK YOU, BUT, I MEAN, THEY'RE ALL GOING POWER-5 D1, AND I'M GOING JUCO. 843 00:38:21,255 --> 00:38:23,213 OK... 844 00:38:23,257 --> 00:38:25,607 AND SO DID AARON RODGERS. HE TURNED OUT ALL RIGHT. 845 00:38:25,651 --> 00:38:27,609 - REALLY? - YEAH. 846 00:38:27,653 --> 00:38:29,872 YOU KNOW, HE PLAYED JUCO FOR ONE YEAR, AND HE SHOWED EVERYBODY 847 00:38:29,916 --> 00:38:32,092 HOW UNSTOPPABLE HE WAS. 848 00:38:32,135 --> 00:38:34,834 AFTER THAT, HE PRETTY MUCH GOT TO PICK WHATEVER SCHOOL HE WANTED. 849 00:38:34,877 --> 00:38:36,836 I CAN DO THAT. 850 00:38:36,879 --> 00:38:39,055 ONE YEAR, BALL OUT, 851 00:38:39,099 --> 00:38:42,058 SHOW EVERYONE WHAT I'M CAPABLE OF. I MEAN... 852 00:38:42,102 --> 00:38:46,062 HEH! TODAY, I CHANGED THE WAY I VIEW MYSELF. 853 00:38:46,106 --> 00:38:48,064 NEXT YEAR, I'M GONNA CHANGE THE WAY 854 00:38:48,108 --> 00:38:50,937 EVERYONE ELSE SEES ME. I GUARANTEE YOU. 855 00:38:50,980 --> 00:38:53,461 [MOURNFUL MUSIC PLAYING] 856 00:38:53,505 --> 00:38:56,116 OLIVIA: I THOUGHT THIS WAS SUPPOSED TO BE FUNNY. 857 00:38:56,159 --> 00:38:59,337 IT WAS IN THE COMEDY SECTION, BUT, UH, IT DEFINITELY 858 00:38:59,380 --> 00:39:02,340 TOOK A TURN, KIND OF LIKE YOUR ASSIGNMENT. 859 00:39:02,383 --> 00:39:03,950 REALLY? 860 00:39:03,993 --> 00:39:05,560 OH, I THOUGHT WE WERE STILL DOING 861 00:39:05,604 --> 00:39:07,214 THE BACK-AND-FORTH JOKE THING. 862 00:39:07,257 --> 00:39:09,390 OH, NO, NO, NO, THAT-- THAT TIME HAS PASSED. 863 00:39:09,434 --> 00:39:12,132 [CELL PHONE VIBRATING] SPENCER: OH, PHONE. 864 00:39:14,439 --> 00:39:17,050 OH, MY GOD. IT'S THE EDITOR. 865 00:39:17,093 --> 00:39:20,053 HEY. [TURNS OFF TV] 866 00:39:20,096 --> 00:39:22,055 AHEM. 867 00:39:22,098 --> 00:39:24,057 HELLO? 868 00:39:24,100 --> 00:39:25,667 HI. 869 00:39:25,711 --> 00:39:28,757 YEAH--NO, NO, IT'S NOT TOO LATE. 870 00:39:31,369 --> 00:39:34,328 [SIGHS] YES, I--I KNOW IT... [CHUCKLES NERVOUSLY] 871 00:39:34,372 --> 00:39:37,331 WASN'T WHAT YOU ASKED FOR. UM, IT JUST... 872 00:39:37,375 --> 00:39:40,378 KINDA TOOK ON A LIFE OF ITS OWN. [PATS LEG] 873 00:39:42,380 --> 00:39:46,993 YEAH, I UNDERSTAND. YOU FOUND SOMEONE? THAT'S...GREAT. 874 00:39:47,036 --> 00:39:50,213 UM...LISTEN, UM, 875 00:39:50,257 --> 00:39:53,434 I'M--I'M SORRY THAT I COULDN'T DELIVER WHAT-- WHAT YOU WANTED. 876 00:39:53,478 --> 00:39:55,784 I JUST... 877 00:39:55,828 --> 00:39:57,482 OH. 878 00:39:59,484 --> 00:40:01,442 UH, OK. 879 00:40:01,486 --> 00:40:03,270 THANK YOU. 880 00:40:03,313 --> 00:40:05,968 [CHUCKLES] OK. OK, BYE. 881 00:40:13,149 --> 00:40:16,109 I KNOW YOU'RE NOT ABOUT TO LEAVE ME HANGING RIGHT NOW. 882 00:40:16,152 --> 00:40:18,720 - I GOT IT. HA HA! - YOU GOT IT? 883 00:40:18,764 --> 00:40:20,853 [LAUGHING] 884 00:40:20,896 --> 00:40:23,856 SHE SAID THAT THEY FOUND A FUN AND POPPY WRITER, 885 00:40:23,899 --> 00:40:26,467 BUT THEY LOVED WHAT I SENT THEM, 886 00:40:26,511 --> 00:40:29,862 AND THERE'S ALWAYS A PLACE FOR GREAT STORIES LIKE THAT IN THEIR PUBLICATION. 887 00:40:29,905 --> 00:40:32,299 SPENCER: YEAH, THERE IS. MALE SINGER: ♪ DOING MY BEST 888 00:40:32,342 --> 00:40:35,258 - [GIGGLES] - ♪ NOW I'M HOLDING ON, I'M UP IN THE AIR ♪ 889 00:40:35,302 --> 00:40:39,262 ♪ NOBODY CARES, ALL OF THESE CHANGES... ♪ [CELL PHONE VIBRATING] 890 00:40:39,306 --> 00:40:41,264 BILLY: HMM. 891 00:40:41,308 --> 00:40:43,702 THIS IS BILLY BAKER. 892 00:40:43,745 --> 00:40:45,878 HUDSON: BILLY, LARRY HUDSON. 893 00:40:45,921 --> 00:40:48,315 UH, COACH HUDSON, UM, 894 00:40:48,358 --> 00:40:50,926 HEY, SO I HEARD ABOUT, 895 00:40:50,970 --> 00:40:53,929 UH, SPENCER DECOMMITTING, AND, UM-- 896 00:40:53,973 --> 00:40:56,366 ACTUALLY, THAT'S WHY I'M CALLING YOU. 897 00:40:56,410 --> 00:40:59,500 SPENCER CAN EITHER HEAR THIS FROM ME OR FROM YOU. YOU DECIDE. 898 00:40:59,544 --> 00:41:01,676 - HEAR WHAT? - WE PASSED ON A LOT OF TOP PLAYERS 899 00:41:01,720 --> 00:41:03,896 AT SPENCER'S POSITION WHEN HE SIGNED WITH US. 900 00:41:03,939 --> 00:41:06,725 THEY ARE OBVIOUSLY NOT AVAILABLE ANYMORE. 901 00:41:06,768 --> 00:41:10,511 THIS LEAVES US IN A VERY DIFFICULT SITUATION. 902 00:41:10,555 --> 00:41:12,774 OK, WHAT ARE-- WHAT ARE YOU SAYING? 903 00:41:12,818 --> 00:41:16,256 WE'RE NOT GONNA LET SPENCER OUT OF HIS BINDING LETTER OF INTENT. 904 00:41:16,299 --> 00:41:18,650 - WELL, YOU CAN'T DO THAT. - IT'S DONE. 905 00:41:18,693 --> 00:41:21,653 WE EXPECT SPENCER TO HONOR THE COMMITMENT TO US, WHICH MEANS HE 906 00:41:21,696 --> 00:41:24,873 CAN COME TO TOLEDO STATE, HAVE A GREAT CAREER, 907 00:41:24,917 --> 00:41:28,094 OR HE GOES SOMEWHERE ELSE, HE'LL BE INELIGIBLE 908 00:41:28,137 --> 00:41:30,313 TO PLAY FOOTBALL HIS ENTIRE FRESHMAN YEAR. 909 00:41:30,357 --> 00:41:32,402 [HANGS UP PHONE] 910 00:41:34,492 --> 00:41:37,930 SINGER: ♪ GOT TO WASH IT ALL AWAY NOW AND LET IT GO ♪ 911 00:41:37,973 --> 00:41:39,540 [VOCALIZING] 912 00:41:39,584 --> 00:41:41,542 [OLIVIA LAUGHING] 913 00:41:41,586 --> 00:41:45,241 SINGER: ♪ I CAN'T LIVE LIKE THIS NO MORE ♪ 914 00:42:15,968 --> 00:42:17,491 MAN: GREG, MOVE YOUR HEAD!