1 00:00:04,630 --> 00:00:09,760 [CHEERING] 2 00:00:09,760 --> 00:00:13,138 HEY, BRINGSTON UNIVERSITY, Y'ALL, MAKE SOME NOISE! 3 00:00:13,138 --> 00:00:16,225 [LOUDER CHEERING] 4 00:00:16,225 --> 00:00:18,268 UH! LET'S GO. 5 00:00:18,268 --> 00:00:19,853 WHOA, WHOA, WHOA, UH! 6 00:00:19,853 --> 00:00:21,939 ♪ SWEET LORD, PLEASE HAVE MERCY ♪ 7 00:00:21,939 --> 00:00:23,941 ♪ BABY JESUS, PLEASE SAVE US ♪ 8 00:00:23,941 --> 00:00:25,609 ♪ I KNOW I USED UP MY THREE FAVORS ♪ 9 00:00:25,609 --> 00:00:26,944 ♪ BACK TO SINNING, LIKE, A WEEK LATER ♪ 10 00:00:26,944 --> 00:00:28,987 ♪ NEW CAR, SPEED RACER ♪ 11 00:00:28,987 --> 00:00:30,906 ♪ COP A CRIB, NEED ACRES ♪ 12 00:00:30,906 --> 00:00:32,324 ♪ MOST OF ALL, WE ALL NEED PRAYER ♪ 13 00:00:32,324 --> 00:00:33,659 ♪ KARMA COMING, BEWARE... ♪ 14 00:00:33,659 --> 00:00:36,036 WOW. I BET PRINCETON 15 00:00:36,036 --> 00:00:37,120 ISN'T DOING ALL THIS FOR THEIR HOMECOMING. 16 00:00:37,120 --> 00:00:39,206 PRINCETON WHO? 17 00:00:39,206 --> 00:00:40,707 SPENCER: EXACTLY. LOOK, IF THEY 18 00:00:40,707 --> 00:00:43,126 TOO WACK TO ACCEPT YOU, FORGET THEM. 19 00:00:43,126 --> 00:00:45,128 LOOK, GUYS, I THOUGHT THE WHOLE POINT OF THIS TRIP WAS 20 00:00:45,128 --> 00:00:47,381 TO HELP CHEER ME UP AND TAKE MY MIND OFF THAT SCHOOL. 21 00:00:47,381 --> 00:00:49,925 OLIVIA: WELL, YEAH, AND TO SCOPE OUT THE HBCU EXPERIENCE. 22 00:00:49,925 --> 00:00:52,302 JORDAN: YOU'RE THE ONLY ONE WITH HBCUs ON YOUR LIST, LIV. 23 00:00:52,302 --> 00:00:55,055 WELL, AT LEAST SHE HAS A LIST. I AIN'T GOT NADA. 24 00:00:55,055 --> 00:00:57,516 ALL RIGHT. OK. STOP THE COLLEGE TALK, ALL RIGHT? 25 00:00:57,516 --> 00:00:59,810 THIS WEEKEND IS ABOUT VISITING YOUR AUNT 26 00:00:59,810 --> 00:01:00,769 AND HAVING SOME G.A.F. AM I RIGHT? GROWN-ASS FUN. 27 00:01:00,769 --> 00:01:03,021 COME ON, GUYS. 28 00:01:03,021 --> 00:01:04,481 [CHUCKLES] HOLD UP. HOLD UP. 29 00:01:04,481 --> 00:01:06,149 IS THAT REALLY CORDAE ON THE STAGE? 30 00:01:06,149 --> 00:01:07,359 CORDAE: ♪ ALL GAS AND THE BRAKE'S SLOWER ♪ 31 00:01:07,359 --> 00:01:09,361 ♪ TOOK A TRIP OUT TO TOKYO ♪ 32 00:01:09,361 --> 00:01:10,654 ♪ NOW I'M HERE IN PARIS FOR THE LAYOVER... ♪ 33 00:01:10,654 --> 00:01:13,073 SIMONE: ALL RIGHT, Y'ALL. 34 00:01:13,073 --> 00:01:14,116 WELCOME TO BRINGSTON UNIVERSITY. 35 00:01:14,116 --> 00:01:17,286 IT'S TIME TO TURN UP. 36 00:01:17,286 --> 00:01:19,204 CORDAE: ♪ LIFE WILL HIT YOU WITH A LIGHT JAB ♪ 37 00:01:19,204 --> 00:01:21,039 ♪ MIKE TYSON, STRIKE BACK ♪ 38 00:01:21,039 --> 00:01:22,791 ♪ YOU GO ON NOW, SLIGHT SAD ♪ 39 00:01:22,791 --> 00:01:24,251 ♪ KNOW I'M ALL ABOUT MY BAG ♪ 40 00:01:24,251 --> 00:01:26,378 ♪ NEW DRIP, I GRAB ♪ 41 00:01:26,378 --> 00:01:28,172 ♪ I JUST WANNA GET MY LIFE BACK ♪ 42 00:01:28,172 --> 00:01:29,464 IT'S JUST LIKE IN ANY OTHER SPACE. 43 00:01:31,842 --> 00:01:35,304 AS BLACK JOURNALISTS, 44 00:01:35,304 --> 00:01:36,680 YOU WILL BE HELD TO A HIGHER STANDARD. 45 00:01:36,680 --> 00:01:38,015 THERE'S A LARGER, UNREALISTIC BURDEN 46 00:01:38,015 --> 00:01:40,851 ON BLACK JOURNALISTS. 47 00:01:40,851 --> 00:01:42,561 AND IF YOU TAKE SOMEONE LIKE ME, WHO LIES IN THE INTERSECTION 48 00:01:42,561 --> 00:01:45,689 OF JOURNALISM AND ACTIVISM, THAT BURDEN IS EVEN GREATER. 49 00:01:45,689 --> 00:01:48,650 OLIVIA: IS THAT YOUR AUNT? PROFESSOR: KEISHA? 50 00:01:48,650 --> 00:01:50,194 KEISHA: SO HOW CAN YOU MAINTAIN JOURNALISTIC OBJECTIVITY? 51 00:01:50,194 --> 00:01:52,529 STUDENT: THE SAME WAY WHITE REPORTERS DO. 52 00:01:52,529 --> 00:01:54,448 KEISHA: EXCEPT, DO THEY? 53 00:01:54,448 --> 00:01:56,325 JUST BECAUSE THE VIEWS OF WHITENESS ARE NORMALIZED 54 00:01:56,325 --> 00:01:57,159 TO BE THE OBJECTIVE NEUTRAL DOESN'T MEAN THAT THEY ACTUALLY ARE. 55 00:01:57,159 --> 00:01:59,870 ALL RIGHT. 56 00:01:59,870 --> 00:02:00,871 FORGET ABOUT JOURNALISTIC OBJECTIVITY, KEISHA. 57 00:02:00,871 --> 00:02:03,957 I INSTEAD BELIEVE IN BEING 58 00:02:03,957 --> 00:02:05,584 ETHICAL, FAIR, AND TELLING THE TRUTH. 59 00:02:05,584 --> 00:02:07,211 THERE'S A DIFFERENCE. 60 00:02:07,211 --> 00:02:08,629 AND AS FOR ETHICS, MY PHILOSOPHY IS 61 00:02:08,629 --> 00:02:10,297 IF IT DOESN'T CROSS YOUR LINE IN THE SAND, 62 00:02:10,297 --> 00:02:12,841 THERE IS NO SHAME IN WALKING AWAY. 63 00:02:12,841 --> 00:02:16,011 BUT IF IT DOES, YOU PURSUE IT 64 00:02:16,011 --> 00:02:17,930 UNTIL YOU HAVE IT RIGHT, AND THEN BRING IT ALL TO THE LIGHT. 65 00:02:17,930 --> 00:02:22,768 OK. YAS, POETRY! 66 00:02:22,768 --> 00:02:25,729 [LAUGHTER, STUDENTS SNAPPING FINGERS] 67 00:02:25,729 --> 00:02:26,897 PROFESSOR: ALL RIGHT. SEE YOU ALL TUESDAY. 68 00:02:26,897 --> 00:02:28,732 KEISHA, YOU'RE A MESS. 69 00:02:28,732 --> 00:02:33,111 HOOTIE HOO! HA HA! 70 00:02:33,111 --> 00:02:36,073 HI, AUNTIE. 71 00:02:36,073 --> 00:02:38,158 OH, MY BABY GIRL. 72 00:02:38,158 --> 00:02:39,868 I CAN'T BELIEVE YOU'RE REALLY HERE. HA HA! 73 00:02:39,868 --> 00:02:42,162 I KNOW. 74 00:02:42,162 --> 00:02:44,623 OLIVIA, WHICH MAKES YOU SPENCER. 75 00:02:44,623 --> 00:02:47,334 AND YOU MUST BE NEPHEW-IN-LAW. 76 00:02:47,334 --> 00:02:50,170 SOMETHING LIKE THAT. 77 00:02:50,170 --> 00:02:51,880 UH, BY THE WAY, THANK YOU SO MUCH 78 00:02:51,880 --> 00:02:53,131 FOR LETTING US STAY THIS WEEKEND, MS. PATTERSON. 79 00:02:53,131 --> 00:02:54,508 DEAR GOD. CALL ME AMARA. 80 00:02:54,508 --> 00:02:55,884 I AM NOT THAT OLD. 81 00:02:55,884 --> 00:02:58,178 SO WHAT YOU GOT GOING ON? 82 00:02:58,178 --> 00:02:59,346 WHAT DO YOU MEAN? TEACHING. 83 00:02:59,346 --> 00:03:01,431 YOU ARE NEVER JUST TEACHING. 84 00:03:01,431 --> 00:03:02,933 I KNOW YOU GOT SOME AMAZING ARTICLE BREWING 85 00:03:02,933 --> 00:03:05,310 SOMEWHERE UP IN THERE. 86 00:03:05,310 --> 00:03:07,020 I'M STILL PUTTING THE PIECES TOGETHER. 87 00:03:07,020 --> 00:03:09,606 IN THE MEANTIME, IT'S HOMECOMING. 88 00:03:09,606 --> 00:03:10,732 YEAH, Y'ALL SEEM TO TAKE THAT REAL SERIOUS OUT HERE. 89 00:03:10,732 --> 00:03:12,860 OH, HONEY, YOU HAVE NO IDEA. 90 00:03:12,860 --> 00:03:15,028 KEISHA HAS OFFERED TO BE 91 00:03:15,028 --> 00:03:16,738 YOUR UNOFFICIAL AMBASSADOR FOR THE WEEKEND. 92 00:03:16,738 --> 00:03:18,365 SO LEAVE YOUR BAGS WITH ME. HAVE SOME FUN. 93 00:03:18,365 --> 00:03:20,033 I'LL CATCH YOU LATER. 94 00:03:20,033 --> 00:03:21,785 WAIT. ARE YOU SURE? 95 00:03:21,785 --> 00:03:23,453 GIRL, DON'T ASK TWICE. 96 00:03:23,453 --> 00:03:24,913 ♪ I MADE THE LONG CLIMB FOR THE FIRST TIME ♪ 97 00:03:24,913 --> 00:03:27,916 ♪ I'M ON TOP FOR THE THIRD TIME... ♪ 98 00:03:27,916 --> 00:03:28,876 KEISHA: YOU MADE IT JUST IN TIME FOR THE BEST PART OF HOMECOMING. 99 00:03:28,876 --> 00:03:33,505 OLIVIA: WHAT'S THAT? 100 00:03:33,505 --> 00:03:34,965 TONIGHT'S FASHION SHOW, CHOREOGRAPHED BY MOI. 101 00:03:34,965 --> 00:03:36,884 OH. SO YOU'RE A JOURNALISM -MAJOR/ -CHOREOGRAPHER? 102 00:03:36,884 --> 00:03:41,597 PREMED, ACTUALLY, 103 00:03:41,597 --> 00:03:42,181 AND PROUD CAPTAIN OF THE UNDEFEATED BRINGSTON DANCE SQUAD. 104 00:03:42,181 --> 00:03:46,852 HEY. 105 00:03:46,852 --> 00:03:47,769 WHAT ARE YOU THINKING ABOUT APPLYING HERE FOR? 106 00:03:47,769 --> 00:03:49,229 OH, NO, I'M NOT APPLYING HERE. 107 00:03:49,229 --> 00:03:50,314 I'M JUST VISITING WITH MY FAMILY. 108 00:03:50,314 --> 00:03:51,815 MORE LIKE HIDING FROM FAMILY. 109 00:03:51,815 --> 00:03:53,275 SIMONE'S MOM IS, LIKE, A LOT. 110 00:03:53,275 --> 00:03:54,902 KEISHA: SO WHERE ARE YOU APPLYING? 111 00:03:54,902 --> 00:03:57,070 HONESTLY, I DON'T KNOW. 112 00:03:57,070 --> 00:03:59,323 GIRL, TICK-TOCK. 113 00:03:59,323 --> 00:04:00,407 YOU'RE KIND OF RUNNING OUT OF TIME. 114 00:04:00,407 --> 00:04:01,742 WHAT'S YOUR THING? 115 00:04:01,742 --> 00:04:03,327 TENNIS. 116 00:04:03,327 --> 00:04:04,745 -TENNIS. -MM-HMM. 117 00:04:04,745 --> 00:04:05,996 -OK. YOU ANY GOOD? -YEAH. 118 00:04:05,996 --> 00:04:08,916 KEISHA: OK. SIMONE: I AM. 119 00:04:08,916 --> 00:04:10,042 YO, IS EVERYONE IN ATLANTA HERE THIS WEEKEND? 120 00:04:10,042 --> 00:04:13,086 THIS IS BANANAS. 121 00:04:13,086 --> 00:04:14,922 GIRL, HBCUs ARE HOT RIGHT NOW, 122 00:04:14,922 --> 00:04:17,257 ESPECIALLY WITH 3 OF OUR GRADS OUT HERE 123 00:04:17,257 --> 00:04:19,009 SAVING THE COUNTRY FROM ITSELF. 124 00:04:19,009 --> 00:04:20,886 THANK YOU, MADAM V.P. 125 00:04:20,886 --> 00:04:22,596 AND THANK YOU, 126 00:04:22,596 --> 00:04:23,931 MS. STACEY "NOBEL PEACE PRIZE NOMINEE" ABRAMS. 127 00:04:23,931 --> 00:04:27,893 HEY. I LIKE THE WAY YOU SAY THAT. 128 00:04:27,893 --> 00:04:30,229 WAIT. WHO'S THE THIRD ONE, THOUGH? 129 00:04:30,229 --> 00:04:31,313 BOTH: MAYOR KEISHA LANCE BOTTOMS. 130 00:04:32,606 --> 00:04:33,899 OK, SO WHAT'S THE REAL ON THE TWO SEXIES BEHIND US? 131 00:04:37,569 --> 00:04:42,741 WELL, ONE OF THEM IS MY HUSBAND. 132 00:04:42,741 --> 00:04:44,576 HUSBAND? OK, WELL, THAT'S A STORY THAT I NEED TO HEAR, 133 00:04:44,576 --> 00:04:47,913 BUT PLEASE TELL ME IT'S NOT THE DARK CHOCOLATE ONE. 134 00:04:47,913 --> 00:04:50,791 OH, NO. SPENCER IS ALL LIV'S. 135 00:04:50,791 --> 00:04:52,709 UM, NO. SPENCER AND I ARE NOT TOGETHER. 136 00:04:52,709 --> 00:04:56,880 WE'RE JUST FRIENDS. 137 00:04:56,880 --> 00:04:58,131 WELL, THEN, HEH, YAY, ME. 138 00:04:58,131 --> 00:05:01,260 ["WOBBLE" BY V.I.C. PLAYING] 139 00:05:01,260 --> 00:05:02,719 KEISHA: ALL RIGHT. SO, UM, WHO'S HUNGRY? 140 00:05:02,719 --> 00:05:04,179 ♪ WOBBLE, BABY, WOBBLE, BABY, WOBBLE ♪ 141 00:05:04,179 --> 00:05:06,098 ♪ YEAH... ♪ 142 00:05:06,098 --> 00:05:06,974 ♪ WOBBLE, BABY, WOBBLE, BABY, WOBBLE ♪ 143 00:05:06,974 --> 00:05:09,226 ♪ YEAH... ♪ 144 00:05:09,226 --> 00:05:10,102 ♪ WOBBLE, BABY, WOBBLE, BABY, WOBBLE... ♪ 145 00:05:10,102 --> 00:05:11,436 ♪ YEAH... ♪ 146 00:05:11,436 --> 00:05:13,146 ♪ GET IN THERE! ♪ 147 00:05:13,146 --> 00:05:14,565 ♪ YEAH, YEAH ♪ 148 00:05:14,565 --> 00:05:15,774 ♪ GET IN THERE ♪ 149 00:05:15,774 --> 00:05:17,025 ♪ YEAH, YEAH ♪ 150 00:05:17,025 --> 00:05:18,193 ♪ GET IN THERE... ♪ 151 00:05:18,193 --> 00:05:20,445 ♪ YEAH, YEAH... ♪ 152 00:05:20,445 --> 00:05:21,196 ALL RIGHT. SO WHO GONNA WOBBLE WITH ME? 153 00:05:21,196 --> 00:05:25,158 OH, I'M GOOD. 154 00:05:25,158 --> 00:05:26,952 I'M NOT REALLY IN A GROUP DANCE KIND OF MOOD. 155 00:05:26,952 --> 00:05:28,871 WHATEVER DRAMA YOU GOT BACK HOME, FORGET ABOUT IT. 156 00:05:28,871 --> 00:05:31,164 JUST FOR THE WEEKEND, GIVE IN TO THE FUN 157 00:05:31,164 --> 00:05:34,042 OF A BEAUTIFULLYMELANATED HBCU EXPERIENCE. 158 00:05:34,042 --> 00:05:37,713 ALL RIGHT. SO I'M GONNA BE REAL MAD 159 00:05:37,713 --> 00:05:38,505 IF WE DON'T GET OUT THERE BEFORE MY SONG ENDS, SO... 160 00:05:38,505 --> 00:05:40,883 WELL, I'LL COME. 161 00:05:40,883 --> 00:05:42,634 NEXT SONG, I PROMISE. 162 00:05:42,634 --> 00:05:45,637 OK? 163 00:05:45,637 --> 00:05:47,097 ♪ GET IN THERE! ♪ 164 00:05:47,097 --> 00:05:49,349 ♪ YEAH, YEAH ♪ 165 00:05:49,349 --> 00:05:50,184 ♪ HEY, BIG GIRL, MAKE 'EM BACK IT UP ♪ 166 00:05:50,184 --> 00:05:52,227 ♪ YEAH... ♪ 167 00:05:52,227 --> 00:05:53,729 ♪ MAKE 'EM BACK IT UP ♪ 168 00:05:53,729 --> 00:05:55,397 [STUDENTS CHEERING, OLIVIA LAUGHING] 169 00:05:55,397 --> 00:05:58,275 ♪ MAKE 'EM BACK IT UP... ♪ 170 00:05:58,275 --> 00:06:01,278 [DEADPAN] GIVING IN TO THE FUN. 171 00:06:01,278 --> 00:06:04,531 ♪ MAKE 'EM BACK IT UP ♪ 172 00:06:04,531 --> 00:06:05,407 ♪ HEY, BIG GIRL, MAKE 'EM BACK IT UP ♪ 173 00:06:05,407 --> 00:06:08,327 ♪ YEAH... ♪ 174 00:06:08,327 --> 00:06:09,953 [ECHOING] ♪ MAKE 'EM BACK IT UP ♪ 175 00:06:09,953 --> 00:06:11,038 ♪ GIRL, WOBBLE IT, AND I'MMA GOBBLE IT... ♪ 176 00:06:11,038 --> 00:06:13,999 YO, CAN YOU NOT? 177 00:06:13,999 --> 00:06:16,084 ARE YOU CRAZY?! 178 00:06:16,084 --> 00:06:18,587 LOOK, LOOK. I'M JUST NOT TRYING TO DO 179 00:06:18,587 --> 00:06:19,713 THE WHOLE PICTURE THING THIS WEEKEND, ALL RIGHT? 180 00:06:19,713 --> 00:06:21,590 LOOK, I JUST WANT SOME PRIVACY. 181 00:06:21,590 --> 00:06:23,342 WAIT. I DON'T KNOW WHO YOU ARE, NOR DO I CARE. 182 00:06:23,342 --> 00:06:24,843 I WAS TAKING A VIDEO OF MY FRIENDS DANCING BEHIND YOU. 183 00:06:24,843 --> 00:06:27,387 [CHUCKLES] OH. OH, MY BAD. 184 00:06:29,306 --> 00:06:31,975 YOUR BAD? ARE YOU SERIOUS? 185 00:06:31,975 --> 00:06:34,353 IF YOU EVER TOUCH ME OR MY PROPERTY AGAIN, I-- 186 00:06:34,353 --> 00:06:38,273 WHY ARE YOU AMUSED RIGHT NOW? 187 00:06:38,273 --> 00:06:39,733 I'M SORRY. LOOK, UH, PLEASE CONTINUE. 188 00:06:39,733 --> 00:06:42,653 OH. SO YOU THINK YOU'RE CUTE. 189 00:06:42,653 --> 00:06:44,696 OK, WELL, UH, LET'S SEE HOW FUNNY YOU THINK THIS IS 190 00:06:44,696 --> 00:06:46,240 WHEN YOU GO VIRAL FOR GETTING YOUR ASS HANDED TO YOU BY A WOMAN. 191 00:06:46,240 --> 00:06:49,284 JORDAN: HEY, EVERYTHING GOOD, BABE? 192 00:06:49,284 --> 00:06:50,994 SIMONE: YEAH. JORDAN: YOU SURE? 193 00:06:50,994 --> 00:06:54,039 YEAH. MAN. JUST A, UH-- 194 00:06:54,039 --> 00:06:54,957 JUST A LITTLE MISUNDERSTANDING. 195 00:06:56,500 --> 00:06:57,668 FORGET HIM. 196 00:07:01,338 --> 00:07:02,172 ♪ BIG GIRL, MAKE 'EM BACK IT UP ♪ 197 00:07:02,172 --> 00:07:03,757 ♪ YEAH ♪ 198 00:07:03,757 --> 00:07:05,259 ♪ MAKE 'EM BACK IT UP ♪ 199 00:07:05,259 --> 00:07:06,176 ♪ HEY, BIG GIRL, MAKE 'EM BACK IT UP ♪ 200 00:07:06,176 --> 00:07:08,595 ♪ YEAH... ♪ 201 00:07:08,595 --> 00:07:09,429 [ECHOING] ♪ MAKE 'EM BACK IT UP ♪ 202 00:07:09,429 --> 00:07:13,934 MAN: WHOO! 203 00:07:13,934 --> 00:07:15,686 MAN 2: YOU KNOW, IF YOU REALLY DON'T WANT FOLKS TO KNOW YOU'RE HERE THIS WEEKEND, THIS IS THE LAST PLACE YOU SHOULD BE. 204 00:07:15,686 --> 00:07:18,313 I JUST WANTED TO SEE THE FIELD 205 00:07:18,313 --> 00:07:20,023 WHERE HANK DAWSON BROKE THE RECORD FOR STOLEN BASES. 206 00:07:20,023 --> 00:07:20,816 MM! GREATEST TO EVER DO IT IN THE NEGRO LEAGUE. 207 00:07:20,816 --> 00:07:24,862 YEAH. 208 00:07:24,862 --> 00:07:26,738 YOU ALL RIGHT? 209 00:07:26,738 --> 00:07:27,906 YEAH, MAN. I'M COOL. 210 00:07:30,158 --> 00:07:32,035 JUST WISH I COULD'VE MET HIM. 211 00:07:32,035 --> 00:07:34,538 SO WHAT'S IT LIKE TO PLAY FOR THE GREAT LEONARD SHAW? 212 00:07:34,538 --> 00:07:38,000 CRAZY INTIMIDATING. 213 00:07:38,000 --> 00:07:39,585 THEY KEEP ME ON THE BENCH MOST OF THE TIME, THOUGH. 214 00:07:39,585 --> 00:07:41,003 MAN, YOUR TIME WILL COME. 215 00:07:41,003 --> 00:07:43,589 ALL RIGHT? 216 00:07:43,589 --> 00:07:45,924 YOU SEE YOURSELF COMING TO SCHOOL IN THE SOUTH? 217 00:07:45,924 --> 00:07:47,718 COME ON, MAN. THE DREAM'S TO PLAY IN CALI. 218 00:07:47,718 --> 00:07:51,013 WHAT IF SIMONE DON'T WANT TO STAY IN CALI? 219 00:07:51,013 --> 00:07:52,723 SHE DOES, OK, NOW THAT PRINCETON'S OFF THE TABLE, 220 00:07:52,723 --> 00:07:55,809 SO EVERYTHING'S GONNA BE A-OK. 221 00:07:55,809 --> 00:07:58,270 SPENCER: I KNEW IT. I KNEW THAT CAT LOOKED FAMILIAR. 222 00:07:58,270 --> 00:08:01,607 WHO IS HE? 223 00:08:01,607 --> 00:08:04,026 DAMON SIMS. 224 00:08:04,026 --> 00:08:05,861 HE ONE OF THE TOP RECRUITS IN THE COUNTRY. 225 00:08:05,861 --> 00:08:07,196 THAT BOY'S A SURE THING TO GO FIRST ROUND TO THE MLB 226 00:08:07,196 --> 00:08:09,489 STRAIGHT OUT OF HIGH SCHOOL THIS YEAR. 227 00:08:09,489 --> 00:08:11,909 MLB. THEN, WELL, WHY IS HE HERE 228 00:08:11,909 --> 00:08:13,785 CHECKING OUT BRINGSTON'S BASEBALL PROGRAM, 229 00:08:13,785 --> 00:08:15,537 TRYING TO BE ALL INCOGNITO? 230 00:08:15,537 --> 00:08:17,039 I'M GONNA CATCH YOU AFTER PRACTICE. 231 00:08:17,039 --> 00:08:18,498 -HEY, YO, IS THAT DAMON SIMS? -WHAT? 232 00:08:20,667 --> 00:08:23,629 MAN: HEY, GUYS, CHECK IT OUT. DAMON SIMS IS HERE. 233 00:08:23,629 --> 00:08:26,173 I TOLD YOU. 234 00:08:28,842 --> 00:08:33,555 OLIVIA: WHO KNEW THERE WAS 235 00:08:33,555 --> 00:08:34,806 A WHOLE MINI-WIMBLEDON GOING ON BACK HERE? 236 00:08:34,806 --> 00:08:36,725 KEISHA: THEA'S PARENTS INSIST 237 00:08:36,725 --> 00:08:37,768 ON NOTHING BUT THE BEST FOR THEIR BABY GIRL. 238 00:08:37,768 --> 00:08:40,395 THEY ARE MAJOR DONORS. 239 00:08:40,395 --> 00:08:43,148 SIMONE: DAMN. SHE IS RIDICULOUS. 240 00:08:43,148 --> 00:08:45,317 DO YOU SEE HOW AGGRESSIVE SHE IS FROM THE BASELINE? 241 00:08:45,317 --> 00:08:47,361 OLIVIA: OK, CALM DOWN. SHE'S NOT BEYONCÉ 242 00:08:47,361 --> 00:08:49,321 KEISHA: CAME UP ON THE JUNIOR CIRCUIT, 243 00:08:49,321 --> 00:08:51,114 AND THE 2020 NATIONAL WOMEN'S HBCU CHAMPION. 244 00:08:51,114 --> 00:08:52,741 SO, YEAH, SHE'S KIND OF OUR QUEEN BEY, 245 00:08:52,741 --> 00:08:54,618 JUST NOT AS NICE. 246 00:08:54,618 --> 00:08:56,537 [GROANS] 247 00:08:56,537 --> 00:08:59,122 ARE YOU GUYS DONE? 248 00:08:59,122 --> 00:09:00,499 LIKE, IS THERE ANYWHERE ELSE 249 00:09:00,499 --> 00:09:01,625 YOU CAN HANG OUT AND BE DISRUPTIVE? 250 00:09:01,625 --> 00:09:03,001 OR IT HAS TO BE HERE? 251 00:09:03,001 --> 00:09:06,171 OH, UH, SORRY. 252 00:09:06,171 --> 00:09:08,882 WE, LIKE, WEREN'T TRYING TO DISTRACT YOU OR ANYTHING. AND YET HERE YOU ARE EVEN CLOSER. 253 00:09:08,882 --> 00:09:10,968 OH. UH, I'M TRYING TO GIVE YOU A COMPLIMENT, 254 00:09:10,968 --> 00:09:14,721 BUT I GUESS I'LL JUST MIND MY BUSINESS. 255 00:09:14,721 --> 00:09:17,891 -YOU PLAY? -EXCUSE ME? 256 00:09:17,891 --> 00:09:20,769 OH, YEAH. I CAME UP JUNIOR CIRCUIT LIKE YOU. 257 00:09:20,769 --> 00:09:23,689 OH, LIKE ME? LET'S SEE WHAT YOU GOT. 258 00:09:23,689 --> 00:09:25,774 YOU CAN HELP WARM ME UP. 259 00:09:25,774 --> 00:09:27,818 BECCA. 260 00:09:27,818 --> 00:09:29,486 WAIT. YOU MEAN, LIKE, RIGHT NOW? 261 00:09:29,486 --> 00:09:31,780 OH, YEAH. UH, OK, COOL. 262 00:09:34,533 --> 00:09:35,117 ALL RIGHT. GOOD LUCK THIS SEASON, Y'ALL. 263 00:09:38,912 --> 00:09:41,248 HEY, HOW ABOUT IT? 264 00:09:41,248 --> 00:09:43,834 [CHUCKLES WEAKLY] 265 00:09:43,834 --> 00:09:45,502 THANKS, BUT I'M GOOD. I DON'T WANT TO INTERRUPT. 266 00:09:45,502 --> 00:09:47,713 INTERRUPT? DUDE, WE'RE ALL DYING TO SEE THAT VELOCITY. 267 00:09:47,713 --> 00:09:49,882 WHAT'D YOU CLOCK AT THE ALL-STAR FUTURES GAME, 101? 268 00:09:49,882 --> 00:09:52,676 102.1, ACTUALLY. 269 00:09:52,676 --> 00:09:53,677 HEY, WE GOT TIME BEFORE COACH GET HERE. 270 00:09:53,677 --> 00:09:55,971 LET'S TOSS A FEW. 271 00:09:55,971 --> 00:09:57,347 REALLY, I'M--I'M GOOD, MAN. 272 00:09:57,347 --> 00:09:59,933 Y'ALL REALLY GONNA MAKE HIM SAY IT? 273 00:09:59,933 --> 00:10:01,602 MILLION-DOLLAR BABY OVER HERE CAN'T WASTE HIS ARM ON LITTLE OLD US. 274 00:10:01,602 --> 00:10:03,312 DON'T PUT WORDS IN MY BOY'S MOUTH. 275 00:10:03,312 --> 00:10:05,314 MY BAD. 276 00:10:05,314 --> 00:10:06,273 AM I WRONG, THOUGH? CORRECT ME, PLEASE. 277 00:10:07,649 --> 00:10:12,321 ALL RIGHT. 278 00:10:12,321 --> 00:10:12,946 WHO'S GOT A PITCHER'S GLOVE? 279 00:10:14,531 --> 00:10:14,781 ♪ YOU GONNA ♪ 280 00:10:19,411 --> 00:10:19,786 ♪ YOU GONNA ♪ 281 00:10:23,749 --> 00:10:25,083 ♪ YOU GONNA ♪ 282 00:10:27,794 --> 00:10:30,797 GET READY. 283 00:10:30,797 --> 00:10:33,300 WOMAN: ♪ HEY! ♪ 284 00:10:33,300 --> 00:10:35,177 MAN: ♪ 'CAUSE YOU GOT TO FEEL IT IN YOUR SOUL ♪ 285 00:10:35,177 --> 00:10:36,929 ♪ 'CAUSE YOU GOT TO BELIEVE IT, YOU GOT TO KNOW ♪ 286 00:10:36,929 --> 00:10:38,263 ♪ 'CAUSE YOU GOT TO WAKE UP AND DREAM AND GO GET IT ♪ 287 00:10:38,263 --> 00:10:40,891 ♪ A VISIONARY KNOWS NO LIMIT ♪ 288 00:10:40,891 --> 00:10:43,018 ♪ DO IT BIG SO YOUR NAME BE REMEMBERED ♪ 289 00:10:43,018 --> 00:10:44,186 OLIVIA: I THOUGHT THIS WAS A FRIENDLY MATCH. 290 00:10:44,186 --> 00:10:45,896 THOSE DON'T EXIST FOR THEA. 291 00:10:45,896 --> 00:10:47,147 ♪ YOU GONNA DREAM BIG... ♪ 292 00:10:48,690 --> 00:10:50,817 PLAYERS: WHOO! 293 00:10:50,817 --> 00:10:52,486 PLAYER: THAT'S WHAT I'M TALKING ABOUT. 294 00:10:52,486 --> 00:10:54,321 WOMAN: ♪ CALLING SHOTS 'CAUSE YOU'RE IN CHARGE ♪ 295 00:10:54,321 --> 00:10:56,448 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 296 00:10:56,448 --> 00:10:59,034 ♪ YOU WANNA LIVE LIFE LIKE A RENEGADE ♪ 297 00:10:59,034 --> 00:11:00,911 ♪ CLIMB TO THE TOP FOR YOUR PIECE OF FAME... ♪ 298 00:11:00,911 --> 00:11:03,080 PLAYER: LET'S GO, BOYS. 299 00:11:03,080 --> 00:11:04,831 ♪ CALLING SHOTS 'CAUSE YOU'RE IN CHARGE ♪ 300 00:11:04,831 --> 00:11:06,124 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 301 00:11:06,124 --> 00:11:09,545 ♪ IF YOU GONNA... ♪ 302 00:11:09,545 --> 00:11:11,797 ♪ MM ♪ 303 00:11:11,797 --> 00:11:12,548 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 304 00:11:12,548 --> 00:11:16,134 ♪ MM MM ♪ 305 00:11:16,134 --> 00:11:16,885 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 306 00:11:16,885 --> 00:11:20,639 ♪ OOH ♪ 307 00:11:20,639 --> 00:11:21,431 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 308 00:11:21,431 --> 00:11:25,018 ♪ MM MM ♪ 309 00:11:25,018 --> 00:11:26,270 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 310 00:11:26,270 --> 00:11:29,273 ♪ YOU SAY YOU WANNA BE FAMOUS ♪ 311 00:11:29,273 --> 00:11:31,191 ♪ STAND 10 FEET TALL ♪ 312 00:11:31,859 --> 00:11:33,735 TAKE IT EASY ON ME, MAN. 313 00:11:36,196 --> 00:11:38,073 WOULDN'T KNOW HOW. 314 00:11:38,073 --> 00:11:43,120 ♪ YOU GONNA ♪ 315 00:11:43,120 --> 00:11:44,204 ♪ UH! THIS IS THE TIME OF YOUR LIFE, THE MOMENT TO LIVE ♪ 316 00:11:44,204 --> 00:11:47,291 ♪ THE MOMENT TO SHINE ♪ 317 00:11:47,291 --> 00:11:48,917 ♪ THE MOMENT TO RISE AND TAKE OVER THE WORLD ♪ 318 00:11:48,917 --> 00:11:49,918 ♪ I'M ON TOP OF EVERYTHING, ON TOP OF MY GAME ♪ 319 00:11:49,918 --> 00:11:51,837 ♪ UH! ♪ 320 00:11:51,837 --> 00:11:53,255 UH! 321 00:11:58,468 --> 00:12:03,140 YOU ALWAYS WARM UP THAT INTENSELY? 322 00:12:03,140 --> 00:12:06,018 SORRY. I THOUGHT YOU COULD HANG. 323 00:12:15,694 --> 00:12:16,904 MAN: HEY, WHAT THE HELL Y'ALL DOING? HUH? 324 00:12:16,904 --> 00:12:20,365 SO Y'ALL JUST GOT TIME TO WASTE? 325 00:12:20,365 --> 00:12:22,159 DAMON: UH, LOOK, I'M SORRY. THIS WAS--THIS WAS MY FAULT. 326 00:12:22,159 --> 00:12:24,036 LAPS AROUND THE FIELD NOW. [PLAYERS GROANING] 327 00:12:24,036 --> 00:12:25,746 LOOK, YOU DON'T STOP TILL I TELL YOU TO STOP. 328 00:12:25,746 --> 00:12:27,873 LET'S GO. LET'S GO! MOVE IT, NOW. 329 00:12:27,873 --> 00:12:30,501 YOU PLAY HOW YOU PRACTICE. GO! 330 00:12:30,501 --> 00:12:31,877 UH, DAMON SIMS, SIR. 331 00:12:34,713 --> 00:12:39,259 MAN. YOU MUST BE PROUD OF THIS TEAM. 332 00:12:39,259 --> 00:12:41,136 I MEAN, THEY'RE TIGHT, A WELL-OILED MACHINE. 333 00:12:41,136 --> 00:12:43,889 I KNOW. I OILED THEM. 334 00:12:43,889 --> 00:12:45,390 AND NEXT TIME YOU WANT TO SHOW OFF, 335 00:12:45,390 --> 00:12:46,517 YOU DO IT ELSEWHERE, SON. 336 00:12:46,517 --> 00:12:49,394 I APOLOGIZED. 337 00:12:49,394 --> 00:12:51,605 YEAH, I HEARD YOU. IT'S NOTHING PERSONAL, KID. 338 00:12:51,605 --> 00:12:54,274 I JUST DON'T LIKE MY PRACTICES BEING INTERRUPTED. 339 00:12:54,274 --> 00:12:56,693 FUNNY, 'CAUSE IT FEELS PRETTY PERSONAL, COACH. 340 00:12:56,693 --> 00:13:00,572 I JUST DON'T TAKE TO PLAYERS 341 00:13:00,572 --> 00:13:02,032 WHO ALL ABOUT THEMSELVES AND NOT THE TEAM. 342 00:13:02,032 --> 00:13:03,909 YOU DON'T EVEN KNOW ME. 343 00:13:03,909 --> 00:13:05,994 AREN'T YOU THE STAR PITCHER 344 00:13:05,994 --> 00:13:07,120 WHO'S CURRENTLY SITTING OUT OF HIS HIGH-SCHOOL BASEBALL GAMES 345 00:13:07,120 --> 00:13:08,997 WHEN HIS TEAM NEEDS HIM THE MOST, 346 00:13:08,997 --> 00:13:11,291 BECAUSE HE'S SAVING HIS ARM FOR THE PROS? 347 00:13:11,291 --> 00:13:12,835 SEE, I'VE WATCHED A LOT OF TAPE ON YOU, SON, 348 00:13:12,835 --> 00:13:15,754 AND HERE'S WHAT I DON'T GET. 349 00:13:15,754 --> 00:13:17,005 WHY DO YOU PLAY THE GAME IN THE FIRST PLACE, SON? 350 00:13:17,005 --> 00:13:20,217 'CAUSE IT'S CLEAR YOU DON'T ENJOY IT. 351 00:13:20,217 --> 00:13:22,177 YOU LECTURING OUR SURPRISE GUEST, MARCUS? 352 00:13:22,177 --> 00:13:24,388 JUST HAVING AN HONEST CONVERSATION, COACH. 353 00:13:24,388 --> 00:13:26,974 HEH HEH! WELL, COACH TURNER IS KNOWN 354 00:13:26,974 --> 00:13:28,976 FOR HIS HONEST CONVERSATION. 355 00:13:28,976 --> 00:13:30,936 LEONARD SHAW, HEAD COACH. 356 00:13:30,936 --> 00:13:33,230 MARCUS TURNER, ASSISTANT HEAD. 357 00:13:33,230 --> 00:13:35,065 NICE TO MEET YOU, SIR. 358 00:13:35,065 --> 00:13:36,984 I'VE HAD MY EYE ON YOU SINCE FIRST YEAR VARSITY. 359 00:13:36,984 --> 00:13:40,153 MOM CAME DOWN ON ME PRETTY HARD, THOUGH. 360 00:13:40,153 --> 00:13:42,239 COACH TURNER, THEM BOYS LOOK PLENTY WARM. 361 00:13:42,239 --> 00:13:44,575 WHY DON'T YOU GO AHEAD AND GET THINGS STARTED? 362 00:13:44,575 --> 00:13:47,411 [LAUGHTER] 363 00:13:47,411 --> 00:13:50,330 [MUSIC PLAYING, CELL PHONE RINGS] 364 00:13:50,330 --> 00:13:52,332 AMARA: SHE'S PROBABLY CHECKING TO MAKE SURE 365 00:13:52,332 --> 00:13:54,126 I HAVEN'T CORRUPTED YOU YET. 366 00:13:54,126 --> 00:13:56,336 MM-HMM. 367 00:13:56,336 --> 00:13:57,337 SHE DOES KNOW YOU'RE HERE, RIGHT? 368 00:13:57,337 --> 00:13:58,589 -DAD KNOWS. -SIMONE. 369 00:14:00,924 --> 00:14:02,843 AUNTIE, I NEED TO FIGURE OUT 370 00:14:02,843 --> 00:14:04,178 WHAT MY COLLEGE FUTURE LOOKS LIKE, 371 00:14:04,178 --> 00:14:05,804 FIGURE OUT WHAT'S BEST FOR ME, 372 00:14:05,804 --> 00:14:07,514 WHAT'S BEST FOR US. 373 00:14:07,514 --> 00:14:08,974 AND I CAN'T DO THAT AT HOME. 374 00:14:11,226 --> 00:14:13,437 IT'S EITHER TINA HICKS' WAY OR NO WAY. 375 00:14:13,437 --> 00:14:16,106 I WON'T BLOW UP YOUR SPOT UNDER ONE CONDITION. 376 00:14:16,106 --> 00:14:18,317 YOU GIVE BRINGSTON SOME CAREFUL THOUGHT THIS WEEKEND. 377 00:14:18,317 --> 00:14:21,195 I KNOW YOU DIDN'T COME TO SCOUT THE SCHOOL, BUT JUST CONSIDER IT. 378 00:14:21,195 --> 00:14:23,572 I THINK IT COULD BE A GOOD FIT... 379 00:14:24,740 --> 00:14:27,242 FOR BOTH OF YOU, FOR ALL OF YOU, ACTUALLY. 380 00:14:29,453 --> 00:14:31,580 SPENCER: ALL RIGHT. I'LL BITE. 381 00:14:31,580 --> 00:14:33,498 WHAT MAKES HBCUs SO SPECIAL? 382 00:14:33,498 --> 00:14:35,542 IT'S A CONNECTION TO OUR HISTORY, OUR CULTURE. 383 00:14:35,542 --> 00:14:39,254 OLIVIA: BLACK EXCELLENCE. AMARA: EXACTLY. 384 00:14:39,254 --> 00:14:41,381 AND THE TENNIS PROGRAM IS REALLY GOOD. 385 00:14:41,381 --> 00:14:43,258 YEAH, JUST MAYBE DON'T PUT ALL YOUR EGGS 386 00:14:43,258 --> 00:14:46,845 IN THE ATHLETIC BASKET. 387 00:14:46,845 --> 00:14:48,472 [CELL PHONE VIBRATES, AMARA CHUCKLES] 388 00:14:48,472 --> 00:14:50,724 KEISHA, SHOULDN'T YOU BE GETTING READY FOR-- 389 00:14:50,724 --> 00:14:53,560 DAMN. OK. I'M ON MY WAY. 390 00:14:53,560 --> 00:14:56,563 BIG FASHION SHOW EMERGENCY. COME ON. 391 00:14:56,563 --> 00:15:00,067 IT'S A FASHION SHOW. HOW BIG OF AN EMERGENCY CAN IT BE? 392 00:15:00,067 --> 00:15:01,985 ♪ THIS IS THE STORY OF MY REIGN AND MY ARRIVAL... ♪ 393 00:15:01,985 --> 00:15:06,657 LISTEN, I'M A MIRACLE WORKER 394 00:15:06,657 --> 00:15:08,951 WITH COVER-UP AND A CONTOUR BRUSH, 395 00:15:08,951 --> 00:15:10,285 BUT EVEN I CAN'T FIX THIS CRAZINESS. 396 00:15:10,285 --> 00:15:13,539 AMARA AND SIMONE: OOH. 397 00:15:13,539 --> 00:15:14,790 WE ARE NOT PUTTING HER 398 00:15:14,790 --> 00:15:16,250 ON THE STAGE LIKE THAT. 399 00:15:16,250 --> 00:15:18,710 NOT MY FASHION SHOW. 400 00:15:18,710 --> 00:15:20,003 KEISHA: DR. PATTERSON, YOU'RE OUR ADVISOR. 401 00:15:20,003 --> 00:15:21,880 YOU KNOW THE ROUTINE. SO, LIKE-- 402 00:15:21,880 --> 00:15:22,923 AMARA: OH, NO, NO, NO. BUT, SIMONE, 403 00:15:22,923 --> 00:15:26,552 YOU USED TO DANCE. 404 00:15:26,552 --> 00:15:29,596 UH, OLIVIA STILL DANCES. 405 00:15:29,596 --> 00:15:31,849 UH, NO ONE ASKED ME. 406 00:15:31,849 --> 00:15:33,183 OK, YOU KNOW WHAT? YOU'RE BOTH DOING IT. 407 00:15:33,183 --> 00:15:35,352 SYMMETRY. YOU'LL BE FINE. 408 00:15:35,352 --> 00:15:37,938 AND YOU HAVE AN HOUR UNTIL CURTAIN. 409 00:15:37,938 --> 00:15:39,857 THAT'S LIKE A YEAR IN DANCER TIME. 410 00:15:39,857 --> 00:15:41,900 OK. BUT I DIDN'T SAY YES. 411 00:15:41,900 --> 00:15:43,944 YOU DID. YOU SAID, "NEXT SONG...PROMISE." 412 00:15:43,944 --> 00:15:45,863 WELL, THE NEXT SONG'S HERE, SWEETIE, SO LET'S GO. COME ON. 413 00:15:45,863 --> 00:15:48,323 AMARA: YOU'LL BE FINE. OLIVIA: I... 414 00:15:48,323 --> 00:15:50,450 -YOU'RE OK. -COME-- 415 00:15:50,450 --> 00:15:52,703 DAMON: HEY, WHAT'S THE DEAL WITH COACH TURNER ANYWAY? 416 00:15:52,703 --> 00:15:54,580 I THOUGHT COACH SHAW WOULD BE THE ONE WITH THE STICK UP HIS ASS. 417 00:15:54,580 --> 00:15:56,290 HEH. COACH TURNER'S THE REAL DEAL. 418 00:15:56,290 --> 00:15:58,292 THAT DUDE'S JUST MAD STRESSED LATELY. 419 00:15:58,292 --> 00:15:59,835 WHY? YOU ALL ARE A CHAMPIONSHIP TEAM. 420 00:15:59,835 --> 00:16:03,213 I DON'T KNOW. 421 00:16:03,213 --> 00:16:03,881 EMCEE: B.U., ARE Y'ALL BITCHES READY FOR A FASHION SHOW? 422 00:16:03,881 --> 00:16:07,968 [APPLAUSE] 423 00:16:07,968 --> 00:16:09,636 [VOCAL SAMPLES] 424 00:16:11,138 --> 00:16:15,309 BEYONCÉ♪ DRIVER, ROLL UP THE PARTITION, PLEASE ♪ 425 00:16:15,309 --> 00:16:18,854 LOOK OUT. 426 00:16:18,854 --> 00:16:21,023 ♪ DRIVER, ROLL UP THE PARTITION, PLEASE ♪ 427 00:16:21,023 --> 00:16:23,859 ♪ I DON'T NEED YOU SEEING 'YONCE ON HER KNEES ♪ 428 00:16:23,859 --> 00:16:26,570 ♪ TOOK 45 MINUTES TO GET ALL DRESSED UP ♪ 429 00:16:26,570 --> 00:16:28,238 ♪ WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB ♪ 430 00:16:28,238 --> 00:16:32,117 [CHEERING] 431 00:16:32,117 --> 00:16:34,786 ♪ OH, HE SO HORNY, YEAH, HE WANT TO, MM ♪ 432 00:16:34,786 --> 00:16:36,747 ♪ HE BUCKED ALL MY BUTTONS, AND HE RIPPED MY BLOUSE ♪ 433 00:16:36,747 --> 00:16:39,791 ♪ HE MONICA LEWINSKI'D ALL ON MY GOWN ♪ 434 00:16:39,791 --> 00:16:42,085 ♪ OH, THERE, DADDY, DADDY DIDN'T BRING THE TOWEL ♪ 435 00:16:42,085 --> 00:16:44,463 ♪ OH, BABY, BABY, WE BETTER SLOW IT DOWN ♪ 436 00:16:44,463 --> 00:16:47,090 ♪ TOOK 45 MINUTES TO GET ALL DRESSED UP ♪ 437 00:16:47,090 --> 00:16:49,259 ♪ AND WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB ♪ 438 00:16:49,259 --> 00:16:51,637 ♪ TAKE ALL, TAKE ALL ♪ 439 00:16:51,637 --> 00:16:54,598 ♪ OF ME, OF ME ♪ 440 00:16:54,598 --> 00:16:55,682 ♪ I JUST WANNA BE THE GIRL YOU LIKE, GIRL YOU LIKE ♪ 441 00:16:55,682 --> 00:16:59,895 ♪ TAKE ALL, TAKE ALL ♪ 442 00:16:59,895 --> 00:17:01,772 ♪ OF ME, OF ME, I JUST WANNA BE... ♪ 443 00:17:01,772 --> 00:17:04,358 WOW. SHE IS STUNNING. 444 00:17:04,358 --> 00:17:06,109 YEAH. YEAH, SHE IS. 445 00:17:06,109 --> 00:17:10,155 ♪ ...IS RIGHT HERE WITH ME ♪ 446 00:17:10,155 --> 00:17:11,448 ♪ RIGHT HERE WITH ME, RIGHT HERE WITH ME ♪ 447 00:17:11,448 --> 00:17:14,034 ♪ RIGHT HERE WITH ME ♪ 448 00:17:14,034 --> 00:17:15,869 ♪ DRIVER, ROLL UP THE PARTITION FAST ♪ 449 00:17:15,869 --> 00:17:17,913 ♪ OVER THERE, I SWEAR I SAW THEM CAMERAS FLASH ♪ 450 00:17:17,913 --> 00:17:20,541 ♪ HANDPRINTS AND FOOTPRINTS ON MY GLASS ♪ 451 00:17:20,541 --> 00:17:22,876 ♪ HANDPRINTS AND GOOD GRIPS ALL ON MY... ♪ 452 00:17:22,876 --> 00:17:26,046 ♪ PRIVATE SHOW WITH THE MUSIC BLASTING ♪ 453 00:17:26,046 --> 00:17:28,048 ♪ HE LIKE TO CALL ME PEACHES WHEN WE GET THIS NASTY ♪ 454 00:17:28,048 --> 00:17:31,134 ♪ RED WINE DRIP, WE'LL TALK THAT TRASH ♪ 455 00:17:31,134 --> 00:17:33,387 ♪ CHAUFFEUR EAVESDROPPING, TRYING NOT TO CRASH ♪ 456 00:17:33,387 --> 00:17:36,181 ♪ OH, THERE DADDY, DADDY, NOW YOU RIPPED MY FUR ♪ 457 00:17:36,181 --> 00:17:38,600 ♪ OH, BABY, BABY BE SWEATING OUT MY HAIR ♪ 458 00:17:38,600 --> 00:17:41,103 ♪ TOOK 45 MINUTES TO GET ALL DRESSED UP ♪ 459 00:17:41,103 --> 00:17:43,105 ♪ AND WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB ♪ 460 00:17:43,105 --> 00:17:45,816 ♪ TAKE ALL, TAKE ALL ♪ 461 00:17:45,816 --> 00:17:49,152 ♪ OF ME, OF ME ♪ 462 00:17:49,152 --> 00:17:50,863 ♪ I JUST WANNA BE THE GIRL YOU LIKE, GIRL YOU LIKE ♪ 463 00:17:50,863 --> 00:17:54,032 ♪ THE KIND OF GIRL YOU LIKE IS RIGHT HERE WITH ME ♪ 464 00:17:54,032 --> 00:17:56,368 ♪ RIGHT HERE WITH ME, RIGHT HERE WITH ME ♪ 465 00:17:56,368 --> 00:17:59,121 [OVERLAPPING VOCALS] 466 00:17:59,121 --> 00:18:03,500 PERSON ON RECORDING: HELLO! 467 00:18:03,500 --> 00:18:04,501 [CHEERING AND APPLAUSE] 468 00:18:12,259 --> 00:18:17,097 OH, MY GOD. 469 00:18:17,097 --> 00:18:18,307 SO THEY JUST BREED Y'ALL DIFFERENT OUT IN 470 00:18:18,307 --> 00:18:20,184 BEVERLY HILLS, HUH? 471 00:18:20,184 --> 00:18:21,185 I CANNOT BELIEVE I JUST DID THAT. 472 00:18:21,185 --> 00:18:22,811 LIKE, WE JUST DID THAT. 473 00:18:22,811 --> 00:18:24,021 OH, MY GOSH. THAT WAS SO-- 474 00:18:24,021 --> 00:18:26,064 SEXY. 475 00:18:26,064 --> 00:18:27,024 THE WORD YOU'RE LOOKING FOR IS SEXY, SEXY... 476 00:18:27,024 --> 00:18:29,776 -OK. -SEXY! 477 00:18:29,776 --> 00:18:31,862 NOW, COME ON WITH YOUR FINE SELVES, 478 00:18:31,862 --> 00:18:33,697 AND LET'S GET YOU OUT OF THESE HELLA EXPENSIVE DRESSES 479 00:18:33,697 --> 00:18:36,074 SO I CAN RETURN THEM. 480 00:18:36,074 --> 00:18:38,118 OLIVIA: OH, OH, OK. 481 00:18:38,118 --> 00:18:38,493 KEISHA: SERIOUS. I WAS GONNA SAY. COME ON. 482 00:18:44,458 --> 00:18:48,754 OOH. HA HA. 483 00:18:48,754 --> 00:18:50,380 THAT WAS FIRE. 484 00:18:52,424 --> 00:18:53,800 I'M GOOD. THANKS. 485 00:18:56,178 --> 00:18:59,264 UH, LISTEN, ABOUT EARLIER, 486 00:18:59,264 --> 00:19:02,851 UM, THERE'S BEEN JUST, LIKE, A LOT MORE ATTENTION LATELY, 487 00:19:02,851 --> 00:19:03,435 SO I'M STILL GETTING USED TO THE WHOLE LOSS OF PRIVACY THING. 488 00:19:04,603 --> 00:19:07,314 OH, THAT'S IT. THAT'S YOUR APOLOGY. 489 00:19:09,274 --> 00:19:13,278 UH, NAH. OF-- OF COURSE NOT. 490 00:19:13,278 --> 00:19:14,738 WHAT I MEANT WAS, LIKE, I'M SORRY THAT I WAS A LITTLE-- 491 00:19:14,738 --> 00:19:16,949 OBNOXIOUS? OVER THE TOP? OPINIONATED? 492 00:19:16,949 --> 00:19:20,911 YOU WANT ME TO PICK ONE? 493 00:19:20,911 --> 00:19:22,663 OK, YES, ALL RIGHT. ALL THE ABOVE. 494 00:19:22,663 --> 00:19:25,541 NOW, CAN I GET A DO-OVER FOR REAL THIS TIME? 495 00:19:25,541 --> 00:19:27,751 I'M DAMON SIMS. 496 00:19:30,087 --> 00:19:34,174 SIMONE HICKS. 497 00:19:34,174 --> 00:19:35,259 OK, SIMONE HICKS. 498 00:19:35,259 --> 00:19:38,762 [BOTH CHUCKLE] 499 00:19:38,762 --> 00:19:39,388 SO WHAT ARE THE CHANCES I CAN TALK YOU 500 00:19:41,682 --> 00:19:43,100 INTO SHOWING ME AROUND CAMPUS TOMORROW? 501 00:19:43,100 --> 00:19:44,017 SHE SAYS SHE'S NOT INTERESTED. 502 00:19:44,017 --> 00:19:46,186 JORDAN, I GOT IT. 503 00:19:46,186 --> 00:19:48,021 LOOK, MAN, I DON'T CARE HOW FAMOUS YOU ARE. 504 00:19:48,021 --> 00:19:51,149 YOU KEEP BOTHERING MY GIRL, WE'RE GONNA HAVE A PROBLEM. 505 00:19:51,149 --> 00:19:52,025 I JUST CAME BACK HERE TO COMPLIMENT HER ON THE SHOW. 506 00:19:52,025 --> 00:19:54,528 OK. 507 00:19:56,446 --> 00:20:00,784 I KNOW YOU, RIGHT? 508 00:20:00,784 --> 00:20:02,744 I DON'T THINK SO. 509 00:20:02,744 --> 00:20:04,288 JUSTICE FOR TAMIKA, RIGHT? 510 00:20:04,288 --> 00:20:05,247 YOU'RE THE FOOTBALL CAT THAT SET OFF 511 00:20:05,247 --> 00:20:06,707 THE CHAIN OF FORFEITS. 512 00:20:06,707 --> 00:20:08,417 MADE NATIONAL NEWS. 513 00:20:08,417 --> 00:20:09,960 I'M DAMON SIMS. 514 00:20:09,960 --> 00:20:12,296 I'M SPENCER JAMES. 515 00:20:12,296 --> 00:20:13,797 LOOK, NO DISRESPECT, MAN. 516 00:20:16,842 --> 00:20:17,801 BASEBALL PLAYER: HEY, BRO, I'VE BEEN CALLING YOU. 517 00:20:17,801 --> 00:20:20,762 CHECK YOUR DAMN PHONE. 518 00:20:20,762 --> 00:20:21,388 YOU'RE THE TOP STORY ON EVERY SPORTS NEWS FEED. 519 00:20:33,901 --> 00:20:34,943 STUDENT: 5, 6, 7, 8... [STUDENTS CHANT] 520 00:20:34,943 --> 00:20:35,944 1, 2, 3, 4, 5, 6, 7, 8. 521 00:20:35,944 --> 00:20:39,531 1, 2, 3, 4, 5, 6... 522 00:20:45,037 --> 00:20:49,416 MOM, I SWEAR I DIDN'T KNOW IT WAS GONNA GO VIRAL. 523 00:20:49,416 --> 00:20:52,002 LOOK, I CAN EXPLAIN. 524 00:20:52,002 --> 00:20:54,087 I BET YOU CAN. FUNNY. 525 00:20:54,087 --> 00:20:55,672 THIS DOESN'T LOOK LIKE CAMPING WITH CHASE. 526 00:20:55,672 --> 00:20:56,340 I JUST WANTED A WEEKEND, ONE WEEKEND TO-- 527 00:20:56,340 --> 00:20:58,884 TO WHAT? 528 00:20:58,884 --> 00:21:00,552 TO JUST BE NORMAL. 529 00:21:00,552 --> 00:21:02,221 WE'VE WORKED SO HARD TO GET HERE, RIGHT? 530 00:21:02,221 --> 00:21:05,015 TO HAVE THE MLB AT OUR FINGERTIPS, 531 00:21:05,015 --> 00:21:07,351 AND YOU'RE READY TO RISK INJURY THIS WEEKEND FOR WHAT? 532 00:21:07,351 --> 00:21:10,437 A CHANCE TO CHUG FRUIT PUNCH OUT OF A TRASH CAN 533 00:21:10,437 --> 00:21:12,856 AND SWAG SURF WITH MEDIOCRITY? 534 00:21:12,856 --> 00:21:14,316 HEY, MS. SIMS. LOOK, IT'S KIND OF MY FAULT. 535 00:21:14,316 --> 00:21:17,402 MOM, YOU REMEMBER J.R., RIGHT? 536 00:21:17,402 --> 00:21:18,278 -WE WERE ON THE 15 -U NATIONAL TEAM TOGETHER. 537 00:21:23,867 --> 00:21:28,622 THERE'S A WAY FOR ALL THIS TO ACTUALLY WORK IN OUR FAVOR. 538 00:21:28,622 --> 00:21:31,291 NO, WE DON'T HAVE TO SPIN THIS ONE. 539 00:21:31,291 --> 00:21:34,336 IT WORKED FOR KUMAR. 540 00:21:34,336 --> 00:21:35,462 HE CHOSE A TOP D1 SCHOOL IN PLACE OF A LOWER DRAFT. 541 00:21:35,462 --> 00:21:38,882 AND NOW HE'S EXPECTED TO BE 542 00:21:38,882 --> 00:21:40,259 THE NUMBER ONE PICK OUT OF COLLEGE THIS YEAR. 543 00:21:40,259 --> 00:21:42,261 SO WHAT, YOU WANT THE MLB TO THINK THAT 544 00:21:42,261 --> 00:21:44,179 I'M CONSIDERING ENROLLING HERE? 545 00:21:44,179 --> 00:21:45,931 IT'LL CREATE MORE HYPE AROUND YOU. YEAH. 546 00:21:45,931 --> 00:21:47,391 YOU KNOW WHAT? GO SHOWER. PUT SOMETHING NICE ON. 547 00:21:47,391 --> 00:21:49,726 YOU'RE DOING INTERVIEWS. 548 00:21:49,726 --> 00:21:51,603 NO. 549 00:21:51,603 --> 00:21:52,938 EXCUSE ME? 550 00:21:52,938 --> 00:21:55,357 I SAID, NO, MOM. 551 00:21:55,357 --> 00:21:57,359 YOU KEEP SAYING "WE," BUT I'M THE ONE WHO'S OUT THERE 552 00:21:57,359 --> 00:22:00,237 ON THAT FIELD, MA. ME. 553 00:22:00,237 --> 00:22:02,030 I'M THE ONE WHO HAS TO PLAY HURT OR HEALTHY. 554 00:22:02,030 --> 00:22:04,241 I'M THE ONE WHO HAS TO DEAL WITH DISAPPOINTED TEAMMATES 555 00:22:04,241 --> 00:22:06,368 BECAUSE YOU INSIST THAT I SAVE MY ARM FOR THE PROS. 556 00:22:06,368 --> 00:22:08,745 I'M THE ONE WHO HAS TO MISS CLASS 557 00:22:08,745 --> 00:22:12,457 SO THAT I CAN SHOW UP AND SHOW OUT 558 00:22:12,457 --> 00:22:13,375 AND GET ANOTHER UNNECESSARY SHOWCASE, MA. ME. 559 00:22:13,375 --> 00:22:17,171 OH, REALLY? 560 00:22:17,171 --> 00:22:19,339 SO WHO WAS IT WHO GAVE UP EVERYTHING 561 00:22:19,339 --> 00:22:21,341 SO THAT YOU COULD BE OUT ON THOSE FIELDS SHOWING UP AND SHOWING OUT? 562 00:22:21,341 --> 00:22:24,052 YOUR CAREER DOESN'T HAPPEN WITHOUT ME. 563 00:22:24,052 --> 00:22:26,263 AND YOURS DOESN'T HAPPEN WITHOUT ME. 564 00:22:26,263 --> 00:22:27,764 BOY, EVERYTHING I DO IS FOR YOU. 565 00:22:28,640 --> 00:22:32,519 AND ONE DAY, YOU'LL THANK ME. 566 00:22:33,854 --> 00:22:35,772 NOW, GET DRESSED. 567 00:22:37,941 --> 00:22:39,818 DAMON. 568 00:22:41,737 --> 00:22:42,446 Y--YES, MA'AM. 569 00:22:58,003 --> 00:23:02,883 UH, EXCUSE ME. 570 00:23:02,883 --> 00:23:04,343 I'M SORRY. I'M LOOKING FOR LIV AND SIMONE. 571 00:23:04,343 --> 00:23:06,261 THEY SAID THEY WERE MEETING YOU HERE. 572 00:23:06,261 --> 00:23:08,722 UH, YEAH, CHANGE OF PLANS. 573 00:23:08,722 --> 00:23:09,598 THEY SAID THEY'D MEET YOU AND JORDAN AT THE TAILGATE. 574 00:23:09,598 --> 00:23:12,309 OK, BET. 575 00:23:12,309 --> 00:23:12,893 IS THAT THE STORY YOU'RE WORKING ON? 576 00:23:15,103 --> 00:23:17,523 COLLEGE ATHLETIC SCANDALS? 577 00:23:17,523 --> 00:23:18,857 IS SOMETHING HAPPENING HERE AT BRINGSTON? 578 00:23:21,568 --> 00:23:23,695 MY BAD. LAST NIGHT, YOU WAS MAD CAGEY ABOUT 579 00:23:23,695 --> 00:23:25,531 THE WHOLE ATHLETICS THING HERE. 580 00:23:25,531 --> 00:23:26,865 NOTHING GETS PAST YOU, HUH? 581 00:23:26,865 --> 00:23:29,535 IS THAT FOR ME? 582 00:23:29,535 --> 00:23:31,078 YEAH. YEAH. IT WAS TAPED TO YOUR DOOR OUTSIDE. 583 00:23:31,078 --> 00:23:33,872 I'LL SEE YOU LATER. 584 00:23:33,872 --> 00:23:34,581 MM-HMM. 585 00:23:38,418 --> 00:23:43,131 YEAH. THIS IS DR. PATTERSON. 586 00:23:43,131 --> 00:23:44,675 I NEED TO PULL SOME TRANSCRIPTS. 587 00:23:46,760 --> 00:23:46,927 DID YOU KNOW MARIAN WRIGHT EDELMAN WAS 588 00:23:52,015 --> 00:23:53,267 THE FIRST WOMAN IN MISSISSIPPI TO PASS THE BAR EXAM? 589 00:23:53,267 --> 00:23:56,186 SHE WAS A LAWYER FOR THE NAACP, 590 00:23:56,186 --> 00:23:57,771 A SPELMAN GRAD, GOT THE PRESIDENTIAL MEDAL OF FREEDOM IN 2000. 591 00:23:57,771 --> 00:24:01,817 SHE'S A BADASS. 592 00:24:01,817 --> 00:24:04,486 I MEAN, CLEARLY. 593 00:24:04,486 --> 00:24:05,529 SO THEN WHY ISN'T SHE IN OUR HISTORY BOOKS? 594 00:24:05,529 --> 00:24:08,907 WHY ISN'T TONI MORRISON 595 00:24:08,907 --> 00:24:11,159 A PART OF OUR ENGLISH LIT REQUIRED READING? 596 00:24:11,159 --> 00:24:13,871 THIS PLACE IS GROWING ON YOU, ISN'T IT? 597 00:24:13,871 --> 00:24:15,873 LIV, I GUESS I JUST DIDN'T EXPECT TO COME TO THIS PLACE 598 00:24:15,873 --> 00:24:18,625 AND--I DON'T KNOW-- FEEL SO FULL. 599 00:24:18,625 --> 00:24:23,630 [CELL PHONE CHIMES] 600 00:24:23,630 --> 00:24:26,175 IT'S KEISHA. SHE'S WITH SPENCER AND JORDAN ALREADY. 601 00:24:26,175 --> 00:24:28,635 OH, AND SHE SAYS, "YOU BETTER HAUL ASS." 602 00:24:28,635 --> 00:24:31,013 OK, STOP. KEISHA IS COOL. 603 00:24:31,013 --> 00:24:34,683 I JUST, UH... 604 00:24:34,683 --> 00:24:36,351 I'M NOT SURPRISED THAT SHE'S ALREADY WITH SPENCER. 605 00:24:36,351 --> 00:24:38,103 OK, WELL, IF YOU'RE NOT GOING TO GO AFTER WHAT YOU WANT, 606 00:24:38,103 --> 00:24:40,397 YOU CAN'T GET MAD WHEN SOMEBODY ELSE DOES. 607 00:24:40,397 --> 00:24:41,148 WELL, IT LOOKS LIKE SOMEBODY NEEDS TO TAKE HER OWN ADVICE. 608 00:24:49,114 --> 00:24:53,911 MARCUS: KIDS LIKE DAMON SIMS JUST DON'T WALK AWAY 609 00:24:53,911 --> 00:24:55,662 FROM A CHANCE AT PLAYING PRO BALL. 610 00:24:55,662 --> 00:24:57,706 WOMAN: DR. PATTERSON, PLEASE... 611 00:24:57,706 --> 00:24:58,874 I'M SORRY. I JUST NEED A MINUTE. 612 00:24:58,874 --> 00:25:00,626 DR. ALLEN, IT'S URGENT. 613 00:25:00,626 --> 00:25:02,628 I'M IN THE MIDDLE OF A MEETING. 614 00:25:02,628 --> 00:25:03,045 OH, IT'S ALL RIGHT. WE ALL DONE HERE. 615 00:25:12,387 --> 00:25:17,309 THAT'S YOUR HEAD BASEBALL COACH 616 00:25:17,309 --> 00:25:18,352 AND YOUR ANTHROPOLOGY DEPARTMENT CHAIR. 617 00:25:18,352 --> 00:25:21,230 ALLEN: OK. 618 00:25:21,230 --> 00:25:22,439 AND THESE ARE THE ACADEMIC TRANSCRIPTS I PULLED 619 00:25:22,439 --> 00:25:25,192 FOR EVERY BASEBALL PLAYER ENROLLED IN 620 00:25:25,192 --> 00:25:26,735 AND ACING ANTHROPOLOGY 404 AND 406 OVER THE LAST 2 YEARS. 621 00:25:26,735 --> 00:25:30,572 GET TO THE POINT, AMARA. 622 00:25:30,572 --> 00:25:32,574 ANTHROPOLOGY 406 ISN'T A REAL CLASS. 623 00:25:32,574 --> 00:25:34,409 IT'S A PAPER CLASS. NO REAL PROFESSORIAL OVERSIGHT, 624 00:25:34,409 --> 00:25:37,913 NO ACTUAL CLASS TIME. 625 00:25:37,913 --> 00:25:38,288 IT'S A SHAM TO KEEP THESE BASEBALL PLAYERS ELIGIBLE. 626 00:25:39,748 --> 00:25:41,208 YOU'RE TELLING ME LEONARD SHAW CHEATED 627 00:25:44,253 --> 00:25:45,796 TO WIN AT BASEBALL GAMES? 628 00:25:51,844 --> 00:25:52,427 HE'S CHEATING THESE BOYS OUT OF A REAL EDUCATION. 629 00:25:52,427 --> 00:25:56,056 AND ARE THESE... 630 00:25:56,056 --> 00:25:58,308 THESE, UH, PAPER CLASSES, 631 00:25:58,308 --> 00:26:00,477 ARE THEY OPEN TO ALL STUDENTS? 632 00:26:00,477 --> 00:26:01,478 I MEAN, YES, BUT THAT DOESN'T CHANGE ANYTHING. 633 00:26:01,478 --> 00:26:04,439 TO THE NCAA, IT WILL. 634 00:26:04,439 --> 00:26:06,066 MEANS IT'S NOT SOLELY AN ATHLETIC PRIVILEGE. 635 00:26:06,066 --> 00:26:09,528 SO BECAUSE THEY WON'T CARE, WHAT? 636 00:26:09,528 --> 00:26:11,154 THAT MEANS YOU'RE JUST GONNA SWEEP THE CHEATING UNDER THE RUG? 637 00:26:11,154 --> 00:26:14,032 LOOK, I GET THIS STORY IS A BIG BREAK FOR YOU. 638 00:26:14,032 --> 00:26:16,159 STORY? YOU THINK THIS IS ABOUT A DAMN STORY? 639 00:26:16,159 --> 00:26:18,996 SCREW THE STORY. 640 00:26:18,996 --> 00:26:20,497 THIS IS ABOUT DOING RIGHT BY 641 00:26:20,497 --> 00:26:23,250 AN INSTITUTION THAT I LOVE, 642 00:26:23,250 --> 00:26:24,459 A SCHOOL THAT SHAPED WHO I WAS AS A STUDENT, WHO I AM TODAY, 643 00:26:24,459 --> 00:26:27,629 A PLACE OF EXCELLENCE. 644 00:26:27,629 --> 00:26:30,257 YOU NEED TO GET AHEAD OF THIS, ZEKE. 645 00:26:30,257 --> 00:26:32,843 YOU NEED TO SHOW EVERYONE THAT SELFISH BASTARD 646 00:26:32,843 --> 00:26:35,762 DOES NOT DEFINE BRINGSTON, 647 00:26:35,762 --> 00:26:37,848 THAT WE ARE STILL ABOVE REPROACH, 648 00:26:37,848 --> 00:26:39,183 BECAUSE WHEN THIS KIND OF FLAGRANT CRAP HAPPENS, 649 00:26:39,183 --> 00:26:40,392 WE CLEAN OUT OUR OWN DAMN CLOSETS. 650 00:26:44,229 --> 00:26:48,108 [HEAVY SIGH] 651 00:26:48,609 --> 00:26:50,152 [SIGHS] 652 00:26:53,530 --> 00:26:56,533 REMEMBER, WHEN SHE ASKS YOU ABOUT RUMORS 653 00:26:56,533 --> 00:26:57,826 THAT PLAYING AT COLLEGE IS BACK ON THE TABLE FOR YOU, 654 00:26:57,826 --> 00:27:00,329 KEEP IT VAGUE BUT HUMBLE. 655 00:27:00,329 --> 00:27:02,331 I KNOW, MOM. I'M PREPARED. 656 00:27:02,331 --> 00:27:03,498 OK. AND IF SHE BRINGS UP... 657 00:27:03,498 --> 00:27:06,210 WAIT. WHAT THE HELL? 658 00:27:06,210 --> 00:27:09,171 -WHAT'S GOING ON? -SHH, SHH. 659 00:27:09,171 --> 00:27:10,672 REPORTER ON VIDEO: IN A STATEMENT JUST RELEASED BY PRESIDENT ALLEN, 660 00:27:10,672 --> 00:27:12,216 AN INTERNAL INVESTIGATION HAS BEEN LAUNCHED, 661 00:27:12,216 --> 00:27:14,134 LOOKING INTO ALLEGED ACADEMIC FRAUD BY 662 00:27:14,134 --> 00:27:16,762 SOME PROMINENT MEMBERS OF THE BASEBALL TEAM. 663 00:27:16,762 --> 00:27:18,055 COACH LEONARD SHAW IS RESIGNING, EFFECTIVE IMMEDIATELY. 664 00:27:18,055 --> 00:27:21,683 MORE TO COME. 665 00:27:21,683 --> 00:27:24,144 DAMN. WE JUST LOST OUR LEVERAGE. 666 00:27:24,144 --> 00:27:26,313 LEVERAGE? IS THAT REALLY WHAT YOU'RE FOCUSED ON RIGHT NOW? 667 00:27:26,313 --> 00:27:29,858 WHAT ELSE SHOULD I BE FOCUSED ON? 668 00:27:29,858 --> 00:27:31,693 MOM, A TEAM JUST GOT DECIMATED, 669 00:27:31,693 --> 00:27:34,530 PEOPLE'S LIVELIHOODS DESTROYED. 670 00:27:34,530 --> 00:27:36,448 WHAT IS WITH YOU AND THIS SCHOOL? 671 00:27:36,448 --> 00:27:38,450 AND WHY ARE YOU SO OBSESSED WITH THIS TEAM 672 00:27:38,450 --> 00:27:40,577 YOU'VE SPENT ALL OF 2 SECONDS WITH? 673 00:27:40,577 --> 00:27:44,122 FORGET IT. 674 00:27:44,122 --> 00:27:47,417 ALL RIGHT? IT'S NOTHING. 675 00:27:47,417 --> 00:27:48,252 I'M WALKING BACK TO CAMPUS, ALL RIGHT, MA? 676 00:27:57,427 --> 00:28:02,432 HOW COULD YOU DO IT? 677 00:28:02,432 --> 00:28:04,476 IT WAS TWO SEASONS OF A COUPLE OF GHOST CLASSES. 678 00:28:04,476 --> 00:28:08,605 SPARE ME THE LECTURE. 679 00:28:08,605 --> 00:28:09,690 IN FACT, I DARE YOU TO FIND ME A COLLEGE COACH 680 00:28:09,690 --> 00:28:12,276 THAT ISN'T GAMING THE SYSTEM. 681 00:28:12,276 --> 00:28:13,861 IF YOU DO, IT'S 'CAUSE THEY HAVEN'T BEEN CAUGHT. 682 00:28:13,861 --> 00:28:15,904 ME, OK? BECAUSE I DON'T COACH LIKE THAT. 683 00:28:15,904 --> 00:28:18,031 WELL, THAT'S WHY YOU COULDN'T EVEN MAKE IT IN THE MINORS. 684 00:28:18,031 --> 00:28:20,075 BUT I'M PREPARED TO DO WHAT IT TAKES TO GAIN THE COMPETITIVE ADVANTAGE. 685 00:28:20,075 --> 00:28:22,703 WHAT ABOUT YOURRESPONSIBILITY TO THESE BOYS, HUH? 686 00:28:22,703 --> 00:28:24,955 MY JOB IS TO GET THEM READY FOR THE PROS. 687 00:28:24,955 --> 00:28:27,875 AND THAT'S WHAT I'VE BEEN DOING. 688 00:28:27,875 --> 00:28:29,209 I WON'T APOLOGIZE FOR THAT. 689 00:28:32,087 --> 00:28:32,504 I GUESS THAT'S WHERE YOU AND I FUNDAMENTALLY DIFFER. 690 00:28:34,381 --> 00:28:35,757 YOU'LL LEARN. 691 00:28:43,140 --> 00:28:47,019 [HIP-HOP MUSIC PLAYING] 692 00:28:50,564 --> 00:28:55,652 [JORDAN CHUCKLES] 693 00:28:55,652 --> 00:28:57,112 JORDAN: NOW WE'RE TALKING. SIMONE: I KNOW, BABE. 694 00:28:57,112 --> 00:28:59,448 YOU'VE BEEN WANTING TO PARTY ALL WEEKEND. 695 00:28:59,448 --> 00:29:01,074 I'VE BEEN WANTING TO GRIND ON MY WIFE A LITTLE BIT. MWAH. 696 00:29:01,074 --> 00:29:04,453 KEISHA: YAY, Y'ALL HERE. LET'S GO! 697 00:29:04,453 --> 00:29:08,707 SPENCER: OK! 698 00:29:08,707 --> 00:29:10,375 KEISHA: HEY, YO, NATE, K.E.K. PUNCH FOR EVERYBODY. 699 00:29:10,375 --> 00:29:11,585 OLIVIA: OH, ACTUALLY, NO PUNCH FOR ME. I'M SOBER, SO... 700 00:29:11,585 --> 00:29:15,130 GOOD FOR YOU, GIRL. 701 00:29:15,130 --> 00:29:15,964 SPENCER: DEAR GOD, TELL ME THAT'S NOT A TRASH CAN. 702 00:29:18,175 --> 00:29:19,843 IT'S THE CLEANEST THING IN HERE. TRUST. 703 00:29:19,843 --> 00:29:22,221 HERE Y'ALL GO. 704 00:29:22,221 --> 00:29:24,306 CHEERS, BITCHES. 705 00:29:24,306 --> 00:29:26,808 [ALL CHEER] 706 00:29:26,808 --> 00:29:28,936 [MUSIC CONTINUES] 707 00:29:54,878 --> 00:29:59,800 [SLOWLY] SIMONE HICKS. 708 00:29:59,800 --> 00:30:02,094 WHY DO YOU KEEP SAYING MY NAME LIKE THAT? 709 00:30:02,094 --> 00:30:06,348 'CAUSE IT'S DOPE. 710 00:30:06,348 --> 00:30:07,558 [DEADPAN] OK. 711 00:30:07,558 --> 00:30:09,101 [CHUCKLES] 712 00:30:09,101 --> 00:30:10,811 OH, OK. SO ATHLETE. 713 00:30:12,521 --> 00:30:16,859 THAT'S THE VIBE? 714 00:30:16,859 --> 00:30:17,734 OR ARE YOU JUST A BIG NAOMI OSAKA FAN? 715 00:30:17,734 --> 00:30:21,655 MM. IT'S BOTH. 716 00:30:21,655 --> 00:30:22,364 I'VE BEEN TRYING TO GET MY WAY BACK TO ATHLETE, 717 00:30:22,364 --> 00:30:26,201 FIND MY MOJO AGAIN. 718 00:30:26,201 --> 00:30:29,162 AND HOW'S THAT GOING? 719 00:30:29,162 --> 00:30:29,955 LET'S JUST SAY THE COMPETITION'S A LITTLE STIFF. 720 00:30:29,955 --> 00:30:33,000 SO USE IT. 721 00:30:33,000 --> 00:30:33,792 DON'T LET IT SHAKE YOU.COMPETITION IS JUST MOTIVATION. 722 00:30:33,792 --> 00:30:37,504 HMM. 723 00:30:37,504 --> 00:30:38,881 SO IS THAT HOW YOU KICK ASS IN BASEBALL? 724 00:30:38,881 --> 00:30:42,885 I HEARD ABOUT THE SCANDAL. 725 00:30:42,885 --> 00:30:43,719 BUT THAT DOESN'T AFFECT YOU, THOUGH, RIGHT? 726 00:30:43,719 --> 00:30:47,097 NAH. NOT AT ALL. 727 00:30:47,097 --> 00:30:49,308 STUDENT: YO, YOU SEEN J.R.? 728 00:30:49,308 --> 00:30:51,185 HE'S BEEN M.I.A. SINCE THAT BASEBALL NONSENSE HIT. 729 00:30:51,185 --> 00:30:52,936 MAN, I THOUGHT HE WAS IN THERE. 730 00:30:58,525 --> 00:31:03,572 OK, OK, HEY. HEY. I DON'T KNOW WHERE KEISHA IS, 731 00:31:03,572 --> 00:31:05,991 BUT YOU GOT TO DANCE WITH ME BEFORE SHE COMES BACK. 732 00:31:05,991 --> 00:31:07,743 WELL, YOU KNOW YOU CAN JUST SAY NO. 733 00:31:07,743 --> 00:31:10,120 SO IS NOW A GOOD TIME TO TELL HIM 734 00:31:10,120 --> 00:31:13,290 KEISHA AIN'T REALLY INTO HIM? 735 00:31:13,290 --> 00:31:15,334 UH, YEAH, SHE IS. WHAT ARE YOU TALKING ABOUT? 736 00:31:15,334 --> 00:31:17,586 NO. SHE JUST NEEDED SOMEONE TO HELP MAKE 737 00:31:17,586 --> 00:31:19,046 HER EX, TERRELL, JEALOUS. 738 00:31:21,006 --> 00:31:21,089 WORKS EVERY TIME. 739 00:31:25,093 --> 00:31:27,554 OH. 740 00:31:27,554 --> 00:31:28,514 ♪ ...EH, EVERYTHING IS GONNA HEAT UP ♪ 741 00:31:28,514 --> 00:31:31,934 ♪ I CAN FEEL THAT FEVER ♪ 742 00:31:31,934 --> 00:31:33,727 ♪ WIND IS BLOWING FAST UNDERNEATH US, EH ♪ 743 00:31:33,727 --> 00:31:36,396 ♪ JUST TURN UP THE SPEAKERS, EH ♪ 744 00:31:36,396 --> 00:31:39,024 ♪ WE, WE MAKE IT THROUGH IT ALL ♪ 745 00:31:39,024 --> 00:31:41,109 ♪ WE, WE BREAKIN' THROUGH THE WALL ♪ 746 00:31:41,109 --> 00:31:43,320 ♪ WAY UP IN THE TOP ♪ 747 00:31:43,320 --> 00:31:44,404 ♪ RISE, DON'T STOP ♪ 748 00:31:44,404 --> 00:31:45,781 ♪ TAKE YOUR SHOT ♪ 749 00:31:45,781 --> 00:31:47,491 ♪ WHEN YOU HEAR ME KNOCK ♪ 750 00:31:47,491 --> 00:31:48,742 ♪ GOT TO WAKE UP, WAKE UP, WAKE UP THE PARTY ♪ 751 00:31:48,742 --> 00:31:49,826 ♪ WAKE UP, WAKE UP, WAKE UP ♪ 752 00:31:49,826 --> 00:31:52,246 ♪ THE NIGHT! ♪ 753 00:31:52,246 --> 00:31:53,163 ♪ WAKE UP, WAKE UP, WAKE UP THE PARTY... ♪ 754 00:31:53,163 --> 00:31:55,207 WHAT'D I MISS? 755 00:31:55,207 --> 00:31:56,750 JUST, GROSS. 756 00:31:58,168 --> 00:32:00,087 SHE'S GOING AFTER WHAT SHE WANTS. 757 00:32:16,186 --> 00:32:20,607 UM, UH, MY BAD. I'M LOOKING FOR J.R. 758 00:32:20,607 --> 00:32:24,862 I HAVEN'T SEEN HIM. 759 00:32:24,862 --> 00:32:26,405 I'M SAYING MY GOOD-BYES TO THE FIELD. 760 00:32:29,616 --> 00:32:30,993 THEY'RE BROOMING OUT THE WHOLE COACHING STAFF. 761 00:32:34,204 --> 00:32:37,666 I'M SORRY. UM, I'LL GIVE YOU SOME PRIVACY. 762 00:32:37,666 --> 00:32:40,794 SIMS, WHEN YOU'RE OUT THERE PLAYING FOR THE PROS, 763 00:32:40,794 --> 00:32:44,464 I WANT YOU TO ALWAYS REMEMBER ONE THING: 764 00:32:44,464 --> 00:32:49,052 INTEGRITY. 765 00:32:49,052 --> 00:32:50,387 THAT'S THE MOST IMPORTANT THING AN ATHLETE, 766 00:32:50,387 --> 00:32:53,974 A TEAMMATE, A MAN HAS. 767 00:32:53,974 --> 00:32:55,434 AND WITHOUT IT, NOTHING ELSE MATTERS. 768 00:32:55,434 --> 00:32:57,102 I GUESS COACH SHAW SAW THINGS DIFFERENTLY. 769 00:32:57,102 --> 00:32:59,813 THIS TEAM'S FINALLY RID OF HIM. 770 00:32:59,813 --> 00:33:01,815 NOW, NEXT SEASON, THOSE BOYS CAN GO OUT THERE 771 00:33:01,815 --> 00:33:03,400 AND SHOW THE WHOLE WORLD WHAT THEY CAN REALLY DO 772 00:33:03,400 --> 00:33:05,986 UNDER AN HONEST PROGRAM. 773 00:33:06,945 --> 00:33:08,113 IT WAS YOU, WASN'T IT? 774 00:33:11,909 --> 00:33:13,327 YOU TIPPED SOMEONE OFF. IT COST YOU YOUR JOB. 775 00:33:13,327 --> 00:33:17,247 THOSE BOYS NEEDED A CHANCE 776 00:33:17,247 --> 00:33:19,082 TO REBUILD SOMETHING PURE AND GREAT. 777 00:33:19,082 --> 00:33:21,460 LOOK, I DID WHAT I HAD TO DO. 778 00:33:21,460 --> 00:33:22,628 SOMETIMES YOU JUST GOT TO TAKE ONE FOR THE TEAM. 779 00:33:25,464 --> 00:33:26,590 I'LL LEAVE YOU TO YOUR GOOD-BYES, COACH. 780 00:33:39,978 --> 00:33:44,608 I UNDERESTIMATED YOU. 781 00:33:44,608 --> 00:33:46,109 BUT NONE OF THAT SKILL MATTERS 782 00:33:46,109 --> 00:33:48,904 IF YOU CAN'T PERFORM LIKE THAT 783 00:33:48,904 --> 00:33:51,198 WHEN EYES ARE WATCHING AND THE PRESSURE'S ON. 784 00:33:51,198 --> 00:33:53,075 I WAS HOPING FOR SOME PRIVACY. 785 00:33:53,075 --> 00:33:54,535 ON MY COURTS? YOU'RE THE VISITOR. 786 00:33:54,535 --> 00:33:57,371 [CHUCKLES SOFTLY] 787 00:33:57,371 --> 00:33:58,872 FINE, GIRL. YOU GOT IT. 788 00:33:58,872 --> 00:34:00,541 THEA: YOU KNOW, TENNIS IS A GAME 789 00:34:00,541 --> 00:34:02,793 OF BOTH MENTAL AND PHYSICAL FITNESS. 790 00:34:02,793 --> 00:34:04,711 YOU'LL NEVER MAKE IT IF YOU KEEP BEING SO EASILY PSYCHED OUT. 791 00:34:04,711 --> 00:34:06,380 WHAT IS YOUR PROBLEM? YOU DON'T KNOW ME. YOU HAVE NO IDEA. 792 00:34:06,380 --> 00:34:09,299 I'M NOT A QUITTER. 793 00:34:09,299 --> 00:34:11,134 OK. WHATEVER. 794 00:34:11,134 --> 00:34:13,136 JUST WATCH YOUR BACK RIGHT FOOT 795 00:34:13,136 --> 00:34:15,347 ON YOUR FOREHAND VOLLEY. 796 00:34:15,347 --> 00:34:16,849 TRY STEPPING FORWARD WITH YOUR LEFT INSTEAD. 797 00:34:16,849 --> 00:34:18,183 IT'LL GIVE YOU MORE FORWARD MOMENTUM AND POWER. 798 00:34:18,183 --> 00:34:21,478 AND WHY ARE YOU HELPING ME? 799 00:34:21,478 --> 00:34:24,356 I'M NOT. I'M HELPING THE SPORT I LOVE. 800 00:34:24,356 --> 00:34:27,359 SEE, DON'T LET SERENA AND NAOMI'S SUCCESS FOOL YOU. 801 00:34:27,359 --> 00:34:29,862 EVERY TIME WE WALK OUT ON THAT COURT 802 00:34:29,862 --> 00:34:31,446 AS BLACK WOMEN, WE'RE BEING JUDGED 803 00:34:31,446 --> 00:34:35,576 ON EVERYTHING. 804 00:34:35,576 --> 00:34:37,870 YOU HAVE ONE JOB WHEN YOU PLAY-- 805 00:34:37,870 --> 00:34:39,580 BRING EXCELLENCE OR DON'T PLAY AT ALL. 806 00:34:47,337 --> 00:34:51,800 YOU WERE RIGHT, YOU KNOW? 807 00:34:51,800 --> 00:34:55,220 THIS TRIP, THIS PLACE. 808 00:34:55,220 --> 00:34:58,473 IT WAS EVERYTHING I WASN'T EVEN EXPECTING. 809 00:34:58,473 --> 00:35:01,185 AND IT'S JUST-- IT'S AMAZING TO BE 810 00:35:01,185 --> 00:35:04,313 SOMEPLACE THAT'S FOR US, BY US, 811 00:35:04,313 --> 00:35:07,733 WHERE EXCELLENCE IS EXPECTED, 812 00:35:07,733 --> 00:35:10,777 EVEN BY YOUR FRENEMIES. 813 00:35:10,777 --> 00:35:12,279 IT'S NOT TOO LATE TO APPLY. 814 00:35:13,071 --> 00:35:14,615 BABY SHAY IS IN L.A. 815 00:35:17,826 --> 00:35:19,870 AND I HAVE SUCH A GREAT RELATIONSHIP 816 00:35:19,870 --> 00:35:23,207 WITH HIS ADOPTED FAMILY. 817 00:35:23,207 --> 00:35:24,833 I CAN'T JUST UP AND MOVE CLEAR ACROSS THE COUNTRY. 818 00:35:24,833 --> 00:35:26,627 AND WHAT WERE YOU GONNA DO IF YOU GOT INTO PRINCETON? 819 00:35:26,627 --> 00:35:30,631 EXACTLY. YOU'D HAVE FIGURED IT OUT 820 00:35:30,631 --> 00:35:31,882 BECAUSE IT'S JUST THE EAST COAST, SWEETIE, NOT MARS. 821 00:35:31,882 --> 00:35:35,260 COME ON, AUNTIE. 822 00:35:35,260 --> 00:35:36,720 YOU KNOW MY MOM WOULD NEVER LET ME COME HERE. 823 00:35:36,720 --> 00:35:38,472 MM-MM. DON'T GET ME STARTED ON YOUR MOTHER. 824 00:35:38,472 --> 00:35:40,599 IT'S WAY PAST TIME YOU STOOD UP TO HER 825 00:35:40,599 --> 00:35:43,310 FOR WHAT YOU WANT. 826 00:35:43,310 --> 00:35:45,479 YOU DON'T HAVE TO MAKE A DECISION TODAY, 827 00:35:45,479 --> 00:35:47,856 BUT AS YOU ARE THINKING ABOUT IT, 828 00:35:47,856 --> 00:35:50,025 JUST REMEMBER, IN ORDER TO BE 829 00:35:50,025 --> 00:35:51,693 THE BEST VERSION OF YOURSELF FOR JORDAN 830 00:35:51,693 --> 00:35:54,780 AND SHAY AND EVERYONE ELSE YOU LOVE, 831 00:35:54,780 --> 00:35:56,615 YOU MAY NEED TO CHOOSE YOURSELF FIRST, SIMONE. 832 00:36:05,666 --> 00:36:10,128 SPENCER: AND I THOUGHT I'D BE THE ONLY TEEN AT COLLEGE 833 00:36:10,128 --> 00:36:12,756 UP AT THE CRACK OF DAWN. 834 00:36:12,756 --> 00:36:14,049 LOOK, I KNOW WE DON'T REALLY KNOW EACH OTHER LIKE THAT, 835 00:36:14,049 --> 00:36:16,969 BUT I KNOW WHAT IT LOOKS LIKE 836 00:36:16,969 --> 00:36:17,845 WHEN SOMEBODY'S CARRYING TOO MUCH WEIGHT ON THEIR SHOULDERS. 837 00:36:20,097 --> 00:36:20,681 WERE YOU SCARED WHEN YOU FORFEITED THAT GAME IN PROTEST 838 00:36:25,102 --> 00:36:28,814 AND FOOTBALL AND EVERYTHING COULD JUST GO AWAY? 839 00:36:28,814 --> 00:36:33,527 MAN, OF COURSE. 840 00:36:33,527 --> 00:36:33,902 IT DON'T CHANGE THE FACT THAT IT WAS THE RIGHT THING TO DO. 841 00:36:35,362 --> 00:36:35,904 [SIGHS] 842 00:36:40,450 --> 00:36:41,535 THIS WEEKEND DIDN'T GO AT ALL HOW I PLANNED IT, MAN. 843 00:36:41,535 --> 00:36:43,787 OH, WHAT, YOU WEREN'T PLANNING 844 00:36:43,787 --> 00:36:45,956 ON A CHAMPIONSHIP-WINNING BASEBALL PROGRAM 845 00:36:45,956 --> 00:36:46,748 GETTING DEMOLISHED WHILE YOU WERE VISITING FOR THE WEEKEND? 846 00:36:46,748 --> 00:36:49,501 I KNOW, RIGHT? 847 00:36:49,501 --> 00:36:51,336 GO FIGURE. 848 00:36:52,337 --> 00:36:53,672 IN A FEW MONTHS, I'LL BE DRAFTED, 849 00:36:57,009 --> 00:36:58,969 AND LIFE WILL NEVER BE THE SAME. 850 00:37:01,388 --> 00:37:02,890 I GUESS I JUST WANTED A WEEKEND 851 00:37:06,310 --> 00:37:07,769 TO REALLY CONNECT TO WHO I WAS BEFORE IT CHANGED. 852 00:37:07,769 --> 00:37:09,730 FOR SOMEBODY ABOUT TO GET THEIR DREAM, MAN, 853 00:37:12,232 --> 00:37:14,151 YOU DON'T SEEM TOO HAPPY. 854 00:37:14,151 --> 00:37:15,485 YEAH. I'M STARTING TO REALIZE 855 00:37:15,485 --> 00:37:17,362 THAT THE MLB IS MORE OF MY MOM'S DREAM. 856 00:37:18,697 --> 00:37:19,907 SHE'S JUST DONE SO MUCH FOR ME, 857 00:37:23,285 --> 00:37:24,328 I DON'T WANT TO LET HER DOWN. 858 00:37:27,331 --> 00:37:30,417 SHE'S NOT GONNA BE THE ONE OUT ON THAT FIELD, THOUGH. 859 00:37:30,417 --> 00:37:32,878 MAN. YOU DON'T GET IT. 860 00:37:32,878 --> 00:37:36,048 SHE SAVED MY LIFE. 861 00:37:36,048 --> 00:37:37,883 YEAH. ADOPTED ME OUT THE SYSTEM. 862 00:37:38,467 --> 00:37:43,430 RAISED ME, LOVES ME. 863 00:37:43,430 --> 00:37:46,058 I KNOW SHE'S JUST TRYING TO DO HER BEST BY ME. 864 00:37:46,058 --> 00:37:47,643 MY BIRTH PARENTS ARE ACTUALLY FROM HERE IN ATLANTA. 865 00:37:50,479 --> 00:37:52,856 AND ALL I KNOW IS THAT 18 YEARS AGO, 866 00:37:52,856 --> 00:37:54,900 THEY WENT TO SCHOOL HERE AT BRINGSTON. 867 00:37:54,900 --> 00:37:58,111 IS THAT WHY YOU'RE HERE? YOU TRYING TO FIND 'EM? 868 00:37:58,111 --> 00:38:02,324 I REALLY DON'T KNOW. 869 00:38:02,324 --> 00:38:02,950 THIS SCHOOL'S THE ONLY CONNECTION THAT I HAVE TO 'EM. 870 00:38:05,285 --> 00:38:07,329 I GUESS I JUST WANTED TO FEEL IT. 871 00:38:09,831 --> 00:38:12,751 I DON'T KNOW WHY I JUST TOLD YOU ALL OF THAT, MAN. 872 00:38:12,751 --> 00:38:15,879 CLEARLY YOU NEEDED TO TELL SOMEBODY. 873 00:38:15,879 --> 00:38:17,464 LOOK, MAN, I KNOW YOU FEEL LIKE YOU OWE YOUR MOMS, 874 00:38:17,464 --> 00:38:21,844 BUT IT SOUNDS LIKE SHE LOVES YOU. 875 00:38:21,844 --> 00:38:24,471 AND THAT DON'T COME WITH A FEE. 876 00:38:24,471 --> 00:38:27,349 SO WHATEVER IT IS THAT YOU DECIDE TO DO, 877 00:38:27,349 --> 00:38:28,642 IT'S GOT TO BE THE RIGHT THING FOR YOU. 878 00:38:31,103 --> 00:38:31,311 [EXHALES] 879 00:38:58,714 --> 00:39:03,552 THANK YOU. 880 00:39:03,552 --> 00:39:04,511 THANKS FOR AGREEING TO SEE ME, SIR. 881 00:39:12,644 --> 00:39:16,523 WHERE'S MY SON? 882 00:39:19,151 --> 00:39:23,238 [CAMERA SHUTTERS CLICKING] 883 00:39:23,238 --> 00:39:24,865 ALLEN: THANK YOU ALL FOR COMING. 884 00:39:24,865 --> 00:39:25,866 IT IS NEVER EASY TO DISCOVER 885 00:39:28,160 --> 00:39:29,286 SOMETHING'S GONE WRONG IN YOUR HOUSE, 886 00:39:29,286 --> 00:39:31,330 UNDER YOUR LEADERSHIP. 887 00:39:31,330 --> 00:39:33,207 IT'S MY HOPE THAT WE WILL NOT BE JUDGED 888 00:39:33,207 --> 00:39:35,375 BY THE POOR CHOICES OF A FEW 889 00:39:35,375 --> 00:39:37,294 BUT BY HOW WE RESPONDED TO RECTIFY IT. 890 00:39:37,294 --> 00:39:40,088 IT IS MY HOPE THAT INTEGRITY WILL BE OUR LEGACY. 891 00:39:40,088 --> 00:39:43,091 I'D LIKE TO GIVE DAMON SIMS THE OPPORTUNITY 892 00:39:43,091 --> 00:39:46,470 TO SAY A FEW WORDS. 893 00:39:46,470 --> 00:39:48,430 [CAMERA SHUTTERS CLICKING] 894 00:39:48,430 --> 00:39:50,098 DAMON: UH, THANK YOU, DR. ALLEN. 895 00:39:50,098 --> 00:39:53,393 [EXHALES] 896 00:39:53,393 --> 00:39:55,896 UH, THERE'S BEEN A LOT OF DISCUSSION ABOUT 897 00:39:55,896 --> 00:39:58,440 WHAT MY FUTURE WILL HOLD IN THESE NEXT FEW MONTHS. 898 00:39:58,440 --> 00:40:00,776 DR. ALLEN TALKED ABOUT LEGACY. 899 00:40:00,776 --> 00:40:03,904 AND I WANT MY LEGACY IN THIS SPORT TO BE 900 00:40:03,904 --> 00:40:07,074 THAT I MADE A DIFFERENCE. 901 00:40:07,074 --> 00:40:07,950 AND THAT'S WHY I WON'T BE PARTICIPATING 902 00:40:10,619 --> 00:40:13,080 IN THE 2021 MLB DRAFT. 903 00:40:13,080 --> 00:40:15,999 [SPECTATORS MURMURING] 904 00:40:15,999 --> 00:40:17,459 INSTEAD, I WILL BE COMMITTING TO PLAYING BASEBALL 905 00:40:17,459 --> 00:40:22,297 HERE AT BRINGSTON 906 00:40:22,297 --> 00:40:24,925 WITH COACH MARCUS TURNER AS OUR HEAD COACH. 907 00:40:24,925 --> 00:40:28,512 WE WILL REBUILD BASEBALL TOGETHER 908 00:40:28,512 --> 00:40:31,557 OUT THERE ON THAT FIELD. 909 00:40:31,557 --> 00:40:33,225 WE WILL BRING CHAMPIONSHIP BASEBALL BACK TO B.U., 910 00:40:33,225 --> 00:40:35,352 BACK TO US THE RIGHT WAY, THE HONORABLE WAY... 911 00:40:37,229 --> 00:40:39,481 WITH INTEGRITY. 912 00:40:41,692 --> 00:40:43,151 THANK YOU FOR YOUR TIME. 913 00:40:45,779 --> 00:40:47,573 [APPLAUSE] 914 00:40:56,874 --> 00:41:01,587 [J.R. CHUCKLING] 915 00:41:01,587 --> 00:41:04,840 YOU KNOW, WHEN I INVITED YOU DOWN, 916 00:41:04,840 --> 00:41:06,008 I DID NOT KNOW IT WOULD ACTUALLY END 917 00:41:06,008 --> 00:41:06,925 IN YOU COMMITTING HERE. 918 00:41:06,925 --> 00:41:08,260 I KNOW, RIGHT? 919 00:41:08,260 --> 00:41:09,845 IT FEELS LIKE HOME. 920 00:41:11,930 --> 00:41:14,099 HOME. YEAH. 921 00:41:14,099 --> 00:41:16,185 I GUESS BRINGSTON BASEBALL HAS FOUND ITS STAR. 922 00:41:16,185 --> 00:41:18,145 NO STARS, MAN. JUST BALLPLAYERS... 923 00:41:18,145 --> 00:41:21,481 ALL OF US. 924 00:41:21,481 --> 00:41:23,275 WE'LL DO THIS TOGETHER, ALL RIGHT? 925 00:41:23,275 --> 00:41:24,693 REBUILD HANK'S LEGACY HERE, MAN. 926 00:41:27,279 --> 00:41:30,532 MAKE HIM PROUD. 927 00:41:30,532 --> 00:41:32,534 [CHUCKLES] 928 00:41:32,534 --> 00:41:33,493 HEY, LOOK, MAN, I GOT TO GET GOING. 929 00:41:36,413 --> 00:41:38,248 MY FRAT BROTHERS ARE WAITING ON ME. 930 00:41:38,248 --> 00:41:40,584 OH. FOR SURE. 931 00:41:40,584 --> 00:41:41,752 I GUESS I'LL SEE YOU THIS FALL, BROTHER. 932 00:41:44,880 --> 00:41:46,173 SIMONE: CONGRATULATIONS. 933 00:41:49,635 --> 00:41:52,137 I GUESS THAT BASEBALL THING DID HAVE 934 00:41:52,137 --> 00:41:54,932 SOME EFFECT ON YOU, HUH? 935 00:41:54,932 --> 00:41:56,642 YEAH. SOMETHING LIKE THAT. 936 00:41:56,642 --> 00:41:58,936 WELL, YOU SEEM AT PEACE, SO GOOD FOR YOU. 937 00:42:03,899 --> 00:42:04,816 I SHOULD, UH, GET GOING. 938 00:42:08,654 --> 00:42:10,280 MY HUSBAND'S WAITING OUTSIDE FOR ME. 939 00:42:10,280 --> 00:42:12,199 HUSBAND? 940 00:42:12,824 --> 00:42:13,909 OH, OK. 941 00:42:17,162 --> 00:42:18,747 WHAT ABOUT YOU? 942 00:42:21,291 --> 00:42:22,543 FIND YOUR MOJO? 943 00:42:24,378 --> 00:42:25,921 YEAH. 944 00:42:28,757 --> 00:42:30,425 SOMETHING LIKE THAT. 945 00:42:30,425 --> 00:42:34,513 GOOD. 946 00:42:34,513 --> 00:42:35,305 TAKE CARE OF YOURSELF, SIMONE HICKS. 947 00:42:47,568 --> 00:42:52,239 RHYS LEWIS: ♪ I DON'T READ THE HEADLINES ♪ 948 00:42:52,239 --> 00:42:55,701 ♪ AND I DON'T WATCH THE NEWS ♪ 949 00:42:55,701 --> 00:42:57,953 ♪ 'CAUSE I LOSE FAITH IN SOMETHING ♪ 950 00:42:57,953 --> 00:43:01,039 ♪ EVERY TIME I DO ♪ 951 00:43:01,039 --> 00:43:02,791 ♪ WELL, I DON'T NEED TO BURY MY HEAD... ♪ 952 00:43:02,791 --> 00:43:05,836 WHAT? 953 00:43:05,836 --> 00:43:06,837 NOTHING. YOU JUST-- 954 00:43:06,837 --> 00:43:09,798 YOU SEEM HAPPY. 955 00:43:09,798 --> 00:43:11,633 LEWIS: ♪ ...TRYIN' TO LIVE THIS LIFE ♪ 956 00:43:11,633 --> 00:43:13,385 ♪ AS BEST AS I CAN ♪ 957 00:43:13,385 --> 00:43:15,012 ♪ SO LET'S KEEP SEARCHING FOR SOMEWHERE ♪ 958 00:43:15,012 --> 00:43:17,806 ♪ WE'RE GONNA FIND A WAY ♪ 959 00:43:17,806 --> 00:43:20,684 ♪ TO MAKE TOMORROW ♪ 960 00:43:20,684 --> 00:43:22,686 ♪ TOMORROW BETTER THAN TODAY ♪ 961 00:43:22,686 --> 00:43:26,732 ♪ LET'S MAKE TOMORROW ♪ 962 00:43:26,732 --> 00:43:28,025 ♪ TOMORROW BETTER THAN TODAY ♪ 963 00:43:51,757 --> 00:43:55,636 GREG, MOVE YOUR HEAD.