1 00:00:06,631 --> 00:00:11,011 [CHEERING] 2 00:00:11,052 --> 00:00:13,930 HEY, BRINGSTON UNIVERSITY, Y'ALL, MAKE SOME NOISE! 3 00:00:13,972 --> 00:00:15,765 [LOUDER CHEERING] 4 00:00:15,807 --> 00:00:17,100 UH! LET'S GO. 5 00:00:17,142 --> 00:00:19,436 WHOA, WHOA, WHOA, UH! 6 00:00:19,477 --> 00:00:21,146 ♪ SWEET LORD, PLEASE HAVE MERCY ♪ 7 00:00:21,187 --> 00:00:22,856 ♪ BABY JESUS, PLEASE SAVE US ♪ 8 00:00:22,897 --> 00:00:24,566 ♪ I KNOW I USED UP MY THREE FAVORS ♪ 9 00:00:24,607 --> 00:00:26,526 ♪ BACK TO SINNING, LIKE, A WEEK LATER ♪ 10 00:00:26,568 --> 00:00:28,069 ♪ NEW CAR, SPEED RACER ♪ 11 00:00:28,111 --> 00:00:29,904 ♪ COP A CRIB, NEED ACRES ♪ 12 00:00:29,946 --> 00:00:31,364 ♪ MOST OF ALL, WE ALL NEED PRAYER ♪ 13 00:00:31,406 --> 00:00:33,199 ♪ KARMA COMING, BEWARE... ♪ 14 00:00:33,241 --> 00:00:35,035 WOW. I BET PRINCETON 15 00:00:35,076 --> 00:00:36,578 ISN'T DOING ALL THIS FOR THEIR HOMECOMING. 16 00:00:36,619 --> 00:00:38,121 PRINCETON WHO? 17 00:00:38,163 --> 00:00:40,081 SPENCER: EXACTLY. LOOK, IF THEY 18 00:00:40,123 --> 00:00:42,125 TOO WACK TO ACCEPT YOU, FORGET THEM. 19 00:00:42,167 --> 00:00:44,502 LOOK, GUYS, I THOUGHT THE WHOLE POINT OF THIS TRIP WAS 20 00:00:44,544 --> 00:00:46,921 TO HELP CHEER ME UP AND TAKE MY MIND OFF THAT SCHOOL. 21 00:00:46,963 --> 00:00:49,591 OLIVIA: WELL, YEAH, AND TO SCOPE OUT THE HBCU EXPERIENCE. 22 00:00:49,632 --> 00:00:52,343 JORDAN: YOU'RE THE ONLY ONE WITH HBCUs ON YOUR LIST, LIV. 23 00:00:52,385 --> 00:00:54,846 WELL, AT LEAST SHE HAS A LIST. I AIN'T GOT NADA. 24 00:00:54,888 --> 00:00:57,015 ALL RIGHT. OK. STOP THE COLLEGE TALK, ALL RIGHT? 25 00:00:57,057 --> 00:00:58,641 THIS WEEKEND IS ABOUT VISITING YOUR AUNT 26 00:00:58,683 --> 00:01:00,477 AND HAVING SOME G.A.F. AM I RIGHT? GROWN-ASS FUN. 27 00:01:00,518 --> 00:01:01,811 COME ON, GUYS. 28 00:01:01,853 --> 00:01:03,313 [CHUCKLES] HOLD UP. HOLD UP. 29 00:01:03,354 --> 00:01:04,939 IS THAT REALLY CORDAE ON THE STAGE? 30 00:01:04,981 --> 00:01:06,399 CORDAE: ♪ ALL GAS AND THE BRAKE'S SLOWER ♪ 31 00:01:06,441 --> 00:01:08,443 ♪ TOOK A TRIP OUT TO TOKYO ♪ 32 00:01:08,485 --> 00:01:10,487 ♪ NOW I'M HERE IN PARIS FOR THE LAYOVER... ♪ 33 00:01:10,528 --> 00:01:11,821 SIMONE: ALL RIGHT, Y'ALL. 34 00:01:11,863 --> 00:01:14,240 WELCOME TO BRINGSTON UNIVERSITY. 35 00:01:14,282 --> 00:01:16,743 IT'S TIME TO TURN UP. 36 00:01:16,785 --> 00:01:18,495 CORDAE: ♪ LIFE WILL HIT YOU WITH A LIGHT JAB ♪ 37 00:01:18,536 --> 00:01:20,163 ♪ MIKE TYSON, STRIKE BACK ♪ 38 00:01:20,205 --> 00:01:21,998 ♪ YOU GO ON NOW, SLIGHT SAD ♪ 39 00:01:22,040 --> 00:01:23,708 ♪ KNOW I'M ALL ABOUT MY BAG ♪ 40 00:01:23,750 --> 00:01:25,502 ♪ NEW DRIP, I GRAB ♪ 41 00:01:25,543 --> 00:01:27,587 ♪ I JUST WANNA GET MY LIFE BACK ♪ 42 00:01:29,547 --> 00:01:32,592 IT'S JUST LIKE IN ANY OTHER SPACE. 43 00:01:32,634 --> 00:01:34,052 AS BLACK JOURNALISTS, 44 00:01:34,094 --> 00:01:35,678 YOU WILL BE HELD TO A HIGHER STANDARD. 45 00:01:35,720 --> 00:01:37,722 THERE'S A LARGER, UNREALISTIC BURDEN 46 00:01:37,764 --> 00:01:39,641 ON BLACK JOURNALISTS. 47 00:01:39,682 --> 00:01:42,852 AND IF YOU TAKE SOMEONE LIKE ME, WHO LIES IN THE INTERSECTION 48 00:01:42,894 --> 00:01:45,522 OF JOURNALISM AND ACTIVISM, THAT BURDEN IS EVEN GREATER. 49 00:01:45,563 --> 00:01:47,565 OLIVIA: IS THAT YOUR AUNT? PROFESSOR: KEISHA? 50 00:01:47,607 --> 00:01:50,276 KEISHA: SO HOW CAN YOU MAINTAIN JOURNALISTIC OBJECTIVITY? 51 00:01:50,318 --> 00:01:51,402 STUDENT: THE SAME WAY WHITE REPORTERS DO. 52 00:01:51,444 --> 00:01:53,196 KEISHA: EXCEPT, DO THEY? 53 00:01:53,238 --> 00:01:55,240 JUST BECAUSE THE VIEWS OF WHITENESS ARE NORMALIZED 54 00:01:55,281 --> 00:01:56,908 TO BE THE OBJECTIVE NEUTRAL DOESN'T MEAN THAT THEY ACTUALLY ARE. 55 00:01:56,950 --> 00:01:58,451 ALL RIGHT. 56 00:01:58,493 --> 00:02:01,246 FORGET ABOUT JOURNALISTIC OBJECTIVITY, KEISHA. 57 00:02:01,287 --> 00:02:03,206 I INSTEAD BELIEVE IN BEING 58 00:02:03,248 --> 00:02:04,624 ETHICAL, FAIR, AND TELLING THE TRUTH. 59 00:02:04,666 --> 00:02:05,917 THERE'S A DIFFERENCE. 60 00:02:05,959 --> 00:02:07,752 AND AS FOR ETHICS, MY PHILOSOPHY IS 61 00:02:07,794 --> 00:02:10,255 IF IT DOESN'T CROSS YOUR LINE IN THE SAND, 62 00:02:10,296 --> 00:02:12,715 THERE IS NO SHAME IN WALKING AWAY. 63 00:02:12,757 --> 00:02:15,969 BUT IF IT DOES, YOU PURSUE IT 64 00:02:16,010 --> 00:02:19,889 UNTIL YOU HAVE IT RIGHT, AND THEN BRING IT ALL TO THE LIGHT. 65 00:02:19,931 --> 00:02:22,934 OK. YAS, POETRY! 66 00:02:22,976 --> 00:02:24,561 [LAUGHTER, STUDENTS SNAPPING FINGERS] 67 00:02:24,602 --> 00:02:26,604 PROFESSOR: ALL RIGHT. SEE YOU ALL TUESDAY. 68 00:02:26,646 --> 00:02:29,274 KEISHA, YOU'RE A MESS. 69 00:02:29,315 --> 00:02:30,859 HOOTIE HOO! 70 00:02:30,900 --> 00:02:33,653 HOOTIE HOO! HA HA! 71 00:02:33,695 --> 00:02:35,238 HI, AUNTIE. 72 00:02:35,280 --> 00:02:37,907 OH, MY BABY GIRL. 73 00:02:37,949 --> 00:02:39,492 I CAN'T BELIEVE YOU'RE REALLY HERE. HA HA! 74 00:02:39,534 --> 00:02:42,120 I KNOW. 75 00:02:42,162 --> 00:02:45,206 OLIVIA, WHICH MAKES YOU SPENCER. 76 00:02:45,248 --> 00:02:47,458 AND YOU MUST BE NEPHEW-IN-LAW. 77 00:02:47,500 --> 00:02:48,918 SOMETHING LIKE THAT. 78 00:02:48,960 --> 00:02:50,837 UH, BY THE WAY, THANK YOU SO MUCH 79 00:02:50,879 --> 00:02:52,172 FOR LETTING US STAY THIS WEEKEND, MS. PATTERSON. 80 00:02:52,213 --> 00:02:53,423 DEAR GOD. CALL ME AMARA. 81 00:02:53,464 --> 00:02:55,633 I AM NOT THAT OLD. 82 00:02:55,675 --> 00:02:56,968 SO WHAT YOU GOT GOING ON? 83 00:02:57,010 --> 00:02:58,636 WHAT DO YOU MEAN? TEACHING. 84 00:02:58,678 --> 00:03:00,638 YOU ARE NEVER JUST TEACHING. 85 00:03:00,680 --> 00:03:02,640 I KNOW YOU GOT SOME AMAZING ARTICLE BREWING 86 00:03:02,682 --> 00:03:04,309 SOMEWHERE UP IN THERE. 87 00:03:04,350 --> 00:03:06,436 I'M STILL PUTTING THE PIECES TOGETHER. 88 00:03:06,477 --> 00:03:08,438 IN THE MEANTIME, IT'S HOMECOMING. 89 00:03:08,479 --> 00:03:10,481 YEAH, Y'ALL SEEM TO TAKE THAT REAL SERIOUS OUT HERE. 90 00:03:10,523 --> 00:03:12,108 OH, HONEY, YOU HAVE NO IDEA. 91 00:03:12,150 --> 00:03:13,943 KEISHA HAS OFFERED TO BE 92 00:03:13,985 --> 00:03:16,112 YOUR UNOFFICIAL AMBASSADOR FOR THE WEEKEND. 93 00:03:16,154 --> 00:03:17,822 SO LEAVE YOUR BAGS WITH ME. HAVE SOME FUN. 94 00:03:17,864 --> 00:03:19,365 I'LL CATCH YOU LATER. 95 00:03:19,407 --> 00:03:20,491 WAIT. ARE YOU SURE? 96 00:03:20,533 --> 00:03:22,285 GIRL, DON'T ASK TWICE. 97 00:03:22,327 --> 00:03:24,621 ♪ I MADE THE LONG CLIMB FOR THE FIRST TIME ♪ 98 00:03:24,662 --> 00:03:26,831 ♪ I'M ON TOP FOR THE THIRD TIME... ♪ 99 00:03:26,873 --> 00:03:30,543 KEISHA: YOU MADE IT JUST IN TIME FOR THE BEST PART OF HOMECOMING. 100 00:03:30,585 --> 00:03:32,253 OLIVIA: WHAT'S THAT? 101 00:03:32,295 --> 00:03:34,672 TONIGHT'S FASHION SHOW, CHOREOGRAPHED BY MOI. 102 00:03:34,714 --> 00:03:38,259 OH. SO YOU'RE A JOURNALISM MAJOR/CHOREOGRAPHER? 103 00:03:38,301 --> 00:03:40,386 PREMED, ACTUALLY, 104 00:03:40,428 --> 00:03:43,848 AND PROUD CAPTAIN OF THE UNDEFEATED BRINGSTON DANCE SQUAD. 105 00:03:43,890 --> 00:03:45,391 HEY. 106 00:03:45,433 --> 00:03:46,601 WHAT ARE YOU THINKING ABOUT APPLYING HERE FOR? 107 00:03:46,643 --> 00:03:47,894 OH, NO, I'M NOT APPLYING HERE. 108 00:03:47,936 --> 00:03:49,270 I'M JUST VISITING WITH MY FAMILY. 109 00:03:49,312 --> 00:03:50,688 MORE LIKE HIDING FROM FAMILY. 110 00:03:50,730 --> 00:03:52,523 SIMONE'S MOM IS, LIKE, A LOT. 111 00:03:52,565 --> 00:03:54,943 KEISHA: SO WHERE ARE YOU APPLYING? 112 00:03:54,984 --> 00:03:56,736 HONESTLY, I DON'T KNOW. 113 00:03:56,778 --> 00:03:58,238 GIRL, TICK-TOCK. 114 00:03:58,279 --> 00:03:59,739 YOU'RE KIND OF RUNNING OUT OF TIME. 115 00:03:59,781 --> 00:04:00,949 WHAT'S YOUR THING? 116 00:04:00,990 --> 00:04:02,158 TENNIS. 117 00:04:02,200 --> 00:04:03,409 -TENNIS. -MM-HMM. 118 00:04:03,451 --> 00:04:06,120 -OK. YOU ANY GOOD? -YEAH. 119 00:04:06,162 --> 00:04:07,914 KEISHA: OK. SIMONE: I AM. 120 00:04:07,956 --> 00:04:10,416 YO, IS EVERYONE IN ATLANTA HERE THIS WEEKEND? 121 00:04:10,458 --> 00:04:12,252 THIS IS BANANAS. 122 00:04:12,293 --> 00:04:14,629 GIRL, HBCUs ARE HOT RIGHT NOW, 123 00:04:14,671 --> 00:04:16,714 ESPECIALLY WITH 3 OF OUR GRADS OUT HERE 124 00:04:16,756 --> 00:04:18,758 SAVING THE COUNTRY FROM ITSELF. 125 00:04:18,800 --> 00:04:19,759 THANK YOU, MADAM V.P. 126 00:04:19,801 --> 00:04:21,386 AND THANK YOU, 127 00:04:21,427 --> 00:04:25,431 MS. STACEY "NOBEL PEACE PRIZE NOMINEE" ABRAMS. 128 00:04:25,473 --> 00:04:27,517 HEY. I LIKE THE WAY YOU SAY THAT. 129 00:04:27,558 --> 00:04:29,519 WAIT. WHO'S THE THIRD ONE, THOUGH? 130 00:04:29,560 --> 00:04:32,063 BOTH: MAYOR KEISHA LANCE BOTTOMS. 131 00:04:34,774 --> 00:04:39,654 OK, SO WHAT'S THE REAL ON THE TWO SEXIES BEHIND US? 132 00:04:39,696 --> 00:04:41,739 WELL, ONE OF THEM IS MY HUSBAND. 133 00:04:41,781 --> 00:04:45,576 HUSBAND? OK, WELL, THAT'S A STORY THAT I NEED TO HEAR, 134 00:04:45,618 --> 00:04:48,037 BUT PLEASE TELL ME IT'S NOT THE DARK CHOCOLATE ONE. 135 00:04:48,079 --> 00:04:50,581 OH, NO. SPENCER IS ALL LIV'S. 136 00:04:50,623 --> 00:04:54,294 UM, NO. SPENCER AND I ARE NOT TOGETHER. 137 00:04:54,335 --> 00:04:55,628 WE'RE JUST FRIENDS. 138 00:04:55,670 --> 00:04:58,381 WELL, THEN, HEH, YAY, ME. 139 00:04:58,423 --> 00:04:59,966 ["WOBBLE" BY V.I.C. PLAYING] 140 00:05:00,008 --> 00:05:02,093 KEISHA: ALL RIGHT. SO, UM, WHO'S HUNGRY? 141 00:05:02,135 --> 00:05:03,219 ♪ WOBBLE, BABY, WOBBLE, BABY, WOBBLE ♪ 142 00:05:03,261 --> 00:05:04,846 ♪ YEAH... ♪ 143 00:05:04,887 --> 00:05:06,306 ♪ WOBBLE, BABY, WOBBLE, BABY, WOBBLE ♪ 144 00:05:06,347 --> 00:05:08,016 ♪ YEAH... ♪ 145 00:05:08,057 --> 00:05:09,017 ♪ WOBBLE, BABY, WOBBLE, BABY, WOBBLE... ♪ 146 00:05:09,058 --> 00:05:10,977 ♪ YEAH... ♪ 147 00:05:11,019 --> 00:05:12,228 ♪ GET IN THERE! ♪ 148 00:05:12,270 --> 00:05:13,479 ♪ YEAH, YEAH ♪ 149 00:05:13,521 --> 00:05:14,647 ♪ GET IN THERE ♪ 150 00:05:14,689 --> 00:05:15,898 ♪ YEAH, YEAH ♪ 151 00:05:15,940 --> 00:05:17,734 ♪ GET IN THERE... ♪ 152 00:05:17,775 --> 00:05:19,152 ♪ YEAH, YEAH... ♪ 153 00:05:19,193 --> 00:05:22,113 ALL RIGHT. SO WHO GONNA WOBBLE WITH ME? 154 00:05:22,155 --> 00:05:23,906 OH, I'M GOOD. 155 00:05:23,948 --> 00:05:26,159 I'M NOT REALLY IN A GROUP DANCE KIND OF MOOD. 156 00:05:26,200 --> 00:05:28,369 WHATEVER DRAMA YOU GOT BACK HOME, FORGET ABOUT IT. 157 00:05:28,411 --> 00:05:31,456 JUST FOR THE WEEKEND, GIVE IN TO THE FUN 158 00:05:31,497 --> 00:05:34,625 OF A BEAUTIFULLY MELANATED HBCU EXPERIENCE. 159 00:05:34,667 --> 00:05:36,461 ALL RIGHT. SO I'M GONNA BE REAL MAD 160 00:05:36,502 --> 00:05:38,546 IF WE DON'T GET OUT THERE BEFORE MY SONG ENDS, SO... 161 00:05:38,588 --> 00:05:40,631 WELL, I'LL COME. 162 00:05:40,673 --> 00:05:43,259 NEXT SONG, I PROMISE. 163 00:05:43,301 --> 00:05:44,927 OK? 164 00:05:44,969 --> 00:05:46,512 ♪ GET IN THERE! ♪ 165 00:05:46,554 --> 00:05:48,097 ♪ YEAH, YEAH ♪ 166 00:05:48,139 --> 00:05:49,807 ♪ HEY, BIG GIRL, MAKE 'EM BACK IT UP ♪ 167 00:05:49,849 --> 00:05:51,059 ♪ YEAH... ♪ 168 00:05:51,100 --> 00:05:52,935 ♪ MAKE 'EM BACK IT UP ♪ 169 00:05:52,977 --> 00:05:55,605 [STUDENTS CHEERING, OLIVIA LAUGHING] 170 00:05:55,646 --> 00:05:58,775 ♪ MAKE 'EM BACK IT UP... ♪ 171 00:05:58,816 --> 00:06:01,778 [DEADPAN] GIVING IN TO THE FUN. 172 00:06:01,819 --> 00:06:03,363 ♪ MAKE 'EM BACK IT UP ♪ 173 00:06:03,404 --> 00:06:05,615 ♪ HEY, BIG GIRL, MAKE 'EM BACK IT UP ♪ 174 00:06:05,656 --> 00:06:07,116 ♪ YEAH... ♪ 175 00:06:07,158 --> 00:06:08,868 [ECHOING] ♪ MAKE 'EM BACK IT UP ♪ 176 00:06:08,910 --> 00:06:11,746 ♪ GIRL, WOBBLE IT, AND I'MMA GOBBLE IT... ♪ 177 00:06:11,788 --> 00:06:13,331 YO, CAN YOU NOT? 178 00:06:13,373 --> 00:06:15,666 ARE YOU CRAZY?! 179 00:06:15,708 --> 00:06:17,251 LOOK, LOOK. I'M JUST NOT TRYING TO DO 180 00:06:17,293 --> 00:06:18,544 THE WHOLE PICTURE THING THIS WEEKEND, ALL RIGHT? 181 00:06:18,586 --> 00:06:20,380 LOOK, I JUST WANT SOME PRIVACY. 182 00:06:20,421 --> 00:06:22,548 WAIT. I DON'T KNOW WHO YOU ARE, NOR DO I CARE. 183 00:06:22,590 --> 00:06:25,385 I WAS TAKING A VIDEO OF MY FRIENDS DANCING BEHIND YOU. 184 00:06:26,928 --> 00:06:29,180 [CHUCKLES] OH. OH, MY BAD. 185 00:06:29,222 --> 00:06:31,766 YOUR BAD? ARE YOU SERIOUS? 186 00:06:31,808 --> 00:06:35,603 IF YOU EVER TOUCH ME OR MY PROPERTY AGAIN, I-- 187 00:06:35,645 --> 00:06:37,355 WHY ARE YOU AMUSED RIGHT NOW? 188 00:06:37,397 --> 00:06:39,440 I'M SORRY. LOOK, UH, PLEASE CONTINUE. 189 00:06:39,482 --> 00:06:41,442 OH. SO YOU THINK YOU'RE CUTE. 190 00:06:41,484 --> 00:06:43,694 OK, WELL, UH, LET'S SEE HOW FUNNY YOU THINK THIS IS 191 00:06:43,736 --> 00:06:46,656 WHEN YOU GO VIRAL FOR GETTING YOUR ASS HANDED TO YOU BY A WOMAN. 192 00:06:46,697 --> 00:06:48,616 JORDAN: HEY, EVERYTHING GOOD, BABE? 193 00:06:48,658 --> 00:06:51,369 SIMONE: YEAH. JORDAN: YOU SURE? 194 00:06:51,411 --> 00:06:53,287 YEAH. MAN. JUST A, UH-- 195 00:06:53,329 --> 00:06:55,748 JUST A LITTLE MISUNDERSTANDING. 196 00:06:58,584 --> 00:07:00,169 FORGET HIM. 197 00:07:00,211 --> 00:07:01,212 ♪ BIG GIRL, MAKE 'EM BACK IT UP ♪ 198 00:07:01,254 --> 00:07:02,422 ♪ YEAH ♪ 199 00:07:02,463 --> 00:07:04,090 ♪ MAKE 'EM BACK IT UP ♪ 200 00:07:04,132 --> 00:07:05,925 ♪ HEY, BIG GIRL, MAKE 'EM BACK IT UP ♪ 201 00:07:05,967 --> 00:07:07,427 ♪ YEAH... ♪ 202 00:07:07,468 --> 00:07:09,137 [ECHOING] ♪ MAKE 'EM BACK IT UP ♪ 203 00:07:09,178 --> 00:07:10,930 MAN: WHOO! 204 00:07:10,972 --> 00:07:13,266 MAN 2: YOU KNOW, IF YOU REALLY DON'T WANT FOLKS TO KNOW 205 00:07:13,307 --> 00:07:15,268 YOU'RE HERE THIS WEEKEND, THIS IS THE LAST PLACE YOU SHOULD BE. 206 00:07:15,309 --> 00:07:17,270 I JUST WANTED TO SEE THE FIELD 207 00:07:17,311 --> 00:07:18,813 WHERE HANK DAWSON BROKE THE RECORD FOR STOLEN BASES. 208 00:07:18,855 --> 00:07:22,692 MM! GREATEST TO EVER DO IT IN THE NEGRO LEAGUE. 209 00:07:22,733 --> 00:07:24,360 YEAH. 210 00:07:24,402 --> 00:07:26,028 YOU ALL RIGHT? 211 00:07:27,530 --> 00:07:28,865 YEAH, MAN. I'M COOL. 212 00:07:28,906 --> 00:07:32,368 JUST WISH I COULD'VE MET HIM. 213 00:07:32,410 --> 00:07:35,079 SO WHAT'S IT LIKE TO PLAY FOR THE GREAT LEONARD SHAW? 214 00:07:35,121 --> 00:07:37,165 CRAZY INTIMIDATING. 215 00:07:37,206 --> 00:07:38,916 THEY KEEP ME ON THE BENCH MOST OF THE TIME, THOUGH. 216 00:07:38,958 --> 00:07:40,668 MAN, YOUR TIME WILL COME. 217 00:07:40,710 --> 00:07:43,129 ALL RIGHT? 218 00:07:43,171 --> 00:07:44,964 YOU SEE YOURSELF COMING TO SCHOOL IN THE SOUTH? 219 00:07:45,006 --> 00:07:47,967 COME ON, MAN. THE DREAM'S TO PLAY IN CALI. 220 00:07:48,009 --> 00:07:50,178 WHAT IF SIMONE DON'T WANT TO STAY IN CALI? 221 00:07:50,219 --> 00:07:52,763 SHE DOES, OK, NOW THAT PRINCETON'S OFF THE TABLE, 222 00:07:52,805 --> 00:07:56,225 SO EVERYTHING'S GONNA BE A-OK. 223 00:07:56,267 --> 00:07:59,395 SPENCER: I KNEW IT. I KNEW THAT CAT LOOKED FAMILIAR. 224 00:07:59,437 --> 00:08:01,105 WHO IS HE? 225 00:08:01,147 --> 00:08:02,899 DAMON SIMS. 226 00:08:02,940 --> 00:08:04,650 HE ONE OF THE TOP RECRUITS IN THE COUNTRY. 227 00:08:04,692 --> 00:08:06,986 THAT BOY'S A SURE THING TO GO FIRST ROUND TO THE MLB 228 00:08:07,028 --> 00:08:09,197 STRAIGHT OUT OF HIGH SCHOOL THIS YEAR. 229 00:08:09,238 --> 00:08:11,365 MLB. THEN, WELL, WHY IS HE HERE 230 00:08:11,407 --> 00:08:12,909 CHECKING OUT BRINGSTON'S BASEBALL PROGRAM, 231 00:08:12,950 --> 00:08:14,410 TRYING TO BE ALL INCOGNITO? 232 00:08:14,452 --> 00:08:16,496 I'M GONNA CATCH YOU AFTER PRACTICE. 233 00:08:17,788 --> 00:08:21,626 -HEY, YO, IS THAT DAMON SIMS? -WHAT? 234 00:08:21,667 --> 00:08:24,295 MAN: HEY, GUYS, CHECK IT OUT. DAMON SIMS IS HERE. 235 00:08:24,337 --> 00:08:26,339 I TOLD YOU. 236 00:08:30,801 --> 00:08:32,386 OLIVIA: WHO KNEW THERE WAS 237 00:08:32,428 --> 00:08:33,930 A WHOLE MINI-WIMBLEDON GOING ON BACK HERE? 238 00:08:33,971 --> 00:08:35,598 KEISHA: THEA'S PARENTS INSIST 239 00:08:35,640 --> 00:08:37,850 ON NOTHING BUT THE BEST FOR THEIR BABY GIRL. 240 00:08:37,892 --> 00:08:40,228 THEY ARE MAJOR DONORS. 241 00:08:40,269 --> 00:08:42,522 SIMONE: DAMN. SHE IS RIDICULOUS. 242 00:08:42,563 --> 00:08:44,774 DO YOU SEE HOW AGGRESSIVE SHE IS FROM THE BASELINE? 243 00:08:44,815 --> 00:08:46,526 OLIVIA: OK, CALM DOWN. SHE'S NOT BEYONCE. 244 00:08:46,567 --> 00:08:48,444 KEISHA: CAME UP ON THE JUNIOR CIRCUIT, 245 00:08:48,486 --> 00:08:50,655 AND THE 2020 NATIONAL WOMEN'S HBCU CHAMPION. 246 00:08:50,696 --> 00:08:52,490 SO, YEAH, SHE'S KIND OF OUR QUEEN BEY, 247 00:08:52,532 --> 00:08:54,075 JUST NOT AS NICE. 248 00:08:54,116 --> 00:08:56,452 [GROANS] 249 00:08:56,494 --> 00:08:57,787 ARE YOU GUYS DONE? 250 00:08:57,828 --> 00:08:59,330 LIKE, IS THERE ANYWHERE ELSE 251 00:08:59,372 --> 00:09:00,831 YOU CAN HANG OUT AND BE DISRUPTIVE? 252 00:09:00,873 --> 00:09:02,083 OR IT HAS TO BE HERE? 253 00:09:02,124 --> 00:09:03,751 OH, UH, SORRY. 254 00:09:03,793 --> 00:09:06,087 WE, LIKE, WEREN'T TRYING TO DISTRACT YOU OR ANYTHING. 255 00:09:06,128 --> 00:09:08,297 AND YET HERE YOU ARE EVEN CLOSER. 256 00:09:08,339 --> 00:09:12,343 OH. UH, I'M TRYING TO GIVE YOU A COMPLIMENT, 257 00:09:12,385 --> 00:09:15,096 BUT I GUESS I'LL JUST MIND MY BUSINESS. 258 00:09:15,137 --> 00:09:18,057 -YOU PLAY? -EXCUSE ME? 259 00:09:18,099 --> 00:09:21,394 OH, YEAH. I CAME UP JUNIOR CIRCUIT LIKE YOU. 260 00:09:21,435 --> 00:09:23,688 OH, LIKE ME? LET'S SEE WHAT YOU GOT. 261 00:09:23,729 --> 00:09:25,064 YOU CAN HELP WARM ME UP. 262 00:09:25,106 --> 00:09:27,149 BECCA. 263 00:09:27,191 --> 00:09:30,027 WAIT. YOU MEAN, LIKE, RIGHT NOW? 264 00:09:30,069 --> 00:09:33,281 OH, YEAH. UH, OK, COOL. 265 00:09:36,867 --> 00:09:39,036 ALL RIGHT. GOOD LUCK THIS SEASON, Y'ALL. 266 00:09:39,078 --> 00:09:40,830 HEY, HOW ABOUT IT? 267 00:09:40,871 --> 00:09:42,582 [CHUCKLES WEAKLY] 268 00:09:42,623 --> 00:09:44,917 THANKS, BUT I'M GOOD. I DON'T WANT TO INTERRUPT. 269 00:09:44,959 --> 00:09:47,837 INTERRUPT? DUDE, WE'RE ALL DYING TO SEE THAT VELOCITY. 270 00:09:47,878 --> 00:09:50,006 WHAT'D YOU CLOCK AT THE ALL-STAR FUTURES GAME, 101? 271 00:09:50,047 --> 00:09:51,507 102.1, ACTUALLY. 272 00:09:51,549 --> 00:09:53,342 HEY, WE GOT TIME BEFORE COACH GET HERE. 273 00:09:53,384 --> 00:09:54,552 LET'S TOSS A FEW. 274 00:09:54,594 --> 00:09:56,637 REALLY, I'M--I'M GOOD, MAN. 275 00:09:56,679 --> 00:09:59,140 Y'ALL REALLY GONNA MAKE HIM SAY IT? 276 00:09:59,181 --> 00:10:01,309 MILLION-DOLLAR BABY OVER HERE CAN'T WASTE HIS ARM ON LITTLE OLD US. 277 00:10:01,350 --> 00:10:02,351 DON'T PUT WORDS IN MY BOY'S MOUTH. 278 00:10:02,393 --> 00:10:04,645 MY BAD. 279 00:10:04,687 --> 00:10:09,692 AM I WRONG, THOUGH? CORRECT ME, PLEASE. 280 00:10:09,734 --> 00:10:11,193 ALL RIGHT. 281 00:10:11,235 --> 00:10:12,820 WHO'S GOT A PITCHER'S GLOVE? 282 00:10:16,574 --> 00:10:17,867 ♪ YOU GONNA ♪ 283 00:10:21,412 --> 00:10:23,205 ♪ YOU GONNA ♪ 284 00:10:25,708 --> 00:10:28,419 ♪ YOU GONNA ♪ 285 00:10:28,461 --> 00:10:30,379 GET READY. 286 00:10:30,421 --> 00:10:32,173 WOMAN: ♪ HEY! ♪ 287 00:10:32,214 --> 00:10:34,050 MAN: ♪ 'CAUSE YOU GOT TO FEEL IT IN YOUR SOUL ♪ 288 00:10:34,091 --> 00:10:35,926 ♪ 'CAUSE YOU GOT TO BELIEVE IT, YOU GOT TO KNOW ♪ 289 00:10:35,968 --> 00:10:38,095 ♪ 'CAUSE YOU GOT TO WAKE UP AND DREAM AND GO GET IT ♪ 290 00:10:38,137 --> 00:10:40,264 ♪ A VISIONARY KNOWS NO LIMIT ♪ 291 00:10:40,306 --> 00:10:41,766 ♪ DO IT BIG SO YOUR NAME BE REMEMBERED ♪ 292 00:10:41,807 --> 00:10:43,517 OLIVIA: I THOUGHT THIS WAS A FRIENDLY MATCH. 293 00:10:43,559 --> 00:10:45,269 THOSE DON'T EXIST FOR THEA. 294 00:10:46,646 --> 00:10:48,064 ♪ YOU GONNA DREAM BIG... ♪ 295 00:10:48,105 --> 00:10:49,607 PLAYERS: WHOO! 296 00:10:49,649 --> 00:10:51,442 PLAYER: THAT'S WHAT I'M TALKING ABOUT. 297 00:10:51,484 --> 00:10:53,819 WOMAN: ♪ CALLING SHOTS 'CAUSE YOU'RE IN CHARGE ♪ 298 00:10:53,861 --> 00:10:56,072 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 299 00:10:56,113 --> 00:10:58,699 ♪ YOU WANNA LIVE LIFE LIKE A RENEGADE ♪ 300 00:10:58,741 --> 00:11:00,201 ♪ CLIMB TO THE TOP FOR YOUR PIECE OF FAME... ♪ 301 00:11:00,242 --> 00:11:02,119 PLAYER: LET'S GO, BOYS. 302 00:11:02,161 --> 00:11:03,829 ♪ CALLING SHOTS 'CAUSE YOU'RE IN CHARGE ♪ 303 00:11:03,871 --> 00:11:07,625 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 304 00:11:07,667 --> 00:11:08,751 ♪ IF YOU GONNA... ♪ 305 00:11:08,793 --> 00:11:10,544 ♪ MM ♪ 306 00:11:10,586 --> 00:11:13,172 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 307 00:11:13,214 --> 00:11:14,965 ♪ MM MM ♪ 308 00:11:15,007 --> 00:11:17,551 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 309 00:11:17,593 --> 00:11:19,387 ♪ OOH ♪ 310 00:11:19,428 --> 00:11:22,098 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 311 00:11:22,139 --> 00:11:23,808 ♪ MM MM ♪ 312 00:11:23,849 --> 00:11:26,811 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 313 00:11:26,852 --> 00:11:29,522 ♪ YOU SAY YOU WANNA BE FAMOUS ♪ 314 00:11:29,563 --> 00:11:31,774 ♪ STAND 10 FEET TALL ♪ 315 00:11:33,984 --> 00:11:35,778 TAKE IT EASY ON ME, MAN. 316 00:11:35,820 --> 00:11:37,446 WOULDN'T KNOW HOW. 317 00:11:37,488 --> 00:11:39,824 ♪ YOU GONNA ♪ 318 00:11:39,865 --> 00:11:41,909 ♪ YOU GONNA ♪ 319 00:11:41,951 --> 00:11:44,412 ♪ UH! THIS IS THE TIME OF YOUR LIFE, THE MOMENT TO LIVE ♪ 320 00:11:44,453 --> 00:11:46,163 ♪ THE MOMENT TO SHINE ♪ 321 00:11:46,205 --> 00:11:47,998 ♪ THE MOMENT TO RISE AND TAKE OVER THE WORLD ♪ 322 00:11:48,040 --> 00:11:49,834 ♪ I'M ON TOP OF EVERYTHING, ON TOP OF MY GAME ♪ 323 00:11:49,875 --> 00:11:51,419 ♪ UH! ♪ 324 00:11:53,921 --> 00:11:55,005 UH! 325 00:12:00,720 --> 00:12:04,265 YOU ALWAYS WARM UP THAT INTENSELY? 326 00:12:04,306 --> 00:12:06,559 SORRY. I THOUGHT YOU COULD HANG. 327 00:12:15,443 --> 00:12:18,320 MAN: HEY, WHAT THE HELL Y'ALL DOING? HUH? 328 00:12:18,362 --> 00:12:20,406 SO Y'ALL JUST GOT TIME TO WASTE? 329 00:12:20,448 --> 00:12:22,241 DAMON: UH, LOOK, I'M SORRY. THIS WAS--THIS WAS MY FAULT. 330 00:12:22,283 --> 00:12:24,160 LAPS AROUND THE FIELD NOW. [PLAYERS GROANING] 331 00:12:24,201 --> 00:12:26,412 LOOK, YOU DON'T STOP TILL I TELL YOU TO STOP. 332 00:12:26,454 --> 00:12:29,248 LET'S GO. LET'S GO! MOVE IT, NOW. 333 00:12:29,290 --> 00:12:31,083 YOU PLAY HOW YOU PRACTICE. GO! 334 00:12:31,125 --> 00:12:32,877 UH, DAMON SIMS, SIR. 335 00:12:37,465 --> 00:12:40,009 MAN. YOU MUST BE PROUD OF THIS TEAM. 336 00:12:40,050 --> 00:12:42,303 I MEAN, THEY'RE TIGHT, A WELL-OILED MACHINE. 337 00:12:42,344 --> 00:12:43,971 I KNOW. I OILED THEM. 338 00:12:44,013 --> 00:12:45,347 AND NEXT TIME YOU WANT TO SHOW OFF, 339 00:12:45,389 --> 00:12:47,391 YOU DO IT ELSEWHERE, SON. 340 00:12:47,433 --> 00:12:49,810 I APOLOGIZED. 341 00:12:49,852 --> 00:12:52,354 YEAH, I HEARD YOU. IT'S NOTHING PERSONAL, KID. 342 00:12:52,396 --> 00:12:55,274 I JUST DON'T LIKE MY PRACTICES BEING INTERRUPTED. 343 00:12:55,316 --> 00:12:58,694 FUNNY, 'CAUSE IT FEELS PRETTY PERSONAL, COACH. 344 00:12:58,736 --> 00:13:00,696 I JUST DON'T TAKE TO PLAYERS 345 00:13:00,738 --> 00:13:02,531 WHO ALL ABOUT THEMSELVES AND NOT THE TEAM. 346 00:13:02,573 --> 00:13:03,741 YOU DON'T EVEN KNOW ME. 347 00:13:03,783 --> 00:13:05,576 AREN'T YOU THE STAR PITCHER 348 00:13:05,618 --> 00:13:07,244 WHO'S CURRENTLY SITTING OUT OF HIS HIGH-SCHOOL BASEBALL GAMES 349 00:13:07,286 --> 00:13:09,538 WHEN HIS TEAM NEEDS HIM THE MOST, 350 00:13:09,580 --> 00:13:11,415 BECAUSE HE'S SAVING HIS ARM FOR THE PROS? 351 00:13:11,457 --> 00:13:13,751 SEE, I'VE WATCHED A LOT OF TAPE ON YOU, SON, 352 00:13:13,793 --> 00:13:15,336 AND HERE'S WHAT I DON'T GET. 353 00:13:15,377 --> 00:13:18,464 WHY DO YOU PLAY THE GAME IN THE FIRST PLACE, SON? 354 00:13:18,506 --> 00:13:20,341 'CAUSE IT'S CLEAR YOU DON'T ENJOY IT. 355 00:13:20,382 --> 00:13:22,843 YOU LECTURING OUR SURPRISE GUEST, MARCUS? 356 00:13:22,885 --> 00:13:25,471 JUST HAVING AN HONEST CONVERSATION, COACH. 357 00:13:25,513 --> 00:13:27,681 HEH HEH! WELL, COACH TURNER IS KNOWN 358 00:13:27,723 --> 00:13:29,475 FOR HIS HONEST CONVERSATION. 359 00:13:29,517 --> 00:13:31,769 LEONARD SHAW, HEAD COACH. 360 00:13:31,811 --> 00:13:33,145 MARCUS TURNER, ASSISTANT HEAD. 361 00:13:33,187 --> 00:13:35,272 NICE TO MEET YOU, SIR. 362 00:13:35,314 --> 00:13:38,442 I'VE HAD MY EYE ON YOU SINCE FIRST YEAR VARSITY. 363 00:13:38,484 --> 00:13:40,402 MOM CAME DOWN ON ME PRETTY HARD, THOUGH. 364 00:13:40,444 --> 00:13:43,531 COACH TURNER, THEM BOYS LOOK PLENTY WARM. 365 00:13:43,572 --> 00:13:45,658 WHY DON'T YOU GO AHEAD AND GET THINGS STARTED? 366 00:13:45,699 --> 00:13:48,577 [LAUGHTER] 367 00:13:48,619 --> 00:13:50,913 [MUSIC PLAYING, CELL PHONE RINGS] 368 00:13:50,955 --> 00:13:53,082 AMARA: SHE'S PROBABLY CHECKING TO MAKE SURE 369 00:13:53,123 --> 00:13:54,667 I HAVEN'T CORRUPTED YOU YET. 370 00:13:54,708 --> 00:13:55,918 MM-HMM. 371 00:13:55,960 --> 00:13:57,795 SHE DOES KNOW YOU'RE HERE, RIGHT? 372 00:13:59,547 --> 00:14:01,257 -DAD KNOWS. -SIMONE. 373 00:14:01,298 --> 00:14:02,758 AUNTIE, I NEED TO FIGURE OUT 374 00:14:02,800 --> 00:14:04,552 WHAT MY COLLEGE FUTURE LOOKS LIKE, 375 00:14:04,593 --> 00:14:05,886 FIGURE OUT WHAT'S BEST FOR ME, 376 00:14:05,928 --> 00:14:08,013 WHAT'S BEST FOR US. 377 00:14:09,557 --> 00:14:11,475 AND I CAN'T DO THAT AT HOME. 378 00:14:11,517 --> 00:14:14,270 IT'S EITHER TINA HICKS' WAY OR NO WAY. 379 00:14:14,311 --> 00:14:16,063 I WON'T BLOW UP YOUR SPOT UNDER ONE CONDITION. 380 00:14:16,105 --> 00:14:19,817 YOU GIVE BRINGSTON SOME CAREFUL THOUGHT THIS WEEKEND. 381 00:14:19,859 --> 00:14:22,945 I KNOW YOU DIDN'T COME TO SCOUT THE SCHOOL, BUT JUST CONSIDER IT. 382 00:14:22,987 --> 00:14:26,365 I THINK IT COULD BE A GOOD FIT... 383 00:14:28,033 --> 00:14:30,035 FOR BOTH OF YOU, FOR ALL OF YOU, ACTUALLY. 384 00:14:30,077 --> 00:14:31,620 SPENCER: ALL RIGHT. I'LL BITE. 385 00:14:31,662 --> 00:14:33,914 WHAT MAKES HBCUs SO SPECIAL? 386 00:14:33,956 --> 00:14:37,626 IT'S A CONNECTION TO OUR HISTORY, OUR CULTURE. 387 00:14:37,668 --> 00:14:39,628 OLIVIA: BLACK EXCELLENCE. AMARA: EXACTLY. 388 00:14:39,670 --> 00:14:42,006 AND THE TENNIS PROGRAM IS REALLY GOOD. 389 00:14:42,047 --> 00:14:45,009 YEAH, JUST MAYBE DON'T PUT ALL YOUR EGGS 390 00:14:45,050 --> 00:14:46,635 IN THE ATHLETIC BASKET. 391 00:14:46,677 --> 00:14:49,388 [CELL PHONE VIBRATES, AMARA CHUCKLES] 392 00:14:49,430 --> 00:14:51,724 KEISHA, SHOULDN'T YOU BE GETTING READY FOR-- 393 00:14:51,765 --> 00:14:54,602 DAMN. OK. I'M ON MY WAY. 394 00:14:54,643 --> 00:14:58,188 BIG FASHION SHOW EMERGENCY. COME ON. 395 00:14:58,230 --> 00:15:00,608 IT'S A FASHION SHOW. HOW BIG OF AN EMERGENCY CAN IT BE? 396 00:15:00,649 --> 00:15:04,904 ♪ THIS IS THE STORY OF MY REIGN AND MY ARRIVAL... ♪ 397 00:15:04,945 --> 00:15:07,197 LISTEN, I'M A MIRACLE WORKER 398 00:15:07,239 --> 00:15:09,116 WITH COVER-UP AND A CONTOUR BRUSH, 399 00:15:09,158 --> 00:15:12,202 BUT EVEN I CAN'T FIX THIS CRAZINESS. 400 00:15:12,244 --> 00:15:13,454 AMARA AND SIMONE: OOH. 401 00:15:13,495 --> 00:15:14,830 WE ARE NOT PUTTING HER 402 00:15:14,872 --> 00:15:16,749 ON THE STAGE LIKE THAT. 403 00:15:16,790 --> 00:15:18,375 NOT MY FASHION SHOW. 404 00:15:18,417 --> 00:15:20,169 KEISHA: DR. PATTERSON, YOU'RE OUR ADVISOR. 405 00:15:20,210 --> 00:15:21,754 YOU KNOW THE ROUTINE. SO, LIKE-- 406 00:15:21,795 --> 00:15:25,174 AMARA: OH, NO, NO, NO. BUT, SIMONE, 407 00:15:25,215 --> 00:15:28,302 YOU USED TO DANCE. 408 00:15:28,344 --> 00:15:29,970 UH, OLIVIA STILL DANCES. 409 00:15:30,012 --> 00:15:31,764 UH, NO ONE ASKED ME. 410 00:15:31,805 --> 00:15:33,849 OK, YOU KNOW WHAT? YOU'RE BOTH DOING IT. 411 00:15:33,891 --> 00:15:36,226 SYMMETRY. YOU'LL BE FINE. 412 00:15:36,268 --> 00:15:38,479 AND YOU HAVE AN HOUR UNTIL CURTAIN. 413 00:15:38,520 --> 00:15:40,022 THAT'S LIKE A YEAR IN DANCER TIME. 414 00:15:40,064 --> 00:15:41,732 OK. BUT I DIDN'T SAY YES. 415 00:15:41,774 --> 00:15:44,360 YOU DID. YOU SAID, "NEXT SONG...PROMISE." 416 00:15:44,401 --> 00:15:47,071 WELL, THE NEXT SONG'S HERE, SWEETIE, SO LET'S GO. COME ON. 417 00:15:47,112 --> 00:15:48,364 AMARA: YOU'LL BE FINE. OLIVIA: I... 418 00:15:48,405 --> 00:15:50,532 -YOU'RE OK. -COME-- 419 00:15:50,574 --> 00:15:53,118 DAMON: HEY, WHAT'S THE DEAL WITH COACH TURNER ANYWAY? 420 00:15:53,160 --> 00:15:54,703 I THOUGHT COACH SHAW WOULD BE THE ONE WITH THE STICK UP HIS ASS. 421 00:15:54,745 --> 00:15:56,705 HEH. COACH TURNER'S THE REAL DEAL. 422 00:15:56,747 --> 00:15:58,749 THAT DUDE'S JUST MAD STRESSED LATELY. 423 00:15:58,791 --> 00:16:01,043 WHY? YOU ALL ARE A CHAMPIONSHIP TEAM. 424 00:16:01,085 --> 00:16:02,878 I DON'T KNOW. 425 00:16:02,920 --> 00:16:06,590 EMCEE: B.U., ARE Y'ALL BITCHES READY FOR A FASHION SHOW? 426 00:16:06,632 --> 00:16:08,759 [APPLAUSE] 427 00:16:08,801 --> 00:16:14,473 [VOCAL SAMPLES] 428 00:16:14,515 --> 00:16:16,934 BEYONCE: ♪ DRIVER, ROLL UP THE PARTITION, PLEASE ♪ 429 00:16:16,976 --> 00:16:19,269 LOOK OUT. 430 00:16:19,311 --> 00:16:22,231 ♪ DRIVER, ROLL UP THE PARTITION, PLEASE ♪ 431 00:16:22,272 --> 00:16:24,692 ♪ I DON'T NEED YOU SEEING 'YONCE ON HER KNEES ♪ 432 00:16:24,733 --> 00:16:27,319 ♪ TOOK 45 MINUTES TO GET ALL DRESSED UP ♪ 433 00:16:27,361 --> 00:16:30,155 ♪ WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB ♪ 434 00:16:30,197 --> 00:16:32,825 [CHEERING] 435 00:16:32,866 --> 00:16:35,077 ♪ OH, HE SO HORNY, YEAH, HE WANT TO, MM ♪ 436 00:16:35,119 --> 00:16:37,913 ♪ HE BUCKED ALL MY BUTTONS, AND HE RIPPED MY BLOUSE ♪ 437 00:16:37,955 --> 00:16:40,374 ♪ HE MONICA LEWINSKI'D ALL ON MY GOWN ♪ 438 00:16:40,416 --> 00:16:42,710 ♪ OH, THERE, DADDY, DADDY DIDN'T BRING THE TOWEL ♪ 439 00:16:42,751 --> 00:16:45,295 ♪ OH, BABY, BABY, WE BETTER SLOW IT DOWN ♪ 440 00:16:45,337 --> 00:16:47,965 ♪ TOOK 45 MINUTES TO GET ALL DRESSED UP ♪ 441 00:16:48,007 --> 00:16:50,384 ♪ AND WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB ♪ 442 00:16:50,426 --> 00:16:52,511 ♪ TAKE ALL, TAKE ALL ♪ 443 00:16:52,553 --> 00:16:54,513 ♪ OF ME, OF ME ♪ 444 00:16:54,555 --> 00:16:58,058 ♪ I JUST WANNA BE THE GIRL YOU LIKE, GIRL YOU LIKE ♪ 445 00:16:58,100 --> 00:17:00,477 ♪ TAKE ALL, TAKE ALL ♪ 446 00:17:00,519 --> 00:17:02,938 ♪ OF ME, OF ME, I JUST WANNA BE... ♪ 447 00:17:02,980 --> 00:17:04,648 WOW. SHE IS STUNNING. 448 00:17:04,690 --> 00:17:08,235 YEAH. YEAH, SHE IS. 449 00:17:08,277 --> 00:17:10,195 ♪ ...IS RIGHT HERE WITH ME ♪ 450 00:17:10,237 --> 00:17:12,239 ♪ RIGHT HERE WITH ME, RIGHT HERE WITH ME ♪ 451 00:17:12,281 --> 00:17:13,949 ♪ RIGHT HERE WITH ME ♪ 452 00:17:13,991 --> 00:17:16,201 ♪ DRIVER, ROLL UP THE PARTITION FAST ♪ 453 00:17:16,243 --> 00:17:18,704 ♪ OVER THERE, I SWEAR I SAW THEM CAMERAS FLASH ♪ 454 00:17:18,746 --> 00:17:21,206 ♪ HANDPRINTS AND FOOTPRINTS ON MY GLASS ♪ 455 00:17:21,248 --> 00:17:24,043 ♪ HANDPRINTS AND GOOD GRIPS ALL ON MY... ♪ 456 00:17:24,084 --> 00:17:26,420 ♪ PRIVATE SHOW WITH THE MUSIC BLASTING ♪ 457 00:17:26,462 --> 00:17:29,256 ♪ HE LIKE TO CALL ME PEACHES WHEN WE GET THIS NASTY ♪ 458 00:17:29,298 --> 00:17:31,633 ♪ RED WINE DRIP, WE'LL TALK THAT TRASH ♪ 459 00:17:31,675 --> 00:17:34,511 ♪ CHAUFFEUR EAVESDROPPING, TRYING NOT TO CRASH ♪ 460 00:17:34,553 --> 00:17:36,847 ♪ OH, THERE DADDY, DADDY, NOW YOU RIPPED MY FUR ♪ 461 00:17:36,889 --> 00:17:39,308 ♪ OH, BABY, BABY BE SWEATING OUT MY HAIR ♪ 462 00:17:39,349 --> 00:17:41,769 ♪ TOOK 45 MINUTES TO GET ALL DRESSED UP ♪ 463 00:17:41,810 --> 00:17:44,605 ♪ AND WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB ♪ 464 00:17:44,646 --> 00:17:46,940 ♪ TAKE ALL, TAKE ALL ♪ 465 00:17:46,982 --> 00:17:48,901 ♪ OF ME, OF ME ♪ 466 00:17:48,942 --> 00:17:52,279 ♪ I JUST WANNA BE THE GIRL YOU LIKE, GIRL YOU LIKE ♪ 467 00:17:52,321 --> 00:17:55,199 ♪ THE KIND OF GIRL YOU LIKE IS RIGHT HERE WITH ME ♪ 468 00:17:55,240 --> 00:17:57,701 ♪ RIGHT HERE WITH ME, RIGHT HERE WITH ME ♪ 469 00:17:57,743 --> 00:18:01,997 [OVERLAPPING VOCALS] 470 00:18:02,039 --> 00:18:03,791 PERSON ON RECORDING: HELLO! 471 00:18:03,832 --> 00:18:06,919 [CHEERING AND APPLAUSE] 472 00:18:15,385 --> 00:18:17,137 OH, MY GOD. 473 00:18:17,179 --> 00:18:18,639 SO THEY JUST BREED Y'ALL DIFFERENT OUT IN 474 00:18:18,680 --> 00:18:19,890 BEVERLY HILLS, HUH? 475 00:18:19,932 --> 00:18:21,391 I CANNOT BELIEVE I JUST DID THAT. 476 00:18:21,433 --> 00:18:22,893 LIKE, WE JUST DID THAT. 477 00:18:22,935 --> 00:18:24,103 OH, MY GOSH. THAT WAS SO-- 478 00:18:24,144 --> 00:18:25,896 SEXY. 479 00:18:25,938 --> 00:18:27,981 THE WORD YOU'RE LOOKING FOR IS SEXY, SEXY... 480 00:18:28,023 --> 00:18:29,858 -OK. -SEXY! 481 00:18:29,900 --> 00:18:32,528 NOW, COME ON WITH YOUR FINE SELVES, 482 00:18:32,569 --> 00:18:34,822 AND LET'S GET YOU OUT OF THESE HELLA EXPENSIVE DRESSES 483 00:18:34,863 --> 00:18:36,323 SO I CAN RETURN THEM. 484 00:18:36,365 --> 00:18:37,783 OLIVIA: OH, OH, OK. 485 00:18:37,825 --> 00:18:40,661 KEISHA: SERIOUS. I WAS GONNA SAY. COME ON. 486 00:18:47,626 --> 00:18:49,461 OOH. HA HA. 487 00:18:51,130 --> 00:18:52,965 THAT WAS FIRE. 488 00:18:54,716 --> 00:18:57,136 I'M GOOD. THANKS. 489 00:18:57,177 --> 00:19:00,764 UH, LISTEN, ABOUT EARLIER, 490 00:19:00,806 --> 00:19:02,933 UM, THERE'S BEEN JUST, LIKE, A LOT MORE ATTENTION LATELY, 491 00:19:02,975 --> 00:19:06,395 SO I'M STILL GETTING USED TO THE WHOLE LOSS OF PRIVACY THING. 492 00:19:07,771 --> 00:19:11,150 OH, THAT'S IT. THAT'S YOUR APOLOGY. 493 00:19:11,191 --> 00:19:13,235 UH, NAH. OF-- OF COURSE NOT. 494 00:19:13,277 --> 00:19:15,529 WHAT I MEANT WAS, LIKE, I'M SORRY THAT I WAS A LITTLE-- 495 00:19:15,571 --> 00:19:19,116 OBNOXIOUS? OVER THE TOP? OPINIONATED? 496 00:19:19,158 --> 00:19:20,784 YOU WANT ME TO PICK ONE? 497 00:19:20,826 --> 00:19:24,496 OK, YES, ALL RIGHT. ALL THE ABOVE. 498 00:19:24,538 --> 00:19:26,832 NOW, CAN I GET A DO-OVER FOR REAL THIS TIME? 499 00:19:26,874 --> 00:19:28,876 I'M DAMON SIMS. 500 00:19:32,754 --> 00:19:33,964 SIMONE HICKS. 501 00:19:34,006 --> 00:19:36,842 OK, SIMONE HICKS. 502 00:19:36,884 --> 00:19:38,468 [BOTH CHUCKLE] 503 00:19:40,053 --> 00:19:41,597 SO WHAT ARE THE CHANCES I CAN TALK YOU 504 00:19:41,638 --> 00:19:42,806 INTO SHOWING ME AROUND CAMPUS TOMORROW? 505 00:19:42,848 --> 00:19:44,308 SHE SAYS SHE'S NOT INTERESTED. 506 00:19:44,349 --> 00:19:46,059 JORDAN, I GOT IT. 507 00:19:46,101 --> 00:19:49,188 LOOK, MAN, I DON'T CARE HOW FAMOUS YOU ARE. 508 00:19:49,229 --> 00:19:51,231 YOU KEEP BOTHERING MY GIRL, WE'RE GONNA HAVE A PROBLEM. 509 00:19:51,273 --> 00:19:53,525 I JUST CAME BACK HERE TO COMPLIMENT HER ON THE SHOW. 510 00:19:53,567 --> 00:19:55,527 OK. 511 00:19:59,531 --> 00:20:01,283 I KNOW YOU, RIGHT? 512 00:20:01,325 --> 00:20:02,659 I DON'T THINK SO. 513 00:20:02,701 --> 00:20:04,036 JUSTICE FOR TAMIKA, RIGHT? 514 00:20:04,077 --> 00:20:05,412 YOU'RE THE FOOTBALL CAT THAT SET OFF 515 00:20:05,454 --> 00:20:07,122 THE CHAIN OF FORFEITS. 516 00:20:07,164 --> 00:20:08,707 MADE NATIONAL NEWS. 517 00:20:08,749 --> 00:20:10,834 I'M DAMON SIMS. 518 00:20:10,876 --> 00:20:12,961 I'M SPENCER JAMES. 519 00:20:14,963 --> 00:20:16,673 LOOK, NO DISRESPECT, MAN. 520 00:20:16,715 --> 00:20:18,800 BASEBALL PLAYER: HEY, BRO, I'VE BEEN CALLING YOU. 521 00:20:18,842 --> 00:20:20,469 CHECK YOUR DAMN PHONE. 522 00:20:22,304 --> 00:20:24,973 YOU'RE THE TOP STORY ON EVERY SPORTS NEWS FEED. 523 00:20:34,566 --> 00:20:35,609 STUDENT: 5, 6, 7, 8... [STUDENTS CHANT] 524 00:20:35,651 --> 00:20:39,780 1, 2, 3, 4, 5, 6, 7, 8. 525 00:20:39,821 --> 00:20:43,200 1, 2, 3, 4, 5, 6... 526 00:20:49,289 --> 00:20:51,708 MOM, I SWEAR I DIDN'T KNOW IT WAS GONNA GO VIRAL. 527 00:20:51,750 --> 00:20:53,210 LOOK, I CAN EXPLAIN. 528 00:20:53,252 --> 00:20:54,920 I BET YOU CAN. FUNNY. 529 00:20:54,962 --> 00:20:56,505 THIS DOESN'T LOOK LIKE CAMPING WITH CHASE. 530 00:20:56,546 --> 00:20:58,590 I JUST WANTED A WEEKEND, ONE WEEKEND TO-- 531 00:20:58,632 --> 00:20:59,841 TO WHAT? 532 00:20:59,883 --> 00:21:01,593 TO JUST BE NORMAL. 533 00:21:01,635 --> 00:21:04,096 WE'VE WORKED SO HARD TO GET HERE, RIGHT? 534 00:21:04,137 --> 00:21:06,682 TO HAVE THE MLB AT OUR FINGERTIPS, 535 00:21:06,723 --> 00:21:09,977 AND YOU'RE READY TO RISK INJURY THIS WEEKEND FOR WHAT? 536 00:21:10,018 --> 00:21:12,104 A CHANCE TO CHUG FRUIT PUNCH OUT OF A TRASH CAN 537 00:21:12,145 --> 00:21:13,730 AND SWAG SURF WITH MEDIOCRITY? 538 00:21:13,772 --> 00:21:16,608 HEY, MS. SIMS. LOOK, IT'S KIND OF MY FAULT. 539 00:21:16,650 --> 00:21:18,485 MOM, YOU REMEMBER J.R., RIGHT? 540 00:21:18,527 --> 00:21:21,196 WE WERE ON THE 15U NATIONAL TEAM TOGETHER. 541 00:21:28,078 --> 00:21:31,081 THERE'S A WAY FOR ALL THIS TO ACTUALLY WORK IN OUR FAVOR. 542 00:21:31,123 --> 00:21:33,208 NO, WE DON'T HAVE TO SPIN THIS ONE. 543 00:21:33,250 --> 00:21:35,002 IT WORKED FOR KUMAR. 544 00:21:35,043 --> 00:21:38,005 HE CHOSE A TOP D1 SCHOOL IN PLACE OF A LOWER DRAFT. 545 00:21:38,046 --> 00:21:39,715 AND NOW HE'S EXPECTED TO BE 546 00:21:39,756 --> 00:21:41,717 THE NUMBER ONE PICK OUT OF COLLEGE THIS YEAR. 547 00:21:41,758 --> 00:21:43,302 SO WHAT, YOU WANT THE MLB TO THINK THAT 548 00:21:43,343 --> 00:21:45,012 I'M CONSIDERING ENROLLING HERE? 549 00:21:45,053 --> 00:21:47,139 IT'LL CREATE MORE HYPE AROUND YOU. YEAH. 550 00:21:47,180 --> 00:21:49,808 YOU KNOW WHAT? GO SHOWER. PUT SOMETHING NICE ON. 551 00:21:49,850 --> 00:21:51,435 YOU'RE DOING INTERVIEWS. 552 00:21:51,476 --> 00:21:52,769 NO. 553 00:21:52,811 --> 00:21:54,187 EXCUSE ME? 554 00:21:54,229 --> 00:21:57,149 I SAID, NO, MOM. 555 00:21:57,190 --> 00:21:59,359 YOU KEEP SAYING "WE," BUT I'M THE ONE WHO'S OUT THERE 556 00:21:59,401 --> 00:22:01,028 ON THAT FIELD, MA. ME. 557 00:22:01,069 --> 00:22:03,405 I'M THE ONE WHO HAS TO PLAY HURT OR HEALTHY. 558 00:22:03,447 --> 00:22:05,782 I'M THE ONE WHO HAS TO DEAL WITH DISAPPOINTED TEAMMATES 559 00:22:05,824 --> 00:22:08,243 BECAUSE YOU INSIST THAT I SAVE MY ARM FOR THE PROS. 560 00:22:08,285 --> 00:22:11,580 I'M THE ONE WHO HAS TO MISS CLASS 561 00:22:11,621 --> 00:22:13,332 SO THAT I CAN SHOW UP AND SHOW OUT 562 00:22:13,373 --> 00:22:16,376 AND GET ANOTHER UNNECESSARY SHOWCASE, MA. ME. 563 00:22:16,418 --> 00:22:17,878 OH, REALLY? 564 00:22:17,919 --> 00:22:20,797 SO WHO WAS IT WHO GAVE UP EVERYTHING 565 00:22:20,839 --> 00:22:23,592 SO THAT YOU COULD BE OUT ON THOSE FIELDS SHOWING UP AND SHOWING OUT? 566 00:22:23,633 --> 00:22:25,677 YOUR CAREER DOESN'T HAPPEN WITHOUT ME. 567 00:22:25,719 --> 00:22:28,055 AND YOURS DOESN'T HAPPEN WITHOUT ME. 568 00:22:28,096 --> 00:22:32,726 BOY, EVERYTHING I DO IS FOR YOU. 569 00:22:32,768 --> 00:22:35,896 AND ONE DAY, YOU'LL THANK ME. 570 00:22:38,065 --> 00:22:39,941 NOW, GET DRESSED. 571 00:22:41,610 --> 00:22:42,652 DAMON. 572 00:22:42,694 --> 00:22:44,529 Y--YES, MA'AM. 573 00:23:01,963 --> 00:23:03,632 UH, EXCUSE ME. 574 00:23:03,673 --> 00:23:05,842 I'M SORRY. I'M LOOKING FOR LIV AND SIMONE. 575 00:23:05,884 --> 00:23:07,469 THEY SAID THEY WERE MEETING YOU HERE. 576 00:23:07,511 --> 00:23:09,763 UH, YEAH, CHANGE OF PLANS. 577 00:23:09,805 --> 00:23:11,640 THEY SAID THEY'D MEET YOU AND JORDAN AT THE TAILGATE. 578 00:23:11,681 --> 00:23:13,016 OK, BET. 579 00:23:14,726 --> 00:23:16,812 IS THAT THE STORY YOU'RE WORKING ON? 580 00:23:16,853 --> 00:23:18,980 COLLEGE ATHLETIC SCANDALS? 581 00:23:20,774 --> 00:23:23,193 IS SOMETHING HAPPENING HERE AT BRINGSTON? 582 00:23:23,235 --> 00:23:25,070 MY BAD. LAST NIGHT, YOU WAS MAD CAGEY ABOUT 583 00:23:25,112 --> 00:23:26,613 THE WHOLE ATHLETICS THING HERE. 584 00:23:26,655 --> 00:23:28,657 NOTHING GETS PAST YOU, HUH? 585 00:23:28,698 --> 00:23:30,826 IS THAT FOR ME? 586 00:23:30,867 --> 00:23:33,787 YEAH. YEAH. IT WAS TAPED TO YOUR DOOR OUTSIDE. 587 00:23:33,829 --> 00:23:34,788 I'LL SEE YOU LATER. 588 00:23:34,830 --> 00:23:36,164 MM-HMM. 589 00:23:42,504 --> 00:23:44,923 YEAH. THIS IS DR. PATTERSON. 590 00:23:44,965 --> 00:23:47,050 I NEED TO PULL SOME TRANSCRIPTS. 591 00:23:50,929 --> 00:23:52,889 DID YOU KNOW MARIAN WRIGHT EDELMAN WAS 592 00:23:52,931 --> 00:23:54,808 THE FIRST WOMAN IN MISSISSIPPI TO PASS THE BAR EXAM? 593 00:23:54,850 --> 00:23:57,727 SHE WAS A LAWYER FOR THE NAACP, 594 00:23:57,769 --> 00:24:01,565 A SPELMAN GRAD, GOT THE PRESIDENTIAL MEDAL OF FREEDOM IN 2000. 595 00:24:01,606 --> 00:24:03,525 SHE'S A BADASS. 596 00:24:03,567 --> 00:24:05,193 I MEAN, CLEARLY. 597 00:24:05,235 --> 00:24:08,029 SO THEN WHY ISN'T SHE IN OUR HISTORY BOOKS? 598 00:24:08,071 --> 00:24:10,574 WHY ISN'T TONI MORRISON 599 00:24:10,615 --> 00:24:12,868 A PART OF OUR ENGLISH LIT REQUIRED READING? 600 00:24:12,909 --> 00:24:15,287 THIS PLACE IS GROWING ON YOU, ISN'T IT? 601 00:24:15,328 --> 00:24:18,415 LIV, I GUESS I JUST DIDN'T EXPECT TO COME TO THIS PLACE 602 00:24:18,457 --> 00:24:22,502 AND--I DON'T KNOW-- FEEL SO FULL. 603 00:24:22,544 --> 00:24:25,464 [CELL PHONE CHIMES] 604 00:24:25,505 --> 00:24:28,300 IT'S KEISHA. SHE'S WITH SPENCER AND JORDAN ALREADY. 605 00:24:28,341 --> 00:24:30,886 OH, AND SHE SAYS, "YOU BETTER HAUL ASS." 606 00:24:30,927 --> 00:24:33,722 OK, STOP. KEISHA IS COOL. 607 00:24:33,763 --> 00:24:35,348 I JUST, UH... 608 00:24:35,390 --> 00:24:37,434 I'M NOT SURPRISED THAT SHE'S ALREADY WITH SPENCER. 609 00:24:37,476 --> 00:24:39,394 OK, WELL, IF YOU'RE NOT GOING TO GO AFTER WHAT YOU WANT, 610 00:24:39,436 --> 00:24:41,480 YOU CAN'T GET MAD WHEN SOMEBODY ELSE DOES. 611 00:24:41,521 --> 00:24:44,566 WELL, IT LOOKS LIKE SOMEBODY NEEDS TO TAKE HER OWN ADVICE. 612 00:24:53,366 --> 00:24:55,202 MARCUS: KIDS LIKE DAMON SIMS JUST DON'T WALK AWAY 613 00:24:55,243 --> 00:24:57,078 FROM A CHANCE AT PLAYING PRO BALL. 614 00:24:57,120 --> 00:24:58,580 WOMAN: DR. PATTERSON, PLEASE... 615 00:24:58,622 --> 00:25:00,165 I'M SORRY. I JUST NEED A MINUTE. 616 00:25:00,207 --> 00:25:01,833 DR. ALLEN, IT'S URGENT. 617 00:25:01,875 --> 00:25:03,376 I'M IN THE MIDDLE OF A MEETING. 618 00:25:03,418 --> 00:25:05,420 OH, IT'S ALL RIGHT. WE ALL DONE HERE. 619 00:25:16,681 --> 00:25:18,391 THAT'S YOUR HEAD BASEBALL COACH 620 00:25:18,433 --> 00:25:20,143 AND YOUR ANTHROPOLOGY DEPARTMENT CHAIR. 621 00:25:20,185 --> 00:25:21,853 ALLEN: OK. 622 00:25:21,895 --> 00:25:24,105 AND THESE ARE THE ACADEMIC TRANSCRIPTS I PULLED 623 00:25:24,147 --> 00:25:26,483 FOR EVERY BASEBALL PLAYER ENROLLED IN 624 00:25:26,525 --> 00:25:29,819 AND ACING ANTHROPOLOGY 404 AND 406 OVER THE LAST 2 YEARS. 625 00:25:29,861 --> 00:25:31,738 GET TO THE POINT, AMARA. 626 00:25:31,780 --> 00:25:34,074 ANTHROPOLOGY 406 ISN'T A REAL CLASS. 627 00:25:34,115 --> 00:25:36,826 IT'S A PAPER CLASS. NO REAL PROFESSORIAL OVERSIGHT, 628 00:25:36,868 --> 00:25:38,662 NO ACTUAL CLASS TIME. 629 00:25:38,703 --> 00:25:41,414 IT'S A SHAM TO KEEP THESE BASEBALL PLAYERS ELIGIBLE. 630 00:25:43,875 --> 00:25:46,044 YOU'RE TELLING ME LEONARD SHAW CHEATED 631 00:25:46,086 --> 00:25:48,046 TO WIN AT BASEBALL GAMES? 632 00:25:53,343 --> 00:25:56,596 HE'S CHEATING THESE BOYS OUT OF A REAL EDUCATION. 633 00:25:56,638 --> 00:25:58,723 AND ARE THESE... 634 00:25:58,765 --> 00:26:00,559 THESE, UH, PAPER CLASSES, 635 00:26:00,600 --> 00:26:02,227 ARE THEY OPEN TO ALL STUDENTS? 636 00:26:02,269 --> 00:26:04,563 I MEAN, YES, BUT THAT DOESN'T CHANGE ANYTHING. 637 00:26:04,604 --> 00:26:06,481 TO THE NCAA, IT WILL. 638 00:26:06,523 --> 00:26:09,442 MEANS IT'S NOT SOLELY AN ATHLETIC PRIVILEGE. 639 00:26:09,484 --> 00:26:11,361 SO BECAUSE THEY WON'T CARE, WHAT? 640 00:26:11,403 --> 00:26:14,281 THAT MEANS YOU'RE JUST GONNA SWEEP THE CHEATING UNDER THE RUG? 641 00:26:14,322 --> 00:26:16,992 LOOK, I GET THIS STORY IS A BIG BREAK FOR YOU. 642 00:26:17,033 --> 00:26:19,286 STORY? YOU THINK THIS IS ABOUT A DAMN STORY? 643 00:26:19,327 --> 00:26:20,954 SCREW THE STORY. 644 00:26:20,996 --> 00:26:22,914 THIS IS ABOUT DOING RIGHT BY 645 00:26:22,956 --> 00:26:25,375 AN INSTITUTION THAT I LOVE, 646 00:26:25,417 --> 00:26:27,961 A SCHOOL THAT SHAPED WHO I WAS AS A STUDENT, WHO I AM TODAY, 647 00:26:28,003 --> 00:26:30,380 A PLACE OF EXCELLENCE. 648 00:26:30,422 --> 00:26:33,508 YOU NEED TO GET AHEAD OF THIS, ZEKE. 649 00:26:33,550 --> 00:26:36,094 YOU NEED TO SHOW EVERYONE THAT SELFISH BASTARD 650 00:26:36,136 --> 00:26:37,846 DOES NOT DEFINE BRINGSTON, 651 00:26:37,887 --> 00:26:39,598 THAT WE ARE STILL ABOVE REPROACH, 652 00:26:39,639 --> 00:26:41,766 BECAUSE WHEN THIS KIND OF FLAGRANT CRAP HAPPENS, 653 00:26:41,808 --> 00:26:44,185 WE CLEAN OUT OUR OWN DAMN CLOSETS. 654 00:26:49,232 --> 00:26:51,318 [HEAVY SIGH] 655 00:26:53,695 --> 00:26:56,489 [SIGHS] 656 00:26:56,531 --> 00:26:58,491 REMEMBER, WHEN SHE ASKS YOU ABOUT RUMORS 657 00:26:58,533 --> 00:27:00,910 THAT PLAYING AT COLLEGE IS BACK ON THE TABLE FOR YOU, 658 00:27:00,952 --> 00:27:02,746 KEEP IT VAGUE BUT HUMBLE. 659 00:27:02,787 --> 00:27:04,289 I KNOW, MOM. I'M PREPARED. 660 00:27:04,331 --> 00:27:06,625 OK. AND IF SHE BRINGS UP... 661 00:27:06,666 --> 00:27:08,752 WAIT. WHAT THE HELL? 662 00:27:08,793 --> 00:27:11,004 -WHAT'S GOING ON? -SHH, SHH. 663 00:27:11,046 --> 00:27:12,589 REPORTER ON VIDEO: IN A STATEMENT JUST RELEASED BY PRESIDENT ALLEN, 664 00:27:12,631 --> 00:27:14,299 AN INTERNAL INVESTIGATION HAS BEEN LAUNCHED, 665 00:27:14,341 --> 00:27:16,843 LOOKING INTO ALLEGED ACADEMIC FRAUD BY 666 00:27:16,885 --> 00:27:19,054 SOME PROMINENT MEMBERS OF THE BASEBALL TEAM. 667 00:27:19,095 --> 00:27:22,057 COACH LEONARD SHAW IS RESIGNING, EFFECTIVE IMMEDIATELY. 668 00:27:22,098 --> 00:27:23,975 MORE TO COME. 669 00:27:24,017 --> 00:27:26,811 DAMN. WE JUST LOST OUR LEVERAGE. 670 00:27:26,853 --> 00:27:30,357 LEVERAGE? IS THAT REALLY WHAT YOU'RE FOCUSED ON RIGHT NOW? 671 00:27:30,398 --> 00:27:32,192 WHAT ELSE SHOULD I BE FOCUSED ON? 672 00:27:32,233 --> 00:27:34,861 MOM, A TEAM JUST GOT DECIMATED, 673 00:27:34,903 --> 00:27:36,738 PEOPLE'S LIVELIHOODS DESTROYED. 674 00:27:36,780 --> 00:27:38,865 WHAT IS WITH YOU AND THIS SCHOOL? 675 00:27:38,907 --> 00:27:41,576 AND WHY ARE YOU SO OBSESSED WITH THIS TEAM 676 00:27:41,618 --> 00:27:44,621 YOU'VE SPENT ALL OF 2 SECONDS WITH? 677 00:27:44,663 --> 00:27:47,540 FORGET IT. 678 00:27:47,582 --> 00:27:49,584 ALL RIGHT? IT'S NOTHING. 679 00:27:49,626 --> 00:27:52,087 I'M WALKING BACK TO CAMPUS, ALL RIGHT, MA? 680 00:28:02,430 --> 00:28:05,183 HOW COULD YOU DO IT? 681 00:28:05,225 --> 00:28:08,645 IT WAS TWO SEASONS OF A COUPLE OF GHOST CLASSES. 682 00:28:08,687 --> 00:28:10,188 SPARE ME THE LECTURE. 683 00:28:10,230 --> 00:28:12,440 IN FACT, I DARE YOU TO FIND ME A COLLEGE COACH 684 00:28:12,482 --> 00:28:14,025 THAT ISN'T GAMING THE SYSTEM. 685 00:28:14,067 --> 00:28:15,985 IF YOU DO, IT'S 'CAUSE THEY HAVEN'T BEEN CAUGHT. 686 00:28:16,027 --> 00:28:17,779 ME, OK? BECAUSE I DON'T COACH LIKE THAT. 687 00:28:17,821 --> 00:28:20,198 WELL, THAT'S WHY YOU COULDN'T EVEN MAKE IT IN THE MINORS. 688 00:28:20,240 --> 00:28:23,159 BUT I'M PREPARED TO DO WHAT IT TAKES TO GAIN THE COMPETITIVE ADVANTAGE. 689 00:28:23,201 --> 00:28:25,453 WHAT ABOUT YOUR RESPONSIBILITY TO THESE BOYS, HUH? 690 00:28:25,495 --> 00:28:28,498 MY JOB IS TO GET THEM READY FOR THE PROS. 691 00:28:28,540 --> 00:28:30,333 AND THAT'S WHAT I'VE BEEN DOING. 692 00:28:31,918 --> 00:28:33,878 I WON'T APOLOGIZE FOR THAT. 693 00:28:33,920 --> 00:28:36,798 I GUESS THAT'S WHERE YOU AND I FUNDAMENTALLY DIFFER. 694 00:28:39,384 --> 00:28:41,469 YOU'LL LEARN. 695 00:28:48,309 --> 00:28:50,562 [HIP-HOP MUSIC PLAYING] 696 00:28:55,608 --> 00:28:57,360 [JORDAN CHUCKLES] 697 00:28:57,402 --> 00:28:59,320 JORDAN: NOW WE'RE TALKING. SIMONE: I KNOW, BABE. 698 00:28:59,362 --> 00:29:01,448 YOU'VE BEEN WANTING TO PARTY ALL WEEKEND. 699 00:29:01,489 --> 00:29:05,368 I'VE BEEN WANTING TO GRIND ON MY WIFE A LITTLE BIT. MWAH. 700 00:29:05,410 --> 00:29:08,580 KEISHA: YAY, Y'ALL HERE. LET'S GO! 701 00:29:08,621 --> 00:29:10,373 SPENCER: OK! 702 00:29:10,415 --> 00:29:12,333 KEISHA: HEY, YO, NATE, K.E.K. PUNCH FOR EVERYBODY. 703 00:29:12,375 --> 00:29:15,086 OLIVIA: OH, ACTUALLY, NO PUNCH FOR ME. I'M SOBER, SO... 704 00:29:15,128 --> 00:29:17,046 GOOD FOR YOU, GIRL. 705 00:29:18,548 --> 00:29:20,842 SPENCER: DEAR GOD, TELL ME THAT'S NOT A TRASH CAN. 706 00:29:20,884 --> 00:29:22,927 IT'S THE CLEANEST THING IN HERE. TRUST. 707 00:29:22,969 --> 00:29:25,180 HERE Y'ALL GO. 708 00:29:25,221 --> 00:29:27,432 CHEERS, BITCHES. 709 00:29:27,474 --> 00:29:30,185 [ALL CHEER] 710 00:29:30,226 --> 00:29:32,228 [MUSIC CONTINUES] 711 00:29:59,964 --> 00:30:03,009 [SLOWLY] SIMONE HICKS. 712 00:30:03,051 --> 00:30:07,055 WHY DO YOU KEEP SAYING MY NAME LIKE THAT? 713 00:30:07,096 --> 00:30:08,556 'CAUSE IT'S DOPE. 714 00:30:08,598 --> 00:30:09,724 [DEADPAN] OK. 715 00:30:09,766 --> 00:30:11,810 [CHUCKLES] 716 00:30:13,394 --> 00:30:17,148 OH, OK. SO ATHLETE. 717 00:30:17,190 --> 00:30:18,650 THAT'S THE VIBE? 718 00:30:18,691 --> 00:30:21,528 OR ARE YOU JUST A BIG NAOMI OSAKA FAN? 719 00:30:21,569 --> 00:30:23,279 MM. IT'S BOTH. 720 00:30:23,321 --> 00:30:26,825 I'VE BEEN TRYING TO GET MY WAY BACK TO ATHLETE, 721 00:30:26,866 --> 00:30:29,077 FIND MY MOJO AGAIN. 722 00:30:29,118 --> 00:30:31,079 AND HOW'S THAT GOING? 723 00:30:31,120 --> 00:30:32,831 LET'S JUST SAY THE COMPETITION'S A LITTLE STIFF. 724 00:30:32,872 --> 00:30:34,958 SO USE IT. 725 00:30:34,999 --> 00:30:37,544 DON'T LET IT SHAKE YOU. COMPETITION IS JUST MOTIVATION. 726 00:30:37,585 --> 00:30:39,379 HMM. 727 00:30:39,420 --> 00:30:42,924 SO IS THAT HOW YOU KICK ASS IN BASEBALL? 728 00:30:42,966 --> 00:30:44,592 I HEARD ABOUT THE SCANDAL. 729 00:30:44,634 --> 00:30:47,470 BUT THAT DOESN'T AFFECT YOU, THOUGH, RIGHT? 730 00:30:47,512 --> 00:30:49,305 NAH. NOT AT ALL. 731 00:30:49,347 --> 00:30:51,766 STUDENT: YO, YOU SEEN J.R.? 732 00:30:51,808 --> 00:30:54,143 HE'S BEEN M.I.A. SINCE THAT BASEBALL NONSENSE HIT. 733 00:30:54,185 --> 00:30:55,937 MAN, I THOUGHT HE WAS IN THERE. 734 00:31:03,778 --> 00:31:06,322 OK, OK, HEY. HEY. I DON'T KNOW WHERE KEISHA IS, 735 00:31:06,364 --> 00:31:08,116 BUT YOU GOT TO DANCE WITH ME BEFORE SHE COMES BACK. 736 00:31:08,157 --> 00:31:10,743 WELL, YOU KNOW YOU CAN JUST SAY NO. 737 00:31:10,785 --> 00:31:13,413 SO IS NOW A GOOD TIME TO TELL HIM 738 00:31:13,454 --> 00:31:15,665 KEISHA AIN'T REALLY INTO HIM? 739 00:31:15,707 --> 00:31:18,167 UH, YEAH, SHE IS. WHAT ARE YOU TALKING ABOUT? 740 00:31:18,209 --> 00:31:20,253 NO. SHE JUST NEEDED SOMEONE TO HELP MAKE 741 00:31:20,295 --> 00:31:22,171 HER EX, TERRELL, JEALOUS. 742 00:31:26,092 --> 00:31:27,594 WORKS EVERY TIME. 743 00:31:27,635 --> 00:31:29,262 OH. 744 00:31:29,304 --> 00:31:32,098 ♪ ...EH, EVERYTHING IS GONNA HEAT UP ♪ 745 00:31:32,140 --> 00:31:34,183 ♪ I CAN FEEL THAT FEVER ♪ 746 00:31:34,225 --> 00:31:36,811 ♪ WIND IS BLOWING FAST UNDERNEATH US, EH ♪ 747 00:31:36,853 --> 00:31:39,272 ♪ JUST TURN UP THE SPEAKERS, EH ♪ 748 00:31:39,314 --> 00:31:41,816 ♪ WE, WE MAKE IT THROUGH IT ALL ♪ 749 00:31:41,858 --> 00:31:43,860 ♪ WE, WE BREAKIN' THROUGH THE WALL ♪ 750 00:31:43,902 --> 00:31:45,028 ♪ WAY UP IN THE TOP ♪ 751 00:31:45,069 --> 00:31:46,321 ♪ RISE, DON'T STOP ♪ 752 00:31:46,362 --> 00:31:47,572 ♪ TAKE YOUR SHOT ♪ 753 00:31:47,614 --> 00:31:49,407 ♪ WHEN YOU HEAR ME KNOCK ♪ 754 00:31:49,449 --> 00:31:50,742 ♪ GOT TO WAKE UP, WAKE UP, WAKE UP THE PARTY ♪ 755 00:31:50,783 --> 00:31:52,368 ♪ WAKE UP, WAKE UP, WAKE UP ♪ 756 00:31:52,410 --> 00:31:54,162 ♪ THE NIGHT! ♪ 757 00:31:54,203 --> 00:31:55,997 ♪ WAKE UP, WAKE UP, WAKE UP THE PARTY... ♪ 758 00:31:56,039 --> 00:31:57,916 WHAT'D I MISS? 759 00:31:57,957 --> 00:32:01,169 JUST, GROSS. 760 00:32:03,296 --> 00:32:06,591 SHE'S GOING AFTER WHAT SHE WANTS. 761 00:32:22,315 --> 00:32:26,027 UM, UH, MY BAD. I'M LOOKING FOR J.R. 762 00:32:26,069 --> 00:32:28,529 I HAVEN'T SEEN HIM. 763 00:32:30,782 --> 00:32:33,034 I'M SAYING MY GOOD-BYES TO THE FIELD. 764 00:32:35,495 --> 00:32:38,748 THEY'RE BROOMING OUT THE WHOLE COACHING STAFF. 765 00:32:38,790 --> 00:32:42,251 I'M SORRY. UM, I'LL GIVE YOU SOME PRIVACY. 766 00:32:42,293 --> 00:32:46,339 SIMS, WHEN YOU'RE OUT THERE PLAYING FOR THE PROS, 767 00:32:46,381 --> 00:32:50,093 I WANT YOU TO ALWAYS REMEMBER ONE THING: 768 00:32:50,134 --> 00:32:52,178 INTEGRITY. 769 00:32:52,220 --> 00:32:55,181 THAT'S THE MOST IMPORTANT THING AN ATHLETE, 770 00:32:55,223 --> 00:32:56,724 A TEAMMATE, A MAN HAS. 771 00:32:56,766 --> 00:32:58,476 AND WITHOUT IT, NOTHING ELSE MATTERS. 772 00:32:58,518 --> 00:33:01,020 I GUESS COACH SHAW SAW THINGS DIFFERENTLY. 773 00:33:01,062 --> 00:33:03,064 THIS TEAM'S FINALLY RID OF HIM. 774 00:33:03,106 --> 00:33:05,191 NOW, NEXT SEASON, THOSE BOYS CAN GO OUT THERE 775 00:33:05,233 --> 00:33:08,194 AND SHOW THE WHOLE WORLD WHAT THEY CAN REALLY DO 776 00:33:08,236 --> 00:33:10,154 UNDER AN HONEST PROGRAM. 777 00:33:12,991 --> 00:33:14,993 IT WAS YOU, WASN'T IT? 778 00:33:15,034 --> 00:33:18,663 YOU TIPPED SOMEONE OFF. IT COST YOU YOUR JOB. 779 00:33:18,705 --> 00:33:20,498 THOSE BOYS NEEDED A CHANCE 780 00:33:20,540 --> 00:33:22,500 TO REBUILD SOMETHING PURE AND GREAT. 781 00:33:22,542 --> 00:33:24,961 LOOK, I DID WHAT I HAD TO DO. 782 00:33:25,003 --> 00:33:28,756 SOMETIMES YOU JUST GOT TO TAKE ONE FOR THE TEAM. 783 00:33:31,634 --> 00:33:34,262 I'LL LEAVE YOU TO YOUR GOOD-BYES, COACH. 784 00:33:46,065 --> 00:33:47,608 I UNDERESTIMATED YOU. 785 00:33:47,650 --> 00:33:49,986 BUT NONE OF THAT SKILL MATTERS 786 00:33:50,028 --> 00:33:52,613 IF YOU CAN'T PERFORM LIKE THAT 787 00:33:52,655 --> 00:33:54,490 WHEN EYES ARE WATCHING AND THE PRESSURE'S ON. 788 00:33:54,532 --> 00:33:56,200 I WAS HOPING FOR SOME PRIVACY. 789 00:33:56,242 --> 00:33:58,870 ON MY COURTS? YOU'RE THE VISITOR. 790 00:33:58,911 --> 00:34:00,288 [CHUCKLES SOFTLY] 791 00:34:00,329 --> 00:34:01,914 FINE, GIRL. YOU GOT IT. 792 00:34:01,956 --> 00:34:03,499 THEA: YOU KNOW, TENNIS IS A GAME 793 00:34:03,541 --> 00:34:05,668 OF BOTH MENTAL AND PHYSICAL FITNESS. 794 00:34:05,710 --> 00:34:08,296 YOU'LL NEVER MAKE IT IF YOU KEEP BEING SO EASILY PSYCHED OUT. 795 00:34:08,337 --> 00:34:11,049 WHAT IS YOUR PROBLEM? YOU DON'T KNOW ME. YOU HAVE NO IDEA. 796 00:34:11,090 --> 00:34:12,633 I'M NOT A QUITTER. 797 00:34:12,675 --> 00:34:14,802 OK. WHATEVER. 798 00:34:14,844 --> 00:34:16,554 JUST WATCH YOUR BACK RIGHT FOOT 799 00:34:16,596 --> 00:34:18,056 ON YOUR FOREHAND VOLLEY. 800 00:34:18,097 --> 00:34:19,682 TRY STEPPING FORWARD WITH YOUR LEFT INSTEAD. 801 00:34:19,724 --> 00:34:22,852 IT'LL GIVE YOU MORE FORWARD MOMENTUM AND POWER. 802 00:34:22,894 --> 00:34:25,354 AND WHY ARE YOU HELPING ME? 803 00:34:25,396 --> 00:34:28,775 I'M NOT. I'M HELPING THE SPORT I LOVE. 804 00:34:28,816 --> 00:34:31,194 SEE, DON'T LET SERENA AND NAOMI'S SUCCESS FOOL YOU. 805 00:34:31,235 --> 00:34:33,237 EVERY TIME WE WALK OUT ON THAT COURT 806 00:34:33,279 --> 00:34:36,908 AS BLACK WOMEN, WE'RE BEING JUDGED 807 00:34:36,949 --> 00:34:39,118 ON EVERYTHING. 808 00:34:39,160 --> 00:34:41,871 YOU HAVE ONE JOB WHEN YOU PLAY-- 809 00:34:41,913 --> 00:34:46,667 BRING EXCELLENCE OR DON'T PLAY AT ALL. 810 00:34:53,466 --> 00:34:56,427 YOU WERE RIGHT, YOU KNOW? 811 00:34:56,469 --> 00:34:59,972 THIS TRIP, THIS PLACE. 812 00:35:00,014 --> 00:35:02,683 IT WAS EVERYTHING I WASN'T EVEN EXPECTING. 813 00:35:02,725 --> 00:35:05,895 AND IT'S JUST-- IT'S AMAZING TO BE 814 00:35:05,937 --> 00:35:09,190 SOMEPLACE THAT'S FOR US, BY US, 815 00:35:09,232 --> 00:35:12,276 WHERE EXCELLENCE IS EXPECTED, 816 00:35:12,318 --> 00:35:14,487 EVEN BY YOUR FRENEMIES. 817 00:35:14,529 --> 00:35:16,781 IT'S NOT TOO LATE TO APPLY. 818 00:35:19,117 --> 00:35:21,494 BABY SHAY IS IN L.A. 819 00:35:21,536 --> 00:35:24,080 AND I HAVE SUCH A GREAT RELATIONSHIP 820 00:35:24,122 --> 00:35:25,915 WITH HIS ADOPTED FAMILY. 821 00:35:25,957 --> 00:35:28,126 I CAN'T JUST UP AND MOVE CLEAR ACROSS THE COUNTRY. 822 00:35:28,167 --> 00:35:31,629 AND WHAT WERE YOU GONNA DO IF YOU GOT INTO PRINCETON? 823 00:35:31,671 --> 00:35:33,673 EXACTLY. YOU'D HAVE FIGURED IT OUT 824 00:35:33,714 --> 00:35:36,259 BECAUSE IT'S JUST THE EAST COAST, SWEETIE, NOT MARS. 825 00:35:36,300 --> 00:35:38,010 COME ON, AUNTIE. 826 00:35:38,052 --> 00:35:39,846 YOU KNOW MY MOM WOULD NEVER LET ME COME HERE. 827 00:35:39,887 --> 00:35:42,348 MM-MM. DON'T GET ME STARTED ON YOUR MOTHER. 828 00:35:42,390 --> 00:35:44,600 IT'S WAY PAST TIME YOU STOOD UP TO HER 829 00:35:44,642 --> 00:35:47,019 FOR WHAT YOU WANT. 830 00:35:47,061 --> 00:35:49,313 YOU DON'T HAVE TO MAKE A DECISION TODAY, 831 00:35:49,355 --> 00:35:51,274 BUT AS YOU ARE THINKING ABOUT IT, 832 00:35:51,315 --> 00:35:53,109 JUST REMEMBER, IN ORDER TO BE 833 00:35:53,151 --> 00:35:56,028 THE BEST VERSION OF YOURSELF FOR JORDAN 834 00:35:56,070 --> 00:35:58,906 AND SHAY AND EVERYONE ELSE YOU LOVE, 835 00:35:58,948 --> 00:36:02,326 YOU MAY NEED TO CHOOSE YOURSELF FIRST, SIMONE. 836 00:36:11,878 --> 00:36:13,588 SPENCER: AND I THOUGHT I'D BE THE ONLY TEEN AT COLLEGE 837 00:36:13,629 --> 00:36:15,673 UP AT THE CRACK OF DAWN. 838 00:36:15,715 --> 00:36:17,842 LOOK, I KNOW WE DON'T REALLY KNOW EACH OTHER LIKE THAT, 839 00:36:17,884 --> 00:36:20,178 BUT I KNOW WHAT IT LOOKS LIKE 840 00:36:20,219 --> 00:36:22,847 WHEN SOMEBODY'S CARRYING TOO MUCH WEIGHT ON THEIR SHOULDERS. 841 00:36:26,392 --> 00:36:30,563 WERE YOU SCARED WHEN YOU FORFEITED THAT GAME IN PROTEST 842 00:36:30,605 --> 00:36:34,150 AND FOOTBALL AND EVERYTHING COULD JUST GO AWAY? 843 00:36:34,192 --> 00:36:36,277 MAN, OF COURSE. 844 00:36:36,319 --> 00:36:38,112 IT DON'T CHANGE THE FACT THAT IT WAS THE RIGHT THING TO DO. 845 00:36:41,490 --> 00:36:43,117 [SIGHS] 846 00:36:43,159 --> 00:36:45,036 THIS WEEKEND DIDN'T GO AT ALL HOW I PLANNED IT, MAN. 847 00:36:45,077 --> 00:36:46,704 OH, WHAT, YOU WEREN'T PLANNING 848 00:36:46,746 --> 00:36:48,831 ON A CHAMPIONSHIP-WINNING BASEBALL PROGRAM 849 00:36:48,873 --> 00:36:51,375 GETTING DEMOLISHED WHILE YOU WERE VISITING FOR THE WEEKEND? 850 00:36:51,417 --> 00:36:53,544 I KNOW, RIGHT? 851 00:36:53,586 --> 00:36:55,796 GO FIGURE. 852 00:36:58,466 --> 00:37:01,177 IN A FEW MONTHS, I'LL BE DRAFTED, 853 00:37:02,970 --> 00:37:05,097 AND LIFE WILL NEVER BE THE SAME. 854 00:37:07,391 --> 00:37:09,101 I GUESS I JUST WANTED A WEEKEND 855 00:37:09,143 --> 00:37:11,854 TO REALLY CONNECT TO WHO I WAS BEFORE IT CHANGED. 856 00:37:13,856 --> 00:37:15,691 FOR SOMEBODY ABOUT TO GET THEIR DREAM, MAN, 857 00:37:15,733 --> 00:37:16,859 YOU DON'T SEEM TOO HAPPY. 858 00:37:16,901 --> 00:37:19,570 YEAH. I'M STARTING TO REALIZE 859 00:37:19,612 --> 00:37:22,114 THAT THE MLB IS MORE OF MY MOM'S DREAM. 860 00:37:24,867 --> 00:37:26,535 SHE'S JUST DONE SO MUCH FOR ME, 861 00:37:26,577 --> 00:37:28,162 I DON'T WANT TO LET HER DOWN. 862 00:37:32,250 --> 00:37:34,627 SHE'S NOT GONNA BE THE ONE OUT ON THAT FIELD, THOUGH. 863 00:37:34,669 --> 00:37:37,463 MAN. YOU DON'T GET IT. 864 00:37:37,505 --> 00:37:40,216 SHE SAVED MY LIFE. 865 00:37:40,258 --> 00:37:44,553 YEAH. ADOPTED ME OUT THE SYSTEM. 866 00:37:44,595 --> 00:37:47,181 RAISED ME, LOVES ME. 867 00:37:47,223 --> 00:37:49,767 I KNOW SHE'S JUST TRYING TO DO HER BEST BY ME. 868 00:37:51,894 --> 00:37:54,272 MY BIRTH PARENTS ARE ACTUALLY FROM HERE IN ATLANTA. 869 00:37:54,313 --> 00:37:56,065 AND ALL I KNOW IS THAT 18 YEARS AGO, 870 00:37:56,107 --> 00:37:59,860 THEY WENT TO SCHOOL HERE AT BRINGSTON. 871 00:37:59,902 --> 00:38:03,281 IS THAT WHY YOU'RE HERE? YOU TRYING TO FIND 'EM? 872 00:38:03,322 --> 00:38:05,116 I REALLY DON'T KNOW. 873 00:38:06,742 --> 00:38:09,370 THIS SCHOOL'S THE ONLY CONNECTION THAT I HAVE TO 'EM. 874 00:38:10,997 --> 00:38:14,083 I GUESS I JUST WANTED TO FEEL IT. 875 00:38:14,125 --> 00:38:16,919 I DON'T KNOW WHY I JUST TOLD YOU ALL OF THAT, MAN. 876 00:38:16,961 --> 00:38:18,838 CLEARLY YOU NEEDED TO TELL SOMEBODY. 877 00:38:18,879 --> 00:38:23,301 LOOK, MAN, I KNOW YOU FEEL LIKE YOU OWE YOUR MOMS, 878 00:38:23,342 --> 00:38:25,636 BUT IT SOUNDS LIKE SHE LOVES YOU. 879 00:38:25,678 --> 00:38:28,639 AND THAT DON'T COME WITH A FEE. 880 00:38:28,681 --> 00:38:30,933 SO WHATEVER IT IS THAT YOU DECIDE TO DO, 881 00:38:30,975 --> 00:38:33,352 IT'S GOT TO BE THE RIGHT THING FOR YOU. 882 00:38:37,106 --> 00:38:39,317 [EXHALES] 883 00:39:05,885 --> 00:39:07,553 THANK YOU. 884 00:39:09,847 --> 00:39:12,433 THANKS FOR AGREEING TO SEE ME, SIR. 885 00:39:19,815 --> 00:39:21,525 WHERE'S MY SON? 886 00:39:25,738 --> 00:39:27,281 [CAMERA SHUTTERS CLICKING] 887 00:39:27,323 --> 00:39:29,033 ALLEN: THANK YOU ALL FOR COMING. 888 00:39:30,368 --> 00:39:31,952 IT IS NEVER EASY TO DISCOVER 889 00:39:31,994 --> 00:39:33,496 SOMETHING'S GONE WRONG IN YOUR HOUSE, 890 00:39:33,537 --> 00:39:35,706 UNDER YOUR LEADERSHIP. 891 00:39:35,748 --> 00:39:37,583 IT'S MY HOPE THAT WE WILL NOT BE JUDGED 892 00:39:37,625 --> 00:39:39,460 BY THE POOR CHOICES OF A FEW 893 00:39:39,502 --> 00:39:42,296 BUT BY HOW WE RESPONDED TO RECTIFY IT. 894 00:39:42,338 --> 00:39:45,800 IT IS MY HOPE THAT INTEGRITY WILL BE OUR LEGACY. 895 00:39:45,841 --> 00:39:49,095 I'D LIKE TO GIVE DAMON SIMS THE OPPORTUNITY 896 00:39:49,136 --> 00:39:50,763 TO SAY A FEW WORDS. 897 00:39:50,805 --> 00:39:53,099 [CAMERA SHUTTERS CLICKING] 898 00:39:53,140 --> 00:39:55,601 DAMON: UH, THANK YOU, DR. ALLEN. 899 00:39:55,643 --> 00:39:57,978 [EXHALES] 900 00:39:58,020 --> 00:40:00,940 UH, THERE'S BEEN A LOT OF DISCUSSION ABOUT 901 00:40:00,981 --> 00:40:02,983 WHAT MY FUTURE WILL HOLD IN THESE NEXT FEW MONTHS. 902 00:40:03,025 --> 00:40:06,695 DR. ALLEN TALKED ABOUT LEGACY. 903 00:40:06,737 --> 00:40:09,198 AND I WANT MY LEGACY IN THIS SPORT TO BE 904 00:40:09,240 --> 00:40:11,117 THAT I MADE A DIFFERENCE. 905 00:40:13,411 --> 00:40:15,704 AND THAT'S WHY I WON'T BE PARTICIPATING 906 00:40:15,746 --> 00:40:18,040 IN THE 2021 MLB DRAFT. 907 00:40:18,082 --> 00:40:20,334 [SPECTATORS MURMURING] 908 00:40:20,376 --> 00:40:24,380 INSTEAD, I WILL BE COMMITTING TO PLAYING BASEBALL 909 00:40:24,422 --> 00:40:27,508 HERE AT BRINGSTON 910 00:40:27,550 --> 00:40:31,262 WITH COACH MARCUS TURNER AS OUR HEAD COACH. 911 00:40:31,303 --> 00:40:33,514 WE WILL REBUILD BASEBALL TOGETHER 912 00:40:33,556 --> 00:40:35,474 OUT THERE ON THAT FIELD. 913 00:40:35,516 --> 00:40:38,769 WE WILL BRING CHAMPIONSHIP BASEBALL BACK TO B.U., 914 00:40:38,811 --> 00:40:42,523 BACK TO US THE RIGHT WAY, THE HONORABLE WAY... 915 00:40:44,233 --> 00:40:46,360 WITH INTEGRITY. 916 00:40:48,696 --> 00:40:50,781 THANK YOU FOR YOUR TIME. 917 00:40:50,823 --> 00:40:52,366 [APPLAUSE] 918 00:41:04,044 --> 00:41:07,256 [J.R. CHUCKLING] 919 00:41:07,298 --> 00:41:08,591 YOU KNOW, WHEN I INVITED YOU DOWN, 920 00:41:08,632 --> 00:41:09,717 I DID NOT KNOW IT WOULD ACTUALLY END 921 00:41:09,758 --> 00:41:10,968 IN YOU COMMITTING HERE. 922 00:41:11,010 --> 00:41:12,970 I KNOW, RIGHT? 923 00:41:14,805 --> 00:41:16,098 IT FEELS LIKE HOME. 924 00:41:16,140 --> 00:41:18,642 HOME. YEAH. 925 00:41:18,684 --> 00:41:21,103 I GUESS BRINGSTON BASEBALL HAS FOUND ITS STAR. 926 00:41:21,145 --> 00:41:23,856 NO STARS, MAN. JUST BALLPLAYERS... 927 00:41:23,898 --> 00:41:25,649 ALL OF US. 928 00:41:25,691 --> 00:41:27,776 WE'LL DO THIS TOGETHER, ALL RIGHT? 929 00:41:30,196 --> 00:41:33,324 REBUILD HANK'S LEGACY HERE, MAN. 930 00:41:33,365 --> 00:41:34,867 MAKE HIM PROUD. 931 00:41:34,909 --> 00:41:36,494 [CHUCKLES] 932 00:41:38,829 --> 00:41:41,081 HEY, LOOK, MAN, I GOT TO GET GOING. 933 00:41:41,123 --> 00:41:42,833 MY FRAT BROTHERS ARE WAITING ON ME. 934 00:41:42,875 --> 00:41:45,002 OH. FOR SURE. 935 00:41:45,044 --> 00:41:49,340 I GUESS I'LL SEE YOU THIS FALL, BROTHER. 936 00:41:52,051 --> 00:41:54,762 SIMONE: CONGRATULATIONS. 937 00:41:54,803 --> 00:41:57,306 I GUESS THAT BASEBALL THING DID HAVE 938 00:41:57,348 --> 00:41:58,933 SOME EFFECT ON YOU, HUH? 939 00:41:58,974 --> 00:42:02,228 YEAH. SOMETHING LIKE THAT. 940 00:42:02,269 --> 00:42:07,900 WELL, YOU SEEM AT PEACE, SO GOOD FOR YOU. 941 00:42:11,070 --> 00:42:13,280 I SHOULD, UH, GET GOING. 942 00:42:13,322 --> 00:42:15,282 MY HUSBAND'S WAITING OUTSIDE FOR ME. 943 00:42:15,324 --> 00:42:17,034 HUSBAND? 944 00:42:19,995 --> 00:42:21,830 OH, OK. 945 00:42:24,124 --> 00:42:25,543 WHAT ABOUT YOU? 946 00:42:27,044 --> 00:42:29,046 FIND YOUR MOJO? 947 00:42:31,423 --> 00:42:33,259 YEAH. 948 00:42:33,300 --> 00:42:36,762 SOMETHING LIKE THAT. 949 00:42:36,804 --> 00:42:38,514 GOOD. 950 00:42:41,600 --> 00:42:43,978 TAKE CARE OF YOURSELF, SIMONE HICKS. 951 00:42:54,905 --> 00:42:57,908 RHYS LEWIS: ♪ I DON'T READ THE HEADLINES ♪ 952 00:42:57,950 --> 00:43:00,744 ♪ AND I DON'T WATCH THE NEWS ♪ 953 00:43:00,786 --> 00:43:03,163 ♪ 'CAUSE I LOSE FAITH IN SOMETHING ♪ 954 00:43:03,205 --> 00:43:06,000 ♪ EVERY TIME I DO ♪ 955 00:43:06,041 --> 00:43:08,460 ♪ WELL, I DON'T NEED TO BURY MY HEAD... ♪ 956 00:43:08,502 --> 00:43:09,545 WHAT? 957 00:43:09,587 --> 00:43:12,006 NOTHING. YOU JUST-- 958 00:43:12,047 --> 00:43:14,341 YOU SEEM HAPPY. 959 00:43:14,383 --> 00:43:15,467 LEWIS: ♪ ...TRYIN' TO LIVE THIS LIFE ♪ 960 00:43:15,509 --> 00:43:17,678 ♪ AS BEST AS I CAN ♪ 961 00:43:17,720 --> 00:43:20,556 ♪ SO LET'S KEEP SEARCHING FOR SOMEWHERE ♪ 962 00:43:20,598 --> 00:43:23,225 ♪ WE'RE GONNA FIND A WAY ♪ 963 00:43:23,267 --> 00:43:25,311 ♪ TO MAKE TOMORROW ♪ 964 00:43:25,352 --> 00:43:29,231 ♪ TOMORROW BETTER THAN TODAY ♪ 965 00:43:29,273 --> 00:43:31,317 ♪ LET'S MAKE TOMORROW ♪ 966 00:43:31,358 --> 00:43:36,655 ♪ TOMORROW BETTER THAN TODAY ♪ 967 00:43:59,053 --> 00:44:00,596 GREG, MOVE YOUR HEAD.