1 00:00:01,568 --> 00:00:03,470 LABELS. 2 00:00:04,104 --> 00:00:07,007 YOU KNOW WHY I HATE THEM? 3 00:00:07,241 --> 00:00:09,843 BECAUSE AS A SOCIETY, WE USE THEM 4 00:00:09,943 --> 00:00:12,346 ON EACH OTHER WAY TOO MUCH. 5 00:00:12,446 --> 00:00:16,049 I MEAN, I'VE LIVED MY WHOLE LIFE AS A LABEL. 6 00:00:16,149 --> 00:00:19,052 YOU KNOW, FIRST IT WAS THE TWIN, 7 00:00:19,152 --> 00:00:22,089 AND THEN...THE ADDICT, 8 00:00:22,189 --> 00:00:25,092 AND THEN THERE'S MY LATEST LABEL, 9 00:00:25,192 --> 00:00:28,595 THE D.A.'s DAUGHTER... 10 00:00:28,695 --> 00:00:32,132 BUT HERE'S THE THING ABOUT LABELS: 11 00:00:32,232 --> 00:00:34,301 YES, THEY LEND THEMSELVES 12 00:00:34,401 --> 00:00:36,436 TO FUN, CUTE HASHTAGS. 13 00:00:36,537 --> 00:00:39,339 HEY, YOUR FOOD IS COMIN' RIGHT UP. 14 00:00:39,439 --> 00:00:42,042 SPENCER: THANKS. MAN: HEY, MAN, YOU KILLED IT DURING HOMECOMING GAME. 15 00:00:42,142 --> 00:00:44,878 THEY COULD NOT TOUCH YOU! SPENCER: I APPRECIATE THAT. THANK YOU. 16 00:00:44,945 --> 00:00:47,814 THINK I CAN GET A SELFIE WITH SURE-TO-BE MVP? 17 00:00:47,915 --> 00:00:51,151 DON'T KNOW ABOUT ALL THAT MVP STUFF, BUT SURE. 18 00:00:51,251 --> 00:00:53,153 [CAMERA CLICKS] THANKS, MAN. 19 00:00:53,253 --> 00:00:55,255 RIGHT, RIGHT. 20 00:00:55,355 --> 00:00:57,925 [GIRLS GIGGLE] SPENCER: HEY. OH, OK. 21 00:00:58,025 --> 00:01:01,929 OLIVIA: BUT LABELS RARELY GIVE YOU THE WHOLE PICTURE ABOUT A PERSON, 22 00:01:02,029 --> 00:01:05,098 AND THE WHOLE PICTURE MAKES A DIFFERENCE. 23 00:01:06,366 --> 00:01:09,002 [WHISTLE BLOWS] 24 00:01:10,571 --> 00:01:13,207 MAN: THAT BULLET DIDN'T SLOW HIM DOWN. 25 00:01:13,307 --> 00:01:15,642 OH, NO, NOT ONE BIT, NOT ONE BIT. 26 00:01:15,742 --> 00:01:17,344 YO, THANKS FOR MAKING THE TRIP OUT HERE TO 27 00:01:17,444 --> 00:01:19,413 SEE SPENCER IN PERSON. I APPRECIATE THAT. 28 00:01:19,513 --> 00:01:21,415 HEY, TEXAS NORTHERN TECH DOESN'T PLAY AROUND WHEN IT COMES 29 00:01:21,515 --> 00:01:24,017 TO THE RIGHT SENIOR RECRUITS, AND RIGHT NOW, 30 00:01:24,117 --> 00:01:26,420 SPENCER JAMES IS TOP OF THAT LIST. 31 00:01:26,520 --> 00:01:28,922 BILLY: YES, SIR. MAN: MAN. 32 00:01:29,022 --> 00:01:31,959 IF I HAD THAT KINDA TALENT WHEN I WAS HIS AGE, I WOULDN'T HAVE KNOWN HOW TO ACT. 33 00:01:32,059 --> 00:01:34,328 DID YOU EVER GET THAT CHARGERS TATTOO REMOVED FROM YOUR ASS? 34 00:01:34,428 --> 00:01:36,330 SHOOT, I WEAR IT WITH PRIDE. 35 00:01:36,430 --> 00:01:38,532 [BILLY CHUCKLES] MAN: I DO. YOU KNOW ME. 36 00:01:38,632 --> 00:01:40,033 HEH HEH! 37 00:01:40,133 --> 00:01:41,568 TIMES HAVE CHANGED. BILLY: YEAH. 38 00:01:41,668 --> 00:01:43,170 THESE CATS HAVE IT MAD EASY NOW 39 00:01:43,270 --> 00:01:45,339 WITH SOCIAL MEDIA AND PRESS COVERAGE. 40 00:01:45,439 --> 00:01:47,140 NO MORE OLD-FASHIONED RECRUITING. 41 00:01:47,241 --> 00:01:50,978 NOW THEY OUT HERE MAKIN' A VIRAL NAME FOR THEMSELVES AT 16. 42 00:01:51,078 --> 00:01:52,779 NOW, WITH THAT WHOLE NCAA RULING 43 00:01:52,880 --> 00:01:55,782 ON STUDENT-ATHLETES AND PAID ENDORSEMENTS... 44 00:01:55,883 --> 00:01:59,386 IT'S A WHOLE NEW COLLEGE BALL GAME OUT THERE. 45 00:01:59,486 --> 00:02:01,188 BILLY: WHAT ABOUT THE FAMILY? 46 00:02:01,288 --> 00:02:02,723 MAN: EVERYBODY'S GOOD, YOU KNOW. 47 00:02:02,823 --> 00:02:04,224 GOT A LITTLE BABY-- SPENCER: WHAT'S GOOD, COACH? 48 00:02:04,324 --> 00:02:06,226 THERE HE IS. SPENCER JAMES. 49 00:02:06,326 --> 00:02:08,262 THIS IS ROMELO-- SPENCER: BARNUM. 50 00:02:08,362 --> 00:02:09,763 IT'S AN HONOR TO MEET YOU, SIR. 51 00:02:09,863 --> 00:02:12,165 YOUR LEGACY LOOMS LARGE IN THESE HALLS. 52 00:02:12,266 --> 00:02:14,902 LOOK AT THAT. YOU MADE AN IMPRESSION ON THE FIELD. 53 00:02:15,002 --> 00:02:17,604 UH, ACTUALLY, I MEANT YOUR SENIOR-YEAR PRANK AGAINST INGLEWOOD. 54 00:02:17,704 --> 00:02:19,506 NOBODY'S BEEN ABLE TO TOP IT SINCE. 55 00:02:19,606 --> 00:02:20,874 ROMELO: HEH HEH HEH! BILLY: OOH. 56 00:02:20,974 --> 00:02:22,176 DID THEY EVER FIND THAT GOAT? 57 00:02:22,276 --> 00:02:23,844 I PLEAD THE FIFTH. 58 00:02:23,944 --> 00:02:25,412 [BILLY AND SPENCER CHUCKLE] 59 00:02:25,512 --> 00:02:26,813 YOU ALWAYS GO THAT HARD TRAINING, SON? 60 00:02:26,914 --> 00:02:28,315 YES, SIR. GAME, PRACTICE-- 61 00:02:28,415 --> 00:02:30,851 IT DON'T MATTER. YOU SHOW UP, YOU GIVE 150%. 62 00:02:30,951 --> 00:02:32,653 ALL RIGHT, NOW. I LIKE THAT. 63 00:02:32,753 --> 00:02:34,354 I'M LOOKIN' FORWARD TO HEARING MORE 64 00:02:34,454 --> 00:02:35,789 ABOUT THIS WORK ETHIC AT OUR MEETING TODAY. 65 00:02:35,889 --> 00:02:38,492 SPENCER: ABSOLUTELY. ROMELO: ALL RIGHT. 66 00:02:38,592 --> 00:02:41,995 [EXHALES SHARPLY] IS THIS REALLY HAPPENING, COACH? 67 00:02:42,095 --> 00:02:45,766 MAN, YOU'VE BEEN WORRIED ABOUT RECRUITER INTEREST ALL YEAR. 68 00:02:45,866 --> 00:02:47,201 NOW YOU GOT IT. 69 00:02:47,301 --> 00:02:49,236 THIS IS YOUR CHANCE. 70 00:02:49,336 --> 00:02:52,539 GO GET YOUR DREAM, SON. 71 00:03:02,549 --> 00:03:06,253 [MEN GROANING AND LASER FIRE ON VIDEO GAME] 72 00:03:06,353 --> 00:03:08,956 YOU KNOW, I HEARD VITAMIN D IS 73 00:03:09,056 --> 00:03:10,958 REALLY GOOD FOR THE HUMAN BODY, 74 00:03:11,058 --> 00:03:13,660 YOU KNOW, LIKE THE REAL KIND, 75 00:03:13,760 --> 00:03:15,929 LIKE FROM THE SUN? 76 00:03:16,029 --> 00:03:18,732 [GRUNTING SOUND EFFECTS] 77 00:03:18,832 --> 00:03:20,234 -JORDAN? -WHAT? 78 00:03:20,334 --> 00:03:21,735 DUDE, IT'S BEEN, LIKE, 79 00:03:21,835 --> 00:03:24,271 NEARLY TWO WEEKS OF YOU IN THESE SAME PAJAMAS 80 00:03:24,371 --> 00:03:25,973 ON THE SAME COUCH IN THAT SAME SPOT. 81 00:03:26,073 --> 00:03:28,375 -OK, AND YOU CARE WHY? -WELL, WEREN'T YOU CLEARED 82 00:03:28,475 --> 00:03:30,377 FOR, LIKE, LIGHT PHYSICAL ACTIVITY? 83 00:03:30,477 --> 00:03:32,379 I MEAN, I KNOW IT'S NOT YOU BACK ON THE FIELD 84 00:03:32,479 --> 00:03:34,681 WITH YOUR HELMET ON, BUT, I MEAN, IT'S SOMETHING. 85 00:03:34,781 --> 00:03:38,819 YEAH, AND PLAYING INJUSTICE 2 IS MY LIGHT PHYSICAL ACTIVITY, LIV. 86 00:03:38,919 --> 00:03:40,988 HAVE YOU HEARD FROM SIMONE? 87 00:03:41,088 --> 00:03:43,423 NO. SHE'S OFF THE GRID. 88 00:03:43,524 --> 00:03:45,425 MOM SNITCHED ABOUT OUR MARRIAGE TO HER PARENTS 89 00:03:45,526 --> 00:03:47,561 BEFORE WE HAD A CHANCE TO TELL 'EM OURSELVES, 90 00:03:47,661 --> 00:03:51,265 SO I'M SURE THEY'VE GOT HER IN A CONVENT IN TANZANIA BY NOW. 91 00:03:51,365 --> 00:03:53,534 NO, I'M SURE THEY FOUND A CONVENT CLOSER. 92 00:03:53,634 --> 00:03:55,736 LAURA: THERE'S NO STATUTE OF LIMITATIONS 93 00:03:55,836 --> 00:03:57,771 ON A FRAUDULENT MARRIAGE. 94 00:03:57,871 --> 00:03:59,473 WELL, I DON'T CARE WHAT THE COST IS. 95 00:03:59,573 --> 00:04:01,008 I JUST WANT THIS ANNULMENT EXPEDITED. 96 00:04:01,108 --> 00:04:02,442 YES, FINE, I'LL HOLD. 97 00:04:02,543 --> 00:04:04,044 YOU DO KNOW I CAN HEAR YOU, RIGHT? 98 00:04:04,144 --> 00:04:06,180 [DOOR CLOSES] LAURA: YOU KNOW WHAT? 99 00:04:06,280 --> 00:04:08,715 JUST BE QUIET. BILLY: HOW'S EVERYBODY DOING? 100 00:04:08,815 --> 00:04:10,450 THAT GOOD, HUH? 101 00:04:10,551 --> 00:04:12,152 -I HAVE A WORD? -I'M JUST--I-- 102 00:04:12,252 --> 00:04:14,621 CAN I HAVE A WORD? 103 00:04:14,721 --> 00:04:16,723 [FOOTSTEPS RETREAT] 104 00:04:16,823 --> 00:04:19,092 [QUIETLY] SO, OK, I KNOW THAT YOU'RE ANGRY WITH JORDAN, 105 00:04:19,193 --> 00:04:21,595 AND SO AM I, BUT DO WE REALLY HAVE TO WORRY 106 00:04:21,695 --> 00:04:24,298 ABOUT THIS ANNULMENT THING, LIKE, RIGHT NOW? 107 00:04:24,398 --> 00:04:27,000 UH, OUR UNDERAGE SON 108 00:04:27,100 --> 00:04:28,802 GOT MARRIED IN VEGAS AND LIED ABOUT IT. 109 00:04:28,902 --> 00:04:31,171 YOU BET YOUR ASS WE DO. BILLY: I'M JUST SAYING, 110 00:04:31,271 --> 00:04:33,173 CAN WE MAYBE PUT A PIN IN IT 111 00:04:33,273 --> 00:04:35,175 AND FOCUS ON HIS RECOVERY? 112 00:04:35,275 --> 00:04:37,144 -I'M GETTING HIM THROUGH HIS RECOVERY. -OK. 113 00:04:37,244 --> 00:04:40,681 BUT LUCKILY, BECAUSE I'M A WOMAN, I AM CAPABLE OF MULTITASKING. 114 00:04:40,781 --> 00:04:43,684 LAURA: I AM ANNULLING THE MARRIAGE. 115 00:04:46,220 --> 00:04:48,989 [POP MUSIC PLAYING] 116 00:04:49,089 --> 00:04:51,692 MALE SINGER: ♪ NOW LET'S JUST FIND A WAY... ♪ 117 00:04:51,792 --> 00:04:55,028 OK, UM, NEWTON'S SECOND LAW OF MOTION STATES 118 00:04:55,128 --> 00:04:58,832 THAT THE ACCELERATION OF AN OBJECT IS DEPENDENT ON WHAT? 119 00:04:58,932 --> 00:05:00,801 UH, THE OBJECT'S MASS 120 00:05:00,901 --> 00:05:03,504 AND THE AMOUNT OF FORCE APPLIED TO THE OBJECT? 121 00:05:03,604 --> 00:05:06,373 -MM-MMM. -DAMN! I COULDA SWORE I KNEW THAT ONE. 122 00:05:06,473 --> 00:05:08,942 MAN, I KNEW IT! I WAS RIGHT. 123 00:05:09,042 --> 00:05:10,944 GIRL, YOU CANNOT READ. LAYLA: WHAT? 124 00:05:11,044 --> 00:05:13,647 OH. SORRY, I TOTALLY READ THAT WRONG. 125 00:05:13,747 --> 00:05:15,148 WHAT'S UP WITH YOU? 126 00:05:15,249 --> 00:05:18,151 NOTHING. I'M JUST... [SIGHS] 127 00:05:18,252 --> 00:05:20,320 LIKE, HOW DID I MISS THAT MY BEST FRIEND WAS 128 00:05:20,420 --> 00:05:22,289 STRUGGLING WITH HER SOBRIETY FOR MONTHS? 129 00:05:22,389 --> 00:05:24,992 BECAUSE SHE HID IT WELL? LAYLA: YEAH, WELL, IT'S THE SECOND TIME 130 00:05:25,092 --> 00:05:27,194 I'VE MISSED THE SIGNS. COOP: HEY, YOU'VE BEEN THERE FOR HER 131 00:05:27,294 --> 00:05:28,896 MORE THAN YOU'RE GIVING YOURSELF CREDIT FOR. 132 00:05:28,996 --> 00:05:30,397 NOT WHEN IT REALLY COUNTED. 133 00:05:30,497 --> 00:05:32,099 SO WHAT YOU GONNA DO ABOUT IT? 134 00:05:32,199 --> 00:05:33,901 I MEAN, LOOK, ALL I KNOW IS GUILT DOES 135 00:05:34,001 --> 00:05:36,270 NOTHIN' BUT WEIGH YOU DOWN, SO YOU EITHER GOT TO FIND SOMETHIN' 136 00:05:36,370 --> 00:05:38,238 POSITIVE TO DO WITH IT OR LET IT GO. 137 00:05:38,338 --> 00:05:40,407 SORRY. I FEEL LIKE I'M WASTING YOUR TIME. 138 00:05:40,507 --> 00:05:42,776 YOU SHOULD PROBABLY FIND A STUDY PARTNER WHO CAN ACTUALLY READ 139 00:05:42,876 --> 00:05:45,579 THE RIGHT ANSWERS. I'LL SEE YA. 140 00:05:45,679 --> 00:05:47,581 [FOOTSTEPS RETREAT] 141 00:05:47,681 --> 00:05:50,584 [BOTH LAUGH] DILLON: OK, SO WE TALKIN' 142 00:05:50,684 --> 00:05:53,153 HALLE STORM OR ALEXANDRA SHIPP STORM? 143 00:05:53,253 --> 00:05:56,056 GIRL: WHO'S HALLE? DILLON: DON'T LET MY MOM HEAR YOU SAY THAT. 144 00:05:56,156 --> 00:05:58,225 [BOTH CHUCKLE] GRACE: HEAR WHO SAY WHAT? 145 00:05:58,325 --> 00:06:01,061 OH, HEY, MOM. NO, JASMYN'S, UH, 146 00:06:01,161 --> 00:06:03,830 FILM EDUCATION IS SERIOUSLY LACKING. 147 00:06:03,931 --> 00:06:05,365 I SEE. 148 00:06:05,465 --> 00:06:07,901 NICE TO MEET YOU, JASMYN. JASMYN: YOU, TOO. 149 00:06:08,001 --> 00:06:10,103 -YOU READY, DILLON? -YEP. 150 00:06:10,204 --> 00:06:11,705 ARE YOU WAITING FOR SOMEONE? 151 00:06:11,805 --> 00:06:13,140 YEAH, MY DAD. 152 00:06:13,240 --> 00:06:15,108 HE'S NORMALLY ON TIME. MUST BE TRAFFIC. 153 00:06:15,209 --> 00:06:16,844 OH. WELL, WE'LL WAIT HERE 154 00:06:16,944 --> 00:06:19,479 WITH YOU UNTIL HE GETS HERE. [JASMYN CHUCKLES] 155 00:06:19,580 --> 00:06:21,949 GRACE: SO, HOW WAS COMIC BOOK CAMP? 156 00:06:22,049 --> 00:06:25,986 AWESOME! DILLON'S "KING CRENSHAW" COMIC IS GONNA BE SO GOOD. 157 00:06:26,086 --> 00:06:28,121 [JASMYN CHUCKLES] GRACE: OH. 158 00:06:28,222 --> 00:06:30,090 I TOLD YOU. HE'S HERE. 159 00:06:30,190 --> 00:06:33,060 HEY, BABY. I'M SORRY I'M LATE. 160 00:06:33,160 --> 00:06:34,828 PRINCIPAL CARTER. 161 00:06:34,928 --> 00:06:36,496 MS. JAMES. 162 00:06:37,698 --> 00:06:39,633 HEY, DAD. 163 00:06:44,938 --> 00:06:48,509 JABARI: YO, ALL I'M ASKIN' IS WHO NAMES THEIR CHILD ROMELO ON PURPOSE? 164 00:06:48,609 --> 00:06:53,046 NHANI: HEH! WAIT, WAIT, WAIT. ISN'T TNT's PROGRAM KNOWN AS "THE BAD BOYS OF FOOTBALL"? 165 00:06:53,146 --> 00:06:57,050 I MEAN...ARE THERE A LOT OF FLAGS ON THE PLAY? 166 00:06:57,150 --> 00:06:58,252 JABARI: YES. 167 00:06:58,352 --> 00:07:00,220 BIG PERSONALITIES? YES. 168 00:07:00,320 --> 00:07:02,656 [CHUCKLES] UNREFINED ARROGANCE? YES. 169 00:07:02,756 --> 00:07:04,491 THEY'RE A CHAMPIONSHIP-WINNING TEAM 170 00:07:04,591 --> 00:07:06,793 AND A PIPELINE TO THE NFL, WHICH IS THE GOAL. 171 00:07:06,894 --> 00:07:09,630 I CAN'T LET THE NEXT 24 HOURS PASS WITHOUT LOCKIN' DOWN AN OFFER. 172 00:07:09,730 --> 00:07:12,132 HAVEN'T OTHER RECRUITERS BEEN HOVERING THESE LAST COUPLE WEEKS? 173 00:07:12,232 --> 00:07:14,334 HOVERIN', YEAH, BUT NO ACTUAL OFFERS, 174 00:07:14,434 --> 00:07:16,537 NOT SINCE THE SHOOTIN'. LOOK, I NEED THIS. 175 00:07:16,637 --> 00:07:19,506 DAWG, YOU'RE THE HOTTEST PLAYER IN SOUTH L.A. RIGHT NOW. 176 00:07:19,606 --> 00:07:22,042 THAT RECRUITER TOOK HIS BYE WEEK 177 00:07:22,142 --> 00:07:23,544 TO FLY IN AND MEET YOU. 178 00:07:23,644 --> 00:07:26,180 COME ON, SPENCE. YOU GOT THIS ON LOCK. 179 00:07:26,280 --> 00:07:29,183 NHANI: MAYBE SEMI-LOCK. 180 00:07:39,793 --> 00:07:40,761 OLIVIA: WELL, THAT'S WHAT HE GETS 181 00:07:40,861 --> 00:07:41,929 FOR BEING A MISOGYNIST. 182 00:07:41,995 --> 00:07:43,030 OH, YOU DAMN STRAIGHT. 183 00:07:43,130 --> 00:07:44,131 [BOTH CHUCKLE] JOY: MMM. 184 00:07:46,333 --> 00:07:49,036 SO, HOW YOU DOING? 185 00:07:50,237 --> 00:07:51,738 I'M GOOD. 186 00:07:51,939 --> 00:07:53,140 YEAH. 187 00:07:53,207 --> 00:07:55,843 LET'S TRY THAT AGAIN. 188 00:07:57,044 --> 00:07:58,745 TOUGH MORNING. 189 00:07:58,846 --> 00:08:01,181 NO REAL REASON. JUST, UM... 190 00:08:01,281 --> 00:08:04,318 YOU KNOW, IT'S JUST HARDER TO FIGHT THE URGE TO WANT TO TAKE SOMETHING. 191 00:08:04,418 --> 00:08:06,854 MM-HMM. THAT'S OK. OUR SOBRIETY IS 192 00:08:06,954 --> 00:08:09,756 A "ONE DAY AT A TIME" KINDA THING. 193 00:08:09,857 --> 00:08:11,058 I KNOW. 194 00:08:11,158 --> 00:08:13,594 BUT THE GOOD PART IS YOU'RE BEING HONEST, 195 00:08:13,694 --> 00:08:16,029 EVEN ON YOUR HARD DAYS. 196 00:08:16,129 --> 00:08:17,798 THAT'S PROGRESS, LIV. 197 00:08:18,899 --> 00:08:21,301 THAT KIND OF SOUNDED LIKE A COMPLIMENT. 198 00:08:21,401 --> 00:08:23,303 -IT DID NOT. ME? -MM-HMM. YEAH, IT DID. 199 00:08:23,403 --> 00:08:25,305 -[LAUGHING] -WHAT'S WRONG WITH ME? 200 00:08:25,405 --> 00:08:27,441 -[CHUCKLES] -UM, 201 00:08:27,541 --> 00:08:29,943 WELL, I SHOULD PROBABLY HEAD OUT BECAUSE I HAVE TO-- 202 00:08:30,043 --> 00:08:33,881 WELL, MY FRIEND KIA IS ORGANIZING A FLOWER VIGIL FOR TAMIKA PRATT. 203 00:08:33,981 --> 00:08:35,849 YEAH. 204 00:08:35,949 --> 00:08:38,018 YOU KNOW, WHENEVER I THINK ABOUT THOSE DAMN COPS 205 00:08:38,118 --> 00:08:42,089 STILL BEIN' ON THE JOB, IT JUST...MAKES MY BLOOD BOIL. 206 00:08:42,189 --> 00:08:44,791 YEAH, MINE, TOO, ALTHOUGH I'M HOPING, YOU KNOW, 207 00:08:44,892 --> 00:08:47,928 COVERING THE EVENT FOR "LIV THE TRUTH" WILL HELP RAISE AWARENESS. 208 00:08:48,028 --> 00:08:49,730 GOOD... 209 00:08:49,830 --> 00:08:52,432 BUT I NEED YOU TO PACE YOURSELF 210 00:08:52,533 --> 00:08:54,434 BECAUSE SOMETIMES FIXATING ON SOLVING 211 00:08:54,535 --> 00:08:57,938 OTHER PEOPLE'S PROBLEMS TO AVOID YOUR ISSUES, 212 00:08:58,038 --> 00:09:00,174 THAT CAN BE AN ADDICTION, TOO. 213 00:09:00,274 --> 00:09:02,309 YOU UNDERSTAND? OLIVIA: YEAH. 214 00:09:02,409 --> 00:09:04,578 JOY: OK. 215 00:09:04,678 --> 00:09:06,146 HEY. 216 00:09:06,246 --> 00:09:07,848 HEY. 217 00:09:09,483 --> 00:09:11,351 JOY: HEY! SPENCER: HEY. HEY. 218 00:09:11,418 --> 00:09:13,854 MY FAVORITE STUDENT-ATHLETE. 219 00:09:13,954 --> 00:09:15,856 I HEAR THAT YOUR ARM AND YOUR FOOTBALL CAREER ARE BACK 220 00:09:15,956 --> 00:09:18,025 ON TRACK, SO CONGRATS. SPENCER: THANK YOU. 221 00:09:18,125 --> 00:09:20,093 THANKS FOR EVERYTHING YOU DID AT THE HOSPITAL, TOO. 222 00:09:20,194 --> 00:09:21,762 OH. 223 00:09:21,862 --> 00:09:24,431 HEY, YOU HEARD FROM JORDAN? I KEEP GETTING 224 00:09:24,531 --> 00:09:26,500 ONE-WORD REPLIES EVERY TIME I CHECK IN ON HIM. 225 00:09:26,600 --> 00:09:29,570 NO, HE'S IN A FUNK WE CAN'T SEEM TO GET HIM OUT OF, SO... 226 00:09:29,670 --> 00:09:32,806 I SHOULD GET TO WORK. I'LL KEEP ON HIM. 227 00:09:38,178 --> 00:09:39,580 OK, NEXT COFFEE, 228 00:09:39,680 --> 00:09:42,316 I WANT ALL THE TEA ON YOU TWO. 229 00:09:42,416 --> 00:09:44,184 -NO. -AND BEFORE YOU EVEN TRY 230 00:09:44,284 --> 00:09:46,520 TO DENY IT, I HAVE EYES. 231 00:09:46,620 --> 00:09:49,523 [PERSISTENT KNOCKING ON DOOR] 232 00:09:50,991 --> 00:09:53,193 YEAH, HOLD ON. 233 00:09:56,864 --> 00:09:59,066 WHY ARE YOU HERE? 234 00:10:00,367 --> 00:10:02,436 GOOD TO SEE YOU, TOO. 235 00:10:02,536 --> 00:10:05,439 YOUR DAD TEXTED ME. [JORDAN GRUNTS] 236 00:10:08,976 --> 00:10:11,245 [JORDAN SIGHS] JJ: BIG J. 237 00:10:11,345 --> 00:10:12,646 WHAT'S UP, BROTHER? 238 00:10:12,746 --> 00:10:14,748 [SIGHS] MY DAD TEXT YOU, TOO? 239 00:10:14,848 --> 00:10:16,550 UH, NAH, SPENCE CALLED, 240 00:10:16,650 --> 00:10:18,585 BUT I WAS GONNA SWING BY ANYWAY. 241 00:10:18,685 --> 00:10:20,454 WELL, NEWSFLASH, GENTLEMEN, I'M FINE. 242 00:10:20,554 --> 00:10:22,456 SO YOU CAN BOTH REPORT IN 243 00:10:22,556 --> 00:10:25,459 AND CLOSE MY DOOR ON THE WAY OUT. THANKS. 244 00:10:25,559 --> 00:10:28,462 I WAS GONNA HIT THE FIELD, 245 00:10:28,562 --> 00:10:30,163 DO SOME LIGHT PASSING DRILLS 246 00:10:30,264 --> 00:10:32,132 OR SOMETHIN'. WHY DON'T YOU JOIN? 247 00:10:32,232 --> 00:10:34,301 -NO, I'M GOOD. -AW, COME ON, MAN. 248 00:10:34,401 --> 00:10:36,737 HEY, I'LL EVEN JOIN, TOO, HUH? 249 00:10:36,837 --> 00:10:39,173 IT'LL BE GOOD, GET THAT BODY BACK IN SHAPE. 250 00:10:39,273 --> 00:10:41,875 JJ, WHY DON'T YOU FOCUS ON GETTING YOUR BODY BACK IN SHAPE 251 00:10:41,975 --> 00:10:45,412 AND, I DON'T KNOW, FIGURE OUT HOW TO NOT TO SUCK SO BAD 252 00:10:45,512 --> 00:10:47,814 AS QB1 SO WE DON'T LOSE ANOTHER GAME? 253 00:10:49,583 --> 00:10:51,818 DAMN. 254 00:10:51,919 --> 00:10:54,621 [VIDEO-GAME LASERS FIRING] 255 00:10:58,392 --> 00:11:00,861 YO, DUDE, WHAT THE HELL? 256 00:11:02,629 --> 00:11:04,531 [SIGHS] HMM. 257 00:11:04,631 --> 00:11:07,401 OH, IF YOU WANT THIS BACK, UH, IT'LL BE ON THE FIELD 258 00:11:07,501 --> 00:11:10,571 WITH ME...AND ASHER. 259 00:11:14,141 --> 00:11:16,844 [DOOR OPENS] 260 00:11:19,479 --> 00:11:21,849 [HIP-HOP MUSIC PLAYING] 261 00:11:21,949 --> 00:11:24,418 I BELIEVE THE TERM "ABOLISH" 262 00:11:24,518 --> 00:11:27,821 IN THE DECLARATION OF INDEPENDENCE MEANS ELIMINATE, 263 00:11:27,921 --> 00:11:29,489 NOT CHANGE. 264 00:11:29,590 --> 00:11:31,491 NEGRO, CAN YOU, UH, MAKE SOME NOISE 265 00:11:31,592 --> 00:11:32,826 NEXT TIME YOU APPROACH? 266 00:11:36,997 --> 00:11:38,932 LUCKY GUESS. PREACH: HEY, LISTEN, 267 00:11:39,032 --> 00:11:40,934 IF YOU WANT TO STAY ALIVE WHILE LOCKED UP, YOU LEARN 268 00:11:41,034 --> 00:11:43,637 TO STUDY PEOPLE AND HOW THEY RELATE TO EACH OTHER, 269 00:11:43,737 --> 00:11:46,173 TO THE CAGES THEY'RE IN, 270 00:11:46,273 --> 00:11:47,975 HOW THEY REPEAT PATTERNS. 271 00:11:48,075 --> 00:11:50,077 I MEAN, THAT'S BASICALLY WHAT SOCIAL STUDIES IS. 272 00:11:50,177 --> 00:11:54,548 AND HERE I THOUGHT YOU ONLY READ THAT CREEPY GREEK MYTHOLOGY STUFF. 273 00:11:54,648 --> 00:11:58,118 THIS RIGHT HERE IS YOUR STRONGEST MUSCLE. 274 00:11:58,218 --> 00:12:01,688 YOU KEEP THAT EXERCISED, THEY CAN'T STOP US. 275 00:12:01,788 --> 00:12:03,624 HEY, MAN, LOOK, YOU KNOW I REALLY NEED TO PASS 276 00:12:03,724 --> 00:12:06,093 THIS G.E.D. TO ACCELERATE THE MUSIC THING. 277 00:12:06,193 --> 00:12:09,162 I NEED A TUTOR. PREACH: WHAT THE HELL I LOOK LIKE, JOE CLARK? 278 00:12:09,263 --> 00:12:12,566 MAN, DON'T BE RIDICULOUS. YOU AND MORGAN FREEMAN DON'T LOOK NOTHIN' ALIKE. 279 00:12:12,666 --> 00:12:15,269 WHAT IF I PAID YOU, IN CASH? 280 00:12:15,369 --> 00:12:17,104 YOU GOT BILLS TO PAY, RIGHT? 281 00:12:17,204 --> 00:12:19,806 AND I KNOW IT'S BEEN HARD TRYIN' TO GET A JOB SINCE YOU GOT OUT. 282 00:12:19,907 --> 00:12:22,743 THIS COULD BE A WIN FOR BOTH OF US. 283 00:12:25,445 --> 00:12:27,147 MO: I'M JUST STATING THE FACTS. 284 00:12:27,247 --> 00:12:29,516 IF THERE WAS NOTHING TO HIDE, THE BODYCAM FOOTAGE 285 00:12:29,616 --> 00:12:30,951 WOULD HAVE BEEN RELEASED ALREADY 286 00:12:31,051 --> 00:12:32,619 [DOOR OPENS] AND THE OFFICERS ARRESTED. 287 00:12:32,719 --> 00:12:34,855 UNTIL THAT HAPPENS... LAURA: HEY, HONEY. 288 00:12:34,955 --> 00:12:36,356 THERE IS NO JUSTICE. [TV CLICKS OFF] 289 00:12:36,456 --> 00:12:37,691 HOW WAS, UH, COFFEE WITH JOY? 290 00:12:37,791 --> 00:12:39,393 TAMIKA'S INVESTIGATION IS BEING HANDLED 291 00:12:39,493 --> 00:12:40,928 THROUGH YOUR OFFICE, RIGHT? 292 00:12:41,028 --> 00:12:43,497 "COFFEE WAS GREAT, MOM. THANKS FOR ASKING." 293 00:12:43,597 --> 00:12:45,766 YES, WE ARE HANDLING THINGS 294 00:12:45,866 --> 00:12:47,801 AND NO, I CANNOT DISCUSS IT WITH YOU. 295 00:12:47,901 --> 00:12:50,804 WELL, I'M JUST SAYING THAT IF THE D.A. DID 296 00:12:50,904 --> 00:12:52,973 WANT TO MAKE A STATEMENT, IT DOESN'T GET MUCH EASIER 297 00:12:53,073 --> 00:12:55,576 THAN CHATTING WITH YOUR DAUGHTER FOR HER PODCAST. 298 00:12:55,676 --> 00:12:57,678 OLIVIA, DON'T EVEN JOKE ABOUT IT. 299 00:12:57,778 --> 00:12:59,947 THIS INVESTIGATION IS... 300 00:13:00,047 --> 00:13:02,249 VERY...DELICATE. 301 00:13:02,349 --> 00:13:05,085 I CAN'T BE PERCEIVED TO HAVE ANY CONFLICT OF INTEREST. 302 00:13:05,185 --> 00:13:06,887 YEAH, NO. OF--OF COURSE. 303 00:13:06,987 --> 00:13:09,923 I WILL KEEP YOUR NAME OUT OF IT, I PROMISE. 304 00:13:20,434 --> 00:13:23,036 [MUMBLING INDISTINCTLY] 305 00:13:23,136 --> 00:13:25,038 CAN I GIVE YOU A HAND? 306 00:13:25,138 --> 00:13:27,407 UH, I CAN MANAGE. 307 00:13:27,508 --> 00:13:30,110 OH, I NEVER SAID THAT YOU COULDN'T. 308 00:13:30,210 --> 00:13:32,112 THANK YOU 309 00:13:32,212 --> 00:13:33,614 FOR WAITING WITH JASMYN EARLIER. 310 00:13:33,714 --> 00:13:35,315 I'M NORMALLY NEVER LATE. 311 00:13:35,415 --> 00:13:38,218 JASMYN'S AN IMPRESSIVE YOUNG LADY. 312 00:13:38,318 --> 00:13:39,887 MUST GET IT FROM HER MOM. 313 00:13:39,987 --> 00:13:43,624 YEAH...SHE DOES. 314 00:13:45,392 --> 00:13:46,760 THAT WAS A JOKE. 315 00:13:46,860 --> 00:13:48,762 [CHUCKLES] YEAH, I--I KNOW. 316 00:13:48,862 --> 00:13:50,731 HER--HER MOTHER PASSED AWAY LAST YEAR. 317 00:13:50,831 --> 00:13:53,300 OH, GOD. I'M SORRY. 318 00:13:53,400 --> 00:13:55,169 I DIDN'T KNOW. 319 00:13:55,269 --> 00:13:57,871 IT'S OK. I'M--I'M GETTING USED TO SAYING IT. 320 00:13:57,971 --> 00:14:00,107 BUT JASMYN, SHE STILL HAS A TOUGH TIME, 321 00:14:00,207 --> 00:14:02,476 AND MY SISTER WHO WAS HELPING US OUT, SHE JUST MOVED 322 00:14:02,576 --> 00:14:05,312 TO SEATTLE A FEW WEEKS AGO, SO I THINK JAS IS HAVIN' 323 00:14:05,412 --> 00:14:07,114 A HARD TIME WITH THAT, TOO. 324 00:14:07,214 --> 00:14:11,785 I'M SORRY. YOU-- YOU DIDN'T SIGN UP FOR A WHOLE THERAPY SESSION. 325 00:14:11,885 --> 00:14:14,288 OH--HEH!--TRUST ME. IF THERE'S ANYBODY 326 00:14:14,388 --> 00:14:17,491 WHO UNDERSTANDS NAVIGATING KIDS THROUGH TOUGH TRANSITIONS, 327 00:14:17,591 --> 00:14:19,059 IT'S ME. 328 00:14:21,662 --> 00:14:24,298 I'M SORRY TO HEAR ABOUT YOUR WIFE. 329 00:14:24,398 --> 00:14:28,435 I APPRECIATE THAT. 330 00:14:28,535 --> 00:14:31,438 YOU KNOW, I THOUGHT JAS AND I HAD FINALLY FOUND OUR RHYTHM, 331 00:14:31,538 --> 00:14:34,141 BUT IT JUST SEEMS LIKE THE MORE I TRY TO CONNECT, 332 00:14:34,241 --> 00:14:36,476 THE MORE SHE JUST PUSHES ME AWAY. 333 00:14:36,577 --> 00:14:38,412 SHE'S ADJUSTING TO A LOT. 334 00:14:38,512 --> 00:14:41,615 MAYBE DOUBLE DOWN ON THE EXTRA QUALITY TIME WITH HER, 335 00:14:41,715 --> 00:14:44,284 REMIND HER YOU'LL ALWAYS BE HERE. 336 00:14:44,384 --> 00:14:45,986 YEAH. 337 00:14:46,086 --> 00:14:48,155 [SNIFFS] 338 00:14:48,255 --> 00:14:49,823 [MUSIC PLAYING] 339 00:14:49,923 --> 00:14:51,725 ROMELO: SURE I CAN'T GET YOU ANYTHING? 340 00:14:51,825 --> 00:14:53,360 NO, I'M GOOD. THANK YOU. 341 00:14:53,460 --> 00:14:56,163 ALL RIGHT, SO TALK TO ME, SON. 342 00:14:56,263 --> 00:14:59,633 I'M SURE YOU GOT MAD QUESTIONS ABOUT TNT's PROGRAM. 343 00:14:59,733 --> 00:15:01,802 UH, I GUESS I'M JUST CURIOUS AS TO WHY 344 00:15:01,902 --> 00:15:03,670 TNT DIDN'T SHOW ME NO INTEREST LAST YEAR. 345 00:15:03,770 --> 00:15:06,306 I WAS ONE OF THE TOP PLAYERS IN THE COUNTRY. 346 00:15:06,406 --> 00:15:08,108 FAIR QUESTION. 347 00:15:08,208 --> 00:15:10,344 WELL, I'LL GIVE IT TO YOU STRAIGHT. 348 00:15:10,444 --> 00:15:11,845 -OK. -LAST YEAR, 349 00:15:11,945 --> 00:15:13,413 YOU WEREN'T A GOOD FIT FOR US. 350 00:15:13,514 --> 00:15:15,649 HEH! I'M THE SAME PLAYER I WAS BEFORE. 351 00:15:15,749 --> 00:15:19,553 TURNS OUT WE HAD YOU ALL WRONG OFF THE FIELD. 352 00:15:19,653 --> 00:15:22,322 IT ALL CLICKED FOR ME AFTER YOUR SHOOTING. 353 00:15:22,422 --> 00:15:25,058 HEH! Y'ALL WANT ME 'CAUSE I GOT SHOT? 354 00:15:25,158 --> 00:15:27,060 I WANT YOU BECAUSE YOU HAVE AN EDGE 355 00:15:27,160 --> 00:15:29,263 THAT TNT LIKES IN ITS PLAYERS. 356 00:15:29,363 --> 00:15:33,267 THAT EDGE, THAT "TAKE NO PRISONERS" KINDA ATTITUDE-- 357 00:15:33,367 --> 00:15:35,636 THAT'S WHAT WE NEED WHEN OUR BACK IS UP AGAINST THE WALL 358 00:15:35,736 --> 00:15:37,971 IN THE FOURTH QUARTER. 359 00:15:38,071 --> 00:15:40,474 I AIN'T A PART OF NO GANG, 360 00:15:40,574 --> 00:15:43,343 AND THAT SHOOTING WAS AN ISOLATED INCIDENT. 361 00:15:43,443 --> 00:15:44,545 DOESN'T MATTER. 362 00:15:44,645 --> 00:15:46,513 WHAT MATTERS IS THE IMAGE I CAN 363 00:15:46,613 --> 00:15:49,750 TAKE BACK TO MY BOSSES AT TNT AND SELL. 364 00:15:49,850 --> 00:15:51,752 "BAD BOY" SPENCER JAMES? 365 00:15:51,852 --> 00:15:53,820 NOW THAT'S AN IMAGE I CAN PACKAGE. 366 00:15:53,921 --> 00:15:56,323 YOU KNOW, FOR SOMEONE YOU NOT FRIENDS WITH 367 00:15:56,423 --> 00:15:59,059 NO MORE, YOU DEEP IN HIS BUSINESS. 368 00:15:59,159 --> 00:16:01,562 MAN, WHATEVER. WHY DON'T YOU MIND YOUR BUSINESS AND EXPLAIN 369 00:16:01,662 --> 00:16:04,898 THIS COMPARATIVE GOVERNMENT STUFF TO ME IN A WAY THAT I CAN UNDERSTAND? 370 00:16:04,998 --> 00:16:07,234 -I BEEN TRYING. -WELL, TRY HARDER, OK? 371 00:16:07,334 --> 00:16:09,937 'CAUSE I ONLY GOT A FEW MORE MINUTES BEFORE I GOT TO BE AT THE FLOWER VIGIL. 372 00:16:10,037 --> 00:16:12,940 ROMELO: YOU ALSO NEED MORE OF A SOCIAL MEDIA PRESENCE. 373 00:16:13,040 --> 00:16:15,976 NOW, THAT'S WHERE THE GAME AND THE FAME PLAYS OUT THESE DAYS. 374 00:16:16,076 --> 00:16:19,847 WE CAN HELP FIX THAT, UNOFFICIALLY, OF COURSE. 375 00:16:19,947 --> 00:16:22,149 -FIX IT HOW? -TNT CAN HELP YOU 376 00:16:22,249 --> 00:16:24,985 BUILD A PROFILE BEFITTING A TNT STAR ATHLETE, 377 00:16:25,085 --> 00:16:27,187 HOOK YOU UP WITH THE FOLKS AT INSTAGRAM, 378 00:16:27,287 --> 00:16:30,390 HELP YOU GET THOSE ENDORSEMENTS, YOU KNOW? SPENCER: YEAH, I KNOW. 379 00:16:30,490 --> 00:16:32,726 CREATE SOME REAL BUZZ AROUND 380 00:16:32,826 --> 00:16:35,662 ♪BadBoySpencerJames. 381 00:16:35,762 --> 00:16:38,031 I JUST WANT TO PLAY FOOTBALL. 382 00:16:38,131 --> 00:16:42,102 AND I'M TELLIN' YOU HOW WE GET YOU THERE. 383 00:16:42,202 --> 00:16:45,272 I'M ACTUALLY, UH, LATE FOR A VIGIL. MY BAD. 384 00:16:45,372 --> 00:16:48,075 I'MMA HAVE TO HEAD OUT. YOU MIND IF I THINK ON WHAT YOU JUST SAID? 385 00:16:48,175 --> 00:16:50,077 YEAH. 386 00:16:50,177 --> 00:16:52,212 UH, SON, 387 00:16:52,312 --> 00:16:55,649 YOUR, UH, SOCIAL JUSTICE THING IS COMMENDABLE. 388 00:16:55,749 --> 00:16:57,384 JUST... 389 00:16:57,484 --> 00:17:00,020 DON'T LET IT GET IN THE WAY OF YOUR NFL DREAMS. 390 00:17:00,120 --> 00:17:02,189 YOU REALLY WANT TO HELP YOUR PEOPLE? 391 00:17:02,289 --> 00:17:04,291 ACHIEVE THE DREAM. 392 00:17:13,367 --> 00:17:18,138 MALE SINGER: ♪ COCOA BUTTER KISSES WIPE MY TEARS AWAY ♪ 393 00:17:18,238 --> 00:17:19,806 HEY. 394 00:17:20,574 --> 00:17:23,210 WHERE IS EVERYBODY? I THOUGHT THERE'D BE A BIGGER CROWD. 395 00:17:23,310 --> 00:17:27,347 [SIGHS] SADLY, THIS WAS PRETTY MUCH WHAT I EXPECTED. 396 00:17:27,447 --> 00:17:30,217 THE CRIES OF INJUSTICE AROUND BLACK WOMEN'S MURDERS 397 00:17:30,317 --> 00:17:32,553 ARE ALWAYS SO MUCH QUIETER: 398 00:17:32,653 --> 00:17:36,223 SANDRA BLAND, BREONNA TAYLOR, REM'MIE FELLS. 399 00:17:36,323 --> 00:17:39,326 SADLY, I COULD GO ON FOR DAYS WITH THAT LIST. 400 00:17:39,426 --> 00:17:42,696 MO: KIA, I THINK THE FAMILY'S READY TO GET STARTED. 401 00:17:42,796 --> 00:17:44,798 ALL RIGHT, LET'S DO IT. THE STAGE IS READY. MO: OK. 402 00:17:44,898 --> 00:17:46,667 OH, MO, THIS IS MY FRIEND, OLIVIA BAKER. 403 00:17:46,767 --> 00:17:48,602 SHE'S GONNA BE COVERING OUR EVENT ON HER PODCAST. 404 00:17:48,669 --> 00:17:51,805 OH, THAT'S RIGHT. THE D.A.'s DAUGHTER. 405 00:17:51,905 --> 00:17:54,041 DOES YOUR MOTHER KNOW YOU'RE HERE? 406 00:17:54,141 --> 00:17:55,809 SHE DOES. 407 00:17:55,909 --> 00:17:57,544 I LISTEN TO YOUR PODCAST, 408 00:17:57,644 --> 00:17:59,546 AND IT'S KIDS LIKE YOU AND KIA 409 00:17:59,646 --> 00:18:02,850 THAT GIVE ME HOPE FOR THIS NEXT GENERATION. 410 00:18:02,950 --> 00:18:05,252 'SCUSE US. 411 00:18:07,588 --> 00:18:11,191 SINGER: ♪ SHE'S A QUEEN FROM ANOTHER PLACE ♪ 412 00:18:11,291 --> 00:18:13,994 ♪ WHY ARE YOU SO DISPLACED? ♪ 413 00:18:14,094 --> 00:18:17,631 ♪ SHE'S A GODDESS WALKING ON EARTH ♪ 414 00:18:17,698 --> 00:18:19,399 NAVEAH: MY COUSIN TAMIKA 415 00:18:19,499 --> 00:18:22,302 IS SO MUCH MORE THAN JUST A HASHTAG. 416 00:18:22,402 --> 00:18:25,639 SHE WAS MY ROCK, THE ONE PERSON I CAN CALL 417 00:18:25,739 --> 00:18:30,444 IN TIME OF NEED, AND SHE'D ALWAYS HAVE MY BACK, NO QUESTIONS ASKED. 418 00:18:30,544 --> 00:18:33,847 IF SHE CARED ABOUT YOU-- WHICH, LET'S FACE IT, 419 00:18:33,947 --> 00:18:35,983 APPLIES TO EVERYONE IN HER LIFE-- 420 00:18:36,083 --> 00:18:41,054 SHE ALWAYS KEPT IT 100, NO MATTER HOW MUCH THAT TRUTH MIGHT HAVE STUNG. 421 00:18:42,556 --> 00:18:45,125 TAMIKA, TODAY WE GIVE YOU FLOWERS 422 00:18:45,225 --> 00:18:47,261 BECAUSE THE COPS WHO MURDERED YOU 423 00:18:47,361 --> 00:18:50,397 ROBBED US OF THE OPPORTUNITY TO DO SO IN PERSON, 424 00:18:50,497 --> 00:18:53,100 AND BY BLATANTLY HIDING THE BODYCAM FOOTAGE, 425 00:18:53,200 --> 00:18:55,903 THEY'RE ROBBING YOU OF JUSTICE. 426 00:18:56,003 --> 00:18:59,406 MY BEAUTIFUL BLACK WOMEN, 427 00:18:59,506 --> 00:19:02,609 THESE FLOWERS ARE ALSO FOR YOU. 428 00:19:02,709 --> 00:19:05,712 THEY'RE HERE TO SAY WE LOVE YOU, 429 00:19:05,812 --> 00:19:10,884 WE SEE YOU, AND WE WILL ALWAYS PROTECT YOU. 430 00:19:10,984 --> 00:19:13,353 [APPLAUSE] 431 00:19:17,591 --> 00:19:19,560 [APPLAUSE ABATES] 432 00:19:22,596 --> 00:19:26,867 WAKIN' UP BELIEVIN' THE WORLD IS OUR OYSTER, 433 00:19:26,967 --> 00:19:30,304 LOVIN' LIFE AS WE STROLL DOWN THE STREET, 434 00:19:30,404 --> 00:19:32,840 WALKIN' LIKE WE GOT CLOUDS UNDER OUR FEET, 435 00:19:32,940 --> 00:19:34,641 DAYDREAMIN' 436 00:19:34,741 --> 00:19:38,245 OF THE GOLIATHS WE KNOW WE CAN DEFEAT. 437 00:19:38,345 --> 00:19:40,614 THAT'S WHAT TAMIKA DESERVED-- 438 00:19:40,714 --> 00:19:43,150 A FUTURE FULL OF POSSIBILITIES, LIKE FALLIN' IN LOVE 439 00:19:43,250 --> 00:19:45,452 OVER THE DOPEST CONVERSATION, 440 00:19:45,552 --> 00:19:50,157 MAKIN' IT TO HER COLLEGE GRADUATION OR, SHOOT, JUST MAKING IT... 441 00:19:50,257 --> 00:19:53,427 TO ANOTHER MORNING SALUTATION. 442 00:19:53,527 --> 00:19:55,562 THAT'S WHAT TAMIKA DESERVED-- 443 00:19:55,662 --> 00:19:59,366 A WORLD THAT LOVED HER AS BEAUTIFUL AND AS BLACK AS SHE WAS, 444 00:19:59,466 --> 00:20:02,035 NOT A POLICE SYSTEM THAT JUDGED AND FAILED HER, 445 00:20:02,135 --> 00:20:05,138 NOT A GROWN MAN WITH A BADGE AND A GUN 446 00:20:05,239 --> 00:20:07,574 THAT WAS SCARED OF HER. THE ACKNOWLEDGEMENT OF 447 00:20:07,674 --> 00:20:10,110 THE BRILLIANCE THAT WAS HER... KIA: YOU OK? 448 00:20:10,210 --> 00:20:12,613 COOP: THAT'S WHAT TAMIKA DESERVED. 449 00:20:12,713 --> 00:20:15,415 THAT'S WHAT ALL OF US BLACK WOMEN DESERVE 450 00:20:15,516 --> 00:20:18,118 BECAUSE OUR LOVE, DESPITE WHAT IT ENDURES, 451 00:20:18,218 --> 00:20:21,488 OUR BODIES CONTINUE TO NURTURE AND REASSURE; 452 00:20:21,588 --> 00:20:25,559 OUR MINDS, OUR STRENGTH THE CONSTANT CURE, 453 00:20:25,659 --> 00:20:27,995 SO A "THANK YOU" 454 00:20:28,095 --> 00:20:30,631 IS WHAT TAMIKA DESERVED. 455 00:20:30,731 --> 00:20:33,233 THE POEMS, THE PRAISES, 456 00:20:33,333 --> 00:20:35,369 THE FLOWERS-- THOSE ARE ALL GIFTS 457 00:20:35,469 --> 00:20:37,471 THAT SHOULD HAVE BEEN LEFT AT HER FEET, 458 00:20:37,571 --> 00:20:40,874 NOT A BULLET AND CONFUSION AS SHE DARED TO SLEEP. 459 00:20:40,974 --> 00:20:43,143 THIS IS WHY WE'RE ALL HERE TODAY, 460 00:20:43,243 --> 00:20:45,946 BECAUSE HER STORY IS NOT COMPLETE. 461 00:20:46,046 --> 00:20:49,283 JUSTICE IS WHAT SHE DESERVES, 462 00:20:49,383 --> 00:20:51,652 AND UNTIL SHE GETS IT, 463 00:20:51,752 --> 00:20:53,453 WE'RE GONNA FIGHT. 464 00:20:53,554 --> 00:20:56,156 RIGHT HERE IN THESE STREETS, WE GONNA FIGHT. 465 00:20:56,256 --> 00:20:59,326 AND I WANT Y'ALL TO TAKE YOUR FLOWER 466 00:20:59,426 --> 00:21:02,029 AND RAISE IT UP IN THE AIR RIGHT NOW 467 00:21:02,129 --> 00:21:04,665 IF YOU FEELIN' ME. 468 00:21:19,112 --> 00:21:21,014 [OLIVIA SIGHS] 469 00:21:21,114 --> 00:21:23,483 NOPE, DON'T DO THAT. 470 00:21:23,584 --> 00:21:24,985 DON'T COMPARE. 471 00:21:25,085 --> 00:21:26,687 YOU AND TAMIKA ARE DIFFERENT. 472 00:21:26,787 --> 00:21:28,755 AM I THAT OBVIOUS? 473 00:21:28,856 --> 00:21:30,390 YOU'RE THAT HARD ON YOURSELF. 474 00:21:30,490 --> 00:21:32,092 YOU KNOW, THE TRUTH IS IS THAT WE'RE NOT 475 00:21:32,192 --> 00:21:34,094 THAT DIFFERENT. 476 00:21:34,194 --> 00:21:37,097 WE'RE BOTH YOUNG BLACK WOMEN, 477 00:21:37,197 --> 00:21:40,434 WE BOTH DRANK, WE BOTH DROVE, 478 00:21:40,534 --> 00:21:42,603 AND, I MEAN, THE ONLY DIFFERENCE IS THAT TAMIKA HAD 479 00:21:42,703 --> 00:21:45,305 THE GOOD SENSE TO PULL OVER AND TRY TO SLEEP IT OFF, 480 00:21:45,405 --> 00:21:47,941 AND I JUST KEPT DRIVING UNTIL I CRASHED. 481 00:21:48,041 --> 00:21:51,311 -I KNOW. -AND BECAUSE I'M THE WHITE D.A.'s DAUGHTER, 482 00:21:51,411 --> 00:21:54,181 THE COPS OFFERED ME A RIDE HOME, 483 00:21:54,281 --> 00:21:56,683 AND TAMIKA GOT A DEATH SENTENCE. 484 00:21:56,783 --> 00:21:59,520 [VOICE BREAKING] HOW IS THAT FAIR? 485 00:21:59,620 --> 00:22:00,954 IT'S NOT. 486 00:22:01,054 --> 00:22:03,090 -IT'S NOT FAIR. -IT'S NOT FAIR, 487 00:22:03,190 --> 00:22:06,827 AND IT'S ALSO NOT YOUR FAULT THAT YOU'RE ALIVE AND TAMIKA ISN'T. 488 00:22:06,927 --> 00:22:09,830 YEAH, WELL... TAMIKA ISN'T ALIVE 489 00:22:09,930 --> 00:22:12,533 TO FIGHT FOR HER OWN JUSTICE... 490 00:22:12,633 --> 00:22:14,735 BUT I AM. 491 00:22:14,835 --> 00:22:17,237 I OWE THAT TO HER. 492 00:22:24,778 --> 00:22:26,346 [CHUCKLES] 493 00:22:26,446 --> 00:22:28,348 UH, ALL RIGHT, ENOUGH WITH THIS SUSPENSE. 494 00:22:28,448 --> 00:22:30,717 WHAT'S--WHAT HAPPENED WITH SPENCER? 495 00:22:30,817 --> 00:22:32,519 HE'S A SMART KID, 496 00:22:32,619 --> 00:22:36,523 WHO'S GOING TO OVERTHINK HIMSELF OUT OF THIS OPPORTUNITY. 497 00:22:36,623 --> 00:22:38,725 -WHAT DO YOU MEAN? -YOU NEED TO CONVINCE HIM 498 00:22:38,825 --> 00:22:41,995 TO LEAN INTO WHATEVER IMAGE IS GONNA GET HIM THE OFFER FROM TNT. 499 00:22:42,095 --> 00:22:43,797 WHATEVER IMAGE SPENCER LEANS INTO IS GONNA 500 00:22:43,897 --> 00:22:46,900 FOLLOW HIM INTO THE NFL AND FOR THE REST OF HIS LIFE. 501 00:22:47,000 --> 00:22:50,437 AND HE CAN THANK ME FOR IT WHEN HE LANDS HIS FIRST PRO CONTRACT. 502 00:22:50,537 --> 00:22:53,407 LOOK, I KNOW WHAT PLAYERS YOU USUALLY GO FOR AT TNT. 503 00:22:54,041 --> 00:22:57,177 YOUR INTEREST IN SPENCER MADE ME THINK YOU WERE CLEANING UP YOUR ACT. 504 00:22:57,277 --> 00:23:00,147 I MEAN, TIMES HAVE CHANGED. THE NFL IS CHANGING. 505 00:23:00,247 --> 00:23:02,850 THE LEAGUE NEEDS SOMEBODY LIKE SPENCER JAMES. 506 00:23:02,916 --> 00:23:05,452 COME ON, BILLY. NOW, YOU KNOW DAMN WELL 507 00:23:05,552 --> 00:23:08,121 AIN'T NOTHIN' REALLY CHANGED. 508 00:23:08,222 --> 00:23:10,123 YES, EVERYONE IS BUSY 509 00:23:10,224 --> 00:23:12,426 APOLOGIZING TO KAP NOW, 510 00:23:12,526 --> 00:23:14,595 BUT HAS ANYONE ACTUALLY OFFERED HIM 511 00:23:14,695 --> 00:23:20,834 HIS SPOT BACK IN THE LEAGUE? 512 00:23:20,934 --> 00:23:22,536 [HIP-HOP MUSIC PLAYING] 513 00:23:22,636 --> 00:23:24,471 MALE SINGER: ♪ I'LL SIT BACK AND... ♪ 514 00:23:24,571 --> 00:23:26,907 DILLON: JASMYN'S HERE. CAN I SAY HEY? 515 00:23:27,007 --> 00:23:30,010 ♪ ALL AROUND TOWN, CAN'T TAME US BUT CAN YOU BLAME US? ♪ 516 00:23:30,110 --> 00:23:32,012 HEY. 517 00:23:32,112 --> 00:23:34,348 JASMYN: HEY. DILLON: OH, HEY. 518 00:23:34,448 --> 00:23:36,683 [GRACE CHUCKLES] CARTER: HEY. 519 00:23:36,783 --> 00:23:39,386 -HEY. -THIRD TIME IN ONE DAY. 520 00:23:39,486 --> 00:23:41,722 AT THIS POINT, WE MIGHT AS WELL SYNC CALENDARS. 521 00:23:41,822 --> 00:23:44,725 HEH! ACTUALLY, THIS STOP WAS KINDA IMPROMPTU. 522 00:23:44,825 --> 00:23:46,860 JAS BAILED ON THE POOL PARTY, SO I FIGURED 523 00:23:46,960 --> 00:23:49,263 I'D TAKE YOU UP ON YOUR ADVICE 524 00:23:49,363 --> 00:23:51,532 AND DO THE WHOLE QUALITY-TIME THING. 525 00:23:51,632 --> 00:23:53,333 -HOW'S IT GOIN'? -IT'S OK, 526 00:23:53,433 --> 00:23:55,536 YOU DON'T COUNT HER GRUMPINESS AND THE FACT THAT SHE 527 00:23:55,636 --> 00:23:57,538 DIDN'T WANT TO EAT ANYTHING. 528 00:23:57,638 --> 00:24:00,641 APPARENTLY SHE HAS A STOMACHACHE...AGAIN. 529 00:24:00,741 --> 00:24:02,910 IT'S KINDA BEEN AN ISSUE ALL WEEK. 530 00:24:03,010 --> 00:24:04,978 DAD, SERIOUSLY? 531 00:24:05,078 --> 00:24:06,947 WHAT? WHAT'D I SAY? 532 00:24:07,047 --> 00:24:09,316 EXCUSE ME. [SCOFFS] 533 00:24:09,416 --> 00:24:11,652 CARTER: JAS. [JASMYN SCOFFS] 534 00:24:11,752 --> 00:24:13,687 DILLON: UM, WHAT JUST HAPPENED? 535 00:24:13,787 --> 00:24:15,856 BABY, CAN YOU GO CHECK ON MY TEA? 536 00:24:15,956 --> 00:24:17,724 SINGER: ♪ I'M DOWN HERE SMILIN' IN THE BOOTH ♪ 537 00:24:17,824 --> 00:24:19,960 ♪ REMINISCIN' 'BOUT LATE-NIGHT DEDICATION ♪ 538 00:24:20,527 --> 00:24:22,229 SEE WHAT I MEAN? 539 00:24:22,329 --> 00:24:24,798 HAVE YOU HAD THE TALK WITH HER YET... 540 00:24:24,898 --> 00:24:26,633 ABOUT MENSTRUAL CYCLES? 541 00:24:26,700 --> 00:24:28,468 I'M ALMOST POSITIVE YOUR DAUGHTER STARTED 542 00:24:28,569 --> 00:24:30,771 HER PERIOD THIS WEEK, AND SHE'S PROBABLY 543 00:24:30,871 --> 00:24:33,473 TOO EMBARRASSED TO TALK TO YOU ABOUT IT. 544 00:24:33,574 --> 00:24:36,810 [SIGHS] THE POOL PARTY, 545 00:24:36,910 --> 00:24:39,279 THE MOOD SWINGS, THE STOMACHACHES. 546 00:24:39,379 --> 00:24:41,348 OH, MY GOD. HOW DID I MISS IT? 547 00:24:41,448 --> 00:24:43,350 UH, BECAUSE YOU'RE HUMAN, 548 00:24:43,450 --> 00:24:45,252 AND YOU'RE A MAN. 549 00:24:45,352 --> 00:24:47,487 -YOU-- -I COULD GO TALK TO HER. 550 00:24:47,588 --> 00:24:49,189 NO, NO, NO, NO. I--I GOT IT. 551 00:24:49,289 --> 00:24:50,691 I'M--I'M ACTUALLY PREPARED. 552 00:24:50,791 --> 00:24:53,227 I--I GOT POWERPOINT, I GOT FLASH CARDS. 553 00:24:53,327 --> 00:24:55,062 I'M--I'M READY. 554 00:24:55,162 --> 00:24:56,330 -OK. -YOU THINK 555 00:24:56,430 --> 00:24:58,365 JANELLE MONAE'S "PYNK" IS TOO MUCH? 556 00:24:58,465 --> 00:25:00,167 UH... 557 00:25:00,267 --> 00:25:03,504 MAYBE JUST START WITH THE TALK, YOU KNOW? 558 00:25:03,604 --> 00:25:06,473 SEE HOW THAT GOES. 559 00:25:08,075 --> 00:25:11,178 SPENCER: I DON'T KNOW, MAN. MAYBE COACH BARNUM'S RIGHT. 560 00:25:11,278 --> 00:25:13,981 I'M RUNNIN' OUTTA TIME AND OPTIONS. 561 00:25:14,081 --> 00:25:17,885 I MEAN, THE GOAL WAS TO GET IN THE DOOR, RIGHT, WHATEVER IT TAKES? 562 00:25:17,985 --> 00:25:21,722 YEAH, JUST MAKE SURE YOU CAN LOOK YOURSELF IN THE MIRROR EACH MORNING. 563 00:25:21,822 --> 00:25:24,424 ALL I KNOW IS THERE'S A LOT OF POTENTIAL MONEY 564 00:25:24,525 --> 00:25:26,727 ON THE LINE WITH THIS NEW NCAA RULE. 565 00:25:26,827 --> 00:25:28,629 I DON'T FULLY UNDERSTAND IT ALL YET, BUT 566 00:25:28,729 --> 00:25:31,231 ANY CHANCE TO PROVIDE FOR MOMS IS A CHANCE I GOTTA TAKE. 567 00:25:31,331 --> 00:25:33,934 [BILLY SIGHS] [KNOCK ON DOOR] 568 00:25:34,034 --> 00:25:36,036 [DROPS PAMPHLET] 569 00:25:36,136 --> 00:25:38,205 [SIGHS] 570 00:25:38,305 --> 00:25:40,407 [DOOR OPENS] 571 00:25:40,507 --> 00:25:42,409 HEY. WHAT'S UP, MAN? JORDAN: HEY, UH, 572 00:25:42,509 --> 00:25:44,545 SORRY FOR JUST SHOWIN' UP. 573 00:25:44,645 --> 00:25:46,480 HEY, DAD. BILLY: HEY. 574 00:25:46,580 --> 00:25:48,015 GLAD TO SEE YOU MADE IT UP OFF THE COUCH. 575 00:25:48,115 --> 00:25:49,850 [DOOR CLOSES] JORDAN: YEAH, UM, AM I 576 00:25:49,950 --> 00:25:51,685 INTERRUPTING SOMETHING OR-- BILLY: NO, NO, NO. 577 00:25:51,785 --> 00:25:53,520 Y'ALL, UH, Y'ALL KICK IT. I'LL, UH, 578 00:25:53,620 --> 00:25:55,522 I CAN TALK TO YOU LATER. SPENCER: ALL RIGHT. 579 00:25:55,622 --> 00:25:58,825 BILLY: ALL RIGHT, YOUNG MAN. JORDAN: OK. 580 00:26:01,528 --> 00:26:04,064 OK, SERIOUSLY, WHAT-- WHAT DID I JUST INTERRUPT? 581 00:26:04,164 --> 00:26:06,099 NAW. NO, MAN, YOU GOOD. 582 00:26:06,200 --> 00:26:08,802 [SIGHS] SO WHAT'S UP? 583 00:26:08,902 --> 00:26:11,705 HOW YOU BEEN? JORDAN: NOT GREAT. 584 00:26:13,440 --> 00:26:15,475 TNT. THEY ARE SOME BEASTS. 585 00:26:15,576 --> 00:26:18,111 -YEAH. -I DIDN'T THINK YOU WERE CONSIDERING TEXAS SCHOOLS. 586 00:26:18,212 --> 00:26:20,113 I WASN'T, TILL ONE OF THEIR RECRUITERS 587 00:26:20,214 --> 00:26:22,349 CAME TO TOWN, SORTA MADE ME AN OFFER. 588 00:26:22,449 --> 00:26:23,550 JORDAN: WHAT? SPENCER: HEH! YEAH. 589 00:26:23,650 --> 00:26:24,852 DUDE, THAT'S-- THAT'S AWESOME! 590 00:26:24,952 --> 00:26:27,087 WAIT. WHY--WHY DIDN'T YOU TELL ME? 591 00:26:27,187 --> 00:26:29,256 I DON'T KNOW, MAN. I DIDN'T WANT TO THROW IT IN YOUR FACE 592 00:26:29,356 --> 00:26:33,160 WITH EVERYTHING YOU GOT GOIN' ON, NOT BEIN' ABLE TO PLAY. 593 00:26:33,260 --> 00:26:36,363 LISTEN, SPENCE, I DON'T NEED EVERYONE TIPTOEING AROUND ME. 594 00:26:36,463 --> 00:26:38,465 WE DON'T KNOW WHAT YOU NEED, J. 595 00:26:38,565 --> 00:26:41,468 YOU'RE NOT TALKIN' TO NOBODY. 596 00:26:44,171 --> 00:26:47,274 [EXHALES SHARPLY] HOW DID YOU DO IT, SPENCE? 597 00:26:47,374 --> 00:26:50,077 WHENEVER YOU THOUGHT YOU... 598 00:26:50,177 --> 00:26:53,714 WOULD NEVER PLAY AGAIN, HOW--HOW DID YOU DEAL? 599 00:26:53,814 --> 00:26:56,016 I MEAN, ONE MINUTE, I'M--I'M RIDIN' HIGH 600 00:26:56,116 --> 00:26:59,553 IN THE MIDDLE OF MY HOMECOMING GAME, AND THE NEXT... 601 00:26:59,653 --> 00:27:03,023 EVERYTHING JUST WENT TO HELL SO FAST. 602 00:27:03,123 --> 00:27:05,158 YOU TAKE IT DAY BY DAY. 603 00:27:05,259 --> 00:27:08,695 YOU FEEL WHAT YOU FEEL AND THEN YOU KEEP IT MOVIN'. 604 00:27:08,795 --> 00:27:11,698 YOU CAN'T FOCUS ON THE UNCERTAINTY, MAN. 605 00:27:11,798 --> 00:27:14,701 YOU GOT TO GET UP AND REMIND YOURSELF 606 00:27:14,801 --> 00:27:17,237 THAT YOUR LIFE AIN'T OVER, YOU FEEL ME? 607 00:27:17,337 --> 00:27:20,240 [SCOFFS, SIGHS] 608 00:27:20,340 --> 00:27:23,243 UM... [DROPS PAMPHLET] 609 00:27:23,343 --> 00:27:25,546 LOOK, MAN, I'M--I'M SORRY 610 00:27:25,646 --> 00:27:29,383 THAT I MADE YOU FEEL LIKE YOU COULDN'T SHARE YOUR DOPE NEWS WITH ME. 611 00:27:29,483 --> 00:27:32,553 YOU KNOW, WHATEVER HAPPENS WITH ME AND FOOTBALL, 612 00:27:32,653 --> 00:27:35,155 I'M ALWAYS GONNA CELEBRATE MY BOY'S WINS. 613 00:27:35,255 --> 00:27:37,224 I KNOW. 614 00:27:37,324 --> 00:27:39,393 [SLAP HANDS, SNAP FINGERS] 615 00:27:39,493 --> 00:27:41,728 [SNIFFS, EXHALES] 616 00:27:41,828 --> 00:27:44,531 DAMN. I JUST REALIZED. 617 00:27:44,631 --> 00:27:47,234 I OWE SOMEBODY ELSE AN APOLOGY AND A CELEBRATION. 618 00:27:47,334 --> 00:27:49,536 [RUBS PALMS TOGETHER] 619 00:27:55,843 --> 00:27:57,711 HEY. 620 00:27:57,811 --> 00:27:59,479 -YOU STALKING ME? -WELL, IT'S NOT HARD. 621 00:27:59,580 --> 00:28:03,050 YOU'RE LITERALLY ALWAYS EITHER HERE OR IN THE STUDIO THESE DAYS. 622 00:28:03,150 --> 00:28:06,687 UM, I'M SORRY FOR LEAVING YOU WITHOUT A STUDY PARTNER TODAY. 623 00:28:06,787 --> 00:28:09,122 I JUST HAD TO CLEAR MY HEAD, 624 00:28:09,223 --> 00:28:11,024 BUT CLEARLY, YOU FOUND A STRATEGY 625 00:28:11,124 --> 00:28:12,926 THAT WORKS BETTER THAN ME. COOP: UH, NO. 626 00:28:13,026 --> 00:28:15,195 ACTUALLY, THE NOTECARDS WERE PREACH'S IDEA. 627 00:28:15,295 --> 00:28:18,632 HUH. OK. WHO'D HAVE THOUGHT? 628 00:28:18,732 --> 00:28:21,368 ...SAY THE DREAM STARTS NOW, THAT MEANS MY PATH TO... 629 00:28:21,468 --> 00:28:24,037 IS THAT ALSO PREACH'S IDEA? 630 00:28:24,137 --> 00:28:28,041 NO. THIS IS JUST SOMETHIN' SPENCER NEEDS RIGHT NOW. 631 00:28:28,141 --> 00:28:29,843 WAIT. I'M--I'M SO CONFUSED. 632 00:28:29,943 --> 00:28:32,846 I THOUGHT WE WERE STILL, LIKE, A SPENCER-FREE ZONE. 633 00:28:32,946 --> 00:28:35,015 WE ARE. THAT FRIENDSHIP IS IN THE PAST, 634 00:28:35,115 --> 00:28:38,285 BUT THAT DON'T MEAN ALL THE CARIN' JUST MAGICALLY VANISHED. 635 00:28:38,385 --> 00:28:40,320 YEAH, TELL ME ABOUT IT. 636 00:28:40,420 --> 00:28:43,357 I REALIZED TODAY AT TAMIKA'S VIGIL THAT I DON'T WANT 637 00:28:43,457 --> 00:28:46,460 THE LAST THING THAT'S SHARED BETWEEN ME AND SPENCER TO BE ANGER. 638 00:28:46,560 --> 00:28:49,463 ME DOIN' HIM THIS SOLID JUST... 639 00:28:49,563 --> 00:28:52,432 ALLOWS OUR FRIENDSHIP TO REST IN PEACE. 640 00:28:57,037 --> 00:28:58,739 [JABARI SIGHS] 641 00:28:58,839 --> 00:29:00,741 SO NOBODY ELSE IS PISSED OFF 642 00:29:00,841 --> 00:29:03,076 THAT COACH CALLS US IN FOR AN IMPROMPTU PRACTICE? 643 00:29:03,177 --> 00:29:05,846 I'M STILL TRYIN' TO FIGURE OUT WHY WE NOT ON THE FIELD. 644 00:29:07,648 --> 00:29:10,551 BILLY: HERE THEY ARE. 645 00:29:12,152 --> 00:29:15,455 -HEY, WHAT'S GOIN' ON, COACH? -GO AHEAD, NOW. HAVE A SEAT. 646 00:29:15,556 --> 00:29:17,758 [DOOR CLOSES] 647 00:29:19,626 --> 00:29:23,163 WELCOME TO FINANCIAL LITERACY 101. 648 00:29:23,263 --> 00:29:25,232 JABARI: WHAT? BILLY: LISTEN UP. 649 00:29:25,332 --> 00:29:27,768 NOW, THE DIFFERENCE BETWEEN THE HAVES AND THE HAVE NOTS 650 00:29:27,868 --> 00:29:31,772 IN THIS WORLD USUALLY COMES DOWN TO FINANCIAL LITERACY. 651 00:29:31,872 --> 00:29:34,741 WELL, THE SAME HOLDS TRUE IN THE WORLD OF FOOTBALL. 652 00:29:34,842 --> 00:29:37,711 UH, IT USED TO BE THAT PLAYERS DIDN'T THINK THEY NEEDED 653 00:29:37,811 --> 00:29:40,714 TO KNOW THIS STUFF UNTIL IT WAS TIME FOR THE PROS. 654 00:29:40,814 --> 00:29:43,917 BUT NOW THE GAME'S CHANGED WITH COLLEGE ATHLETES, 655 00:29:44,017 --> 00:29:47,120 AND I WANT TO MAKE SURE THAT YOU GUYS ARE PROTECTED; 656 00:29:47,221 --> 00:29:48,922 PROTECTED AND PREPARED. 657 00:29:49,022 --> 00:29:51,258 THE LAST THING I WANT IS FOR YOU GUYS TO MAKE MISTAKES 658 00:29:51,358 --> 00:29:54,161 BECAUSE YOU DON'T HAVE ENOUGH MONEY OR, EVEN WORSE, 659 00:29:54,261 --> 00:29:56,029 YOU DON'T UNDERSTAND MONEY. 660 00:29:56,129 --> 00:29:58,565 THERE ARE PEOPLE OUT THERE THAT CAN SMELL THAT, 661 00:29:58,665 --> 00:30:00,934 AND THEY WILL TAKE ADVANTAGE OF YOU. 662 00:30:01,034 --> 00:30:04,137 AND I'LL BE DAMNED IF I, UH, HAVE ANYBODY TREATIN' YOU LIKE THAT, 663 00:30:04,238 --> 00:30:05,973 SO KNOWLEDGE IS POWER. 664 00:30:06,073 --> 00:30:08,942 I'M GONNA GIVE YOU THAT KNOWLEDGE HERE, EVERY SATURDAY, 665 00:30:09,042 --> 00:30:11,945 FOR THE NEXT 6 WEEKS. PASS THESE OUT. 666 00:30:13,814 --> 00:30:15,816 [GRACE AND DILLON CHUCKLE] 667 00:30:15,916 --> 00:30:17,284 BOOM, BOOM! 668 00:30:17,384 --> 00:30:18,719 OH, YOU ARE SAVAGE. 669 00:30:18,819 --> 00:30:20,187 HOW YOU GONNA JUST JUMP ME LIKE THAT? 670 00:30:20,287 --> 00:30:22,289 THAT'S THE WHOLE POINT OF THE GAME, BABY. 671 00:30:22,389 --> 00:30:24,625 GET YOUR CHECKERS CROWNED SO YOU CAN MAKE SOME MOVES, TOO. 672 00:30:24,725 --> 00:30:26,460 [CHUCKLING] DILLON: OK. ALL RIGHT. 673 00:30:26,560 --> 00:30:28,662 GRACE: HA HA HA HA! [KNOCK ON DOOR] 674 00:30:29,863 --> 00:30:31,765 GRACE: AND DON'T FORGET, I HAVE EYES 675 00:30:31,865 --> 00:30:34,835 IN THE BACK OF MY HEAD, SO DON'T TRY ANYTHING. 676 00:30:37,738 --> 00:30:39,640 PRINCIPAL CARTER. 677 00:30:39,740 --> 00:30:42,009 A GIFT FOR TODAY. 678 00:30:42,109 --> 00:30:45,112 CARTER: I, UM-- WELL, YOU WERE RIGHT. 679 00:30:45,212 --> 00:30:47,414 GRACE: I'M ALWAYS RIGHT. [BOTH CHUCKLE] 680 00:30:47,514 --> 00:30:50,317 UH, THAT IS VERY SWEET, BUT VERY UNNECESSARY. 681 00:30:50,417 --> 00:30:53,320 I HAVE A DAUGHTER WHO'S ON VIDEO CHAT WITH HER FRIENDS 682 00:30:53,420 --> 00:30:57,191 RIGHT NOW, TALKIN' ABOUT HOW DOPE HER DAD IS, 683 00:30:57,291 --> 00:30:59,960 SO THEY ARE VERY NECESSARY. 684 00:31:00,060 --> 00:31:03,764 UH, WELL, THANK YOU. 685 00:31:03,864 --> 00:31:06,266 YEAH, WELL, LOOK AT US. 686 00:31:06,366 --> 00:31:09,403 YOU DO REALIZE WE'RE GOIN' ON ALMOST 24 HOURS WITHOUT FIGHTING? 687 00:31:09,503 --> 00:31:11,605 OH, THERE'S STILL TIME. [CHUCKLES] 688 00:31:11,705 --> 00:31:15,008 HEH! YEAH. I GUESS YOU'RE RIGHT. GRACE: HA HA! 689 00:31:15,108 --> 00:31:17,911 SPENCER: OH, FOR REAL. WE'RE GONNA HAVE TO GET HIM A SECOND-GRADE MATH BOOK. 690 00:31:18,011 --> 00:31:20,214 [ALL CHUCKLE] [PHONE VIBRATES] 691 00:31:22,216 --> 00:31:24,117 HEY, I'LL CATCH UP WITH Y'ALL. 692 00:31:24,218 --> 00:31:27,120 JABARI: YEAH. NHANI: ALL RIGHT. 693 00:31:35,262 --> 00:31:36,830 SO THIS IS THE DREAM. 694 00:31:36,897 --> 00:31:39,499 I'M SPENCER JAMES, AND MY DREAM IS TO PLAY IN THE NFL, 695 00:31:39,600 --> 00:31:41,502 SO WHEN I SAY THE DREAM STARTS NOW, 696 00:31:41,602 --> 00:31:43,637 THAT MEANS MY PATH TO GREATNESS STARTS NOW. 697 00:31:43,737 --> 00:31:46,306 THAT MEANS PUTTING WORK BOTH ON AND OFF THE FIELD. 698 00:31:46,406 --> 00:31:48,775 THAT MEANS MAKING VARSITY BY NINTH GRADE. 699 00:31:48,876 --> 00:31:51,111 IT MEANS BEING A REAL PLAYER 700 00:31:51,211 --> 00:31:53,380 AND CARING FOR MY TEAMMATES AS MUCH AS THE GAME. 701 00:31:53,480 --> 00:31:55,549 IT MEANS BEING THE BEST I CAN BE 702 00:31:55,649 --> 00:31:58,185 IN MY HEART, SOUL, AND MIND 703 00:31:58,285 --> 00:32:00,721 BECAUSE WHEN THAT'S NOT RIGHT, THEN THE REST DON'T MATTER. 704 00:32:00,821 --> 00:32:02,222 GIRL: I KNOW THAT'S RIGHT. 705 00:32:02,322 --> 00:32:03,857 SAY IT WITH YOUR WHOLE CHEST, SPENCE. 706 00:32:03,957 --> 00:32:05,359 WE DREAMIN' BIG, BABY! 707 00:32:05,459 --> 00:32:08,529 SHH, COOP! WE'RE RECORDING. 708 00:32:08,629 --> 00:32:10,531 I'M SPENCER JAMES, 709 00:32:10,631 --> 00:32:14,735 AND THAT'S MY DREAM, AND THE DREAM STARTS NOW. 710 00:32:24,711 --> 00:32:27,047 [LINE RINGS] 711 00:32:31,051 --> 00:32:33,320 YOU HAVE THE TAMIKA FOOTAGE. 712 00:32:33,420 --> 00:32:35,856 HOW CAN YOU NOT RELEASE IT? 713 00:32:35,956 --> 00:32:37,591 -OLIVIA-- -DON'T! 714 00:32:37,691 --> 00:32:39,593 DON'T HIDE BEHIND YOUR WHOLE 715 00:32:39,693 --> 00:32:41,662 "I CAN'T DISCUSS ACTIVE" WHATEVER. 716 00:32:41,728 --> 00:32:45,032 SHE WASN'T MUCH OLDER THAN ME. SHE COULD HAVE BEEN ME. 717 00:32:45,132 --> 00:32:48,068 -I UNDERSTAND YOU'RE UPSET, BUT-- -THERE'S NO "BUT." 718 00:32:48,168 --> 00:32:51,038 I DID FAR WORSE THAN TAMIKA, AND I GOT TO WALK AWAY! 719 00:32:51,138 --> 00:32:53,240 ARE YOU GOING TO LISTEN TO ME? 720 00:32:53,340 --> 00:32:55,742 THERE IS NOT A DAY THAT GOES BY THAT I 721 00:32:55,843 --> 00:32:58,545 DON'T GRIEVE FOR TAMIKA AND HER FAMILY, 722 00:32:58,645 --> 00:33:01,748 BUT HEAR ME WHEN I SAY THIS TO YOU: 723 00:33:01,849 --> 00:33:04,184 YOUR SITUATION WITH THE COPS 724 00:33:04,284 --> 00:33:07,521 AND TAMIKA'S WERE VERY, VERY DIFFERENT. 725 00:33:07,621 --> 00:33:09,223 WELL, I GUESS WE'LL NEVER KNOW BECAUSE YOU 726 00:33:09,323 --> 00:33:11,491 AND THE COPS WON'T RELEASE THE FOOTAGE. 727 00:33:11,592 --> 00:33:13,093 BUT, HEY, 728 00:33:13,193 --> 00:33:15,229 AT LEAST YOUR DAUGHTER'S SAFE AT HOME. 729 00:33:15,329 --> 00:33:18,532 TAMIKA'S MOTHER CAN'T SAY THE SAME. 730 00:33:27,441 --> 00:33:29,343 ROMELO: ALL RIGHT, SON. 731 00:33:29,443 --> 00:33:32,880 YOU READY TO BE IN BUSINESS WITH TNT? 732 00:33:34,147 --> 00:33:35,916 WITH ALL DUE RESPECT, SIR... 733 00:33:36,016 --> 00:33:39,753 THE QUESTION IS, IS TNT READY TO BE IN BUSINESS WITH SPENCER JAMES? 734 00:33:39,853 --> 00:33:44,291 LOOK, IF Y'ALL WANT ME, YOU GOTTA TAKE ME THE WAY I AM. 735 00:33:44,391 --> 00:33:48,996 I'M NOT A GANGBANGER, AND I'M NOT A SOCIAL JUSTICE WARRIOR. 736 00:33:49,096 --> 00:33:51,932 I'M JUST ME, AND THE KID WHO WORKED HIS WAY 737 00:33:52,032 --> 00:33:54,268 BACK TO PEAK PERFORMANCE AFTER GETTING SHOT, 738 00:33:54,368 --> 00:33:57,104 THE KID WHO TOOK A BULLET FOR HIS FRIEND, 739 00:33:57,204 --> 00:33:59,106 THE SAME KID WHO CONVINCED THE SCHOOL BOARD 740 00:33:59,206 --> 00:34:02,109 TO GIVE SOUTH CRENSHAW ANOTHER CHANCE. 741 00:34:02,209 --> 00:34:04,545 THAT'S THE KID TNT SHOULD WANT ON THEIR FIELD 742 00:34:04,645 --> 00:34:08,382 IN THE FOURTH QUARTER WITH THEIR BACKS UP AGAINST THE WALL. 743 00:34:08,482 --> 00:34:10,684 [ROMELO SIGHS] 744 00:34:10,784 --> 00:34:13,520 I GOT TO TALK IT OVER WITH THE BOSSES AT TNT. 745 00:34:13,620 --> 00:34:16,156 MAYBE THE OFFER WILL COME, MAYBE IT WON'T. 746 00:34:16,256 --> 00:34:19,393 BILLY: AND WE'RE OK WITH THAT. ROMELO: BUT... 747 00:34:23,864 --> 00:34:27,267 I RESPECT THE HELL OUTTA THE STAND YOU JUST TOOK, SON. 748 00:34:31,104 --> 00:34:34,641 [PATS SPENCER'S BACK TWICE] 749 00:34:34,741 --> 00:34:38,745 NAVEAH: MY COUSIN TAMIKA IS SO MUCH MORE THAN JUST A HASHTAG. 750 00:34:38,846 --> 00:34:41,148 TAMIKA, TODAY WE GIVE YOU FLOWERS 751 00:34:41,248 --> 00:34:43,650 BECAUSE THE COPS WHO MURDERED YOU 752 00:34:43,750 --> 00:34:46,653 ROBBED US OF THE OPPORTUNITY TO DO SO IN PERSON. 753 00:34:46,753 --> 00:34:50,557 COOP: A WORLD THAT LOVED HER AS BEAUTIFUL AND AS BLACK AS SHE WAS, 754 00:34:50,657 --> 00:34:52,759 NOT A POLICE SYSTEM THAT JUDGED AND FAILED HER. 755 00:34:52,860 --> 00:34:55,762 THE ACKNOWLEDGEMENT OF THE BRILLIANCE THAT WAS HER-- 756 00:34:55,863 --> 00:34:57,431 THAT'S WHAT TAMIKA DESERVED. 757 00:34:57,531 --> 00:35:02,269 MY COUSIN TAMIKA IS SO MUCH MORE THAN JUST A HASHTAG. 758 00:35:03,804 --> 00:35:06,139 [KNOCK ON DOOR] 759 00:35:06,240 --> 00:35:09,009 -HEY. -LAYLA. HI. 760 00:35:09,109 --> 00:35:10,511 SORRY. I DIDN'T WANT TO INTERRUPT ANYTHING. 761 00:35:10,611 --> 00:35:12,246 I JUST WANTED TO DROP SOMETHING OFF. 762 00:35:12,346 --> 00:35:15,582 UM, I'M--NOW'S NOT REALLY A GOOD TIME. 763 00:35:15,682 --> 00:35:17,584 I KIND OF HAVE A LOT GOING ON AND I JUST-- I HAVE TO FINISH 764 00:35:17,684 --> 00:35:19,953 EDITING THIS REEL ON THE FLOWERS FOR TAMIKA EVENT. 765 00:35:20,053 --> 00:35:21,955 I'LL BE QUICK. 766 00:35:22,055 --> 00:35:25,225 JUST... 767 00:35:25,325 --> 00:35:28,729 UM, YOU GAVE THAT BACK TO ME WHEN... 768 00:35:28,829 --> 00:35:31,098 YOU WERE AT YOUR LOWEST AND REALLY NEEDED HELP, 769 00:35:31,198 --> 00:35:35,636 AND I TOTALLY MISSED WHAT YOU WERE TRYING TO TELL ME AND... 770 00:35:35,736 --> 00:35:38,639 NO AMOUNT OF SORRY IS EVER GONNA MAKE UP FOR THAT, 771 00:35:38,739 --> 00:35:43,343 BUT I STAND BY WHAT I SAID THE DAY I GAVE IT TO YOU. 772 00:35:43,443 --> 00:35:45,812 YOUR COURAGE INSPIRES ME, 773 00:35:45,913 --> 00:35:49,516 AND YOUR COURAGE HELPED ME FIGHT FOR MY OWN RECOVERY, 774 00:35:49,616 --> 00:35:52,853 AND THAT'S HOW I KNOW YOU'RE GONNA KEEP FIGHTING FOR YOURS. 775 00:35:54,888 --> 00:35:57,457 A GOOD FRIEND TOLD ME THAT... 776 00:35:57,558 --> 00:35:59,960 GUILT DOES NOTHING BUT WEIGH YOU DOWN, 777 00:36:00,060 --> 00:36:02,696 THAT YOU GOTTA FIND SOMETHING POSITIVE TO DO WITH IT 778 00:36:02,796 --> 00:36:06,300 OR JUST...LET IT GO. 779 00:36:06,400 --> 00:36:09,036 TREY SONGZ: ♪ HOW MANY MOTHERS HAVE TO CRY? ♪ 780 00:36:09,136 --> 00:36:10,571 OLIVIA: LABELS. 781 00:36:10,671 --> 00:36:12,940 SONGZ: ♪ HOW MANY BROTHERS GOTTA DIE? ♪ 782 00:36:13,040 --> 00:36:14,942 OLIVIA: YOU KNOW WHY I HATE THEM? 783 00:36:15,042 --> 00:36:16,944 BECAUSE, AS A SOCIETY, WE USE THEM 784 00:36:17,044 --> 00:36:19,980 ON EACH OTHER WAY TOO MUCH. 785 00:36:20,080 --> 00:36:24,685 I MEAN, I'VE LIVED MY WHOLE LIFE AS A LABEL. 786 00:36:24,785 --> 00:36:27,487 YOU KNOW, FIRST IT WAS THE TWIN. 787 00:36:27,588 --> 00:36:29,690 SONGZ: ♪ HOW MANY MORE LIVES? ♪ OLIVIA: AND THEN 788 00:36:29,790 --> 00:36:32,125 THE ADDICT. SONGZ: ♪ HOW MANY MORE TIMES? ♪ 789 00:36:32,226 --> 00:36:34,494 OLIVIA: AND THEN THERE'S MY LATEST LABEL-- 790 00:36:34,595 --> 00:36:36,496 THE D.A.'s DAUGHTER. SINGER: ♪ TAKE A LOOK AROUND ♪ 791 00:36:36,597 --> 00:36:38,465 OLIVIA: WHERE IS IT? SONGZ: ♪ CAN YOU SEE IT NOW? ♪ 792 00:36:38,565 --> 00:36:40,234 OLIVIA: BUT HERE'S THE THING ABOUT LABELS. 793 00:36:40,334 --> 00:36:41,935 SONGZ: ♪ 'CAUSE WHEN THEY KILLIN' MINE ♪ 794 00:36:42,035 --> 00:36:43,937 OLIVIA: YES, THEY LEND THEMSELVES 795 00:36:44,037 --> 00:36:46,740 TO FUN, CUTE HASHTAGS, 796 00:36:46,840 --> 00:36:50,944 BUT LABELS RARELY GIVE YOU THE WHOLE PICTURE ABOUT A PERSON, 797 00:36:51,044 --> 00:36:53,747 AND THE WHOLE PICTURE MAKES A DIFFERENCE. 798 00:36:53,847 --> 00:36:58,552 MAN, CAN'T BELIEVE THAT LITTLE PUNK CARTER ENDED UP BACK HERE. 799 00:36:58,652 --> 00:37:00,053 HE AIN'T SO LITTLE ANYMORE. 800 00:37:00,153 --> 00:37:01,922 AND NOW YOU GOTTA REPORT TO HIM? 801 00:37:02,022 --> 00:37:03,423 [SCOFFS] YEAH. 802 00:37:03,524 --> 00:37:05,058 AFTER THAT ASS-WHUPPIN' YOU GAVE HIM 803 00:37:05,158 --> 00:37:06,760 BEFORE HOMECOMING IN NINTH GRADE? 804 00:37:06,860 --> 00:37:09,062 [CHUCKLING] 805 00:37:10,697 --> 00:37:13,333 MAN, KARMA IS A BITCH. 806 00:37:13,400 --> 00:37:14,801 SO... 807 00:37:14,902 --> 00:37:16,970 SO THEN THAT FIGHT REALLY HAPPENED? 808 00:37:17,070 --> 00:37:19,306 IT WASN'T REALLY A FIGHT. HEH! 809 00:37:19,873 --> 00:37:22,142 YOU HAD HIM PINNED UP AGAINST THE LOCKER. 810 00:37:22,242 --> 00:37:24,311 BUSTED HIS LIP PRETTY DAMN GOOD. 811 00:37:24,411 --> 00:37:26,647 HEH! NO ONE KNEW WHAT GOT INTO YOU. 812 00:37:26,747 --> 00:37:29,550 IT WAS LIKE YOU JUST SNAPPED. 813 00:37:31,051 --> 00:37:33,053 HEY, HOLD UP. 814 00:37:33,153 --> 00:37:35,122 YOU REALLY DON'T REMEMBER? 815 00:37:35,222 --> 00:37:37,124 OLIVIA: THE WHOLE PICTURE 816 00:37:37,224 --> 00:37:40,661 IS THE ONLY WAY TO THE TRUTH. 817 00:37:40,761 --> 00:37:43,864 OLIVIA: THE WHOLE PICTURE IS THE ONLY WAY 818 00:37:43,964 --> 00:37:45,666 TO REAL ACCOUNTABILITY. 819 00:37:45,766 --> 00:37:48,135 JJ: WHAT'S UP WITH THE URGENT SUMMONS? 820 00:37:48,235 --> 00:37:49,570 HAD TO MAKE SURE Y'ALL WOULD COME. 821 00:37:49,670 --> 00:37:53,340 ASH: WELL, WE DID. WHAT'S SO IMPORTANT? 822 00:37:53,440 --> 00:37:55,342 -AN APOLOGY. -IT'S ALL GOOD, MAN. 823 00:37:55,442 --> 00:37:58,345 NO, IT'S NOT, ALL RIGHT? YOU'RE QB1-- 824 00:37:58,445 --> 00:38:01,515 HEH!--WHICH IS FRICKIN' HUGE, 825 00:38:01,615 --> 00:38:04,318 AND I SHOULD HAVE CELEBRATED THAT, SO... 826 00:38:04,418 --> 00:38:08,055 CONGRATULATIONS, MAN. WE'RE GONNA MAKE IT TO STATE WITH YOU. 827 00:38:08,155 --> 00:38:09,957 WITH BOTH OF YOU, 828 00:38:10,057 --> 00:38:12,059 AND, UM, 829 00:38:12,159 --> 00:38:14,561 YOU KNOW, I'MMA DO MY PART, TOO, 830 00:38:14,661 --> 00:38:17,998 FROM, UH, FROM-- FROM THE SIDELINE, 831 00:38:18,098 --> 00:38:21,034 SO... ASH: HEY... 832 00:38:21,134 --> 00:38:23,003 WHAT ARE WE WAITING FOR? 833 00:38:23,103 --> 00:38:25,005 SONGZ: ♪ WHERE YOUR RAGE WHILE MY PEOPLE DIE? ♪ 834 00:38:25,105 --> 00:38:28,208 ♪ WE AIN'T SLAVES, LET MY PEOPLE FLY ♪ 835 00:38:28,308 --> 00:38:30,544 ♪ NOW IT'S TIME, WATCH MY PEOPLE RISE ♪ 836 00:38:30,644 --> 00:38:32,913 ♪ HOW MANY MOTHERS HAVE TO CRY? ♪ 837 00:38:33,013 --> 00:38:34,815 KEEP THAT SPIRAL TIGHT. 838 00:38:34,915 --> 00:38:37,150 SONGZ: ♪ HOW MANY BROTHERS GOTTA DIE? ♪ 839 00:38:37,251 --> 00:38:40,153 ♪ HOW MANY MORE TIMES? ♪ BACKGROUND SINGERS: ♪ OOH, HOW ♪ 840 00:38:40,254 --> 00:38:42,856 JJ: HA HA HA! SONGZ: ♪ HOW MANY MORE TIMES? ♪ JORDAN: ATTA BOY. DO IT. 841 00:38:42,956 --> 00:38:45,459 OLIVIA: THE WHOLE PICTURE... SONGZ: ♪ HOW MANY MORE TIMES? ♪ 842 00:38:45,559 --> 00:38:47,628 OLIVIA: IS THE ONLY WAY TO REALLY START THE HEALING. 843 00:38:47,728 --> 00:38:50,631 -♪ HOW MANY MORE TIMES? ♪ -♪ OOH, HOW? ♪ 844 00:38:50,731 --> 00:38:53,800 -♪ HOW MANY MORE LIVES? ♪ -♪ OOH, HOW? ♪ 845 00:38:53,901 --> 00:38:56,637 - ♪ HOW MANY MORE TIMES? ♪ -♪ HOW MANY TIMES? ♪ 846 00:38:56,737 --> 00:38:59,039 -♪ HOW MANY MOTHERS HAVE TO CRY? ♪ 847 00:38:59,139 --> 00:39:02,609 ♪ TELL ME, HOW MANY BROTHERS GOTTA DIE? ♪ 848 00:39:02,709 --> 00:39:05,212 ♪ TELL ME, HOW MANY MORE TIMES? ♪ 849 00:39:05,312 --> 00:39:06,947 -♪ OOH, HOW? ♪ -♪ OH, LORD ♪ 850 00:39:07,047 --> 00:39:09,216 -♪ HOW MANY MORE TIMES? ♪ -♪ HOW MANY TIMES? ♪ 851 00:39:09,750 --> 00:39:12,653 OLIVIA: SO FORGET #TamikaPratt. 852 00:39:12,753 --> 00:39:15,189 FORGET #IAmTamika. 853 00:39:15,289 --> 00:39:17,691 FORGET THE LABELS. 854 00:39:17,791 --> 00:39:20,194 WE NEED THE WHOLE PICTURE... 855 00:39:20,294 --> 00:39:22,729 -♪ HOW MANY MORE TIMES? ♪ -♪ HOW MANY ♪ 856 00:39:22,829 --> 00:39:25,832 -SO HERE IT IS. -♪ ...TIMES? ♪ 857 00:39:25,933 --> 00:39:27,334 [POLICE RADIO, INDISTINCT] 858 00:39:27,401 --> 00:39:29,036 MAN: WAKE UP, MA'AM. 859 00:39:29,136 --> 00:39:30,604 I SAID WAKE UP! 860 00:39:30,704 --> 00:39:32,306 TAMIKA: WHAT? MAN: I NEED YOU 861 00:39:32,406 --> 00:39:34,374 TO GET OUT OF THE CAR. TAMIKA: I JUST WANT TO-- 862 00:39:34,474 --> 00:39:35,909 I'M JUST TRYING TO SL-- MAN: COME ON. 863 00:39:36,009 --> 00:39:37,344 I'M NOT GONNA ASK AGAIN! LET'S GO! 864 00:39:37,444 --> 00:39:38,912 -I JUST WANT TO CALL MY COUSIN. -COME ON! 865 00:39:39,012 --> 00:39:40,914 [BOTH GRUNTING] TAMIKA: WHY CAN'T I GO HOME? 866 00:39:41,014 --> 00:39:43,617 MAN: STOP FIGHTING US! YOU'RE ONLY HURTING YOURSELF! 867 00:39:43,717 --> 00:39:45,319 TAMIKA: I JUST WANT TO SLEEP! I'M TIRED! 868 00:39:45,419 --> 00:39:47,321 -[GRUNTS] -NAVEAH WILL GET ME! 869 00:39:47,421 --> 00:39:49,323 PLEASE! LET ME CALL HER! MAN: YOU HEARD ME! 870 00:39:49,423 --> 00:39:51,124 -AAH! -WILL Y'ALL LEARN, HUH? 871 00:39:51,225 --> 00:39:53,327 TAMIKA: SLEEPING ON THE SIDE OF THE ROAD IS NOT A CRIME! 872 00:39:53,427 --> 00:39:55,329 -STOP RESISTING! -I JUST WANT TO SLEEP! 873 00:39:55,429 --> 00:39:57,331 GET OFF OF ME! [MAN GRUNTS] 874 00:39:57,431 --> 00:39:59,533 TAMIKA: GET OFF OF ME! [TWO GUNSHOTS] 875 00:39:59,633 --> 00:40:01,335 [CLICK] 876 00:40:03,637 --> 00:40:07,007 TAMIKA WAS A 21-YEAR-OLD GIRL FROM SOUTH L.A., 877 00:40:07,107 --> 00:40:09,510 ONLY CHILD OF... 878 00:40:09,610 --> 00:40:12,813 ROSANNA AND LASHAWN PRATT. 879 00:40:17,017 --> 00:40:19,620 SHE WAS A COUSIN... 880 00:40:19,720 --> 00:40:22,122 A GODMOTHER... 881 00:40:22,222 --> 00:40:25,125 A FRIEND. 882 00:40:25,225 --> 00:40:27,628 SHE DREAMT OF BEING AN ENGINEER 883 00:40:27,728 --> 00:40:30,631 AND WAS HEADED BACK TO SPELMAN THIS FALL... 884 00:40:32,132 --> 00:40:34,735 BUT SHE NEVER MADE IT THERE 885 00:40:34,835 --> 00:40:36,537 BECAUSE THE COPS, 886 00:40:36,637 --> 00:40:39,406 WHO ARE MEANT TO SERVE AND PROTECT, 887 00:40:39,506 --> 00:40:41,775 SAW HER AS A "Y'ALL," 888 00:40:41,875 --> 00:40:44,978 AS LESS THAN. 889 00:40:45,078 --> 00:40:46,780 AND MY LABEL, 890 00:40:46,880 --> 00:40:49,650 AS THE WHITE D.A.'s DAUGHTER, LIKELY SAVED MY LIFE 891 00:40:49,750 --> 00:40:52,352 IN A SIMILAR RUN-IN. [SNIFFLES] 892 00:40:52,452 --> 00:40:54,521 BUT HER LABEL, AS JUST ANOTHER BLACK WOMAN 893 00:40:54,621 --> 00:40:58,225 IN AMERICA, COST TAMIKA HERS, 894 00:40:58,325 --> 00:41:01,295 AND THAT IS UNACCEPTABLE. 895 00:41:01,395 --> 00:41:04,231 POLICING IN THIS COUNTRY EVOLVED FROM SLAVE PATROLS. 896 00:41:04,331 --> 00:41:07,234 IT NEVER WAS AND IT NEVER WILL BE NEUTRAL. 897 00:41:07,334 --> 00:41:10,103 [SNIFFLES] THERE HAS TO BE 898 00:41:10,204 --> 00:41:12,606 A BETTER WAY TO SERVE AND PROTECT. 899 00:41:12,706 --> 00:41:14,608 I MEAN, THERE HAS TO BE A BETTER SYSTEM 900 00:41:14,708 --> 00:41:17,311 THAT ALLOWS US TO MAKE MISTAKES 901 00:41:17,411 --> 00:41:19,813 AND STILL GET TO LIVE, 902 00:41:20,247 --> 00:41:23,016 AND IT'S TIME TO FIGHT FOR THAT BETTER SYSTEM. 903 00:41:23,116 --> 00:41:26,019 IT IS TIME TO BURN DOWN THE HOUSE AND REBUILD IT 904 00:41:26,119 --> 00:41:29,890 TO LOOK LIKE THE NON-PUNITIVE PROGRAMS, 905 00:41:29,990 --> 00:41:33,427 THE COMMUNITY-BASED VIOLENCE PREVENTION PROGRAMS, 906 00:41:33,527 --> 00:41:36,430 MENTAL HEALTH PROGRAMS, EDUCATION. 907 00:41:36,530 --> 00:41:39,666 EDUCATION, EDUCATION, EDUCATION. 908 00:41:39,766 --> 00:41:43,670 IT'S TIME TO DEFUND THE POLICE... 909 00:41:43,770 --> 00:41:47,975 AND IT'S TIME TO REALLY GET JUSTICE FOR TAMIKA. 910 00:42:19,640 --> 00:42:21,742 MAN: GREG, MOVE YOUR HEAD!