1 00:00:05,230 --> 00:00:06,690 FLIP: HEY, LISTEN. 2 00:00:06,690 --> 00:00:09,190 FOR ALL YOU CARNIVORES, WE GOT BEEF AND WE GOT SWINE, 3 00:00:09,190 --> 00:00:11,650 BUT FOR THE REST OF US WHO ACTUALLY CARE 4 00:00:11,650 --> 00:00:14,530 ABOUT OUR CHOLESTEROL AND WANT SOMETHING RICH IN NUTRIENTS, 5 00:00:14,530 --> 00:00:16,610 WE GOT THOSE PLANT-BASED BURGERS, HUH? 6 00:00:16,610 --> 00:00:18,490 YEAH. HA HA HA! 7 00:00:18,490 --> 00:00:20,910 TYRONE: WHAT ABOUT FISH? 8 00:00:24,040 --> 00:00:25,410 WHAT IT DO, FLIP? 9 00:00:25,410 --> 00:00:27,410 HEARD YOU WAS LOOKING FOR ME. 10 00:00:27,410 --> 00:00:30,710 BOY, ON GOD, YOU GONNA GET DEALT WITH 11 00:00:30,710 --> 00:00:32,630 FOR THE LAST TIME, BUT NOW 12 00:00:32,630 --> 00:00:34,420 AIN'T THAT TIME, NOT HERE. 13 00:00:34,420 --> 00:00:36,630 CAN SEE YOU GOT YOUR FAMILY WITH YOU. 14 00:00:36,630 --> 00:00:39,260 I BROUGHT SOME FAMILY, TOO. 15 00:00:52,310 --> 00:00:54,980 [HIP-HOP MUSIC PLAYING] 16 00:01:11,500 --> 00:01:13,090 ♪ I DIDN'T SEE ANY AT ALL ♪ 17 00:01:13,090 --> 00:01:14,880 ♪ I HAD MY BACK ALL UP AGAINST THE WALL ♪ 18 00:01:14,880 --> 00:01:16,880 ♪ AND MY DAWG TOOK A FEW TO THE CHEST ♪ 19 00:01:16,880 --> 00:01:18,920 ♪ I CRIED SEEIN' HIS MAMA LAY HIM TO REST ♪ 20 00:01:18,920 --> 00:01:20,550 BILLY: ALL RIGHT, ALL RIGHT. TWO-MINUTE OFFENSE. 21 00:01:20,550 --> 00:01:22,600 LET'S GET IT, Y'ALL. LET'S GET IT. 22 00:01:22,600 --> 00:01:24,720 JORDAN: WATCH! WIDE 39! 23 00:01:24,720 --> 00:01:26,520 [MUSIC CONTINUES] 24 00:01:26,520 --> 00:01:28,560 PLAYER: ALL RIGHT. WHOO! 25 00:01:28,560 --> 00:01:30,480 AGAIN, AGAIN! LET'S GO! 26 00:01:30,480 --> 00:01:31,770 COME ON, COME ON! 27 00:01:31,770 --> 00:01:34,650 CARUSO! GO! GO! GO! 28 00:01:36,400 --> 00:01:38,530 JORDAN: WIDE 21! 29 00:01:39,860 --> 00:01:41,660 WHOO! 30 00:01:41,660 --> 00:01:43,530 [SHOUTING CONTINUES] 31 00:01:43,530 --> 00:01:45,490 BILLY: 99 SHIFT. WILDCAT. 32 00:01:48,120 --> 00:01:50,210 WHOO! YEAH, BABY! 33 00:01:50,210 --> 00:01:51,460 WHOO HOO HOO! 34 00:01:51,460 --> 00:01:53,830 GOOD JOB, BABY! 35 00:01:53,830 --> 00:01:55,880 [GRUNTS] 36 00:02:00,130 --> 00:02:01,760 [MUSIC STOPS] 37 00:02:01,760 --> 00:02:03,760 WOW. THAT'S AMAZING. 38 00:02:03,760 --> 00:02:05,890 YEAH. I THINK ALL THAT'S MISSING IS A HOOK. 39 00:02:05,890 --> 00:02:07,470 "I'M STILL HERE." 40 00:02:07,470 --> 00:02:09,980 I KNOW, THAT'S WHY I'M TELLING YOU. 41 00:02:09,980 --> 00:02:11,890 NO, THAT'S YOUR HOOK. 42 00:02:11,890 --> 00:02:13,520 WHETHER IT'S SHAWN BEING KILLED 43 00:02:13,520 --> 00:02:15,310 OR SPENCER BEING SHOT, 44 00:02:15,310 --> 00:02:17,320 YOUR BREAKUP WITH PATIENCE, YOU'RE STILL HERE, 45 00:02:17,320 --> 00:02:19,490 STILL WALKING TALL IN YOUR TRUTH. 46 00:02:19,490 --> 00:02:20,740 HMM. 47 00:02:20,740 --> 00:02:22,280 PLAY IT BACK? 48 00:02:22,280 --> 00:02:23,570 YEAH. 49 00:02:23,570 --> 00:02:25,620 - WAY TO GO, ASH. - UH! 50 00:02:26,950 --> 00:02:28,830 UH! OH, IT'S STUCK! 51 00:02:28,830 --> 00:02:31,000 SOMEBODY HELP HIM. GET IT, GET IT. 52 00:02:31,000 --> 00:02:33,370 [ASH GRUNTS] 53 00:02:33,370 --> 00:02:34,790 [WHISTLE BLOWS] 54 00:02:34,790 --> 00:02:36,590 UH! 55 00:02:36,590 --> 00:02:38,340 GET UP. 56 00:02:38,340 --> 00:02:42,220 IT WAS A VERY IMPRESSIVE CELEBRATION, ASH. 57 00:02:42,220 --> 00:02:43,880 IT WAS CUTE-- 58 00:02:43,880 --> 00:02:45,590 REALLY, REALLY, 59 00:02:45,590 --> 00:02:48,560 REALLY CUTE... 60 00:02:50,600 --> 00:02:53,230 BUT I WOULD'VE DONE THIS. 61 00:02:53,230 --> 00:02:55,150 ♪ OH, UH UH ♪ 62 00:02:55,150 --> 00:02:56,520 [LAUGHTER] 63 00:02:56,520 --> 00:02:58,860 AND A LITTLE BIT OF THAT. 64 00:02:58,860 --> 00:03:00,480 [ALL CHEER] 65 00:03:00,480 --> 00:03:02,110 ASH: OK, COACH. I SEE YOU. 66 00:03:02,110 --> 00:03:04,320 JORDAN: COME ON. [ALL CHEERING] 67 00:03:06,820 --> 00:03:08,620 BILLY: HA HA! 68 00:03:10,290 --> 00:03:12,710 REAL QUICK, REAL QUICK, THIS PAST MONTH, 69 00:03:12,710 --> 00:03:15,120 Y'ALL HAVE BEEN FIRING ON ALL CYLINDERS, 70 00:03:15,120 --> 00:03:18,420 AND I'M FEELING THAT, FOR REAL, OFFENSE AND DEFENSE. 71 00:03:18,420 --> 00:03:20,420 JORDAN, ASH, J.J., Y'ALL HAVE DONE 72 00:03:20,420 --> 00:03:22,420 AN AMAZING JOB AT BEING LEADERS. 73 00:03:22,420 --> 00:03:24,090 ASH, ESPECIALLY YOU; THE STRIDES 74 00:03:24,090 --> 00:03:26,090 THAT YOU HAVE MADE DURING THE OFF-SEASON, 75 00:03:26,090 --> 00:03:27,550 IT'S ON ANOTHER LEVEL. 76 00:03:27,550 --> 00:03:29,390 I APPRECIATE THAT, COACH. 77 00:03:29,390 --> 00:03:31,680 YEAH. I'M EXPECTING BIG THINGS FOR YOU THIS YEAR. 78 00:03:31,680 --> 00:03:33,310 HELL, IF WE KEEP THIS UP, 79 00:03:33,310 --> 00:03:35,230 WE'RE ALL GONNA BE DOING BIG THINGS, YA HEARD? 80 00:03:35,230 --> 00:03:37,230 PLAYERS: YEAH! BILLY: ALL RIGHT. 81 00:03:37,230 --> 00:03:38,690 WE STILL GOT THIS SCRIMMAGE WITH CHATSWORTH 82 00:03:38,690 --> 00:03:40,320 IN A COUPLE OF DAYS. 83 00:03:40,320 --> 00:03:42,780 I NEED YOU ALL TO BE FOCUSED, BUT IN AN EFFORT 84 00:03:42,780 --> 00:03:44,400 TO KEEP YOU ALL LOOSE, I HAVE A CHALLENGE. JORDAN... 85 00:03:44,400 --> 00:03:45,990 JORDAN: HMM? BILLY: IF YOU CAN THROW 86 00:03:45,990 --> 00:03:47,490 THAT FOOTBALL 87 00:03:47,490 --> 00:03:49,580 INTO THAT TRASHCAN, 88 00:03:49,580 --> 00:03:52,200 IF YOU DO THAT, PRACTICE IS OVER. 89 00:03:52,200 --> 00:03:54,370 OK, AND IF I DON'T? 90 00:03:54,370 --> 00:03:56,870 THEN ALL Y'ALL ARE RUNNIN' TILL THE LIGHTS COME ON. 91 00:03:56,870 --> 00:03:58,420 OH... 92 00:03:58,420 --> 00:03:59,710 NO PRESSURE. 93 00:03:59,710 --> 00:04:01,300 SEND US HOME, MAN. 94 00:04:02,840 --> 00:04:05,340 LET'S GO HOME. 95 00:04:08,010 --> 00:04:10,100 [ALL CHEERING] 96 00:04:24,070 --> 00:04:27,070 COOP: ♪ ...SHOOT, SHOOT, STILL MAKE A LANE DISAPPEAR ♪ 97 00:04:27,070 --> 00:04:28,780 ♪ STILL DON'T KNOW WHO WOULD DIRECT, DIRECT ♪ 98 00:04:28,780 --> 00:04:30,410 ♪ STILL RUN AROUND WITH A STACK, YEAH ♪ 99 00:04:30,410 --> 00:04:32,370 ♪ YOU CAN GO SAY WHAT YOU WANT ♪ 100 00:04:32,370 --> 00:04:36,040 ♪ JUST KNOW ALL THAT TALK GETS YOU WACK, WACK, WACK ♪ 101 00:04:36,040 --> 00:04:37,500 YO, THAT IS FIRE. 102 00:04:37,500 --> 00:04:38,960 LAYLA: RIGHT? SPENCER: MM-HMM. 103 00:04:38,960 --> 00:04:41,040 IT'S FUN, IT'S GRITTY, IT'S HONEST. 104 00:04:41,040 --> 00:04:43,300 REMINDS ME OF MY DAD'S MUSIC FROM BACK IN THE DAY. 105 00:04:43,300 --> 00:04:45,880 I WANT TO SUBMIT IT TO 99.8's "FEELIN' IT 106 00:04:45,880 --> 00:04:47,510 OR KILLIN' IT," SO THE STATION WILL PLAY 107 00:04:47,510 --> 00:04:50,220 AN UNSIGNED ARTIST'S SONG, AND THE LISTENERS VOTE. 108 00:04:50,220 --> 00:04:53,430 IF THEY LIKE IT, 99.8 PLAYS THAT SONG FOR 24 HOURS STRAIGHT. 109 00:04:53,430 --> 00:04:55,520 IT'S AN AWESOME WAY TO GET YOUR NAME OUT THERE. 110 00:04:55,520 --> 00:04:57,680 HIP-HOP IYANLA OVER HERE IS ABOUT TO FIX YOUR LIFE. 111 00:04:57,680 --> 00:04:59,520 COOP: MAN, SHUT UP. SPENCER: HEH HEH! 112 00:04:59,520 --> 00:05:01,770 DO YOUR THING, LAY LAY, BUT SPEAKING 113 00:05:01,770 --> 00:05:04,020 OF FIXING, HOW IS YOUR SHOULDER, BRO? 114 00:05:04,020 --> 00:05:06,940 IT'S GOOD. IT'S THE BEST IT'S FELT IN A MINUTE, ACTUALLY. 115 00:05:06,940 --> 00:05:09,360 SUPPOSED TO FIND OUT TOMORROW IF I'M BEING CLEARED OR NOT. 116 00:05:09,360 --> 00:05:11,570 HOPEFULLY, I'M GOOD TO GO 'CAUSE IT'S TIME TO GET BACK 117 00:05:11,570 --> 00:05:14,450 ON THAT FIELD, BUT UNTIL I KNOW FOR SURE... 118 00:05:14,450 --> 00:05:17,580 ♪ I'M STILL HERE, STILL JUMPIN' IN, OUT OF MY LEAR ♪ 119 00:05:17,580 --> 00:05:19,540 ♪ STILL GOT MY BEST FRIEND, HER NAME IS COOP ♪ 120 00:05:19,540 --> 00:05:21,210 ♪ AND I'MA PLAY THE FLUTE... ♪ 121 00:05:21,210 --> 00:05:22,840 BRO, NO. NO. 122 00:05:22,840 --> 00:05:24,670 YOU'RE NOT EVEN CLOSE TO HAVING THE LYRICS RIGHT. 123 00:05:24,670 --> 00:05:26,590 -WELL, I'M JUST TRYING TO-- -NO, THAT WAS JUST LAZY. 124 00:05:26,590 --> 00:05:28,220 -I'M JUST TRYING TO SHARE YOUR DREAM, MAN. -WHATEVER. 125 00:05:28,220 --> 00:05:29,590 LET ME GET SOMETHING TO EAT. Y'ALL WANT SOMETHING? 126 00:05:29,590 --> 00:05:31,220 -NO. I'M GOOD. -NO, THANK YOU. 127 00:05:31,220 --> 00:05:32,890 -WHAT? -[SCOFFS] 128 00:05:32,890 --> 00:05:34,930 I THOUGHT THAT WAS DOPE. 129 00:05:38,060 --> 00:05:39,690 KWON: YO, COOP. 130 00:05:39,690 --> 00:05:41,100 KWON, WHAT'S UP, BOY? 131 00:05:41,100 --> 00:05:43,110 PREACH NEEDS TO SEE YOU IN PERSON. 132 00:05:43,110 --> 00:05:44,520 HE SAYS IT'S URGENT. 133 00:05:44,520 --> 00:05:46,860 THERE SOMETHING I NEED TO KNOW? 134 00:05:46,860 --> 00:05:49,530 THAT'S BETWEEN YOU AND HIM. 135 00:05:52,160 --> 00:05:54,410 MAN, ON TV: THIS JUST IN. WE HAVE AN UPDATE. 136 00:05:54,410 --> 00:05:56,410 WE ARE TWO DAYS OUT, AND PAUL KENDALL IS 137 00:05:56,410 --> 00:05:58,580 STILL LEADING LAURA BAKER IN THE POLLS... 138 00:05:58,580 --> 00:06:00,750 THERE'S SOMETHING YOU NEED TO SEE, 139 00:06:00,750 --> 00:06:02,670 COURTESY OF YOUR OPPONENT. 140 00:06:02,670 --> 00:06:04,290 [SIGHS] 141 00:06:04,290 --> 00:06:06,500 CLASSY, EVEN INCLUDED A SCREEN SHOT 142 00:06:06,500 --> 00:06:08,460 OF MINE AND BILLY'S SEPARATION AGREEMENT. 143 00:06:08,460 --> 00:06:10,470 AS YOUR CAMPAIGN MANAGER, IT IS MY JOB TO GET AHEAD 144 00:06:10,470 --> 00:06:12,300 OF THESE THINGS, BUT I CAN'T IF I'M NOT MADE AWARE. 145 00:06:12,300 --> 00:06:14,720 WELL, I DECIDED TO KEEP MY PERSONAL LIFE 146 00:06:14,720 --> 00:06:16,100 AND POLITICS SEPARATE. 147 00:06:16,100 --> 00:06:17,760 YOU LOST THAT LUXURY THE SECOND 148 00:06:17,760 --> 00:06:19,100 YOU ANNOUNCED YOUR RUN AGAINST PAUL KENDALL. 149 00:06:19,100 --> 00:06:20,600 NOW WE HAVE TO RESPOND 150 00:06:20,600 --> 00:06:22,350 BEFORE TOO MANY NARRATIVES FABRICATE. 151 00:06:22,350 --> 00:06:24,270 LOOK, I'M THE REASON FOR THE SEPARATION, NOT LAURA, 152 00:06:24,270 --> 00:06:26,270 SO MAYBE I CAN DO AN INTERVIEW OWNING UP 153 00:06:26,270 --> 00:06:27,900 TO EVERYTHING AND-- SHELBY: ACTUALLY, YES. 154 00:06:27,900 --> 00:06:29,900 WE CAN SPIN IT THAT YOU GUYS HIT A ROCK, 155 00:06:29,900 --> 00:06:30,940 MANAGED TO CLIMB IT-- 156 00:06:30,940 --> 00:06:32,200 YEAH, I DON'T THINK 157 00:06:32,200 --> 00:06:33,700 THAT'S A GOOD IDEA. 158 00:06:33,700 --> 00:06:35,160 IT'S NO ONE'S BUSINESS. 159 00:06:35,160 --> 00:06:36,780 PAUL KENDALL IS TWICE-DIVORCED 160 00:06:36,780 --> 00:06:38,990 AND RECENTLY INTO HIS THIRD MARRIAGE, 161 00:06:38,990 --> 00:06:41,620 YET I'M THE ONE WITH THE MESSY HOME LIFE? 162 00:06:41,620 --> 00:06:43,000 NO. 163 00:06:43,000 --> 00:06:44,920 NO. LISTEN UP, EVERYBODY. 164 00:06:44,920 --> 00:06:47,290 IGNORE ANY AND ALL HITS 165 00:06:47,290 --> 00:06:49,800 BELOW THE BELT FROM THE KENDALL CAMPAIGN. 166 00:06:49,800 --> 00:06:51,800 STICK TO TALKING POINTS ON MY RECORD, 167 00:06:51,800 --> 00:06:53,970 MY PLATFORM, AND BEING TOUGH ON CRIME, 168 00:06:53,970 --> 00:06:56,010 OK? 169 00:06:57,720 --> 00:07:00,390 MAN: 5 MINUTES. 170 00:07:02,310 --> 00:07:04,310 [SIGHS] 171 00:07:04,310 --> 00:07:07,060 [GROANS SOFTLY] 172 00:07:09,320 --> 00:07:11,320 YO, WHAT THE HELL HAPPENED TO YOU? 173 00:07:11,320 --> 00:07:12,570 TYRONE. 174 00:07:12,570 --> 00:07:14,570 HE'S BACK IN TOWN. 175 00:07:14,570 --> 00:07:16,570 HIS BOYS TRIED TO PACK ME OUT 176 00:07:16,570 --> 00:07:18,240 ON THE YARD, BUT I FOUGHT MY WAY UP OUT OF IT. 177 00:07:18,240 --> 00:07:20,240 YO, IS YOU SERIOUS? YO, I GOT THIS. 178 00:07:20,240 --> 00:07:21,870 ME AND FLIP BEEN WAITIN' ON TYRONE 179 00:07:21,870 --> 00:07:23,830 TO SNEAK HIS ASS BACK IN TOWN. 180 00:07:23,830 --> 00:07:25,790 MAN, SIT YOUR ASS DOWN. 181 00:07:28,960 --> 00:07:31,460 FLIP IS MISSIN'... 182 00:07:31,460 --> 00:07:32,800 WHAT? 183 00:07:32,800 --> 00:07:34,260 AND IT AIN'T LOOKIN' GOOD. 184 00:07:34,260 --> 00:07:37,970 HE GOT AT ME. HE GOT AT FLIP. 185 00:07:37,970 --> 00:07:40,180 YOU'RE NEXT. 186 00:07:40,180 --> 00:07:44,140 I NEED YOU TO LAY LOW, TAKE EVERY PRECAUTION, COOP. 187 00:07:44,140 --> 00:07:45,770 YOU HEAR ME? 188 00:07:45,770 --> 00:07:48,940 [SIGHS] YEAH. 189 00:08:00,200 --> 00:08:02,240 [DOOR LOCK BEEPS] 190 00:08:08,420 --> 00:08:10,670 WHAT ARE WE CELEBRATING? [DOOR CLOSES] 191 00:08:10,670 --> 00:08:12,300 PEACE AND QUIET. 192 00:08:12,300 --> 00:08:13,920 AND BETWEEN YOUR HOUSE AND MINE, WE CAN 193 00:08:13,920 --> 00:08:15,510 BARELY GET AN HOUR ALONE TOGETHER, 194 00:08:15,510 --> 00:08:17,680 AND IT'S SAFE TO SAY THAT WE WERE NOT 195 00:08:17,680 --> 00:08:19,260 THE BEST VERSIONS OF OURSELVES 196 00:08:19,260 --> 00:08:20,850 THE FIRST TIME WE SLEPT TOGETHER, 197 00:08:20,850 --> 00:08:23,720 SO CONSIDER THIS A PROPER RESET. 198 00:08:23,720 --> 00:08:26,270 ["SOFTLY" PLAYING] 199 00:08:26,270 --> 00:08:28,230 BABY, THIS IS SO SWEET, 200 00:08:28,230 --> 00:08:31,150 BUT I DON'T NEED ANY OF THIS. 201 00:08:32,770 --> 00:08:35,230 I JUST NEED YOU. 202 00:08:35,230 --> 00:08:37,610 CLAIRO: ♪ ...TO FEEL THIS WAY ♪ 203 00:08:37,610 --> 00:08:40,660 ♪ SO EARLY? ♪ 204 00:08:42,330 --> 00:08:45,240 ♪ AND IN MY BLOOD ♪ 205 00:08:45,240 --> 00:08:48,000 ♪ ALL THE SWEET NOTHINGS ♪ 206 00:08:48,000 --> 00:08:53,000 ♪ FALLIN' IN LOVE OVER NIGHT ♪ 207 00:08:53,000 --> 00:08:55,380 ♪ DIDN'T MEAN TO GET... ♪ 208 00:08:55,380 --> 00:08:58,050 OLIVIA: UM, SORRY. 209 00:08:58,050 --> 00:09:00,680 MY BAD. IS THIS-- IS THIS TOO MUCH, OR-- 210 00:09:00,680 --> 00:09:04,390 NO. NO, THIS IS, UH... 211 00:09:04,390 --> 00:09:08,270 SERIOUSLY, LIKE, THE SWEETEST THING ANYONE HAS EVER DONE FOR ME. 212 00:09:11,480 --> 00:09:13,480 WE PROMISED TO BE HONEST 213 00:09:13,480 --> 00:09:15,480 WITH EACH OTHER, RIGHT? 214 00:09:16,940 --> 00:09:19,860 SO YOU'D TELL ME IF THERE WAS SOMETHING GOING ON? 215 00:09:19,860 --> 00:09:21,860 YEAH, OF COURSE. WHAT ARE YOU-- 216 00:09:21,860 --> 00:09:24,080 WHAT ARE YOU ASKING ME, LIV? 217 00:09:25,870 --> 00:09:28,160 ARE YOU USING STEROIDS? 218 00:09:31,670 --> 00:09:34,210 TH-THIS OFFSEASON NEEDED TO BE MY COMEBACK. 219 00:09:34,210 --> 00:09:37,460 I CAN'T BE AROUND SOMEBODY WHO USES DRUGS. 220 00:09:37,460 --> 00:09:39,470 NO, IT'S NOT--IT'S NOT THE SAME THING. 221 00:09:39,470 --> 00:09:42,090 MM-MMM. I MEAN, IF YOU DON'T THINK 222 00:09:42,090 --> 00:09:44,640 THAT YOU CAN PERFORM WITHOUT IT, 223 00:09:44,640 --> 00:09:46,260 THAT'S AN ADDICTION IN MY BOOK, 224 00:09:46,260 --> 00:09:48,890 SO, YEAH, IT'S THE SAME THING. 225 00:09:48,890 --> 00:09:50,940 OK. 226 00:09:53,600 --> 00:09:55,650 OK. I'M DONE. I PROMISE. 227 00:09:57,610 --> 00:10:00,400 SO YOU'RE GONNA STOP, 228 00:10:00,400 --> 00:10:02,410 JUST LIKE THAT? 229 00:10:02,410 --> 00:10:05,950 I CAN'T AFFORD TO LOSE YOU. 230 00:10:07,120 --> 00:10:08,700 OK. 231 00:10:10,790 --> 00:10:13,210 DR. FISKELL: YOU REMIND ME OF A LION, SPENCER. 232 00:10:13,210 --> 00:10:15,330 JUST SO YOU KNOW, YOUR LEFT ARM IS 233 00:10:15,330 --> 00:10:17,630 ABOUT 20% STRONGER THAN YOUR RIGHT. 234 00:10:17,630 --> 00:10:19,090 THAT'S LIKELY A DIRECT RESULT 235 00:10:19,090 --> 00:10:20,590 OF MUSCLE TISSUE STILL HEALING. 236 00:10:20,590 --> 00:10:23,180 SO HE'S NOT READY TO RETURN TO FOOTBALL. 237 00:10:23,180 --> 00:10:24,890 ON THE CONTRARY. 238 00:10:24,890 --> 00:10:26,890 YOUR SON'S 80% 239 00:10:26,890 --> 00:10:29,010 IS BETTER THAN MOST PEOPLE'S 100%. 240 00:10:29,010 --> 00:10:31,430 THE REASON LIONS HAVE SUCH HIGH RECOVERY RATES 241 00:10:31,430 --> 00:10:33,890 IS BECAUSE THEY'RE SOCIAL CREATURES WHO PICK UP THE SLACK 242 00:10:33,890 --> 00:10:35,520 WHEN MEMBERS OF THEIR PACK ARE DOWN. 243 00:10:35,520 --> 00:10:38,070 IT'S TIME SPENCER RETURNS TO HIS TEAM, 244 00:10:38,070 --> 00:10:40,070 RECOUP HIS FULL STRENGTH WITH THEIR SUPPORT. 245 00:10:40,070 --> 00:10:42,490 SO YOU'RE GONNA TELL COACH BAKER I'M CLEAR TO GET BACK? 246 00:10:42,490 --> 00:10:44,320 I'LL GIVE HIM A CALL. 247 00:10:44,320 --> 00:10:46,160 HE CAN EASE YOU BACK IN. 248 00:10:46,160 --> 00:10:48,530 THANK YOU. THANK YOU. 249 00:10:48,530 --> 00:10:50,580 GRACE: THANK YOU. SPENCER: AHEM. 250 00:10:51,790 --> 00:10:53,120 MA! 251 00:10:53,120 --> 00:10:55,080 BOY--THANK YOU. 252 00:10:55,080 --> 00:10:56,920 DOCTOR: THANK YOU. GRACE: OK. 253 00:10:58,290 --> 00:11:00,340 COACH. 254 00:11:00,340 --> 00:11:02,420 BILLY: HEY. SPENCER: WELL, 255 00:11:02,420 --> 00:11:03,720 YOU TALK TO DR. FISKELL? 256 00:11:03,720 --> 00:11:05,840 DIDN'T YOU JUST SEE HER? 257 00:11:05,840 --> 00:11:07,220 I MEAN, YEAH, BUT A PHONE CALL 258 00:11:07,220 --> 00:11:08,220 IS, LIKE, TWO SECONDS, RIGHT? 259 00:11:08,220 --> 00:11:10,100 YEAH, MAN, SHE CALLED. 260 00:11:10,100 --> 00:11:12,890 SO AM I GOOD TO GO FOR OUR GAME AGAINST CHATSWORTH TOMORROW? 261 00:11:12,890 --> 00:11:14,770 UH, THAT WOULD BE A NO. 262 00:11:14,770 --> 00:11:17,350 THE DOC AND I AGREED THAT YOU'D BE GOOD TO GO FOR PRACTICE. 263 00:11:17,350 --> 00:11:19,360 BUT YOU SAID MY POSITION WOULD BE WAITING FOR ME ONCE I'M CLEARED. 264 00:11:19,360 --> 00:11:21,150 GRACE: SPENCER, BABY-- SPENCER: ALL, RIGHT, LOOK, 265 00:11:21,150 --> 00:11:22,940 I HEARD A RECRUITER FROM COASTAL CALIFORNIA 266 00:11:22,940 --> 00:11:24,240 IS GONNA BE AT THAT GAME. 267 00:11:24,240 --> 00:11:25,860 THAT WAS BARRY LEMMING, ALL RIGHT? 268 00:11:25,860 --> 00:11:27,490 HIS SON BO PLAYS FOR CHATSWORTH. 269 00:11:27,490 --> 00:11:29,490 HE'S THERE AS A DAD, NOT AS A RECRUITER. 270 00:11:29,490 --> 00:11:31,080 THEY'RE ALWAYS RECRUITING, COACH-- 271 00:11:31,080 --> 00:11:32,790 YOU KNOW THAT--AND WITH UCLA PULLING 272 00:11:32,790 --> 00:11:34,250 THEIR OFFER, I NEED A CHANCE TO GET BACK 273 00:11:34,250 --> 00:11:36,460 ON COLLEGE RADARS. COME ON. 274 00:11:36,460 --> 00:11:38,790 OK, HOW ABOUT THIS? [SIGHS] 275 00:11:38,790 --> 00:11:40,790 WHY DON'T WE RUN YOU THROUGH SOME FOOTBALL TESTS, 276 00:11:40,790 --> 00:11:42,670 GAUGE THE STRENGTH OF YOUR SHOULDER? 277 00:11:42,670 --> 00:11:44,420 YOU CAN GET UP TO SPEED WITH THE NEW PLAYBOOK, 278 00:11:44,420 --> 00:11:46,590 THEN YOU CAN PLAY, BUT IF NOT, 279 00:11:46,590 --> 00:11:48,590 YOU'RE ON THE SIDELINES WITH ME. 280 00:11:48,590 --> 00:11:49,850 -ALL RIGHT. BET. -OK? 281 00:11:49,850 --> 00:11:51,060 -YES, SIR. -ALL RIGHT. 282 00:11:51,060 --> 00:11:52,680 MA. 283 00:11:53,890 --> 00:11:55,730 LAYLA. 284 00:11:55,730 --> 00:11:58,940 COOP, WHAT ARE YOU-- WAIT, DO WE HAVE A SESSION TODAY? 285 00:11:58,940 --> 00:12:00,560 NO, BUT TYRONE IS BACK IN TOWN 286 00:12:00,560 --> 00:12:02,730 AND I'M PRETTY DAMN SURE HE'S COMING FOR ME, 287 00:12:02,730 --> 00:12:05,320 AND I KNOW YOUR DAD HAS A SECURITY DETAIL, RIGHT? 288 00:12:05,320 --> 00:12:06,950 'CAUSE I JUST NEED A SAFE PLACE TO HIDE 289 00:12:06,950 --> 00:12:08,410 FOR A FEW DAYS UNTIL MY PARENTS GET BACK IN TOWN. 290 00:12:08,410 --> 00:12:10,410 YEAH, OF COURSE. I'LL CALL MY DAD. 291 00:12:10,410 --> 00:12:11,950 YOU CAN STAY AS LONG AS YOU WANT. 292 00:12:11,950 --> 00:12:14,160 OK. 293 00:12:30,180 --> 00:12:33,140 [DARNELL AND DILLON LAUGH] 294 00:12:33,140 --> 00:12:35,930 [GRUNTS] WHAT Y'ALL DOING HERE? 295 00:12:35,930 --> 00:12:37,480 CANCELED PRACTICE TODAY. 296 00:12:37,480 --> 00:12:38,850 I GUESS SOMETHING WAS UP WITH THE FIELD. 297 00:12:38,850 --> 00:12:40,190 SO Y'ALL TOOK 3 BUSES TO BEVERLY HILLS 298 00:12:40,190 --> 00:12:41,560 INSTEAD OF GOING DOWN TO THE BEACH? 299 00:12:41,560 --> 00:12:43,360 THAT'S THE SAME THING I SAID. 300 00:12:43,360 --> 00:12:44,940 HEH! THE BEACH WILL BE THERE, BRO. 301 00:12:44,940 --> 00:12:46,860 YOU GETTING A CHANCE TO PASS YOUR TEST TODAY, 302 00:12:46,860 --> 00:12:48,110 THAT'S A DIFFERENT BEAST. 303 00:12:48,110 --> 00:12:49,860 I'M FINE, MAN. 304 00:12:49,860 --> 00:12:52,160 MY SHOULDER'S A-1. LOT OF PEOPLE COMPARE ME TO SIMBA. 305 00:12:52,160 --> 00:12:53,830 YOU DO KNOW SIMBA AIN'T REAL, RIGHT? 306 00:12:53,830 --> 00:12:55,290 DID YOU NOT SEE THE REMAKE? 307 00:12:55,290 --> 00:12:56,540 -[SCOFFS] -ALL RIGHT. 308 00:12:56,540 --> 00:12:58,040 ALL RIGHT, ALL RIGHT. 309 00:12:58,040 --> 00:12:59,540 SINCE YOUR SHOULDER'S HEALED, THEN, 310 00:12:59,540 --> 00:13:00,620 ALL WE NEED TO FOCUS ON IS THE PLAYBOOK. 311 00:13:00,620 --> 00:13:02,290 "WE"? 312 00:13:02,290 --> 00:13:04,090 YEAH. WE GOT YOU. 313 00:13:04,090 --> 00:13:05,920 WHAT YOU KNOW ABOUT FOOTBALL? 314 00:13:05,920 --> 00:13:08,130 I KNOW I'M ALMOST AS GOOD AS YOU, 315 00:13:08,130 --> 00:13:10,010 ESPECIALLY WITH THAT BUSTED SHOULDER. 316 00:13:10,010 --> 00:13:11,720 NO, YOU DIDN'T. OOH, THAT HURT. 317 00:13:11,720 --> 00:13:13,510 -HA HA! -OH, COME HERE. AH! 318 00:13:13,510 --> 00:13:16,140 DILLON: HA HA HA! 319 00:13:16,140 --> 00:13:18,140 SPENCER: I GOT YOU. I GOT YOU. 320 00:13:18,140 --> 00:13:21,230 DILLON: OK, OK. OK! YOU'RE--YOU'RE BETTER! 321 00:13:23,860 --> 00:13:25,860 [SIGHS] 322 00:13:25,860 --> 00:13:28,030 ALL RIGHT, DARNELL KNOWS WHAT'S UP. 323 00:13:28,030 --> 00:13:29,400 HE'S KEEPING SPENCER AND DILLON 324 00:13:29,400 --> 00:13:31,740 IN BEVERLY HILLS. -OK, GOOD. 325 00:13:31,740 --> 00:13:34,370 [CELL PHONE RINGING] 326 00:13:34,370 --> 00:13:37,160 OH, COOP, IT'S THE DJ FROM 99.8. 327 00:13:37,160 --> 00:13:39,120 HE MIGHT BE CALLING ABOUT THE TIME SLOT. 328 00:13:39,120 --> 00:13:40,750 OH, SHOOT. 329 00:13:40,750 --> 00:13:42,000 OK, I'LL BE RIGHT BACK. 330 00:13:42,000 --> 00:13:44,000 HELLO? HELLO? 331 00:13:44,000 --> 00:13:46,630 [DOOR OPENS] 332 00:13:48,880 --> 00:13:50,510 [DOOR CLOSES] 333 00:13:50,510 --> 00:13:52,930 -MR. KEATING, WHAT'S UP? -HEY, COOP. 334 00:13:52,930 --> 00:13:54,550 THANK YOU AGAIN FOR LETTING ME STAY. 335 00:13:54,550 --> 00:13:56,390 OH, NO DOUBT, NO DOUBT, NO DOUBT. 336 00:13:56,390 --> 00:13:58,390 I KNOW FIRSTHAND HOW THINGS CAN GET, 337 00:13:58,390 --> 00:14:00,390 SO DON'T YOU WORRY, OK? WE GOT YOU. 338 00:14:00,390 --> 00:14:02,480 -I APPRECIATE IT. -HEY, LISTEN, UM, 339 00:14:02,480 --> 00:14:04,100 I'VE BEEN HEARING SOME REALLY GOOD THINGS ABOUT THIS SONG 340 00:14:04,100 --> 00:14:05,400 YOU AND LAYLA ARE COOKIN' UP. 341 00:14:05,400 --> 00:14:07,070 YEAH, I THINK IT'S MISSIN' 342 00:14:07,070 --> 00:14:09,150 A LITTLE SOMETHIN', BUT IT DEFINITELY HAS POTENTIAL. 343 00:14:09,150 --> 00:14:10,530 YEAH? YOU GOT IT ON YOU? 344 00:14:10,530 --> 00:14:13,160 -YEAH. -LET ME TAKE A LISTEN. 345 00:14:13,160 --> 00:14:15,870 COOP: ♪ YOU TOOK A SHOT AT MY MAN ♪ 346 00:14:15,870 --> 00:14:17,620 ♪ NOW WAIT, YOU KNOW, YOUR GUN IN MY HAND ♪ 347 00:14:17,620 --> 00:14:19,620 ♪ I WON'T TESTIFY, AIN'T TAKIN' NO STAND ♪ 348 00:14:19,620 --> 00:14:22,410 ♪ ALL I SEE IS ME, ME, ME, ME KILLIN' A MAN ♪ 349 00:14:22,410 --> 00:14:24,420 ♪ AND YOU CAN'T RUN FROM IT... ♪ -HA HA HA HA! 350 00:14:24,420 --> 00:14:27,920 OK, OK, I'M DIGGIN' THIS. 351 00:14:27,920 --> 00:14:30,670 THE BEAT IS CATCHY. THE FLOW IS CRAZY. 352 00:14:30,670 --> 00:14:32,470 I WOULDN'T CHANGE A DAMN THING. 353 00:14:32,470 --> 00:14:33,970 REALLY? 354 00:14:33,970 --> 00:14:35,590 PSHH. NO DOUBT, ESPECIALLY 355 00:14:35,590 --> 00:14:37,220 THOSE BARS ABOUT ALMOST LOSING SPENCER? 356 00:14:37,220 --> 00:14:38,470 -MM-HMM. -OOH! 357 00:14:38,470 --> 00:14:40,100 [MUSIC STOPS] 358 00:14:40,100 --> 00:14:42,100 YOU KNOW WHY YOU'RE STILL HERE, COOP? 359 00:14:42,100 --> 00:14:43,270 GOD. 360 00:14:43,270 --> 00:14:44,900 OH, NO DOUBT. 361 00:14:44,900 --> 00:14:47,770 THE OTHER REASON, THOUGH, IS YOUR WILL. 362 00:14:47,770 --> 00:14:49,980 YEAH, SEE, NO MATTER HOW SCARY THINGS GET 363 00:14:49,980 --> 00:14:51,740 IN YOUR LIFE, YOU NEVER FOLD. 364 00:14:51,740 --> 00:14:53,950 IF THERE'S ONE THING I LEARNED ABOUT YOU, 365 00:14:53,950 --> 00:14:55,950 YOU'RE NOT ONE TO BACK DOWN 366 00:14:55,950 --> 00:14:59,330 FROM ANYTHING OR ANYONE, EVER. 367 00:15:00,660 --> 00:15:02,370 I RESPECT THAT. 368 00:15:02,370 --> 00:15:04,290 -THANK YOU. -HEY, 369 00:15:04,290 --> 00:15:05,920 I'M REALLY PROUD OF YOU, ALL RIGHT? 370 00:15:05,920 --> 00:15:07,750 -THANK YOU. -KEEP UP THE GOOD WORK. 371 00:15:07,750 --> 00:15:10,800 -WILL DO. -GO WORK ON SOME TRACKS NOW. 372 00:15:20,430 --> 00:15:24,060 SIMONE: HA HA HA! YO, I'M DEAD. 373 00:15:24,060 --> 00:15:26,060 SO THIS CHICK WENT TO "PEOPLE'S COURT" 374 00:15:26,060 --> 00:15:27,860 TO FIGHT FOR HER MARRIAGE, BUT THEN ADMITTED 375 00:15:27,860 --> 00:15:29,820 TO SLEEPING WITH HER SIDE PIECE THAT MORNING? 376 00:15:29,820 --> 00:15:31,570 FROM THIS POINT ON, ANYTIME YOU HEAR ANYBODY 377 00:15:31,570 --> 00:15:33,320 SAYING SOMETHING WILD, YOU HAVE TO REPLY WITH... 378 00:15:33,320 --> 00:15:34,650 BOTH: MISS JACKSON. 379 00:15:34,650 --> 00:15:36,820 SIMONE: HA HA HA! [PHONE PINGS] 380 00:15:38,030 --> 00:15:39,950 HEY, YOU OK? 381 00:15:39,950 --> 00:15:42,330 YEAH. IT'S MY MOM. 382 00:15:42,330 --> 00:15:44,750 SHE'S LITERALLY BEEN BUGGING ME 383 00:15:44,750 --> 00:15:47,330 ABOUT GOING SHOPPING, AND I'M RUNNING OUT OF EXCUSES. 384 00:15:47,330 --> 00:15:50,960 IT'S THE SPRING, SIMONE. BALENCIAGAS AND TRACK SUITS ARE STILL THE WAVE. 385 00:15:50,960 --> 00:15:52,800 JORDAN, I'M SERIOUS. 386 00:15:52,800 --> 00:15:54,760 OK, WELL, WHY NOT JUST COME CLEAN? 387 00:15:54,760 --> 00:15:56,970 BECAUSE MY PARENTS ARE THE TYPE OF PEOPLE 388 00:15:56,970 --> 00:15:59,180 THAT MADE ME DO A RESEARCH REPORT ON FRANK OCEAN 389 00:15:59,180 --> 00:16:01,390 TO PROVE WHY IT'D BE SAFE TO GO TO HIS CONCERT. 390 00:16:01,390 --> 00:16:03,640 SO JUST IMAGINE HOW, "OH, HEY, 391 00:16:03,640 --> 00:16:05,730 I'M PREGGO" IS GONNA GO. 392 00:16:05,730 --> 00:16:07,600 WHAT IF I WAS THERE WHENEVER YOU TELL THEM? 393 00:16:07,600 --> 00:16:09,650 STRICTLY AS A FRIEND. 394 00:16:09,650 --> 00:16:11,570 -ABSOLUTELY NOT. -WHY NOT? 395 00:16:11,570 --> 00:16:12,860 MAYBE THEY'LL TAKE IT EASIER ON YOU 396 00:16:12,860 --> 00:16:14,650 WITH SOMEBODY ELSE THERE. 397 00:16:14,650 --> 00:16:16,950 HONESTLY, I DON'T KNOW IF THAT WOULD BE BETTER OR WORSE. 398 00:16:16,950 --> 00:16:19,570 AT LEAST IT'LL BE OVER WITH AND YOU CAN MOVE ON. 399 00:16:20,990 --> 00:16:22,990 GUESS WHAT. THE STATION WANTS TO RUN 400 00:16:22,990 --> 00:16:26,000 YOUR TRACK EARLY, LIKE TOMORROW. 401 00:16:26,000 --> 00:16:30,250 COOP? 402 00:16:34,380 --> 00:16:35,420 COOP? 403 00:16:39,760 --> 00:16:42,430 [KNOCKING ON DOOR] 404 00:16:43,850 --> 00:16:45,470 HEY. 405 00:16:45,470 --> 00:16:47,100 DID ANYBODY STOP BY? 406 00:16:47,100 --> 00:16:49,480 [CHUCKLES] OK. HI TO YOU, TOO. 407 00:16:49,480 --> 00:16:51,600 YES OR NO? 408 00:16:51,600 --> 00:16:54,360 YOU'RE THE ONE WHO SAID YOU DIDN'T WANT TO BE FRIENDS YET. 409 00:16:54,360 --> 00:16:57,070 SO YOU WANT TO TELL ME WHAT'S GOING ON? 410 00:16:57,070 --> 00:16:59,110 [SIGHS] 411 00:17:01,200 --> 00:17:03,530 TYRONE IS BACK IN TOWN, 412 00:17:03,530 --> 00:17:06,660 AND HE'S EITHER COMING FOR ME OR SOMEBODY I LOVE. 413 00:17:06,660 --> 00:17:08,660 JUST TO BE SAFE, 414 00:17:08,660 --> 00:17:10,620 I THINK IT'S BEST IF WE DIP UP OUT OF HERE. 415 00:17:10,620 --> 00:17:12,540 YOU GOT A UNCLE IN RIVERSIDE, RIGHT? 416 00:17:12,540 --> 00:17:14,750 -YEAH. -YOU THINK HE'D LET US STAY FOR A FEW DAYS? 417 00:17:14,750 --> 00:17:18,130 I DON'T KNOW. I CAN SEE, LIKE-- 418 00:17:18,130 --> 00:17:20,420 ALL RIGHT, CALL HIM. I'M GONNA USE YOUR BATHROOM REAL QUICK. 419 00:17:20,420 --> 00:17:22,470 OK. 420 00:17:39,190 --> 00:17:42,200 [KNOCK ON DOOR] 421 00:17:42,200 --> 00:17:44,240 OH, GO AHEAD. 422 00:17:45,990 --> 00:17:47,990 [SIGHS] 423 00:17:47,990 --> 00:17:50,830 PATIENCE: HEY. SPENCER: LAYLA CALLED ME. 424 00:17:50,830 --> 00:17:53,250 I CANNOT BELIEVE YOU AIN'T TELL ME TYRONE WAS BACK. 425 00:17:53,250 --> 00:17:55,130 -NO, I WAS GONNA HIT YOU LATER. -YOU OUT YOUR DAMN MIND? 426 00:17:55,130 --> 00:17:56,840 IF I CAN FIND YOU THIS EASY, WHAT MAKES YOU 427 00:17:56,840 --> 00:17:58,340 THINK TYRONE CAN'T? LOOK, Y'ALL NEED 428 00:17:58,340 --> 00:18:00,130 TO BOUNCE, LIKE RIGHT NOW. 429 00:18:00,130 --> 00:18:01,760 WE ARE, AS SOON AS PATIENCE IS DONE PACKING HER BAGS. 430 00:18:01,760 --> 00:18:03,380 WE'RE GOING TO HER UNCLE'S HOUSE IN RIVERSIDE. 431 00:18:03,380 --> 00:18:05,390 YOU NEED TO GET BACK TO BEVERLY HILLS 432 00:18:05,390 --> 00:18:07,140 NOT JUST BECAUSE IT'S SAFER, BUT DON'T YOU GOT 433 00:18:07,140 --> 00:18:08,970 A FOOTBALL TEST WITH COACH BAKER? 434 00:18:08,970 --> 00:18:11,180 -THE TEST CAN WAIT, A'IGHT? -NO, IF YOU DON'T PASS, 435 00:18:11,180 --> 00:18:14,400 YOU DON'T PLAY TOMORROW, AND IF YOU DON'T PLAY, YOU MISS OUT ON RECRUITERS. 436 00:18:14,400 --> 00:18:16,520 WE'LL BE FINE, BRO. TRUST. 437 00:18:16,520 --> 00:18:19,570 I WILL TEXT YOU THE MINUTE WE GET THERE. 438 00:18:22,570 --> 00:18:24,570 YOU BETTER. 439 00:18:24,570 --> 00:18:27,070 PATIENCE: BYE. 440 00:18:30,910 --> 00:18:32,580 [KISS] 441 00:18:34,500 --> 00:18:36,500 [DOOR OPENS] 442 00:18:36,500 --> 00:18:38,540 [DOOR CLOSES] 443 00:18:38,540 --> 00:18:41,300 ALL RIGHT, YOU SHOULD GET GOING NOW. I'LL MEET YOU AT YOUR UNCLE'S. 444 00:18:41,300 --> 00:18:43,720 WHAT? NO. YOU JUST TOLD SPENCER WE'RE GOING TOGETHER. 445 00:18:43,720 --> 00:18:45,590 I'LL BE RIGHT BEHIND YOU, I PROMISE. 446 00:18:45,590 --> 00:18:47,680 -MY GOD. -LOOK, DON'T. COME ON. 447 00:18:49,100 --> 00:18:50,640 I'LL BE THERE. 448 00:18:50,640 --> 00:18:52,890 ALL RIGHT. 449 00:18:55,850 --> 00:18:58,480 OLIVIA: OK, COOP IS PROBABLY ALREADY HALFWAY TO RIVERSIDE BY NOW. 450 00:18:58,480 --> 00:19:00,400 YEAH, BUT IT'S JUST THE TIMING OF IT ALL. 451 00:19:00,400 --> 00:19:02,030 LIKE, SHE HAS A SONG ABOUT TO DROP ON THE RADIO. 452 00:19:02,030 --> 00:19:03,530 SHE SHOULD BE HERE TO ENJOY IT. 453 00:19:03,530 --> 00:19:05,530 I MEAN, THAT SONG IS AMAZING, BUT IT'S GONNA 454 00:19:05,530 --> 00:19:07,660 BE AROUND FOR A WHILE, OK, SAME AS COOP. 455 00:19:07,660 --> 00:19:09,700 YEAH. YOU'RE RIGHT. 456 00:19:12,450 --> 00:19:14,500 EVERYTHING OK? 457 00:19:16,960 --> 00:19:19,960 WOULD YOU KEEP A SECRET FOR SOMEONE YOU CARED ABOUT 458 00:19:19,960 --> 00:19:22,170 IF YOU KNEW IT WASN'T FOR THE BEST? 459 00:19:22,170 --> 00:19:24,920 YOU'VE GOT GOOD INSTINCTS. YOU SHOULD TRUST YOUR GUT. 460 00:19:26,510 --> 00:19:28,510 SHOULD I BE WORRIED? -NOPE. 461 00:19:28,510 --> 00:19:30,510 NOPE, ALL GOOD. PROMISE. 462 00:19:30,510 --> 00:19:32,560 PAUL, ON TV: AS A LITIGATOR, LAURA BAKER 463 00:19:32,560 --> 00:19:34,560 IS DECENT AT HER JOB, 464 00:19:34,560 --> 00:19:36,190 BUT COME ON. 465 00:19:36,190 --> 00:19:38,190 THAT COLD, INACCESSIBLE PERSONA? 466 00:19:38,190 --> 00:19:40,520 IT'S NO SURPRISE THAT HER MARRIAGE IS ON THE ROCKS. 467 00:19:40,520 --> 00:19:42,730 SHE'S ABOUT TO BE A SINGLE MOTHER 468 00:19:42,730 --> 00:19:45,950 FOR TWO TEENAGERS WHO REALLY NEED HER HELP, SO YOU... 469 00:19:45,950 --> 00:19:47,950 MOM, I'M HAPPY TO GO ON MY PODCAST 470 00:19:47,950 --> 00:19:49,870 AND WAGE WAR WITH THIS DOUCHE. 471 00:19:49,870 --> 00:19:51,620 I APPRECIATE THAT, SWEETIE, BUT THE 472 00:19:51,620 --> 00:19:53,910 LAST THING YOU NEED TO WORRY ABOUT IS ME. 473 00:19:53,910 --> 00:19:56,540 PAUL, ON TV: I'VE ALWAYS WANTED SOMEONE IN OFFICE... LAURA: OH, MY GOD. 474 00:19:56,540 --> 00:19:59,540 WOW, AND THAT SEXIST B.S. RIGHT THERE IS PRECISELY 475 00:19:59,540 --> 00:20:02,960 THE REASON WHY I COULD NEVER GO INTO POLITICS. 476 00:20:02,960 --> 00:20:04,840 [REFRIGERATOR DOOR OPENS] 477 00:20:04,840 --> 00:20:06,380 [BOTTLE CLINKS] 478 00:20:06,380 --> 00:20:08,300 [FOOTSTEPS RETREAT] 479 00:20:08,300 --> 00:20:10,800 [MUSIC PLAYING] 480 00:20:14,220 --> 00:20:16,230 ROBERT: AHEM. 481 00:20:16,230 --> 00:20:18,640 WELL, IT'S GOOD TO SEE SIMONE DATING SOMEONE 482 00:20:18,640 --> 00:20:20,230 WITHOUT TATTOOS. 483 00:20:20,230 --> 00:20:23,440 -MOM. -IT'S AN HONEST OBSERVATION. 484 00:20:23,440 --> 00:20:26,280 ISN'T THAT WHY YOU INVITED US 485 00:20:26,280 --> 00:20:28,700 TO THIS SPORTS BAR? 486 00:20:28,700 --> 00:20:30,700 UM... 487 00:20:30,700 --> 00:20:33,580 SIMONE, YOU WANT TO... 488 00:20:35,160 --> 00:20:37,790 SO, I'M... 489 00:20:37,790 --> 00:20:41,460 ACTUALLY HERE BECAUSE... 490 00:20:46,130 --> 00:20:48,170 WELL, I'M PREGNANT. 491 00:20:53,930 --> 00:20:55,930 CAN YOU SAY SOMETHING? 492 00:20:55,930 --> 00:20:58,480 YOU'RE PRACTICALLY A SHOO-IN AT STANFORD, 493 00:20:58,480 --> 00:21:00,060 AND YOU'RE GONNA THROW YOUR WHOLE FUTURE-- 494 00:21:00,060 --> 00:21:01,560 LET'S NOT JUMP TO CONCLUSIONS. 495 00:21:01,560 --> 00:21:02,940 I'M SURE THIS WAS MEANT TO BE A DISCUSSION. 496 00:21:02,940 --> 00:21:04,690 JORDAN: YES. BASICALLY, 497 00:21:04,690 --> 00:21:06,690 SIMONE HAS JUST REALLY BEEN STR-- TINA: DID YOU NOT 498 00:21:06,690 --> 00:21:09,610 CARE ENOUGH TO USE PROTECTION? 499 00:21:09,610 --> 00:21:11,610 -BEG YOUR PARDON? -ISN'T THERE ENOUGH DRAMA 500 00:21:11,610 --> 00:21:13,700 IN YOUR FAMILY ALREADY? ROBERT: TINA, LET'S NOT 501 00:21:13,700 --> 00:21:16,200 BRING HIS PARENTS' MARRIAGE TROUBLES INTO ALL OF THIS. 502 00:21:16,200 --> 00:21:18,120 TINA: OH, ROBERT, IT'S ALL OVER THE NEWS, 503 00:21:18,120 --> 00:21:20,330 AND I'M SURE THE LAST THING THEY WANT IS SOME NEW CHILD 504 00:21:20,330 --> 00:21:23,040 COMING INTO THEIR BROKEN FAMILY. 505 00:21:23,040 --> 00:21:25,750 JORDAN IS HERE AS MY FRIEND. 506 00:21:25,750 --> 00:21:28,340 HE'S NOT THE BABY'S FATHER. 507 00:21:28,340 --> 00:21:31,760 WELL, IF THIS YOUNG MAN ISN'T THE FATHER, THEN WHO-- 508 00:21:33,260 --> 00:21:36,470 YOU KNOW WHAT? IT DOESN'T MATTER. 509 00:21:36,470 --> 00:21:39,100 HMM! DOESN'T MATTER, SWEETHEART, 510 00:21:39,100 --> 00:21:41,100 'CAUSE YOU'RE NOT KEEPING IT. 511 00:21:41,100 --> 00:21:42,650 WELL, THAT'S NOT YOUR DECISION. 512 00:21:42,650 --> 00:21:44,520 YOU WANT TO LIVE IN OUR HOUSE, 513 00:21:44,520 --> 00:21:47,070 YOU'RE GETTING RID OF THAT BABY. 514 00:21:50,570 --> 00:21:52,570 [EXHALES SHARPLY] 515 00:21:52,570 --> 00:21:54,570 [GRUNTS] WHAT'S UP, BRO? 516 00:21:54,570 --> 00:21:56,580 WHAT'S UP, MAN? 517 00:21:56,580 --> 00:21:59,040 HEY, DON'T YOU HAVE YOUR SHOULDER TEST RIGHT NOW? 518 00:21:59,040 --> 00:22:00,700 WHY YOU THINK I'M RUSHING IT? 519 00:22:00,700 --> 00:22:02,160 AH, CHILL, MAN. YOU'RE ALL GOOD. 520 00:22:02,160 --> 00:22:03,580 HEY, YOU GOT THIS, SPENCE. 521 00:22:03,580 --> 00:22:05,130 EVEN IF YOU GOT TO SIT OUT ONE MORE GAME, 522 00:22:05,130 --> 00:22:06,790 IT'S NO BIG DEAL, MAN. 523 00:22:06,790 --> 00:22:08,300 THE HELL IT AIN'T. 524 00:22:08,300 --> 00:22:09,670 BARRY LEMMING FROM COASTAL CALIFORNIA 525 00:22:09,670 --> 00:22:10,880 IS GONNA BE AT THAT GAME, BRO. 526 00:22:10,880 --> 00:22:12,880 -WAIT. FOR REAL? -YUP. 527 00:22:12,880 --> 00:22:15,640 COASTAL'S BEEN ONE OF MY TOP PICKS SINCE I WAS A KID. 528 00:22:15,640 --> 00:22:17,680 THEN YOU BETTER BALL OUT TOMORROW. 529 00:22:22,520 --> 00:22:24,730 THE SEIGE: ♪ FALLIN' ♪ 530 00:22:24,730 --> 00:22:26,730 ♪ WAIST, DON'T, WHERE TO ♪ 531 00:22:26,730 --> 00:22:30,150 ♪ CAN'T EVER WAKE ME, STAY NEVER ♪ 532 00:22:30,150 --> 00:22:32,150 HEY, I'M LOVING THESE NEW PLAYS, COACH. 533 00:22:32,150 --> 00:22:34,160 LINE UP FOR THE JUGS MACHINE. 534 00:22:34,160 --> 00:22:36,200 ♪ BAIL OUT, BOUNCE BACK, TRY AND BEAT IT ♪ 535 00:22:36,200 --> 00:22:37,870 -JUGS. -♪ IT JUST MIGHT WORK ♪ 536 00:22:37,870 --> 00:22:39,290 ♪ WHAT YOU GONNA DO WHEN YOU GO DOWN? ♪ 537 00:22:39,290 --> 00:22:40,700 - READY. - ♪ HIT 'EM IN THE FACE ♪ 538 00:22:40,700 --> 00:22:42,120 ♪ WHEN YOU SLOW DOWN... ♪ 539 00:22:42,120 --> 00:22:43,660 [RAPPING CONTINUES INDISTINCTLY] 540 00:22:43,660 --> 00:22:45,670 -COME ON. LET'S GO! - ALL RIGHT. 541 00:22:45,670 --> 00:22:47,840 A LITTLE FASTER, TILT IT UP TO THE LEFT. 542 00:22:47,840 --> 00:22:50,210 ♪ STAY DOWN, NOW TO RISE UP OR YOU LAY DOWN ♪ 543 00:22:50,210 --> 00:22:52,300 ♪ POP SAID YOU BETTER STAY SMART AND STICK ROUND ♪ 544 00:22:52,300 --> 00:22:54,470 ♪ IF I TAKE A SHOT, I'M STAYIN' WITH IT ALL THE WAY DOWN ♪ 545 00:22:54,470 --> 00:22:57,090 ♪ PAY ATTENTION, GO BACK, I'MA GO HEADIN' ON BACK ♪ 546 00:22:57,090 --> 00:22:58,600 BILLY: YOU ALL RIGHT, SPENCE? 547 00:22:58,600 --> 00:23:00,600 [PANTING] 548 00:23:00,600 --> 00:23:02,310 YEAH. YEAH, YEAH, YEAH. 549 00:23:02,310 --> 00:23:04,310 NEVER BETTER, COACH. 550 00:23:04,310 --> 00:23:05,560 I'M GOOD. I'M GOOD. 551 00:23:05,560 --> 00:23:07,690 OK. YOU DID IT. 552 00:23:07,690 --> 00:23:09,150 YOU PASSED. 553 00:23:09,150 --> 00:23:11,280 -TOLD YOU. -THE ONLY THING IS, 554 00:23:11,280 --> 00:23:13,280 ONLY YOU CAN KNOW HOW GOOD 555 00:23:13,280 --> 00:23:15,150 YOUR SHOULDER TRULY FEELS, 556 00:23:15,150 --> 00:23:18,910 SO I NEED YOU TO BE HONEST WITH ME, SPENCE. 557 00:23:18,910 --> 00:23:21,040 IS YOUR SHOULDER 100%? 558 00:23:21,040 --> 00:23:23,660 -100%-- -SPENCER... 559 00:23:23,660 --> 00:23:26,420 100%. 560 00:23:28,670 --> 00:23:30,540 ALL RIGHT. 561 00:23:30,540 --> 00:23:32,460 GOOD TO GO. 562 00:23:50,150 --> 00:23:52,150 [WHISTLE BLOWS] 563 00:23:52,150 --> 00:23:54,150 ♪ OH ♪ 564 00:23:54,150 --> 00:23:55,780 [CROWD CHEERING] 565 00:23:55,780 --> 00:23:57,610 ♪ OH ♪ 566 00:23:57,610 --> 00:23:59,610 ♪ APPRECIATE IT ♪ 567 00:23:59,610 --> 00:24:01,620 ♪ HEY, YO ♪ 568 00:24:01,620 --> 00:24:04,620 ♪ A WISE MAN ONCE SAID ♪ 569 00:24:04,620 --> 00:24:07,620 ♪ TOUGH TIMES DON'T LAST ♪ 570 00:24:07,620 --> 00:24:10,000 ♪ BUT TOUGH PEOPLE DO ♪ 571 00:24:10,000 --> 00:24:11,830 ♪ OH ♪ 572 00:24:11,830 --> 00:24:14,210 DARNELL HAYES? 573 00:24:14,210 --> 00:24:16,260 -YEAH. -BARRY LEMMING, 574 00:24:16,260 --> 00:24:18,880 LEAD RECRUITER, COASTAL CALIFORNIA. 575 00:24:18,880 --> 00:24:21,260 BEEN FOLLOWING YOU SINCE YOUR SOPHOMORE SEASON AT FORT NEVADA. 576 00:24:21,260 --> 00:24:23,300 LOOKING FORWARD TO WHAT YOU DO AT SOUTH CRENSHAW. 577 00:24:23,300 --> 00:24:25,930 -THANK YOU, SIR. -SO YOU HERE FOR MY BROTHER? 578 00:24:25,930 --> 00:24:27,430 ACTUALLY, I'M HERE TO SEE MY SON, 579 00:24:27,430 --> 00:24:29,560 BUT I'M ALWAYS TAKING NOTES. 580 00:24:29,560 --> 00:24:31,980 [WHISTLE BLOWS] BILLY: ALL RIGHT, Y'ALL. BRING IT IN. BRING IT IN. 581 00:24:31,980 --> 00:24:35,150 HUSTLE. COME ON. GET THE LEAD OUT, J.J. 582 00:24:35,150 --> 00:24:38,530 ALL RIGHT, Y'ALL. WE'RE GONNA PUT IN SOME WORK, SO LET'S GET IT DONE. 583 00:24:38,530 --> 00:24:40,740 LET'S HAVE SOME FUN. BRING IT IN. 584 00:24:40,740 --> 00:24:43,160 ASHER: HEY! "BEVERLY" ON ME. "BEVERLY" ON 3. 585 00:24:43,160 --> 00:24:44,950 1, 2, 3! 586 00:24:44,950 --> 00:24:46,830 -BEVERLY! -LET'S EAT, BOYS! 587 00:24:46,830 --> 00:24:49,660 OFFENSE, YOU ARE UP. OFFENSE, YOU--WHERE YOU GOIN', HOMIE? 588 00:24:49,660 --> 00:24:52,040 I TOLD YOU, WE GOT TO EASE YOU INTO THIS. 589 00:24:52,040 --> 00:24:54,250 BUT I'M PLAYING AT SOME POINT, RIGHT? 590 00:24:54,250 --> 00:24:55,880 YEAH, WHEN I SAY. 591 00:24:55,880 --> 00:24:57,920 TAKE IT EASY. 592 00:24:59,550 --> 00:25:01,720 [WHISTLE BLOWS] 593 00:25:03,510 --> 00:25:05,720 BILLY: ALL RIGHT, WATCH THIS. 594 00:25:05,720 --> 00:25:07,720 MAN, ON RADIO: WELCOME BACK, Y'ALL. THANKS FOR TUNING IN. 595 00:25:07,720 --> 00:25:10,730 YOU IN THE SPOT WITH ME, YOURS TRULY, 596 00:25:10,730 --> 00:25:13,350 AND YOU'RE LISTENING TO 99.8, WHERE IT'S TIME 597 00:25:13,350 --> 00:25:15,770 FOR "FEELIN' IT OR KILLIN' IT," WHERE WE PLAY 598 00:25:15,770 --> 00:25:18,030 AN UNSIGNED ARTIST'S SONG WITH THE HOPE 599 00:25:18,030 --> 00:25:21,240 OF SHOWING THEM SOME LOVE. THIS NEXT ONE IS FIRE! 600 00:25:21,240 --> 00:25:23,700 COOP: ♪ YO, YO, SOME DUDES TALK TOUGH ♪ 601 00:25:23,700 --> 00:25:26,700 ♪ OTHER, REAL DUDES PULL UP, I DONE SEEN IT ALL ♪ 602 00:25:26,700 --> 00:25:28,750 ♪ I HAD MY BACK ALL UP AGAINST THE WALL ♪ 603 00:25:28,750 --> 00:25:30,750 ♪ AND MY DAWG TOOK A FEW TO THE CHEST ♪ 604 00:25:30,750 --> 00:25:32,750 ♪ I CRIED SEEING HIS MAMA LAY HIM TO REST ♪ 605 00:25:32,750 --> 00:25:34,750 ♪ ALL HE WANTED WAS TO MAKE IT OUT OF HERE ♪ 606 00:25:34,750 --> 00:25:37,500 ♪ AND GIVE HIS DAUGHTER THE BEST, MY HOOD NEED LOVE ♪ 607 00:25:37,500 --> 00:25:39,300 ♪ THERE'S A LOT OF BROKE HEARTS ROUND HERE ♪ 608 00:25:39,300 --> 00:25:41,880 ♪ YEAH, AIN'T NOBODY SAVIN' NO SOULS ♪ 609 00:25:41,880 --> 00:25:44,340 ♪ AND AIN'T NOBODY SHOWIN' UP, SO YOU DISAPPEAR ♪ 610 00:25:44,340 --> 00:25:46,430 ♪ YOU GET IT HOW YOU LIVE IT, I'MA AIMIN' AT THE TARGET ♪ 611 00:25:46,430 --> 00:25:48,310 ♪ AND I'MA HIT IT, START COMIN' OUT YOUR WIG ♪ 612 00:25:48,310 --> 00:25:50,140 ♪ YOU KNOW I'MA SPLIT IT AND THIS HOW THEY MADE ME ♪ 613 00:25:50,140 --> 00:25:52,100 ♪ THAT'S HOW I LIVE IT, BUT SOMETIMES ♪ 614 00:25:52,100 --> 00:25:54,400 ♪ I THINK TO MYSELF, I THANK GOD FOR SAVING MYSELF ♪ 615 00:25:54,400 --> 00:25:56,480 ♪ I COULD BE THE ONE IN THE CASKET, THAT'S WHY I LOOK BACK ♪ 616 00:25:56,480 --> 00:25:58,110 ♪ I'M LIKE, "WHAT IF IT HAPPENED?" 617 00:25:58,110 --> 00:26:00,110 ♪ I'M STILL HERE ♪ 618 00:26:00,110 --> 00:26:02,490 LOOKS LIKE Y'ALL DON'T NEED ME. 619 00:26:02,490 --> 00:26:04,490 MAN, DON'T SAY THAT. 620 00:26:04,490 --> 00:26:07,490 YOU ARE A VITAL PART OF THIS TEAM. 621 00:26:07,490 --> 00:26:10,120 DON'T BE SAYING THAT. 622 00:26:10,120 --> 00:26:13,160 THEN HOW COME I AIN'T IN YET? 623 00:26:15,500 --> 00:26:17,500 GO ON, THEN. 624 00:26:17,500 --> 00:26:19,130 FOR REAL? 625 00:26:19,130 --> 00:26:21,170 -GO ON, THEN. -YES, SIR. 626 00:26:22,340 --> 00:26:25,300 ♪ WE GO DOWNTOWN, EVERYBODY'S WATCHING ♪ 627 00:26:25,300 --> 00:26:27,350 [ALL CHEERING] 628 00:26:27,350 --> 00:26:28,890 BO: HEY, HEY. HEH HEH! 629 00:26:28,890 --> 00:26:30,520 ABOUT TIME YOU GOT OUT HERE, BOY. 630 00:26:30,520 --> 00:26:31,770 FOR A MINUTE THERE, I THOUGHT ASHER WAS 631 00:26:31,770 --> 00:26:33,520 THE ONLY RECEIVER Y'ALL HAD. 632 00:26:33,520 --> 00:26:36,060 JORDAN: 550, READY. 633 00:26:36,060 --> 00:26:38,690 BO: KNOW YOU HEARD THAT, SPENCER. 634 00:26:38,690 --> 00:26:41,440 BILLY: ATTABOY. ATTABOY. 635 00:26:41,440 --> 00:26:43,900 WHOO! THAT'S LIGHT WORK, HOMIE. 636 00:26:43,900 --> 00:26:45,910 YOU BETTER STOP EMBARRASSING YOUR POPS 637 00:26:45,910 --> 00:26:47,820 AND ACTUALLY MAKE ME WORK FOR THESE CATCHES. 638 00:26:47,820 --> 00:26:48,990 MAN ONLY THREW YOU THE BALL 'CAUSE ASH 639 00:26:48,990 --> 00:26:50,370 WAS ON THE SIDELINE. COME ON. 640 00:26:50,370 --> 00:26:51,870 YEAH. ALL RIGHT. 641 00:26:51,870 --> 00:26:53,660 ♪ WHOO! ♪ 642 00:26:54,830 --> 00:26:56,830 NOW THAT YOU GOT THE DROP ON HIM, 643 00:26:56,830 --> 00:26:58,840 YOU KNOW WHAT YOU NEED TO DO, 644 00:26:58,840 --> 00:27:00,840 NO MARGIN FOR ERROR. 645 00:27:00,840 --> 00:27:02,840 GET IN. GET OUT. 646 00:27:16,980 --> 00:27:19,110 JORDAN: STACK! 647 00:27:25,740 --> 00:27:27,160 DAMN! 648 00:27:27,160 --> 00:27:28,660 [WHISTLE BLOWS] 649 00:27:30,030 --> 00:27:31,990 [DISTANT DOG BARKING] 650 00:27:37,210 --> 00:27:39,830 JORDAN: ALL RIGHT. HUDDLE UP. HUDDLE UP. HUDDLE UP. 651 00:27:39,830 --> 00:27:41,840 ALL RIGHT. TIE BALL GAME, BOYS. 652 00:27:41,840 --> 00:27:43,670 NOTHING WE HAVEN'T SEEN BEFORE, RIGHT? 653 00:27:43,670 --> 00:27:45,380 WE GOT 4 PLAYS TO GET THIS WIN. 654 00:27:45,380 --> 00:27:47,010 IF YOU GET IT TO ME, I CAN END THIS WITH ONE PLAY. 655 00:27:47,010 --> 00:27:48,340 I'VE BEEN OPEN ALL DAY, MAN. 656 00:27:48,340 --> 00:27:49,720 YOU SURE YOU'RE READY? 657 00:27:49,720 --> 00:27:51,470 LOOK, I'M HERE, AIN'T I? 658 00:27:51,470 --> 00:27:53,930 ALL RIGHT. SCAT DIG CURLY, 659 00:27:53,930 --> 00:27:56,480 KICK AND ROLL 372 CHAIR. ON ONE, ON ONE. READY? 660 00:27:56,480 --> 00:27:58,480 GET OPEN. SPENCER: WATCH ME. 661 00:27:58,480 --> 00:28:02,150 JORDAN: DOWN, SET. KRISPY KREME. RED LIGHT. 662 00:28:02,150 --> 00:28:04,780 GREEN, GREEN, GREEN. RED LIGHT. SET! 663 00:28:10,030 --> 00:28:12,070 UHH! 664 00:28:18,960 --> 00:28:20,920 BILLY: TRAINER! TRAINER! ALL RIGHT. DON'T MOVE. 665 00:28:20,920 --> 00:28:22,790 DON'T MOVE. DON'T MOVE. DON'T MOVE. 666 00:28:22,790 --> 00:28:23,840 ALL RIGHT, WHAT HAPPENED? 667 00:28:23,840 --> 00:28:25,050 IT'S MY ARM. 668 00:28:25,050 --> 00:28:26,840 IT WON'T MOVE. 669 00:28:26,840 --> 00:28:28,050 IS THAT THE FIRST TIME IT'S HAPPENED 670 00:28:28,050 --> 00:28:30,010 IN THE PAST 48 HOURS? 671 00:28:31,590 --> 00:28:33,430 NO. 672 00:28:35,720 --> 00:28:37,560 -CAN YOU FEEL THAT? -YEAH. 673 00:28:37,560 --> 00:28:38,640 YEAH, YEAH, YEAH. IT'S COMING BACK. 674 00:28:38,640 --> 00:28:40,190 THANK GOD. 675 00:28:40,190 --> 00:28:41,600 ALL RIGHT. THANKS. 676 00:28:41,600 --> 00:28:42,810 SPENCER: WAIT, WAIT, WAIT, COACH. 677 00:28:42,810 --> 00:28:44,270 COACH. 678 00:28:44,270 --> 00:28:46,280 [DISTANT DOG BARKING] 679 00:28:46,280 --> 00:28:48,950 [DISTANT WOMAN SINGING IN SPANISH] 680 00:29:10,590 --> 00:29:12,640 [GUNSHOT] 681 00:29:14,100 --> 00:29:16,510 [TWO GUNSHOTS] 682 00:29:33,570 --> 00:29:35,120 WHAT HAPPENED TO NOT RESPONDING? 683 00:29:35,120 --> 00:29:36,280 CALL IT A CHANGE OF HEART. 684 00:29:36,280 --> 00:29:37,660 VOTING IS ALREADY UNDERWAY. 685 00:29:37,660 --> 00:29:39,160 STAGING A BIG PRESS INTERVIEW 686 00:29:39,160 --> 00:29:40,830 WHILE PEOPLE ARE ALREADY HEADING TO THE POLLS 687 00:29:40,830 --> 00:29:42,500 COULD OPEN A WHOLE CAN OF WORMS THAT WE WON'T 688 00:29:42,500 --> 00:29:44,420 HAVE TIME TO ADDRESS BEFORE THE POLLS CLOSE. 689 00:29:44,420 --> 00:29:45,830 I UNDERSTAND, BUT I NEED 690 00:29:45,830 --> 00:29:47,840 TO SHOW MY CONSTITUENTS 691 00:29:47,840 --> 00:29:49,710 AND MY DAUGHTER THAT THIS SORT 692 00:29:49,710 --> 00:29:51,590 OF FEMALE BULLYING IS NOT OK. 693 00:29:51,590 --> 00:29:53,220 BUT WHAT IF VOTERS DON'T LIKE WHAT YOU HAVE 694 00:29:53,220 --> 00:29:55,140 TO SAY, AND IT COSTS YOU THE ELECTION? 695 00:29:55,140 --> 00:29:58,680 WELL, THEN AT LEAST I CAN BOW OUT WITH DIGNITY. 696 00:29:59,890 --> 00:30:01,890 AND 3, 2, 1. 697 00:30:01,890 --> 00:30:03,940 [CLEARS THROAT] 698 00:30:05,900 --> 00:30:09,820 I'D LIKE TO TAKE THIS TIME TO ADDRESS MY SILENCE. 699 00:30:09,820 --> 00:30:12,030 OFTEN, AS WOMEN, 700 00:30:12,030 --> 00:30:14,360 OUR SILENCE IS MISCONSTRUED 701 00:30:14,360 --> 00:30:16,360 AS WEAKNESS. 702 00:30:16,360 --> 00:30:18,370 THE TRUTH IS, IS WE WERE 703 00:30:18,370 --> 00:30:20,490 OFTEN MAKING THE STRONGER CHOICE 704 00:30:20,490 --> 00:30:23,120 TO JUST NOT ENGAGE. 705 00:30:24,290 --> 00:30:26,920 I WAS REMINDED THAT, AS A PUBLIC FIGURE, 706 00:30:26,920 --> 00:30:29,250 THAT THIS ISN'T JUST ABOUT ME. 707 00:30:29,250 --> 00:30:31,250 THIS IS ABOUT THE LEGACY 708 00:30:31,250 --> 00:30:33,720 OF WOMEN IN THIS COUNTRY. 709 00:30:33,720 --> 00:30:35,930 THIS IS ABOUT LITTLE GIRLS WHO DREAMED OF GOING 710 00:30:35,930 --> 00:30:38,720 INTO POLITICS ONE DAY WHO ARE NOW RETHINKING IT 711 00:30:38,720 --> 00:30:41,720 BECAUSE OF BULLIES LIKE PAUL KENDALL, 712 00:30:41,720 --> 00:30:45,730 SO I AM BREAKING MY SILENCE. 713 00:30:45,730 --> 00:30:48,730 WHILE IT'S TRUE THAT MY HUSBAND AND I 714 00:30:48,730 --> 00:30:50,940 HAVE FILED FOR SEPARATION, 715 00:30:50,940 --> 00:30:54,820 IT IS ALSO TRUE THAT IT IS NONE OF ANYONE'S BUSINESS. 716 00:30:54,820 --> 00:30:56,820 IT HAS NOTHING TO DO WITH MY ABILITY TO RUN 717 00:30:56,820 --> 00:30:58,820 AS DISTRICT ATTORNEY, AND IF I WERE A MAN, 718 00:30:58,820 --> 00:31:01,200 THAT IS WHAT YOU WOULD BE VOTING ON. 719 00:31:01,200 --> 00:31:04,040 I REFUSE TO BE HELD TO A DOUBLE STANDARD 720 00:31:04,040 --> 00:31:06,040 BECAUSE I'M A WOMAN, 721 00:31:06,040 --> 00:31:10,630 SO, ELECT ME OR DON'T, 722 00:31:10,630 --> 00:31:13,590 BUT MAKE YOUR DECISION BASED ON MY PLATFORM 723 00:31:13,590 --> 00:31:16,420 AND TRACK RECORD, NOT MY OPPONENT 724 00:31:16,420 --> 00:31:18,430 THROWING MY LIFE INTO THE MEDIA 725 00:31:18,430 --> 00:31:21,050 AS A WAY TO UNDERCUT ME. 726 00:31:21,050 --> 00:31:23,770 SO LET'S TALK ABOUT THAT TRACK RECORD. 727 00:31:25,180 --> 00:31:27,770 [PLAYERS HOOTING] 728 00:31:34,440 --> 00:31:36,610 [LOCKERS OPENING] 729 00:31:38,530 --> 00:31:40,530 -COACH, LISTEN. -UH-UH. 730 00:31:40,530 --> 00:31:42,530 WHATEVER YOU WANT TO SAY TO ME, 731 00:31:42,530 --> 00:31:45,790 YOU CAN SAY TO THE REST OF YOUR TEAMMATES. 732 00:31:45,790 --> 00:31:47,790 -COACH, COME ON. -GO ON. 733 00:31:47,790 --> 00:31:49,830 [OVERLAPPING CHATTER] 734 00:31:59,470 --> 00:32:01,140 YO. 735 00:32:03,300 --> 00:32:05,720 TODAY WAS ON ME. NOT ONLY DID I ALMOST 736 00:32:05,720 --> 00:32:09,140 COST US THE GAME, BUT I SHOULD HAVE NEVER BEEN ON THAT FIELD. 737 00:32:09,140 --> 00:32:11,690 HEY, IT WAS A FREAK ACCIDENT, BRO. 738 00:32:11,690 --> 00:32:14,270 J.J.: DON'T BEAT YOURSELF UP. WE STILL WON. 739 00:32:14,270 --> 00:32:16,280 IT WASN'T A FREAK ACCIDENT, MAN. 740 00:32:16,280 --> 00:32:18,900 THE TRUTH IS, MY SHOULDER AIN'T 100%, AND 741 00:32:18,900 --> 00:32:21,910 THERE'S A GOOD CHANCE IT NEVER WILL BE. 742 00:32:24,080 --> 00:32:26,450 AND I'M SCARED, MAN. 743 00:32:26,450 --> 00:32:28,460 SPENCE, WE ALL UNDERSTAND 744 00:32:28,460 --> 00:32:30,460 THAT FEELING, ALL RIGHT? 745 00:32:30,460 --> 00:32:32,210 YOU SHOULD'VE JUST TRUSTED US 746 00:32:32,210 --> 00:32:33,960 ENOUGH TO TELL US BEFORE THE GAME. 747 00:32:33,960 --> 00:32:36,250 YEAH, 'CAUSE WE'RE FAMILY, BUT WE CAN'T 748 00:32:36,250 --> 00:32:38,920 PROTECT YOU ON THE FIELD WHEN YOU'RE VULNERABLE IF WE DON'T KNOW. 749 00:32:38,920 --> 00:32:40,840 BUT NOW WE DO, 750 00:32:40,840 --> 00:32:42,760 AND, LOOK, WE GOT YOU. 751 00:32:42,760 --> 00:32:44,550 J.J.: YEAH, ON AND OFF THE FIELD-- 752 00:32:44,550 --> 00:32:47,520 REHAB, WORKOUTS, FILM STUDY. 753 00:32:47,520 --> 00:32:48,810 LOOK, MAN, WE'RE GONNA HELP YOU GET BACK 754 00:32:48,810 --> 00:32:50,100 ON THAT FIELD AGAIN AND DOMINATE, 755 00:32:50,100 --> 00:32:51,100 ALL RIGHT, JUST LIKE OLD TIMES, 756 00:32:51,100 --> 00:32:52,560 RIGHT, FELLAS? 757 00:32:52,560 --> 00:32:54,230 -YEAH. -YEAH, FELLAS. 758 00:32:59,280 --> 00:33:02,160 I GUESS A LION IS ONLY AS GOOD AS HIS PACK. 759 00:33:02,160 --> 00:33:04,410 -YEAH. -WHOO! 760 00:33:04,410 --> 00:33:06,410 J.J.: GOT YOU, BROTHER. 761 00:33:06,410 --> 00:33:08,450 [ALL CHUCKLE] 762 00:33:11,040 --> 00:33:13,670 [LAUGHING AND CLAMORING] 763 00:33:13,670 --> 00:33:15,710 I APPRECIATE YOU COMING OUT. 764 00:33:15,710 --> 00:33:17,920 I ADMIT, I ONLY CAME TO SEE MY SON PLAY 765 00:33:17,920 --> 00:33:20,340 AND MAYBE SPENCER JAMES, BUT YOU-- 766 00:33:20,340 --> 00:33:22,010 ABSOLUTE BEAST. 767 00:33:22,010 --> 00:33:25,260 THANK YOU, SIR. THAT MEANS A LOT. 768 00:33:25,260 --> 00:33:27,010 HEY, WE'D LOVE TO HAVE YOU COME IN FOR A VISIT. 769 00:33:28,430 --> 00:33:30,430 YES, SIR. 770 00:33:30,430 --> 00:33:32,850 THANK YOU. 771 00:33:36,020 --> 00:33:38,020 HEY! 772 00:33:38,020 --> 00:33:40,400 SORRY I MISSED THE GAME. ASHER: HEY. 773 00:33:42,360 --> 00:33:45,450 UM, I HEARD YOU CRUSHED IT, THOUGH. 774 00:33:45,450 --> 00:33:47,450 [SIGHS] HEY, IT'S ALL GOOD. 775 00:33:47,450 --> 00:33:49,290 I KNOW IT'S YOUR MOM'S BIG DAY. 776 00:33:49,290 --> 00:33:52,830 [VOICE ECHOING] SPEAKING OF THAT, I GOT YOU SOMETHING. 777 00:33:52,830 --> 00:33:55,460 CONTAIN YOUR EXCITEMENT. 778 00:33:55,460 --> 00:33:57,500 [BOTH CHUCKLING] 779 00:33:59,460 --> 00:34:01,510 [EXHALES] 780 00:34:09,390 --> 00:34:12,350 ASH, YOU OK? 781 00:34:12,350 --> 00:34:14,980 [NORMAL VOICE] ASH, YOU OK? 782 00:34:14,980 --> 00:34:16,980 YEAH. 783 00:34:16,980 --> 00:34:18,980 YEAH, I JUST, UH... 784 00:34:18,980 --> 00:34:21,280 I JUST GOT SOMETHING IN MY EYE. 785 00:34:21,280 --> 00:34:23,700 THAT GUY THAT JUST LEFT, 786 00:34:23,700 --> 00:34:26,160 HE'S THE LEAD RECRUITER FOR COASTAL CALIFORNIA. 787 00:34:26,160 --> 00:34:29,160 HE INVITED ME OUT FOR A VISIT. HOW AWESOME IS THAT? 788 00:34:29,160 --> 00:34:32,370 THAT'S, UM, REALLY, 789 00:34:32,370 --> 00:34:35,120 UH, REALLY GREAT, BABE. 790 00:34:35,120 --> 00:34:38,130 DO YOU WANT TO GO GET SOMETHING TO EAT? 791 00:34:38,130 --> 00:34:41,130 ACTUALLY, I SHOULD PROBABLY GET HOME. 792 00:34:41,130 --> 00:34:44,050 THOSE POLLS ARE CLOSING SOON, SO 793 00:34:44,050 --> 00:34:45,550 I'LL TALK TO YOU LATER, OK? 794 00:34:45,550 --> 00:34:47,590 YEAH. 795 00:34:50,680 --> 00:34:53,220 [MUSIC PLAYING] 796 00:34:58,860 --> 00:35:02,150 HEY. 797 00:35:02,150 --> 00:35:04,150 HAVE YOU GIVEN YOUR, UM, 798 00:35:04,150 --> 00:35:06,150 YOUR PARENTS' OFFER ANY MORE THOUGHT? 799 00:35:06,150 --> 00:35:08,910 CALL ME CRAZY, BUT... 800 00:35:08,910 --> 00:35:11,530 MY DECISION STANDS. 801 00:35:11,530 --> 00:35:13,910 NO. YOU'RE NOT CRAZY. 802 00:35:13,910 --> 00:35:16,920 [CHUCKLES] I MEAN, KIND OF. 803 00:35:16,920 --> 00:35:19,040 THE ONLY OTHER OPTION I HAVE TO LIVE IS 804 00:35:19,040 --> 00:35:21,630 WITH A SECOND COUSIN IN KENTUCKY. 805 00:35:21,630 --> 00:35:23,760 -MISS JACKSON. -HA HA HA! 806 00:35:23,760 --> 00:35:26,550 HA HA HA! 807 00:35:26,550 --> 00:35:29,180 YOU KNOW, I WAS RECENTLY REMINDED 808 00:35:29,180 --> 00:35:32,180 THAT BEING THERE FOR SOMEONE MEANS 809 00:35:32,180 --> 00:35:35,140 STANDING BY THEIR SIDE EVERY STEP OF THE WAY. 810 00:35:35,140 --> 00:35:37,440 WHAT ARE YOU TRYING TO SAY? 811 00:35:37,440 --> 00:35:41,650 I'M SAYING YOU DON'T HAVE TO MOVE TO KENTUCKY. 812 00:35:43,230 --> 00:35:44,860 BILLY: I SHOULD'VE LISTENED TO MY GUT 813 00:35:44,860 --> 00:35:46,490 AND NOT LET YOU PLAY TODAY. 814 00:35:46,490 --> 00:35:48,110 MY BAD, COACH. 815 00:35:48,110 --> 00:35:49,780 THE LAST THING I WANTED TO DO WAS WATCH YOU MAKE 816 00:35:49,780 --> 00:35:51,280 THE SAME MISTAKE I MADE WHEN I TRIED 817 00:35:51,280 --> 00:35:53,700 TO COME BACK TOO EARLY AFTER MY KNEE INJURY. 818 00:35:53,700 --> 00:35:55,700 YO, MY REHAB'S GONNA BE DIFFERENT. 819 00:35:55,700 --> 00:35:57,870 -OH, YOU DON'T KNOW THAT. -YEAH, I DO. 820 00:35:57,870 --> 00:35:59,460 I HAVE MY MOMS, 821 00:35:59,460 --> 00:36:01,460 I HAVE MY FAMILY, 822 00:36:01,460 --> 00:36:04,840 I HAVE MY TEAMMATES... 823 00:36:04,840 --> 00:36:07,050 AND, MOST IMPORTANTLY, 824 00:36:07,050 --> 00:36:09,680 I HAVE YOU. 825 00:36:09,680 --> 00:36:13,550 LOOK, I WANT TO FIX MY SHOULDER THE RIGHT WAY, 826 00:36:13,550 --> 00:36:16,560 SO WHATEVER YOU NEED ME TO DO, I'M DOWN TO DOING. 827 00:36:16,560 --> 00:36:18,640 YOU SURE ABOUT THAT? 828 00:36:18,640 --> 00:36:21,270 'CAUSE IF YOU WANT TO PLAY IN THIS JAMBOREE NEXT MONTH, 829 00:36:21,270 --> 00:36:23,440 I'M GONNA NEED YOUR TOTAL COMMITMENT. 830 00:36:23,440 --> 00:36:24,940 -NOT A PROBLEM. -AIN'T GONNA BE EASY. 831 00:36:24,940 --> 00:36:26,480 YOU'RE GONNA HAVE TO MAKE SOME SACRIFICES... 832 00:36:26,480 --> 00:36:28,490 ALL RIGHT. BET. 833 00:36:28,490 --> 00:36:31,610 LIKE POSSIBLY SWITCHING POSITIONS. 834 00:36:33,200 --> 00:36:35,240 YEAH. 835 00:36:40,790 --> 00:36:42,460 OK. 836 00:36:45,500 --> 00:36:47,710 LIKE I SAID, 837 00:36:47,710 --> 00:36:49,760 WHATEVER IT TAKES. 838 00:37:02,230 --> 00:37:03,810 WOMAN, ON TV: AND, FROM WHAT WE UNDERSTAND, 839 00:37:03,810 --> 00:37:06,770 WE HAVE NUMBERS ROLLING IN SLOWLY... 840 00:37:06,770 --> 00:37:08,230 LAURA, YOU'RE BLOWING UP ON TWITTER. 841 00:37:08,230 --> 00:37:09,230 LAURA: YEAH, THE INTERNS MENTIONED 842 00:37:09,230 --> 00:37:10,320 PEOPLE WERE TALKING. 843 00:37:10,320 --> 00:37:11,650 NO, AS IN YOU'RE ONE OF 844 00:37:11,650 --> 00:37:14,610 THE TOP 10 THREADS RIGHT NOW. 845 00:37:14,610 --> 00:37:15,530 LAURA: OH, MY GOD. SPENCER: YEAH, 846 00:37:15,530 --> 00:37:16,580 YOU EVEN GOT YOUR OWN CUSTOM 847 00:37:16,580 --> 00:37:17,950 HASH TAG, MRS. BAKER-- 848 00:37:17,950 --> 00:37:19,790 #LAURABAKERDONTPLAY. 849 00:37:19,790 --> 00:37:22,000 OLIVIA: MOM, DESPITE WHATEVER HAPPENS, 850 00:37:22,000 --> 00:37:23,620 I JUST WANT YOU TO KNOW THAT WE'RE 851 00:37:23,620 --> 00:37:25,790 ALL REALLY PROUD OF YOU. 852 00:37:25,790 --> 00:37:27,130 [KISS] 853 00:37:27,130 --> 00:37:28,670 SHELBY: OH, GUYS, IT'S TIME. 854 00:37:28,670 --> 00:37:29,880 WOMAN, ON TV: AND NOW WE GO LIVE 855 00:37:29,880 --> 00:37:30,880 TO SAMANTHA, WHO'S STANDING BY 856 00:37:30,880 --> 00:37:31,880 AT POLLING HEADQUARTERS. 857 00:37:31,880 --> 00:37:33,880 AFTER MUCH ANTICIPATION, 858 00:37:33,880 --> 00:37:35,890 I'M HERE TO REPORT THE NEXT DISTRICT ATTORNEY 859 00:37:35,890 --> 00:37:39,770 OF LOS ANGELES COUNTY IS... 860 00:37:39,770 --> 00:37:41,060 LAURA BAKER. 861 00:37:41,060 --> 00:37:43,190 [ALL CHEERING] MAN: NICE! 862 00:37:43,190 --> 00:37:44,850 -OHH! -OH, MY GOD! 863 00:37:44,850 --> 00:37:47,360 [CLAMORING AND APPLAUDING] 864 00:37:47,360 --> 00:37:50,570 YEAH! HA HA! 865 00:37:50,570 --> 00:37:52,440 -WE DID IT! -IT'S INCREDIBLE! 866 00:37:52,440 --> 00:37:54,570 YOU GUYS, THANK YOU SO MUCH. 867 00:37:54,570 --> 00:37:57,070 [CORKS POP] 868 00:37:57,070 --> 00:37:59,530 -CONGRATULATIONS. -THANK YOU. THANK YOU. 869 00:37:59,530 --> 00:38:00,790 I'M PROUD OF YOU, AND YOU DESERVE 870 00:38:00,790 --> 00:38:02,910 EVERY BIT OF IT. -THANK YOU. 871 00:38:02,910 --> 00:38:04,920 -VERY PROUD OF YOU. -[SIGHS] 872 00:38:04,920 --> 00:38:07,540 [CELL PHONE VIBRATING] 873 00:38:07,540 --> 00:38:10,170 UH, GUYS, I'LL BE BACK. 874 00:38:10,170 --> 00:38:13,090 GIVE ME ONE SECOND. 875 00:38:13,090 --> 00:38:15,340 ANY MORE SKELETONS IN THE CLOSET? 876 00:38:15,340 --> 00:38:17,720 -NO, ALL GOOD HERE. -OH. OK. 877 00:38:17,720 --> 00:38:19,760 [BILLY CHUCKLES] 878 00:38:19,760 --> 00:38:22,020 SIMONE: HEY. JORDAN: HEY, GUYS. 879 00:38:22,020 --> 00:38:23,770 WHAT'S GOING ON? WHAT'D I MISS? 880 00:38:27,980 --> 00:38:29,980 PATIENCE: I'VE BEEN CALLING YOU ALL DAY. 881 00:38:29,980 --> 00:38:32,190 LOOK, I KNOW HOW IT LOOKS, 882 00:38:32,190 --> 00:38:33,610 BUT IT'S NOT WHAT YOU'RE THINKING, OK? 883 00:38:33,610 --> 00:38:35,200 NO, YOU KNOW WHAT I THINK? 884 00:38:35,200 --> 00:38:37,070 THAT YOU CAME TO MY HOUSE FOR ONE REASON 885 00:38:37,070 --> 00:38:38,240 AND ONE REASON ONLY. 886 00:38:38,240 --> 00:38:40,080 -WHAT? -TO GET THAT GUN. 887 00:38:40,080 --> 00:38:42,160 YEAH, YOU REALLY THINK I WOULDN'T CHECK? 888 00:38:43,950 --> 00:38:46,960 I'M GONNA ASK YOU POINT-BLANK, 889 00:38:46,960 --> 00:38:49,750 AND I'M GONNA NEED YOU TO BE REAL HONEST WITH ME, TAMIA. 890 00:38:49,750 --> 00:38:51,250 OK. 891 00:38:51,250 --> 00:38:53,130 DID YOU KILL TYRONE? 892 00:38:53,130 --> 00:38:54,300 NO. 893 00:38:54,300 --> 00:38:55,920 STOP LYING. 894 00:38:55,920 --> 00:38:57,430 I'M NOT LYING. 895 00:38:58,680 --> 00:39:01,350 FLIP. WHOA, WHERE YOU BEEN? 896 00:39:01,350 --> 00:39:02,930 I HAD TO GET MY FAMILY OUT OF TOWN 897 00:39:02,930 --> 00:39:06,020 SO I COULD GET TYRONE THE WAR HE WANTED. 898 00:39:09,860 --> 00:39:11,150 MAN: TAMIA COOPER? 899 00:39:11,150 --> 00:39:12,520 -YES? -LAPD. 900 00:39:12,520 --> 00:39:13,980 WE HAVE SOME QUESTIONS ABOUT THE MURDER 901 00:39:13,980 --> 00:39:15,320 OF TYRONE MOORE. 902 00:39:15,320 --> 00:39:16,990 WE'RE GONNA NEED YOU TO COME WITH US. 903 00:39:16,990 --> 00:39:18,660 ♪ ...DON'T MEAN ... WITHOUT YOU ♪ 904 00:39:18,660 --> 00:39:19,820 ♪ I DON'T EVEN KNOW WHAT I'MA DO WITHOUT YOU ♪ 905 00:39:19,820 --> 00:39:21,620 OK. 906 00:39:21,620 --> 00:39:23,990 ♪ I REALLY ... UP AND I WISH IT WASN'T TRUE ♪ 907 00:39:23,990 --> 00:39:26,410 ♪ I REALLY WISH I DIDN'T STILL THINK ABOUT YOU ♪ 908 00:39:26,410 --> 00:39:28,670 ♪ I STILL THINK ABOUT YOU ♪ 909 00:39:28,670 --> 00:39:31,500 ♪ I HATE THINKIN' 'BOUT YOU ♪ 910 00:39:31,500 --> 00:39:34,000 ♪ HOW DID THIS HAPPEN? ♪ 911 00:39:34,000 --> 00:39:36,050 ♪ IT SUCKS THAT IT HAPPENED ♪ 912 00:39:36,050 --> 00:39:37,510 ♪ I WONDER IF YOU MISS ME ♪ 913 00:39:37,510 --> 00:39:39,340 HEY, LIV, WHAT ARE YOU DOING HERE? 914 00:39:39,340 --> 00:39:41,140 WE'RE--WE'RE OUT HERE CELEBRATING YOUR MOTHER. 915 00:39:41,140 --> 00:39:42,800 YEAH. I'LL BE BACK IN A LITTLE BIT. 916 00:39:42,800 --> 00:39:44,430 OK. 917 00:39:44,430 --> 00:39:46,520 -DAD? -YEAH? 918 00:39:46,520 --> 00:39:48,520 WHAT'S UP? 919 00:39:48,520 --> 00:39:51,520 ASH IS PROBABLY NEVER GONNA FORGIVE ME FOR THIS, 920 00:39:51,520 --> 00:39:53,520 BUT, UM... 921 00:39:53,520 --> 00:39:56,150 I DON'T KNOW WHAT ELSE TO DO, 922 00:39:56,150 --> 00:39:58,110 AND I'M REALLY SCARED FOR HIM. 923 00:39:58,110 --> 00:40:00,820 LIV, WHAT IS IT? IT'S OK. YOU CAN TRUST ME. 924 00:40:00,820 --> 00:40:03,450 UM... 925 00:40:03,450 --> 00:40:06,290 ASHER IS USING STEROIDS. 926 00:40:06,290 --> 00:40:07,910 I TRIED TO GET HIM TO STOP, 927 00:40:07,910 --> 00:40:09,750 AND I'M PRETTY SURE THAT HE USED AGAIN 928 00:40:09,750 --> 00:40:12,330 BEFORE TODAY'S GAME, AND I JUST--I DON'T KNOW-- 929 00:40:12,330 --> 00:40:13,590 HEY, IT'S OK. COME HERE. IT'S OK. 930 00:40:13,590 --> 00:40:15,050 I DON'T KNOW HOW TO HELP HIM. 931 00:40:15,050 --> 00:40:18,050 IT'S OK. THANK YOU FOR TRUSTING ME. 932 00:40:18,050 --> 00:40:20,720 [SIGHS] 933 00:40:20,720 --> 00:40:23,760 I'LL HANDLE THIS QUIETLY, OK? 934 00:40:23,760 --> 00:40:26,770 UH, I'M GONNA GET BACK TO--THANK YOU. 935 00:40:26,770 --> 00:40:28,520 OK. 936 00:40:28,520 --> 00:40:31,560 [KNOCK ON DOOR] 937 00:40:38,490 --> 00:40:40,200 CHRIS. 938 00:40:40,200 --> 00:40:42,820 HI. UM, 939 00:40:42,820 --> 00:40:46,160 WHEN DID--WHEN DID YOU GET BACK? 940 00:40:46,160 --> 00:40:48,160 TODAY. 941 00:40:48,160 --> 00:40:50,040 YEAH. UM-- 942 00:40:50,040 --> 00:40:52,040 OH, SORRY. COME IN. UM-- 943 00:40:52,040 --> 00:40:53,790 HEY, CHRIS. 944 00:40:53,790 --> 00:40:55,840 GOOD TO SEE YOU ON YOUR FEET, YOUNG MAN. 945 00:40:55,840 --> 00:40:57,090 -THANKS, COACH BAKER. -YEAH. 946 00:40:57,090 --> 00:40:59,210 FOR REAL, MAN. 947 00:40:59,210 --> 00:41:01,840 LOOK, GUYS, I'M SORRY, BUT I ACTUALLY CAME BY TO SEE SPENCE. 948 00:41:01,840 --> 00:41:03,840 I'VE BEEN CALLING HIM, BUT HE AIN'T BEEN ANSWERING, SO-- 949 00:41:03,840 --> 00:41:05,640 SPENCE. 950 00:41:05,640 --> 00:41:08,220 SPENCER: MY BOY IS BACK. 951 00:41:08,220 --> 00:41:09,640 SPENCE, HOLD UP. HOLD UP. HOLD UP. 952 00:41:09,640 --> 00:41:10,770 HOLD UP. HOLD UP, ALL RIGHT? 953 00:41:10,770 --> 00:41:12,270 -WHAT? -I'M SORRY, MAN. 954 00:41:12,270 --> 00:41:13,690 I WISH I CAME WITH SOME BETTER NEWS, 955 00:41:13,690 --> 00:41:16,820 BUT COOP JUST GOT ARRESTED, MAN. 956 00:41:16,820 --> 00:41:19,150 WHAT? 957 00:41:25,490 --> 00:41:27,530 [UNZIPS BAG] 958 00:41:29,490 --> 00:41:33,500 TAMARA BUBBLE: ♪ GOOD-BYE ♪ 959 00:41:33,500 --> 00:41:37,130 ♪ GOOD-BYE ♪ 960 00:41:38,300 --> 00:41:42,880 ♪ SAY HELLO TO THE DEVIL ON THE OTHER SIDE ♪ 961 00:41:44,050 --> 00:41:49,060 ♪ GOOD-BYE ♪ 962 00:41:49,060 --> 00:41:54,730 ♪ SAY HELLO TO THE DEVIL ON THE OTHER SIDE ♪ 963 00:42:18,710 --> 00:42:20,210 MAN: GREG, MOVE YOUR HEAD.