1 00:00:01,126 --> 00:00:02,794 PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:02,794 --> 00:00:04,588 LAYLA: WHAT IF MY MOM KILLED HERSELF? 3 00:00:04,588 --> 00:00:08,425 I WAS GONNA BRAKE, BUT THERE WAS A MOMENT WHERE I HESITATED. 4 00:00:08,425 --> 00:00:09,927 I NEED HELP. 5 00:00:09,927 --> 00:00:12,763 COREY: THIS GONNA BE OUR LAST WEEKEND TOGETHER AS A FAMILY. 6 00:00:12,763 --> 00:00:15,599 DAD! 7 00:00:15,599 --> 00:00:17,476 I'M THE 57th-RANKED PLAYER IN THE COUNTRY, 8 00:00:17,476 --> 00:00:19,269 BUT IT'S NOT MAKING ME FEEL BETTER. 9 00:00:19,269 --> 00:00:21,313 I'M NOT GONNA PLAY FOOTBALL NO MORE. 10 00:00:21,313 --> 00:00:22,731 IT WAS MY WAY OF CONNECTING WITH YOU. 11 00:00:22,731 --> 00:00:24,316 NOW IT JUST HURTS TOO MUCH TO PLAY. 12 00:00:24,316 --> 00:00:26,902 TYRONE: YOU THOUGHT YOU WERE SMARTER THAN ME, HUH? 13 00:00:26,902 --> 00:00:30,113 I PUT MY FAITH IN PEOPLE LIKE SHAWN AND PREACH, 14 00:00:30,113 --> 00:00:31,531 AND YOU TOOK THEM OUT. 15 00:00:31,531 --> 00:00:33,825 -JUST BUSINESS. -LAPD! DROP THE GUN! 16 00:00:33,825 --> 00:00:35,202 COOP: I'LL SEE YOU IN A MINUTE. 17 00:00:35,202 --> 00:00:37,162 WHAT'S GOOD, COOP? 18 00:00:45,120 --> 00:00:47,040 WHAT'S GOOD, TY? 19 00:00:50,670 --> 00:00:53,300 BOUNCE UP OUT OF HERE, COOP. 20 00:00:59,510 --> 00:01:02,140 PROTECTING SNITCHES NOW? 21 00:01:02,140 --> 00:01:03,850 THIS ABOUT ME AND YOU. 22 00:01:03,850 --> 00:01:05,730 COOP AIN'T THE ONE WHO SHOT ME. 23 00:01:05,730 --> 00:01:08,350 I'LL LEAVE YOUR DOG ASS STRETCHED OUT RIGHT HERE. 24 00:01:08,350 --> 00:01:11,940 YOU COULD, BUT THAT PROBABLY AIN'T THE BEST IDEA, THOUGH. 25 00:01:11,940 --> 00:01:14,820 BECAUSE COOP WILL BE DEAD BEFORE MY BODY EVEN COLD. 26 00:01:17,660 --> 00:01:19,910 HOW THE HELL DID TYRONE GET OUT? 27 00:01:19,910 --> 00:01:22,040 MAN, I HAVE NO IDEA. I CALLED MRS. BAKER ON THE WAY OVER HERE, 28 00:01:22,040 --> 00:01:23,660 AND NEITHER DOES SHE. SHE SAID SHE WOULD MAKE SOME CALLS. 29 00:01:23,660 --> 00:01:25,250 ALL RIGHT. COOP, I KNOW YOU STRESSING, 30 00:01:25,250 --> 00:01:26,660 BUT YOU GOT TO CHILL, ALL RIGHT? AT LEAST SIT DOWN. 31 00:01:26,660 --> 00:01:29,040 BRO, I HAD THIS MAN SET UP AND ARRESTED. 32 00:01:29,040 --> 00:01:30,840 THERE'S NO WAY TYRONE GONNA LET THIS SLIDE. 33 00:01:30,840 --> 00:01:33,380 NOBODY LETTING NOTHING HAPPEN TO YOU, ALL RIGHT? 34 00:01:33,380 --> 00:01:35,670 FOR HOW LONG? I CAN'T JUST KEEP LIVING MY LIFE LOOKING OVER MY SHOULDER. 35 00:01:54,150 --> 00:01:56,150 YO, DID I MISS SOMETHING? 36 00:01:56,150 --> 00:01:58,320 'CAUSE I'M PRETTY DAMN SURE SHOOTING SOMEBODY 4 TIMES 37 00:01:58,320 --> 00:02:00,780 AT POINTBLANK RANGE EQUALS A HALF LIFE SENTENCE. 38 00:02:00,780 --> 00:02:02,120 IT IS, BUT I AIN'T NO SNITCH. 39 00:02:02,120 --> 00:02:03,740 YOU REFUSED TO TESTIFY? 40 00:02:03,740 --> 00:02:05,330 THEN THEY DROPPED THE CHARGES AGAINST TYRONE. 41 00:02:05,330 --> 00:02:06,700 LOOK, I'LL HANDLE TYRONE IN THE STREETS. 42 00:02:06,700 --> 00:02:08,750 COOP: OH, I RISKED MY LIFE 43 00:02:08,750 --> 00:02:10,630 FOR YOU AND THIS NEIGHBORHOOD TO HAVE HIS ASS PUT AWAY. 44 00:02:10,630 --> 00:02:12,130 WHY NOT KEEP HIM LOCKED UP? 45 00:02:12,130 --> 00:02:13,750 'CAUSE THAT AIN'T HOW I OPERATE. 46 00:02:13,750 --> 00:02:15,880 SPENCER: THIS AIN'T JUST ABOUT YOU, MAN. 47 00:02:15,880 --> 00:02:17,840 I'VE BEEN OUT ON THESE STREETS TOO DAMN LONG 48 00:02:17,840 --> 00:02:20,430 TO LET SOME TEENAGERS TELL ME HOW TO HANDLE BUSINESS. 49 00:02:20,430 --> 00:02:23,430 I JUST CAME HERE TO TELL YOU THAT YOU AIN'T GOT TO WORRY ABOUT TYRONE. 50 00:02:23,430 --> 00:02:25,220 COOP: EASY FOR YOU TO SAY. 51 00:02:25,220 --> 00:02:26,390 YOU AIN'T THE ONE THAT HAD HIS ASS PUT AWAY. 52 00:02:26,390 --> 00:02:27,770 WE CAME TO AN UNDERSTANDING. 53 00:02:27,770 --> 00:02:30,810 AS LONG AS YOU STAY ALIVE, SO DOES HE. 54 00:02:30,810 --> 00:02:34,190 HE BREAKS THAT DEAL, AND I'M PUTTING 4 BULLETS IN HIM. 55 00:02:53,460 --> 00:02:56,210 ♪ WHERE DO I GO WHEN I FEEL LIKE IT'S WEIGHING ON MY SHOULDERS ♪ 56 00:02:56,210 --> 00:02:58,130 ♪ HEAVY AS A BOULDER? ♪ 57 00:02:58,130 --> 00:02:59,760 ♪ EVERYBODY ALWAYS TOLD ME I WAS GETTING CLOSER ♪ 58 00:02:59,760 --> 00:03:01,760 ♪ I JUST WANT SOME CLOSURE ♪ 59 00:03:01,760 --> 00:03:02,800 ♪ FLYIN' WITH THE EAGLES, EGO CHECKING ♪ 60 00:03:02,800 --> 00:03:04,600 ♪ I WAS STAYIN' READY... ♪ 61 00:03:04,600 --> 00:03:05,760 EXCUSE ME, SIR. 62 00:03:07,850 --> 00:03:10,140 ♪ ...JUST TO SEND A MESSAGE ♪ 63 00:03:10,140 --> 00:03:11,770 ♪ I'M SENTIMENTAL FOR THE OLD TIMES, BUT IT'S GO TIME... ♪ 64 00:03:11,770 --> 00:03:13,560 I APPRECIATE YOU. 65 00:03:13,560 --> 00:03:14,810 QUARTERBACK: CHECK, CHECK, CHECK, CHECK... 66 00:03:14,810 --> 00:03:16,610 ♪ I'M THE CANARY IN A COAL MINE ♪ 67 00:03:16,610 --> 00:03:18,820 ♪ I'M A WILD CAT WITH STARRY EYES ♪ 68 00:03:18,820 --> 00:03:20,280 ♪ I WAS STAYIN' UP TILL IT'S DEAD OF NIGHT ♪ 69 00:03:20,280 --> 00:03:21,820 ♪ WORKIN' TO THE BONE... ♪ 70 00:03:21,820 --> 00:03:24,870 I'M NOT REALLY FEELING THIS. CAN YOU TAKE IT BACK? 71 00:03:24,870 --> 00:03:26,830 SURE. 72 00:03:26,830 --> 00:03:28,410 ♪ THIS IS MOTIVATION TILL I GET IT RIGHT ♪ 73 00:03:31,080 --> 00:03:33,710 ♪ COME ON ♪ 74 00:03:33,710 --> 00:03:36,460 ♪ THIS IS MOTIVATION TILL I GET IT RIGHT ♪ 75 00:03:38,590 --> 00:03:41,800 LET'S GO, BABY! HEY. WHOO! 76 00:03:41,800 --> 00:03:45,220 ALL: ♪ HAPPY BIRTHDAY, DEAR GRANDPA ♪ 77 00:03:45,220 --> 00:03:49,310 ♪ HAPPY BIRTHDAY TO YOU ♪ 78 00:03:56,520 --> 00:03:58,230 WELL, WELL, WELL. 79 00:03:58,230 --> 00:04:00,900 HOLD UP. GRACE JAMES IS MAKING AN APPEARANCE 80 00:04:00,900 --> 00:04:02,860 IN THESE BEVERLY HILLS STREETS? 81 00:04:02,860 --> 00:04:04,110 HA HA! WHAT'S UP, MA? 82 00:04:04,110 --> 00:04:05,660 YOU TELL ME. 83 00:04:05,660 --> 00:04:07,870 I CAN BARELY GET YOU ON THE PHONE LATELY, 84 00:04:07,870 --> 00:04:09,910 SO I FIGURED I'D STOP BY. 85 00:04:09,910 --> 00:04:11,500 YOU GOT TIME TO GRAB A BITE AND CATCH UP? 86 00:04:11,500 --> 00:04:13,410 OF COURSE. BUT CAN WE GET IT TO GO? 87 00:04:13,410 --> 00:04:15,000 I GOT TO WALK MY NEIGHBOR'S DOG IN AN HOUR. 88 00:04:15,000 --> 00:04:16,750 SINCE WHEN DID YOU BECOME A DOG WALKER? 89 00:04:16,750 --> 00:04:19,420 THE MOMENT SHE TOLD ME IT WAS $50 PER DOG. 90 00:04:19,420 --> 00:04:21,840 LOOK, ME QUITTING FOOTBALL WAS A GAME CHANGER. 91 00:04:21,840 --> 00:04:23,630 I GOT TO FIGURE OUT A WAY TO PAY FOR COLLEGE NOW, 92 00:04:23,630 --> 00:04:25,640 SO I GOT A FEW EXTRA SHIFTS HERE 93 00:04:25,640 --> 00:04:27,640 AND SOME SIDE HUSTLES GOING. 94 00:04:27,640 --> 00:04:30,060 IT'S GONNA TAKE MORE THAN THAT TO PAY FOR COLLEGE, SON. 95 00:04:30,060 --> 00:04:32,930 BUT DON'T WORRY. I'LL FIGURE IT OUT. 96 00:04:32,930 --> 00:04:34,440 I WAS KIND OF HOPING I COULD FIGURE OUT 97 00:04:34,440 --> 00:04:36,230 THE COLLEGE THING ON MY OWN. 98 00:04:36,230 --> 00:04:38,060 YOU ALREADY GOT ME AND DILLON TO TAKE CARE OF, 99 00:04:38,060 --> 00:04:39,730 NOT TO MENTION DARNELL JUST MOVED IN. 100 00:04:39,730 --> 00:04:41,730 BARE MINIMUM, LET ME HELP YOU. 101 00:04:41,730 --> 00:04:43,280 YOU SOUND LIKE DILLON. 102 00:04:43,280 --> 00:04:45,740 HE JUST WON A CASH AWARD FOR TOP MATHLETE. 103 00:04:45,740 --> 00:04:47,070 HE INSISTED THAT I KEEP IT. 104 00:04:47,070 --> 00:04:49,950 HEY, THAT'S WHAT'S UP! A MATHLETE? 105 00:04:49,950 --> 00:04:51,870 -MM-HMM. -WOW. 106 00:04:51,870 --> 00:04:53,660 VAN NESS CHARTER'S CHANGED A WHOLE LOT SINCE I WENT THERE. 107 00:04:53,660 --> 00:04:55,920 HE WON THE AWARD AT BIG BROTHER'S CAMP. 108 00:04:55,920 --> 00:04:57,580 I ENROLLED HIM LAST MONTH. 109 00:04:57,580 --> 00:04:58,920 BUT HE ALREADY HAS A BIG BROTHER. 110 00:04:58,920 --> 00:05:00,960 WHY NOT COME TO ME? 111 00:05:00,960 --> 00:05:03,920 BETWEEN SCHOOL AND WORK, YOU GOT A LOT GOING ON, SPENCER. 112 00:05:03,920 --> 00:05:05,880 YOU CAN'T DO EVERYTHING. 113 00:05:05,880 --> 00:05:07,680 THIS WAS MORE ABOUT MISSING COREY. 114 00:05:07,680 --> 00:05:09,850 IT HAS NOTHING TO DO WITH YOU, OK? 115 00:05:13,100 --> 00:05:15,480 HEY, THERE THEY ARE. 116 00:05:15,480 --> 00:05:17,060 WOW. HE SEEMS CHIPPER. 117 00:05:17,060 --> 00:05:18,900 LIKE, MORE THAN "WE JUST WON A GAME CHIPPER." 118 00:05:18,900 --> 00:05:19,900 OLIVIA: YEAH, SHOULD WE BE CONCERNED? 119 00:05:19,900 --> 00:05:21,730 100%. 120 00:05:21,730 --> 00:05:22,900 YOU TWO DO KNOW THAT I CAN HEAR YOU, RIGHT? 121 00:05:22,900 --> 00:05:24,900 GET OVER HERE. COME ON. SIT DOWN. 122 00:05:24,900 --> 00:05:26,900 COME ON. 123 00:05:26,900 --> 00:05:28,910 WAIT. IS THIS ABOUT MOM? 124 00:05:28,910 --> 00:05:30,410 IS SHE NOT VISITING AUNT NAOMI BACK EAST? 125 00:05:30,410 --> 00:05:31,620 NOPE. SHE IS. 126 00:05:31,620 --> 00:05:32,990 WAIT. SO DID YOU GUYS DECIDE 127 00:05:32,990 --> 00:05:35,160 TO CALL OFF THE SEPARATION OR SOMETHING? 128 00:05:35,160 --> 00:05:37,040 NO. WE HAVEN'T. LOOK, WHY DON'T YOU GUYS STOP TRYING TO GUESS 129 00:05:37,040 --> 00:05:38,080 AND JUST LET ME HAVE MY TURN? CAN I SPEAK, PLEASE? 130 00:05:38,080 --> 00:05:40,290 -SORRY. -ALL RIGHT. 131 00:05:40,290 --> 00:05:42,630 NOW, IF THERE'S ONE THING THAT I LEARNED FROM FAMILY THERAPY, 132 00:05:42,630 --> 00:05:45,130 IT'S THAT WE NEED TO CREATE SOME NEW MEMORIES, 133 00:05:45,130 --> 00:05:47,090 SO SINCE I HAVE YOU BOTH TO MYSELF THIS WEEKEND, 134 00:05:47,090 --> 00:05:48,840 I THOUGHT WE'D START TODAY. 135 00:05:48,840 --> 00:05:50,430 HOW ABOUT A MOVIE, DINNER AFTERWARDS? 136 00:05:50,430 --> 00:05:52,430 WHAT DO YOU SAY? 137 00:05:52,430 --> 00:05:54,060 UM, YEAH, SORRY, DAD. I GOT TO TAKE A RAIN CHECK. 138 00:05:54,060 --> 00:05:55,640 I ALREADY MADE PLANS WITH ASHER. 139 00:05:55,640 --> 00:05:56,930 BUT NEXT TIME FOR SURE. 140 00:05:56,930 --> 00:05:58,850 OK. HAVE FUN. 141 00:05:58,850 --> 00:06:01,860 ASHER? ARE THEY A THING? 142 00:06:01,860 --> 00:06:04,980 OH, YEAH. PET NAMES, PDA, HEART EMOJIS. 143 00:06:04,980 --> 00:06:06,780 IT'S GROSS. 144 00:06:06,780 --> 00:06:09,320 HUH. OK. WELL, I GUESS THAT LEAVES YOU AND ME. 145 00:06:09,320 --> 00:06:12,660 RIGHT. AH, I'M, UH, SORRY. SORRY. 146 00:06:12,660 --> 00:06:14,790 I'M ACTUALLY HELPING JJ MENTOR YOUNG KIDS TODAY 147 00:06:14,790 --> 00:06:16,160 AT HIS CHURCH, SO... 148 00:06:16,160 --> 00:06:17,870 JJ GOES TO CHURCH? OUR JJ? 149 00:06:17,870 --> 00:06:19,370 YEAH. HE'S A YOUTH LEADER. 150 00:06:19,370 --> 00:06:21,170 HUH. THOSE POOR KIDS. 151 00:06:21,170 --> 00:06:23,420 I MEAN, UH, GOD BLESS HIM. 152 00:06:23,420 --> 00:06:25,420 RIGHT. UM, I GOT YOU ON THE NEXT ONE, THOUGH. 153 00:06:25,420 --> 00:06:27,760 -YEAH, MAN. -ALL RIGHT? COOL. 154 00:06:29,430 --> 00:06:32,470 BUGGS: I'M TELLING Y'ALL, YOU DON'T WANT TO MISS 155 00:06:32,470 --> 00:06:34,430 THE GRAND REOPENING OF BELLA NOCHE SKATING RINK 156 00:06:34,430 --> 00:06:36,020 THIS WEEKEND. 157 00:06:36,020 --> 00:06:37,890 BIG VIPER AND SLIM ROMAN ARE HEADLINING 158 00:06:37,890 --> 00:06:39,600 ALONG WITH LOCAL CRENSHAW ARTISTS, 159 00:06:39,600 --> 00:06:41,270 WHO'LL BE OPENING UP THE SHOW. 160 00:06:41,270 --> 00:06:43,020 IT'S GONNA BE LIT. 161 00:06:44,570 --> 00:06:46,360 EXCUSE ME. 162 00:06:46,360 --> 00:06:47,990 YOU GOT LOCAL ARTISTS PERFORMING AT 163 00:06:47,990 --> 00:06:49,570 THE BELLA NOCHE'S REOPENING? 164 00:06:49,570 --> 00:06:50,910 -YEAH. -OH. HOW YOU AIN'T GOT ME... 165 00:06:50,910 --> 00:06:51,910 IN THE EQUATION? 166 00:06:51,910 --> 00:06:52,910 AND WHO ARE YOU? 167 00:06:52,910 --> 00:06:53,990 I'M COOP. 168 00:06:53,990 --> 00:06:56,620 OH, HO HO! YOU GOT COOP'D, RIGHT? 169 00:06:56,620 --> 00:06:58,040 YEAH. 170 00:06:58,040 --> 00:07:01,000 OH. I SAW YOUR LAST VIDEO DISSING OL' BOY. 171 00:07:01,000 --> 00:07:02,500 I'M BUGGS. 172 00:07:02,500 --> 00:07:05,040 NOW, YOU ALL GOT TO HAVE ROOM FOR ANOTHER ARTIST. 173 00:07:05,040 --> 00:07:07,050 I PROMISE YOU, I'LL HAVE THEM FOLKS JUMPING OUT THEY SKATES. 174 00:07:07,050 --> 00:07:09,090 AND I'LL EARN MY SPOT, WHATEVER IT TAKES. 175 00:07:09,090 --> 00:07:11,630 LOOK, I'M THE HEAD PROMOTER OF THE EVENT. 176 00:07:11,630 --> 00:07:13,430 I GOT ONE MORE SLOT TO FILL, 177 00:07:13,430 --> 00:07:14,800 IF YOU CAN PULL YOUR WEIGHT. 178 00:07:14,800 --> 00:07:16,060 YOU BET. WHAT DO I GOT TO DO? 179 00:07:16,060 --> 00:07:18,220 I GOT 40 OF THESE TICKETS LEFT TO SELL. 180 00:07:18,220 --> 00:07:21,600 IF YOU CAN GET THEM OFF, I'LL SQUEEZE YOU IN THAT SLOT. 181 00:07:21,600 --> 00:07:23,730 COME ON, MAN. THAT'S EASY. 182 00:07:23,730 --> 00:07:25,690 IF THERE'S ANYTHING I CAN DO, IT'S SELL SOME $15 TICKETS. 183 00:07:25,690 --> 00:07:28,150 -$100. -$100? DAMN. 184 00:07:28,150 --> 00:07:29,820 WHAT THEY COME WITH, A CHAUFFEUR SERVICE? 185 00:07:29,820 --> 00:07:31,400 IT INCLUDES ADMISSION, SKATES, 186 00:07:31,400 --> 00:07:34,120 AND AN INTIMATE CONCERT WITH BIG VIPER. SLIM ROMAN, 187 00:07:34,120 --> 00:07:37,120 AND POSSIBLY YOU. 188 00:07:38,660 --> 00:07:41,120 YOU TELLING ME YOU AIN'T WORTH $100? 189 00:07:41,120 --> 00:07:43,000 COOP? 190 00:07:44,670 --> 00:07:49,300 UH, UM, MY BAD. NAH, I'M--I'M IN. I'M IN. 191 00:07:49,300 --> 00:07:52,430 MY CELL'S ON THE BACK OF THAT FLYER. 192 00:07:52,430 --> 00:07:55,140 I NEED THE MONEY IN 24 HOURS, OR IT'S A WRAP. 193 00:07:55,140 --> 00:07:56,470 ALL RIGHT. COOL. 194 00:07:58,970 --> 00:08:00,060 MAKING NEW FRIENDS, COOP? 195 00:08:00,060 --> 00:08:01,770 NONE OF YOUR BUSINESS. 196 00:08:09,150 --> 00:08:11,780 ONE TIME FOR THE MATHLETE CHAMP. 197 00:08:11,780 --> 00:08:13,150 CONGRATULATIONS, D. 198 00:08:13,150 --> 00:08:15,200 THANKS. 199 00:08:15,200 --> 00:08:16,990 YOU BEEN GETTING MY TEXTS, MAN? I'VE BEEN BLOWING YOU UP. 200 00:08:16,990 --> 00:08:18,740 I FIGURED I'D DO WHAT YOU BEEN DOING TO ME LATELY-- 201 00:08:18,740 --> 00:08:20,790 TAKE 2 HOURS TO HIT YOU BACK. 202 00:08:24,370 --> 00:08:26,540 I'M SORRY, MAN. 203 00:08:26,540 --> 00:08:28,790 I'VE BEEN WORKING LIKE CRAZY TRYING TO STACK MONEY FOR COLLEGE. 204 00:08:28,790 --> 00:08:30,960 I DIDN'T HAVE A CHANCE TO CHECK MY PHONE. 205 00:08:30,960 --> 00:08:32,800 HEY, LOOK, BUT I'M HERE NOW, ALL RIGHT? 206 00:08:32,800 --> 00:08:34,180 SO LET'S CELEBRATE. 207 00:08:34,180 --> 00:08:35,890 YOU WANT TO HIT UP YOUR FAVORITE ARCADE? 208 00:08:35,890 --> 00:08:37,930 NOT WITH YOU. 209 00:08:37,930 --> 00:08:39,310 GRACE: OK, THAT'S ENOUGH. 210 00:08:39,310 --> 00:08:42,890 TAKE THOSE HEADPHONES OFF, PLEASE, NOW. 211 00:08:45,100 --> 00:08:48,150 GRACE: I'M NOT A FAN OF THIS LITTLE ATTITUDE OF YOURS. 212 00:08:48,150 --> 00:08:50,270 DO YOU HAVE SOMETHING YOU WANT TO TELL US? 213 00:08:50,270 --> 00:08:52,110 NO. 214 00:08:52,110 --> 00:08:53,360 SPENCER: LOOK, YOU KNOW YOU CAN ALWAYS TALK TO US, RIGHT? 215 00:08:53,360 --> 00:08:55,150 AND IT CAN BE ABOUT ANYTHING. 216 00:08:55,150 --> 00:08:57,910 JAYSTONIANS, DARNELL MOVING IN, DAD BEING GONE. 217 00:08:57,910 --> 00:08:59,740 NO MATTER WHAT, ME AND MOMS IS HERE FOR YOU. 218 00:08:59,740 --> 00:09:01,620 YOU MEAN MOMS IS HERE FOR ME, RIGHT? 219 00:09:01,620 --> 00:09:04,120 BECAUSE YOU'RE NEVER HERE ANYMORE. 220 00:09:04,120 --> 00:09:07,170 BUT IT'S COOL. I GOT A MENTOR NOW. 221 00:09:07,170 --> 00:09:09,000 I DON'T NEED YOU. 222 00:09:09,000 --> 00:09:12,210 FEEL FREE TO STAY IN BEVERLY HILLS. 223 00:09:18,060 --> 00:09:19,400 LAYLA: THAT'S THE THING ABOUT PERFECTION. 224 00:09:19,400 --> 00:09:22,150 EVERYONE HAS THEIR OWN IDEA OF IT. 225 00:09:22,150 --> 00:09:25,950 MY CLASSMATES WANTED THE PERFECT StuCo PRESIDENT. 226 00:09:25,950 --> 00:09:29,030 THE COLLEGES WANT THE PERFECT STUDENT. 227 00:09:29,030 --> 00:09:34,040 AND I THOUGHT I HAD TO BE THE PERFECT DAUGHTER, 228 00:09:34,040 --> 00:09:35,830 THE PERFECT GIRLFRIEND-- 229 00:09:35,830 --> 00:09:37,580 WHY THE NEED TO BE PERFECT? 230 00:09:37,580 --> 00:09:39,040 EVERYONE THOUGHT I WAS, 231 00:09:39,040 --> 00:09:42,800 SO I JUST CONVINCED MYSELF IT WAS TRUE. 232 00:09:42,800 --> 00:09:44,260 THAT'S THE WORST PART ABOUT PERFECTION, 233 00:09:44,260 --> 00:09:46,840 IS DISAPPOINTING YOURSELF 'CAUSE YOU'RE 234 00:09:46,840 --> 00:09:49,470 THE ONE PERSON YOU CAN'T ESCAPE. 235 00:09:49,470 --> 00:09:51,600 AND WHEN I REALIZED I WASN'T PERFECT, 236 00:09:51,600 --> 00:09:53,970 I JUST DIDN'T FEEL MOTIVATED 237 00:09:53,970 --> 00:09:56,020 TO DO ANYTHING ANYMORE. 238 00:09:56,020 --> 00:09:57,890 FEAR OF LETTING PEOPLE DOWN? 239 00:09:57,890 --> 00:10:00,020 FEAR OF NOT BEING ENOUGH. 240 00:10:00,020 --> 00:10:02,020 OK. WHAT ELSE? 241 00:10:02,020 --> 00:10:04,780 WHAT DO YOU MEAN, WHAT ELSE? 242 00:10:04,780 --> 00:10:06,990 LOOK, THAT'S THE BEAUTY OF PEER GROUP. 243 00:10:06,990 --> 00:10:09,860 THERE'S NO DOCTORS. IT'S JUST US. 244 00:10:13,830 --> 00:10:17,080 SHARE SOMETHING YOU'VE NEVER SHARED BEFORE. 245 00:10:17,080 --> 00:10:19,370 IT'LL HELP WITH WHATEVER'S WEIGHING YOU DOWN. 246 00:10:22,090 --> 00:10:27,510 I, UM, I DON'T THINK THE PEOPLE IN MY LIFE 247 00:10:27,510 --> 00:10:30,510 LOVE ME ENOUGH TO STAY. 248 00:10:32,100 --> 00:10:37,180 MY MOM DIED, AND WAS IT AN ACCIDENT? 249 00:10:37,180 --> 00:10:41,190 OR DID SHE GIVE UP ON HERSELF OR ME? 250 00:10:41,190 --> 00:10:44,230 WAS I NOT WORTH LIVING FOR? I DON'T KNOW. 251 00:10:44,230 --> 00:10:46,610 AND THEN MY DAD LEFT. 252 00:10:46,610 --> 00:10:49,280 AND WHEN OUR HOUSE WAS BROKEN INTO, 253 00:10:49,280 --> 00:10:52,200 A HOUSE HE LEFT ME TO LIVE IN ALONE, 254 00:10:52,200 --> 00:10:54,200 HE STILL DIDN'T COME BACK. 255 00:10:57,160 --> 00:11:00,120 I MEAN, YOU KNOW, HE'S HERE NOW, AND HE'S TRYING. 256 00:11:00,120 --> 00:11:02,130 I JUST FEEL LIKE IT'S MORE OUT OF GUILT 257 00:11:02,130 --> 00:11:04,210 THAN OUT OF LOVE. 258 00:11:04,210 --> 00:11:09,510 THANKS FOR TRUSTING US WITH SOMETHING SO PERSONAL, LAYLA. 259 00:11:09,510 --> 00:11:12,300 MAJOR GROWTH MOMENT. 260 00:11:16,100 --> 00:11:18,060 SPENCER: NO, FOR REAL, 261 00:11:18,060 --> 00:11:19,980 THE WAY DILLON SNAPPED AT ME REMINDED ME 262 00:11:19,980 --> 00:11:21,520 OF MYSELF WHEN COREY LEFT. 263 00:11:21,520 --> 00:11:23,770 I MEAN, MAYBE HE'S RIGHT. 264 00:11:23,770 --> 00:11:26,480 MAYBE I DON'T KNOW HOW TO BE A GOOD BROTHER TO HIM NO MORE, 265 00:11:26,480 --> 00:11:29,110 NOT TO MENTION HELP HIM THROUGH THIS CRISIS. 266 00:11:29,110 --> 00:11:32,160 HEY, WHEN WAS THE LAST TIME DILLON HAD A WHUPPING? 267 00:11:35,280 --> 00:11:37,450 LISTEN, MAN, HAVE YOU BEEN A LITTLE BUSY LATELY? 268 00:11:37,450 --> 00:11:42,000 MAYBE. BUT CAN'T NOBODY DENY YOUR LOVE FOR LITTLE MAN. 269 00:11:42,000 --> 00:11:43,370 AND THE WAY I SEE IT, HE'LL COME AROUND EVENTUALLY. 270 00:11:43,370 --> 00:11:45,000 HE'S STILL A KID. 271 00:11:45,000 --> 00:11:46,500 HE'S JUST TRYING TO NAVIGATE HIS WAY 272 00:11:46,500 --> 00:11:48,300 THROUGH THE CHANGES THAT HAPPEN IN HIS LIFE. 273 00:11:48,300 --> 00:11:50,470 SPEAKING OF CHANGES... 274 00:11:50,470 --> 00:11:52,970 WHAT? 275 00:11:52,970 --> 00:11:55,760 MAN, YOU BETTER NOT TELL ME YOU MESSED THINGS UP WITH PATIENCE AGAIN. 276 00:11:55,760 --> 00:11:57,470 MAN, HELL, NO. 277 00:11:57,470 --> 00:12:00,770 I GOT AN OPPORTUNITY TO PERFORM AT BELLA NOCHE. 278 00:12:00,770 --> 00:12:02,190 -WHAT?! -YEAH. 279 00:12:02,190 --> 00:12:03,770 YOU SHOULD'VE LED WITH THAT, FOOL. 280 00:12:03,770 --> 00:12:05,690 BUT I GOT TO SELL 40 TICKETS. 281 00:12:05,690 --> 00:12:07,320 ALL RIGHT. THAT'S NOTHING. 282 00:12:07,320 --> 00:12:10,240 -THEY $100 EACH. -DAMN. HEH! OK. 283 00:12:10,240 --> 00:12:13,200 I MEAN, LOOK, THAT'S STEEP, BUT I THINK WE CAN MAKE IT HAPPEN. 284 00:12:14,820 --> 00:12:17,330 WHAT'S THE PART YOU'RE NOT TELLING ME? 285 00:12:17,330 --> 00:12:18,700 I DON'T KNOW, MAN. 286 00:12:18,700 --> 00:12:21,120 IT'S LIKE, EVER SINCE HE GOT OUT, 287 00:12:21,120 --> 00:12:23,370 TYRONE HAS BEEN RANDOMLY POPPING UP 288 00:12:23,370 --> 00:12:25,000 EVERYWHERE I'M AT. 289 00:12:25,000 --> 00:12:28,210 LIKE TODAY AT THE SLAUSON CAFE. 290 00:12:28,210 --> 00:12:31,050 IT'S GOT ME FEELING LIKE I SHOULD LAY LOW 291 00:12:31,050 --> 00:12:33,220 AND MAYBE EVEN GIVE THIS DUDE BACK HIS TICKETS. 292 00:12:33,220 --> 00:12:35,550 -WHY? WHAT DID TY DO? -NOTHING YET. 293 00:12:35,550 --> 00:12:38,850 IT JUST FEELS LIKE, "I KNOW WHAT YOU DID LAST SUMMER" TYPE VIBE. 294 00:12:38,850 --> 00:12:40,310 AND I DON'T LIKE THAT. 295 00:12:40,310 --> 00:12:42,390 LOOK, TYRONE MADE A DEAL WITH PREACH, RIGHT? 296 00:12:42,390 --> 00:12:43,810 HE AIN'T TRYING TO DIE. 297 00:12:43,810 --> 00:12:45,270 HE'S JUST TRYING TO INTIMIDATE YOU. 298 00:12:45,270 --> 00:12:46,600 YOU GOOD, COOP. 299 00:12:46,600 --> 00:12:48,400 AND THIS GIG IS A DREAM OPPORTUNITY. 300 00:12:48,400 --> 00:12:50,020 YOU NEED TO FOCUS ON MOVING FORWARD 301 00:12:50,020 --> 00:12:51,610 WITH YOUR LIFE. 302 00:12:53,360 --> 00:12:55,150 WELL, I DON'T WANT TO BORE YOU 303 00:12:55,150 --> 00:12:56,950 WITH ALL THE UPDATES ON EVERYONE'S LIVES ON THE OUTSIDE. 304 00:12:56,950 --> 00:12:59,370 NO, LIV, I WANT TO HEAR, I PROMISE. 305 00:12:59,370 --> 00:13:03,000 UM, HOW'S-- HOW'S SPENCER? 306 00:13:03,000 --> 00:13:06,000 UH, I'M A LITTLE CONCERNED. 307 00:13:06,000 --> 00:13:08,460 UH-OH. DETECTIVE LIV ON THE LOOSE. 308 00:13:08,460 --> 00:13:10,670 YOU GONNA SHAVE YOUR HEAD AND PRETEND TO BE HIM, TOO? 309 00:13:12,260 --> 00:13:14,420 I'M KIDDING. 310 00:13:14,420 --> 00:13:18,760 I--NO. SPENCER'S JUST BEEN WORKING OVERTIME LIKE CRAZY. 311 00:13:18,760 --> 00:13:22,180 I'M WORRIED HE'S BURYING HIS FEELINGS ABOUT QUITTING FOOTBALL. 312 00:13:22,180 --> 00:13:26,310 WELL, YOU KNOW, MAYBE WORK IS HIS WAY OF FINDING HIMSELF. 313 00:13:26,310 --> 00:13:28,770 YEAH, I CAN SEE THAT. 314 00:13:28,770 --> 00:13:32,320 BUT, ANYWAY, UM, YEAH, EVERYTHING ELSE IS GOOD. 315 00:13:32,320 --> 00:13:34,900 EVERYONE'S JUST REALLY MISSING YOU ON THE OUTSIDE. 316 00:13:34,900 --> 00:13:38,240 COULD YOU MAYBE STOP SAYING "THE OUTSIDE" LIKE I'M IN A PRISON? 317 00:13:38,240 --> 00:13:39,240 YEAH. 318 00:13:39,240 --> 00:13:41,200 SORRY. 319 00:13:41,200 --> 00:13:42,700 I MISSED YOU. 320 00:13:42,700 --> 00:13:44,660 I MISSED YOU, TOO. 321 00:13:44,660 --> 00:13:46,290 YOU SEEM REALLY AMAZING. 322 00:13:46,290 --> 00:13:48,040 WHEN ARE YOU COMING HOME? 323 00:13:48,040 --> 00:13:50,590 UM, WE'LL SEE. 324 00:13:50,590 --> 00:13:53,210 LAYLA, I THOUGHT YOU SAID THEY CLEARED YOU FOR OFF-CAMPUS VISITS, 325 00:13:53,210 --> 00:13:55,090 BUT THIS IS THE SECOND TIME 326 00:13:55,090 --> 00:13:56,920 YOU HAD ME COME HERE INSTEAD. 327 00:13:56,920 --> 00:13:58,300 IS EVERYTHING OK? 328 00:13:58,300 --> 00:14:01,430 YEAH. TOTALLY. UM, IT'S JUST EASIER. 329 00:14:01,430 --> 00:14:04,060 UH, ANYWAY, I GOT TO GET GOING, BUT I'LL SEE YOU SOON? 330 00:14:04,060 --> 00:14:05,680 YEAH. 331 00:14:05,680 --> 00:14:07,230 THANKS FOR COMING. 332 00:14:13,440 --> 00:14:15,320 OLIVIA: HEY, I JUST GOT YOUR TEXT. 333 00:14:15,320 --> 00:14:17,400 COOP'S HAVING A CONCERT TOMORROW NIGHT? 334 00:14:17,400 --> 00:14:20,450 YEAH, IF WE CAN HELP SELL OUR SHARE OF THE TICKETS IN TIME. 335 00:14:20,450 --> 00:14:22,870 FIGURE WE CAN GO DOOR TO DOOR IN MY NEIGHBORHOOD, 336 00:14:22,870 --> 00:14:24,910 SPLIT THE TICKETS BETWEEN ME, YOU TWO, AND DILLON. 337 00:14:24,910 --> 00:14:26,830 YEAH. YEAH. I'M GAME. 338 00:14:26,830 --> 00:14:28,460 I MEAN, I'LL ALREADY BE THAT WAY DOING COMMUNITY WORK 339 00:14:28,460 --> 00:14:30,120 WITH KIA FOR SoLA MUSE. 340 00:14:30,120 --> 00:14:31,960 AND ASHER'S MEETING ME AFTERWARDS. 341 00:14:31,960 --> 00:14:33,340 SO MAYBE THEY CAN TAG ALONG AS WELL? 342 00:14:33,340 --> 00:14:34,710 YEAH, BET. 343 00:14:34,710 --> 00:14:36,130 I FIGURE THE MORE PEOPLE WE HAVE, 344 00:14:36,130 --> 00:14:37,630 THE FASTER WE CAN SELL THOSE TICKETS. 345 00:14:37,630 --> 00:14:39,680 BILLY: TICKETS TO WHAT? 346 00:14:39,680 --> 00:14:42,390 COOP'S PERFORMING AT BELLA NOCHE SKATING RINK TOMORROW NIGHT. 347 00:14:42,390 --> 00:14:43,850 THEY REOPENING BELLA NOCHE? 348 00:14:43,850 --> 00:14:45,890 MM-HMM. 349 00:14:45,890 --> 00:14:47,680 BILLY: YO, THAT USED TO BE MY SPOT BACK IN THE DAY. 350 00:14:47,680 --> 00:14:50,400 I HAD THESE TEAL BLUE ROLLER SKATES, 351 00:14:50,400 --> 00:14:52,900 HAMMER PANTS, GUMBY HAIRCUT. 352 00:14:52,900 --> 00:14:54,940 YOU COULDN'T TELL ME NOTHING. MM. 353 00:14:54,940 --> 00:14:58,530 THEN SKEE-LO's "I WISH" WOULD COME ON. 354 00:14:58,530 --> 00:15:01,740 MY SKATE MOVES WERE SECOND TO NONE, BABY. 355 00:15:01,740 --> 00:15:06,330 OHH, HA, UH. CROSS IT OVER. CROSS IT OVER. 356 00:15:06,330 --> 00:15:09,290 YOU HAD WHOSE PANTS? 357 00:15:09,290 --> 00:15:10,580 AND WHAT EXACTLY IS A GUMBY? 358 00:15:10,580 --> 00:15:12,000 BILLY: YOU KNOW WHAT? 359 00:15:12,000 --> 00:15:13,920 WE SHOULD GO ROLLER-SKATING TOMORROW. 360 00:15:13,920 --> 00:15:15,460 MY SKATES ARE AT MY POP'S HOUSE. 361 00:15:15,460 --> 00:15:17,300 I'LL SWING BY, PICK THEM UP. 362 00:15:17,300 --> 00:15:19,420 FOUR TICKETS, PLEASE, SPENCER. 363 00:15:19,420 --> 00:15:21,930 SHOOT. IF YOU COULDN'T GO TO BELLA NOCHE, 364 00:15:21,930 --> 00:15:23,510 WHERE ELSE COULD YOU GO? 365 00:15:23,510 --> 00:15:25,600 HA HA! 366 00:15:25,600 --> 00:15:29,730 YO, TWO LEFT. THANK YOU. ALL RIGHT. 367 00:15:29,730 --> 00:15:31,980 I'LL SEE YOU ALL TONIGHT. 368 00:15:31,980 --> 00:15:33,730 WHAT THE HELL YOU DOING? 369 00:15:33,730 --> 00:15:35,440 WHAT DOES IT LOOK LIKE I'M DOING? I'M SELLING TICKETS. 370 00:15:35,440 --> 00:15:36,690 FOR WHAT? 371 00:15:36,690 --> 00:15:38,780 FOR A CONCERT TONIGHT AT BELLA NOCHE. 372 00:15:38,780 --> 00:15:40,400 ONE OF THE PROMOTES IS GIVING ME A SLOT TO PERFORM AS AN OPENING ACT 373 00:15:40,400 --> 00:15:41,740 FOR BIG VIPER AND SLIM ROMAN-- 374 00:15:41,740 --> 00:15:43,110 -IF I CAN SELL-- -WHO? 375 00:15:43,110 --> 00:15:44,490 YOU'RE NOT HEARING WHAT I'M SAYING? 376 00:15:44,490 --> 00:15:46,490 -WHAT PROMOTER? -HIS NAME IS BUGGS. 377 00:15:46,490 --> 00:15:48,120 HOW DO YOU KNOW HIM? HE LEGIT? 378 00:15:48,120 --> 00:15:49,370 LOOK WHO WANT TO PROTECT ME NOW. 379 00:15:49,370 --> 00:15:51,000 YOU CAN'T BE GETTING CAUGHT UP WITH FOLKS 380 00:15:51,000 --> 00:15:52,750 THAT YOU DON'T KNOW FROM A CAN OF PAINT. 381 00:15:52,750 --> 00:15:55,540 LISTEN, WHAT I'M GONNA DO IS GO ON ABOUT MY BUSINESS, 382 00:15:55,540 --> 00:15:57,500 SELLING THESE TICKETS, AND YOU GO ON ABOUT YOURS, 383 00:15:57,500 --> 00:15:59,630 LETTING KNOWN KILLERS ROAM THE STREET. 384 00:16:13,060 --> 00:16:16,060 SO HOW WAS YOUR VISIT WITH LAYLA? 385 00:16:16,060 --> 00:16:19,230 GOOD. FINE. 386 00:16:19,230 --> 00:16:21,110 THAT BAD, HUH? 387 00:16:21,110 --> 00:16:24,070 SHE FLIP OUT WHEN SHE FOUND OUT ABOUT YOU AND ASHER OR WHAT? 388 00:16:24,070 --> 00:16:26,070 I KIND OF DIDN'T TELL HER. 389 00:16:26,070 --> 00:16:30,040 SHE'D DOING GREAT BUT STILL SEEMS HESITANT ABOUT HER RECOVERY, 390 00:16:30,040 --> 00:16:32,710 AND I DON'T WANT TO SAY ANYTHING THAT MIGHT MAKE THINGS WORSE. 391 00:16:32,710 --> 00:16:34,960 WELL, ISN'T TRANSPARENCY PART OF RECOVERY? 392 00:16:34,960 --> 00:16:37,840 I MEAN, YOU SHOULD JUST BE HONEST WITH HER AND TELL HER THE TRUTH, LIV. 393 00:16:39,550 --> 00:16:41,050 DO I REALLY HAVE TO GO? 394 00:16:41,050 --> 00:16:43,550 YEAH, MAN. COOP IS DEPENDING ON US. 395 00:16:43,550 --> 00:16:45,340 AND IT'LL GIVE ME AND YOU A CHANCE TO HANG OUT. 396 00:16:45,340 --> 00:16:47,300 YOU CAN FINALLY TELL ME WHAT'S REALLY BOTHERING YOU. 397 00:16:47,300 --> 00:16:49,050 AIN'T NOTHING BOTHERING ME. 398 00:16:49,050 --> 00:16:51,060 I USED TO SAY THE SAME THING, DILLON. 399 00:16:51,060 --> 00:16:53,180 WOW. I LOVE HOW YOU QUIT FOOTBALL 400 00:16:53,180 --> 00:16:54,980 AND EVERYBODY'S FINE WITH IT. 401 00:16:54,980 --> 00:16:57,940 BUT AS SOON AS I SPEAK SOMETHING FROM MY OPINION 402 00:16:57,940 --> 00:17:00,150 ABOUT ANYTHING, I'M A PROBLEM. 403 00:17:07,530 --> 00:17:09,160 -HEY, BABE. -HEY. 404 00:17:09,160 --> 00:17:10,950 ALL RIGHT. THE SQUAD'S ALL HERE. 405 00:17:10,950 --> 00:17:12,750 WE APPRECIATE YOU, MAN. 406 00:17:12,750 --> 00:17:16,330 ASHER: YEAH, NO PROBLEM. SO WHAT'S THE PLAN? 407 00:17:16,330 --> 00:17:18,000 KIA: DIVIDE AND CONQUER. 408 00:17:18,000 --> 00:17:19,920 NOPE. NOPE. MM-MM. NOPE. 409 00:17:19,920 --> 00:17:23,010 NOT PLAYING THE THIRD WHEEL TO THE ASHER-LIV REALITY SHOW TODAY. SORRY. 410 00:17:23,010 --> 00:17:25,010 SPENCER: DON'T EVEN LISTEN TO HIM, ASH, ALL RIGHT? 411 00:17:25,010 --> 00:17:27,090 YOU CAN ROLL WITH ME AND DILLON. 412 00:17:27,090 --> 00:17:29,220 SO YOU AND OLIVIA ARE A THING NOW, RIGHT? 413 00:17:29,220 --> 00:17:30,930 LIKE FOR REAL, FOR REAL? 414 00:17:30,930 --> 00:17:32,310 ASHER: YEAH. 415 00:17:32,310 --> 00:17:33,770 YOU BETTER TREAT HER RIGHT 416 00:17:33,770 --> 00:17:35,230 BECAUSE AS SOON AS I TURN 18, 417 00:17:35,230 --> 00:17:37,390 SHE'LL BE THE FIRST PERSON I CALL. 418 00:17:37,390 --> 00:17:39,150 YOU KNOW YOU'RE GONNA HAVE A FIGHT ON YOUR HANDS, THOUGH. 419 00:17:39,150 --> 00:17:40,610 -OK. ALL RIGHT... -ALL RIGHT. 420 00:17:40,610 --> 00:17:42,020 ASHER: IF YOU'RE COOL WITH THAT, MAN. 421 00:17:42,020 --> 00:17:43,980 -OH, YEAH, I'M COOL. -HA HA! 422 00:17:43,980 --> 00:17:45,940 WOMAN: YOU WERE ON FIRE IN PEER GROUP TODAY. 423 00:17:45,940 --> 00:17:50,740 THAT'S TWO DAYS IN A ROW. I'M PROUD OF YOU. 424 00:17:50,740 --> 00:17:53,450 WELL, IF YOU HAD TOLD ME 3 WEEKS AGO THAT I 425 00:17:53,450 --> 00:17:58,210 WOULD BE SPILLING MY GUTS TO A ROOM OF COMPLETE STRANGERS, 426 00:17:58,210 --> 00:18:00,040 I WOULD'VE TOLD YOU YOU WERE LYING. 427 00:18:00,040 --> 00:18:03,590 HONESTLY, YOU SURPRISED ME, TOO. 428 00:18:03,590 --> 00:18:06,550 I DIDN'T KNOW IF YOU'D OPEN UP. 429 00:18:06,550 --> 00:18:08,800 WHAT MADE YOU PUSH? 430 00:18:08,800 --> 00:18:12,050 I SEE A LOT OF MYSELF IN YOU. 431 00:18:12,050 --> 00:18:13,970 I JUST WENT WITH MY GUT. 432 00:18:13,970 --> 00:18:16,100 I FELT LIKE THERE WAS MORE THERE. 433 00:18:20,480 --> 00:18:23,690 I HAVE A CONFESSION. 434 00:18:23,690 --> 00:18:27,820 MY TREATMENT PROGRAM'S DONE. 435 00:18:27,820 --> 00:18:30,450 I'M LEAVING TOMORROW. 436 00:18:33,160 --> 00:18:36,200 UM, I'M HAPPY FOR YOU. 437 00:18:36,200 --> 00:18:38,370 I DIDN'T SAY ANYTHING SOONER 438 00:18:38,370 --> 00:18:41,170 BECAUSE I DIDN'T WANT TO UPSET YOU AND STALL YOUR PROGRESS. 439 00:18:41,170 --> 00:18:43,670 IT JUST WON'T BE THE SAME WITHOUT YOU. 440 00:18:43,670 --> 00:18:48,380 LAYLA, YOU'RE DOING AWESOME. 441 00:18:50,220 --> 00:18:53,180 ARE YOU READY TO GO BACK OUT INTO THE REAL WORLD? 442 00:18:53,180 --> 00:18:55,510 AREN'T YOU NERVOUS? 443 00:18:55,510 --> 00:18:58,020 OF COURSE. 444 00:18:58,020 --> 00:19:02,100 WHEN YOU'VE BEEN HERE FOR SO LONG, 445 00:19:02,100 --> 00:19:03,940 IT FEELS WEIRD GOING BACK. 446 00:19:03,940 --> 00:19:09,240 WE HAVE TO EVENTUALLY, RIGHT? 447 00:19:13,490 --> 00:19:15,030 COOP: ALL RIGHT, DILLON. LET'S GO. 448 00:19:15,030 --> 00:19:17,120 WE GOT ONE MORE TICKET TO SELL, 449 00:19:17,120 --> 00:19:19,450 AND AIN'T NOBODY GONNA SAY NO TO A KID WITH A HEAD THAT BIG 450 00:19:19,450 --> 00:19:21,960 AND FEET THAT LONG. HA HA! 451 00:19:21,960 --> 00:19:23,830 ASHER: YOU BETTER GET HER. 452 00:19:23,830 --> 00:19:25,840 HEY, MAN, IS IT JUST ME, 453 00:19:25,840 --> 00:19:28,260 OR ARE THINGS A LITTLE TENSE BETWEEN YOU AND DILLON? 454 00:19:28,260 --> 00:19:30,340 NAH, IT AIN'T JUST YOU, MAN. 455 00:19:30,340 --> 00:19:33,260 EVER SINCE I QUIT FOOTBALL AND BEEN WORKING OVERTIME, 456 00:19:33,260 --> 00:19:35,970 I AIN'T BEEN AROUND AS MUCH. 457 00:19:35,970 --> 00:19:38,100 DILLON'S KIND OF STRUGGLING WITH THAT. 458 00:19:40,060 --> 00:19:43,190 YOU MISS IT? FOOTBALL? 459 00:19:43,190 --> 00:19:44,690 PSSH. MAN, I CAN'T EVEN FRONT. 460 00:19:44,690 --> 00:19:47,150 THERE'S PARTS OF IT I DO MISS. 461 00:19:47,150 --> 00:19:49,780 HANGING IN THE LOCKER ROOM WITH YOU ALL, 462 00:19:49,780 --> 00:19:52,150 ROAD TRIPS ON THE BUS. 463 00:19:52,150 --> 00:19:56,160 ANYWAY, THIS YOUR TIME NOW, BRO. 464 00:19:56,160 --> 00:19:58,740 YOU THE CAPTAIN NOW, AND YOU GOT TO LEAD THAT TEAM 465 00:19:58,740 --> 00:20:00,330 BACK TO ANOTHER 'SHIP. 466 00:20:02,460 --> 00:20:05,210 I APPRECIATE THE LOVE, MAN. 467 00:20:05,210 --> 00:20:09,000 HEY, IF YOU EVER DECIDE TO COME BACK, 468 00:20:09,000 --> 00:20:10,550 YOUR JERSEY WITH THE CAPTAIN'S PATCH 469 00:20:10,550 --> 00:20:12,050 WILL BE WAITING FOR YOU. 470 00:20:17,390 --> 00:20:20,310 HEY, AREN'T YOU THE SAME DUDE 471 00:20:20,310 --> 00:20:22,310 THAT DIDN'T EVEN WANT SPENCER AT BEVERLY? 472 00:20:22,310 --> 00:20:23,770 IT'S CALLED GROWTH, LITTLE HOMIE. 473 00:20:23,770 --> 00:20:25,190 COOP: ALL RIGHT. LAST TICKETS SOLD. 474 00:20:25,190 --> 00:20:26,730 IT'S OFFICIAL. 475 00:20:26,730 --> 00:20:28,770 YOUR GIRL'S PERFORMING TONIGHT. 476 00:20:28,770 --> 00:20:30,610 THERE YOU GO. CONGRATS. 477 00:20:30,610 --> 00:20:33,150 HEY, WE GOT TO CELEBRATE. LET'S HIT SMITTY'S. I'M BUYING. 478 00:20:33,150 --> 00:20:35,950 BRO, SMITTY'S BEEN CLOSED A LONG TIME AGO. 479 00:20:35,950 --> 00:20:39,410 THEY CHANGED IT TO SOME SPOT CALLED BUNCH-O FRO-YO. 480 00:20:39,410 --> 00:20:42,250 GENTRIFICATION'S HITTING US LIKE THAT NOW? 481 00:20:42,250 --> 00:20:44,330 YOU'D KNOW IF YOU'D BEEN HERE. 482 00:20:46,380 --> 00:20:48,340 COOP: ALL RIGHT. LOOK, I GOT TO GET GOING, TURN THIS MONEY IN. 483 00:20:48,340 --> 00:20:49,840 SO I'LL CATCH UP WITH YOU ALL LATER. 484 00:20:49,840 --> 00:20:51,210 ALL RIGHT. 485 00:20:53,170 --> 00:20:56,050 ♪ IT FEELS SO EASY JUST FOR ME TO... ♪ 486 00:20:56,050 --> 00:20:57,510 ASHER: HEY, WHAT WAS THIS PLACE CALLED? 487 00:20:57,510 --> 00:21:00,510 SPENCER: SMITTY'S. BUT NOW IT'S BUNCH-O FRO-YO. 488 00:21:00,510 --> 00:21:03,350 OLIVIA: NO, WE'RE DOING THE BIG COOKIE-- BIG COOKIE AND A PINT-- 489 00:21:03,350 --> 00:21:05,600 KIA: ICE CREAM POURED ON TOP... 490 00:21:05,600 --> 00:21:07,400 ASHER: HEY. JORDAN: WHAT'S UP? 491 00:21:07,400 --> 00:21:09,310 HEY, GET AS MUCH AS YOU WANT, DILLON. 492 00:21:11,070 --> 00:21:12,440 OLIVIA: YES. OK. 493 00:21:12,440 --> 00:21:14,360 OK, WE'RE GETTING ONE OF THESE. AND THEN... 494 00:21:14,360 --> 00:21:16,240 SPENCER: HEY, UH, I'M PAYING FOR EVERYBODY. 495 00:21:16,240 --> 00:21:17,610 OLIVIA: WHAT? JORDAN: THANKS, SPENCE. 496 00:21:17,610 --> 00:21:20,240 SO YOU'RE BIG-TIME NOW? 497 00:21:20,240 --> 00:21:23,000 WHAT? NAH. 498 00:21:23,000 --> 00:21:24,410 JUST TAKING CARE OF EVERYBODY 499 00:21:24,410 --> 00:21:26,080 FOR LOOKING OUT TODAY. 500 00:21:26,080 --> 00:21:28,330 SO THE EXTRA MONEY FOR COLLEGE IS WHAT, A LIE? 501 00:21:28,330 --> 00:21:30,000 THAT'S ENOUGH, ALL RIGHT? STOP IT. 502 00:21:30,000 --> 00:21:32,050 I'VE BEEN GIVING YOU A PASS ALL DAY, 503 00:21:32,050 --> 00:21:34,090 BUT I'M DONE, YOU HEAR ME? 504 00:21:34,090 --> 00:21:36,170 YOU NOT THE ONLY PERSON WHO LOST SOMEBODY, DILLON. 505 00:21:36,170 --> 00:21:37,840 SPENCE, CHILL. 506 00:21:40,800 --> 00:21:44,980 I'M SORRY, D. I DIDN'T MEAN TO TALK TO YOU LIKE THAT. 507 00:21:44,980 --> 00:21:46,270 FORGET THIS. 508 00:21:46,270 --> 00:21:47,640 DILLON, LISTEN, MAN. 509 00:21:49,270 --> 00:21:51,060 OLIVIA: IT'S OK. 510 00:21:51,060 --> 00:21:52,690 WE'LL--WE'LL GET ANOTHER ONE. 511 00:21:52,690 --> 00:21:54,230 IT'S ALL GOOD. GO GET ANOTHER ONE. GO ON. 512 00:21:54,230 --> 00:21:55,240 OLIVIA: NAPKINS? ASHER: COME ON, MAN. 513 00:21:55,240 --> 00:21:56,450 I GOT YOU. I GOT YOU. 514 00:21:56,450 --> 00:21:58,700 CAN I GET A NAPKIN, PLEASE? 515 00:21:58,700 --> 00:22:00,570 OWNER: YOU KNOW WHAT? JUST LEAVE IT. IT'S FINE. 516 00:22:00,570 --> 00:22:02,830 NO, IT'S ALL GOOD. MY APOLOGIES. I GOT THIS. 517 00:22:02,830 --> 00:22:05,620 ACTUALLY, I THINK IT'S TIME FOR ALL OF YOU TO LEAVE. 518 00:22:07,040 --> 00:22:09,000 OLIVIA: WHAT? WE JUST GOT HERE? 519 00:22:09,000 --> 00:22:11,080 OWNER: WELL, AS THE OWNER, I RESERVE THE RIGHT 520 00:22:11,080 --> 00:22:13,130 TO DISMISS YOU FROM THE PREMISES. SO... 521 00:22:13,130 --> 00:22:14,630 -SERIOUSLY? -YEAH. 522 00:22:14,630 --> 00:22:16,510 WE'RE PAYING CUSTOMERS. 523 00:22:16,510 --> 00:22:18,510 I TOLD MY BROTHER I'M BUYING HIM FRO-YO, I'MA BUY HIM FRO-YO. 524 00:22:18,510 --> 00:22:20,220 JUST PLEASE GO, ALL RIGHT? 525 00:22:20,220 --> 00:22:23,010 I DON'T WANT TO HAVE ANY PROBLEMS WITH YOU PEOPLE. 526 00:22:23,010 --> 00:22:25,060 US PEOPLE? 527 00:22:25,060 --> 00:22:27,310 YOU MEAN THE BLACK PEOPLE IN THE NEIGHBORHOOD YOU JUST MOVED INTO? 528 00:22:33,230 --> 00:22:34,940 YOU KNOW WHAT? LET'S BOUNCE. 529 00:22:39,400 --> 00:22:41,740 THIS IS THE LAST TIME YOU'RE GONNA EVER GET OUR MONEY. TAKE IT. 530 00:22:43,450 --> 00:22:45,240 LET'S ROLL. 531 00:22:53,880 --> 00:22:56,050 ASHER: YOU OK? OLIVIA: YEAH, I'M FINE. 532 00:22:56,050 --> 00:22:57,510 I JUST CAN'T BELIEVE SHE KICKED US OUT. 533 00:22:57,510 --> 00:22:59,300 BELIEVE IT. 534 00:22:59,300 --> 00:23:01,340 CHICKS LIKE HER ARE BECOMING THE NEW NORMAL. 535 00:23:01,340 --> 00:23:04,100 JORDAN: UM, SO HOW'S THE FRO-YO, KID? 536 00:23:04,100 --> 00:23:05,470 I JUST WANT TO GO HOME. 537 00:23:05,470 --> 00:23:09,520 OK. LET'S GO. COME ON. 538 00:23:15,440 --> 00:23:18,070 SPENCER: COME ON. 539 00:23:18,070 --> 00:23:19,950 WE NEED TO SEE SOME I.D. 540 00:23:22,950 --> 00:23:24,570 MAY I ASK WHY? 541 00:23:24,570 --> 00:23:26,370 OFFICER: ACCORDING TO THE OWNER OF BUNCH-O's, 542 00:23:26,370 --> 00:23:27,660 A PERSON FITTING YOUR DESCRIPTION WAS LOITERING 543 00:23:27,660 --> 00:23:28,660 AND CAUSING DISORDERLY CONDUCT. 544 00:23:28,660 --> 00:23:30,500 LOITERING? 545 00:23:30,500 --> 00:23:32,790 KIA: YOU DON'T HAVE TO ANSWER THAT QUESTION, SPENCE. 546 00:23:32,790 --> 00:23:35,290 I'VE ALREADY COMMITTED THEIR NAMES AND BADGE NUMBERS TO MEMORY. 547 00:23:35,290 --> 00:23:38,460 OFFICERS BRIGHT AND WHITNER. 548 00:23:40,300 --> 00:23:42,510 WHITNER: A LOT OF GANGS CONGREGATE IN THIS AREA. 549 00:23:42,510 --> 00:23:44,390 ARE YOU IN ONE? 550 00:23:46,010 --> 00:23:49,350 SPENCER: GO STAND NEXT TO JORDAN, DILLON. GO ON. 551 00:23:53,900 --> 00:23:55,560 LOOK, THE OWNER STRAIGHT PROFILED US, OK? 552 00:23:55,560 --> 00:23:57,360 WE DIDN'T DO NOTHING WRONG. 553 00:23:57,360 --> 00:23:59,360 BUT YOU DID GET INTO A FIGHT IN THE STORE. 554 00:23:59,360 --> 00:24:01,240 AN ARGUMENT WITH MY LITTLE BROTHER. DOESN'T MEAN I'M IN A GANG. 555 00:24:01,240 --> 00:24:02,700 IT DOESN'T MEAN YOU AREN'T. 556 00:24:02,700 --> 00:24:04,490 -CAN WE GO NOW? -HEY, WATCH YOUR TONE. 557 00:24:06,410 --> 00:24:08,330 THIS IS UNNECESSARY, OFFICER. 558 00:24:08,330 --> 00:24:10,950 STEP ASIDE, SON. THIS DOESN'T CONCERN YOU. 559 00:24:10,950 --> 00:24:16,210 NOW, I'M GONNA ASK YOU ONE MORE TIME. WHERE'S YOUR I.D.? 560 00:24:19,340 --> 00:24:21,380 SPENCER: WAIT. WAIT. WAIT. NO, NO, NO! 561 00:24:21,380 --> 00:24:22,340 NO! 562 00:24:27,220 --> 00:24:30,270 DON'T RUN, YOU HEAR ME? YOU DON'T EVER RUN. 563 00:24:34,190 --> 00:24:36,440 COME ON. COME ON. LET'S GO. 564 00:24:36,440 --> 00:24:38,610 BRIGHT: NO ONE'S LEAVING TILL YOU FINISH ANSWERING OUR QUESTIONS. 565 00:24:38,610 --> 00:24:41,230 YOUR PARTNER ALMOST PULLED A GUN OUT ON US! 566 00:24:41,230 --> 00:24:43,240 WE EITHER FINISH THIS HERE, OR WE TAKE THIS TO THE POLICE STATION. 567 00:24:49,280 --> 00:24:50,740 LOOK, MAN, CAN YOU PLEASE LET MY FRIENDS 568 00:24:50,740 --> 00:24:52,160 TAKE MY LITTLE BROTHER HOME? 569 00:24:52,160 --> 00:24:53,870 HE DON'T NEED TO BE SEEING ALL THIS. 570 00:24:53,870 --> 00:24:55,420 EVERYBODY IS STAYING PUT. 571 00:24:55,420 --> 00:24:57,210 WHY HAVEN'T YOU READ US OUR RIGHTS? 572 00:24:57,210 --> 00:24:58,750 WHITNER: 'CAUSE YOU'RE NOT IN CUSTODY. 573 00:24:58,750 --> 00:25:00,500 EXACTLY, WHICH SHOULD MAKE US FREE TO GO. 574 00:25:00,500 --> 00:25:02,760 ARE SPENCER AND KIA GOING TO JAIL? 575 00:25:02,760 --> 00:25:05,470 ASHER: NO, NO, BUDDY. THEY'RE JUST ASKING THEM SOME QUESTIONS. 576 00:25:05,470 --> 00:25:08,470 JORDAN: THIS IS ABSOLUTELY CRAZY. 577 00:25:08,470 --> 00:25:10,810 OLIVIA: THOSE ARE MY FRIENDS ON THE CURB. 578 00:25:10,810 --> 00:25:12,640 YOU COULD STOP THIS, YOU KNOW? 579 00:25:14,560 --> 00:25:17,400 WHAT'S GOING ON HERE? 580 00:25:17,400 --> 00:25:20,820 -REGGIE BRIGHT. -BILLY BAKER. 581 00:25:20,820 --> 00:25:22,690 YOU KNOW HIM, COACH? 582 00:25:22,690 --> 00:25:24,610 YEAH. YEAH. WE WENT TO SOUTH CRENSHAW TOGETHER. 583 00:25:24,610 --> 00:25:26,450 YOU KNOW THESE KIDS? 584 00:25:26,450 --> 00:25:28,700 THE KIDS THAT YOU'RE RACIALLY PROFILING? 585 00:25:28,700 --> 00:25:30,660 HELL, YEAH, I KNOW 'EM. NOW, WHAT'S GOING ON? 586 00:25:30,660 --> 00:25:32,450 NOBODY'S BEING RACIALLY PROFILED. 587 00:25:32,450 --> 00:25:33,830 WE'RE JUST ANSWERING A CALL. 588 00:25:33,830 --> 00:25:36,670 YEAH, I KNOW. MY DAUGHTER TEXTED ME. 589 00:25:36,670 --> 00:25:38,540 LOOK, YOU KNOW THESE KIDS ARE GOOD. 590 00:25:38,540 --> 00:25:40,040 THEY DIDN'T DO NOTHING WRONG. 591 00:25:40,040 --> 00:25:42,090 BRIGHT: WE'RE JUST BEING EXTRA CAUTIOUS. 592 00:25:42,090 --> 00:25:44,050 KIDS HAVE CHANGED AROUND HERE SINCE YOU ESCAPED TO BEVERLY HILLS. 593 00:25:44,050 --> 00:25:48,430 SINCE I ESCAPED? OK, LOOK HERE. 594 00:25:48,430 --> 00:25:50,930 YOU CAN EITHER RELEASE THESE KIDS IMMEDIATELY, 595 00:25:50,930 --> 00:25:54,430 OR MY WIFE AND I WILL SUCCESSFULLY SUE YOUR ENTIRE DEPARTMENT, 596 00:25:54,430 --> 00:25:57,060 AND THEN WE'LL MAKE SURE BOTH YOUR ASSES ARE STUCK BEHIND A DESK 597 00:25:57,060 --> 00:25:59,270 FOR THE REST OF YOUR NATURAL BORN LIVES. 598 00:25:59,270 --> 00:26:01,650 DO YOU FEEL ME? 599 00:26:01,650 --> 00:26:04,530 YEAH. THAT'S HOW WE DO IT BEVERLY HILLS STYLE, REGGIE. 600 00:26:19,820 --> 00:26:21,530 WOMAN: CARRIE, PUT IT DOWN. 601 00:26:21,530 --> 00:26:23,360 I NEED SOME HELP DOWN HERE! 602 00:26:25,490 --> 00:26:29,410 CODE BLUE. CODE BLUE. PUT IT DOWN. 603 00:26:29,410 --> 00:26:31,660 WOMAN: DON'T CUT YOURSELF. CARRIE? 604 00:26:33,290 --> 00:26:35,080 YOU DON'T HAVE TO DO THIS. 605 00:26:35,080 --> 00:26:37,670 -DROP THE BOTTLE. -I CAN'T. I'M SORRY. 606 00:26:37,670 --> 00:26:41,210 -COME ON. COME ON. -I CAN'T. 607 00:26:41,210 --> 00:26:43,880 LAYLA, I'M SO SORRY. 608 00:26:52,260 --> 00:26:54,480 HOW'S DILLON? 609 00:26:54,480 --> 00:26:56,600 HE'S STILL A LITTLE BIT SHAKEN UP, BUT HE'LL BE FINE. 610 00:26:56,600 --> 00:26:59,650 A GOOD, NICE REST SHOULD DO THE TRICK. 611 00:26:59,650 --> 00:27:01,440 I'M SORRY, MA. 612 00:27:01,440 --> 00:27:03,610 I WAS JUST TRYING TO MAKE DILLON FEEL BETTER. 613 00:27:03,610 --> 00:27:05,400 INSTEAD, I MADE EVERYTHING WORSE. 614 00:27:05,400 --> 00:27:07,610 YOU'RE NOT THE ONE THAT NEEDS TO BE SORRY. 615 00:27:07,610 --> 00:27:10,200 WAIT TILL I GET MY HANDS ON THAT FRO-YO WOMAN. 616 00:27:10,200 --> 00:27:11,490 -OFFICER BRIGHT? -I KNOW. 617 00:27:11,490 --> 00:27:13,200 YOU KIDDING ME? 618 00:27:13,200 --> 00:27:15,330 MM-HMM. 619 00:27:15,330 --> 00:27:17,670 I NEVER LIKED HIS ASS IN HIGH SCHOOL. HE WAS SUCH A--UGH. 620 00:27:17,670 --> 00:27:19,500 MM-HMM. HE STILL IS. 621 00:27:19,500 --> 00:27:22,630 -I'M GONNA CHECK ON DILLON. -NO, NO, NO, NO. I GOT IT. 622 00:27:22,630 --> 00:27:25,630 YOU NEED TO GO TO COOP'S SHOW. 623 00:27:25,630 --> 00:27:27,420 I AIN'T REALLY IN THE WHOLE PARTY VIBE RIGHT NOW. 624 00:27:27,420 --> 00:27:30,470 NO, NO. DON'T GIVE THAT WOMAN OR THOSE COPS THAT POWER. 625 00:27:30,470 --> 00:27:32,470 YOUR MOM IS RIGHT. YOU SHOULD GO OUT. 626 00:27:32,470 --> 00:27:34,100 RECLAIM YOUR LIFE. 627 00:27:34,100 --> 00:27:35,600 GRACE: RECLAIM YOUR LIFE. 628 00:27:35,600 --> 00:27:37,270 LOOK, YOU AIN'T FEELING IT NOW... 629 00:27:37,270 --> 00:27:38,810 -UH-OH. -BUT ONCE YOU GET IN THERE... 630 00:27:38,810 --> 00:27:41,440 YOU HEAR THE MUSIC, SKATES STARTS ROLLING. 631 00:27:41,440 --> 00:27:42,940 BILLY: ♪ OOH, OOH ♪ GRACE: BAM! 632 00:27:42,940 --> 00:27:45,230 -♪ UH, UH, UH UH ♪ -BAM! UH! 633 00:27:45,230 --> 00:27:46,690 ALL RIGHT. I'MA GO. 634 00:27:46,690 --> 00:27:48,740 YUP. I'M GONNA SEE YOU ALL LATER. 635 00:27:55,910 --> 00:27:57,710 ♪ HEY, YO, START UP THE MOTOR ♪ 636 00:27:57,710 --> 00:27:59,620 ♪ WE GONNA HIT THE COAST ♪ 637 00:27:59,620 --> 00:28:01,540 ♪ PUT THE WHIP ON CRUISE WHILE WE DO IT THE MOST ♪ 638 00:28:01,540 --> 00:28:03,670 ♪ LEAN OVER DOWN LOW IN THE DRIVER'S SEAT ♪ 639 00:28:03,670 --> 00:28:06,050 ♪ JUST RIDIN', THE TOP, GONNA SLIDE IT LOW ♪ 640 00:28:06,050 --> 00:28:08,670 ♪ YEAH, BUMPIN' TO THE BEAT AND ENJOYIN' THE SOUND ♪ 641 00:28:08,670 --> 00:28:10,720 ♪ SEE THE PO-PO, WE GONNA LOWER IT DOWN ♪ 642 00:28:10,720 --> 00:28:13,680 GET INTO THIS. TRY NOT TO BUMP ME. 643 00:28:13,680 --> 00:28:16,600 ♪ JUST LIKE THE MAN, WE BE HOLDIN' IT DOWN... ♪ 644 00:28:18,310 --> 00:28:19,770 KIA: MM-MM. 645 00:28:19,770 --> 00:28:21,770 WE ARE NOT SPENDING TONIGHT GLUED TO OUR PHONES. 646 00:28:21,770 --> 00:28:23,940 I'M JUST CHECKING TO SEE WHEN COOP'S HITTING THE STAGE. WHAT? 647 00:28:23,940 --> 00:28:26,360 OLIVIA: REALLY? 'CAUSE WE ALL KNOW IT'S 10:00. 648 00:28:26,360 --> 00:28:27,780 COME ON. LET'S RACE. 649 00:28:27,780 --> 00:28:31,320 OH, I CAN SKATE, BUT I CAN'T, LIKE, RACE SKATE. 650 00:28:31,320 --> 00:28:32,870 5 LAPS BACKWARD? WE AIN'T DONE THAT SINCE-- 651 00:28:32,870 --> 00:28:34,580 -OUR FIRST DATE HERE. -MM-HMM. 652 00:28:34,580 --> 00:28:37,290 OLIVIA: WAIT. YOU GUYS HAD YOUR FIRST DATE HERE? 653 00:28:37,290 --> 00:28:39,000 YUP. WHEN WE GOT TO THE FRONT DOOR, THEY WOULDN'T LET US IN. 654 00:28:39,000 --> 00:28:41,620 IT WAS ADULT NIGHT, 21 AND OVER. 655 00:28:41,620 --> 00:28:43,210 BUT WE REALLY WANTED TO STAY. 656 00:28:43,210 --> 00:28:45,590 SO I SWEET-TALKED THE BOUNCER INTO LETTING US IN. 657 00:28:45,590 --> 00:28:47,880 GIFT OF GABBY HERE CAN FINESSE HER WAY INTO ANY SITUATION. 658 00:28:47,880 --> 00:28:49,300 HA HA. 659 00:28:49,300 --> 00:28:50,760 ♪ ...GOTTA STAY LOW-KEY... ♪ 660 00:28:50,760 --> 00:28:52,180 SO WHAT YOU ALL WAITING FOR? COME ON. 661 00:28:52,180 --> 00:28:53,760 UH, I'M GONNA SIT THIS ONE OUT. 662 00:28:53,760 --> 00:28:54,760 OH. 663 00:28:54,760 --> 00:28:57,100 "SIT THIS ONE OUT"! 664 00:29:00,680 --> 00:29:02,520 MAN: OH, WE AT CAPACITY. 665 00:29:02,520 --> 00:29:03,690 COOP: ACTUALLY, I'M PERFORMING TONIGHT. 666 00:29:03,690 --> 00:29:04,980 I'M ONE OF THE OPENING ACTS. 667 00:29:04,980 --> 00:29:06,110 YOU FANTASIA'S LITTLE BROTHER? 668 00:29:06,110 --> 00:29:08,190 NO, BRO. MY NAME COOP. 669 00:29:08,190 --> 00:29:10,570 DON'T KNOW NO COOP. SO YOU GONNA HAVE TO GET TO THE BACK OF THE LINE 670 00:29:10,570 --> 00:29:13,160 LIKE EVERYBODY ELSE OR GET TO STEPPING. 671 00:29:16,030 --> 00:29:19,620 HEY. BUGGS. YO, TELL THIS MAN I'M PERFORMING TONIGHT. 672 00:29:19,620 --> 00:29:21,620 -YOU KNOW HER? -NAH. 673 00:29:24,960 --> 00:29:26,960 YO, YOU SERIOUS RIGHT NOW? 674 00:29:26,960 --> 00:29:28,840 I HAVEN'T SEEN YOU BEFORE IN MY DAMN LIFE. 675 00:29:40,940 --> 00:29:42,780 ♪ IT AIN'T NOTHING BUT A PARTY ♪ 676 00:29:42,780 --> 00:29:44,280 ♪ YEAH, WE ABOUT TO GET IT CRACKIN' ♪ 677 00:29:44,280 --> 00:29:45,900 ♪ EVERYBODY GET IN LINE ♪ 678 00:29:45,900 --> 00:29:47,950 ♪ 'CAUSE YOU KNOW WE NEVER LACKIN'... ♪ 679 00:29:47,950 --> 00:29:50,240 OH. WHERE YOU GOING? 680 00:29:50,240 --> 00:29:53,080 HOME. NOT TRYING TO BE A THIRD WHEEL FOR THE REST OF THE NIGHT. 681 00:29:53,080 --> 00:29:54,870 OH, MAN. THE PARTY JUST GOT STARTED. 682 00:29:54,870 --> 00:29:56,920 LOOK, DAD, I KNOW WHAT YOU'RE DOING, OK? 683 00:29:56,920 --> 00:29:58,130 AND I APPRECIATE IT. I DO. 684 00:29:58,130 --> 00:30:00,790 BUT YOU CAN'T FORCE MEMORIES. 685 00:30:00,790 --> 00:30:03,550 ♪ HEY, THIS IS RADIO STATION WSKEE... ♪ 686 00:30:03,550 --> 00:30:05,670 ARE YOU SURE ABOUT THAT? 687 00:30:05,670 --> 00:30:07,760 ARE YOU SURE ABOUT... 688 00:30:09,090 --> 00:30:11,100 THAT? 689 00:30:11,100 --> 00:30:12,680 OH, MY GOD. WHAT DO I HAVE TO DO TO MAKE YOU STOP? 690 00:30:12,680 --> 00:30:15,600 JUST SKATE WITH YOUR DAD. JUST SKATE WITH YOUR DAD. 691 00:30:15,600 --> 00:30:18,350 ♪ I WISH I WAS LIKE 6-FOOT-9 SO I CAN GET WITH LEOSHI... ♪ 692 00:30:18,350 --> 00:30:19,940 SK-SK-SK-- 693 00:30:19,940 --> 00:30:21,110 SK-- 694 00:30:21,110 --> 00:30:23,570 OK, OK. 695 00:30:23,570 --> 00:30:25,150 OK, YEAH. IT'S-- IT'S KIND OF CATCHY. 696 00:30:25,150 --> 00:30:26,950 LET'S GO. GET ON THE WOOD. 697 00:30:26,950 --> 00:30:28,200 PUMP IT UP, PUMP IT UP. HA HA! 698 00:30:28,200 --> 00:30:29,740 GO. 699 00:30:31,370 --> 00:30:32,950 ♪ 'CAUSE WHEN IT COMES TO PLAYING BASKETBALL... ♪ 700 00:30:32,950 --> 00:30:34,910 JORDAN: ALL RIGHT. HERE WE GO. 701 00:30:34,910 --> 00:30:36,290 ♪ SO I JUST LEAN UP ON THE WALL... ♪ 702 00:30:36,290 --> 00:30:38,790 WHAT YOU GOT? 703 00:30:38,790 --> 00:30:40,420 ♪ ...WITH THE REST OF THE GIRLS WHO CAME TO WATCH THEIR MAN BALL ♪ 704 00:30:40,420 --> 00:30:42,170 ♪ DAG, Y'ALL, I NEVER UNDERSTOOD BLACK ♪ 705 00:30:42,170 --> 00:30:44,300 ♪ WHY THE JOCKS GET THE FLY GIRLS... ♪ 706 00:30:44,300 --> 00:30:46,720 YOU KNOW, KIA WAS PRETTY BAD-ASS WITH THOSE COPS TODAY. 707 00:30:46,720 --> 00:30:48,970 HEY, YOU WERE PRETTY BAD-ASS, TOO. 708 00:30:48,970 --> 00:30:50,590 I DIDN'T DO THAT MUCH. 709 00:30:50,590 --> 00:30:53,810 YOU CALLED THE OWNER OUT ON HER B.S. YOU SPOKE UP. 710 00:30:53,810 --> 00:30:56,060 YEAH, 'CAUSE SHE TRIED TO BLOW UP OUR LIVES 711 00:30:56,060 --> 00:30:57,980 THE SAME WAY BARBECUE BECKY DID. 712 00:30:57,980 --> 00:30:59,940 I GUESS I CAN ADD FRO-YOing WHILE BLACK 713 00:30:59,940 --> 00:31:01,810 TO THE LIST OF THINGS I CAN'T DO. 714 00:31:01,810 --> 00:31:03,980 YOU KNOW, THAT FRO-YO LADY NEEDS HER OWN NICKNAME. 715 00:31:03,980 --> 00:31:06,570 FRO-YO FANNIE? 716 00:31:07,650 --> 00:31:09,650 OK, THAT'S PRETTY GOOD. 717 00:31:09,650 --> 00:31:10,990 UM... 718 00:31:10,990 --> 00:31:12,820 CRENSHAW CATHY. 719 00:31:12,820 --> 00:31:14,030 OOH. 720 00:31:14,030 --> 00:31:16,870 YES. YES, YOU WIN. 721 00:31:16,870 --> 00:31:19,160 IT'S CRAZY. 722 00:31:19,160 --> 00:31:21,630 YOU HEAR ABOUT THE BARBECUE BECKYs AND THE DOORMAN DAVEs 723 00:31:21,630 --> 00:31:23,590 OF THE WORLD, AND YOU THINK YOU KNOW HOW BAD IT IS, 724 00:31:23,590 --> 00:31:27,420 BUT THE TRUTH IS, UNTIL TODAY, I HAD NO IDEA. 725 00:31:27,420 --> 00:31:30,470 I GUESS WE GOT TO GET OUT OF OUR BEVERLY HILLS BUBBLE MORE OFTEN. 726 00:31:30,470 --> 00:31:33,430 YEAH, I GUESS SO. 727 00:31:33,430 --> 00:31:35,640 LAYLA: WHERE ARE YOU GOING NOW? 728 00:31:35,640 --> 00:31:37,600 LAGUNA NIGUEL. 729 00:31:37,600 --> 00:31:40,350 IT'S A MORE RESTRICTIVE TREATMENT CENTER. 730 00:31:43,020 --> 00:31:44,860 I WASN'T TRYING TO CUT MYSELF. 731 00:31:44,860 --> 00:31:46,190 I WAS JUST-- 732 00:31:46,190 --> 00:31:48,110 TOO SCARED TO GO HOME. 733 00:31:48,110 --> 00:31:50,150 YOU KNEW IF THEY CAUGHT YOU WITH ALCOHOL, 734 00:31:50,150 --> 00:31:51,990 THEY WOULD MAKE YOU STAY IN REHAB LONGER. 735 00:31:51,990 --> 00:31:54,450 SO YOU MADE SURE THAT THEY CAUGHT YOU. 736 00:31:54,450 --> 00:31:56,200 HOW DID YOU KNOW? 737 00:31:56,200 --> 00:31:59,830 I'M SOMEONE WHO'S SUFFERED FROM SELF-HARMING. 738 00:31:59,830 --> 00:32:04,080 WE TRY TO HIDE OUR INJURIES, NOT AMPLIFY THEM. 739 00:32:04,080 --> 00:32:06,000 AND YOU CAUSED A BIG DISTURBANCE. 740 00:32:06,000 --> 00:32:08,880 YOU KNOW HOW YOU SAID YOU SEE YOURSELF IN ME? 741 00:32:08,880 --> 00:32:11,010 I SEE MYSELF IN YOU, TOO. 742 00:32:11,010 --> 00:32:14,590 WE GOT BETTER IN HERE. 743 00:32:14,590 --> 00:32:17,100 WE KNOW HOW TO MAKE IT WORK IN HERE, 744 00:32:17,100 --> 00:32:22,440 BUT OUT IN THE REAL WORLD, THERE'S NO GUARANTEES. 745 00:32:22,440 --> 00:32:24,940 AND THAT PETRIFIES ME. 746 00:32:24,940 --> 00:32:27,400 I KNOW THAT'S WHY YOU SABOTAGED YOURSELF 747 00:32:27,400 --> 00:32:30,110 INTO STAYING IN THE COMFORT OF REHAB. 748 00:32:30,110 --> 00:32:33,910 AND IT IS WHY I HAVE DECIDED 749 00:32:33,910 --> 00:32:35,700 TO CHECK MYSELF OUT TOMORROW. 750 00:32:35,700 --> 00:32:38,080 I NEED TO TAKE THIS STEP FOR BOTH OF US, 751 00:32:38,080 --> 00:32:41,660 TO PROVE THAT WE CAN MAKE IT IN THE REAL WORLD. 752 00:32:41,660 --> 00:32:43,710 ARE YOU SURE YOU'RE READY? 753 00:32:43,710 --> 00:32:46,710 NO. BUT LIKE MY THERAPIST SAYS, 754 00:32:46,710 --> 00:32:49,960 YOU ARE NEVER FULLY PREPARED FOR ANYTHING. 755 00:32:49,960 --> 00:32:52,300 YOU JUST HAVE TO TAKE A LEAP OF FAITH 756 00:32:52,300 --> 00:32:55,220 AND REMEMBER THAT HEALING IS CONSTANT. 757 00:32:55,220 --> 00:32:57,430 YOU KNOW, ONE STEP AT A TIME. 758 00:32:59,970 --> 00:33:03,310 AND WHENEVER YOU'RE READY TO MAKE THAT STEP, 759 00:33:03,310 --> 00:33:07,150 JUST KNOW YOU HAVE A FRIEND ON THE OUTSIDE. 760 00:33:07,150 --> 00:33:08,230 OK? 761 00:33:12,570 --> 00:33:15,160 EVERYTHING GOOD WITH COOP? 762 00:33:15,160 --> 00:33:17,160 YEAH. 763 00:33:17,160 --> 00:33:19,200 YEAH. SHE SAID SHE'LL EXPLAIN LATER. 764 00:33:19,200 --> 00:33:21,790 I'MA TAKE HER AT HER WORD. 765 00:33:21,790 --> 00:33:25,170 HEY, THANKS FOR HAVING MY BACK WITH THE COPS TODAY, ALL RIGHT? 766 00:33:25,170 --> 00:33:28,080 COME ON, MAN. ALWAYS. 767 00:33:28,080 --> 00:33:29,500 OK. 768 00:33:29,500 --> 00:33:31,170 HOW WAS DILLON AFTERWARDS? 769 00:33:31,170 --> 00:33:33,800 I JUST WISH I COULD SPEND MORE TIME WITH HIM, 770 00:33:33,800 --> 00:33:36,180 BUT BETWEEN WORK AND SCHOOL, 771 00:33:36,180 --> 00:33:38,180 THERE'S JUST NOT ENOUGH HOURS IN THE DAY. 772 00:33:38,180 --> 00:33:40,970 SO YOU REMEMBER 773 00:33:40,970 --> 00:33:43,020 HOW MUCH I LOVE "THE GREAT DEBATERS," RIGHT? 774 00:33:43,020 --> 00:33:44,390 HA HA. OH, YOU MADE ME WATCH THAT MOVIE 775 00:33:44,390 --> 00:33:46,560 AT LEAST A THOUSAND TIMES. 776 00:33:46,560 --> 00:33:48,810 OK. IT'S ONE OF THE MAIN REASONS I JOINED THE DEBATE CLUB. 777 00:33:48,810 --> 00:33:51,230 -YEAH, YEAH, YEAH. -UNCLE FLIP IS THE OTHER. 778 00:33:51,230 --> 00:33:53,150 FLIP? FOR REAL? 779 00:33:53,150 --> 00:33:55,200 THE MAN IS BRILLIANT. 780 00:33:55,200 --> 00:33:57,110 BEFORE HE SERVED TIME, HE TAUGHT ME THE ART OF DEBATING. 781 00:33:57,110 --> 00:34:00,200 AND REAL TALK, HE'S THE BEST COACH I'VE EVER HAD. 782 00:34:00,200 --> 00:34:01,990 DAMN. 783 00:34:01,990 --> 00:34:05,790 THAT TIME TOGETHER REALLY BONDED ME AND HIM FOR LIFE. 784 00:34:05,790 --> 00:34:08,210 MY POINT-- 785 00:34:08,210 --> 00:34:10,750 MEMORIES MATTER, SPENCER. 786 00:34:10,750 --> 00:34:13,300 FIND THE TIME FOR DILLON REGARDLESS OF WHAT IT TAKES. 787 00:34:13,300 --> 00:34:14,920 YOU GUYS NEED EACH OTHER, 788 00:34:14,920 --> 00:34:16,800 ESPECIALLY NOW WITH YOUR DAD GONE. 789 00:34:26,520 --> 00:34:28,810 HEY, THANKS AGAIN FOR TONIGHT. 790 00:34:28,810 --> 00:34:32,150 IT'S BEEN A MINUTE SINCE WE HUNG LIKE THIS. 791 00:34:32,150 --> 00:34:35,190 I GUESS I NEVER REALIZED THE POWER OF MEMORIES. 792 00:34:35,190 --> 00:34:37,990 I KNOW. CRAZY, RIGHT? 793 00:34:37,990 --> 00:34:40,370 YEAH. 794 00:34:40,370 --> 00:34:42,030 I MISS THIS. 795 00:35:03,220 --> 00:35:05,810 NOBODY'S HOME FOR A FEW HOURS. 796 00:35:24,910 --> 00:35:26,200 WHAT'S UP, PREACH? 797 00:35:26,200 --> 00:35:29,660 YOU WAS RIGHT. I GOT PLAYED. 798 00:35:29,660 --> 00:35:32,210 BUGGS TOOK ALL THE MONEY I RAISED SELLING TICKETS. 799 00:35:32,210 --> 00:35:35,800 I MEAN, I GOT TO GET THAT MONEY BACK. 800 00:35:35,800 --> 00:35:39,010 YOU THINK YOU COULD JUST ROLL WITH ME THROUGH THERE? 801 00:35:39,010 --> 00:35:40,800 I JUST NEED A LITTLE BACKUP. 802 00:35:40,800 --> 00:35:42,640 BUT EARLIER WHEN I TRIED TO WARN YOU 803 00:35:42,640 --> 00:35:44,930 ABOUT DUDE, I WAS THE BASTARD WHO 804 00:35:44,930 --> 00:35:47,470 LET A MURDERER WALK FREE, RIGHT? 805 00:35:47,470 --> 00:35:50,690 THIS YOUR PROBLEM. YOU CLEAN IT UP. 806 00:35:50,690 --> 00:35:52,730 I GOT MY OWN STUFF TO HANDLE. 807 00:36:10,540 --> 00:36:14,290 HEY. HEY, UH, I WAS JUST CHECKING IN. YOU GOOD? 808 00:36:14,290 --> 00:36:16,380 ALWAYS. YOU? 809 00:36:16,380 --> 00:36:18,710 YEAH. SO, LISTEN, ABOUT LAST NIGHT. 810 00:36:18,710 --> 00:36:21,380 SPENCER, WE GOT LOST IN THE MOMENT, 811 00:36:21,380 --> 00:36:22,550 AND IT JUST HAPPENED. 812 00:36:22,550 --> 00:36:25,300 NO BIG DEAL, RIGHT? 813 00:36:25,300 --> 00:36:27,350 RIGHT. SO WE GOOD? 814 00:36:27,350 --> 00:36:30,140 YEAH. WE GOOD. FOR REAL, LIKE WE SAID YESTERDAY. 815 00:36:30,140 --> 00:36:31,850 THERE'S POWER IN MEMORIES. 816 00:36:31,850 --> 00:36:34,100 ESPECIALLY THE GOOD ONES. 817 00:36:36,190 --> 00:36:37,940 -GOOD MORNING, SPENCER. -GOOD MORNING. 818 00:36:37,940 --> 00:36:40,780 HEY. 819 00:36:40,780 --> 00:36:42,780 WHAT'S UP, LITTLE MAN? 820 00:36:42,780 --> 00:36:45,320 NOTHING MUCH. WHAT'S UP WITH YOU? 821 00:36:45,320 --> 00:36:47,280 YOU READY TO COME TO WORK WITH ME TODAY? 822 00:36:47,280 --> 00:36:50,200 SORRY. I CAN'T. 823 00:36:50,200 --> 00:36:52,000 GOT TO GO TO CAMP. 824 00:36:52,000 --> 00:36:54,000 I KNOW. THAT'S MY NEW JOB. 825 00:36:55,580 --> 00:36:56,670 WAIT. WHAT? 826 00:36:56,670 --> 00:36:58,750 I DITCHED WORKING SUNDAYS 827 00:36:58,750 --> 00:37:00,550 IN EXCHANGE FOR VOLUNTEER WORK AT YOUR BIG BROTHER CAMP. 828 00:37:00,550 --> 00:37:03,510 BUT WHAT ABOUT THE MONEY FOR COLLEGE? 829 00:37:03,510 --> 00:37:06,220 THE ONLY THING THAT MATTERS RIGHT NOW IS YOU. 830 00:37:06,220 --> 00:37:08,300 AND, LOOK, I KNOW IT'S HARD WITH DAD BEING GONE. 831 00:37:08,300 --> 00:37:10,140 AND THERE'S NOTHING I CAN DO 832 00:37:10,140 --> 00:37:11,720 ABOUT THE MEMORIES YOU WON'T GET TO MAKE WITH HIM. 833 00:37:11,720 --> 00:37:13,520 BUT THERE IS SOMETHING I CAN DO ABOUT THE MEMORIES 834 00:37:13,520 --> 00:37:16,600 YOU AND I CAN MAKE TOGETHER AS BROTHERS. 835 00:37:19,440 --> 00:37:21,820 SO LET ME CLARIFY THIS. 836 00:37:21,820 --> 00:37:25,320 MY BIG BROTHER IS ABOUT TO BECOME MY BIG BROTHER? 837 00:37:25,320 --> 00:37:26,360 YUP. 838 00:37:28,830 --> 00:37:31,240 COOL. 839 00:37:41,460 --> 00:37:44,380 HEY. YOU'RE UP EARLY. 840 00:37:44,380 --> 00:37:47,050 YEAH. I NEVER QUITE SLEPT. 841 00:37:47,050 --> 00:37:50,050 I'VE BEEN PUTTING MY NEW PODCAST TOGETHER. 842 00:37:50,050 --> 00:37:53,350 PODCAST? IT'S A SCHOOL THING? 843 00:37:53,350 --> 00:37:56,440 UH, MORE OF A LIFE THING. 844 00:37:56,440 --> 00:37:59,440 PEOPLE LIKE CRENSHAW CATHY NEED TO BE EXPOSED 845 00:37:59,440 --> 00:38:01,650 FOR THE HARM THEY CAUSE. 846 00:38:01,650 --> 00:38:04,820 AND MORE THAN THAT, PEOPLE AROUND HERE NEED TO UNDERSTAND 847 00:38:04,820 --> 00:38:07,410 THE INJUSTICES THAT ARE GOING ON AND WHAT THEY CAN DO TO HELP. 848 00:38:07,410 --> 00:38:09,620 OK, SHAUN KING. 849 00:38:09,620 --> 00:38:12,540 I'M CALLING MY PODCAST "LIV THE TRUTH." 850 00:38:12,540 --> 00:38:16,210 I MEAN, WHETHER IT'S POLICE BRUTALITY 851 00:38:16,210 --> 00:38:19,460 OR RACIAL INEQUALITY OR WHATEVER, 852 00:38:19,460 --> 00:38:22,300 I'M PUTTING IT ON BLAST. 853 00:38:22,300 --> 00:38:24,050 HUH. 854 00:38:24,050 --> 00:38:25,800 I'M TIRED OF LIVING IN THIS BEVERLY HILLS BUBBLE 855 00:38:25,800 --> 00:38:28,380 WHILE THE REST OF THE WORLD CRUMBLES AROUND US. 856 00:38:28,380 --> 00:38:29,760 I LOVE IT. 857 00:38:29,760 --> 00:38:32,390 -YEAH? -YEAH. 858 00:38:32,390 --> 00:38:34,220 BILLY: NOT TOO MANY PEOPLE COULD TAKE SOMETHING SO TRAUMATIC 859 00:38:34,220 --> 00:38:37,640 AND TURN IT INTO SOMETHING POSITIVE. 860 00:38:37,640 --> 00:38:39,690 I'M PROUD OF YOU. 861 00:38:39,690 --> 00:38:41,310 THANKS, DAD. 862 00:38:43,530 --> 00:38:47,900 ♪ CAN'T STOP THE RAIN ♪ 863 00:38:47,900 --> 00:38:51,780 ♪ FALLS DOWN ANYWAY ♪ 864 00:38:51,780 --> 00:38:57,120 ♪ FEELS LIKE THE CLOUDS WILL NEVER LEAVE ♪ 865 00:38:59,420 --> 00:39:03,550 WAIT. I DIDN'T KNOW YOU GUYS WERE COMING. 866 00:39:03,550 --> 00:39:05,920 WELL, WE MEANT IT WHEN WE SAID WE LOVE YOU. 867 00:39:11,590 --> 00:39:14,260 LET ME GUESS. MY DAD SENT YOU 868 00:39:14,260 --> 00:39:18,060 BECAUSE HE DIDN'T WANT TO TELL ME HE'S LEAVING TOWN AGAIN. 869 00:39:18,060 --> 00:39:21,940 ACTUALLY, HE'S PULLING THE CAR ROUND RIGHT NOW. 870 00:39:26,030 --> 00:39:30,450 UM, LAYLA, THERE ACTUALLY IS SOMETHING 871 00:39:30,450 --> 00:39:31,910 I WANTED TO TELL YOU, THOUGH. 872 00:39:31,910 --> 00:39:34,240 YOU AND ASHER ARE DATING? 873 00:39:34,240 --> 00:39:35,830 YEAH, I'D HAVE TO BE BLIND 874 00:39:35,830 --> 00:39:38,580 NOT TO HAVE SEEN THAT COMING, LIV. 875 00:39:38,580 --> 00:39:42,920 YOU TWO ARE GOOD FOR EACH OTHER. 876 00:39:42,920 --> 00:39:44,170 ♪ OH... ♪ 877 00:39:44,170 --> 00:39:46,090 SPENCER: YOU ALL READY? 878 00:39:51,090 --> 00:39:52,680 COOP: YO, MAN, ALL THOSE PEOPLE 879 00:39:52,680 --> 00:39:54,470 PAID TO SEE ME PERFORM LAST NIGHT. 880 00:39:54,470 --> 00:39:56,510 I GAVE YOU $4,000 FOR NOTHING. 881 00:39:56,510 --> 00:39:58,390 NO, THEY STILL GOT TO SKATE. 882 00:39:58,390 --> 00:40:00,600 MAN. GIVE ME MY MONEY BACK, AND WE'LL LEAVE IT AT THAT. 883 00:40:00,600 --> 00:40:04,690 YO, IF YOU DON'T GET YOUR ASS ON. 884 00:40:18,490 --> 00:40:20,120 LOOK, I WANT COOP'S MONEY BACK NOW. 885 00:40:20,120 --> 00:40:21,660 I ALREADY TURNED IT IN. 886 00:40:21,660 --> 00:40:24,330 MAN, YOU BETTER PULL IT OUT YOUR ASS OR SOMETHING. 887 00:40:24,330 --> 00:40:26,540 -OR ELSE WHAT? -MAN, TRY ME. 888 00:40:26,540 --> 00:40:28,300 AM I SUPPOSED TO BE SCARED? 889 00:40:28,300 --> 00:40:30,300 FIRST, YOU RUNNING ROUND WITH SNITCHES. 890 00:40:30,300 --> 00:40:33,090 NOW YOU LETTING TYRONE ROAM FREE AFTER HE SHOT YOU? 891 00:40:33,090 --> 00:40:36,680 MAN, MISS ME WITH THAT. BLACK JACK. NO TRADE BACK, HOMIE. 892 00:40:41,180 --> 00:40:44,520 COOP: HEY, YO, PREACH! PREACH! CHILL. HE'S GOOD. HE'S GOOD. CHILL. 893 00:40:45,560 --> 00:40:47,900 PREACH! 894 00:40:50,780 --> 00:40:54,410 GOT ME ALL ACTING OUT OF CHARACTER. 895 00:40:54,410 --> 00:40:56,660 MAN. WHERE THE REST OF IT AT? 896 00:40:56,660 --> 00:40:59,410 I GAVE A CUT TO THE ORGANIZERS. 897 00:41:03,250 --> 00:41:05,040 PREACH, I AIN'T WANT YOU TO DO ALL THAT. 898 00:41:05,040 --> 00:41:07,420 I JUST WANTED TO GET THE MONEY BACK. 899 00:41:07,420 --> 00:41:08,800 YOU CAN'T JUST BE BEATING UP PEOPLE 'CAUSE YOU MAD AT TYRONE. 900 00:41:08,800 --> 00:41:10,590 LOOK, THIS AIN'T ABOUT TYRONE. 901 00:41:10,590 --> 00:41:11,800 LOOK, I'M MAD AT YOU. 902 00:41:11,800 --> 00:41:14,130 MAN, YOU WEAK AS HELL OUT HERE. 903 00:41:14,130 --> 00:41:15,640 AND YOU MAKING ME WEAK, TOO. 904 00:41:15,640 --> 00:41:17,930 THAT'S WHY YOU GOT PLAYED, 905 00:41:17,930 --> 00:41:20,600 AND THAT'S WHY TYRONE AND THE REST OF THESE BLOCKHEAD BUSTERS 906 00:41:20,600 --> 00:41:22,430 THINK THEY CAN COME AT ME SIDEWAYS. 907 00:41:22,430 --> 00:41:26,060 I'M TIRED OF SAVING YOUR RAGGEDY ASS TIME AND TIME AGAIN. 908 00:41:26,060 --> 00:41:28,610 LOOK, I'M KEEPING ALL THIS. 909 00:41:28,610 --> 00:41:31,190 CONSIDER THIS YOUR FINAL DEBT TO ME. 910 00:41:31,190 --> 00:41:34,240 I'M DONE. FOR REAL THIS TIME. 911 00:42:13,650 --> 00:42:15,240 GREG, MOVE YOUR HEAD.