1 00:00:00,100 --> 00:00:01,530 PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:01,630 --> 00:00:02,770 SPENCER JAMES? 3 00:00:02,770 --> 00:00:04,270 BILLY BAKER, VARSITY COACH, 4 00:00:04,270 --> 00:00:07,270 BEVERLY HIGH. I NEED YOU TO COME PLAY FOR ME. 5 00:00:07,270 --> 00:00:09,240 HEY, CHEERS, BABY! 6 00:00:09,240 --> 00:00:11,510 ASHER: BRO, YOU ALMOST MISSED THE WHOLE CELEBRATION HERE. 7 00:00:11,510 --> 00:00:14,180 I HOPE YOUR DAD IS ENJOYING HIS WELL-EARNED VACATION. 8 00:00:14,180 --> 00:00:16,310 I HAD AN AFFAIR WITH GRACE JAMES. 9 00:00:16,310 --> 00:00:17,950 GRACE: THIS IS THE LAST TIME I'M COMING TO GET YOU LIKE THIS. 10 00:00:17,950 --> 00:00:20,920 -I MISS THEM, GRACIE. -WELL, THEN BOSS UP. 11 00:00:20,920 --> 00:00:22,520 ARE YOU READY TO FINALLY TELL ME THE TRUTH? 12 00:00:22,520 --> 00:00:24,320 WHAT ARE YOU TALKING ABOUT? 13 00:00:24,320 --> 00:00:25,790 OLIVIA: ONE MINUTE YOU'RE DESTROYING YOUR HOUSE 14 00:00:25,790 --> 00:00:27,290 AND THE NEXT, YOU'RE ALL FOOTBALL BARBIE ON CRACK. 15 00:00:27,290 --> 00:00:29,260 LAYLA: I PROMISE YOU, I DON'T NEED SAVING. 16 00:00:29,260 --> 00:00:30,860 WHY ARE YOU WASTING YOUR TIME? 'CAUSE I'M PRETTY SURE 17 00:00:30,860 --> 00:00:33,300 YOU COULD BE GIVING DRAKE A RUN FOR HIS MONEY. 18 00:00:33,300 --> 00:00:35,530 JANELLE: I DON'T WANT YOU HANGING AROUND THAT PATIENCE GIRL ANYMORE. 19 00:00:35,530 --> 00:00:37,300 MOM, I AM GAY. 20 00:00:37,300 --> 00:00:39,600 SPENCER: SO YOU'RE QUITTING ON THE TEAM? 21 00:00:39,600 --> 00:00:42,610 -I'M PRIORITIZING. -NAW, MAN, YOU'RE PUNISHING YOURSELF. 22 00:00:42,610 --> 00:00:44,840 BOY: LOOK AT THE OLD MAN. 23 00:00:44,840 --> 00:00:47,810 MAN, THANKS FOR CONVINCING MOMS TO LET ME COME STAY WITH YOU. 24 00:00:50,810 --> 00:00:53,680 [HIP-HOP MUSIC PLAYING] 25 00:00:56,320 --> 00:00:59,360 [MUSIC STOPS] 26 00:00:59,360 --> 00:01:01,820 [MUSIC RESUMES] 27 00:01:47,340 --> 00:01:48,870 [SIGHS] 28 00:01:53,340 --> 00:01:54,980 MORNING. 29 00:01:54,980 --> 00:01:56,980 HIYA, SPENCER. GOOD MORNING. 30 00:01:56,980 --> 00:01:59,620 WHAT CAN I GET YOU? EGGS? PANCAKES? 31 00:01:59,620 --> 00:02:00,920 I'M GOOD, MRS. BAKER. THANK YOU, THOUGH. 32 00:02:00,920 --> 00:02:03,750 WELL, AT LEAST LET ME... 33 00:02:03,750 --> 00:02:06,490 TREAT YOU GUYS TO SOME LUNCH. 34 00:02:06,490 --> 00:02:08,930 GOT TO GET READY FOR WORK. 35 00:02:08,930 --> 00:02:12,130 [KISS] YOU TWO HAVE A REALLY GOOD DAY AT SCHOOL. 36 00:02:14,260 --> 00:02:16,400 HOW LONG YOU THINK SHE'S GONNA KEEP THAT UP? 37 00:02:16,400 --> 00:02:18,230 WHAT, BUYING US LUNCH? 38 00:02:18,230 --> 00:02:19,800 YEAH, HER WHOLE FAIRY GODMOTHER ACT. 39 00:02:19,800 --> 00:02:22,240 EVER SINCE MY DAD MOVED OUT, IT'S LIKE SHE'S BEEN TRYING 40 00:02:22,240 --> 00:02:24,370 WAY TOO HARD TO MAKE OUR LIVES SEEM NORMAL. 41 00:02:24,370 --> 00:02:26,640 AIN'T NOTHING NORMAL ABOUT THIS. 42 00:02:26,640 --> 00:02:29,310 [PHONE VIBRATING] 43 00:02:37,790 --> 00:02:40,260 YOU OK? 44 00:02:40,260 --> 00:02:42,290 [VIBRATING CONTINUES] 45 00:02:42,290 --> 00:02:44,790 THAT'S MY WAY OF SAYING, "I KNOW YOU'RE NOT OK." 46 00:02:44,790 --> 00:02:47,800 YEAH, JUST SOME STUFF GOING ON WITH MY POPS. 47 00:02:47,800 --> 00:02:50,430 WELL, I KNOW THAT MUCH BY THE WAY YOU'VE BEEN GIVING HIS CALLS THE HEISMAN. 48 00:02:52,200 --> 00:02:55,610 HE WANTS ME TO COME PLAY FOR HIM AT SOUTH CRENSHAW NEXT SEASON. 49 00:02:57,310 --> 00:02:59,610 WOW. THAT'S REALLY BIG. 50 00:02:59,610 --> 00:03:01,610 I MEAN, YOU-- YOU KNOW THAT. 51 00:03:01,610 --> 00:03:03,250 ARE YOU GOING TO? 52 00:03:03,250 --> 00:03:04,750 I DON'T KNOW YET. 53 00:03:04,750 --> 00:03:06,920 WELL, I'M NOT GONNA LIE. THAT WOULD SUCK. 54 00:03:06,920 --> 00:03:10,390 BUT I GUESS IT WOULDN'T SUCK FOR SOUTH CRENSHAW OR YOUR DAD. 55 00:03:10,390 --> 00:03:14,490 JUST TALK TO HIM. I MEAN, AVOIDING HIM ISN'T GONNA MAKE IT ANY EASIER. 56 00:03:14,490 --> 00:03:16,230 YEAH, MAYBE. 57 00:03:16,230 --> 00:03:17,290 LISTEN, DON'T SAY NOTHING TO CHRIS, ALL RIGHT? 58 00:03:17,290 --> 00:03:18,760 NOT TILL I'VE GOT THIS FIGURED OUT. 59 00:03:18,760 --> 00:03:20,660 I DON'T WANT HIM GETTING HIS HOPES UP. 60 00:03:20,660 --> 00:03:23,500 YEAH, I DON'T THINK NOT TELLING CHRIS IS GONNA BE A PROBLEM. 61 00:03:23,500 --> 00:03:24,670 WHY? WHAT'S GOING ON? 62 00:03:24,670 --> 00:03:26,670 CHRIS AND I KINDA BROKE UP. 63 00:03:26,670 --> 00:03:28,770 WELL, CORRECTION. HE BROKE UP WITH ME. 64 00:03:28,770 --> 00:03:31,570 IT'S NOT A BIG DEAL. DON'T REALLY WANT TO TALK ABOUT IT, 65 00:03:31,570 --> 00:03:32,780 SO BACK TO YOUR DAD. 66 00:03:32,780 --> 00:03:34,510 -OLIVIA-- -SPENCER, IT'S OK, 67 00:03:34,510 --> 00:03:35,950 REALLY. UM... 68 00:03:35,950 --> 00:03:39,680 HE NEEDS TO FOCUS ON PHYSICAL REHAB 69 00:03:39,680 --> 00:03:42,850 WITH NO DISTRACTIONS AND APPARENTLY THAT'S WHAT I AM. 70 00:03:42,850 --> 00:03:45,860 JORDAN: SPENCE, LIV, THIS IS, UH, CHANNEL. 71 00:03:45,860 --> 00:03:47,960 CHANEL. NICE TO MEET YOU. 72 00:03:47,960 --> 00:03:50,590 RIGHT. OK, LOOK, I'M GONNA TAKE HER HOME, 73 00:03:50,590 --> 00:03:52,530 SO I'LL SEE YOU GUYS AT SCHOOL? 74 00:03:52,530 --> 00:03:54,300 COOL. LET'S DO IT. 75 00:03:58,200 --> 00:04:00,140 [DOOR CLOSES] 76 00:04:00,140 --> 00:04:02,140 -DOES SHE LOOK LIKE-- -YOUR MOM? YEAH. 77 00:04:02,140 --> 00:04:03,370 YEAH. 78 00:04:03,370 --> 00:04:05,470 [SCHOOL BELL RINGS] 79 00:04:05,470 --> 00:04:07,740 HEY, SORRY I SLEPT THROUGH THE GYM. 80 00:04:07,740 --> 00:04:09,610 HEY, JULIE AND I SNUCK OUT LAST NIGHT, 81 00:04:09,610 --> 00:04:12,220 HAD OUR OWN WORKOUT WITH SOME COLLEGE CHICKS. 82 00:04:12,220 --> 00:04:14,220 YO, COME ON, MAN. 83 00:04:14,220 --> 00:04:16,220 EVER SINCE WE WON STATE, YOU AND JORDAN HAVE BEEN 84 00:04:16,220 --> 00:04:18,220 PARTYING OUT AND HALF-ASSING PRACTICES. 85 00:04:18,220 --> 00:04:20,660 "HALF-ASSING" IS A LITTLE AGGRESSIVE, BRO. 86 00:04:20,660 --> 00:04:23,660 WHATEVER, MAN. JUST BRING IT AT PRACTICE TODAY. 87 00:04:23,660 --> 00:04:27,260 OH, COACH DAVIS SAID TODAY IS, UH, OPTIONAL. 88 00:04:27,260 --> 00:04:29,300 OUR FIRST SCRIMMAGE IS TOMORROW. 89 00:04:29,300 --> 00:04:31,370 WHEN'D YOU STOP CARING ABOUT FOOTBALL, MAN? 90 00:04:31,370 --> 00:04:35,170 OH, CHILL. I MEAN, EVEN COACH BAKER'S STILL ON VACATION. 91 00:04:36,770 --> 00:04:39,110 SPENCER: WHAT'S UP? 92 00:04:40,380 --> 00:04:41,910 Y'ALL SEEN LAYLA? 93 00:04:41,910 --> 00:04:44,250 JJ: UH, MAYBE--MAYBE SHE SLEPT IN. 94 00:04:44,250 --> 00:04:45,780 YOU KNOW, PEOPLE DO THAT OCCASIONALLY. 95 00:04:45,780 --> 00:04:48,920 SPENCER: NO, MAN, NOT LAYLA. SHE'S NEVER LATE. 96 00:04:48,920 --> 00:04:51,150 [TEXTING] 97 00:04:52,460 --> 00:04:54,420 [VIBRATING] 98 00:05:30,060 --> 00:05:33,700 MAN, LAYLA STILL AIN'T HIT ME BACK. I HOPE SHE A'IGHT. 99 00:05:33,700 --> 00:05:37,200 HEH! SHE LOOKS FINE TO ME. 100 00:05:37,200 --> 00:05:39,300 [GIGGLES] 101 00:05:39,300 --> 00:05:41,600 -I'MA HOLLA AT YOU. -ALL RIGHT, MAN. 102 00:05:41,600 --> 00:05:44,370 LATER. 103 00:05:44,370 --> 00:05:46,440 OH, I'LL SEE YOU LATER. 104 00:05:46,440 --> 00:05:48,110 -OK, BYE. -HEY. 105 00:05:48,110 --> 00:05:49,610 WHERE YOU BEEN? DIDN'T GET MY TEXT? 106 00:05:49,610 --> 00:05:51,080 [GIGGLES] SORRY. 107 00:05:51,080 --> 00:05:52,610 I WAS AT BREAKFAST WITH MY DAD. 108 00:05:52,610 --> 00:05:54,980 -SO YOU SKIPPED CLASS? -WELL, BREAKFAST WITH MY DAD 109 00:05:54,980 --> 00:05:58,050 DOESN'T HAPPEN VERY OFTEN, AND CLASS DOES EVERY DAY. 110 00:05:58,050 --> 00:05:59,920 OK. I WAS JUST WORRIED. 111 00:05:59,920 --> 00:06:01,020 DON'T BE. 112 00:06:01,020 --> 00:06:03,390 I'M GOOD. I'M BETTER THAN GOOD. 113 00:06:03,390 --> 00:06:05,530 I GET TO SEE MY MAN TAKE THE FIELD TOMORROW. 114 00:06:05,530 --> 00:06:07,000 YOU SURE YOU'RE NOT GONNA SKIP IT? 115 00:06:07,000 --> 00:06:08,930 I COULDN'T EVEN IF I WANTED TO. 116 00:06:08,930 --> 00:06:10,930 STUDENT COUNCIL IS HAVING A RAFFLE TO RAISE MONEY 117 00:06:10,930 --> 00:06:13,200 FOR THE TEAM, SO YOU BETTER COME TO PLAY. 118 00:06:13,200 --> 00:06:14,670 -YOU KNOW I ALWAYS DO. -GOOD, BECAUSE 119 00:06:14,670 --> 00:06:16,440 IF NOT, I JUST MIGHT SKIP IT. 120 00:06:16,440 --> 00:06:19,610 OH. OUCH. OK. 121 00:06:19,610 --> 00:06:22,140 [COOP'S MUSIC PLAYING FAINTLY] 122 00:06:23,580 --> 00:06:25,610 [OVERLAPPING CHATTER] 123 00:06:36,060 --> 00:06:39,160 BABY, THIS IS SO GOOD. THIS IS REALLY GOOD. 124 00:06:39,160 --> 00:06:42,000 HEH! YOU LIKE IT FOR REAL, OR YOU LYING 'CAUSE YOU MY GIRL? 125 00:06:42,000 --> 00:06:45,170 NO, I LIKE IT FOR REAL. I MEAN, YOU KNEW I WOULD. 126 00:06:45,170 --> 00:06:47,170 -JUST WANTED TO HEAR YOU SAY IT. -SUCH A DIVA. 127 00:06:47,170 --> 00:06:49,140 -YOU ALREADY KNOW. -MM-HMM. 128 00:06:49,140 --> 00:06:51,770 WELL, I CAN'T WAIT TO HEAR THE REST. 129 00:06:51,770 --> 00:06:54,680 NEITHER CAN I. I MEAN, SO EVERY TIME 130 00:06:54,680 --> 00:06:56,450 I SIT DOWN AND I TRY TO WRITE, I END UP STARING 131 00:06:56,450 --> 00:06:59,450 AT THAT BLANK-ASS PAGE AND NOTHING COMES OUT. 132 00:06:59,450 --> 00:07:02,350 OK, WELL, MAYBE I COULD COME OVER 133 00:07:02,350 --> 00:07:05,120 SO I CAN GIVE YOU SOME INSPIRATION. 134 00:07:05,120 --> 00:07:07,290 I'M LIKING THE SOUND OF THAT. HEH! 135 00:07:09,020 --> 00:07:11,030 BUT, YOU KNOW, YOU LIVE WAY CLOSER, 136 00:07:11,030 --> 00:07:13,960 SO WE MIGHT AS WELL JUST HEAD OVER THERE AFTER SCHOOL. 137 00:07:16,130 --> 00:07:18,300 I DON'T GET IT. 138 00:07:18,300 --> 00:07:20,640 -WHAT? -LIKE, HOW DO YOU GO FROM 139 00:07:20,640 --> 00:07:22,870 FACING DOWN A WHOLE, ENTIRE GANG ONE DAY 140 00:07:22,870 --> 00:07:25,640 AND THEN BEING AFRAID OF YOUR MOM THE NEXT? LIKE-- 141 00:07:25,640 --> 00:07:27,780 -WHAT DOES THAT EVEN MEAN? -YOU HAVEN'T INVITED ME OVER 142 00:07:27,780 --> 00:07:30,980 SINCE YOU MOVED BACK HOME, SO WHAT, DID YOU MOVE BACK INTO THE CLOSET, TOO? 143 00:07:30,980 --> 00:07:33,650 COME ON, GIRL, YOU TRIPPIN'. MY MOM KNOWS I'M GAY. 144 00:07:33,650 --> 00:07:36,920 MM-HMM. I MEAN, AS LONG AS SHE DOESN'T SEE IT, RIGHT? 145 00:07:36,920 --> 00:07:39,250 NO, IT'S NOT EVEN LIKE THAT. 146 00:07:39,250 --> 00:07:41,260 YEAH. 147 00:07:42,660 --> 00:07:45,790 PATIENCE! 148 00:07:45,790 --> 00:07:48,000 HEY, DON JUAN. 149 00:07:48,000 --> 00:07:50,800 WHAT THE HELL WAS THAT GIRL DOING IN OUR HOUSE THIS MORNING? 150 00:07:50,800 --> 00:07:55,000 WELL, FIRST OFF, SHE'S IN COLLEGE, SO SHE'S A WOMAN, 151 00:07:55,000 --> 00:07:57,010 AND I THINK YOU KNOW WHAT SHE WAS DOING THERE, 152 00:07:57,010 --> 00:07:59,440 BUT IF YOU NEED ME TO BREAK IT DOWN FOR YOU, I WILL. 153 00:07:59,440 --> 00:08:02,210 ARE YOU INSANE? WHAT IF MOM CAUGHT YOU? 154 00:08:02,210 --> 00:08:03,810 WELL, BASED ON THE WAY SHE'S BEEN ACTING LATELY, 155 00:08:03,810 --> 00:08:05,610 SHE'D PROBABLY PRETEND TO BE COOL WITH IT. 156 00:08:05,610 --> 00:08:07,120 LOOK, WHY DON'T YOU JUST TRY TO DO THE SAME? 157 00:08:07,120 --> 00:08:09,080 OK, SHE'S ONLY PRETENDING 158 00:08:09,080 --> 00:08:11,350 BECAUSE SHE FEELS GUILTY ABOUT DAD LEAVING, 159 00:08:11,350 --> 00:08:13,620 WHICH, BY THE WAY, ISN'T HER FAULT, 160 00:08:13,620 --> 00:08:15,090 SO WHY ARE YOU BEING A JACKASS? 161 00:08:15,090 --> 00:08:17,090 WHY ARE YOU BEING ANNOYING, LIV? 162 00:08:17,090 --> 00:08:18,390 WE HAVE FREE REIN. WE MIGHT AS WELL HAVE SOME FUN, 163 00:08:18,390 --> 00:08:20,830 AND IF YOU DON'T WANT TO, THAT'S FINE. 164 00:08:20,830 --> 00:08:23,700 JUST AT LEAST STOP RUINING MINE. 165 00:08:25,270 --> 00:08:26,840 [WHISTLE BLOWS] 166 00:08:26,840 --> 00:08:28,740 SPENCER: YO, WHAT'S UP, CHRIS? 167 00:08:28,740 --> 00:08:30,310 LOOK, I KNOW YOU'RE OUT IN A.T.L. GETTING YOKED 168 00:08:30,310 --> 00:08:32,240 FOR THE NEXT SEASON, BUT I JUST THOUGHT YOU'D APPRECIATE 169 00:08:32,240 --> 00:08:34,910 SEEING WHAT'S WAITING FOR YOU WHEN YOU GET BACK. 170 00:08:34,910 --> 00:08:37,250 YOUR TEAM MISSES YOU, DAWG, SO DO WHAT YOU GOT TO DO 171 00:08:37,250 --> 00:08:38,980 AND HURRY UP AND GET YOUR ASS BACK, A'IGHT? 172 00:08:38,980 --> 00:08:40,780 YO, BILL BELICHICK, 173 00:08:40,780 --> 00:08:42,750 GET YOUR SPYING ASS OFF OUR FIELD. 174 00:08:42,750 --> 00:08:44,650 YO, CHILL, MAN. I'M RECORDING A VIDEO FOR CHRIS WHILE I WAIT 175 00:08:44,650 --> 00:08:46,150 FOR MY POPS TO FINISH UP, A'IGHT? 176 00:08:46,150 --> 00:08:48,420 OH, WELL, IN THAT CASE, HEY, CHRIS JACKSON, 177 00:08:48,420 --> 00:08:50,730 GET YOUR BLACK ASS BACK ON OUR FIELD. 178 00:08:50,730 --> 00:08:52,930 -SEE? EVEN CAM MISSES YOU, DAWG. -NAW, NAW. 179 00:08:52,930 --> 00:08:55,400 I'M JUST SAYING YOU BETTER NOT BE GONE TOO LONG 180 00:08:55,400 --> 00:08:58,070 'CAUSE YOUR NEW BACKUP'S GOT A CANNON, BRO. 181 00:08:58,070 --> 00:08:59,800 WHAT ARE YOU DOING, MAN? HE AIN'T GOTTA SEE ALL THAT. 182 00:08:59,800 --> 00:09:01,840 LOOK, I'M JUST TRYING TO LIGHT A FIRE UNDER HIS ASS. 183 00:09:01,840 --> 00:09:03,870 IF CHRIS DON'T COME BACK ON HIS "A" GAME, HE'S GETTING REPLACED. 184 00:09:03,870 --> 00:09:08,110 THIS NEW KID COACH COREY BROUGHT IN FROM NEVADA AIN'T NO JOKE. 185 00:09:09,710 --> 00:09:11,710 YOU SAY FROM NEVADA? 186 00:09:11,710 --> 00:09:14,080 MM-HMM. 187 00:09:14,080 --> 00:09:16,220 CAM: WHAT, YOUR POPS DIDN'T TELL YOU ABOUT HIM? 188 00:09:16,220 --> 00:09:18,950 THEY SUPER CLOSE, TOO. 189 00:09:18,950 --> 00:09:20,620 [WHISTLE BLOWS] 190 00:09:20,620 --> 00:09:24,590 MAYBE CHRIS AIN'T THE ONLY ONE ABOUT TO BE REPLACED. 191 00:09:33,800 --> 00:09:35,600 COOP: PATIENCE, I'M SORRY, OK? 192 00:09:35,600 --> 00:09:37,610 EVERYBODY ALREADY HATES ME IN SCHOOL 193 00:09:37,610 --> 00:09:39,110 FOR SNITCHING ON TYRONE. 194 00:09:39,610 --> 00:09:41,840 PLEASE DON'T TELL ME YOU JOINED THE LIST. 195 00:09:41,840 --> 00:09:43,940 I DON'T HATE YOU, TAMIA. 196 00:09:43,940 --> 00:09:45,450 "TAMIA"? 197 00:09:45,450 --> 00:09:46,850 NOT "BABE"? 198 00:09:46,850 --> 00:09:48,480 YOU DO HATE ME. 199 00:09:48,480 --> 00:09:51,190 A'IGHT, BUT DO YOU HATE MY NEW LYRICS? 200 00:09:51,190 --> 00:09:52,990 CHECK IT. 201 00:09:52,990 --> 00:09:54,520 ♪ MY NAME IS COOP AND I'M HERE TO SAY ♪ 202 00:09:54,520 --> 00:09:57,930 ♪ THAT I'M A FOOL, BUT I LOVE MY BABY ♪ 203 00:09:57,930 --> 00:09:59,260 STOP, STOP. 204 00:09:59,260 --> 00:10:01,200 YES, THOSE I HATE. 205 00:10:01,200 --> 00:10:02,960 GOD, YOU'RE SO ANNOYING. 206 00:10:02,960 --> 00:10:05,600 YOU'RE SO ANNOYING. DON'T--DON'T EVEN HUG ME. 207 00:10:05,600 --> 00:10:07,130 YOU'RE SO ANNOYING. UGH. 208 00:10:07,130 --> 00:10:08,500 -SPENCE, WHAT'S UP? -WHAT'S UP? 209 00:10:08,500 --> 00:10:10,470 MOVE BACK ALREADY? 210 00:10:10,470 --> 00:10:12,370 HEY, MY LIPS ARE SEALED, OK? 211 00:10:12,370 --> 00:10:14,210 [BOTH CHUCKLE] 212 00:10:14,210 --> 00:10:16,480 NAH, I WAS JUST CHECKING OUT THAT CRENSHAW PRACTICE. 213 00:10:16,480 --> 00:10:18,880 Y'ALL KNOW ANYTHING ABOUT THAT NEW QB? 214 00:10:18,880 --> 00:10:21,980 COME ON, MAN. WE STOPPED WATCHING THAT GAME WHEN OUR STAR RECEIVER BOUNCED. 215 00:10:21,980 --> 00:10:24,020 PATIENCE: YEAH, WE'LL WATCH WHEN YOU COME BACK, SO... 216 00:10:24,020 --> 00:10:26,020 LOYALTY. I LIKE-- I LIKE THAT. HA HA. 217 00:10:26,020 --> 00:10:27,150 BOY: SMELLS LIKE SNITCH. 218 00:10:27,150 --> 00:10:29,890 Y'ALL FELLAS GOT SOMETHING TO SAY? 219 00:10:29,890 --> 00:10:34,230 SEE, I WOULD TELL YOU, BUT, UH, YOUR NARC FRIEND WOULD RAT US OUT. 220 00:10:34,230 --> 00:10:37,130 SPENCER: MAYBE SHE AIN'T THE ONE YOU GOT TO BE WORRIED ABOUT. 221 00:10:37,130 --> 00:10:38,670 LOOK, COME ON. IT'S ALL GOOD. 222 00:10:38,670 --> 00:10:41,140 IT AIN'T ALL GOOD. HOW COME YOU AIN'T SAY NOTHIN'? 223 00:10:41,140 --> 00:10:43,100 WHAT YOU WANT ME TO SAY? THEY'RE NOT WORTH MY TIME. 224 00:10:43,100 --> 00:10:45,110 HOLD UP. SINCE WHEN DOES COOP NOT STAND UP FOR HERSELF? 225 00:10:45,110 --> 00:10:47,170 PATIENCE: OH, YEAH, SHE'S BEEN REAL QUIET LATELY. 226 00:10:47,170 --> 00:10:49,240 AT HERE, AT HOME. 227 00:10:49,240 --> 00:10:51,380 [DISTANT SIREN] 228 00:10:51,380 --> 00:10:54,380 WHATEVER. UM, LOOK, I GOT TO GO, SO I WILL CATCH YOU GUYS LATER, OK? 229 00:10:54,380 --> 00:10:56,680 WHAT'S THAT ALL ABOUT? 230 00:10:56,680 --> 00:11:00,650 SHE IS TRIPPIN', BRO, AND IT'S PROBABLY 'CAUSE I AIN'T HAD HER OVER IN A WHILE. 231 00:11:00,650 --> 00:11:01,990 -ALL RIGHT, SO INVITE HER OVER. -COME ON. 232 00:11:01,990 --> 00:11:03,360 MY MOMS IS A WORK IN PROGRESS. 233 00:11:03,360 --> 00:11:05,130 I CAN'T JUST PUT THEM TWO TOGETHER IN A ROOM. 234 00:11:05,130 --> 00:11:07,530 LOOK, PATIENCE IS YOUR GIRL, AND SHE FELL IN LOVE 235 00:11:07,530 --> 00:11:09,260 WITH THE COOP WHO SPEAKS HER MIND, NO MATTER WHAT, 236 00:11:09,260 --> 00:11:11,070 THE COOP I'VE KNOWN MY WHOLE LIFE. 237 00:11:11,070 --> 00:11:13,200 NOTHING CHANGED, MAN. I'M STILL THE SAME PERSON. 238 00:11:13,200 --> 00:11:15,840 NOT FROM WHAT I JUST SAW. 239 00:11:22,340 --> 00:11:24,810 [OVERLAPPING CHATTER] 240 00:11:27,350 --> 00:11:29,280 TO THE STATE CHAMPS AND THE LADIES WHO LOVE THEM. 241 00:11:29,280 --> 00:11:31,020 -YEAH. -DRINK TO THAT. 242 00:11:31,020 --> 00:11:32,620 JORDAN: LET'S TAKE A SELFIE, GUYS. 243 00:11:32,620 --> 00:11:34,960 LET'S DO IT. YOUR PHONE? 244 00:11:34,960 --> 00:11:37,860 JORDAN: I'VE TAKEN SO MANY OF THESE... [CONTINUES INDISTINCTLY] 245 00:11:39,890 --> 00:11:43,100 #STATECHAMPLIFE. HMM. 246 00:11:44,670 --> 00:11:47,900 IS IT WRONG THAT I KINDA WISH THEY LOST THAT GAME? 247 00:11:47,900 --> 00:11:51,840 YES, LIV, YOU'RE AN EAGLE. THEY'RE JUST HAVING FUN. 248 00:11:53,540 --> 00:11:55,910 YEAH, I DON'T SEE FUN. I SEE A SIGN AROUND HIS NECK 249 00:11:55,910 --> 00:11:58,510 THAT SAYS "HELP ME" WRITTEN IN THAT GIRL'S LIPSTICK. 250 00:11:58,510 --> 00:12:01,180 YOU SEE THAT SIGN AROUND EVERYONE'S NECK, MAYBE MINUS THE LIPSTICK. 251 00:12:01,180 --> 00:12:03,450 -OK, THAT'S NOT TRUE. -NO? 252 00:12:03,450 --> 00:12:06,590 HOW MANY TIMES HAVE YOU ASKED ME ABOUT MY DAD SINCE HE'S BEEN BACK? 253 00:12:06,590 --> 00:12:08,460 ONE... 254 00:12:08,460 --> 00:12:10,460 MMM... 255 00:12:10,460 --> 00:12:11,860 -HUNDRED? -CLOSER, YEAH. 256 00:12:11,860 --> 00:12:14,860 I'M SORRY. I'M JUST REALLY HAPPY 257 00:12:14,860 --> 00:12:17,100 THAT YOU TWO ARE DOING SO WELL. 258 00:12:17,100 --> 00:12:19,870 IT'S LIKE WE'RE PLAYING MUSICAL FATHERS. 259 00:12:19,870 --> 00:12:21,340 MINE LEAVES, YOURS COMES BACK. 260 00:12:21,340 --> 00:12:23,070 DON'T FORGET ABOUT SPENCER'S DAD. 261 00:12:23,070 --> 00:12:25,140 HOW COULD I? I MEAN, I CAN'T BELIEVE HE WANTS 262 00:12:25,140 --> 00:12:27,510 SPENCER TO MOVE BACK TO CRENSHAW. 263 00:12:32,480 --> 00:12:34,980 AND I HAVE THE BIGGEST MOUTH IN THE WORLD. 264 00:12:34,980 --> 00:12:38,490 I AM SO SORRY. HE DIDN'T WANT TO TELL ME, OK? 265 00:12:38,490 --> 00:12:41,220 I PRIED IT OUT OF HIM THIS MORNING, AND I JUST ASSUMED THAT HE TOLD YOU. 266 00:12:41,220 --> 00:12:44,220 LIV, IT'S FINE. SURE HE WAS PLANNING ON TELLING ME. 267 00:12:44,220 --> 00:12:47,490 HE JUST HASN'T GOTTEN THE CHANCE YET. 268 00:12:47,490 --> 00:12:49,900 -HERE YOU GO. -THERE IT IS. 269 00:12:49,900 --> 00:12:52,500 -NO? OK. -HA HA HA! 270 00:12:52,500 --> 00:12:54,500 [ALL CHUCKLE] 271 00:12:54,500 --> 00:12:57,040 HEY. SO THIS IS WHY YOU GUYS MISSED PRACTICE? 272 00:12:57,040 --> 00:12:58,310 -PRACTICE? -HA HA! 273 00:12:58,310 --> 00:12:59,970 I MEAN, WE'RE TALKING ABOUT PRACTICE? 274 00:12:59,970 --> 00:13:01,310 YEAH, IT WAS OPTIONAL. 275 00:13:01,310 --> 00:13:03,610 AND... GAME TOMORROW ISN'T. 276 00:13:03,610 --> 00:13:06,510 ASHER: LOOK, I GUARANTEE YOU GUYS THAT ENCINO'S BEEN PRACTICING. 277 00:13:06,510 --> 00:13:08,450 YEAH, OF COURSE THEY HAVE BEEN, OK? 278 00:13:08,450 --> 00:13:10,480 THEY'RE ABOUT TO FACE THE STATE CHAMPS, ASH. 279 00:13:10,480 --> 00:13:12,620 HEY, YOU'RE OUR QUARTERBACK, JORDAN. 280 00:13:12,620 --> 00:13:14,860 WE SHOULD BE RUNNING OUR PLAYS RIGHT NOW. 281 00:13:14,860 --> 00:13:17,860 WE ALREADY KNOW THE PLAYS. YOU--YOU NEED TO RELAX, SERIOUSLY. 282 00:13:17,860 --> 00:13:19,860 JJ, TELL HIM YOUR JOKE, PLEASE. 283 00:13:19,860 --> 00:13:21,800 OH, UH, KNOCK KNOCK. 284 00:13:23,130 --> 00:13:24,200 -OK, WHO'S THERE? -HA HA! 285 00:13:24,200 --> 00:13:26,000 STATE CHAMPS, BABY! 286 00:13:26,000 --> 00:13:27,330 JORDAN: WHOO! HA HA! 287 00:13:27,330 --> 00:13:29,870 JJ: HA HA! OK. 288 00:13:32,510 --> 00:13:34,880 [FOOTSTEPS APPROACH] 289 00:13:34,880 --> 00:13:37,480 -THANK YOU. -OH, YOU'RE WELCOME. 290 00:13:37,480 --> 00:13:41,080 SO, LISTEN, I, UH, I JUST DROPPED BY TO THANK YOU 291 00:13:41,080 --> 00:13:44,890 FOR THE MUCH-NEEDED KICK IN THE BEHIND YOU GAVE ME LAST WEEK. 292 00:13:44,890 --> 00:13:47,390 WELL, THAT IS DEFINITELY AN IMPROVEMENT. 293 00:13:47,390 --> 00:13:51,020 THE MIRACLES OF A RAZOR AND A SHOWER. 294 00:13:51,020 --> 00:13:52,490 YEAH. 295 00:13:52,490 --> 00:13:55,630 HOW'S, UH...HOW'S SPENCER? 296 00:13:55,630 --> 00:13:58,230 HE'S STILL NOT SURE WHAT SCHOOL HE'S GONNA PLAY FOR NEXT YEAR. 297 00:13:58,730 --> 00:14:01,940 HE'S AFRAID HE'S GONNA MAKE THE WRONG DECISION... 298 00:14:01,940 --> 00:14:04,940 WHICH, I HEAR, HAS BEEN GOING AROUND. 299 00:14:07,470 --> 00:14:09,610 SPENCER TOLD ME YOU'RE RESIGNING. 300 00:14:09,610 --> 00:14:12,010 I THINK YOU'RE MAKING A HUGE MISTAKE. 301 00:14:12,010 --> 00:14:16,350 YOU KNOW, I JUST WANT TO DO WHAT'S RIGHT FOR MY FAMILY RIGHT NOW, 302 00:14:16,350 --> 00:14:19,090 AND I THINK LEAVING THE TEAM WILL GIVE JORDAN SOME SPACE. 303 00:14:19,090 --> 00:14:22,690 BOYS DON'T NEED SPACE. THEY NEED THEIR FATHERS. 304 00:14:22,690 --> 00:14:26,360 ISN'T THAT WHY YOU MOVED BACK HOME, TO MAKE THINGS RIGHT WITH YOUR DAD? 305 00:14:26,360 --> 00:14:28,460 YEAH, AND LOOK HOW THAT TURNED OUT. 306 00:14:28,460 --> 00:14:32,570 I BOOKED HIM A FLIGHT BACK FROM FLORIDA, AND HE DIDN'T GET ON IT. 307 00:14:32,570 --> 00:14:36,000 WELL, WILLY MAY NOT BE IN L.A., 308 00:14:36,000 --> 00:14:38,370 BUT THERE IS ANOTHER BAKER MAN WHO IS. 309 00:14:38,370 --> 00:14:41,040 THAT'S WHO YOU SHOULD BE TALKING TO. 310 00:14:41,040 --> 00:14:44,510 SPACE ISN'T GONNA FIX YOU AND JORDAN. 311 00:14:44,510 --> 00:14:46,580 [SIGHS] 312 00:14:50,520 --> 00:14:52,990 [OVERLAPPING CHATTER] 313 00:14:55,520 --> 00:14:57,990 WHY THIS THING GOT YOU SO UPSET? 314 00:14:57,990 --> 00:15:01,030 AIN'T NO KID GONNA COME IN SOUTH CRENSHAW AND TAKE CHRIS' SPOT. 315 00:15:01,030 --> 00:15:03,400 WHY NOT? THAT'S HOW IT WENT DOWN WHEN I ROLLED TO BEVERLY. 316 00:15:03,400 --> 00:15:05,530 YEAH, BUT THIS KID AIN'T SPENCER JAMES. 317 00:15:05,530 --> 00:15:07,670 I DON'T KNOW WHO HE IS. 318 00:15:07,670 --> 00:15:09,670 SO WHY DIDN'T YOU ASK YOUR POPS WHEN YOU WAS JUST AT THE PRACTICE? 319 00:15:09,670 --> 00:15:11,810 'CAUSE HE WAS TOO BUSY WITH HIS NEW RECRUITS, SO I BOUNCED. 320 00:15:11,810 --> 00:15:14,670 HEE HEE! YO, YOU LOVE MAKING THINGS TOUGH FOR YOURSELF. 321 00:15:14,670 --> 00:15:15,980 YEAH, LOOK WHO'S TALKING. 322 00:15:15,980 --> 00:15:17,580 YOU AIN'T EXACTLY KEEPING IT REAL 323 00:15:17,580 --> 00:15:18,950 WITH YOUR MOMS, EITHER; OTHERWISE YOU'D BE 324 00:15:18,950 --> 00:15:20,410 KICKING IT WITH PATIENCE RIGHT NOW. 325 00:15:20,410 --> 00:15:21,680 CAM: HEY. 326 00:15:23,820 --> 00:15:25,450 -THAT'S HIM? -YEAH. 327 00:15:25,450 --> 00:15:28,090 HEH! DON'T LOOK LIKE MUCH TO ME. 328 00:15:28,090 --> 00:15:29,590 YOU KNOW, YOU LEFT BEFORE I COULD INTRODUCE YOU 329 00:15:29,590 --> 00:15:31,620 TO COACH'S FAVORITE NEW QB1. 330 00:15:31,620 --> 00:15:33,760 HEY, I DON'T KNOW NOTHING ABOUT FOOTBALL, 331 00:15:33,760 --> 00:15:35,360 BUT AIN'T THAT CHRIS' SPOT? 332 00:15:35,360 --> 00:15:37,100 NAH, NOT WHAT I'VE BEEN TOLD. 333 00:15:37,100 --> 00:15:39,770 SOMEBODY LIED TO YOU. 334 00:15:39,770 --> 00:15:42,440 AND YOU? CHRIS IS YOUR BOY. YOU REALLY GONNA DO HIM LIKE THIS? 335 00:15:42,440 --> 00:15:44,440 LONG AS I GET MY TARGETS, MAN. 336 00:15:44,440 --> 00:15:46,440 I JUST GOT TO LOOK OUT FOR MYSELF, 337 00:15:46,440 --> 00:15:48,840 LIKE YOU DID WHEN YOU WENT TO BEVERLY. 338 00:15:48,840 --> 00:15:50,840 COME ON, BRO. 339 00:15:56,380 --> 00:15:58,520 HA HA! 340 00:15:58,520 --> 00:16:00,850 SIR, YOU REALLY CAN'T BE DRINKING IN HERE. 341 00:16:00,850 --> 00:16:03,420 LOOK, MAN, WE'RE NOT--WE'RE NOT BOTHERING ANYBODY, OK? 342 00:16:03,420 --> 00:16:06,390 ACTUALLY, YOU ARE. PEOPLE ARE COMPLAINING THAT YOU'RE BEING TOO LOUD. 343 00:16:06,390 --> 00:16:10,000 TOO--HEH! LOOK, I THINK THEY'RE BEING TOO QUIET. 344 00:16:10,000 --> 00:16:13,670 MAYBE IT'S BEST IF YOU AND YOUR FRIENDS LEAVE. 345 00:16:13,670 --> 00:16:15,800 REA--YOU'RE KICKING US OUT? 346 00:16:15,800 --> 00:16:17,800 OH, OK. LOOK, BIG GUY, 347 00:16:17,800 --> 00:16:20,940 HOW OFTEN DO YOU GET STATE CHAMPS IN HERE? 348 00:16:20,940 --> 00:16:23,680 SPENCER JAMES WORKS HERE. 349 00:16:23,680 --> 00:16:25,950 OK, WHATEVER. LOOK, 350 00:16:25,950 --> 00:16:28,620 IF ANYBODY HAS A PROBLEM WITH THE WAY I AM ACTING, 351 00:16:28,620 --> 00:16:31,120 THEY CAN SAY IT TO MY FACE, INSTEAD OF WHINING TO THIS KID RIGHT HERE. 352 00:16:31,120 --> 00:16:33,120 MAN: WE ALL HAVE A PROBLEM WITH THE WAY 353 00:16:33,120 --> 00:16:35,460 YOUR SPOILED BITCH-ASS IS ACTING. 354 00:16:35,460 --> 00:16:37,360 YOU'RE BEING A DICK. 355 00:16:37,360 --> 00:16:39,490 OH, YEAH? 356 00:16:39,490 --> 00:16:41,130 WELL, THEN YOUR GIRL MUST NOT THINK SO, 357 00:16:41,130 --> 00:16:43,130 CONSIDERING SHE'S ALREADY DM'd ME 358 00:16:43,130 --> 00:16:45,130 WHILE YOU WERE BORING HER FOR THE LAST HOUR. 359 00:16:45,130 --> 00:16:49,340 HEY, SWEETHEART, YOU WANT TO DUMP THIS LOSER? THERE'S ROOM AT OUR TABLE. 360 00:16:50,570 --> 00:16:52,340 KEEP YOUR MOUTH SHUT-- [GRUNTS] 361 00:16:59,710 --> 00:17:01,650 LAURA: THANK YOU FOR NOT PRESSING CHARGES, 362 00:17:01,650 --> 00:17:03,420 AND I'M REALLY SORRY. 363 00:17:03,920 --> 00:17:07,590 THEY'RE NORMALLY REALLY GOOD KIDS. 364 00:17:07,590 --> 00:17:09,420 -THANK YOU. -THANK YOU. 365 00:17:09,420 --> 00:17:11,090 NO PROBLEM. 366 00:17:13,460 --> 00:17:16,300 I DON'T EVEN KNOW WHAT TO SAY TO YOU RIGHT NOW. 367 00:17:16,300 --> 00:17:19,830 I SHOULD HAVE LET THAT POLICE OFFICER TAKE YOU TWO TO JAIL. 368 00:17:19,830 --> 00:17:21,900 -HOW? SHE WAS ON A BICYCLE. -[SNICKERS] 369 00:17:21,900 --> 00:17:23,470 YOU THINK THIS IS FUNNY, JJ? 370 00:17:23,470 --> 00:17:25,040 -NO, MA'AM. -'CAUSE YOU TWO ARE GONNA PAY 371 00:17:25,040 --> 00:17:27,110 FOR THE DAMAGES OUT OF YOUR OWN POCKETS, 372 00:17:27,110 --> 00:17:30,310 AND I AM NOT EVEN CLOSE TO THROUGH WITH YOU. 373 00:17:30,310 --> 00:17:32,950 [LAURA GASPS, CAR DOOR CLOSES] 374 00:17:34,310 --> 00:17:36,180 -HEY. -WHAT ARE YOU DOING HERE? 375 00:17:36,180 --> 00:17:38,850 A BETTER QUESTION IS WHY DIDN'T YOU CALL ME? 376 00:17:38,850 --> 00:17:42,920 I SHOULDN'T HAVE TO FIND OUT BECAUSE MY SON'S IDIOT FRIEND LIVESTREAMED THE ARREST. 377 00:17:42,920 --> 00:17:44,460 I DIDN'T CALL YOU BECAUSE I DIDN'T NEED YOU, 378 00:17:44,460 --> 00:17:46,060 BECAUSE I'VE GOT IT HANDLED. 379 00:17:46,060 --> 00:17:48,090 OK, SURE ABOUT THAT? 380 00:17:50,330 --> 00:17:52,600 [SIGHS] GREAT. 381 00:17:53,100 --> 00:17:57,700 YOU KNOW WHAT, BILLY? JUST...GO BACK TO YOUR DAD'S. 382 00:17:57,700 --> 00:17:59,770 ALL RIGHT. 383 00:18:00,970 --> 00:18:03,780 [COOP'S MUSIC PLAYING] 384 00:18:18,560 --> 00:18:20,330 [MUSIC STOPS] 385 00:18:20,330 --> 00:18:23,660 IT'S SO GOOD TO SEE YOU GETTING BACK INTO YOUR MUSIC. 386 00:18:23,660 --> 00:18:27,070 YOU USED TO LOVE TO SING ME SONGS WHEN YOU WERE LITTLE. 387 00:18:27,070 --> 00:18:28,670 -DID I? -MM-HMM. 388 00:18:28,670 --> 00:18:31,070 YOUR FAVORITE ONE WAS "ANOTHER SATURDAY NIGHT," 389 00:18:31,070 --> 00:18:34,470 ONLY YOU THOUGHT HE WAS SINGING ABOUT HAVING "NO BODY," 390 00:18:34,470 --> 00:18:36,840 LIKE HE WAS JUST A HEAD FLOATIN' OUT THERE. 391 00:18:36,840 --> 00:18:39,340 [CHUCKLES] THAT AIN'T CHANGED. 392 00:18:39,340 --> 00:18:41,680 I STILL CAN'T FIND THE RIGHT WORDS. 393 00:18:41,680 --> 00:18:44,120 GIRL, DON'T BE SO HARD ON YOURSELF. 394 00:18:44,120 --> 00:18:46,490 [DOOR CLOSES] 395 00:18:46,490 --> 00:18:49,420 THE WORDS DON'T REALLY MATTER. 396 00:18:49,420 --> 00:18:53,430 PEOPLE ONLY CARE ABOUT THE MUSIC AND HOW IT MAKES THEM FEEL. 397 00:18:53,430 --> 00:18:56,430 YOU KNOW, PATIENCE IS REALLY DOPE WITH LYRICS, 398 00:18:56,430 --> 00:18:58,460 AND SHE OFFERED TO HELP ME. 399 00:18:58,460 --> 00:19:01,130 -WELL, THAT'S VERY SWEET OF HER. -YEAH. 400 00:19:01,130 --> 00:19:04,640 SHE, UH, SAID SHE WAS GONNA COME OVER TOMORROW NIGHT. 401 00:19:04,640 --> 00:19:07,310 WELL, TOMORROW NIGHT'S NOT ANY GOOD 402 00:19:07,310 --> 00:19:09,810 'CAUSE, UH, I'M HOSTING MY CHURCH GROUP. 403 00:19:11,080 --> 00:19:13,310 THAT'S COOL. I MEAN, WE AIN'T GONNA BOTHER YOU. 404 00:19:13,310 --> 00:19:14,910 WE'RE JUST GONNA BE IN MY ROOM, WORKIN'. 405 00:19:14,910 --> 00:19:17,050 WELL, I DON'T THINK THAT'S A GOOD IDEA. 406 00:19:17,050 --> 00:19:18,920 I MEAN, YOU KNOW HOW JUDGMENTAL THEY CAN BE. 407 00:19:18,920 --> 00:19:22,790 MOM...THEY KNOW I'M GAY, OK? I AIN'T BEEN HIDIN' IT. 408 00:19:22,790 --> 00:19:26,590 BUT WE DON'T NEED TO GO FLAUNTING IT IN THEIR FACES, DO WE? 409 00:19:26,590 --> 00:19:30,660 I'M JUST TRYING TO PROTECT YOU AND PATIENCE, THAT'S ALL. 410 00:19:30,660 --> 00:19:32,430 [KISS] 411 00:19:45,480 --> 00:19:47,510 LAYLA? 412 00:19:48,980 --> 00:19:50,950 WHAT'S GOING ON? 413 00:19:52,320 --> 00:19:54,320 YOU OUT HERE BY YOURSELF? 414 00:19:54,320 --> 00:19:56,320 WHAT, NO SUITCASES? 415 00:19:56,320 --> 00:19:59,490 NO MOVING VAN TO TAKE YOUR STUFF BACK TO CRENSHAW? 416 00:19:59,490 --> 00:20:02,860 -LAYLA, LOOK-- -HOW COULD YOU NOT TELL ME? 417 00:20:02,860 --> 00:20:04,860 I WAS GOING TO, A'IGHT? I JUST-- 418 00:20:04,860 --> 00:20:06,360 YOU JUST THOUGHT IT WOULD SOUND BETTER COMING FROM OLIVIA? 419 00:20:06,360 --> 00:20:08,470 NO, I WASN'T PLANNING ON TELLING ANYONE, 420 00:20:08,470 --> 00:20:10,870 NOT UNTIL I KNEW WHAT I WAS GONNA DO. 421 00:20:10,870 --> 00:20:13,940 WOW. SO NOW I'M JUST ANYONE. 422 00:20:13,940 --> 00:20:15,540 BABY, COME ON. 423 00:20:15,540 --> 00:20:17,480 YOU KNOW I LOVE YOU. 424 00:20:17,480 --> 00:20:19,480 LOOK, YOU'VE BEEN SO HAPPY WITH YOUR DAD BEING BACK, 425 00:20:19,480 --> 00:20:21,110 I DIDN'T WANT TO RUIN THAT BY BRINGING THIS UP, 426 00:20:21,110 --> 00:20:23,150 ESPECIALLY WHEN NOTHING'S BEEN DECIDED. 427 00:20:23,150 --> 00:20:26,480 SO YOU WANT ME TO BELIEVE THAT YOU LIED TO ME FOR MY OWN GOOD? 428 00:20:26,480 --> 00:20:28,550 -I DIDN'T LIE. -NO, IT'S ALL GOOD. 429 00:20:28,550 --> 00:20:30,990 YOU KNOW, I DON'T KNOW WHY I BOTHER TO CARE 430 00:20:30,990 --> 00:20:33,020 SO MUCH ABOUT OTHER PEOPLE'S FEELINGS 431 00:20:33,020 --> 00:20:35,960 WHEN NO ONE SEEMS TO CARE ABOUT MINE, 432 00:20:35,960 --> 00:20:38,900 SO FROM NOW ON, I'M JUST GONNA WORRY ABOUT MYSELF. 433 00:20:41,130 --> 00:20:43,170 [TIRES SQUEAL] 434 00:20:56,380 --> 00:20:58,650 HEY. YOU OK? 435 00:20:58,650 --> 00:21:00,250 YEAH. 436 00:21:00,250 --> 00:21:02,550 YEAH, I WAS ACTUALLY LOOKING FOR JORDAN. 437 00:21:02,550 --> 00:21:04,590 HE'S GONE M.I.A. AND HE'S NOT ANSWERING HIS PHONE 438 00:21:04,590 --> 00:21:07,190 AND MY MOM'S ON A WARPATH, 439 00:21:07,190 --> 00:21:10,060 SO I FIGURED IT WAS SAFER FOR HIM IF I FOUND HIM FIRST. 440 00:21:10,060 --> 00:21:13,330 YEAH... I HEARD ABOUT THE FIGHT. 441 00:21:14,930 --> 00:21:17,340 THE TRACK COACH SAID HE MIGHT BE BACK HERE. IS HE? 442 00:21:17,340 --> 00:21:19,470 NO, I'M SORRY. JUST ME. 443 00:21:19,470 --> 00:21:21,970 OK. UM, THANKS. 444 00:21:21,970 --> 00:21:23,840 YEAH. 445 00:21:25,610 --> 00:21:27,510 WAIT. WHY ARE YOU STILL HERE? 446 00:21:27,510 --> 00:21:29,510 ISN'T FOOTBALL PRACTICE WAY OVER? 447 00:21:29,510 --> 00:21:32,020 I'VE JUST BEEN GETTING IN EXTRA TIME 448 00:21:32,020 --> 00:21:33,950 IN THE WEIGHT ROOM AND ON THE FIELD. 449 00:21:33,950 --> 00:21:36,020 GUYS ARE ALL RIDING HIGH ON THE CHAMPIONSHIP, 450 00:21:36,020 --> 00:21:39,020 BUT MY RANKING TOOK A MAJOR HIT LAST SEASON. 451 00:21:39,020 --> 00:21:41,090 BEST THING I GOT GOING FOR ME RIGHT NOW IS JUNIOR COLLEGE, 452 00:21:41,090 --> 00:21:45,030 AND THAT'S...THAT'S NOT GOOD ENOUGH. 453 00:21:45,030 --> 00:21:49,830 7-ON-7s MIGHT BE MY BEST CHANCE TO GET BACK ON A D1 SCHOOL'S RADAR. 454 00:21:53,570 --> 00:21:55,240 WHAT? 455 00:21:55,240 --> 00:21:57,240 I'M JUST PROUD OF YOU. 456 00:22:00,010 --> 00:22:03,920 WELL, I WILL LET YOU GET BACK TO IT. 457 00:22:03,920 --> 00:22:05,350 YEAH. 458 00:22:09,190 --> 00:22:11,120 [KNOCK ON DOOR] 459 00:22:18,460 --> 00:22:20,470 YOU A HARD MAN TO REACH. 460 00:22:20,470 --> 00:22:23,330 YEAH, THAT'S MY BAD. I BEEN KINDA BUSY. 461 00:22:23,330 --> 00:22:26,070 COME ON IN, SIT DOWN. 462 00:22:34,010 --> 00:22:36,010 LOOK, POPS, THIS NEW KID FROM NEVADA... 463 00:22:36,010 --> 00:22:37,350 [SIGHS] 464 00:22:37,350 --> 00:22:39,080 WHY HE THINK HE TAKING CHRIS' SPOT? 465 00:22:39,080 --> 00:22:41,120 I MEAN, HOW YOU JUST WRITING CHRIS OFF 466 00:22:41,120 --> 00:22:43,150 WITHOUT GIVING HIM A CHANCE TO BOUNCE BACK? THAT'S NOT FA-- 467 00:22:43,150 --> 00:22:45,020 WHOA, EASY, SON. FIRST OF ALL, 468 00:22:45,020 --> 00:22:47,090 THE KID FROM NEVADA, HE'S GOT A NAME. 469 00:22:47,090 --> 00:22:48,960 IT'S DARNELL. 470 00:22:48,960 --> 00:22:51,230 HE'S WHY I'VE BEEN TRYING TO GET A HOLD OF YOU. 471 00:22:52,500 --> 00:22:53,560 DARNELL. 472 00:22:53,560 --> 00:22:56,370 YEP, I'M COMING. 473 00:22:56,370 --> 00:22:59,040 OH... 474 00:22:59,040 --> 00:23:01,040 DARNELL: HEY, MAN. 475 00:23:01,040 --> 00:23:02,670 LOOK, MY BAD ABOUT EARLIER. 476 00:23:02,670 --> 00:23:05,440 I NEVER WOULD HAVE GONE DOWN LIKE THAT IF I'D KNOWN WHO YOU WERE. 477 00:23:05,440 --> 00:23:07,950 IT WAS NICE MEETING YOU, THOUGH. 478 00:23:09,310 --> 00:23:11,850 WHAT IS THIS? 479 00:23:14,450 --> 00:23:16,450 DARNELL IS MY EX-GIRLFRIEND'S SON. 480 00:23:16,450 --> 00:23:19,190 HE LIVED WITH US IN, UH, NEVADA, 481 00:23:19,190 --> 00:23:23,330 BUT NOW HE'S GONNA LIVE WITH ME OUT HERE FOR A LITTLE WHILE. 482 00:23:24,630 --> 00:23:27,930 Y'ALL LIVED TOGETHER IN NEVADA? 483 00:23:29,130 --> 00:23:31,270 YEAH. 484 00:23:34,110 --> 00:23:36,110 I SHOULD HAVE KNOWN. 485 00:23:36,110 --> 00:23:38,010 HEY, SPENCER? 486 00:23:38,010 --> 00:23:40,010 NO, THAT'S MY BAD. 487 00:23:40,010 --> 00:23:42,350 I BROKE UP Y'ALL LITTLE FAMILY REUNION. 488 00:23:42,350 --> 00:23:45,350 [SIGHS] SPENCER, WAIT. 489 00:23:54,890 --> 00:23:56,890 JJ: DUDE, MY MOM WAS 490 00:23:56,890 --> 00:23:58,900 SO PISSED ABOUT YESTERDAY. 491 00:23:58,900 --> 00:24:01,000 LUCKILY, SHE BELIEVED ME WHEN I SAID IT WAS ALL YOUR FAULT. 492 00:24:01,000 --> 00:24:01,970 -AH, OK. -HA HA! 493 00:24:01,970 --> 00:24:03,500 WHAT'D YOUR MOM DO TO YOU? 494 00:24:03,500 --> 00:24:04,970 I'VE BEEN DODGING HER, BUT MY GUESS IS 495 00:24:04,970 --> 00:24:07,310 SHE'LL DO NOTHING, AS USUAL. 496 00:24:09,570 --> 00:24:11,910 NICE OF YOU TO SHOW UP, MAN. 497 00:24:11,910 --> 00:24:14,250 HEY, DON'T START WITH ME, BOY, A'IGHT? NOT TODAY. 498 00:24:14,250 --> 00:24:15,980 SPENCER: LAYLA, CAN YOU CALL ME BACK? 499 00:24:15,980 --> 00:24:17,920 LOOK, I'M SORRY ABOUT YESTERDAY. 500 00:24:17,920 --> 00:24:20,250 I JUST NEED TO TALK TO YOU, A'IGHT? 501 00:24:20,250 --> 00:24:21,850 HEY! 502 00:24:21,850 --> 00:24:24,960 WHAT THE HELL IS UP, GUYS? WHO DIED? 503 00:24:24,960 --> 00:24:27,460 I'LL TELL YOU WHO'S ABOUT TO DIE. 504 00:24:27,460 --> 00:24:29,790 THE ENCINO PANTHERS, THAT'S WHO. 505 00:24:31,500 --> 00:24:33,500 LET ME HEAR IT! WHOSE HOUSE? 506 00:24:33,500 --> 00:24:34,930 ALL: OUR HOUSE. 507 00:24:34,930 --> 00:24:38,000 WHAT, THAT'S ALL WE'VE GOT? 508 00:24:38,000 --> 00:24:40,000 HEY! 509 00:24:40,000 --> 00:24:42,140 WE'RE THE DAMN BEVERLY EAGLES! 510 00:24:42,140 --> 00:24:44,010 WAIT, I--I SAID THAT WRONG. 511 00:24:44,010 --> 00:24:47,350 WE'RE THE STATE CHAMPION BEVERLY EAGLES. 512 00:24:47,350 --> 00:24:49,210 -RIGHT. YEAH. -RIGHT? 513 00:24:49,210 --> 00:24:52,120 LET'S MAKE IT SO LOUD, COACH BAKER HEARS US IN HAWAII! 514 00:24:52,120 --> 00:24:53,350 WHOSE HOUSE? 515 00:24:53,350 --> 00:24:56,090 -OUR HOUSE! -SCREW COACH BAKER! 516 00:24:56,090 --> 00:24:59,290 HE ISN'T LOUNGING ON SOME HAWAIIAN BEACH. 517 00:24:59,290 --> 00:25:02,030 SPENCER: NOW'S NOT THE TIME, MAN. 518 00:25:02,030 --> 00:25:04,900 HE'S PASSED OUT ON MY GRANDPA'S COUCH. 519 00:25:06,430 --> 00:25:08,430 MY DAD QUIT 520 00:25:08,430 --> 00:25:11,470 ON ALL OF US, BUT WHO CARES? 521 00:25:11,470 --> 00:25:15,310 WE DON'T NEED HIM OR ANYONE ELSE WHO DECIDES TO QUIT ON THIS TEAM. 522 00:25:18,310 --> 00:25:20,440 LET'S GET THIS OVER WITH. 523 00:25:27,920 --> 00:25:30,320 NAOMI AUGUST: ♪ I WANT TO GIVE YOU... ♪ 524 00:25:30,320 --> 00:25:32,960 [SINGING CONTINUES INDISTINCTLY] 525 00:25:33,460 --> 00:25:35,830 I TALKED TO MY MOM. 526 00:25:37,960 --> 00:25:42,130 AND BY THE LOOK ON YOUR FACE, I'M GUESSING I'M NOT COMING OVER ANYTIME SOON. 527 00:25:42,130 --> 00:25:45,440 SHE'S NOT THE EASIEST PERSON TO TALK TO, BUT AT LEAST I TRIED. 528 00:25:45,440 --> 00:25:47,440 REALLY? 529 00:25:47,440 --> 00:25:50,440 WELL, DID YOU TELL HER THAT YOU NEED TO LIVE YOUR OWN LIFE 530 00:25:50,440 --> 00:25:54,710 AND THAT ACCEPTING YOU MEANS ACCEPTING WHO YOU WANT TO BE WITH? 531 00:25:54,710 --> 00:25:57,850 I THINK IT'S A MIRACLE SHE LET HER GAY DAUGHTER 532 00:25:57,850 --> 00:26:00,120 BACK IN THE HOUSE IN THE FIRST PLACE. 533 00:26:00,120 --> 00:26:02,320 SO THAT'S A NO. 534 00:26:03,920 --> 00:26:05,320 I MEAN, WHY CAN'T YOU JUST BE HONEST? 535 00:26:05,320 --> 00:26:06,790 -WHO SAYS I'M NOT? -THAT'S JUST LIKE 536 00:26:06,790 --> 00:26:08,660 YOU'RE NOT SAYING ANYTHING. 537 00:26:08,660 --> 00:26:10,430 LOOK, EVER SINCE PEOPLE CAME AT YOU 538 00:26:10,430 --> 00:26:11,960 FOR BEING A SNITCH, IT'S LIKE-- 539 00:26:11,960 --> 00:26:14,060 IT'S LIKE YOU'RE AFRAID TO SPEAK YOUR MIND. 540 00:26:14,060 --> 00:26:15,730 DAMN RIGHT I AM. 541 00:26:15,730 --> 00:26:17,100 EVERY TIME I OPEN MY MOUTH, SOMEBODY GET HURT. 542 00:26:17,100 --> 00:26:18,800 MY MOM, PREACH, SHAWN. 543 00:26:18,800 --> 00:26:20,940 I'M NOT TRYIN' TO HURT YOU, TOO. 544 00:26:20,940 --> 00:26:22,970 YEAH, WELL, YOU ARE HURTING ME BY STAYING QUIET. 545 00:26:22,970 --> 00:26:25,610 WELL, BABY--HEH!-- YOU'RE MAKING THIS WAY TOO BIG OF A DEAL. 546 00:26:25,610 --> 00:26:27,540 MY MOM IS NOT SAYING WE CAN'T BE TOGETHER. 547 00:26:27,540 --> 00:26:29,010 THAT'S EXACTLY WHAT SHE'S SAYING 548 00:26:29,010 --> 00:26:30,950 EVERY TIME SHE MAKES YOU HIDE WHO YOU ARE. 549 00:26:30,950 --> 00:26:32,420 AND IF YOU ALLOW HER, THEN YOU'RE SAYING THAT, TOO. 550 00:26:32,420 --> 00:26:34,020 WE AIN'T ALL GOT PARENTS AS COOL AS YOURS. 551 00:26:34,020 --> 00:26:36,020 YOUR MOMS ACCEPTED YOU, STRAIGHT OUT OF THE GATE. 552 00:26:36,020 --> 00:26:38,020 LOOK, ALL I'M SAYING IS THAT YOU JUST NEED TO FIGURE OUT A WAY 553 00:26:38,020 --> 00:26:39,990 TO MAKE HER LISTEN, BECAUSE IF YOU DON'T, 554 00:26:39,990 --> 00:26:43,430 THEN...SHE'S JUST GONNA END UP HURTING YOU ALL OVER AGAIN. 555 00:26:43,430 --> 00:26:45,460 MAYBE IT'S YOU WHO NEED TO LISTEN. 556 00:26:45,460 --> 00:26:48,100 I TRIED TALKING TO HER. IT DIDN'T WORK. 557 00:26:48,100 --> 00:26:50,870 SHE TOLD ME WORDS DON'T MATTER, 558 00:26:50,870 --> 00:26:55,370 SO IT DOESN'T MATTER WHAT I SAY OR HOW MANY TIMES I SAY IT. 559 00:26:55,370 --> 00:26:57,840 SHE IS NOT GOING TO HEAR ME. 560 00:27:05,920 --> 00:27:07,420 -[BLOWS WHISTLE] -♪ OH ♪ 561 00:27:07,420 --> 00:27:09,090 ♪ I BEEN WAITIN' ALL WEEK FOR THIS ♪ 562 00:27:09,090 --> 00:27:10,790 HEY, FELLAS, 563 00:27:10,790 --> 00:27:12,560 WELCOME TO THE HOME OF THE STATE CHAMPS. 564 00:27:12,560 --> 00:27:14,390 YO. 565 00:27:14,390 --> 00:27:15,990 ♪ WHEN THEY SAY THEY LOVE MY GAME FACE ♪ 566 00:27:15,990 --> 00:27:17,460 ♪ GAME FACE ♪ 567 00:27:17,460 --> 00:27:20,660 WIDE 62. HIKE! 568 00:27:20,660 --> 00:27:24,070 ♪ TROPHY WIFE, I CALL HER GOLDIE ♪ 569 00:27:24,070 --> 00:27:26,340 ♪ TROPHY MEANT TO COME AND GO, PLEASE... ♪ 570 00:27:26,340 --> 00:27:27,670 [WHISTLE BLOWS] 571 00:27:27,670 --> 00:27:30,810 ♪ NOW I SEEN 'EM AND IT'S CRACKDOWN ♪ 572 00:27:30,810 --> 00:27:32,980 ♪ YEAH, TONIGHT YOU KNOW IT'S GAME TIME ♪ 573 00:27:32,980 --> 00:27:35,080 DIDN'T PRACTICE THAT ONE, HUH? 574 00:27:35,080 --> 00:27:37,080 OK, WHATEVER, MAN. JUST PLAY THE GAME. 575 00:27:37,080 --> 00:27:40,280 ♪ ...KNOW IT'S GAME TIME ♪ [ECHOES] 576 00:27:41,620 --> 00:27:44,350 [DISTANT PLAYERS SHOUTING] 577 00:27:44,350 --> 00:27:46,360 [LIQUID POURING] 578 00:27:47,160 --> 00:27:49,290 ABOUT TIME YOU GOT HERE. 579 00:27:49,290 --> 00:27:50,930 TRY AGAIN. 580 00:27:50,930 --> 00:27:53,300 I WAS JUST WORRIED. 581 00:27:53,300 --> 00:27:54,930 -MMM. -SPENCER WAS, TOO. 582 00:27:54,930 --> 00:27:58,270 IT'S NOT LIKE OUR STU-CO PRESIDENT TO BE A NO-SHOW. 583 00:27:58,270 --> 00:28:00,370 -WELL, I'M HERE NOW. -YEAH, JUST IN TIME 584 00:28:00,370 --> 00:28:02,170 TO NOT HELP. 585 00:28:02,170 --> 00:28:04,740 I HAD TO SET EVERYTHING UP MYSELF. 586 00:28:04,740 --> 00:28:07,340 BY "EVERYTHING," DO YOU MEAN THAT TABLE? 587 00:28:07,340 --> 00:28:10,180 CONGRATULATIONS ON THAT HERCULEAN TASK. 588 00:28:10,180 --> 00:28:11,880 CRISIS AVERTED. 589 00:28:11,880 --> 00:28:13,780 UM, I HOPE YOU'LL BE OK TO TAKE IT DOWN, TOO, 590 00:28:13,780 --> 00:28:16,590 'CAUSE I'M NOT REALLY STAYING LONG. 591 00:28:20,120 --> 00:28:23,260 IS, UH, IS EVERYTHING OK, LAYLA? 592 00:28:23,260 --> 00:28:24,730 YEAH. WHY WOULDN'T IT BE? 593 00:28:24,730 --> 00:28:26,900 IT'S A BEAUTIFUL DAY, THE SUN IS OUT, 594 00:28:26,900 --> 00:28:29,870 THE EAGLES ARE PLAYING, THE TABLE'S SET UP. 595 00:28:29,870 --> 00:28:32,600 I HEARD YOU MISSED CLASS YESTERDAY AND SHOWED UP LATE TODAY. 596 00:28:32,600 --> 00:28:34,470 THAT ISN'T LIKE YOU. 597 00:28:36,270 --> 00:28:38,210 WHAT IS LIKE ME? 598 00:28:38,210 --> 00:28:41,610 I JUST MEAN, UP UNTIL YESTERDAY, YOU HAD A PERFECT RECORD. 599 00:28:42,910 --> 00:28:45,150 WELL, I'M NOT PERFECT. 600 00:28:45,150 --> 00:28:47,220 LAYLA. 601 00:28:48,280 --> 00:28:51,350 LOOK...IF THERE'S SOMETHING GOING ON, 602 00:28:51,350 --> 00:28:55,160 I HOPE YOU KNOW YOU CAN ALWAYS TALK TO ME OR ANY OF OUR COUNSELORS. 603 00:28:55,160 --> 00:28:56,760 THERE IS NOTHING GOING ON. 604 00:28:56,760 --> 00:28:58,230 I JUST HAVE BAD DAYS, 605 00:28:58,230 --> 00:29:00,360 LIKE EVERYONE ELSE. 606 00:29:00,360 --> 00:29:02,230 JORDAN: WIDE 52! 607 00:29:02,230 --> 00:29:04,230 LAYLA: OK? THERE. ARE YOU HAPPY? 608 00:29:04,230 --> 00:29:05,570 ARE WE, LIKE, DONE HERE? 609 00:29:05,570 --> 00:29:07,700 -NO, LAYLA, WE'RE NOT DONE-- -WELL, I AM, 610 00:29:07,700 --> 00:29:10,210 SO IF YOU WANT TO TALK TO SOMEONE, 611 00:29:10,210 --> 00:29:12,380 YOU CAN CALL MY DAD, AND GOOD LUCK GETTING HIM TO ANSWER. 612 00:29:12,380 --> 00:29:14,710 JORDAN: SET, GO! [SHOUTS] 613 00:29:16,580 --> 00:29:18,580 ENCINO PLAYER: WHOO! [WHISTLE BLOWS] 614 00:29:18,580 --> 00:29:21,350 COACH: SPENCER! HEAD IN THE GAME! 615 00:29:21,350 --> 00:29:23,590 ♪ I CAN NEVER HAVE AN OFF DAY ♪ 616 00:29:23,590 --> 00:29:26,890 ♪ CHECK OUT MY SWAG... ♪ [PLAYERS CHEER] 617 00:29:26,890 --> 00:29:29,730 ♪ DON'T WAIT, TOO SLOW, TOO BAD, SO SAD ♪ 618 00:29:29,730 --> 00:29:32,130 ♪ NEVER GONNA THROW IN THE TOWEL AND I WON'T BACK DOWN ♪ 619 00:29:32,130 --> 00:29:34,360 ♪ EVERYTHING HERE WHAT YOU WANT RIGHT NOW, BUT Y'ALL NOT READY ♪ 620 00:29:34,360 --> 00:29:36,130 ♪ YOU GONNA GET KNOCKED OUT, GET KNOCKED OUT ♪ 621 00:29:36,130 --> 00:29:38,230 ♪ GO TO BED, RUN 'EM LONG, GO TO BED ♪ 622 00:29:38,230 --> 00:29:40,340 ♪ BREAK AT DAWN, BRING IT ON, I'M THE KING ON THE RUN ♪ 623 00:29:40,340 --> 00:29:42,340 ♪ SOMETHING WRONG, I INSIST THAT I'M DONE... ♪ 624 00:29:42,340 --> 00:29:44,610 AAH! 625 00:29:44,610 --> 00:29:46,910 ♪ ...FLY, GRIND IT OUT, MASTERMIND... ♪ 626 00:29:46,910 --> 00:29:48,640 [RAPPING CONTINUES INDISTINCTLY] 627 00:29:48,640 --> 00:29:50,350 [WHISTLE BLOWS] ♪ YEAH, YEAH ♪ 628 00:29:50,350 --> 00:29:53,080 ♪ I'M SO HOT, I CAN NEVER HAVE AN OFF DAY ♪ 629 00:30:10,170 --> 00:30:14,170 [4 SLOW CLAPS] 630 00:30:14,970 --> 00:30:17,370 ASHER: WELL DONE, GUYS. 631 00:30:17,370 --> 00:30:19,310 HEY, JJ, 632 00:30:19,310 --> 00:30:21,210 KNOCK KNOCK. 633 00:30:21,210 --> 00:30:23,750 WHY YOU COMING AT ME? MAN, JORDAN THREW 3 INTERCEPTIONS. 634 00:30:23,750 --> 00:30:25,750 JORDAN: LOOK, TWO OF THEM WEREN'T EVEN MY FAULT. 635 00:30:25,750 --> 00:30:28,220 YOU AND SPENCER WEREN'T EXACTLY ON FIRE TODAY, EITHER. 636 00:30:28,220 --> 00:30:30,750 YEAH, THAT'S MY BAD. MY HEAD WASN'T IN IT TODAY. 637 00:30:30,750 --> 00:30:32,990 THAT'S WHY WE SHOULD HAVE PRACTICED, GUYS. 638 00:30:32,990 --> 00:30:35,060 ENCINO DIDN'T GET BETTER, 639 00:30:35,060 --> 00:30:36,590 WE GOT WORSE. 640 00:30:36,590 --> 00:30:39,130 ASHER'S RIGHT. 641 00:30:41,130 --> 00:30:43,730 I DON'T BLAME HIM FOR BEING UPSET, 642 00:30:43,730 --> 00:30:45,470 BUT I DON'T UNDERSTAND 643 00:30:45,470 --> 00:30:47,670 WHY Y'ALL AREN'T MORE PISSED OFF. 644 00:30:47,670 --> 00:30:50,270 COMING FROM THE COACH WHO WALKED OUT ON US. 645 00:30:52,140 --> 00:30:55,010 THAT WAS A MISTAKE. 646 00:30:55,010 --> 00:30:57,650 THAT WAS MY MISTAKE AND, UH, 647 00:30:57,650 --> 00:31:00,120 AND I'M SORRY I WASN'T THERE FOR YOU ALL. 648 00:31:00,120 --> 00:31:04,350 I WAS GOING THROUGH SOME PERSONAL ISSUES, AND I-- I GUESS I LOST MY WAY. 649 00:31:04,350 --> 00:31:07,460 I'M NOT GONNA ACT LIKE IT'S NOT A BIG DEAL BECAUSE I KNOW IT IS, 650 00:31:07,460 --> 00:31:10,730 BUT THAT'S STILL NO EXCUSE FOR HOW Y'ALL PLAYED OUT THERE. 651 00:31:10,730 --> 00:31:13,730 Y'ALL THINK Y'ALL ARE BIG SHOTS BECAUSE YOU WON STATE? 652 00:31:13,730 --> 00:31:17,730 SO DID MOST OF THE TEAMS YOU'RE GONNA PLAY. 653 00:31:17,730 --> 00:31:19,970 THIS 7-ON-7 LEAGUE 654 00:31:19,970 --> 00:31:22,370 IS THE BEST OF THE BEST, Y'ALL. 655 00:31:22,370 --> 00:31:24,240 ALL EYES ON US: 656 00:31:24,240 --> 00:31:26,640 BOOSTERS, SCOUTS. 657 00:31:26,640 --> 00:31:29,480 YOU DON'T KNOW WHO'S GONNA SHOW UP. 658 00:31:29,480 --> 00:31:32,480 YOU DON'T KNOW. 659 00:31:32,480 --> 00:31:36,320 SO...TWO-A-DAYS. 660 00:31:36,320 --> 00:31:39,090 PRACTICES, TWO A DAY, 661 00:31:39,090 --> 00:31:42,660 AND I WANT TO SEE HUSTLE IN EVERY STEP YOU TAKE. 662 00:31:42,660 --> 00:31:44,990 IF I SEE YOU WALK SLOW BY ME IN THE HALL, 663 00:31:44,990 --> 00:31:47,600 BEST BELIEVE I'M GONNA MAKE YOU DROP AND GIVE ME 20. 664 00:31:47,600 --> 00:31:49,460 HEH HEH HEH! 665 00:31:49,460 --> 00:31:51,600 I HOPE Y'ALL GOT LOSIN' OUT YOUR SYSTEM 666 00:31:51,600 --> 00:31:55,240 'CAUSE PRACTICE STARTS TOMORROW... 667 00:31:55,240 --> 00:31:58,010 AND IT AIN'T OPTIONAL. 668 00:31:59,740 --> 00:32:01,980 WELCOME BACK, COACH. 669 00:32:03,250 --> 00:32:05,180 AHEM. 670 00:32:05,180 --> 00:32:07,580 SON, CAN I TALK TO YOU? 671 00:32:08,720 --> 00:32:12,420 [SIGHS] SAVE YOUR SPEECHES FOR THE TEAM. 672 00:32:19,290 --> 00:32:21,730 EMMA: ALL RIGHT, THE RAFFLE WAS A HUGE SUCCESS, 673 00:32:21,730 --> 00:32:24,630 DESPITE A FEW KEY ABSENCES. 674 00:32:26,570 --> 00:32:28,640 OK, UH, MOVING ON TO OTHER ISSUES, 675 00:32:28,640 --> 00:32:30,640 WE NEED NEW PAINT FOR THE LOCKERS. 676 00:32:30,640 --> 00:32:32,970 GIRL: AND MORE VEGAN OPTIONS IN THE CAFETERIA. 677 00:32:32,970 --> 00:32:36,080 EMMA: THE WATER FOUNTAINS? THEY'RE TOO WARM. WE SHOULD GET... 678 00:32:36,080 --> 00:32:39,110 [VOICES OVERLAP AND FADE] 679 00:32:39,110 --> 00:32:41,050 EMMA: LAYLA? 680 00:32:41,050 --> 00:32:43,190 LAYLA? 681 00:32:43,190 --> 00:32:45,190 WHAT? 682 00:32:45,190 --> 00:32:47,460 WHAT DO YOU THINK? 683 00:32:47,460 --> 00:32:50,090 I...I DON'T CARE. 684 00:32:50,090 --> 00:32:52,590 UH, UM, YOU--YOU DON'T CARE ABOUT WHAT? 685 00:32:52,590 --> 00:32:54,130 ANY OF IT, ALL OF IT. 686 00:32:54,130 --> 00:32:56,770 IT'S ALL SUPERFICIAL B.S. AND I DON'T CARE. 687 00:32:56,770 --> 00:32:59,600 SO ENJOY YOUR STUPID TOFU AND WASH IT DOWN 688 00:32:59,600 --> 00:33:02,140 WITH WHATEVER UNFILTERED CRAP COMES OUT OF THE FOUNTAIN. 689 00:33:02,140 --> 00:33:04,110 WHERE ARE YOU GOING? 690 00:33:04,110 --> 00:33:06,610 WASN'T IT OBVIOUS? 691 00:33:06,610 --> 00:33:09,410 CONGRATULATIONS, EMMA. YOU'RE THE NEW STU-CO PRESIDENT. 692 00:33:09,410 --> 00:33:11,950 I QUIT. 693 00:33:11,950 --> 00:33:15,880 [DOOR OPENS, CLOSES] 694 00:33:17,550 --> 00:33:19,720 HEY, LIV, HAVE YOU SEEN MY PHONE AND KEYS? 695 00:33:19,720 --> 00:33:23,460 I HAVEN'T SEEN 'EM. MAYBE CHANNEL TOOK 'EM. 696 00:33:23,460 --> 00:33:25,430 SORRY. CHANEL. 697 00:33:27,700 --> 00:33:29,300 WHAT'S THIS? 698 00:33:29,300 --> 00:33:31,300 THAT'S YOUR NEW PHONE UNTIL I SAY OTHERWISE. 699 00:33:31,300 --> 00:33:33,300 AS FOR YOUR CAR KEYS, THEY'RE IN MY PURSE, 700 00:33:33,300 --> 00:33:35,970 WHERE THEY WILL STAY FOR THE NEXT MONTH-- YOU CAN TAKE THE BUS-- 701 00:33:35,970 --> 00:33:38,240 AND I CHANGED THE WI-FI PASSWORD, AND IF YOU HAVEN'T 702 00:33:38,240 --> 00:33:39,740 FIGURED IT OUT YET, YOU'RE GROUNDED. 703 00:33:39,740 --> 00:33:42,640 OLIVIA: OOH. #GROUNDED, HUH? 704 00:33:42,640 --> 00:33:44,450 TOO BAD YOU CAN'T POST WITH THAT PHONE. 705 00:33:44,450 --> 00:33:46,580 ENOUGH, OLIVIA. I'VE GOT A BEEPER WITH YOUR NAME 706 00:33:46,580 --> 00:33:48,580 ALL OVER IT IF YOU WANT TO JOIN HIM. 707 00:33:48,580 --> 00:33:51,620 SO DAD LEAVES, AND I GET PUNISHED FOR IT. NICE. 708 00:33:51,620 --> 00:33:53,050 WATCH IT, JORDAN BAKER! 709 00:33:53,050 --> 00:33:54,490 OK, THAT'S MY CUE. 710 00:33:54,490 --> 00:33:57,060 I KNOW YOU'RE HAVING A ROUGH TIME, 711 00:33:57,060 --> 00:33:59,330 BUT YOU ARE NOT THE ONLY ONE, OK? 712 00:33:59,330 --> 00:34:02,230 AND THIS BEHAVIOR HAS GOT TO STOP. 713 00:34:02,230 --> 00:34:05,030 SO FROM NOW ON, YOUR LIFE CONSISTS OF GOING TO SCHOOL, 714 00:34:05,030 --> 00:34:09,040 FOOTBALL PRACTICE, AND COMING HOME AND THAT'S IT. 715 00:34:09,040 --> 00:34:11,270 HAVE I MADE MYSELF CLEAR? 716 00:34:11,270 --> 00:34:13,210 [SIGHS] 717 00:34:13,210 --> 00:34:15,180 YES, MA'AM. 718 00:34:29,560 --> 00:34:31,190 HA! MY HOUSE! 719 00:34:31,190 --> 00:34:34,900 ♪ UH, UH, UH, UH-UH, UH, UH, UH ♪ 720 00:34:37,730 --> 00:34:40,070 WHAT'S WRONG, BABY? 721 00:34:41,570 --> 00:34:43,970 IT WAS JUST ONE GAME, 722 00:34:43,970 --> 00:34:46,110 AND YOU ALWAYS BOUNCE BACK. 723 00:34:46,110 --> 00:34:48,040 AIN'T ABOUT THAT. 724 00:34:49,310 --> 00:34:51,310 WHAT, THEN? 725 00:34:53,080 --> 00:34:56,320 DID YOU KNOW DAD WAS LIVING WITH SOMEBODY IN NEVADA? 726 00:34:56,320 --> 00:34:58,490 A GIRLFRIEND... 727 00:34:58,490 --> 00:35:00,760 RAISING HER SON? 728 00:35:00,760 --> 00:35:02,460 WHAT? 729 00:35:02,460 --> 00:35:04,460 HE ABOUT MY AGE, 730 00:35:04,460 --> 00:35:08,860 AND COREY JUST BROUGHT HIM OUT HERE TO LIVE WITH HIM. 731 00:35:11,200 --> 00:35:14,540 I WISH I COULD TELL YOU WHAT YOUR FATHER WAS THINKING. 732 00:35:14,540 --> 00:35:17,540 YEAH, WELL, WHATEVER HE'S THINKING, HE AIN'T THINKING ABOUT US. 733 00:35:17,540 --> 00:35:20,280 AT LEAST HE CONSISTENT ABOUT THAT. 734 00:35:20,280 --> 00:35:22,880 [KNOCK ON DOOR] 735 00:35:28,220 --> 00:35:30,220 WHAT DO YOU WANT, COREY? 736 00:35:30,220 --> 00:35:32,150 LOOK, I KNOW WHAT YOU BOTH MUST BE THINKING, BUT-- 737 00:35:32,150 --> 00:35:34,220 NOW, WAIT. HOLD ON. YOU DON'T JUST WALK INTO MY HOUSE. 738 00:35:34,220 --> 00:35:35,720 -PLEASE JUST LET ME EXPLAIN. -EXPLAIN WHAT, 739 00:35:35,720 --> 00:35:37,960 HOW YOU HAD A WHOLE 'NOTHER FAMILY IN NEVADA? 740 00:35:37,960 --> 00:35:40,030 LOOK, DARNELL MAY BE FAMILY, BUT YOU MY SON. 741 00:35:40,030 --> 00:35:41,960 THAT AIN'T CHANGED. -OH, THAT'S RIGHT. 742 00:35:41,960 --> 00:35:45,430 HE'S NOT YOUR ACTUAL SON, HE'S JUST A KID YOU RAISED AS YOUR SON 743 00:35:45,430 --> 00:35:48,070 WHILE YOUR OWN WAS LEFT FATHERLESS JUST HOURS AWAY. 744 00:35:48,070 --> 00:35:50,170 SPENCER, IT WASN'T LIKE THAT. 745 00:35:50,170 --> 00:35:52,570 HOW LONG? 746 00:35:52,570 --> 00:35:55,240 HOW LONG DID YOU LIVE WITH HIM? 747 00:36:01,180 --> 00:36:03,220 7 YEARS. 748 00:36:06,120 --> 00:36:09,420 I ALWAYS WONDERED WHY YOU NEVER CAME HOME, 749 00:36:09,420 --> 00:36:12,060 WHY YOU AIN'T MISSED YOUR FAMILY, 750 00:36:12,060 --> 00:36:14,130 BUT NOW I KNOW. 751 00:36:14,130 --> 00:36:17,030 YOU DIDN'T MISS US 752 00:36:17,030 --> 00:36:20,270 'CAUSE YOU REPLACED US. 753 00:36:20,270 --> 00:36:22,070 -MAN... -COREY, 754 00:36:22,070 --> 00:36:24,270 I THINK IT'S TIME FOR YOU TO DO WHAT YOU DO BEST. 755 00:36:24,270 --> 00:36:26,070 LEAVE. 756 00:36:31,550 --> 00:36:33,420 [WHISPERS] OK. 757 00:36:41,620 --> 00:36:46,930 IT'S OK. 758 00:36:50,200 --> 00:36:52,170 [COOP'S MUSIC PLAYING] 759 00:36:59,570 --> 00:37:02,440 [CELL PHONE CHIMES, MUSIC STOPS] 760 00:37:02,440 --> 00:37:04,980 PATIENCE ON VOICEMAIL: SORRY ABOUT YESTERDAY, BABE. 761 00:37:05,480 --> 00:37:08,480 LOOK, THE LAST THING I WANT TO DO IS FIGHT WITH YOU, OK? 762 00:37:08,480 --> 00:37:10,750 I LOVE YOU, AND THAT'S WHY I JUST-- 763 00:37:10,750 --> 00:37:14,650 I CAN'T LET NOBODY JUST MAKE YOU LIVE A DON'T-ASK-DON'T-TELL KINDA LIFE. 764 00:37:14,650 --> 00:37:16,890 I KNOW THAT'S NOT YOUR STYLE. 765 00:37:16,890 --> 00:37:19,560 [COOP'S MUSIC PLAYING] 766 00:37:21,700 --> 00:37:27,770 PATIENCE: I KNOW THAT'S NOT YOUR STYLE. 767 00:37:27,770 --> 00:37:30,440 COOP: ♪ WHAT IF I TOLD YOU THAT I'M OUT HERE BATTLIN' MY DEMONS? ♪ 768 00:37:30,440 --> 00:37:32,940 ♪ THERE'S SOME THINGS THAT YOU'LL NEVER UNDERSTAND, THOUGH ♪ 769 00:37:32,940 --> 00:37:36,040 ♪ LIKE HOW MOST PEOPLE WHERE I'M FROM DON'T UNDERSTAND YOU ♪ 770 00:37:36,040 --> 00:37:38,780 ♪ LIKE HOW MOST BLACK BOY JOY GET DESTROYED ♪ 771 00:37:38,780 --> 00:37:41,520 ♪ THAT'S BY THE SAME SYSTEM YOU WENT TO FOR THE AWARD ♪ 772 00:37:41,520 --> 00:37:44,220 ♪ THERE'S LITTLE GIRLS WITHOUT THEY FATHER, AIN'T GOT NO MAMA ♪ 773 00:37:44,220 --> 00:37:46,220 ♪ THERE'S SONS THAT'S LOOKIN' UP TO PAPA ♪ 774 00:37:46,220 --> 00:37:48,120 ♪ 'CAUSE HE JUST WANT THE HIGHER HONOR ♪ 775 00:37:48,120 --> 00:37:50,720 ♪ WELL, HELLO, YOUR HONOR, I KNOW THE LINES BLURRED ♪ 776 00:37:50,720 --> 00:37:53,860 ♪ I'M JUST A VICTIM TO A STORY MISSING MY WORDS ♪ 777 00:37:55,060 --> 00:37:56,700 THANKS FOR COMING. 778 00:37:56,700 --> 00:37:59,430 YOU DIDN'T MAKE IT SOUND LIKE A REQUEST. 779 00:38:01,100 --> 00:38:04,670 LAST TIME WE WERE IN THIS OFFICE TOGETHER, YOU DID ALL THE TALKING. 780 00:38:06,470 --> 00:38:08,340 TODAY I NEED YOU TO LISTEN. 781 00:38:09,810 --> 00:38:12,480 I REMEMBER, WHEN I WAS YOUNGER, 782 00:38:12,480 --> 00:38:16,180 I THOUGHT THAT MY PARENTS WERE PERFECT... 783 00:38:16,180 --> 00:38:20,020 AND IT WAS HEARTBREAKING WHEN I REALIZED THAT THEY WEREN'T. 784 00:38:20,020 --> 00:38:21,890 YEAH, I NEVER THOUGHT YOU WERE PERFECT. 785 00:38:21,890 --> 00:38:24,360 I NEED YOU TO LISTEN WITH YOUR EARS AND NOT WITH YOUR MOUTH. 786 00:38:25,530 --> 00:38:29,430 MY FATHER MADE A LOT OF MISTAKES... 787 00:38:29,430 --> 00:38:31,700 AND SO HAVE I. 788 00:38:33,570 --> 00:38:38,070 BUT YOU ARE NOT ONE OF THEM...SO, 789 00:38:38,070 --> 00:38:40,440 YOU CAN PUSH ME AWAY AS MUCH AS YOU WANT, 790 00:38:40,440 --> 00:38:42,040 BUT I AIN'T GOING NOWHERE. 791 00:38:42,040 --> 00:38:44,380 YOU'RE STUCK WITH ME. 792 00:38:45,850 --> 00:38:48,180 [REPEATING] YOU'RE FINE, YOU'RE FINE... 793 00:38:48,180 --> 00:38:50,080 COOP: ♪ WHAT IF I TOLD YOU I WAS KINDA DIFFERENT ♪ 794 00:38:50,080 --> 00:38:52,050 ♪ AND ME NOT LOVING YOU FOR WHO YOU ARE NOW ♪ 795 00:38:52,050 --> 00:38:54,520 ♪ IT WASN'T EXACTLY MY INTENTION ♪ 796 00:38:54,520 --> 00:38:57,690 ♪ IF I TOLD YOU I WAS PROLIFIC, WOULD YOU BELIEVE ME ♪ 797 00:38:57,690 --> 00:38:59,790 ♪ OR FIND IT IN YOUR HEART TO RECEIVE ME? ♪ 798 00:38:59,790 --> 00:39:01,930 ♪ IF I TOLD YOU I'M THIS WAY AND I LIKE GIRLS ♪ 799 00:39:01,930 --> 00:39:03,930 ♪ COULD YOU STILL LOOK ME IN MY FACE ♪ 800 00:39:03,930 --> 00:39:05,470 ♪ AND WOULD YOU SAY SOME THINGS TO MAKE ME RUN AWAY? ♪ 801 00:39:05,470 --> 00:39:06,730 ♪ WOULD YOU TELL ME THAT I'M SINNIN' ♪ 802 00:39:06,730 --> 00:39:08,130 ♪ THIS AIN'T GOD'S WORK? ♪ 803 00:39:08,130 --> 00:39:09,500 ♪ BABY, YOU AIN'T LIVIN'... ♪ 804 00:39:09,500 --> 00:39:12,140 CAREFUL. CAREFUL. FINE. 805 00:39:12,140 --> 00:39:14,170 COOP: ♪ IF I TURN SUICIDAL, WHEN I SLIT MY WRISTS ♪ 806 00:39:14,170 --> 00:39:15,680 ♪ ALL ON YOUR HOLY BIBLE, WOULD YOU TURN YOUR BACK ♪ 807 00:39:15,680 --> 00:39:17,410 ♪ OR WOULD YOU HOLD ME TIGHTER? ♪ 808 00:39:17,410 --> 00:39:19,010 ♪ IF I'M LAYIN' IN THE HEARSE, WOULD YOU CRY ♪ 809 00:39:19,010 --> 00:39:20,810 ♪ BECAUSE I'D NEVER WORE A SKIRT ♪ 810 00:39:20,810 --> 00:39:22,620 ♪ OR YOU BE MAD BECAUSE I DIDN'T TELL YOU FIRST? ♪ 811 00:39:22,620 --> 00:39:25,650 ♪ YOU DON'T ASK, SO I WON'T SAY NOTHIN' ♪ 812 00:39:25,650 --> 00:39:28,420 ♪ YOU KNOW IT'S NOT MY STYLE TO NEVER SAY NOTHIN' ♪ 813 00:39:28,420 --> 00:39:31,490 ♪ YOU DON'T ASK, SO I DON'T SAY NOTHIN' ♪ 814 00:39:31,490 --> 00:39:33,830 ♪ YOU KNOW IT'S NOT MY STYLE TO NEVER SAY NOTHIN' ♪ 815 00:39:33,830 --> 00:39:36,930 ♪ YEAH, YOU KNOW IT'S NOT MY STYLE ♪ 816 00:39:36,930 --> 00:39:39,670 [VOCALIZES] 817 00:39:39,670 --> 00:39:42,840 ♪ YEAH, YOU KNOW IT'S NOT MY STYLE ♪ 818 00:39:42,840 --> 00:39:45,440 [VOCALIZES] 819 00:39:45,440 --> 00:39:48,510 [SONG ENDS] 820 00:39:51,780 --> 00:39:55,380 I GUESS THE WORDS REALLY DO MATTER. 821 00:39:58,850 --> 00:40:03,560 OH, I CAN'T PROMISE YOU THIS IS GONNA BE EASY, BUT... 822 00:40:03,560 --> 00:40:06,960 I PROMISE YOU I WILL TRY HARDER. 823 00:40:10,800 --> 00:40:14,970 GOLDWASH: ♪ ALL THE DAYS LOOK THE SAME IN L.A.... ♪ 824 00:40:15,470 --> 00:40:18,470 THE MESSED-UP PART IS I KNOW THIS IS HURTING MY MOMS, 825 00:40:18,470 --> 00:40:20,740 NO MATTER HOW STRONG SHE TRYING TO BE. 826 00:40:20,740 --> 00:40:24,480 I DON'T EVEN KNOW WHAT WE'RE SUPPOSED TO TELL DILLON. 827 00:40:25,710 --> 00:40:27,710 LAYLA. 828 00:40:27,710 --> 00:40:30,320 BABY, HEY, YOU A'IGHT? 829 00:40:30,320 --> 00:40:32,390 SORRY. UM, I'M LISTENING. 830 00:40:32,390 --> 00:40:36,120 SO, UH, WHAT ARE YOU GONNA DO ABOUT DARNELL? 831 00:40:36,120 --> 00:40:37,320 I DON'T KNOW. 832 00:40:37,320 --> 00:40:39,490 WELL, CRENSHAW AIN'T BIG ENOUGH 833 00:40:39,490 --> 00:40:42,090 FOR BOTH OF US, THAT'S FOR DAMN SURE. 834 00:40:42,090 --> 00:40:44,600 AND, LOOK, I REALLY AM SORRY. 835 00:40:44,600 --> 00:40:47,470 I SHOULD HAVE TOLD YOU ABOUT MY POPS WANTING ME TO PLAY FOR HIM. 836 00:40:47,470 --> 00:40:51,600 I DIDN'T WANT TO HURT YOU, BUT NOT TELLING YOU WAS WORSE. 837 00:40:51,600 --> 00:40:54,140 AFTER ALL OF THIS WITH DARNELL AND COREY, I GET IT NOW. 838 00:40:54,140 --> 00:40:57,340 IT'S FINE. WE'RE GOOD, REALLY. 839 00:40:57,340 --> 00:40:59,350 JUST LIKE THAT? 840 00:40:59,350 --> 00:41:02,110 I OVERREACTED. 841 00:41:02,110 --> 00:41:04,080 YOU KNOW, I GET WHY YOU DIDN'T WANT TO TELL ME. 842 00:41:04,080 --> 00:41:06,620 IT JUST WASN'T SOMETHING YOU FELT LIKE TALKING ABOUT. 843 00:41:06,620 --> 00:41:08,020 WE CAN TALK ABOUT IT NOW. 844 00:41:08,020 --> 00:41:09,720 MMM, I HAVE A BETTER IDEA. 845 00:41:09,720 --> 00:41:12,090 DOESN'T INVOLVE TALKING. 846 00:41:12,090 --> 00:41:14,590 WHAT TIME YOU GOT TO BE BACK? 847 00:41:14,590 --> 00:41:17,230 WHENEVER I WANT. I'M AT THE HOTEL BY MYSELF. 848 00:41:17,230 --> 00:41:18,730 WHERE'S YOUR POPS? 849 00:41:18,730 --> 00:41:20,570 UH, I'M NOT SURE. 850 00:41:20,570 --> 00:41:23,240 LIKE, JAPAN OR SINGAPORE. SOMEWHERE IN ASIA. 851 00:41:25,040 --> 00:41:27,370 BUT YOU SAID YOU HAD BREAKFAST WITH HIM THE OTHER DAY. 852 00:41:27,370 --> 00:41:28,610 I LIED. 853 00:41:28,610 --> 00:41:31,080 HE NEVER CAME HOME. 854 00:41:31,080 --> 00:41:32,650 YOU LIED? 855 00:41:32,650 --> 00:41:35,450 WHAT'S GOING ON? HOW COME YOU DIDN'T TELL ME? 856 00:41:35,450 --> 00:41:38,480 IT JUST WASN'T SOMETHING I FELT LIKE TALKING ABOUT. 857 00:41:40,090 --> 00:41:42,260 ALL THIS TALK ABOUT MY DAD HAS KINDA KILLED THE MOOD, 858 00:41:42,260 --> 00:41:46,460 SO I'M GONNA GO, BUT I'LL SEE YOU AT SCHOOL TOMORROW. 859 00:41:46,460 --> 00:41:48,490 LAYLA? 860 00:42:20,060 --> 00:42:21,490 MAN: GREG, MOVE YOUR HEAD.