1 00:00:00,000 --> 00:00:01,500 PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:01,500 --> 00:00:04,000 SPENCER JAMES? BILLY BAKER, 3 00:00:04,000 --> 00:00:05,470 VARSITY COACH BEVERLY HIGH. 4 00:00:05,470 --> 00:00:07,000 I'LL CUT TO THE CHASE, SPENCER. 5 00:00:07,000 --> 00:00:08,410 I NEED YOU TO COME PLAY FOR ME. 6 00:00:08,410 --> 00:00:10,170 -BUT YOU CAN'T RECRUIT. -I CAN GET AROUND THAT. 7 00:00:10,170 --> 00:00:12,180 ANNOUNCER: JAMES SHOOTS THE GAP AND BLOCKS IT! 8 00:00:13,180 --> 00:00:16,210 TOUCHDOWN BEVERLY! 9 00:00:16,210 --> 00:00:21,020 YOUR NEW STATE CHAMPIONS THE BEVERLY HIGH EAGLES! 10 00:00:21,020 --> 00:00:23,520 MAN: LAPD! DROP THE GUN! DROP IT! 11 00:00:23,520 --> 00:00:25,220 COOP: IT'S ALL OVER NOW. ALL I HAD TO DO 12 00:00:25,220 --> 00:00:26,460 WAS SET THE BAIT. 13 00:00:26,460 --> 00:00:28,020 IS EVERYTHING OK? 14 00:00:28,020 --> 00:00:30,030 I HAD AN AFFAIR WITH GRACE JAMES. 15 00:00:30,030 --> 00:00:31,930 JORDAN: WAS IT WORTH IT? YOU SACRIFICED 16 00:00:31,930 --> 00:00:33,060 YOUR ENTIRE FAMILY, BUY, HEY, 17 00:00:33,060 --> 00:00:35,000 YOU FINALLY GOT THAT ELUSIVE WIN 18 00:00:35,000 --> 00:00:37,030 YOU SO DESPERATELY WANTED, RIGHT, DAD? 19 00:00:37,030 --> 00:00:39,200 SPENCER: I DON'T HAVE A FATHER, NOT ANYMORE. 20 00:00:39,200 --> 00:00:40,900 GRACE: COREY LEFT A FEW YEARS BACK. 21 00:00:40,900 --> 00:00:42,910 HE WENT TO COACH COLLEGE BALL IN NEVADA. 22 00:00:42,910 --> 00:00:44,440 WE HAVEN'T SEEN HIM SINCE. 23 00:00:44,440 --> 00:00:46,910 COREY: I WANT YOU TO MOVE BACK HOME, COME PLAY FOR ME. 24 00:00:46,910 --> 00:00:49,010 SO YOU GONNA BE THE HEAD COACH OF SOUTH CRENSHAW? 25 00:00:49,010 --> 00:00:50,480 DID YOU REALLY COME BACK FOR HIS FIRST GAME 26 00:00:50,480 --> 00:00:52,080 LIKE YOU PROMISED? 27 00:00:52,080 --> 00:00:53,480 -YEAH. -THEN WHY WOULDN'T YOU TELL ME 28 00:00:53,480 --> 00:00:54,950 THAT YOU WERE THERE? 29 00:00:54,950 --> 00:00:56,620 THEN I WOULD HAVE HAD TO FINALLY ASK 30 00:00:56,620 --> 00:00:59,960 IF DILLON WAS MY SON OR BILLY'S. 31 00:01:07,000 --> 00:01:11,300 NIPSEY HUSSLE: ♪ OH, BABY, IT'S BEEN SO LONG ♪ 32 00:01:11,300 --> 00:01:13,470 ♪ OHH, OH, OH ♪ 33 00:01:16,610 --> 00:01:19,940 ♪ OOH ♪ 34 00:01:19,940 --> 00:01:23,480 ♪ OH, BABY, IT'S BEEN SO LONG ♪ 35 00:01:23,480 --> 00:01:25,880 ♪ OHH, OH, OH ♪ 36 00:01:29,120 --> 00:01:30,490 ♪ OOH ♪ 37 00:01:30,490 --> 00:01:32,020 ♪ MOGUL, AND THEY KNOW THAT ♪ 38 00:01:32,020 --> 00:01:33,990 ♪ LOGO ON MY FLOOR MAT ♪ 39 00:01:33,990 --> 00:01:37,360 ♪ COURTSIDE, CHAMBERLAIN THROWBACK MATCH MY ROLEX ♪ 40 00:01:37,360 --> 00:01:39,600 ♪ FIND ME OUT IN DIFFERENT PLACES ♪ 41 00:01:39,600 --> 00:01:42,660 ♪ AND "THE SPOOK BY THE DOOR" THIS IS THE INFILTRATION ♪ 42 00:01:42,660 --> 00:01:44,670 ♪ DOUBLE BACK DRESSED IN BLUE LACES ♪ 43 00:01:44,670 --> 00:01:47,900 ♪ OOH ♪ 44 00:01:47,900 --> 00:01:51,340 ♪ OH, BABY, IT'S BEEN SO LONG ♪ 45 00:01:51,340 --> 00:01:54,410 COOP: THINGS WILL NEVER BE THE SAME AROUND HERE. 46 00:01:54,410 --> 00:01:56,040 SPENCER: 33 YEARS YOUNG. 47 00:01:56,040 --> 00:01:58,080 IT DON'T MAKE NO DAMN SENSE. 48 00:01:58,080 --> 00:02:00,480 IT NEVER DOES. 49 00:02:00,480 --> 00:02:03,550 THAT NEW? 50 00:02:03,550 --> 00:02:07,020 NAW. IT WAS A GIFT FROM SHAWN. 51 00:02:07,020 --> 00:02:09,890 PENDANT MEANS DESTINY. 52 00:02:09,890 --> 00:02:14,560 SUPPOSED TO REMIND ME THAT I'M THE MASTER OF MY OWN FATE. 53 00:02:14,560 --> 00:02:18,230 ♪ OH, BABY, IT'S BEEN SO LONG ♪ 54 00:02:18,230 --> 00:02:20,940 ♪ OHH, OH, OH ♪ 55 00:02:22,370 --> 00:02:24,040 SO WHAT'S NEXT FOR YOU? 56 00:02:24,040 --> 00:02:25,970 YOU DONE WITH THAT GANG STUFF, RIGHT? 57 00:02:25,970 --> 00:02:28,010 I MEAN, THEY STILL MY BOYS. 58 00:02:28,010 --> 00:02:31,210 I AIN'T JUST GONNA WASH MY HANDS OF THEM. 59 00:02:31,210 --> 00:02:34,980 I DON'T REALLY KNOW WHAT'S NEXT, 60 00:02:34,980 --> 00:02:36,920 BUT WE SHOULD GO, MAN. 61 00:02:36,920 --> 00:02:39,890 DON'T YOU GOT SOME END OF WINTER BEACH BREAK, 62 00:02:39,890 --> 00:02:41,160 WHATEVER YOU GOT TO DO? 63 00:02:41,160 --> 00:02:43,030 IT'S A PARTY CELEBRATING THE EAGLES' BIG WIN, 64 00:02:43,030 --> 00:02:45,930 BUT REAL TALK-- PARTYING WITH THEM DON'T FEEL RIGHT, 65 00:02:45,930 --> 00:02:48,000 NOT WITH MY COMMUNITY HURTING THIS BAD. 66 00:02:48,000 --> 00:02:49,360 MAN, TUESDAY, YOU'RE GONNA HAVE YOUR CHANCE TO HONOR 67 00:02:49,360 --> 00:02:51,270 NIPSEY AND CRENSHAW. 68 00:02:51,270 --> 00:02:52,940 TODAY, YOU GOT TO CELEBRATE THAT BIG WIN. 69 00:02:52,940 --> 00:02:54,540 YEAH, YOU RIGHT, ESPECIALLY SINCE THAT'S 70 00:02:54,540 --> 00:02:56,470 MY LAST CHAMPIONSHIP WIN WITH THEM. 71 00:02:56,470 --> 00:02:58,110 WHAT? 72 00:03:00,180 --> 00:03:01,940 HOLD UP. SO YOU MEAN TO TELL ME YOU DECIDED 73 00:03:01,940 --> 00:03:03,380 TO PLAY FOR YOUR POPS IN THE FALL? 74 00:03:03,380 --> 00:03:04,950 THIS MY DAD WE'RE TALKING ABOUT, 75 00:03:04,950 --> 00:03:07,980 MY FAMILY, COMING HOME TO CRENSHAW. 76 00:03:07,980 --> 00:03:10,550 IS THERE REALLY A DECISION TO MAKE? 77 00:03:10,550 --> 00:03:12,250 BRO, THAT IS DOPE. LIKE, I KNOW 78 00:03:12,250 --> 00:03:13,990 YOUR POPS IS HAPPY. 79 00:03:13,990 --> 00:03:16,260 - I AIN'T TOLD HIM YET. -WHAT? 80 00:03:16,260 --> 00:03:18,330 LOOK. MY MOMS AND COACH BAKER PUT A LOT ON THE LINE 81 00:03:18,330 --> 00:03:19,630 TO GET ME TO BEVERLY. 82 00:03:19,630 --> 00:03:21,430 I OWE THEM A CONVERSATION FIRST. 83 00:03:21,430 --> 00:03:23,330 I FEEL YOU, MAN, 84 00:03:23,330 --> 00:03:27,070 BUT YOU GOT TO TALK TO YOUR PEOPLE AT BEVERLY HILLS, TOO, 85 00:03:27,070 --> 00:03:29,370 BECAUSE I GUARANTEE YOU RIGHT NOW, BRO, 86 00:03:29,370 --> 00:03:31,440 THEY PLANNING THEIR FUTURE AROUND SOMEBODY 87 00:03:31,440 --> 00:03:34,540 THAT'S NOT EVEN PLANNING ON BEING THERE NEXT YEAR. 88 00:03:34,540 --> 00:03:36,250 THAT'S NOT OK. 89 00:03:48,920 --> 00:03:51,660 WOMAN: ♪ EVERYBODY PUT YOUR HANDS UP ♪ 90 00:03:51,660 --> 00:03:53,500 ♪ HEY, HEY, HEY ♪ 91 00:03:53,500 --> 00:03:54,930 ♪ PUT YOUR HANDS UP ♪ 92 00:03:54,930 --> 00:03:57,430 ♪ HEY, HEY, HEY, HEY ♪ 93 00:03:57,430 --> 00:03:59,070 ♪ WE RUN THE WORLD ♪ 94 00:03:59,070 --> 00:04:00,870 ♪ HOT DAMN, PUT YOUR CROWN ON ♪ 95 00:04:00,870 --> 00:04:03,040 ♪ BOP IN MY MEETING WITH THE CHAMPAGNE ♪ 96 00:04:03,040 --> 00:04:05,010 ♪ BOP IN, GONNA DANCE OFF ♪ 97 00:04:05,010 --> 00:04:07,540 ♪ DRIFTING MY BEACH, NO C-CAINE ♪ 98 00:04:07,540 --> 00:04:09,480 ♪ THEY MADE THEM GO, AW ♪ 99 00:04:13,550 --> 00:04:16,020 ♪ ALL EYES ON ME, WE'RE ESCAPING ♪ 100 00:04:16,020 --> 00:04:17,890 ♪ HEY, JUMP IN THE... ♪ 101 00:04:17,890 --> 00:04:20,590 OK. UM, THAT HOOKUP IS NEW. 102 00:04:20,590 --> 00:04:21,990 OLIVIA: TODAY, IT'S JASMINE. 103 00:04:21,990 --> 00:04:23,530 TWO DAYS AGO, IT WAS REAGAN. 104 00:04:23,530 --> 00:04:25,090 LAST WEEK CRYSTALA. 105 00:04:25,090 --> 00:04:26,860 WOW. GO, JORDAN. 106 00:04:26,860 --> 00:04:28,400 IT'S LIKE HIS WAY OF DEALING WITH OUR FAMILY DRAMA 107 00:04:28,400 --> 00:04:29,970 IS BY CREATING HIS OWN 108 00:04:29,970 --> 00:04:31,330 GROSS VERSION OF "THE BACHELOR." 109 00:04:31,330 --> 00:04:34,040 LIV, HE'S QB-1 ON A CHAMPIONSHIP- WINNING TEAM. 110 00:04:34,040 --> 00:04:36,340 HE'S JUST TAKING ADVANTAGE OF HIS NEW CELEB STATUS. 111 00:04:36,340 --> 00:04:38,310 HE'S FINE. 112 00:04:38,310 --> 00:04:41,440 SO YOU'VE BEEN A HARD PERSON TO REACH OVER WINTER BREAK. 113 00:04:41,440 --> 00:04:43,510 UM, YOU WERE THE ONE WHO DISAPPEARED TO LAKE TAHOE 114 00:04:43,510 --> 00:04:45,050 WITH YOUR MOM AND JORDAN. 115 00:04:45,050 --> 00:04:47,220 MAGICALLY, PHONES STILL WORK UP THERE. 116 00:04:47,220 --> 00:04:49,480 -OH. OK. -I MEAN, I LEFT YOU MESSAGES. 117 00:04:49,480 --> 00:04:51,090 I WAS WORRIED ABOUT YOU. 118 00:04:51,090 --> 00:04:52,290 I'M GREAT. 119 00:04:52,290 --> 00:04:54,090 LAYLA, YOU KIND OF HAD A BREAKDOWN 120 00:04:54,090 --> 00:04:55,220 AFTER THE GAME. 121 00:04:55,220 --> 00:04:56,960 I MEAN, YOU TORE UP YOUR HOUSE. 122 00:04:56,960 --> 00:04:58,990 OK. IT WAS NOT A BREAKDOWN. 123 00:04:58,990 --> 00:05:00,900 I WAS JUST MAD AT MY DAD 124 00:05:00,900 --> 00:05:02,860 FOR NOT TAKING THE FIRST BREAK-IN SERIOUSLY, 125 00:05:02,860 --> 00:05:04,200 SO I KIND OF JUST TOOK IT OUT ON HIS CRAP 126 00:05:04,200 --> 00:05:05,830 AND LET HIM THINK THERE WAS ANOTHER BREAK-IN. 127 00:05:05,830 --> 00:05:07,900 THAT'S IT, AND IT WORKED 128 00:05:07,900 --> 00:05:09,500 BECAUSE NOW HE'S BACK, 129 00:05:09,500 --> 00:05:11,140 AND WE'RE SPENDING QUALITY TIME TOGETHER 130 00:05:11,140 --> 00:05:13,880 HOUSE HUNTING, AND EVERYTHING'S PERFECT. 131 00:05:13,880 --> 00:05:15,440 JORDAN: HEY, LAYLA. LAYLA: HEY. 132 00:05:15,440 --> 00:05:17,150 WHERE'S SPENCER? I COULD USE 133 00:05:17,150 --> 00:05:19,610 HIS QUICK FEET RIGHT ABOUT NOW TO SHUT JJ UP. 134 00:05:19,610 --> 00:05:21,520 HE'S ON HIS WAY, BUT IF YOU'RE DOWN A MAN 135 00:05:21,520 --> 00:05:23,090 FOR 7 ON 7, I CAN FILL IN. 136 00:05:23,090 --> 00:05:25,220 JASMINE: OK. JJ IS SERIOUSLY STILL RUNNING HIS MOUTH. 137 00:05:25,220 --> 00:05:26,890 YOU PLAYING, JORDAN? 138 00:05:26,890 --> 00:05:28,260 LAYLA: OK, QB-1. LET'S GO. 139 00:05:28,260 --> 00:05:30,230 I'M GONNA SHOW YOU WHAT QUICK FEET LOOK LIKE. 140 00:05:30,230 --> 00:05:31,990 OK. 141 00:05:31,990 --> 00:05:33,430 JORDAN: HEY, GUYS. WE DON'T HAVE SPENCE, 142 00:05:33,430 --> 00:05:35,260 BUT EVEN BETTER, WE GOT LAYLA. 143 00:05:38,030 --> 00:05:42,040 BRO, WHEN YOU GONNA TELL HER? 144 00:05:42,040 --> 00:05:42,970 TELL WHO WHAT? 145 00:05:42,970 --> 00:05:44,610 DUDE, YOU LOOK AT OLIVIA 146 00:05:44,610 --> 00:05:46,880 THE WAY MY MOM LOOKS AT HER BENTLEY. 147 00:05:46,880 --> 00:05:49,610 OH, WHATEVER, MAN. YOU'RE TRIPPING. TRIPPING. 148 00:05:49,610 --> 00:05:51,910 I CALL IT HOW I SEE IT, MAN. 149 00:05:54,250 --> 00:05:56,990 HEY. WHO'S READY TO PLAY FOOTBALL? 150 00:05:56,990 --> 00:05:59,250 ♪ FEEL THE THUNDER, BASED ON ACTUAL FACTS ♪ 151 00:05:59,250 --> 00:06:03,460 ♪ IT'S AUTOMATIC, WE RUN THE WORLD ♪ 152 00:06:07,400 --> 00:06:08,830 COREY: GOING IN FOR IT RIGHT HERE. 153 00:06:08,830 --> 00:06:10,270 GOING HARD IN THE PAINT. BOOM. 154 00:06:10,270 --> 00:06:13,100 FINISHING TOUCHES RIGHT THERE. BOOM. COME ON. 155 00:06:13,100 --> 00:06:15,040 HEY, HEY, HEY. I KNOW YOU'RE NOT 156 00:06:15,040 --> 00:06:16,840 ABOUT TO PUT THEM CHIPS ON MY SANDWICH 157 00:06:16,840 --> 00:06:18,410 AND RUIN THE WHOLE THING. 158 00:06:18,410 --> 00:06:19,880 BOY, YOU DON'T EVEN KNOW. 159 00:06:19,880 --> 00:06:21,280 THIS CRUNCH WILL CHANGE YOUR LIFE. 160 00:06:21,280 --> 00:06:23,180 THIS CRUNCH WILL BREAK YOUR DENTURES. 161 00:06:23,180 --> 00:06:25,950 HA HA HA! AHH. 162 00:06:25,950 --> 00:06:28,280 GRACE, TELL THAT BOY I KNOW WHAT I'M DOING. 163 00:06:28,280 --> 00:06:31,520 UH-UH. I AM STAYING OUT OF THIS. HA HA HA! 164 00:06:31,520 --> 00:06:33,920 DILLON, HONEY, I HAVE TO WORK LATE TOMORROW, 165 00:06:33,920 --> 00:06:35,890 SO COOP IS GONNA PICK YOU UP FROM SCHOOL. 166 00:06:35,890 --> 00:06:38,290 CAN DAD? 167 00:06:38,290 --> 00:06:41,630 PLEASE. 168 00:06:41,630 --> 00:06:44,530 SON, GRAB YOUR SANDWICH, GO IN THE ROOM, 169 00:06:44,530 --> 00:06:45,930 GET OUT A PUZZLE. 170 00:06:45,930 --> 00:06:47,270 I'LL BE IN THERE IN A MINUTE. 171 00:06:47,270 --> 00:06:48,440 GOT IT. 172 00:06:52,870 --> 00:06:55,880 OK. TIME'S UP. 173 00:06:55,880 --> 00:06:57,180 EXCUSE ME? 174 00:06:57,180 --> 00:06:59,110 LOOK. WHEN I BROUGHT UP DILLON'S PATERNITY, 175 00:06:59,110 --> 00:07:00,820 YOU WERE ADAMANT YOU WOULDN'T DISCUSS IT 176 00:07:00,820 --> 00:07:02,480 THEN WITH THE BOYS IN THE HOUSE. 177 00:07:02,480 --> 00:07:05,020 I STILL AM. 178 00:07:07,160 --> 00:07:09,220 OK. 179 00:07:09,220 --> 00:07:11,260 AND SINCE THEN, YOU'VE PRETTY MUCH AVOIDED ME. 180 00:07:11,260 --> 00:07:13,300 FOR THE RECORD, I HAVEN'T BEEN AVOIDING YOU. 181 00:07:13,300 --> 00:07:15,530 HEY. WHATEVER YOU WANT TO CALL IT THEN. 182 00:07:15,530 --> 00:07:17,930 LOOK. I'VE BEEN GRACIOUS, 183 00:07:17,930 --> 00:07:19,370 BUT NOW TIME'S UP. 184 00:07:19,370 --> 00:07:21,440 I'D LIKE A ANSWER TO MY QUESTION. 185 00:07:23,570 --> 00:07:25,240 ARE YOU SERIOUS? WHAT, I WAS TAKING 186 00:07:25,240 --> 00:07:26,880 TOO LONG TO GET BACK TO YOU, SO NOW YOU'RE 187 00:07:26,880 --> 00:07:28,510 TRYING TO PRESSURE ME THROUGH MOM? 188 00:07:28,510 --> 00:07:30,380 -SON, I WASN'T-- -WAIT. HOLD UP. 189 00:07:30,380 --> 00:07:32,180 WHAT ARE YOU TALKING ABOUT, SPENCER? 190 00:07:34,950 --> 00:07:37,890 SOMEBODY BETTER START TALKING. 191 00:07:37,890 --> 00:07:39,420 I'VE ASKED SPENCER TO COME PLAY FOR ME 192 00:07:39,420 --> 00:07:40,990 AT SOUTH CRENSHAW. 193 00:07:40,990 --> 00:07:42,220 -YOU WHAT? -MA. 194 00:07:42,220 --> 00:07:43,990 NAW. DON'T "MA" ME. 195 00:07:48,930 --> 00:07:50,570 I HAVE TO TAKE CARE OF SOMETHING, 196 00:07:50,570 --> 00:07:52,830 BUT THIS CONVERSATION IS FAR FROM OVER. 197 00:07:55,300 --> 00:07:56,810 HELLO? 198 00:08:09,050 --> 00:08:11,520 RICKY, DOS MAS. 199 00:08:11,520 --> 00:08:14,920 SORRY, BILLY. I'M GONNA HAVE TO CUT YOU OFF, MY MAN. 200 00:08:17,790 --> 00:08:20,400 OK. 201 00:08:20,400 --> 00:08:23,770 HEY. LOOK WHO'S HERE. 202 00:08:23,770 --> 00:08:25,930 THANKS FOR CALLING. 203 00:08:25,930 --> 00:08:28,070 AGAIN. 204 00:08:28,070 --> 00:08:30,000 TWICE LAST WEEK, 205 00:08:30,000 --> 00:08:31,710 3 TIMES THIS WEEK. 206 00:08:31,710 --> 00:08:34,440 THIS IS THE LAST TIME I'M COMING TO GET YOU LIKE THIS. 207 00:08:34,440 --> 00:08:36,580 HEH HEH HEH. 208 00:08:36,580 --> 00:08:38,650 ARE YOU GONNA WASH YOUR HANDS OF ME, TOO? 209 00:08:38,650 --> 00:08:40,480 LOOK. I KNOW BEING AWAY FROM THE KIDS 210 00:08:40,480 --> 00:08:42,550 AND LIVING WITH A FATHER THAT YOU BARELY SPEAK TO 211 00:08:42,550 --> 00:08:44,620 IS HARDER THAN YOU ANTICIPATED, 212 00:08:44,620 --> 00:08:49,020 BUT I OF ALL PEOPLE CAN'T BE THE ONE TO SEE YOU THROUGH THIS, 213 00:08:49,020 --> 00:08:51,390 NOT IF YOU EVER PLAN ON GETTING LAURA BACK. 214 00:08:51,390 --> 00:08:54,460 -I MISS HER, GRACIE. -WELL, THEN BOSS UP 215 00:08:54,460 --> 00:08:56,730 AND DO WHAT YOU SAID YOU MOVED BACK TO CRENSHAW TO DO. 216 00:08:56,730 --> 00:08:59,800 GET YOURSELF TOGETHER SO YOU CAN GET THEM BACK. 217 00:08:59,800 --> 00:09:01,470 NOW LET'S GO, AND YOU BETTER 218 00:09:01,470 --> 00:09:02,940 BE ABLE TO WALK BECAUSE AIN'T NOBODY 219 00:09:02,940 --> 00:09:04,470 DRAGGING YOUR ASS TO THE CAR. 220 00:09:06,610 --> 00:09:09,910 BOY: HEY. BEST LINEBACKER IN THE STATE. 221 00:09:09,910 --> 00:09:12,350 -CHEERS, BABY! -CHEERS, BABY! 222 00:09:15,050 --> 00:09:18,720 OH. LADIES AND GENTLEMEN, 223 00:09:18,720 --> 00:09:21,460 THE OFFENSIVE AND DEFENSIVE CHAMPIONSHIP MVP 224 00:09:21,460 --> 00:09:25,330 IS FINALLY IN THE BUILDING! 225 00:09:25,330 --> 00:09:26,560 -MY MAN. -WHAT'S UP? 226 00:09:26,560 --> 00:09:28,660 -YO. WHAT'S GOOD. -NICE OF YOU TO JOIN US. 227 00:09:28,660 --> 00:09:30,470 ASHER: BRO, YOU ALMOST MISSED THE WHOLE CELEBRATION HERE. 228 00:09:30,470 --> 00:09:32,470 LOOKS LIKE Y'ALL PARTIED ENOUGH FOR THE WHOLE TEAM. 229 00:09:32,470 --> 00:09:35,440 YOU'RE DAMN RIGHT. 230 00:09:35,440 --> 00:09:37,410 HEY. I'M GONNA SEE Y'ALL IN A BIT. 231 00:09:38,540 --> 00:09:41,010 BOY: HEY, SPENCER, CAN WE GET A PICTURE WITH YOU? 232 00:09:41,010 --> 00:09:42,810 THANKS! 233 00:09:42,810 --> 00:09:45,550 AWESOME. THANKS, BRO. 234 00:09:45,550 --> 00:09:46,810 OH, I THINK... 235 00:09:46,810 --> 00:09:48,750 GIRL: CAN WE GET A PICTURE, TOO? 236 00:09:48,750 --> 00:09:51,490 LAYLA: HEH HEH HEH. 237 00:09:51,490 --> 00:09:54,090 THAT WAS SO AWESOME! 238 00:09:54,090 --> 00:09:56,820 LAYLA: WELL, HELLO THERE, MR. POPULAR. 239 00:09:56,820 --> 00:09:58,090 SPENCER: WHATEVER. 240 00:09:58,090 --> 00:09:59,460 WELL, IT'S WELL-DESERVED. 241 00:09:59,460 --> 00:10:01,960 YOU DID WIN US A CHAMPIONSHIP AFTER ALL. 242 00:10:05,500 --> 00:10:07,470 LET'S BOUNCE, GO SOMEPLACE JUST US. 243 00:10:07,470 --> 00:10:09,470 -YOU JUST GOT HERE. -I KNOW, 244 00:10:09,470 --> 00:10:11,040 BUT I JUST HATE THAT WITH YOUR DAD BACK 245 00:10:11,040 --> 00:10:12,940 WE BARELY SEEN EACH OTHER THE LAST COUPLE WEEKS. 246 00:10:12,940 --> 00:10:15,380 OK. I MISSED YOU, TOO, AND I PROMISE 247 00:10:15,380 --> 00:10:17,010 I'LL MAKE IT UP TO YOU. 248 00:10:19,550 --> 00:10:22,450 GIRL: LAYLA, GIRL, YOU GONNA LET HIM UP FOR AIR 249 00:10:22,450 --> 00:10:24,390 LONG ENOUGH FOR AN INTRO? 250 00:10:24,390 --> 00:10:26,150 WHEN DID YOU GET BACK? 251 00:10:26,150 --> 00:10:29,490 I GOT AN OPPORTUNITY TO INTERN FOR AFS AGENCY. 252 00:10:29,490 --> 00:10:31,430 WAIT. THE SPORTS AGENCY? THAT'S AMAZING. 253 00:10:31,430 --> 00:10:33,560 RIGHT? HENCE THE BREAK FROM COLLEGE. 254 00:10:33,560 --> 00:10:36,830 WASN'T GONNA LET THAT PASS ME BY. 255 00:10:36,830 --> 00:10:38,900 28 TOUCHDOWN RECEPTIONS, 256 00:10:38,900 --> 00:10:40,770 131 CATCHES, 257 00:10:40,770 --> 00:10:44,070 1,826 YARDS RECEIVING. 258 00:10:44,070 --> 00:10:45,710 THAT'S AN IMPRESSIVE SEASON. 259 00:10:45,710 --> 00:10:47,680 -ROCHELLE MOSLEY. -IT'S NICE TO MEET YOU. 260 00:10:47,680 --> 00:10:49,510 UH, ROCHELLE JUST GRADUATED 261 00:10:49,510 --> 00:10:50,750 FROM BEVERLY LAST YEAR 262 00:10:50,750 --> 00:10:52,580 AND IS THE BIGGEST FOOTBALL AFICIONADO 263 00:10:52,580 --> 00:10:53,920 YOU WILL EVER MEET. 264 00:10:53,920 --> 00:10:56,550 LIVES AND BREATHES IT, ESPECIALLY BEVERLY FOOTBALL. 265 00:10:56,550 --> 00:10:58,150 ANOTHER NICOLE LYNN IN THE MAKING. 266 00:10:58,150 --> 00:10:59,850 SOMETHING LIKE THAT. 267 00:10:59,850 --> 00:11:02,390 MY DAD'S ALSO ONE OF BEVERLY'S MOST INFLUENTIAL BOOSTERS, 268 00:11:02,390 --> 00:11:04,090 SO IT COMES NATURALLY. 269 00:11:04,090 --> 00:11:06,360 SPEAKING OF WHICH, HE'D REALLY LIKE FOR YOU 270 00:11:06,360 --> 00:11:08,000 TO JOIN US FOR DINNER SOMETIME THIS WEEK. 271 00:11:08,000 --> 00:11:10,530 YEAH. I GOT A LOT GOING ON AT HOME RIGHT NOW, SO... 272 00:11:10,530 --> 00:11:13,470 OK. I'MA LET YOU SLIDE THIS TIME, 273 00:11:13,470 --> 00:11:15,500 BUT DON'T THINK YOU CAN OUTRUN ME. 274 00:11:15,500 --> 00:11:17,640 YOU'RE THE MOST IMPORTANT PART OF THE BEVERLY FOOTBALL FRANCHISE 275 00:11:17,640 --> 00:11:21,910 RIGHT NOW, WHICH MAKES YOU VERY IMPORTANT TO ME AND MY DAD. 276 00:11:21,910 --> 00:11:24,050 -BYE. -BYE. 277 00:11:24,050 --> 00:11:27,480 DAMN. SHE'S, UH-- SHE'S A LOT. 278 00:11:27,480 --> 00:11:30,650 WELCOME TO BEING THE BIG MAN ON CAMPUS, SPENCER. 279 00:11:30,650 --> 00:11:33,450 NOTHING'S GONNA BE THE SAME FOR YOU. 280 00:11:39,330 --> 00:11:41,430 HEY, COACH BAKER. IT'S SPENCER AGAIN. 281 00:11:42,430 --> 00:11:44,430 LOOK. I REALLY NEED TO TALK TO YOU. 282 00:11:44,430 --> 00:11:46,430 I WAS HOPING WE COULD CONNECT BEFORE SCHOOL. 283 00:11:48,640 --> 00:11:51,710 LOOK. JUST HIT ME BACK, PLEASE. 284 00:11:55,540 --> 00:11:56,780 -HEY. -HEY. I APPRECIATE 285 00:11:56,780 --> 00:11:58,180 THE RIDE, HOMEY. 286 00:11:58,180 --> 00:11:59,680 COME ON, MAN. I CAN'T HAVE MY MVP 287 00:11:59,680 --> 00:12:01,520 ROLLING TO SCHOOL ON THE BUS NOW, CAN I? 288 00:12:01,520 --> 00:12:03,480 YEAH. OK. ALL RIGHT. 289 00:12:03,480 --> 00:12:04,950 DAMN. THIS NEW? 290 00:12:04,950 --> 00:12:06,350 YEAH. PERKS OF A MOM TRYING TO MAKE 291 00:12:06,350 --> 00:12:07,960 EVERYTHING FEEL BETTER. 292 00:12:07,960 --> 00:12:09,690 SURE. MUST BE NICE. 293 00:12:09,690 --> 00:12:11,360 MANUS: ♪ JUST WENT THROUGH, I'LL THWIP AGAIN ♪ 294 00:12:11,360 --> 00:12:13,390 ♪ WE DO LIKE SPIDER-MAN ♪ 295 00:12:13,390 --> 00:12:15,400 ♪ DON'T WANT NONE OF THAT, FIXIN' TO GET BENT ♪ 296 00:12:15,400 --> 00:12:16,600 ♪ I SAID NO WAY... ♪ 297 00:12:16,600 --> 00:12:18,430 HOW'S YOUR POPS DOING? 298 00:12:18,430 --> 00:12:21,000 DON'T KNOW, DON'T CARE. 299 00:12:21,000 --> 00:12:23,800 WHAT? LAST I HEARD, HE'S STAYING WITH GRANDPA WILLIE. 300 00:12:23,800 --> 00:12:25,070 YOU AIN'T TALK TO HIM? 301 00:12:25,070 --> 00:12:26,540 YOU REALLY WANT TO DO THIS, 302 00:12:26,540 --> 00:12:28,440 RUIN THIS DOPE DAY IN THIS DOPE NEW WHIP 303 00:12:28,440 --> 00:12:29,740 TALKING ABOUT FATHERS? 304 00:12:29,740 --> 00:12:33,410 OK. FINE. HOW'S-- HOW'S COREY DOING? 305 00:12:33,410 --> 00:12:35,420 YEAH. ALL RIGHT. POINT TAKEN. 306 00:12:48,430 --> 00:12:49,700 HEY. 307 00:12:49,700 --> 00:12:51,830 HEY! 308 00:12:51,830 --> 00:12:53,530 NICE TRY. 309 00:12:53,530 --> 00:12:56,100 SO ARE YOU READY TO FINALLY TELL ME THE TRUTH? 310 00:12:56,100 --> 00:12:58,010 WHAT ARE YOU TALKING ABOUT? 311 00:12:58,010 --> 00:12:59,470 LAYLA, ONE MINUTE, YOU'RE DESTROYING 312 00:12:59,470 --> 00:13:00,810 YOUR HOUSE WITH YOUR BARE HANDS, 313 00:13:00,810 --> 00:13:02,640 AND THE NEXT YOU'RE ALL FOOTBALL BARBIE ON CRACK. 314 00:13:02,640 --> 00:13:04,480 -WHAT'S UP? -LOOK. I LOVE THAT YOUR THING 315 00:13:04,480 --> 00:13:06,480 IS SAVING PEOPLE, BUT I PROMISE YOU 316 00:13:06,480 --> 00:13:07,850 I DON'T NEED SAVING. 317 00:13:07,850 --> 00:13:10,020 I'M GOOD. I'M JUST TIRED 318 00:13:10,020 --> 00:13:12,850 FROM GOING OVER HOUSE STUFF WITH MY DAD. 319 00:13:12,850 --> 00:13:14,120 WHAT'S UP? 320 00:13:14,120 --> 00:13:16,020 AND MY DAY JUST GOT BETTER. 321 00:13:18,730 --> 00:13:20,460 OK? 322 00:13:20,460 --> 00:13:22,660 MM-HMM. 323 00:13:22,660 --> 00:13:24,900 SO...HOW'S CHRIS' REHAB 324 00:13:24,900 --> 00:13:26,570 AT THE ATLANTA FACILITY GOING? 325 00:13:26,570 --> 00:13:29,370 HIS PARENTS SAID HE'S STILL NOT READY TO TAKE MY CALLS. 326 00:13:29,370 --> 00:13:30,910 HE DOESN'T BLAME YOU FOR THE HIT. 327 00:13:30,910 --> 00:13:33,570 IT'S JUST THAT, YOU KNOW, TALKING TO YOU, 328 00:13:33,570 --> 00:13:36,410 IT'S A REMINDER HOW CLOSE HE CAME TO BEING PARALYZED. 329 00:13:36,410 --> 00:13:39,380 I GET IT. SO I'M GIVING HIM SPACE TILL HE'S READY. 330 00:13:39,380 --> 00:13:41,150 SPEAKING OF SPACE, 331 00:13:41,150 --> 00:13:43,380 WHEN ARE YOU MOVING BACK IN? 332 00:13:43,380 --> 00:13:44,720 I MEAN, YOU COMMUTING ALL THE WAY 333 00:13:44,720 --> 00:13:46,450 FROM CRENSHAW TO SCHOOL IS CRAZY. 334 00:13:46,450 --> 00:13:48,460 NOT TO MENTION ILLEGAL. 335 00:13:48,460 --> 00:13:49,590 LOOK. SAME REASON I AIN'T TRYING TO REMIND CHRIS 336 00:13:49,590 --> 00:13:51,530 OF THE WORST MOMENT IN HIS LIFE, 337 00:13:51,530 --> 00:13:52,930 I AIN'T TRYING TO DO THAT TO YOUR MOM NEITHER. 338 00:13:52,930 --> 00:13:54,930 MY MOM IS SURPRISINGLY FINE. 339 00:13:54,930 --> 00:13:57,100 I MEAN, SHE'S HANDLING THE SEPARATION BETTER THAN ANY OF US. 340 00:13:58,830 --> 00:14:00,670 FOOTBALL SEASON'S OVER. I'M HALFWAY THROUGH THE SCHOOL YEAR. 341 00:14:00,670 --> 00:14:03,070 AIN'T NOBODY GONNA KNOW OR CARE WHERE I'M COMMUTING FROM. 342 00:14:03,070 --> 00:14:05,010 IT'S ALL GOOD. 343 00:14:05,010 --> 00:14:06,340 SPENCER: SEE YOU. LAYLA: BYE. 344 00:14:15,820 --> 00:14:18,420 MAN: ♪ GREW UP ON THE CORNER AS A YOUNGIN' ♪ 345 00:14:18,420 --> 00:14:20,820 YO, PREACH, MAN. WHAT'S GOOD? 346 00:14:21,320 --> 00:14:24,190 DANG, BRO, YOU SURE YOU SHOULD BE DOING ALL THAT SO SOON? 347 00:14:24,190 --> 00:14:26,130 GOT TO KEEP MY STRENGTH UP, DON'T I? 348 00:14:26,130 --> 00:14:29,860 I MEAN, ANYONE COULD USE YOUR WEAKNESSES AGAINST YOU, 349 00:14:29,860 --> 00:14:33,030 NOT JUST ENEMIES. 350 00:14:33,030 --> 00:14:34,640 BUT, MAN, I BEEN CALLING AND TEXTING YOUR PHONE 351 00:14:34,640 --> 00:14:36,800 SINCE YOU BEE OUT THE HOSPITAL. 352 00:14:38,870 --> 00:14:41,240 YO SERIOUSLY, WHAT'S YOUR PROBLEM, MAN? 353 00:14:41,240 --> 00:14:43,080 I SAVED YOUR LIFE. 354 00:14:44,980 --> 00:14:46,950 YOU SAVED MY LIFE? BECAUSE OF YOU, 355 00:14:46,950 --> 00:14:48,550 THEY HAD TO DIG 4 BULLETS UP OUT OF ME. 356 00:14:48,550 --> 00:14:51,080 YOUR NEED TO MESS AROUND WITH GROWN FOLKS' BUSINESS 357 00:14:51,080 --> 00:14:53,820 AND WAR ON TYRONE ALMOST GOT ME PUT IN THE GROUND. 358 00:14:55,990 --> 00:14:58,930 IF YOU KNOW WHAT'S GOOD FOR YOU, COOP, 359 00:14:58,930 --> 00:15:00,990 STAY YOUR RAGGEDY ASS THE HELL AWAY FROM ME. 360 00:15:00,990 --> 00:15:02,900 ♪ RIGHT BESIDE ME, MAN DOWN, DAG ♪ 361 00:15:02,900 --> 00:15:04,460 ♪ I'M A MENACE TO SOCIETY ♪ 362 00:15:04,460 --> 00:15:06,830 ♪ I ALWAYS KEEP IT G, YOU KNOW I RUN THE STREETS ♪ 363 00:15:10,200 --> 00:15:13,940 ASHER: WAIT FOR IT, WAIT FOR IT. 364 00:15:13,940 --> 00:15:16,240 -OH, HO! -OHH! 365 00:15:16,240 --> 00:15:17,540 HA HA HA! 366 00:15:17,540 --> 00:15:22,280 YO, GUYS, THIS... US... 367 00:15:22,280 --> 00:15:24,890 NOBODY'S GONNA BE ABLE TO TOUCH THIS MAGIC NEXT YEAR. 368 00:15:24,890 --> 00:15:26,520 JORDAN: BACK TO BACK. ASHER: BACK TO BACK, MAN. 369 00:15:26,520 --> 00:15:28,290 -BACK TO BACK? -BACK TO BACK! 370 00:15:28,290 --> 00:15:30,020 -YEAH? -YEAH. 371 00:15:30,020 --> 00:15:32,860 LET'S MAKE HISTORY, RIGHT? 372 00:15:32,860 --> 00:15:34,960 HEY, HEY. PLAY THAT OTHER ONE. 373 00:15:34,960 --> 00:15:36,400 REMEMBER THE-- I THINK IT WAS IN THE SECOND. 374 00:15:36,400 --> 00:15:38,070 HEY. HOLD UP, HOLD UP. 375 00:15:38,070 --> 00:15:40,970 I GOT TO TELL Y'ALL SOMETHING. 376 00:15:40,970 --> 00:15:42,970 LANDON: THERE THEY ARE! 377 00:15:42,970 --> 00:15:46,470 HOW'S IT FEEL? STATE CHAMPS! 378 00:15:46,470 --> 00:15:47,870 PROUD OF YOU BOYS. 379 00:15:47,870 --> 00:15:49,010 THANKS, PRINCIPAL LANDON. 380 00:15:49,010 --> 00:15:50,540 I HOPE YOUR DAD IS ENJOYING 381 00:15:50,540 --> 00:15:51,950 HIS WELL-EARNED VACATION. 382 00:15:51,950 --> 00:15:53,450 I GAVE HIM THAT EXTRA WEEK, 383 00:15:53,450 --> 00:15:55,020 BUT TELL HIM HE NEEDS TO HUSTLE BACK. 384 00:15:55,020 --> 00:15:56,180 WE NEED YOU BOYS IN FIGHTING SHAPE 385 00:15:56,180 --> 00:15:57,880 FOR THE 7-ON-7 SCRIMMAGE LEAGUE. 386 00:15:57,880 --> 00:15:59,090 -YES, SIR. -YES, SIR. 387 00:15:59,090 --> 00:16:00,450 ALL RIGHT, GUYS. 388 00:16:01,390 --> 00:16:03,320 WE'RE GONNA GET TO CLASS. WE'LL CATCH YOU LATER, YEAH? 389 00:16:03,320 --> 00:16:04,830 JJ: PEACE, PEACE. 390 00:16:04,830 --> 00:16:07,130 HEY. HOLD UP. VACATION? 391 00:16:07,130 --> 00:16:09,230 I THOUGHT YOU SAID BILLY WAS AT GW's. 392 00:16:09,230 --> 00:16:11,470 LOOK. WHO KNOWS, OK? I GOT TO GET TO CLASS. 393 00:16:18,870 --> 00:16:20,840 BILLY: I FIGURED IT WOULD ONLY BE A MATTER OF TIME 394 00:16:20,840 --> 00:16:22,110 BEFORE YOU SHOWED UP. 395 00:16:22,110 --> 00:16:23,910 AIN'T YOU SUPPOSED TO BE ON VACATION? 396 00:16:23,910 --> 00:16:25,280 THAT'S WHAT PRINCIPAL LANDON THINKS. 397 00:16:25,280 --> 00:16:28,150 VACATION? 398 00:16:28,150 --> 00:16:31,350 NO, SON. I RESIGNED. 399 00:16:31,350 --> 00:16:34,420 WHY WOULD LANDON SAY I-- 400 00:16:36,460 --> 00:16:39,090 JORDAN MUST HAVE TAKEN MY LETTER OF RESIGNATION FROM OFF MY DESK. 401 00:16:39,090 --> 00:16:41,860 SO YOU QUITTING ON THE TEAM, 402 00:16:41,860 --> 00:16:42,960 ON THE JOB YOU LOVE? 403 00:16:42,960 --> 00:16:44,400 -I'M PRIORITIZING. -NAW, MAN. 404 00:16:44,400 --> 00:16:46,000 YOU PUNISHING YOURSELF. 405 00:16:46,000 --> 00:16:48,100 -WHAT ABOUT JORDAN? -JORDAN DON'T WANT ME THERE. 406 00:16:48,100 --> 00:16:51,640 IF THAT WERE TRUE, HE WOULDN'T HAVE TAKEN THAT LETTER. 407 00:16:51,640 --> 00:16:53,370 AND WHAT ABOUT ME? 408 00:16:53,370 --> 00:16:55,580 YOU BROUGHT ME TO BEVERLY, MAN, 409 00:16:55,580 --> 00:16:57,880 AND HOW YOU LEAVE, AND YOU CAN'T BE MAN ENOUGH TO TELL ME 410 00:16:57,880 --> 00:16:58,950 TO MY FACE? 411 00:16:58,950 --> 00:17:00,810 LOOK, SPENCER. YOU HAVE NO IDEA 412 00:17:00,810 --> 00:17:01,950 HOW HARD THIS DECISION WAS TO MAKE. 413 00:17:01,950 --> 00:17:03,820 ACTUALLY, I DO. I REALLY DO. 414 00:17:03,820 --> 00:17:05,490 MORE THAN YOU KNOW. 415 00:17:05,490 --> 00:17:07,290 IT JUST HURTS THAT YOU WOULDN'T CARE ENOUGH 416 00:17:07,290 --> 00:17:09,360 ABOUT OUR RELATIONSHIP TO GIVE ME A HEAD'S UP. 417 00:17:09,360 --> 00:17:12,090 I'D NEVER DO THAT TO YOU. 418 00:17:12,090 --> 00:17:15,400 -IN FACT, THAT'S WHY I'M HERE. -WHAT ARE YOU TALKING ABOUT? 419 00:17:15,400 --> 00:17:18,300 MY POPS IS THE NEW HEAD COACH AT SOUTH CRENSHAW, 420 00:17:18,300 --> 00:17:22,840 AND HE WANTS ME TO COME PLAY FOR HIM IN THE FALL. 421 00:17:22,840 --> 00:17:24,240 WHAT ARE YOU PLANNING ON DOING? 422 00:17:24,240 --> 00:17:26,440 WHY YOU CARE? 423 00:17:26,440 --> 00:17:29,380 YOU'RE NOT THE COACH AT BEVERLY NO MORE. 424 00:17:29,380 --> 00:17:30,980 RIGHT? 425 00:17:33,580 --> 00:17:35,520 I'LL SEE YOU AROUND. 426 00:17:46,460 --> 00:17:48,930 WHAT HAPPENED? WHERE'S DILLON? 427 00:17:48,930 --> 00:17:50,860 I TOOK DILLON ACROSS THE STREET 428 00:17:50,860 --> 00:17:52,370 FOR A PLAY DATE WITH GAVIN. 429 00:17:52,370 --> 00:17:54,430 WITHOUT CHECKING WITH ME FIRST? 430 00:17:54,430 --> 00:17:56,940 WE NEED TO TALK ALONE. 431 00:18:01,110 --> 00:18:04,410 GRACE, WHATEVER ANSWER YOU GIVE ME, 432 00:18:04,410 --> 00:18:07,080 THERE'S NO JUDGMENT, NO ANGER. 433 00:18:07,080 --> 00:18:09,050 I--I MADE PEACE WITH THE FACT 434 00:18:09,050 --> 00:18:11,990 THAT DILLON MAY BE BILLY'S A WHILE AGO. 435 00:18:11,990 --> 00:18:14,890 I JUST NEED TO KNOW. 436 00:18:14,890 --> 00:18:18,360 THE TRUTH IS... 437 00:18:18,360 --> 00:18:20,260 I DON'T KNOW. 438 00:18:20,260 --> 00:18:24,460 AT FIRST, I WAS TOO SCARED TO EVEN ASK THE QUESTION, 439 00:18:24,460 --> 00:18:26,000 BUT THEN YOU LEFT ANYWAYS. 440 00:18:26,000 --> 00:18:27,600 -WAIT A MINUTE NOW. -NO. 441 00:18:27,600 --> 00:18:28,970 -I-- -NO, NO, NO. YOU WAIT A MINUTE. 442 00:18:28,970 --> 00:18:32,910 YOU WANT TO TALK, COREY? LET'S REALLY TALK. 443 00:18:32,910 --> 00:18:35,980 WE MADE VOWS FOR BETTER OR WORSE, 444 00:18:35,980 --> 00:18:40,450 AND I MADE A MISTAKE, I MADE ONE BIG MISTAKE, 445 00:18:40,450 --> 00:18:44,850 AND YOU PUNISH US ALL BY LEAVING THE BOYS FOR 8 YEARS? 446 00:18:44,850 --> 00:18:48,020 8 YEARS! 447 00:18:48,020 --> 00:18:50,920 I HAD TO RAISE SPENCER AND DILLON BY MYSELF. 448 00:18:50,920 --> 00:18:52,560 SO, NO, YOU DON'T GET TO WALK UP IN HERE 449 00:18:52,560 --> 00:18:55,960 AND PUT DEMANDS ON ME OR MY BOYS! 450 00:18:55,960 --> 00:18:59,470 BECAUSE THAT'S WHO THEY ARE--THEY'RE MINE. 451 00:19:01,000 --> 00:19:02,900 NOW IF YOU WILL EXCUSE ME, 452 00:19:02,900 --> 00:19:04,940 I GOT TO GO PICK UP MY SON 453 00:19:04,940 --> 00:19:06,740 FROM AN UNSANCTIONED PLAY DATE. 454 00:19:37,370 --> 00:19:39,110 -WHAT? -STEALING FROM MOM 455 00:19:39,110 --> 00:19:40,840 TO SUPPORT YOUR HAREM OF HOS ISN'T THE ANSWER 456 00:19:40,840 --> 00:19:42,480 TO YOUR PROBLEMS. 457 00:19:42,480 --> 00:19:44,110 OH, OK. WHY DON'T YOU JUST--I DON'T KNOW-- 458 00:19:44,110 --> 00:19:45,480 MIND YOUR OWN BUSINESS? 459 00:19:45,480 --> 00:19:47,880 WHY DON'T YOU MIND YOUR BUSINESS? 460 00:19:50,050 --> 00:19:51,890 BILLY: HEY. 461 00:19:58,230 --> 00:19:59,460 MISSED YOU, DAD. 462 00:19:59,460 --> 00:20:01,460 YEAH. ME, TOO. 463 00:20:04,030 --> 00:20:07,070 I, UH, WANTED TO GIVE YOU GUYS SOME SPACE 464 00:20:07,070 --> 00:20:11,000 LAST COUPLE OF WEEKS, SO... 465 00:20:11,000 --> 00:20:12,940 UH, TAHOE. HOW WAS TAHOE? 466 00:20:12,940 --> 00:20:14,880 -BOUGIE. -HA HA HA! 467 00:20:14,880 --> 00:20:17,010 LOOK. YOU--YOU SHOULDN'T BE HERE, OK? 468 00:20:17,010 --> 00:20:19,010 MOM WOULDN'T WANT TO SEE YOU. 469 00:20:19,010 --> 00:20:20,950 YEAH. I FIGURED AS MUCH. 470 00:20:20,950 --> 00:20:23,280 THAT'S WHY I WAITED FOR HER TO LEAVE. 471 00:20:23,280 --> 00:20:24,950 UH, WE SHOULD TALK. 472 00:20:24,950 --> 00:20:26,890 JORDAN, DID YOU TAKE SOME-- 473 00:20:26,890 --> 00:20:28,990 A LETTER FROM MY OFFICE 474 00:20:28,990 --> 00:20:30,090 LAST TIME WE WERE THERE? 475 00:20:30,090 --> 00:20:32,390 YOU MEAN YOUR RESIGNATION LETTER. 476 00:20:32,390 --> 00:20:34,390 NO. I MEAN, I READ IT, YEAH, 477 00:20:34,390 --> 00:20:36,030 BUT I DIDN'T TAKE IT. 478 00:20:36,030 --> 00:20:37,600 WAIT. WHAT? 479 00:20:37,600 --> 00:20:40,230 JORDAN, YOU WERE THE ONLY ONE THERE, SOME COME ON. 480 00:20:40,230 --> 00:20:41,500 I--I NEED IT BACK. 481 00:20:41,500 --> 00:20:42,970 YEAH. OF COURSE YOU DON'T BELIEVE ME 482 00:20:42,970 --> 00:20:44,600 BECAUSE, WHAT, LYING IS A BAKER MAN TRAIT, RIGHT? 483 00:20:44,600 --> 00:20:46,170 HEY. 484 00:20:46,170 --> 00:20:50,680 LAURA: GUYS, HAS ANYONE SEEN MY WALLET? 485 00:20:50,680 --> 00:20:53,110 OH. H-HI. 486 00:20:53,110 --> 00:20:55,020 HEY. 487 00:20:55,020 --> 00:20:57,120 IS EVERYTHING OK, KIDS? 488 00:20:57,120 --> 00:20:58,290 YEAH. 489 00:21:06,190 --> 00:21:08,600 I DON'T MIND YOU COMING BY TO SEE THE KIDS, 490 00:21:08,600 --> 00:21:11,000 BUT MAYBE YOU COULD CALL NEXT TIME. 491 00:21:11,000 --> 00:21:13,070 OF COURSE. YEAH. ALL RIGHT. 492 00:21:21,410 --> 00:21:22,880 -SNITCH. -SNITCH. 493 00:21:22,880 --> 00:21:25,010 -LOOK AT THAT SNITCH. -YO, SNITCH. 494 00:21:25,010 --> 00:21:26,650 COME ON, MAN. 495 00:21:26,650 --> 00:21:28,550 OK. I MEAN, I KNOW SOME PEOPLE WOULD HAVE BEEF WITH YOU 496 00:21:28,550 --> 00:21:30,520 HELPING THE COPS TAKE DOWN TYRONE, BUT COME ON. 497 00:21:30,520 --> 00:21:32,090 IT'S A LITTLE MUCH. 498 00:21:32,090 --> 00:21:34,050 HEY. YOU GUYS STILL GOING TO NIPSEY'S VIGIL TONIGHT? 499 00:21:34,050 --> 00:21:35,590 -YEAH. -YOU SURE YOU WANT TO BE 500 00:21:35,590 --> 00:21:37,290 SEEN WITH ME? 501 00:21:37,290 --> 00:21:39,030 I MEAN, YOU MIGHT GET LABELED SNITCH BY PROXY. 502 00:21:39,030 --> 00:21:40,630 THIS--THIS ISN'T FUNNY. 503 00:21:40,630 --> 00:21:42,400 YO. IT AIN'T LIKE ME TURNING TYRONE IN 504 00:21:42,400 --> 00:21:44,360 WAS TO SAVE MY ASS FROM PRISON OR SOMETHING, OK? 505 00:21:44,360 --> 00:21:46,930 I WAS SAVING LIVES. THAT'S DIFFERENT. 506 00:21:46,930 --> 00:21:48,400 YOU SHOULD TAKE THIS SERIOUSLY. 507 00:21:48,400 --> 00:21:50,100 MY UNCLE FLIP SAID IT AIN'T ALL GOOD IN THE STREETS. 508 00:21:50,100 --> 00:21:53,610 FOLKS SAYING YOU SET TYRONE UP. 509 00:21:53,610 --> 00:21:54,910 I'M JUST SAYING. I'LL SEE YOU. 510 00:21:54,910 --> 00:21:57,040 ALL RIGHT. I'LL SEE YOU. 511 00:21:57,040 --> 00:21:58,950 -SEE? -NO, I DON'T. 512 00:21:58,950 --> 00:22:01,250 THERE'S A LEGIT REASON THEY SAY, "SNITCHES GET STITCHES." 513 00:22:01,250 --> 00:22:02,850 -COME ON. -THERE'S A LEGIT REASON PEOPLE 514 00:22:02,850 --> 00:22:04,820 DON'T SAY THAT ANYMORE. 515 00:22:07,220 --> 00:22:08,820 WOW. 516 00:22:52,430 --> 00:22:56,000 MAN: HEY! LET'S GO! 517 00:22:56,000 --> 00:22:58,470 LET'S GET IT! WE'RE ABOUT TO GET IT! 518 00:23:01,240 --> 00:23:03,840 MAN: YO, YO, YO, YO! 519 00:23:05,450 --> 00:23:07,050 SHOW ME SOMETHING, ASH. 520 00:23:07,050 --> 00:23:09,580 ♪ GET A JOB DONE LIKE THE CAKE BOSS ♪ 521 00:23:09,580 --> 00:23:12,090 ♪ SO THAT BIG RUSH RUNNING THROUGH YOUR VEINS ♪ 522 00:23:12,090 --> 00:23:15,620 ♪ IT'S THE SAME, KEEP IT GOING, AND YOU MAINTAIN ♪ 523 00:23:15,620 --> 00:23:18,020 -UNH! -WHOO! 524 00:23:18,020 --> 00:23:20,260 ♪ I WAN TO SEE YOU GET IT, UP AND GET IT ♪ 525 00:23:20,260 --> 00:23:24,100 ♪ NOTHING IS FOREVER, YOU WANT TO MAKE IT COUNT ♪ 526 00:23:25,200 --> 00:23:27,200 ♪ THEY CAN NEVER HOLD US DOWN ♪ 527 00:23:28,940 --> 00:23:31,870 ♪ IT'S THE SAME, KEEP IT GOING, AND YOU MAINTAIN ♪ 528 00:23:37,910 --> 00:23:40,080 ♪ SO THAT BIG RUSH RUNNING THROUGH YOUR VEINS ♪ 529 00:23:40,080 --> 00:23:43,520 ♪ IT'S THE SAME, KEEP IT GOING, AND YOU MAINTAIN ♪ 530 00:23:43,520 --> 00:23:45,890 ROCHELLE: SPENCER. 531 00:23:45,890 --> 00:23:47,990 HEY. I AIN'T REALLY GOT RIGHT FOR THIS RIGHT NOW. 532 00:23:47,990 --> 00:23:50,290 -MAKE TIME. -EXCUSE ME? 533 00:23:50,790 --> 00:23:54,090 ARE YOU COMMUTING TO SCHOOL FROM CRENSHAW? 534 00:23:54,090 --> 00:23:57,130 DID YOU MOVE OUT OF THE BAKER HOUSE, 535 00:23:57,130 --> 00:23:58,860 THE OFFICIAL ADDRESS THE SCHOOL HAS ON RECORD, 536 00:23:58,860 --> 00:24:00,400 AND IF SO, WHEN? 537 00:24:00,400 --> 00:24:02,670 WHY IS THIS ANY OF YOUR BUSINESS? 538 00:24:02,670 --> 00:24:05,670 IT'S NOT, BUT IT'S THEIR BUSINESS 539 00:24:05,670 --> 00:24:08,870 IF THE STATE CHAMPIONSHIP WIN IS IN JEOPARDY. 540 00:24:08,870 --> 00:24:10,340 HOLD UP. WHAT ARE YOU TALKING ABOUT? 541 00:24:10,340 --> 00:24:12,350 THE SCHOOL RECEIVED AN ANONYMOUS TIP 542 00:24:12,350 --> 00:24:14,510 THAT YOU'RE NOT LIVING IN THE PROPER ZIP CODE ANYMORE. 543 00:24:14,510 --> 00:24:16,880 THEY PLAN ON DOING A SPONTANEOUS CHECK-IN TOMORROW TO MAKE SURE 544 00:24:16,880 --> 00:24:20,390 TO MAKE SURE YOU'RE ACTUALLY LIVING AT THE BAKER HOUSE. 545 00:24:20,390 --> 00:24:22,490 YOU CAN THANK MY DAD FOR THAT. 546 00:24:22,490 --> 00:24:23,920 PERKS OF BEING THE NUMBER ONE BOOSTER, 547 00:24:23,920 --> 00:24:25,560 WE GET ACCESS TO INFORMATION LIKE THIS. 548 00:24:25,560 --> 00:24:27,530 ALL RIGHT. SO HYPOTHETICALLY, WHAT HAPPENS 549 00:24:27,530 --> 00:24:28,830 IF AIN'T LIVING THERE? 550 00:24:28,830 --> 00:24:31,030 YOU'RE RULED INELIGIBLE TO ATTEND BEVERLY 551 00:24:31,030 --> 00:24:32,670 AND PLAY FOOTBALL HERE, 552 00:24:32,670 --> 00:24:34,500 AND THAT WILL BE RETROACTIVE ALL THE WAY 553 00:24:34,500 --> 00:24:37,140 TO YOUR INITIAL TRANSFER, WHICH MEANS... 554 00:24:37,140 --> 00:24:39,040 STATE CHAMPIONSHIP VACATED. 555 00:24:49,580 --> 00:24:51,050 SPENCER: I JUST DON'T UNDERSTAND WHY 556 00:24:51,050 --> 00:24:52,550 IT'S GOT TO BE SO HARD. 557 00:24:52,550 --> 00:24:54,390 I AIN'T BOTHERING NOBODY. 558 00:24:54,390 --> 00:24:56,420 WHY'S ANYONE CARE WHERE I SLEEP? 559 00:24:56,420 --> 00:24:59,430 SOMETIMES, THAT'S JUST LIFE, BABY, 560 00:24:59,430 --> 00:25:01,590 BUT THAT DOESN'T MEAN WE GIVE UP. 561 00:25:04,500 --> 00:25:06,600 I CAN'T ASK MRS. BAKER TO MOVE ME BACK IN 562 00:25:06,600 --> 00:25:08,600 TO SAVE COACH'S TEAM. 563 00:25:08,600 --> 00:25:12,910 WE THE WHOLE REASON THEIR MARRIAGE IS FALLING APART. 564 00:25:12,910 --> 00:25:14,470 WHAT AM I SUPPOSED TO DO, 565 00:25:14,470 --> 00:25:16,040 LOOK HER IN THE EYE AFTER ALL OF THAT 566 00:25:16,040 --> 00:25:17,640 AND BEG HER TO TAKE ME BACK? 567 00:25:17,640 --> 00:25:19,050 NO. 568 00:25:28,850 --> 00:25:31,920 LOOK AT ME, SPENCER. 569 00:25:31,920 --> 00:25:36,130 YOU DON'T HAVE TO EVER BEG ANYONE FOR ANYTHING. 570 00:25:36,130 --> 00:25:38,830 DO YOU HEAR ME? 571 00:25:38,830 --> 00:25:41,370 YOU ARE A KING. 572 00:25:41,370 --> 00:25:43,300 DON'T YOU EVER FORGET THAT. 573 00:25:46,070 --> 00:25:48,440 CAMM: ♪ I'M SEEING MY PEOPLE GET KILLED DAILY ♪ 574 00:25:48,440 --> 00:25:49,980 ♪ AND I PRY THEE, MERCY AND GRACE ♪ 575 00:25:49,980 --> 00:25:52,380 ♪ OFFER SOME SAFETY IN THE SYSTEM THAT HATE ME ♪ 576 00:25:52,380 --> 00:25:54,050 ♪ BOY, IT DATE ME, SO I STAY CUFFED UP ♪ 577 00:25:54,050 --> 00:25:55,920 ♪ WE LUCK UP AND GET TO LIVE FOR A MOMENT ♪ 578 00:25:55,920 --> 00:25:57,380 ♪ NOW LET'S TURN IT INTO SOMETHING ♪ 579 00:25:57,380 --> 00:25:58,950 ABBEY SMITH: ♪ CHANGE IF... ♪ 580 00:25:58,950 --> 00:26:00,590 SPENCER: MAYBE THIS IS HAPPENING FOR A REASON. 581 00:26:00,590 --> 00:26:02,350 I SHOULD NEVER HAVE CAME TO BEVERLY. 582 00:26:02,350 --> 00:26:03,660 COOP: NOW YOU JUST TALKING STUPID. 583 00:26:03,660 --> 00:26:05,590 BAKERS WOULD STILL BE TOGETHER, 584 00:26:05,590 --> 00:26:07,390 AND THE EAGLES WOULDN'T BE IN DANGER OF LOSING THEIR TITLE. 585 00:26:07,390 --> 00:26:09,660 AND YOUR COUCH WOULD HAVE STILL CHEATED ON HIS WIFE, 586 00:26:09,660 --> 00:26:12,500 AND THE EAGLES PROBABLY WOULDN'T EVEN HAVE MADE IT TO THE PLAYOFFS. 587 00:26:12,500 --> 00:26:16,770 LOOK. BEVERLY HILLS MIGHT HAVE BEEN DIFFERENT BUT NOT BETTER. 588 00:26:16,770 --> 00:26:18,900 ANYWAY, THAT'S WHATEVER NOW. 589 00:26:18,900 --> 00:26:21,670 HOW DID COACH BAKER REACT TO YOU PLAYING FOR YOUR POPS IN THE FALL? 590 00:26:21,670 --> 00:26:23,110 I DIDN'T TELL HIM YET. 591 00:26:23,110 --> 00:26:24,410 COOP: SO YOU AIN'T TELL HIM, 592 00:26:24,410 --> 00:26:26,110 YOU DIDN'T TELL YOUR POP. 593 00:26:26,110 --> 00:26:27,610 I'M SAYING MAYBE YOU REALIZING BEVERLY HILLS 594 00:26:27,610 --> 00:26:29,550 AIN'T JUST SOME RANDOM BOUGIE PLACE 595 00:26:29,550 --> 00:26:31,380 YOU CAN SHOOT YOUR SHOT AT NO MORE. 596 00:26:31,380 --> 00:26:33,520 THOSE ARE PEOPLE YOU LOVE, A TEAM YOU LOVE, 597 00:26:33,520 --> 00:26:34,920 INCLUDING COACH. 598 00:26:34,920 --> 00:26:37,360 PATIENCE: BABE, YOU SURE YOU'RE SUPPOSED TO BE HERE? 599 00:26:37,360 --> 00:26:39,360 IF YOU LAY LOW FOR A SEC, ALL THIS TYRONE MESS SHOULD BLOW OVER. 600 00:26:39,360 --> 00:26:40,990 SPENCER: HOLD ON. WHAT THE HELL THEY TALKING ABOUT? 601 00:26:40,990 --> 00:26:42,700 YO. Y'ALL GOT BIG MOUTHS, YOU KNOW THAT? 602 00:26:42,700 --> 00:26:45,430 YEAH? WELL, SOMEONE LEFT A THREAT ON COOP'S LOCKER 603 00:26:45,430 --> 00:26:47,400 AFTER WHAT SHE DID TO TYRONE, SO... 604 00:26:47,400 --> 00:26:48,800 WHY IS THIS THE FIRST I'M HEARING ABOUT THIS? 605 00:26:48,800 --> 00:26:50,400 THAT'S WHY. LOOK AT YOUR FACE. 606 00:26:50,400 --> 00:26:51,900 I DON'T NEED YOU GOING ALL CRAZY 607 00:26:51,900 --> 00:26:53,370 TRYING TO PROTECT ME, 608 00:26:53,370 --> 00:26:56,080 AND AIN'T NOBODY GONNA RUN ME INTO HIDING, OK? 609 00:26:56,080 --> 00:26:57,510 LOOK AT THIS PLACE-- 610 00:26:57,510 --> 00:26:59,880 BLOODS, CRIPS, CHRISTIANS, MUSLIMS. 611 00:26:59,880 --> 00:27:02,410 EVERYBODY CAME TO PAY THEIR RESPECT TO NIPSEY, 612 00:27:02,410 --> 00:27:04,380 AND I'MA DO THE SAME THING. 613 00:27:06,390 --> 00:27:07,750 TRIPPING. 614 00:27:07,750 --> 00:27:09,290 PATIENCE: YEAH. OK. 615 00:27:16,560 --> 00:27:19,470 YOU OK? 616 00:27:19,470 --> 00:27:22,000 WOW. THAT'S A GOOD SCENT FOR YOU. 617 00:27:22,000 --> 00:27:24,440 WHAT IS THAT, EAU DE BOURBON? 618 00:27:24,440 --> 00:27:26,840 OK. BE CAREFUL. 619 00:27:26,840 --> 00:27:29,110 OR WHAT, DAD? YOU'LL RESIGN 620 00:27:29,110 --> 00:27:31,340 FROM BEING MY FATHER, TOO? 621 00:27:31,340 --> 00:27:34,410 OH, WAIT. YOU KIND OF ALREADY DID THAT. 622 00:27:34,410 --> 00:27:36,720 -WHAT'S THIS? -I TOOK YOUR DAMN LETTER. 623 00:27:36,720 --> 00:27:38,120 WHY? WHY? 624 00:27:38,120 --> 00:27:39,650 I CAME BY YOUR OFFICE THAT NIGHT TO SEE YOU 625 00:27:39,650 --> 00:27:41,520 AFTER LEAVING CHRIS AT THE HOSPITAL, 626 00:27:41,520 --> 00:27:43,420 AND I FOUND IT ON YOUR DESK. 627 00:27:43,420 --> 00:27:45,460 -OK. -HOW MANY TIMES HAVE YOU TOLD US 628 00:27:45,460 --> 00:27:47,790 NOT TO MAKE LIFE-CHANGING DECISIONS 629 00:27:47,790 --> 00:27:49,060 WHEN WE'RE CRAZY EMOTIONAL, 630 00:27:49,060 --> 00:27:50,930 BUT THAT'S EXACTLY WHAT YOU DID. 631 00:27:50,930 --> 00:27:53,000 SO YOU TOOK THE LETTER BECAUSE YOU WANTED ME TO WHAT, 632 00:27:53,000 --> 00:27:54,830 LIKE, CHANGE MY MIND OR SOMETHING? 633 00:27:54,830 --> 00:27:57,640 HOPING TO GIVE YOU TIME TO COME TO YOUR SENSES. 634 00:27:59,940 --> 00:28:01,610 THAT'S WHY I PRETENDED TO BE YOU, 635 00:28:01,610 --> 00:28:04,310 AND I E-MAILED PRINCIPAL LANDON ABOUT THE EXTRA VACATION. 636 00:28:04,310 --> 00:28:06,050 -WHAT?! -EVERYONE IS GIVING UP 637 00:28:06,050 --> 00:28:09,450 ON THIS FAMILY, AND I REFUSE TO DO THAT. 638 00:28:09,450 --> 00:28:11,080 I'M NOT GIVING UP ON THIS FAMILY. 639 00:28:11,080 --> 00:28:12,750 REALLY? SO YOU HIDING IN CRENSHAW, 640 00:28:12,750 --> 00:28:15,390 PRETENDING TO REBUILD AND DRINKING LIKE A FISH, 641 00:28:15,390 --> 00:28:17,620 THAT'S YOU FIGHTING FOR OUR FAMILY? 642 00:28:17,620 --> 00:28:20,430 WE ALL MAKE MISTAKES, 643 00:28:20,430 --> 00:28:23,330 BUT WE CAN'T LET THEM DEFINE US. 644 00:28:23,330 --> 00:28:26,670 I MEAN, YOU TAUGHT ME THAT, 645 00:28:26,670 --> 00:28:28,430 BUT YOU KNOW WHAT? 646 00:28:28,430 --> 00:28:31,970 IF YOU'RE TOTALLY SET ON MAINTAINING THE STATUS QUO 647 00:28:31,970 --> 00:28:34,570 AND QUITTING ON ALL OF US, 648 00:28:34,570 --> 00:28:36,640 THEN, YEAH, 649 00:28:36,640 --> 00:28:39,350 MAYBE WE ARE BETTER OFF WITHOUT YOU. 650 00:28:48,820 --> 00:28:51,990 FLIP: IT'S FUNNY HOW FOLK LOOK AT OUR YOUNG BLACK BOYS, 651 00:28:51,990 --> 00:28:53,730 OUR MEN. 652 00:28:53,730 --> 00:28:55,430 THEY DON'T SEE US. 653 00:28:55,430 --> 00:28:57,730 THEY SEE THEIR FEARS AND THEIR PREJUDICES. 654 00:28:57,730 --> 00:28:59,730 SEE, NIPSEY WAS DIFFERENT. 655 00:28:59,730 --> 00:29:02,470 THE WHOLE WORLD COULDN'T HELP BUT SEE HIS SHINING LIGHT. 656 00:29:02,470 --> 00:29:04,500 THAT'S WHY THEY GOT TEARS FLOWING FROM HERE 657 00:29:04,500 --> 00:29:06,370 TO THE RED SEA. 658 00:29:06,370 --> 00:29:08,710 I'M SORRY YOUR POPS IS MISSING THIS. 659 00:29:08,710 --> 00:29:10,440 YEAH. ME, TOO. 660 00:29:10,440 --> 00:29:12,340 TRUST ME, HE'D RATHER BE HERE THAN SOME BOARD ROOM 661 00:29:12,340 --> 00:29:13,810 IN CULVER CITY. 662 00:29:13,810 --> 00:29:17,550 FLIP: HE PURSUED HIS DREAMS OF MUSIC UNAPOLOGETIC. 663 00:29:17,550 --> 00:29:20,090 HE DID IT ALL ON HIS TERMS. 664 00:29:20,090 --> 00:29:23,520 HE WASN'T JUST NO HOMEBOY KICKING IT IN NO NEIGHBORHOOD. 665 00:29:23,520 --> 00:29:25,360 HE WAS A PILLAR OF THE COMMUNITY 666 00:29:25,360 --> 00:29:28,360 WHO REFUSED TO ACCEPT DEFEAT FROM THOSE FOLK 667 00:29:28,360 --> 00:29:31,560 WHO KEPT SAYING OUR DREAMS WEREN'T REAL, 668 00:29:31,560 --> 00:29:33,570 LET ALONE VALID, 669 00:29:33,570 --> 00:29:36,540 THAT WE, TOO, COULDN'T BE GREAT, 670 00:29:36,540 --> 00:29:38,440 AND, SEE, THAT'S WHAT MOTIVATED NIP 671 00:29:38,440 --> 00:29:40,870 TO PROVE THEM HATERS WRONG, 672 00:29:40,870 --> 00:29:43,440 SO TRUST ME, MAN, AND HEAR ME 673 00:29:43,440 --> 00:29:46,010 WHEN I SAY NIP IS A REAL ONE-- 674 00:29:46,010 --> 00:29:49,950 PHILANTHROPIST, INVESTOR, AND ENTREPRENEUR, 675 00:29:49,950 --> 00:29:51,420 BUT MOST OF ALL, 676 00:29:51,420 --> 00:29:53,450 HE WAS A FATHER AND A SON, 677 00:29:53,450 --> 00:29:55,990 NOT JUST TO HIS FAMILY BUT A FATHER AND A SON 678 00:29:55,990 --> 00:29:57,590 IN THIS COMMUNITY. 679 00:29:57,590 --> 00:30:00,690 Y'ALL DON'T UNDERSTAND. THIS MAN, HE PROVED 680 00:30:00,690 --> 00:30:05,400 THAT YOU AIN'T GOT TO BE BLOOD TO BE FAMILY. 681 00:30:05,400 --> 00:30:07,600 WE GOT TO KEEP INVESTING IN OURSELVES, 682 00:30:07,600 --> 00:30:11,100 INVESTING IN THE COMMUNITIES, IN EACH OTHER. 683 00:30:11,100 --> 00:30:15,770 THAT'S HOW WE KEEP OUR BROTHER ERMIAS ASGHEDOM'S LEGACY ALIVE. 684 00:30:15,770 --> 00:30:19,810 THAT'S HOW THE MARATHON CONTINUES. 685 00:30:19,810 --> 00:30:21,550 SHOW SOME RESPECT. 686 00:30:21,550 --> 00:30:24,380 PUT ONE IN THE AIR FOR NIPSEY HUSSLE. 687 00:30:48,940 --> 00:30:50,640 CAN WE TALK? 688 00:30:57,480 --> 00:30:59,420 FOR WEEKS, I'VE BEEN TRYING TO FIGURE OUT 689 00:30:59,420 --> 00:31:02,360 HOW TO SAY WHAT NEEDED TO BE SAID BETWEEN US, 690 00:31:02,360 --> 00:31:04,620 AND THE TRUTH IS NO MATTER WHAT I SAY 691 00:31:04,620 --> 00:31:07,590 DOESN'T CHANGE THE FACT THAT I WAS WRONG. 692 00:31:11,030 --> 00:31:14,970 IT DOESN'T MATTER THAT I DIDN'T KNOW YOU AT THE TIME. 693 00:31:14,970 --> 00:31:18,870 IT DOESN'T MATTER WHAT WAS GOING ON IN MY OWN LIFE. 694 00:31:18,870 --> 00:31:21,610 WHAT MATTERS IS I KNEW BILLY WAS MARRIED, 695 00:31:21,610 --> 00:31:23,940 AND IN THAT MOMENT, I SHOULD HAVE RESPECTED THAT 696 00:31:23,940 --> 00:31:25,410 AND WALKED AWAY. 697 00:31:25,410 --> 00:31:28,110 FOR THAT, I'M TRULY SORRY, 698 00:31:28,110 --> 00:31:30,880 AND EVEN MORE SO, I'M...SORRY FOR MOVING 699 00:31:30,880 --> 00:31:33,990 MY SON INTO YOUR HOME WITHOUT BEING FULLY HONEST WITH YOU 700 00:31:33,990 --> 00:31:36,560 ABOUT EVERYTHING. 701 00:31:36,560 --> 00:31:39,990 I, UH--I'M NOT HERE FOR FORGIVENESS. 702 00:31:39,990 --> 00:31:42,560 I JUST WANTED TO OWN MY PART IN THIS 703 00:31:42,560 --> 00:31:44,600 AND ACCEPT MY BLAME. 704 00:31:44,600 --> 00:31:46,430 WHEN YOU'RE WRONG, I THINK IT'S IMPORTANT 705 00:31:46,430 --> 00:31:49,400 TO MEET WITH SOMEONE DIRECTLY, 706 00:31:49,400 --> 00:31:50,970 FACE TO FACE... 707 00:31:53,470 --> 00:31:55,870 SO THEY CAN SEE THAT YOU MEAN IT. 708 00:31:59,080 --> 00:32:00,980 AND I TRULY DO. 709 00:32:06,020 --> 00:32:07,850 ARE YOU DONE? 710 00:32:16,860 --> 00:32:18,530 HA HA HA! 711 00:32:18,530 --> 00:32:20,400 COOP: HA HA HA! 712 00:32:20,400 --> 00:32:23,600 THE SISTER. 713 00:32:23,600 --> 00:32:24,970 WHAT UP, COOP? 714 00:32:24,970 --> 00:32:26,540 TRYING TO GET HOME, THAT'S ALL. 715 00:32:26,540 --> 00:32:27,910 IS THAT A PROBLEM? 716 00:32:27,910 --> 00:32:29,440 YOU LOOSE-LIPPED BITCHES RUNNING FREE 717 00:32:29,440 --> 00:32:30,540 TO SNITCH ON WHOEVER? 718 00:32:30,540 --> 00:32:31,940 YEAH, THAT'S A PROBLEM. 719 00:32:31,940 --> 00:32:34,050 YOU GOT A LOT OF NERVE COMING OUT HERE, COOP. 720 00:32:34,050 --> 00:32:35,510 LISTEN. IF YOUR UNGRATEFUL ASS WANT TO JUMP ME 721 00:32:35,510 --> 00:32:37,320 FOR SAVING Y'ALL'S DAMN LIVES, YOU CAN TRY, 722 00:32:37,320 --> 00:32:39,880 BUT WHAT I'M NOT GONNA DO IS APOLOGIZE 723 00:32:39,880 --> 00:32:41,920 FOR DEADING TYRONE'S TRIGGER-HAPPY RAMPAGE. 724 00:32:41,920 --> 00:32:44,020 REALLY, HOW MANY MORE BROTHERS DID TYRONE HAVE TO KILL 725 00:32:44,020 --> 00:32:46,090 FOR IT TO BE COOL FOR ME TO TURN HIM IN? 726 00:32:53,670 --> 00:32:56,200 PREACH: HEY! I KNOW Y'ALL NOT ABOUT TO 727 00:32:56,200 --> 00:32:59,240 DISRESPECT HIS VIGIL LIKE THAT. 728 00:32:59,240 --> 00:33:01,910 Y'ALL DIDN'T HEAR A DAMN WORD FLIP SAID TONIGHT. 729 00:33:01,910 --> 00:33:04,510 MAN, FALL BACK...NOW. 730 00:33:11,850 --> 00:33:13,990 YO. I HEARD WHAT YOU SAID. 731 00:33:13,990 --> 00:33:16,520 SEE, I LIVE BY A DIFFERENT CODE OUT HERE IN THESE STREETS, 732 00:33:16,520 --> 00:33:18,920 SO I HANDLE THINGS DIFFERENTLY, 733 00:33:18,920 --> 00:33:21,230 BUT GET THAT YOU DID WHAT YOU FELT YOU HAD TO DO 734 00:33:21,230 --> 00:33:24,100 TO STOP THE VIOLENCE. 735 00:33:24,100 --> 00:33:25,860 AIN'T NOBODY IN THE CREW GONNA BOTHER YOU 736 00:33:25,860 --> 00:33:27,530 OR YOUR GIRL ANYMORE. 737 00:33:27,530 --> 00:33:29,030 YOU'RE FREE, COOP. 738 00:33:29,030 --> 00:33:30,940 JUST KEEP YOUR DISTANCE. 739 00:33:37,180 --> 00:33:39,280 YOU OK? 740 00:33:39,280 --> 00:33:41,950 YEAH, I'M GOOD. 741 00:33:41,950 --> 00:33:43,980 IT'S TIME TO MOVE ON TO THE NEXT. 742 00:33:48,890 --> 00:33:51,420 NICK KINGSLEY AND TAYLOR MAURER: ♪ OH, YOU BEEN LIVING FREE ♪ 743 00:33:51,420 --> 00:33:53,190 ♪ I THINK I KNOW YOUR TYPE ♪ 744 00:33:53,190 --> 00:33:54,890 THIS IS A DIFFERENT TIME OF DAY FOR YOU. 745 00:33:54,890 --> 00:33:55,990 YOU WANT YOUR USUAL? 746 00:33:55,990 --> 00:33:57,530 YOU KNOW WHAT? LET ME GET A-- 747 00:33:57,530 --> 00:33:59,500 LET ME GET A CLUB SODA. 748 00:33:59,500 --> 00:34:00,900 YOU GOT IT. 749 00:34:00,900 --> 00:34:02,130 COREY: MAKE THAT TWO. 750 00:34:08,440 --> 00:34:11,880 YOU LOOKING A LITTLE ROUGH, BROTHER. 751 00:34:11,880 --> 00:34:15,580 YEAH, I KNOW. 752 00:34:15,580 --> 00:34:18,180 I HEARD YOU MOVED BACK IN WITH WILLIE. 753 00:34:18,180 --> 00:34:19,980 HOW'S THAT WORKING OUT? 754 00:34:19,980 --> 00:34:22,920 SO GOOD HE HIGH-TAILED IT TO FLORIDA. 755 00:34:22,920 --> 00:34:26,460 I GOT TO TELL YOU I DIDN'T SEE THIS ONE COMING. 756 00:34:26,460 --> 00:34:29,390 YOU SPRINTED OUT OF CRENSHAW SO FAST AFTER GRADUATION, 757 00:34:29,390 --> 00:34:33,030 I SWORE YOU WERE NEVER COMING BACK. 758 00:34:33,030 --> 00:34:35,000 DID IT WORK? 759 00:34:35,000 --> 00:34:37,000 -HMM. -MOVING BACK? 760 00:34:37,000 --> 00:34:39,000 YOU GET THE ANSWERS YOU WERE LOOKING FOR? 761 00:34:39,000 --> 00:34:40,870 I BEEN TOO BUSY HIDING. 762 00:34:46,040 --> 00:34:48,280 BUT THAT STOPS NOW. 763 00:34:48,280 --> 00:34:49,880 WHAT'S UP? YOU OUT? 764 00:34:49,880 --> 00:34:53,050 YEAH, MAN. BOOK WILLIE A FLIGHT HOME. 765 00:34:53,050 --> 00:34:55,250 I CAME BACK TO MAKE THINGS RIGHT WITH HIM 766 00:34:55,250 --> 00:34:59,260 AND POSSIBLY FIND MYSELF AGAIN IN THE PROCESS. 767 00:34:59,260 --> 00:35:01,960 THAT MEANS SOME TOUGH FACE-TO-FACE CONVERSATIONS, 768 00:35:01,960 --> 00:35:06,870 AND CAN'T DO THAT WHILE HE'S IN FLORIDA. 769 00:35:06,870 --> 00:35:10,970 OH. SPENCER TOLD ME ABOUT YOUR OFFER. 770 00:35:10,970 --> 00:35:13,240 WONDERING WHEN THIS WAS GONNA COME UP. 771 00:35:13,240 --> 00:35:16,880 SO LET ME GUESS. YOU GONNA FIGHT TO KEEP HIM. 772 00:35:16,880 --> 00:35:21,450 NO. BLOOD OR NO BLOOD, SPENCER'S FAMILY. 773 00:35:21,450 --> 00:35:23,850 I JUST WANT WHAT'S BEST FOR HIM. 774 00:35:23,850 --> 00:35:26,990 IF HE DECIDES TO PLAY FOR YOU, THEN SO BE IT. 775 00:35:26,990 --> 00:35:29,850 UM... 776 00:35:29,850 --> 00:35:31,920 YOU JUST HAVE TO DO RIGHT BY HIM. 777 00:35:46,400 --> 00:35:48,410 MRS. BAKER. 778 00:35:48,410 --> 00:35:49,910 HI, SPENCER. 779 00:35:49,910 --> 00:35:51,510 COME IN. 780 00:36:01,850 --> 00:36:04,920 I REALIZED TODAY THAT HIDING FROM MY PAIN 781 00:36:04,920 --> 00:36:08,360 DOESN'T MAKE IT GO AWAY, 782 00:36:08,360 --> 00:36:12,530 AND NEITHER DOES PLACING IT WHERE IT DOESN'T BELONG. 783 00:36:12,530 --> 00:36:16,870 WHATEVER'S GOING ON BETWEEN ME AND... 784 00:36:16,870 --> 00:36:18,970 BILLY AND YOUR MOM 785 00:36:18,970 --> 00:36:21,510 HAS NOTHING TO DO WITH YOU. 786 00:36:21,510 --> 00:36:24,810 THE ONE THING WE CAN ALL AGREE ON... 787 00:36:26,510 --> 00:36:28,910 IS HOW... 788 00:36:28,910 --> 00:36:30,880 HOW MUCH WE LOVE YOU. 789 00:36:39,260 --> 00:36:41,860 SOMETIMES... 790 00:36:41,860 --> 00:36:45,360 IT'S IMPORTANT TO SAY WHAT YOU NEED TO SAY 791 00:36:45,360 --> 00:36:50,340 FACE TO FACE SO THAT THE PERSON CAN SEE THAT YOU REALLY MEAN IT, 792 00:36:50,340 --> 00:36:54,610 SO WHENEVER YOU'RE READY, 793 00:36:54,610 --> 00:36:57,810 YOUR ROOM AT MY HOUSE IS WAITING FOR YOU. 794 00:37:49,930 --> 00:37:51,800 -HEY. -HEY. 795 00:37:53,870 --> 00:37:56,170 OK. 796 00:37:56,170 --> 00:37:57,940 THANKS FOR COMING. 797 00:37:57,940 --> 00:38:00,910 OH, OF COURSE, OF COURSE. 798 00:38:00,910 --> 00:38:02,910 LOOK. UM, ABOUT YESTERDAY. 799 00:38:02,910 --> 00:38:05,110 ME FIRST, PLEASE. 800 00:38:05,110 --> 00:38:06,840 OK. OK. 801 00:38:06,840 --> 00:38:08,410 THERE'S BEEN ENOUGH CASUALTIES FROM THIS MESS 802 00:38:08,410 --> 00:38:10,180 BILLY AND I CREATED. 803 00:38:14,090 --> 00:38:17,560 I'M GONNA GET THE PATERNITY TEST DONE. 804 00:38:17,560 --> 00:38:19,960 EVERYBODY DESERVES THE TRUTH. 805 00:38:19,960 --> 00:38:22,830 YOU DESERVE TO KNOW IF DILLON IS YOUR SON OR NOT. 806 00:38:22,830 --> 00:38:27,770 YOU'RE RIGHT. THERE HAVE BEEN ENOUGH CASUALTIES. 807 00:38:33,340 --> 00:38:36,440 THAT'S WHY I THINK WE SHOULD LEAVE WELL ENOUGH ALONE. 808 00:38:36,440 --> 00:38:38,210 -WHAT? -IT WAS DIFFERENT 809 00:38:38,210 --> 00:38:41,280 WHEN I THOUGHT THE TRUTH WAS ALREADY OUT THERE, 810 00:38:41,280 --> 00:38:42,950 BUT IT'S NOT. 811 00:38:42,950 --> 00:38:45,020 LOOK. BLOOD OR NO BLOOD, 812 00:38:45,020 --> 00:38:47,890 I LOVE DILLON LIKE HE'S MY OWN, 813 00:38:47,890 --> 00:38:51,090 AND HE ALREADY THINKS HE HAS HIS FATHER BACK. 814 00:38:51,090 --> 00:38:53,960 WHY SHOULD WE RISK UPENDING ALL OF THAT? 815 00:38:57,500 --> 00:38:58,860 YOU'RE SERIOUS. 816 00:38:58,860 --> 00:39:00,870 IT'S TIME WE STOPPED MAKING OUR KIDS 817 00:39:00,870 --> 00:39:03,030 PAY FOR THE ADULTS' MISTAKES. 818 00:39:16,850 --> 00:39:19,620 AAH! HA! HI! 819 00:39:27,120 --> 00:39:28,530 WELCOME BACK, BROTHER. 820 00:39:28,530 --> 00:39:30,060 THANKS, MAN. 821 00:39:32,800 --> 00:39:36,300 H.E.R: ♪ IF I HAVE TO CHOOSE ♪ 822 00:39:36,300 --> 00:39:37,770 LAURA: SO WHO'S HUNGRY? 823 00:39:37,770 --> 00:39:39,870 I CAN COOK, OR WE CAN-- 824 00:39:39,870 --> 00:39:41,710 KIDS: TAKEOUT. 825 00:39:41,710 --> 00:39:44,240 VERY FUNNY. 826 00:39:44,240 --> 00:39:49,410 H.E.R.: ♪ WHAT IF NOTHING EVER WILL CHANGE? ♪ 827 00:39:49,410 --> 00:39:52,880 ♪ OH, I'M CAUGHT BETWEEN YOUR LOVE ♪ 828 00:39:52,880 --> 00:39:56,450 ♪ AND A HARD PLACE ♪ 829 00:40:00,220 --> 00:40:02,160 SO DO YOU HAVE ANY IDEA WHO CALLED IN THE TIP 830 00:40:02,160 --> 00:40:03,630 ABOUT YOU NOT LIVING HERE? 831 00:40:03,630 --> 00:40:05,430 NOPE, 832 00:40:05,430 --> 00:40:07,570 BUT WHOEVER IT IS BETTER HOPE I NEVER FIND OUT. 833 00:40:07,570 --> 00:40:13,200 WELL, REGARDLESS, I'M JUST GLAD IT BROUGHT YOU BACK HOME. 834 00:40:17,170 --> 00:40:19,310 I'M SORRY. I-- 835 00:40:19,310 --> 00:40:21,680 OF COURSE OUR HOME IS WITH GRACE 836 00:40:21,680 --> 00:40:23,210 AND DILLON IN CRENSHAW. 837 00:40:23,210 --> 00:40:26,780 -I JUST MEANT. -NO. YOU USED THE RIGHT WORD. 838 00:40:26,780 --> 00:40:29,920 BEVERLY'S MY HOME, TOO. 839 00:40:29,920 --> 00:40:33,260 I GUESS I JUST NEEDED REMINDING OF THAT. 840 00:40:44,500 --> 00:40:46,700 -ARE YOU DONE-- -THANK YOU. 841 00:40:46,700 --> 00:40:48,240 AAH! AAH! HA HA HA! 842 00:40:48,240 --> 00:40:53,280 LEWIS: ♪ THERE IS A SWELLING STORM ♪ 843 00:40:53,280 --> 00:40:59,820 ♪ AND I'M CAUGHT UP IN THE MIDDLE OF IT ALL ♪ 844 00:40:59,820 --> 00:41:04,220 ♪ AND IT TAKES CONTROL ♪ 845 00:41:04,220 --> 00:41:07,690 ♪ OF THE PERSON THAT I THOUGHT I WAS ♪ 846 00:41:07,690 --> 00:41:12,230 ♪ THE BOY I USED TO KNOW ♪ 847 00:41:12,230 --> 00:41:16,370 ♪ BUT THERE IS A LIGHT IN THE DARK ♪ 848 00:41:16,370 --> 00:41:23,210 ♪ AND I FEEL ITS WARMTH IN MY HANDS, IN MY HEART ♪ 849 00:41:23,210 --> 00:41:25,410 ♪ BUT WHY CAN'T I HOLD ON? ♪ 850 00:41:33,420 --> 00:41:36,590 LOOK AT THE OLD MAN. 851 00:41:36,590 --> 00:41:40,760 HEY. HOW WAS YOUR RIDE UP FROM NEVADA? 852 00:41:40,760 --> 00:41:43,960 LONG. MAN, THANKS FOR CONVINCING MOM 853 00:41:43,960 --> 00:41:46,800 TO LET ME COME STAY WITH YOU. 854 00:41:46,800 --> 00:41:48,400 COME ON. 855 00:41:50,470 --> 00:41:54,870 LEWIS: ♪ IT COMES AND GOES IN WAVES ♪ 856 00:41:54,870 --> 00:41:57,170 ♪ AND CARRIES US AWAY ♪ 857 00:42:20,260 --> 00:42:21,400 MAN: GREG, MOVE YOUR HEAD.