1 00:00:00,033 --> 00:00:02,703 PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:02,703 --> 00:00:04,371 MAN, LOOK WHO BACK SLUMMING IT IN THE 'HOOD. 3 00:00:04,371 --> 00:00:05,472 SPENCER: HEY, WHAT UP, FELLAS? YOU ALL MISS ME? 4 00:00:05,472 --> 00:00:07,307 WHAT'S UP, BOY? 5 00:00:07,307 --> 00:00:08,575 JJ: YOU KNOW A GUY WHO CAN FIX 6 00:00:08,575 --> 00:00:12,212 A 1959 PORSCHE ROADSTER IN ONE DAY? 7 00:00:12,212 --> 00:00:13,247 JORDAN: I DON'T SEE IT. 8 00:00:13,247 --> 00:00:14,681 HEY. MONEY TALKS, BOYS. 9 00:00:14,681 --> 00:00:17,618 ASHER, I WASN'T WITH YOU BECAUSE YOU HAD MONEY. 10 00:00:17,618 --> 00:00:19,586 I'M NOT LEAVING YOU BECAUSE IT'S GONE. 11 00:00:19,586 --> 00:00:23,090 WHEN YOU LIE AND I KNOW ABOUT IT, IT MAKES ME 12 00:00:23,090 --> 00:00:24,091 COMPLICIT IN THE LIE. 13 00:00:24,091 --> 00:00:25,158 YOU ARE UP. 14 00:00:25,158 --> 00:00:26,393 YOU'RE NOT HERE FOR A CUT. 15 00:00:26,393 --> 00:00:28,061 YOU'RE HERE FOR A JOB. 16 00:00:28,061 --> 00:00:29,129 HA HA. 17 00:00:29,129 --> 00:00:30,297 THANK YOU. 18 00:00:30,297 --> 00:00:32,566 BUT I GOT YOUR BACK. YOU REMEMBER THAT. 19 00:00:32,566 --> 00:00:33,700 SO MAYBE HE DOES GOT YOUR BACK, 20 00:00:33,700 --> 00:00:34,868 BUT HE AIN'T ME, ALL RIGHT? 21 00:00:34,868 --> 00:00:36,236 HE ALWAYS GONNA WANT SOMETHING. 22 00:00:36,236 --> 00:00:37,504 HEY, WHAT YOU DOING? 23 00:00:37,504 --> 00:00:39,506 COLLECTING MY PAPER. 24 00:00:39,506 --> 00:00:40,707 ALVIN KNOW ABOUT THIS? 25 00:00:40,707 --> 00:00:43,477 NAH. AND NOBODY GONNA ROB ALVIN. 26 00:00:43,477 --> 00:00:46,179 I DID SOMETHING I SERIOUSLY REGRET. 27 00:00:46,179 --> 00:00:47,247 I SLEPT WITH ASHER. 28 00:00:47,247 --> 00:00:48,348 THAT PIECE-- 29 00:00:48,348 --> 00:00:49,349 NO, JORDAN! 30 00:00:49,349 --> 00:00:50,617 DAD? 31 00:00:50,617 --> 00:00:52,185 WE JUST GOT IN EARLY. 32 00:00:52,185 --> 00:00:53,253 OH, WE? 33 00:00:53,253 --> 00:00:55,155 I WANT YOU TO MEET CHINA. 34 00:00:57,524 --> 00:00:58,859 MAN: ♪ THUNDER... ♪ 35 00:00:58,859 --> 00:01:00,794 PLAY BY PLAY ANNOUNCER: HERE WE ARE. 36 00:01:00,794 --> 00:01:02,195 THE BEVERLY EAGLES ARE SECONDS AWAY FROM A DEVASTATING LOSS 37 00:01:02,195 --> 00:01:04,197 TO CULVER CITY, THE LAST-PLACE TEAM IN THE DIVISION. 38 00:01:04,197 --> 00:01:06,967 AN UPSET TODAY WOULD CRIPPLE THE CHANCES OF BEVERLY 39 00:01:06,967 --> 00:01:08,402 MAKING THE PLAYOFFS. 40 00:01:09,603 --> 00:01:12,105 AND HERE'S THE KICK. 41 00:01:12,105 --> 00:01:13,507 MAN: ♪ THUNDER, THUN-THUNDER... ♪ 42 00:01:13,507 --> 00:01:14,741 MAN 2: ♪ THE SECOND TIME ♪ 43 00:01:14,741 --> 00:01:16,143 ♪ THUNDER, THUN-THUNDER... ♪ 44 00:01:16,143 --> 00:01:17,411 ♪ AND WE GOT IT LIKE ♪ 45 00:01:17,411 --> 00:01:18,679 MAN: ♪ THUNDER ♪ 46 00:01:18,679 --> 00:01:19,846 ♪ OH, YEAH, AH, NO, WELCOME... ♪ 47 00:01:19,846 --> 00:01:21,882 WHAT WE GOT? WHAT WE GOT HERE? 48 00:01:21,882 --> 00:01:23,784 PLAY BY PLAY ANNOUNCER: HE CUTS LEFT. 49 00:01:23,784 --> 00:01:26,420 DIFFERENT ANNOUNCER: HE GETS THE ROCK, AND HE'S LOOSE. 50 00:01:26,420 --> 00:01:28,355 BILLY: OK. 51 00:01:28,355 --> 00:01:30,857 OK. THAT'S MY MAN. 52 00:01:30,857 --> 00:01:32,359 PLAY BY PLAY ANNOUNCER: HE'S AT THE 50, THE 40. 53 00:01:32,359 --> 00:01:34,161 HE'S GOT ONE MAN TO BEAT. 54 00:01:35,562 --> 00:01:37,898 PLAYER: GIDDYAP, DADDY. GIDDYAP! 55 00:01:37,898 --> 00:01:40,834 AND ALL THE WAY DOWN TO THE CULVER 20 YARD LINE. 56 00:01:40,834 --> 00:01:43,870 SPENCER JAMES WITH AN ELECTRIFYING RETURN. 57 00:01:43,870 --> 00:01:45,806 MY MAN. THAT'S HOW YOU DO IT, YOUNG MAN. 58 00:01:45,806 --> 00:01:47,674 BOY: OFFENSIVE LINE, HEAD OUT THERE. 59 00:01:47,674 --> 00:01:50,010 OFFENSIVE LINE, HEAD OUT THERE. 60 00:01:58,352 --> 00:02:00,587 LEILA: WHAT'S THAT ABOUT? 61 00:02:00,587 --> 00:02:02,522 HIS FRIEND COOP WAS SUPPOSED TO BE HERE. 62 00:02:02,522 --> 00:02:04,691 OH. WELL, TOO BAD SHE MISSED IT. 63 00:02:04,691 --> 00:02:06,393 HE LOOKS GOOD TODAY. 64 00:02:06,393 --> 00:02:07,995 -DON'T. 65 00:02:07,995 --> 00:02:10,163 THE LAST TIME YOU TRIED TO PLAY MATCHMAKER, 66 00:02:10,163 --> 00:02:12,132 I ENDED UP IN A HOT TUB WITH MY ALMOST BROTHER. 67 00:02:12,132 --> 00:02:14,034 HE'S NOT YOUR BROTHER. 68 00:02:14,034 --> 00:02:16,536 WE BOTH KNOW THAT YOU TRYING TO SET ME UP WITH SPENCER IS 69 00:02:16,536 --> 00:02:18,472 MORE ABOUT YOU THAN IT IS ABOUT ME. 70 00:02:18,472 --> 00:02:20,407 HEY, PRINCESS. 71 00:02:20,407 --> 00:02:22,275 HEY, DAD. YOU MADE IT. 72 00:02:22,275 --> 00:02:23,477 MM! HOW YOU FEEL? 73 00:02:23,477 --> 00:02:24,478 GOOD. 74 00:02:24,478 --> 00:02:25,512 -YEAH. 75 00:02:25,512 --> 00:02:27,814 -HEY. 76 00:02:27,814 --> 00:02:31,551 HI. HOW'S IT GOING? THIS IS OLIVI-- 77 00:02:31,551 --> 00:02:33,887 OH! YOU'RE GONNA SIT HERE. COOL. 78 00:02:33,887 --> 00:02:35,822 PLAY BY PLAY ANNOUNCER: THAT BRINGS UP THIRD DOWN. 79 00:02:35,822 --> 00:02:37,491 ADAMS LOOKED OPEN, BUT BAKER COULDN'T GET HIM THE BALL. 80 00:02:37,491 --> 00:02:38,658 WHAT THE HELL WAS THAT, J? 81 00:02:38,658 --> 00:02:39,893 WHERE ARE YOU THROWING THE BALL? 82 00:02:39,893 --> 00:02:41,595 RIGHT WHERE YOU'RE SUPPOSED TO BE. 83 00:02:41,595 --> 00:02:42,863 RUN THE RIGHT ROUTES, AND WE'RE FINE, ASH. 84 00:02:42,863 --> 00:02:44,131 HEY, HEY. 85 00:02:44,131 --> 00:02:46,666 WE AIN'T GOT TIME FOR THIS, ALL RIGHT? COME ON! 86 00:02:46,666 --> 00:02:50,003 JORDAN: DOWN! SET! DOWN! SET! WIDE 41. 87 00:02:50,003 --> 00:02:53,740 WIDE 41. SET! 88 00:02:53,740 --> 00:02:55,642 MAN: ♪ LONG TIME, NO SEE ♪ 89 00:02:55,642 --> 00:02:57,244 ♪ IT'S BEEN A LONG TIME ♪ 90 00:02:57,244 --> 00:02:58,679 ♪ SINCE I BROKE IN THESE CITY STREETS ♪ 91 00:02:58,679 --> 00:03:00,280 ♪ ONE ROLL AND A KID'S KILLED ♪ 92 00:03:00,280 --> 00:03:01,848 ♪ CAN'T STOP, CAN'T FAKE ♪ 93 00:03:01,848 --> 00:03:03,717 ♪ WHEN I BRING, WHAT I COME THOUGH ♪ 94 00:03:03,717 --> 00:03:05,218 PLAY BY PLAY ANNOUNCER: ADAMS AND BAKER SEEM TO BE 95 00:03:05,218 --> 00:03:07,687 ON OPPOSITE SIDES OF THE PLAYBOOK TODAY. 96 00:03:07,687 --> 00:03:09,523 WHAT THE HELL WAS THAT, MAN? 97 00:03:09,523 --> 00:03:10,857 HE ALMOST TOOK MY HEAD OFF. 98 00:03:10,857 --> 00:03:12,325 HEY, WHAT'S GOING ON WITH YOU ALL? 99 00:03:12,325 --> 00:03:14,694 YOU BEEN OFF ALL DAY. GET YOUR ASS IN THE GAME, MAN. 100 00:03:14,694 --> 00:03:18,965 HEY! LOOK AT THE CLOCK. HURRY UP. 101 00:03:18,965 --> 00:03:20,534 HURRY UP! 102 00:03:26,807 --> 00:03:29,376 IT'S THE PUBLICIST. I GOT TO TAKE THIS. 103 00:03:29,376 --> 00:03:32,646 I'M GONNA--HEH. I'M GONNA GO, TOO. 104 00:03:35,482 --> 00:03:37,484 HOW LONG IS HE IN TOWN? 105 00:03:37,484 --> 00:03:39,119 THE USUAL--A COUPLE DAYS. 106 00:03:39,119 --> 00:03:41,721 HE'S IN TOWN PROMOTING CHINA'S NEW ALBUM. 107 00:03:41,721 --> 00:03:44,124 YOU DON'T LIKE HER? 108 00:03:44,124 --> 00:03:46,760 NO. IT'S...SHE'S-- SHE'S FINE. 109 00:03:46,760 --> 00:03:49,229 YOU ALMOST CHOKED ON THAT "FINE." 110 00:03:49,229 --> 00:03:50,897 I DON'T KNOW. IT'S WEIRD. 111 00:03:50,897 --> 00:03:52,732 SHE'S NOT EVEN HIS TYPE. 112 00:03:52,732 --> 00:03:55,001 SHE'S NOTHING LIKE... 113 00:03:55,001 --> 00:03:57,003 YOUR MOM? 114 00:03:59,039 --> 00:04:01,675 BILLY: DID Y'ALL WANT TO LOSE THIS GAME TODAY? 115 00:04:01,675 --> 00:04:03,510 DO YOU WANT TO LOSE THIS GAME TODAY? 116 00:04:03,510 --> 00:04:05,612 Y'ALL GOT TWO SECONDS, 117 00:04:05,612 --> 00:04:07,080 UNDER TWO SECONDS TO MAKE THIS RIGHT. 118 00:04:07,080 --> 00:04:08,548 HEY, I CAN STILL MAKE THAT PLAY, COACH. 119 00:04:08,548 --> 00:04:09,649 NO. THEY'RE GONNA BE ALL OVER YOU. 120 00:04:09,649 --> 00:04:11,051 TWO SECONDS, Y'ALL. 121 00:04:11,051 --> 00:04:14,421 STOP MESSING AROUND AND MAKE IT HAPPEN. GO! 122 00:04:15,722 --> 00:04:17,057 THAT SAFETY'S BEEN HEAD-HUNTING ASHER ALL GAME. 123 00:04:17,057 --> 00:04:18,792 IF HE'S COVERED, I GOT YOUR BACK. 124 00:04:18,792 --> 00:04:21,061 RIGHT ON. THANK YOU. 125 00:04:21,061 --> 00:04:22,963 PLAY BY PLAY ANNOUNCER: AND HERE WE GO. 126 00:04:22,963 --> 00:04:24,664 TWO SECONDS LEFT. BEVERLY AT CULVER'S 15 YARD LINE... 127 00:04:24,664 --> 00:04:26,833 HERE WE GO. HERE WE GO. DOWN. SET-- 128 00:04:26,833 --> 00:04:28,368 HEY, HEY, HEY! DOUBLE-A BLITZ. DOUBLE-A BLITZ. 129 00:04:28,368 --> 00:04:29,536 DOUBLE-A BLITZ. 130 00:04:29,536 --> 00:04:30,904 HERE WE GO. CHECK EAGLE. CHECK EAGLE. 131 00:04:30,904 --> 00:04:33,006 HEY, HEY! CHECK EAGLE. CHECK EAGLE. 132 00:04:33,006 --> 00:04:34,741 CHECK EAGLE. CHECK--CHECK EAGLE. 133 00:04:34,741 --> 00:04:36,076 -LET'S GO. LET'S GO... 134 00:04:36,076 --> 00:04:37,410 RIGHT OVER HERE. HERE WE GO... 135 00:04:37,410 --> 00:04:38,845 PLAY BY PLAY ANNOUNCER: BAKER WITH IT ON GOAL. 136 00:04:38,845 --> 00:04:40,614 BUTLER COMING IN MOTION. 137 00:04:40,614 --> 00:04:43,183 JORDAN: Y! BACK, SET! 138 00:04:45,418 --> 00:04:47,687 PLAY BY PLAY ANNOUNCER: BAKER ROLLING LEFT, SCANNING. 139 00:04:47,687 --> 00:04:49,289 SCANNING, LOOKING TO GO DEEP. 140 00:04:49,289 --> 00:04:52,692 HE TAKES OFF. JAMES WITH A MONSTER BLOCK. 141 00:04:52,692 --> 00:04:54,561 BAKER IN FOR THE TOUCHDOWN. 142 00:04:54,561 --> 00:04:55,595 OFFICIAL: TOUCHDOWN! 143 00:05:03,570 --> 00:05:05,639 I'LL SEE YOU. 144 00:05:05,639 --> 00:05:07,707 HEY, COACH SKOLNICK. 145 00:05:07,707 --> 00:05:09,509 WHAT ARE YOU DOING HERE? 146 00:05:09,509 --> 00:05:10,777 COACH BAKER. 147 00:05:10,777 --> 00:05:12,712 I THOUGHT WHEN BEVERLY DECIDED TO REPLACE ME 148 00:05:12,712 --> 00:05:14,247 WITH A FORMER NFL PLAYER, 149 00:05:14,247 --> 00:05:16,449 THEY DIDN'T THINK YOU'D RUN MY TEAM INTO THE GROUND. 150 00:05:16,449 --> 00:05:17,884 WHAT'S WRONG, COACH? 151 00:05:17,884 --> 00:05:19,186 THEY NOT TREATING YOU RIGHT OUT THERE IN MALIBU? 152 00:05:19,186 --> 00:05:21,054 I THOUGHT YOU'D BE HAPPY OUT THERE. 153 00:05:21,054 --> 00:05:23,590 I'LL BE HAPPY NEXT WEEK WHEN MY GUYS END YOUR SEASON. 154 00:05:23,590 --> 00:05:24,758 OK. 155 00:05:24,758 --> 00:05:25,926 YEAH, COMING BACK IN MY OLD HOUSE 156 00:05:25,926 --> 00:05:27,594 WHERE I WAS THE WINNING COACH. 157 00:05:27,594 --> 00:05:29,329 HMM. I SEE WHAT YOU'RE TRYING TO DO. 158 00:05:29,329 --> 00:05:32,399 IT'S NOT GONNA WORK. YOU'RE NOT GONNA GET INSIDE OF MY HEAD. 159 00:05:38,905 --> 00:05:41,308 [PLAYERS CHEERING, SPEAKING EXCITEDLY] 160 00:05:45,679 --> 00:05:47,113 HEY, YOU COMING OUT TONIGHT? 161 00:05:47,113 --> 00:05:49,683 I'M DOING THE MUY FUEGO WING CHALLENGE-- 162 00:05:49,683 --> 00:05:52,519 20 BLAZING HOTS IN 120 SECONDS. 163 00:05:52,519 --> 00:05:53,887 HEY, THAT'S TOUGH TO PASS UP, 164 00:05:53,887 --> 00:05:55,422 BUT I'M HANGING WITH MY HOMIE COOP TONIGHT. 165 00:05:55,422 --> 00:05:56,489 I BET. 166 00:05:56,489 --> 00:05:57,490 LOVE. GOOD GAME. 167 00:05:57,490 --> 00:05:58,592 YEAH, YEAH. 168 00:05:58,592 --> 00:06:00,827 WHAT THE HELL WAS THAT GAME ABOUT? 169 00:06:00,827 --> 00:06:03,563 YOU KNOW, ASH, I PASS TO YOU, YOU WHINE. 170 00:06:03,563 --> 00:06:05,298 I DON'T PASS TO YOU, AND YOU WHINE. 171 00:06:05,298 --> 00:06:06,600 WE WON THE GAME, ASH, 172 00:06:06,600 --> 00:06:08,602 SO SHUT THE HELL UP AND STOP WHINING. 173 00:06:16,710 --> 00:06:18,478 HEY! 174 00:06:18,478 --> 00:06:19,646 PLAYER: WHOO! 175 00:06:19,646 --> 00:06:21,848 BILLY: WHY ARE Y'ALL SMILING? 176 00:06:21,848 --> 00:06:25,151 CULVER IS IN DEAD LAST PLACE. 177 00:06:27,721 --> 00:06:30,390 AND THEY ALMOST BEAT US. 178 00:06:30,390 --> 00:06:33,893 NOW, IF Y'ALL PLAY LIKE THAT AGAINST MALIBU, 179 00:06:33,893 --> 00:06:36,129 THEY'RE GONNA CRUSH US. 180 00:06:36,129 --> 00:06:39,666 SHOWER UP AND TAKE YOUR BEHINDS HOME. 181 00:06:39,666 --> 00:06:42,469 AIN'T NO REASON TO CELEBRATE. 182 00:06:54,180 --> 00:06:57,183 IT'S A CELEBRATION, BITCHES! 183 00:07:10,997 --> 00:07:12,999 MAN: ♪ CUT LOOSE WITH IT ♪ 184 00:07:14,834 --> 00:07:16,770 ♪ CUT LOOSE WITH IT ♪ 185 00:07:18,004 --> 00:07:19,673 ♪ CUT LOOSE WITH IT ♪ 186 00:07:19,673 --> 00:07:23,410 BOYS: CHUG! CHUG! CHUG! CHUG! CHUG! CHUG! CHUG! CHUG! YEAH... 187 00:07:23,410 --> 00:07:26,112 ASHER: I'M ONE OF THE BEST RECEIVERS IN THE LEAGUE. 188 00:07:26,112 --> 00:07:28,648 COACH THINKS I'M A LOCK FOR ALL-STATE. 189 00:07:28,648 --> 00:07:30,784 YOU COULDN'T TELL BY TODAY'S GAME. 190 00:07:30,784 --> 00:07:33,219 IT WAS ROUGH OUT THERE. 191 00:07:33,219 --> 00:07:35,288 THANKS TO OUR QB PLAYING BLIND. 192 00:07:35,288 --> 00:07:38,958 HEY, UM, DAD AND CHINA JUST GOT BACK FROM THE GALAPAGOS. 193 00:07:38,958 --> 00:07:41,428 THAT'S COOL. 194 00:07:41,428 --> 00:07:43,096 YEAH. MY DAD ACTUALLY WANTS TO TAKE ME 195 00:07:43,096 --> 00:07:45,131 SNORKELING THERE THIS SUMMER, 196 00:07:45,131 --> 00:07:47,801 PRIVATE JET AND ALL. 197 00:07:47,801 --> 00:07:50,170 EXCUSE ME. AHEM. 198 00:07:50,170 --> 00:07:53,940 MAN: ♪ CUT LOOSE, CUT LOOSE... ♪ 199 00:07:57,010 --> 00:07:58,545 YOU HAD QUITE THE GAME TODAY, SON. 200 00:07:58,545 --> 00:08:01,281 SPENCER: HEY, I APPRECIATE YOU. I'M JUST GLAD WE WON. 201 00:08:01,281 --> 00:08:04,651 HEY, LEILA TELLS ME THAT YOU'RE FROM CRENSHAW. 202 00:08:04,651 --> 00:08:05,685 OH, YES, SIR. 203 00:08:05,685 --> 00:08:06,820 SO IS CHINA. 204 00:08:06,820 --> 00:08:08,355 OH, FOR REAL? WHICH PART? 205 00:08:08,355 --> 00:08:10,056 YEAH, IT REMINDS ME OF WHERE I GREW UP AT, 206 00:08:10,056 --> 00:08:14,361 IN HARLEM, WHERE EVERYONE IS STRAIGHT-UP REAL. 207 00:08:14,361 --> 00:08:16,429 WHAT YOU SEE IS WHAT YOU GET. 208 00:08:16,429 --> 00:08:19,966 HEY, SPENCER, CAN I GET SOME KETCHUP? 209 00:08:20,967 --> 00:08:22,836 YOU DON'T FIND REAL PEOPLE ANYMORE. 210 00:08:27,841 --> 00:08:29,409 CHINA: EVERYTHING OK? 211 00:08:29,409 --> 00:08:32,145 THE VENUE IS A NO GO. 212 00:08:32,145 --> 00:08:33,580 SO WHAT, ARE YOU A SINGER? 213 00:08:33,580 --> 00:08:35,715 I'M A RAPPER. MY FIRST ALBUM IS ABOUT TO DROP. 214 00:08:35,715 --> 00:08:37,584 HEY, THAT'S DOPE. I'LL CHECK IT OUT. 215 00:08:37,584 --> 00:08:39,319 YEAH, WHY DON'T YOU COME THROUGH THIS WEEKEND 216 00:08:39,319 --> 00:08:41,187 ONCE WE GET THE VENUE LOCKED UP? 217 00:08:41,187 --> 00:08:43,823 I GUESS I'LL GET MY OWN KETCHUP. 218 00:08:43,823 --> 00:08:45,425 DAMN. 219 00:08:45,425 --> 00:08:48,661 HOPE HE AIN'T A YELP KIND OF GUY. 220 00:08:48,661 --> 00:08:50,497 HEY, BUT THANKS FOR THE INVITE, 221 00:08:50,497 --> 00:08:52,832 BUT I'M VOLUNTEERING AT ALVIN'S BLOCK PARTY. 222 00:08:52,832 --> 00:08:54,300 IT'S A BIG DEAL IN CRENSHAW. 223 00:08:54,300 --> 00:08:56,336 ALVIN GETS THE WHOLE HOOD INVOLVED. 224 00:08:56,336 --> 00:08:58,104 PEOPLE COME DOWN, GET TOGETHER, 225 00:08:58,104 --> 00:09:00,573 CELEBRATE THE COMMUNITY. YOU KNOW. 226 00:09:00,573 --> 00:09:01,908 RIGHT ON. 227 00:09:01,908 --> 00:09:03,276 CATCH Y'ALL LATER. 228 00:09:03,276 --> 00:09:05,545 MY DAD CERTAINLY LIKES SPENCER. 229 00:09:05,545 --> 00:09:08,148 YOUR DAD DOESN'T LIKE ME. I'M TAKING OFF. 230 00:09:08,148 --> 00:09:10,316 OH, IN YOUR PRIVATE JET? 231 00:09:10,316 --> 00:09:11,985 HEY, YOU DON'T HAVE TO ACT THAT WAY 232 00:09:11,985 --> 00:09:13,119 TO IMPRESS MY DAD, OK? 233 00:09:13,119 --> 00:09:14,421 JUST BE YOURSELF. 234 00:09:14,421 --> 00:09:16,089 IT'S BEEN A LONG DAY. THE GAME SUCKED. 235 00:09:16,089 --> 00:09:19,759 TALKING TO YOUR DAD SUCKED. YOUR BROTHER SUCKS. 236 00:09:19,759 --> 00:09:20,860 I'M GOING HOME. 237 00:09:20,860 --> 00:09:24,364 ASHER, DON'T-- 238 00:09:28,201 --> 00:09:30,437 HEY, YOUR POPS SEEMS COOL. 239 00:09:30,437 --> 00:09:32,071 YEAH, HE'S OK. 240 00:09:32,071 --> 00:09:34,040 YOU AIN'T FEELING CHINA, HUH? 241 00:09:34,040 --> 00:09:35,842 YOU READING ME AGAIN? 242 00:09:35,842 --> 00:09:37,076 ANYONE COULD READ THAT. 243 00:09:37,076 --> 00:09:38,311 WELL, IT JUST SEEMS A LITTLE CONVENIENT. 244 00:09:38,311 --> 00:09:39,746 ONE MINUTE SHE'S A NO-NAME ARTIST 245 00:09:39,746 --> 00:09:41,080 ON MY DAD'S LABEL, AND THE NEXT, 246 00:09:41,080 --> 00:09:42,649 SHE'S DATING HIM WITH AN ALBUM DROPPING. 247 00:09:42,649 --> 00:09:45,018 OLIVIA: HE'S NOT THE TYPE TO GET PLAYED, LEILA. 248 00:09:45,018 --> 00:09:46,586 YOU KNOW THAT. 249 00:09:46,586 --> 00:09:48,488 I JUST HOPE YOU'RE RIGHT. 250 00:09:51,858 --> 00:09:53,960 MAN: ♪ SKR, SKR ♪ 251 00:09:54,961 --> 00:09:56,596 MAN: YEAH. OH, LORD. 252 00:09:56,596 --> 00:09:59,833 ♪ YEAH, HE DON'T EVER FALL OUT OVER MONEY ♪ 253 00:09:59,833 --> 00:10:01,401 DIFFERENT MAN: ♪ THAT'S LOYALTY ♪ 254 00:10:01,401 --> 00:10:02,936 ♪ THAT PRODUCT MOVING FAST, JUST KEEP IT COMING ♪ 255 00:10:02,936 --> 00:10:04,571 ♪ THAT'S LOYALTY ♪ 256 00:10:04,571 --> 00:10:05,905 ♪ SAW ONE GOT LEFT BEHIND, I BROUGHT HIM WITH ME ♪ 257 00:10:05,905 --> 00:10:07,307 ♪ THAT'S LOYALTY ♪ 258 00:10:07,307 --> 00:10:08,608 ♪ AND IF THERE'S EVER A PROBLEM, I CAN... ♪ 259 00:10:08,608 --> 00:10:10,944 ♪ THAT'S LOYALTY, THAT'S LOYALTY ♪ 260 00:10:10,944 --> 00:10:12,212 ♪ I'M TALKING LOYALTY ♪ 261 00:10:12,212 --> 00:10:13,613 ♪ THAT'S LOYALTY, LOYALTY ♪ 262 00:10:13,613 --> 00:10:16,282 ♪ I'M TALKING LOYALTY, THAT'S LOYALTY ♪ 263 00:10:16,282 --> 00:10:17,951 ♪ LOYALTY, I'M TALKING ♪ 264 00:10:17,951 --> 00:10:19,352 COOP. 265 00:10:22,088 --> 00:10:23,289 I WAS WORRIED ABOUT YOU, ALL RIGHT? 266 00:10:23,289 --> 00:10:24,924 LOOK, I'M SORRY, MAN. 267 00:10:24,924 --> 00:10:26,659 ME AND PATIENCE JUST NEEDED SOME HANG TIME. 268 00:10:26,659 --> 00:10:27,694 RIGHT. 269 00:10:27,694 --> 00:10:29,062 BUT, YO, I HEARD YOU ALMOST TOOK ONE BACK. 270 00:10:29,062 --> 00:10:30,830 YOU SHOULD'VE SEEN THAT. 271 00:10:30,830 --> 00:10:32,632 YOUR BOY BROKE, LIKE, 8 TACKLES. 272 00:10:32,632 --> 00:10:34,434 I'M GLAD YOU ALL GETTING YOUR TIME IN. 273 00:10:34,434 --> 00:10:37,203 YEAH, NOT NEARLY ENOUGH, SO... 274 00:10:38,505 --> 00:10:40,974 YO, COOP, WE GOT TO ROLL. AH. 275 00:10:40,974 --> 00:10:43,009 WHAT'S UP, 90210? 276 00:10:43,009 --> 00:10:44,978 BACK SLUMMING IT WITH US AGAIN? 277 00:10:44,978 --> 00:10:46,045 MUST BE THE WEEKEND. 278 00:10:46,045 --> 00:10:47,080 WHAT YOU WANT, SHAWN? 279 00:10:47,080 --> 00:10:48,414 ME AND COOP GOT BUSINESS. 280 00:10:48,414 --> 00:10:49,849 HANDLE YOUR OWN BUSINESS. 281 00:10:49,849 --> 00:10:51,451 AIN'T THE WAY THAT WORKS NO MORE. 282 00:10:51,451 --> 00:10:53,086 SPENCE, IT'LL BE REAL QUICK. 283 00:10:53,086 --> 00:10:54,320 YOU SERIOUS RIGHT NOW? 284 00:10:54,320 --> 00:10:55,455 YEAH. 285 00:10:55,455 --> 00:10:57,090 WE'LL SEE YOU ALL BACK AT THE CRIB. 286 00:10:57,090 --> 00:10:58,525 SPENCER: SO THAT'S HOW IT IS. 287 00:10:58,525 --> 00:11:00,793 SHAWN SNAPS HIS FINGERS, AND COOP GOES ROLLING? 288 00:11:00,793 --> 00:11:02,262 PRETTY MUCH. 289 00:11:02,262 --> 00:11:03,863 WHAT THEY BEEN DOING? 290 00:11:03,863 --> 00:11:06,466 I DON'T KNOW. SHE DON'T SAY. 291 00:11:06,466 --> 00:11:10,236 BUT COOP'S TOO SMART TO BE WASTING HER TIME WITH SHAWN. 292 00:11:10,236 --> 00:11:13,172 GOT TO FIND A WAY TO GET HER OUT FROM UNDER HIM. 293 00:11:15,842 --> 00:11:18,111 COME ON. LET ME WALK YOU HOME. 294 00:11:26,085 --> 00:11:27,387 YOU LOOKING LIKE DENZEL, BOY. 295 00:11:27,387 --> 00:11:28,955 AND KANYE GOT NOTHING ON YOU. 296 00:11:28,955 --> 00:11:30,023 HA HA. HERE YOU GO. 297 00:11:30,023 --> 00:11:31,024 -THANK YOU. -ALL RIGHT. 298 00:11:31,024 --> 00:11:32,225 I APPRECIATE IT. 299 00:11:32,225 --> 00:11:33,593 PATIENCE: WHERE YOU GOING, ALVIN? 300 00:11:33,593 --> 00:11:34,460 YOU GOT A HOT DATE? 301 00:11:34,460 --> 00:11:36,062 HMM, AIN'T NOBODY TEACH YOU 302 00:11:36,062 --> 00:11:37,964 TO STAY OUT OF GROWN FOLKS' BUSINESS. 303 00:11:37,964 --> 00:11:38,965 -OK. 304 00:11:38,965 --> 00:11:40,133 ALL RIGHT. 305 00:11:40,133 --> 00:11:41,267 I GOT A BLOCK PARTY TO GET READY FOR. 306 00:11:41,267 --> 00:11:42,502 HOLD DOWN THE SHOP WHILE I'M OUT. 307 00:11:42,502 --> 00:11:43,970 -YOU GOT IT. -WELL, YOU LOOK GOOD. 308 00:11:43,970 --> 00:11:46,039 COOP: HE TOLD YOU TO STAY OUT OF GROWN FOLKS' BUSINESS. 309 00:11:46,039 --> 00:11:49,709 ALL RIGHT. OK. HA HA! 310 00:11:53,413 --> 00:11:55,982 I CAN HELP YOU ALL WITH SOMETHING? 311 00:11:55,982 --> 00:11:58,585 YES. THIS A BARBER SHOP, AIN'T IT? 312 00:11:58,585 --> 00:11:59,986 YOU KNOW, I HEARD ABOUT A NEW GIRL 313 00:11:59,986 --> 00:12:01,154 WHO'S CURRY WITH THE CLIPPERS. 314 00:12:01,154 --> 00:12:02,822 YOU'RE IN THE RIGHT SPOT. 315 00:12:02,822 --> 00:12:07,126 NOW, I JUST NEED MY LINE TIGHTENED UP REAL QUICK. 316 00:12:11,564 --> 00:12:14,434 HEY, YO, MY GIRL AIN'T GOT NOTHING TO DO WITH NOBODY. 317 00:12:14,434 --> 00:12:17,136 YEAH, BUT YOU DO, DON'T YOU? 318 00:12:17,136 --> 00:12:20,139 WHAT YOU DOING HERE? 319 00:12:24,043 --> 00:12:27,113 THIS A BARBER SHOP, AIN'T IT? 320 00:12:35,455 --> 00:12:37,223 ♪ COMING STRAIGHT OUT OF CRENSHAW ♪ 321 00:12:37,223 --> 00:12:38,758 ♪ CRAZY LITTLE CHICK NAMED CHINA ♪ 322 00:12:38,758 --> 00:12:40,960 ♪ I'M NOT THE TYPE THAT'LL CROSS OR A LIAR ♪ 323 00:12:40,960 --> 00:12:43,563 ♪ BUT CROSS ME, AND MY HITTERS COME AND FIND YOU ♪ 324 00:12:43,563 --> 00:12:45,865 ♪ NO PRACTICE, WE GET ACCESS ♪ 325 00:12:45,865 --> 00:12:48,801 ♪ GETTING TO THE BAG, THEN WE MAKIN' BACKFLIPS ♪ 326 00:12:48,801 --> 00:12:50,536 WHOO! HA HA! 327 00:12:50,536 --> 00:12:51,804 PERFECT, BABY. 328 00:12:51,804 --> 00:12:54,240 -LIGHTNING IN A BOTTLE. 329 00:12:54,240 --> 00:12:56,109 -HEY, DAD. -HEY. 330 00:12:56,109 --> 00:12:57,443 -HA HA! -HEY. 331 00:12:57,443 --> 00:12:58,578 MM! 332 00:12:58,578 --> 00:12:59,979 I WAS THINKING WE COULD GRAB SOME LUNCH. 333 00:12:59,979 --> 00:13:01,280 YEAH. THAT'S GREAT, THAT'S GREAT. 334 00:13:01,280 --> 00:13:02,515 LISTEN, CHINA AND I WILL BE DONE 335 00:13:02,515 --> 00:13:03,349 IN A FEW. 336 00:13:03,349 --> 00:13:04,851 CHINA. 337 00:13:04,851 --> 00:13:06,386 OH, YOU SHOULD INVITE YOUR FRIEND SPENCER, TOO. 338 00:13:06,386 --> 00:13:08,121 I WANT TO RUN SOMETHING BY HIM. 339 00:13:08,121 --> 00:13:09,689 -OK, COOL. -COOL. 340 00:13:14,127 --> 00:13:16,229 OH, DAD, YOUR PHONE. 341 00:13:30,476 --> 00:13:33,146 LEILA'S DAD: YOU WANT TO GRAB SOMETHING AT THE PLACE 342 00:13:33,146 --> 00:13:35,081 WHERE WE WENT THE OTHER NIGHT? 343 00:13:35,081 --> 00:13:36,349 CHINA: OK. 344 00:13:36,349 --> 00:13:38,818 UH, YOUR PHONE'S RINGING. 345 00:13:38,818 --> 00:13:40,586 HEY, GIRL. 346 00:13:43,690 --> 00:13:49,262 "BEVERLY BESTS CULVER BARELY." 347 00:13:50,563 --> 00:13:52,832 SO YOU GUYS GONNA MAKE THIS EASY ON ME, 348 00:13:52,832 --> 00:13:54,934 TELL ME WHAT'S GOING ON? 349 00:13:56,569 --> 00:13:58,604 OK, HE NEEDS TO LEARN HOW TO READ A DEFENSE, COACH. 350 00:13:58,604 --> 00:14:00,707 HE WON'T STOP BITCHING. "PASS TO ME." "DON'T PASS TO ME." 351 00:14:00,707 --> 00:14:02,341 ASHER: I SHOULD'VE BROKEN A RECEIVING RECORD LAST YEAR. 352 00:14:02,341 --> 00:14:03,643 WHAT'S IT GONNA BE, ASH, HUH 353 00:14:03,643 --> 00:14:05,545 BILLY: OK, OK, OK. SEE, BACK IN MY DAY, 354 00:14:05,545 --> 00:14:07,246 COACH WOULD MAKE US WALK ALL THE WAY HOME 355 00:14:07,246 --> 00:14:08,648 FROM PRACTICE TOGETHER 356 00:14:08,648 --> 00:14:10,183 TILL WE COULD WORK IT OUT. 357 00:14:10,183 --> 00:14:11,651 BUT TIMES HAVE CHANGED. 358 00:14:11,651 --> 00:14:14,587 SO I'M GONNA TAKE YOU BOYS 359 00:14:14,587 --> 00:14:17,824 ON A LITTLE FIELD TRIP INSTEAD. COME ON. 360 00:14:29,702 --> 00:14:31,204 SPENCER, HEY, THANKS FOR COMING. 361 00:14:31,204 --> 00:14:32,772 FOR SURE. 362 00:14:32,772 --> 00:14:34,741 NOTHING I LIKE MORE THAN COMING INTO WORK ON MY DAY OFF. 363 00:14:34,741 --> 00:14:36,476 SORRY. MY DAD NEEDS TO TALK TO YOU ABOUT SOMETHING, 364 00:14:36,476 --> 00:14:39,278 BUT I NEED TO TALK TO YOU BEFORE HE GETS HERE. 365 00:14:43,216 --> 00:14:44,617 THAT'S KIND OF FAST, LEILA. 366 00:14:44,617 --> 00:14:46,219 WE NOT EVEN HOLDING HANDS YET. 367 00:14:46,219 --> 00:14:47,754 SHUT UP. THIS IS SERIOUS. 368 00:14:47,754 --> 00:14:50,723 I THINK MY DAD WANTS TO PROPOSE TO CHINA. 369 00:14:50,723 --> 00:14:52,391 AND YOU'RE NOT HAPPY ABOUT THAT. 370 00:14:52,391 --> 00:14:54,393 DATING IS ONE THING, BUT MARRIAGE? 371 00:14:54,393 --> 00:14:57,363 COME ON. SHE'S BARELY OLDER THAN ME. 372 00:14:57,363 --> 00:14:59,298 I JUST DON'T WANT ANYONE 373 00:14:59,298 --> 00:15:01,234 TAKING ADVANTAGE OF MY DAD. 374 00:15:01,234 --> 00:15:03,770 SO I WAS THINKING MAYBE YOU 375 00:15:03,770 --> 00:15:07,306 COULD DO THAT THING AND FIND OUT. 376 00:15:07,306 --> 00:15:08,307 WHAT THING? 377 00:15:08,307 --> 00:15:09,609 READ HER. 378 00:15:09,609 --> 00:15:13,112 THAT'S NOT A SUPERPOWER, LEILA. 379 00:15:13,112 --> 00:15:14,380 LOOK, PLEASE. I NEED YOUR HELP. 380 00:15:14,380 --> 00:15:16,249 I JUST--I DON'T WANT MY DAD 381 00:15:16,249 --> 00:15:18,351 TO MAKE A HUGE MISTAKE. 382 00:15:19,886 --> 00:15:21,587 OK. 383 00:15:22,789 --> 00:15:25,191 SO HOW LONG YOU BEEN CUTTING HAIR? 384 00:15:25,191 --> 00:15:26,959 LONG ENOUGH, MAN. 385 00:15:26,959 --> 00:15:29,729 EVERYBODY GOT A SIDE HUSTLE IN THE HOOD. 386 00:15:29,729 --> 00:15:32,198 MAN: YOU KNOW, THAT'S A HARD SPOT TO COP. 387 00:15:32,198 --> 00:15:34,200 WHERE'D YOU GET THE HOOK UP? 388 00:15:34,200 --> 00:15:37,036 WHERE YOU THINK? 389 00:15:48,514 --> 00:15:50,183 YOU KNOW, I HEARD YOU AND YOUR BOYS 390 00:15:50,183 --> 00:15:52,451 WAS HANGING AROUND THE SHOP AGAIN. 391 00:15:52,451 --> 00:15:54,153 YOU MUST'VE FORGOT THAT, UH, 392 00:15:54,153 --> 00:15:55,454 THIS SPOT'S NEUTRAL. 393 00:15:55,454 --> 00:15:57,290 NEXT TIME YOU GOT TO GET THEM NAPS TRIMMED, 394 00:15:57,290 --> 00:15:58,691 YOU DO IT SOMEWHERE ELSE. 395 00:15:58,691 --> 00:16:00,293 THE NEXT TIME I ROLL THROUGH HERE, 396 00:16:00,293 --> 00:16:01,994 YOU, HER, 397 00:16:01,994 --> 00:16:04,297 AND WHATEVER BUSINESS YOU GOT UP IN HERE 398 00:16:04,297 --> 00:16:06,532 BEST BE GONE. 399 00:16:06,532 --> 00:16:10,169 TRY ME AND SEE. 400 00:16:10,169 --> 00:16:11,804 LET'S ROLL, JUICE. 401 00:16:19,545 --> 00:16:21,347 M-MAYBE YOU NEED TO MOVE THAT DROP. 402 00:16:21,347 --> 00:16:22,915 BONEZ DON'T KNOW NOTHING. 403 00:16:22,915 --> 00:16:24,717 AND EVEN IF HE DID, AIN'T NOBODY TELL ME 404 00:16:24,717 --> 00:16:27,420 HOW TO HANDLE MY BUSINESS. 405 00:16:29,555 --> 00:16:32,558 I SWEAR, KENDRICK WALKED OUT THE STUDIO 406 00:16:32,558 --> 00:16:35,194 AND TELLS J.P. "I'M THE REAL DEAL." 407 00:16:35,194 --> 00:16:36,395 SPENCER: WOW. 408 00:16:36,395 --> 00:16:37,864 BET DAY OF MY LIFE. 409 00:16:37,864 --> 00:16:42,268 WELL, SECOND BEST DAY AFTER MEETING MY BABY. 410 00:16:43,603 --> 00:16:46,405 SO THAT MUST'VE BEEN SOME TRACK KENDRICK HEARD. 411 00:16:46,405 --> 00:16:48,140 WHAT WAS IT CALLED AGAIN? 412 00:16:48,140 --> 00:16:49,242 "SHOE GAME." 413 00:16:49,242 --> 00:16:52,111 YOU SHOULD HEAR IT SOON, HOPEFULLY. 414 00:16:52,111 --> 00:16:53,279 WHY "HOPEFULLY"? 415 00:16:53,279 --> 00:16:54,680 WELL, TECHNICALLY WE DON'T HAVE A VENUE 416 00:16:54,680 --> 00:16:57,183 FOR HER RELEASE PARTY JUST YET. 417 00:16:57,183 --> 00:17:00,286 THAT'S WHERE YOU COME IN, SPENCE. 418 00:17:00,286 --> 00:17:01,954 ME? 419 00:17:01,954 --> 00:17:03,756 ALVIN'S BLOCK PARTY. 420 00:17:03,756 --> 00:17:05,591 SEE, CHINA, SHE COULD PERFORM LIVE 421 00:17:05,591 --> 00:17:07,360 FOR HER HOME CROWD, 422 00:17:07,360 --> 00:17:08,895 AND WE CAN PROVIDE EXTRA FOOD, 423 00:17:08,895 --> 00:17:11,297 ACTIVITIES FOR THE KIDS, T-SHIRTS. 424 00:17:11,297 --> 00:17:13,032 SO YOU WANT TO TURN A KIDS' BLOCK PARTY 425 00:17:13,032 --> 00:17:14,767 INTO CHINA'S RELEASE PARTY. 426 00:17:14,767 --> 00:17:16,602 CHINA: MORE LIKE COMBINE THE TWO EVENTS. 427 00:17:16,602 --> 00:17:18,070 BENEFIT THE KIDS. 428 00:17:18,070 --> 00:17:20,139 YEAH. IT'S A WIN-WIN FOR EVERYONE, BABY. 429 00:17:20,139 --> 00:17:22,441 SO YOU THINK YOU COULD PUT IN 430 00:17:22,441 --> 00:17:24,443 A GOOD WORD WITH ALVIN FOR US? 431 00:17:24,443 --> 00:17:29,415 YEAH. YEAH, FOR SURE. 432 00:17:30,816 --> 00:17:34,387 I'M GONNA NEED SOMETHING IN RETURN, THOUGH. 433 00:17:34,387 --> 00:17:35,621 YOU WANT ME TO EMCEE. 434 00:17:35,621 --> 00:17:37,690 COME ON, COOP. I'VE HEARD YOU ON THE MIKE. 435 00:17:37,690 --> 00:17:39,892 WHO BETTER TO GET THE HOOD ROCKING THAN YOU? 436 00:17:39,892 --> 00:17:41,560 PLUS, WE GET YOU IN GOOD WITH J.P. 437 00:17:41,560 --> 00:17:42,895 AND MAYBE WE COULD SLIDE HIM SOME OF YOUR TRACKS. 438 00:17:42,895 --> 00:17:44,664 PATIENCE: YEAH. I MEAN, HE'S NOT WRONG. 439 00:17:44,664 --> 00:17:47,133 YOU GOT A GIFT, A GIFT THAT NEEDS TO BE SHARED 440 00:17:47,133 --> 00:17:48,901 WITH EVERYONE, NOT JUST ME. 441 00:17:48,901 --> 00:17:50,136 SPENCER: RIGHT? 442 00:17:50,136 --> 00:17:52,271 COOP: UH, LOOK, YOU TWO AIN'T GOT TO SMOOTH TALK ME, 443 00:17:52,271 --> 00:17:53,272 ALL RIGHT? 444 00:17:53,272 --> 00:17:54,507 I'M IN. 445 00:17:54,507 --> 00:17:56,943 HEY, WHAT YOU THINK, ALVIN? 446 00:17:56,943 --> 00:17:58,577 I THINK THE KIDS ARE GONNA LOVE IT. 447 00:17:58,577 --> 00:18:00,813 BOOM! HA HA! 448 00:18:00,813 --> 00:18:03,916 KID: YOU GOT TO COME SEE THIS! 449 00:18:17,430 --> 00:18:19,598 I DON'T UNDERSTAND. 450 00:18:19,598 --> 00:18:22,068 EVERYBODY KNOWS THIS IS A SAFE SPACE. 451 00:18:22,068 --> 00:18:24,904 WE AIN'T GOT NOTHING TO DO WITH GANGS. 452 00:18:24,904 --> 00:18:28,708 NOW, WHY WOULD THEY WANT TO HIT UP MY SHOP? 453 00:18:42,588 --> 00:18:44,690 YO, MAN, YOU HEARD ABOUT ALVIN'S? 454 00:18:44,690 --> 00:18:46,325 LOWER YOUR VOICE. 455 00:18:46,325 --> 00:18:47,460 YO, YOU NEED TO MOVE THAT MONEY. 456 00:18:47,460 --> 00:18:48,861 THE MONEY STAYS WHERE IT IS. 457 00:18:48,861 --> 00:18:50,463 MAN. THE HELL IT DOES, MAN. 458 00:18:50,463 --> 00:18:52,598 I SAID, LOWER YOUR DAMN VOICE. 459 00:18:56,402 --> 00:18:58,771 HEY, LITTLE MAMA. 460 00:18:58,771 --> 00:19:01,741 THIS IS YOUR AUNTIE COOP. WAVE. 461 00:19:01,741 --> 00:19:04,176 THIS IS MY DAUGHTER MAYA. 462 00:19:04,176 --> 00:19:06,212 HOW YOU DOING, BABY GIRL? 463 00:19:06,212 --> 00:19:07,480 MAYA: GOOD. 464 00:19:07,480 --> 00:19:09,548 HEY, MAN, I AIN'T KNOW YOU HAD A DAUGHTER. 465 00:19:09,548 --> 00:19:11,017 WHY WOULD YOU? 466 00:19:11,017 --> 00:19:12,551 SHE AIN'T YOURS. 467 00:19:12,551 --> 00:19:15,021 HER MAMA LEFT A WHILE BACK. 468 00:19:15,021 --> 00:19:17,556 HAVE YOU EVER THOUGHT ABOUT GETTING HER OUT OF THIS LIFE? 469 00:19:17,556 --> 00:19:19,825 WHAT DO YOU THINK I'M TRYING TO DO? 470 00:19:19,825 --> 00:19:21,427 THAT MONEY'S FOR HER. 471 00:19:21,427 --> 00:19:22,828 SHE'S THE REASON 472 00:19:22,828 --> 00:19:24,430 I GOT TO KEEP IT AT ALVIN'S. 473 00:19:24,430 --> 00:19:26,232 IT'S NEUTRAL, COOP. 474 00:19:26,232 --> 00:19:28,868 ANYWHERE ELSE, AND MY HUSTLE BECOMES EVERYBODY'S HUSTLE. 475 00:19:28,868 --> 00:19:31,370 I THINK IT'S TIME YOU FIND A NEW HUSTLE. 476 00:19:31,370 --> 00:19:33,506 LIKE WHAT, MAN? 477 00:19:33,506 --> 00:19:35,141 I AIN'T GOT NO SILVER SPOON. 478 00:19:35,141 --> 00:19:37,743 AIN'T NOBODY GONNA COME SWOOP ME OUT THE HOOD 479 00:19:37,743 --> 00:19:39,178 LIKE YOUR BOY SPENCER. 480 00:19:39,178 --> 00:19:41,147 COME ON, SHAWN. YOU'RE A SMART DUDE, MAN. 481 00:19:41,147 --> 00:19:42,748 YOU'VE BEEN RUNNING THINGS AROUND HERE 482 00:19:42,748 --> 00:19:44,216 SINCE WE WAS KIDS. 483 00:19:44,216 --> 00:19:46,919 YOU JUST BEEN WORKING WITH THE WRONG PEOPLE. 484 00:19:46,919 --> 00:19:49,522 THERE GOT TO BE SOMETHING ELSE OUT HERE YOU COULD DO. 485 00:19:49,522 --> 00:19:51,223 YOU PLAYING YOURSELF IF YOU THINK 486 00:19:51,223 --> 00:19:53,993 PEOPLE LIKE US GET THE SAME SHOTS OTHER PEOPLE DO 487 00:19:53,993 --> 00:19:57,763 BECAUSE IF WE DID, I'D BE OUT. 488 00:19:57,763 --> 00:20:00,933 MAYA: SHE WONDERS WHY ALL THIS IS GONE. 489 00:20:00,933 --> 00:20:03,369 HEY, LEAVE THAT ALONE, LITTLE MAMA. 490 00:20:03,369 --> 00:20:05,571 HEY, COME HERE. 491 00:20:11,911 --> 00:20:13,946 MAN: ♪ COME AT ME ♪ 492 00:20:16,282 --> 00:20:18,384 ♪ LOOK, YOU DON'T WANT TO SEE A BOY LIKE THIS ♪ 493 00:20:18,384 --> 00:20:20,653 ♪ I WAS READY FOR WHATEVER, I WAS BORN LIKE THIS ♪ 494 00:20:20,653 --> 00:20:22,088 ♪ I WAS BORN LIKE THIS ♪ 495 00:20:22,088 --> 00:20:24,090 ♪ KIND OF FUNNY HOW YOU RUN THAT FENCE ♪ 496 00:20:24,090 --> 00:20:25,724 ♪ NO WALK, GOD'S TALKIN', AND IT DON'T MAKE SENSE ♪ 497 00:20:25,724 --> 00:20:27,493 ♪ YOU GET SO ANGRY ♪ 498 00:20:27,493 --> 00:20:28,561 ♪ WHY? ♪ 499 00:20:28,561 --> 00:20:29,562 ♪ WHY YOU ALWAYS SO MAD? ♪ 500 00:20:29,562 --> 00:20:30,629 ♪ LOOK SO MAD ♪ 501 00:20:30,629 --> 00:20:31,731 ♪ WHAT YOU WANT TO DO? ♪ 502 00:20:31,731 --> 00:20:33,666 ♪ HOW'S IT GONNA BE? ♪ 503 00:20:35,000 --> 00:20:37,136 ♪ WELL, THEN COME AT ME ♪ 504 00:20:39,472 --> 00:20:40,573 SKOLNICK: POP UP QUICK, 505 00:20:40,573 --> 00:20:42,007 LIKE YOUR LIFE DEPENDED ON IT. 506 00:20:42,007 --> 00:20:43,309 LET'S GO. 507 00:20:43,309 --> 00:20:45,878 THAT'S LOOKING GOOD. DOUBLE TIME, DOUBLE TIME. 508 00:20:45,878 --> 00:20:47,480 WHY AREN'T YOU OUT THERE PRACTICING 509 00:20:47,480 --> 00:20:48,647 WITH THE REST OF YOUR SQUAD? 510 00:20:48,647 --> 00:20:51,650 IT'S THE SAME 5 ROUTINES EVERY GAME. 511 00:20:51,650 --> 00:20:53,619 I CAN DO THIS IN MY SLEEP. 512 00:20:53,619 --> 00:20:56,722 NOW, THAT I'D LIKE TO SEE. 513 00:20:57,790 --> 00:20:59,592 YOU WANT TO WATCH ME SLEEP? 514 00:20:59,592 --> 00:21:01,694 CAN THAT BE ARRANGED? 515 00:21:03,095 --> 00:21:04,797 THAT DEPENDS. 516 00:21:04,797 --> 00:21:07,867 DEPENDS ON WHAT? 517 00:21:09,201 --> 00:21:11,137 YOU ASKING ME ON A DATE? 518 00:21:13,539 --> 00:21:15,641 SKOLNICK: KNEES UP. 519 00:21:17,143 --> 00:21:18,778 LET'S GO, PRO TEAM. 520 00:21:18,778 --> 00:21:20,913 BILLY: WHAT'D YOU GET, ANYTHING? 521 00:21:20,913 --> 00:21:23,415 STRONG SIDE LINEBACKER'S GOT BRUISED RIBS. 522 00:21:23,415 --> 00:21:25,084 SKOLNICK: TWO MORE NIGHTS, TWO NIGHTS TILL THE GAME. 523 00:21:25,084 --> 00:21:27,820 ASHER: THAT'S JAKE DELGADO, 524 00:21:27,820 --> 00:21:29,488 THEIR BEST DEFENSIVE END. 525 00:21:29,488 --> 00:21:30,656 HOW DO YOU KNOW? 526 00:21:30,656 --> 00:21:32,158 BECAUSE WHEN MY MOM MOVED TO MALIBU, 527 00:21:32,158 --> 00:21:34,026 I CAME AND LOOKED AT A FEW SCHOOLS HERE. 528 00:21:34,026 --> 00:21:35,661 I DECIDED TO STAY IN BEVERLY. 529 00:21:35,661 --> 00:21:36,796 HMM, LUCKY US. 530 00:21:36,796 --> 00:21:37,863 DUDE, WHAT'S YOUR PROBLEM? 531 00:21:37,863 --> 00:21:38,831 MY PROBLEM 532 00:21:38,831 --> 00:21:41,033 HEY, HEY, Y'ALL, EASY. 533 00:21:41,033 --> 00:21:42,668 YOU ALL ARE FLYING WITH SHOTS 534 00:21:42,668 --> 00:21:44,570 IN THE WRONG DIRECTION. 535 00:21:44,570 --> 00:21:46,572 BOY: HIKE! 536 00:21:46,572 --> 00:21:48,340 THAT'S THE ENEMY... 537 00:21:48,340 --> 00:21:50,342 RIGHT THERE. 538 00:21:51,777 --> 00:21:54,647 WOMAN: ♪ AH, HERE IT GOES ♪ 539 00:21:54,647 --> 00:21:58,150 ♪ WHOO! AH ♪ 540 00:21:58,150 --> 00:21:59,718 ♪ WHOO! ♪ 541 00:21:59,718 --> 00:22:02,054 ♪ I FEEL GOOD ♪ 542 00:22:02,054 --> 00:22:03,589 ♪ WHOO, I FEEL... ♪ 543 00:22:03,589 --> 00:22:05,958 I'M BACK. 544 00:22:06,892 --> 00:22:08,194 HI. WOULD YOU LIKE A WATER? 545 00:22:08,194 --> 00:22:10,563 I'M ACTUALLY HERE TO VOLUNTEER. 546 00:22:10,563 --> 00:22:11,931 YOU NEED ANY HELP? 547 00:22:11,931 --> 00:22:13,699 HONESTLY, I'M--I'M ONLY DOING THIS 548 00:22:13,699 --> 00:22:15,668 'CAUSE IT KEEPS ME IN THE SHADE. 549 00:22:16,969 --> 00:22:18,904 WELL, I DIDN'T MEAN TO BLOW YOUR COVER. 550 00:22:18,904 --> 00:22:21,974 LET ME GIVE YOU A HAND. HERE. 551 00:22:21,974 --> 00:22:25,578 OK. 552 00:22:25,578 --> 00:22:26,612 HOW YOU ALL DOING? 553 00:22:26,612 --> 00:22:27,813 -HEY. -HI. 554 00:22:27,813 --> 00:22:29,515 YOU ALL STAY HYDRATED, OK? 555 00:22:29,515 --> 00:22:31,750 THANK YOU. BYE! 556 00:22:31,750 --> 00:22:33,185 HA HA! 557 00:22:33,185 --> 00:22:35,154 ARE YOU SURE YOU'RE NOT GETTING ANY BAD VIBES 558 00:22:35,154 --> 00:22:36,222 FROM CHINA? 559 00:22:36,222 --> 00:22:37,790 LOOK, I KNOW YOU'RE TRYING REAL HARD 560 00:22:37,790 --> 00:22:39,024 TO FIND SOMETHING WRONG WITH HER, 561 00:22:39,024 --> 00:22:40,292 BUT I'D GIVE HER A CHANCE. 562 00:22:40,292 --> 00:22:42,361 I MEAN, YOUR DAD SEEMS TO LIKE HER. 563 00:22:42,361 --> 00:22:45,197 WELL, PEOPLE HAVE A HARD TIME THINKING STRAIGHT WHEN THEY'RE GRIEVING. 564 00:22:45,197 --> 00:22:47,032 AREN'T YOU STILL GRIEVING? 565 00:22:47,032 --> 00:22:49,235 YOUR FRIEND COOP STILL ISN'T HERE. 566 00:22:49,235 --> 00:22:50,703 SHE'LL BE HERE. 567 00:22:50,703 --> 00:22:53,105 -YEAH. FOR SURE. 568 00:22:59,912 --> 00:23:01,180 YOU KNOW EACH OTHER? 569 00:23:01,180 --> 00:23:03,182 WE USED TO PLAY BALL TOGETHER. 570 00:23:03,182 --> 00:23:05,718 I'M THE QB AT SOUTH CRENSHAW. 571 00:23:05,718 --> 00:23:07,519 OH. SO YOU REALLY KNOW SPENCER. 572 00:23:07,519 --> 00:23:12,725 YEAH. BUT I DIDN'T WALK ALL THE WAY ACROSS THIS HOT-ASS PARK 573 00:23:12,725 --> 00:23:14,260 TO TALK ABOUT SPENCER. 574 00:23:14,260 --> 00:23:16,729 I CAME HERE TO TALK TO THE BEAUTIFUL GIRL 575 00:23:16,729 --> 00:23:18,163 STANDING HERE IN THE SHADE. 576 00:23:18,163 --> 00:23:20,132 I THOUGHT YOU CAME TO VOLUNTEER. 577 00:23:20,132 --> 00:23:24,937 HA HA! SEE, SEE, NOW YOU BLOWING MY COVER. 578 00:23:24,937 --> 00:23:27,439 I'M CHRIS, BY THE WAY. 579 00:23:27,439 --> 00:23:29,074 OLIVIA. 580 00:23:29,074 --> 00:23:30,743 -NICE TO MEET YOU... NICE TO MEET YOU, TOO. 581 00:23:30,743 --> 00:23:33,412 MS. OLIVIA. 582 00:23:33,412 --> 00:23:34,446 HEY. 583 00:23:34,446 --> 00:23:36,315 YOU SEEN COOP? SHE NOT ANSWERING HER PHONE. 584 00:23:36,315 --> 00:23:39,485 I'LL GIVE YOU 3 GUESSES WHO SHE'S WITH. 585 00:23:43,756 --> 00:23:45,057 YO, YOU LOST? 586 00:23:45,057 --> 00:23:46,859 SHAWN: MAN, I AIN'T HERE TO START NOTHING. 587 00:23:46,859 --> 00:23:48,360 IT'S COOP'S BIG DAY. 588 00:23:48,360 --> 00:23:50,763 SHE WANTED HER BOY BY HER SIDE, THAT'S ALL. 589 00:23:50,763 --> 00:23:51,997 WHY IS THAT? 590 00:23:51,997 --> 00:23:53,766 THE SAME REASON YOU WANTED ME HERE-- 591 00:23:53,766 --> 00:23:54,833 TO MEET THE RECORD DUDE, RIGHT? 592 00:23:54,833 --> 00:23:56,669 YOU SAY HE'S CRAZY CONNECTED. 593 00:23:56,669 --> 00:23:57,870 MAYBE HE COULD HELP THE BOTH OF US. 594 00:23:57,870 --> 00:23:59,772 NAH. NO WAY. THIS AIN'T FOR HIM. 595 00:23:59,772 --> 00:24:01,006 LOOK, YOU GOT TO GO, BRO. 596 00:24:01,006 --> 00:24:02,408 COOP: OH, WHAT'S UP WITH YOU, SPENCER? 597 00:24:02,408 --> 00:24:03,575 WHAT? 598 00:24:03,575 --> 00:24:04,910 YOU KNOW EXACTLY WHAT IT'S LIKE TO GROW UP HERE. 599 00:24:04,910 --> 00:24:06,412 AND YOU SAID IT YOURSELF-- 600 00:24:06,412 --> 00:24:07,846 CHANCES LIKE THIS DON'T EVER COME AROUND. 601 00:24:07,846 --> 00:24:09,515 YOU REALLY GONNA STAND IN HIS WAY? 602 00:24:09,515 --> 00:24:11,617 YO, THE ONLY PERSON STANDING IN SHAWN'S WAY IS SHAWN, ALL RIGHT? 603 00:24:11,617 --> 00:24:13,118 ALWAYS HAS BEEN. 604 00:24:13,118 --> 00:24:15,454 OH, THAT'S HOW IT IS? 605 00:24:16,789 --> 00:24:19,692 COOL. IF HE GO, THEN I GO. 606 00:24:19,692 --> 00:24:21,193 COOP. 607 00:24:32,438 --> 00:24:34,206 COOP: CRENSHAW, CRENSHAW, WHAT'S UP? 608 00:24:34,206 --> 00:24:35,874 HEY, I WANT TO THANK YOU ALL FOR COMING OUT 609 00:24:35,874 --> 00:24:37,710 AND SUPPORTING US. 610 00:24:37,710 --> 00:24:38,944 WE ALL FAMILY. 611 00:24:38,944 --> 00:24:41,580 BUT HOW MANY OF YOU ALL ONE OF AL'S KIDS? 612 00:24:43,182 --> 00:24:44,717 WHOO! 613 00:24:44,717 --> 00:24:46,151 SO ME, TOO, ONLY I WAS HIS FAVORITE. 614 00:24:46,151 --> 00:24:47,753 AIN'T THAT RIGHT, ALVIN? 615 00:24:47,753 --> 00:24:49,455 THAT'S NOT RIGHT. 616 00:24:50,689 --> 00:24:52,624 COOP: HEY, LISTEN, CHINA Q WILL BE OUT HERE REAL SOON. 617 00:24:52,624 --> 00:24:55,361 IN THE MEANTIME, YOU ALL CAN ENJOY THIS FREE FOOD, 618 00:24:55,361 --> 00:24:58,864 THESE FREE DRINKS COURTESY OF MY MAN, 619 00:24:58,864 --> 00:25:02,835 SUPER DUPER PRODUCER MR. J.P. KEATING. 620 00:25:04,069 --> 00:25:05,838 -MR. KEATING. -YO. 621 00:25:05,838 --> 00:25:07,272 SHAWN SCOTT. 622 00:25:07,272 --> 00:25:08,073 AN HONOR. 623 00:25:08,073 --> 00:25:09,341 ALL RIGHT. ALL RIGHT. 624 00:25:09,341 --> 00:25:10,843 YOU MIND IF I GET A PHOTO WITH YOU? 625 00:25:10,843 --> 00:25:12,845 NO DOUBT. NO DOUBT. NO DOUBT. 626 00:25:12,845 --> 00:25:14,847 SO I ALREADY GOT IT OUT. 627 00:25:14,847 --> 00:25:16,648 HA HA HA! 628 00:25:16,648 --> 00:25:18,851 THAT WAS DOPE. 629 00:25:18,851 --> 00:25:20,786 I TOLD YOU YOU WAS FLY ON THAT MIKE. 630 00:25:20,786 --> 00:25:22,187 WHAT'S UP? 631 00:25:22,187 --> 00:25:24,256 HE'S GETTING REAL CLOSE TO J.P. 632 00:25:24,256 --> 00:25:27,359 HE'S JUST DOING HIS THING, MAN. 633 00:25:27,359 --> 00:25:29,261 IT WAS SUPPOSED TO BE YOUR THING. 634 00:25:29,261 --> 00:25:31,196 I THOUGHT THIS WAS SUPPOSED TO BE A COMMUNITY THING. 635 00:25:31,196 --> 00:25:34,867 YOU KNOW, THE SAME COMMUNITY SHAWN'S FROM. 636 00:25:34,867 --> 00:25:36,869 COME ON, MAN. FORGET ALL THAT. 637 00:25:36,869 --> 00:25:37,970 ♪ WE GET TO HAVE A PARTY ♪ 638 00:25:37,970 --> 00:25:39,905 ♪ MM MM MM MM... ♪ 639 00:25:39,905 --> 00:25:42,875 YOU'RE STUPID. 640 00:25:46,945 --> 00:25:48,514 HEY, CHINA. 641 00:25:48,514 --> 00:25:49,548 OH, HEY. 642 00:25:49,548 --> 00:25:52,885 UM, YOU SHOULD OPEN WITH "CLOUD DREAMS." 643 00:25:52,885 --> 00:25:54,119 IT'S MY FAVORITE. 644 00:25:54,119 --> 00:25:55,487 -YEAH. 645 00:25:55,487 --> 00:25:56,889 I LIKE THAT ONE, TOO. 646 00:25:56,889 --> 00:26:00,826 COOL. OH, COOP, YOU WERE INCREDIBLE TODAY. 647 00:26:00,826 --> 00:26:02,060 SPENCER: SEE? 648 00:26:02,060 --> 00:26:03,595 YEAH. YOU REALLY KNOW HOW TO ROCK A HOUSE. 649 00:26:03,595 --> 00:26:05,497 I MEAN, I SHOULD TAKE YOU ON TOUR WITH ME. 650 00:26:05,497 --> 00:26:07,065 COOP: HEY, LISTEN, ALL YOU GO TO DO IS SAY THE WORD. 651 00:26:07,065 --> 00:26:08,801 ALVIN GONNA HAVE A COOP-SHAPED HOLE 652 00:26:08,801 --> 00:26:10,402 IN HIS BARBER SHOP, I'M TELLING YOU. 653 00:26:10,402 --> 00:26:13,338 WAIT. SO ALVIN FROM ALVIN'S KIDS HAS 654 00:26:13,338 --> 00:26:14,473 A BARBER SHOP. 655 00:26:14,473 --> 00:26:17,376 YEAH. BUT WAIT. AIN'T YOU FROM HERE? 656 00:26:17,376 --> 00:26:20,212 COME ON. YOU KNOW I'M JUST PLAYING WITH YOU. HEH! 657 00:26:20,212 --> 00:26:23,048 I'M GONNA GO GET DRESSED. 658 00:26:23,048 --> 00:26:25,651 WAIT. WHAT? 659 00:26:25,651 --> 00:26:27,119 HOW ARE YOU FROM CRENSHAW 660 00:26:27,119 --> 00:26:28,921 BUT YOU DON'T KNOW ALVIN? 661 00:26:28,921 --> 00:26:30,456 YEAH, FOR REAL. 662 00:26:30,456 --> 00:26:33,225 COOP: YOU FAKE, I GOT YOU. YEAH, OK. 663 00:26:33,225 --> 00:26:35,661 SKOLNICK: COME TO SEE HOW A REAL COACH RUNS A PRACTICE? 664 00:26:35,661 --> 00:26:37,529 HA HA. I JUST WANT TO PASS OFF THIS GAME TAPE, MAN. 665 00:26:37,529 --> 00:26:41,033 AH, KEEP IT. WE ONLY NEED TO FOCUS ON SPENCER JAMES, 666 00:26:41,033 --> 00:26:42,534 THOUGH WHEN I WAS COACHING BEVERLY, 667 00:26:42,534 --> 00:26:44,236 I NEVER FELT THE NEED TO ADOPT A KID 668 00:26:44,236 --> 00:26:46,171 JUST TO MAKE MY TEAM BETTER. 669 00:26:46,171 --> 00:26:48,941 BUT, LIKE YOU SAID, A WIN'S A WIN. 670 00:26:48,941 --> 00:26:50,876 TOUCHE. 671 00:26:50,876 --> 00:26:52,244 ASHER: THEY'RE GOOD, J. 672 00:26:52,244 --> 00:26:53,879 BUT WE GOT TO BE ON THE SAME PAGE 673 00:26:53,879 --> 00:26:55,981 IF WE'RE GONNA BEAT THEM. 674 00:26:58,083 --> 00:26:59,751 SERIOUSLY? 675 00:26:59,751 --> 00:27:02,788 DUDE, THIS PASSIVE-AGGRESSIVE CRAP IS GETTING OLD. 676 00:27:02,788 --> 00:27:05,057 IT'S BETTER THAN THE ALTERNATIVE, OK, TRUST ME? 677 00:27:05,057 --> 00:27:06,892 WELL, WHAT THE HELL IS GOING ON? 678 00:27:06,892 --> 00:27:09,461 I HAVEN'T DONE ANYTHING TO YOU. 679 00:27:10,662 --> 00:27:13,932 OH, FINE. I'M DONE TRYING. 680 00:27:13,932 --> 00:27:17,002 HEY, DON'T PASS TO ME, DON'T TALK TO ME. 681 00:27:17,002 --> 00:27:18,537 I DON'T CARE, ALL RIGHT? 682 00:27:18,537 --> 00:27:20,005 IT'S ON YOU NOW. 683 00:27:20,005 --> 00:27:21,840 MAYBE I'LL TALK TO LEILA. 684 00:27:21,840 --> 00:27:22,841 AND SAY WHAT? 685 00:27:22,841 --> 00:27:24,610 THAT YOU SLEPT WITH OLIVIA. 686 00:27:24,610 --> 00:27:26,478 SHE'S MY SISTER. 687 00:27:26,478 --> 00:27:27,913 HOW COULD YOU TAKE ADVANTAGE OF HER? 688 00:27:27,913 --> 00:27:30,082 -LOOK, IT WASN'T LIKE THAT. WHAT WAS IT LIKE? 689 00:27:30,082 --> 00:27:32,284 IT WASN'T LIKE THAT. UH! UH! 690 00:27:32,284 --> 00:27:33,852 ARE YOU KIDDING ME, DUDE? 691 00:27:33,852 --> 00:27:35,220 HOW DO YOU THINK YOU'RE GONNA WIN 692 00:27:35,220 --> 00:27:38,357 WHEN YOU CAN'T EVEN CONTROL YOUR PLAYERS? 693 00:27:42,060 --> 00:27:43,729 HEY. HEY. 694 00:27:43,729 --> 00:27:45,097 HEY! 695 00:27:45,097 --> 00:27:47,165 GET UP OFF THE GROUND. 696 00:27:48,166 --> 00:27:49,635 MAN: ♪ BEEP-BEEP, BACK IT UP ♪ 697 00:27:49,635 --> 00:27:53,105 ♪ LAY IT DOWN LIKE A CEMENT TRUCK ♪ 698 00:27:53,105 --> 00:27:54,606 SHUT UP. YOU DID GOOD. 699 00:27:54,606 --> 00:27:55,974 -THANK YOU. -HA HA! 700 00:27:55,974 --> 00:27:58,377 HEY, YOU GOT THE WHOLE PLACE ROCKING. 701 00:27:58,377 --> 00:28:00,946 OK. I AIN'T DO NOTHING BUT STAND UP AND YELL. 702 00:28:00,946 --> 00:28:04,149 YEAH. YOU'RE PRETTY GOOD AT THAT. 703 00:28:04,149 --> 00:28:05,284 CHECK IT. 704 00:28:05,284 --> 00:28:06,985 I GOT THE BIG DOG'S CARD. 705 00:28:06,985 --> 00:28:09,054 HE SAID HE MIGHT HAVE A JOB FOR ME. 706 00:28:09,054 --> 00:28:12,724 BOOM! THAT'S SICK. OH, MAN. 707 00:28:12,724 --> 00:28:14,826 MAYBE YOU RIGHT, COOP. 708 00:28:14,826 --> 00:28:15,928 ABOUT WHAT? 709 00:28:15,928 --> 00:28:17,462 GETTING THE MONEY OUT OF ALVIN'S. 710 00:28:17,462 --> 00:28:19,097 IT NEVER SHOULD'VE BEEN THERE ANYWAY. 711 00:28:19,097 --> 00:28:21,133 YEAH, YOU KNOW I'LL GO WITH YOU. 712 00:28:21,133 --> 00:28:23,368 NAH. IT'S JUST AROUND THE BLOCK. 713 00:28:23,368 --> 00:28:26,438 YOU STAY HERE, KEEP THIS PARTY ALIVE, HUH? 714 00:28:26,438 --> 00:28:27,573 HUH? 715 00:28:35,914 --> 00:28:37,349 LEILA: MUST BE FUN COMING BACK 716 00:28:37,349 --> 00:28:38,884 TO YOUR OLD NEIGHBORHOOD LIKE THIS. 717 00:28:38,884 --> 00:28:40,419 IT'S SPECIAL. 718 00:28:40,419 --> 00:28:43,088 WHERE ARE YOU FROM, REALLY? 719 00:28:44,590 --> 00:28:46,291 CRENSHAW. 720 00:28:47,292 --> 00:28:48,894 I MOVED WHEN I WAS LITTLE. SO WHAT? 721 00:28:48,894 --> 00:28:51,096 SO YOU'RE USING YOUR COMMUNITY TO SELL RECORDS 722 00:28:51,096 --> 00:28:52,698 AND YOU'RE USING MY DAD. 723 00:28:52,698 --> 00:28:54,566 NOBODY'S USING ANYBODY. 724 00:28:54,566 --> 00:28:56,902 I DON'T NEED ANYBODY'S HELP, SIS. 725 00:28:56,902 --> 00:28:58,770 AND THE WHOLE CRENSHAW ANGLE, 726 00:28:58,770 --> 00:29:01,306 THAT'S YOUR DAD'S IDEA. 727 00:29:01,306 --> 00:29:03,709 I DON'T BELIEVE YOU. 728 00:29:03,709 --> 00:29:07,245 WELL, WHY DON'T YOU ASK HIM YOURSELF? 729 00:29:12,017 --> 00:29:15,721 COOP: ♪ OH! GO PUT YOUR HANDS UP, UP IN THE SKY ♪ 730 00:29:15,721 --> 00:29:18,090 ♪ PUT YOUR HANDS UP, UP IN THE SKY ♪ 731 00:29:18,090 --> 00:29:20,659 ♪ SAY, "GO, CHINA! GO, CHINA! GO!" ♪ 732 00:29:20,659 --> 00:29:22,427 AUDIENCE: GO, CHINA! GO, CHINA! GO! 733 00:29:22,427 --> 00:29:26,198 COOP: SAY, "GO, CHINA! GO, CHINA! GO!" 734 00:29:26,198 --> 00:29:27,866 CHINA: ♪ COMING STRAIGHT OUT OF CRENSHAW ♪ 735 00:29:27,866 --> 00:29:29,968 ♪ CRAZY LITTLE CHICK NAMED CHINA... ♪ 736 00:29:29,968 --> 00:29:32,337 [SONG CONTINUES, INDISTINCT] 737 00:29:36,508 --> 00:29:39,211 ♪ BUT CROSS ME, AND MY HATERS COME AND FIND YOU ♪ 738 00:29:39,211 --> 00:29:41,113 ♪ NO PRACTICE, WE GET ACCESS ♪ 739 00:29:41,113 --> 00:29:43,048 ♪ NO RESPITE, DEAL WITH IT... ♪ 740 00:29:43,048 --> 00:29:45,884 SORRY, FELLAS. THE SHOP'S CLOSED. 741 00:29:45,884 --> 00:29:47,619 WE AIN'T HERE FOR NO HAIRCUT, 742 00:29:47,619 --> 00:29:50,689 BUT WE DEFINITELY GONNA TAKE A CUT. 743 00:29:50,689 --> 00:29:53,225 ♪ WHEN I WAS COMING UP, I AIN'T HAVE MUCH ♪ 744 00:29:53,225 --> 00:29:55,627 ♪ SO I LIKE TO LIVE IT UP, NOT AVERAGE ♪ 745 00:29:55,627 --> 00:29:57,763 ♪ I LIKE TRIPS TO SPAIN, DUBAI, PARIS... ♪ 746 00:29:57,763 --> 00:29:59,831 SHAWN: JUST WALK AWAY AND LET ME TAKE WHAT'S MINE. 747 00:29:59,831 --> 00:30:03,135 THE PROBLEM IS, WHAT'S YOURS IS OURS NOW. 748 00:30:15,180 --> 00:30:16,248 MAN: COMING STRAIGHT OUT OF CRENSHAW. 749 00:30:24,456 --> 00:30:26,324 COOP! 750 00:30:49,081 --> 00:30:50,115 HEY, COOP, COOP! 751 00:30:50,115 --> 00:30:51,283 WHERE YOU GOING? 752 00:30:51,283 --> 00:30:52,818 I'M GOING TO LOOK FOR SHAWN, MAN. 753 00:30:52,818 --> 00:30:54,820 HE COULD BE HURT, ANYTHING. I GOT TO KNOW HE COOL. 754 00:30:54,820 --> 00:30:57,289 HE AIN'T COOL. THAT'S A DEAD BODY OVER THERE AT ALVIN'S SHOP. 755 00:30:57,289 --> 00:30:59,224 LOOK, SHAWN WAS TRYING TO DO THE RIGHT THING. 756 00:30:59,224 --> 00:31:01,026 BOTH OF HIS BOYS IS RESPONSIBLE FOR THIS. 757 00:31:01,026 --> 00:31:03,261 LOOK, SHAWN SHOULDN'T HAVE BEEN MESSING WITH ALVIN'S IN THE FIRST PLACE. 758 00:31:03,261 --> 00:31:04,563 WHY ARE YOU DOING THIS? 759 00:31:04,563 --> 00:31:05,864 WHAT AM I GONNA DO, SPENCER? 760 00:31:05,864 --> 00:31:07,232 YOU DON'T HAVE NO IDEA 761 00:31:07,232 --> 00:31:08,834 WHAT'S GOING DOWN IN THE HOOD RIGHT NOW. 762 00:31:08,834 --> 00:31:10,736 YOU TOLD ME TO GO TO BEVERLY, ALL RIGHT? 763 00:31:10,736 --> 00:31:12,671 THAT'S WHAT I DO. I LOOK OUT FOR MY PEOPLE. 764 00:31:12,671 --> 00:31:14,372 AND DESPITE WHAT YOU THINK OF SHAWN... 765 00:31:14,372 --> 00:31:16,041 -COOP. -BELIEVE IN HIM... 766 00:31:16,041 --> 00:31:17,342 THE SAME WAY I BELIEVE IN YOU. 767 00:31:17,342 --> 00:31:20,979 HE'S A THUG, ALL RIGHT? HE'S A THUG. 768 00:31:20,979 --> 00:31:22,848 WHAT'S IT GONNA TAKE FOR YOU TO FINALLY LET HIM GO? 769 00:31:22,848 --> 00:31:24,983 WHAT? YOU WANT TO BE UNDER ONE OF THOSE SHEETS? 770 00:31:24,983 --> 00:31:27,185 'CAUSE WHATEVER'S COMING FOR HIM IS COMING FOR YOU, TOO, ALL RIGHT? 771 00:31:27,185 --> 00:31:29,788 AND IT'S JUST A MATTER OF TIME BEFORE THEY SHOW UP AT MY HOUSE, 772 00:31:29,788 --> 00:31:33,391 PUTTING MY FAMILY IN DANGER, AND THAT CAN'T HAPPEN. 773 00:31:35,127 --> 00:31:36,561 I KNOW. 774 00:31:38,196 --> 00:31:40,265 I'LL BE GONE TONIGHT. 775 00:31:40,265 --> 00:31:42,200 SO WHAT, SO THAT'S IT? 776 00:31:42,200 --> 00:31:43,502 YOU'RE GONNA CHOOSE HIM OVER ME? 777 00:31:43,502 --> 00:31:44,970 OVER MY MOMS? OVER DYLAN? 778 00:31:44,970 --> 00:31:48,140 SPENCER, YOU GOOD NOW. YOU DON'T NEED ME ANYMORE. 779 00:31:48,140 --> 00:31:49,341 BUT SHAWN DOES, 780 00:31:49,341 --> 00:31:51,276 AND I'M NOT GONNA TURN MY BACK ON HIM. 781 00:31:51,276 --> 00:31:53,578 I NEVER DID ON YOU. 782 00:31:58,817 --> 00:32:00,886 YOU REALLY THINK HE'S GONNA MAKE US WALK 783 00:32:00,886 --> 00:32:02,020 ALL THE WAY BACK? 784 00:32:02,020 --> 00:32:04,456 IT'S LIKE 10 MILES, DUDE. 785 00:32:06,358 --> 00:32:08,160 WILL YOU LET ME EXPLAIN? 786 00:32:08,160 --> 00:32:09,594 WAS SHE SOBER? 787 00:32:12,864 --> 00:32:14,466 EXACTLY. AND YOU KNEW SHE WAS GOING THROUGH A HARD TIME. 788 00:32:14,466 --> 00:32:15,901 WE BOTH WERE. 789 00:32:15,901 --> 00:32:17,903 RIGHT. STAR WIDE RECEIVER, LIVING IN A MANSION, 790 00:32:17,903 --> 00:32:19,805 DATING THE MOST POPULAR GIRL IN SCHOOL. 791 00:32:19,805 --> 00:32:20,739 SOUNDS ROUGH. 792 00:32:20,739 --> 00:32:23,275 I'M NOT LIVING IN A MANSION. 793 00:32:23,275 --> 00:32:26,278 WE LOST THE HOUSE. 794 00:32:27,312 --> 00:32:29,114 AND WE'RE BROKE. 795 00:32:29,114 --> 00:32:31,383 MY DAD GOT LAID OFF LAST YEAR, 796 00:32:31,383 --> 00:32:33,318 AND WE LOST EVERYTHING. 797 00:32:33,318 --> 00:32:36,054 THAT'S WHY MY MOM LEFT HIM. 798 00:32:36,054 --> 00:32:37,489 THAT'S WHY SHE LEFT US. 799 00:32:37,489 --> 00:32:39,291 WHY DIDN'T YOU JUST TELL ME? 800 00:32:39,291 --> 00:32:40,959 IT'S EMBARRASSING, MAN. 801 00:32:42,561 --> 00:32:45,397 I--I DIDN'T TAKE ADVANTAGE OF YOUR SISTER. 802 00:32:45,397 --> 00:32:48,633 I WAS DEPRESSED, AND SHE WAS, TOO, 803 00:32:48,633 --> 00:32:50,635 AND IT JUST HAPPENED. 804 00:32:50,635 --> 00:32:54,272 ONCE. IT WAS A MISTAKE. 805 00:32:54,272 --> 00:32:56,908 AND I-I'M SORRY. 806 00:33:00,412 --> 00:33:01,913 SO YOU JUST THREW THAT HUGE PARTY 807 00:33:01,913 --> 00:33:03,949 AT SOMEONE ELSE'S HOME? 808 00:33:06,685 --> 00:33:08,320 TWO DJS. 809 00:33:11,022 --> 00:33:13,225 DESTROYED THEIR CAR, TOO. 810 00:33:13,225 --> 00:33:14,626 OH, MY GOD. 811 00:33:14,626 --> 00:33:16,328 HA HA! 812 00:33:25,370 --> 00:33:27,739 YOU BOYS GOOD NOW? 813 00:33:28,974 --> 00:33:30,976 YEAH. WE'RE GOOD. 814 00:33:30,976 --> 00:33:33,979 ALL RIGHT. THE LONG WALK HOME WORKS EVERY TIME. 815 00:33:33,979 --> 00:33:37,549 HOP IN. WE GOT A GAME TO GET READY FOR. 816 00:33:40,619 --> 00:33:42,621 J.P.: GREAT. THAT'S GOOD NEWS. 817 00:33:42,621 --> 00:33:46,291 LET'S PUT IT ON THE SCHEDULE. BABE? 818 00:33:46,291 --> 00:33:48,159 THAT WAS A REPORTER FROM THE "TIMES." 819 00:33:48,159 --> 00:33:51,396 THEY WANT TO DO A PIECE ABOUT YOUR TIES TO CRENSHAW. 820 00:33:51,396 --> 00:33:53,932 WHAT'D I TELL YOU, HUH? 821 00:33:53,932 --> 00:33:57,402 YOU CAN'T BUY PUBLICITY LIKE THAT. 822 00:34:01,106 --> 00:34:02,307 DAD? 823 00:34:02,307 --> 00:34:03,909 HEY, BABY. 824 00:34:03,909 --> 00:34:05,210 WHY ARE YOU HAPPY? 825 00:34:05,210 --> 00:34:07,846 SOMEBODY COULD BE HURT, AND YOU'RE CELEBRATING? 826 00:34:07,846 --> 00:34:09,514 IT'S NOT LIKE THAT, PRINCESS. 827 00:34:09,514 --> 00:34:10,715 NO, YOU WANTED 828 00:34:10,715 --> 00:34:12,517 AN AUTHENTIC CRENSHAW EXPERIENCE. 829 00:34:12,517 --> 00:34:14,219 I GUESS YOU GOT IT, HUH? 830 00:34:14,219 --> 00:34:15,921 YOU TWO DESERVE EACH OTHER. 831 00:34:15,921 --> 00:34:17,289 HAVE A NICE LIFE. 832 00:34:17,289 --> 00:34:19,491 PRINCESS. 833 00:34:26,965 --> 00:34:29,167 MAN, I AIN'T GOT TIME TO DEAL WITH YOU TONIGHT. 834 00:34:29,167 --> 00:34:33,071 I AIN'T COME TO FIGHT, SHAWN. I CAME TO TALK. 835 00:34:33,071 --> 00:34:34,105 SO TALK. 836 00:34:34,105 --> 00:34:37,742 LOOK, I DON'T KNOW WHAT YOU GOT GOING ON, 837 00:34:37,742 --> 00:34:40,812 BUT NOW YOU GOT COOP WRAPPED UP IN IT. 838 00:34:40,812 --> 00:34:43,915 SO IT'S ON YOU TO LOOK OUT FOR HER NOW. 839 00:34:45,583 --> 00:34:47,585 AND IF YOU DRAG HER DOWN WITH YOU-- 840 00:34:47,585 --> 00:34:49,254 YOU AND ME, 841 00:34:49,254 --> 00:34:53,191 WE'RE GONNA BE HAVING A VERY DIFFERENT CONVERSATION, 842 00:34:53,191 --> 00:34:54,459 ALL RIGHT? 843 00:34:54,459 --> 00:34:56,061 BELIEVE THAT. 844 00:34:56,061 --> 00:34:59,097 OH, GOD, I HOPE SHE RIGHT ABOUT YOU. 845 00:35:17,949 --> 00:35:19,217 I'M SORRY YOU HAD TO DEAL WITH THAT TODAY. 846 00:35:19,217 --> 00:35:20,552 IT'S OK. I JUST...YEAH. 847 00:35:20,552 --> 00:35:22,554 I'VE--I'VE NEVER BEEN THAT CLOSE TO GUNFIRE. 848 00:35:22,554 --> 00:35:23,688 LIKE, EVER. 849 00:35:23,688 --> 00:35:25,557 IT WASN'T THAT CLOSE. 850 00:35:25,557 --> 00:35:26,958 OH, YEAH? 851 00:35:26,958 --> 00:35:30,462 THEN WHY DID YOU PUT YOUR ARMS AROUND ME? 852 00:35:30,462 --> 00:35:35,667 SEE? YOU ARE BLOWING MY COVER AGAIN. 853 00:35:39,571 --> 00:35:41,206 THIS IS ME. 854 00:35:41,206 --> 00:35:43,241 OK. 855 00:35:45,643 --> 00:35:48,346 I ACTUALLY HAD A GOOD TIME WITH YOU TODAY. 856 00:35:48,346 --> 00:35:49,714 ME, TOO. 857 00:35:49,714 --> 00:35:56,021 SO YOU GONNA GIVE ME THEM DIGITS OR WHAT? 858 00:35:57,422 --> 00:36:02,427 UM...I KIND OF SWORE OFF MEN FOR A WHILE. 859 00:36:02,427 --> 00:36:04,929 I'M TRYING TO FOCUS ON MYSELF, YOU KNOW? 860 00:36:04,929 --> 00:36:08,600 OK. OK. WELL, I'LL TELL YOU WHAT, 861 00:36:08,600 --> 00:36:12,203 TAKE MY NUMBER DOWN. 862 00:36:12,203 --> 00:36:15,407 AND ONCE YOU FIGURE IT OUT, 863 00:36:15,407 --> 00:36:17,809 YOU LET ME KNOW. 864 00:36:17,809 --> 00:36:19,010 OK. 865 00:36:20,412 --> 00:36:21,613 GOOD NIGHT. 866 00:36:21,613 --> 00:36:24,416 GOOD NIGHT. 867 00:36:24,416 --> 00:36:28,620 HEY. DRIVE SAFE. 868 00:36:28,620 --> 00:36:30,522 I WILL. 869 00:36:47,906 --> 00:36:49,841 HEY. 870 00:36:49,841 --> 00:36:51,142 HEY. 871 00:36:51,142 --> 00:36:52,844 I'M SORRY ABOUT TODAY. 872 00:36:52,844 --> 00:36:54,345 WHY? 873 00:36:54,345 --> 00:36:57,115 CHINA GOT THE STREET CRED MY DAD WAS LOOKING FOR. 874 00:36:57,115 --> 00:36:59,217 HE COULDN'T HAVE PLANNED IT BETTER HIMSELF. 875 00:36:59,217 --> 00:37:02,020 YOU DON'T THINK YOU'RE BEING A LITTLE HARD ON HIM? 876 00:37:02,020 --> 00:37:04,456 HE USED THOSE KIDS TODAY, SPENCER. 877 00:37:04,456 --> 00:37:07,725 HE USED YOU. HE USED ME TO GET TO YOU. 878 00:37:07,725 --> 00:37:09,494 IS THAT REALLY WHAT YOU'RE ANGRY ABOUT? 879 00:37:09,494 --> 00:37:10,929 BECAUSE IF YOU ASK ME, IT SEEMS LIKE 880 00:37:10,929 --> 00:37:12,897 THERE'S A LOT MORE GOING ON HERE. 881 00:37:12,897 --> 00:37:14,933 YOU SHOULD TALK TO HIM. 882 00:37:14,933 --> 00:37:16,434 HE'S PROBABLY HALFWAY TO THE AIRPORT NOW ANYWAY. 883 00:37:16,434 --> 00:37:19,003 LOOK, I AIN'T GET A CHANCE TO KNOW MY POPS, ALL RIGHT? 884 00:37:19,003 --> 00:37:21,272 AND YOU AIN'T GET IT WITH YOUR MOMS. 885 00:37:21,272 --> 00:37:23,675 BUT YOU OWE IT TO YOURSELF TO BE HONEST. 886 00:37:23,675 --> 00:37:25,810 THE TRUTH IS ALL WE GOT... 887 00:37:27,112 --> 00:37:29,647 EVEN WHEN IT HURTS. 888 00:37:31,349 --> 00:37:33,351 HE'S JUST ALL I HAVE LEFT, 889 00:37:33,351 --> 00:37:36,621 AND I DON'T WANT TO LOSE HIM, 890 00:37:36,621 --> 00:37:39,691 IF I HAVEN'T ALREADY. 891 00:37:43,061 --> 00:37:45,730 YOU HAVEN'T. 892 00:37:53,438 --> 00:37:56,040 I'M GLAD I FOUND YOU HERE. 893 00:37:56,040 --> 00:37:59,277 I DIDN'T WANT TO LEAVE THINGS LIKE THAT. 894 00:38:01,312 --> 00:38:02,714 I WANTED TO SAY GOOD-BYE. 895 00:38:02,714 --> 00:38:06,718 WELL, THE THING IS YOU SAID GOOD-BYE WHEN MOM DIED. 896 00:38:06,718 --> 00:38:08,720 I JUST DIDN'T KNOW IT YET. 897 00:38:08,720 --> 00:38:09,954 LEILA, HONEY, I-- 898 00:38:09,954 --> 00:38:12,657 SHE WAS TAKEN, BUT... 899 00:38:12,657 --> 00:38:15,193 YOU CHOSE TO GO. 900 00:38:19,297 --> 00:38:21,299 I LOVED YOUR MOM, BUT... 901 00:38:25,670 --> 00:38:27,472 I WAS... 902 00:38:27,472 --> 00:38:29,674 I WAS NEVER GOOD ENOUGH FOR HER... 903 00:38:31,009 --> 00:38:33,178 OR YOU. 904 00:38:33,178 --> 00:38:36,981 ALWAYS ALL ABOUT ME. 905 00:38:38,817 --> 00:38:41,719 YOUR MOM... 906 00:38:42,821 --> 00:38:45,723 SHE FILLED EVERY DARK SPOT 907 00:38:45,723 --> 00:38:46,991 WITH LIGHT. 908 00:38:46,991 --> 00:38:49,294 AND NOW THAT SHE'S GONE, 909 00:38:49,294 --> 00:38:51,863 YOU'RE FINALLY SEEING ME FOR WHAT I AM. 910 00:38:51,863 --> 00:38:54,699 YOU SAW THAT TODAY. 911 00:38:58,303 --> 00:39:00,772 AND I'M SORRY FOR THAT. 912 00:39:00,772 --> 00:39:04,042 YOU AND I BOTH. 913 00:39:06,744 --> 00:39:09,347 THIS WASN'T FOR CHINA. 914 00:39:11,850 --> 00:39:14,485 THIS WAS FOR YOU. 915 00:39:14,485 --> 00:39:16,788 I BOUGHT IT FOR YOUR MOTHER. 916 00:39:18,623 --> 00:39:21,259 IT WAS AN ANNIVERSARY UPGRADE. 917 00:39:21,259 --> 00:39:24,762 I NEVER HAD THE CHANCE TO GIVE IT TO HER. 918 00:39:26,331 --> 00:39:31,035 I THOUGHT YOU MIGHT WANT TO HAVE IT. 919 00:39:34,806 --> 00:39:36,908 LISTEN, I, UM... 920 00:39:40,211 --> 00:39:43,881 I--I KNOW I'M NOT THE PERSON 921 00:39:43,881 --> 00:39:46,217 THAT YOU THOUGHT I WAS. 922 00:39:47,819 --> 00:39:50,255 I'M NOT THE FATHER YOU DESERVE TO HAVE, 923 00:39:50,255 --> 00:39:52,223 BUT I LOVE YOU. 924 00:39:53,891 --> 00:39:57,095 I LOVE YOU, PRINCESS. 925 00:39:58,897 --> 00:40:01,232 I LOVE YOU, TOO, DAD. 926 00:40:17,181 --> 00:40:20,118 MAN: ♪ OH, I DON'T KNOW ♪ 927 00:40:20,118 --> 00:40:23,454 ♪ WHY YOU'RE NOT THERE ♪ 928 00:40:23,454 --> 00:40:26,791 ♪ I GIVE YOU MY LOVE ♪ 929 00:40:26,791 --> 00:40:30,795 ♪ BUT YOU DON'T CARE ♪ 930 00:40:30,795 --> 00:40:33,498 ♪ SO WHAT IS RIGHT ♪ 931 00:40:33,498 --> 00:40:37,468 ♪ AND WHAT IS WRONG? ♪ 932 00:40:37,468 --> 00:40:40,938 ♪ GIVE ME A SIGN ♪ 933 00:40:40,938 --> 00:40:42,407 ♪ WHAT IS LOVE... ♪ 934 00:40:42,407 --> 00:40:46,878 HEY. SO HOW'D IT GO? 935 00:40:46,878 --> 00:40:48,346 WELL, IT WAS PROBABLY THE FIRST 936 00:40:48,346 --> 00:40:50,815 HONEST CONVERSATION WE'VE EVER HAD. 937 00:40:50,815 --> 00:40:52,450 Y'ALL TWO WORKED IT OUT? 938 00:40:52,450 --> 00:40:55,887 I'M NOT SURE, BUT AT LEAST NOW I KNOW THE TRUTH, 939 00:40:55,887 --> 00:40:57,622 THANKS TO YOU. 940 00:40:58,723 --> 00:41:00,558 YOU'RE THE ONLY GUY IN MY LIFE 941 00:41:00,558 --> 00:41:02,060 WHO'S BEEN REAL WITH ME. 942 00:41:02,060 --> 00:41:03,895 I DON'T KNOW ABOUT ALL THAT. 943 00:41:03,895 --> 00:41:05,229 WELL, I DO. 944 00:41:05,229 --> 00:41:08,433 I'M REALLY HAPPY I HAVE YOU, SPENCER. 945 00:41:08,433 --> 00:41:11,169 I'M HAPPY I HAVE YOU, TOO. 946 00:41:11,169 --> 00:41:12,937 COME ON. 947 00:41:14,505 --> 00:41:16,574 MAN: ♪ WHAT IS LOVE? ♪ 948 00:41:16,574 --> 00:41:19,844 ♪ BABY, DON'T HURT ME ♪ 949 00:41:19,844 --> 00:41:21,579 ♪ BABY, DON'T HURT ME ♪ 950 00:41:21,579 --> 00:41:24,148 SORRY. 951 00:41:24,148 --> 00:41:26,150 I'M NOT. 952 00:41:26,150 --> 00:41:33,324 ♪ WHAT IS LOVE? ♪ 953 00:41:33,324 --> 00:41:36,928 ♪ OH OH ♪ 954 00:41:36,928 --> 00:41:39,163 ♪ OH OH OH ♪ 955 00:41:39,163 --> 00:41:41,799 ♪ WHAT IS LOVE? ♪ 956 00:41:41,799 --> 00:41:45,503 ♪ OH OH OH ♪ 957 00:41:48,940 --> 00:41:54,512 ♪ WHAT IS LOVE? ♪ 958 00:42:18,836 --> 00:42:20,304 GREG, MOVE YOUR HEAD!