1 00:00:00,000 --> 00:00:01,533 SPENCER: PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:01,533 --> 00:00:02,933 SPENCER JAMES? BILLY BAKER, 3 00:00:02,933 --> 00:00:05,033 VARSITY COACH, BEVERLY HIGH. 4 00:00:05,033 --> 00:00:06,300 I'LL CUT TO THE CHASE, SPENCER. 5 00:00:06,300 --> 00:00:08,633 I NEED YOU TO COME PLAY FOR ME. 6 00:00:08,633 --> 00:00:10,000 WE CAN OFFER YOU SOMETHING THAT CRENSHAW CAN'T-- 7 00:00:10,200 --> 00:00:12,200 A BETTER EDUCATION IN A SAFER SCHOOL. I CAN GET YOU A WAY OUT. 8 00:00:12,200 --> 00:00:15,200 GRACE: YOU THINK I DIDN'T HEAR ABOUT THAT SHOOTING OVER AT CRENSHAW THE OTHER NIGHT, 9 00:00:15,200 --> 00:00:16,700 THAT I DIDN'T GET A CALL ABOUT YOUR LITTLE FIGHT? 10 00:00:16,700 --> 00:00:18,000 YOU'VE BEEN IN AND OUT OF TROUBLE 11 00:00:18,000 --> 00:00:19,266 AT THAT SCHOOL FOR YEARS. 12 00:00:19,266 --> 00:00:21,100 COOP: THINK ABOUT DILLON, YOUR MOMS. 13 00:00:21,100 --> 00:00:23,966 YOU COULD REALLY GET THEM A BETTER LIFE. 14 00:00:23,966 --> 00:00:25,533 SPENCER: SO YOU'RE ROLLING WITH GANGBANGERS NOW. 15 00:00:25,533 --> 00:00:26,366 I GOT IT HANDLED. 16 00:00:26,433 --> 00:00:28,200 NO, YOU GOT IT TWISTED IS WHAT YOU GOT. 17 00:00:28,200 --> 00:00:29,033 DILLON: WHERE YOU GOING? 18 00:00:29,100 --> 00:00:30,833 TO MAKE SURE SHAWN LEAVES YOU THE HELL ALONE. 19 00:00:30,833 --> 00:00:32,033 YOU SAID YOU HAD IT HANDLED. 20 00:00:32,033 --> 00:00:33,233 I THOUGHT I DID. 21 00:00:33,233 --> 00:00:34,633 I WANT TO MAKE SURE THAT YOU AND I 22 00:00:34,633 --> 00:00:35,833 ARE ON THE SAME PAGE. 23 00:00:35,833 --> 00:00:37,033 THERE IS NO "YOU AND I." 24 00:00:37,033 --> 00:00:38,966 IT WAS ONE DRUG-INDUCED SCREW-UP. 25 00:00:38,966 --> 00:00:40,500 WE GOT CAUGHT UP IN THE MOMENT, 26 00:00:40,500 --> 00:00:43,900 AND I HAD TO WALK AWAY FROM MY BEST FRIEND BECAUSE OF IT. 27 00:00:43,900 --> 00:00:46,066 LOOK, I CAN PLAY BOTH WAYS, COACH, OFFENSE AND DEFENSE. 28 00:00:46,066 --> 00:00:48,100 YOU ARE BURNING IT AT BOTH ENDS OFF THE FIELD. 29 00:00:48,100 --> 00:00:50,266 I CAN'T HAVE YOU DOING IT ON THE FIELD AS WELL. 30 00:00:50,266 --> 00:00:52,133 JORDAN: SOMETHING'S NOT RIGHT. I THINK HE'S HURTING. 31 00:00:52,133 --> 00:00:53,400 JUST HIT YOUR RECEIVERS. 32 00:00:53,400 --> 00:00:55,033 DON'T WORRY ABOUT ME, I'M HITTING EVERYONE 33 00:00:55,033 --> 00:00:56,666 WHO KNOWS THE PLAYBOOK. 34 00:01:01,566 --> 00:01:06,066 ["BORN FOR THIS" BY 7KINGZ PLAYING] 35 00:01:06,433 --> 00:01:08,866 ♪ SOMETHING'S COMING ♪ 36 00:01:13,633 --> 00:01:16,233 ♪ SOMETHING'S COMING ♪ 37 00:01:17,400 --> 00:01:19,300 ♪ SOMETHING'S COMING ♪ 38 00:01:26,233 --> 00:01:27,700 DASHES, LET'S GO. 39 00:01:27,700 --> 00:01:30,066 ♪ OOH ♪ 40 00:01:31,600 --> 00:01:33,000 STOP DRAGGING. 41 00:01:33,000 --> 00:01:36,200 YOU'RE ONLY MAKING IT WORSE FOR YOURSELF. 42 00:01:36,200 --> 00:01:38,300 WE WILL CONTINUE TO DO THESE TWO-A-DAYS 43 00:01:38,300 --> 00:01:43,166 UNTIL YOU SHOW ME THAT YOU CAN WORK TOGETHER AS A TEAM. 44 00:01:44,366 --> 00:01:45,700 I'M NOT FEELING IT YET. 45 00:01:45,700 --> 00:01:47,433 LET'S GO. 46 00:01:47,433 --> 00:01:49,366 SWITCH IT UP. 47 00:01:52,000 --> 00:01:55,566 DUDE, CHILL. MY DAD ALWAYS RIDES US HARD 48 00:01:55,566 --> 00:01:56,766 AFTER WE LOSE A GAME. YOU KNOW THAT. 49 00:01:56,766 --> 00:02:00,133 YEAH, WE DIDN'T LOSE THAT GAME. HE DID. 50 00:02:00,133 --> 00:02:02,200 LOOK, I HAVEN'T HAD A GOOD NIGHT'S SLEEP ALL WEEK 51 00:02:02,200 --> 00:02:05,133 BECAUSE HOMEBOY HERE CAN'T HOLD ONTO THE DAMN BALL. 52 00:02:05,133 --> 00:02:08,400 HE'S NOT THE ONLY ONE WHO MADE A BAD CALL LAST WEEK. 53 00:02:11,833 --> 00:02:14,033 LISTEN UP, GUYS, WE WIN AS A TEAM AND WE LOSE AS-- 54 00:02:14,033 --> 00:02:17,033 YEAH, WE KNOW, OK? WE KNOW. 55 00:02:17,033 --> 00:02:18,700 IT DOESN'T FEEL LIKE MUCH OF A TEAM RIGHT NOW, 56 00:02:18,700 --> 00:02:21,366 AND IT'S ALL THANKS TO A GUY WHO ISN'T EVEN ONE OF US. 57 00:02:36,033 --> 00:02:38,666 CONGREGATION: ♪ THIS LITTLE LIGHT OF MINE ♪ 58 00:02:38,666 --> 00:02:41,300 ♪ I'M GONNA LET IT SHINE ♪ 59 00:02:41,300 --> 00:02:44,000 ♪ THIS LITTLE LIGHT OF MINE ♪ 60 00:02:44,000 --> 00:02:46,700 ♪ I'M GONNA LET IT SHINE ♪ 61 00:02:46,700 --> 00:02:49,500 ♪ THIS LITTLE LIGHT OF MINE ♪ 62 00:02:49,500 --> 00:02:51,166 ♪ I'M GONNA LET IT SHINE ♪ 63 00:02:51,166 --> 00:02:58,300 ♪ LET IT SHINE, LET IT SHINE, LET IT SHINE ♪ 64 00:02:58,300 --> 00:03:00,166 ALL RIGHT, THAT WAS PRETTY GOOD. 65 00:03:00,166 --> 00:03:02,433 Y'ALL AIN'T GONNA EMBARRASS ME ON SUNDAY. 66 00:03:03,633 --> 00:03:04,866 GET ON OUT OF HERE. 67 00:03:04,866 --> 00:03:06,266 BYE. GO ON. 68 00:03:06,266 --> 00:03:07,533 BYE. BYE. 69 00:03:07,533 --> 00:03:09,300 THANK YOU. 70 00:03:10,566 --> 00:03:11,833 'SUP, MOM? 71 00:03:11,833 --> 00:03:13,400 HEY, BABY. 72 00:03:13,400 --> 00:03:14,266 HOW ARE YOU? 73 00:03:14,266 --> 00:03:17,666 I'M ALL RIGHT. GIVE ME SOME SUGAR. 74 00:03:17,666 --> 00:03:20,133 WHAT TIME YOU AND DAD PLAN ON HEADING TO THE RETREAT? 75 00:03:20,133 --> 00:03:23,266 WHY, YOU TRYING TO HAVE A HOUSE PARTY OR SOMETHING? 76 00:03:23,266 --> 00:03:25,166 I WAS AT LEAST GONNA GIVE IT AN HOUR. 77 00:03:25,166 --> 00:03:27,366 DON'T YOU BREAK MY GOOD STUFF. 78 00:03:27,366 --> 00:03:28,400 NEVER. 79 00:03:28,400 --> 00:03:30,533 WE'LL BE GONE AFTER YOU GET OUT OF SCHOOL. 80 00:03:30,533 --> 00:03:31,666 ALL RIGHT. COME ON. 81 00:03:31,666 --> 00:03:33,600 SPEAKING OF WHICH, DON'T BE LATE. 82 00:03:33,600 --> 00:03:34,733 LOVE YOU. BYE. 83 00:03:34,733 --> 00:03:36,533 DON'T HAVE TOO MUCH FUN. MM-HMM. 84 00:03:36,533 --> 00:03:38,266 TAMIA. 85 00:03:39,866 --> 00:03:42,966 NO BOYS AT THE HOUSE AFTER WE'RE GONE. 86 00:03:44,066 --> 00:03:47,266 AT LEAST MAKE SURE WE DON'T HEAR ABOUT IT. 87 00:03:47,266 --> 00:03:50,333 OK. 88 00:03:54,666 --> 00:03:57,800 OH, YEAH, THERE HE IS, RIGHT THERE. 89 00:04:08,833 --> 00:04:10,866 HEY, MAN, WHAT'S UP? 90 00:04:10,866 --> 00:04:12,633 YOU MIND IF I SEE YOUR PHONE? 91 00:04:12,633 --> 00:04:14,266 UM, THIS PHONE? 92 00:04:14,266 --> 00:04:16,000 YEAH. 93 00:04:16,000 --> 00:04:18,333 I DIDN'T CREATE THEM, I SWEAR. 94 00:04:18,333 --> 00:04:20,166 IT JUST POPPED UP IN MY GROUP CHAT, 95 00:04:20,166 --> 00:04:22,033 THEN OTHER PEOPLE STARTED FORWARDING IT. 96 00:04:22,033 --> 00:04:24,433 YOU KNOW HOW THINGS GO VIRAL. 97 00:04:29,600 --> 00:04:31,433 HE JUST DROPPED IT. 98 00:04:34,900 --> 00:04:36,600 SPENCER, SPENCER, SPENCER, SPENCER. 99 00:04:36,600 --> 00:04:38,266 WHOA. ONE FIGHT, 100 00:04:38,266 --> 00:04:40,333 PRINCIPAL LANDON KICKS YOU OUT. COME ON, YOU KNOW THAT. 101 00:04:40,333 --> 00:04:41,900 SO I AIN'T SUPPOSED TO STAND UP FOR MYSELF? 102 00:04:41,900 --> 00:04:43,733 ASHER AND HIS BOYS BEEN TALKING SMACK 103 00:04:43,733 --> 00:04:45,366 AND PULLING CRAP LIKE THIS ALL WEEK, 104 00:04:45,366 --> 00:04:47,200 AND I'M JUST SUPPOSED TO KEEP TURNING THE OTHER CHEEK, HUH? 105 00:04:47,200 --> 00:04:48,800 NO, THEY'RE JUST BEING THEM. 106 00:04:48,800 --> 00:04:50,133 OK, THEY DO THIS TO EVERYONE WHEN 107 00:04:50,133 --> 00:04:51,600 THEY MESS UP A PLAY, EVEN ME. 108 00:04:51,600 --> 00:04:52,866 IT'S NOT PERSONAL. 109 00:04:52,866 --> 00:04:54,100 NOT PERSONAL? 110 00:04:54,100 --> 00:04:56,766 THEY MADE A MEME OUT OF ME FUMBLING A 40. 111 00:04:56,766 --> 00:04:58,266 BUT, YEAH, THAT'S NOT PERSONAL. 112 00:04:58,266 --> 00:05:00,500 I GUESS YOU WOULD SEE IT THAT WAY. 113 00:05:01,700 --> 00:05:03,566 THAT'S YOUR PEOPLE. 114 00:05:03,566 --> 00:05:06,400 SPENCE, COME ON. 115 00:05:11,633 --> 00:05:13,000 44! 116 00:05:15,666 --> 00:05:19,666 8! 117 00:05:19,666 --> 00:05:21,100 10. 118 00:05:26,166 --> 00:05:29,133 LET'S GO. SPENCER, HUDDLE IN. 119 00:05:29,133 --> 00:05:31,966 24. 120 00:05:33,066 --> 00:05:35,666 7. 121 00:05:35,666 --> 00:05:38,666 ALL RIGHT. 122 00:05:38,666 --> 00:05:39,866 HEY, HEY! 123 00:05:39,866 --> 00:05:41,566 ASH, GET OFF THE FIELD! 124 00:05:41,566 --> 00:05:42,733 GET OFF MY FIELD! 125 00:05:42,733 --> 00:05:44,666 I DIDN'T CALL YOUR NUMBER! 126 00:05:44,666 --> 00:05:45,933 YOU CROSSED THE LINE. 127 00:05:45,933 --> 00:05:47,700 COME ON, YOU KNOW BETTER. 128 00:05:47,700 --> 00:05:48,900 ARE YOU SERIOUS? BAKER: HEY, HEY! 129 00:05:48,900 --> 00:05:50,100 WHAT, FOR HIM? 130 00:05:50,100 --> 00:05:52,700 HEY, ENOUGH, ENOUGH. 131 00:05:56,033 --> 00:06:00,500 BAKER: YOU'RE SUPPOSED TO BE A TEAM, A FAMILY! 132 00:06:00,500 --> 00:06:04,266 RIGHT NOW YOU ARE NOTHING MORE THAN AN EMBARRASSMENT. 133 00:06:04,266 --> 00:06:06,400 Y'ALL FEEL LIKE GIVING UP THIS SEASON? 134 00:06:06,400 --> 00:06:08,066 Y'ALL READY FOR THAT? I'M NOT. 135 00:06:08,066 --> 00:06:11,700 AND I REFUSE TO LET YOU GIVE UP ON YOUR FUTURES. 136 00:06:11,700 --> 00:06:14,166 FIGURE IT OUT FAST, 137 00:06:14,166 --> 00:06:18,666 'CAUSE IF Y'ALL AIN'T BONDED LIKE GLUE BY MONDAY, 138 00:06:18,666 --> 00:06:24,100 THIS LAST WEEK OF TWO-A-DAYS IS GONNA FEEL LIKE A DAMN VACATION. 139 00:06:27,433 --> 00:06:29,200 DISGUSTED. 140 00:06:33,533 --> 00:06:34,666 COACH IS RIGHT. 141 00:06:34,666 --> 00:06:36,266 THIS ISN'T WHO WE ARE. 142 00:06:36,266 --> 00:06:39,166 TOMORROW, MANDATORY MEETING, 8:00 A.M., 143 00:06:39,166 --> 00:06:41,666 ZOOMER TRIP, OK? YOU GUYS KNOW THE DEAL. 144 00:06:41,666 --> 00:06:45,300 WE'LL WORK OUT TOGETHER, WE'LL TALK THIS CRAP OUT TOGETHER, 145 00:06:45,300 --> 00:06:48,166 AND WHEN THE SUN SETS, WE'LL COME BACK TOGETHER. 146 00:06:48,166 --> 00:06:49,633 BOY: LET'S DO IT. 147 00:06:49,633 --> 00:06:50,833 HEY, WHERE YOU GOING? 148 00:06:50,833 --> 00:06:52,333 MAN, I GOT A BUS TO CATCH. 149 00:06:52,333 --> 00:06:54,100 IT'S FRIDAY. I'M GOING BACK TO CRENSHAW. 150 00:06:54,100 --> 00:06:55,800 I'LL BE BACK MONDAY. 151 00:06:55,800 --> 00:06:57,266 JORDAN: HEY, HEY, HOLD UP. 152 00:06:57,266 --> 00:07:00,500 HEY, YOU'RE REALLY BLOWING THIS OFF? 153 00:07:00,500 --> 00:07:02,166 YOU'RE REALLY NOT GONNA SHOW UP FOR YOUR TEAM? 154 00:07:02,166 --> 00:07:03,833 MAN, I'VE BEEN SHOWING UP, 155 00:07:03,833 --> 00:07:06,466 EVERY GAME, EVERY PRACTICE, EVERY TEAM BEACH DAY. 156 00:07:06,466 --> 00:07:07,966 WHAT MORE DO YOU WANT FROM ME, DAWG? 157 00:07:07,966 --> 00:07:09,300 I WANT YOU TO WANT TO BE HERE, 158 00:07:09,300 --> 00:07:11,633 TO WANT TO BE A PART OF THIS TEAM. 159 00:07:11,633 --> 00:07:15,166 THAT'S MORE THAN JUST GAMES AND PRACTICES. 160 00:07:15,166 --> 00:07:17,333 MAN, I JUST FOUGHT MY BEST FRIEND FOR YOU. 161 00:07:17,333 --> 00:07:18,533 I DIDN'T ASK YOU TO DEFEND ME. 162 00:07:18,533 --> 00:07:20,400 I DIDN'T ASK FOR NONE OF THIS. 163 00:07:20,400 --> 00:07:23,566 THE WEEKENDS ARE THE ONLY TIME I GET TO SEE MY FAMILY. 164 00:07:23,566 --> 00:07:26,700 YOU KNOW THIS BETTER THAN ANYONE. 165 00:07:26,700 --> 00:07:31,033 SO Y'ALL CAN DO YOUR TEAM WHATEVER WITHOUT ME. 166 00:07:31,033 --> 00:07:35,000 AFTER ALL, I AIN'T EVEN ONE OF YOU, RIGHT? 167 00:07:35,000 --> 00:07:38,800 ["RUN FOR YOUR LIFE" BY THE SIEGE PLAYING] 168 00:07:38,800 --> 00:07:41,533 ♪ YEAH ♪ 169 00:07:41,533 --> 00:07:43,466 ♪ I AIN'T TRYING TO BRING YOU DOWN ♪ 170 00:07:43,466 --> 00:07:45,166 ♪ BUT FOR REAL, YOU MIGHT AS WELL GIVE UP NOW ♪ 171 00:07:45,166 --> 00:07:47,166 ♪ MY LIFE BEEN GOOD AND BAD AND ALL AROUND ♪ 172 00:07:47,166 --> 00:07:49,433 ♪ THE MORE THINGS I LOST, THE MORE I FOUND ♪ 173 00:07:49,433 --> 00:07:51,300 ♪ ONE THING I TAUGHT MYSELF TO DO ♪ 174 00:07:51,300 --> 00:07:53,800 ♪ NO MATTER THE PROBLEM, REFUSE TO LOSE, SO ♪ 175 00:07:53,800 --> 00:07:56,766 ♪ RUN FOR YOUR LIFE ♪ 176 00:07:56,766 --> 00:07:58,833 ♪ RUN FOR YOUR LIFE ♪ 177 00:07:58,833 --> 00:08:00,400 ♪ RUN FOR YOUR LIFE ♪ 178 00:08:03,833 --> 00:08:05,100 SO HOW AWESOME IS THIS? 179 00:08:05,100 --> 00:08:06,833 KIND OF LIKE OLD TIMES, RIGHT? 180 00:08:06,833 --> 00:08:08,533 YEAH. 181 00:08:08,533 --> 00:08:11,133 SO WHY EXACTLY DID MS. BENCH PUT US 182 00:08:11,133 --> 00:08:12,633 TOGETHER FOR THE ENGLISH PROJECT? 183 00:08:12,633 --> 00:08:15,133 BEATS ME. WHEN I TRIED TALKING TO HER ABOUT IT, 184 00:08:15,133 --> 00:08:17,833 SHE JUST SAID PARTNER ASSIGNMENTS ARE FINAL. 185 00:08:17,833 --> 00:08:19,200 LUCKY US. 186 00:08:19,200 --> 00:08:21,400 HEY, LET'S TRY AND MAKE THE BEST OF IT. 187 00:08:21,400 --> 00:08:23,433 I MEAN, I KNOW IT'S HOMEWORK, 188 00:08:23,433 --> 00:08:25,866 BUT WHO KNOWS, MIGHT BE FUN. 189 00:08:27,566 --> 00:08:29,900 WHY IS THIS SO HARD? IT'S ONE SIMPLE QUESTION-- 190 00:08:29,900 --> 00:08:31,300 WHO WAS SHAKESPEARE? 191 00:08:31,300 --> 00:08:32,933 I MEAN, SERIOUSLY, THERE'S, LIKE, A HUNDRED 192 00:08:32,933 --> 00:08:35,633 CONSPIRACY THEORIES ABOUT WHO THIS GUY REALLY WAS. 193 00:08:35,633 --> 00:08:38,800 WELL, NAME ASIDE, WHO HE WAS COMES THROUGH IN HIS WORK, 194 00:08:38,800 --> 00:08:42,733 WHICH IS WHY I'M TRYING TO FOCUS ON THAT, SO... 195 00:08:42,733 --> 00:08:43,866 LOOK, I KNOW I-- 196 00:08:43,866 --> 00:08:45,766 ASHER: WHAT'S UP, LADIES? 197 00:08:45,766 --> 00:08:46,666 HEY, BABE. 198 00:08:46,666 --> 00:08:48,633 UH, WHAT ARE YOU GUYS DOING HERE? 199 00:08:48,633 --> 00:08:51,166 JJ AND I ARE ALSO WORKING ON THE ENGLISH THING, 200 00:08:51,166 --> 00:08:53,933 SO I FIGURED 4 BRAINS ARE BETTER THAN TWO. 201 00:08:53,933 --> 00:08:56,533 JJ: UH, MAKE THAT 3 BRAINS. 202 00:08:56,533 --> 00:08:58,233 THIS SHAKESPEARE DUDE'S NOT REALLY MY THING. 203 00:08:58,233 --> 00:09:00,800 BUT, HEY, FOOD'S ON ME. 204 00:09:05,433 --> 00:09:06,833 COOP: SO WHAT, Y'ALL NEVER MADE FUN OF EACH OTHER 205 00:09:06,833 --> 00:09:08,033 WHEN Y'ALL MESSED UP HERE? 206 00:09:08,033 --> 00:09:09,300 IT AIN'T JUST THE WHACK MEMES 207 00:09:09,300 --> 00:09:10,866 OR THE HAZING. 208 00:09:10,866 --> 00:09:12,300 THEY DON'T ACCEPT ME. 209 00:09:12,300 --> 00:09:15,400 I MEAN, MAN, ACCEPTANCE GO BOTH WAYS, THOUGH. 210 00:09:15,400 --> 00:09:17,300 YOU GOT TO BE HONEST. AIN'T LIKE YOU BEEN ALL OPEN ARMS. 211 00:09:17,300 --> 00:09:18,900 YEAH, OK, IYANLA. 212 00:09:18,900 --> 00:09:20,400 MAN, SHUT UP. 213 00:09:20,400 --> 00:09:22,433 YOU KNOW THE FACT YOU LECTURE ME ON HONESTY 214 00:09:22,433 --> 00:09:24,200 AND ACCEPTANCE IS HILARIOUS, RIGHT? 215 00:09:24,200 --> 00:09:25,900 WHAT ARE YOU TRYING TO SAY? 216 00:09:25,900 --> 00:09:28,566 YOU FINALLY BEEN HONEST WITH YOUR PARENTS AND TOLD THEM YOU GAY? 217 00:09:28,566 --> 00:09:32,233 I MEAN, LISTEN, HAVE THEY NOT MET ME? 218 00:09:32,233 --> 00:09:35,266 HOW CAN I BE ANYTHING ELSE? 219 00:09:35,266 --> 00:09:37,733 SERIOUSLY, I'M NOT RESPONSIBLE FOR THEIR BLINDNESS. 220 00:09:37,733 --> 00:09:40,066 BUT NICE TRY, THOUGH, BRO. WE AIN'T DONE TALKING ABOUT YOU. 221 00:09:40,066 --> 00:09:42,066 MAN, WERE YOU ALWAYS THIS TALKATIVE? 222 00:09:42,066 --> 00:09:44,400 ALL I'M SAYING IS, MAN, 223 00:09:44,400 --> 00:09:47,500 PHYSICALLY, YOU WITH BEVERLY, 224 00:09:47,500 --> 00:09:51,333 BUT IN YOUR HEART, YOU'RE WITH A WHOLE 'NOTHER TEAM. 225 00:09:52,766 --> 00:09:54,500 YOU THINK THE RICH BOYS DON'T REALIZE 226 00:09:54,500 --> 00:09:57,933 YOU STILL ROCKING YOUR SOUTH CRENSHAW FOOTBALL RING? 227 00:09:57,933 --> 00:09:59,366 SERIOUSLY, MAN. 228 00:09:59,366 --> 00:10:01,100 AND IF IYANLA WAS HERE, 229 00:10:01,100 --> 00:10:03,866 SHE'D PROBABLY TELL YOU, "CHILD, LISTEN." 230 00:10:03,866 --> 00:10:06,266 DON'T YOU DARE. 231 00:10:06,266 --> 00:10:07,966 "CAN'T BE ACCEPTED ON ONE TEAM 232 00:10:07,966 --> 00:10:09,400 TILL YOU LET GO OF THE OTHER." 233 00:10:09,400 --> 00:10:11,266 MAN, I JUST CAME TO SEE SOME OLD FRIENDS, OK? 234 00:10:11,266 --> 00:10:14,900 MM-HMM. AND PEEP YOUR NEW REPLACEMENT. 235 00:10:14,900 --> 00:10:16,966 YEAH, MAYBE THAT, TOO. 236 00:10:16,966 --> 00:10:18,800 YEAH, I KNOW THAT, TOO. 237 00:10:18,800 --> 00:10:19,833 YOU AIN'T SLICK. 238 00:10:19,833 --> 00:10:21,300 I'M SLICKER THAN YOU. YEAH, ALL RIGHT. 239 00:10:21,300 --> 00:10:23,800 YOU SAW THAT, RIGHT? 240 00:10:23,800 --> 00:10:26,200 HEY, BOO. 241 00:10:26,200 --> 00:10:28,833 MAN, LOOK WHO BACK SLUMMING IT IN THE 'HOOD. 242 00:10:28,833 --> 00:10:31,166 HEY, WHAT UP, FELLAS? Y'ALL MISS ME? 243 00:10:31,166 --> 00:10:32,800 WHAT'S UP, BOY? 244 00:10:32,800 --> 00:10:34,633 HOW YOU DOING? CHILLIN', CHILLIN'. 245 00:10:34,633 --> 00:10:36,333 HEY, YOU STILL COMING TO MY MAMA'S COOKOUT LATER? 246 00:10:36,333 --> 00:10:37,566 SHE STILL MAKING HER FAMOUS MAC AND CHEESE? 247 00:10:37,566 --> 00:10:39,700 ONLY RIGHT. THEN HELL, YEAH. 248 00:10:39,700 --> 00:10:42,700 HEY, Y'ALL CALLED UP CAMERON WILSON TO REPLACE ME, HUH? 249 00:10:42,700 --> 00:10:45,200 HEY, AT LEAST BROTHER'S WILLING TO ROCK A SOUTH CRENSHAW JERSEY. 250 00:10:45,200 --> 00:10:46,900 OH, IT'S LIKE THAT? 251 00:10:46,900 --> 00:10:48,233 IT'S LIKE THAT, DAWG. 252 00:10:48,233 --> 00:10:50,266 ALL RIGHT. OK. OK. 253 00:10:50,266 --> 00:10:51,966 I'LL CHECK YOU AT THE COOKOUT, THOUGH. 254 00:10:51,966 --> 00:10:55,433 I BET. 255 00:10:55,433 --> 00:10:56,800 ALL RIGHT, I'M READY TO CLEAN OUT THE SYSTEM 256 00:10:56,800 --> 00:10:59,533 AND THEN HIT ROUND TWO. WHO WANTS MORE FOOD? 257 00:10:59,533 --> 00:11:02,733 YOU KNOW, YOU DON'T NEED TO ANNOUNCE EVERY TIME YOU NEED TO DROP A DEUCE. 258 00:11:02,733 --> 00:11:07,200 WHY DON'T I GET THE FOOD AND YOU GO TAKE CARE OF THAT? 259 00:11:07,200 --> 00:11:09,266 DOES ANYONE WANT ANYTHING? 260 00:11:09,266 --> 00:11:10,866 NO, I'M GOOD. 261 00:11:10,866 --> 00:11:12,000 YEAH, I'LL GET A DRINK. 262 00:11:12,000 --> 00:11:13,333 A PEACH AND GINGER ICED TEA 263 00:11:13,333 --> 00:11:15,200 WITH TWO SPLASHES OF SODA WATER. 264 00:11:15,200 --> 00:11:17,100 OF COURSE I REMEMBER YOUR GO-TO. 265 00:11:17,100 --> 00:11:19,366 WHY WOULD I FORGET? 266 00:11:24,933 --> 00:11:27,033 I KNOW WHAT YOU'RE DOING. 267 00:11:27,033 --> 00:11:28,966 TRYING NOT TO FAIL ENGLISH? 268 00:11:28,966 --> 00:11:30,566 THIS ISN'T FUNNY. 269 00:11:30,566 --> 00:11:32,833 I ALREADY AGREED TO KEEP OUR STUPID HOOKUP A SECRET. 270 00:11:32,833 --> 00:11:36,833 OK, YOUR PERFECT BOYFRIEND COVER STAYS INTACT. HAPPY? 271 00:11:38,500 --> 00:11:41,200 THIS ISN'T ABOUT COVERING MY ASS. 272 00:11:41,200 --> 00:11:42,466 IT'S ABOUT NOT DESTROYING THE LIVES 273 00:11:42,466 --> 00:11:44,266 OF THE 3 PEOPLE I CARE ABOUT THE MOST. 274 00:11:44,266 --> 00:11:45,833 LEILA WOULD BE DEVASTATED, 275 00:11:45,833 --> 00:11:47,766 AND JORDAN WOULD HATE ME FOR INVOLVING YOU. 276 00:11:47,766 --> 00:11:49,966 AND LET ME GUESS, THIRD PERSON'S YOU. 277 00:11:49,966 --> 00:11:51,266 ACTUALLY, IT'S YOU. 278 00:11:51,266 --> 00:11:53,600 I'M SERIOUS. 279 00:11:53,600 --> 00:11:55,466 YOU HAD A ROUGH RIDE LAST YEAR, 280 00:11:55,466 --> 00:11:57,366 AND YOU'RE KIND OF REALLY TURNING THINGS AROUND. 281 00:11:57,366 --> 00:11:59,466 I DON'T WANT TO MESS THAT UP FOR YOU. 282 00:12:05,600 --> 00:12:08,666 SPENCER: YOU GOT TO BE KIDDING ME. 283 00:12:12,933 --> 00:12:15,833 WHO IS THIS EL DEBARGE 284 00:12:15,833 --> 00:12:17,033 JORDAN, 285 00:12:17,033 --> 00:12:18,900 WHAT YOU DOING HERE, MAN? 286 00:12:18,900 --> 00:12:20,300 THERE THEY ARE. 287 00:12:20,300 --> 00:12:21,733 LOOK LIKE HE BASTARDIZING 288 00:12:21,733 --> 00:12:23,333 THEM POOR GREENS IS WHAT IT LOOK LIKE. 289 00:12:23,333 --> 00:12:24,766 YOU NEVER BEEN IN A KITCHEN BEFORE? 290 00:12:24,766 --> 00:12:27,066 JORDAN WAS SWEET ENOUGH TO HELP ME OUT 291 00:12:27,066 --> 00:12:28,800 WHILE HE WAITED ON YOU. 292 00:12:28,800 --> 00:12:31,800 DILLON: I DON'T KNOW THAT "HELP" WOULD BE THE WORD I WOULD USE. 293 00:12:31,800 --> 00:12:33,600 OK, EVERYBODY'S GOT JOKES TODAY, HUH? 294 00:12:33,600 --> 00:12:35,566 WHY ARE YOU HERE? 295 00:12:35,566 --> 00:12:36,766 TO TALK ABOUT THE TEAM. 296 00:12:36,766 --> 00:12:38,300 NO, MAN, NOW IS NOT A GOOD TIME. 297 00:12:38,300 --> 00:12:39,566 LOOK, WE DON'T STAND A CHANCE THIS SEASON 298 00:12:39,566 --> 00:12:40,900 UNLESS WE ALL WORK TOGETHER. 299 00:12:40,900 --> 00:12:42,333 OR DO YOU NOT CARE ABOUT WINNING ANYMORE? 300 00:12:42,333 --> 00:12:43,833 LOOK, I'LL PLAY, I'LL PRACTICE, 301 00:12:43,833 --> 00:12:45,533 AND I'LL DAMN SURE DO MY PART ON THE FIELD. 302 00:12:45,533 --> 00:12:47,200 BUT NOTHING MORE? I CAME TO BEVERLY 303 00:12:47,200 --> 00:12:48,933 TO PLAY FOOTBALL, NOT FORCE MYSELF 304 00:12:48,933 --> 00:12:52,100 INTO FAKE FRIENDSHIPS WITH FOLKS WHO WANT NOTHING TO DO WITH ME. 305 00:12:52,100 --> 00:12:53,433 FAKE FRIENDSHIPS? 306 00:12:53,433 --> 00:12:54,700 I WELCOMED YOU INTO MY HOME. 307 00:12:54,700 --> 00:12:56,766 ALL RIGHT, LOOK, NO SHADE. YOU COOL. 308 00:12:56,766 --> 00:12:58,566 BUT IF WE'RE BEING HONEST, YOU DON'T KNOW NOTHING 309 00:12:58,566 --> 00:13:02,100 ABOUT ME, DAWG, OR WHERE I'M FROM. 310 00:13:02,100 --> 00:13:05,200 YOU KNOW WHAT? I'M HERE NOW. 311 00:13:05,200 --> 00:13:06,933 LET'S FIX THAT. 312 00:13:06,933 --> 00:13:07,933 NAH, NAH. 313 00:13:07,933 --> 00:13:09,966 LOOK, I GOT PLANS, I GOT FRIENDS COMING OVER. 314 00:13:09,966 --> 00:13:12,466 I KNOW, YEAH, YOUR MOM ALREADY SAID I COULD STAY FOR THE COOKOUT. 315 00:13:12,466 --> 00:13:15,566 AND YOU KNOW, SPENCE, I CAN'T THINK OF A BETTER WAY TO REALLY 316 00:13:15,566 --> 00:13:17,333 GET TO KNOW YOU AND CRENSHAW. 317 00:13:17,333 --> 00:13:18,533 HEY, JORDAN. CAN YOU? 318 00:13:18,533 --> 00:13:21,133 JORDAN. JORDAN, I AIN'T PLAYING. 319 00:13:21,133 --> 00:13:23,000 JORDAN. 320 00:13:26,633 --> 00:13:29,033 YOU WANT TO TELL ME WHAT'S GOING ON? 321 00:13:30,866 --> 00:13:33,533 IT'S GONNA BE ONE LONG-ASS DAY. 322 00:13:35,133 --> 00:13:40,300 ["LIVING THE DREAM" BY TONY REDZ AND MR. MAJOR PLAYING] 323 00:13:40,300 --> 00:13:41,066 ♪ JUST CALLED MY MAMA TODAY ♪ 324 00:13:41,066 --> 00:13:43,133 ♪ I AIN'T TALKED TO HER ENOUGH, BUT EVERYTHING'S OK ♪ 325 00:13:43,133 --> 00:13:45,566 ♪ COUPLE LAUGHS, COUPLE JOKES, TALKING 'BOUT THE KIDS ♪ 326 00:13:45,566 --> 00:13:47,766 ♪ I AIN'T SEEN THAT BOY IN MONTHS, SO YOU KNOW WHAT IT IS ♪ 327 00:13:47,766 --> 00:13:51,400 ♪ YES, TOTAL SIGN OF FLEX, AND I'LL BE WRITING ALL THESE HITS ♪ 328 00:13:51,400 --> 00:13:53,033 ♪ I BE GETTING THEM CHECKS ♪ 329 00:13:53,033 --> 00:13:54,766 ♪ SHE SAID WHO WANT TO BE N-S-H-A-S ♪ 330 00:13:54,766 --> 00:13:56,766 ♪ BUT IS IT REALLY GOOD? AND I SAID HE'S THE BEST, YES ♪ 331 00:13:57,966 --> 00:13:59,366 ♪ BUT LET THE STORY UNFOLD ♪ 332 00:13:59,366 --> 00:14:02,000 ♪ I WAS A YOUNG CHUBBY... ♪ 333 00:14:02,000 --> 00:14:04,366 NOT TODAY, MAN. 334 00:14:04,366 --> 00:14:08,833 I'M JUST TRYING TO ENJOY THIS FINE-ASS FOOD, 335 00:14:08,833 --> 00:14:10,666 THIS FINE-ASS COMPANY. 336 00:14:10,666 --> 00:14:11,900 OH, MY GOSH. 337 00:14:13,366 --> 00:14:14,933 COME ON, MAN, SIT DOWN. 338 00:14:14,933 --> 00:14:16,266 WE CAN WILD OUT LATER. HAVE A SEAT. 339 00:14:16,266 --> 00:14:18,800 ALL RIGHT. I DIDN'T SAY NOTHING. 340 00:14:18,800 --> 00:14:21,233 WHAT'S UP, BEVERLY HILLS? 341 00:14:23,533 --> 00:14:26,633 MAN, DON'T SWEAT IT. I'LL TALK TO YOU. 342 00:14:29,166 --> 00:14:32,300 HEY, AREN'T YOU TWO A SIGHT FOR SORE EYES? 343 00:14:32,300 --> 00:14:34,066 HEY, LEILA. HI, COACH BAKER. 344 00:14:34,066 --> 00:14:35,533 HOW YOU DOING? DAD, DON'T BE WEIRD. 345 00:14:35,533 --> 00:14:37,033 I LITERALLY JUST SAW YOU THIS MORNING. 346 00:14:37,033 --> 00:14:38,400 OH, I'M JUST SAYING IT'S BEEN A WHILE 347 00:14:38,400 --> 00:14:39,966 SINCE I'VE SEEN YOU TWO TOGETHER. 348 00:14:39,966 --> 00:14:41,166 AND ON THAT NOTE, 349 00:14:41,166 --> 00:14:43,133 WE HAVE A LOT OF WORK TO DO, SO... 350 00:14:43,133 --> 00:14:44,866 ALL RIGHT, WELL, WHAT'S THE ASSIGNMENT? 351 00:14:44,866 --> 00:14:46,366 MAYBE I CAN HELP. DAD, NO. 352 00:14:46,366 --> 00:14:48,366 OH, WE'RE DOING A SYMBOLIC PORTRAIT 353 00:14:48,366 --> 00:14:49,866 OF WILLIAM SHAKESPEARE, 354 00:14:49,866 --> 00:14:51,600 SO USING PAINT, COLLAGE, 355 00:14:51,600 --> 00:14:54,633 QUOTATIONS AND STUFF TO DISSECT HIS REAL IDENTITY. 356 00:14:54,633 --> 00:14:55,900 WOW. OK. 357 00:14:55,900 --> 00:14:57,233 HA. BACK IN MY DAY, 358 00:14:57,233 --> 00:14:58,900 WE JUST USED TO WRITE PAPERS, 359 00:14:58,900 --> 00:15:03,366 BUT, UH, HAVE YOU SEEN THE MOVIE "ANONYMOUS"? 360 00:15:03,366 --> 00:15:05,233 THE SHAKESPEARE FRAUD MOVIE? 361 00:15:05,233 --> 00:15:06,566 THAT'S THE ONE. YEAH, SO WHY DON'T 362 00:15:06,566 --> 00:15:08,233 YOU TAKE A BREAK AND WATCH THAT? 363 00:15:08,233 --> 00:15:09,866 UH, YOU KNOW, YOU TWO HAVE ALWAYS LOVED 364 00:15:09,866 --> 00:15:11,000 A GOOD MOVIE DAY. 365 00:15:11,000 --> 00:15:12,666 I'LL MAKE THE POPCORN. 366 00:15:12,666 --> 00:15:14,700 COOL. 367 00:15:21,333 --> 00:15:23,300 I DON'T KNOW HOW TO PLAY THIS. 368 00:15:23,300 --> 00:15:25,000 I'M GONNA SHOW YOU GUYS. DON'T EVEN WORRY ABOUT IT. 369 00:15:25,000 --> 00:15:26,233 SO WHY ARE WE DOING THIS? 370 00:15:26,233 --> 00:15:27,566 'CAUSE I WANT TO KNOW HOW TO PLAY. 371 00:15:27,566 --> 00:15:29,133 COOP: BOY, SHUT UP. JUST SHOW ME. 372 00:15:29,133 --> 00:15:30,366 I GOT YOU. 373 00:15:30,366 --> 00:15:31,700 THIS IS LIKE NINES. I DON'T KNOW. 374 00:15:31,700 --> 00:15:33,866 I DON'T GET IT. I DON'T KNOW. 375 00:15:36,066 --> 00:15:37,633 OK. 376 00:15:37,633 --> 00:15:38,633 LOOK AT HIM. 377 00:15:38,633 --> 00:15:40,866 ABOUT TIME YOU JOINED US, BABYFACE. 378 00:15:40,866 --> 00:15:42,700 IT'S JORDAN. 379 00:15:42,700 --> 00:15:43,766 IT'S JORDAN. 380 00:15:43,766 --> 00:15:46,566 LOOK AT YOU, STICKING UP FOR YOURSELF. 381 00:15:46,566 --> 00:15:49,300 HEY, JORDAN. I MIGHT LIKE YOU. 382 00:15:49,300 --> 00:15:51,566 WHERE YOU FROM, JORDAN? 383 00:15:51,566 --> 00:15:53,533 OH, HE BEVERLY HILLS ALL DAY. 384 00:15:53,533 --> 00:15:55,066 MY FAMILY'S FROM AROUND HERE. 385 00:15:55,066 --> 00:15:57,133 OH, YEAH? WHERE YOUR GRANDMA STAY? 386 00:15:57,133 --> 00:16:00,100 SHE'S, UH--I DON'T KNOW THE ADDRESS. 387 00:16:00,100 --> 00:16:01,366 WE HAVEN'T BEEN BACK IN-- 388 00:16:01,366 --> 00:16:03,900 UH-UH, YOU AIN'T FROM AROUND HERE. 389 00:16:03,900 --> 00:16:05,300 HEY, IT'S YOUR LOSS. 390 00:16:05,300 --> 00:16:07,900 GOT A COUPLE OF SPECIAL FOLKS AROUND HERE. 391 00:16:09,166 --> 00:16:10,500 AH, WHAT UP? 392 00:16:10,500 --> 00:16:12,166 BIG DAWG, HOW YOU DOING? I'M GOOD. 393 00:16:12,166 --> 00:16:14,000 HOW YOU FEELING? I'M GOOD, I'M LIVING. 394 00:16:14,000 --> 00:16:15,133 YOU KNOW EVERYBODY, RIGHT? 395 00:16:15,133 --> 00:16:16,633 YEAH. WHAT'S UP? 396 00:16:16,633 --> 00:16:18,100 OH, MAN, I HOPE IT'S COOL. I BROUGHT MY BOY CAM. 397 00:16:18,100 --> 00:16:20,400 YEAH, FOR SURE. WHAT UP, MAN? 398 00:16:20,400 --> 00:16:22,900 HEY, Y'ALL GET SOME CHAIRS, BE COMFORTABLE. 399 00:16:26,100 --> 00:16:27,700 STOP. 400 00:16:27,700 --> 00:16:30,100 DO YOU SERIOUSLY STILL CRY AT THE END OF EVERY MOVIE? 401 00:16:30,100 --> 00:16:31,733 NO, MY CONTACTS ARE DRY. 402 00:16:31,733 --> 00:16:34,100 RIGHT. JUST LIKE IT WAS YOUR CONTACTS 403 00:16:34,100 --> 00:16:35,666 WHEN WE SAW "BLACK PANTHER," 404 00:16:35,666 --> 00:16:38,500 "STEP UP," "STEP UP 2," "COCO." 405 00:16:38,500 --> 00:16:40,900 NO, YOU CRIED AT "COCO," TOO. 406 00:16:42,100 --> 00:16:44,300 HEY, UM, REMEMBER LAST FALL 407 00:16:44,300 --> 00:16:46,500 AT ANGEL'S POINT? 408 00:16:46,500 --> 00:16:49,166 ACTUALLY, LAST YEAR'S KIND OF A BLUR FOR ME. 409 00:16:49,166 --> 00:16:50,600 NO, YOU REMEMBER. 410 00:16:50,600 --> 00:16:52,633 NO, NOT REALLY. AT THE PARK-- 411 00:16:52,633 --> 00:16:55,933 YOU KNOW, WE SHOULD REALLY GET BACK TO THE ENGLISH PROJECT. 412 00:16:58,800 --> 00:16:59,800 SERIOUSLY? 413 00:16:59,800 --> 00:17:02,366 SO I DON'T REMEMBER EVERY LITTLE THING. 414 00:17:02,366 --> 00:17:04,366 I WAS HIGH A LOT BACK THEN, OK? 415 00:17:04,366 --> 00:17:07,966 I'M KIND OF TRYING NOT TO REMEMBER ALL THE CRAZY CRAP I DID. 416 00:17:10,933 --> 00:17:14,000 UM, WOW. 417 00:17:14,000 --> 00:17:16,800 UH, I SHOULD GO. 418 00:17:16,800 --> 00:17:18,033 WHY? 419 00:17:18,033 --> 00:17:19,233 THIS WAS A MISTAKE. 420 00:17:19,233 --> 00:17:20,433 I SHOULD HAVE NEVER ASKED MS. BENCH 421 00:17:20,433 --> 00:17:22,033 TO PUT US TOGETHER. 422 00:17:22,033 --> 00:17:23,800 YES, IT WAS ME. 423 00:17:23,800 --> 00:17:27,733 I JUST THOUGHT MAYBE IF WE SPENT SOME TIME TOGETHER THAT... 424 00:17:27,733 --> 00:17:29,300 ANYWAY, IT DOESN'T MATTER WHAT I THOUGHT. 425 00:17:29,300 --> 00:17:31,233 I DO NOT WANT TO FORCE ANYONE INTO MY LIFE 426 00:17:31,233 --> 00:17:32,566 WHO DOESN'T WANT TO BE THERE. 427 00:17:32,566 --> 00:17:34,433 I'LL JUST--I'LL FINISH THIS ON MY OWN. 428 00:17:39,766 --> 00:17:43,400 HEY, MAN, YOU KNOW, BRO, NAS IS TRASH. 429 00:17:43,400 --> 00:17:44,800 WHAT? HOLD ON. 430 00:17:44,800 --> 00:17:46,466 NOW YOU'RE JUST TROLLING, BRO. 431 00:17:46,466 --> 00:17:47,700 I MEAN, WHAT HE EVEN BE SAYING? 432 00:17:47,700 --> 00:17:49,066 HE AIN'T SAYING NOTHING REALLY THAT DEEP. 433 00:17:49,066 --> 00:17:50,500 ALL RIGHT, SO WHO GET THE NUMBER-ONE SPOT-- 434 00:17:50,500 --> 00:17:51,900 BIGGIE OR PAC? CAMERON: BIGGIE, EASY. 435 00:17:51,900 --> 00:17:54,433 MAN, YOU ON THE WRONG COAST, DAWG. 436 00:17:54,433 --> 00:17:56,600 STRAIGHT UP, MAN. PAC WAS AN ACTIVIST, A POET. 437 00:17:56,600 --> 00:17:58,066 HE WASN'T A BETTER RAPPER. 438 00:17:58,066 --> 00:17:59,266 WHO HAD A BETTER FLOW? 439 00:17:59,266 --> 00:18:00,566 RAKIM. HANDS DOWN. 440 00:18:00,566 --> 00:18:03,766 HE WAS A LYRICAL GENIUS, CRAZY MIC TECHNIQUES, 441 00:18:03,766 --> 00:18:05,900 THE ORIGINAL SMOOTH FLOW. COME ON, GUYS. 442 00:18:05,900 --> 00:18:09,466 "PAID IN FULL." NO ONE EVEN COMES CLOSE TO TOUCHING THAT ALBUM. 443 00:18:09,466 --> 00:18:11,133 GREATEST OF ALL TIME. 444 00:18:11,133 --> 00:18:13,366 WHAT?! 445 00:18:13,366 --> 00:18:16,100 NO, YOU DIDN'T. 446 00:18:16,100 --> 00:18:17,733 YO, WHAT? 447 00:18:17,733 --> 00:18:18,933 WHOO! OK. 448 00:18:18,933 --> 00:18:20,066 OK, BABYFACE. 449 00:18:20,066 --> 00:18:21,400 DUDE'S TALKING ABOUT-- 450 00:18:21,400 --> 00:18:23,133 LOOK AT CARLTON DROPPING KNOWLEDGE, Y'ALL. 451 00:18:23,133 --> 00:18:25,100 WHO KNEW, MAN? 452 00:18:25,100 --> 00:18:26,300 YEAH, GIVE IT UP FOR MY BOY! 453 00:18:26,300 --> 00:18:27,766 GIVE IT UP FOR MY BOY! 454 00:18:27,766 --> 00:18:29,900 WRONG! YOU KNOW DAMN WELL THAT AIN'T THE ISSUE. 455 00:18:29,900 --> 00:18:32,666 THE ANSWER'S ONE. 3 FOREVER EVERS. 456 00:18:32,666 --> 00:18:35,966 BOTH: OUTKAST, "MS. JACKSON," 2000. 457 00:18:35,966 --> 00:18:37,100 COOP: THANK YOU! 458 00:18:37,100 --> 00:18:39,566 WHOO! 459 00:18:39,566 --> 00:18:41,900 ANOTHER POINT FOR CARLTON. 460 00:18:41,900 --> 00:18:43,100 COOP: THANK YOU. 461 00:18:43,100 --> 00:18:44,333 "AT A BLACK CHURCH, 462 00:18:44,333 --> 00:18:46,266 "HOW LONG DOES PRAISE AND WORSHIP LAST? 463 00:18:46,266 --> 00:18:48,033 "1--30 MINUTES, 2--AN HOUR, OR 3"-- 464 00:18:48,033 --> 00:18:50,933 OK, OK, AIN'T NO WAY BEVERLY HILLS GETTIN' THIS ONE RIGHT 465 00:18:50,933 --> 00:18:53,466 UNLESS HE BEEN BINGE-WATCHING "PREACHERS OF L.A." 466 00:18:53,466 --> 00:18:54,833 JORDAN: MAN, WHAT'S YOUR PROBLEM? 467 00:18:54,833 --> 00:18:56,233 YO, CHRIS, CHILL, MAN. COOP: YOU'RE TRIPPING. 468 00:18:56,233 --> 00:18:57,500 THE ANSWER'S 3. 469 00:18:57,500 --> 00:18:58,633 WHENEVER THE CHOIR DIRECTOR 470 00:18:58,633 --> 00:19:00,100 FEEL LIKE SHE'S DONE. 471 00:19:00,100 --> 00:19:01,300 ALL RIGHT. 472 00:19:01,300 --> 00:19:02,500 NOW STOP MESSING UP THE GAME. 473 00:19:02,500 --> 00:19:04,200 CAM, NEW CARD. YOUR TURN. 474 00:19:04,200 --> 00:19:05,933 OK, ALL RIGHT. "IN THE BLACKS-IT, 475 00:19:05,933 --> 00:19:08,133 "IF BLACK FOLKS LEFT AMERICA LIKE BRITAIN 476 00:19:08,133 --> 00:19:09,700 LEFT THE EU, WHO DO WE TAKE?" 477 00:19:09,700 --> 00:19:12,600 I VOTE WE TAKE CARLTON HERE AND EMINEM. 478 00:19:12,600 --> 00:19:15,833 THE WHITE FOLKS CAN KEEP SPENCER AND STACEY DASH. 479 00:19:15,833 --> 00:19:17,700 YO, YOU REALLY DISRESPECTING ME IN MY OWN HOUSE? 480 00:19:17,700 --> 00:19:20,200 I WAS JUST KIDDING, DAWG. RELAX. 481 00:19:20,200 --> 00:19:22,933 NO, BRO, NOW YOU SHOWING UP. 482 00:19:24,600 --> 00:19:27,566 UGH, WHEN DID YOU GET SO SENSITIVE? 483 00:19:27,566 --> 00:19:30,166 GUESS BEVERLY HILLS GOT YOU ALL SOFT NOW, HUH? 484 00:19:30,166 --> 00:19:32,466 HEY, YOU AND PRETTY BOY 485 00:19:32,466 --> 00:19:34,233 CAN HEAD BACK ANYTIME IF IT GETS TOO HOT. 486 00:19:34,233 --> 00:19:35,533 DON'T LET US STOP YOU. 487 00:19:35,533 --> 00:19:37,166 YO, MAN, IF YOU GOT SOMETHING TO SAY, 488 00:19:37,166 --> 00:19:38,766 JUST SAY IT. 489 00:19:38,766 --> 00:19:41,333 YOU AIN'T GOT NO BUSINESS WEARING THAT CRENSHAW RING NO MORE. 490 00:19:41,333 --> 00:19:42,966 YOU DON'T BELONG HERE. 491 00:19:42,966 --> 00:19:46,000 SINCE YOU FELT LIKE YOU HAD TO LEAVE US TO SUCCEED, 492 00:19:46,000 --> 00:19:48,133 YOU SHOULD HAVE JUST STAYED GONE. 493 00:19:49,333 --> 00:19:51,500 WE GOT AN UPGRADE ANYWAY. 494 00:19:51,500 --> 00:19:53,600 AIN'T THAT RIGHT, CAM? 495 00:19:53,600 --> 00:19:56,100 YOU KNOW, HONESTLY, I DOUBT CAM 496 00:19:56,100 --> 00:19:58,200 COULD EVEN TOUCH SPENCER ON THE FIELD. 497 00:19:58,200 --> 00:20:00,633 PRETTY SURE WE GOT THE UPGRADE. 498 00:20:02,133 --> 00:20:05,566 CHRIS: WELL, UH, WE'LL SEE YOU IN THE PLAYOFFS. 499 00:20:05,566 --> 00:20:08,233 OH, WAIT, THAT'S RIGHT. 500 00:20:08,233 --> 00:20:11,000 BEVERLY HILLS AIN'T BEEN TO THE PLAYOFFS IN YEARS. 501 00:20:11,000 --> 00:20:13,400 OH, THEY WILL THIS YEAR. THEY GOT ME. 502 00:20:13,400 --> 00:20:15,200 WHY WAIT? 503 00:20:15,200 --> 00:20:16,733 OUR BOYS CAN BE HERE IN 45. 504 00:20:16,733 --> 00:20:18,533 WHY DON'T YOU GRAB YOUR SQUAD? 505 00:20:18,533 --> 00:20:20,833 LET'S SETTLE THIS RIGHT NOW. 506 00:20:22,233 --> 00:20:24,200 I'LL TELL YOU WHAT, 507 00:20:24,200 --> 00:20:25,933 Y'ALL WIN, 508 00:20:25,933 --> 00:20:29,500 YOU CAN TAKE THIS CRENSHAW RING OFF MY FINGER FOR GOOD. 509 00:20:35,600 --> 00:20:37,833 ♪ LET THE GAMES BEGIN, LET THE GAMES BEGIN ♪ 510 00:20:37,833 --> 00:20:41,033 ♪ ONLY PLAY TO WIN, YEAH, I'M GOING IN ♪ 511 00:20:41,033 --> 00:20:44,000 ♪ LET THE GAMES BEGIN, LET THE GAMES BEGIN ♪ 512 00:20:44,000 --> 00:20:46,966 ♪ GO AND LET THE RECORD SHOW I WAS STILL IN ♪ 513 00:20:46,966 --> 00:20:51,033 YOU AIN'T HAVE TO CALL THE REST OF THE GUYS HERE. 514 00:20:51,033 --> 00:20:54,033 I HAD IT HANDLED. 515 00:20:54,033 --> 00:20:55,266 TOO LATE. 516 00:20:55,266 --> 00:20:56,533 ♪ TAKE IT WAY BACK ♪ 517 00:20:56,533 --> 00:20:58,066 ♪ I SAY THIS IS IN MY BLOOD ♪ 518 00:20:58,066 --> 00:21:00,633 ♪ YOU CAN HEAR ME COMING IF YOU LISTEN FOR THE DRUMS ♪ 519 00:21:00,633 --> 00:21:02,266 ♪ I'M GETTING PLAYBACK... ♪ 520 00:21:02,266 --> 00:21:03,533 THANKS FOR COMING. 521 00:21:03,533 --> 00:21:06,300 THAT'S WHAT WE DO. 522 00:21:06,300 --> 00:21:08,433 LET'S GO. 523 00:21:08,433 --> 00:21:11,200 I'M SURPRISED YOU SHOWED UP. 524 00:21:11,200 --> 00:21:14,500 WE'RE FIGHTING. 525 00:21:14,500 --> 00:21:16,833 DOESN'T MEAN I DON'T HAVE YOUR BACK. 526 00:21:27,933 --> 00:21:30,600 I NEED YOU TO HOLD SOMETHING FOR ME. 527 00:21:32,300 --> 00:21:34,300 YOU SURE ABOUT THIS? 528 00:21:34,300 --> 00:21:35,566 TOO LATE NOW. 529 00:21:35,566 --> 00:21:38,033 ["RUN FOR YOUR LIFE" BY THE SIEGE PLAYING] 530 00:21:38,033 --> 00:21:40,066 ♪ I AIN'T TRYING TO BRING YOU DOWN ♪ 531 00:21:40,066 --> 00:21:42,033 ♪ BUT FOR REAL, YOU MIGHT AS WELL GIVE UP NOW ♪ 532 00:21:42,033 --> 00:21:44,100 ♪ THINK YOU GOT A CHANCE, BUT I DON'T SEE HOW ♪ 533 00:21:44,100 --> 00:21:46,100 ♪ GOT A REAL TIGHT GRIP WHEN I HOLD THAT CROWN ♪ 534 00:21:46,100 --> 00:21:48,100 ♪ MY LIFE BEEN GOOD AND BAD AND ALL AROUND ♪ 535 00:21:48,100 --> 00:21:50,166 ♪ THE MORE THINGS I LOST, THE MORE I FOUND ♪ 536 00:21:50,166 --> 00:21:52,000 ♪ ONE THING I TAUGHT MYSELF TO DO ♪ 537 00:21:52,000 --> 00:21:54,300 ♪ NO MATTER THE PROBLEM, REFUSE TO LOSE, SO ♪ 538 00:21:54,300 --> 00:21:56,100 ♪ HOW YOU WANT IT? MAN, YOU CAN CHOOSE ♪ 539 00:21:56,100 --> 00:21:58,133 ♪ IF YOU CAN'T TAKE THE HEAT, DON'T LIGHT THE FUSE ♪ 540 00:21:58,133 --> 00:22:00,133 ♪ SEE, I WALK IN SLOW AND IGNITE THE ROOM ♪ 541 00:22:00,133 --> 00:22:02,733 ♪ LIKE FIRE, EVERYTHING I TOUCH I CONSUME, I'M ♪ 542 00:22:02,733 --> 00:22:04,466 ♪ GETTING UP WHILE Y'ALL JUST SNOOZE ♪ 543 00:22:04,466 --> 00:22:06,133 ♪ WHILE YOU MAKE BREAKFAST, MAN, I'M ON THE MOVE ♪ 544 00:22:06,133 --> 00:22:08,433 ♪ I'M THE FIRST ONE IN AND THE LAST ONE OUT ♪ 545 00:22:08,433 --> 00:22:10,766 ♪ WHOEVER OWNS THE PLACE GOTTA DRAG ME OUT ♪ 546 00:22:10,766 --> 00:22:12,333 ♪ IN ME I TRUST ♪ 547 00:22:12,333 --> 00:22:14,900 ♪ YEAH, I SMELL LIKE SUCCESS, THIS ELON MUSK, HUH? ♪ 548 00:22:14,900 --> 00:22:16,633 ♪ EVERYBODY WANNA BE LIKE US ♪ 549 00:22:16,633 --> 00:22:20,266 ♪ WE DON'T STOP 'CAUSE THE TOP JUST AIN'T ENOUGH, HUH? ♪ 550 00:22:21,633 --> 00:22:23,500 DID Y'ALL THINK I WOULDN'T NOTICE 551 00:22:23,500 --> 00:22:25,933 EVERYONE STARTED DISAPPEARING? 552 00:22:27,333 --> 00:22:30,266 ♪ AHH ♪ 553 00:22:34,500 --> 00:22:35,933 OH, THAT'S ENOUGH OF THIS. 554 00:22:35,933 --> 00:22:37,333 I'M STOPPING THIS. NO, NO, NO, NO. 555 00:22:37,333 --> 00:22:40,566 MS. GRACE, MS. GRACE, WITH ALL DUE RESPECT, 556 00:22:40,566 --> 00:22:43,300 THEY EITHER FIGHT IT OUT HERE ON THE FIELD 557 00:22:43,300 --> 00:22:45,833 OR IN THE STREET. 558 00:22:53,566 --> 00:22:56,633 SO 7 US. YOU'RE MAKING THIS EASY. 559 00:22:56,633 --> 00:22:57,933 OH, SO NOW YOU'RE GONNA GUARD ME, HUH? 560 00:22:57,933 --> 00:22:59,866 WHY NOT? I ALREADY TOOK YOUR SPOT. 561 00:22:59,866 --> 00:23:01,333 YOU AIN'T NEVER GONNA BE ME. 562 00:23:01,333 --> 00:23:02,533 JORDAN: DOWN, SET, HUT! 563 00:23:02,533 --> 00:23:04,100 ♪ EVERYBODY WANNA BE LIKE US ♪ 564 00:23:04,100 --> 00:23:06,966 ♪ WE DON'T STOP 'CAUSE THE TOP JUST AIN'T ENOUGH, HUH ♪ 565 00:23:06,966 --> 00:23:09,133 ♪ I AIN'T NEVER GAVE NO ..., I AIN'T SCARED, MAN ♪ 566 00:23:09,133 --> 00:23:11,000 ♪ YOU KNOW BLACK MEN DON'T BLUSH, HUH ♪ 567 00:23:11,000 --> 00:23:12,566 ♪ CAME HERE READY TO FIGHT ♪ 568 00:23:12,566 --> 00:23:13,900 ♪ ON THIS NIGHT YOU BETTER JUST ♪ 569 00:23:13,900 --> 00:23:16,400 ♪ RUN FOR YOUR LIFE ♪ 570 00:23:16,400 --> 00:23:18,900 7-7. 571 00:23:27,000 --> 00:23:28,500 JORDAN: WE'RE DOWN 7-14. 572 00:23:28,500 --> 00:23:30,500 YOU'RE GONNA LOSE THAT RING UNLESS YOU USE THE TEAM. 573 00:23:30,500 --> 00:23:31,700 LET SOMEONE ELSE PLAY DEFENSE. 574 00:23:31,700 --> 00:23:33,133 I GOT THIS. I KNOW THEIR PLAYS. 575 00:23:33,133 --> 00:23:35,500 MAN, DIDN'T WE JUST GO THROUGH THIS LAST WEEK? 576 00:23:35,500 --> 00:23:36,766 THE TEAM-- THIS AIN'T ABOUT Y'ALL. 577 00:23:36,766 --> 00:23:39,900 IT'S ABOUT ME AND THEM. I GOT THIS. 578 00:24:25,700 --> 00:24:27,166 MAN: HEY, WHAT Y'ALL DOING? 579 00:24:27,166 --> 00:24:28,800 LET'S GO! LET'S GO. COME ON. 580 00:24:28,800 --> 00:24:30,833 WHAT DO Y'ALL THINK YOU'RE DOING? 581 00:24:33,400 --> 00:24:35,133 LET'S CUT THE FIELD LIGHTS. 582 00:24:35,133 --> 00:24:36,433 I GOT IT. 583 00:24:36,433 --> 00:24:40,366 GUARD: CHRIS, SPENCER. 584 00:24:40,366 --> 00:24:43,800 COME ON, MAN, Y'ALL KNOW BETTER THAN THIS. 585 00:24:43,800 --> 00:24:46,266 DON'T MAKE ME CALL THE COPS ON Y'ALL. 586 00:24:46,266 --> 00:24:50,400 LOOK, MAN... 587 00:24:50,400 --> 00:24:52,766 LET'S JUST END THIS, OK? 588 00:24:52,766 --> 00:24:55,133 WE'RE FAMILY. 589 00:25:00,433 --> 00:25:02,600 YOU'RE A JOKE, MAN. 590 00:25:02,600 --> 00:25:05,166 YOU'RE A JOKE. 591 00:25:09,200 --> 00:25:12,766 ANICA: ♪ YOU SAY THAT YOU'RE SCARED ♪ 592 00:25:12,766 --> 00:25:16,633 ♪ OF WHAT YOU SEE ♪ 593 00:25:16,633 --> 00:25:23,333 ♪ YOU SAY THAT I'VE TORN YOUR HEART IN TWO... ♪ 594 00:25:23,333 --> 00:25:25,866 STALKER MUCH? 595 00:25:25,866 --> 00:25:27,266 IF YOU DON'T WANT PEOPLE KNOWING WHERE YOU ARE, 596 00:25:27,266 --> 00:25:30,366 MAYBE STOP INSTA-STORYING YOUR AVOCADO TOAST. 597 00:25:31,566 --> 00:25:34,833 ♪ THEN WHY AREN'T YOU... ♪ 598 00:25:34,833 --> 00:25:36,933 SO I COULD START BY LISTING A HUNDRED REASONS 599 00:25:36,933 --> 00:25:39,966 WHY I'VE BEEN SO CAUGHT UP IN MY OWN DRAMA, 600 00:25:39,966 --> 00:25:42,466 OR WE CAN JUST JUMP RIGHT TO THE PART 601 00:25:42,466 --> 00:25:44,900 WHERE I'M AN IDIOT. 602 00:25:44,900 --> 00:25:47,300 IT TOOK ME A MINUTE TO REMEMBER 603 00:25:47,300 --> 00:25:50,766 THIS WEEKEND'S THE SECOND ANNIVERSARY OF YOUR MOM'S PASSING. 604 00:25:50,766 --> 00:25:53,566 I'M REALLY SORRY. 605 00:25:53,566 --> 00:25:55,566 I FEEL TERRIBLE. 606 00:25:55,566 --> 00:25:58,366 AND OF COURSE I REMEMBER US COMMEMORATING HER AT ELEVATION PARK. AND-- 607 00:25:58,366 --> 00:26:00,500 I'M REALLY GLAD YOU REMEMBERED, 608 00:26:00,500 --> 00:26:03,300 BUT I DON'T NEED YOUR PITY. 609 00:26:04,366 --> 00:26:06,533 I'M FINE, SO YOU'RE OFF THE HOOK. 610 00:26:06,533 --> 00:26:12,866 ♪ LET MY TIRED MIND WANDER FREE... ♪ 611 00:26:12,866 --> 00:26:16,033 SO WHY HAVEN'T I SEEN YOU WITH ANY GIRLS IN SCHOOL BEFORE? 612 00:26:16,033 --> 00:26:19,633 BECAUSE I'VE NEVER FELT THE NEED TO PUT MY BUSINESS OUT THERE, THAT'S WHY. 613 00:26:19,633 --> 00:26:24,600 OK. OK, SO WHEN'S THE FIRST TIME YOU SAID THE WORDS, 614 00:26:24,600 --> 00:26:26,166 "I'M GAY," LIKE OUT LOUD? 615 00:26:26,166 --> 00:26:28,700 I NEVER HAD TO SAY IT. I JUST AM. 616 00:26:28,700 --> 00:26:30,533 YOU NEVER SAID THE WORDS? 617 00:26:30,533 --> 00:26:32,366 NO, IT'S JUST A WORD. 618 00:26:32,366 --> 00:26:34,933 I MEAN, IT'S OBVIOUS I LIKE GIRLS. 619 00:26:34,933 --> 00:26:36,866 I'M NOT HIDING FROM IT. 620 00:26:36,866 --> 00:26:39,500 I'M NOT TRYING TO HIDE IT. 621 00:26:39,500 --> 00:26:41,600 I MEAN, I LIKE YOU. 622 00:26:41,600 --> 00:26:42,800 YEAH? 623 00:26:42,800 --> 00:26:44,333 YEAH. 624 00:26:44,333 --> 00:26:45,900 I DON'T KNOW, SOMETHING TELLS ME 625 00:26:45,900 --> 00:26:47,733 YOU'RE FULL OF SURPRISES, THOUGH. 626 00:26:49,333 --> 00:26:52,333 WHAT, YOU GOT PLANS OR DOWN TO HANG? 627 00:26:52,333 --> 00:26:55,600 I MEAN, IT'S COOL. YOU CAN COME INSIDE, CHILL, KICK IT. 628 00:26:55,600 --> 00:26:58,066 WHATEVER. 629 00:26:58,066 --> 00:27:01,833 YEAH. YEAH, I'M DEFINITELY DOWN TO HANG. 630 00:27:01,833 --> 00:27:03,633 OR WHATEVER. 631 00:27:03,633 --> 00:27:05,866 HA HA HA HA! 632 00:27:06,933 --> 00:27:11,866 ♪ AHH, AHH ♪ 633 00:27:13,333 --> 00:27:16,733 LISTEN, MAN, I KNOW THINGS GOT A LITTLE INTENSE BACK THERE, 634 00:27:16,733 --> 00:27:19,366 BUT ON THE PLUS SIDE, YOUR TEAM SHOWED UP FOR YOU. 635 00:27:19,366 --> 00:27:21,600 EVEN WITH ALL OF OUR INTERNAL BS, THEY SHOWED UP. 636 00:27:21,600 --> 00:27:22,800 THAT HAS TO FEEL GOOD. 637 00:27:22,800 --> 00:27:24,033 THEY SHOWED UP FOR YOU 638 00:27:24,033 --> 00:27:25,233 AND TO STICK IT TO SOUTH CRENSHAW. 639 00:27:25,233 --> 00:27:27,233 ISN'T THAT WHAT YOU WERE DOING? 640 00:27:27,233 --> 00:27:28,933 ONLY BECAUSE YOU PUT US IN THAT SITUATION. 641 00:27:28,933 --> 00:27:30,533 WE SHOULD HAVE NEVER PLAYED THAT GAME. 642 00:27:30,533 --> 00:27:34,300 NOW MY OLD TEAMMATES WON'T EVEN TALK TO ME. 643 00:27:34,300 --> 00:27:36,666 WHY YOU HAVE TO COME HERE, MAN? 644 00:27:36,666 --> 00:27:38,033 SO LET ME GET THIS STRAIGHT. 645 00:27:38,033 --> 00:27:41,000 I SHOWED UP IN YOUR WORLD AND BLEW EVERYTHING UP? 646 00:27:41,000 --> 00:27:43,666 SOUNDS FAMILIAR, DOESN'T IT? 647 00:27:47,566 --> 00:27:48,766 WHAT THE HELL? 648 00:27:59,033 --> 00:28:00,833 IS THERE A PROBLEM, OFFICER? 649 00:28:00,833 --> 00:28:02,500 LICENSE AND REGISTRATION, PLEASE? 650 00:28:02,500 --> 00:28:05,066 WHY? I WASN'T SPEEDING OR ANYTHING. 651 00:28:05,066 --> 00:28:07,033 YOU MADE AN ILLEGAL TURN AT A RED LIGHT. 652 00:28:07,033 --> 00:28:08,700 LICENSE AND REGISTRATION. 653 00:28:08,700 --> 00:28:10,466 WHAT WHAT TURN? 654 00:28:10,466 --> 00:28:14,533 WHAT ARE YOU DOING, MAN? JUST GIVE HIM WHAT HE ASKED FOR. 655 00:28:21,000 --> 00:28:22,700 WHAT ARE YOU BOYS DOING IN THIS NEIGHBORHOOD? 656 00:28:22,700 --> 00:28:24,133 ARE YOU SERIOUS RIGHT NOW? 657 00:28:24,133 --> 00:28:25,733 WE'VE DONE NOTHING WRONG, MAN. 658 00:28:25,733 --> 00:28:26,933 JORDAN. 659 00:28:26,933 --> 00:28:28,133 THIS IS HARASSMENT. 660 00:28:28,133 --> 00:28:29,333 OK, MY MOM IS A LAWYER. 661 00:28:29,333 --> 00:28:30,766 STEP OUT OF THE CAR, PLEASE. 662 00:28:30,766 --> 00:28:31,966 WHAT? 663 00:28:31,966 --> 00:28:33,200 I NEED YOU TO STOP RESISTING 664 00:28:33,200 --> 00:28:35,500 AND GET OUT OF THE CAR NOW. 665 00:28:35,500 --> 00:28:36,700 OK. 666 00:28:36,700 --> 00:28:39,100 I KNOW MY RIGHTS, OK? 667 00:28:39,100 --> 00:28:41,733 STAND TO THE SIDE, PLEASE. 668 00:28:41,733 --> 00:28:43,433 JORDAN: I CANNOT BELIEVE THIS. 669 00:28:43,433 --> 00:28:45,666 YOU JUST WAIT UNTIL MY MOM GETS A LOAD OF YOU, BIG MAN. 670 00:28:45,666 --> 00:28:47,600 I'M GONNA CALL MY MOM-- 671 00:28:47,600 --> 00:28:49,266 OFFICER: YOU DO WHAT I TELL YOU TO DO. 672 00:28:49,266 --> 00:28:50,933 I DON'T GIVE A DAMN WHO YOUR MOM IS. 673 00:28:50,933 --> 00:28:54,033 SPENCER: OFFICER, SIR. OFFICER. 674 00:28:54,033 --> 00:28:55,266 OFFICER: GET OUT OF THE CAR. 675 00:28:55,266 --> 00:28:56,666 I'M SHOWING YOU MY HANDS, ALL RIGHT? 676 00:28:56,666 --> 00:28:58,400 I'M UNARMED. 677 00:28:58,400 --> 00:29:01,000 HEY, LOOK, RESTRAINING HIM AIN'T NECESSARY, OK? 678 00:29:01,000 --> 00:29:03,000 WE'RE COOPERATING. HEY, CHILL. CHILL, MAN. 679 00:29:03,000 --> 00:29:05,033 STOP RESISTING. 680 00:29:05,033 --> 00:29:07,566 DIDN'T I ARREST YOU ONCE? 681 00:29:08,566 --> 00:29:11,100 HEY, JUST KEEP LOOKING AT ME, ALL RIGHT? 682 00:29:11,100 --> 00:29:13,266 JUST KEEP LOOKING AT ME. 683 00:29:15,866 --> 00:29:18,633 I HAVE OFFICER TRISHELL'S BADGE NUMBER ALREADY. 684 00:29:18,633 --> 00:29:21,466 I WANT TO SPEAK TO HIS SUPERVISING OFFICER. 685 00:29:21,466 --> 00:29:22,933 WELL, HE CAN TALK TO ME NOW OR HE CAN FACE ME 686 00:29:22,933 --> 00:29:25,100 IN THE MORNING WHEN I FILE A LAWSUIT 687 00:29:25,100 --> 00:29:27,100 AGAINST HIS ENTIRE DEPARTMENT. 688 00:29:27,100 --> 00:29:29,466 ARE YOU GUYS OK? 689 00:29:32,433 --> 00:29:35,200 JORDAN: HOW COULD YOU NOT GO OFF ON THAT COP? 690 00:29:35,200 --> 00:29:37,133 WHY DIDN'T YOU HAVE MY BACK? 691 00:29:37,133 --> 00:29:39,133 I HAD YOUR BACK. 692 00:29:39,133 --> 00:29:41,866 I GOT YOU HOME. 693 00:29:43,866 --> 00:29:46,933 WHY WOULD YOU EVEN ARGUE WITH A COP IN THE FIRST PLACE? 694 00:29:46,933 --> 00:29:49,600 WHY WOULD YOU PUT YOURSELF IN THAT KIND OF DANGER? 695 00:29:49,600 --> 00:29:51,666 I DID WHAT I WAS TAUGHT. 696 00:29:51,666 --> 00:29:55,066 I WAS STANDING UP FOR MYSELF, OK, DAD? 697 00:29:58,066 --> 00:29:59,833 I'LL CHECK ON HIM. 698 00:30:07,633 --> 00:30:09,133 YO, CAN I ASK YOU SOMETHING? 699 00:30:09,133 --> 00:30:10,333 MM-HMM. 700 00:30:10,333 --> 00:30:11,600 WHY YOU AIN'T NEVER TALKED TO JORDAN 701 00:30:11,600 --> 00:30:13,333 ABOUT DEALING WITH THE POLICE? 702 00:30:13,333 --> 00:30:16,500 BY THE TIME I WAS 8, MY MOMS MADE IT CLEAR. 703 00:30:16,500 --> 00:30:19,500 COPS LIKE THAT, THEY SEE MY BLACKNESS AS A WEAPON, 704 00:30:19,500 --> 00:30:22,233 YOU KNOW, SO YOU TALK SLOW, 705 00:30:22,233 --> 00:30:26,033 YOU DO AS THEY ASK, YOU KEEP YOUR HANDS VISIBLE, 706 00:30:26,033 --> 00:30:27,666 AND YOU NEVER RUN. 707 00:30:27,666 --> 00:30:31,566 HOW COME YOU AIN'T TELL HIM THAT? 708 00:30:31,566 --> 00:30:35,066 I GUESS I THOUGHT I HAD TIME. 709 00:30:35,066 --> 00:30:38,333 I FOUGHT SO HARD TO GET UP OUT THE 'HOOD. 710 00:30:38,333 --> 00:30:42,500 I HONESTLY THOUGHT THAT WITH ALL THIS... 711 00:30:42,500 --> 00:30:46,600 I HONESTLY THOUGHT THAT I HAD BOUGHT JORDAN 712 00:30:46,600 --> 00:30:49,266 JUST A LITTLE BIT MORE TIME BEFORE... 713 00:30:49,266 --> 00:30:52,300 HE HAD TO FACE THE... 714 00:30:52,300 --> 00:30:56,633 THE UGLY SIDE OF BEING A BLACK MAN IN AMERICA. 715 00:30:59,433 --> 00:31:02,100 CAN'T NOBODY SHELTER HIS SON FROM IT. 716 00:31:03,233 --> 00:31:05,133 MM-MMM. 717 00:31:21,266 --> 00:31:24,466 UM, WHY ARE YOU WASTING YOUR TIME 718 00:31:24,466 --> 00:31:26,800 IN THESE MESSY-ASS HALLWAYS OF SOUTH CRENSHAW 719 00:31:26,800 --> 00:31:28,733 WHEN YOU COULD BE, I DON'T KNOW, 720 00:31:28,733 --> 00:31:31,533 GIVING DRAKE A RUN FOR HIS MONEY? 721 00:31:31,533 --> 00:31:33,566 IT'S WHATEVER. I DON'T KNOW. 722 00:31:33,566 --> 00:31:35,033 ARE YOU BLUSHING? 723 00:31:35,033 --> 00:31:36,966 WHAT, IS THE TAMIA COOPER BLUSHING RIGHT NOW? 724 00:31:36,966 --> 00:31:39,900 YOU TRIPPIN', GIRL. YOU KNOW BLACK PEOPLE DON'T BLUSH. 725 00:31:39,900 --> 00:31:43,600 SO, JUST BECAUSE YOU CAN'T SEE IT DOESN'T MEAN IT'S NOT HAPPENING. 726 00:31:46,233 --> 00:31:48,200 MM-HMM. 727 00:31:48,200 --> 00:31:50,433 DEFINITELY WARM. 728 00:31:50,433 --> 00:31:52,800 DEFINITELY BLUSHING. 729 00:31:58,533 --> 00:32:00,266 CLASSIK: ♪ ARE YOU MINE? ♪ 730 00:32:00,266 --> 00:32:03,466 ♪ 'CAUSE I DON'T WANT TO WASTE NO TIME ♪ 731 00:32:03,466 --> 00:32:04,700 ♪ I CAN'T DENY ♪ 732 00:32:04,700 --> 00:32:06,333 ♪ I'LL SHOW YOU LOVE ♪ 733 00:32:06,333 --> 00:32:09,266 ♪ BUT IT SEEMS TO ME THAT YOU DON'T MIND ♪ 734 00:32:09,266 --> 00:32:10,700 ♪ AFTER ALL THIS TIME... ♪ 735 00:32:10,700 --> 00:32:12,400 SO ARE YOU GONNA PLAY ME ANOTHER SONG? 736 00:32:12,400 --> 00:32:15,266 ♪ BUT IT SEEMS TO ME THAT YOU DON'T MIND... ♪ 737 00:32:15,266 --> 00:32:17,400 HELL, YEAH. 738 00:32:17,400 --> 00:32:18,600 ♪ I AM YOURS ♪ 739 00:32:18,600 --> 00:32:22,000 ♪ LEAD THE WAY LIKE MARTIANS ♪ 740 00:32:22,000 --> 00:32:23,466 ♪ LET'S CHANGE THE GAME ♪ 741 00:32:23,466 --> 00:32:24,666 ♪ I AM YOURS ♪ 742 00:32:24,666 --> 00:32:28,200 ♪ THROUGH RAIN AND SNOW ♪ 743 00:32:33,600 --> 00:32:35,300 PATIENCE, COME ON. 744 00:32:35,300 --> 00:32:36,633 YOU GOT TO GET UP. WAKE UP. 745 00:32:36,633 --> 00:32:38,033 OK, JUST GIVE ME ONE SECOND. 746 00:32:38,033 --> 00:32:40,100 NO, YOU DON'T HAVE A SECOND. 747 00:32:43,233 --> 00:32:45,933 OH, HEY, PATIENCE. 748 00:32:45,933 --> 00:32:47,266 HI. 749 00:32:47,266 --> 00:32:48,466 MAYBE YOU SHOULD GET HOME 750 00:32:48,466 --> 00:32:49,933 BEFORE YOUR MOM GETS WORRIED. 751 00:32:49,933 --> 00:32:51,200 YES, MA'AM. 752 00:32:51,200 --> 00:32:52,300 GOOD MORNING, TAMIA. 753 00:32:52,300 --> 00:32:53,900 BREAKFAST IN 10. 754 00:32:53,900 --> 00:32:55,233 OK. 755 00:33:02,200 --> 00:33:06,200 SO YOU WANT TO TELL ME WHY YOU HAD ME CALL EVERYONE HERE? 756 00:33:09,166 --> 00:33:11,066 LOOK, MAN, I'M SORRY ABOUT YESTERDAY. 757 00:33:11,066 --> 00:33:13,066 IT'S KIND OF MESSED UP IT TOOK BEING FACE DOWN 758 00:33:13,066 --> 00:33:15,866 WITH YOU IN THE CONCRETE TO REALIZE... 759 00:33:15,866 --> 00:33:17,600 WE AIN'T ALL THAT DIFFERENT. 760 00:33:17,600 --> 00:33:18,866 AND I PROBABLY WOULD HAVE REALIZED THAT SOONER 761 00:33:18,866 --> 00:33:20,533 IF I HADN'T BEEN PUSHING Y'ALL AWAY. 762 00:33:20,533 --> 00:33:23,966 ASHER: WHAT'S WITH THE IMPROMPTU MEET 763 00:33:23,966 --> 00:33:26,600 SPENCER'S GOT SOMETHING TO SAY. 764 00:33:26,600 --> 00:33:27,933 HEY, THANK Y'ALL FOR SHOWING UP. 765 00:33:27,933 --> 00:33:29,433 AND I DON'T MEAN JUST THIS MORNING, 766 00:33:29,433 --> 00:33:30,866 I MEAN YESTERDAY, TOO. 767 00:33:30,866 --> 00:33:32,866 HEY, YO, MY LAST TEAM, WE WERE LIKE A FAMILY, 768 00:33:32,866 --> 00:33:35,333 AND I JUST ASSUMED Y'ALL WEREN'T DRIVEN BY THAT SAME BOND, 769 00:33:35,333 --> 00:33:36,666 AND THAT'S MY BAD. 770 00:33:36,666 --> 00:33:38,166 BUT Y'ALL TURNING UP FOR ME YESTERDAY 771 00:33:38,166 --> 00:33:39,666 SHOWED ME WHAT KIND OF TEAM Y'ALL REALLY ARE, 772 00:33:39,666 --> 00:33:41,033 AND I WANT IN ON THAT. 773 00:33:41,033 --> 00:33:43,400 CRENSHAW WILL ALWAYS BE A PART OF WHO I AM, 774 00:33:43,400 --> 00:33:44,866 BUT BEING A BEVERLY EAGLE, 775 00:33:44,866 --> 00:33:47,366 THAT'S A PART OF WHO I'M BECOMING. 776 00:33:47,366 --> 00:33:49,500 AND LOOK, MAN, I KNOW I LOST LAST WEEK'S GAME. 777 00:33:49,500 --> 00:33:52,633 NO, YOU DIDN'T. I THREW INTERCEPTION THIRD QUARTER. 778 00:33:52,633 --> 00:33:54,733 YOU DIDN'T LOSE THAT GAME ALONE. 779 00:33:54,733 --> 00:33:56,733 MISSED TACKLE, SECOND QUARTER. 780 00:33:56,733 --> 00:33:59,700 PASS INTERFERENCE, FOURTH QUARTER. 781 00:33:59,700 --> 00:34:02,600 CLOUDED JUDGMENT. 782 00:34:02,600 --> 00:34:05,033 UNNECESSARY ROUGHNESS. 783 00:34:05,033 --> 00:34:06,600 YOU DIDN'T EVEN PLAY LAST WEEK. 784 00:34:06,600 --> 00:34:08,200 THAT'S WHAT KEPT ME FROM PLAYING. 785 00:34:08,200 --> 00:34:12,866 I LOST US THE GAME BEFORE YOU EVEN STEPPED ON THE FIELD. 786 00:34:14,533 --> 00:34:16,233 ALL RIGHT, LET'S BREAK IT DOWN, BOYS. 787 00:34:16,233 --> 00:34:18,666 GET IN HERE. 788 00:34:19,666 --> 00:34:22,133 EAGLES ON THREE. 1, 2, 3. 789 00:34:22,133 --> 00:34:23,500 ALL: EAGLES! 790 00:34:23,500 --> 00:34:25,900 JORDAN: ALL RIGHT. 791 00:34:34,066 --> 00:34:37,133 COOP: NO, SERIOUSLY, DILLON BEAT HIM AT DOMINOES AGAIN. 792 00:34:37,133 --> 00:34:39,300 YOU SHOULD HAVE SEEN MR. ROUNDTREE'S FACE. I THOUGHT HE WAS GONNA-- 793 00:34:39,300 --> 00:34:44,133 I DON'T WANT YOU HANGING AROUND THAT PATIENCE GIRL ANYMORE. 794 00:34:44,133 --> 00:34:46,566 THERE'S BEEN RUMBLINGS IN THE CHURCH. 795 00:34:46,566 --> 00:34:48,966 SHE'S TROUBLE. 796 00:34:53,433 --> 00:34:56,400 SO... 797 00:34:56,400 --> 00:35:00,233 YOU THINK PATIENCE IS TROUBLE BECAUSE SHE'S GAY? 798 00:35:00,233 --> 00:35:05,333 BECAUSE THAT WOULD MAKE ME TROUBLE SINCE... 799 00:35:08,766 --> 00:35:10,966 SINCE I'M GAY, TOO. 800 00:35:12,366 --> 00:35:13,700 YOU'RE NOT GAY. 801 00:35:13,700 --> 00:35:15,166 YOU'RE CONFUSED. 802 00:35:15,166 --> 00:35:19,100 AND IT'S GIRLS LIKE PATIENCE THAT ARE CONFUSING YOU. 803 00:35:24,666 --> 00:35:30,233 MOM, LOOK AT ME, PLEASE. 804 00:35:30,233 --> 00:35:33,733 I AM GAY. 805 00:35:33,733 --> 00:35:37,400 AND THERE IS NO AMOUNT OF PRAYER THAT'S GONNA CHANGE THAT. 806 00:35:37,400 --> 00:35:39,866 TRUST ME, I'VE TRIED. 807 00:35:41,633 --> 00:35:44,600 I LOVE YOU, TAMIA. 808 00:35:44,600 --> 00:35:49,000 YOUR FATHER AND I WORKED HARD TO RAISE YOU RIGHT. 809 00:35:50,933 --> 00:35:55,933 BUT I'M SORRY. I... I CAN'T CONDONE THIS. 810 00:35:58,033 --> 00:36:01,033 SO IF YOU CANNOT ABIDE BY OUR RULES, 811 00:36:01,033 --> 00:36:04,266 YOU CANNOT LIVE IN THIS HOUSE. 812 00:36:14,433 --> 00:36:19,433 WELL, THEN I GUESS... I DON'T LIVE HERE ANYMORE. 813 00:36:39,400 --> 00:36:41,100 HEY, WHAT UP? 814 00:36:44,666 --> 00:36:46,400 I THOUGHT I MADE MYSELF CLEAR 815 00:36:46,400 --> 00:36:48,133 THAT YOU AIN'T WELCOME HERE NO MORE. 816 00:36:48,133 --> 00:36:52,333 YOUR BOY, CAMERON, HE QUICK ON HIS FEET, 817 00:36:52,333 --> 00:36:55,233 BUT HE TELEGRAPHS WHERE HE GONNA GO WITH HIS EYES. 818 00:36:55,233 --> 00:36:56,333 EVERY PLAY. 819 00:36:56,333 --> 00:36:58,066 YOU GET HIM TO STOP DOING THAT, 820 00:36:58,066 --> 00:37:00,533 YOU GOT A STRAIGHT LINE TO THE PLAYOFFS. 821 00:37:02,466 --> 00:37:04,566 HEY, YO. 822 00:37:04,566 --> 00:37:07,033 WHY YOU HELPING US? 823 00:37:08,800 --> 00:37:10,966 'CAUSE NO MATTER WHAT YOU SAY, 824 00:37:10,966 --> 00:37:13,100 THIS IS MY COMMUNITY, 825 00:37:13,100 --> 00:37:17,300 THIS IS MY FAMILY, AND THIS IS WHO I AM. 826 00:37:17,300 --> 00:37:20,866 ME PLAYING FOR BEVERLY AIN'T GONNA CHANGE THAT. 827 00:37:20,866 --> 00:37:25,300 FAMILY, WE HELP EACH OTHER, RIGHT? 828 00:37:25,300 --> 00:37:29,133 PLUS, I WANT TO PLAY THE BEST VERSION OF Y'ALL IN THE PLAYOFFS. 829 00:37:33,766 --> 00:37:35,666 BAKER: JORDAN, I NEED FOR YOU TO KNOW 830 00:37:35,666 --> 00:37:39,700 THAT NONE OF WHAT HAPPENED YESTERDAY IS YOUR FAULT. 831 00:37:39,700 --> 00:37:41,533 YESTERDAY YOU SAID-- 832 00:37:41,533 --> 00:37:43,000 I KNOW WHAT I SAID. 833 00:37:43,000 --> 00:37:46,500 UM, I WAS SCARED. I WAS ANGRY, 834 00:37:46,500 --> 00:37:47,700 AND I WAS WRONG. 835 00:37:47,700 --> 00:37:49,200 YOUR MOTHER AND I, WE SHOULD HAVE HAD 836 00:37:49,200 --> 00:37:51,366 A TALK WITH YOU A LONG TIME AGO 837 00:37:51,366 --> 00:37:54,366 ABOUT THE REALITY OF FACING THE POLICE, 838 00:37:54,366 --> 00:37:57,633 AND THAT'S ON ME. THAT'S MY BAD. 839 00:37:57,633 --> 00:37:58,900 SEE, I'M GONNA FIX THAT TODAY, 840 00:37:58,900 --> 00:38:01,466 BECAUSE THE MOST IMPORTANT THING TO US 841 00:38:01,466 --> 00:38:05,033 IS KEEPING YOU AND YOUR SISTER ALIVE. 842 00:38:07,633 --> 00:38:09,266 IF I LOOKED LIKE SPENCER, 843 00:38:09,266 --> 00:38:11,900 WOULD YOU HAVE HAD THE TALK WITH ME EARLIER? 844 00:38:13,466 --> 00:38:15,066 PROBABLY. 845 00:38:15,066 --> 00:38:18,100 YEAH, I--I THINK I WOULD. 846 00:38:18,100 --> 00:38:20,233 WHY HAVE YOU NEVER TAKEN ME TO CRENSHAW, DAD? 847 00:38:20,233 --> 00:38:22,433 WE LIVE 30 MINUTES AWAY FROM WHERE YOU GREW UP, 848 00:38:22,433 --> 00:38:26,766 AND THE FIRST TIME I SPENT ANY REAL TIME THERE WAS YESTERDAY. 849 00:38:26,766 --> 00:38:28,366 ARE YOU ASHAMED OF ME? IS THAT IT? 850 00:38:28,366 --> 00:38:32,066 JORDAN, OF COURSE I'M NOT ASHAMED OF YOU. I LOVE YOU. 851 00:38:32,066 --> 00:38:34,800 NOW, I DON'T SPEND TIME IN CRENSHAW, BUT THAT-- 852 00:38:34,800 --> 00:38:36,800 THAT HAS MORE TO DO WITH--WITH MY PAST. 853 00:38:36,800 --> 00:38:38,566 BUT, YOU KNOW, YOU'RE RIGHT, 854 00:38:38,566 --> 00:38:41,666 I SHOULDN'T KEEP YOU SEPARATED FROM ANY PART 855 00:38:41,666 --> 00:38:43,900 OF WHO YOU ARE. 856 00:38:43,900 --> 00:38:47,466 AND I HAVE AN IDEA OF A GOOD PLACE TO START. 857 00:38:47,466 --> 00:38:49,700 ["COLD WAR" BY CAUTIOUS CLAY PLAYING] 858 00:38:49,700 --> 00:38:54,000 ♪ YELLOW-TINTED LENSES AND A PINK GELATO ♪ 859 00:38:55,733 --> 00:39:00,600 ♪ FALLING OUT THE WINDOW, HIT ME BACK TOMORROW ♪ 860 00:39:00,600 --> 00:39:06,533 ♪ WE'LL ALWAYS BE THE ONE TOUGH ACT TO FOLLOW ♪ 861 00:39:08,300 --> 00:39:12,600 ♪ 'CAUSE WE AIMING FOR THE STARS WITH A POINT AND HOLLOW ♪ 862 00:39:14,500 --> 00:39:19,933 ♪ FEELING THESE SONGS, MOCKING JOKES AND CAROLS ♪ 863 00:39:21,300 --> 00:39:26,433 ♪ STARTED THIS JOB SELLING ROCKS AND ARROWS ♪ 864 00:39:26,433 --> 00:39:29,566 ♪ 'CAUSE THEY ONLY SWIPE RIGHT IF YOU ... FOR FOLLOWS ♪ 865 00:39:32,533 --> 00:39:36,766 ♪ WELCOME TO THE DAYS OF THE BROKE AND SHALLOW... ♪ 866 00:39:36,766 --> 00:39:38,233 I DIDN'T KNOW WHERE ELSE TO GO. 867 00:39:38,233 --> 00:39:44,100 ♪ BUT IF WE JUST SPOKE LIKE WE MEANT IT ♪ 868 00:39:44,100 --> 00:39:47,233 ♪ WOULD YOU REFERENCE ♪ 869 00:39:47,233 --> 00:39:50,200 ♪ THIS OPEN PART OF ME? ♪ 870 00:39:50,200 --> 00:39:56,733 ♪ THE MINUTE I KNOW, THE TIME WE SPENT IN ♪ 871 00:39:56,733 --> 00:39:59,900 ♪ CAME CORRECTED ♪ 872 00:39:59,900 --> 00:40:03,466 ♪ IN MY ANATOMY ♪ 873 00:40:09,233 --> 00:40:11,466 MAN: HERE IT COMES. HERE IT COMES. 874 00:40:11,466 --> 00:40:13,733 AND HER GRANDDAUGHTER STRAIGHT UP TOOK ALL HER MONEY. 875 00:40:13,733 --> 00:40:14,933 I TOLD YOU. I TOLD YOU. 876 00:40:14,933 --> 00:40:16,433 HEH HEH! I TRIED TO TELL HER. 877 00:40:16,433 --> 00:40:19,366 I'M SURE YOU DID. AND THERE'S NO HELPING SOME PEOPLE. 878 00:40:19,366 --> 00:40:21,500 BARBER: HA HA! YEAH. BOY. 879 00:40:21,500 --> 00:40:23,000 THERE YOU GO, SON. 880 00:40:23,000 --> 00:40:24,333 THANKS. 881 00:40:24,333 --> 00:40:25,833 GOT HIM LOOKING SHARP. 882 00:40:25,833 --> 00:40:27,266 BARBER: LOOKING REAL GOOD. 883 00:40:27,266 --> 00:40:29,200 YEAH, IT'S GOOD TO SEE YOUR OLD MAN AGAIN. 884 00:40:29,200 --> 00:40:30,900 YEAH, IT BEEN A WHILE. 885 00:40:30,900 --> 00:40:32,400 YES, SIR. OOH-WEE. 886 00:40:32,400 --> 00:40:33,933 THAT BOY JUST LOVED GETTING IN TROUBLE. 887 00:40:33,933 --> 00:40:35,566 OK, EASY. YEAH. 888 00:40:35,566 --> 00:40:37,266 HE EVER TELL YOU THOSE STORIES? NO, SIR. 889 00:40:37,266 --> 00:40:38,966 GO ON. BAKER: HERE WE GO. 890 00:40:38,966 --> 00:40:40,966 YEAH, HE WAS THE RAW MAN BACK THEN. 891 00:40:40,966 --> 00:40:43,133 FOOTBALL PLAYER. YEAH, HE WAS SOMETHING. 892 00:40:43,133 --> 00:40:45,466 YEAH, HE WAS LIKE THE TASMANIAN DEVIL. 893 00:40:45,466 --> 00:40:47,833 BAKER: WHAT YOU LOOKING AT? HEH HEH HEH! 894 00:40:47,833 --> 00:40:51,266 AND IT WASN'T TILL HE STARTED DATING GRACE JAMES-- 895 00:40:51,266 --> 00:40:54,200 ACTUALLY, IT WAS GRACE HARPER BACK THEN. 896 00:40:54,200 --> 00:40:56,766 YEAH. ANYWAY, THAT'S WHAT FINALLY SETTLED HIM DOWN. 897 00:40:56,766 --> 00:41:00,400 MY DAD AND--MY DAD AND GRACE JAMES? OH, YEAH. 898 00:41:02,366 --> 00:41:04,000 THAT'S THEM RIGHT THERE. 899 00:41:04,000 --> 00:41:06,333 YEAH, AS INSEPARABLE AS THEY WERE ALL THROUGH HIGH SCHOOL, 900 00:41:06,333 --> 00:41:08,900 I JUST KNEW THEY WERE GONNA END UP MARRIED. 901 00:41:08,900 --> 00:41:11,200 YEAH, BUT I GUESS I WAS WAY OFF. 902 00:41:11,200 --> 00:41:13,100 FUNNY HOW THINGS HAVE A WAY OF WORKING OUT, 903 00:41:13,100 --> 00:41:15,333 HER SON LIVING WITH YOU GUYS AND ALL. 904 00:41:15,333 --> 00:41:18,566 YEAH, THAT'S THEM. 905 00:41:18,566 --> 00:41:20,500 MM-HMM.