1 00:00:01,160 --> 00:00:02,790 ♪ OOH... ♪ 2 00:00:10,160 --> 00:00:12,120 STADIUM ANNOUNCER: IT'S DEEP IN THE FOURTH QUARTER, 3 00:00:12,120 --> 00:00:15,500 FIRST GAME OF THE SEASON, AND SOUTH CRENSHAW AND SLAUSON 4 00:00:15,500 --> 00:00:16,250 ARE TIED. 5 00:00:16,250 --> 00:00:20,000 THIRD DOWN AND 10 ON THE CRENSHAW 40-YARD LINE. 6 00:00:20,910 --> 00:00:25,080 UNBELIEVABLE CATCH BY SPENCER JAMES! 7 00:00:38,000 --> 00:00:39,380 20 BUCKS HE CALLS THAT NINER. 8 00:00:39,380 --> 00:00:41,960 HEY, Y'ALL, LET'S GET THIS DUB, BABY, LET'S GET THIS DUB. 9 00:00:41,960 --> 00:00:43,590 GUN RIGHT, TRIPS NINER, ON 1, ON 1. 10 00:00:43,590 --> 00:00:47,050 MAN, THEIR SAFETIES HAVE BEEN SITTING ON THAT ALL NIGHT, BRO. 11 00:00:47,050 --> 00:00:48,550 COACH CALLED IT, SPENCER. 12 00:00:48,550 --> 00:00:49,340 AND COACH IS WRONG. 13 00:00:49,340 --> 00:00:51,920 A'IGHT, LOOK, THEM BOYS ABOUT TO BLITZ. 14 00:00:51,920 --> 00:00:53,920 LOOK TO ME, A'IGHT? IF I GIVE THE SIGNAL, 15 00:00:53,920 --> 00:00:55,920 JUST GIVE ME THE BALL, FAST. 16 00:00:55,920 --> 00:00:57,000 YOU DON'T SCORE, WE DEAD. 17 00:00:57,000 --> 00:00:59,750 MAN, I'LL SEE YOU BOYS IN THE END ZONE. 18 00:00:59,750 --> 00:01:00,550 ALL: BREAK! 19 00:01:00,550 --> 00:01:03,130 ANNOUNCER: WITH THE BALL ON THE 45 AND OUT OF FIELD-GOAL RANGE, 20 00:01:03,130 --> 00:01:05,130 THE CHARGERS HAVE TO SCORE ON THIS DRIVE. 21 00:01:05,130 --> 00:01:07,670 QUARTERBACK: HEY, YO, 56 IS MIKE! 56 IS MIKE! 22 00:01:07,670 --> 00:01:13,380 WATCH THAT MAN OFF THE EDGE! COVER 2, JUST DIG, DIG, COVER 2! 23 00:01:20,630 --> 00:01:24,880 YO, KILL, KILL, KILL! CHECK RAZOR! CHECK RAZOR! 24 00:01:24,880 --> 00:01:26,880 CHECK RAZOR! KILL IT! CHECK RAZOR! 25 00:01:26,880 --> 00:01:31,550 ANNOUNCER: LOOKS LIKE THEY'RE CHANGING THE PLAY AT THE LINE OF SCRIMMAGE. 26 00:01:32,420 --> 00:01:34,670 QUARTERBACK: CHECK! 27 00:01:34,670 --> 00:01:35,250 HIKE! HIKE! 28 00:01:35,250 --> 00:01:38,920 MAN: ♪ DAMN, I'M THE MAN WITH THE ... IN HIS HAND ♪ 29 00:01:38,920 --> 00:01:42,250 ANNOUNCER: HE ROLLS BACK. IT'S A DEEP PASS. 30 00:01:42,250 --> 00:01:45,550 MAN: ♪ AND DAMN, I'M THE MAN WITH THE ... IN HIS HAND ♪ 31 00:01:45,550 --> 00:01:47,630 CAUGHT BY SPENCER JAMES! 32 00:01:47,630 --> 00:01:50,630 HE'S AT THE 10, THE 5! 33 00:01:50,630 --> 00:01:52,840 TOUCHDOWN! 34 00:01:52,840 --> 00:01:54,590 CHARGERS WIN! 35 00:02:26,250 --> 00:02:29,050 MAN: SPENCER JAMES? 36 00:02:29,050 --> 00:02:32,090 MY BAD. DIDN'T MEAN TO, UH, STARTLE YOU. 37 00:02:32,090 --> 00:02:34,630 GEEZ. IT'S, LIKE, ONE MINUTE 38 00:02:34,630 --> 00:02:37,250 YOU'RE SCORING, THEN THE NEXT... 39 00:02:37,250 --> 00:02:39,840 ANOTHER DAY IN THE NEIGHBORHOOD. 40 00:02:39,840 --> 00:02:41,500 YEAH. 41 00:02:41,500 --> 00:02:42,840 BILLY BAKER, 42 00:02:42,840 --> 00:02:44,630 VARSITY COACH, BEVERLY HIGH. 43 00:02:44,630 --> 00:02:46,250 BEVERLY HILLS, HUH? YES, SIR. 44 00:02:46,250 --> 00:02:48,500 I'LL CUT TO THE CHASE, SPENCER. I'VE HAD MY EYE ON YOU. 45 00:02:48,500 --> 00:02:52,300 YOU GOT STRONG HANDS, YOU MATCH UP WELL AGAINST SINGLE COVERAGE. 46 00:02:52,300 --> 00:02:57,840 SAW THAT FILM ON YOU WITH THE 4 TOUCHDOWNS AGAINST FAIRFAX LAST SEASON, YEAH. 47 00:02:57,840 --> 00:03:00,050 YEAH, I NEED YOU TO COME PLAY FOR ME. 48 00:03:00,050 --> 00:03:02,800 PLAY FOR YOU? PLAY FOR ME. 49 00:03:02,800 --> 00:03:04,340 BUT YOU CAN'T RECRUIT. 50 00:03:04,340 --> 00:03:07,420 I MEAN, I'M SORRY. THOSE ARE THE RULES. SEASON'S STARTED. 51 00:03:07,420 --> 00:03:09,710 I SWITCH TEAMS, I'M BENCHED 3 MONTHS. NO. 52 00:03:09,710 --> 00:03:11,250 NOT WITH ME. I CAN GET AROUND THAT. 53 00:03:11,250 --> 00:03:14,500 NOW, I'M ASSUMING YOU WANT TO PLAY PRO EVENTUALLY. 54 00:03:14,500 --> 00:03:15,800 AM I RIGHT? YES, SIR. 55 00:03:15,800 --> 00:03:17,170 YEAH, WELL, I CAN HELP OUT WITH THAT. 56 00:03:17,170 --> 00:03:19,710 YOU KNOW, SOUTH CRENSHAW, YOU GOT A STRONG TEAM, 57 00:03:19,710 --> 00:03:22,710 AND BEVERLY HILLS, WE'VE HAD A COUPLE OF ROUGH SEASONS, 58 00:03:22,710 --> 00:03:24,170 BUT I'M GONNA TURN THAT AROUND THIS YEAR. 59 00:03:24,170 --> 00:03:27,050 PLUS, WE CAN OFFER YOU SOMETHING THAT CRENSHAW CAN'T. 60 00:03:27,050 --> 00:03:28,050 IS THAT RIGHT? 61 00:03:28,050 --> 00:03:30,420 A BETTER EDUCATION AT A SAFER SCHOOL. 62 00:03:30,420 --> 00:03:31,920 I CAN GET YOU A WAY OUT, MAN. 63 00:03:31,920 --> 00:03:33,460 LOOK, I PLAYED IN THE NFL, ALL RIGHT, 64 00:03:33,460 --> 00:03:35,550 FOR A COUPLE YEARS TILL I BUSTED MY KNEE, 65 00:03:35,550 --> 00:03:37,630 BUT I STILL HAVE ALL THOSE CONTACTS. 66 00:03:37,630 --> 00:03:40,250 I CAN MAKE ALL YOUR NFL DREAMS A REALITY. 67 00:03:40,250 --> 00:03:41,840 BUT TAKE IT FROM ME, MAN, FROM EXPERIENCE, 68 00:03:41,840 --> 00:03:46,380 EVERY PLAYER OUT THERE IS JUST ONE INJURY AWAY FROM NEEDING A BACK-UP PLAN. 69 00:03:46,380 --> 00:03:51,130 LOOK, I APPRECIATE THE OFFER, COACH, BUT, UH... 70 00:03:51,380 --> 00:03:53,420 I DON'T NEED A BACK-UP. 71 00:03:53,420 --> 00:03:56,250 THIS IS WHERE I BELONG. 72 00:03:56,250 --> 00:03:56,880 ALL RIGHT. 73 00:03:56,880 --> 00:03:58,800 YOU HAVE A GOOD NIGHT. YES, SIR. BE SAFE. 74 00:03:58,800 --> 00:04:00,840 YO, SPENCE. HEY, WHAT'S UP? 75 00:04:01,590 --> 00:04:04,210 NIPSEY HUSSLE: ♪ ALL MY LIFE, BEEN GRINDING ALL MY LIFE ♪ 76 00:04:04,210 --> 00:04:07,050 ♪ STACKED FIGHTS, HUSTLE PAY THE PRICE ♪ 77 00:04:07,050 --> 00:04:09,670 ♪ WANT A SLICE? GOT TO ROLL THE DICE ♪ 78 00:04:09,670 --> 00:04:11,000 ♪ THAT'S WHY, ALL MY LIFE ♪ 79 00:04:11,000 --> 00:04:13,380 ♪ I'VE BEEN GRINDING ALL MY LIFE ♪ 80 00:04:13,380 --> 00:04:15,590 ♪ YEAH ♪ 81 00:04:37,840 --> 00:04:39,630 AND SHE'S LIKE THIS BAD-ASS SPACE BOUNTY HUNTER, 82 00:04:39,630 --> 00:04:41,210 BUT SHE'S ALSO LIKE A SPIDER PERSON, 83 00:04:41,210 --> 00:04:43,590 SO SHE HAS 8 LEGS AND A WHOLE BUNCH OF EYES 84 00:04:43,590 --> 00:04:44,550 AND SHE'S TOTALLY HOT. 85 00:04:44,550 --> 00:04:46,090 WAIT, WHAT ARE WE TALKING ABOUT? 86 00:04:46,090 --> 00:04:48,170 "SAGA," MOM. ARE YOU EVEN LISTENING? 87 00:04:48,170 --> 00:04:50,170 THERE'S ONLY TWO KIND OF PEOPLE IN THIS WORLD-- 88 00:04:50,170 --> 00:04:52,550 PEOPLE WHO READ "SAGA" AND PEOPLE WHO DON'T. 89 00:04:52,550 --> 00:04:53,880 YOU DON'T WANT TO BE THE LATTER. 90 00:04:53,880 --> 00:04:56,250 MOM: I'LL KEEP THAT IN MIND, DILLON. 91 00:04:56,250 --> 00:04:59,170 WELL, LOOK WHO DECIDED TO GET UP. 92 00:04:59,170 --> 00:05:01,920 I'M DEFINITELY UP NOW. NO HOT WATER AGAIN? 93 00:05:01,920 --> 00:05:04,170 JUST BEHIND ON THE GAS BILL, THAT'S ALL. 94 00:05:04,170 --> 00:05:06,380 IT'S FINE. I GET PAID THIS WEEK. 95 00:05:06,380 --> 00:05:08,250 BESIDES, A COLD... 96 00:05:08,250 --> 00:05:10,050 BOYS: A COLD SHOWER NOW AND THEN 97 00:05:10,050 --> 00:05:12,000 IS GOOD FOR THE SOUL. 98 00:05:12,000 --> 00:05:15,460 HEH. SMART ASSES. 99 00:05:19,630 --> 00:05:21,710 GIRL: BEVERLY HILLS, THOUGH? 100 00:05:21,710 --> 00:05:22,340 CRAZY, HUH? 101 00:05:22,340 --> 00:05:23,840 YEAH, MAN. YOU TOLD YOUR MOM? 102 00:05:23,840 --> 00:05:25,170 NAH. YOU KNOW HOW SHE GETS. 103 00:05:25,170 --> 00:05:27,170 I'M TELLING YOU, THAT WOMAN DON'T PLAY, MAN. 104 00:05:27,170 --> 00:05:28,590 IF GRACE FINDS OUT YOU GOT A SHOT LIKE THIS, 105 00:05:28,590 --> 00:05:31,550 YOU'D BE EATING MAYONNAISE SANDWICHES BY THE END OF THE NIGHT. 106 00:05:31,550 --> 00:05:34,670 MAN, WHAT IS IT WITH WHITE PEOPLE AND MAYONNAISE? 107 00:05:34,670 --> 00:05:37,300 I DON'T KNOW. 108 00:05:37,300 --> 00:05:41,920 DAMN, SHASSY, THAT BOOTY LOOKING JUICY. 109 00:05:43,380 --> 00:05:43,840 WHAT? 110 00:05:43,840 --> 00:05:45,300 COOP, THOSE GIRLS ROLL WITH SHAWN. 111 00:05:45,300 --> 00:05:46,590 YOU REALLY WANT TO PLAY LIKE THAT? 112 00:05:46,590 --> 00:05:48,500 LISTEN, THAT WEAK-ASS, WANNABE GANGBANGER 113 00:05:48,500 --> 00:05:49,300 CAN'T TOUCH ME. 114 00:05:49,300 --> 00:05:52,380 PLUS, I GOT YOU FOR BACK-UP ANYWAY. 115 00:05:52,380 --> 00:05:53,460 DON'T TOUCH ME LIKE THAT. 116 00:05:53,460 --> 00:05:55,750 WHY WHAT 117 00:05:56,630 --> 00:05:58,500 ♪ 6 CHAINS ON THIS CHEST OF MINE ♪ 118 00:05:58,500 --> 00:06:00,340 ♪ 6 CHICKS ON MY CHESTERFIELD ♪ 119 00:06:00,340 --> 00:06:02,090 ♪ DROP TEXT SAY SHE LOVES THE BOY ♪ 120 00:06:02,090 --> 00:06:04,050 ♪ GUESS I GOT THAT SEX APPEAL ♪ 121 00:06:04,050 --> 00:06:05,630 ♪ VOLUME, BILLION DECIBELS ♪ 122 00:06:05,630 --> 00:06:06,960 ♪ HEAR ME COMING TWO BLOCKS AWAY ♪ 123 00:06:06,960 --> 00:06:08,920 ♪ I BE THUGGIN' TILL THE DAY I DIE ♪ 124 00:06:08,920 --> 00:06:10,840 ♪ MY CURRENT MOOD'S 2PAC TODAY ♪ 125 00:06:10,840 --> 00:06:12,550 HOW YOU TALKING TO MY GIRL, COOP? 126 00:06:12,550 --> 00:06:14,920 THAT'S NOT YOUR GIRL, SHAWN. IT IS MY GIRL. 127 00:06:14,920 --> 00:06:16,170 SHE ONLY YOURS WHEN YOU WITH HER. 128 00:06:16,170 --> 00:06:17,800 SHE MINE RIGHT NOW. WHAT YOU WANT TO DO, MAN? 129 00:06:17,800 --> 00:06:19,340 I'LL SHOW YOU RIGHT NOW WHAT I'M ABOUT TO DO. 130 00:06:19,340 --> 00:06:20,500 WELL, SHOW IT. WHAT'S UP? 131 00:06:20,500 --> 00:06:21,880 SPENCER: HEY. HEY! COOP: WHAT'S UP? 132 00:06:21,880 --> 00:06:22,880 SHAWN: WHAT'S UP? HEY! 133 00:06:22,880 --> 00:06:26,340 WHAT'S UP? YOU BEAT UP ON FEMALES NOW, SHAWN? 134 00:06:26,340 --> 00:06:29,630 FEMALE, MY ASS. SHE-MAN, MORE LIKE IT. 135 00:06:30,550 --> 00:06:32,960 WHAT'S UP, HOMIE? 136 00:06:46,840 --> 00:06:48,550 I CAN EXPLAIN. 137 00:06:48,550 --> 00:06:49,380 YOU DON'T HAVE TO. 138 00:06:49,380 --> 00:06:53,210 COACH BAKER ALREADY EXPLAINED EVERYTHING. 139 00:06:53,210 --> 00:06:54,170 HOW YOU DOING, SPENCER? 140 00:06:54,170 --> 00:06:55,670 HOW COULD YOU NOT TELL ME, SPENCER? 141 00:06:55,670 --> 00:06:58,500 MOM. DON'T "MOM" ME RIGHT NOW. 142 00:06:58,500 --> 00:07:00,250 SO THAT'S HOW IT IS? 143 00:07:00,250 --> 00:07:02,050 I SAY NO, YOU JUST GO AROUND ME? 144 00:07:02,050 --> 00:07:03,300 SPENCER, I JUST WANTED TO HELP. 145 00:07:03,300 --> 00:07:05,380 I DON'T NEED HELP, MAN. I'M HAPPY WHERE I'M AT. 146 00:07:05,380 --> 00:07:06,750 GRACE: HAPPY? IS THAT RIGHT? 147 00:07:06,750 --> 00:07:08,380 YOU THINK I DIDN'T HEAR ABOUT THAT SHOOTING 148 00:07:08,380 --> 00:07:10,210 OVER AT CRENSHAW THE OTHER NIGHT? 149 00:07:10,210 --> 00:07:12,130 THAT I DIDN'T GET A CALL ABOUT YOUR LITTLE FIGHT? 150 00:07:12,130 --> 00:07:15,630 YOU'VE BEEN IN AND OUT OF TROUBLE AT THAT SCHOOL FOR YEARS. 151 00:07:15,630 --> 00:07:17,590 I'M A CLERK DOWN AT THE COURTHOUSE. 152 00:07:17,590 --> 00:07:20,590 I SEE THIS TYPE OF STUFF ALL THE TIME. 153 00:07:20,590 --> 00:07:22,840 GOOD KIDS GONE BAD, 154 00:07:22,840 --> 00:07:24,000 GETTING CAUGHT UP WITH GANGS. 155 00:07:24,000 --> 00:07:26,880 DID YOU KNOW THERE ARE OVER 450 ACTIVE GANGS 156 00:07:26,880 --> 00:07:28,500 IN THE L.A. AREA? 157 00:07:28,500 --> 00:07:29,210 NOT HELPING. 158 00:07:29,210 --> 00:07:32,300 LOOK, SPENCER, I WENT TO CRENSHAW, 159 00:07:32,300 --> 00:07:33,960 BUT SOMEBODY GAVE ME A CHANCE. 160 00:07:33,960 --> 00:07:36,000 SOMEBODY HELPED ME FIND A WAY OUT. 161 00:07:36,000 --> 00:07:38,170 PLEASE LET ME FIND YOU ONE. 162 00:07:38,170 --> 00:07:41,550 I MEAN, HELL, MY OWN KIDS GO TO BEVERLY. 163 00:07:41,550 --> 00:07:44,090 SO MAYBE YOUR FATHER-- 164 00:07:44,090 --> 00:07:48,050 I DON'T HAVE A FATHER, NOT ANYMORE. 165 00:07:48,050 --> 00:07:51,250 GRACE: COREY LEFT A FEW YEARS BACK. 166 00:07:51,250 --> 00:07:53,590 HE WENT TO COACH COLLEGE BALL IN NEVADA. 167 00:07:53,590 --> 00:07:57,670 WE HAVEN'T SEEN HIM SINCE. 168 00:07:57,670 --> 00:07:59,750 BILLY: OH, WELL, I'M SORRY TO HEAR THAT. 169 00:07:59,750 --> 00:08:02,000 THAT'S, UH, THAT'S A SHAME. 170 00:08:02,000 --> 00:08:04,750 YOU'RE BREEZING BY AT CRENSHAW, 171 00:08:04,750 --> 00:08:07,710 BARELY CRACKING OPEN A BOOK. 172 00:08:07,710 --> 00:08:09,050 YOU'RE SMART, SPENCER, 173 00:08:09,050 --> 00:08:11,550 AND YOU COULD MAKE SOMETHING OF YOUR LIFE 174 00:08:11,550 --> 00:08:12,550 BEYOND JUST FOOTBALL. 175 00:08:12,550 --> 00:08:13,590 FOOTBALL IS MY DREAM. 176 00:08:13,590 --> 00:08:15,300 YOU MAY NOT BELIEVE IN THAT DREAM, BUT I DO. 177 00:08:15,300 --> 00:08:21,130 YOU DON'T THINK I KNOW WHY YOU DON'T WANT TO TAKE THIS SHOT? 178 00:08:21,840 --> 00:08:24,550 YOU DON'T WANT TO BE LIKE YOUR DAD. 179 00:08:24,550 --> 00:08:26,750 YOU'RE A GOOD MAN. 180 00:08:26,750 --> 00:08:27,920 YOU'RE PROUD OF WHO YOU ARE. 181 00:08:27,920 --> 00:08:32,750 AND, SPENCER, I AM SO DAMN PROUD OF YOU FOR THAT. 182 00:08:32,750 --> 00:08:35,550 YOU HAVE NO IDEA. 183 00:08:36,250 --> 00:08:41,710 BUT CHOOSING NOT TO TAKE AN OPPORTUNITY LIKE THIS... 184 00:08:41,710 --> 00:08:44,340 TAKE IT FROM ME, 185 00:08:44,340 --> 00:08:47,630 THAT'S NOT REALLY CHOOSING. 186 00:08:49,050 --> 00:08:52,000 TELL ME I'M WRONG. 187 00:08:53,750 --> 00:08:57,170 TELL ME THAT GOING TO BEVERLY 188 00:08:57,170 --> 00:09:01,380 ISN'T THE BEST THING FOR YOU, BABY. 189 00:09:04,130 --> 00:09:06,710 SKYZOO: ♪ I'M HERE FOR THE CROWN ♪ 190 00:09:06,710 --> 00:09:11,590 ♪ I'M HERE FOR THE CROWN ♪ 191 00:09:11,590 --> 00:09:13,170 ♪ YO, I'M HERE FOR THE CROWN ♪ 192 00:09:13,170 --> 00:09:15,210 ♪ HOP OUT THE WAY WHILE I'M TEARING THIS DOWN ♪ 193 00:09:15,210 --> 00:09:16,800 ♪ SHARING ALONG AND SHARING ALOUD ♪ 194 00:09:16,800 --> 00:09:18,550 ♪ GET YOU THE STATE OF THE WAY OF IT NOW ♪ 195 00:09:18,550 --> 00:09:20,630 ♪ 'CAUSE I CAME HERE TO HOLD UP THE RING ♪ 196 00:09:20,630 --> 00:09:22,380 ♪ PLAY THE PARADE, YOU KNOW WHAT TO SING ♪ 197 00:09:22,380 --> 00:09:24,170 ♪ HERE'S TO THE PEOPLE WHO KNOW WHO WE ARE ♪ 198 00:09:24,170 --> 00:09:25,840 ♪ AND KNOW THAT OUR HEART ISN'T ALL THAT WE BRING ♪ 199 00:09:25,840 --> 00:09:27,630 ♪ 'CAUSE I GOT A FEW TRICKS UP MY SLEEVE ♪ 200 00:09:27,630 --> 00:09:29,710 ♪ YOU WALK IN THIS WAR, YOU'LL BE ITCHING TO LEAVE ♪ 201 00:09:29,710 --> 00:09:31,590 ♪ MORE FOR THE WIN, VISION OF ME ♪ 202 00:09:31,590 --> 00:09:34,050 ♪ IS ANYTHING THAT YOU ENVISION TO BE? ♪ 203 00:09:34,050 --> 00:09:35,300 ♪ I CAME FOR THE CROWN ♪ 204 00:09:35,300 --> 00:09:36,750 ♪ AND THE DIAMONDS THAT SIT ALL AROUND ♪ 205 00:09:36,750 --> 00:09:38,670 ♪ AND THE CHAIR THAT THE LINE'S IN FRONT OF ♪ 206 00:09:38,670 --> 00:09:40,880 ♪ AND THE STARES FROM ALL OF THE CROWD ♪ 207 00:09:40,880 --> 00:09:42,920 ♪ I'M HERE FOR THE CROWN ♪ 208 00:09:42,920 --> 00:09:46,550 ♪ HEY ♪ 209 00:09:46,550 --> 00:09:49,840 WELCOME TO BEVERLY HILLS. 210 00:09:53,900 --> 00:09:56,820 NOW, REMEMBER, YOU'RE HERE ON AN ACADEMIC PERMIT, 211 00:09:56,820 --> 00:09:59,950 WHICH CAN BE REVOKED IF YOU DON'T MAINTAIN YOUR GPA. 212 00:09:59,950 --> 00:10:02,480 BUT I'VE SEEN YOUR RECORDS. THAT SHOULDN'T BE AN ISSUE-- 213 00:10:02,480 --> 00:10:06,400 EXCEPTIONAL GRADE AVERAGE, ABOVE-GRADE-LEVEL TESTING. 214 00:10:06,400 --> 00:10:07,440 YOU WON'T MISS A DAY AT PLAY. 215 00:10:07,440 --> 00:10:12,480 LOOK, NO FIGHTING OR IT'S OVER. ONE AND DONE. 216 00:10:12,480 --> 00:10:13,640 LOOK, I JUST DID WHAT I NEEDED TO GET BY. 217 00:10:14,040 --> 00:10:17,870 I KNOW. SEE YOU AT PRACTICE. 218 00:10:18,540 --> 00:10:19,620 WOMAN: ALL RIGHT, LISTEN UP. 219 00:10:19,620 --> 00:10:22,790 I WANT YOU ALL TO DO A SEARCH ON CHROMOSOMAL DNA 220 00:10:22,790 --> 00:10:24,410 AND MAKE A SLIDE ON HOW IT CONNECTS 221 00:10:24,410 --> 00:10:28,410 WITH LAST WEEK'S WORK ON PROTEIN. 222 00:10:31,120 --> 00:10:33,000 SPENCER, RIGHT? YES, MA'AM. 223 00:10:33,000 --> 00:10:34,580 IT'S OK IF YOU DON'T HAVE A COMPUTER. 224 00:10:34,580 --> 00:10:36,370 JUST PAIR UP WITH A CLASSMATE FOR NOW. 225 00:10:36,370 --> 00:10:38,790 OK. THANK YOU. 226 00:10:45,410 --> 00:10:50,200 HEY, TODD. KEEP WATCHING THAT LOGAN PAUL FEED. 227 00:10:50,200 --> 00:10:52,540 TODD: WHATEVER, OLIVIA. 228 00:10:52,540 --> 00:10:54,500 YOU CAN SHARE WITH ME. 229 00:10:54,500 --> 00:10:57,450 THANK YOU. 230 00:10:58,660 --> 00:11:02,160 I'LL WARN YOU, MY CHROMOSOMAL DNA KNOWLEDGE 231 00:11:02,160 --> 00:11:04,000 IS NON-EXISTENT AT BEST. 232 00:11:04,000 --> 00:11:06,580 I MIGHT BE ABLE TO HELP WITH THAT. 233 00:11:06,580 --> 00:11:10,120 SALAD BAR, COFFEE CART. 234 00:11:10,120 --> 00:11:12,370 THEY SERVE SUSHI ON FRIDAYS. 235 00:11:12,370 --> 00:11:13,330 SUSHI ON FRIDAY? 236 00:11:13,330 --> 00:11:16,540 AT CRENSHAW, WE GET SUSHI ON MONDAY, THAT'S ALL. 237 00:11:16,540 --> 00:11:20,120 SMART AND FUNNY. I'M IMPRESSED. 238 00:11:20,120 --> 00:11:23,200 DAYE JACK: ♪ I WALK A LONELY ROAD ♪ 239 00:11:23,200 --> 00:11:26,040 ♪ I WALK IT ALL ALONE ♪ 240 00:11:26,040 --> 00:11:28,410 ♪ THE HOPE IS ALL I GOT... ♪ 241 00:11:28,410 --> 00:11:29,330 LEILA KEATING. 242 00:11:29,330 --> 00:11:32,040 BEVERLY HILLS' RESIDENT SWEETHEART. 243 00:11:32,040 --> 00:11:33,500 DAD'S SOME BIG-TIME RECORD PRODUCER. 244 00:11:33,500 --> 00:11:36,200 AND I HEARD THEY SPEND EVERY THANKSGIVING WITH THE OBAMAS. 245 00:11:36,200 --> 00:11:40,290 AND RUMOR HAS IT, SHE EVEN SMOKED POT WITH MALIA LAST YEAR. 246 00:11:40,290 --> 00:11:42,750 YOU MUST BE SPENCER. 247 00:11:42,750 --> 00:11:45,580 JORDAN BAKER. QB. TEAM CAPTAIN. 248 00:11:45,580 --> 00:11:47,160 BAKER? 249 00:11:47,160 --> 00:11:47,950 OH, SO YOU MUST BE-- 250 00:11:47,950 --> 00:11:51,160 YEAH, COACH IS MY DAD. WELL, OUR DAD. 251 00:11:51,160 --> 00:11:52,870 I'LL TAKE IT FROM HERE, OLIVIA. 252 00:11:52,870 --> 00:11:56,080 COME ON, LET ME INTRODUCE YOU TO THE TEAM. 253 00:11:56,080 --> 00:11:58,620 HEY, THANKS FOR THE TOUR. 254 00:11:58,620 --> 00:11:59,830 YEAH. 255 00:11:59,830 --> 00:12:02,160 SUSHI ON FRIDAY? 256 00:12:02,160 --> 00:12:04,830 IT'S A DATE. 257 00:12:06,370 --> 00:12:08,830 IT'S A DATE? 258 00:12:08,830 --> 00:12:11,450 BILLY: I'M TELLING YOU, EDDIE, THIS NEW KID, 259 00:12:11,450 --> 00:12:12,500 NEW KID'S A GAME-CHANGER. 260 00:12:12,500 --> 00:12:14,290 THE TEAM'S GONNA BE MUCH STRONGER THIS YEAR. 261 00:12:14,290 --> 00:12:16,160 WE'RE GONNA BE PUTTING UP POINTS. 262 00:12:16,160 --> 00:12:17,000 YOU BETTER, 263 00:12:17,000 --> 00:12:18,370 'CAUSE, AS YOU'RE WELL AWARE, 264 00:12:18,370 --> 00:12:20,330 THE BOOSTERS PROVIDE FUNDING FOR OUR SPORTS PROGRAM, 265 00:12:20,330 --> 00:12:23,750 FUNDING THAT'LL DRY UP FAST WITHOUT A TITLE THIS YEAR. 266 00:12:23,750 --> 00:12:24,830 AND WITHOUT ONE-- 267 00:12:24,830 --> 00:12:27,370 OR I'M GONNA BE OUT OF A JOB. IS THAT IT? 268 00:12:27,370 --> 00:12:28,870 NOBODY'S TALKING CHANGES RIGHT NOW. 269 00:12:28,870 --> 00:12:32,580 WE JUST--WE NEED TO TURN THIS AROUND. 270 00:12:32,580 --> 00:12:34,450 OK. 271 00:12:34,450 --> 00:12:35,870 MEET THE CREW. 272 00:12:35,870 --> 00:12:39,700 THIS IS HADLEY, LEILA, AND UP TOP, LUCY, JJ, AND ASHER. 273 00:12:39,700 --> 00:12:41,450 HEY, WHAT'S UP? SPENCER. 274 00:12:41,450 --> 00:12:42,370 HEY. HEY. 275 00:12:42,370 --> 00:12:43,910 I THINK YOU AND ASHER PLAY THE SAME POSITION. 276 00:12:43,910 --> 00:12:45,370 ASHER: WHAT'S UP, MAN? OH, RECEIVER, HUH? 277 00:12:45,370 --> 00:12:48,540 YEAH, BROKE THE SCHOOL RECORD FOR RECEPTIONS LAST SEASON. 278 00:12:48,540 --> 00:12:49,200 ME, TOO. 279 00:12:49,200 --> 00:12:51,160 SO HOW ARE YOU LIKING BEVERLY SO FAR? 280 00:12:51,160 --> 00:12:51,950 IT'S OK, I GUESS. 281 00:12:51,950 --> 00:12:54,700 I KNOW IT PROBABLY FEELS LIKE LOST FOOTAGE 282 00:12:54,700 --> 00:12:55,870 OR RICH KIDS FROM INSTAGRAM, 283 00:12:55,870 --> 00:12:57,950 BUT IT'S NOT SO BAD ONCE YOU GIVE IT A CHANCE. 284 00:12:57,950 --> 00:12:59,700 I'M SURE IT'LL GROW ON ME. 285 00:12:59,700 --> 00:13:03,540 HEY, SO LAY IT ON ME. CRIPS OR BLOODS? 286 00:13:03,540 --> 00:13:04,410 EXCUSE ME? 287 00:13:04,410 --> 00:13:06,660 I'M DYING TO CHECK OUT A CRIP WALK FOR REAL. 288 00:13:06,660 --> 00:13:08,000 I'VE ONLY SEEN ONE ON YOUTUBE. 289 00:13:08,000 --> 00:13:09,870 YO, YO, HE'S JUST JOKING, MAN. IGNORE HIM. 290 00:13:09,870 --> 00:13:11,200 ASHER, YOU WOULDN'T KNOW A CRIP WALK 291 00:13:11,200 --> 00:13:12,540 IF IT BIT YOU IN THE DAMN WHITE ASS. 292 00:13:12,540 --> 00:13:15,330 THAT DIDN'T SOUND LIKE A JOKE TO ME, BRO. 293 00:13:15,330 --> 00:13:18,790 DON'T BE SO SENSITIVE. SENSITIVE? 294 00:13:22,950 --> 00:13:26,500 HEY, YO, THANKS FOR THE WELCOME. 295 00:13:29,580 --> 00:13:30,580 ASHER. 296 00:13:30,580 --> 00:13:31,540 WHAT? 297 00:13:31,540 --> 00:13:33,250 I WAS MAKING CONVERSATION. 298 00:13:33,250 --> 00:13:36,290 NO, YOU WERE BEING AN ASS. 299 00:13:38,620 --> 00:13:39,450 HEY. 300 00:13:39,450 --> 00:13:41,290 UM, I'M SORRY ABOUT ASHER. 301 00:13:41,290 --> 00:13:44,750 I KNOW HOW HE CAN COME OFF, BUT HE'S REALLY NOT THAT BAD 302 00:13:44,750 --> 00:13:46,250 ONCE YOU GET TO KNOW HIM. 303 00:13:46,250 --> 00:13:46,830 YEAH, RIGHT. 304 00:13:46,830 --> 00:13:49,290 I THINK HE'S INTIMIDATED BY YOU. 305 00:13:49,290 --> 00:13:51,450 I THINK THEY ALL ARE. 306 00:13:51,450 --> 00:13:52,250 THOSE GUYS? 307 00:13:52,250 --> 00:13:55,330 WITH ALL THEIR YEEZYS AND MAN JEWELRY? 308 00:13:55,330 --> 00:13:56,330 THEY GOT IT MADE. 309 00:13:56,330 --> 00:13:59,580 ME, I HAD TO CATCH 3 BUSES TO GET HERE TODAY. 310 00:13:59,580 --> 00:14:01,000 AND I'VE BEEN WEARING MY COUSIN RAY'S 311 00:14:01,000 --> 00:14:02,410 HAND-ME-DOWNS SINCE I WAS BORN. 312 00:14:02,410 --> 00:14:04,660 AND YOU KNOW RAY LOVES HIM SOME POLYESTER. 313 00:14:04,660 --> 00:14:06,620 OK, DON'T NOBODY LIKE POLYESTER. 314 00:14:06,620 --> 00:14:11,660 OK, BUT AREN'T YOU SOME LIKE CRAZY GOOD FOOTBALL PLAYER? 315 00:14:11,660 --> 00:14:13,040 I DO ALL RIGHT. 316 00:14:13,040 --> 00:14:15,540 YOU JUST GOT TO SEE THE FIELD. 317 00:14:17,410 --> 00:14:18,450 RIGHT THERE, THAT GUY. 318 00:14:18,450 --> 00:14:22,870 GAIT'S OFF, LOOSE HANDS. YO, YO, HE ABOUT TO FALL. 319 00:14:23,450 --> 00:14:25,200 OH! HOW DID YOU DO THAT? 320 00:14:25,200 --> 00:14:27,450 HAPPENED THE FIRST TIME I PICKED UP A BALL. 321 00:14:27,450 --> 00:14:33,080 IT WAS JUST A TWITCH OF THE FINGERS, A LOOK, A TICK. 322 00:14:33,080 --> 00:14:34,580 SO DO ME. 323 00:14:34,580 --> 00:14:38,910 I MEAN, READ ME OR WHATEVER IT IS. 324 00:14:38,910 --> 00:14:41,250 YOU'RE LIKE A DEFENSIVE BACK. 325 00:14:41,250 --> 00:14:43,410 A DEFENSIVE BACK? 326 00:14:43,410 --> 00:14:44,250 GEE, THANKS. 327 00:14:44,250 --> 00:14:46,200 I JUST MEAN YOU'RE CONFIDENT, SMART. 328 00:14:46,200 --> 00:14:49,450 YOU LIKE ATTENTION. YOU LIKE TO CALL THE PLAYS. 329 00:14:49,450 --> 00:14:51,660 THAT'S NOT THE MOST INTERESTING THING ABOUT YOU. 330 00:14:51,660 --> 00:14:55,290 I SAW IT THE MINUTE YOU CROSSED THE YARD. 331 00:14:55,290 --> 00:14:57,950 YOU'RE LONELY. 332 00:14:57,950 --> 00:15:01,370 DEFENSIVE BACKS, THEY LIKE TO PLAY ON AN ISLAND, 333 00:15:01,370 --> 00:15:04,620 ALWAYS BY THEMSELVES. 334 00:15:05,410 --> 00:15:09,200 I WAS KIND OF HOPING FOR A SUPER POWER, 335 00:15:09,200 --> 00:15:11,580 BUT NOT EVEN CLOSE, HUH? 336 00:15:11,580 --> 00:15:13,200 I AIN'T ALWAYS RIGHT, SO. 337 00:15:13,200 --> 00:15:15,160 I SHOULD GET TO CLASS. 338 00:15:15,160 --> 00:15:19,450 BUT I'M GLAD YOU CAME TO BEVERLY. 339 00:15:19,450 --> 00:15:23,040 ME, TOO. 340 00:15:30,120 --> 00:15:32,580 ALL RIGHT, FELLAS, LET'S GET IT. 341 00:15:32,580 --> 00:15:34,080 SHOW ME SOMETHING, BOYS. 342 00:15:34,080 --> 00:15:37,250 Y'ALL IN TROUBLE NOW, BOY. 343 00:15:38,620 --> 00:15:40,120 LET'S GO, BABY. 344 00:15:40,120 --> 00:15:42,160 BOY: BACK UP. MAN: ♪ WALK ♪ 345 00:15:42,160 --> 00:15:43,160 ♪ NA NA NA NA ♪ 346 00:15:43,160 --> 00:15:45,160 AHH! ♪ NA NA NA NA ♪ 347 00:15:45,160 --> 00:15:47,160 OOH. HE CAUGHT IT, THOUGH. 348 00:15:47,160 --> 00:15:47,950 ♪ NA NA NA NA ♪ 349 00:15:47,950 --> 00:15:50,660 WHOO! COME ON. ♪ NA NA NA NA ♪ 350 00:15:50,660 --> 00:15:52,120 ♪ YOUR RUNWAY WALK ♪ 351 00:15:52,120 --> 00:15:53,450 ♪ LET ME SEE YOUR RUNWAY WALK ♪ 352 00:15:53,450 --> 00:15:56,080 ♪ MAKE YOUR HEELS CLICK, MAKE THE RUNWAY TALK ♪ 353 00:15:56,080 --> 00:15:57,790 WHAT THE HELL, MAN? I GOT IT, I GOT IT. 354 00:15:57,790 --> 00:15:59,290 CALM DOWN. HEY, YO. 355 00:15:59,290 --> 00:16:00,540 YOU'RE RUNNING THE WRONG PLAYS. 356 00:16:00,540 --> 00:16:03,080 YOU KNOW WHAT THEY SAY, WE ALL WRONG, WE ALL RIGHT. 357 00:16:03,080 --> 00:16:06,080 NO, THAT'S NOT WHAT WE PLAY HERE. 358 00:16:06,080 --> 00:16:07,160 MAYBE IT SHOULD BE. 359 00:16:07,160 --> 00:16:09,660 BILLY: ALL RIGHT, BOYS, BRING IT IN. 360 00:16:10,410 --> 00:16:12,330 ALL RIGHT, WE'RE GONNA MIX IT UP A LITTLE BIT. 361 00:16:12,330 --> 00:16:15,120 ALL RIGHT, SPENCER, YOU EVER PLAYED SAFETY? 362 00:16:15,120 --> 00:16:16,370 NO, WHY? GIVE IT A TRY. 363 00:16:16,370 --> 00:16:18,540 MAN, I DON'T PLAY DEFENSE. 364 00:16:18,540 --> 00:16:20,290 YOU PLAY WHAT I TELL YOU TO PLAY. 365 00:16:20,290 --> 00:16:23,950 SO YOU'RE JUST GONNA CHANGE MY POSITION? SPENCER. 366 00:16:23,950 --> 00:16:25,500 AFTER EVERYTHING WE TALKED ABOUT? 367 00:16:25,500 --> 00:16:26,950 MAN, I DIDN'T COME HERE FOR THIS. 368 00:16:26,950 --> 00:16:28,200 I CAME HERE TO SCORE TOUCHDOWNS. 369 00:16:28,200 --> 00:16:31,160 YOU CAME HERE TO PLAY FOOTBALL AS A TEAM. 370 00:16:31,160 --> 00:16:34,250 AM I RIGHT OR AM I RIGHT? 371 00:16:34,250 --> 00:16:35,080 THANK YOU. 372 00:16:35,080 --> 00:16:36,830 YOU GOT ONE OF TWO CHOICES, SON. 373 00:16:36,830 --> 00:16:39,160 YOU CAN EITHER BE ON THIS SIDE OF THE LINE 374 00:16:39,160 --> 00:16:41,700 OR THAT SIDE OF THE LINE. 375 00:16:41,700 --> 00:16:43,540 YOU CHOOSE. 376 00:16:43,540 --> 00:16:46,450 WHAT'S IT GONNA BE? 377 00:16:49,080 --> 00:16:51,870 SET! GO! 378 00:16:53,290 --> 00:16:55,330 MAN: THERE WE GO. BILLY: ATTA BOY. 379 00:16:55,330 --> 00:16:57,250 ALL RIGHT. GOOD WORK, SON. 380 00:16:57,250 --> 00:16:59,330 WHOO! GOOD STUFF. 381 00:16:59,330 --> 00:17:01,250 THAT'S HOW YOU PLAY FOOTBALL. 382 00:17:01,250 --> 00:17:04,200 YOU BETTER GET COMFORTABLE THERE. 383 00:17:10,010 --> 00:17:11,760 AND I'M PLAYING WITH A BUNCH OF GUYS WHO DON'T WANT ME 384 00:17:11,760 --> 00:17:13,300 FOR A COACH WHO SAID HE'D HAVE MY BACK 385 00:17:13,300 --> 00:17:14,970 AND HE MOVED ME OFF THE DEFENSE. 386 00:17:14,970 --> 00:17:16,010 AND I'M SUPPOSED TO WHAT, 387 00:17:16,010 --> 00:17:19,220 PLAY ALONG, HELP THEM WIN THEIR SEASON? 388 00:17:19,220 --> 00:17:20,050 THEN DON'T. 389 00:17:20,050 --> 00:17:21,760 WHAT, THROW THE SEASON? 390 00:17:21,760 --> 00:17:22,930 NO, MAKE IT YOUR SEASON. 391 00:17:22,930 --> 00:17:24,680 YOU'LL FIND A WAY. I KNOW YOU WILL. 392 00:17:24,680 --> 00:17:26,800 YOU LET SOME LILY WHITE COACH-- 393 00:17:26,800 --> 00:17:29,100 HE'S BLACK. 394 00:17:29,100 --> 00:17:30,140 BLACK? 395 00:17:30,140 --> 00:17:32,930 I DON'T KNOW THEN. MAYBE HE RIGHT. 396 00:17:32,930 --> 00:17:34,180 MAN, SHUT UP. 397 00:17:34,180 --> 00:17:35,970 LISTEN, MAN, FOR REAL. 398 00:17:35,970 --> 00:17:38,930 BLACK, WHITE, PLAID, IT DON'T MATTER. 399 00:17:38,930 --> 00:17:40,300 YOU JUST GOT TO DO YOU. 400 00:17:40,300 --> 00:17:41,930 YOU GOT THE GOODS ON AND OFF THE FIELD. 401 00:17:41,930 --> 00:17:44,890 I KNEW IT FROM THE MOMENT I MET YOU RIGHT HERE IN THIS PARK. 402 00:17:44,890 --> 00:17:46,850 MAN, I DON'T KNOW, COOP. 403 00:17:46,850 --> 00:17:51,220 THAT PLACE JUST ISN'T WHO I AM. IT AIN'T ME. 404 00:17:51,220 --> 00:17:53,100 WHAT? AND THIS IS? 405 00:17:53,100 --> 00:17:56,300 YOU DECIDE WHO YOU WANT TO BE. 406 00:17:56,300 --> 00:17:57,890 YOU TRIPPING, MAN. 407 00:17:57,890 --> 00:17:59,390 REALLY NOW. WHAT'S UP, MAN? 408 00:17:59,390 --> 00:18:01,890 TELL ME ABOUT THESE BEVERLY HILLS GIRLS. 409 00:18:01,890 --> 00:18:04,800 MAN. THEY'RE SKINNY. 410 00:18:04,800 --> 00:18:05,970 SKINNY? SKINNY. 411 00:18:05,970 --> 00:18:09,140 WHAT? I CAN'T... 412 00:18:09,140 --> 00:18:12,680 AW, MAN. 413 00:18:14,550 --> 00:18:18,180 CAN I HELP YOU, MR. BEVERLY HILLS? 414 00:18:18,180 --> 00:18:19,550 STAY HERE. 415 00:18:19,550 --> 00:18:22,850 HEY, YO, LEAVE HER ALONE, SHAWN. 416 00:18:22,850 --> 00:18:23,350 OR WHAT? 417 00:18:23,350 --> 00:18:24,760 OR I REMIND YOU OF THAT BEATDOWN 418 00:18:24,760 --> 00:18:26,510 I GAVE YOU IN THE SIXTH GRADE. 419 00:18:26,510 --> 00:18:27,760 TRY IT AGAIN AND SEE WHAT HAPPENS. 420 00:18:27,760 --> 00:18:31,050 YOU KNOW WHAT, MAYBE I WILL. 421 00:18:37,760 --> 00:18:39,180 WATCH YOUR BACK, BEVERLY. 422 00:18:39,180 --> 00:18:43,350 MAN, ON RADIO: 24-23 LIVE, LOOK AT THE MOLESTATION... 423 00:18:45,010 --> 00:18:46,260 HEY, HEY. HELLO. 424 00:18:46,260 --> 00:18:48,260 HI, DAD. WHAT'S UP? 425 00:18:48,260 --> 00:18:52,220 OK, I GOT SO MUCH. 426 00:18:52,220 --> 00:18:53,430 HEY. 427 00:18:53,430 --> 00:18:55,800 SO IT WASN'T REALLY WORKING OUT TOO WELL 428 00:18:55,800 --> 00:18:57,720 OUT THERE TODAY, WAS IT? 429 00:18:57,720 --> 00:18:58,260 HEH HEH. 430 00:18:58,260 --> 00:18:59,800 YEAH, THE NEW GUY WASN'T REALLY 431 00:18:59,800 --> 00:19:00,800 A TEAM PLAYER, WAS HE? 432 00:19:00,800 --> 00:19:02,800 AH, HE'LL GET THERE. 433 00:19:02,800 --> 00:19:05,140 IN THE MEANTIME, I NEED YOU TO DO ME A SOLID. 434 00:19:05,140 --> 00:19:08,050 COULD YOU PLEASE TAKE SPENCER UNDER YOUR WING? 435 00:19:08,050 --> 00:19:11,760 I MEAN, HELP HIM CONNECT WITH SOME OF THE OTHER FELLAS? 436 00:19:11,760 --> 00:19:14,390 BRING HIM INTO THE FOLD. 437 00:19:14,390 --> 00:19:15,140 OK. 438 00:19:15,140 --> 00:19:17,800 WHAT'S UP WITH YOU AND THIS KID, DAD? 439 00:19:17,800 --> 00:19:20,100 WHY DO YOU CARE SO MUCH? 440 00:19:20,100 --> 00:19:22,430 BY THE GRACE OF GOD, 441 00:19:22,430 --> 00:19:25,510 JORDAN, THE WAY YOU LIVE IS REALLY GOOD. 442 00:19:25,510 --> 00:19:29,430 I COME FROM SPENCER'S NEIGHBORHOOD. IT'S A TOUGH GO. 443 00:19:29,430 --> 00:19:31,720 THERE ARE A MILLION WAYS YOU CAN GO WRONG. 444 00:19:31,720 --> 00:19:36,050 I MEAN, YOU HAVE NO IDEA WHAT THAT'S LIKE. 445 00:19:36,050 --> 00:19:38,600 GUESS I DON'T, YEAH. 446 00:19:38,600 --> 00:19:41,180 LOOK, THE KID NEEDS A CHANCE, 447 00:19:41,180 --> 00:19:44,680 AND I'M ASKING YOU TO GIVE HIM ONE. 448 00:19:44,680 --> 00:19:46,930 WOMAN: BOYS, I MADE DINNER. 449 00:19:46,930 --> 00:19:48,180 YOU ORDERED SUSHI. 450 00:19:48,180 --> 00:19:50,260 SAME THING. NOT REALLY. 451 00:19:50,260 --> 00:19:51,350 COOL? 452 00:19:51,350 --> 00:19:54,260 MM-HMM. 453 00:19:58,970 --> 00:20:02,180 ["AIN'T THE PROBLEM YOU WANT" PLAYING] 454 00:20:02,180 --> 00:20:03,510 ♪ UHH, YEAH ♪ 455 00:20:03,510 --> 00:20:05,680 ♪ YOU DON'T WANT THIS PROBLEM ♪ 456 00:20:05,680 --> 00:20:06,430 ♪ UHH, YEAH ♪ 457 00:20:06,430 --> 00:20:09,760 ♪ IT'S WHATEVER YOU WANT, YOU SEE THAT BENZ RIDE SLOW... ♪ 458 00:20:09,760 --> 00:20:11,680 WHAT THE HELL ARE YOU DOING? 459 00:20:11,680 --> 00:20:12,510 I'M PICKING YOU UP. 460 00:20:12,510 --> 00:20:14,260 IN YOUR RED CAR AND YOUR RED HAT? 461 00:20:14,260 --> 00:20:15,970 YOU'RE LIKE A BLOODS POSTER BOY, MAN. 462 00:20:15,970 --> 00:20:19,350 GONNA GET YOUR HEAD BLOWN OFF. 463 00:20:19,850 --> 00:20:22,260 I'M JUST PLAYING. 464 00:20:22,260 --> 00:20:25,050 I'M JUST PLAYING. 465 00:20:25,050 --> 00:20:26,970 COME ON, DAWG! 466 00:20:28,050 --> 00:20:29,970 HEY, WHAT UP, MIKE? 467 00:20:29,970 --> 00:20:31,260 JUST DRIVE, YO. 468 00:20:31,260 --> 00:20:33,850 PELL: ♪ I GOT THAT MOOLA, MOOLA ♪ 469 00:20:33,850 --> 00:20:34,760 ♪ QUESO, QUESO ♪ 470 00:20:34,760 --> 00:20:37,100 ♪ CAMOUFLAGE MONEY, THEY CAN'T SEE MY BANKROLL ♪ 471 00:20:37,100 --> 00:20:39,100 ♪ I'VE BEEN WHIPPIN', WHIPPIN,' ♪ 472 00:20:39,100 --> 00:20:40,180 ♪ DJANGO, DJANGO ♪ 473 00:20:40,180 --> 00:20:42,680 ♪ SMOOTH, SMOOTH, BLAME IT ON THE JAME-O ♪ 474 00:20:42,680 --> 00:20:44,600 SPENCER: ALL THIS ON A COACH'S SALARY? 475 00:20:44,600 --> 00:20:47,800 JORDAN: MY MOM'S AN ATTORNEY. 476 00:20:47,800 --> 00:20:50,180 OH, THERE YOU BOYS ARE. 477 00:20:50,180 --> 00:20:52,100 YOU MUST BE SPENCER. 478 00:20:52,100 --> 00:20:54,390 OH, YES, MA'AM. 479 00:20:54,680 --> 00:20:56,970 I AM SO HAPPY TO FINALLY MEET YOU. 480 00:20:56,970 --> 00:20:59,760 YOU'RE ALL BILLY'S BEEN TALKING ABOUT LATELY. 481 00:20:59,760 --> 00:21:00,850 ISN'T THAT RIGHT, KIDS? 482 00:21:00,850 --> 00:21:02,350 SURE IS. YEAH. ROMANCING THE STONE. 483 00:21:02,350 --> 00:21:03,850 I HAVE A QUESTION, THOUGH, 484 00:21:03,850 --> 00:21:05,930 AND I WANT YOU TO BE HONEST. 485 00:21:05,930 --> 00:21:07,010 CAREFUL, SHE'S A CRIER. 486 00:21:07,010 --> 00:21:09,470 I AM MAKING MY FAMOUS GAZPACHO TONIGHT. 487 00:21:09,470 --> 00:21:12,050 AND I JUST NEED TO KNOW A FEW THINGS. 488 00:21:12,050 --> 00:21:14,680 DO YOU HAVE ANY ALLERGIES, DAIRY, GLUTEN, 489 00:21:14,680 --> 00:21:16,350 YOU'RE NOT PALEO, ARE YOU? 490 00:21:16,350 --> 00:21:17,050 NO, MA'AM. 491 00:21:17,050 --> 00:21:20,010 WHEN IT COMES TO FOOD, THE ONLY THING I AM IS HUNGRY. 492 00:21:20,010 --> 00:21:22,050 OK, WE'RE GONNA HIT IT, MOM. 493 00:21:22,050 --> 00:21:24,970 OK, YOU GUYS DO THAT. 494 00:21:24,970 --> 00:21:27,350 WHATEVER THAT IS. 495 00:21:27,350 --> 00:21:30,050 DENM: ♪ I WANT TO HAVE IT ALL RIGHT NOW ♪ 496 00:21:30,050 --> 00:21:34,180 ♪ BUT SOMETIMES YOU GOTTA WAIT FOR THE GOOD THINGS ♪ 497 00:21:34,180 --> 00:21:36,760 ♪ FEEL LIKE WE'RE GOING ROUND AND ROUND ♪ 498 00:21:36,760 --> 00:21:42,350 ♪ BUT SOMETIMES YOU GOTTA WAIT FOR THE GOOD THINGS ♪ 499 00:21:43,470 --> 00:21:49,470 ♪ BUT SOMETIMES YOU GOTTA WAIT FOR THE GOOD THINGS ♪ 500 00:21:50,680 --> 00:21:55,720 ♪ BUT SOMETIMES YOU GOTTA WAIT FOR THE GOOD THINGS ♪ 501 00:21:55,720 --> 00:21:58,760 ♪ I DID WHEN I WAS... ♪ 502 00:21:58,760 --> 00:22:01,390 ♪SATURDAY NIGHT ... ♪ 503 00:22:01,390 --> 00:22:04,220 ♪ EVERYBODY KNOW MY NAME, THEY WANT TO SING IT LOUD... ♪ 504 00:22:04,220 --> 00:22:06,350 HEY. HEY, WHAT UP? 505 00:22:06,350 --> 00:22:08,970 SO, COME HERE OFTEN? 506 00:22:08,970 --> 00:22:11,550 EVERY WEDNESDAY AFTER THE CLUB. 507 00:22:11,550 --> 00:22:14,180 I SUPPOSE YOU GOT A PLACE LIKE THIS, RIGHT? 508 00:22:14,180 --> 00:22:16,760 UH, YEAH, IT'S KIND OF LIKE THIS. 509 00:22:16,760 --> 00:22:17,470 DO YOU LIVE CLOSE? 510 00:22:17,470 --> 00:22:19,800 YEAH, I'M JUST-- JUST DOWN THE STREET THERE. 511 00:22:19,800 --> 00:22:20,850 BIGGER? I MEAN, I-- 512 00:22:20,850 --> 00:22:22,140 YOU KNOW, I DON'T REALLY COMPARE. 513 00:22:22,140 --> 00:22:23,800 IT'S NOT THE SIZE THAT MATTERS. OK. 514 00:22:23,800 --> 00:22:27,180 BILLY: LOOK, YOU THINK I WANT TO DRAG MY ASS ALL THE WAY TO CRENSHAW? 515 00:22:27,180 --> 00:22:29,220 YOU THINK I DID IT OUT OF THE KINDNESS OF MY HEART? 516 00:22:29,220 --> 00:22:32,640 ALL RIGHT, I DIDN'T WHIP UP A SMART KID PERMIT 517 00:22:32,640 --> 00:22:35,260 SO I COULD MOLD YOUNG MINDS. 518 00:22:35,260 --> 00:22:36,220 NO, NO, NO. 519 00:22:36,220 --> 00:22:37,930 LOOK, I WOULD NOT HAVE RECRUITED HIM 520 00:22:37,930 --> 00:22:41,510 IF ANYBODY ON THE SQUAD HAD HALF OF HIS POTENTIAL. 521 00:22:41,510 --> 00:22:42,550 OK, I UNDERSTAND THAT. 522 00:22:42,550 --> 00:22:45,140 WHY DON'T YOU BRING ALL THE BOOSTERS DOWN THIS SATURDAY, 523 00:22:45,140 --> 00:22:48,050 AND I WILL SHOW YOU WHAT HE CAN DO. 524 00:22:48,050 --> 00:22:50,010 YES, SIR. YES. 525 00:22:50,010 --> 00:22:52,890 SPENCER JAMES, HE'S GONNA BRING IT HOME FOR US. 526 00:22:52,890 --> 00:22:54,930 TRUST ME. YES, SIR. 527 00:22:54,930 --> 00:22:58,140 ALL RIGHT, TAKE CARE. 528 00:23:01,010 --> 00:23:03,680 YOU SEEING THIS? 529 00:23:03,680 --> 00:23:04,890 YEAH. 530 00:23:04,890 --> 00:23:08,140 WE NEED TO GET RID OF HIM. 531 00:23:11,890 --> 00:23:13,930 SO HOW WAS IT HANGING OUT WITH THE STEROID SET? 532 00:23:13,930 --> 00:23:14,600 ARE YOU SERIOUS? 533 00:23:14,600 --> 00:23:16,970 NO. NO, I JUST LIKE TO MESS WITH JORDAN. 534 00:23:18,970 --> 00:23:21,140 SO WHAT'S UP WITH YOU TWO ANYWAY? 535 00:23:21,140 --> 00:23:22,640 Y'ALL DON'T SEEM TOO CLOSE. 536 00:23:22,640 --> 00:23:24,010 I MEAN, WE USED TO BE CLOSE, 537 00:23:24,010 --> 00:23:25,760 AND THEN HIGH SCHOOL HAPPENED. 538 00:23:25,760 --> 00:23:27,850 HE BECAME A BIG FOOTBALL STAR 539 00:23:27,850 --> 00:23:30,180 AND I BECAME THIS, 540 00:23:30,180 --> 00:23:32,350 THE SOCIAL PARIAH OF BEVERLY HIGH. 541 00:23:32,350 --> 00:23:33,720 MAN, SHUT UP. YOU'RE COOL. 542 00:23:33,720 --> 00:23:36,180 OK, YEAH, SAYS THE NEW GUY. 543 00:23:36,180 --> 00:23:37,220 IT'S SHOCKING, I KNOW, 544 00:23:37,220 --> 00:23:40,930 BUT NO ONE'S SUPER EAGER TO HANG OUT WITH SOBER GIRL 545 00:23:40,930 --> 00:23:42,850 POST REHAB, SO... 546 00:23:42,850 --> 00:23:44,140 REHAB? 547 00:23:44,140 --> 00:23:45,350 ELABORATE. 548 00:23:45,350 --> 00:23:47,350 I JUST WENT DOWN A BAD PATH 549 00:23:47,350 --> 00:23:50,260 AND TRIED TO DROWN IT OUT WITH PILLS, 550 00:23:50,260 --> 00:23:54,010 PARENTS FREAKED, AND HERE I AM. 551 00:23:54,010 --> 00:23:57,930 75K AND 90 DAYS LATER, I'M GOOD AS NEW. 552 00:23:57,930 --> 00:24:02,300 IT'S--IT'S FINE NOW. 553 00:24:02,300 --> 00:24:04,470 IS IT? 554 00:24:05,010 --> 00:24:09,720 YOU KNOW, YOU'RE THE FIRST PERSON TO EVEN ASK ME THAT. 555 00:24:11,800 --> 00:24:12,850 LEILA: SPENCER. 556 00:24:12,850 --> 00:24:13,760 OH, HEY, WHAT'S UP? 557 00:24:13,760 --> 00:24:16,140 HEY, SO I'M THROWING A PARTY AT MY PLACE TONIGHT. 558 00:24:16,140 --> 00:24:17,720 IT'S JUST A SMALL TEAM THING 559 00:24:17,720 --> 00:24:19,600 TO CELEBRATE THE START OF THE SEASON, 560 00:24:19,600 --> 00:24:21,510 AND I WAS HOPING YOU COULD MAKE IT. 561 00:24:21,510 --> 00:24:23,970 YEAH, FOR SURE. I'LL COME BY FOR A BIT. 562 00:24:23,970 --> 00:24:26,180 GREAT. COOL. 563 00:24:26,180 --> 00:24:27,260 COOL. 564 00:24:27,260 --> 00:24:28,930 BYE, OLIVIA. 565 00:24:28,930 --> 00:24:30,720 BYE. 566 00:24:35,180 --> 00:24:36,760 WHAT? 567 00:24:36,760 --> 00:24:38,050 "A," SHE'S TAKEN. 568 00:24:38,050 --> 00:24:40,220 THAT'S ASHER'S GIRLFRIEND. OK? 569 00:24:40,220 --> 00:24:42,680 AND, "B," THOSE PARTIES, 570 00:24:42,680 --> 00:24:43,640 I'D STEER CLEAR. 571 00:24:43,640 --> 00:24:48,600 ["SLIDE" BY CALVIN HARRIS PLAYING] 572 00:24:53,550 --> 00:24:58,220 ♪ DO YOU SLIDE ON ALL YOUR NIGHTS LIKE THIS? ♪ 573 00:24:58,220 --> 00:25:02,890 ♪ DO YOU TRY ON ALL YOUR NIGHTS LIKE THIS? ♪ 574 00:25:02,890 --> 00:25:04,680 ♪ I MIGHT... ♪ 575 00:25:04,680 --> 00:25:06,930 OH, SPENCE! HOW YOU DOING, MAN? 576 00:25:06,930 --> 00:25:09,050 HEY, WHAT UP, BRO? HOW YOU FEELING? 577 00:25:09,050 --> 00:25:10,850 OK, YOU GOT ME THERE. 578 00:25:10,850 --> 00:25:12,050 YEAH. 579 00:25:12,050 --> 00:25:15,640 ♪ DO YOU SLIDE ON ALL YOUR ♪ 580 00:25:16,300 --> 00:25:18,300 HEY. 581 00:25:18,300 --> 00:25:20,930 HEY, WHAT'S UP? 582 00:25:20,930 --> 00:25:22,640 THIS IS QUITE THE SET-UP. 583 00:25:22,640 --> 00:25:24,800 YEAH, WELL, HOME SWEET HOME. 584 00:25:24,800 --> 00:25:26,930 YOU HAVING FUN AT LEAST? 585 00:25:28,260 --> 00:25:30,140 INTRODUCE YOURSELF, GET TO KNOW PEOPLE. 586 00:25:30,140 --> 00:25:32,600 OH, YOU MEAN THE BOUGIE BABIES OF BEVERLY HILLS? 587 00:25:32,600 --> 00:25:35,680 SELFIE, SHOT, SNAPCHAT, REPEAT. 588 00:25:35,680 --> 00:25:36,800 I THINK I'LL PASS. 589 00:25:36,800 --> 00:25:39,100 YOU'RE BEING JUDGY. 590 00:25:39,100 --> 00:25:40,220 AM I? 591 00:25:40,220 --> 00:25:44,550 OK, WELL, ADDERALL DIARIES OVER THERE 592 00:25:44,550 --> 00:25:45,760 ISN'T THE HALON AND THE DYON, 593 00:25:45,760 --> 00:25:48,680 BUT MAYBE NOT ALL OF US ARE AS BASIC AS YOU THINK. 594 00:25:48,680 --> 00:25:52,180 SO YOU CAN STAND HERE IN THE CORNER NOT FITTING IN, 595 00:25:52,180 --> 00:25:56,300 OR YOU CAN MAKE AN EFFORT. 596 00:25:56,300 --> 00:25:57,850 THAT PART'S UP TO YOU. 597 00:26:04,140 --> 00:26:05,050 OH. 598 00:26:05,050 --> 00:26:05,800 WHOA, WHOA. 599 00:26:05,800 --> 00:26:07,350 WHOA, WHOA, WHOA. WHERE YOU GOING? 600 00:26:07,350 --> 00:26:08,930 THE NIGHT IS YOUNG, OK? 601 00:26:08,930 --> 00:26:09,970 DUDE, I GOT TO GO. 602 00:26:09,970 --> 00:26:10,970 HEY, THE TEAM MANAGERS, 603 00:26:10,970 --> 00:26:12,220 THEY'RE DYING TO MEET YOU, MAN. 604 00:26:12,220 --> 00:26:16,970 COME ON. HOMEY, COME ON. COME ON. 605 00:26:20,220 --> 00:26:21,680 AS REQUESTED. 606 00:26:21,680 --> 00:26:23,140 OH, NO, WE GOT PRACTICE TOMORROW. 607 00:26:23,140 --> 00:26:24,600 COME ON, IT'S SATURDAY PRACTICE. 608 00:26:24,600 --> 00:26:27,760 JUST A FEW DRILLS. NO BIG DEAL. 609 00:26:27,760 --> 00:26:29,800 TRUST ME. 610 00:26:29,800 --> 00:26:31,050 CHEERS. 611 00:26:31,050 --> 00:26:32,720 ♪ YEAH, DON'T STOP ♪ 612 00:26:32,720 --> 00:26:34,760 ♪ LET ME SEE YA ♪ 613 00:26:34,760 --> 00:26:36,800 ♪ WORK, WORK, WORK ♪ 614 00:26:36,800 --> 00:26:37,850 ♪ LET ME SEE YA ♪ 615 00:26:37,850 --> 00:26:39,220 ♪ WORK, WORK, WORK ♪ 616 00:26:39,220 --> 00:26:40,760 1, 2, 3. 617 00:26:40,760 --> 00:26:41,890 ♪ WORK, WORK, WORK ♪ 618 00:26:41,890 --> 00:26:42,970 ♪ LET ME SEE YOU ♪ 619 00:26:42,970 --> 00:26:44,640 ♪ WORK, WORK, WORK, WORK, WORK, WORK ♪ 620 00:26:44,640 --> 00:26:47,760 ♪ LET THE THING DROP ♪ 621 00:26:47,760 --> 00:26:50,180 HEY, THANKS FOR THE RIDE LAST NIGHT. 622 00:26:50,180 --> 00:26:51,550 WHAT? 623 00:26:51,550 --> 00:26:54,350 AH, YOU DIDN'T DROP ME OFF AT MY HOUSE? 624 00:26:54,350 --> 00:26:55,850 NO, BRO. 625 00:26:55,850 --> 00:26:59,010 WHOO! TIME TO BUCK UP, BUTTERCUP. 626 00:26:59,010 --> 00:27:01,140 BOOSTER HAWKS ARE WATCHING. 627 00:27:01,140 --> 00:27:01,970 WHO'S THAT? 628 00:27:01,970 --> 00:27:04,970 BOOSTERS HERE TO SEE WHAT YOU GOT. 629 00:27:04,970 --> 00:27:06,850 YO, I THOUGHT IT WAS JUST DRILLS. 630 00:27:06,850 --> 00:27:09,180 NAH, MAN, SCRIMMAGE DAY. 631 00:27:09,180 --> 00:27:10,140 WHOO! WHOO! 632 00:27:10,140 --> 00:27:10,890 LET'S GO, MAN. 633 00:27:10,890 --> 00:27:13,180 MAN: ♪ NOW WE GOING TRIBAL ♪ 634 00:27:13,180 --> 00:27:13,800 DAMN! 635 00:27:13,800 --> 00:27:14,970 ♪ IT'S DOWN TO SURVIVAL ♪ 636 00:27:14,970 --> 00:27:16,930 ♪ GOING DOWN WITH THE UNDERDOGS ♪ 637 00:27:16,930 --> 00:27:17,640 READY? HERE WE GO. 638 00:27:17,640 --> 00:27:21,260 ♪ AND WE DON'T NEED NOTHING AND NO ONE TO FALL ON ♪ 639 00:27:21,260 --> 00:27:23,180 ♪ NOBODY'S DREAMING TOMORROW ♪ 640 00:27:23,180 --> 00:27:25,550 ♪ KEEPING IT ON THE BOTTOM ♪ 641 00:27:25,550 --> 00:27:26,260 ♪ RIGHT ♪ 642 00:27:26,260 --> 00:27:28,260 ♪ YOU WANT TO TELL ME YOUR PROBLEM NOW ♪ 643 00:27:28,260 --> 00:27:31,010 ♪ RUN IT BY Y'ALL NOW, THROW NOW ♪ 644 00:27:31,010 --> 00:27:36,600 ♪ THIS DOG AIN'T ALONE NOW ♪ 645 00:27:37,430 --> 00:27:42,140 GET IT TOGETHER, MAN. YOU SMELL LIKE A PARTY BUS. 646 00:27:42,140 --> 00:27:42,890 HEH HEH. 647 00:27:42,890 --> 00:27:46,050 MORE LIKE TEQUILA AND REGRET. 648 00:27:46,760 --> 00:27:48,510 HOLD UP, Y'ALL SET ME UP? 649 00:27:48,510 --> 00:27:50,640 LAST NIGHT I THOUGHT-- THOUGHT WHAT? 650 00:27:50,640 --> 00:27:53,010 THOUGHT THAT WE WERE A TEAM, FRIENDS? 651 00:27:53,010 --> 00:27:54,510 THE ONLY REASON YOU WERE EVEN AT THAT PARTY 652 00:27:54,510 --> 00:27:56,800 IS BECAUSE WE TOLD LEILA TO GET YOU THERE. 653 00:27:56,800 --> 00:27:58,100 TO WHAT? 654 00:27:58,100 --> 00:27:59,970 WHAT, HAZE ME? 655 00:27:59,970 --> 00:28:01,680 MAKE ME LOOK BAD? 656 00:28:01,680 --> 00:28:04,890 YOU GOT ME CONFUSED WITH SOMEBODY ELSE, BRUH. 657 00:28:04,890 --> 00:28:06,720 THEN GO BACK TO CRENSHAW. 658 00:28:06,720 --> 00:28:08,100 WHAT'D YOU SAY? 659 00:28:08,100 --> 00:28:09,140 SAY THAT AGAIN, BRUH. 660 00:28:09,140 --> 00:28:11,640 COME ON, BRUH. WHAT? SAY IT AGAIN, BRUH. 661 00:28:11,640 --> 00:28:13,260 I WILL NOT LET YOU BLOW THIS. 662 00:28:13,260 --> 00:28:16,300 ONE FIGHT, AND YOU'RE DONE. GAME OVER. 663 00:28:16,300 --> 00:28:16,970 COOL IT. 664 00:28:16,970 --> 00:28:19,100 AND YOU--YOU SHOULD KNOW BETTER THAN THIS. 665 00:28:19,100 --> 00:28:20,850 OH, DO NOT PUT THIS ON ME, DAD. 666 00:28:20,850 --> 00:28:22,800 YOU WORKED THIS WHOLE THING UP. 667 00:28:22,800 --> 00:28:24,600 IT WAS ALL A LIE. EVEN THE GUY'S PERMIT 668 00:28:24,600 --> 00:28:26,470 TO BE AT THE SCHOOL WAS A LIE, 669 00:28:26,470 --> 00:28:28,260 A LIE TO SAVE YOURSELF. 670 00:28:28,260 --> 00:28:30,390 HEY, YO, SPENCER, YOU THINK HE CARES ABOUT YOU? 671 00:28:30,390 --> 00:28:31,800 HE'S JUST TRYING TO SAVE HIS JOB, OK? 672 00:28:31,800 --> 00:28:34,800 THAT'S--THAT'S WHAT MATTERS. ENOUGH. 673 00:28:34,800 --> 00:28:35,550 NOT YOU. JORDAN. 674 00:28:35,550 --> 00:28:38,470 YOU DON'T MATTER TO-- JORDAN, ENOUGH. 675 00:28:40,100 --> 00:28:42,390 ENOUGH. 676 00:28:43,010 --> 00:28:46,260 BACK TO WORK. 677 00:28:48,850 --> 00:28:49,970 SPENCER. 678 00:28:49,970 --> 00:28:51,600 YO, MAN, I QUIT. 679 00:28:51,600 --> 00:28:52,300 I'M DONE HERE. 680 00:28:52,300 --> 00:28:55,350 WHY, BECAUSE I NEED YOUR HELP TO WIN A SEASON? 681 00:28:55,350 --> 00:28:56,260 LOOK, WINNING IS MY JOB. 682 00:28:56,260 --> 00:28:58,050 THEN YOU SHOULD HAVE SAID THAT FROM THE START. 683 00:28:58,050 --> 00:29:00,680 ALL THAT "HERE TO GIVE YOU A CHANCE" TALK, 684 00:29:00,680 --> 00:29:01,970 I DIDN'T NEED IT. 685 00:29:01,970 --> 00:29:03,470 AND I DON'T BELONG HERE. 686 00:29:03,470 --> 00:29:06,760 LOOK, YES, I NEED YOU TO WIN GAMES, 687 00:29:06,760 --> 00:29:07,800 BUT YOU NEED ME MORE. 688 00:29:07,800 --> 00:29:10,010 IS THAT RIGHT? THIS IS YOUR CHANCE, SPENCER. 689 00:29:10,010 --> 00:29:13,050 THIS IS YOUR WAY OUT. LOOK, I'M TRYING TO HELP YOU. 690 00:29:13,050 --> 00:29:15,680 I DIDN'T ASK FOR YOUR HELP 691 00:29:15,680 --> 00:29:18,300 OR A WAY OUT. 692 00:29:18,930 --> 00:29:20,510 LOOK, YOU MIGHT RECALL I WASN'T THE ONE 693 00:29:20,510 --> 00:29:22,220 KNOCKING DOWN BEVERLY'S DOOR. 694 00:29:22,220 --> 00:29:25,890 YOU CAME, SAID YOU'D HELP ME GET TO MY DREAM. 695 00:29:25,890 --> 00:29:28,760 AND NOW THAT I GET HERE, YOU CHANGE MY POSITION? 696 00:29:28,760 --> 00:29:29,800 HOW IS THAT HELPING? 697 00:29:29,800 --> 00:29:32,890 YOU CAN SEE THE FIELD, SPENCER, 698 00:29:32,890 --> 00:29:35,550 IN A WAY FEW PLAYERS CAN. 699 00:29:35,550 --> 00:29:37,510 LOOK, I MADE A PROMISE, REMEMBER? 700 00:29:37,510 --> 00:29:39,760 I SAID THAT I WOULD HELP YOU GET TO THE NFL. 701 00:29:39,760 --> 00:29:42,930 BUT IN ORDER TO DO THAT, I NEED YOU TO SEE THE FIELD 702 00:29:42,930 --> 00:29:44,100 FROM EVERY ANGLE, 703 00:29:44,100 --> 00:29:47,430 BECAUSE WHEN YOU DO, 704 00:29:47,430 --> 00:29:49,010 YOU'LL BE UNSTOPPABLE. 705 00:29:49,010 --> 00:29:52,890 LOOK, I'M JUST GETTING TO KNOW YOU, OK, 706 00:29:52,890 --> 00:29:54,850 BUT I CAN SEE IT PLAIN AS DAY. 707 00:29:54,850 --> 00:29:55,970 YOU'RE LOOKING FOR A FIGHT. 708 00:29:55,970 --> 00:29:59,140 AND ALL YOUR LIFE, EVERY BAD DECISION YOU'VE EVER MADE 709 00:29:59,140 --> 00:30:02,050 IS BECAUSE YOUR FATHER LEFT YOU WHEN YOU WERE A KID. 710 00:30:02,050 --> 00:30:04,800 LISTEN TO ME. 711 00:30:04,800 --> 00:30:07,100 BUT THE PATH YOU TAKE NOW, 712 00:30:07,100 --> 00:30:10,140 THAT'S UP TO YOU. 713 00:30:17,700 --> 00:30:19,450 COOP: YOU SEE THESE DUDES? 714 00:30:19,450 --> 00:30:20,570 YEAH, THEY'RE GREAT. 715 00:30:20,570 --> 00:30:22,740 NAH, THEY USED TO BE GREAT. NOW THEY JUST STUCK. 716 00:30:22,740 --> 00:30:25,200 THEY DIDN'T TAKE THEIR SHOT WHEN THEY HAD IT. 717 00:30:25,200 --> 00:30:28,740 WELL, I CAN'T KEEP LIVING WITH A FOOT IN TWO WORLDS, COOP, 718 00:30:28,740 --> 00:30:31,400 FEELING LIKE I DON'T BELONG IN EITHER. 719 00:30:31,400 --> 00:30:32,700 THEN DON'T BELONG. 720 00:30:32,700 --> 00:30:35,200 TAKE THE BEST OF BOTH AND YOU BOSS UP. 721 00:30:35,200 --> 00:30:38,280 I DON'T KNOW IF I CAN DO IT. 722 00:30:38,280 --> 00:30:41,070 YOU CAN AND YOU WILL. 723 00:30:43,240 --> 00:30:44,780 ALL RIGHT, SO WHAT ABOUT YOU? 724 00:30:44,780 --> 00:30:45,860 WHAT ABOUT ME? 725 00:30:45,860 --> 00:30:48,610 SHAWN? LOOK, IF I AIN'T HERE-- 726 00:30:48,610 --> 00:30:50,400 LISTEN, THAT DUDE IS ALL TALK. 727 00:30:50,400 --> 00:30:52,490 I GOT THAT HANDLED. COOP. 728 00:30:52,490 --> 00:30:55,400 I PROMISE YOU, HE BACKED OFF. 729 00:30:55,400 --> 00:30:56,200 LISTEN, SPENCE. 730 00:30:56,200 --> 00:30:58,650 IF I HAD A TENTH OF YOUR TALENT, BRO, 731 00:30:58,650 --> 00:31:01,570 I'D SAY FORGET THIS PLACE AND BOUNCE. 732 00:31:01,570 --> 00:31:03,610 WHO WOULDN'T? 733 00:31:03,610 --> 00:31:07,070 THINK ABOUT DILLON, YOUR MOMS. 734 00:31:07,070 --> 00:31:09,610 YOU COULD REALLY GET HIM A BETTER LIFE. 735 00:31:09,610 --> 00:31:12,950 I'M NOT GONNA LET YOU THROW THAT AWAY. 736 00:31:12,950 --> 00:31:15,530 AND WHEN YOU'RE LIVING YOUR BEST LIFE, 737 00:31:15,530 --> 00:31:20,240 ROCKING IT IN THAT SUPER BOWL CONFETTI, 738 00:31:20,240 --> 00:31:23,990 YOU GONNA THINK OF HOW YOUR HOMIE COOP SET YOU STRAIGHT, 739 00:31:23,990 --> 00:31:30,070 HOW SOMEWHERE SHE DYING FOR A DUCATI. 740 00:31:31,490 --> 00:31:33,070 STUPID. 741 00:31:33,450 --> 00:31:37,450 I'M SERIOUS, THOUGH, MAN. 742 00:31:37,450 --> 00:31:41,030 GEORGE FITZGERALD: ♪ IS IT COLD WHEN YOU'RE DREAMING? ♪ 743 00:31:41,030 --> 00:31:43,990 ♪ IS IT COLD WHEN YOU'RE UNDER? ♪ 744 00:31:43,990 --> 00:31:46,280 ♪ AND WANNA ROLL BACK ♪ 745 00:31:46,280 --> 00:31:50,450 ♪ ROLL BACK TO YESTERDAY ♪ 746 00:31:57,320 --> 00:31:59,110 HEY, HONEY. 747 00:31:59,110 --> 00:32:02,320 THERE'S SOMEONE HERE TO SEE YOU. 748 00:32:07,860 --> 00:32:11,400 WHAT CAN I DO FOR YOU, SPENCER? 749 00:32:14,990 --> 00:32:18,360 I WANT TO PLAY IN THE NFL. 750 00:32:18,650 --> 00:32:23,490 I WANT A LIFE BETTER THAN THE ONE I'VE BEEN LIVING. 751 00:32:24,740 --> 00:32:26,530 LOOK, MAN, 752 00:32:26,530 --> 00:32:29,400 WHAT DRIVES ME TO PLAY IS MY ANGER, ALL RIGHT? 753 00:32:29,400 --> 00:32:33,200 THAT'S WHAT YOU SEE BETWEEN THOSE WHITE LINES. 754 00:32:34,740 --> 00:32:39,450 AND YOU WERE RIGHT ABOUT MY DAD. 755 00:32:39,450 --> 00:32:42,530 I'M ANGRY HE LEFT. 756 00:32:44,200 --> 00:32:50,070 ANGRY 'CAUSE I GOTTA FIGHT FOR EVERY DAMN STEP I TAKE, 757 00:32:50,070 --> 00:32:53,900 ANGRY MY MAMA CAN'T PAY THE BILLS. 758 00:32:56,200 --> 00:33:00,450 LOOK, MAN, I GOTTA DO BETTER FOR HER... 759 00:33:02,450 --> 00:33:03,610 FOR DILLON. 760 00:33:03,610 --> 00:33:05,450 AND BEVERLY WILL HELP ME DO THAT, 761 00:33:05,450 --> 00:33:07,990 FOOTBALL OR NOT, SO... 762 00:33:08,280 --> 00:33:13,400 I WILL PLAY ANY POSITION YOU TELL ME. 763 00:33:13,400 --> 00:33:17,360 BUT BEFORE I DO, I NEED TO KNOW WHY. 764 00:33:17,360 --> 00:33:19,400 WHY ME, MAN? 765 00:33:21,320 --> 00:33:26,400 BECAUSE I WANTED TO WIN, SPENCER. 766 00:33:26,400 --> 00:33:28,240 I, UH... 767 00:33:30,320 --> 00:33:33,820 I WANTED TO GET BACK 768 00:33:33,820 --> 00:33:38,360 JUST A LITTLE BIT OF WHAT I LOST 769 00:33:38,360 --> 00:33:42,990 WHEN I BUSTED UP MY KNEE. 770 00:33:42,990 --> 00:33:45,360 BUT THEN I SAW YOU ON THE FIELD, 771 00:33:45,360 --> 00:33:47,860 AND YOU REMIND ME OF ME. 772 00:33:47,860 --> 00:33:52,280 NOW, YOU SAY YOU PLAY BECAUSE YOU'RE ANGRY. 773 00:33:52,280 --> 00:33:53,860 I UNDERSTAND THAT. 774 00:33:53,860 --> 00:33:57,570 BUT IF WE'RE GONNA DO THIS, 775 00:33:57,570 --> 00:34:02,740 I'M ASKING YOU TO PLAY FOR SOMETHING BIGGER NOW. 776 00:34:07,780 --> 00:34:12,400 ANNOUNCER: PLEASE WELCOME YOUR BEVERLY HIGH EAGLES. 777 00:34:21,360 --> 00:34:25,070 THAT'S MY BOY! WHOO! 778 00:34:28,320 --> 00:34:32,070 ["GET LOUD FOR ME" BY GIZZLE PLAYING] 779 00:34:33,900 --> 00:34:34,950 ♪ HEART OF A LION ♪ 780 00:34:34,950 --> 00:34:37,610 ♪ FIRE INSIDE ME, BLAZE LIKE A SIREN ♪ 781 00:34:37,610 --> 00:34:38,650 ♪ WHY WOULD YOU TRY IT? ♪ 782 00:34:38,650 --> 00:34:41,030 ♪ WAKE UP THE BEAST, NO, I CAN'T KEEP SILENT ♪ 783 00:34:41,030 --> 00:34:43,650 ♪ I PUT MY TIME IN, NOW IS MY TIME ♪ 784 00:34:43,650 --> 00:34:44,650 ♪ YOUR TIME IS EXPIRING ♪ 785 00:34:44,650 --> 00:34:47,150 ♪ BLOOD, SWEAT, AND TEARS, I CONQUERED MY FEARS ♪ 786 00:34:47,150 --> 00:34:48,490 ♪ I'M READY TO FLY NOW ♪ 787 00:34:48,490 --> 00:34:50,400 ANNOUNCER: AFTER A QUICK TURNOVER ON DOWNS, 788 00:34:50,400 --> 00:34:51,610 CHATSWORTH SCORES. 789 00:34:53,490 --> 00:34:54,200 JORDAN: HUT HUT! 790 00:34:54,200 --> 00:34:56,150 ♪ YOU SEEN IT THIS STYLISH WITHOUT A STYLIST, HUH ♪ 791 00:34:56,150 --> 00:34:59,110 ♪ IT'S BEEN A LONG TIME I'VE BEEN ON THIS ROAD ♪ 792 00:34:59,110 --> 00:35:00,450 ♪ I'M RACKING MY MILEAGE UP... ♪ 793 00:35:00,450 --> 00:35:04,570 ANNOUNCER: AND SPENCER JAMES BREAKS UP THE PASS! 794 00:35:08,570 --> 00:35:10,610 JORDAN: HUT HUT! 795 00:35:18,030 --> 00:35:19,610 ANNOUNCER: AND BEVERLY WITH A TIMEOUT. 796 00:35:19,610 --> 00:35:20,820 ONE SECOND. WHAT'S UP? 797 00:35:20,820 --> 00:35:21,700 NUMBER 52'S HURT. 798 00:35:21,700 --> 00:35:23,530 HE'S PULLING UP ON HIS RIGHT HAMSTRING 799 00:35:23,530 --> 00:35:24,490 AFTER EVERY PLAY. 800 00:35:24,490 --> 00:35:25,700 ASHER RUNS A PICK ON HIM, 801 00:35:25,700 --> 00:35:26,700 JORDAN RUNS RIGHT, 802 00:35:26,700 --> 00:35:28,400 I CAN BRING IT IN FOR THE WIN. 803 00:35:28,400 --> 00:35:30,570 YOU THINK YOU CAN TAKE HIM? 804 00:35:30,570 --> 00:35:33,450 I KNOW I CAN. 805 00:35:33,450 --> 00:35:35,820 ASH! 806 00:35:35,820 --> 00:35:36,860 WHAT'S UP, COACH? 807 00:35:36,860 --> 00:35:38,320 SPENCER'S GOING IN. GOOD STUFF. 808 00:35:38,320 --> 00:35:40,400 GOOD STUFF. GET IN THERE. 809 00:35:40,400 --> 00:35:41,700 WHAT? GOOD WORK. 810 00:35:41,700 --> 00:35:43,240 ANNOUNCER: HERE'S AN INTERESTING SUB. 811 00:35:43,240 --> 00:35:46,280 SPENCER JAMES COMING IN FOR ASHER ADAMS 812 00:35:46,280 --> 00:35:46,950 ON OFFENSE. 813 00:35:46,950 --> 00:35:49,360 WE'RE ALL GONNA BE RIGHT THIS TIME. YOU GOT IT? 814 00:35:49,360 --> 00:35:50,070 ALL RIGHT. 815 00:35:50,070 --> 00:35:53,360 EX PICK, TB RULE LEFT ON ONE, ON ONE. 816 00:35:53,360 --> 00:35:53,990 READY? 817 00:35:53,990 --> 00:35:55,570 ANNOUNCER: ALL RIGHT, HERE WE GO, FOLKS. 818 00:35:55,570 --> 00:36:00,400 BEVERLY DOWN BY 4 WITH 20 SECONDS LEFT IN THE GAME. 819 00:36:00,400 --> 00:36:01,450 HERE WE GO, HERE WE GO. 820 00:36:01,450 --> 00:36:03,740 52. WATCH 52. HERE WE GO. 821 00:36:03,740 --> 00:36:05,360 3! HUT! 822 00:36:05,360 --> 00:36:07,650 ANNOUNCER: BAKER DROPS BACK. 823 00:36:07,650 --> 00:36:12,320 SCRAMBLES TO THE LEFT. JAMES GOING WIDE. 824 00:36:13,280 --> 00:36:16,780 WHAT A BLOCK BY SPENCER JAMES! 825 00:36:16,780 --> 00:36:18,990 HE CLEARED BAKER FOR THE END ZONE. 826 00:36:18,990 --> 00:36:23,360 HE'S AT THE 20, 15, 10! 827 00:36:23,360 --> 00:36:24,450 TOUCHDOWN! 828 00:36:24,450 --> 00:36:25,490 YEAH! 829 00:36:25,490 --> 00:36:28,700 BEVERLY WINS! 830 00:36:28,700 --> 00:36:31,530 WHAT A GAME! 831 00:36:32,240 --> 00:36:36,490 BOY: YES! YEAH! 832 00:36:36,490 --> 00:36:38,700 I'LL BE DAMNED. 833 00:36:38,700 --> 00:36:42,280 YOU GOOD? HERE WE GO. 834 00:36:42,280 --> 00:36:43,900 YOU STRAIGHT? 835 00:36:43,900 --> 00:36:45,610 YOU GOOD? 836 00:36:45,610 --> 00:36:46,740 SPENCER: YEAH. 837 00:36:47,740 --> 00:36:49,610 I MAY HAVE TO KEEP YOU ON DEFENSE AFTER A HIT 838 00:36:49,610 --> 00:36:50,700 LIKE THAT, YOU KNOW THAT, RIGHT? 839 00:36:50,700 --> 00:36:53,820 FACE IT, COACH, I'M TOO PRETTY FOR DEFENSE. 840 00:36:53,820 --> 00:36:58,490 THERE YOU GO. I'M PROUD OF YOU, SON. 841 00:36:59,860 --> 00:37:03,570 HEY, MAN, CAN I TALK TO YOU FOR A SECOND? 842 00:37:07,490 --> 00:37:10,650 CONGRATULATIONS! 843 00:37:10,650 --> 00:37:11,400 THANKS. 844 00:37:11,400 --> 00:37:14,400 I'M SORRY ABOUT THE WHOLE GETTING YOU TO THE PARTY THING. 845 00:37:14,400 --> 00:37:15,860 I DIDN'T KNOW WHAT THEY WERE PLANNING. 846 00:37:15,860 --> 00:37:18,200 I WOULD NEVER DO SOMETHING LIKE THAT. 847 00:37:18,200 --> 00:37:19,400 IF I HAD KNOWN-- IT'S OK. 848 00:37:19,400 --> 00:37:24,740 IT'S NOT, BUT MAYBE WE START OVER? 849 00:37:24,740 --> 00:37:26,400 FRIENDS? 850 00:37:26,400 --> 00:37:29,280 YEAH. YEAH, WE CAN DO THAT. 851 00:37:29,280 --> 00:37:31,530 CAMPFIRE: ♪ WHOA, WHOA ♪ 852 00:37:31,530 --> 00:37:34,700 ♪ NOW YOU'VE BEEN SUMMONED FOR A SPECIAL OCCASION ♪ 853 00:37:34,700 --> 00:37:37,740 ♪ I, I STAY READY 'CAUSE DESTINY IMPATIENT ♪ 854 00:37:37,740 --> 00:37:39,610 ♪ CHANGES, I'VE BEEN SEEING CHANGES ♪ 855 00:37:39,610 --> 00:37:44,280 ♪ IF YOU TALKING FIRE THEN WE SPEAK THE SAME LANGUAGE ♪ 856 00:37:44,280 --> 00:37:44,990 ♪ RAH ♪ 857 00:37:44,990 --> 00:37:46,860 ♪ AND THEY TRYING TO CUT THE SUPPLY ♪ 858 00:37:46,860 --> 00:37:49,740 ♪ BUT MY ENERGY IS AT AN ALL-TIME HIGH ♪ 859 00:37:49,740 --> 00:37:53,280 SPENCER. 860 00:37:54,360 --> 00:37:55,150 SO WE HAVE A PROBLEM. 861 00:37:55,150 --> 00:38:00,530 AH, CHATSWORTH IS CONTESTING YOUR TRANSFER PERMIT. 862 00:38:00,530 --> 00:38:03,450 ♪ WHOA, WHOA ♪ 863 00:38:03,990 --> 00:38:04,950 WE'RE GONNA FIGHT THIS. 864 00:38:04,950 --> 00:38:06,360 THEY'RE ACCUSING US OF RECRUITING. 865 00:38:06,360 --> 00:38:07,280 YOU'RE GONNA STAND THERE 866 00:38:07,280 --> 00:38:09,240 AND TELL ME IT'S NOT TRUE? HE'S A STRAIGHT-A STUDENT. 867 00:38:09,240 --> 00:38:10,490 AND THAT'S WHY THE FOOTBALL COACH 868 00:38:10,490 --> 00:38:12,400 WENT DOWN TO CRENSHAW TO RECRUIT HIM, BECAUSE HE'S SMART? 869 00:38:12,400 --> 00:38:14,110 THAT'S NOT GONNA FLY, NOT WITH THE BOARD. 870 00:38:14,110 --> 00:38:15,490 OK, WHAT IF HE MOVES TO THIS ZIP CODE? 871 00:38:15,490 --> 00:38:18,450 YO, MY MOMS CAN BARELY AFFORD TO GIVE ME LUNCH MONEY. 872 00:38:18,450 --> 00:38:23,440 YOU THINK SHE CAN AFFORD TO MOVE US TO BEVERLY HILLS? 873 00:38:23,540 --> 00:38:25,000 OK, WE'RE GONNA FIGURE THIS OUT 874 00:38:25,090 --> 00:38:26,500 HOW? 875 00:38:26,500 --> 00:38:29,050 LOOK, FACE IT, COACH, 876 00:38:29,050 --> 00:38:30,670 IT'S OVER. 877 00:38:30,670 --> 00:38:33,840 MAYBE THERE'S ANOTHER WAY. 878 00:38:34,880 --> 00:38:36,250 YOU'RE SURE ABOUT THIS? 879 00:38:36,250 --> 00:38:37,420 SPENCER: NO. 880 00:38:37,420 --> 00:38:41,130 BUT IT'S THE ONLY WAY TO STAY. 881 00:38:42,000 --> 00:38:43,500 LIVING IN BEVERLY HILLS. 882 00:38:43,500 --> 00:38:44,500 JUST DURING THE WEEK. 883 00:38:44,500 --> 00:38:47,460 THAT WAY I QUALIFY FOR THE DISTRICT. 884 00:38:47,460 --> 00:38:48,960 WITH COACH BAKER? 885 00:38:48,960 --> 00:38:51,420 WITH COACH BAKER AND HIS FAMILY. 886 00:38:51,420 --> 00:38:54,300 ON WEEKENDS, I'LL BE HOME WITH YOU. 887 00:38:54,300 --> 00:38:56,920 LOOK, MA, 888 00:38:56,920 --> 00:38:59,170 IF YOU DON'T WANT THIS, 889 00:38:59,170 --> 00:39:00,170 I WON'T GO. 890 00:39:00,170 --> 00:39:03,800 OK, JUST SAY THE WORD AND I'LL CALL THEM. 891 00:39:03,800 --> 00:39:05,880 NO. I ASKED YOU TO GIVE YOURSELF 892 00:39:05,880 --> 00:39:09,340 A CHANCE AT SOMETHING MORE. 893 00:39:09,340 --> 00:39:12,880 AND, UH, 894 00:39:12,880 --> 00:39:17,670 THIS IS THE, UH, THE ONLY WAY TO DO IT. 895 00:39:24,250 --> 00:39:26,340 WAY I SEE IT, YOU GOTTA GO. 896 00:39:26,340 --> 00:39:28,000 THIS IS WHAT'S BEST FOR YOU, SPENCER. 897 00:39:28,000 --> 00:39:33,000 IF YOU CAN DO IT, MAKE SOMETHING OF YOURSELF. 898 00:39:34,590 --> 00:39:38,130 ALSO, CAN I HAVE YOUR ROOM? 899 00:39:38,130 --> 00:39:42,170 NAH, DEFINITELY NOT. 900 00:39:42,170 --> 00:39:43,800 COME HERE. 901 00:39:43,800 --> 00:39:48,000 RUEL: ♪ SAVE YOUR BREATH, MY BROTHER... ♪ 902 00:39:48,000 --> 00:39:48,880 WE'RE HERE. 903 00:39:48,880 --> 00:39:50,250 ♪ IT'S NOT GOING IN ♪ 904 00:39:50,250 --> 00:39:53,880 ♪ I'M NOT YOUR DISCIPLE ♪ 905 00:39:53,880 --> 00:39:56,250 ♪ I CHOOSE HOW I SIN ♪ 906 00:39:56,250 --> 00:39:59,960 ♪ I'VE GOT A DISTANT MEMORY ♪ 907 00:39:59,960 --> 00:40:01,920 ♪ OF PREVIOUS LIVES ♪ 908 00:40:01,920 --> 00:40:05,800 ♪ SO DON'T SAY I'M NOT READY ♪ 909 00:40:05,800 --> 00:40:11,050 ♪ BACK OFF WITH THOSE KNIVES ♪ 910 00:40:11,050 --> 00:40:16,670 ♪ YOU DON'T KNOW ME LIKE YOU USED TO ♪ 911 00:40:16,670 --> 00:40:23,500 ♪ YOU CAN LEAVE BUT I REFUSE TO ♪ 912 00:40:23,500 --> 00:40:28,880 ♪ YOU CAN TELL ME THAT I'M CRAZY ♪ 913 00:40:28,880 --> 00:40:32,000 ♪ BUT I WON'T STOP AND THIS WON'T MAKE ME ♪ 914 00:40:32,000 --> 00:40:34,210 HEY, LET'S GO. 915 00:40:34,210 --> 00:40:39,250 ♪ OOH ♪ 916 00:40:39,250 --> 00:40:41,050 ♪ OH ♪ 917 00:40:41,050 --> 00:40:45,670 ♪ DON'T TELL ME I'M NOT READY ♪ 918 00:40:46,420 --> 00:40:50,550 ♪ OOH ♪ 919 00:40:51,420 --> 00:40:53,130 ♪ OH ♪ 920 00:40:53,130 --> 00:40:56,050 ♪ DON'T TELL ME I'M NOT READY... ♪ 921 00:40:56,050 --> 00:40:59,670 WELCOME TO BEVERLY HILLS, SPENCER. 922 00:41:07,050 --> 00:41:13,880 ♪ YOU DON'T KNOW ME LIKE YOU USED TO ♪ 923 00:41:13,880 --> 00:41:16,590 ♪ OOH... ♪ 924 00:41:16,590 --> 00:41:18,340 HEY, GRACIE. 925 00:41:18,340 --> 00:41:19,960 HI. 926 00:41:19,960 --> 00:41:21,000 ♪ OH, OH ♪ 927 00:41:21,000 --> 00:41:22,130 BILLY: WE NEED TO TALK. 928 00:41:22,130 --> 00:41:25,800 ♪ DON'T TELL ME I'M NOT READY ♪ 929 00:41:25,800 --> 00:41:27,250 WE GOT TO TELL SPENCER THE TRUTH. 930 00:41:27,250 --> 00:41:33,250 ♪ DON'T TELL ME I'M NOT READY FOR LOVE ♪ 931 00:41:33,250 --> 00:41:38,300 ♪ OOH ♪ 932 00:41:38,300 --> 00:41:41,250 ♪ OH ♪ 933 00:42:08,090 --> 00:42:10,250 MAN: GREG, MOVE YOUR HEAD.