1 00:00:07,048 --> 00:00:08,216 PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:08,258 --> 00:00:09,468 LAYLA: YOU WANT TO 3 00:00:08,258 --> 00:00:09,468 HAVE ME COMMITTED? 4 00:00:09,510 --> 00:00:11,345 YOUR MOM. SHE SUFFERED 5 00:00:09,510 --> 00:00:11,345 FROM DEPRESSION. 6 00:00:11,386 --> 00:00:13,388 DEPRESSION CAN BE 7 00:00:11,386 --> 00:00:13,388 HEREDITARY, SWEETIE. 8 00:00:13,430 --> 00:00:15,182 BILLY: YOU WANT TO RUN 9 00:00:13,430 --> 00:00:15,182 BEVERLY FOOTBALL 10 00:00:15,223 --> 00:00:17,184 LIKE A DIVISION I 11 00:00:15,223 --> 00:00:17,184 COLLEGE PROGRAM. 12 00:00:17,225 --> 00:00:18,519 AND YOU'RE NOT 13 00:00:17,225 --> 00:00:18,519 OFFERING ME ANY MONEY? 14 00:00:18,560 --> 00:00:20,938 SOUNDS LIKE YOU WANT 15 00:00:18,560 --> 00:00:20,938 ME TO BE YOUR SLAVE. 16 00:00:20,980 --> 00:00:23,190 -BEEN A YEAR, MOM. 17 00:00:20,980 --> 00:00:23,190 -WE'RE GETTING MARRIED. 18 00:00:23,231 --> 00:00:26,944 I'M HOPING THAT YOU'LL 19 00:00:23,231 --> 00:00:26,944 SERVE YOUR FATHER 20 00:00:23,231 --> 00:00:26,944 DIVORCE PAPERS. 21 00:00:26,986 --> 00:00:28,403 BILLY: 22 00:00:26,986 --> 00:00:28,403 WHAT ARE THESE? 23 00:00:28,445 --> 00:00:30,197 LETTERS TO MY BOYS 24 00:00:28,445 --> 00:00:30,197 SAYING GOOD-BYE. 25 00:00:30,238 --> 00:00:31,866 DARNELL: YOU MUST'VE DID 26 00:00:30,238 --> 00:00:31,866 SOMETHING TO RUN HIM OFF. 27 00:00:31,907 --> 00:00:33,868 YOU COULDN'T STAND THE FACT 28 00:00:31,907 --> 00:00:33,868 THAT I'M MORE OF A SON 29 00:00:33,909 --> 00:00:35,369 TO HIM THAN YOU 30 00:00:33,909 --> 00:00:35,369 WILL EVER BE. 31 00:00:35,410 --> 00:00:37,204 SPENCE, 32 00:00:35,410 --> 00:00:37,204 CHILL, MAN! 33 00:00:37,245 --> 00:00:39,581 I REMEMBER ALL THIS 34 00:00:37,245 --> 00:00:39,581 FROM WHEN COREY LEFT 35 00:00:37,245 --> 00:00:39,581 THE FIRST TIME. 36 00:00:39,623 --> 00:00:42,835 I SPENT YEARS ASKING 37 00:00:39,623 --> 00:00:42,835 MYSELF WHAT I DID 38 00:00:39,623 --> 00:00:42,835 TO MAKE HIM LEAVE, 39 00:00:42,877 --> 00:00:44,294 HOW COULD I BRING 40 00:00:42,877 --> 00:00:44,294 HIM BACK. 41 00:00:44,336 --> 00:00:45,629 I'M NOT 42 00:00:44,336 --> 00:00:45,629 DOING THAT AGAIN! 43 00:00:45,671 --> 00:00:47,548 YOU ARE NOT MOVING 44 00:00:45,671 --> 00:00:47,548 BACK INTO THE HOUSE. 45 00:00:47,589 --> 00:00:48,423 I'VE GOT IT HANDLED. 46 00:00:48,465 --> 00:00:50,133 JORDAN HAS GOT 47 00:00:48,465 --> 00:00:50,133 A GIRL PREGNANT. 48 00:00:52,594 --> 00:00:53,888 ROCHELLE: SET? 49 00:00:53,929 --> 00:00:55,305 LITTLE TIGHTER, 50 00:00:53,929 --> 00:00:55,305 LITTLE TIGHTER. 51 00:00:53,929 --> 00:00:55,305 REMEMBER... 52 00:00:55,347 --> 00:00:56,724 JORDAN: THIS GONNA BE...? 53 00:00:55,347 --> 00:00:56,724 ROCHELLE: THIS IS TO CREATE... 54 00:00:56,765 --> 00:00:59,476 BUZZ AND EXCITEMENT. 55 00:00:56,765 --> 00:00:59,476 JORDAN, YOU READY? 56 00:00:59,518 --> 00:01:02,270 READY. SO YEAH. 57 00:00:59,518 --> 00:01:02,270 UH, TO CAMERA? TO YOU? 58 00:00:59,518 --> 00:01:02,270 TO YOU. GOT IT. 59 00:01:02,312 --> 00:01:03,731 ROCHELLE: SO, 60 00:01:02,312 --> 00:01:03,731 JORDAN BAKER, 61 00:01:03,772 --> 00:01:05,941 BEVERLY FOOTBALL 62 00:01:03,772 --> 00:01:05,941 STAR QUARTERBACK, 63 00:01:05,983 --> 00:01:07,568 WHAT DOES FOOTBALL 64 00:01:05,983 --> 00:01:07,568 MEAN TO YOU? 65 00:01:07,609 --> 00:01:10,320 UH, GIRLS. FOOTBALL IS 66 00:01:07,609 --> 00:01:10,320 ALL ABOUT THE GIRLS. 67 00:01:10,362 --> 00:01:13,240 [LAUGHING] 68 00:01:10,362 --> 00:01:13,240 WOULD YOU GET OUT 69 00:01:10,362 --> 00:01:13,240 OF HERE, OK? 70 00:01:13,281 --> 00:01:17,786 J.J.'s ALL RIGHT. 71 00:01:13,281 --> 00:01:17,786 UM, LEADERSHIP. 72 00:01:17,828 --> 00:01:19,454 IT'S ALL ABOUT THE 3 Rs. 73 00:01:19,496 --> 00:01:22,499 YOU KNOW, RESPONSIBILITY, 74 00:01:19,496 --> 00:01:22,499 RESPECT, 75 00:01:22,541 --> 00:01:25,502 AND, UM, ACCOUNTABILITY. 76 00:01:25,544 --> 00:01:29,464 I KNOW--I KNOW THAT'S 77 00:01:25,544 --> 00:01:29,464 ONLY 2 Rs, BUT YOU 78 00:01:25,544 --> 00:01:29,464 CAN EDIT THIS, RIGHT? 79 00:01:29,506 --> 00:01:31,550 ROCHELLE: 80 00:01:29,506 --> 00:01:31,550 TELL US, SPENCER, 81 00:01:29,506 --> 00:01:31,550 WHY DID YOU CHOOSE 82 00:01:31,592 --> 00:01:34,970 TO PLAY FOR BEVERLY 83 00:01:31,592 --> 00:01:34,970 INSTEAD OF STAYING 84 00:01:31,592 --> 00:01:34,970 IN SOUTH CRENSHAW? 85 00:01:35,012 --> 00:01:37,556 I CAME TO BEVERLY TO PLAY 86 00:01:35,012 --> 00:01:37,556 CHAMPIONSHIP FOOTBALL. 87 00:01:37,598 --> 00:01:40,183 WELL, CLEARLY, 88 00:01:37,598 --> 00:01:40,183 YOU MADE 89 00:01:37,598 --> 00:01:40,183 THE RIGHT DECISION. 90 00:01:40,225 --> 00:01:42,269 STATE CHAMPS. 91 00:01:40,225 --> 00:01:42,269 GO, EAGLES. 92 00:01:42,310 --> 00:01:45,230 SO WHAT DOES FOOTBALL 93 00:01:42,310 --> 00:01:45,230 MEAN TO YOU? 94 00:01:45,272 --> 00:01:47,858 FOOTBALL MEANS 95 00:01:45,272 --> 00:01:47,858 A LOT OF THINGS TO ME. 96 00:01:47,900 --> 00:01:49,818 BUT I GUESS IT'S 97 00:01:47,900 --> 00:01:49,818 THE LESSONS IT TAUGHT ME 98 00:01:49,860 --> 00:01:52,529 ABOUT FACING ADVERSITY 99 00:01:49,860 --> 00:01:52,529 THAT MADE ME WHO I AM, 100 00:01:52,571 --> 00:01:54,073 SO IT'S THOSE LESSONS 101 00:01:52,571 --> 00:01:54,073 THAT MEAN THE MOST. 102 00:01:54,114 --> 00:01:55,950 CARE TO SHARE SOME 103 00:01:54,114 --> 00:01:55,950 OF THOSE LESSONS? 104 00:01:55,991 --> 00:02:00,412 WHEN I WAS A KID, I WAS 105 00:01:55,991 --> 00:02:00,412 TAUGHT TO TACKLE MY PROBLEMS, 106 00:02:00,454 --> 00:02:05,500 BLOCK OUT MY FEARS, 107 00:02:00,454 --> 00:02:05,500 AND ALWAYS FINISH STRONG 108 00:02:00,454 --> 00:02:05,500 NO MATTER WHAT. 109 00:02:05,542 --> 00:02:07,419 THAT'S HOW I TRY 110 00:02:05,542 --> 00:02:07,419 TO LIVE MY LIFE. 111 00:02:07,461 --> 00:02:08,837 WHO TAUGHT 112 00:02:07,461 --> 00:02:08,837 YOU THAT? 113 00:02:08,879 --> 00:02:11,006 SPENCER? 114 00:02:17,972 --> 00:02:20,432 [APPLAUSE] 115 00:02:20,474 --> 00:02:23,351 NOW, NOW, WHO DOESN'T 116 00:02:20,474 --> 00:02:23,351 LOVE A REMATCH? AM I RIGHT? 117 00:02:23,393 --> 00:02:24,603 -YEAH! 118 00:02:23,393 --> 00:02:24,603 -YEAH! 119 00:02:24,645 --> 00:02:26,521 BOY: WHOO! 120 00:02:26,563 --> 00:02:28,148 CLIFF: I KNOW YOU'VE 121 00:02:26,563 --> 00:02:28,148 HEARD THE WHISPERS, 122 00:02:28,189 --> 00:02:30,943 AND NOW I CAN CONFIRM 123 00:02:28,189 --> 00:02:30,943 THE RUMORS ARE TRUE. 124 00:02:30,985 --> 00:02:33,528 COACH BAKER HAS AGREED 125 00:02:30,985 --> 00:02:33,528 TO HOST 126 00:02:33,570 --> 00:02:38,033 OUR SOUTH CRENSHAW RIVALS 127 00:02:33,570 --> 00:02:38,033 IN A FRIENDLY 7-ON-7 REMATCH 128 00:02:38,075 --> 00:02:41,161 OF LAST YEAR'S 129 00:02:38,075 --> 00:02:41,161 STATE CHAMPIONSHIP. 130 00:02:41,202 --> 00:02:44,289 THAT'S RIGHT. THE BEVERLY WAY 131 00:02:41,202 --> 00:02:44,289 WILL BE ON FULL DISPLAY 132 00:02:44,331 --> 00:02:48,043 THIS WEEKEND IN OUR HOUSE. 133 00:02:48,085 --> 00:02:50,796 [CHEERING AND APPLAUSE] 134 00:02:50,838 --> 00:02:53,507 SPENCER: I'M SURPRISED 135 00:02:50,838 --> 00:02:53,507 YOU'RE COOL WITH ALL THIS. 136 00:02:53,548 --> 00:02:57,218 NOT MY IDEA. THIS REMATCH 137 00:02:53,548 --> 00:02:57,218 IS A LOSE/LOSE GAME FOR US, 138 00:02:57,260 --> 00:03:00,097 BUT I WAS OUTVOTED BY 139 00:02:57,260 --> 00:03:00,097 ATHLETIC DIRECTOR HART. 140 00:03:00,139 --> 00:03:01,431 CLIFF: 141 00:03:00,139 --> 00:03:01,431 IT'S AN EXHIBITION GAME, 142 00:03:01,473 --> 00:03:02,891 SO WE SET IT UP TO FEEL 143 00:03:02,933 --> 00:03:04,476 A LITTLE MORE LIKE 144 00:03:02,933 --> 00:03:04,476 THE REAL THING. 145 00:03:04,518 --> 00:03:06,311 SO BE PREPARED. 146 00:03:06,353 --> 00:03:08,522 THIS ONE HERE IS GOING TO BE 147 00:03:06,353 --> 00:03:08,522 EXCITING TO WATCH. 148 00:03:08,563 --> 00:03:11,150 SO TELL YOUR FRIENDS, 149 00:03:08,563 --> 00:03:11,150 HAVE THEM TELL SOME FRIENDS, 150 00:03:11,190 --> 00:03:13,944 AND THEN TELL SOME MORE FRIENDS. 151 00:03:11,190 --> 00:03:13,944 HA HA! 152 00:03:13,986 --> 00:03:15,779 THAT'S ENOUGH. 153 00:03:13,986 --> 00:03:15,779 CLIFF, A WORD? 154 00:03:15,821 --> 00:03:18,782 ALL RIGHT. ENJOY 155 00:03:15,821 --> 00:03:18,782 YOURSELVES. HERE WE GO. 156 00:03:18,824 --> 00:03:20,367 [APPLAUSE] 157 00:03:20,408 --> 00:03:22,161 ARE YOU GOOD? 158 00:03:22,201 --> 00:03:24,746 YEAH. UM, JUST COVER 159 00:03:22,201 --> 00:03:24,746 FOR ME, WOULD YOU? 160 00:03:24,788 --> 00:03:26,456 YEAH. 161 00:03:29,376 --> 00:03:32,504 HEY, MY LOCKER ROOM IS 162 00:03:29,376 --> 00:03:32,504 A SIDESHOW UP IN THERE. 163 00:03:32,546 --> 00:03:34,631 THERE'S NOTHING WRONG 164 00:03:32,546 --> 00:03:34,631 WITH A LITTLE BIT OF 165 00:03:32,546 --> 00:03:34,631 SHOWMANSHIP, 166 00:03:34,673 --> 00:03:37,134 SOMETHING WE BOTH KNOW 167 00:03:34,673 --> 00:03:37,134 YOU DON'T POSSESS. 168 00:03:37,176 --> 00:03:39,761 SO WHY DON'T 169 00:03:37,176 --> 00:03:39,761 YOU DO YOUR JOB 170 00:03:37,176 --> 00:03:39,761 AND LET ME DO MINE? 171 00:03:39,803 --> 00:03:43,182 OH, I DID MY JOB. I WON 172 00:03:39,803 --> 00:03:43,182 THE STATE CHAMPIONSHIP. 173 00:03:43,223 --> 00:03:44,975 TELL ME, CLIFF, 174 00:03:43,223 --> 00:03:44,975 WHAT IS YOUR JOB? 175 00:03:45,017 --> 00:03:46,434 -MY JOB? 176 00:03:45,017 --> 00:03:46,434 -MM-HMM. 177 00:03:46,476 --> 00:03:48,603 -I CREATE BUZZ. 178 00:03:46,476 --> 00:03:48,603 -BUZZ? 179 00:03:48,645 --> 00:03:50,772 -EXCITEMENT. 180 00:03:48,645 --> 00:03:50,772 -MAN! 181 00:03:50,814 --> 00:03:52,273 LOOK, THAT STATE 182 00:03:50,814 --> 00:03:52,273 CHAMPIONSHIP IS ALREADY 183 00:03:50,814 --> 00:03:52,273 YESTERDAY'S NEWS. 184 00:03:52,315 --> 00:03:54,860 I'M TRYING TO BUILD 185 00:03:52,315 --> 00:03:54,860 SOMETHING, 186 00:03:54,902 --> 00:03:56,319 A LEGACY THAT WILL 187 00:03:54,902 --> 00:03:56,319 OUTLIVE BOTH OF US. 188 00:03:56,361 --> 00:03:57,946 WE'RE ON THE SAME 189 00:03:56,361 --> 00:03:57,946 SIDE, BILLY. 190 00:03:57,988 --> 00:04:00,074 ARE WE? 191 00:04:00,115 --> 00:04:02,409 THIS REMATCH OF YOURS, 192 00:04:00,115 --> 00:04:02,409 IT'S A BAD IDEA. 193 00:04:02,450 --> 00:04:03,660 WE HAVE ZERO INCENTIVE 194 00:04:02,450 --> 00:04:03,660 TO PLAY. 195 00:04:03,702 --> 00:04:05,037 WE BEAT 'EM ALREADY. 196 00:04:05,079 --> 00:04:07,873 NOW, IF WE LOSE, 197 00:04:05,079 --> 00:04:07,873 WE TARNISH OUR TITLE. 198 00:04:07,915 --> 00:04:10,375 {\an8}THEN DON'T LOSE. 199 00:04:10,417 --> 00:04:12,086 [SCOFFS] 200 00:04:17,424 --> 00:04:21,011 HEY. SORRY. I DIDN'T 201 00:04:17,424 --> 00:04:21,011 MEAN TO FREAK YOU OUT. 202 00:04:21,053 --> 00:04:24,681 NO, NO. IT'S, 203 00:04:21,053 --> 00:04:24,681 UM, ALL GOOD. YOU OK? 204 00:04:24,723 --> 00:04:27,851 SO MY DOCTOR WAS ABLE 205 00:04:24,723 --> 00:04:27,851 TO SQUEEZE ME IN 206 00:04:27,893 --> 00:04:29,895 FOR AN ULTRASOUND 207 00:04:27,893 --> 00:04:29,895 THIS WEEKEND. 208 00:04:29,937 --> 00:04:31,813 THAT'S GREAT. 209 00:04:31,855 --> 00:04:33,982 IT'S JUST MY PARENTS 210 00:04:31,855 --> 00:04:33,982 DON'T KNOW ABOUT THE BABY, 211 00:04:34,024 --> 00:04:37,861 SO I CAN'T, LIKE, ASK 212 00:04:34,024 --> 00:04:37,861 MY MOM TO COME WITH. 213 00:04:37,903 --> 00:04:39,238 SO... 214 00:04:39,279 --> 00:04:41,281 SO YOU WANT ME TO-- 215 00:04:39,279 --> 00:04:41,281 YEAH. OK. 216 00:04:41,322 --> 00:04:43,117 YEAH. UM, YEAH. I-- 217 00:04:41,322 --> 00:04:43,117 CAN BE THERE. 218 00:04:43,158 --> 00:04:44,367 UM, WHEN--WHEN IS IT? 219 00:04:44,409 --> 00:04:45,994 SATURDAY AT 3 P.M. 220 00:04:46,036 --> 00:04:49,748 SATURDAY. OK. 221 00:04:46,036 --> 00:04:49,748 SATURDAY? 222 00:04:49,790 --> 00:04:51,666 OK. SATURDAY. 223 00:04:51,708 --> 00:04:56,088 WELL, UM, I'LL JUST 224 00:04:51,708 --> 00:04:56,088 TEXT YOU THE INFO. UM... 225 00:04:56,130 --> 00:04:57,338 YEAH. 226 00:05:00,341 --> 00:05:03,095 RUEL: ♪ I'M WAKIN' UP 227 00:05:00,341 --> 00:05:03,095 MY MIND ♪ 228 00:05:03,137 --> 00:05:06,640 ♪ I'M JUST TRYIN' TO KILL 229 00:05:03,137 --> 00:05:06,640 THE SILENCE ♪ 230 00:05:08,100 --> 00:05:10,644 HI. 231 00:05:10,685 --> 00:05:12,271 RUEL: ♪ I'M RIPPIN' OFF 232 00:05:10,685 --> 00:05:12,271 THE BLINDS... ♪ 233 00:05:12,312 --> 00:05:14,064 WHAT'S ALL THIS? 234 00:05:14,106 --> 00:05:15,857 WHAT'S IT 235 00:05:14,106 --> 00:05:15,857 LOOK LIKE? 236 00:05:15,899 --> 00:05:17,901 DON'T YOU USUALLY 237 00:05:15,899 --> 00:05:17,901 PAY SOMEONE TO DO 238 00:05:15,899 --> 00:05:17,901 THIS PART FOR YOU? 239 00:05:17,943 --> 00:05:19,402 I'M NOT GONNA PAY 240 00:05:17,943 --> 00:05:19,402 A STRANGER 241 00:05:19,444 --> 00:05:21,155 TO GO THROUGH ALL 242 00:05:19,444 --> 00:05:21,155 MY PERSONAL STUFF. 243 00:05:21,196 --> 00:05:22,697 INTERESTING. 244 00:05:22,739 --> 00:05:24,324 ISN'T THAT EXACTLY WHAT 245 00:05:22,739 --> 00:05:24,324 YOU'RE DOING WITH ME, 246 00:05:24,365 --> 00:05:27,327 PAYING A STRANGER TO GO 247 00:05:24,365 --> 00:05:27,327 THROUGH MY PERSONAL STUFF? 248 00:05:27,368 --> 00:05:29,370 HONEY, THIS AIN'T 249 00:05:27,368 --> 00:05:29,370 THE SAME AS THERAPY. 250 00:05:29,412 --> 00:05:31,248 WHAT'S DIFFERENT? 251 00:05:31,290 --> 00:05:33,250 LOOKS LIKE YOU'RE 252 00:05:31,290 --> 00:05:33,250 WASTING YOUR TIME, 253 00:05:33,292 --> 00:05:35,836 WHICH IS EXACTLY WHAT 254 00:05:33,292 --> 00:05:35,836 I DID TODAY IN THERAPY. 255 00:05:35,877 --> 00:05:38,255 SWEETHEART, 256 00:05:35,877 --> 00:05:38,255 THERAPY ONLY WORKS 257 00:05:38,297 --> 00:05:40,215 IF YOU'RE WILLING 258 00:05:38,297 --> 00:05:40,215 TO GIVE IT A CHANCE. 259 00:05:40,257 --> 00:05:43,551 OK? YOU'VE GOT TO 260 00:05:40,257 --> 00:05:43,551 ACTIVELY PARTICIPATE. 261 00:05:45,262 --> 00:05:47,472 WHAT DO YOU THINK 262 00:05:45,262 --> 00:05:47,472 OF OUR NEW PLACE? 263 00:05:49,348 --> 00:05:51,059 PRETTY GREAT, HUH? 264 00:05:51,101 --> 00:05:54,104 UM, IT'S JUST 265 00:05:51,101 --> 00:05:54,104 ANOTHER HOUSE, DAD. 266 00:05:54,146 --> 00:05:57,649 WHAT IF IT WAS MORE THAN 267 00:05:54,146 --> 00:05:57,649 JUST A HOUSE, LAYLA? 268 00:05:57,691 --> 00:05:59,943 WHAT IF THIS ONE, 269 00:05:59,985 --> 00:06:03,655 WE BOTH WORK REALLY 270 00:05:59,985 --> 00:06:03,655 HARD TO MAKE IT A HOME 271 00:06:03,697 --> 00:06:05,615 TOGETHER? 272 00:06:05,657 --> 00:06:08,535 I'M PRETTY TIRED. 273 00:06:08,576 --> 00:06:11,205 SO I'M JUST GONNA GO UPSTAIRS 274 00:06:08,576 --> 00:06:11,205 AND HEAD TO BED EARLY. 275 00:06:11,246 --> 00:06:14,708 RUEL: ♪ ...I JUST WANT 276 00:06:11,246 --> 00:06:14,708 THAT BACK AGAIN ♪ 277 00:06:14,749 --> 00:06:18,170 ♪ OH, I ♪ 278 00:06:18,212 --> 00:06:23,633 ♪ TRY TO BE HAPPY, 279 00:06:18,212 --> 00:06:23,633 BUT IT'S HARD SOMETIMES ♪ 280 00:06:23,675 --> 00:06:27,012 ♪ IT'S HARD SOMETIMES... ♪ 281 00:06:27,054 --> 00:06:28,972 NOT COOL, JORDAN. 282 00:06:29,014 --> 00:06:31,099 YEAH, WELL, IT WAS 283 00:06:29,014 --> 00:06:31,099 SIMONE. 284 00:06:31,141 --> 00:06:33,476 OH, GOOD. I WAS HOPING 285 00:06:31,141 --> 00:06:33,476 IT WAS THE MOTHER 286 00:06:31,141 --> 00:06:33,476 OF YOUR UNBORN CHILD 287 00:06:33,518 --> 00:06:35,103 THAT YOU WERE IGNORING. 288 00:06:35,145 --> 00:06:36,771 LOOK, HER ULTRASOUND 289 00:06:35,145 --> 00:06:36,771 IS AT THE SAME TIME 290 00:06:36,813 --> 00:06:38,815 AS THE SOUTH CRENSHAW 291 00:06:36,813 --> 00:06:38,815 REMATCH, OK? 292 00:06:38,857 --> 00:06:41,442 I CAN'T GO. I DON'T 293 00:06:38,857 --> 00:06:41,442 WANT HER TO FEEL LIKE 294 00:06:38,857 --> 00:06:41,442 I'M BAILING. 295 00:06:41,484 --> 00:06:45,697 RIGHT. SO GHOSTING HER FELT 296 00:06:41,484 --> 00:06:45,697 LIKE THE BETTER SOLUTION. 297 00:06:47,448 --> 00:06:49,784 [RINGTONE] 298 00:06:54,956 --> 00:06:56,415 NOT COOL, OLIVIA. 299 00:06:56,457 --> 00:06:58,043 THIS IS DIFFERENT. 300 00:06:58,085 --> 00:07:01,296 HMM. SINCE WHEN DO 301 00:06:58,085 --> 00:07:01,296 YOU IGNORE ASHER? 302 00:07:01,338 --> 00:07:04,049 SINCE WE SORT OF... 303 00:07:04,091 --> 00:07:06,843 OK. YEAH. DON'T NEED 304 00:07:04,091 --> 00:07:06,843 TO HEAR DETAILS, 305 00:07:04,091 --> 00:07:06,843 THANK YOU. 306 00:07:06,885 --> 00:07:10,389 UH, NO. WE JUST KISSED, 307 00:07:06,885 --> 00:07:10,389 AND WE WERE FULLY SOBER. 308 00:07:10,430 --> 00:07:15,560 I DON'T KNOW. I-- 309 00:07:10,430 --> 00:07:15,560 I REALLY DO LIKE HIM. 310 00:07:15,602 --> 00:07:17,145 SO WHAT'S THE PROBLEM? 311 00:07:17,187 --> 00:07:19,981 I GUESS I'M JUST HESITANT 312 00:07:17,187 --> 00:07:19,981 TO GO THERE WITH HIM. 313 00:07:20,023 --> 00:07:22,025 I DON'T KNOW WHY. 314 00:07:22,067 --> 00:07:24,278 ONLY, LIV, UH, 315 00:07:22,067 --> 00:07:24,278 THE LAST TIME YOU 316 00:07:22,067 --> 00:07:24,278 GUYS GOT TOGETHER, 317 00:07:24,319 --> 00:07:26,446 YOU WERE IN A BAD PLACE. 318 00:07:26,487 --> 00:07:29,366 MAYBE YOU JUST DON'T 319 00:07:26,487 --> 00:07:29,366 WANT TO BE REMINDED 320 00:07:26,487 --> 00:07:29,366 OF YOUR ADDICTION. 321 00:07:29,408 --> 00:07:32,411 YEAH. IT'S NOT EXACTLY 322 00:07:29,408 --> 00:07:32,411 SOMETHING YOU FORGET. 323 00:07:32,452 --> 00:07:35,205 EVERY DAY, I MAKE 324 00:07:32,452 --> 00:07:35,205 AN ACTIVE CHOICE 325 00:07:32,452 --> 00:07:35,205 TO STAY SOBER. 326 00:07:35,247 --> 00:07:38,250 OK. BUT DO YOU NEED 327 00:07:35,247 --> 00:07:38,250 YET ANOTHER REMINDER? 328 00:07:38,292 --> 00:07:39,542 REMINDER OF WHAT? 329 00:07:39,584 --> 00:07:42,129 -HI, MOM. 330 00:07:39,584 --> 00:07:42,129 -HI, MOM. 331 00:07:42,170 --> 00:07:44,339 -OK. SON... 332 00:07:42,170 --> 00:07:44,339 -HMM? 333 00:07:44,381 --> 00:07:46,091 [SNAPS FINGERS] 334 00:07:44,381 --> 00:07:46,091 GROCERY DUTY. 335 00:07:46,133 --> 00:07:47,968 YOU GOT IT. 336 00:07:50,387 --> 00:07:52,513 I DEFINITELY FELT 337 00:07:50,387 --> 00:07:52,513 THAT CHILL. 338 00:07:52,555 --> 00:07:56,268 YEAH. I THINK SHE'S 339 00:07:52,555 --> 00:07:56,268 STILL UPSET I WENT TO DAD 340 00:07:52,555 --> 00:07:56,268 ABOUT THE PREGNANCY FIRST. 341 00:07:56,310 --> 00:07:58,603 HENCE THE FREEZING OUT. 342 00:07:58,645 --> 00:08:00,772 WELL, NOW YOU KNOW 343 00:07:58,645 --> 00:08:00,772 HOW SIMONE FEELS. 344 00:08:00,814 --> 00:08:02,941 KNOW-MADIK: ♪ MM MM-HMM MM MM ♪ 345 00:08:02,983 --> 00:08:04,484 WOMEN: ♪ OH, YEAH ♪ 346 00:08:04,525 --> 00:08:05,777 ♪ I WAS MADE FOR THIS ♪ 347 00:08:05,819 --> 00:08:07,654 ♪ YEAH, YEAH ♪ 348 00:08:07,695 --> 00:08:09,572 -♪ YEAH ♪ 349 00:08:07,695 --> 00:08:09,572 -♪ WHOA, YEAH ♪ 350 00:08:09,614 --> 00:08:12,242 KNOW-MADIK: ♪ FACE IT, 351 00:08:09,614 --> 00:08:12,242 GREATNESS IS IN MY GENETICS ♪ 352 00:08:12,284 --> 00:08:14,869 ♪ RELY ON ME, YOU'D NEVER 353 00:08:12,284 --> 00:08:14,869 REGRET IT, UH! ♪ 354 00:08:14,911 --> 00:08:16,371 ♪ VICTORY'S MINE, 355 00:08:14,911 --> 00:08:16,371 YEAH... ♪ 356 00:08:16,413 --> 00:08:19,333 THERE HE IS. 357 00:08:16,413 --> 00:08:19,333 NEED A SPOT? 358 00:08:19,374 --> 00:08:22,336 OH! OH. GO EASY ON ME. 359 00:08:22,377 --> 00:08:24,545 I SEE YOU'VE BEEN SPENDING 360 00:08:22,377 --> 00:08:24,545 A LOT OF TIME IN HERE LATELY. 361 00:08:24,587 --> 00:08:26,714 JUST WANTED TO 362 00:08:24,587 --> 00:08:26,714 CHECK UP ON YOU, 363 00:08:26,756 --> 00:08:29,384 SEE WHERE YOUR HEAD'S AT 364 00:08:26,756 --> 00:08:29,384 WITH SOUTH CRENSHAW ON 365 00:08:26,756 --> 00:08:29,384 THE SCHEDULE THIS WEEK. 366 00:08:30,718 --> 00:08:32,179 I'M GOOD. 367 00:08:33,972 --> 00:08:37,225 YOU DON'T THINK PLAYING 368 00:08:33,972 --> 00:08:37,225 CRENSHAW RIGHT AFTER 369 00:08:33,972 --> 00:08:37,225 YOUR POPS LEFT 370 00:08:37,267 --> 00:08:39,936 MIGHT OPEN UP 371 00:08:37,267 --> 00:08:39,936 SOME OLD WOUNDS? 372 00:08:43,773 --> 00:08:45,775 I APPRECIATE YOU, 373 00:08:43,773 --> 00:08:45,775 COACH, 374 00:08:45,817 --> 00:08:48,195 BUT I MADE MY PEACE 375 00:08:45,817 --> 00:08:48,195 WITH MY POPS LEAVING. 376 00:08:45,817 --> 00:08:48,195 HONESTLY. 377 00:08:48,236 --> 00:08:49,696 HE DID WHAT HE DOES BEST. 378 00:08:49,737 --> 00:08:51,239 I'M TRYING TO DO 379 00:08:49,737 --> 00:08:51,239 WHAT I DO BEST. 380 00:08:51,281 --> 00:08:53,241 AND YOU KNOW I'M WITH 381 00:08:51,281 --> 00:08:53,241 YOU ON ALL THAT, BUT... 382 00:08:53,283 --> 00:08:54,909 YOU DON'T GOT TO PLAY 383 00:08:53,283 --> 00:08:54,909 IN THIS GAME. 384 00:08:54,951 --> 00:08:56,703 WHATEVER CLIFF IS 385 00:08:54,951 --> 00:08:56,703 UP TO-- 386 00:08:56,744 --> 00:08:58,579 I AIN'T WORRIED 387 00:08:56,744 --> 00:08:58,579 ABOUT CLIFF. 388 00:08:58,621 --> 00:09:00,374 DO NOT UNDERESTIMATE 389 00:08:58,621 --> 00:09:00,374 HIM, ALL RIGHT? 390 00:09:00,415 --> 00:09:02,667 I DON'T WANT YOU GETTING 391 00:09:00,415 --> 00:09:02,667 CAUGHT UP IN HIS GAME. 392 00:09:02,709 --> 00:09:04,585 HE PUTS ON A REAL GOOD SHOW, 393 00:09:04,627 --> 00:09:07,339 BUT HE DOES NOT 394 00:09:04,627 --> 00:09:07,339 CARE WHO HE HURTS 395 00:09:04,627 --> 00:09:07,339 AS LONG AS HE LOOKS GOOD. 396 00:09:07,381 --> 00:09:10,258 I JUST WANT YOU TO STAY 397 00:09:07,381 --> 00:09:10,258 TRUE TO WHO YOU ARE. 398 00:09:12,344 --> 00:09:15,263 LOOK, YOU AIN'T GOT TO 399 00:09:12,344 --> 00:09:15,263 WORRY ABOUT ME, ALL RIGHT? 400 00:09:15,305 --> 00:09:17,224 AIN'T NOBODY FORGETTING 401 00:09:15,305 --> 00:09:17,224 WHO THEY ARE. 402 00:09:17,265 --> 00:09:20,352 I'M JUST TRYING TO 403 00:09:17,265 --> 00:09:20,352 PLAY BALL AND WIN, 404 00:09:17,265 --> 00:09:20,352 ALL RIGHT? 405 00:09:20,394 --> 00:09:22,354 WOMEN: ♪ WHOA, YEAH, OH 406 00:09:20,394 --> 00:09:22,354 OH OH OH... ♪ 407 00:09:22,396 --> 00:09:23,897 KNOW-MADIK: ♪ I WAS 408 00:09:22,396 --> 00:09:23,897 MADE FOR THIS ♪ 409 00:09:23,938 --> 00:09:25,815 ♪ I WAS MADE FOR THIS ♪ 410 00:09:33,448 --> 00:09:35,283 COOP: YO, YOUR 411 00:09:33,448 --> 00:09:35,283 MOMS IS GONNA FLIP. 412 00:09:35,325 --> 00:09:37,077 WE NEED BEHIND-THE-SCENES 413 00:09:35,325 --> 00:09:37,077 SHOTS OF ME 414 00:09:37,118 --> 00:09:38,828 TO BOOST PUBLICITY 415 00:09:37,118 --> 00:09:38,828 FOR THE GAME AGAINST 416 00:09:37,118 --> 00:09:38,828 SOUTH CRENSHAW. 417 00:09:38,870 --> 00:09:40,455 IT'S COOL. 418 00:09:40,497 --> 00:09:42,416 COULD WE LOSE THIS RUG? 419 00:09:42,457 --> 00:09:44,959 NO. SHE DID NOT 420 00:09:42,457 --> 00:09:44,959 JUST DISRESPECT 421 00:09:42,457 --> 00:09:44,959 YOUR GRANNY'S RUG. 422 00:09:45,001 --> 00:09:46,794 NOT ONLY IS YOUR MOM 423 00:09:45,001 --> 00:09:46,794 GONNA FLIP. SHE GONNA 424 00:09:45,001 --> 00:09:46,794 END YOU, TOO. 425 00:09:46,836 --> 00:09:48,046 ALL RIGHT, COOP. 426 00:09:46,836 --> 00:09:48,046 COME ON. GET OUT. 427 00:09:48,088 --> 00:09:50,006 COOP: I'M JUST SAYIN'. 428 00:09:50,048 --> 00:09:51,299 [SPENCER SIGHS] 429 00:09:51,341 --> 00:09:52,967 LOOK, ARE YOU HERE 430 00:09:51,341 --> 00:09:52,967 FOR A FAVOR, 431 00:09:53,009 --> 00:09:54,261 OR YOU JUST TRYING 432 00:09:53,009 --> 00:09:54,261 TO STRESS ME OUT? 433 00:09:54,302 --> 00:09:55,970 A FAVOR. 434 00:09:54,302 --> 00:09:55,970 THE STRESS IS ON YOU. 435 00:09:56,012 --> 00:09:58,306 BUT, YO, CAN YOU HOLLA 436 00:09:56,012 --> 00:09:58,306 AT LAYLA'S POPS FOR ME? 437 00:09:58,348 --> 00:10:00,434 I WANT HIM TO HEAR 438 00:09:58,348 --> 00:10:00,434 MY NEW TRACK. 439 00:10:00,475 --> 00:10:02,436 IT'S FIRE, BUT I THINK 440 00:10:00,475 --> 00:10:02,436 J.P. KEATING COULD 441 00:10:00,475 --> 00:10:02,436 TURN UP THE HEAT. 442 00:10:02,477 --> 00:10:04,312 WHY NOT JUST DM JAY Z? 443 00:10:04,354 --> 00:10:07,148 I GOT A BETTER CHANCE 444 00:10:04,354 --> 00:10:07,148 OF GETTING HIM ON 445 00:10:04,354 --> 00:10:07,148 THE LINE THAN J.P. 446 00:10:07,190 --> 00:10:09,067 I TRIED TO HAVE HIS 447 00:10:07,190 --> 00:10:09,067 DAUGHTER COMMITTED, COOP. 448 00:10:09,109 --> 00:10:11,861 -TRUE. 449 00:10:09,109 --> 00:10:11,861 -LOOK, YOU AND LAYLA GOOD. 450 00:10:11,903 --> 00:10:13,821 JUST CALL HER. 451 00:10:11,903 --> 00:10:13,821 SHE COULD PROBABLY 452 00:10:11,903 --> 00:10:13,821 USE THE DISTRACTION. 453 00:10:13,863 --> 00:10:15,615 BUT WHAT IF SHE 454 00:10:13,863 --> 00:10:15,615 DON'T THINK I'M READY? 455 00:10:15,656 --> 00:10:17,200 WHY ARE YOU DOWN 456 00:10:15,656 --> 00:10:17,200 ON YOURSELF? 457 00:10:17,242 --> 00:10:19,453 I AIN'T NEVER SEEN 458 00:10:17,242 --> 00:10:19,453 YOU LIKE THIS. 459 00:10:19,494 --> 00:10:21,580 MAN, LOOK, I DON'T KNOW 460 00:10:19,494 --> 00:10:21,580 THE MUSIC GAME LIKE 461 00:10:19,494 --> 00:10:21,580 I KNOW THE STREETS. 462 00:10:21,621 --> 00:10:23,164 IT'S STILL 463 00:10:21,621 --> 00:10:23,164 ALL NEW TO ME. 464 00:10:23,206 --> 00:10:24,791 CLOSED MOUTHS DON'T 465 00:10:23,206 --> 00:10:24,791 GET FED, RIGHT? 466 00:10:31,465 --> 00:10:33,007 LAURA. 467 00:10:33,049 --> 00:10:35,135 WHAT DO YOU WANT, BILLY? 468 00:10:35,176 --> 00:10:37,512 LOOK, I, UH, I KNOW 469 00:10:35,176 --> 00:10:37,512 THAT WE PROMISED JORDAN 470 00:10:37,554 --> 00:10:40,307 THAT WE'D GIVE SIMONE 471 00:10:37,554 --> 00:10:40,307 AND HIM SOME TIME 472 00:10:37,554 --> 00:10:40,307 TO PROCESS, 473 00:10:40,348 --> 00:10:42,850 BUT I THINK THAT MAYBE 474 00:10:40,348 --> 00:10:42,850 WE SHOULD GET TOGETHER 475 00:10:40,348 --> 00:10:42,850 AND DISCUSS 476 00:10:42,892 --> 00:10:45,770 THE FACT THAT, YOU KNOW, 477 00:10:42,892 --> 00:10:45,770 JORDAN'S GONNA 478 00:10:42,892 --> 00:10:45,770 BECOME A DAD. 479 00:10:45,812 --> 00:10:47,564 THOUGHT YOU HAD THAT 480 00:10:45,812 --> 00:10:47,564 HANDLED. 481 00:10:47,606 --> 00:10:48,689 AH, COME ON-- 482 00:10:48,731 --> 00:10:50,400 LOOK, BILLY, OBVIOUSLY 483 00:10:48,731 --> 00:10:50,400 JORDAN TRUSTS YOU 484 00:10:50,442 --> 00:10:51,526 MORE THAN HE TRUSTS ME. 485 00:10:51,568 --> 00:10:52,527 THAT'S NOT TRUE. 486 00:10:52,569 --> 00:10:54,237 DOESN'T EVEN MATTER. 487 00:10:54,279 --> 00:10:56,948 YOU CLEARLY THINK I CAN'T 488 00:10:54,279 --> 00:10:56,948 HANDLE THE KIDS ALONE. 489 00:10:56,990 --> 00:10:59,117 GREAT. SO HAVE AT IT. 490 00:10:59,159 --> 00:11:03,704 TAKE THE REINS, BILLY. 491 00:10:59,159 --> 00:11:03,704 THEY'RE ALL YOURS. 492 00:11:03,746 --> 00:11:05,999 [MAN SPEAKING INDISTINCTLY] 493 00:11:06,040 --> 00:11:08,502 ROCHELLE: I THOUGHT 494 00:11:06,040 --> 00:11:08,502 SOUTH CRENSHAW 495 00:11:06,040 --> 00:11:08,502 WOULD BE STARTING 496 00:11:08,543 --> 00:11:10,753 THEIR BIG-TIME RECRUIT 497 00:11:08,543 --> 00:11:10,753 FROM NEVADA. 498 00:11:10,795 --> 00:11:13,131 NAH. DARNELL 499 00:11:10,795 --> 00:11:13,131 WENT BACK HOME 500 00:11:13,173 --> 00:11:15,509 AFTER THAT SITUATION 501 00:11:13,173 --> 00:11:15,509 YOUR DAD MADE GO AWAY. 502 00:11:18,970 --> 00:11:21,515 SPENCER: HEY, HEY, 503 00:11:18,970 --> 00:11:21,515 HEY. YOU CAN'T USE 504 00:11:18,970 --> 00:11:21,515 THAT FOOTAGE, MAN. 505 00:11:21,556 --> 00:11:23,475 SPENCER! 506 00:11:23,517 --> 00:11:25,059 NO, I'M SERIOUS. 507 00:11:23,517 --> 00:11:25,059 YOU CAN'T FILM 508 00:11:23,517 --> 00:11:25,059 CRENSHAW'S PRACTICE. 509 00:11:25,101 --> 00:11:26,353 IT'S A CODE 510 00:11:25,101 --> 00:11:26,353 VIOLATION. 511 00:11:26,394 --> 00:11:28,229 AND WE STEPPING ON 512 00:11:26,394 --> 00:11:28,229 THEIR RIGHT TO PRIVACY 513 00:11:28,271 --> 00:11:29,105 BEFORE THE BIG GAME. 514 00:11:29,147 --> 00:11:30,231 WE CAN'T DO IT. 515 00:11:29,147 --> 00:11:30,231 STOP, MAN. 516 00:11:30,273 --> 00:11:31,858 WE'RE NOT FILMING THEM. 517 00:11:31,899 --> 00:11:34,861 WE'RE FILMING YOU 518 00:11:31,899 --> 00:11:34,861 WATCHING THEM. 519 00:11:34,902 --> 00:11:36,571 THIS FIELD IS YOUR 520 00:11:34,902 --> 00:11:36,571 ORIGIN STORY. 521 00:11:36,613 --> 00:11:38,239 WELL, I GOT TO GET BACK 522 00:11:36,613 --> 00:11:38,239 TO MY FIELD, ALL RIGHT, 523 00:11:38,281 --> 00:11:39,240 AND FOCUS ON MY GAME. 524 00:11:39,282 --> 00:11:41,493 CAM: HEY, YO, SPENCE, 525 00:11:41,535 --> 00:11:43,953 WHAT'S UP WITH ALL 526 00:11:41,535 --> 00:11:43,953 THESE CAMERAS, DAWG? 527 00:11:43,995 --> 00:11:45,455 LOOK, IT'S NOT 528 00:11:43,995 --> 00:11:45,455 WHAT YOU THINK. 529 00:11:45,497 --> 00:11:47,123 MAD DISRESPECTFUL, DAWG. 530 00:11:47,165 --> 00:11:50,043 AND I AIN'T EVEN SURPRISED. 531 00:11:47,165 --> 00:11:50,043 YOU JUST A DIRTY PLAYER. 532 00:11:50,084 --> 00:11:52,295 FIRST YOU TAKE OUT OUR QB, 533 00:11:50,084 --> 00:11:52,295 THEN YOU CONVINCED 534 00:11:50,084 --> 00:11:52,295 DARNELL TO LEAVE. 535 00:11:52,337 --> 00:11:53,754 THAT'S NOT 536 00:11:52,337 --> 00:11:53,754 WHAT HAPPENED. 537 00:11:53,796 --> 00:11:55,507 AND NOW Y'ALL OUT HERE 538 00:11:53,796 --> 00:11:55,507 FILMING OUR PLAYS, 539 00:11:55,549 --> 00:11:57,342 TRYING TO PUT OUR TEAM'S 540 00:11:55,549 --> 00:11:57,342 STRUGGLES ON BLAST. 541 00:11:57,384 --> 00:11:59,052 YOU ALL NEED TO LEAVE NOW 542 00:11:59,093 --> 00:12:01,596 BEFORE I HAVE SECURITY 543 00:11:59,093 --> 00:12:01,596 PUT YOUR ASSES OUT. 544 00:12:07,352 --> 00:12:08,853 ROCHELLE, VOICE-OVER: 545 00:12:07,352 --> 00:12:08,853 TWO SEASONS AGO, 546 00:12:08,895 --> 00:12:11,898 YOU HAD 1,100 YARDS 547 00:12:08,895 --> 00:12:11,898 RECEIVING 548 00:12:11,939 --> 00:12:13,650 AND 23 TOUCHDOWNS, 549 00:12:13,692 --> 00:12:15,734 BOTH BEVERLY RECORDS. 550 00:12:15,776 --> 00:12:17,445 IT WAS A GOOD YEAR. 551 00:12:17,487 --> 00:12:19,780 ROCHELLE: LAST YEAR, 552 00:12:17,487 --> 00:12:19,780 YOUR NUMBERS 553 00:12:17,487 --> 00:12:19,780 WERE CUT IN HALF. 554 00:12:19,822 --> 00:12:22,783 500 YARDS, 11 TDs. 555 00:12:22,825 --> 00:12:25,203 SPENCER JAMES TOOK MY SPOT, 556 00:12:25,245 --> 00:12:28,206 BUT WE STILL WON 557 00:12:25,245 --> 00:12:28,206 A STATE CHAMPIONSHIP, SO... 558 00:12:28,248 --> 00:12:32,252 WOULD YOU HAVE WON 559 00:12:28,248 --> 00:12:32,252 THAT STATE CHAMPIONSHIP 560 00:12:28,248 --> 00:12:32,252 WITHOUT SPENCER JAMES? 561 00:12:32,293 --> 00:12:37,131 I THINK IT WOULD HAVE BEEN 562 00:12:32,293 --> 00:12:37,131 TOUGH WITHOUT HIM, FOR SURE. 563 00:12:37,173 --> 00:12:42,303 BUT I THINK SOMETIMES 564 00:12:37,173 --> 00:12:42,303 WE CONVINCE OURSELVES 565 00:12:37,173 --> 00:12:42,303 WE NEED SOMEONE. 566 00:12:42,345 --> 00:12:46,182 AND WHEN THEY'RE GONE, 567 00:12:42,345 --> 00:12:46,182 LIFE GOES ON. 568 00:12:46,224 --> 00:12:48,226 [KISSING] 569 00:12:48,268 --> 00:12:50,604 HOW DID THE INTERVIEW 570 00:12:48,268 --> 00:12:50,604 THING GO? 571 00:12:50,645 --> 00:12:52,272 IT WAS FINE. 572 00:12:52,313 --> 00:12:54,815 WHAT'D THEY ASK YOU ABOUT? 573 00:12:54,857 --> 00:12:57,611 MOSTLY SPENCER JAMES. 574 00:12:57,652 --> 00:12:58,861 WHAT ABOUT HIM? 575 00:12:58,903 --> 00:12:59,904 [CHUCKLES] 576 00:12:59,946 --> 00:13:01,573 I, UH, WOULD RATHER 577 00:12:59,946 --> 00:13:01,573 NOT TALK ABOUT 578 00:13:01,615 --> 00:13:02,781 SPENCER JAMES 579 00:13:01,615 --> 00:13:02,781 RIGHT NOW. 580 00:13:02,823 --> 00:13:05,993 [CHUCKLES] 581 00:13:10,498 --> 00:13:13,084 HAS YOUR MOM 582 00:13:10,498 --> 00:13:13,084 REACHED OUT AGAIN? 583 00:13:13,126 --> 00:13:14,628 [CHUCKLING] 584 00:13:16,337 --> 00:13:18,797 WHAT? 585 00:13:18,839 --> 00:13:20,550 AS IF TALKING ABOUT 586 00:13:18,839 --> 00:13:20,550 SPENCER WASN'T ENOUGH 587 00:13:18,839 --> 00:13:20,550 OF A MOOD KILLER, 588 00:13:20,592 --> 00:13:21,800 MY MOM? 589 00:13:21,842 --> 00:13:24,554 -AH, I'M SORRY. 590 00:13:21,842 --> 00:13:24,554 -HA HA! 591 00:13:24,596 --> 00:13:28,308 I JUST--WE DIDN'T REALLY 592 00:13:24,596 --> 00:13:28,308 CATCH UP. I DON'T KNOW. 593 00:13:28,349 --> 00:13:30,143 I DIDN'T REALLY SEE YOU 594 00:13:28,349 --> 00:13:30,143 AT SCHOOL TODAY. 595 00:13:30,184 --> 00:13:32,520 YEAH. FOR A MINUTE, 596 00:13:32,562 --> 00:13:35,189 I THOUGHT YOU WERE 597 00:13:32,562 --> 00:13:35,189 MAYBE GHOSTING ME. 598 00:13:35,231 --> 00:13:37,358 WELL, I'M HERE NOW. 599 00:13:35,231 --> 00:13:37,358 SO LET'S TALK. 600 00:13:37,400 --> 00:13:39,569 ABOUT MY MOM? 601 00:13:39,611 --> 00:13:40,861 SHE TEXTED ME. 602 00:13:40,903 --> 00:13:43,197 AND WHAT'D SHE WANT? 603 00:13:43,239 --> 00:13:44,949 LIV, IS EVERYTHING OK? 604 00:13:46,743 --> 00:13:48,787 YOU'RE ACTING WEIRD 605 00:13:46,743 --> 00:13:48,787 AROUND ME. 606 00:13:48,827 --> 00:13:52,290 YOU THINK THIS WAS 607 00:13:48,827 --> 00:13:52,290 A MISTAKE? 608 00:13:52,332 --> 00:13:54,250 I DON'T--I DON'T KNOW. 609 00:13:54,292 --> 00:13:56,210 IT SEEMS LIKE MAYBE 610 00:13:54,292 --> 00:13:56,210 YOU DO KNOW. 611 00:13:56,252 --> 00:13:57,796 ASHER-- 612 00:13:57,836 --> 00:13:59,922 WHEN DID YOU STOP 613 00:13:57,836 --> 00:13:59,922 BEING HONEST WITH ME? 614 00:13:59,964 --> 00:14:03,343 I'M JUST PROCESSING. 615 00:14:03,384 --> 00:14:05,178 RIGHT. 616 00:14:09,808 --> 00:14:11,976 ASHER, I'M JUST TRYING 617 00:14:09,808 --> 00:14:11,976 TO FIGURE OUT 618 00:14:12,018 --> 00:14:13,520 WHAT'S GOING ON IN MY HEAD. 619 00:14:13,561 --> 00:14:15,188 THAT'S ALL. 620 00:14:15,229 --> 00:14:17,565 YOU DON'T NEED TO 621 00:14:15,229 --> 00:14:17,565 APOLOGIZE. I GET IT. 622 00:14:17,607 --> 00:14:19,609 I'LL SEE YOU AROUND. 623 00:14:28,576 --> 00:14:30,411 CAM: NO, BUT WHAT 624 00:14:28,576 --> 00:14:30,411 I'M SAYING IS, LIKE, 625 00:14:30,453 --> 00:14:32,330 IF YOU TAKE THAT LIKE THAT, 626 00:14:30,453 --> 00:14:32,330 THEN EVERYBODY ELSE WILL-- 627 00:14:32,372 --> 00:14:34,915 CAM. 628 00:14:34,957 --> 00:14:37,335 HEY, WHERE YOUR 629 00:14:34,957 --> 00:14:37,335 CAMERA CREW AT? 630 00:14:37,377 --> 00:14:39,212 THEY GONE. 631 00:14:39,253 --> 00:14:40,921 LOOK, I SHOULD'VE NEVER 632 00:14:39,253 --> 00:14:40,921 BROUGHT THEM 633 00:14:39,253 --> 00:14:40,921 TO THE PRACTICE, MAN. 634 00:14:40,963 --> 00:14:42,590 THAT'S ALL ON ME, 635 00:14:40,963 --> 00:14:42,590 AND I'M SORRY. 636 00:14:42,632 --> 00:14:44,300 SORRY YOU GOT CAUGHT? 637 00:14:44,342 --> 00:14:45,844 I AIN'T NO DIRTY PLAYER. 638 00:14:45,885 --> 00:14:47,721 I'M SORRY YOU ALL 639 00:14:45,885 --> 00:14:47,721 AIN'T GOT CHRIS. 640 00:14:47,762 --> 00:14:49,096 AND AS FOR DARNELL LEAVING, 641 00:14:49,138 --> 00:14:50,473 AIN'T MUCH I 642 00:14:49,138 --> 00:14:50,473 CAN DO ABOUT THAT. 643 00:14:50,515 --> 00:14:52,058 I PREFER TO PLAY YOU ALL 644 00:14:50,515 --> 00:14:52,058 AT YOUR BEST. 645 00:14:52,099 --> 00:14:53,643 BUT, HEY, THAT'S 646 00:14:52,099 --> 00:14:53,643 FOOTBALL, RIGHT? 647 00:14:53,685 --> 00:14:55,269 THE GAME DON'T STOP. 648 00:14:55,311 --> 00:14:56,730 OH, SO YOUR POPS BOUNCES, 649 00:14:56,771 --> 00:14:58,690 AND YOU ALL WIN 650 00:14:56,771 --> 00:14:58,690 AT ANY COSTS, HUH? 651 00:15:07,240 --> 00:15:08,616 THOUGHT YOU WAS 652 00:15:07,240 --> 00:15:08,616 IN NEVADA. 653 00:15:08,658 --> 00:15:11,870 I WAS. I HAD TO COME BACK 654 00:15:11,911 --> 00:15:13,413 AT LEAST UNTIL I 655 00:15:11,911 --> 00:15:13,413 GET SOME ANSWERS. 656 00:15:13,454 --> 00:15:15,164 -ABOUT WHAT? 657 00:15:13,454 --> 00:15:15,164 -WHY COREY LEFT. 658 00:15:15,206 --> 00:15:17,124 -DARNELL, STOP, MAN. 659 00:15:15,206 --> 00:15:17,124 -YO, LOOK... 660 00:15:17,166 --> 00:15:19,126 HE WAS DOING FINE 661 00:15:17,166 --> 00:15:19,126 THAT MORNING. 662 00:15:19,168 --> 00:15:22,380 HE WAS EXCITED ABOUT 663 00:15:19,168 --> 00:15:22,380 COACHING, HIS REUNION, 664 00:15:22,422 --> 00:15:24,048 YOU, DILLON. 665 00:15:24,090 --> 00:15:25,759 I AIN'T GOT NO ANSWERS 666 00:15:24,090 --> 00:15:25,759 FOR YOU, MAN. 667 00:15:25,800 --> 00:15:27,009 OK, BUT MAYBE IF 668 00:15:25,800 --> 00:15:27,009 WE JUST PUT OUR-- 669 00:15:27,051 --> 00:15:28,302 I AIN'T TRYING TO BE 670 00:15:27,051 --> 00:15:28,302 MEAN, ALL RIGHT? 671 00:15:28,344 --> 00:15:29,262 I'VE JUST MOVED ON. 672 00:15:29,303 --> 00:15:30,555 YOU SHOULD, TOO. 673 00:15:30,597 --> 00:15:33,099 NAH. I CAN'T JUST MOVE ON. 674 00:15:33,140 --> 00:15:36,686 YOU SOUND JUST LIKE ME 675 00:15:33,140 --> 00:15:36,686 8 YEARS AGO. 676 00:15:36,728 --> 00:15:38,688 YOU GONNA DRIVE 677 00:15:36,728 --> 00:15:38,688 YOURSELF CRAZY 678 00:15:38,730 --> 00:15:40,523 LOOKING FOR ANSWERS 679 00:15:38,730 --> 00:15:40,523 YOU AIN'T NEVER 680 00:15:38,730 --> 00:15:40,523 GONNA FIND, MAN. 681 00:15:40,565 --> 00:15:43,025 COREY IS GONE, ALL RIGHT? 682 00:15:40,565 --> 00:15:43,025 JUST FORGET ABOUT HIM. 683 00:15:43,067 --> 00:15:46,446 FOCUS ON WHAT YOU 684 00:15:43,067 --> 00:15:46,446 GOT LEFT, LIKE YOUR 685 00:15:43,067 --> 00:15:46,446 FUTURE, FOOTBALL. 686 00:15:46,487 --> 00:15:49,031 THERE'S ONE THING 687 00:15:46,487 --> 00:15:49,031 I KNOW ABOUT COREY. 688 00:15:49,073 --> 00:15:52,243 IT'S THAT HE NEVER 689 00:15:49,073 --> 00:15:52,243 BREAKS A PROMISE. 690 00:15:52,285 --> 00:15:53,787 YEAH, AND IF THERE'S 691 00:15:52,285 --> 00:15:53,787 ONE THING I KNOW, 692 00:15:53,828 --> 00:15:55,705 IT'S THAT HE ALWAYS DOES. 693 00:15:55,747 --> 00:15:57,457 I HOPE YOU FIND 694 00:15:55,747 --> 00:15:57,457 YOUR ANSWERS, MAN. 695 00:15:55,747 --> 00:15:57,457 I REALLY DO. 696 00:15:57,498 --> 00:16:00,835 BUT I'M DONE BLAMING 697 00:15:57,498 --> 00:16:00,835 MYSELF FOR HIM LEAVING. 698 00:16:00,877 --> 00:16:02,629 DONE. 699 00:16:06,299 --> 00:16:08,342 SINGER: ♪ EH EH AH AH ♪ 700 00:16:08,384 --> 00:16:10,470 ♪ I-I-- ♪ 701 00:16:10,511 --> 00:16:14,390 ♪ I DON'T WANNA SEE 702 00:16:10,511 --> 00:16:14,390 YOU ROLL... ♪ 703 00:16:14,432 --> 00:16:18,937 AHEM. 704 00:16:14,432 --> 00:16:18,937 IS THIS SEAT TAKEN? 705 00:16:18,978 --> 00:16:22,106 WHAT ARE YOU 706 00:16:18,978 --> 00:16:22,106 DOING HERE? 707 00:16:22,148 --> 00:16:24,066 WELL, I WAS HOPING 708 00:16:22,148 --> 00:16:24,066 TO FIND YOU. 709 00:16:24,108 --> 00:16:26,110 HEY, NOW IS NOT 710 00:16:24,108 --> 00:16:26,110 A GOOD TIME, MOM. 711 00:16:26,152 --> 00:16:28,696 WELL, CAN YOU TELL ME 712 00:16:26,152 --> 00:16:28,696 WHEN IS A GOOD TIME, 713 00:16:28,738 --> 00:16:30,531 BECAUSE I'VE BEEN CALLING 714 00:16:28,738 --> 00:16:30,531 YOU AND TEXTING YOU-- 715 00:16:30,573 --> 00:16:33,200 AND I HAVE BEEN BUSY. 716 00:16:33,242 --> 00:16:34,953 I GOT A BIG GAME 717 00:16:33,242 --> 00:16:34,953 COMING UP. 718 00:16:34,994 --> 00:16:36,746 -CAN I AT LEAST BUY YOU DINNER? 719 00:16:34,994 --> 00:16:36,746 -DINNER? 720 00:16:36,788 --> 00:16:38,581 OUR LAST MEAL, YOU 721 00:16:36,788 --> 00:16:38,581 ASKED ME TO SERVE DAD 722 00:16:38,623 --> 00:16:39,916 WITH DIVORCE PAPERS, 723 00:16:39,958 --> 00:16:41,584 WHICH SUCKED, 724 00:16:39,958 --> 00:16:41,584 BY THE WAY. 725 00:16:41,626 --> 00:16:43,753 WHAT MESSED-UP FAVOR 726 00:16:41,626 --> 00:16:43,753 DO YOU WANT NOW? 727 00:16:43,795 --> 00:16:50,217 I JUST WANTED TO SEE YOU, 728 00:16:43,795 --> 00:16:50,217 TALK, A CHANCE TO EXPLAIN 729 00:16:43,795 --> 00:16:50,217 WHY WE HAVEN'T-- 730 00:16:50,259 --> 00:16:52,094 THIS REALLY ISN'T 731 00:16:50,259 --> 00:16:52,094 FAIR TO ME. 732 00:16:52,136 --> 00:16:55,890 MY ENTIRE FUTURE IS ON 733 00:16:52,136 --> 00:16:55,890 THE LINE THIS SEASON. 734 00:16:55,932 --> 00:16:58,434 MAYBE MY FUTURE 735 00:16:55,932 --> 00:16:58,434 MEANS NOTHING TO YOU. 736 00:16:58,476 --> 00:16:59,602 I DON'T KNOW. 737 00:16:59,644 --> 00:17:01,395 -OF COURSE IT DOES! 738 00:16:59,644 --> 00:17:01,395 -I DON'T CARE, MOM. 739 00:17:01,437 --> 00:17:03,481 BUT IT MEANS 740 00:17:01,437 --> 00:17:03,481 EVERYTHING TO ME. 741 00:17:06,025 --> 00:17:07,694 I GOT TO GO. 742 00:17:13,282 --> 00:17:16,035 COOP: ♪ YEAH, YOU KNOW 743 00:17:13,282 --> 00:17:16,035 IT'S NOT MY STYLE ♪ 744 00:17:16,076 --> 00:17:18,538 ♪ IT'S NOT MY STYLE ♪ 745 00:17:18,579 --> 00:17:21,708 ♪ YEAH, YOU KNOW IT'S NOT 746 00:17:18,579 --> 00:17:21,708 MY STYLE ♪ 747 00:17:21,749 --> 00:17:24,919 ♪ NOT MY STYLE ♪ 748 00:17:26,671 --> 00:17:28,255 COOP: UH-OH. 749 00:17:26,671 --> 00:17:28,255 SHE HATED IT. 750 00:17:28,297 --> 00:17:29,674 NO. NO. SHE 751 00:17:28,297 --> 00:17:29,674 DIDN'T HATE IT. 752 00:17:29,716 --> 00:17:31,926 -NO, NO. I DIDN'T HATE IT. 753 00:17:29,716 --> 00:17:31,926 -SEE? 754 00:17:31,968 --> 00:17:33,511 COOP, IT'S REALLY GOOD. 755 00:17:33,553 --> 00:17:36,305 BUT NOT GREAT. 756 00:17:33,553 --> 00:17:36,305 NO, IT'S ALL GOOD. 757 00:17:36,347 --> 00:17:38,516 I GOT SO MANY OTHER TRACKS 758 00:17:36,347 --> 00:17:38,516 YOU MIGHT LIKE. 759 00:17:38,558 --> 00:17:41,227 NO. THE LYRICS ARE PERFECT. 760 00:17:38,558 --> 00:17:41,227 THE SONG COULD BE GREAT. 761 00:17:41,268 --> 00:17:44,480 IT'S JUST MISSING 762 00:17:41,268 --> 00:17:44,480 SOMETHING. 763 00:17:44,522 --> 00:17:46,649 BUT I HAVE AN IDEA. 764 00:17:44,522 --> 00:17:46,649 DO YOU MIND? 765 00:17:46,691 --> 00:17:50,987 -NO. DO YOUR THING. 766 00:17:46,691 --> 00:17:50,987 -OK. 767 00:17:51,029 --> 00:17:54,866 OK. I JUST 768 00:17:51,029 --> 00:17:54,866 WANT MY DAD TO LOVE IT. 769 00:17:54,908 --> 00:17:56,450 [TURNING PAGES] 770 00:17:56,492 --> 00:17:58,995 OH, OK. SO THE HOOK 771 00:17:56,492 --> 00:17:58,995 YOU HAVE NOW IS 772 00:17:59,037 --> 00:18:00,788 MORE OF LIKE A PRE-CHORUS. 773 00:18:00,830 --> 00:18:02,749 I JUST THINK THE SONG 774 00:18:00,830 --> 00:18:02,749 NEEDS A NEW HOOK, SO... 775 00:18:02,790 --> 00:18:05,001 HERE. 776 00:18:02,790 --> 00:18:05,001 MAYBE TRY THESE LYRICS. 777 00:18:07,879 --> 00:18:11,716 OH, THIS IS PRETTY. 778 00:18:07,879 --> 00:18:11,716 LET ME SEE. AHEM. 779 00:18:11,758 --> 00:18:14,969 OK, LIKE SOMETHING LIKE 780 00:18:11,758 --> 00:18:14,969 THIS PART RIGHT HERE. 781 00:18:15,011 --> 00:18:16,387 LIKE... 782 00:18:16,429 --> 00:18:18,890 ♪ YOU CAN STAY, 783 00:18:16,429 --> 00:18:18,890 OR YOU CAN LEAVE ♪ 784 00:18:18,932 --> 00:18:21,809 ♪ BUT THIS IS ME, 785 00:18:18,932 --> 00:18:21,809 THIS IS ME ♪ 786 00:18:21,851 --> 00:18:23,102 THERE IT IS. 787 00:18:23,143 --> 00:18:24,604 I DON'T KNOW. 788 00:18:23,143 --> 00:18:24,604 SOMETHING LIKE THAT. 789 00:18:24,645 --> 00:18:25,980 YOU CAN CHANGE IT. 790 00:18:26,022 --> 00:18:27,857 YO, DID YOU WRITE 791 00:18:26,022 --> 00:18:27,857 THESE WORDS? 792 00:18:27,899 --> 00:18:29,567 LAYLA: OH, NO. MY MOM DID. 793 00:18:29,609 --> 00:18:31,360 WITH EVERYTHING THAT'S 794 00:18:29,609 --> 00:18:31,360 BEEN GOING ON, 795 00:18:31,402 --> 00:18:33,237 I ACTUALLY FORGOT HOW GOOD 796 00:18:31,402 --> 00:18:33,237 OF A SONGWRITER SHE WAS. 797 00:18:33,279 --> 00:18:36,783 SO WHY DON'T WE 798 00:18:33,279 --> 00:18:36,783 RE-RECORD THE DEMO, 799 00:18:36,824 --> 00:18:39,201 AND THEN WE CAN 800 00:18:36,824 --> 00:18:39,201 SEND IT TO MY DAD? 801 00:18:39,243 --> 00:18:41,662 YO, HOW CAN I 802 00:18:39,243 --> 00:18:41,662 THANK YOU FOR THIS? 803 00:18:41,704 --> 00:18:43,957 OH, YOU ALREADY HAVE. 804 00:18:43,998 --> 00:18:45,666 YOU ARE THE ONLY 805 00:18:43,998 --> 00:18:45,666 ONE THAT DOESN'T 806 00:18:43,998 --> 00:18:45,666 TREAT ME LIKE I'M 807 00:18:45,708 --> 00:18:47,794 A GLASS EGG THAT COULD 808 00:18:45,708 --> 00:18:47,794 SHATTER AT ANY TIME. 809 00:18:47,835 --> 00:18:51,255 SO LET'S PLAY IT BACK 810 00:18:47,835 --> 00:18:51,255 AND FIGURE IT OUT. 811 00:18:55,342 --> 00:18:57,470 ROCHELLE: SO WHAT'S 812 00:18:55,342 --> 00:18:57,470 IT MEAN TO BE A LEADER? 813 00:18:57,511 --> 00:18:59,097 YOUR TEAM HAS TO LOOK 814 00:18:57,511 --> 00:18:59,097 UP TO YOU, YOU KNOW. 815 00:18:59,138 --> 00:19:02,308 WHEN YOU'RE QB1, YOU LEAD 816 00:18:59,138 --> 00:19:02,308 BY EXAMPLE. 817 00:19:02,349 --> 00:19:04,268 IT'S ABOUT EARNING THE RESPECT 818 00:19:02,349 --> 00:19:04,268 OF EACH PLAYER ON THE TEAM. 819 00:19:04,310 --> 00:19:10,149 BOYS: JORDAN! JORDAN! JORDAN! 820 00:19:04,310 --> 00:19:10,149 WHOO! 821 00:19:10,190 --> 00:19:12,276 JORDAN: 10 SECONDS, GUYS. 822 00:19:10,190 --> 00:19:12,276 WHO'S GONNA BEAT THAT, HUH? 823 00:19:12,318 --> 00:19:16,072 J.J.: OK, OK. STEP ASIDE. 824 00:19:12,318 --> 00:19:16,072 I'M HERE FOR THE CROWN. 825 00:19:16,114 --> 00:19:17,782 BEAST MODE. 826 00:19:17,824 --> 00:19:18,992 [CHEERING] 827 00:19:19,033 --> 00:19:21,077 OH, MY GOD. 828 00:19:21,119 --> 00:19:23,079 SINCE WHEN DID 829 00:19:21,119 --> 00:19:23,079 THE PREGAME RITUAL 830 00:19:23,121 --> 00:19:25,123 TURN INTO 831 00:19:23,121 --> 00:19:25,123 AN EATING CONTEST? 832 00:19:25,164 --> 00:19:27,667 YOU CAN THANK YOUR POPS. 833 00:19:25,164 --> 00:19:27,667 THEY JUST SHOWING OUT 834 00:19:25,164 --> 00:19:27,667 FOR THE CAMERAS. 835 00:19:27,708 --> 00:19:30,294 -YEAH! 836 00:19:27,708 --> 00:19:30,294 -LET'S GO! LET'S GO! 837 00:19:34,256 --> 00:19:38,928 HI. IT'S OLIVIA. UM... 838 00:19:38,970 --> 00:19:41,931 I KIND OF REALLY NEED YOU 839 00:19:38,970 --> 00:19:41,931 TO CALL ME BACK 840 00:19:41,973 --> 00:19:45,309 BECAUSE I 841 00:19:41,973 --> 00:19:45,309 REALLY WANT A DRINK, 842 00:19:45,351 --> 00:19:47,186 AND I'M KIND OF 843 00:19:45,351 --> 00:19:47,186 EMBARRASSED TO ADMIT THAT, 844 00:19:47,227 --> 00:19:49,229 BUT THERE'S A LOT GOING 845 00:19:47,227 --> 00:19:49,229 ON WITH MY PARENTS 846 00:19:49,271 --> 00:19:51,231 AND MY BROTHER. AND WHATEVER. 847 00:19:51,273 --> 00:19:54,276 I JUST--I NEED YOU TO WORK 848 00:19:51,273 --> 00:19:54,276 YOUR SPONSOR SUPERPOWERS. 849 00:19:54,318 --> 00:19:56,946 IT'S BEEN A REALLY 850 00:19:54,318 --> 00:19:56,946 ROUGH WEEK. 851 00:19:56,988 --> 00:19:59,323 SIMONE, HI. 852 00:19:59,365 --> 00:20:01,034 -HI. 853 00:19:59,365 --> 00:20:01,034 -HI. 854 00:20:01,075 --> 00:20:03,119 I KNOW WHAT YOU'RE DOING. 855 00:20:03,161 --> 00:20:05,038 I REALLY NEED YOU TO MOVE. 856 00:20:05,079 --> 00:20:06,873 YOUR BROTHER'S NOT 857 00:20:05,079 --> 00:20:06,873 GOING TO GET AWAY WITH 858 00:20:05,079 --> 00:20:06,873 GHOSTING ME, OLIVIA. 859 00:20:06,914 --> 00:20:09,333 I KNOW. HE'S A JERK. 860 00:20:06,914 --> 00:20:09,333 NO ARGUMENT THERE. 861 00:20:09,375 --> 00:20:12,837 I JUST THINK YOU 862 00:20:09,375 --> 00:20:12,837 SHOULD TAKE A BREATH 863 00:20:12,879 --> 00:20:15,715 AND THINK IT OVER 864 00:20:12,879 --> 00:20:15,715 BEFORE CAUSING 865 00:20:12,879 --> 00:20:15,715 A SCENE IN THERE. 866 00:20:15,756 --> 00:20:17,175 I'M JUST GONNA GO 867 00:20:15,756 --> 00:20:17,175 TALK TO HIM. 868 00:20:17,216 --> 00:20:19,719 I KNOW, BUT YOU 869 00:20:17,216 --> 00:20:19,719 SEEM REALLY UPSET. 870 00:20:19,760 --> 00:20:21,428 I AM UPSET. 871 00:20:21,470 --> 00:20:24,223 WHICH YOU HAVE 872 00:20:21,470 --> 00:20:24,223 EVERY RIGHT TO BE, OK? 873 00:20:24,264 --> 00:20:26,433 BUT HE'S IN THERE WITH 874 00:20:24,264 --> 00:20:26,433 HIS TEAM AND CAMERAS. 875 00:20:26,475 --> 00:20:28,936 DO YOU REALLY WANT 876 00:20:26,475 --> 00:20:28,936 EVERYONE IN 877 00:20:26,475 --> 00:20:28,936 YOUR BUSINESS? 878 00:20:31,981 --> 00:20:34,192 HOW DID I BECOME 879 00:20:31,981 --> 00:20:34,192 THIS GIRL, OLIVIA? 880 00:20:34,233 --> 00:20:37,028 YOU MEAN THIS DOPE-ASS, 881 00:20:34,233 --> 00:20:37,028 WON'T-LET-ANYONE- 882 00:20:34,233 --> 00:20:37,028 WALK-ALL-OVER-HER CHICK? 883 00:20:37,070 --> 00:20:39,530 THANKS. 884 00:20:39,572 --> 00:20:44,326 HE'S GONNA CALL YOU, 885 00:20:39,572 --> 00:20:44,326 SIMONE, OK? I PROMISE. 886 00:20:44,368 --> 00:20:45,703 [SIGHS] 887 00:20:45,745 --> 00:20:46,913 I WAS REALLY ABOUT 888 00:20:45,745 --> 00:20:46,913 TO GO IN THERE 889 00:20:46,954 --> 00:20:49,623 AND MAKE A FOOL 890 00:20:46,954 --> 00:20:49,623 OUT OF MYSELF, WASN'T I? 891 00:20:49,665 --> 00:20:51,667 NO. YOU WERE ABOUT TO 892 00:20:49,665 --> 00:20:51,667 MAKE A FOOL OF JORDAN, 893 00:20:51,709 --> 00:20:53,836 WHICH WOULD HAVE 894 00:20:51,709 --> 00:20:53,836 BEEN FUN TO WATCH, 895 00:20:53,878 --> 00:20:55,379 BUT THIS WAY'S EASIER. 896 00:21:05,264 --> 00:21:08,101 ASHER: WHY NOT? 897 00:21:08,142 --> 00:21:09,393 JORDAN: SHH. ONE SEC. 898 00:21:09,435 --> 00:21:11,187 [MUSIC PLAYING ON RADIO] 899 00:21:13,313 --> 00:21:14,565 IS SHE OK? 900 00:21:14,607 --> 00:21:16,567 SHE'S PREGNANT 901 00:21:14,607 --> 00:21:16,567 AND ALONE. 902 00:21:16,609 --> 00:21:18,986 YEAH. UM, WHAT DO YOU 903 00:21:16,609 --> 00:21:18,986 WANT ME TO DO? 904 00:21:19,028 --> 00:21:22,198 BE A MAN, JORDAN. 905 00:21:19,028 --> 00:21:22,198 HOW CAN YOU EVEN 906 00:21:19,028 --> 00:21:22,198 LOOK IN A MIRROR? 907 00:21:22,240 --> 00:21:24,158 I KNOW THIS WASN'T 908 00:21:22,240 --> 00:21:24,158 PLANNED, JORDAN, 909 00:21:24,200 --> 00:21:26,452 BUT THIS IS A REALITY 910 00:21:24,200 --> 00:21:26,452 THAT YOU HAVE 911 00:21:24,200 --> 00:21:26,452 TO DEAL WITH. 912 00:21:26,493 --> 00:21:28,246 TAKE SOME DAMN 913 00:21:26,493 --> 00:21:28,246 RESPONSIBILITY. 914 00:21:28,287 --> 00:21:29,956 RESPECT THE MOTHERS 915 00:21:28,287 --> 00:21:29,956 IN YOUR LIFE. 916 00:21:29,997 --> 00:21:32,583 SHE'S ABOUT TO HAVE 917 00:21:29,997 --> 00:21:32,583 YOUR CHILD. 918 00:21:32,625 --> 00:21:34,460 MAKE HER FEEL SUPPORTED 919 00:21:32,625 --> 00:21:34,460 THROUGH THIS. 920 00:21:34,501 --> 00:21:35,795 RIGHT, RIGHT, RIGHT. 921 00:21:35,836 --> 00:21:37,588 UM, OK. 922 00:21:35,836 --> 00:21:37,588 [EXHALES] 923 00:21:37,630 --> 00:21:38,965 I'LL CALL HER. 924 00:21:39,006 --> 00:21:40,299 GOOD IDEA. 925 00:21:43,719 --> 00:21:46,222 OH, MAN. WHAT 926 00:21:43,719 --> 00:21:46,222 YOU DOING HERE, MAN? 927 00:21:46,264 --> 00:21:47,890 THE GAME AIN'T TILL 928 00:21:46,264 --> 00:21:47,890 TOMORROW. 929 00:21:47,932 --> 00:21:51,227 NAH, DAWG. WE RIGHT ON TIME. 930 00:21:47,932 --> 00:21:51,227 READY FOR OUR CLOSE-UPS. 931 00:21:51,269 --> 00:21:52,979 LET'S SEE IF YOU'RE 932 00:21:51,269 --> 00:21:52,979 STILL TALKING 933 00:21:51,269 --> 00:21:52,979 AFTER THE GAME. 934 00:21:53,020 --> 00:21:55,148 -SETTLE DOWN, WHITE BOY. 935 00:21:53,020 --> 00:21:55,148 -WHAT? 936 00:21:55,189 --> 00:21:56,607 -CHILL, CHILL, CHILL. 937 00:21:55,189 --> 00:21:56,607 -HEY, YO, CHILL, ALL RIGHT? 938 00:21:56,649 --> 00:21:57,817 LOOK, WE AIN'T HERE 939 00:21:56,649 --> 00:21:57,817 FOR TROUBLE. 940 00:21:57,858 --> 00:22:00,153 MAN, WE GOOD. 941 00:22:00,194 --> 00:22:01,737 DARNELL: PLAYING A WEAK 942 00:22:00,194 --> 00:22:01,737 CRENSHAW TEAM TOMORROW 943 00:22:01,779 --> 00:22:03,156 WILL JUST MAKE Y'ALL 944 00:22:01,779 --> 00:22:03,156 LOOK LIKE BULLIES. 945 00:22:03,197 --> 00:22:04,865 WHAT'S THIS GOT 946 00:22:03,197 --> 00:22:04,865 TO DO WITH YOU? 947 00:22:04,907 --> 00:22:06,492 WHAT IF I CAN MAKE SURE 948 00:22:04,907 --> 00:22:06,492 YOU'RE PLAYING THE BEST? 949 00:22:06,533 --> 00:22:07,910 GIVE THIS GAME SOME REAL 950 00:22:06,533 --> 00:22:07,910 BUZZ FOR Y'ALL's CAMERAS. 951 00:22:07,952 --> 00:22:09,536 YOU GONNA SUIT UP? 952 00:22:09,578 --> 00:22:11,038 NOW, LOOK, I'M NOT 953 00:22:09,578 --> 00:22:11,038 GIVING UP ON FINDING OUT 954 00:22:11,080 --> 00:22:12,165 WHAT HAPPENED TO COREY, 955 00:22:12,206 --> 00:22:13,207 BUT SINCE YOU ONLY CARE 956 00:22:13,249 --> 00:22:14,458 ABOUT WHAT HAPPENS 957 00:22:13,249 --> 00:22:14,458 ON THE FIELD, 958 00:22:14,500 --> 00:22:16,669 I'LL PLAY FOR 959 00:22:14,500 --> 00:22:16,669 CRENSHAW TOMORROW. 960 00:22:16,710 --> 00:22:19,922 IF YOU BEAT US, 961 00:22:16,710 --> 00:22:19,922 I'LL WALK AWAY. 962 00:22:19,964 --> 00:22:23,634 BUT IF WE WIN, YOU GOT 963 00:22:19,964 --> 00:22:23,634 TO HELP ME FIND OUT 964 00:22:19,964 --> 00:22:23,634 WHY COREY LEFT. 965 00:22:23,676 --> 00:22:25,511 CAM: CAMERA'S ON YOU, DAWG. 966 00:22:25,552 --> 00:22:28,722 YOU'RE NOT GONNA BACK DOWN 967 00:22:25,552 --> 00:22:28,722 FROM A CHALLENGE, HUH? 968 00:22:28,764 --> 00:22:31,475 ALL RIGHT. BET. 969 00:22:31,517 --> 00:22:34,061 AIN'T NO WAY Y'ALL 970 00:22:31,517 --> 00:22:34,061 GONNA WIN. 971 00:22:39,025 --> 00:22:40,442 ANNOUNCER: 972 00:22:39,025 --> 00:22:40,442 LADIES AND GENTLEMEN, 973 00:22:40,484 --> 00:22:43,904 WELCOME TO THE BEVERLY HIGH 974 00:22:40,484 --> 00:22:43,904 CROSSTOWN 7-ON-7 SCRIMMAGE 975 00:22:43,946 --> 00:22:46,115 WITH SOUTH CRENSHAW. 976 00:22:47,241 --> 00:22:48,366 [DRUMMERS AND PERCUSSIONISTS 977 00:22:47,241 --> 00:22:48,366 PLAYING] 978 00:22:48,408 --> 00:22:49,576 [CHEERING] 979 00:22:55,749 --> 00:22:59,503 [WHISTLE BLOWS] 980 00:22:59,545 --> 00:23:01,172 JORDAN, COME ON. 981 00:22:59,545 --> 00:23:01,172 FIRST TEAM'S UP, BOY. 982 00:22:59,545 --> 00:23:01,172 COME ON. 983 00:23:01,214 --> 00:23:02,298 YEAH. 984 00:23:04,300 --> 00:23:06,177 BILLY: LOOK ALIVE. 985 00:23:06,219 --> 00:23:11,349 SIMONE, HEY. UM, I 986 00:23:06,219 --> 00:23:11,349 KNOW YOU'RE PROBABLY 987 00:23:11,389 --> 00:23:14,143 ALREADY ON YOUR WAY TO 988 00:23:11,389 --> 00:23:14,143 THE APPOINTMENT, AND... 989 00:23:14,185 --> 00:23:18,105 [EXHALES] 990 00:23:14,185 --> 00:23:18,105 LISTEN, I'M SORRY, OK, 991 00:23:14,185 --> 00:23:18,105 FOR A LOT OF THINGS. 992 00:23:18,147 --> 00:23:20,233 YOU'RE ABOUT TO BE A MOM... 993 00:23:23,319 --> 00:23:26,072 AND THAT'S THE MOST IMPORTANT 994 00:23:23,319 --> 00:23:26,072 PERSON IN OUR BABY'S LIFE. 995 00:23:26,113 --> 00:23:27,781 AND I NEED YOU TO KNOW 996 00:23:26,113 --> 00:23:27,781 THAT I PROMISE 997 00:23:27,823 --> 00:23:29,158 I'M GONNA BE 998 00:23:27,823 --> 00:23:29,158 BY YOUR SIDE, OK? 999 00:23:29,200 --> 00:23:30,576 YOU'RE NOT ALONE IN THIS. 1000 00:23:30,617 --> 00:23:32,286 LOOK, CAN WE MEET UP LATER 1001 00:23:30,617 --> 00:23:32,286 AND TALK? 1002 00:23:32,328 --> 00:23:33,787 WE'RE GONNA GET THROUGH THIS. 1003 00:23:33,829 --> 00:23:35,622 BILLY: JORDAN, LET'S GO. 1004 00:23:35,664 --> 00:23:38,167 UM, LOOK, I GOT TO GO, 1005 00:23:35,664 --> 00:23:38,167 BUT JUST HIT ME UP, OK? 1006 00:23:38,209 --> 00:23:39,877 PLEASE. 1007 00:23:41,461 --> 00:23:44,548 YOU KNOW JORDAN WASN'T 1008 00:23:41,461 --> 00:23:44,548 PICKING DAD OVER YOU, RIGHT? 1009 00:23:44,590 --> 00:23:48,094 I THINK HE WAS 1010 00:23:44,590 --> 00:23:48,094 JUST MORE SCARED 1011 00:23:44,590 --> 00:23:48,094 OF DISAPPOINTING YOU. 1012 00:23:48,135 --> 00:23:50,721 MAYBE HE WAS RIGHT 1013 00:23:48,135 --> 00:23:50,721 TO GO TO HIS DAD. 1014 00:23:50,763 --> 00:23:54,141 UNDER MY WATCH, 1015 00:23:50,763 --> 00:23:54,141 HE CRASHED YOUR CAR, 1016 00:23:54,183 --> 00:23:56,394 ALMOST GOT ARRESTED 1017 00:23:54,183 --> 00:23:56,394 FOR FIGHTING, 1018 00:23:56,434 --> 00:23:58,687 AND GOT A GIRL 1019 00:23:56,434 --> 00:23:58,687 PREGNANT. 1020 00:23:58,729 --> 00:24:01,899 NONE OF WHICH IS 1021 00:23:58,729 --> 00:24:01,899 YOUR FAULT. 1022 00:24:01,941 --> 00:24:04,484 I MEAN, YOU'VE BEEN 1023 00:24:01,941 --> 00:24:04,484 OUR ROCK, MOM. 1024 00:24:04,526 --> 00:24:06,904 AND JORDAN'S GONNA 1025 00:24:04,526 --> 00:24:06,904 NEED YOU, 1026 00:24:06,946 --> 00:24:09,365 EVEN IF HE'S TOO DUMB 1027 00:24:06,946 --> 00:24:09,365 TO SEE IT YET. 1028 00:24:11,491 --> 00:24:12,618 [EXHALES] 1029 00:24:28,426 --> 00:24:31,678 HEY, HEY, BEVERLY HILLS 1030 00:24:28,426 --> 00:24:31,678 MOMS ACTUALLY TAKE TIME 1031 00:24:28,426 --> 00:24:31,678 AWAY FROM THEY POOL BOYS 1032 00:24:31,720 --> 00:24:33,306 TO SHOW UP FOR THEY 1033 00:24:31,720 --> 00:24:33,306 SONS, HUH? 1034 00:24:33,347 --> 00:24:34,098 WHAT DID YOU SAY? 1035 00:24:34,140 --> 00:24:35,391 HEY, HEY, HEY, HEY. 1036 00:24:35,433 --> 00:24:37,184 SAVE IT FOR THE GAME, ASH. 1037 00:24:35,433 --> 00:24:37,184 CHILL, CHILL, CHILL. 1038 00:24:37,226 --> 00:24:39,437 FORGET IT, BRO. COME ON. 1039 00:24:39,477 --> 00:24:41,814 ANY WORD FROM J.P. YET? 1040 00:24:41,855 --> 00:24:45,609 NAH, BRO. BUT RIGHT NOW, 1041 00:24:41,855 --> 00:24:45,609 YOU NEED TO BE FOCUSING 1042 00:24:41,855 --> 00:24:45,609 ON THIS GAME. 1043 00:24:45,651 --> 00:24:47,778 I'M LOCKED IN. TRUST. 1044 00:24:47,820 --> 00:24:49,989 IT'S MY CHANCE TO FINALLY 1045 00:24:47,820 --> 00:24:49,989 PUT DARNELL AND COREY 1046 00:24:47,820 --> 00:24:49,989 BEHIND ME FOR GOOD. 1047 00:24:50,030 --> 00:24:52,032 SO YOU REALLY THINK IT'S 1048 00:24:50,030 --> 00:24:52,032 GONNA BE THAT EASY, SPENCE? 1049 00:24:52,074 --> 00:24:54,492 COME ON. THAT FIELD 1050 00:24:52,074 --> 00:24:54,492 AIN'T GOT MAGICAL POWERS. 1051 00:24:54,534 --> 00:24:56,536 SO WHATEVER HAPPENS IN 1052 00:24:54,534 --> 00:24:56,536 THIS GAME IS 1053 00:24:56,578 --> 00:24:58,122 NOT GONNA MAKE YOUR 1054 00:24:56,578 --> 00:24:58,122 MEMORIES OF COREY 1055 00:24:56,578 --> 00:24:58,122 JUST DISAPPEAR. 1056 00:24:58,164 --> 00:25:00,833 DARNELL: 42, BLUE 42. 1057 00:24:58,164 --> 00:25:00,833 SET. HUT. 1058 00:25:02,751 --> 00:25:04,337 WE'LL SEE ABOUT THAT. 1059 00:25:05,754 --> 00:25:07,131 I'MA HOLLA AT YOU. 1060 00:25:07,173 --> 00:25:08,299 [AIR HORN BLOWS] 1061 00:25:08,341 --> 00:25:10,259 SET! GO! 1062 00:25:10,301 --> 00:25:11,802 ESTERLY AND VO WILLIAMS: 1063 00:25:10,301 --> 00:25:11,802 ♪ YES, EVERYBODY SQUAD UP ♪ 1064 00:25:11,844 --> 00:25:13,595 ♪ 'CAUSE IT'S TIME TO RIDE ♪ 1065 00:25:13,637 --> 00:25:15,848 ♪ EVERYTHING WE EVER DREAMED 1066 00:25:13,637 --> 00:25:15,848 ON THE OTHER SIDE... ♪ 1067 00:25:15,889 --> 00:25:18,558 ANNOUNCER: CRENSHAW HAS JUST 1068 00:25:15,889 --> 00:25:18,558 MADE A TOUCHDOWN. 1069 00:25:18,600 --> 00:25:20,686 THE SCORE IS TIED, 7-7. 1070 00:25:20,727 --> 00:25:22,688 WILLIAMS, ESTERLY: ♪ ...CAME TO 1071 00:25:20,727 --> 00:25:22,688 TAKE IT OVER, WE ON THE RISE-- ♪ 1072 00:25:22,729 --> 00:25:24,773 ANNOUNCER: 1073 00:25:22,729 --> 00:25:24,773 BEVERLY UNDER PRESSURE. 1074 00:25:24,815 --> 00:25:26,524 JUST THREW THE BALL AWAY. 1075 00:25:26,566 --> 00:25:28,402 WILLIAMS AND ESTERLY: 1076 00:25:26,566 --> 00:25:28,402 ♪ IT'S ABOUT TO GO ♪ 1077 00:25:28,444 --> 00:25:30,821 ♪ IT'S A--IT'S ABOUT 1078 00:25:28,444 --> 00:25:30,821 TO GO DOWN... ♪ 1079 00:25:30,863 --> 00:25:31,989 [DARNELL CALLING SIGNALS] 1080 00:25:37,411 --> 00:25:39,330 ANNOUNCER: WHOA! THAT WAS 1081 00:25:37,411 --> 00:25:39,330 A HARD HIT BY BEVERLY 1082 00:25:39,372 --> 00:25:41,665 ON CRENSHAW'S NUMBER 14. 1083 00:25:41,707 --> 00:25:43,167 I THOUGHT IT WAS 1084 00:25:41,707 --> 00:25:43,167 JUST SUPPOSED TO BE 1085 00:25:43,209 --> 00:25:44,877 LIGHT CONTACT IN 1086 00:25:43,209 --> 00:25:44,877 7-ON-7 GAMES. 1087 00:25:44,918 --> 00:25:47,254 HONEY, RELAX, OK? 1088 00:25:44,918 --> 00:25:47,254 CONTACT MAKES FOR 1089 00:25:44,918 --> 00:25:47,254 A BETTER GAME. 1090 00:25:47,296 --> 00:25:50,257 LOOK. THE CROWD, 1091 00:25:47,296 --> 00:25:50,257 THEY'RE LOVING IT. COME ON. 1092 00:25:50,299 --> 00:25:52,550 LET'S GO, BEVERLY! 1093 00:25:52,592 --> 00:25:53,886 [JORDAN CALLING SIGNALS] 1094 00:25:55,971 --> 00:25:58,098 WILLIAMS AND ESTERLY: 1095 00:25:55,971 --> 00:25:58,098 ♪ WE PUSHIN' BACK... ♪ 1096 00:25:58,140 --> 00:26:00,642 ANNOUNCER: OH, CRENSHAW HAS 1097 00:25:58,140 --> 00:26:00,642 JUST RETALIATED ON BEVERLY 1098 00:26:00,684 --> 00:26:02,186 WITH A HARD HIT TO NUMBER 11. 1099 00:26:02,228 --> 00:26:03,561 ROCHELLE: 1100 00:26:02,228 --> 00:26:03,561 WHERE'S THE FLAG? 1101 00:26:03,603 --> 00:26:04,562 IT'S AN OUT-OF-LEAGUE GAME. 1102 00:26:04,604 --> 00:26:06,023 SOMETIMES THE GUYS JUST GET 1103 00:26:06,065 --> 00:26:08,650 A LITTLE MORE LEEWAY 1104 00:26:06,065 --> 00:26:08,650 FROM THE ZEBRAS. HA HA. 1105 00:26:08,692 --> 00:26:11,195 ANNOUNCER: LOOKS LIKE 1106 00:26:08,692 --> 00:26:11,195 NUMBER 11 IS SLOW TO GET UP. 1107 00:26:11,237 --> 00:26:12,821 YOU DIDN'T ENCOURAGE 1108 00:26:11,237 --> 00:26:12,821 THAT LEEWAY, DID YOU? 1109 00:26:12,863 --> 00:26:14,656 HEH! 1110 00:26:14,698 --> 00:26:17,326 ALL RIGHT. LET'S GO, 1111 00:26:14,698 --> 00:26:17,326 BEVERLY. LET'S GO! 1112 00:26:22,415 --> 00:26:24,041 ALL RIGHT, D. 1113 00:26:22,415 --> 00:26:24,041 GET IT DONE. 1114 00:26:24,083 --> 00:26:27,253 [DARNELL CALLING SIGNALS] 1115 00:26:27,294 --> 00:26:29,505 WILLIAMS AND ESTERLY: 1116 00:26:27,294 --> 00:26:29,505 ♪ ...TO GO DOWN... ♪ 1117 00:26:29,547 --> 00:26:31,507 BILLY: OH! THERE YOU GO. 1118 00:26:31,549 --> 00:26:34,301 WILLIAMS AND ESTERLY: ♪ IT'S 1119 00:26:31,549 --> 00:26:34,301 ABOUT TO GO DOWN, DOWN, GO... ♪ 1120 00:26:34,343 --> 00:26:36,303 ♪ DOWN, IT'S ABOUT TO GO ♪ 1121 00:26:36,345 --> 00:26:38,931 ♪ IT'S A--IT'S ABOUT 1122 00:26:36,345 --> 00:26:38,931 TO GO DOWN ♪ 1123 00:26:38,972 --> 00:26:40,433 ♪ WE PUSHIN' BACK ♪ 1124 00:26:40,474 --> 00:26:42,184 [WHISTLE BLOWS] 1125 00:26:42,226 --> 00:26:44,186 ANNOUNCER: AND BEVERLY HAS JUST 1126 00:26:42,226 --> 00:26:44,186 SCORED A TOUCHDOWN. 1127 00:26:44,228 --> 00:26:46,063 WILLIAMS AND ESTERLY: ♪ WE P--WE 1128 00:26:44,228 --> 00:26:46,063 P--WE PUSHIN' BACK... ♪ 1129 00:26:46,105 --> 00:26:47,898 ♪ THEY-EY-EY-EY PUSHIN'... ♪ 1130 00:26:47,940 --> 00:26:49,483 ANNOUNCER: AND THAT'S THE HALF. 1131 00:26:49,525 --> 00:26:51,485 BEVERLY IS UP 14 1132 00:26:49,525 --> 00:26:51,485 TO CRENSHAW'S 7. 1133 00:26:51,527 --> 00:26:53,195 WILLIAMS AND ESTERLY: 1134 00:26:51,527 --> 00:26:53,195 ♪ WE PUSHIN' BACK ♪ 1135 00:26:53,237 --> 00:26:54,488 ♪ THIS THE-- 1136 00:26:53,237 --> 00:26:54,488 THIS THE--THIS THE MOMENT ♪ 1137 00:26:54,530 --> 00:26:57,074 ♪ O-OMENT, O-O-OMENT ♪ 1138 00:26:57,116 --> 00:26:59,201 ♪ WE P--WE PUSHIN' BACK ♪ 1139 00:26:59,243 --> 00:27:02,413 [ECHOING] 1140 00:26:59,243 --> 00:27:02,413 ♪ BACK ♪ 1141 00:27:02,455 --> 00:27:04,915 JORDAN: HEY, DAD, UM, LOOK, 1142 00:27:02,455 --> 00:27:04,915 I'M SORRY I HAVE TO DO THIS, 1143 00:27:04,957 --> 00:27:07,167 BUT I NEE-- 1144 00:27:07,209 --> 00:27:08,668 HEY, HOW DID YOU KNOW? 1145 00:27:08,710 --> 00:27:10,670 WELL, IT'S TOUGH TO BE 1146 00:27:08,710 --> 00:27:10,670 A LEADER ON THE FIELD 1147 00:27:10,712 --> 00:27:12,214 WHEN YOU DON'T TAKE CARE 1148 00:27:10,712 --> 00:27:12,214 OF YOUR RESPONSIBILITIES 1149 00:27:12,256 --> 00:27:14,133 WHEN YOU'RE OFF OF IT. 1150 00:27:14,174 --> 00:27:16,385 I KNEW IT WOULD EVENTUALLY 1151 00:27:14,174 --> 00:27:16,385 CLICK FOR YOU. 1152 00:27:16,427 --> 00:27:19,472 YOU BETTER TAKE THE KEYS, 1153 00:27:16,427 --> 00:27:19,472 SON. GET OUT OF HERE. 1154 00:27:19,513 --> 00:27:21,474 WOW. THANKS, DAD. 1155 00:27:19,513 --> 00:27:21,474 BUT, UM, 1156 00:27:21,515 --> 00:27:23,058 I THINK I KNOW SOMEONE 1157 00:27:21,515 --> 00:27:23,058 WHO'LL GIVE ME A RIDE. 1158 00:27:28,730 --> 00:27:31,024 WHERE THE HELL'S 1159 00:27:28,730 --> 00:27:31,024 MY QUARTERBACK GOING? 1160 00:27:31,066 --> 00:27:33,193 RIGHT WHERE HE 1161 00:27:31,066 --> 00:27:33,193 NEEDS TO BE GOING. 1162 00:27:33,235 --> 00:27:34,903 NOW, IF YOU'LL 1163 00:27:33,235 --> 00:27:34,903 EXCUSE ME, 1164 00:27:34,945 --> 00:27:36,654 I GOT A TEAM I NEED 1165 00:27:34,945 --> 00:27:36,654 TO TEND TO. 1166 00:27:36,696 --> 00:27:39,408 HEY, YOU SEE THOSE 1167 00:27:36,696 --> 00:27:39,408 FANCY UNIFORMS? 1168 00:27:36,696 --> 00:27:39,408 ALL THAT NEW GEAR? 1169 00:27:39,450 --> 00:27:41,868 IT SHOULD BE CLEAR BY 1170 00:27:39,450 --> 00:27:41,868 NOW WHOSE TEAM THIS IS. 1171 00:27:41,910 --> 00:27:45,038 BOY, IF YOU DON'T GET 1172 00:27:41,910 --> 00:27:45,038 YOUR HAND OFF MY ARM. 1173 00:27:45,080 --> 00:27:47,207 NOW, I WARNED YOU, 1174 00:27:45,080 --> 00:27:47,207 THERE WAS TOO MUCH 1175 00:27:45,080 --> 00:27:47,207 BAD BLOOD 1176 00:27:47,249 --> 00:27:49,376 BETWEEN THESE BOYS 1177 00:27:47,249 --> 00:27:49,376 TO PLAY THIS GAME. 1178 00:27:49,418 --> 00:27:51,629 NOW YOU GOT EVERYBODY 1179 00:27:49,418 --> 00:27:51,629 ALL BATTERED AND 1180 00:27:49,418 --> 00:27:51,629 BRUISED ON BOTH SIDES 1181 00:27:51,669 --> 00:27:53,255 FOR NOTHING. 1182 00:27:53,297 --> 00:27:54,756 THAT IS JUST A PART 1183 00:27:53,297 --> 00:27:54,756 OF THE GAME, COACH. 1184 00:27:54,798 --> 00:27:56,716 SINCE WHEN IS PAYING 1185 00:27:54,798 --> 00:27:56,716 OFF THE REFS 1186 00:27:56,758 --> 00:27:59,803 TO LET UNNECESSARY 1187 00:27:56,758 --> 00:27:59,803 CONTACT SLIDE 1188 00:27:56,758 --> 00:27:59,803 PART OF THE GAME? 1189 00:27:59,845 --> 00:28:03,182 EXACTLY. SO PLEASE 1190 00:27:59,845 --> 00:28:03,182 GET THE HELL OUT 1191 00:27:59,845 --> 00:28:03,182 OF MY LOCKER ROOM 1192 00:28:03,223 --> 00:28:05,309 BEFORE I REPORT YOU 1193 00:28:03,223 --> 00:28:05,309 TO THE COMMISSION 1194 00:28:03,223 --> 00:28:05,309 FOR BRIBERY. 1195 00:28:05,351 --> 00:28:07,436 HUH! YOU WOULDN'T. 1196 00:28:07,478 --> 00:28:09,729 SOMETHING LIKE THAT 1197 00:28:07,478 --> 00:28:09,729 COULD BRING THE WHOLE 1198 00:28:07,478 --> 00:28:09,729 PROGRAM DOWN. 1199 00:28:09,771 --> 00:28:13,025 CLIFF, TRY ME, 1200 00:28:09,771 --> 00:28:13,025 BECAUSE I WILL LET 1201 00:28:09,771 --> 00:28:13,025 THIS ENTIRE PROGRAM 1202 00:28:13,066 --> 00:28:16,195 BURN DOWN TO 1203 00:28:13,066 --> 00:28:16,195 THE GROUND BEFORE I LET 1204 00:28:13,066 --> 00:28:16,195 YOU CORRUPT MY BOYS. 1205 00:28:19,072 --> 00:28:21,325 [PERCUSSIONISTS PLAYING, 1206 00:28:19,072 --> 00:28:21,325 WHISTLE BLOWS] 1207 00:28:23,243 --> 00:28:26,622 RAPPER: ♪ RISIN' WAY UP, 1208 00:28:23,243 --> 00:28:26,622 RISIN' WAY UP ♪ 1209 00:28:26,664 --> 00:28:29,875 ♪ RISIN' WAY UP, 1210 00:28:26,664 --> 00:28:29,875 NEVER GONNA BACK DOWN ♪ 1211 00:28:29,916 --> 00:28:33,170 ♪ ELEVATE, ELEVATE, ELEVATE... ♪ 1212 00:28:33,212 --> 00:28:34,963 [BOOING] 1213 00:28:35,005 --> 00:28:36,674 ANNOUNCER: LOOKS LIKE THINGS 1214 00:28:35,005 --> 00:28:36,674 ARE GETTING A LITTLE HEATED 1215 00:28:36,714 --> 00:28:37,883 ON THE FIELD, FOLKS. 1216 00:28:37,924 --> 00:28:39,468 COACH: HEY, HEY, 1217 00:28:37,924 --> 00:28:39,468 HEY, HEY, HEY. 1218 00:28:39,510 --> 00:28:40,469 MAN: HEY, HEY! 1219 00:28:40,511 --> 00:28:42,471 CLIFF: HA HA HA HA. 1220 00:28:42,513 --> 00:28:45,432 BOYS BEING BOYS. 1221 00:28:42,513 --> 00:28:45,432 IT'S ALL RIGHT. EVERYBODY'S OK. 1222 00:28:48,935 --> 00:28:51,689 TURN THE CAMERAS OFF. 1223 00:28:48,935 --> 00:28:51,689 TURN IT OFF. 1224 00:28:51,730 --> 00:28:54,483 BILLY: RELAX. I KNOW THINGS 1225 00:28:51,730 --> 00:28:54,483 GOT A LITTLE BIT 1226 00:28:54,525 --> 00:28:56,818 OUT OF OUR CONTROL OUT THERE, 1227 00:28:54,525 --> 00:28:56,818 BUT NOW MORE THAN EVER, 1228 00:28:56,860 --> 00:28:58,571 WE NEED TO RISE ABOVE. 1229 00:28:58,612 --> 00:29:01,574 NOW, WE ALL BEEN HEARING 1230 00:28:58,612 --> 00:29:01,574 THIS MESS ABOUT THE BEVERLY WAY. 1231 00:29:01,615 --> 00:29:04,243 WELL, THE BEVERLY WAY IS HOW 1232 00:29:01,615 --> 00:29:04,243 WE WON THAT CHAMPIONSHIP. 1233 00:29:04,284 --> 00:29:08,997 THE BEVERLY WAY MEANS WE PLAY 1234 00:29:04,284 --> 00:29:08,997 WITH CLASS, HEART, PASSION. 1235 00:29:09,039 --> 00:29:12,209 THE BEVERLY WAY 1236 00:29:09,039 --> 00:29:12,209 IS GOOD SPORTSMANSHIP. 1237 00:29:12,251 --> 00:29:14,420 SO I WANT YOU ALL TO TAKE THAT 1238 00:29:12,251 --> 00:29:14,420 BACK OUT THERE WITH YOU 1239 00:29:14,461 --> 00:29:15,629 ON THE FIELD. 1240 00:29:15,671 --> 00:29:17,005 DO YOU FEEL ME? 1241 00:29:17,047 --> 00:29:18,257 -YES, SIR. 1242 00:29:17,047 --> 00:29:18,257 -I SAID, DO YOU FEEL ME? 1243 00:29:18,298 --> 00:29:19,592 -YES, SIR! 1244 00:29:18,298 --> 00:29:19,592 -BRING IT IN. 1245 00:29:19,633 --> 00:29:20,884 -ALL RIGHT. LET'S GET IT. 1246 00:29:19,633 --> 00:29:20,884 "BEVERLY" ON ME. 1247 00:29:20,926 --> 00:29:22,344 "BEVERLY" ON 3. 1248 00:29:20,926 --> 00:29:22,344 1, 2, 3! 1249 00:29:22,386 --> 00:29:24,179 ALL: BEVERLY! 1250 00:29:22,386 --> 00:29:24,179 J.J.: LET'S GO, "D." 1251 00:29:24,221 --> 00:29:25,681 PUT ME BACK ON "D," 1252 00:29:24,221 --> 00:29:25,681 COACH. 1253 00:29:25,723 --> 00:29:27,641 NO. I'M NOT GONNA HAVE 1254 00:29:25,723 --> 00:29:27,641 MY STAR PLAYER 1255 00:29:27,683 --> 00:29:29,268 GET HURT OUT THERE 1256 00:29:27,683 --> 00:29:29,268 ON A BAD PLAY. 1257 00:29:29,309 --> 00:29:30,686 LOOK, I'M A BALLPLAYER, 1258 00:29:29,309 --> 00:29:30,686 ALL RIGHT? 1259 00:29:30,728 --> 00:29:32,605 YOU FORGET WHO I AM? 1260 00:29:30,728 --> 00:29:32,605 LET ME BACK ON "D." 1261 00:29:32,646 --> 00:29:34,523 I GOT THIS, I PROMISE. 1262 00:29:34,565 --> 00:29:35,857 -GET YOUR ASS OUT THERE. 1263 00:29:34,565 --> 00:29:35,857 -LET'S GO. 1264 00:29:35,899 --> 00:29:37,067 [DARNELL CALLING SIGNALS] 1265 00:29:37,109 --> 00:29:39,152 PLAYER: COME ON! 1266 00:29:39,194 --> 00:29:41,029 RIGHT, RIGHT, RIGHT, RIGHT. 1267 00:29:46,410 --> 00:29:48,579 ANNOUNCER: CRENSHAW JUST THREW 1268 00:29:46,410 --> 00:29:48,579 AN INTERCEPTION. 1269 00:29:48,621 --> 00:29:51,665 NUMBER 11 IS GOING TO TAKE IT 1270 00:29:48,621 --> 00:29:51,665 ALL THE WAY TO THE END ZONE. 1271 00:29:51,707 --> 00:29:53,875 BLOCK 'EM OUT. 1272 00:29:51,707 --> 00:29:53,875 GET NUMBER 11. 1273 00:29:53,917 --> 00:29:55,586 THERE YOU GO. 1274 00:29:53,917 --> 00:29:55,586 LET'S GO. 1275 00:29:55,628 --> 00:29:58,130 RUN HIM OVER! 1276 00:29:55,628 --> 00:29:58,130 RUN HIM OVER. 1277 00:29:55,628 --> 00:29:58,130 LET'S GO. 1278 00:29:58,171 --> 00:30:00,382 RUN HIM OVER. 1279 00:29:58,171 --> 00:30:00,382 RUN HIM OVER. LET'S GO. 1280 00:30:00,424 --> 00:30:02,509 ANNOUNCER: WAIT. NUMBER 11 IS 1281 00:30:00,424 --> 00:30:02,509 SLOWING DOWN. 1282 00:30:02,551 --> 00:30:04,010 [CLIFF STAMMERS] 1283 00:30:08,098 --> 00:30:11,143 ANNOUNCER: AND NUMBER 11 1284 00:30:08,098 --> 00:30:11,143 HAS JUST TAKEN A KNEE. 1285 00:30:11,184 --> 00:30:15,063 IF HE DOESN'T GET UP, 1286 00:30:11,184 --> 00:30:15,063 IT MEANS BEVERLY FORFEITS. 1287 00:30:18,400 --> 00:30:21,737 THAT'S IT? YOU JUST 1288 00:30:18,400 --> 00:30:21,737 GONNA FORFEIT? 1289 00:30:21,779 --> 00:30:24,281 THIS AIN'T HOW I WAS 1290 00:30:21,779 --> 00:30:24,281 TAUGHT TO PLAY THE GAME. 1291 00:30:24,323 --> 00:30:26,199 THIS WHOLE REMATCH 1292 00:30:24,323 --> 00:30:26,199 WAS WRONG FROM THE JUMP. 1293 00:30:26,241 --> 00:30:28,201 I AIN'T TRYING TO WIN 1294 00:30:26,241 --> 00:30:28,201 LIKE THIS. 1295 00:30:28,243 --> 00:30:30,621 [CLIFF CHUCKLES] 1296 00:30:30,663 --> 00:30:32,581 OK. 1297 00:30:56,355 --> 00:30:58,190 SOUTH CRENSHAW DIDN'T WIN. 1298 00:30:58,231 --> 00:30:59,941 SO I'LL STAY OUT YOUR 1299 00:30:58,231 --> 00:30:59,941 WAY AS PROMISED. 1300 00:30:59,983 --> 00:31:01,901 WHY DID YOU TAKE 1301 00:30:59,983 --> 00:31:01,901 THE KNEE WITH ME, MAN? 1302 00:31:01,943 --> 00:31:03,445 YOU AIN'T HAD 1303 00:31:01,943 --> 00:31:03,445 TO FORFEIT, TOO. 1304 00:31:03,487 --> 00:31:04,988 I MEAN, IT'S LIKE YOU SAID. 1305 00:31:05,030 --> 00:31:07,449 THAT'S NOT HOW WE WAS 1306 00:31:05,030 --> 00:31:07,449 TAUGHT TO PLAY THE GAME. 1307 00:31:07,491 --> 00:31:10,494 DARNELL, HOLD UP. 1308 00:31:11,745 --> 00:31:13,872 YOUR THEORIES 1309 00:31:11,745 --> 00:31:13,872 ABOUT MY POPS, 1310 00:31:13,913 --> 00:31:15,582 YOU GONNA SHARE THEM 1311 00:31:13,913 --> 00:31:15,582 WITH ME OR WHAT? 1312 00:31:15,624 --> 00:31:16,792 I THOUGHT YOU MOVED ON. 1313 00:31:16,834 --> 00:31:17,876 A LONG TIME AGO, 1314 00:31:17,917 --> 00:31:19,085 I WAS TAUGHT TO 1315 00:31:17,917 --> 00:31:19,085 TACKLE MY PROBLEMS, 1316 00:31:19,127 --> 00:31:22,255 BLOCK OUT MY FEARS, 1317 00:31:19,127 --> 00:31:22,255 AND--AND ALWAYS-- 1318 00:31:22,297 --> 00:31:23,632 FINISH STRONG... 1319 00:31:23,674 --> 00:31:25,258 BOTH: NO MATTER WHAT. 1320 00:31:25,300 --> 00:31:29,054 HA HA! YO, YOUR POPS, 1321 00:31:25,300 --> 00:31:29,054 HE SAID THAT ONE A LOT. 1322 00:31:29,095 --> 00:31:31,890 I KNOW I TOLD YOU TO 1323 00:31:29,095 --> 00:31:31,890 FORGET ABOUT HIM 1324 00:31:29,095 --> 00:31:31,890 AND FOCUS ON FOOTBALL, 1325 00:31:31,931 --> 00:31:34,434 BUT I REALIZED STANDING 1326 00:31:31,931 --> 00:31:34,434 IN THE MIDDLE OF THAT 1327 00:31:31,931 --> 00:31:34,434 MESS OF A GAME TODAY 1328 00:31:34,476 --> 00:31:37,688 THAT DOING THAT IS EXACTLY 1329 00:31:34,476 --> 00:31:37,688 WHAT GOT ME HERE. 1330 00:31:37,730 --> 00:31:40,232 I'M DONE RUNNING, MAN. 1331 00:31:40,273 --> 00:31:41,650 WE BOTH NEED ANSWERS 1332 00:31:40,273 --> 00:31:41,650 ABOUT COREY, 1333 00:31:41,692 --> 00:31:43,985 SO LET'S FIND THEM... 1334 00:31:44,027 --> 00:31:45,654 TOGETHER. 1335 00:31:45,696 --> 00:31:47,781 FINISH STRONG. 1336 00:31:51,869 --> 00:31:54,496 COOP: ♪ YOU KNOW 1337 00:31:51,869 --> 00:31:54,496 IT'S NOT MY STYLE ♪ 1338 00:31:54,538 --> 00:31:57,040 ♪ IT'S NOT MY STYLE ♪ 1339 00:31:57,082 --> 00:31:59,835 ♪ YEAH, YOU KNOW IT'S 1340 00:31:57,082 --> 00:31:59,835 NOT MY STYLE ♪ 1341 00:31:59,877 --> 00:32:03,171 ♪ IT'S NOT MY STYLE ♪ 1342 00:32:03,213 --> 00:32:06,925 PATIENCE: ♪ I'M NEVER CHANGING 1343 00:32:03,213 --> 00:32:06,925 WHO I AM ♪ 1344 00:32:06,966 --> 00:32:09,720 ♪ FOR ANYONE 1345 00:32:06,966 --> 00:32:09,720 OR ANYTHING ♪ 1346 00:32:09,762 --> 00:32:12,472 ♪ YOU CAN STAY OR 1347 00:32:09,762 --> 00:32:12,472 YOU CAN LEAVE, BUT... ♪ 1348 00:32:12,514 --> 00:32:15,141 I'VE MISSED THAT-- 1349 00:32:15,183 --> 00:32:17,686 YOU SMILING. 1350 00:32:17,728 --> 00:32:21,774 WELL, WORKING WITH 1351 00:32:17,728 --> 00:32:21,774 COOP AND PATIENCE 1352 00:32:17,728 --> 00:32:21,774 ON THAT TRACK, 1353 00:32:21,815 --> 00:32:24,526 HELPING PRODUCE IT, 1354 00:32:21,815 --> 00:32:24,526 IT REALLY FELT GOOD. 1355 00:32:24,568 --> 00:32:26,945 AND YOU'LL BE HAPPY TO 1356 00:32:24,568 --> 00:32:26,945 HEAR THAT I INVITED 1357 00:32:24,568 --> 00:32:26,945 THEM OVER. 1358 00:32:26,986 --> 00:32:29,197 YEAH. YOUR INSTINCTS 1359 00:32:26,986 --> 00:32:29,197 WAS RIGHT ABOUT THE TRACK. 1360 00:32:29,239 --> 00:32:30,908 THERE'S SOMETHING 1361 00:32:29,239 --> 00:32:30,908 SPECIAL THERE. 1362 00:32:30,949 --> 00:32:32,158 [DOORBELL RINGS] 1363 00:32:32,200 --> 00:32:35,287 AH. AND THEY'RE 1364 00:32:32,200 --> 00:32:35,287 PUNCTUAL, TOO. 1365 00:32:35,328 --> 00:32:36,538 I LIKE THAT. 1366 00:32:36,580 --> 00:32:38,957 [LAYLA CHUCKLES] 1367 00:32:38,998 --> 00:32:40,751 HEY. 1368 00:32:40,793 --> 00:32:42,001 [CHUCKLES] 1369 00:32:42,043 --> 00:32:43,545 COOP: LAYLA, I OWE YOU. 1370 00:32:45,547 --> 00:32:47,966 MAN, THANK YOU FOR TAKING 1371 00:32:45,547 --> 00:32:47,966 THE TIME TO MEET WITH ME, 1372 00:32:45,547 --> 00:32:47,966 MR. KEATING. 1373 00:32:48,007 --> 00:32:49,635 IT MEANS EVERYTHING. 1374 00:32:49,676 --> 00:32:51,720 AH, THE TRACK WAS GOOD. 1375 00:32:49,676 --> 00:32:51,720 YOU SHOULD BE PROUD. 1376 00:32:51,762 --> 00:32:53,472 SO WHERE'S 1377 00:32:51,762 --> 00:32:53,472 YOUR OTHER HALF? 1378 00:32:53,513 --> 00:32:56,015 WHAT'S HER NAME, PATIENCE? 1379 00:32:53,513 --> 00:32:56,015 YEAH, YEAH. 1380 00:32:56,057 --> 00:32:58,017 AREN'T YOU GUYS, LIKE, 1381 00:32:56,057 --> 00:32:58,017 A DUO OR SOMETHING? 1382 00:32:58,059 --> 00:32:59,853 OH, NAH, I'M A SOLO ACT. 1383 00:32:58,059 --> 00:32:59,853 PATIENCE JUST DID ME A FAVOR. 1384 00:32:59,895 --> 00:33:01,855 LAYLA: YEAH, COOP IS 1385 00:32:59,895 --> 00:33:01,855 SUPER TALENTED. 1386 00:33:01,897 --> 00:33:03,690 I AGREE. I AGREE. 1387 00:33:03,732 --> 00:33:06,151 BUT I GOT MAD ARTISTS LIKE 1388 00:33:03,732 --> 00:33:06,151 COOP ALREADY ON MY LABEL. 1389 00:33:06,192 --> 00:33:08,612 WHAT I DON'T HAVE IS 1390 00:33:06,192 --> 00:33:08,612 SOMEONE LIKE PATIENCE. 1391 00:33:08,654 --> 00:33:11,657 WHEW! HAVEN'T HEARD 1392 00:33:08,654 --> 00:33:11,657 THAT HAUNTING SOUND 1393 00:33:08,654 --> 00:33:11,657 SINCE YOUR MOTHER. 1394 00:33:11,698 --> 00:33:14,117 ARE YOU SURE 1395 00:33:11,698 --> 00:33:14,117 YOU GUYS AIN'T THOUGHT 1396 00:33:11,698 --> 00:33:14,117 ABOUT BEING A DUO? 1397 00:33:14,159 --> 00:33:16,286 NAH. LIKE I SAID, 1398 00:33:14,159 --> 00:33:16,286 I'M A SOLO ACT. 1399 00:33:16,328 --> 00:33:17,454 ALL RIGHT. 1400 00:33:16,328 --> 00:33:17,454 I RESPECT THAT. 1401 00:33:17,496 --> 00:33:18,705 HEY, LISTEN, YOU 1402 00:33:17,496 --> 00:33:18,705 KEEP ON HUSTLING, 1403 00:33:18,747 --> 00:33:19,790 ALL RIGHT, COOP? 1404 00:33:19,832 --> 00:33:21,834 YOU DEFINITELY GOT 1405 00:33:19,832 --> 00:33:21,834 SOMETHING SPECIAL. 1406 00:33:21,875 --> 00:33:23,794 IF YOUR GIRL'S EVER 1407 00:33:21,875 --> 00:33:23,794 INTERESTED, PLEASE TELL 1408 00:33:21,875 --> 00:33:23,794 HER TO GIVE ME A HOLLER. 1409 00:33:23,836 --> 00:33:25,044 [CLICKS TONGUE] 1410 00:33:25,086 --> 00:33:27,923 YEAH. SURE. THANKS. 1411 00:33:27,965 --> 00:33:30,175 I'M SO SORRY, 1412 00:33:27,965 --> 00:33:30,175 COOP. 1413 00:33:30,216 --> 00:33:32,719 IT'S ALL GOOD. 1414 00:33:32,761 --> 00:33:34,763 COOPER & GATLIN: ♪ ALL I WANT IS 1415 00:33:32,761 --> 00:33:34,763 TO KEEP IT SIMPLE ♪ 1416 00:33:34,805 --> 00:33:41,436 ♪ BUT I CAN TELL YOU'RE 1417 00:33:34,805 --> 00:33:41,436 STILL UNIMPRESSED... ♪ 1418 00:33:41,478 --> 00:33:44,648 I WAS STARTING TO THINK 1419 00:33:41,478 --> 00:33:44,648 YOU MIGHT SLEEP IN THERE. 1420 00:33:44,690 --> 00:33:46,817 I NEEDED 1421 00:33:44,690 --> 00:33:46,817 TO CLEAR MY HEAD. 1422 00:33:46,859 --> 00:33:50,946 COOPER & GATLIN: ♪ BUT ALL YOU 1423 00:33:46,859 --> 00:33:50,946 SEE IS MY BROKEN MESS... ♪ 1424 00:33:50,988 --> 00:33:54,240 UH, YOUR MOM LEFT 1425 00:33:50,988 --> 00:33:54,240 RIGHT AFTER THE GAME. 1426 00:33:54,282 --> 00:33:56,702 SHE FELT BAD THAT-- 1427 00:33:56,743 --> 00:33:58,704 LIV, I DON'T WANT TO 1428 00:33:56,743 --> 00:33:58,704 TALK ABOUT MY MOM. 1429 00:33:58,745 --> 00:34:00,789 BUT I DO. 1430 00:34:00,831 --> 00:34:04,001 I WANT TO TALK ABOUT 1431 00:34:00,831 --> 00:34:04,001 YOUR MOM AND THAT GAME 1432 00:34:04,042 --> 00:34:06,879 AND ME NEEDING TO 1433 00:34:04,042 --> 00:34:06,879 MEET MY SPONSOR 1434 00:34:04,042 --> 00:34:06,879 THIS MORNING 1435 00:34:06,920 --> 00:34:09,088 BECAUSE THAT'S 1436 00:34:06,920 --> 00:34:09,088 HOW BADLY I 1437 00:34:06,920 --> 00:34:09,088 WANTED A DRINK. 1438 00:34:09,130 --> 00:34:11,008 WHAT? LIV, 1439 00:34:09,130 --> 00:34:11,008 I--I DIDN'T KNOW. 1440 00:34:11,049 --> 00:34:13,343 WILL YOU JUST LET ME 1441 00:34:11,049 --> 00:34:13,343 FINISH? PLEASE? 1442 00:34:13,385 --> 00:34:16,763 I WANT TO TALK ABOUT 1443 00:34:13,385 --> 00:34:16,763 ALL THE STUFF WE'D 1444 00:34:13,385 --> 00:34:16,763 NORMALLY TALK ABOUT 1445 00:34:16,805 --> 00:34:19,224 BEFORE WE MESSED 1446 00:34:16,805 --> 00:34:19,224 EVERYTHING UP 1447 00:34:16,805 --> 00:34:19,224 WITH A KISS. 1448 00:34:19,265 --> 00:34:21,560 I MEAN, HOOKING UP 1449 00:34:19,265 --> 00:34:21,560 MADE THINGS WEIRD 1450 00:34:19,265 --> 00:34:21,560 BETWEEN US, 1451 00:34:21,601 --> 00:34:23,729 AND I HATE THAT. 1452 00:34:23,770 --> 00:34:27,607 HEY. DOESN'T MATTER 1453 00:34:23,770 --> 00:34:27,607 IF WE'RE FIGHTING. 1454 00:34:23,770 --> 00:34:27,607 YOU CAN ALWAYS CALL ME. 1455 00:34:27,649 --> 00:34:30,276 I KNOW, 'CAUSE YOU'RE 1456 00:34:27,649 --> 00:34:30,276 MY BEST FRIEND. 1457 00:34:30,318 --> 00:34:35,323 AND I REALIZE NOW THAT 1458 00:34:30,318 --> 00:34:35,323 I NEED THAT MORE 1459 00:34:30,318 --> 00:34:35,323 THAN I NEED A BOYFRIEND. 1460 00:34:35,365 --> 00:34:38,577 I JUST DON'T WANT 1461 00:34:35,365 --> 00:34:38,577 TO RISK LOSING YOU. 1462 00:34:38,618 --> 00:34:41,705 AND I DON'T WANT TO LOSE 1463 00:34:38,618 --> 00:34:41,705 MY BEST FRIEND EITHER, SO... 1464 00:34:46,543 --> 00:34:50,589 IF THAT MEANS NOT BEING 1465 00:34:46,543 --> 00:34:50,589 WITH YOU, I'M OK WITH IT. 1466 00:34:50,630 --> 00:34:52,841 COOPER & GATLIN: 1467 00:34:50,630 --> 00:34:52,841 ♪ I'VE LEARNED IT'S SAFER ♪ 1468 00:34:52,883 --> 00:34:56,720 ♪ TO KEEP MY DISTANCE ♪ 1469 00:34:56,762 --> 00:35:00,974 ♪ SO FAR AWAY, YOU CAN'T SEE 1470 00:34:56,762 --> 00:35:00,974 THE CRACKS... ♪ 1471 00:35:01,016 --> 00:35:02,601 MOM, WHAT IF SIMONE 1472 00:35:01,016 --> 00:35:02,601 DOESN'T WANT ME HERE? 1473 00:35:02,642 --> 00:35:04,811 EVERYTHING'S 1474 00:35:02,642 --> 00:35:04,811 GONNA BE FINE. 1475 00:35:04,853 --> 00:35:07,981 THANK YOU 1476 00:35:04,853 --> 00:35:07,981 FOR GIVING ME A RIDE. 1477 00:35:12,360 --> 00:35:16,782 WOULD YOU--DO YOU 1478 00:35:12,360 --> 00:35:16,782 MIND WAITING 1479 00:35:12,360 --> 00:35:16,782 UNTIL WE'RE DONE? 1480 00:35:16,823 --> 00:35:18,658 OF COURSE I WILL. 1481 00:35:18,700 --> 00:35:20,285 [EXHALES] 1482 00:35:18,700 --> 00:35:20,285 OK. 1483 00:35:20,326 --> 00:35:24,790 AND, JORDAN, 1484 00:35:20,326 --> 00:35:24,790 I'M PROUD OF YOU. 1485 00:35:24,831 --> 00:35:26,917 THANKS, MOM. 1486 00:35:40,639 --> 00:35:41,890 -HEY. 1487 00:35:40,639 --> 00:35:41,890 -HEY. 1488 00:35:41,932 --> 00:35:42,975 [JORDAN CHUCKLES] 1489 00:35:47,104 --> 00:35:50,023 COREY WAS ACTING STRANGE 1490 00:35:47,104 --> 00:35:50,023 AFTER THE PICNIC. 1491 00:35:50,065 --> 00:35:52,567 WHEN I ASKED HIM ABOUT 1492 00:35:50,065 --> 00:35:52,567 IT, HE DEFLECTED. 1493 00:35:52,609 --> 00:35:55,194 MAYBE IT WAS ALL 1494 00:35:52,609 --> 00:35:55,194 THE ATTENTION THEY WERE 1495 00:35:52,609 --> 00:35:55,194 GIVING COACH BAKER. 1496 00:35:55,236 --> 00:35:56,989 I MEAN, THAT 1497 00:35:55,236 --> 00:35:56,989 HAD TO HURT, 1498 00:35:55,236 --> 00:35:56,989 BEING REMINDED 1499 00:35:57,030 --> 00:35:58,698 HE WASN'T GOOD 1500 00:35:57,030 --> 00:35:58,698 ENOUGH TO MAKE 1501 00:35:57,030 --> 00:35:58,698 IT TO THE NFL. 1502 00:35:58,740 --> 00:36:00,033 BILLY: NO, 1503 00:35:58,740 --> 00:36:00,033 BUT HE WAS GOOD ENOUGH. 1504 00:36:00,075 --> 00:36:01,200 HE DIDN'T MAKE IT 1505 00:36:00,075 --> 00:36:01,200 TO THE LEAGUE 1506 00:36:01,242 --> 00:36:02,243 BECAUSE HE WAS SICK. 1507 00:36:02,285 --> 00:36:03,787 YEAH, BILLY'S RIGHT. 1508 00:36:03,829 --> 00:36:06,289 COREY HAD 1509 00:36:03,829 --> 00:36:06,289 MULTIPLE MYELOMA 1510 00:36:03,829 --> 00:36:06,289 IN COLLEGE, 1511 00:36:06,331 --> 00:36:08,041 BUT HE BEAT IT. 1512 00:36:08,083 --> 00:36:13,379 HOLD ON. MULTIPLE MYELOMA? 1513 00:36:08,083 --> 00:36:13,379 AIN'T THAT CANCER? 1514 00:36:13,421 --> 00:36:14,589 WELL, DOES IT COME BACK? 1515 00:36:14,631 --> 00:36:16,133 DARNELL: OH. 1516 00:36:16,174 --> 00:36:17,717 WHAT? 1517 00:36:17,759 --> 00:36:19,469 NAH, LAST YEAR, UM, 1518 00:36:19,511 --> 00:36:21,304 COREY WENT TO PHOENIX 1519 00:36:19,511 --> 00:36:21,304 FOR A MONTH. 1520 00:36:21,346 --> 00:36:23,264 MOM SAID HE HAD TO 1521 00:36:21,346 --> 00:36:23,264 GET A PROCEDURE DONE 1522 00:36:23,306 --> 00:36:25,017 BUT WOULDN'T 1523 00:36:23,306 --> 00:36:25,017 GIVE ME ANY DETAILS. 1524 00:36:25,058 --> 00:36:27,310 COME ON, MAN. AIN'T 1525 00:36:25,058 --> 00:36:27,310 NO WAY POPS IS SICK. 1526 00:36:27,352 --> 00:36:30,229 AND EVEN IF THE CANCER 1527 00:36:27,352 --> 00:36:30,229 DID COME BACK LAST YEAR, 1528 00:36:27,352 --> 00:36:30,229 HE BEAT IT AGAIN. 1529 00:36:30,271 --> 00:36:33,191 DUDE WAS PLANNING A FUTURE 1530 00:36:30,271 --> 00:36:33,191 HERE WITH ME, DILLON, DARNELL. 1531 00:36:33,232 --> 00:36:35,318 BILLY: UNLESS HE FOUND 1532 00:36:33,232 --> 00:36:35,318 OUT AT THE REUNION 1533 00:36:35,360 --> 00:36:38,655 THAT IT HAD COME BACK 1534 00:36:35,360 --> 00:36:38,655 FOR A THIRD TIME. 1535 00:36:38,697 --> 00:36:39,865 SPENCER: WE REALLY 1536 00:36:38,697 --> 00:36:39,865 JUST GONNA KEEP MAKING UP 1537 00:36:39,906 --> 00:36:41,741 CRAZY THEORIES 1538 00:36:39,906 --> 00:36:41,741 WE CAN'T PROVE? 1539 00:36:41,783 --> 00:36:43,368 DILLON: I CAN. 1540 00:36:45,370 --> 00:36:47,455 DILLON, BABY, 1541 00:36:45,370 --> 00:36:47,455 WHAT IS THAT? 1542 00:36:47,497 --> 00:36:49,541 I FOUND IT IN 1543 00:36:47,497 --> 00:36:49,541 SPENCER'S ROOM. 1544 00:36:49,582 --> 00:36:51,710 IT WAS ADDRESSED 1545 00:36:49,582 --> 00:36:51,710 TO DAD. 1546 00:36:51,751 --> 00:36:53,962 AND I WANTED 1547 00:36:51,751 --> 00:36:53,962 ANSWERS, TOO. 1548 00:36:54,004 --> 00:36:55,296 SPENCER: IT'S OK. 1549 00:36:57,966 --> 00:36:59,384 DILLON: I GOOGLED THE LAB, 1550 00:36:59,425 --> 00:37:01,678 AND THEY'RE HERE IN LOS ANGELES. 1551 00:37:01,720 --> 00:37:03,638 AND ONE OF THE THINGS 1552 00:37:01,720 --> 00:37:03,638 THEY TEST FOR 1553 00:37:03,680 --> 00:37:05,724 IS MULTIPLE MYELOMA. 1554 00:37:07,559 --> 00:37:10,520 IS DAD REALLY SICK? 1555 00:37:10,562 --> 00:37:13,857 DARNELL: IF COREY IS 1556 00:37:10,562 --> 00:37:13,857 SICK, THEN WHY LEAVE? 1557 00:37:13,899 --> 00:37:16,359 WHY NOT JUST TELL US? 1558 00:37:16,401 --> 00:37:19,821 BILLY: BECAUSE WHEN THIS 1559 00:37:16,401 --> 00:37:19,821 KIND OF CANCER COMES BACK, 1560 00:37:19,863 --> 00:37:23,658 IT'S AGGRESSIVE 1561 00:37:19,863 --> 00:37:23,658 AND LIKELY TERMINAL. 1562 00:37:23,700 --> 00:37:25,660 HE PROBABLY DIDN'T 1563 00:37:23,700 --> 00:37:25,660 WANT YOU BOYS TO SEE 1564 00:37:23,700 --> 00:37:25,660 WHAT HE WAS GOING-- 1565 00:37:25,702 --> 00:37:28,663 HOLD UP. HOLD UP. 1566 00:37:25,702 --> 00:37:28,663 IS THIS REALLY HAPPENING? 1567 00:37:28,705 --> 00:37:31,666 YOU'RE TELLING ME 1568 00:37:28,705 --> 00:37:31,666 OUR POPS IS DYING? 1569 00:37:34,044 --> 00:37:36,796 ♪ CONSTANT 1570 00:37:34,044 --> 00:37:36,796 CHANGES ♪ 1571 00:37:36,838 --> 00:37:40,008 ♪ CONSTANT 1572 00:37:36,838 --> 00:37:40,008 CHANGES ♪ 1573 00:37:40,050 --> 00:37:43,302 ♪ UP ALL NIGHT ♪ 1574 00:37:43,344 --> 00:37:46,098 ♪ THINKING ABOUT 1575 00:37:43,344 --> 00:37:46,098 HOW I WENT WRONG ♪ 1576 00:37:46,139 --> 00:37:49,601 ♪ JUST DON'T FEEL RIGHT ♪ 1577 00:37:49,642 --> 00:37:52,229 ♪ I DON'T WANT TO BE 1578 00:37:49,642 --> 00:37:52,229 HERE ANYMORE ♪ 1579 00:37:52,270 --> 00:37:54,814 ♪ THE PAIN HAS TO END ♪ 1580 00:37:54,856 --> 00:37:58,484 ♪ THE PAIN'S 1581 00:37:54,856 --> 00:37:58,484 GOT TO STOP ♪ 1582 00:37:58,526 --> 00:38:02,239 ♪ THE PAIN HAS TO END ♪ 1583 00:38:02,280 --> 00:38:04,490 ♪ WHEN WILL IT STOP? ♪ 1584 00:38:04,532 --> 00:38:06,284 JUST STOP. 1585 00:38:06,325 --> 00:38:09,829 KILL THE MUSIC. WE'RE 1586 00:38:06,325 --> 00:38:09,829 DONE. I NEED TO BE ALONE. 1587 00:38:09,871 --> 00:38:11,748 MAN ON RECORDING: MONICA, 1588 00:38:09,871 --> 00:38:11,748 THAT WAS GREAT. 1589 00:38:11,790 --> 00:38:16,086 I JUST WANT TO BE 1590 00:38:11,790 --> 00:38:16,086 ALONE, PLEASE. JUST GO. 1591 00:38:16,128 --> 00:38:17,754 [TAPE PLAYER SHUTS OFF] 1592 00:38:17,796 --> 00:38:21,299 J.P.: PRINCESS, 1593 00:38:17,796 --> 00:38:21,299 DINNER IN 10? 1594 00:38:23,593 --> 00:38:27,555 BABY, WHAT'S GOING ON? 1595 00:38:27,597 --> 00:38:30,683 I KNOW MOM WAS 1596 00:38:27,597 --> 00:38:30,683 SUFFERING FROM DEPRESSION, 1597 00:38:30,725 --> 00:38:32,393 BUT HOW BAD WAS IT? 1598 00:38:32,435 --> 00:38:34,687 BECAUSE ON THIS TAPE, 1599 00:38:32,435 --> 00:38:34,687 SHE'S SINGING ABOUT 1600 00:38:34,729 --> 00:38:37,274 GIVING UP AND ENDING PAIN. 1601 00:38:37,356 --> 00:38:39,192 YES. SHE WAS FIGHTING 1602 00:38:37,356 --> 00:38:39,192 DEPRESSION, 1603 00:38:39,234 --> 00:38:42,320 BUT I HAD NO IDEA 1604 00:38:39,234 --> 00:38:42,320 THINGS WERE THAT BAD. 1605 00:38:42,361 --> 00:38:44,739 DAD, I NEED TO ASK YOU 1606 00:38:42,361 --> 00:38:44,739 SOMETHING, 1607 00:38:44,781 --> 00:38:46,158 AND I NEED THE TRUTH. 1608 00:38:46,199 --> 00:38:47,909 SURE. 1609 00:38:47,951 --> 00:38:51,204 WAS MOM'S CAR ACCIDENT 1610 00:38:47,951 --> 00:38:51,204 AN ACCIDENT? 1611 00:38:51,246 --> 00:38:53,498 KEVIN GARRETT: ♪ DON'T 1612 00:38:51,246 --> 00:38:53,498 LET THE RAIN IN... ♪ 1613 00:38:53,539 --> 00:38:55,292 OR DID SHE GIVE UP? 1614 00:38:55,333 --> 00:38:58,461 ROCHELLE: SPENCER, 1615 00:38:55,333 --> 00:38:58,461 YOUR MOTTO. 1616 00:38:58,503 --> 00:39:00,922 CAN YOU TELL US 1617 00:38:58,503 --> 00:39:00,922 WHO TAUGHT YOU THAT? 1618 00:39:00,964 --> 00:39:03,466 [SOFTLY] 1619 00:39:00,964 --> 00:39:03,466 MY FATHER. 1620 00:39:06,678 --> 00:39:09,014 I ALWAYS THOUGHT HE WAS 1621 00:39:06,678 --> 00:39:09,014 JUST TALKING ABOUT FOOTBALL. 1622 00:39:09,055 --> 00:39:11,641 HE WAS ACTUALLY TEACHING 1623 00:39:09,055 --> 00:39:11,641 ME THE GAME OF LIFE. 1624 00:39:11,683 --> 00:39:13,226 BILLY: PLEASE DON'T-- 1625 00:39:11,683 --> 00:39:13,226 DON'T GET UP. 1626 00:39:13,268 --> 00:39:16,229 JUST HEAR ME OUT. 1627 00:39:16,271 --> 00:39:19,899 THIS CAN'T BE IT 1628 00:39:16,271 --> 00:39:19,899 FOR US, LAURA. 1629 00:39:19,941 --> 00:39:26,156 YOU ARE THE ABSOLUTE 1630 00:39:19,941 --> 00:39:26,156 LOVE OF MY LIFE. 1631 00:39:26,198 --> 00:39:29,659 WHAT WE HAD WAS 1632 00:39:26,198 --> 00:39:29,659 ONE OF A KIND. 1633 00:39:29,701 --> 00:39:31,410 I WAS REMINDED 1634 00:39:29,701 --> 00:39:31,410 OF THAT TONIGHT. 1635 00:39:31,452 --> 00:39:35,623 NOT EVERY FAMILY IS 1636 00:39:31,452 --> 00:39:35,623 LUCKY ENOUGH TO HAVE 1637 00:39:31,452 --> 00:39:35,623 WHAT WE HAD. 1638 00:39:35,665 --> 00:39:39,752 NOW, I KNOW THAT I-- 1639 00:39:35,665 --> 00:39:39,752 I HAVE NOT BEEN THE HUSBAND 1640 00:39:35,665 --> 00:39:39,752 THAT YOU DESERVE. 1641 00:39:39,794 --> 00:39:43,882 AND I KNOW THERE'S A LOT 1642 00:39:39,794 --> 00:39:43,882 I HAVE TO WORK ON, 1643 00:39:43,923 --> 00:39:45,633 BUT I'MA DO IT. 1644 00:39:45,675 --> 00:39:50,388 I WILL DO WHATEVER 1645 00:39:45,675 --> 00:39:50,388 IT TAKES. YOU NAME IT. 1646 00:39:50,429 --> 00:39:53,225 THERAPY... 1647 00:39:53,266 --> 00:39:54,934 WHATEVER IT TAKES. 1648 00:39:54,976 --> 00:40:01,774 BUT I'M BEGGING YOU, PLEASE 1649 00:39:54,976 --> 00:40:01,774 DO NOT GIVE UP ON US. 1650 00:40:01,816 --> 00:40:04,903 I DON'T WANT 1651 00:40:01,816 --> 00:40:04,903 TO GIVE UP ON US, 1652 00:40:04,944 --> 00:40:07,030 BUT YOU BROKE SOMETHING. 1653 00:40:08,865 --> 00:40:12,285 AND I DON'T KNOW 1654 00:40:08,865 --> 00:40:12,285 IF WE CAN GET BACK 1655 00:40:08,865 --> 00:40:12,285 WHAT WE HAD. 1656 00:40:14,746 --> 00:40:17,165 ISN'T IT WORTH A TRY? 1657 00:40:17,207 --> 00:40:21,086 SPENCER: TACKLING YOUR PROBLEMS 1658 00:40:17,207 --> 00:40:21,086 AND BLOCKING OUT YOUR FEARS 1659 00:40:21,127 --> 00:40:23,838 MEANS FINDING THE COURAGE 1660 00:40:21,127 --> 00:40:23,838 TO DO WHAT'S RIGHT. 1661 00:40:23,880 --> 00:40:26,216 BABY GIRL. 1662 00:40:26,258 --> 00:40:27,926 SORRY I'M LATE, GIRL. 1663 00:40:27,967 --> 00:40:30,136 SUSPENSE HAS BEEN 1664 00:40:27,967 --> 00:40:30,136 KILLING ME. 1665 00:40:27,967 --> 00:40:30,136 WHAT'S UP WITH J.P.? 1666 00:40:30,178 --> 00:40:32,055 I DON'T THINK IT'S 1667 00:40:30,178 --> 00:40:32,055 GONNA HAPPEN. 1668 00:40:32,097 --> 00:40:34,766 HE SAID HE ALREADY GOT 1669 00:40:32,097 --> 00:40:34,766 TOO MANY ARTISTS 1670 00:40:32,097 --> 00:40:34,766 LIKE ME ON HIS SQUAD. 1671 00:40:34,807 --> 00:40:36,351 IS HE CRAZY? 1672 00:40:36,393 --> 00:40:37,936 DON'T KNOW. I AIN'T 1673 00:40:36,393 --> 00:40:37,936 GONNA STOP, THOUGH. 1674 00:40:37,977 --> 00:40:39,271 I'M GONNA FIND 1675 00:40:37,977 --> 00:40:39,271 THE RIGHT PRODUCER, 1676 00:40:39,312 --> 00:40:40,980 AND I'MA DROP 1677 00:40:39,312 --> 00:40:40,980 NOTHING BUT HEAT. 1678 00:40:41,022 --> 00:40:42,648 WELL, I'M PROUD 1679 00:40:41,022 --> 00:40:42,648 OF YOU, BABY. 1680 00:40:42,690 --> 00:40:44,650 AND WE DON'T NEED 1681 00:40:42,690 --> 00:40:44,650 NO J.P. TO MAKE IT. 1682 00:40:44,692 --> 00:40:47,404 ALL I NEED IS US. 1683 00:40:47,445 --> 00:40:50,198 SPENCER: AND IF YOU DON'T, 1684 00:40:47,445 --> 00:40:50,198 YOU CAN BE SURE 1685 00:40:50,240 --> 00:40:52,033 YOU'LL DO SOMETHING 1686 00:40:50,240 --> 00:40:52,033 YOU'RE NOT PROUD OF. 1687 00:40:54,327 --> 00:40:56,162 WHAT ARE WE GONNA DO? 1688 00:40:58,456 --> 00:41:04,296 YOU KNOW, BLACK MEN DON'T 1689 00:40:58,456 --> 00:41:04,296 GET THE LUXURY OF GROWING OLD 1690 00:41:04,337 --> 00:41:08,591 AND LEAVING THIS EARTH 1691 00:41:04,337 --> 00:41:08,591 PEACEFULLY SURROUNDED 1692 00:41:04,337 --> 00:41:08,591 BY LOVED ONES. 1693 00:41:08,633 --> 00:41:10,509 [SNIFFLES] 1694 00:41:10,551 --> 00:41:14,180 WE CAN'T DO ANYTHING ABOUT 1695 00:41:10,551 --> 00:41:14,180 THE FACT THAT COREY IS DYING. 1696 00:41:14,222 --> 00:41:17,767 THAT'S IN GOD'S HANDS. 1697 00:41:17,809 --> 00:41:22,647 WHAT WE CAN DO IS 1698 00:41:17,809 --> 00:41:22,647 MAKE DAMN SURE THAT 1699 00:41:17,809 --> 00:41:22,647 HE DOESN'T DIE ALONE. 1700 00:41:22,688 --> 00:41:25,566 SPENCER, VOICE-OVER: 1701 00:41:22,688 --> 00:41:25,566 AND WHEN YOU DO DISCOVER 1702 00:41:22,688 --> 00:41:25,566 THE RIGHT THING TO DO, 1703 00:41:25,608 --> 00:41:27,986 FINISHING STRONG MEANS 1704 00:41:25,608 --> 00:41:27,986 FOLLOWING THROUGH. 1705 00:41:28,027 --> 00:41:31,948 YOU SEE, IN FOOTBALL, 1706 00:41:28,027 --> 00:41:31,948 YOU NEVER FORGET YOUR LAST PLAY. 1707 00:41:31,990 --> 00:41:35,034 BUT IN THE REAL WORLD, 1708 00:41:35,076 --> 00:41:38,621 NOBODY WANTS TO LIVE A LIFE 1709 00:41:35,076 --> 00:41:38,621 FILLED WITH REGRETS. 1710 00:41:38,663 --> 00:41:42,375 OK. COME HERE. 1711 00:41:38,663 --> 00:41:42,375 IT'S OK. 1712 00:41:42,417 --> 00:41:44,794 IT'S OK. 1713 00:41:44,836 --> 00:41:46,671 IT'S OK. 1714 00:41:46,712 --> 00:41:53,136 GARRETT: ♪ MM MM MM ♪ 1715 00:42:15,241 --> 00:42:16,784 MAN: GREG, MOVE YOUR HEAD.