1 00:00:01,248 --> 00:00:02,190 FEMALE SINGER: ♪♪ IT'S A BEAUTIFUL ♪♪ 2 00:00:02,290 --> 00:00:04,294 ♪♪ IT'S A BEAUTIFUL DAY ♪♪ 3 00:00:06,500 --> 00:00:08,764 ♪♪ IT'S A BEAUTIFUL DAY... ♪♪ 4 00:00:08,864 --> 00:00:11,650 BILLY: OH. OLIVIA: HERE WE GO. OK. 5 00:00:11,750 --> 00:00:13,494 WHAT IS-- WHAT IS THIS? 6 00:00:13,594 --> 00:00:15,540 WELL, IT'S BLUEBERRY AND RICOTTA TOAST. 7 00:00:15,640 --> 00:00:17,584 BLUEBERRY AND RICOTTA. WHAT-- 8 00:00:17,684 --> 00:00:18,946 WHAT HAPPENED TO THE EGGS AND THE 9 00:00:19,046 --> 00:00:20,230 CRACKLIN' BACON AND-- 10 00:00:20,330 --> 00:00:21,793 I THINK IT LOOKS GREAT, HONEY. 11 00:00:21,894 --> 00:00:23,436 - IT TASTES GREAT, TOO. - YOU SEE, DAD? 12 00:00:23,536 --> 00:00:25,481 JORDAN'S INHALING HIS. BILLY: OK. 13 00:00:25,582 --> 00:00:27,004 DAD, IF YOU DON'T WANT YOURS, I CAN TAKE IT OFF YOUR PLATE. 14 00:00:27,104 --> 00:00:28,848 EXCUSE ME. GREEDY WITH YOUR-- 15 00:00:28,948 --> 00:00:30,952 [LAURA GIGGLES] BILLY: LET ME--ALL RIGHT. 16 00:00:32,838 --> 00:00:34,742 OLIVIA: MM. WELL? 17 00:00:34,842 --> 00:00:36,786 I STAND CORRECTED. THIS IS DELICIOUS. 18 00:00:36,886 --> 00:00:38,390 OLIVIA: I KNOW. BILLY: ALL RIGHT. 19 00:00:38,490 --> 00:00:40,274 WAY TO GO. MM. 20 00:00:40,374 --> 00:00:41,877 SO, HAVE YOU, UH, 21 00:00:41,978 --> 00:00:44,122 DECIDED WHAT YOU'RE GONNA SAY TO YOUR TEAM TODAY? 22 00:00:44,222 --> 00:00:46,206 I'M, UH, STILL WORKING ON IT. 23 00:00:46,306 --> 00:00:48,050 OLIVIA: WAIT, WHAT'S THAT? JORDAN: MM. 24 00:00:48,150 --> 00:00:50,096 AFTER TODAY'S SPRING COMBINE, DAD'S GONNA TELL 25 00:00:50,196 --> 00:00:52,140 HIS TEAM THAT HE'S LEAVING CRENSHAW FOR THE GAU JOB. 26 00:00:52,240 --> 00:00:54,264 OLIVIA: HOW DO YOU THINK THEY'LL TAKE IT? BILLY: I DON'T KNOW. 27 00:00:54,364 --> 00:00:56,790 COACHING CHANGE AT THIS LEVEL, THEY HIT A LITTLE BIT HARDER, SO... 28 00:00:56,890 --> 00:00:59,236 OLIVIA: MM. BILLY: THE PLAYERS LOOK AT ME AS A FATHER FIGURE. 29 00:00:59,336 --> 00:01:01,560 GRACE IS GONNA BE THERE... JORDAN: MM-HMM. 30 00:01:01,660 --> 00:01:03,184 BILLY: IF THE PLAYERS NEED HELP AFTERWARDS. JORDAN: AND I'LL BE THERE. 31 00:01:03,264 --> 00:01:05,048 BILLY: YES. OLIVIA: WHY ARE YOU GOING? 32 00:01:05,148 --> 00:01:07,092 BECAUSE BEVERLY PLAYERS ARE GONNA BE THERE. 33 00:01:07,192 --> 00:01:08,776 I'M GONNA HELP OUT WITH THE DRILLS, YOU KNOW, THROWING 34 00:01:08,876 --> 00:01:10,140 TO THE WIDE RECEIVERS. BILLY: HMM. YOU THINK 35 00:01:10,240 --> 00:01:11,903 ANYBODY ELSE WOULD WANT TO HELP OUT, 36 00:01:12,004 --> 00:01:13,707 LIKE--LIKE SPENCER? I KNOW THE PLAYERS LOOK UP TO HIM. 37 00:01:13,808 --> 00:01:15,712 WHAT DO YOU THINK? LAURA: BABE. 38 00:01:15,812 --> 00:01:17,636 BILLY: HMM? LAURA: IF YOU WANT TO MAKE THINGS RIGHT 39 00:01:17,736 --> 00:01:19,280 WITH SPENCER, JUST CALL HIM. 40 00:01:19,380 --> 00:01:21,524 TAKE THE FIRST STEP. 41 00:01:21,624 --> 00:01:23,770 OLIVIA: WELL, I'M GLAD YOU LIKED THE BLUEBERRY AND RICOTTA TOAST... 42 00:01:23,870 --> 00:01:25,774 JORDAN: MM-HMM. OLIVIA: BUT I CAN'T TAKE ALL THE CREDIT 43 00:01:25,874 --> 00:01:27,658 BECAUSE IT'S LAYLA'S RECIPE. JORDAN: HMM. WHAT? 44 00:01:27,758 --> 00:01:29,302 REALLY? NEVER MADE THIS FOR ME. 45 00:01:29,402 --> 00:01:31,306 WHY WOULD LAYLA MAKE YOU BREAKFAST? 46 00:01:31,406 --> 00:01:33,832 BECAUSE WE'RE FRIENDS. 47 00:01:33,932 --> 00:01:35,956 LAURA: YOU GUYS, I MISSED THIS, 48 00:01:36,056 --> 00:01:38,040 THE FOUR OF US. BILLY: YEAH. THIS IS NICE. 49 00:01:38,140 --> 00:01:39,764 WE SHOULD DO THIS MORE OFTEN. 50 00:01:39,864 --> 00:01:41,528 OLIVIA: I'M IN. JORDAN: ME, TOO. 51 00:01:41,628 --> 00:01:43,132 LAURA: YEAH? OLIVIA: YEAH. 52 00:01:43,232 --> 00:01:44,696 LAURA: SO, LIKE, WHAT? ONCE A WEEK? 53 00:01:44,796 --> 00:01:46,540 OLIVIA: UHH... JORDAN: WELL... 54 00:01:46,640 --> 00:01:48,182 BILLY: HA HA HA! OLIVIA: I DON'T KNOW ABOUT THAT. 55 00:01:48,282 --> 00:01:51,070 LAURA, CHUCKLING: OK, HOW 'BOUT... 56 00:01:51,170 --> 00:01:54,276 ONCE A MONTH, JUST US? 57 00:01:54,376 --> 00:01:56,240 OK? THEN IT'S SETTLED. 58 00:01:56,340 --> 00:01:59,248 ONCE A MONTH, BREAKFAST WITH MY FAVOURITE TEAM. 59 00:01:59,348 --> 00:02:01,532 LAURA: YEAH. BILLY: ALL RIGHT. BRING IT IN. 60 00:02:01,632 --> 00:02:04,318 LAURA: CHEERS. BILLY: YEAH, BAKER BREAKFAST. 61 00:02:11,774 --> 00:02:14,080 COOP: WAIT, SO LIV DOESN'T WANT TO BE FRIENDS? 62 00:02:14,180 --> 00:02:16,404 NAW, SHE WANTS TO BE MORE THAN FRIENDS. 63 00:02:16,504 --> 00:02:18,730 BRO, BUT Y'ALL TRIED THAT ALREADY AND IT DIDN'T WORK. 64 00:02:18,830 --> 00:02:21,536 "DIDN'T WORK" IS A LITTLE OVERSIMPLIFIED, BUT I GUESS. 65 00:02:21,636 --> 00:02:22,940 NOW, LOOK, DO YOU STILL LOVE LIV? 66 00:02:23,040 --> 00:02:25,464 YES. BUT AM I STILL IN LOVE WITH HER? 67 00:02:25,564 --> 00:02:27,108 I DON'T KNOW. 68 00:02:27,208 --> 00:02:29,354 HOW DO I KNOW WHAT I FEEL WHEN I'M AROUND HER 69 00:02:29,454 --> 00:02:31,878 ISN'T JUST ECHOES FROM WHAT WE HAD? 70 00:02:31,978 --> 00:02:34,364 THOSE ARE GOOD QUESTIONS. WHAT DID ALICIA SAY? 71 00:02:34,464 --> 00:02:35,968 SPENCER: HUH? COOP: "HUH"? 72 00:02:36,068 --> 00:02:37,812 WHAT DID YOUR CURRENT GIRLFRIEND SAY 73 00:02:37,912 --> 00:02:39,616 ABOUT YOUR EX-GIRLFRIEND WANTING YOU BACK? 74 00:02:39,716 --> 00:02:41,260 SPENCER: I AIN'T TELL HER. COOP: WHAT? 75 00:02:41,360 --> 00:02:42,823 [SCOFFS] WHAT? LOOK, I'M TOO BUSY 76 00:02:42,923 --> 00:02:44,426 TRYING TO FIGURE OUT WHAT TO SAY TO LIV, 77 00:02:44,526 --> 00:02:45,990 WHO I'M KINDA AVOIDING RIGHT NOW 78 00:02:46,090 --> 00:02:47,674 'CAUSE SHE WANTS TO MEET UP TODAY. 79 00:02:47,774 --> 00:02:49,878 BRO, THERE'S WAY TOO MUCH HISTORY BETWEEN YOU TWO 80 00:02:49,978 --> 00:02:52,524 FOR YOU TO JUST BE BLOWING HER OFF LIKE THAT, SO IF YOU 81 00:02:52,624 --> 00:02:56,352 ARE GONNA AVOID HER, YOU BETTER HAVE A LEGIT REASON. 82 00:03:03,608 --> 00:03:06,254 [SIGHS QUIETLY] 83 00:03:07,898 --> 00:03:09,802 ARE YOU WEARING A CARDIGAN? 84 00:03:09,902 --> 00:03:12,768 NO, IT'S AN OFFICIAL COASTAL CALIFORNIA SWEATER VEST. 85 00:03:12,868 --> 00:03:14,172 YOU'RE GONNA WEAR IT TO THE COMBINE? 86 00:03:14,272 --> 00:03:15,534 WELL, NOW I'M NOT SO SURE. 87 00:03:15,634 --> 00:03:18,902 IT'S FINE. YOU LOOK COACH-Y. 88 00:03:19,002 --> 00:03:20,906 ASHER: THAT'S WHAT I WAS GOING FOR. JAYMEE: GOOD, GOOD. 89 00:03:21,006 --> 00:03:22,710 [BOTH CHUCKLE] ASHER: ALL RIGHT. 90 00:03:22,810 --> 00:03:24,474 WISH ME LUCK. [SIGHS] 91 00:03:24,574 --> 00:03:25,998 YOU'RE LEAVING RIGHT NOW? 92 00:03:26,098 --> 00:03:27,802 YEAH, IT'S--IT'S A LONG DRIVE. WHY? 93 00:03:27,902 --> 00:03:29,886 NOTHING. I WANTED TO TALK TO YOU 94 00:03:29,986 --> 00:03:32,112 ABOUT SOMETHING, BUT IT CAN WAIT. 95 00:03:37,564 --> 00:03:39,468 IS EVERYTHING OK? 96 00:03:39,568 --> 00:03:42,114 I GUESS THAT DEPENDS ON YOUR REACTION. 97 00:03:42,214 --> 00:03:43,556 TO WHAT? 98 00:03:43,656 --> 00:03:45,660 I'M PREGNANT. 99 00:03:49,108 --> 00:03:51,814 NOW THAT I HAVE YOUR REACTION, ASK ME AGAIN HOW I'M DOING. 100 00:03:51,914 --> 00:03:54,420 NO, I'M-- I'M--I'M SORRY. 101 00:03:54,520 --> 00:03:57,026 OK, UM... 102 00:03:57,126 --> 00:03:58,990 LET ME CALL THE OTHER COACHES, 103 00:03:59,090 --> 00:04:00,994 LET 'EM KNOW THAT I CAN'T COVER THE COMBINE, OK? 104 00:04:01,094 --> 00:04:03,560 WE HAVE PLENTY OF TIME TO TALK. 105 00:04:03,660 --> 00:04:06,166 WELL, I DON'T KNOW ABOUT PLENTY, BUT 106 00:04:06,266 --> 00:04:08,130 WE HAVE TIME. 107 00:04:08,230 --> 00:04:10,616 YOU SHOULD GO TO THE COMBINE, 108 00:04:10,716 --> 00:04:13,222 WEAR YOUR LITTLE CARDIGAN. [BOTH CHUCKLE] 109 00:04:13,322 --> 00:04:15,908 ASHER: SWEATER VEST. JAYMEE: HEH! YEAH. HEH! 110 00:04:16,008 --> 00:04:18,092 WE CAN TALK WHEN YOU GET BACK. 111 00:04:20,096 --> 00:04:21,760 [R&B MUSIC PLAYING] 112 00:04:21,860 --> 00:04:23,966 [KNOCK ON DOOR] 113 00:04:24,066 --> 00:04:26,812 LAYLA: DAD. HEY, I DIDN'T KNOW YOU WERE IN TOWN. 114 00:04:26,912 --> 00:04:30,460 HEY, UM, I'D LIKE TO SPEAK WITH MY DAUGHTER ALONE, PLEASE? 115 00:04:30,560 --> 00:04:32,504 MAN: YEAH, NO PROBLEM. [MUSIC STOPS] 116 00:04:32,604 --> 00:04:33,827 OK. 117 00:04:33,927 --> 00:04:35,872 WELL, I CAN TELL YOU'RE UPSET, 118 00:04:35,972 --> 00:04:37,876 BUT CAN I HUG YOU AT LEAST? 119 00:04:37,976 --> 00:04:40,020 I HAVEN'T SEEN YOU IN MONTHS. HEH! 120 00:04:41,504 --> 00:04:44,250 MMM. LOOK, I'M SURE YOU KNOW WHY I'M HERE. 121 00:04:44,350 --> 00:04:46,736 UM, 'CAUSE CLAY GAVE US OUR NAME BACK? 122 00:04:46,836 --> 00:04:48,338 [SIGHS] 123 00:04:48,438 --> 00:04:50,944 EVERYTHING I BUILT AT KEATING RECORDS, 124 00:04:51,044 --> 00:04:55,034 MY LIFE'S WORK, IT'S GONE. LAYLA: WELL, THE MUSIC CATALOGUE'S STILL THERE. 125 00:04:55,134 --> 00:04:58,160 WITH SOMEBODY ELSE'S NAME ATTACHED TO IT. IT WAS CREATED WITH MY NAME. 126 00:04:58,260 --> 00:05:00,566 RIGHT. WELL, IF THE NAME MEANT SO MUCH TO YOU, 127 00:05:00,666 --> 00:05:03,612 MAYBE YOU SHOULD'VE LEFT IT TO SOMEONE WHO SHARED THAT NAME. 128 00:05:03,712 --> 00:05:05,616 I SHOULD'VE BEEN YOUR LEGACY, DAD, 129 00:05:05,716 --> 00:05:07,702 NOT CLAY, AND I FIXED THAT. 130 00:05:07,802 --> 00:05:10,428 HEY, I'M YOUR BLOOD AND THE LEGACY WILL CARRY ON. 131 00:05:10,528 --> 00:05:12,432 YOU WERE SO ADAMANT ABOUT WANTING TO BUILD YOUR OWN THING, I DIDN'T 132 00:05:12,532 --> 00:05:14,958 EVEN KNOW YOU WANTED THE COMPANY, AND I APOLOGISE FOR THAT. 133 00:05:15,058 --> 00:05:17,924 BUT I WORKED REALLY HARD TO BUILD KEATING RECORDS FROM SCRATCH. 134 00:05:18,024 --> 00:05:22,012 YES, YOU ARE MY LEGACY, BUT SO IS THAT COMPANY, 135 00:05:22,112 --> 00:05:25,661 AT LEAST UNTIL SOMEONE STRIPPED MY NAME FROM IT. 136 00:05:25,761 --> 00:05:28,507 [SIGHS] SORRY. 137 00:05:28,608 --> 00:05:31,874 ONE DAY YOU'LL UNDERSTAND. 138 00:05:31,974 --> 00:05:34,380 [FOOTSTEPS RETREAT, LAYLA SIGHS] 139 00:05:36,826 --> 00:05:39,371 PREACH: A.J., WHERE YOU GOIN'? A.J.: DETENTION. 140 00:05:39,471 --> 00:05:41,576 PREACH: UH, DETENTION IS THAT WAY. A.J.: I'MMA HIT UP 141 00:05:41,676 --> 00:05:43,941 THE CANDY MACHINE FIRST. PREACH: THE CANDY MACHINE IN THE TEACHERS' LOUNGE? 142 00:05:44,042 --> 00:05:46,386 A.J.: AIN'T NO TEACHERS HERE ON SATURDAY. PREACH: I'M HERE. 143 00:05:46,486 --> 00:05:49,794 LOOK, IT'S MY JOB TO MAKE SURE THAT YOU GET TO DETENTION ON TIME, 144 00:05:49,894 --> 00:05:53,682 BUT YOU GOT 20 SECONDS. 19, 18, 145 00:05:53,782 --> 00:05:55,526 17. AMINA: HI, DADDY. 146 00:05:55,626 --> 00:05:57,892 [CHUCKLING] AMINA, WHAT YOU DOIN' HERE? 147 00:05:57,992 --> 00:06:00,096 I DON'T GET YOU UNTIL NEXT WEEKEND. 148 00:06:00,196 --> 00:06:03,504 MEMA DROPPED ME OFF EARLY, SO WE CAN SPEND THE WEEKEND TOGETHER. 149 00:06:03,604 --> 00:06:05,468 NICE. LOOK, I HAVE TO, UH, 150 00:06:05,568 --> 00:06:07,112 SUPERVISE THIS DETENTION THING, 151 00:06:07,212 --> 00:06:09,076 BUT YOU CAN HANG OUT IN BILLY'S OFFICE. 152 00:06:09,176 --> 00:06:10,600 COOP IS MEETING ME HERE FOR LUNCH. 153 00:06:10,700 --> 00:06:12,123 SHE'LL BE GLAD TO SEE YOU. 154 00:06:12,223 --> 00:06:14,368 COME HERE, BABY GIRL. MM. 155 00:06:14,468 --> 00:06:17,054 MM. I MISS YOU. 156 00:06:17,154 --> 00:06:18,898 WORKING ANOTHER SATURDAY. 157 00:06:18,998 --> 00:06:21,584 HUH. JUST DOING SOME RESEARCH. 158 00:06:21,684 --> 00:06:23,348 DID YOU HEAR THE BIG NEWS? 159 00:06:23,448 --> 00:06:25,352 OLIVIA: MM-MM. CHRISTEL: YOUR ARTICLE 160 00:06:25,452 --> 00:06:27,878 HAS BEEN PICKED UP IN 8 MAJOR NEWS MARKETS. 161 00:06:27,978 --> 00:06:29,521 DETROIT, ATLANTA, PHILLY. 162 00:06:29,622 --> 00:06:31,245 A LOCAL MORNING SHOW IN CHICAGO IS EVEN 163 00:06:31,345 --> 00:06:33,049 RUNNING AN ON-AIR SEGMENT ABOUT IT. 164 00:06:33,149 --> 00:06:35,334 OLIVIA: WAIT. SERIOUSLY? CHRISTEL: CONGRATULATIONS. 165 00:06:35,434 --> 00:06:37,619 IT'S TOO BAD I HAD TO TURN DOWN THE INTERVIEW, 166 00:06:37,719 --> 00:06:40,746 BUT THIS IS STILL HUGE FOR YOU, AND US. 167 00:06:40,846 --> 00:06:43,272 UH, WAIT--WHAT--UH, WHAT INTERVIEW? 168 00:06:43,372 --> 00:06:45,076 THEY WANTED TO TALK TO THE JOURNALIST 169 00:06:45,176 --> 00:06:46,920 WHO WROTE THE ARTICLE-- JAYDEN DAVIS. 170 00:06:47,020 --> 00:06:49,004 [SIGHS] TSK. 171 00:06:49,104 --> 00:06:51,810 SUCKS THAT I DON'T GET ANY CREDIT FOR MY OWN ARTICLE. 172 00:06:51,910 --> 00:06:54,015 YOU CHOSE TO GO THE PSEUDONYM ROUTE. 173 00:06:54,116 --> 00:06:56,220 BUT EVERYONE HERE KNOWS WHO WROTE IT. 174 00:06:56,320 --> 00:06:58,766 BIG THINGS ARE COMING TO YOU, LIV. OLIVIA: MM. 175 00:07:05,140 --> 00:07:06,602 YOU'RE FEELING GUILTY, AREN'T YOU? 176 00:07:06,702 --> 00:07:09,168 MY DAD JUST LOOKED SO HEARTBROKEN. 177 00:07:09,268 --> 00:07:11,253 SO WHAT'S YOUR PLAN? 178 00:07:11,353 --> 00:07:13,818 LAYLA: I GUESS TALK TO CLAY. JORDAN: MM. 179 00:07:13,918 --> 00:07:16,384 I--I DON'T LIKE THE IDEA OF YOU HAVING TO GROVEL. 180 00:07:16,484 --> 00:07:19,030 WHO SAID ANYTHING ABOUT GROVELING? 181 00:07:19,130 --> 00:07:20,353 NOT ME. 182 00:07:20,453 --> 00:07:21,876 YEAH, I DON'T GROVEL. 183 00:07:21,976 --> 00:07:23,840 JORDAN: OF COURSE NOT. LAYLA: YEAH. HEH! 184 00:07:23,940 --> 00:07:25,524 JORDAN: YOU DON'T GROVEL. NO. LAYLA: HEY. 185 00:07:25,624 --> 00:07:27,008 RELAX. Y'ALL KNOW YA AIN'T GOTTA 186 00:07:27,108 --> 00:07:28,450 PRETEND IN FRONT OF ME NO MORE. 187 00:07:28,550 --> 00:07:30,094 UH, SORRY. FORCE OF HABIT. 188 00:07:30,194 --> 00:07:31,698 JORDAN: RIGHT. LAYLA: I SHOULD GET GOING. 189 00:07:31,798 --> 00:07:33,342 YEAH. I GOTTA GET OUTTA HERE, TOO, SO... 190 00:07:33,442 --> 00:07:35,226 I'LL SEE YOU LATER. BYE, SPENCE. 191 00:07:35,326 --> 00:07:36,869 SPENCER: LATER. LAYLA: BYE. 192 00:07:36,970 --> 00:07:38,432 JORDAN: ACTUALLY, YO, SPENCE. SPENCER: YEAH? 193 00:07:38,532 --> 00:07:40,076 I AM HELPING OUT AT THE SPRING COMBINE TODAY. 194 00:07:40,176 --> 00:07:41,440 YOU KNOW, JUST GIVING SOME HIGH SCHOOL JUNIORS 195 00:07:41,540 --> 00:07:43,083 A CHANCE TO SHINE. DON'T SUPPOSE MAYBE 196 00:07:43,183 --> 00:07:44,646 YOU'D WANT TO PITCH IN AND-- SPENCER: YES. 197 00:07:44,746 --> 00:07:46,050 YES, DEFINITELY. LET'S DO IT. 198 00:07:46,150 --> 00:07:48,615 REALLY? OK, THAT WAS UNEXPECTEDLY EASY. 199 00:07:48,715 --> 00:07:50,540 WELL, I KINDA NEED SOMETHING LEGIT TO DO TODAY 200 00:07:50,640 --> 00:07:52,704 TO GET OUT OF SOMETHING ELSE, SO THIS IS PERFECT. 201 00:07:52,804 --> 00:07:54,868 MUST BE SOMETHING YOU REALLY WANT TO GET OUT OF BADLY 202 00:07:54,968 --> 00:07:57,034 IF YOU'RE WILLING TO SPEND TIME WITH MY DAD. 203 00:07:57,134 --> 00:07:59,439 WHO SAID ANYTHING ABOUT SPENDING TIME WITH YOUR DAD? NO. 204 00:07:59,539 --> 00:08:01,644 NO, IT'S A BIG FIELD, AND I'M THERE 205 00:08:01,744 --> 00:08:04,390 FOR THE PLAYERS, NOT HIM. COME ON. 206 00:08:05,872 --> 00:08:07,878 OK. 207 00:08:13,048 --> 00:08:15,554 BILLY: HEY, ASH. ASHER: HEH! 208 00:08:15,654 --> 00:08:17,558 BILLY: WHAT'S UP? ASHER: HEY, COACH. 209 00:08:17,658 --> 00:08:19,523 AREN'T YOU GOING TO THE COMBINE? 210 00:08:19,623 --> 00:08:22,008 YEAH. YEAH, I'M-- I'M ON MY WAY THERE NOW. 211 00:08:22,108 --> 00:08:25,376 BILLY: OK. ASHER: I JUST WANTED TO GET SOME ADVICE. 212 00:08:25,476 --> 00:08:27,781 OH. OK. CAN WE DISCUSS IT AT THE COMBINE? 213 00:08:27,882 --> 00:08:30,427 MY GIRLFRIEND IS PREGNANT, COACH. 214 00:08:30,527 --> 00:08:33,474 BILLY: OK. [ASHER EXHALES] 215 00:08:33,574 --> 00:08:35,558 WOW. 216 00:08:35,658 --> 00:08:37,763 [EXHALES] THAT IS THE FIRST TIME 217 00:08:37,863 --> 00:08:40,128 THAT I'VE SAID IT OUT LOUD. IT FEELS, UH-- 218 00:08:40,228 --> 00:08:43,255 BILLY: HEH HEH! YEAH, IT LOOKS LIKE IT. ASHER: COACH, I HAVE... 219 00:08:43,356 --> 00:08:45,260 A HUNDRED QUESTIONS 220 00:08:45,360 --> 00:08:47,224 AND NOT ONE SINGLE ANSWER. 221 00:08:47,324 --> 00:08:49,710 BILLY: YOU'LL BE READY. ASHER: HOW DO YOU KNOW? 222 00:08:49,810 --> 00:08:52,716 BECAUSE YOU'RE THE MOST PREPARED PLAYER I'VE EVER COACHED, 223 00:08:52,816 --> 00:08:55,462 SO, WE'RE GONNA BE JUST FINE. 224 00:08:56,945 --> 00:08:58,810 OK? 225 00:08:58,910 --> 00:09:01,014 NOW, WE GONNA GO TO THIS COMBINE 226 00:09:01,114 --> 00:09:03,139 OR WE'RE GONNA TALK ABOUT YOUR KID ALL DAY? 227 00:09:03,239 --> 00:09:04,742 [SIGHS] YEAH, SORRY. 228 00:09:04,842 --> 00:09:07,028 BILLY: OK. ASHER: UH, HEH! 229 00:09:07,128 --> 00:09:09,272 I'LL, UH, I'LL SEE YOU THERE. BILLY: OK, YEAH. 230 00:09:09,372 --> 00:09:11,678 ALL RIGHT, UM, THAT'S THE KITCHEN, IT'S THAT DIRECTION. 231 00:09:11,778 --> 00:09:15,726 SO YOU'RE IN NO CONDITION TO DRIVE, SO WHY DON'T WE TAKE THE CRENSHAW BUS TOGETHER? 232 00:09:15,826 --> 00:09:17,370 ASHER: YEAH. BILLY: YEAH. THERE WE GO. 233 00:09:17,470 --> 00:09:19,374 ASHER: YEAH, THANKS. BILLY: THIS WAY. 234 00:09:19,474 --> 00:09:21,339 OPEN UP. THERE WE GO. ASHER: YEAH. 235 00:09:21,439 --> 00:09:23,303 YO, WHERE DID YOU GET THESE? 236 00:09:23,404 --> 00:09:25,228 WE GOT A SNACK MACHINE IN THE TEACHERS' LOUNGE. 237 00:09:25,328 --> 00:09:27,272 DAWG, I JUST BROKE MY TOOTH. 238 00:09:27,372 --> 00:09:29,236 THIS THING GOTTA BE, LIKE, 30 YEARS OLD. 239 00:09:29,336 --> 00:09:31,562 AMINA: TASTES GOOD TO ME. COOP: WELL, THEN, SEE HERE. 240 00:09:31,662 --> 00:09:34,488 YOU CAN HAVE MINE THEN. WOMAN: AMINA. 241 00:09:34,588 --> 00:09:36,492 [SIGHS] 242 00:09:36,592 --> 00:09:39,058 WHAT DID I TELL YOU ABOUT EATING THAT MUCH SUGAR? 243 00:09:39,158 --> 00:09:41,062 YOU SAID IT'LL ROT MY TEETH. 244 00:09:41,162 --> 00:09:43,147 UH, YOU NEED SOMETHING, MRS. MOORE? 245 00:09:43,247 --> 00:09:45,191 YES. I NEED MY GRANDDAUGHTER. 246 00:09:45,292 --> 00:09:48,599 ARE YOU FORGETTING WE HAVE FULL CUSTODY OF HER? THIS WAS STUPID. 247 00:09:48,699 --> 00:09:51,445 WHY DID YOU DROP HER OFF EARLY IF YOU WAS GONNA COME AT HIM LIKE THIS? 248 00:09:51,545 --> 00:09:53,209 THE JUDGE IS GONNA HEAR ABOUT THIS. 249 00:09:53,309 --> 00:09:54,973 IT'S NOT HIS FAULT. 250 00:09:55,073 --> 00:09:56,696 I RAN AWAY. 251 00:09:56,796 --> 00:09:58,902 COOP: WAIT. WHAT? AMINA: I'M SORRY, MEMA. 252 00:09:59,002 --> 00:10:01,347 I LIED AND SAID YOU DROPPED ME OFF EARLY 'CAUSE I DON'T WANT 253 00:10:01,447 --> 00:10:03,512 TO MOVE TO BALTIMORE. COOP: BALTIMORE? 254 00:10:03,612 --> 00:10:05,276 AIN'T NOBODY GOIN' TO BALTIMORE. 255 00:10:05,376 --> 00:10:07,120 WE ARE. WE'RE MOVING THERE 256 00:10:07,220 --> 00:10:09,044 AT THE END OF AMINA'S SCHOOL SEMESTER. 257 00:10:09,144 --> 00:10:11,449 THE HELL YOU ARE. 258 00:10:11,549 --> 00:10:14,376 AMINA, LET'S GO CHECK OUT THE GYM. 259 00:10:14,476 --> 00:10:16,420 IS THIS THE PART WHERE YOU GET ALL TOUGH 260 00:10:16,520 --> 00:10:18,825 AND YOU TRY TO INTIMIDATE ME? 261 00:10:18,926 --> 00:10:21,672 NO, IT'S NOT LIKE THAT. 262 00:10:21,772 --> 00:10:23,676 AMINA'S OUR RESPONSIBILITY, 263 00:10:23,776 --> 00:10:25,680 AND SHE'S BETTER OFF WITHOUT YOU. 264 00:10:25,780 --> 00:10:29,248 I KNOW THE REAL YOU. I WATCHED YOU GROW UP ON THESE STREETS, 265 00:10:29,348 --> 00:10:32,375 AND THAT'S WHY I'M TAKING HER FAR AWAY FROM HERE, 266 00:10:32,475 --> 00:10:35,121 AND NOW YOU DON'T GET HER NEXT WEEKEND. 267 00:10:38,930 --> 00:10:40,834 JORDAN: OK, SO REWIND. 268 00:10:40,934 --> 00:10:43,038 MY SISTER ASKED YOU TO GET BACK TOGETHER? 269 00:10:43,138 --> 00:10:45,684 SPENCER: YEP. JORDAN: AND YOU DIDN'T SAY ANYTHING? 270 00:10:45,784 --> 00:10:47,728 SHE AIN'T GIVE ME A CHANCE. 271 00:10:47,828 --> 00:10:49,573 BUT SHE WANTED TO TALK TODAY AND INSTEAD, 272 00:10:49,673 --> 00:10:51,256 YOU'RE DOING THE COMBINE? SPENCER: BRO, 273 00:10:51,356 --> 00:10:53,582 YOU ASKED ME FOR MY HELP. 274 00:10:53,682 --> 00:10:56,027 NAH. YOU ARE JUST AVOIDING HER. THAT IS NOT COOL. 275 00:10:56,127 --> 00:10:59,074 SPENCER: WHOSE SIDE ARE YOU ON, DAWG? JORDAN: MY SISTER'S. 276 00:10:59,174 --> 00:11:01,158 OK, LOOK, COOL. 277 00:11:01,258 --> 00:11:03,162 YOU WANT ME TO LEAVE, I'LL LEAVE. JORDAN: NO, NO, NO, NO. 278 00:11:03,262 --> 00:11:05,969 COME ON. WE'RE ALREADY HERE, ALL RIGHT? BESIDES, YOU PROBABLY 279 00:11:06,069 --> 00:11:08,735 ALREADY BLEW IT WITH LIV, BUT MY DAD WAS GLAD YOU AGREED TO COME. 280 00:11:08,835 --> 00:11:11,782 SPENCER: WHY'D YOU TELL HIM? JORDAN: 'CAUSE IT WAS HIS IDEA. 281 00:11:11,882 --> 00:11:13,946 HE ASKED YOU TO BRING ME HERE? 282 00:11:14,046 --> 00:11:16,712 I MEAN, HE MENTIONED IT. IT WASN'T LIKE IT WAS SOME DEVIOUS PLAN. 283 00:11:16,812 --> 00:11:18,516 BRO, NOW HE'S GONNA THINK I'M ACCEPTING 284 00:11:18,616 --> 00:11:20,320 SOME OLIVE BRANCH THAT I AIN'T READY FOR YET. 285 00:11:20,420 --> 00:11:21,924 YOU GOTTA RELAX, DUDE, OK? 286 00:11:22,024 --> 00:11:24,008 YOU ARE THE ONE WHO IS MAKING EVERYTHING 287 00:11:24,108 --> 00:11:27,316 MORE COMPLICATED HERE, ALL RIGHT, WITH OLIVIA AND MY DAD. 288 00:11:31,084 --> 00:11:33,770 I'MMA GO CHECK OUT THESE WIDE RECEIVERS. 289 00:11:37,698 --> 00:11:39,743 [SIGHS] I... 290 00:11:43,270 --> 00:11:45,936 CLAY, CHUCKLING: YEAH, THIS LOOKS GOOD. I LIKE THAT. 291 00:11:46,036 --> 00:11:48,943 [SIGHS] YOU DIDN'T WASTE ANY TIME. 292 00:11:49,044 --> 00:11:51,950 REBRANDING IS OUR MAIN FOCUS RIGHT NOW. 293 00:11:52,050 --> 00:11:55,398 WHAT DO YOU THINK? LAYLA: CLAY TAYLOR ENTERTAINMENT? 294 00:11:55,498 --> 00:11:58,003 YOU REALLY GOING WITH THE INITIALS? CLAY: IT'S OUR NEW LOGO. WHY? 295 00:11:58,104 --> 00:11:59,847 LAYLA: CTE? CLAY: MM-HMM. 296 00:11:59,948 --> 00:12:01,772 YOU KNOW THAT'S A SPORTS INJURY-RELATED 297 00:12:01,872 --> 00:12:02,974 BRAIN CONDITION, RIGHT? 298 00:12:03,074 --> 00:12:04,658 CAN I HELP YOU WITH SOMETHING? 299 00:12:04,758 --> 00:12:07,103 YES, ACTUALLY. GOOD NEWS. 300 00:12:07,204 --> 00:12:09,588 YOU DON'T HAVE TO USE THE CTE LOGO. 301 00:12:09,688 --> 00:12:11,794 IT'S CLAY TAYLOR ENTERTAINMENT. 302 00:12:11,894 --> 00:12:14,279 LAYLA: NO, IT'S KEATING RECORDS. CLAY: WHAT? 303 00:12:14,379 --> 00:12:16,324 YOU CAN HAVE THE NAME BACK. 304 00:12:16,424 --> 00:12:18,288 I WAS WRONG. 305 00:12:18,388 --> 00:12:20,492 DO YOU REALLY THINK YOU WERE WRONG, 306 00:12:20,592 --> 00:12:22,658 OR DID DADDY SAY YOU WERE WRONG? 307 00:12:22,758 --> 00:12:25,263 DOES IT MATTER? YOU CAN HAVE THE NAME BACK. 308 00:12:25,363 --> 00:12:29,072 CONGRATULATIONS. YOU WIN. CLAY: I ALREADY WON. 309 00:12:29,172 --> 00:12:31,517 I GOT THE ARTISTS, THE CATALOGUE, AND THE EMPIRE. 310 00:12:31,617 --> 00:12:34,162 NOW IT'S ALL UNDER MY NAME. LAYLA: CTE. 311 00:12:34,262 --> 00:12:36,368 IT'S CLAY TAYLOR ENTERTAI-- 312 00:12:36,468 --> 00:12:39,254 LOOK, THE BALL IS ALREADY ROLLING ON THIS REBRANDING. 313 00:12:39,354 --> 00:12:41,499 IT'S TOO LATE, SO YOU CAN KEEP THE KEATING NAME. 314 00:12:41,599 --> 00:12:43,744 NOW GO WORK ON THEM DADDY ISSUES SOMEWHERE ELSE. 315 00:12:43,844 --> 00:12:46,710 I HAVE AN EMPIRE TO RUN HERE. [CLICKS TEETH] 316 00:12:46,810 --> 00:12:49,356 D, LET ME HOLLER AT YOU RIGHT QUICK. THIS LOOKS GOOD, MAN. 317 00:12:49,456 --> 00:12:52,864 MAYBE WE CAN GET ANOTHER SIGN RIGHT HERE... [LAYLA SIGHS] 318 00:12:54,307 --> 00:12:56,211 CRENSHAW GOT SOME CRAZY TALENT COMING BACK 319 00:12:56,311 --> 00:12:58,536 NEXT YEAR, COACH. BILLY: HEH HEH! YES, SIR. 320 00:12:58,636 --> 00:13:00,581 SHAME I AIN'T GONNA BE OUT THERE WITH 'EM. 321 00:13:00,681 --> 00:13:02,665 OH, COME ON, NOW. 322 00:13:02,766 --> 00:13:04,870 YOU KNOW YOU'RE GONNA BE BALLIN' OUT THERE AT COASTAL. 323 00:13:04,970 --> 00:13:07,356 JABARI: HMM. BILLY: ONLY BIGGER AND BETTER THINGS FOR YOU, SON. 324 00:13:07,456 --> 00:13:09,160 JABARI: WHAT ABOUT YOU? BILLY: HMM? 325 00:13:09,260 --> 00:13:11,204 BIGGER AND BETTER THINGS IN YOUR FUTURE, TOO? 326 00:13:11,304 --> 00:13:13,248 THERE'S A LOT OF SMOKE ABOUT YOU LEAVING... BILLY: YEAH. 327 00:13:13,348 --> 00:13:15,253 SO GUYS ARE STARTING TO ASK QUESTIONS. 328 00:13:15,353 --> 00:13:16,856 BILLY: I'MMA TELL THE TEAM TODAY. JABARI: WELL, WHATEVER 329 00:13:16,956 --> 00:13:19,422 YOU DECIDE, COACH, I GOT YOUR BACK 330 00:13:19,522 --> 00:13:22,308 'CAUSE, I MEAN, WITHOUT YOU... 331 00:13:22,408 --> 00:13:24,954 IF I DIDN'T COME PLAY FOR YOU, 332 00:13:25,054 --> 00:13:28,602 THERE WOULD BE NO BIGGER AND BETTER IN MY FUTURE. 333 00:13:28,702 --> 00:13:30,647 COME ON, MAN. 334 00:13:30,747 --> 00:13:33,012 I'LL NEVER FORGET EVERYTHING YOU DID FOR ME, COACH. 335 00:13:33,112 --> 00:13:35,618 I APPRECIATE THAT. 336 00:13:35,718 --> 00:13:38,023 THANK YOU, SON. 337 00:13:38,123 --> 00:13:40,028 GET OUTTA HERE. 338 00:13:40,128 --> 00:13:42,673 [OVERLAPPING CHATTER] 339 00:13:42,774 --> 00:13:44,878 HEY, COACH. 340 00:13:44,978 --> 00:13:46,682 OH, IT'S MY HUSBAND'S ACE RECRUITER. 341 00:13:46,782 --> 00:13:48,406 HEH HEH. I DON'T KNOW ABOUT THAT. 342 00:13:48,506 --> 00:13:50,410 I MEAN, YOU WERE MY SECRET WEAPON 343 00:13:50,510 --> 00:13:52,615 AND NOW YOU'RE HIS. ASHER, CHUCKLING: YEAH, RIGHT. 344 00:13:52,715 --> 00:13:54,780 YOU JUST HAD ANOTHER GREAT SEASON AT BEVERLY WITHOUT ME. 345 00:13:54,880 --> 00:13:58,027 AH, WELL, WHEN YOU WERE BY MY SIDE, IT WAS DEFINITELY A LOT EASIER. 346 00:13:58,127 --> 00:14:00,713 ASHER: I DO WANT TO KNOW YOUR SECRET. MONTES: TO COACHING? 347 00:14:00,813 --> 00:14:02,757 ASHER: YES. MONTES: HYDRATION. 348 00:14:02,858 --> 00:14:05,283 [CHUCKLES] ASHER: SUCH A MONTES ANSWER. 349 00:14:05,383 --> 00:14:07,568 BILLY: OH, WHAT'S HAPPENING HERE? ASHER: COACH. 350 00:14:07,668 --> 00:14:09,652 BILLY: BEVERLY REUNION IN THE HOUSE. [ASHER CHUCKLES] 351 00:14:09,752 --> 00:14:11,898 MONTES: HEY, COACH. BILLY: GOOD TO SEE YOU. GOOD TO SEE YOU. 352 00:14:11,998 --> 00:14:13,421 SO, HOW'S, UH... 353 00:14:13,521 --> 00:14:14,864 HOW'S MY OLD OFFICE? 354 00:14:14,964 --> 00:14:16,828 JUST KEEP ADDING BANNERS TO IT. 355 00:14:16,928 --> 00:14:19,634 I WAS JUST ASKING MONTES HER SECRET TO COACHING. 356 00:14:19,734 --> 00:14:21,639 WHAT'S YOURS? 357 00:14:21,739 --> 00:14:23,804 I'M NOT GIVING YOU MY SECRETS. 358 00:14:23,904 --> 00:14:25,928 WE'RE RIVALS NEXT YEAR, BRUH. 359 00:14:26,028 --> 00:14:28,173 YEAH. ASHER: YEAH. I, UH, I KEEP FORGETTING. 360 00:14:28,274 --> 00:14:30,418 [CHUCKLES] BILLY: YUP. 361 00:14:30,518 --> 00:14:33,385 LOOK, UM... 362 00:14:33,485 --> 00:14:35,910 I WANT YOU BOTH TO KNOW HOW MUCH YOU'VE MEANT TO ME. 363 00:14:36,010 --> 00:14:38,877 YOU BOTH HELPED ME BECOME THE PERSON THAT I AM TODAY. 364 00:14:38,977 --> 00:14:40,881 NOW I'M--I'M GONNA WALK AWAY 365 00:14:40,981 --> 00:14:43,206 'CAUSE I KNOW MONTES HATES THESE MOMENTS. BILLY: HA HA! 366 00:14:43,306 --> 00:14:47,095 I DO, BUT, UH, THANK YOU, COACH ADAMS. 367 00:14:47,195 --> 00:14:49,139 ASHER: WELCOME. BILLY: THANK YOU, SIR. IT'S BEEN A PLEASURE. 368 00:14:49,240 --> 00:14:51,104 [CHUCKLES] 369 00:14:51,204 --> 00:14:52,988 SO THE RUMOURS ARE TRUE. 370 00:14:53,088 --> 00:14:55,473 YOU AND ADAMS ARE GONNA BE RIVALS NEXT YEAR? 371 00:14:55,574 --> 00:14:57,478 UH, YEAH, YEAH. 372 00:14:57,578 --> 00:14:59,883 I, UH, HAVEN'T... 373 00:14:59,983 --> 00:15:02,489 HAVEN'T TOLD MY TEAM YET. 374 00:15:02,589 --> 00:15:04,974 DO YOU EVER THINK ABOUT WHAT YOUR NEXT STEP IS GONNA BE? 375 00:15:05,074 --> 00:15:08,261 BEVERLY IS MY NEXT STEP. 376 00:15:08,362 --> 00:15:11,188 I MEAN, LOOK AT WHAT WE GET TO DO. 377 00:15:11,288 --> 00:15:13,312 I LOVE THIS. 378 00:15:13,412 --> 00:15:15,758 AND THESE KIDS NEED US, THEY LOOK UP TO US, 379 00:15:15,858 --> 00:15:17,762 AND THEY STILL LOVE FOOTBALL. 380 00:15:17,862 --> 00:15:20,528 YOU KNOW, SOME PEOPLE ASSUME THAT I HAVEN'T APPLIED 381 00:15:20,628 --> 00:15:23,495 TO A D-1 JOB BECAUSE I'M A WOMAN, BUT, 382 00:15:23,595 --> 00:15:27,944 REALLY, IT'S BECAUSE...I'M RIGHT WHERE I BELONG. 383 00:15:28,044 --> 00:15:29,388 HMM. 384 00:15:29,488 --> 00:15:31,432 DOESN'T GET ANY BETTER THAN THIS, 385 00:15:31,532 --> 00:15:34,038 AND I'M SURE THAT YOU HAVE YOUR REASONS FOR MOVING ON, 386 00:15:34,138 --> 00:15:37,205 BUT...I'D BE CRAZY TO LEAVE. 387 00:15:37,305 --> 00:15:40,612 SPENCER, VOICE-OVER: YOU'RE GONNA MAKE A GREAT COACH AT GAU, 388 00:15:40,712 --> 00:15:43,258 BUT YOU'RE A GREAT MAN IN CRENSHAW. 389 00:15:43,358 --> 00:15:46,405 YOU'D BE INSANE TO WALK AWAY FROM THAT. 390 00:15:48,292 --> 00:15:51,038 MALE RAPPER: ♪♪ STAY READY... ♪♪ 391 00:15:51,138 --> 00:15:52,681 NICE GRAB, NICE GRAB, NICE GRAB. 392 00:15:52,781 --> 00:15:55,167 YOU UP, CRAWFORD. LET'S GO. LET'S GO. 393 00:15:55,267 --> 00:15:57,492 SPENCE, SQUAD ABOUT TO BE LEGIT NEXT YEAR. 394 00:15:57,592 --> 00:15:59,817 'BOUT TO GET COACH BAKER HIS SECOND STATE CHAMPIONSHIP. 395 00:15:59,917 --> 00:16:02,062 YOU UP, MAN. LET'S GO. GO GET IT. GO GET IT. 396 00:16:02,162 --> 00:16:03,866 ♪♪ AYE, GET OUT MY WAY ♪♪ 397 00:16:03,966 --> 00:16:05,750 ♪♪ I CANNOT BE STOPPED, I'M RUNNING THE PLAY ♪♪ 398 00:16:05,850 --> 00:16:08,316 ♪♪ AYE, UH, GET OUT MY WAY, I CANNOT BE STOPPED ♪♪ 399 00:16:08,416 --> 00:16:10,761 [EDDY LAUGHS] SPENCER: EDDY. 400 00:16:10,861 --> 00:16:13,246 COME HERE, MAN. EDDY: HA HA HA! 401 00:16:13,346 --> 00:16:15,572 YO, SPENCE. SPENCER: WHAT'S FUNNY? 402 00:16:15,672 --> 00:16:17,656 YOU OUT THERE DROPPING EASY PASSES AND LAUGHING? 403 00:16:17,756 --> 00:16:19,500 WHAT'S FUNNY ABOUT HAVING STONE HANDS, BRUH? 404 00:16:19,600 --> 00:16:21,304 YO, YOU AIN'T GOTTA DO ME LIKE THAT, BIG DAWG. 405 00:16:21,404 --> 00:16:23,469 I DROPPED A PASS. I'LL CATCH THE NEXT ONE. NO BIG DEAL. 406 00:16:23,569 --> 00:16:25,794 NO, NO, IT IS A BIG DEAL. IT AIN'T ABOUT 407 00:16:25,894 --> 00:16:28,841 THE DROPPED BALL, MAN. IT'S ABOUT YOU SHOWING ALL THOSE COLLEGE COACHES 408 00:16:28,941 --> 00:16:31,607 THAT YOU DON'T CARE. LOOK, WE ALL KNOW YOU GOT BIG TALENT. 409 00:16:31,707 --> 00:16:34,493 DO NOT GIVE THESE COACHES A REASON TO PASS ON YOU, MAN. COME ON. 410 00:16:34,593 --> 00:16:36,638 EDDY: YES, SIR. SPENCER: LET'S GO. 411 00:16:39,364 --> 00:16:42,270 EVERYBODY, IT'S SPENCER JAMES. 412 00:16:42,370 --> 00:16:44,355 HA HA HA HA! 413 00:16:44,455 --> 00:16:45,958 MAN, I JUST HAD 414 00:16:46,058 --> 00:16:48,163 A VERY SCARY FLASHBACK TO YOU GETTING ON ME 415 00:16:48,263 --> 00:16:50,208 AT PRACTICE. SPENCER: HEY, IT WORKED, DIDN'T IT? 416 00:16:50,308 --> 00:16:52,212 OH... SO YOU TAKING 417 00:16:52,312 --> 00:16:54,256 FULL CREDIT FOR MY SCHOLLIE AT COASTAL? 418 00:16:54,356 --> 00:16:56,662 NAH. NO, YOU EARNED THAT. 419 00:16:56,762 --> 00:16:59,067 MM, YOU DEFINITELY HELPED, THOUGH. 420 00:16:59,167 --> 00:17:01,112 SPENCER: MM-HMM. JABARI: THAT'S FOR SURE. 421 00:17:01,212 --> 00:17:03,156 MAN, YOU LUCKY. 422 00:17:03,256 --> 00:17:06,524 YOU GET TO BE REUNITED WITH COACH BAKER AT GAU NEXT YEAR. 423 00:17:06,624 --> 00:17:08,668 YEAH, BUT AT WHAT COST? 424 00:17:10,632 --> 00:17:12,176 LOOK, IF YOU ASK ME, 425 00:17:12,276 --> 00:17:13,779 COASTAL'S THE LUCKY ONE. 426 00:17:13,880 --> 00:17:15,984 THEY GOT THEMSELVES A STAR. [JABARI CHUCKLES] 427 00:17:16,084 --> 00:17:18,470 BUT YOU KNOW WE GONNA HAVE TO PLAY EACH OTHER NEXT YEAR, RIGHT? 428 00:17:18,570 --> 00:17:20,514 YEAH, OCTOBER 7. 429 00:17:20,614 --> 00:17:22,559 YOU ALREADY KNOW THE DATE? 430 00:17:22,659 --> 00:17:25,525 JABARI: OH, IT'S BEEN CIRCLED. SPENCER: HA HA HA! 431 00:17:25,625 --> 00:17:28,852 JABARI: YOU BETTER BE READY, MAN. SPENCER: BOY, I STAY READY. 432 00:17:28,952 --> 00:17:32,500 JABARI: I HOPE SO. HEY, GOOD TO SEE YOU, BRO. SPENCER: PROUD OF YOU, MAN. 433 00:17:32,600 --> 00:17:34,425 HEY, THANK YOU. 434 00:17:34,525 --> 00:17:36,229 LET'S GO, 14. SPENCER: AH! 435 00:17:36,329 --> 00:17:37,832 THERE YOU GO, THERE YOU GO. JABARI: GOOD STUFF. 436 00:17:37,932 --> 00:17:40,097 THAT'S WHAT I'M TALKING ABOUT, EDDY. 437 00:17:42,022 --> 00:17:44,927 MALE SINGER: ♪♪ CAN'T SAY I HAD THIS PLANNED OUT ♪♪ 438 00:17:45,028 --> 00:17:47,934 ♪♪ EVERYWHERE I GO, I STAND OUT ♪♪ 439 00:17:48,034 --> 00:17:50,821 SADIE MOORE: TAMIA. COOP: HEY, MS. MOORE. 440 00:17:50,921 --> 00:17:52,785 WHERE'S YOUR MUM? 441 00:17:52,885 --> 00:17:55,391 COOP: UH, SHE AIN'T COMIN'. SADIE: WHAT DO YOU MEAN? 442 00:17:55,491 --> 00:17:58,037 I JUST GOT OFF THE PHONE WITH HER. SHE TOLD ME TO MEET HER HERE FOR COFFEE. 443 00:17:58,137 --> 00:18:00,803 I ASKED HER TO DO THAT BECAUSE I KNEW YOU WOULDN'T MEET WITH ME. 444 00:18:00,903 --> 00:18:04,571 TAMIA, I KNOW WHAT YOU GONNA SAY, AND IT AIN'T GONNA WORK. 445 00:18:04,671 --> 00:18:06,856 CAN WE PLEASE JUST HAVE THE COFFEE? 446 00:18:06,956 --> 00:18:09,021 ALL RIGHT, I ORDERED YOURS ALREADY. SADIE: MM. 447 00:18:09,121 --> 00:18:10,664 AND THEN YOU CAN CALL AND YELL AT MY MUM LATER. 448 00:18:10,764 --> 00:18:12,348 OH, I'LL CALL HER. 449 00:18:12,448 --> 00:18:14,493 SHE'LL PROBABLY BE WAITING ON IT. 450 00:18:17,259 --> 00:18:19,123 SO... 451 00:18:19,223 --> 00:18:22,330 SHE TOLD ME YOU WERE WORKING IN A LAW FIRM? 452 00:18:22,430 --> 00:18:24,254 YEAH. I AM. 453 00:18:24,354 --> 00:18:26,259 YOU HAVE REALLY TURNED YOUR LIFE AROUND, HUH? 454 00:18:26,359 --> 00:18:28,424 I HAVE, AND SO HAS PREACH. 455 00:18:28,524 --> 00:18:30,147 WE'RE MOVING TO BALTIMORE, TAMIA. 456 00:18:30,248 --> 00:18:32,192 OK, BUT DON'T MOVE BECAUSE YOU THINK 457 00:18:32,292 --> 00:18:34,757 YOU'RE PROTECTING AMINA FROM HER DAD, ALL RIGHT? 458 00:18:34,858 --> 00:18:37,283 NOT UNTIL YOU GET TO KNOW THE REAL PREACH. 459 00:18:37,383 --> 00:18:39,648 OH, I KNOW HIM. I WATCHED HIM GROW UP. 460 00:18:39,748 --> 00:18:41,652 AND YOU WATCHED ME GROW UP, AND YOU JUST SAID 461 00:18:41,752 --> 00:18:44,298 YOURSELF I WAS ABLE TO TURN MY LIFE AROUND. 462 00:18:44,398 --> 00:18:47,124 WHY ARE YOU SO SURE HE CAN'T TURN HIS AROUND? 463 00:18:52,817 --> 00:18:54,862 [INDISTINCT CHATTER] 464 00:19:00,033 --> 00:19:01,937 YOU GONNA TALK TO HIM? 465 00:19:02,037 --> 00:19:03,581 I ALREADY DID THE OTHER DAY. 466 00:19:03,681 --> 00:19:05,585 AIN'T NOTHING LEFT TO SAY. 467 00:19:05,685 --> 00:19:07,870 IF THAT WAS TRUE, YOU WOULDN'T BE HERE. 468 00:19:07,970 --> 00:19:09,514 I'M JUST HELPING OUT 469 00:19:09,614 --> 00:19:12,320 AND AVOIDING LIV. GRACE: WHY? 470 00:19:12,420 --> 00:19:14,685 SPENCER: SHE WANTS TO GET BACK TOGETHER. GRACE: IS THAT A BAD THING? 471 00:19:14,785 --> 00:19:16,649 I DON'T KNOW YET. 472 00:19:16,750 --> 00:19:19,416 I MEAN, WHAT'S REALLY CHANGED SINCE WE BROKE UP, MA? 473 00:19:19,516 --> 00:19:22,502 YOU HAVE. I MEAN, YOU'RE NOT AS HAPPY, BABY. 474 00:19:22,602 --> 00:19:25,308 I'M JUST ACKNOWLEDGING A FACT. 475 00:19:25,408 --> 00:19:28,195 [SPENCER INHALES, EXHALES] GRACE: OK. 476 00:19:28,295 --> 00:19:30,279 I'MMA LET YOU SIT WITH THAT, 477 00:19:30,380 --> 00:19:33,126 BUT AS FOR BILLY-- SPENCER: WHY'D YOU FORGIVE HIM SO EASY? 478 00:19:33,226 --> 00:19:35,772 FIRST OFF, BILLY DIDN'T NEED MY FORGIVENESS. 479 00:19:35,872 --> 00:19:38,377 I MEAN, I CONFRONTED HIM, I SPOKE MY PIECE, 480 00:19:38,477 --> 00:19:41,584 WE'RE MOVING ON. YOU AIN'T GONNA BE DIVIDED FOREVER. 481 00:19:41,684 --> 00:19:44,591 SPENCER: LOOK, I TOLD YOU, I ALREADY SAID MY PIECE, MA. GRACE: DID YOU? 482 00:19:44,691 --> 00:19:48,339 'CAUSE IT SEEMS LIKE YOU MIGHT HAVE A LITTLE MORE THAT NEEDS TO BE SAID. 483 00:19:50,384 --> 00:19:52,328 [R&B MUSIC PLAYING] 484 00:19:52,427 --> 00:19:56,377 FEMALE SINGER: ♪♪ SOMETHING SO REAL ♪♪ 485 00:19:56,477 --> 00:19:59,383 ♪♪ YOU'RE MY LITTLE SWEET THANG ♪♪ 486 00:19:59,484 --> 00:20:01,789 ♪♪ YOU'RE MY LITTLE SWEET THANG ♪♪ 487 00:20:01,889 --> 00:20:06,359 ♪♪ YOU'RE MY LITTLE SWEET THANG, SWEET THANG, SWEET THANG ♪♪ 488 00:20:06,459 --> 00:20:08,684 [SONG ENDS] 489 00:20:08,784 --> 00:20:10,969 [SIGHS] SO, WHAT DO YOU THINK? 490 00:20:11,069 --> 00:20:13,935 UM, IT'S GOOD. IT'S GREAT. 491 00:20:14,036 --> 00:20:16,461 YEAH. THAT'S WHAT I WANTED TO HEAR. HEH HEH! 492 00:20:16,561 --> 00:20:20,470 UM, NOW CAN I SAY SOMETHING YOU MIGHT NOT WANT TO HEAR? 493 00:20:20,570 --> 00:20:23,837 HEY, UM, I JUST FEEL LIKE IT'S MISSING SOMETHING. 494 00:20:23,937 --> 00:20:26,363 SOME OF THE LEVELS ARE A BIT ROUGH. 495 00:20:26,463 --> 00:20:28,527 YOU KNOW, I'D--I'D JUST GET RID OF THE FLUFF, 496 00:20:28,628 --> 00:20:30,692 AND IT FEELS A BIT CROWDED. I DON'T THINK YOU NEED TO FILL 497 00:20:30,792 --> 00:20:32,737 ALL THAT SPACE 'CAUSE HER VOICE IS SO STRONG. 498 00:20:32,837 --> 00:20:34,100 MM. ANYTHING ELSE? 499 00:20:34,200 --> 00:20:35,984 UM, WELL, THE REVERB 500 00:20:36,084 --> 00:20:38,149 AT THE BEGINNING HAS GOTTA GO. 501 00:20:38,249 --> 00:20:40,353 I MEAN, YOU COULD--YOU COULD ADD SOME COMPRESSION IN A FEW SPOTS 502 00:20:40,454 --> 00:20:42,558 OR TRY IT AND SEE WHERE IT GETS YOU. YOU KNOW, I MEAN, 503 00:20:42,658 --> 00:20:44,042 WE CAN EVEN ADD SOME NOW IF YOU'VE GOT TIME. 504 00:20:44,142 --> 00:20:45,685 YES, PLEASE, YEAH. 505 00:20:45,785 --> 00:20:46,808 LAYLA: OK. DAD. JP: HEY. THIS A BAD TIME? 506 00:20:46,908 --> 00:20:48,531 HI. UM, YOU KNOW 507 00:20:48,632 --> 00:20:50,416 SHAWN STOCKMAN. JP: OH, HEY, IT'S BEEN A WHILE, 508 00:20:50,516 --> 00:20:52,260 BUT WE GO WAY BACK. COME ON. SHAWN: GOOD TO SEE YOU. 509 00:20:52,360 --> 00:20:53,863 JP, CHUCKLING: HEY, HEY. 510 00:20:53,963 --> 00:20:55,386 YOU KNOW HOW MANY TIMES THIS GUY TURNED ME DOWN? 511 00:20:55,486 --> 00:20:56,830 UH, IT WAS NEVER REALLY THE RIGHT TIME. 512 00:20:56,930 --> 00:20:58,914 JP: YEAH, RIGHT. SHAWN: HA HA HA! 513 00:20:59,014 --> 00:21:01,360 JP: HEY, WHAT ARE YOU DOING HERE? SHAWN: ACTUALLY, I'M HERE 514 00:21:01,460 --> 00:21:03,765 TO TEST YOUR DAUGHTER OUT, MAN. SHE'S MAKING A HELL OF A NAME FOR HERSELF, 515 00:21:03,865 --> 00:21:05,569 AND NOW I BELIEVE THE HYPE. 516 00:21:05,669 --> 00:21:08,014 LAYLA: SO YOU KNEW WHAT WAS MISSING. SHAWN: HEH! 517 00:21:08,114 --> 00:21:10,580 I DID, UM, AND I NEEDED YOU TO HEAR THE SAME THING, 518 00:21:10,680 --> 00:21:12,825 THAT IS, IF WE'RE GONNA PRODUCE THIS SONG TOGETHER. 519 00:21:12,925 --> 00:21:16,553 WAIT. ARE YOU SERIOUS? YOU--YOU WANT TO PRODUCE WITH ME? 520 00:21:16,653 --> 00:21:18,076 SHAWN: LISTEN. I'VE SENT THIS SONG 521 00:21:18,176 --> 00:21:20,482 TO ABOUT 20 PRODUCERS OR MORE, 522 00:21:20,582 --> 00:21:22,727 AND YOU KNOW HOW MANY CRITICISED IT? 523 00:21:22,827 --> 00:21:23,969 JUST YOU. 524 00:21:24,069 --> 00:21:25,332 I DON'T NEED SOMEONE TO TELL ME 525 00:21:25,432 --> 00:21:27,136 THAT THE SONG IS GOOD. 526 00:21:27,236 --> 00:21:29,101 I NEED SOMEONE TO HELP ME MAKE THE SONG GREAT. 527 00:21:29,201 --> 00:21:31,305 WELL, I'M IN, AND I'M HONOURED. HEH! 528 00:21:31,406 --> 00:21:34,593 UM, DAD, CAN WE TALK LATER? I'LL JUST-- JP: HEY, DO YOUR THING. 529 00:21:34,693 --> 00:21:36,357 HEY, SHAWN, IT'S GOOD SEEING YOU, BRO. SHAWN: GOOD TO SEE YOU, BRO. 530 00:21:36,457 --> 00:21:37,880 JP: ALL RIGHT. COOL. SHAWN: ALL RIGHT. TAKE CARE. 531 00:21:37,980 --> 00:21:39,804 UM, OK. I JUST WANT TO LISTEN TO IT 532 00:21:39,904 --> 00:21:41,889 ONE MORE TIME AND THEN TRY SOME THINGS. 533 00:21:41,989 --> 00:21:43,492 SHAWN: YEAH. LET'S DO IT. LAYLA: OK, GREAT. 534 00:21:43,592 --> 00:21:45,537 [INDISTINCT CHATTER, WHISTLE BLOWS] 535 00:21:45,637 --> 00:21:47,140 OH. 536 00:21:47,240 --> 00:21:48,784 SPENCER: I GOT TO GET GOING. YOU GOOD? 537 00:21:48,884 --> 00:21:50,788 YEAH, YEAH. I'LL FIND A RIDE. 538 00:21:50,888 --> 00:21:52,793 ALL RIGHT. LET'S GO. 539 00:21:52,893 --> 00:21:54,997 [SIGHS] COACH, YOU GOT A SECOND? 540 00:21:55,098 --> 00:21:57,002 BILLY: YEAH. 541 00:21:57,102 --> 00:21:59,006 I GOT TO GET GOING. 542 00:21:59,106 --> 00:22:02,093 OK, WELL, UH, THANKS FOR COMING OUT, 543 00:22:02,193 --> 00:22:04,338 HELPING WITH THE, UH, WIDE RECEIVERS. 544 00:22:04,438 --> 00:22:05,621 APPRECIATE THAT. 545 00:22:05,721 --> 00:22:07,224 LOT OF TALENT ON THIS FIELD. 546 00:22:07,324 --> 00:22:08,908 YEAH. 547 00:22:09,008 --> 00:22:11,113 IT'S GONNA BE A BRIGHT FUTURE. 548 00:22:11,213 --> 00:22:13,859 LOOK, I STAND BY WHAT I SAID. 549 00:22:16,024 --> 00:22:18,770 YOU'D BE CRAZY TO LEAVE SOUTH CRENSHAW HIGH, 550 00:22:18,870 --> 00:22:20,774 BUT IF YOU'RE GONNA DO IT, 551 00:22:20,874 --> 00:22:23,099 JUST RIP THE BAND-AID OFF, MAN. 552 00:22:23,199 --> 00:22:25,144 WORKING WITH YOUR PLAYERS TODAY, THEY SO EXCITED 553 00:22:25,244 --> 00:22:27,148 ABOUT NEXT SEASON, EVEN TALKING 'BOUT 554 00:22:27,248 --> 00:22:30,155 GETTING THEIR COACH ANOTHER CHAMPIONSHIP. 555 00:22:30,255 --> 00:22:33,121 THEY GONNA TAKE IT HARD, KNOWING YOU'RE LEAVING, 556 00:22:33,221 --> 00:22:35,166 AND THE LONGER YOU WAIT, THE HARDER IT'S GONNA BE. 557 00:22:35,266 --> 00:22:38,172 I KNOW. I KNOW. I, UH, WAS GONNA TELL 'EM TODAY, 558 00:22:38,272 --> 00:22:40,778 BUT I THINK I'M GONNA NEED A LITTLE BIT MORE TIME 559 00:22:40,878 --> 00:22:43,103 'CAUSE MY HEAD'S BEEN SWIRLING ALL AROUND. 560 00:22:43,203 --> 00:22:44,827 IT'S NEVER GONNA BE THE RIGHT TIME. 561 00:22:44,927 --> 00:22:46,350 I KNOW WHAT IT'S LIKE TO BE BLINDSIDED. 562 00:22:46,450 --> 00:22:48,555 DO NOT DO THAT TO THESE KIDS. 563 00:22:48,655 --> 00:22:50,880 THEY GOT ENOUGH OBSTACLES THEY GOTTA FACE. 564 00:22:50,980 --> 00:22:53,286 THEY DON'T NEED THE MAN THEY LOOK UP TO MOST 565 00:22:53,386 --> 00:22:56,172 STRINGING THEM ALONG, ACTING LIKE HE ALWAYS GONNA BE THERE FOR 'EM. 566 00:22:56,272 --> 00:22:58,276 YEAH. 567 00:22:59,640 --> 00:23:01,684 SO WHAT ABOUT YOU AND ME? 568 00:23:04,610 --> 00:23:06,916 I NEED TIME. 569 00:23:07,016 --> 00:23:08,920 I JUST NEED MORE TIME. 570 00:23:09,020 --> 00:23:11,024 ALL RIGHT, MAN. 571 00:23:13,149 --> 00:23:15,154 [SIGHS] 572 00:23:16,476 --> 00:23:18,381 COME ON, MAN! 573 00:23:18,481 --> 00:23:20,305 A.J.: BITCH, I WILL RIP YOUR HAIR OUT. 574 00:23:20,405 --> 00:23:22,309 GIRL: GIRL, GET YOUR HANDS UP OFF ME! 575 00:23:22,410 --> 00:23:25,196 [BOTH GRUNT] PREACH: WHOA! WHOA! WHOA! 576 00:23:25,296 --> 00:23:28,443 WHAT THE HELL? I KNOW Y'ALL NOT FIGHTING IN MY HALLWAY! 577 00:23:28,543 --> 00:23:30,287 WHAT IS THIS ABOUT?! A.J.: DON'T WORRY ABOUT IT. 578 00:23:30,387 --> 00:23:31,890 I WAS JUST TAKING OUT THE TRASH. 579 00:23:31,990 --> 00:23:33,735 LOOK, Y'ALL CAN'T BE FIGHTING IN HERE. 580 00:23:33,835 --> 00:23:35,338 A.J.: THEN WE CAN GO OUTSIDE. PREACH: LOOK, IF I REPORT 581 00:23:35,438 --> 00:23:37,503 THIS, YOU'RE BOTH GETTING EXPELLED. 582 00:23:37,603 --> 00:23:40,269 A.J.: HEH! WE KNOW YOU AIN'T REPORTING NOTHING. PREACH: WHY WON'T I? 583 00:23:40,369 --> 00:23:42,113 MY BROTHER SAYS NOBODY MESSES WITH PREACH. 584 00:23:42,213 --> 00:23:43,957 YOU WAS IN PRISON, RIGHT? 585 00:23:44,057 --> 00:23:45,841 PREACH: SEE, WHAT YOUR BROTHER SHOULD BE SAYING IS I'M 586 00:23:45,941 --> 00:23:47,926 AN EXAMPLE OF HOW SOMEONE CAN TURN THEIR LIFE AROUND. 587 00:23:48,026 --> 00:23:49,529 IT AIN'T ABOUT THAT LIFE NO MORE. 588 00:23:49,629 --> 00:23:51,333 I GOT A DAUGHTER NOW, 589 00:23:51,433 --> 00:23:53,338 A FEW YEARS YOUNGER THAN BOTH OF YOU, 590 00:23:53,438 --> 00:23:55,342 AND I'LL TELL HER LIKE I'MMA TELL YOU. 591 00:23:55,442 --> 00:23:57,346 NO ONE CAN MAKE YOUR LIFE EASIER, 592 00:23:57,446 --> 00:23:59,631 BUT YOU CAN MAKE IT HARDER. 593 00:23:59,732 --> 00:24:01,636 A.J.: WHAT DOES THAT MEAN? PREACH: IT MEANS NOBODY'S GONNA 594 00:24:01,736 --> 00:24:04,602 OPEN THE DOORS FOR YOU, BUT IF Y'ALL KEEP ACTING LIKE THIS, 595 00:24:04,702 --> 00:24:08,050 THERE'S PEOPLE OUT THERE THAT CAN'T WAIT TO CLOSE THE DOOR IN YOUR FACE. 596 00:24:08,150 --> 00:24:10,575 LOOK, STOP ACTING LIKE FOOLS AND STOP FIGHTING, 597 00:24:10,676 --> 00:24:13,442 AND YOU'RE GOOD. NOW GET YOUR BAGS. 598 00:24:16,408 --> 00:24:19,154 ALL RIGHT, Y'ALL. GATHER ROUND. BRING IT IN. 599 00:24:19,254 --> 00:24:22,161 BRING IT IN. BRING IT IN. 600 00:24:22,261 --> 00:24:23,765 ALL RIGHT. 601 00:24:23,865 --> 00:24:25,849 HA HA HA! LOOK AT Y'ALL. 602 00:24:25,949 --> 00:24:29,217 I GOTTA SAY, I'M PROUD OF Y'ALL EFFORT OUT THERE. 603 00:24:29,317 --> 00:24:31,582 Y'ALL DID Y'ALL THINGS IN FRONT OF THOSE COLLEGE COACHES, 604 00:24:31,682 --> 00:24:33,746 AND BELIEVE ME, THIS WILL GO A LONG WAY 605 00:24:33,846 --> 00:24:36,192 TO BIGGER AND BETTER THINGS WHEN IT COMES TO YOUR FUTURE. 606 00:24:36,292 --> 00:24:38,357 I HAVE NO DOUBT THAT EACH AND EVERY ONE 607 00:24:38,457 --> 00:24:41,483 OF YOUR SENIOR SEASONS, Y'ALL GONNA BE ALL RIGHT. 608 00:24:41,584 --> 00:24:44,009 GIVE YOURSELVES A HAND, ALL RIGHT? 609 00:24:44,109 --> 00:24:46,052 PLAYERS: YEAH. BILLY: ALL RIGHT. 610 00:24:46,154 --> 00:24:48,018 UH, THAT BEING SAID, 611 00:24:48,118 --> 00:24:50,263 I KNOW THAT THERE HAVE BEEN A LOT OF RUMOURS 612 00:24:50,363 --> 00:24:52,869 FLOATING AROUND 'BOUT MY FUTURE, 613 00:24:52,969 --> 00:24:55,594 AND I JUST WANTED Y'ALL TO HEAR IT FROM ME. 614 00:24:55,694 --> 00:24:57,879 THOSE RUMOURS ARE TRUE. 615 00:24:57,980 --> 00:25:00,325 I HAVE BEEN OFFERED THE HEAD-COACHING POSITION 616 00:25:00,425 --> 00:25:02,329 AT GAU, 617 00:25:02,429 --> 00:25:04,855 AND, UM-- AND I'VE ACCEPTED IT... 618 00:25:04,955 --> 00:25:07,501 PLAYERS: OHH... BILLY: BUT HOLD UP, HOLD UP. I AIN'T DONE, I AIN'T DONE. 619 00:25:07,601 --> 00:25:11,589 I HAVE ALSO BEEN DOING SOME SOUL-SEARCHING THE PAST COUPLE DAYS, 620 00:25:11,690 --> 00:25:13,795 AND, UH... 621 00:25:13,895 --> 00:25:16,601 AFTER SEEING WHAT Y'ALL WERE DOING OUT THERE ON THAT FIELD TODAY, 622 00:25:16,701 --> 00:25:19,126 WORKING HARD AS HELL TO MAKE CRENSHAW 623 00:25:19,226 --> 00:25:21,091 A BETTER TEAM NEXT YEAR, 624 00:25:21,191 --> 00:25:24,658 I REALIZED I MADE A MISTAKE. YEAH. 625 00:25:24,758 --> 00:25:28,467 SOMEBODY REALLY CLOSE TO ME JUST TOLD ME THAT I WOULD BE CRAZY TO LEAVE CRENSHAW, 626 00:25:28,567 --> 00:25:31,874 TO LEAVE THE MAN THAT CRENSHAW MADE ME, AND HE WAS RIGHT. 627 00:25:31,974 --> 00:25:35,643 JABARI: SO YOU STAYING, COACH? BILLY: I'M SAYING I'M RIGHT HERE WHERE I BELONG. 628 00:25:35,743 --> 00:25:37,847 PLAYERS: YEAH! 629 00:25:37,947 --> 00:25:40,473 WHOO! [ALL CLAMORING] 630 00:25:46,446 --> 00:25:47,629 HEY, THINK FAST, OLD MAN. 631 00:25:47,729 --> 00:25:49,192 BILLY: MM. HA! JORDAN: OOH! 632 00:25:49,292 --> 00:25:50,916 BILLY: "OLD MAN"? HA HA HA! JORDAN: YEP. 633 00:25:51,016 --> 00:25:53,562 OOH, THAT'S A LITTLE WOBBLY. 634 00:25:53,662 --> 00:25:54,885 BILLY: HA HA HA! JORDAN: AND YOU'RE THE ONE 635 00:25:54,985 --> 00:25:56,408 WHO TAUGHT ME HOW TO THROW A SPIRAL. 636 00:25:56,508 --> 00:25:58,413 OH, I'VE NEVER HAD YOUR ARM, THOUGH. 637 00:25:58,513 --> 00:26:00,096 YEAH, BUT YOU HAD SOME WHEELS. 638 00:26:00,196 --> 00:26:01,900 I DID HAVE WHEELS. 639 00:26:02,000 --> 00:26:03,905 YOU KNOW, THAT SPEECH WAS A SURPRISE. 640 00:26:04,005 --> 00:26:06,109 OH, NOW, YEAH, I'M SORRY ABOUT THAT, SON. 641 00:26:06,210 --> 00:26:08,875 NAH, COME ON. YOU DON'T GOT TO APOLOGISE. 642 00:26:08,976 --> 00:26:11,080 I WILL BE FINE. WHEN YOU LEFT BEVERLY, 643 00:26:11,180 --> 00:26:13,085 I HAD COACH MONTES, AND THERE'S GONNA BE 644 00:26:13,185 --> 00:26:15,129 PLENTY OF COACHES IN MY FUTURE, 645 00:26:15,229 --> 00:26:17,053 BUT ONLY ONE DAD. 646 00:26:17,154 --> 00:26:18,857 HA HA HA! 647 00:26:18,958 --> 00:26:20,822 YEAH. 648 00:26:20,922 --> 00:26:23,828 I ACTUALLY CHANGED MY MIND 649 00:26:23,928 --> 00:26:27,075 IN THE MOMENT...'CAUSE I HAD BEEN STRUGGLING 650 00:26:27,176 --> 00:26:29,681 WITH WHAT I WAS GONNA SAY FOR A COUPLE OF DAYS, AND 651 00:26:29,781 --> 00:26:33,409 THEN I SAW WHAT THE BOYS WERE DOING OUT THERE, AND I REALISED-- 652 00:26:33,510 --> 00:26:36,055 - YOU'RE RIGHT WHERE YOU BELONG. - YEAH. 653 00:26:36,155 --> 00:26:39,182 I LOVED HEARING THAT. IT MADE ME HAPPY. 654 00:26:39,282 --> 00:26:42,189 LOOK...IF YOU WANT TO RE-ENTER 655 00:26:42,289 --> 00:26:44,434 THE TRANSFER PORTAL, I CAN MAKE A COUPLE 656 00:26:44,534 --> 00:26:46,518 OF CALLS 'CAUSE I FEEL LIKE I PUT YOU IN A BAD POSITION. 657 00:26:46,618 --> 00:26:49,445 NAH, NAH, NAH. I THINK I'M RIGHT WHERE I BELONG, TOO. 658 00:26:49,545 --> 00:26:51,890 THAT'S ALL RIGHT. YOU DO SEEM HAPPIER 659 00:26:51,990 --> 00:26:54,696 THAN I'VE SEEN YOU NOW IN A LONG TIME. 660 00:26:54,796 --> 00:26:57,061 YEAH, LOVE CAN DO THAT TO YOU. 661 00:26:57,161 --> 00:26:59,106 JORDAN: WHAT ARE YOU TALKING ABOUT? BILLY: COME ON, MAN. 662 00:26:59,206 --> 00:27:03,115 YOU HAVE THE WORST POKER FACE EVER, ESPECIALLY WITH ME. 663 00:27:03,215 --> 00:27:06,201 OH, THE BUS IS ABOUT TO LEAVE. LOOK, YOU TELL LAYLA... 664 00:27:06,302 --> 00:27:08,687 SHE OFFICIALLY HAS MY APPROVAL. 665 00:27:08,787 --> 00:27:10,771 NOW, HOW DID YOU-- HOW DID YOU KNOW? 666 00:27:10,872 --> 00:27:12,615 I'M YOUR FATHER. 667 00:27:12,716 --> 00:27:14,259 I LOVE YOU, DAD. 668 00:27:14,359 --> 00:27:15,903 BRING IT IN. LOVE YOU, TOO. 669 00:27:16,003 --> 00:27:17,667 - MM. - OHH... 670 00:27:17,767 --> 00:27:19,270 - HERE YOU GO. - SEE YOU IN A BIT. 671 00:27:19,370 --> 00:27:21,315 YEP. HIGH AND TIGHT, NOW. 672 00:27:21,415 --> 00:27:22,958 HA HA! 673 00:27:23,058 --> 00:27:25,063 HA HA HA! 674 00:27:30,916 --> 00:27:33,501 FEMALE SINGER: ♪♪ BUT I KNOW THIS IS SOMETHING ♪♪ 675 00:27:33,602 --> 00:27:37,069 ♪♪ SO REAL, OVERTHINK... ♪♪ 676 00:27:37,169 --> 00:27:39,074 HEY, YOU STILL BUSY? 677 00:27:39,174 --> 00:27:41,479 [STOPS MUSIC] HI. UM, I AM ALWAYS BUSY. 678 00:27:41,579 --> 00:27:43,764 HOW DID YOU LINK UP WITH SHAWN ANYWAY? 679 00:27:43,864 --> 00:27:46,209 LAYLA: A FRIEND OF A FRIEND. JP: AND DID YOU TELL HIM 680 00:27:46,310 --> 00:27:48,414 YOU USED TO HAVE A BOYZ II MEN POSTER GROWING UP? 681 00:27:48,514 --> 00:27:50,379 LAYLA: UM... JP: MM, NO. 682 00:27:50,479 --> 00:27:52,423 [BOTH CHUCKLE] JP: LOOK, UM, 683 00:27:52,523 --> 00:27:54,467 LAYLA-- LAYLA: CLAY SAID NO, DAD. 684 00:27:54,568 --> 00:27:58,477 I TOLD HIM HE COULD HAVE THE KEATING NAME BACK, AND HE SAID NO, 685 00:27:58,577 --> 00:28:02,405 SO I KNOW YOU WANTED ME TO FIX IT, BUT I CAN'T. SORRY. 686 00:28:02,505 --> 00:28:04,249 JP: I'M GLAD. LAYLA: YOU'RE GLAD I'M SORRY? 687 00:28:04,349 --> 00:28:06,013 NO, I'M GLAD YOU COULDN'T FIX IT. 688 00:28:06,113 --> 00:28:07,697 HE DIDN'T DESERVE OUR NAME ANYWAY. 689 00:28:07,797 --> 00:28:10,142 LAYLA: AM I MISSING SOMETHING? JP: YOU KNOW, 690 00:28:10,242 --> 00:28:12,547 SOMETIMES I FORGET YOU'RE ONLY 19 YEARS OLD. 691 00:28:12,647 --> 00:28:15,193 YOU KNOW WHAT I WAS DOING WHEN I WAS 19? NOT THIS, 692 00:28:15,293 --> 00:28:17,197 NOT BUILDING AN EMPIRE. 693 00:28:17,298 --> 00:28:20,204 I WAS WASHING DISHES AT A 24-HOUR DINER. 694 00:28:20,304 --> 00:28:23,932 I MEAN, I WANTED ALL THIS, BUT... IT WAS JUST A DREAM. 695 00:28:24,032 --> 00:28:25,937 YOU NEVER TOLD ME ABOUT THAT. 696 00:28:26,037 --> 00:28:28,222 CHECK IT OUT. HEH! 697 00:28:28,322 --> 00:28:30,026 - YOU SEE THIS OLD NAPKIN? - YEAH. 698 00:28:30,126 --> 00:28:32,311 ALL RIGHT, WELL, WHEN I WAS WORKING AT THAT DINER, 699 00:28:32,411 --> 00:28:34,235 I DREW... 700 00:28:34,335 --> 00:28:37,041 THIS LOGO FOR KEATING RECORDS. 701 00:28:37,141 --> 00:28:39,126 DAD, THAT--HEH!-- SHOULD BE IN A MUSEUM. 702 00:28:39,226 --> 00:28:42,533 YEAH, I MEAN, UH, I WAS JUST TRYING TO CREATE SOMETHING 703 00:28:42,633 --> 00:28:45,981 THAT WOULD LIVE, YOU KNOW, AFTER I WAS GONE AND IF I WAS LUCKY, 704 00:28:46,081 --> 00:28:49,549 I WOULD HAVE A CHILD TO BE MY BLOOD LEGACY, 705 00:28:49,649 --> 00:28:52,355 AND THEN MY MUSIC WOULD BE MY SOUL LEGACY. 706 00:28:52,455 --> 00:28:54,239 WELL, I RUINED THAT PART. 707 00:28:54,339 --> 00:28:56,564 NO, YOU ARE THAT PART. 708 00:28:56,664 --> 00:28:59,250 YOU ARE MY LEGACY IN EVERY FORM, LAYLA. 709 00:28:59,350 --> 00:29:01,775 I'M JUST SORRY IT TOOK ME SO LONG TO REALISE THAT, 710 00:29:01,876 --> 00:29:04,181 AND I'M GLAD YOU GOT OUR NAME BACK 711 00:29:04,281 --> 00:29:06,185 BECAUSE NOW, MY BLOOD 712 00:29:06,285 --> 00:29:08,631 AND MY SOUL ARE BACK UNDER ONE ROOF, 713 00:29:08,731 --> 00:29:11,677 AND YOU ARE GONNA TAKE OUR KEATING LEGACY TO LEVELS I COULD 714 00:29:11,777 --> 00:29:14,764 ONLY DREAM OF WHEN I WAS WASHING DISHES IN THIS DINER. 715 00:29:14,864 --> 00:29:16,909 THANKS, DAD. 716 00:29:29,536 --> 00:29:31,080 HEY. 717 00:29:31,180 --> 00:29:33,044 GRACE: HEY. BILLY: THANKS FOR COMING TODAY. 718 00:29:33,144 --> 00:29:35,049 TURNS OUT I WASN'T NEEDED HERE. 719 00:29:35,149 --> 00:29:38,055 YEAH, I, UH, MADE A QUICK U-TURN. 720 00:29:38,155 --> 00:29:41,062 GRACE, CHUCKLING: CAN I ASK WHY? BILLY: SPENCER. 721 00:29:41,162 --> 00:29:43,707 HE WAS RIGHT, ABOUT EVERYTHING. 722 00:29:43,808 --> 00:29:45,391 HE USUALLY IS. 723 00:29:45,491 --> 00:29:47,356 HMM. 724 00:29:47,456 --> 00:29:49,961 MAYBE YOU SHOULD TELL HIM THAT. 725 00:29:50,061 --> 00:29:53,329 YEAH. I'LL SEE YOU BACK AT SCHOOL. 726 00:29:53,429 --> 00:29:55,935 YEAH. 727 00:29:56,035 --> 00:29:58,079 [SIGHS] 728 00:30:00,003 --> 00:30:01,907 [EXHALES] 729 00:30:02,008 --> 00:30:03,912 OK. 730 00:30:04,012 --> 00:30:05,515 ALL RIGHT, SPENCE. 731 00:30:05,616 --> 00:30:07,961 TIME TO SPEAK YOUR PIECE ONE MORE TIME. 732 00:30:08,061 --> 00:30:10,787 [RINGTONE PLAYING, PHONE VIBRATING] 733 00:30:25,620 --> 00:30:27,624 [SIGHS] 734 00:30:30,831 --> 00:30:31,735 HMM. 735 00:30:31,835 --> 00:30:33,780 SPENCER, ON VOICEMAIL: OH, THIS IS SPENCER. LEAVE A MESSAGE. 736 00:30:33,880 --> 00:30:35,785 HEY, SPENCE, UM, 737 00:30:35,885 --> 00:30:37,749 I KNOW YOU SAID THAT YOU... 738 00:30:37,849 --> 00:30:40,355 YOU NEEDED SOME TIME, AND I'M GONNA GIVE YOU THAT, BUT I JUST-- 739 00:30:40,455 --> 00:30:42,800 I JUST WANT YOU TO KNOW THAT... 740 00:30:42,900 --> 00:30:44,764 YOU WERE RIGHT. 741 00:30:44,864 --> 00:30:47,390 YOU WERE RIGHT ABOUT EVERYTHING. 742 00:30:49,955 --> 00:30:51,859 HI, DADDY. 743 00:30:51,960 --> 00:30:54,505 AMINA, WHAT ARE YOU DOING HERE? YOU KEEP RUNNING AWAY, 744 00:30:54,605 --> 00:30:56,751 YOUR GRANDMA'S GONNA MOVE YOU OUT OF THE COUNTRY. 745 00:30:56,851 --> 00:30:59,937 SADIE: NO... I WON'T. 746 00:31:01,821 --> 00:31:04,868 CAN I SPEAK TO YOUR DAD ALONE, PLEASE? 747 00:31:09,559 --> 00:31:13,467 IT'S POSSIBLE I MISJUDGED YOU. 748 00:31:13,567 --> 00:31:17,115 I TOLD YOU AMINA WOULD BE BETTER OFF WITHOUT YOU, 749 00:31:17,215 --> 00:31:19,561 BUT I CAN SEE HOW MUCH SHE NEEDS YOU. 750 00:31:19,661 --> 00:31:21,004 THANK YOU. 751 00:31:21,104 --> 00:31:23,008 BUT SHE NEEDS US, TOO. 752 00:31:23,108 --> 00:31:25,013 MY HUSBAND AND I, WE LOVE HER MORE 753 00:31:25,113 --> 00:31:27,618 THAN ANYTHING IN THIS WORLD. 754 00:31:27,718 --> 00:31:29,983 SHE'S ALL WE HAVE LEFT. 755 00:31:30,083 --> 00:31:32,269 I KNOW. 756 00:31:32,369 --> 00:31:36,397 [GULPS] SO, I, UH... 757 00:31:36,498 --> 00:31:38,402 I'M WILLING TO PROPOSE 758 00:31:38,502 --> 00:31:40,687 A SHARED-CUSTODY AGREEMENT. 759 00:31:40,787 --> 00:31:43,333 REALLY? NO BALTIMORE? 760 00:31:43,433 --> 00:31:45,297 NO BALTIMORE. 761 00:31:45,397 --> 00:31:48,504 WE WERE THINKING 2 OR 3 WEEKENDS A MONTH? 762 00:31:48,604 --> 00:31:51,711 I'LL TAKE IT. I'LL TAKE ANY TIME I CAN HAVE WITH MY BABY. 763 00:31:51,811 --> 00:31:54,918 I WISH IT WAS MORE THAN THAT, BUT I ACCEPT. 764 00:31:55,018 --> 00:31:57,323 NO, YOU MISUNDERSTOOD. 765 00:31:57,424 --> 00:31:59,328 WE WERE THINKING THAT WE WOULD HAVE AMINA 766 00:31:59,428 --> 00:32:01,733 2 OR 3 WEEKENDS A MONTH AND 767 00:32:01,833 --> 00:32:04,599 SHE'D LIVE WITH YOU, FULL-TIME. 768 00:32:06,524 --> 00:32:08,528 [CHUCKLES] 769 00:32:19,392 --> 00:32:21,296 YOU KNOW, YOU DON'T ALWAYS HAVE TO BE 770 00:32:21,396 --> 00:32:23,501 WORKING, MAN. YOU CAN TAKE A BREAK. 771 00:32:23,601 --> 00:32:26,467 OH, IT'S--IT'S NOT WORK. I'VE ALREADY FINISHED THAT. 772 00:32:26,568 --> 00:32:30,155 I'M WRITING OUT ALL THE QUESTIONS I HAVE ABOUT BEING A DAD. 773 00:32:30,256 --> 00:32:31,799 FOR REAL? 774 00:32:31,899 --> 00:32:33,403 I MEAN... 775 00:32:33,503 --> 00:32:36,129 UH, WELL, I GUARANTEE YOU, 776 00:32:36,229 --> 00:32:37,572 EVEN I WON'T BE ABLE TO ANSWER 777 00:32:37,672 --> 00:32:40,338 ALL THESE QUESTIONS WE HAVE HERE. 778 00:32:40,438 --> 00:32:43,345 "WHAT AGE DO THEY START WALKING?" 779 00:32:43,445 --> 00:32:45,069 WELL? 780 00:32:45,169 --> 00:32:49,318 UM, HONESTLY--HEH!-- I DON'T REMEM--ONE? 781 00:32:49,418 --> 00:32:52,124 I FORGET. 1 1/2, MAN? NEXT QUESTION. 782 00:32:52,224 --> 00:32:54,569 "WHAT IS SWAD--" I CAN'T READ YOUR HANDWRITING. 783 00:32:54,669 --> 00:32:56,373 WHAT DOES THIS SAY? "SWADLING"? 784 00:32:56,473 --> 00:32:57,937 "WHAT IS SWADLING?" ASHER: UH, "WHAT IS SWADDLING?" 785 00:32:58,037 --> 00:32:59,861 "WHAT IS SWADDLING?" WHAT THE HELL IS-- 786 00:32:59,961 --> 00:33:01,825 WHAT IS SWADDLING? ASHER: I HAVE NO IDEA. 787 00:33:01,925 --> 00:33:04,030 SSS. ALL RIGHT. UH, FORGET THIS LIST. 788 00:33:04,130 --> 00:33:07,037 UM, YOU'RE GONNA BE FINE, MAN. JUST-- 789 00:33:07,137 --> 00:33:09,442 YOU'RE GONNA FIGURE IT OUT ALL ON YOUR OWN, JUST LIKE I DID. 790 00:33:09,542 --> 00:33:12,208 YOU'LL BE COOL, TOTALLY COOL. 791 00:33:12,308 --> 00:33:15,215 ASHER: WAS IT SCARY? BILLY: OH, HEH HEH! IT WAS TERRIFYING, 792 00:33:15,315 --> 00:33:19,223 BUT IT'S WORTH IT. IT'S WORTH IT. UM... 793 00:33:19,324 --> 00:33:22,831 I REMEMBER WHEN, UH, LIV WAS A BABY, 794 00:33:22,931 --> 00:33:24,836 SHE USED TO DO THIS ONE THING WHERE SHE'D REACH-- 795 00:33:24,936 --> 00:33:27,803 REACH OUT HER ARM AND JUST GRAB A HOLD OF MY EAR. 796 00:33:27,903 --> 00:33:30,809 AH, I USED TO LET HER DO THAT FOR HOURS. 797 00:33:30,909 --> 00:33:33,615 SHE WAS PERFECT. 798 00:33:33,715 --> 00:33:36,822 YOU ASKED ME, UH, WHAT THE SECRET 799 00:33:36,922 --> 00:33:39,829 TO COACHING WAS, AND, UM... 800 00:33:39,929 --> 00:33:42,675 IT'S SIMPLE, MAN. I JUST TRY TO ACT 801 00:33:42,775 --> 00:33:44,920 LIKE A FATHER TO THE PLAYERS, YOU KNOW. 802 00:33:45,020 --> 00:33:46,965 LIKE, YOU ARE ALL MY KIDS, 803 00:33:47,065 --> 00:33:49,570 AND TO BE HONEST... 804 00:33:49,670 --> 00:33:53,699 YOU WERE ONE OF MY FAVOURITES. 805 00:33:53,799 --> 00:33:58,349 YEAH, JUST TRY TO BE SOMEONE THAT THEY'D LOOK UP TO, YOU KNOW? 806 00:33:58,450 --> 00:34:01,396 ALL YOU CAN DO IS TRY TO POINT THEM IN THE RIGHT DIRECTION 807 00:34:01,496 --> 00:34:03,521 AND HOPE THEY STAY ON THAT PATH. 808 00:34:03,621 --> 00:34:05,806 YOU PUT ME ON THE RIGHT PATH. 809 00:34:05,906 --> 00:34:08,592 I TRIED MY BEST WITH ALL OF Y'ALL. 810 00:34:10,035 --> 00:34:11,939 YOU GOT A BIG HEART. 811 00:34:12,039 --> 00:34:13,944 YOU'RE A GREAT COACH, 812 00:34:14,044 --> 00:34:16,389 AND YOU'LL BE AN EVEN BETTER FATHER. 813 00:34:16,489 --> 00:34:18,433 HOW LONG WILL IT TAKE TO FIGURE IT OUT? 814 00:34:18,534 --> 00:34:21,079 AH, SEE, THAT'S THE BEST PART OF ALL THIS. 815 00:34:21,179 --> 00:34:23,725 IT DOESN'T MATTER HOW LONG IT'S GONNA TAKE TO FIGURE IT OUT 816 00:34:23,825 --> 00:34:27,594 BECAUSE THE ONE THING YOU HAVE IS TIME. 817 00:34:29,438 --> 00:34:31,101 [BANG] 818 00:34:31,201 --> 00:34:33,206 [TIRES SCREECHING] 819 00:34:44,150 --> 00:34:46,155 [TIRES SCREECH] 820 00:34:50,243 --> 00:34:53,150 GRACE: OH, MY LORD. JORDAN: I DON'T SEE MY DAD. 821 00:34:53,250 --> 00:34:55,515 GRACE: MAYBE YOU SHOULD STAY IN THE CAR. JORDAN: NO. 822 00:34:55,615 --> 00:34:57,519 THERE'S ASHER. 823 00:34:57,620 --> 00:35:00,165 JORDAN: ASH, HEY, WHAT HAPPENED? 824 00:35:00,265 --> 00:35:01,809 ASHER: I DON'T KNOW. GRACE: YOU'RE BLEEDING. 825 00:35:01,909 --> 00:35:04,735 ARE YOU OK? ASHER: YEAH, I THINK SO. 826 00:35:04,835 --> 00:35:06,379 BILLY: OK, ALL RIGHT. HERE WE GO. 827 00:35:06,479 --> 00:35:08,945 OK, TAKE IT NICE AND EASY. 828 00:35:09,045 --> 00:35:10,829 GRACE: JORDAN! 829 00:35:10,929 --> 00:35:12,192 DAD! 830 00:35:12,292 --> 00:35:14,297 OH, YOU ALL RIGHT? 831 00:35:15,739 --> 00:35:18,165 OLIVIA: HEY, I'M HEADED OUT. CHRISTEL: OK. 832 00:35:18,265 --> 00:35:21,332 OH, BEFORE YOU GO, I HAVE SOME MORE NEWS. 833 00:35:21,432 --> 00:35:22,975 LET ME GUESS. THEY WANT JAYDEN DAVIS 834 00:35:23,075 --> 00:35:24,859 TO DO THE "TODAY" SHOW? CHRISTEL: CLOSE. 835 00:35:24,960 --> 00:35:26,503 THE ARTICLE'S BEEN NOMINATED 836 00:35:26,603 --> 00:35:28,147 FOR A BARDO JOURNALISM AWARD. 837 00:35:28,247 --> 00:35:29,550 OH, MY GOD. 838 00:35:29,650 --> 00:35:31,153 OH, MY GOD! [CHRISTEL CHUCKLES] 839 00:35:31,253 --> 00:35:33,479 WAIT. BUT IF I WIN, I CAN'T ACCEPT THE AWARD. 840 00:35:33,579 --> 00:35:37,527 WOMAN: CHRISTEL, WE'RE GETTING SOME CONFLICTING REPORTS ON A BUS CRASH. 841 00:35:37,627 --> 00:35:40,093 SOUNDS LIKE IT WAS A FOOTBALL TEAM? CHRISTEL: OK. 842 00:35:40,193 --> 00:35:41,697 WAIT. WHAT? 843 00:35:41,797 --> 00:35:43,301 W-WHERE WAS THE CRASH? 844 00:35:43,401 --> 00:35:45,505 LAURA: HELLO? OLIVIA: HEY, WHERE ARE YOU? 845 00:35:45,605 --> 00:35:48,311 LAURA: I'M AT YOUR PLACE, ACTUALLY. I JUST CAME BY 846 00:35:48,411 --> 00:35:50,997 TO GIVE COOP SOME GOOD NEWS. OLIVIA: TURN ON THE TV, CHANNEL 6. 847 00:35:51,097 --> 00:35:53,101 - WHY? - JUST DO IT. 848 00:35:55,787 --> 00:35:59,095 MAN, ON TV: AS OF NOW, WE STILL HAVE VERY FEW DETAILS, BUT WE'RE HEARING 849 00:35:59,195 --> 00:36:01,941 A BUS CARRYING A HIGH-SCHOOL FOOTBALL TEAM CRASHED. 850 00:36:02,041 --> 00:36:04,747 FIRST RESPONDERS ARE STILL HAVING A HARD TIME GETTING TO THE SCENE. 851 00:36:04,847 --> 00:36:08,315 LAURA: OH, MY GOD. OLIVIA: MUM, I THINK THAT'S DAD'S BUS. 852 00:36:08,415 --> 00:36:10,941 JUST STAY THERE. I'M ON MY WAY. LAURA: OK. 853 00:36:14,909 --> 00:36:17,455 BILLY: ALL RIGHT. MAKE SURE HE STAYS OFF THAT LEG, ALL RIGHT? 854 00:36:17,555 --> 00:36:19,941 [RUBS PALMS TOGETHER] OK. 855 00:36:20,041 --> 00:36:22,145 [EXHALES] I THINK I GOT EVERYBODY OUT. 856 00:36:22,246 --> 00:36:24,150 GRACE: YEAH. ARE YOU OK? BILLY: YEAH, YEAH. 857 00:36:24,250 --> 00:36:26,235 I'M FINE. I'M FINE. JORDAN: OK. DAD-- 858 00:36:26,335 --> 00:36:28,079 BILLY: ASHER, ASHER, HOW'S HIS ARM? GRACE: UH, WE WRAPPED IT. 859 00:36:28,179 --> 00:36:29,642 HE'S DOING OK. BILLY: OK. 860 00:36:29,742 --> 00:36:31,085 - DAD, DAD, MAYBE-- - YEAH? 861 00:36:31,185 --> 00:36:32,489 - MAYBE YOU SHOULD SIT DOWN, REST. 862 00:36:32,589 --> 00:36:34,493 NO, NO, NO. I'M GOOD. I'M GOOD. 863 00:36:34,593 --> 00:36:36,297 IT HAPPENED SO FAST. IT ALL HAPPENED SO FAST... 864 00:36:36,397 --> 00:36:38,301 JORDAN: YEAH, THEY-- THEY SAID A TIRE BLEW OUT. 865 00:36:38,401 --> 00:36:40,546 WELL, I THINK I GOT EVERYBODY OUT, THOUGH. 866 00:36:40,646 --> 00:36:41,869 GOT EVERYBODY OUT. JORDAN: DAD. DAD? 867 00:36:41,969 --> 00:36:43,753 BILLY: YEAH? GRACE: BILLY, 868 00:36:43,853 --> 00:36:45,477 IT'S OK. BILLY: YEAH, YEAH. 869 00:36:45,577 --> 00:36:46,799 GRACE: EVERYTHING'S OK. BILLY: OK. 870 00:36:46,900 --> 00:36:48,363 I'M GONNA GO CALL SPENCER. 871 00:36:48,463 --> 00:36:49,767 BILLY: OK. GRACE: YOU SHOULD CALL LAURA. 872 00:36:49,867 --> 00:36:51,289 SHE'S PROBABLY HEARD ABOUT THIS BY NOW. 873 00:36:51,390 --> 00:36:52,853 OK. YEP. THANK YOU. 874 00:36:52,953 --> 00:36:54,497 SPENCER. 875 00:36:54,597 --> 00:36:55,980 HEY. 876 00:36:56,080 --> 00:36:58,185 [EXHALES] 877 00:36:58,285 --> 00:37:01,553 I, UH, I CAME BY EARLIER, BUT YOU WEREN'T HOME. 878 00:37:01,653 --> 00:37:03,557 I FIGURED WE'D HAVE THAT TALK. 879 00:37:03,657 --> 00:37:06,082 OLIVIA: WHAT? SPENCER: YOU WANTED TO TALK EARLIER, 880 00:37:06,182 --> 00:37:07,927 BUT I'VE SORT OF BEEN AVOIDING YOU TODAY, SO-- 881 00:37:08,027 --> 00:37:09,971 HAVE YOU NOT GOTTEN YOUR MESSAGES? 882 00:37:10,071 --> 00:37:11,534 MY PHONE'S OFF. WHY? 883 00:37:11,634 --> 00:37:13,499 - MY DAD'S BUS CRASHED. - WHAT? 884 00:37:13,599 --> 00:37:16,505 THE NEWS IS--IS SAYING THEY THINK EVERYONE'S OK, AND AMBULANCES 885 00:37:16,605 --> 00:37:19,111 ARE ON THEIR WAY, BUT THERE WAS ANOTHER CRASH ON THE FREEWAY, SO 886 00:37:19,211 --> 00:37:21,917 FIRST RESPONDERS AND EVERYTHING ARE A LITTLE DELAYED. 887 00:37:22,017 --> 00:37:24,603 [RINGTONE PLAYING] LAURA: OH! IT'S BILLY. IT'S DAD. 888 00:37:24,703 --> 00:37:26,847 BILLY! BILLY: I'M OK. EVERYBODY-- 889 00:37:26,948 --> 00:37:28,812 EVERYBODY'S OK. LAURA: UH, AND HE'S OK. EVERYONE'S OK. 890 00:37:28,912 --> 00:37:31,177 OLIVIA: WAIT. PUT HIM ON SPEAKER. LAURA: HOLD ON. 891 00:37:31,277 --> 00:37:32,701 DAD? DAD, I LOVE YOU. 892 00:37:32,801 --> 00:37:34,545 I LOVE YOU, TOO, BABY. I LOVE YOU, TOO. 893 00:37:34,645 --> 00:37:37,391 LAURA: WHAT HAPPENED? BILLY: UH, THE TIRE BLEW OUT, 894 00:37:37,491 --> 00:37:40,518 AND THE BUS FLIPPED ON ITS SIDE, BUT--BUT I'M OK. 895 00:37:40,618 --> 00:37:42,362 I'LL TELL YOU THE REST WHEN I GET HOME, 896 00:37:42,462 --> 00:37:44,166 BUT I GOTTA TAKE CARE OF MY PLAYERS, HONEY. 897 00:37:44,266 --> 00:37:46,171 OK. PLEASE JUST HURRY HOME TO US. 898 00:37:46,271 --> 00:37:47,854 PLEASE COME HOME. WE LOVE YOU SO MUCH. 899 00:37:47,954 --> 00:37:49,097 I LOVE YOU, DAD. 900 00:37:49,197 --> 00:37:51,101 YES. I LOVE YOU, TOO. 901 00:37:51,201 --> 00:37:53,245 [INDISTINCT CHATTER] 902 00:37:54,849 --> 00:37:56,353 ALL RIGHT. EVERYBODY COOL? 903 00:37:56,453 --> 00:37:58,357 HOW Y'ALL DOING? PLAYER: I'M GOOD, COACH. 904 00:37:58,457 --> 00:38:00,361 BILLY: ALL RIGHT. PLAYER: STRAIGHT, COACH. 905 00:38:00,461 --> 00:38:02,366 WHERE'S JABARI? 906 00:38:02,466 --> 00:38:04,371 PLAYER: I DON'T KNOW. DID YOU SEE HIM? 907 00:38:04,471 --> 00:38:07,016 WHERE'S JABARI? 908 00:38:07,116 --> 00:38:09,842 [BUS CREAKING] 909 00:38:15,134 --> 00:38:17,479 BILLY. DON'T! 910 00:38:17,579 --> 00:38:18,883 I HAVE TO. 911 00:38:18,983 --> 00:38:21,147 BILLY! 912 00:38:24,755 --> 00:38:26,259 LAYLA: HEY. 913 00:38:26,359 --> 00:38:28,303 SORRY. I JUST HEARD. 914 00:38:28,403 --> 00:38:30,507 EVERYBODY'S OK, THOUGH, RIGHT? 915 00:38:30,608 --> 00:38:33,033 COOP: YEAH. THEY'RE OK. LAURA TALKED TO BILLY AND 916 00:38:33,133 --> 00:38:34,997 SPENCER TALKED TO GRACE. 917 00:38:35,097 --> 00:38:37,523 ASHER'S A LITTLE BANGED UP, BUT HE'LL BE OK. 918 00:38:37,623 --> 00:38:40,569 LAURA: OH, I JUST WANT HIM TO BE HOME ALREADY. OLIVIA: HE'S GONNA BE HOME. 919 00:38:40,670 --> 00:38:43,055 HE'LL BE HOME SOON. JUST BREATHE. [LAURA SIGHS] 920 00:38:43,155 --> 00:38:47,064 LAURA: MM-HMM. HE'S GONNA BE OK. YEAH. 921 00:38:47,164 --> 00:38:49,349 EXCUSE ME. 922 00:38:49,449 --> 00:38:51,955 [BEEP] BILLY, ON VOICEMAIL: SPENCER, 923 00:38:52,055 --> 00:38:53,959 I KNOW YOU JUST SAID YOU'D NEED MORE TIME, 924 00:38:54,059 --> 00:38:55,963 AND I'M GONNA GIVE YOU THAT, BUT I WANTED 925 00:38:56,064 --> 00:38:58,649 TO LET YOU KNOW THAT YOU WERE RIGHT, 926 00:38:58,749 --> 00:39:01,015 ABOUT EVERYTHING. 927 00:39:01,115 --> 00:39:03,661 YOU TOLD ME I'D BE CRAZY TO LEAVE CRENSHAW. 928 00:39:03,761 --> 00:39:05,665 WELL, I JUST TALKED TO MY TEAM, 929 00:39:05,765 --> 00:39:07,910 AND I TOLD THEM I'M STAYING. 930 00:39:08,010 --> 00:39:09,955 THIS IS WHERE I BELONG, 931 00:39:10,055 --> 00:39:12,359 AND I KNOW THAT DOESN'T UNDO 932 00:39:12,460 --> 00:39:15,005 WHAT'S HAPPENED BETWEEN YOU AND ME, BUT I JUST 933 00:39:15,105 --> 00:39:17,411 WANTED TO TELL YOU SOME THINGS. 934 00:39:17,511 --> 00:39:20,257 UM, ONE OF THE REASONS I TOOK THAT JOB 935 00:39:20,357 --> 00:39:22,903 AT GAU WAS SO I COULD BE YOUR COACH 936 00:39:23,003 --> 00:39:25,067 ONE LAST TIME. 937 00:39:25,167 --> 00:39:27,273 I MISSED IT. 938 00:39:27,373 --> 00:39:29,677 I MISSED YOU. 939 00:39:29,778 --> 00:39:31,923 OH, IT'S SELFISH, I KNOW, BUT WHILE 940 00:39:32,023 --> 00:39:34,929 THIS PAST YEAR AT CRENSHAW HAS BEEN GREAT, 941 00:39:35,029 --> 00:39:38,577 BEING YOUR COACH HAD BECOME ONE OF THE BEST PARTS OF MY LIFE. 942 00:39:38,677 --> 00:39:40,943 WE HAVE A CONNECTION, YOU AND ME. 943 00:39:41,043 --> 00:39:43,949 I KNEW IT THE SECOND WE MET ON THAT FIELD AT SOUTH CRENSHAW, 944 00:39:44,049 --> 00:39:46,755 AND I KNOW I'M NOT YOUR POPS, BUT... 945 00:39:46,855 --> 00:39:48,961 I DO CONSIDER YOU MY SON. 946 00:39:49,061 --> 00:39:51,405 THAT'S WHY I'LL ALWAYS BE HERE FOR YOU. 947 00:39:51,505 --> 00:39:53,410 PEOPLE ALWAYS TALK ABOUT LEGACY, 948 00:39:53,510 --> 00:39:56,216 AND I KNOW SPENCER JAMES IS GONNA CONTINUE 949 00:39:56,316 --> 00:39:59,463 TO BUILD HIS LEGACY, BUT I NEED YOU TO KNOW 950 00:39:59,563 --> 00:40:03,873 THAT YOU ARE AN IMPORTANT PART OF MY LEGACY. 951 00:40:03,973 --> 00:40:06,919 MY PROUDEST MOMENTS ON THE FIELD AREN'T PLAYING BALL. 952 00:40:07,019 --> 00:40:09,887 THEY WERE COACHING YOU, 953 00:40:09,987 --> 00:40:12,613 WATCHING YOU GROW INTO THE PLAYER YOU ARE TODAY 954 00:40:12,713 --> 00:40:15,398 AND THE MAN YOU'VE BECOME. 955 00:40:23,496 --> 00:40:28,447 FEMALE SINGER: ♪♪ I CAN FEEL YOU BREATHING ♪♪ 956 00:40:28,547 --> 00:40:31,213 ♪♪ IN THE HOLLOW OF MY SKIN ♪♪ 957 00:40:31,313 --> 00:40:34,299 BILLY, ON VOICEMAIL: YOU ARE FAMILY, SPENCER, FOR LIFE. 958 00:40:34,400 --> 00:40:37,387 YOU CAN'T GET OUT OF THAT, NO MATTER HOW HARD YOU TRY. 959 00:40:37,487 --> 00:40:40,353 YOU'RE STUCK WITH ME. WE'RE GONNA GET PAST ALL THIS. 960 00:40:40,453 --> 00:40:43,500 SINGER: ♪♪ HERE WITH NO TOMORROW ♪♪ 961 00:40:44,943 --> 00:40:48,731 ♪♪ SORROW CREEPING IN ♪♪ 962 00:40:48,831 --> 00:40:50,897 J? 963 00:40:50,997 --> 00:40:52,701 SINGER: ♪♪ GOING ♪♪ JORDAN: HE'S GONE. 964 00:40:52,801 --> 00:40:55,306 [OLIVIA WAILING] SINGER: ♪♪ GOING, GOING ♪♪ 965 00:40:55,406 --> 00:40:58,353 JORDAN: MY DAD IS GONE. SINGER: ♪♪ GOING ♪♪ 966 00:40:58,453 --> 00:41:00,758 ♪♪ GOING ♪♪ BILLY: ANYWAY, I'M SORRY 967 00:41:00,858 --> 00:41:03,363 THIS MESSAGE GOT WAY TOO LONG, BUT, UH, LIKE YOU, 968 00:41:03,464 --> 00:41:07,253 I HAD SOME THINGS I NEEDED TO SAY AND, UH, AND I'M GLAD I DID. 969 00:41:07,353 --> 00:41:09,257 UM... 970 00:41:09,357 --> 00:41:11,101 I LOVE YOU, SPENCER JAMES, 971 00:41:11,201 --> 00:41:12,905 AND I ALWAYS WILL. 972 00:41:13,005 --> 00:41:15,651 YOU ARE MY ALL-AMERICAN. 973 00:41:17,093 --> 00:41:19,639 SO, I KNOW YOU SAID YOU NEEDED SOME TIME. 974 00:41:19,739 --> 00:41:22,646 UM, I'M HERE WHENEVER YOU'RE READY, 975 00:41:22,746 --> 00:41:26,655 UH, BECAUSE, YOU KNOW, YOU AND ME, 976 00:41:26,755 --> 00:41:29,461 WE GOT ALL THE TIME IN THE WORLD. 977 00:41:29,561 --> 00:41:31,565 ALL RIGHT, MAN. 978 00:41:32,688 --> 00:41:35,555 SINGER: ♪♪ YOU'RE GONE ♪♪ 979 00:41:35,655 --> 00:41:37,037 BACKGROUND SINGERS: ♪♪ GOING, GOING... ♪♪ 980 00:41:37,138 --> 00:41:41,647 ♪♪ GONE, GONE, GONE ♪♪ 981 00:41:41,748 --> 00:41:44,695 - ♪♪ GOING, GOING, GOING ♪♪ - ♪♪ GONE, GONE ♪♪ 982 00:41:44,795 --> 00:41:48,743 ♪♪ GOING, GOING, GOING, GOING, GOING ♪♪ 983 00:41:48,843 --> 00:41:50,888 ♪♪ GONE ♪♪