1 00:00:01,233 --> 00:00:05,433 Rice: TREVOR. [ LAUGHS ] 2 00:00:05,433 --> 00:00:08,773 TREVOR WAS SO SMALL, 3 00:00:08,767 --> 00:00:11,167 AND HE FOUGHT, 4 00:00:11,167 --> 00:00:17,667 AND HE OVERCAME ALL ODDS BECAUSE HE WANTED TO LIVE. 5 00:00:17,667 --> 00:00:23,127 AND MY HEART BLEEDS TO THIS DAY 6 00:00:23,133 --> 00:00:27,133 THAT, IN ALL THAT TREVOR FOUGHT, 7 00:00:27,133 --> 00:00:30,333 HE DID NOT DIE. 8 00:00:30,333 --> 00:00:33,073 SOMEONE TOOK HIS LIFE. 9 00:00:35,100 --> 00:00:41,800 TO USE YOUR HANDS TO SNUFF OUT THE LIFE OF A CHILD, 10 00:00:41,800 --> 00:00:44,370 I CAN ONLY SAY... 11 00:00:46,867 --> 00:00:49,397 GOD HELP US ALL. 12 00:00:51,767 --> 00:00:55,867 McCarthy: MARCH 3, 1993, MONTGOMERY COUNTY, MARYLAND. 13 00:00:55,867 --> 00:00:57,067 THERE WERE NO FINGERPRINTS. 14 00:00:57,067 --> 00:00:58,567 THERE WERE NO PALM PRINTS. 15 00:00:58,567 --> 00:01:00,167 THERE WERE NO SHOE PRINTS. 16 00:01:00,167 --> 00:01:03,797 WHO ACTUALLY WAS THE KILLER, AND HOW DID THIS GO DOWN? 17 00:01:03,800 --> 00:01:05,770 IT WAS AS IF SOMEONE HAD ATTEMPTED 18 00:01:05,767 --> 00:01:09,197 TO STAGE WHAT LOOKED LIKE A BURGLARY THAT WENT BAD... 19 00:01:09,200 --> 00:01:10,970 [ CAMERA SHUTTER CLICKING ] 20 00:01:10,967 --> 00:01:12,767 ...BUT THEY WERE NOT THERE FOR A BURGLARY. 21 00:01:12,767 --> 00:01:14,497 THEY WERE NOT THERE FOR A ROBBERY. 22 00:01:14,500 --> 00:01:17,100 THEY WERE THERE FOR AN EXECUTION. 23 00:01:17,100 --> 00:01:23,070 ♪♪ 24 00:01:23,067 --> 00:01:25,227 Tiffani: I GOT THESE FOR YOU. 25 00:01:25,233 --> 00:01:30,133 HE WAS SHACKLED, YOU KNOW, HANDCUFFS AND PRISON CLOTHING. 26 00:01:30,133 --> 00:01:35,933 HE WAS VERY SHRUNKEN AND OLD IN A WHEELCHAIR. 27 00:01:35,933 --> 00:01:39,733 IT BROKE MY HEART TO SEE HIM THAT WAY. 28 00:01:39,733 --> 00:01:42,103 I IMMEDIATELY GOT UP, AND I EMBRACED HIM, 29 00:01:42,100 --> 00:01:44,900 AND I SAID, YOU KNOW, "I FORGIVE YOU. I LOVE YOU." 30 00:01:44,900 --> 00:01:48,870 BUT HE NEVER APOLOGIZED. HE NEVER SAID HE WAS SORRY. 31 00:01:48,867 --> 00:01:52,097 [ SIGHS ] 32 00:01:52,100 --> 00:02:02,170 ♪♪ 33 00:02:02,167 --> 00:02:05,627 Captions by VITAC... www.vitac.com 34 00:02:05,633 --> 00:02:09,103 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 35 00:02:09,100 --> 00:02:19,100 ♪♪ 36 00:02:19,100 --> 00:02:28,630 ♪♪ 37 00:02:28,633 --> 00:02:33,303 MILLIE ALWAYS WAS THE BELLE OF THE BALL. 38 00:02:33,300 --> 00:02:37,300 EVERYONE IN THIS LITTLE SMALL TOWN WOULD BE LOOKING 39 00:02:37,300 --> 00:02:39,730 WHEN MILLIE SHOWED UP BECAUSE THEY KNOW 40 00:02:39,733 --> 00:02:45,073 THAT SHE WOULD BE THE HIGHLIGHT OF ANY EVENT. 41 00:02:45,067 --> 00:02:52,067 ♪♪ 42 00:02:52,067 --> 00:02:55,697 MILLIE WAS SUCH A LOVING MOTHER TO HER CHILDREN. 43 00:02:55,700 --> 00:02:58,400 THEY WERE HER LIFE. 44 00:03:01,600 --> 00:03:05,530 SHE ALWAYS WANTED TO BE A FLIGHT ATTENDANT, 45 00:03:05,533 --> 00:03:10,703 AND DURING MILLIE'S ABSENCE FROM HOME ON TRAVEL, 46 00:03:10,700 --> 00:03:12,600 BEFORE I LEFT FOR WORK IN THE MORNING, 47 00:03:12,600 --> 00:03:14,400 I WENT TO MILLIE'S HOUSE. 48 00:03:14,400 --> 00:03:16,970 AND WHEN I CAME HOME IN THE AFTERNOON, 49 00:03:16,967 --> 00:03:22,427 BEFORE I WOULD GO TO MY HOUSE, I WOULD STOP BY MILLIE'S HOUSE. 50 00:03:22,433 --> 00:03:24,833 AND IF THE NURSES NEEDED ANYTHING, 51 00:03:24,833 --> 00:03:26,973 I WOULD BE ABLE TO DO THAT 52 00:03:26,967 --> 00:03:32,597 BECAUSE TREVOR REQUIRED 24-HOUR SKILLED NURSING, 53 00:03:32,600 --> 00:03:34,400 AND MILLIE HAD TO WORK. 54 00:03:34,400 --> 00:03:36,270 UH-OH. YOU GOT TO GET AROUND. 55 00:03:36,267 --> 00:03:38,697 BE CAREFUL. YOU OKAY? OKAY. 56 00:03:38,700 --> 00:03:40,430 YEAH? 57 00:03:40,433 --> 00:03:50,433 ♪♪ 58 00:03:50,433 --> 00:03:53,633 ♪♪ 59 00:03:53,633 --> 00:03:59,073 IT IS MARCH 3, EARLY IN THE MORNING. 60 00:03:59,067 --> 00:04:03,067 I GET DRESSED, AND I GET IN MY CAR, 61 00:04:03,067 --> 00:04:06,227 AND I DRIVE TO MILLIE'S HOUSE. 62 00:04:08,467 --> 00:04:12,727 I PULL INTO THE DRIVEWAY, 63 00:04:12,733 --> 00:04:15,973 AND THE GARAGE DOOR IS OPEN. 64 00:04:19,333 --> 00:04:22,073 I'M PERPLEXED. 65 00:04:22,067 --> 00:04:24,927 THE GARAGE DOOR IS NEVER OPEN. 66 00:04:29,200 --> 00:04:32,070 AND AS I APPROACH, THERE ARE, LIKE, 67 00:04:32,067 --> 00:04:33,927 PILLOWS TOSSED 68 00:04:33,933 --> 00:04:36,903 FROM HER SOFA ON THE FLOOR. 69 00:04:39,800 --> 00:04:43,930 [ RAPID BEEPING ] 70 00:04:43,933 --> 00:04:47,903 AND I CAN HEAR TREVOR'S ALARM. 71 00:04:47,900 --> 00:04:57,400 ♪♪ 72 00:04:57,400 --> 00:05:01,730 I KNOCK ON A NEIGHBOR'S DOOR, AND I SAID, 73 00:05:01,733 --> 00:05:05,073 "SOMETHING IS WRONG AT MILLIE'S. 74 00:05:05,067 --> 00:05:07,827 I NEED YOU TO HELP." 75 00:05:10,467 --> 00:05:15,127 WHEN WE GET BACK TO MILLIE'S, 76 00:05:15,133 --> 00:05:19,833 I INSERT MY KEY, 77 00:05:19,833 --> 00:05:24,233 AND AS I OPEN AND PUSH THE DOOR... 78 00:05:24,233 --> 00:05:33,303 ♪♪ 79 00:05:33,300 --> 00:05:38,370 MILLIE'S BODY IS BLOCKING THE DOOR. 80 00:05:43,233 --> 00:05:48,203 AND HER FACE IS TOWARD THE DOOR. 81 00:05:48,200 --> 00:05:51,470 SHE WAS SHOT IN THE FACE. 82 00:05:51,467 --> 00:05:57,297 ♪♪ 83 00:05:57,300 --> 00:06:02,670 I REMEMBER SCREAMING LIKE AN ANIMAL. 84 00:06:02,667 --> 00:06:05,497 [ SOBBING ] 85 00:06:08,433 --> 00:06:12,333 AND I WAS ON MY KNEES IN THE STREET. 86 00:06:12,333 --> 00:06:22,333 ♪♪ 87 00:06:22,333 --> 00:06:31,073 ♪♪ 88 00:06:31,067 --> 00:06:33,167 McCarthy: I'M HAVING LUNCH, 89 00:06:33,167 --> 00:06:35,067 AND SOMEBODY WALKS IN AND SAYS, 90 00:06:35,067 --> 00:06:37,667 "LOOK, WE HAVE THIS AWFUL SITUATION 91 00:06:37,667 --> 00:06:39,497 ONLY A FEW BLOCKS AWAY FROM WHERE WE ARE." 92 00:06:39,500 --> 00:06:46,270 ♪♪ 93 00:06:46,267 --> 00:06:48,827 THIS IS A HORRIFIC SCENE. 94 00:06:48,833 --> 00:06:52,203 AS YOU WALK INTO THE DOOR, MILLIE HORN, 95 00:06:52,200 --> 00:06:57,330 WHO WAS THE MOTHER OF TREVOR, IS DECEASED. 96 00:06:57,333 --> 00:07:00,833 TREVOR'S ROOM WAS ON THE FIRST FLOOR OF THE HOUSE, 97 00:07:00,833 --> 00:07:03,533 AND IF YOU WENT INTO THAT BEDROOM, JANICE SAUNDERS, 98 00:07:03,533 --> 00:07:05,973 THE NURSE, WAS DEAD ON THE FLOOR. 99 00:07:09,333 --> 00:07:12,533 NEXT TO HER WAS THE LOG THAT SHE KEPT. 100 00:07:12,533 --> 00:07:14,803 EVERY 15 MINUTES, THEY WOULD CHECK 101 00:07:14,800 --> 00:07:17,070 TREVOR'S RESPIRATION, HEARTBEAT, 102 00:07:17,067 --> 00:07:20,227 AND SHE WOULD RECORD IT THERE. 103 00:07:20,233 --> 00:07:22,533 THAT'S WHY WE ACTUALLY KNOW THAT, IN THIS CASE, 104 00:07:22,533 --> 00:07:23,873 ALMOST PRECISELY DOWN TO THE MINUTE, 105 00:07:23,867 --> 00:07:25,527 WHEN THE MURDER OCCURS. 106 00:07:25,533 --> 00:07:28,133 BECAUSE EVERY 15 MINUTES, YOU SEE IT, 107 00:07:28,133 --> 00:07:29,603 AND THEN IT STOPS. 108 00:07:29,600 --> 00:07:32,130 WHY DID IT STOP? 109 00:07:35,400 --> 00:07:38,670 BECAUSE A MAN WALKED IN THERE. 110 00:07:38,667 --> 00:07:41,767 SHE PROBABLY STOOD UP, STARTLED. 111 00:07:41,767 --> 00:07:43,527 SHE WAS SHOT IN THE EYES. 112 00:07:43,533 --> 00:07:45,933 [ GUNSHOT ] 113 00:07:45,933 --> 00:07:49,533 I THINK MILLIE HEARD THE NOISE. 114 00:07:49,533 --> 00:07:52,603 MILLIE COMES DOWN THE STAIRS, AND SHE IS SHOT. 115 00:07:52,600 --> 00:07:54,600 [ GUNSHOT ] 116 00:07:54,600 --> 00:07:57,800 AND HE THEN TURNED TO TREVOR. 117 00:07:57,800 --> 00:08:01,200 THIS IS A YOUNG CHILD WHO WOULD HAVE BEEN ABSOLUTELY HELPLESS 118 00:08:01,200 --> 00:08:03,500 WITHOUT THE ASSISTANCE OF THE NURSE AND HIS MOTHER. 119 00:08:03,500 --> 00:08:04,700 [ MONITOR BEEPING ] 120 00:08:04,700 --> 00:08:07,200 TREVOR WAS HOOKED UP TO VARIOUS MACHINES. 121 00:08:07,200 --> 00:08:10,270 THE KILLER TURNED OFF ONE OF THE RESPIRATORS, 122 00:08:10,267 --> 00:08:13,797 AND HE ASPHYXIATED TREVOR. 123 00:08:13,800 --> 00:08:16,600 THERE WERE ALARMS THAT WERE DESIGNED TO GO OFF 124 00:08:16,600 --> 00:08:19,300 IF THE CHILD STOPPED BREATHING, 125 00:08:19,300 --> 00:08:22,500 BUT THE KILLER DIDN'T KNOW HOW TO TURN IT OFF. 126 00:08:22,500 --> 00:08:26,970 [ FLATLINE, MONITORS BEEPING RAPIDLY ] 127 00:08:26,967 --> 00:08:33,067 MARCH 3, 1993, MONTGOMERY COUNTY, MARYLAND. 128 00:08:33,067 --> 00:08:37,227 TO THE LEFT SIDE OF THE DRIVEWAY ARE TIRE TRACKS. 129 00:08:37,233 --> 00:08:39,533 STILL PHOTOS AND MEASUREMENTS HAVE BEEN TAKEN. 130 00:08:39,533 --> 00:08:41,873 AND AS YOU WENT THROUGH THE HOUSE, 131 00:08:41,867 --> 00:08:43,567 DRAWERS HAD BEEN TURNED AND THINGS LIKE THAT, 132 00:08:43,567 --> 00:08:46,067 BUT NOTHING OF REAL CONSEQUENCE HAD BEEN TAKEN. 133 00:08:46,067 --> 00:08:48,067 IT WAS AS IF SOMEONE HAD ATTEMPTED 134 00:08:48,067 --> 00:08:52,927 TO STAGE WHAT LOOKED LIKE A BURGLARY THAT WENT BAD, 135 00:08:52,933 --> 00:08:55,103 BUT THEY WERE NOT THERE FOR A BURGLARY. 136 00:08:55,100 --> 00:08:56,800 THEY WERE NOT THERE FOR A ROBBERY. 137 00:08:56,800 --> 00:08:58,500 THERE WERE THERE FOR AN EXECUTION. 138 00:08:58,500 --> 00:09:08,570 ♪♪ 139 00:09:08,567 --> 00:09:13,967 ♪♪ 140 00:09:13,967 --> 00:09:20,227 IN THE SPRING OF 1993, I WAS A FRESHMAN AT HOWARD UNIVERSITY. 141 00:09:20,233 --> 00:09:22,433 I WAS JUST A YOUNG COLLEGE STUDENT 142 00:09:22,433 --> 00:09:25,703 TRYING TO MAKE HER WAY IN THE WORLD. 143 00:09:25,700 --> 00:09:32,370 ♪♪ 144 00:09:32,367 --> 00:09:36,427 [ PHONE RINGING ] 145 00:09:36,433 --> 00:09:39,433 I GOT A PHONE CALL FROM THE FRONT DESK 146 00:09:39,433 --> 00:09:41,803 OF THE SECURITY OF MY BUILDING, 147 00:09:41,800 --> 00:09:43,070 [Voice breaking] AND THEY SAID, YOU KNOW, 148 00:09:43,067 --> 00:09:44,967 "YOU NEED TO GET DRESSED, AND YOU NEED 149 00:09:44,967 --> 00:09:47,327 TO COME DOWNSTAIRS BECAUSE THE POLICE ARE HERE." 150 00:09:47,333 --> 00:09:50,133 I'M LIKE, "THE POLICE?" 151 00:09:50,133 --> 00:09:56,333 ♪♪ 152 00:09:56,333 --> 00:09:58,733 AND THEY SAID, YOU KNOW, "WE NEED TO TAKE YOU HOME. 153 00:09:58,733 --> 00:10:02,733 SOMETHING'S HAPPENED." AND I'M LIKE, "WHAT HAPPENED?" 154 00:10:02,733 --> 00:10:04,673 AND THEY WOULD NOT TELL ME. 155 00:10:04,667 --> 00:10:14,667 ♪♪ 156 00:10:14,667 --> 00:10:17,027 ♪♪ 157 00:10:17,033 --> 00:10:19,173 AND THE WHOLE RIDE, I CAN REMEMBER LOOKING 158 00:10:19,167 --> 00:10:21,597 OUT OF THE WINDOW AND JUST CRYING AND CRYING AND CRYING. 159 00:10:21,600 --> 00:10:26,000 [ SOBBING ] 160 00:10:29,800 --> 00:10:35,870 WHEN I ARRIVED AT MY AUNT'S HOUSE, I OPENED THE DOOR, 161 00:10:35,867 --> 00:10:38,797 AND I FELL INTO MY AUNT ELAINE'S ARMS... 162 00:10:38,800 --> 00:10:42,630 [ SOBBING ] 163 00:10:42,633 --> 00:10:44,303 AND SHE SCREAMED, 164 00:10:44,300 --> 00:10:47,700 "THEY KILLED BOTH OF THEM. THEY KILLED MILLIE AND TREVOR." 165 00:10:47,700 --> 00:10:57,700 ♪♪ 166 00:10:57,700 --> 00:11:02,970 ♪♪ 167 00:11:02,967 --> 00:11:06,597 I REMEMBER MY SISTER STANDING THERE SO CONFUSED, 168 00:11:06,600 --> 00:11:09,500 AND I REMEMBER FEELING LIKE MY SISTER WAS ALONE, 169 00:11:09,500 --> 00:11:12,830 THAT THERE WAS NO ONE THERE TO COMFORT HER. 170 00:11:12,833 --> 00:11:17,233 SHE WAS HOLDING ONE OF HER BABY DOLLS, 171 00:11:17,233 --> 00:11:19,233 AND I JUST WENT AND I GRABBED MY SISTER, 172 00:11:19,233 --> 00:11:21,603 AND I HELD HER SO CLOSE TO ME. 173 00:11:24,133 --> 00:11:27,333 I'VE ALWAYS FELT PROTECTIVE OVER MY SISTER, BUT AT THAT MOMENT, 174 00:11:27,333 --> 00:11:31,203 I KNEW THAT I WAS ALL SHE HAD LEFT. 175 00:11:34,967 --> 00:11:37,667 IT WAS JUST ME AND HER. 176 00:11:37,667 --> 00:11:47,667 ♪♪ 177 00:11:47,667 --> 00:11:51,267 ♪♪ 178 00:11:51,267 --> 00:11:54,097 MY MOM DIDN'T HAVE ENEMIES. 179 00:11:54,100 --> 00:11:56,730 YOU KNOW, TREVOR DIDN'T HAVE ANY ENEMIES. 180 00:11:56,733 --> 00:11:59,703 AND JANICE, SHE WAS JUST DOING HER JOB CARING FOR MY BROTHER 181 00:11:59,700 --> 00:12:02,070 LIKE SHE HAD DONE FOR MANY, MANY YEARS. 182 00:12:02,067 --> 00:12:04,567 [ SOBS ] 183 00:12:04,567 --> 00:12:07,197 IT WAS LIKE, "WHO ARE THESE MONSTERS?" 184 00:12:07,200 --> 00:12:10,600 WE HAD NO IDEA, BUT A PART OF ME KNEW IMMEDIATELY. 185 00:12:10,600 --> 00:12:16,200 PART OF ME KNEW THAT MY DAD HAD SOMETHING TO DO WITH IT. 186 00:12:16,200 --> 00:12:18,470 [ SOBS, SNIFFLES ] 187 00:12:18,467 --> 00:12:19,697 I JUST KNEW IT. 188 00:12:19,700 --> 00:12:21,730 I KNEW RIGHT AWAY, AND I TOLD THE POLICE THAT. 189 00:12:21,733 --> 00:12:22,973 I TOLD THEM, I'M LIKE, 190 00:12:22,967 --> 00:12:25,697 "I THINK HE HAD SOMETHING TO DO WITH THIS. I DO." 191 00:12:25,700 --> 00:12:32,370 ♪♪ 192 00:12:34,467 --> 00:12:44,397 ♪♪ 193 00:12:44,400 --> 00:12:49,170 Horn: WOW, MY PARENTS WERE SO YOUNG IN THIS PICTURE. 194 00:12:52,833 --> 00:12:56,673 THEY LOOK REALLY HAPPY. 195 00:12:56,667 --> 00:12:58,397 THEY'D WALK INTO A ROOM, 196 00:12:58,400 --> 00:13:02,970 AND PEOPLE WOULD WONDER WHO THEY WERE, YOU KNOW? 197 00:13:02,967 --> 00:13:06,767 MY MOM WAS THIS BEAUTIFUL, YOUNG FLIGHT ATTENDANT, 198 00:13:06,767 --> 00:13:11,627 AND HE WAS A RECORDING EXECUTIVE WITH MOTOWN. 199 00:13:11,633 --> 00:13:14,803 HE WAS THERE MAKING HISTORY WITH ALL THESE PEOPLE, 200 00:13:14,800 --> 00:13:18,830 AND I THINK THAT DEFINITELY INTRIGUED HER. 201 00:13:18,833 --> 00:13:22,103 AND HE WAS GOOD FRIENDS WITH A LOT OF CELEBS AND PEOPLE, 202 00:13:22,100 --> 00:13:24,630 AND HE BROUGHT HER INTO THAT WORLD. 203 00:13:28,933 --> 00:13:32,533 THIS IS ONE OF MY FAVORITE PICTURES OF ME 204 00:13:32,533 --> 00:13:34,533 WITH MY MOM AND DAD. 205 00:13:34,533 --> 00:13:40,633 ♪♪ 206 00:13:40,633 --> 00:13:46,503 THAT WAS ONE OF THOSE DAYS THAT MY DAD WAS ACTUALLY HOME. 207 00:13:46,500 --> 00:13:48,970 THEY FOUGHT A LOT, BUT THIS DAY, IN PARTICULAR, 208 00:13:48,967 --> 00:13:50,867 THEY WERE GETTING ALONG, 209 00:13:50,867 --> 00:13:52,567 AND I CAN REMEMBER FEELING LIKE, 210 00:13:52,567 --> 00:13:55,267 "I WISH THIS WAS MY EVERYDAY LIFE," 211 00:13:55,267 --> 00:13:58,627 BECAUSE WE WERE ALL TOGETHER. 212 00:14:02,067 --> 00:14:07,497 I REALLY DIDN'T THINK THAT WE WOULD MOVE AWAY FROM MY DAD, 213 00:14:07,500 --> 00:14:10,070 BUT WE DID. 214 00:14:10,067 --> 00:14:20,067 ♪♪ 215 00:14:20,067 --> 00:14:22,827 ♪♪ 216 00:14:22,833 --> 00:14:26,273 Lawrence: OH, THE SUN IS IN YOUR EYES? 217 00:14:26,267 --> 00:14:28,697 THIS IS OUT IN PUBLIC, DAD. 218 00:14:28,700 --> 00:14:31,330 [ CAR BONGING ] 219 00:14:31,333 --> 00:14:32,633 [ CHUCKLES ] 220 00:14:32,633 --> 00:14:34,603 Tiffani: THERE'S DAD. 221 00:14:34,600 --> 00:14:36,300 SEE, I WOULDN'T KNOW WHAT I WAS DOING 222 00:14:36,300 --> 00:14:38,270 IF I DIDN'T KNOW HOW TO USE A CAMERA. 223 00:14:38,267 --> 00:14:39,527 OH, REALLY? 224 00:14:39,533 --> 00:14:43,433 WE'VE DONE GAME SHOWS, INTERVIEWS, COMMERCIALS. 225 00:14:43,433 --> 00:14:45,333 WE'VE DONE SO MANY STUFF. 226 00:14:45,333 --> 00:14:47,303 I LIKE IT. 227 00:14:47,300 --> 00:14:50,200 THOSE SUMMERS THAT I SPENT WITH MY DAD IN CALIFORNIA 228 00:14:50,200 --> 00:14:52,730 WERE REALLY, REALLY HAPPY FOR ME. 229 00:14:52,733 --> 00:14:54,603 BEING, YOU KNOW, DADDY'S LITTLE GIRL, 230 00:14:54,600 --> 00:14:57,200 DADDY'S PRINCESS. 231 00:14:57,200 --> 00:14:59,570 WHO ARE YOU DOING THIS FOR? 232 00:14:59,567 --> 00:15:01,597 SO I HAVE A PICTURE. 233 00:15:01,600 --> 00:15:03,400 I LIKE TAKING PICTURES. 234 00:15:03,400 --> 00:15:04,700 YOU DO? 235 00:15:04,700 --> 00:15:06,800 YEAH. 236 00:15:06,800 --> 00:15:08,930 WE ENJOYED OUR TIME TOGETHER, YOU KNOW? 237 00:15:08,933 --> 00:15:11,273 I MEAN, I FELT LIKE THE DAD 238 00:15:11,267 --> 00:15:13,297 THAT I MISSED THROUGHOUT THE WHOLE YEAR, 239 00:15:13,300 --> 00:15:14,830 I GOT THAT TIME IN THE SUMMER. 240 00:15:14,833 --> 00:15:17,073 I GOT IT BACK. 241 00:15:17,067 --> 00:15:22,767 ♪♪ 242 00:15:22,767 --> 00:15:27,327 EVERY SUMMER, THERE WAS A BIG PICNIC THAT MOTOWN WOULD PUT ON, 243 00:15:27,333 --> 00:15:29,533 AND I'D ALWAYS REMEMBER LOOKING FORWARD 244 00:15:29,533 --> 00:15:31,403 TO THOSE WHEN I WAS A CHILD. 245 00:15:33,867 --> 00:15:36,497 ONE SUMMER, STEVIE WONDER WAS THERE. 246 00:15:36,500 --> 00:15:39,070 HE WAS DEFINITELY ONE OF MY DAD'S FAVORITE ARTISTS 247 00:15:39,067 --> 00:15:41,327 AT MOTOWN. 248 00:15:41,333 --> 00:15:43,073 AND I REMEMBER, YOU KNOW, 249 00:15:43,067 --> 00:15:45,867 MY DAD PROBABLY BEING EVEN MORE EXCITED THAN I WAS 250 00:15:45,867 --> 00:15:47,967 THAT I GET TO MEET STEVIE. 251 00:15:50,067 --> 00:15:51,667 THEY USED TO CALL MY DAD 252 00:15:51,667 --> 00:15:55,827 I.T. BECAUSE HIS NAME WAS LAWRENCE THOMAS, 253 00:15:55,833 --> 00:15:59,103 SO I CAN REMEMBER HIM SAYING, "OH, HEY, I.T.," 254 00:15:59,100 --> 00:16:01,070 AND, YOU KNOW, SLAPPING HIM ON THE BACK, 255 00:16:01,067 --> 00:16:03,967 GIVING HIM A HIGH FIVE, SHAKING HIS HAND. 256 00:16:03,967 --> 00:16:07,697 I MEAN, HE DEFINITELY WAS AN IMPORTANT PERSON AT THAT OFFICE. 257 00:16:07,700 --> 00:16:17,700 ♪♪ 258 00:16:17,700 --> 00:16:22,730 ♪♪ 259 00:16:22,733 --> 00:16:26,303 MILLIE WAS MOVING ON WITH HER LIFE. 260 00:16:26,300 --> 00:16:29,730 I KNOW THAT SHE HAD FILED FOR DIVORCE. 261 00:16:29,733 --> 00:16:33,273 SO WHAT IS IT YOU WANTED TO TELL ME? 262 00:16:33,267 --> 00:16:36,167 THEN SHE DROPPED THE BOMB, 263 00:16:36,167 --> 00:16:40,627 AND SHE SAID TO ME THAT SHE WAS PREGNANT. 264 00:16:43,767 --> 00:16:47,697 PREGNANT FOR WHOM? 265 00:16:47,700 --> 00:16:52,070 AND SHE SAID, "LAWRENCE." 266 00:16:52,067 --> 00:16:55,627 I WAS DUMBFOUNDED. 267 00:16:57,733 --> 00:17:00,073 I HAD NO IDEA 268 00:17:00,067 --> 00:17:02,627 THAT LAWRENCE AND MILLIE WERE SEEING EACH OTHER. 269 00:17:02,633 --> 00:17:06,503 ♪♪ 270 00:17:08,200 --> 00:17:18,200 ♪♪ 271 00:17:18,200 --> 00:17:19,430 ♪♪ 272 00:17:19,433 --> 00:17:24,833 THE GIRL STOOD A VERY GOOD CHANCE OF MAKING IT, 273 00:17:24,833 --> 00:17:30,103 BUT THE LITTLE BOY WAS 50/50. 274 00:17:32,167 --> 00:17:35,167 THERE WAS A POSSIBILITY THAT HE WOULD NOT MAKE IT. 275 00:17:38,200 --> 00:17:43,170 TIFFANI WAS OUT VISITING WITH HER FATHER. 276 00:17:43,167 --> 00:17:44,867 WE CALLED LAWRENCE, 277 00:17:44,867 --> 00:17:50,297 AND WE ASK THAT HE BRING TIFFANI TO MARYLAND 278 00:17:50,300 --> 00:17:52,800 SO SHE WOULD HAVE AN OPPORTUNITY 279 00:17:52,800 --> 00:17:55,730 TO SEE HER BROTHER 280 00:17:55,733 --> 00:17:58,373 IN CASE HE DID NOT MAKE IT. 281 00:18:01,633 --> 00:18:07,573 AND HIS RESPONSE WAS, "THERE'S A MOTOWN PICNIC ON SATURDAY, 282 00:18:07,567 --> 00:18:11,127 AND SHE CANNOT COME." 283 00:18:11,133 --> 00:18:16,373 WHAT MAN, OR WHAT FATHER, WOULD DO THAT? 284 00:18:16,367 --> 00:18:22,767 IT CHANGED MY OPINION OF HIM COMPLETELY. 285 00:18:22,767 --> 00:18:29,727 ♪♪ 286 00:18:29,733 --> 00:18:31,733 YOU'VE GOT A SUSPECT IMMEDIATELY, 287 00:18:31,733 --> 00:18:32,973 AND IT'S LAWRENCE HORN, 288 00:18:32,967 --> 00:18:36,127 BUT LAWRENCE HORN IS IN LOS ANGELES. 289 00:18:36,133 --> 00:18:38,733 WE REACHED OUT TO OUR COLLEAGUES IN LOS ANGELES, 290 00:18:38,733 --> 00:18:40,373 WHO WENT IMMEDIATELY TO HIS APARTMENT 291 00:18:40,367 --> 00:18:44,527 TO FIND OUT WHERE WAS HE AT THE TIME OF THE MURDER? 292 00:18:44,533 --> 00:18:48,703 WITHIN 12 HOURS, WE HAD PROBABLY RULED HIM OUT 293 00:18:48,700 --> 00:18:53,670 AS THE DIRECT HAND THAT CAUSED THESE DEATHS. 294 00:18:53,667 --> 00:18:58,827 THE ALIBI THAT HE DIDN'T DO IT IS ABSOLUTELY AIRTIGHT. 295 00:18:58,833 --> 00:19:03,373 HE SET UP A CAMCORDER, HE FILMED HIMSELF IN FRONT OF HIS OWN TV 296 00:19:03,367 --> 00:19:04,897 WATCHING THE EVENING NEWS 297 00:19:04,900 --> 00:19:07,630 AT PRECISELY THE MOMENT THE MURDER OCCURRED. 298 00:19:09,800 --> 00:19:11,770 THIS ACTUALLY TURNED OUT TO BE ONE OF THE MOST SUSPECT 299 00:19:11,767 --> 00:19:14,297 THINGS HE ABSOLUTELY DID. 300 00:19:17,967 --> 00:19:20,097 HOW MANY TIMES HAVE YOU TURNED ON THE EVENING NEWS 301 00:19:20,100 --> 00:19:23,070 IN YOUR HOME, TURNED ON A CAMCORDER, AND VIDEOTAPED 302 00:19:23,067 --> 00:19:25,927 YOURSELF SO THAT NOT ONLY IT'S YOUR PHYSICAL BEING 303 00:19:25,933 --> 00:19:28,403 BUT THE TV BEHIND YOU RECORDING THE DATE 304 00:19:28,400 --> 00:19:32,600 AND THE TIME PRECISELY OF WHEN THAT RECORDING IS BEING MADE? 305 00:19:32,600 --> 00:19:34,670 I WOULD SAY THE ANSWER TO THAT IS NEVER. 306 00:19:34,667 --> 00:19:36,097 COME ON. 307 00:19:36,100 --> 00:19:39,270 THERE'S COINCIDENCES, BUT I'M NOT BUYING THAT ONE. 308 00:19:39,267 --> 00:19:43,167 HORN WAS INVOLVED AT SOME LEVEL, THROUGH AN AGENT, 309 00:19:43,167 --> 00:19:45,197 PROBABLY A PROFESSIONAL HIT MAN. 310 00:19:45,200 --> 00:19:48,070 BUT HOW ARE WE GOING TO GO ABOUT CONNECTING THE TWO PEOPLE? 311 00:19:48,067 --> 00:19:50,667 THERE WERE NO FINGERPRINTS. THERE WERE NO PALM PRINTS. 312 00:19:50,667 --> 00:19:52,167 THERE WERE NO SHOE PRINTS. 313 00:19:52,167 --> 00:19:55,427 WHO ACTUALLY WAS THE KILLER, AND HOW DID THIS GO DOWN? 314 00:20:00,933 --> 00:20:10,833 ♪♪ 315 00:20:10,833 --> 00:20:12,133 ♪♪ 316 00:20:12,133 --> 00:20:16,403 OH, MY BIG BOY TREVOR. 317 00:20:16,400 --> 00:20:18,970 LOOK AT HIS SMILE. 318 00:20:18,967 --> 00:20:20,427 HE'S ALL DRESSED UP. 319 00:20:20,433 --> 00:20:24,003 HIS MOM ALWAYS HAD HIM ALL DRESSED UP. 320 00:20:24,000 --> 00:20:26,200 HE WAS A JOY. 321 00:20:26,200 --> 00:20:29,800 I WOULD RUSH HOME FROM WORK IN THE AFTERNOON 322 00:20:29,800 --> 00:20:33,070 JUST TO SEE THAT SMILE ON HIS FACE. 323 00:20:35,267 --> 00:20:38,467 TREVOR, WE LOVE YOU AND MISS YOU SO MUCH. 324 00:20:38,467 --> 00:20:43,997 YOU WERE THE LIGHT OF MY LIFE, AND YOU STILL ARE. 325 00:20:44,000 --> 00:20:46,670 WHAT ARE YOU DOING, TREVOR? 326 00:20:46,667 --> 00:20:49,297 BOOGIE, BOOGIE, BOOGIE, BOO. 327 00:20:49,300 --> 00:20:51,730 LOOK AT TREVOR LAUGHING. 328 00:20:51,733 --> 00:20:54,333 [ TREVOR LAUGHS ] 329 00:20:54,333 --> 00:21:04,133 ♪♪ 330 00:21:04,133 --> 00:21:08,533 THERE WAS A LAWSUIT FILED AGAINST THE HOSPITAL, 331 00:21:08,533 --> 00:21:11,073 WHICH WE WON. 332 00:21:11,067 --> 00:21:15,067 THE LARGE PORTION OF THE MONEY WAS SET ASIDE FOR TREVOR'S CARE. 333 00:21:18,733 --> 00:21:21,573 MILLIE WAS THE CUSTODIAL PARENT 334 00:21:21,567 --> 00:21:26,667 AND WAS GRANTED AN AMOUNT GREATER THAN LAWRENCE, 335 00:21:26,667 --> 00:21:29,827 AND THEREFORE, HE WAS VERY UPSET. 336 00:21:29,833 --> 00:21:34,633 ♪♪ 337 00:21:34,633 --> 00:21:37,133 Millie: I'M NOT GIVING YOU TREVOR'S MONEY. 338 00:21:37,133 --> 00:21:38,733 - ALL OF OUR MONEY. - IT IS NOT ALL OF OUR MONEY. 339 00:21:38,733 --> 00:21:40,073 Lawrence: COME ON, NOW. YOU GOT TO GIVE IT UP. 340 00:21:40,067 --> 00:21:41,897 TREVOR IS THE ONE WHO WENT THROUGH THIS. 341 00:21:41,900 --> 00:21:44,130 MY MOM AND DAD HAD A CONVERSATION 342 00:21:44,133 --> 00:21:45,833 AFTER LEAVING THE HOSPITAL. 343 00:21:45,833 --> 00:21:47,733 EVERYTHING WITH YOU IS MONEY, MONEY, MONEY. 344 00:21:47,733 --> 00:21:49,733 YOU RUN YOUR MOUTH WITHOUT EVEN THINKING THE WHOLE... 345 00:21:49,733 --> 00:21:51,303 I DON'T KNOW WHAT HE SAID TO HER, 346 00:21:51,300 --> 00:21:53,070 BUT MY MOM WAS DONE WITH HIM, 347 00:21:53,067 --> 00:21:57,197 AND HE WAS BASICALLY DONE WITH US. 348 00:21:57,200 --> 00:22:02,070 HE JUST KIND OF SAUNTERED OUT OF THE HOUSE AND DIDN'T LOOK BACK. 349 00:22:02,067 --> 00:22:11,067 ♪♪ 350 00:22:11,067 --> 00:22:13,297 THERE WOULD BE NO MORE CHRISTMAS DINNERS, 351 00:22:13,300 --> 00:22:15,130 THANKSGIVING DINNERS, 352 00:22:15,133 --> 00:22:17,673 IMPROMPTU VISITS FOR THE WEEKEND. 353 00:22:17,667 --> 00:22:21,627 IT ALL ENDED IN THAT MOMENT. 354 00:22:25,533 --> 00:22:31,273 MY MOTHER DEFINITELY TRANSFORMED INTO THIS SUPER MOM 355 00:22:31,267 --> 00:22:32,627 WHO WAS GOING TO MAKE SURE 356 00:22:32,633 --> 00:22:36,203 THAT HE SON RECEIVED THE BEST HEALTHCARE. 357 00:22:36,200 --> 00:22:38,400 SHE WASN'T GOING TO LET ANYTHING HAPPEN TO HIM, 358 00:22:38,400 --> 00:22:40,300 THAT HE WASN'T GOING TO DIE. 359 00:22:40,300 --> 00:22:42,130 SHE WASN'T GOING TO LET HIM DIE. 360 00:22:42,133 --> 00:22:52,133 ♪♪ 361 00:22:52,133 --> 00:23:01,333 ♪♪ 362 00:23:01,333 --> 00:23:05,073 WHO STOOD TO BENEFIT IF, UNIQUELY, 363 00:23:05,067 --> 00:23:09,267 TREVOR AND MILLIE WERE ELIMINATED? 364 00:23:09,267 --> 00:23:11,097 FINDING OUT THAT THERE WAS THIS MONEY, 365 00:23:11,100 --> 00:23:13,600 WHICH INITIALLY WAS MILLIONS OF DOLLARS, 366 00:23:13,600 --> 00:23:16,070 IN THIS TRUST FUND FOR THIS KID, 367 00:23:16,067 --> 00:23:20,427 WHO STANDS TO NOW CONTROL THIS MONEY LEGALLY? 368 00:23:20,433 --> 00:23:22,973 AND THE ANSWER TO THAT QUESTION IS LAWRENCE HORN. 369 00:23:27,667 --> 00:23:31,197 WE SUSPECTED VERY STRONGLY IMMEDIATELY 370 00:23:31,200 --> 00:23:33,570 THAT THIS MAN HAD HIRED SOMEBODY ELSE TO COME HERE. 371 00:23:38,233 --> 00:23:40,803 WE BEGAN TO PULL MOTEL RECORDS 372 00:23:40,800 --> 00:23:42,630 ANYWHERE WITHIN THE REASONABLE PROXIMITY 373 00:23:42,633 --> 00:23:45,073 OF WHERE THE KILLING OCCURRED. 374 00:23:45,067 --> 00:23:48,267 THERE'S A DAYS INN ON SHADY GROVE ROAD. 375 00:23:50,800 --> 00:23:55,270 AND IF YOU GO FROM THE MURDER SCENE TO THE HOTEL, 376 00:23:55,267 --> 00:24:01,467 ITEMS OF PERSONAL PROPERTY TAKEN FROM MILLIE'S HOME 377 00:24:01,467 --> 00:24:04,427 ARE FOUND DISCARDED ALONG THE ROADWAY. 378 00:24:07,500 --> 00:24:11,370 CREDIT CARDS, PERSONAL ITEMS. IT'S ALMOST LIKE BREADCRUMBS. 379 00:24:11,367 --> 00:24:16,927 SO WE EXAMINED THE NAMES OF THE PEOPLE WHO CAME HERE THAT NIGHT. 380 00:24:19,200 --> 00:24:21,570 WE FOUND JAMES PERRY. 381 00:24:21,567 --> 00:24:26,667 ♪♪ 382 00:24:26,667 --> 00:24:31,627 HE'S FROM DETROIT, AND WE KNEW THAT HORN HAD A TIE TO DETROIT. 383 00:24:31,633 --> 00:24:33,303 HE CHECKED IN AT 12:30. 384 00:24:33,300 --> 00:24:35,770 HE WAS LEFT BY 5:30. 385 00:24:35,767 --> 00:24:39,127 WHAT BROUGHT SOME GUY FROM DETROIT, 386 00:24:39,133 --> 00:24:41,703 FROM THE NEIGHBORHOOD THAT GAVE US LAWRENCE HORN, 387 00:24:41,700 --> 00:24:44,530 FOR 3 OR 4 HOURS TO MONTGOMERY COUNTY 388 00:24:44,533 --> 00:24:46,503 PRECISELY WHEN OUR MURDER WAS GOING ON? 389 00:24:50,067 --> 00:24:55,897 ♪♪ 390 00:24:55,900 --> 00:24:58,200 JAMES PERRY IS BASICALLY A CAREER CRIMINAL 391 00:24:58,200 --> 00:25:00,570 WHO WENT INTO BUSINESS, 392 00:25:00,567 --> 00:25:04,427 WAS TRYING TO BE A PROBLEM SOLVER FOR PEOPLE. 393 00:25:04,433 --> 00:25:07,073 HE WAS A FIXER, AND THE FIXER MEANT 394 00:25:07,067 --> 00:25:09,497 JUST ABOUT ANYTHING, UP TO MURDER 395 00:25:09,500 --> 00:25:12,070 AND INCLUDING MURDER. 396 00:25:13,833 --> 00:25:23,833 ♪♪ 397 00:25:23,833 --> 00:25:30,403 ♪♪ 398 00:25:30,400 --> 00:25:34,230 WE SURVEILLED ALL OF THE PAY PHONES IN LOS ANGELES 399 00:25:34,233 --> 00:25:36,073 THAT WERE WITHIN ABOUT A 12-BLOCK AREA 400 00:25:36,067 --> 00:25:37,697 OF WHERE HORN LIVED 401 00:25:37,700 --> 00:25:40,400 AND ALL OF THE PAY PHONES IN DETROIT 402 00:25:40,400 --> 00:25:43,830 THAT WERE WITHIN, LIKE, A 12- BLOCK AREA OF WHERE PERRY LIVED. 403 00:25:43,833 --> 00:25:46,903 FBI AGENTS WERE WATCHING PERRY IN DETROIT. 404 00:25:46,900 --> 00:25:49,100 [ CAMERA SHUTTER CLICKING ] 405 00:25:49,100 --> 00:25:51,930 FBI AGENTS WERE WATCHING HORN IN LOS ANGELES. 406 00:25:51,933 --> 00:25:54,073 [ CAMERA SHUTTER CLICKING ] 407 00:25:54,067 --> 00:25:55,897 WE WERE ATTEMPTING, THROUGH THE SURVEILLANCE, 408 00:25:55,900 --> 00:25:58,070 TO PROVE HOW THEY WERE COMMUNICATING. 409 00:25:58,067 --> 00:26:06,067 ♪♪ 410 00:26:06,067 --> 00:26:07,227 THERE'S JAMES PERRY. 411 00:26:07,233 --> 00:26:09,203 [ CAMERA SHUTTER CLICKING ] 412 00:26:09,200 --> 00:26:13,500 THE PERSON ON THE OTHER END IS LAWRENCE HORN. 413 00:26:13,500 --> 00:26:14,770 [ CAMERA SHUTTER CLICKING ] 414 00:26:14,767 --> 00:26:16,467 WE HAVE THE PHONE RECORDS. 415 00:26:16,467 --> 00:26:19,967 THEY ARE SIMULTANEOUSLY TALKING TO EACH OTHER, 416 00:26:19,967 --> 00:26:22,697 ONE BEING PHOTOGRAPHED BY FBI IN ONE LOCATION, 417 00:26:22,700 --> 00:26:26,070 ONE BEING PHOTOGRAPHED IN ANOTHER LOCATION. 418 00:26:26,067 --> 00:26:29,267 THIS IS DIRECT EVIDENCE THAT THESE TWO MEN 419 00:26:29,267 --> 00:26:30,927 ARE HAVING THIS CONVERSATION. 420 00:26:30,933 --> 00:26:33,273 EVERY ONE OF THOSE PIECES OF EVIDENCE 421 00:26:33,267 --> 00:26:35,867 IS BUILDING OUR PROBABLE CAUSE TO BELIEVE 422 00:26:35,867 --> 00:26:37,297 THAT THERE WAS COLLUSION. 423 00:26:37,300 --> 00:26:38,900 THERE WAS A CONSPIRACY. 424 00:26:38,900 --> 00:26:41,070 THERE WAS AN AGREEMENT BETWEEN THESE TWO MEN 425 00:26:41,067 --> 00:26:44,627 TO EXECUTE MILLIE HORN AND HER SON 426 00:26:44,633 --> 00:26:48,333 AND ANYBODY ELSE WHO GOT IN THE WAY FOR MONEY. 427 00:26:53,900 --> 00:27:03,330 ♪♪ 428 00:27:03,333 --> 00:27:06,573 Tiffani: IN THE SPRING OF 1992, I WAS A SENIOR, 429 00:27:06,567 --> 00:27:10,697 AND MY DAD DECIDED TO COME TO MARYLAND. 430 00:27:10,700 --> 00:27:13,400 HE SHOWS UP SAYING, "OH, HERE I AM. 431 00:27:13,400 --> 00:27:15,070 I'M GOING TO BE PART OF YOUR LIFE AGAIN." 432 00:27:15,067 --> 00:27:18,297 ONCE AGAIN, IT WAS THE SAME OLD SONG AND DANCE. 433 00:27:21,800 --> 00:27:25,630 MY MOTHER WAS NOT CONVINCED THAT HE WAS GENUINE, 434 00:27:25,633 --> 00:27:27,433 AND SHE TOLD ME, YOU KNOW, 435 00:27:27,433 --> 00:27:29,573 "I REALLY DON'T WANT HIM IN THE HOUSE." 436 00:27:29,567 --> 00:27:31,567 [ LAWRENCE CHUCKLES ] 437 00:27:31,567 --> 00:27:40,867 ♪♪ 438 00:27:40,867 --> 00:27:44,167 AND HE STARTED EXPRESSING AN INTEREST IN MY BROTHER 439 00:27:44,167 --> 00:27:48,097 THAT HE HAD NEVER EXPRESSED BEFORE. 440 00:27:48,100 --> 00:27:52,870 "HOW'S HIS CARE? TELL ME WHAT THE NURSES DO EVERY DAY." 441 00:27:52,867 --> 00:27:56,697 HE SHOWED UP ONE DAY, 442 00:27:56,700 --> 00:27:59,200 AND HE ASKED ME 443 00:27:59,200 --> 00:28:02,930 IF I COULD TAPE MY BROTHER IN HIS ROOM 444 00:28:02,933 --> 00:28:05,933 BECAUSE HE WAS JUST SO CURIOUS ABOUT, YOU KNOW, 445 00:28:05,933 --> 00:28:07,673 ALL OF THE PROGRESS TREVOR HAD MADE 446 00:28:07,667 --> 00:28:09,597 THAT I'D BEEN TELLING HIM ABOUT. 447 00:28:11,933 --> 00:28:13,303 I THOUGHT IT WAS A LITTLE STRANGE, 448 00:28:13,300 --> 00:28:14,830 BUT AT THE SAME TIME I WAS EXCITED. 449 00:28:14,833 --> 00:28:16,303 I FELT LIKE, "WOW. 450 00:28:16,300 --> 00:28:20,300 MY DAD REALLY WANTS TO KNOW ABOUT HIS SON, FINALLY." 451 00:28:20,300 --> 00:28:23,070 SO I DID WHAT HE ASKED. 452 00:28:25,833 --> 00:28:27,703 - YEAH. - YEAH. 453 00:28:27,700 --> 00:28:29,670 - BYE-BYE. - SHE'S GOING BYE-BYE. 454 00:28:29,667 --> 00:28:31,067 - BYE-BYE. - OKAY. 455 00:28:31,067 --> 00:28:33,127 Tiffani: TREVOR LEARNED HOW TO SAY "SCHOOL BUS,". 456 00:28:33,133 --> 00:28:35,403 AND HE COULD SAY OUR NAMES. 457 00:28:35,400 --> 00:28:37,700 SO I HAD HIM DO ALL OF THOSE THINGS. 458 00:28:37,700 --> 00:28:40,470 TREVOR, GIVE ME A KISS. 459 00:28:40,467 --> 00:28:41,927 YOU GOING TO GIVE ME A KISS? 460 00:28:41,933 --> 00:28:45,373 YEAH. 461 00:28:45,367 --> 00:28:48,197 MY DAD WAS SO EXCITED ABOUT THAT VIDEOTAPE 462 00:28:48,200 --> 00:28:51,330 THAT I REALLY FELT LIKE, YEAH, THIS WAS THE RIGHT THING TO DO. 463 00:28:51,333 --> 00:28:55,303 THE HE REALLY WANTED TO BE A PART OF HIS KIDS' LIVES AGAIN. 464 00:28:55,933 --> 00:28:58,133 OH, TREV. 465 00:29:00,667 --> 00:29:03,127 LOOK AT YOU. 466 00:29:03,133 --> 00:29:05,173 MWAH! 467 00:29:05,167 --> 00:29:09,897 YEAH. TREVOR. 468 00:29:09,900 --> 00:29:13,330 YOU CAN SEE THE JOY IN THIS LITTLE BOY'S FACE 469 00:29:13,333 --> 00:29:14,903 WHEN HE HEAR'S HIS SISTER'S VOICE. 470 00:29:14,900 --> 00:29:17,830 YOU GOING TO DO LIZARD BOTTOM? 471 00:29:17,833 --> 00:29:20,273 BYE-BYE, TREVOR. 472 00:29:20,267 --> 00:29:24,367 SO MANIPULATIVE OF THIS MAN TO USE HIS OWN DAUGHTER 473 00:29:24,367 --> 00:29:26,567 TO GET INFORMATION THAT WAS VITAL. 474 00:29:26,567 --> 00:29:28,067 HE COULD TURN IT OVER TO PERRY, 475 00:29:28,067 --> 00:29:30,497 SO PERRY WOULD NOW HAVE A ROAD MAP OF 476 00:29:30,500 --> 00:29:32,870 HERE'S THE BOY YOU'RE GOING TO KILL. 477 00:29:32,867 --> 00:29:34,267 HERE'S THE HOUSE. 478 00:29:34,267 --> 00:29:36,867 HERE'S THE LAYOUT, YOU KNOW. 479 00:29:36,867 --> 00:29:46,867 ♪♪ 480 00:29:46,867 --> 00:29:52,067 ♪♪ 481 00:29:52,067 --> 00:29:58,697 I HAD NO DOUBT IN MY MIND THAT LAWRENCE HAD A HAND IN THIS. 482 00:29:58,700 --> 00:30:03,170 "OH, HOW SMART AM I," IS HIS THOUGHT, 483 00:30:03,167 --> 00:30:05,127 I WOULD ASSUME. 484 00:30:05,133 --> 00:30:09,733 "SMALL TOWN, MONTGOMERY COUNTY, MARYLAND, 485 00:30:09,733 --> 00:30:12,803 I'M BIG MAN FROM I.A. 486 00:30:12,800 --> 00:30:15,200 WHO ARE THEY TO GO AGAINST ME?" 487 00:30:15,200 --> 00:30:20,270 ♪♪ 488 00:30:20,267 --> 00:30:22,427 I DON'T KNOW WHAT MONEY HE THOUGHT HE WAS GOING 489 00:30:22,433 --> 00:30:24,673 TO GET AWAY WITH, 490 00:30:24,667 --> 00:30:26,867 BUT HE HAD TO COME THROUGH MARYLAND, 491 00:30:26,867 --> 00:30:30,797 AND HE HAD FORGOTTEN, 492 00:30:30,800 --> 00:30:34,870 AS I CAN BE NICE, 493 00:30:34,867 --> 00:30:41,827 I CAN ALSO WIN ON THE OTHER END. 494 00:30:41,833 --> 00:30:48,833 ♪♪ 495 00:30:48,833 --> 00:30:50,433 McCarthy: DO I EVER THINK THAT LAWRENCE HORN THOUGHT. 496 00:30:50,433 --> 00:30:52,903 HE GOT AWAY WITH MURDER? THE ANSWER TO THAT IS YES. 497 00:30:52,900 --> 00:30:55,470 IF YOU THOUGHT YOU WERE BEING THE FOCUS OF THE MURDER, 498 00:30:55,467 --> 00:30:57,527 YOU'RE NOT GOING TO BE SAYING, 499 00:30:57,533 --> 00:30:59,133 "GIVE ME MY MONEY," UNLESS YOU THINK, 500 00:30:59,133 --> 00:31:01,403 "LOOK, THERE'S NO SUSPICION HERE." 501 00:31:01,400 --> 00:31:05,830 HE OBVIOUSLY HAD A FALSE SENSE OF SECURITY. 502 00:31:05,833 --> 00:31:08,773 THE PASSAGE OF MORE THAN A YEAR, 503 00:31:08,767 --> 00:31:11,097 NO COPS ARE KNOCKING ON HIS DOOR. 504 00:31:11,100 --> 00:31:13,130 HE THOUGHT HE GOT AWAY WITH IT. 505 00:31:16,067 --> 00:31:22,067 ♪♪ 506 00:31:22,067 --> 00:31:25,467 Man: WHAT INSURANCE WAS MAINTAINED BY YOU FOR TREVOR? 507 00:31:25,467 --> 00:31:28,367 A POLICY... 508 00:31:28,367 --> 00:31:30,427 WITH PRUDENTIAL. 509 00:31:30,433 --> 00:31:32,233 WE FED THE LAWYER SOME OF THE QUESTIONS 510 00:31:32,233 --> 00:31:34,603 TO ASK DURING THE CIVIL DEPOSITION. 511 00:31:34,600 --> 00:31:36,870 HORN, WHO WAS THERE TO GET MONEY, 512 00:31:36,867 --> 00:31:40,427 IS ASKED, FOR THE FIRST TIME, DURING A CIVIL DEPOSITION 513 00:31:40,433 --> 00:31:42,803 OVER A YEAR LATER, 514 00:31:42,800 --> 00:31:45,200 "DO YOU KNOW A MAN BY THE NAME OF JAMES PERRY?" 515 00:31:45,200 --> 00:31:47,630 DID YOU KNOW THAT MR. PERRY WAS IN MONTGOMERY COUNTY, 516 00:31:47,633 --> 00:31:49,303 MARYLAND, ON THE NIGHT OF THE MURDER 517 00:31:49,300 --> 00:31:53,070 OF YOUR FORMER WIFE AND CHILD AND THE NURSE? 518 00:31:53,067 --> 00:31:54,597 NO. 519 00:31:54,600 --> 00:31:55,800 OKAY. 520 00:31:55,800 --> 00:31:58,300 HAVE YOU EVER MET MR. PERRY? 521 00:31:58,300 --> 00:31:59,500 NO. 522 00:31:59,500 --> 00:32:01,470 HAVE YOU EVER SPOKEN TO MR. PERRY? 523 00:32:01,467 --> 00:32:02,727 NO. 524 00:32:02,733 --> 00:32:04,533 YOU'VE NEVER HAD A TELEPHONE CONVERSATION WITH MR. PERRY? 525 00:32:04,533 --> 00:32:05,903 NO. 526 00:32:05,900 --> 00:32:08,070 [ SCOFFS ] 527 00:32:08,067 --> 00:32:11,427 ONE, HE'S GOT TO BE DYING, AND TWO, HE'S A LIAR. 528 00:32:11,433 --> 00:32:14,073 EVERY SINGLE ANSWER WAS A LIE. 529 00:32:14,067 --> 00:32:17,067 HE MUST BE GOING CRAZY INSIDE. 530 00:32:17,067 --> 00:32:18,927 HE KNOWS THE JIG IS UP. 531 00:32:18,933 --> 00:32:23,073 "THEY KNOW THE KILLER'S NAME, AND I HIRED THE KILLER." 532 00:32:23,067 --> 00:32:25,427 YOU DON'T HAVE TO LIE ABOUT INNOCENT THINGS LIKE, 533 00:32:25,433 --> 00:32:28,073 "DO YOU KNOW JOHN McCARTHY?" "I KNOW JOHN McCARTHY." 534 00:32:28,067 --> 00:32:29,827 BUT YOU'RE NOT GOING TO SAY YOU KNOW JOHN McCARTHY. 535 00:32:29,833 --> 00:32:33,603 IF YOU HIRED JOHN McCARTHY TO KILL YOUR SON AND YOUR EX-WIFE. 536 00:32:33,600 --> 00:32:34,970 YOU'RE NOT GOING TO DO THAT. 537 00:32:34,967 --> 00:32:44,967 ♪♪ 538 00:32:44,967 --> 00:32:49,097 ♪♪ 539 00:32:49,100 --> 00:32:51,070 WHAT DOES A PROSECUTOR DO WITH IT? 540 00:32:51,067 --> 00:32:53,297 "LADIES AND GENTLEMAN, THOSE ARE LIES." 541 00:32:53,300 --> 00:32:55,570 BECAUSE WE WANT TO JUST POUND THE JURY OVER THE HEAD 542 00:32:55,567 --> 00:32:56,967 WITH THE FACT THAT WAS A LIE, 543 00:32:56,967 --> 00:32:59,727 THAT WAS A LIE, THAT WAS A LIE, AND HERE'S PHOTOGRAPHS. 544 00:32:59,733 --> 00:33:03,173 HERE'S MOTEL RECORDS, PAY PHONE RECORDS. 545 00:33:03,167 --> 00:33:08,767 AND ONCE YOU PROVE THAT LIE, YOU GO, "YOU KNOW WHY HE LIED. 546 00:33:08,767 --> 00:33:10,797 HE WAS CONSCIOUS OF HIS OWN GUILT." 547 00:33:10,800 --> 00:33:17,370 ♪♪ 548 00:33:17,367 --> 00:33:20,227 Man on TV: LAWRENCE HORN PAID JAMES PERRY TO KILL HORN'S. 549 00:33:20,233 --> 00:33:22,933 DISABLED SON, EX-WIFE, AND HIS SON'S NURSE. 550 00:33:22,933 --> 00:33:25,803 Tiffani: I WAS VERY RELIEVED WHEN MY DAD GOT ARRESTED. 551 00:33:25,800 --> 00:33:28,300 ...$1.7 MILLION MEDICAL SETTLEMENT. 552 00:33:28,300 --> 00:33:32,100 BUT AT THE SAME TIME, JUST FILLED WITH SO MUCH SADNESS 553 00:33:32,100 --> 00:33:37,300 THAT THIS HAD HAPPENED TO MY FAMILY. 554 00:33:37,300 --> 00:33:39,530 I DON'T HAVE ANYTHING NOW. 555 00:33:39,533 --> 00:33:41,073 I DON'T HAVE MY MOM. 556 00:33:41,067 --> 00:33:42,497 I DON'T HAVE MY BROTHER. 557 00:33:42,500 --> 00:33:45,500 [ SOBBING ] 558 00:33:45,500 --> 00:33:47,330 AND I ULTIMATELY DON'T HAVE HIM. 559 00:33:47,333 --> 00:33:49,373 I DON'T HAVE A DAD. 560 00:33:49,367 --> 00:33:50,627 Lawrence: HI. 561 00:33:50,633 --> 00:33:52,903 Tiffani: COME ON, DAD. I HAVE TO LEAVE NOW. BYE. 562 00:33:52,900 --> 00:33:54,500 OKAY, BABE. 563 00:33:54,500 --> 00:33:56,370 YOU KNOW, SOMEONE THAT I HAD GROWN UP WITH 564 00:33:56,367 --> 00:33:58,167 THAT HAD HUGGED ME AND KISSED ME, 565 00:33:58,167 --> 00:34:00,867 TOLD ME THAT I WAS THE GREATEST LITTLE GIRL IN THE WORLD, 566 00:34:00,867 --> 00:34:04,897 THAT I COULD DO ANYTHING, THAT HE LOVED ME SO MUCH. 567 00:34:07,700 --> 00:34:10,570 - DAD, COME ON. - OH, GO AHEAD. GET ON THE BUS. 568 00:34:10,567 --> 00:34:12,627 - BYE. - BYE-BYE, BABY. 569 00:34:14,567 --> 00:34:19,567 HOW COULD HE DESTROY HIS OWN BLOOD IN THAT WAY, HIS OWN SON? 570 00:34:22,300 --> 00:34:25,600 I DON'T KNOW IF I'll EVER BE ABLE TO RECONCILE IT. 571 00:34:31,567 --> 00:34:39,797 ♪♪ 572 00:34:39,800 --> 00:34:42,900 OH, MY GOD. 573 00:34:46,833 --> 00:34:51,273 JANICE, MY HEART GOES OUT TO YOU, SWEETHEART. 574 00:34:51,267 --> 00:34:56,067 YOU MEANT SO MUCH TO US. 575 00:34:56,067 --> 00:35:00,927 THE NURSE THAT WAS SUPPOSED TO WORK CALLED IN SICK, 576 00:35:00,933 --> 00:35:04,073 AND I CALLED JANICE, AND SHE SAYS, 577 00:35:04,067 --> 00:35:07,827 "ELAINE, EVEN THOUGH I'M TIRED, I WILL PICK IT UP 578 00:35:07,833 --> 00:35:11,473 BECAUSE I KNOW YOU AND COOKIE HAVE TO GO TO WORK TOMORROW." 579 00:35:11,467 --> 00:35:14,427 AND JANICE WAS NOT SUPPOSED TO BE THERE. 580 00:35:17,367 --> 00:35:23,497 YOU SAVED COOKIE AND ME BECAUSE WE WOULD HAVE BEEN IN THAT HOUSE 581 00:35:23,500 --> 00:35:26,070 IF YOU DID NOT PICK UP THAT SHIFT. 582 00:35:28,567 --> 00:35:32,567 AND I AM SO SORRY. 583 00:35:32,567 --> 00:35:34,897 GOD BLESS YOU. 584 00:35:34,900 --> 00:35:37,070 I LOVE YOU. 585 00:35:37,067 --> 00:35:47,067 ♪♪ 586 00:35:47,067 --> 00:35:57,067 ♪♪ 587 00:35:57,067 --> 00:36:07,127 ♪♪ 588 00:36:07,133 --> 00:36:10,933 I HAD GOTTEN WORD THAT HE HAD CANCER 589 00:36:10,933 --> 00:36:14,073 AND THAT HE HAD HIS COLON REMOVED. 590 00:36:14,067 --> 00:36:16,497 AND I HAD A CONVERSATION WITH A COUSIN 591 00:36:16,500 --> 00:36:20,170 WHO HAD ALSO LOST HER MOTHER TO A VIOLENT CRIME, 592 00:36:20,167 --> 00:36:21,697 AND HER FATHER WAS INVOLVED, 593 00:36:21,700 --> 00:36:24,370 AND SHE SAID, "YOU HAVE TO DO IT. 594 00:36:24,367 --> 00:36:27,067 YOU HAVE TO FORGIVE HIM IN ORDER FOR YOU TO BE AT PEACE. 595 00:36:27,067 --> 00:36:28,267 YOU'VE GOT TO GO AND FACE HIM, 596 00:36:28,267 --> 00:36:30,497 AND YOU'VE GOT TO TELL HIM YOU FORGIVE HIM." 597 00:36:30,500 --> 00:36:37,670 ♪♪ 598 00:36:37,667 --> 00:36:41,067 SO I WENT TO THE JAIL, AND IT WAS SURREAL. 599 00:36:43,633 --> 00:36:45,733 HE WAS JUST A SHADOW OF THE MAN, 600 00:36:45,733 --> 00:36:49,073 THAT BIG MAN WITH BOUNDLESS ENERGY. 601 00:36:51,067 --> 00:36:53,767 NOTHING WAS THERE. IT WAS NOTHING. 602 00:36:53,767 --> 00:36:58,627 I MEAN, HE WAS VERY SHRUNKEN AND OLD, IN A WHEELCHAIR, 603 00:36:58,633 --> 00:37:01,173 AND HE ROLLED IN AND HE SMILED. 604 00:37:03,633 --> 00:37:08,203 HE HAD CROOKED GLASSES ON, I MEAN, DISHEVELED HAIR. 605 00:37:08,200 --> 00:37:09,630 IT WAS AWFUL. 606 00:37:09,633 --> 00:37:13,603 IT BROKE MY HEART TO SEE HIM THAT WAY. 607 00:37:13,600 --> 00:37:17,300 I IMMEDIATELY GOT UP, AND I EMBRACED HIM, 608 00:37:17,300 --> 00:37:20,070 AND I SAID, YOU KNOW, "I FORGIVE YOU. I LOVE YOU." 609 00:37:22,833 --> 00:37:24,803 HE CRIED, AND HE WAS JUST HAPPY. 610 00:37:24,800 --> 00:37:30,370 HE SAID, "PLEASE, COME BACK. PLEASE CONTINUE TO VISIT ME." 611 00:37:34,067 --> 00:37:37,567 BUT HE NEVER APOLOGIZED. HE NEVER SAID HE WAS SORRY. 612 00:37:37,567 --> 00:37:40,467 [ SIGHS ] 613 00:37:40,467 --> 00:37:50,467 ♪♪ 614 00:37:50,467 --> 00:37:59,627 ♪♪ 615 00:37:59,633 --> 00:38:03,603 McCarthy: I CANNOT IMAGINE A CASE IN WHICH WE TOOK MORE PRIDE. 616 00:38:03,600 --> 00:38:06,470 I THINK LAWRENCE HORN COMMITTED A CRIME AGAINST NATURE, 617 00:38:06,467 --> 00:38:08,167 KILLED HIS OWN CHILD. 618 00:38:08,167 --> 00:38:11,127 THIS IS MY BROTHER. 619 00:38:11,133 --> 00:38:14,233 HE HAS A FAT STOMACH, BUT HE'S CUTE. 620 00:38:14,233 --> 00:38:16,633 THIS KID WAS FLOURISHING. 621 00:38:16,633 --> 00:38:22,133 NO ONE EVERY EXPECTED THIS CHILD TO EVER LIVE AS LONG AS HE DID. 622 00:38:22,133 --> 00:38:23,903 THERE WAS JOY IN THIS KID'S LIFE, 623 00:38:23,900 --> 00:38:27,070 AND IT WAS BECAUSE OF THE PEOPLE AROUND HIM. 624 00:38:27,067 --> 00:38:32,627 ELAINE, WHEN I FIRST MET HER, WAS ON A MISSION. 625 00:38:32,633 --> 00:38:36,273 HER MISSION WAS TO MAKE SURE THAT LAWRENCE HORN 626 00:38:36,267 --> 00:38:38,967 AND ANY OTHERS ASSOCIATED WITH THESE DEATHS 627 00:38:38,967 --> 00:38:40,197 WERE HELD RESPONSIBLE. 628 00:38:40,200 --> 00:38:43,800 SHE WAS A POWERFUL FORCE TOWARDS MAKING SURE 629 00:38:43,800 --> 00:38:45,870 THAT THESE VICTIMS WERE NEVER FORGOTTEN. 630 00:38:49,067 --> 00:38:51,497 YOU SEE A LOT OF UGLINESS WHEN YOU DO THESE JOBS 631 00:38:51,500 --> 00:38:52,870 OVER THE YEARS. 632 00:38:52,867 --> 00:38:54,867 I STILL JUST CAN'T BELIEVE THAT SOMEBODY SO COLD 633 00:38:54,867 --> 00:38:57,797 AND CALCULATEDLY TAKE THE LIFE OF THEIR OWN CHILD, 634 00:38:57,800 --> 00:39:01,530 WHO'S HELPLESS. 635 00:39:01,533 --> 00:39:04,073 IT DOESN'T GET WORSE THAN THAT. 636 00:39:04,067 --> 00:39:06,167 UH-OH. COME ON. BE CAREFUL. 637 00:39:06,167 --> 00:39:07,567 YOU OKAY? OKAY. 638 00:39:07,567 --> 00:39:10,067 YEAH? PUT IT DOWN, HONEY. 639 00:39:10,067 --> 00:39:14,067 Rice: THEY SAID TREVOR WOULD NEVER TALK. 640 00:39:14,067 --> 00:39:18,397 TREVOR KNEW TAMIELLE. 641 00:39:18,400 --> 00:39:20,370 HE KNEW TIFFANI. 642 00:39:20,367 --> 00:39:24,067 TREVOR KNEW WHEN HIS MOM CAME HOME FROM WORK. 643 00:39:24,067 --> 00:39:26,467 THEY SAID THAT HE WASN'T SUPPOSED TO BE ABLE 644 00:39:26,467 --> 00:39:28,297 TO DO THESE THINGS, 645 00:39:28,300 --> 00:39:34,600 AND HE FOUGHT, AND HE OVERCAME ALL ODDS 646 00:39:34,600 --> 00:39:37,500 BECAUSE HE WANTED TO LIVE. 647 00:39:39,600 --> 00:39:43,770 AND MY HEART BLEEDS TO THIS DAY 648 00:39:43,767 --> 00:39:49,067 THAT, IN ALL THAT TREVOR FOUGHT, 649 00:39:49,067 --> 00:39:51,467 HE DID NOT DIE. 650 00:39:51,467 --> 00:39:55,867 SOMEONE TOOK HIS LIFE. 651 00:39:55,867 --> 00:40:01,367 HE'S IN OUR HEARTS, AND WE LOVE HIM DEARLY. 652 00:40:04,733 --> 00:40:10,073 AND GOD'S STRENGTH IN TIFFANI AND TAMIELLE, 653 00:40:10,067 --> 00:40:16,027 AND LET THEM KNOW THAT THEIR MOM LOVED THEM, 654 00:40:16,033 --> 00:40:19,233 LOVES THEM STILL, 655 00:40:19,233 --> 00:40:21,503 AND SHE HAS THEIR BACK. 656 00:40:21,500 --> 00:40:31,500 ♪♪ 657 00:40:31,500 --> 00:40:41,500 ♪♪ 658 00:40:41,500 --> 00:40:45,370 ♪♪ 659 00:40:45,367 --> 00:40:50,297 MOM, I KNOW RED WAS YOUR... ONE OF YOUR FAVORITE COLORS. 660 00:40:53,767 --> 00:40:57,427 SO I GOT THESE FOR YOU. 661 00:40:57,433 --> 00:41:00,573 [ WIND CHIMES JINGLING ] 662 00:41:00,567 --> 00:41:03,927 TREVOR, I BROUGHT YOU SOME NEW WIND CHIMES. 663 00:41:03,933 --> 00:41:05,403 THE OTHER ONES FELL APART, 664 00:41:05,400 --> 00:41:08,870 SO I'M PUTTING SOME NEW ONES OUT THERE FOR YOU. 665 00:41:08,867 --> 00:41:11,567 I HOPE YOU LIKE IT. 666 00:41:11,567 --> 00:41:16,097 NOW THAT I'M A MOTHER, I REALLY UNDERSTAND 667 00:41:16,100 --> 00:41:19,100 HOW MUCH DEDICATION 668 00:41:19,100 --> 00:41:22,500 AND LOVE, ENERGY, 669 00:41:22,500 --> 00:41:27,830 AND JUST HEART THAT MY MOTHER PUT INTO HER FAMILY. 670 00:41:27,833 --> 00:41:30,773 YOU KNOW, IF I COULD EVEN BE ONE TENTH 671 00:41:30,767 --> 00:41:34,267 OF WHAT MY MOTHER WAS FOR ME, 672 00:41:34,267 --> 00:41:40,567 MY BROTHER, AND MY SISTER, I'D BE HONORED. 673 00:41:40,567 --> 00:41:42,197 AND I KNOW YOU'RE HERE WITH US. 674 00:41:42,200 --> 00:41:44,070 I KNOW YOU AND TREVOR ARE TOGETHER, 675 00:41:44,067 --> 00:41:46,697 AND YOU'RE LOOKING DOWN ON US. 676 00:41:46,700 --> 00:41:49,470 [ SIGHS ] I MISS YOU SO MUCH, MOM. 677 00:41:51,167 --> 00:41:53,927 OF COURSE, I'M ALWAYS GOING TO BE GRIEVING. 678 00:41:53,933 --> 00:41:57,073 I'VE LOST THREE IMPORTANT PEOPLE, YOU KNOW? 679 00:41:59,533 --> 00:42:05,503 I THINK NOW THAT MY DAD IS DEAD, I'M ABLE TO BURY THAT MAN. 680 00:42:05,500 --> 00:42:08,300 HIM BEING IN JAIL WAS ALWAYS A CONSTANT REMINDER 681 00:42:08,300 --> 00:42:10,070 OF WHAT HAD HAPPENED, 682 00:42:10,067 --> 00:42:15,397 BUT NOW I'M HOPING THAT HE IS SOMEWHERE ATONING 683 00:42:15,400 --> 00:42:18,070 FOR THOSE SINS, 684 00:42:18,067 --> 00:42:21,067 AND MY SISTER AND I ARE FREE. 685 00:42:21,067 --> 00:42:24,797 WE'RE FINALLY FREE OF THE WHOLE THING BECAUSE HE'S GONE. 686 00:42:24,800 --> 00:42:31,400 ♪♪