(relaxed piano tones) (film reel clicking)
(anxious violin tones)
(electric crackling)
(singing in foreign language)
(anxious electronic music)
(doorbell rings)
(festive singing in foreign language)
(wailing)
You can't do this, you don't have to do this.
You don't have to do this, man, please don't.
Why are you doing this?
We didn't do anything.
We didn't do anything, why are you doing this to us?
What are you doing? (gunshot booms)
Babe, babe, please don't!
(speaking foreign language)
It's in the house, please.
(gunshot booms)
(ominous screeching tones)
(relaxed guitar music)
(rhythmic humming)
(doorbell ringing)
This is supposed to be our check-in, right?
Yeah, that's what they said.
Hmm, I guess the door's open.
Hello?
We're here for the noon check-in.
Guess we'll make ourselves at home then.
(low, anxious electronic music)
(light buzzing)
Hey.
[Joseph] You were definitely right
about this being your dream home.
They're amazing photographers.
They work as photojournalists down in Mexico.
I haven't been in one of these since college.
Looks like the owners were
in the middle of developing something.
There's still a negative in here, check this out.
(doorbell ringing)
Oh, they're here.
Hi. - Hi, hi.
I can't believe you're here.
- I missed you. - I know.
Wow, your hair got so long.
Look at you, you look great.
Oh please, you're glowing.
Thank you, I've been on this juice cleanse
this past month, turmeric, charcoal, it works.
Babe, I'm sweating my balls, off, come on.
- Well then come in then. - Wow.
This is what I'm talking about.
Yeah, hey baby, hey,
say hi to Sarah, my high school bestie.
- Hi, hi. - How are you?
- Nice to meet you. - Hey dude, my name's Joe.
- Victor. - Nice to meet you.
- Oh, I got you guys this. - Thank you.
Thank you so much.
- You guys know each other. - How are you?
Yeah, I'm good, I'm good.
[Victor] So, bedroom's are this way?
- Hey. - Oh yeah, hi.
Let me show you to your room, you can drop off your bags.
Down here and to the right, yeah.
It's a little messy but...
I still don't understand why
we couldn't just come here alone.
Come on, you know why.
I think it's really good for us to be around other people.
Come here.
Talk about the middle of nowhere, right?
Yeah.
So, what's the plan, Joey boy?
We gonna go and find some weird strip clubs or something?
[Sarah] Strip clubs, really?
[Victor] Yeah, maybe they're hiring.
That's funny.
How'd you guys find this place?
I just found it online, kinda got lucky.
We don't need to watch out for border hoppers?
Jesus, babe.
I'm kidding.
They can have it anyway, the whole country's going to shit.
All I know is I won't be sober when the world ends.
- I will drink to that. - Hell yes.
Thank you.
All right.
- Cheers. - Cheers.
(glasses clanking)
Woo.
Well, what do you expect?
Giving a junior developer admin
access to a live database on his first day.
[Joseph] Yeah, totally, man.
Carnage.
Babe, what the fuck?
We better ration ourselves, huh?
We've got the weekend, yeah?
Like a fucking vacuum, this one.
(snorting)
Sorry man, you want a hit?
I'm good, thank you.
I'm fine, I appreciate it though, it's all you.
Okay, I get it, I totally get it.
I used to be pussy-whipped myself.
Oh, no, you can't smoke in here.
What?
You're joking, right? - Yeah.
- Hey. - Hey.
[Estelle] Hey, how you doing over here?
What are you lookin' at?
I'm just looking at this book.
Isn't this place so nice?
I love it so much, I wish I never had to leave.
Honey, enjoy the dream while it lasts.
I guess.
So how long you guys been together?
Well, she's gonna say a year but
I'd say like three or four months.
- Hey. - Had you guys met up?
I'm really sorry we haven't been in touch.
Hey, it's okay, life happens.
Sooner or later, we all have to grow up, right?
I know but growing up doesn't mean we don't talk anymore.
I should have reached out, I'm sorry.
It's just been a really strange year for me.
[Victor] Literally be anywhere in the world...
I know, babe.
[Victor] Like half an hour later...
If you wanna talk about it, I'm here for you.
Thank you, I'm good.
I don't wanna talk about it.
I just wanna
have fun and forget that the world exists for a bit.
I can help you with that.
I know, that's why you're here.
Come here, have a bowl.
Oh my god, I love this album.
Yes,
are you ready to dance with me?
Ooh, you're gonna love this.
(mid tempo dance music)
Oh, yeah.
Oh yeah, come on, dance with me, come on.
Woo.
Oh, oh, oh,
fancy.
Come on, girl.
♪ 19 ♪
♪ A little wonder how they fall asleep ♪
♪ Hell on a motorbike, my mother waiting ♪
♪ We meet together at the uptown scene ♪
♪ And on a Friday night, I show my enemies ♪
♪ The kind of loveless girl that I can be ♪
[Estelle] Hey.
(camera snapping)
♪ Lit by a streetlight where we meet ♪
♪ Baby, baby, come on, dance with me ♪
♪ Oh no, I won't mind, you'll see ♪
♪ Oh baby, baby, come and dance with me ♪
♪ Wave the red light and come and take me ♪
Damn, I missed you.
Show me.
♪ Oh baby, baby, come and dance with me ♪
(giggling)
♪ Oh baby, baby, come and dance with me ♪
Let's just, just turn around.
♪ Want me to marry you ♪
(moaning)
♪ Oh, it's a good one ♪
♪ It's in the way you groove ♪
♪ In my battle I've awakened you ♪
Oh yeah, keep going.
Keep going.
(mid tempo relaxed dance music)
[Joseph] Hey, we don't have to do this.
Shut up, keep going.
Don't stop.
Do it.
(weeping)
What's wrong, what's going on?
(moaning)
[Estelle] Yeah.
- Yeah? - Yes.
(muffled speaking)
[Victor] Keep fucking daddy, keep fucking daddy.
- Yes. - Yeah?
(muffled speaking)
That's right.
(moaning)
Die young and leave a pretty corpse.
[Joseph] I've got way too many bad habits as it is.
Suit yourself.
Yeah, well.
Did you get a good look?
So what are we gonna do about
this little predicament of ours?
Do?
We're not gonna do shit.
We're gonna keep our mouths shut.
So nothing happened, right?
Nothing happened.
I got way too drunk, stupidly hooked up
with some girl I had no business being with, the end.
The end.
Wow.
Well, enjoy the view.
(ominous tones)
(birds screeching)
[Joseph] How'd they turn out?
Good.
I'm pretty good.
Wanna see?
Yeah.
Dork.
Hey, I'm sorry things got weird earlier.
I mean I know that they got weird, I'm just sorry.
(doorbell ringing)
[Victor] What the fuck was that?
[Joseph] Why would someone be here so late?
Fuck if I know.
[Estelle] I don't know, I can't see who it is.
Well, that's why you open the door, to see who it is.
What?
No, don't, don't answer the soor.
Babe, it's fine.
Shit.
[Visitor] You're not Melissa, I'm sorry.
I was expecting Melissa, is she home?
[Sarah] No, no, she's not.
[Visitor] Is Michael, then?
[Sarah] We're renting from them this weekend.
So they're not here.
[Visitor] Ah, I see, I see.
[Joseph] Everything all right, Sarah?
[Visitor] Who's that?
[Sarah] That's my husband.
Oh, so you're Sarah, it's nice to meet you, Sarah.
I am so sorry for banging on your door
this late at night but I'm the neighbor
and my car broke down just down the road
and I just, I thought oh, thank God,
Melissa's place is right around the corner.
So I popped by and I was wondering
if I could just use the phone really quick?
Because my boy is at home with the babysitter
and at this point, I'm like, I don't know,
an hour away, trying to fix the car of course
and I'm pretty much desperate to get ahold of them.
Sure.
You can use my cell phone.
Oh, there's no reception out here
unfortunately in the desert.
The middle of nowhere, you know?
[Sarah] Right.
I promise you I will be two seconds
and then I will be out of your hair.
Could you let me, could you just hang on one second?
[Visitor] Please, don't, please, please.
It's just I would be so fast.
Just one sec.
It's the middle of the night.
Is this really what you want to be doing right now?
Come on, man, you'd expect
anyone to do the same thing for you.
I don't expect anything from anyone, ever.
She obviously knows the owners of the house.
She just needs to make a call.
She has a broken down car with kids at home.
- Bullshit. - You know what?
Help somebody else out for once.
You don't want her to come in,
why don't you go fix her car instead?
I want us to go back five minutes
and leave the fucking door closed.
One call.
Two seconds.
Sorry to keep you waiting.
You know,
finding truly kind people in this world today
is like finding a diamond in a sea of glass.
[Sarah] The phone's right back there.
Thank you so much.
Hi.
[Estelle] Hi.
Good evening.
Pardon me.
(phone beeping)
Hey, what's going on with you now?
[Sarah] Well, she's just gonna make a call.
So we'll just wait.
[Estelle] Okay.
But if you're tired, you can go to bed.
You don't have to stay up.
No, it's cool, I'll hang with you.
Come here.
Remember when we used to have sleepovers?
Our parents would hate it 'cause
you would just eat all of our food.
Well, you had the best snacks.
That is true.
Wow, are you okay?
Yeah, I'm fine.
You don't have to be here if you don't want.
You can go in another room too, you know.
Thanks, but you don't have to tell me what to do.
I'm not.
Yeah, you clearly are.
Wee bit of trouble in paradise?
I apologize, I didn't mean to eavesdrop.
I couldn't help but overhearing.
You know my husband and I,
we used to go at it pretty regular and it got ugly.
But you know what got us through?
It didn't matter what happened during the day,
how much we fought, we always prayed together at night.
You've gotta cherish the good.
A man hath no greater thing under the sun than to eat,
to drink and to be merry.
But we're divorced now.
I had to jump off that train, it was the express.
I learned the hard way.
One cannot live in bad faith.
But she is right, you know?
You do have to communicate.
How'd that call go?
Perfect, I spoke to my boy
and the babysitter is tucking him in, so.
How old is he?
He just turned seven, he's my little baby cakes.
- That's a fun age. - It is.
You know, you'd love him, he is,
he's something else.
Can I ask,
why did you guys divorce?
Well,
sometimes you just can't stop what's coming.
At the end of the day, he can lie to you
and you can lie to him but you can't lie to yourself.
(anxious ensemble tones)
Goodness, you know I was so relieved to hear his voice,
I completely forgot to call the tow truck
and here I am prattling on like God knows what.
I am sorry.
No.
Please.
It's late, late, late, late.
So I'll make that call and then I'll be out of your hair.
I should go check on Victor.
Okay.
No offense but I'd rather stick my dick in a cactus
than get marriage counseling from some
fucking middle of the night drifter, okay?
She's actually not that bad, she's kinda sweet.
What?
Yeah, it's Joe and Sarah who are being fucking weird.
No shit.
Babe, just come back out there so I'm not alone, okay?
Nah.
I'm gonna smoke this and then go to bed.
You know you're not going to sleep right now.
Come on, let's have fun.
I promise I'll make it up to you.
- Oh yeah? - Mm hmm.
[Victor] How are you gonna do that?
I'll do that thing you like.
All right.
Babe.
But only 'cause you're so cute.
But Mary Poppins has gotta go.
Fine with me, just promise me
you won't do it like an asshole, okay?
And all this time, I thought that's why you liked me.
Round up the party favors 'cause
we're gonna need 'em with these two.
Come on guys, while we're still breathing please.
I'm trying to have a party, fuckin' woman in the house.
(snorting)
Dude, relax, you're gonna have a heart attack.
Dude, shut the fuck up.
Don't tell me what to do, all right?
She's almost done, okay?
Well, she's got two minutes
and then I'm pulling the plug on this shit.
Yep, just me and four of my lovely new friends.
We'll be here.
Mm hmm.
Hello?
(low, anxious tones)
I can't seem to get any reception.
Is there something wrong with the phone?
No, you're fine there.
Do you mind if I try in another room?
Yeah, sure, try the studio.
Wow, you really wear the pants in the relationship, huh?
[Joseph] Knock that shit off, man.
Ooh, hoo, hoo, hoo, hoo.
Tension in the air.
Oh Sarah, Sarah, Sarah.
You know Sarah, sometimes it's good
to let a guy be a guy, you know?
Have an opinion, speak for himself...
Victor, shut up.
All right, I'm just saying.
I'm here all night if you need some advice, okay?
(anxious ensemble tones)
They're beautiful, aren't they?
Yeah, I guess, I don't really know.
You know, some Native American people
believe that taking a photograph can steal a soul,
imprisoning it forever in this brew of celluloid and salt.
Some tribes spend their whole
lives avoiding being photographed.
Have you seen any of their other works?
No, I don't really have an eye for this sort of thing.
Sarah's the artist.
I don't think I've ever been
in a house with this much beautiful art.
I thought you knew the owners?
I do.
Why?
No reason.
(ominous ensemble tones)
Woof.
Woof is right.
Come here.
Tonight kinda got away from us, huh?
Yes, it did.
Hey, I know I haven't been that easy to talk to.
I'm working on it, okay?
It's been hard for me too, you know.
I'm just trying to find a way for us to get through this.
I'm trying to too, I really, truly am.
I just feel stuck, I feel like I can't,
like it's not possible sometimes.
Sarah.
[Sarah] But I know that it is and I want this to work.
Sarah, where's her car?
What?
Her broken down car, it was on the street.
Where is it?
I don't know, maybe it got towed or something.
No, I didn't see a tow truck show up.
Did you hear what I just said?
Let's go inside.
(chattering)
Where is she?
She's in the studio, why?
Her car is gone.
What?
Her car that's supposed to be broken down is gone.
I knew it.
She called for help, maybe it came.
Are you for real?
No, I kinda, I think Joe's right.
I was just talking to her about the art in the house
and I mean, it was like she'd never been here before.
Why didn't you say anything?
Oh wait, I remember,
it's 'cause you never use your fuckin' head.
[Estelle] Hey, don't fucking yell at me.
I didn't think it was a big deal.
You didn't think it was a big deal?
All right, you guys can live in your little
fantasy land all you want where everybody holds hands
and helps each other but that's not the world we live in.
Bad things happen.
Jesus, what is your problem?
Oh, my problem is whose stupid idea
was it to even open the fucking door to begin with?
Hey, back the fuck off, man, all right?
Oh yeah, or fucking what?
(electric crackling)
What's going on?
Let there be light.
It's nothing divine, it's just a power outage.
We have them all the time up here.
That's why we have backup generators.
Where's your car?
My car?
It's outside.
Is something wrong?
All right.
I'm sick of this, lady, I don't know
what scam you're running but you need
to get the fuck out of this house right now.
(fingers snapping)
Hello?
Anyone there?
It must be nice having such a big,
strong man to protect you here at night, huh?
Maybe you're not hearing me.
Get out or I'm gonna drag you out
by your little fucking skinny ankles.
Do you understand?
Oh, it's fine.
Obviously I have outstayed my welcome.
But I am not the Wicked Witch of the West, honey.
I'm a neighbor, you don't have to be rude.
I'll just go grab a glass of water and I'll be on my way.
Jesus Christ.
(anxious electronic tones)
Call the police.
(phone ringing)
[Operator] 911, what's...
[Victor] Are you deaf?
[Visitor] What the fuck?
What part of get out of our house do you not understand?
Get the fuck off me...
Get the fuck out of our house!
What the hell's wrong with you, man?
What the fuck's wrong with me?
What the fuck's wrong with you?
Baby, I got it. - Calm down.
[Visitor] Hey!
You need to get, what are you doing?
Get the fuck out of our house!
(screaming)
Oh shit.
(high pitched shrieking)
What happened?
[Victor] She attacked me.
I mean, you saw that, right?
Did she?
No.
I didn't...
You see, it was the gun.
See, she had a gun.
She had a gun, it was self defense.
You killed her.
Oh no, no, don't fuckin' say that.
[Joseph] Take it easy, take it easy.
I didn't do anything wrong, babe, I didn't do anything.
You're right, Victor, you're right.
Why don't you give me the gun?
Whoa.
Just calm down, okay?
Why don't you shut the fuck up and let me think, hmm?
Okay.
Go sit down, everybody.
- Victor. - Go sit down!
[Sarah] We're going, come on.
What, is something the matter?
No.
- Huh? - No.
Why are you looking at me like that?
I'm not, I'm sorry.
[Victor] Why are you looking at me like that?
- I am not. - Why?
You think I did this? - No, I didn't say...
- You think I did this? - I didn't say that.
I didn't fucking do this, I didn't do this.
(Estelle weeping)
Shut the fuck up.
Stop fucking crying!
Let me think, all right?
Not a fuckin' word.
Are you okay?
You're okay, it's okay.
It's okay.
Just leave her, she's fine.
She's fucking fine.
(weeping)
It's gonna be okay.
We're gonna be okay, all right?
We're gonna be fine.
We just need to think for a little while.
We just need to think.
(snorting)
Okay.
Okay, here's what we're gonna do.
We're gonna clean this up and we're gonna
get rid of the body and then we're all gonna leave, okay?
That doesn't make any sense.
Yeah?
You know what doesn't make any sense?
Opening a fucking door to a fucking stranger.
Okay, I agree, I agree, all right?
That was self defense.
We don't have to hide the body, all right?
We can just tell the truth.
We can just tell the cops what happened.
Nope.
No.
No, we're not gonna tell anyone anything.
I'm cleaning up your mess because
you couldn't keep your fucking door closed.
[Joseph] Get the fuck off her.
- Or fucking what? - Okay.
Okay, just let her go.
Just let her go.
[Victor] Sit down.
All right.
Okay.
Please, what do you wanna do?
We're gonna clean this up together.
You
and me.
I'm sorry, Estelle.
We're gonna clean this up together, you and me.
Go.
- Let's go. - Get out.
[Victor] Let's go.
Okay.
(ominous electronic music)
(snorting)
Now we're in this together, brother, you and me.
Okay, hey, come on, let's go.
Hey. - I can't.
- Let's go. - I'm sorry.
Why?
No, come on, let's go.
I hate him so fucking much.
I thought coming here would make it better
but when he gets like that, I don't know what to do.
We're gonna leave.
We're gonna leave, you're gonna get away from him.
No.
- Yes. - No.
He'll fucking kill me.
I won't let that happen.
I'm sorry.
♪ I won't live without it ♪
♪ It's the only one you get ♪
♪ No one's ever been ♪
(retching)
♪ To the stars ♪
(weeping)
♪ Know who you are and you might ♪
(anxious violin tones)
(tense rising ensemble tones)
I need Victor out of my life.
Yeah, well that makes two of us, okay?
You don't understand.
He's a fucking monster.
I can't do it anymore.
Look at me.
The only thing we need to worry about right now
is getting the hell out of this house, okay?
You're stronger than he is, you can stop him.
Are you out of your mind?
- Please help me, please. - Look.
I'm not in the mood to get shot tonight
because you can't break up with some abusive asshole.
What do you think is gonna happen when Victor finds out?
You're just as fucked up as he is, you know that?
You two belong together.
At least he's not a coward like you.
[Victor] What's going on?
I'm gonna go check on Sarah,
take a shower, then we're getting out of here.
(anxious ensemble music)
(soft weeping)
Whenever I'm
around you, whenever I see you,
I think about it.
I can't think about it anymore.
[Joseph] What do you want?
To escape.
I think I,
I think I have to do it alone.
I'm sorry.
If I was you, I wouldn't want to be with me either.
No, no it's not, it's okay.
I slept with someone else.
It was with Estelle.
I fucked up.
I'm a piece of shit.
I felt like what happened with us and the baby was my fault.
I felt like it was me getting punished somehow.
You getting punished, yeah.
That's probably what happened.
(muffled shouting)
How many fucking times?
I told you, it was just that once.
Please, calm down.
Go ahead, go ahead, tell Sarah what you just told me.
Go on, tell her.
I already fucking know, I don't give a fuck.
What the hell's going on here?
Oh, hey stud, welcome to the party.
We were just talking about how
you put your fucking dick in my fucking girl.
Listen, the best thing we can all do
right now is just get the hell outta here, all right?
Shut the fuck up.
After everything I did for you, babe,
what, you were just gonna fucking leave me here, huh?
Is that what you were gonna do?
Victor.
I told you to shut the fuck up!
Sarah.
I'm sorry, I'm sorry.
Don't fucking talk to her.
Hey, okay, okay, let's just get out of here.
I will fucking end you, bitch.
No one has to talk to each other ever again.
[Joseph] She's right, that was the plan, right?
Oh, I know your plan, asshole, I know your plan.
You set me up and you feed me to the fucking dogs
so you and this bitch can live happily ever after.
You gonna kill us all, then what?
Then what, what is there to do...
Don't fucking tell me what to do
or I will fucking kill you right now, okay?
You can walk away right now, man.
There's nothing, you didn't do anything yet, okay?
You didn't do anything. - Oh fuck.
If you kill us, that's not good, man.
You're going to jail forever. - I'm sorry.
I'm sorry, baby I love you, I'm sorry.
You love me?
Really? - I'm sorry.
You love me or are you just a little
whore with a heart of gold, aren't you, huh?
Don't fucking touch me.
I'm fucking done with you.
Don't fucking touch me ever again, I fucking hate you.
I'm fucking done with you, now don't come near me.
- Or fucking what? - Fucking don't!
(electronic beeping)
(knocking)
[Daniels] Police, open up.
(Victor groaning)
[Sarah] Fuck.
What do we do?
Get the door, get rid of them, now.
Okay, okay.
Okay.
[Daniels] We got a call about a home invasion.
Yeah, sorry, you scared us for a second.
- Did you make the call? - Mm hmm.
(police radio chattering)
- You all right? - Yeah, sorry.
Just a little freaked out.
- How about you, you okay? - Yeah.
Yeah, thank you, thank you, thanks.
You are?
I'm Estelle.
[Daniels] Estelle, and your friend?
Sarah.
[Daniels] So you said there was
someone inside who refused to leave?
[Sarah] Yeah, but she's gone now, so.
- Are you sure? - Yeah.
What's with the lights?
Power outage, it's happened twice tonight.
Sarah, Estelle, why don't you
take a seat and tell us what happened?
(muffled screaming)
(tense rising ensemble tones)
You're gonna have to forgive us for the delay.
It's a small town, you know?
We came as quick as we could.
Why don't you two walk us through what happened?
Yeah, so,
earlier tonight,
someone
came...
It was a break-in.
A break-in?
Well,
how did he get in?
[Sarah] It's she.
[Ramirez] She?
It was a woman.
We let her in by mistake.
[Daniels] Let her in?
I
let her in, she had her car broken down
and she asked if she could use the phone.
So you let her walk in through the front door?
Yeah.
And then what?
And then she attacked us.
[Sarah] Yeah.
Let's take it back a step.
When the emergency call was made,
the attacker was still in the house?
I made the call.
[Ramirez] When was the question.
- My boyfriend came in... - Your boyfriend?
And he surprised her
and they started fighting.
Him and this woman?
Yeah, and then I got away.
Was she a
big woman?
- Average. - Yeah, average.
Where is this boyfriend now?
He's in the other room.
Could you go and get him out?
[Ramirez] Yeah.
Joseph, could you come out here, please?
Officer... - Sergeant Daniels.
- Sergeant Daniels and... - Officer Ramirez.
Officer Ramirez, they have questions about tonight.
So should I just go get him?
Well, hello there, sir.
How you doing?
[Daniels] Here he is.
The hero.
Yeah, this is Joseph, my boyfriend.
So Miss Estelle tells us that you had
an altercation of sorts and you
were able to chase off your visitor.
Yeah, yeah, that's right.
Yeah, he scared her off.
I'd like to hear it from him.
Well,
like Estelle said,
I came out
and I saw what was happening and I charged her, you know?
I didn't really know what else to do,
so I thought that would be the right thing to do.
And then we threw some punches...
Punches?
Well, I mean not punches like boxing but,
you know, we just wrestled. - Yeah.
And then I made the call and then she ran off.
[Joseph] Yeah.
The three of you live here?
We're visiting.
We rented for the weekend.
A rental, huh, no kidding?
It's nice.
Thanks.
Where y'all from?
- New York. - Upstate.
Well we have a, it's a,
we have a long distance relationship.
Well where does that leave you?
Oh Sarge,
you guys are here on a romantic getaway type of thing, huh?
Yes, modern times, buddy.
Exactly.
Yeah.
Just the three of you then, no one else?
Just us, yeah, just us three.
I'm gonna have a word with my partner,
will you excuse me for a sec?
Are you buying any of this?
Are you kidding me?
What is the deal with these people?
I think they're pretty fuckin' high.
- You think? - That's just my guess,
as a cop.
So how do you wanna play this?
So, where did she go when she ran away, your attacker?
There was an old car on the street that she got into.
Did you get a good look at the vehicle?
I'm not really a car guy but
it was an Oldsmobile maybe, brown I think.
- Yeah, yep. - I'm not 100% sure now.
A brown Oldsmobile?
Yeah.
Yeah, I think so.
Like the one sitting outside right now?
What?
That's not yours?
No.
So nobody is aware of the vehicle
that's parked out in front of this property right now?
Go and run the plates, could you?
Yeah.
Stop, stop!
(gurgling)
(tense rising tones)
(tense electronic music)
(grunting)
(gunshot booms)
(gasping)
Put the fucking weapon down.
Put the fucking weapon down, now.
Put the fucking gun down.
[Joseph] Put the gun down, it's okay.
(Sarah wailing)
Step away.
You, do not move.
All right.
You two, step over here.
(low, tense electronic music)
I'm gonna secure the perimeter of this house.
You three will stay put.
Can you do that for me, Sarah?
Estelle?
Yeah.
Yes sir.
(low, tense electronic music)
Jesus.
(glass shattering) (screaming)
[Intruder] Shut the fuck up bitch, now!
[Estelle] Oh my god!
Fuck!
[Intruder] Get the hell out!
Estelle.
(thudding)
(tense rock music)
Stop, what the fuck, man?
Stop, stop.
(groaning)
(grunting)
(screaming)
(tense up tempo electronic music)
(Estelle shrieking)
Shh, shh.
(gurgling)
(screaming)
(tense rock music)
[Daniels] Sarah?
Estelle?
(tense sharp tones)
- Is it stuck? - Yeah.
[Estelle] What are we gonna do?
We gotta go out the side door, come on.
Stay low.
(low, anxious violin tones)
(anxious electronic music)
(glass crackling)
Sarah!
Come on.
(choking)
(rising anxious electronic music)
[Daniels] Estelle.
(glass shatters) (Sarah screaming)
[Intruder] Get over here.
(tense up tempo electronic music)
[Sarah] No, no, no!
[Daniels] Wider.
Wider.
(gagging)
All right, get her up.
[Estelle] Oh fuck.
I think we got off on the wrong
foot earlier, wouldn't you agree?
Why are you hurting us?
Why?
The wrong place at the wrong time.
We pillage and plunder,
rip the flesh off our brothers and sisters.
There's no moral order, just this.
Can my violence conquer yours?
[Sarah] I just want to go home.
Go and look for the photograph, would you please?
I'll handle this, thank you.
Those guys can be fucking animals, you know?
The owners of this house took a photo and those
two monsters killed them before they gave it to us.
Now, I have a less dramatic approach.
Here's what we're gonna do.
One of you
is gonna be more cooperative than the other.
Are we on the same page?
(bullet clattering)
Boom, Estelle.
It's you.
May I?
(fearful moaning)
Listen to me.
Where are the pictures?
I...
What are you talking about?
There are so many pictures in this house.
We don't know what you mean.
You'll have to think a little fucking harder
because you must have seen something
or you wouldn't have lied to me
about my dead friend in the bathtub!
We don't know anything.
Naughty, naughty Estelle.
There's something about you I just can't put my finger on.
Do you want to know what it is?
Would you like an example?
Why did I find this man in your bedroom
with a large poultry knife in his gut?
Look at you.
You look quite fond of him and yet,
your lover boy
came to an unfortunate end
in a brave attempt
to save your life
tonight, right?
Sarah, forgive me.
Forgive me?
Oh.
I think we have a little friction here.
Is that what we have?
So where does that leave you?
(low, ominous ensemble tones)
(gasping)
Please, just let us go.
You know what I think?
I think
we've stumbled
onto a lover's quarrel.
Has this young lady done something to hurt you?
Hmm?
Well,
we can't let her get away with that.
We've got to do something.
Go on, tell her how you feel.
Get up.
No, no, not that way, crawl.
Crawl.
That's it.
That's it, now,
you show her how you feel.
Hit her.
Hit
her.
It's okay, it's okay, just do it.
Just do it.
(slap)
Make it count.
Hit her.
(slap)
(wailing)
There it is.
Beautiful, Sarah.
Again.
It's okay, it's okay, do it.
(slap)
[Daniels] Again.
Again!
And again!
(slap)
That's it.
Now, do either of you have anything you want to tell me
or have you not learned your lesson yet?
(speaking foreign language)
All right, fuck it.
Hey, Sarah.
You ever seen this before?
It's wild.
Ah, si, si.
- One. - No, no, no, no, please.
- Two. - No.
(clanging)
(cruel laughing)
(wailing)
Oh my god, that's intense.
Estelle, how do you feel?
Are you learning your lesson, ladies?
No, no, no, no, no, no.
No, no.
No please, don't, please no.
One.
No, no, no, no, please don't.
No, no, no. - Two.
No.
(clanging)
Last chance, ladies.
You know, I only need one of you
to tell me what I need to know.
So if either of you have anything to say,
now would be the time to figure it out.
(tense banging tones)
I know where it is.
How do I know you're telling the truth?
I can show you.
You can show me?
All right.
Isn't this an interesting turn of events, huh?
Estelle, I guess we won't be needing you anymore.
What?
No, no, no, no.
Don't hurt her.
I'm gonna show you!
[Estelle] Please, don't.
- I'm gonna show you. - No, no, please don't.
Please don't.
(high pitched ringing)
(grunting)
[Daniels] We trashed this place already, now where?
It's in the enlarger.
I'll show you.
Okay, show me.
What are you doing?
Don't you wanna see it?
That's it.
(grunting)
(sizzling)
What the fuck?
(Daniels screaming)
Sarah!
Sarah, where are you?
(gunshots booming)
(tense up tempo electronic music)
(clanking)
(thudding) (grunting)
(speaking foreign language)
(gunshot booms)
(gasping)
(coughing)
(somber violin, electronic music)
(weeping)
(birds screeching)
(bells chiming)
(relaxed guitar music)
(rhythmic humming)
(relaxed ensemble music)
(rhythmic humming)
(tense electronic rock music) (mid tempo drumbeat)
(tense electronic rock music)