1 00:00:01,503 --> 00:00:04,130 - ♪ Hard work, yeah, dedication ♪ 2 00:00:04,130 --> 00:00:06,341 ♪ Know I'm great, it ain't no debating ♪ 3 00:00:06,341 --> 00:00:08,218 ♪ Always know the people waiting ♪ 4 00:00:08,218 --> 00:00:09,719 [alarm dinging] 5 00:00:09,719 --> 00:00:11,930 ♪ Ran it up just to make a statement ♪ 6 00:00:11,930 --> 00:00:13,848 ♪ Hard work, yeah, dedication ♪ 7 00:00:13,848 --> 00:00:15,725 - I thought that me and this sign would be 8 00:00:15,725 --> 00:00:18,478 somewhere more permanent, but business has changed. 9 00:00:18,478 --> 00:00:21,147 I thought I handled talent like Zaara and Annika. 10 00:00:21,147 --> 00:00:25,193 But what I really handle is inspiration. 11 00:00:25,193 --> 00:00:27,570 Sure, my dad isn't sold on the plan, 12 00:00:27,570 --> 00:00:30,407 but Dad hasn't seen my new roster of clients-- 13 00:00:30,407 --> 00:00:33,451 like Deanna, a TikToker who's huge 14 00:00:33,451 --> 00:00:36,579 in the vegan celiac community. 15 00:00:36,579 --> 00:00:39,833 What is more inspiring than a working digestive system? 16 00:00:41,334 --> 00:00:43,378 Or Magnus, a motivational speaker 17 00:00:43,378 --> 00:00:46,047 who's conveniently taken a vow of silence. 18 00:00:46,047 --> 00:00:48,675 And I'm not just his manager. [phone chimes] 19 00:00:48,675 --> 00:00:51,386 - ♪ Ran it up just to make a statement ♪ 20 00:00:51,386 --> 00:00:54,055 - Hmm. 21 00:00:54,055 --> 00:00:55,974 I'm also his client. 22 00:00:55,974 --> 00:00:57,684 It's all in the mission statement. 23 00:00:57,684 --> 00:00:59,102 Get, period. 24 00:00:59,102 --> 00:01:00,770 The, period. 25 00:01:00,770 --> 00:01:02,397 Bag, period. 26 00:01:02,397 --> 00:01:04,274 So, if you've got a talent-- 27 00:01:04,274 --> 00:01:06,818 or better yet, a following-- come through. 28 00:01:06,818 --> 00:01:09,154 And, yeah, 2,000 coffee sleeves 29 00:01:09,154 --> 00:01:10,989 sure did put a dent in my profits, 30 00:01:10,989 --> 00:01:12,490 but it's like they always say-- 31 00:01:12,490 --> 00:01:15,660 inspiration is always right around the corner. 32 00:01:15,660 --> 00:01:18,121 [indistinct chatter, camera shutters clicking] 33 00:01:18,121 --> 00:01:20,832 - Oh, my God, it's the new Squid drop. 34 00:01:20,832 --> 00:01:23,084 - The Squid strikes again. 35 00:01:23,084 --> 00:01:24,794 - I hear The Squid's going to Art Basel. 36 00:01:24,794 --> 00:01:27,505 - Oh, my God, Malia Obama just reposted my Squid photo. 37 00:01:27,505 --> 00:01:29,257 So did Complex. 38 00:01:29,257 --> 00:01:32,218 [ethereal synth music] 39 00:01:32,218 --> 00:01:34,596 - Wow. 40 00:01:34,596 --> 00:01:37,766 Who's The Squid? 41 00:01:37,766 --> 00:01:40,060 And are they seeking representation? 42 00:01:41,686 --> 00:01:43,855 both: ♪ Watch out, world ♪ 43 00:01:43,855 --> 00:01:45,357 ♪ I'm grown now ♪ 44 00:01:45,357 --> 00:01:47,067 ♪ I'm grown ♪ 45 00:01:47,067 --> 00:01:49,235 - ♪ Learn something new every day ♪ 46 00:01:49,235 --> 00:01:52,155 ♪ I don't know so I'ma feel my way ♪ 47 00:01:52,155 --> 00:01:54,699 ♪ Got the weight of the world on me ♪ 48 00:01:54,699 --> 00:01:55,742 ♪ But no regrets ♪ 49 00:01:55,742 --> 00:01:57,702 ♪ This is what I say ♪ 50 00:01:57,702 --> 00:01:59,662 both: ♪ Watch out, world ♪ 51 00:01:59,662 --> 00:02:00,747 ♪ I'm grown now ♪ 52 00:02:00,747 --> 00:02:02,165 ♪ I'm grown ♪ 53 00:02:02,165 --> 00:02:03,833 - ♪ You can't tell me nothin' ♪ 54 00:02:03,833 --> 00:02:06,961 both: ♪ My heartbeat is so loud ♪ 55 00:02:06,961 --> 00:02:08,505 ♪ ♪ 56 00:02:08,505 --> 00:02:12,092 ♪ Mama, look, I'm grown now ♪ 57 00:02:12,092 --> 00:02:13,551 ♪ I'm grown ♪ 58 00:02:13,551 --> 00:02:15,887 ♪ ♪ 59 00:02:15,887 --> 00:02:18,848 [plucky string music] 60 00:02:18,848 --> 00:02:21,309 [door opens and closes] 61 00:02:21,309 --> 00:02:23,520 - Guys, I think I found my next client 62 00:02:23,520 --> 00:02:25,021 who's gonna make me a ton of money 63 00:02:25,021 --> 00:02:27,232 and get me a nice office I can rub in my dad's face. 64 00:02:27,232 --> 00:02:29,317 - Hold on, brother--it's a staring contest going on. 65 00:02:29,317 --> 00:02:30,860 - Oh. 66 00:02:30,860 --> 00:02:32,529 - All right, fellas. I call draw, 67 00:02:32,529 --> 00:02:34,447 because I lost interest five minutes ago. 68 00:02:34,447 --> 00:02:36,783 - Yes! I'm undefeated. 69 00:02:36,783 --> 00:02:38,451 My eyes stay moist. 70 00:02:38,451 --> 00:02:41,413 - Guys, I'm going to manage... 71 00:02:41,413 --> 00:02:42,580 The Squid. 72 00:02:42,580 --> 00:02:43,915 - What's The Squid? 73 00:02:43,915 --> 00:02:45,375 - I got this, Andre. 74 00:02:45,375 --> 00:02:47,085 See, squids are ocean-dwelling creatures. 75 00:02:47,085 --> 00:02:49,254 They're like a mixed-race octopus. 76 00:02:49,254 --> 00:02:51,131 - [sighs] 77 00:02:51,131 --> 00:02:52,966 If you guys are wondering why I'm getting advice 78 00:02:52,966 --> 00:02:55,218 from these three billy goats instead of my A-team, 79 00:02:55,218 --> 00:02:57,178 aka The Girlies, 80 00:02:57,178 --> 00:02:59,097 they actually have lives. 81 00:02:59,097 --> 00:03:00,640 No. No. 82 00:03:00,640 --> 00:03:03,101 The Squid is a street artist who recently inked 83 00:03:03,101 --> 00:03:05,353 the Business School building. - Ah. 84 00:03:05,353 --> 00:03:07,772 The anonymous Cal U artist. - Yes. 85 00:03:07,772 --> 00:03:09,941 - They're going by "The Squid"? - Yeah. 86 00:03:09,941 --> 00:03:13,361 - Yeah. The Squid is their tag. Their identity is unknown. 87 00:03:13,361 --> 00:03:15,113 - Wait, but how do you make money off of graffiti? 88 00:03:15,113 --> 00:03:16,322 - Well, a ton of prominent artists 89 00:03:16,322 --> 00:03:17,574 got their start in graffiti. 90 00:03:17,574 --> 00:03:19,451 I think The Squid has the potential 91 00:03:19,451 --> 00:03:21,619 to become the next Banksy. 92 00:03:21,619 --> 00:03:25,707 I could manage the next Banksy. 93 00:03:25,707 --> 00:03:28,501 I could be a cultivator of taste worldwide. 94 00:03:28,501 --> 00:03:32,213 I could be like the-- the DJ Khaled of the art world. 95 00:03:32,213 --> 00:03:33,756 [imitating DJ Khaled] Another one. 96 00:03:33,756 --> 00:03:37,385 - Alas, what happens when an unstoppable manager meets 97 00:03:37,385 --> 00:03:39,137 an unknowable force? 98 00:03:39,137 --> 00:03:40,597 - Mm. That's deep. 99 00:03:40,597 --> 00:03:42,223 - Cole, are you The Squid? 100 00:03:42,223 --> 00:03:44,309 - Well, that doesn't make sense, considering the fact 101 00:03:44,309 --> 00:03:46,895 that you just told me they exist. 102 00:03:46,895 --> 00:03:49,147 - Yeah, I mean, The Squid is clearly white-- 103 00:03:49,147 --> 00:03:51,316 you know, damaging public property and all. 104 00:03:51,316 --> 00:03:52,775 - Mm. - Mm-hmm. 105 00:03:52,775 --> 00:03:54,819 - And they got to be a woman. - What? 106 00:03:54,819 --> 00:03:57,363 - I-I can't elaborate for fear of sounding sexist. 107 00:03:57,363 --> 00:03:59,449 - This is the teamwork we need, though, 108 00:03:59,449 --> 00:04:02,243 if we're gonna find The Squid, so let's keep it up, boys. 109 00:04:02,243 --> 00:04:04,412 Let's put our heads together. - Hey, guys, I'm all-in. 110 00:04:04,412 --> 00:04:06,164 You know I love a good mystery, all right? 111 00:04:06,164 --> 00:04:07,582 I don't know if you guys know this, 112 00:04:07,582 --> 00:04:09,334 but I actually read every Agatha Christie book, 113 00:04:09,334 --> 00:04:11,794 even the original racist versions. 114 00:04:11,794 --> 00:04:14,964 She would hate me, but I love her. 115 00:04:14,964 --> 00:04:17,050 - Then it's settled. Let's go find this white lady! 116 00:04:17,050 --> 00:04:18,343 - Let's do it. - Let's do it! 117 00:04:18,343 --> 00:04:19,677 - Any ideas? Where are we looking first? 118 00:04:19,677 --> 00:04:21,262 - Ah. - Starbucks. 119 00:04:21,262 --> 00:04:23,056 - Let's just go with it. - Starbucks. 120 00:04:23,056 --> 00:04:24,933 - That's a good place to go. 121 00:04:24,933 --> 00:04:26,392 - When is Svetlana gonna realize 122 00:04:26,392 --> 00:04:28,061 Brett only does that when he's drinking? 123 00:04:28,061 --> 00:04:30,522 - She's blind to the red flags. That's the point of the show. 124 00:04:30,522 --> 00:04:31,981 - Ah, you're right. 125 00:04:31,981 --> 00:04:33,566 You've done it again, "Blind Drink Love: Kosovo." 126 00:04:33,566 --> 00:04:35,235 You have done it again. 127 00:04:35,235 --> 00:04:38,196 - Brother, I, uh, do appreciate you having me hibernate here 128 00:04:38,196 --> 00:04:40,240 in my post-Sloane breakup era. 129 00:04:40,240 --> 00:04:41,574 It's triggering, man. 130 00:04:41,574 --> 00:04:43,618 All I see are women, bikes, 131 00:04:43,618 --> 00:04:45,203 and the men that could be married 132 00:04:45,203 --> 00:04:46,621 to the woman that I'm dating. 133 00:04:46,621 --> 00:04:48,456 Except for Edie. I know she's not married. 134 00:04:48,456 --> 00:04:50,333 - You do? - Mm-hmm. Yeah. 135 00:04:50,333 --> 00:04:52,001 I blew my paycheck on a private doxxer 136 00:04:52,001 --> 00:04:53,962 for my friends, family, and acquaintances. 137 00:04:53,962 --> 00:04:55,880 That's how I knew that Andre wasn't living here. 138 00:04:55,880 --> 00:04:57,340 - Mm-mm. - Are y'all good? 139 00:04:57,340 --> 00:04:59,843 - Uh, you'll have to ask him. 140 00:04:59,843 --> 00:05:03,263 Also, as for Edie, she won't be hanging for a few days. 141 00:05:03,263 --> 00:05:05,223 Why, you ask? Is she traveling? 142 00:05:05,223 --> 00:05:07,100 Work retreat? Medical procedure? 143 00:05:07,100 --> 00:05:08,851 Essence Fest? Who's to say? 144 00:05:08,851 --> 00:05:10,812 - Man, why is it that we're always up in one place 145 00:05:10,812 --> 00:05:12,355 and then down in another? 146 00:05:12,355 --> 00:05:14,440 You know, it's like I'm making strides in business, 147 00:05:14,440 --> 00:05:16,359 and then as soon as that happens, boom, 148 00:05:16,359 --> 00:05:18,570 Sloane has this sneaky link of a husband she lives with. 149 00:05:18,570 --> 00:05:20,446 - I think you might be the sneaky link in that situation, 150 00:05:20,446 --> 00:05:21,990 but please continue. 151 00:05:21,990 --> 00:05:23,783 - We're not side pieces. We're entrées. 152 00:05:23,783 --> 00:05:25,410 Put some respect on our names. 153 00:05:25,410 --> 00:05:26,995 I really don't know what got into me, man. 154 00:05:26,995 --> 00:05:29,038 Why would I give Sloane's son a bike? 155 00:05:29,038 --> 00:05:31,291 What is the universe trying to tell me? 156 00:05:31,291 --> 00:05:32,750 - I wish the universe would tell me anything 157 00:05:32,750 --> 00:05:34,210 about my relationship with Edie. 158 00:05:34,210 --> 00:05:37,130 Is it even a relationship, or am I just a Costco sample? 159 00:05:37,130 --> 00:05:39,132 Because, yeah, sure, you eat it because it's free, 160 00:05:39,132 --> 00:05:40,883 but you're never really gonna buy bulk poutine. 161 00:05:40,883 --> 00:05:42,176 Know what I mean? - Okay. Enough. 162 00:05:42,176 --> 00:05:43,887 This is like the blind leading the blind, 163 00:05:43,887 --> 00:05:46,014 and we're not--we're not going down this road again. 164 00:05:46,014 --> 00:05:48,725 We need professional help, and I have it. 165 00:05:48,725 --> 00:05:50,435 There's an exotic dancer-- 166 00:05:50,435 --> 00:05:52,604 Not like that. - Oh. 167 00:05:52,604 --> 00:05:53,980 - Kind of like that, actually. - Okay. 168 00:05:53,980 --> 00:05:55,648 - But she gives the best advice. 169 00:05:55,648 --> 00:05:57,275 Bro, she started off dancing 'cause she wanted 170 00:05:57,275 --> 00:05:58,901 to pay for her psych studies, yeah? 171 00:05:58,901 --> 00:06:00,653 And then she realized she would make more money 172 00:06:00,653 --> 00:06:02,697 just asking men about their past traumas 173 00:06:02,697 --> 00:06:04,532 while dancing to "Pony." - Simultaneously? 174 00:06:04,532 --> 00:06:06,284 - Yes. Absolutely. - Interesting. 175 00:06:06,284 --> 00:06:08,328 - If we need to find what's next, we need to find Destiny. 176 00:06:08,328 --> 00:06:09,704 - Destiny--that's her name? 177 00:06:09,704 --> 00:06:11,164 That's a little on the nose, don't you think? 178 00:06:11,164 --> 00:06:12,790 - No, her name's actually Rebecca. 179 00:06:12,790 --> 00:06:14,667 - Oh, okay. When do we leave? - Tomorrow. 180 00:06:14,667 --> 00:06:16,836 I mean, as far as I know, she does not dance on Fridays. 181 00:06:16,836 --> 00:06:18,421 - But isn't Friday, like, a big night? 182 00:06:18,421 --> 00:06:19,422 - It's Shabbat. 183 00:06:19,422 --> 00:06:20,715 - Ah. - Mm-hmm. 184 00:06:20,715 --> 00:06:21,966 - With four sets of eyes, 185 00:06:21,966 --> 00:06:23,718 we can spread out and look for evidence. 186 00:06:23,718 --> 00:06:25,511 - You know, a good Agatha Christie trope 187 00:06:25,511 --> 00:06:27,430 is that the answer is right there, 188 00:06:27,430 --> 00:06:29,390 often overlooked. - Exactly. 189 00:06:29,390 --> 00:06:31,225 So we're looking for paint chips, trash, 190 00:06:31,225 --> 00:06:33,061 eyewitness testimonies, 191 00:06:33,061 --> 00:06:34,562 "Law & Order" style. 192 00:06:36,439 --> 00:06:38,483 I can't believe the university would paint 193 00:06:38,483 --> 00:06:40,485 over a Squid original. 194 00:06:40,485 --> 00:06:44,238 - As they come, so they must go. 195 00:06:44,238 --> 00:06:46,574 - Ho, ho, ho, ho, ho, ho, ho. - You can't do this. 196 00:06:46,574 --> 00:06:48,159 This could be worth millions one day. 197 00:06:48,159 --> 00:06:50,244 - Oh, yeah. So were my baseball cards as a kid, okay? 198 00:06:50,244 --> 00:06:51,788 But here I am. 199 00:06:51,788 --> 00:06:53,581 - Hey, man, just 'cause you don't have taste 200 00:06:53,581 --> 00:06:55,291 or a keen eye for alternative art 201 00:06:55,291 --> 00:06:56,417 doesn't make this trash. 202 00:06:56,417 --> 00:06:57,877 And what's next? 203 00:06:57,877 --> 00:06:59,962 - You've heard of those famous criminal profilers, hmm? 204 00:06:59,962 --> 00:07:02,715 "Mindhunter," chick from "Silence of the Lambs"? 205 00:07:02,715 --> 00:07:04,592 Yeah? Well, that's gonna be me, okay? 206 00:07:04,592 --> 00:07:06,344 But with The Squid. 207 00:07:06,344 --> 00:07:08,596 Uh, but not in a-- not in a murderer-y way. 208 00:07:08,596 --> 00:07:11,057 And with the phone cameras, the geotagging, 209 00:07:11,057 --> 00:07:13,768 and all that digital footprint nonsense, 210 00:07:13,768 --> 00:07:15,061 we're getting close. 211 00:07:15,061 --> 00:07:16,646 You better believe we're getting close. 212 00:07:16,646 --> 00:07:19,482 - Wow. You're intense. - Mm-hmm. 213 00:07:19,482 --> 00:07:21,818 These days, no one can stay anonymous for long. 214 00:07:21,818 --> 00:07:23,736 See you soon, Squid. 215 00:07:23,736 --> 00:07:25,613 - Hey, yo, who is he talking to? 216 00:07:25,613 --> 00:07:28,032 - Shit! I have to find The Squid 217 00:07:28,032 --> 00:07:29,951 before this weirdly motivated security guard 218 00:07:29,951 --> 00:07:32,036 deep-fries them like calamari. 219 00:07:36,499 --> 00:07:40,086 - When inspiration strikes, it's important to strike back 220 00:07:40,086 --> 00:07:43,005 before it's taken from you or arrested. 221 00:07:43,005 --> 00:07:44,841 - Bro, have you slept? 222 00:07:44,841 --> 00:07:46,718 - I'll sleep when The Squid is safe 223 00:07:46,718 --> 00:07:49,512 in the Andre Johnson Entertainment aquarium. 224 00:07:49,512 --> 00:07:51,973 - Yeah, but if Cal U finds The Squid, won't that help you? 225 00:07:53,641 --> 00:07:55,435 - No. What? 226 00:07:55,435 --> 00:07:57,061 If Cal U knows who The Squid is, 227 00:07:57,061 --> 00:07:58,771 then everybody knows who The Squid is, 228 00:07:58,771 --> 00:08:01,107 and then the value of the art decreases 229 00:08:01,107 --> 00:08:02,650 because everyone knows who the artist is. 230 00:08:02,650 --> 00:08:04,777 I am protecting The Squid's identity 231 00:08:04,777 --> 00:08:06,404 so that I can protect my bag. 232 00:08:06,404 --> 00:08:07,822 - [softly] All right. 233 00:08:07,822 --> 00:08:09,824 - Squid has dropped a new piece every night 234 00:08:09,824 --> 00:08:11,617 for the past week. 235 00:08:11,617 --> 00:08:13,453 They keep getting taken down immediately. 236 00:08:13,453 --> 00:08:15,455 But thanks to the FindTheSquid subreddit-- 237 00:08:15,455 --> 00:08:17,623 - Wait. Hold-- They already have a subreddit? 238 00:08:17,623 --> 00:08:19,876 Mine's been pending since 2014. 239 00:08:19,876 --> 00:08:22,879 - Yes, and fans are posting theories and locations 240 00:08:22,879 --> 00:08:25,381 on where they think The Squid is gonna drop next. 241 00:08:25,381 --> 00:08:27,717 - Wait, but what about the camera footage? 242 00:08:27,717 --> 00:08:30,261 - No. There's no footage. 243 00:08:30,261 --> 00:08:32,847 The Squid keeps posting in blind spots. 244 00:08:32,847 --> 00:08:34,932 Whoever they are, they are brilliant. 245 00:08:34,932 --> 00:08:37,643 You just know there's a deeper message behind all of it. 246 00:08:37,643 --> 00:08:39,520 - Brother, this looks like a lot of work. 247 00:08:39,520 --> 00:08:41,773 Wouldn't it just be easier to stick with the influencers 248 00:08:41,773 --> 00:08:43,816 you've been working with? - No. 249 00:08:43,816 --> 00:08:45,485 Influencers make pennies in comparison 250 00:08:45,485 --> 00:08:47,236 to what I have planned for The Squid. 251 00:08:47,236 --> 00:08:49,447 - And, uh, what is that exactly? 252 00:08:49,447 --> 00:08:52,116 - A bigger canvas, longevity. 253 00:08:52,116 --> 00:08:54,285 Why look for what's at the end of the rainbow 254 00:08:54,285 --> 00:08:55,912 when The Squid is the rainbow? 255 00:08:55,912 --> 00:08:57,914 You know, Banksy doesn't have to do deals 256 00:08:57,914 --> 00:08:59,540 with energy-drink companies. 257 00:08:59,540 --> 00:09:04,087 His last piece of art sold for $25.4 million. 258 00:09:04,087 --> 00:09:05,213 - That's a lot. - Hold up. 259 00:09:05,213 --> 00:09:07,590 [dramatic music] 260 00:09:07,590 --> 00:09:09,300 [cat meows] 261 00:09:09,300 --> 00:09:11,344 What are we looking for? What am I missing? 262 00:09:11,344 --> 00:09:13,721 ♪ ♪ 263 00:09:13,721 --> 00:09:15,348 The buildings. 264 00:09:15,348 --> 00:09:22,271 ♪ ♪ 265 00:09:24,482 --> 00:09:25,983 - Oh, oh. [indistinct chatter] 266 00:09:25,983 --> 00:09:28,069 - They're yours. - Partridge. 267 00:09:28,069 --> 00:09:30,113 Bam. Yes. Yes. Yes. Yes. 268 00:09:30,113 --> 00:09:31,864 Straight to Lepore. 269 00:09:31,864 --> 00:09:34,408 What are we cooking with, good-lookin'? 270 00:09:34,408 --> 00:09:36,953 Lepore to Enoch. 271 00:09:36,953 --> 00:09:39,831 And you are Kudus. 272 00:09:39,831 --> 00:09:41,207 - He's gonna get them like this. 273 00:09:41,207 --> 00:09:44,418 - Partridge, Lepore, Enoch, Kudus. 274 00:09:44,418 --> 00:09:48,673 Partridge, Lepore, Enoch, Kudus. 275 00:09:48,673 --> 00:09:49,966 - What does that mean? 276 00:09:49,966 --> 00:09:52,135 ♪ ♪ 277 00:09:52,135 --> 00:09:54,470 - I know where The Squid's gonna strike next. 278 00:09:54,470 --> 00:09:56,514 A new building is being dedicated 279 00:09:56,514 --> 00:09:58,099 in Derek Wright's name. 280 00:09:58,099 --> 00:09:59,392 I'll explain in the car. 281 00:09:59,392 --> 00:10:01,519 [hip-hop music] 282 00:10:01,519 --> 00:10:03,604 - I thought this was where Rebecca worked, 283 00:10:03,604 --> 00:10:05,147 but at least the bouncer was cool enough 284 00:10:05,147 --> 00:10:06,732 to tell us where she transferred to. 285 00:10:06,732 --> 00:10:09,944 - Yeah, he told us that after we paid the cover charge. 286 00:10:09,944 --> 00:10:11,946 Here's what I think we should do. 287 00:10:11,946 --> 00:10:13,906 We go back inside for investigation purposes only, 288 00:10:13,906 --> 00:10:15,616 just to make sure we're headed in the right direction. 289 00:10:15,616 --> 00:10:17,118 I had a great OJ in there, so let's just go back in. 290 00:10:17,118 --> 00:10:18,578 - Professor Jackson? - Huh? 291 00:10:18,578 --> 00:10:19,829 - Or we can go right now. 292 00:10:19,829 --> 00:10:23,416 - Our Uber's probably still right there. 293 00:10:23,416 --> 00:10:25,376 [distant siren wailing] 294 00:10:25,376 --> 00:10:27,920 - Every building The Squid has hit so far was funded 295 00:10:27,920 --> 00:10:29,881 by an exploitative capitalist. 296 00:10:29,881 --> 00:10:32,717 Thurman used child labor. 297 00:10:32,717 --> 00:10:34,927 Kudus manipulated the markets. 298 00:10:34,927 --> 00:10:38,139 And Derek Wright is just the worst. 299 00:10:38,139 --> 00:10:41,142 - I tell you, that's some darn good detective work. 300 00:10:41,142 --> 00:10:43,603 Agatha Christie would have been so proud. 301 00:10:43,603 --> 00:10:45,563 I mean, a little conflicted, but-- 302 00:10:45,563 --> 00:10:47,273 - Yeah. - So proud. 303 00:10:47,273 --> 00:10:48,983 - Dawg, 5-0 is everywhere. 304 00:10:48,983 --> 00:10:51,152 [tense music] 305 00:10:51,152 --> 00:10:53,279 - Bro, you sure The Squid would risk it? 306 00:10:53,279 --> 00:10:54,822 - If I know The Squid-- 307 00:10:54,822 --> 00:10:56,824 and after the last 24 hours, I feel like I do-- 308 00:10:56,824 --> 00:10:58,868 they're close by. 309 00:10:58,868 --> 00:11:01,245 - Damn, we've been out here all day. 310 00:11:01,245 --> 00:11:03,039 Hey, yo, you know, we should go get 311 00:11:03,039 --> 00:11:04,457 some hold-us-over snacks, you know? 312 00:11:04,457 --> 00:11:05,875 - Oh, smart. - Yeah. 313 00:11:05,875 --> 00:11:07,877 - Yo, there's an army-surplus store nearby. 314 00:11:07,877 --> 00:11:09,670 - Word. - They got some face paint, 315 00:11:09,670 --> 00:11:12,298 night-vision goggles, and some trail mix. 316 00:11:12,298 --> 00:11:14,217 - Come on. 317 00:11:14,217 --> 00:11:17,678 [Andre sighs] 318 00:11:17,678 --> 00:11:19,138 [door slams] - Mm. 319 00:11:19,138 --> 00:11:21,349 - Good God. - Could not have been louder. 320 00:11:23,142 --> 00:11:25,645 Well, looks like we've got first watch. 321 00:11:25,645 --> 00:11:28,481 - Fine by me. [phone chimes] 322 00:11:28,481 --> 00:11:30,483 - [groans] 323 00:11:30,483 --> 00:11:32,151 My client who Griddys in grocery stores 324 00:11:32,151 --> 00:11:33,861 wants me to take him to Kroger. 325 00:11:33,861 --> 00:11:35,488 - [chuckles] He can't take a bus? 326 00:11:35,488 --> 00:11:37,573 - No, he got permanently banned 327 00:11:37,573 --> 00:11:39,951 for Griddying too close to the bus driver. 328 00:11:39,951 --> 00:11:41,327 I just--I'm not gonna text back. 329 00:11:41,327 --> 00:11:42,870 I can't deal with this right now. 330 00:11:42,870 --> 00:11:44,580 - You can't do that. You're his manager, no? 331 00:11:44,580 --> 00:11:45,831 - On paper. 332 00:11:45,831 --> 00:11:47,416 I just thought being a manager 333 00:11:47,416 --> 00:11:49,460 would be more than handling travel arrangements 334 00:11:49,460 --> 00:11:51,629 and tracking Cameo residuals. 335 00:11:51,629 --> 00:11:53,297 - You don't want to be a manager, do you? 336 00:11:53,297 --> 00:11:56,717 - I do. I just want to be more than a manager, you know? 337 00:11:56,717 --> 00:11:58,886 When I first got into this, I was so focused 338 00:11:58,886 --> 00:12:01,430 on getting clients that I wasn't focused on their work, 339 00:12:01,430 --> 00:12:03,349 until I saw The Squid's art. 340 00:12:03,349 --> 00:12:05,685 So I'm gonna make sure that The Squid is everywhere, 341 00:12:05,685 --> 00:12:07,645 and then I'm gonna show my dad to prove to him 342 00:12:07,645 --> 00:12:09,563 that he was wrong for not believing in me. 343 00:12:09,563 --> 00:12:12,275 - Hmm. - It's gonna fix everything. 344 00:12:12,275 --> 00:12:14,026 - For you? 345 00:12:14,026 --> 00:12:16,195 I hope that's not your pitch. 346 00:12:16,195 --> 00:12:18,739 - ♪ Make it rain, yeah, I make it snow ♪ 347 00:12:18,739 --> 00:12:21,742 ♪ If you want the best, better add the zeroes ♪ 348 00:12:21,742 --> 00:12:24,328 ♪ I get the bread, yeah, I get the dough ♪ 349 00:12:24,328 --> 00:12:27,081 ♪ Stacking up the bills underneath my pillow ♪ 350 00:12:27,081 --> 00:12:30,001 ♪ Tooth Fairy lit, one for the money... ♪ 351 00:12:30,001 --> 00:12:32,378 - Okay, okay, okay. We're good. We're in the clear. 352 00:12:32,378 --> 00:12:35,923 Nobody from our personal or professional lives. 353 00:12:35,923 --> 00:12:37,591 No Rebecca. 354 00:12:37,591 --> 00:12:39,802 - Maybe she's in the back somewhere. 355 00:12:39,802 --> 00:12:41,220 - Yo, y'all trying to party? 356 00:12:41,220 --> 00:12:42,763 - No, we're fine, but thank you. 357 00:12:42,763 --> 00:12:44,056 - I would love to party with you, yes. 358 00:12:44,056 --> 00:12:45,266 - No. - What? 359 00:12:45,266 --> 00:12:46,600 - Never go for the first dancer. 360 00:12:46,600 --> 00:12:48,102 If they approach, it's not worth it. 361 00:12:48,102 --> 00:12:49,270 - Fine. Fine. Fine! 362 00:12:49,270 --> 00:12:50,187 All right, well, all this searching 363 00:12:50,187 --> 00:12:51,522 has got me hungry, dog. 364 00:12:51,522 --> 00:12:53,899 So I'm gonna come over here. - Do your thing. 365 00:12:53,899 --> 00:12:55,693 - All right, Doug-y boy, you go get yourself a lap dance, 366 00:12:55,693 --> 00:12:57,361 while me and this shrimp scampi and scrambled eggs-- 367 00:12:57,361 --> 00:12:58,821 we're gonna stay on the lookout for Rebecca. 368 00:12:58,821 --> 00:13:00,197 - I love a dance, man, 369 00:13:00,197 --> 00:13:01,866 especially when I have no one to go home to. 370 00:13:01,866 --> 00:13:03,492 - Well, there's plenty of shrimp in the sea. 371 00:13:03,492 --> 00:13:05,036 It should be easy. 372 00:13:05,036 --> 00:13:07,288 - Bro, like, look at this Asian one right here, right? 373 00:13:07,288 --> 00:13:08,664 - Love her. I love her. 374 00:13:08,664 --> 00:13:09,999 - Gorgeous. - Nice. 375 00:13:09,999 --> 00:13:11,292 - But she's not Black. - [inhales sharply] 376 00:13:11,292 --> 00:13:12,335 - I like to keep it in the Black community. 377 00:13:12,335 --> 00:13:14,003 - Who you telling? I only buy Black. 378 00:13:14,003 --> 00:13:15,713 - ♪ Money, money, money, money, money, money ♪ 379 00:13:15,713 --> 00:13:17,256 - ♪ You heard? ♪ 380 00:13:17,256 --> 00:13:18,716 - ♪ Money, money, money... ♪ 381 00:13:18,716 --> 00:13:20,468 - Oh, she's gorgeous. - Yeah, she is. 382 00:13:21,886 --> 00:13:23,929 Oh. She looks like Edie. 383 00:13:23,929 --> 00:13:25,306 - A little bit. - [sighs] Damn. 384 00:13:25,306 --> 00:13:26,807 - ♪ For a dollar? ♪ 385 00:13:26,807 --> 00:13:28,225 ♪ You'll do all this for a dollar? ♪ 386 00:13:28,225 --> 00:13:31,062 ♪ ♪ 387 00:13:31,062 --> 00:13:32,688 - She's probably married, too. 388 00:13:32,688 --> 00:13:35,274 - She's got a lot of tattoos of men's names on her arm. 389 00:13:35,274 --> 00:13:36,609 You got room for one more? 390 00:13:36,609 --> 00:13:38,402 - Go for it. - Okay. 391 00:13:38,402 --> 00:13:41,113 - ♪ Lickety split, banana Ice cream sundae ♪ 392 00:13:41,113 --> 00:13:43,240 - You sure you don't want any shrimp? 393 00:13:43,240 --> 00:13:44,992 - Absolutely not. 394 00:13:44,992 --> 00:13:47,578 - Hey, Doug. I've been waiting for you. 395 00:13:47,578 --> 00:13:49,789 - Rebecca. We've been looking for you so long, 396 00:13:49,789 --> 00:13:51,373 they restarted the playlist. 397 00:13:51,373 --> 00:13:53,459 - Oh, we have a celeb who practically lives back there. 398 00:13:53,459 --> 00:13:54,585 - Mm. - Okay. 399 00:13:54,585 --> 00:13:56,462 - Don't ask who, 'cause I can't say, 400 00:13:56,462 --> 00:13:58,172 but his name rhymes with James Harden. 401 00:13:58,172 --> 00:14:00,633 - Okay. - So what's bothering you? 402 00:14:00,633 --> 00:14:02,885 - Wait, how does she know? Wait, you were right. 403 00:14:02,885 --> 00:14:04,595 She knows that we need help. Are you psychic? 404 00:14:04,595 --> 00:14:07,932 - No, you're just the only guys in here eating warm shrimp. 405 00:14:07,932 --> 00:14:09,600 - Step into my office. - Okay. 406 00:14:09,600 --> 00:14:11,560 - And leave the plate, Bubba Gump. 407 00:14:11,560 --> 00:14:13,479 - ♪ Money, money, money ♪ 408 00:14:15,231 --> 00:14:16,732 - [snoring] 409 00:14:16,732 --> 00:14:19,068 [phone chimes] 410 00:14:19,068 --> 00:14:21,362 - Hello, my celiac kings and queens. 411 00:14:21,362 --> 00:14:23,239 You've been asking, so here it is-- 412 00:14:23,239 --> 00:14:26,575 part 12 of my kale-salad series. 413 00:14:26,575 --> 00:14:28,035 [musical chime] 414 00:14:28,035 --> 00:14:30,329 - Oh, my God. Enough with the kale. 415 00:14:30,329 --> 00:14:34,416 [phones chiming, vibrating] Ooh! Ooh! 416 00:14:34,416 --> 00:14:36,085 - Squid! - They're here! 417 00:14:36,085 --> 00:14:37,962 - Man, they're not here. 418 00:14:37,962 --> 00:14:40,339 - Yo, The Squid hit another location. 419 00:14:40,339 --> 00:14:41,423 - What? 420 00:14:41,423 --> 00:14:43,175 Somewhere we know? 421 00:14:43,175 --> 00:14:46,387 - Yeah. We're pretty familiar. 422 00:14:46,387 --> 00:14:47,805 [indistinct chatter] 423 00:14:47,805 --> 00:14:49,223 Can they move out the way? 424 00:14:49,223 --> 00:14:51,267 [horn honks] 425 00:14:51,267 --> 00:14:54,228 [dramatic music] 426 00:14:54,228 --> 00:14:55,396 ♪ ♪ 427 00:14:55,396 --> 00:14:56,814 - Whoa. 428 00:14:56,814 --> 00:14:58,607 Well, I guess you were right about Wright 429 00:14:58,607 --> 00:15:01,777 but wrong about Wright. 430 00:15:01,777 --> 00:15:04,905 Right? 431 00:15:04,905 --> 00:15:08,534 - Whoever The Squid is, they're [bleep] with me. 432 00:15:12,580 --> 00:15:14,081 - Hold on. 433 00:15:14,081 --> 00:15:17,084 This piece couldn't possibly be The Squid's work. 434 00:15:17,084 --> 00:15:19,044 - Yo, maybe it's bedtime, fam. 435 00:15:19,044 --> 00:15:20,546 - No. No, no, no, no. Look. 436 00:15:20,546 --> 00:15:22,840 - The brush strokes are discordant. 437 00:15:22,840 --> 00:15:24,675 This is shoddy work. 438 00:15:24,675 --> 00:15:26,802 The Squid's style is very intentional. 439 00:15:26,802 --> 00:15:29,930 Every color glows with inspiration. 440 00:15:29,930 --> 00:15:31,182 - "Glows"? 441 00:15:31,182 --> 00:15:33,017 - Yeah. 442 00:15:33,017 --> 00:15:35,436 The Squid's work speaks to me 443 00:15:35,436 --> 00:15:38,022 in a language I just can't describe. 444 00:15:38,022 --> 00:15:41,567 It inspires me to slow down and breathe, 445 00:15:41,567 --> 00:15:44,862 smile, cry... 446 00:15:44,862 --> 00:15:47,156 live. 447 00:15:47,156 --> 00:15:50,367 This doesn't make me feel any of that. 448 00:15:50,367 --> 00:15:51,785 - Mm. 449 00:15:51,785 --> 00:15:53,704 - This isn't The Squid's work. 450 00:15:53,704 --> 00:15:56,081 Boys, I think we have an impostor on our hands. 451 00:15:56,081 --> 00:15:58,918 - Mm. - Uh, I got to be honest... 452 00:15:58,918 --> 00:16:01,462 I have no idea what's going on. 453 00:16:01,462 --> 00:16:03,923 - ♪ You ain't ready for this, ah ♪ 454 00:16:03,923 --> 00:16:05,424 ♪ Wait till I give you that... ♪ 455 00:16:05,424 --> 00:16:06,967 - She's treating me like a simp. 456 00:16:06,967 --> 00:16:08,469 - I'm just mad that I'm being so manipulatable. 457 00:16:08,469 --> 00:16:10,221 - Whoa, whoa, Doug. The floor lights up. 458 00:16:10,221 --> 00:16:12,514 - It sounds like you two are at a crossroads. 459 00:16:12,514 --> 00:16:14,391 So... 460 00:16:14,391 --> 00:16:18,312 which way will you go? 461 00:16:18,312 --> 00:16:20,814 - Uh, which--whichever way you think we should go. 462 00:16:20,814 --> 00:16:22,650 - Song's over. 463 00:16:22,650 --> 00:16:24,485 - Oh, God. - [grunting] 464 00:16:24,485 --> 00:16:25,736 - I need to know what to do next. 465 00:16:25,736 --> 00:16:27,154 She's got to tell me which way to go. 466 00:16:27,154 --> 00:16:28,822 - Bro, we've already done 13 songs, 467 00:16:28,822 --> 00:16:30,783 and at the end of every one, she says the same thing. 468 00:16:30,783 --> 00:16:32,409 It's like advice "Inception." 469 00:16:32,409 --> 00:16:34,078 - You're right. 470 00:16:34,078 --> 00:16:36,080 This room is the crossroads, and the only way to go is out. 471 00:16:36,080 --> 00:16:37,414 We got to leave. - Let's go, man. 472 00:16:37,414 --> 00:16:39,041 - [chuckles] You guys are sweet, 473 00:16:39,041 --> 00:16:40,751 so this next one's on the house. 474 00:16:40,751 --> 00:16:42,336 both: Okay. - We can stay. 475 00:16:42,336 --> 00:16:44,129 - Plus, the Grizzlies are in town on Tuesday, 476 00:16:44,129 --> 00:16:46,048 and one visit from their backcourt 477 00:16:46,048 --> 00:16:47,800 will pay off my Land Rover. 478 00:16:47,800 --> 00:16:49,760 - ♪ Let me tell you one thing ♪ 479 00:16:49,760 --> 00:16:52,179 - I'm gonna be candid, okay? - That's exactly what we need. 480 00:16:52,179 --> 00:16:53,264 - Yeah? 481 00:16:53,264 --> 00:16:55,182 Aaron. - Yes, ma'am? 482 00:16:55,182 --> 00:16:57,059 - What would happen if you got handsy with me 483 00:16:57,059 --> 00:16:58,310 in this strip club? 484 00:16:58,310 --> 00:16:59,853 - I-I think the security guards 485 00:16:59,853 --> 00:17:01,647 and bouncers would throw me out Jazzy Jeff style. 486 00:17:01,647 --> 00:17:03,691 - Mm. And how do you know that? 487 00:17:03,691 --> 00:17:05,109 - Well, I know that because they have house rules 488 00:17:05,109 --> 00:17:06,694 located on each wall. 489 00:17:06,694 --> 00:17:09,405 - Your problem is, you agreed to the rules with Edie, 490 00:17:09,405 --> 00:17:11,907 but you keep expecting something different to happen. 491 00:17:11,907 --> 00:17:13,200 - What's wrong with me? 492 00:17:13,200 --> 00:17:15,286 - If you don't accept the situation as is, 493 00:17:15,286 --> 00:17:18,330 you're gonna keep getting hurt. - [gasps] Ooh. Okay. 494 00:17:18,330 --> 00:17:20,833 You're saying be more like the door and less like Jazzy Jeff. 495 00:17:20,833 --> 00:17:23,252 - Yeah. - Me. Do me next, please? 496 00:17:23,252 --> 00:17:24,628 - She wasn't done. She wasn't--Hey. 497 00:17:24,628 --> 00:17:26,005 She wasn't done with me yet. 498 00:17:26,005 --> 00:17:28,048 - You need to accept that what happened with Sloane 499 00:17:28,048 --> 00:17:29,800 has nothing to do with you. 500 00:17:29,800 --> 00:17:32,636 Grieving can look like anger in a lot of men. 501 00:17:32,636 --> 00:17:33,887 - Mm-hmm. 502 00:17:33,887 --> 00:17:35,639 - And you need to release your grief... 503 00:17:35,639 --> 00:17:36,849 - Oh. 504 00:17:36,849 --> 00:17:38,601 - Not anger... 505 00:17:38,601 --> 00:17:42,813 and get closure however you can. 506 00:17:42,813 --> 00:17:44,648 Session's over. 507 00:17:44,648 --> 00:17:46,317 That'll be two grand. 508 00:17:46,317 --> 00:17:48,736 - And I'll just have to accept that feelings aren't facts. 509 00:17:48,736 --> 00:17:51,613 - Okay, is the tattoo located on your lower back-- 510 00:17:51,613 --> 00:17:53,115 is that the QR code for your Venmo, or-- 511 00:17:53,115 --> 00:17:54,617 - Oh, yeah, it sure is. 512 00:17:54,617 --> 00:17:56,994 - I'll just--thank you. 513 00:17:56,994 --> 00:17:59,079 - And who--who should I make this out to? 514 00:17:59,079 --> 00:18:01,332 - Oh, Rebecca Shapiro is fine. 515 00:18:01,332 --> 00:18:03,292 ♪ ♪ 516 00:18:03,292 --> 00:18:05,294 - I can't believe that crazy security guard 517 00:18:05,294 --> 00:18:08,047 ended up being the fake Squid. 518 00:18:08,047 --> 00:18:10,174 He must have lost himself in the search. 519 00:18:11,925 --> 00:18:13,552 You don't want to help? 520 00:18:13,552 --> 00:18:16,472 - Uh, I'm helping a different way. 521 00:18:16,472 --> 00:18:17,973 But I got a new clue. 522 00:18:17,973 --> 00:18:20,517 - You can toss that. I'm done. 523 00:18:20,517 --> 00:18:23,228 I'm sorry that I kept you guys awake with all this craziness. 524 00:18:23,228 --> 00:18:25,230 - Trust me... 525 00:18:25,230 --> 00:18:27,566 you're gonna want to see this. 526 00:18:27,566 --> 00:18:30,527 [soft synth music] 527 00:18:30,527 --> 00:18:34,406 ♪ ♪ 528 00:18:34,406 --> 00:18:35,908 - You're The Squid. 529 00:18:35,908 --> 00:18:38,827 - No, I'm Cole... 530 00:18:38,827 --> 00:18:41,038 who is The Squid, so... 531 00:18:41,038 --> 00:18:43,123 yeah, I guess I am The Squid. 532 00:18:43,123 --> 00:18:45,000 - What? Then--then why did you deny it 533 00:18:45,000 --> 00:18:47,002 when I asked you if you were The Squid? 534 00:18:47,002 --> 00:18:49,463 - No, I didn't. Look, you're not crazy. 535 00:18:49,463 --> 00:18:51,757 I was gonna hit the Derek Wright building, 536 00:18:51,757 --> 00:18:53,175 but you didn't catch me because-- 537 00:18:53,175 --> 00:18:54,885 - You were there the whole time. 538 00:18:54,885 --> 00:18:57,888 Overlooked, in plain sight. 539 00:18:57,888 --> 00:18:59,306 Wow. 540 00:18:59,306 --> 00:19:01,475 What made you want to reveal yourself now? 541 00:19:01,475 --> 00:19:04,478 - You weren't trying to expose or exploit The Squid. 542 00:19:04,478 --> 00:19:06,689 You were trying to protect and preserve the art 543 00:19:06,689 --> 00:19:08,941 and the artist. 544 00:19:08,941 --> 00:19:12,486 I got so worried it was just all about money. 545 00:19:12,486 --> 00:19:15,531 When you saw my work, then I knew you saw me. 546 00:19:15,531 --> 00:19:17,032 - I feel you. 547 00:19:17,032 --> 00:19:18,826 You know what? I'm gonna-- I'm gonna keep quiet. 548 00:19:18,826 --> 00:19:20,452 I know you don't want a manager, 549 00:19:20,452 --> 00:19:22,246 and I know that you just, you know-- 550 00:19:22,246 --> 00:19:23,789 you don't want to sell out. 551 00:19:23,789 --> 00:19:25,707 - You're right. I don't want to sell out. 552 00:19:25,707 --> 00:19:27,167 - Yeah. 553 00:19:27,167 --> 00:19:28,877 - But I do want to buy in. 554 00:19:28,877 --> 00:19:30,754 - Cole, I'm running on fumes here. 555 00:19:30,754 --> 00:19:32,381 Can you just tell me what you mean? 556 00:19:32,381 --> 00:19:34,049 - All right, look, 557 00:19:34,049 --> 00:19:36,635 we both found something new we weren't expecting today. 558 00:19:36,635 --> 00:19:38,721 You found clarity, 559 00:19:38,721 --> 00:19:40,264 and I found a manager. 560 00:19:41,932 --> 00:19:44,768 - Wait, you want me to represent you? 561 00:19:44,768 --> 00:19:48,063 - I'll consider it on a handshake agreement. 562 00:19:48,063 --> 00:19:50,524 - That-- [chuckles] 563 00:19:50,524 --> 00:19:52,776 You never know when inspiration 564 00:19:52,776 --> 00:19:55,654 is going to find you... 565 00:19:55,654 --> 00:19:58,574 or how long it will take to track down inspiration 566 00:19:58,574 --> 00:20:03,203 and embark on a mutually beneficial relationship. 567 00:20:03,203 --> 00:20:06,290 But trust me--you'll know it when you see it. 568 00:20:06,290 --> 00:20:09,168 And if you're lucky, maybe it'll see you, too. 569 00:20:12,171 --> 00:20:13,505 - We did it! 570 00:20:13,505 --> 00:20:15,924 Yeah! Stole a bike from a child. 571 00:20:15,924 --> 00:20:18,469 - Not something I'm proud of. - Oh, no, I'm proud. 572 00:20:18,469 --> 00:20:19,595 You know why? - Why? 573 00:20:19,595 --> 00:20:21,013 - Closure. 574 00:20:21,013 --> 00:20:23,515 - Hey, well, look, man, petty theft or not, 575 00:20:23,515 --> 00:20:25,517 there's no one else I'd rather run out of money 576 00:20:25,517 --> 00:20:27,019 and walk through the L.A. streets with. 577 00:20:27,019 --> 00:20:28,353 - I do agree. 578 00:20:28,353 --> 00:20:30,189 Once this blister on my foot heals, 579 00:20:30,189 --> 00:20:31,940 I'll be able to fully appreciate this moment. 580 00:20:31,940 --> 00:20:34,109 And even after all the shit that we went through, 581 00:20:34,109 --> 00:20:36,320 I'm glad I did it with you. - Same. Love you, man. 582 00:20:36,320 --> 00:20:37,863 - Love you, too, man. 583 00:20:37,863 --> 00:20:39,573 - It would have been a lot cheaper, though, 584 00:20:39,573 --> 00:20:41,366 to remember that before we spent a mortgage 585 00:20:41,366 --> 00:20:43,410 on strip club therapy. - Eh. 586 00:20:43,410 --> 00:20:46,538 But then we wouldn't have had this great idea. 587 00:20:46,538 --> 00:20:48,081 - [yawning] You're right. 588 00:20:48,081 --> 00:20:50,042 You're right. - Closure.