[♪ PVA: "Sleek Form"]
♪ Met a man today ♪
♪ They're a woman no more ♪
♪ Met a man today ♪
♪ They're a woman no more...
Wiegler and Wolff have been working together.
Look at private networks, burner phones. I want to know
- how long she planned this. - Ma'am, seven hours ago,
Wiegler used an agency ID to prepay for a rental car
just outside Paris to drop off in Lisbon, Portugal.
♪ Met your son today ♪
♪ She's a man no more ♪
♪ Met your son today...
Get me CCTV of all highways
from France to Spain and Portugal.
I want visual on every toll station.
Do we have a location on Naziri?
Separated from Wiegler and Wolff
at the river. Since then, nothing.
♪ Met your son today ♪
♪ She's a man no more ♪
♪ He walks with such slick form ♪
♪ ♪
♪ Met the mother today ♪
♪ Her chest is bound ♪
♪ Met the mother today...
[Dev] I have Mia Wolff on CCTV
five hours ago getting on a train
- heading to Milan, Italy. - [Stapleton] Okay.
- They've separated. - [Chuck] I have flights booked
- to Mexico City, Istanbul and Beirut. - And I have
Wolff getting on a coach to Copenhagen.
She also bought train tickets to Moscow.
♪ Met a man today ♪
♪ They're a woman no more ♪
♪ Met a man today ♪
♪ They're a woman no more ♪♪
- [♪ Drug Store Romeos: "Vibrate"] - ♪ Vibrate ♪
♪ Correlate ♪
♪ Translate...
[Ethan] Max. Max.
Max.
Hey.
♪ Translate...
- Hey, how are you? - [siren wailing]
- Ethan. My God. - [chuckles]
I didn't know you were back in Vienna, man.
Yeah, I'm just visiting friends.
I thought they might have, um,
- started up that project again. - [chuckles]
No. No, it's nothing that exciting.
That was weird, man.
It was good seeing you, Ethan.
Uh, you, too. You, too. Uh, take care.
♪ ♪
[Marissa] Max Kaplan, the CIA programmer
who's working with Ethan in Vienna.
I thought he went back to America.
Well, either he's back, or he was lying.
[Hanna] Who's the other guy?
I can't find anything on him, and the car's plates are fake.
I'll check local CCTV to see if it's a regular pickup point.
[footsteps approaching]
[muted chatter]
[taps key]
He's come to the same place every Monday for months.
Oh, Stapleton.
Why is she there?
We need to go to Vienna.
What about Abbas?
[Lee] That's him.
[Chuck] We have CCTV footage of Naziri.
He was at a bus station
outside of Paris, France, yesterday evening.
[Lee] He went to the east terminal.
- [Stapleton] Mm-hmm. - [Lee] And then we lose him.
- What about Wiegler? - [Chuck] Just smoke screens.
All dead ends.
Okay. Focus on Naziri.
Check what buses left the east terminal
in that time slot.
Leave Wiegler and Wolff to me.
[indistinct radio chatter]
[lock beeps]
[door closes]
We know Wiegler is alive,
and we know you've been working with her and Mia
to sabotage the missions.
Where are they?
Are those two really worth dying for, John?
Or don't you have anything else to live for?
I only talk to The Chairman.
In your dreams.
Tell him I'd like to talk to him about his favorite agent.
And, in case you were wondering,
it's not you.
[beeps]
[door opens]
[phone vibrating]
[indistinct chatter]
Hello?
Carl?
It's your old Paris pen pal.
- Are you alone? - Uh...
Uh, no, not exactly.
I need your help.
I don't know. Things got a little messy last time.
It's a discreet task.
Current location on a company man.
I need it done fast without raising any flags.
Got a name?
Yeah, I'll send it.
- Everything okay? - Yeah, fine.
You have two minutes.
[drops phone]
[Chairman] So, what is it you have to say to me
that you couldn't say to Stapleton?
[Carmichael] It's about Marissa Wiegler.
But, then, you knew that.
You've been sponsoring her career since the beginning.
I know you want her back.
So, let me bring her to you.
[phone vibrates]
[Carmichael] You gonna tell me
what the hell happened yesterday?
What was Benson doing in Paris?
I didn't know Stapleton sent him.
They have CCTV of Hanna's face with scratches on it
that triggered suspicion.
And you just found this out now?
Hey, I did everything you asked of me.
Activated Hanna first,
gave you intel on the next two missions.
If I wanted to set you up,
it would have happened a lot earlier.
And what the hell
was Hanna doing at Naziri's safe house?
- It doesn't matter. - Was it personal?
- It's been taken care of. - That's easy for you to say.
You're blown. Now all eyes are on me.
Just keep your head down. You know the drill.
[Carmichael] All right, but listen.
Pioneer have sighted Abbas.
He got on a bus to Sarrebourg in East Lorraine.
And they're gonna find him. Unless you do.
[Hanna] Train leaves in five minutes.
What?
Carmichael says Pioneer has a lead on Abbas.
- Sarrebourg, eastern France. - They're going there now?
Look, I need you in Vienna.
Operationally, it's the right call.
Okay, I'll meet you there as soon as I find him.
- There's no time. - There is if I leave now.
How do we even know that Carmichael's on the level?
I don't have any of the guarantees that I need.
If Abbas is in danger, I won't risk it.
And if you don't want me to go, you wouldn't have said anything.
You think you're smart, huh?
Pretty smart, yeah.
I'll make it to Vienna. Trust me.
♪ ♪
[sniffles]
[P.A. announcement in French]
♪ ♪
[Chairman] Why were you hiding, Mary?
- [Sylvie] Allô? - Uh...
Hello, it's Gourmet Pizzas, our delivery guy
says no one's answering the door.
I think there's been a mistake. I didn't order any pizza.
Hold on.
[bird chirping over phone]
No, there's no one here.
Really? Let me check, what is your address?
34 Place de la Republique.
♪ ♪
[bird chirping]
[chatter in French]
[music playing faintly]
[clattering nearby]
[water running, stops]
[laughter]
[bird chirping]
..come on, you're beautiful.
You're so beautiful sweetheart.
Come and dance. Come on.
No. Don't do that. Stop.
Come and dance.
What are you doing here?
- [screams] - Shh.
Get out of my house!
Hanna, what are you doing here?
You know her?
- Who were you talking to in there? - Why are you here?
- What's happening? Tell me what's happening?
They have a lead on you, and I wanted to get here first.
What? They know about this place?
Yes. Who were you talking to in there?
What's going on?
It's ok, Sylvie.
- No, stay here. Stay here. - Who is it?
Stay here. Stay here. Stay here.
[Abbas] Nadiya.
[speaking quietly in French]
Let me introduce you to someone.
She's a friend of Dad's.
Who's she?
This is Hanna.
Hanna, Nadiya say hello.
Hello.
Hello Nadiya.
Granny, who is she?
I have to go make a phone call. Private.
- Come my darling. - Go with Granny.
- [Marissa] Where are you? - I found him.
- Is he safe? - Yes.
Any complications?
No.
Carmichael's lead was good.
I need to get him safe,
but I will call you when it's done.
[Marissa] Okay, good.
- Can we speak alone? - No, you can speak here.
They don't speak English.
I need to get you out of here now.
We don't have long.
I'm not going without Nadiya.
[bird chirping over phone]
[Hanna] You never should have come here.
- She's not safe. Bad idea. - [Abbas] I needed to see her.
The only way to keep her safe
is to make it look like you were never here.
Okay, okay, okay, okay.
- Do it. - [man] Copy.
- [bird chirping] - Sweetie, Dad has to leave.
I'm sorry.
But you only just got here.
I know but I have to leave again.
When will you be back?
I don't know, but I can leave you some money.
I'm sorry, sweetie.
When is your trash collected?̧
- What? - Is it today?
No, next week.
What is it? What is it?
[conversing in French]
We need to get them out now.
Nadiya put your coat on.
- You said you were leaving alone. - Hurry up.
- We need to leave now. - Okay.
Grab your coat. Don't worry.
I'm sorry Sylvie. Let's go.
Who lives next door?
- An old couple. - Okay.
Don't be scared.
Okay?
Nadiya.
Come here.
- I have her. - Grab hold of me. I've got you.
I won't let go of you.
Sylvie?
Sylvie!
Leave it. We have to go right now!
- I'm not going without... - [gunshot]
[bird chirping]
[man] They're not in the apartment. We have a body down.
Find them.
[whispering in French]
[man speaking French]
[speaks French, shushes]
- Ah! - Get down!
[man shouts, screams]
[speaking urgently in French]
- Papa. - [speaking French]
[man shouts]
[speaking French]
Ok, let's go sweetie.
- [panting] - [car doors closing]
Dad, I lost Zafa!
It doesn't matter. We'll buy another one.
[engine starts]
[tires squealing]
[gunfire]
[phone vibrates]
Yeah.
Any news?
She found the asset. He's safe.
That's good.
They're trying to get out now. Are your people close?
They're still combing a wide area.
It sounds like you're on the move.
Do you need my help?
No, no. Just, uh,
send up a flare if they get close.
Marissa, I can help you.
You've done everything I need.
[arguing in German]
[Stapleton] Playing it now.
[Carmichael] Any news?
[Marissa] She found the asset. He's safe.
Did you get a trace?
No, she never stays on long enough.
And Wolff?
We lost her somewhere outside Sarrebourg.
Play it again.
[keys clicking]
[Carmichael] Any news?
[Marissa] She found the asset. He's safe.
Augment that section.
[keys clicking]
- [Carmichael] Any news? - [arguing in German]
[Marissa] She found the asset. He's safe.
That's German.
Play it again louder.
[keys clicking]
- [Carmichael] Any news? - You know what we're gonna do? Exactly what you said.
[Marissa] She found the asset. He's safe.
I'm getting off the train at Vienna. It's over between us.
[Stapleton] Looping it.
I'm getting off the train at Vienna. It's over...
[Stapleton] She's coming to you.
Let's go.
Dad, we should go home. We forgot Granny.
No, granny is staying at home.
And Zafa? I dropped him.
- Come on, come on. - I'll buy you another one.
Do you want a zebra or a giraffe?
A zebra.
[phone vibrating]
Hi, Carl.
The friend you were asking about.
It's kind of weird.
Phone record came up straight away in his name.
- He's in New York. - [phone beeping]
Manhattan apartment, 85th Street.
You sure?
Yeah. It's on all the databases.
Okay, thanks. I have to go.
Are you okay?
[Hanna] It was a trap. They knew I was there.
They waited until I was inside.
We got away, but they killed a civilian.
Okay. I think Carmichael's playing us.
What else does he know?
No, I haven't told him anything.
But I was digging into Pioneer, and I came across a lead
trying to divert us to New York, and I think they planted it.
Do they know where you're going?
[arguing in German]
Okay. I'm gonna move Ethan to the safe house.
Just get Abbas secure
and then meet me in Vienna fast as you can.
Okay. Bye.
Why is she angry?
I'll explain it to you later.
♪ ♪
[Chairman] It's time. Shut down the Meadows.
Move essential personnel to Vienna.
I'll see you
- when you get here. - [Stapleton] And Carmichael?
[Chairman] Bring him with you for now.
We'll deal with him here.
[Stapleton] Sir, if Wiegler knows
about the operation in Vienna, it's got to have come
from Ethan Williams.
[Chairman] All right.
Activate our operative.
Take him out.
[playing classical music]
♪ ♪
[quiet chatter]
What time did you tell everyone?
Uh, around 7:00-ish.
Gives us time to cook and get everything ready.
- See you there? - Yeah.
Please don't say you invited Nico.
He may be cute, but he's such a prick.
Well, he's always nice to me.
And does that mean you're contractually obliged
to like him back? No.
Can you actually imagine
what kind of society we would live in
if people just liked people who liked them?
- It's a never-ending vortex. - [chuckles softly]
What?
Nothing. You just, um...
remind me of someone I used to know.
[phone vibrates]
- You okay? - Uh, yeah.
Um, I'm gonna go grab some bottles of wine,
- but I'll see you guys at home. - You want a hand?
No, no, I'm fine.
Hi. Oh, just the usual, please. I'm in a slight hurry today.
Oh, of course, sir.
Oh, and, uh, your lady friend paid for your meal again.
Excuse me?
The lady said it was paid for?
Yes. She called just before you came.
♪ ♪
[sighs]
[indistinct chatter]
♪ ♪
[closes drawer]
[Carmichael] Reminiscing?
I heard you were sick.
I managed to fend it off.
Well, I hope you feel better.
I'm flying to Vienna now.
You'll be joining us later.
If Mia has any contact with any of the girls,
you let me know immediately.
And whatever it is you think you know,
you don't.
So stay out of the way and do your job.
Yes, sir.
Where are we going?
It's a surprise.
Do you like surprises?
No.
- Dad? - Mm?
Why isn't Granny coming?
Granny? Because...
She had to stay with Pierrot.
So he doesn't get lonely?
Yes, that's right.
Ok, you owe me a zebra.
Ok. I promise.
Careful, sweetie, stay away from the railway tracks.
Ok.
Thank you.
I'm going to Vienna. I'll find somewhere safe
for you and your daughter on the way.
Can we talk?
Why didn't you tell me about your daughter?
I wanted to tell you.
But with everything happening, I was scared.
Listen, I'm sorry you found out like that.
Are you still with the mother?
No. We split up when Nadiya was a baby.
She has issues, okay? She's crazy.
She didn't talk to Nadiya for six months.
Okay, okay.
I don't need to know any more. It's done. It's fine.
What, that's it?
When you have a child, Abbas, it changes things.
Oh, it changes things.
No, you misunderstand.
No, I understood you very well.
What do you understand?
You like me. Then you find out I have a kid.
It's too much for you?
You don't want to get involved? I heard that
- many times. - No. I do like you,
and you choose to be involved.
But the kid, she doesn't choose.
No child chooses this.
This life. Do you understand?
♪ ♪
Come on, sweetie.
[sizzling]
All okay?
No one got on or off at the last stop,
so I think we're good for now.
Okay.
We should get off soon.
Find a place to hide.
It's remote here. Could be good.
- I'm hungry. - Hmm?
I'm hungry.
You're hungry sweetie? I have chips from the car.
I don't want that. I want a biscuit.
Biscuit? We don't have biscuits sweetie.
- [giggling] - It's the magic pineapple.
Here, you want this? Try it.
It's not good.
It's disgusting.
Excuse me do you have a biscuit?
No, sorry.
Thanks.
Where are you folks off to? Holiday?
I don't know where we're going. We had to leave very quickly.
- People ran after us. They were angry. - Nadiya. Nadiya.
- Nadiya. - You are in trouble?
No, no. Just I messed up something,
and so now we have to...
to find a new place.
[Franz] Okay. Family problems, huh?
The family doesn't approve of us.
[Franz] Love on the run, huh?
We've all been there.
- So, you need help? - [train braking]
[Hanna] Why did we stop?
What is it?
Let's go.
What? What is it?
Two men just got on the train.
- Okay. - [Franz] Hey, hey, hey.
I have a friend. She owns a farmhouse
north of St. Magdalena, not far from here.
- Say Franz sent you. Franz! - [Hanna] Let's go, let's go,
- let's go, let's go. - Thank you.
♪ ♪
Have some respect. Do not touch me!
Get off me! You fascist!
- Get out of the way. Move! Move! - Move! Let me through!
- You go after me, yes? - [Abbas] Okay.
Asshole!
- Come on. It's okay. - [speaking French]
Don't be scared.
- Okay. - They're here. Hanna. Hanna, they're here.
- Papa. - [shushing]
[keys jingle]
[sighs]
Anne, where the hell have you been?
- I've been trying you. - [Anne] I'm at home.
I was doing my practice.
- You know I turn my phone off. - Uh, listen to me.
Remember the address I gave you for emergencies?
Now, uh,
I don't want you to panic,
but I need you to meet me here now.
Grab your things and walk out the door, okay?
You're scaring me, Ethan.
Look, don't worry. Don't worry.
Okay? I'll-I'll explain when I see you.
Just message me when you leave, okay?
- I love you. - I love you.
What are you doing?
Uh...
It's a gift.
For me?
Yes. Not a zebra but...
What's his name?
Mr. Horse?
But it's not a horse. It's a pony.
[chuckles]
Did your dad teach you to do that?
No.
Nadiya, sweetie. Let's hurry.
[doorbell rings]
- Hey, Anne. - Hi, Sandy.
Uh, we don't have a lesson today, do we?
No. And I'm so sorry for turning up
like this, but I could really use
some extra help on this piece.
We just had a rehearsal, and I was terrible.
I'm actually on my way out, so...
It's just the eighth and ninth bar.
It'll be two minutes, I promise.
♪ ♪
[Anne] Um, this really isn't a good time.
I'm sorry.
But if you call next week,
I'm sure I can fit you in.
Where are you going?
[phone vibrating]
[vibrating stops]
I just need to know where he is.
[Lena] So, did Franz tell you about the chores?
No.
I ask everyone who stays here to chip in.
- [Abbas] Okay. - [Lena] You and your girlfriend
can sleep in the barn out the back there.
[Abbas] She-She's not staying.
It's just me and my girl.
♪ ♪
[Abbas speaking indistinctly]
[Lena] Yes, of course. Come, Nadiya.
[Abbas and Nadiya speaking indistinctly]
[dog barking]
So, what do you think?
It's good.
She's not gonna call the police.
No, I think she hates them more than I do.
I'm gonna go.
What's wrong?
I'm fine.
Okay. Why are you saying that?
What's wrong?
I'm scared.
- Scared of what? - Aren't you scared?
No.
No, love doesn't scare me.
That's why we're here.
I don't know why I'm here.
This is new to m...
[whispers] Trust me.
- Please don't lie to me. - I won't lie to you.
I promise.
I will come back for you, okay?
Be safe.
[door closes]
[Anne] There's nothing in there.
I told you. I don't know where he is.
This is your last chance.
Where is he?
[crying] No, no. Please, no.
[sniffles] No.
[mumbles]
What?
The piano.
Where on the piano?
- [papers rustling] - [crying]
In the sheet music.
[bangs piano keys]
- [Anne grunts] - [gunshot]
[curtains close]
♪ ♪
[distant siren wailing]
♪ ♪
[Anne] Hello, it's Anne. Leave a message. Thank you.
[clatter in distance]
[door closes]
Anne?
[phone vibrating]
- Ethan, are you okay? - [Ethan] I had to go.
I saw someone outside trying to get in.
Who was it?
A woman. Long blonde hair.
I'm at the church by the Volksgarten.
Meet me there.
[phone vibrating]
Hi.
[Marissa] Hanna, where are you?
I just arrived in Vienna.
They've activated Sandy.
She's found the safe house.
Ethan's hiding in a church near the Volksgarten.
Meet me there as soon as you can.
♪ ♪
[chimes]
[Chuck] Let's go, Miller.
Uh, two seconds. Just backing up.
[keys clicking]
- Let's move. - Okay.
♪ ♪
Hello, Mary.
It's been a long time.
[♪ Saint Agnes: "This World Ain't Big Enough"]
♪ You call me evil, but, baby, I'm so much worse ♪
♪ You tell such beautiful story ♪
♪ That I could never call a lie ♪
♪ You'll find out later ♪
♪ 'Cause I'll be gone, bitch, before I burn my eyes ♪
♪ What's the use in crying if you're not there to see? ♪
♪ A flood of tears rolling down my cheek ♪
♪ What's the use in dying if you're not here with me? ♪
♪ I tried to break your heart in two, but I broke it in three ♪
♪ This world ain't big enough ♪
♪ For the two of us ♪
♪ This world ain't big enough ♪
♪ For the two of us, for the two of us ♪
♪ You and me ♪
♪ Weapons drawn, weapons finally ♪♪