[Benson] You okay?
[Hanna] Mm-hmm.
[Benson] Why'd we lose audio?
He tried to kiss me in the stairwell.
The necklace broke.
[Benson] Go back to your apartment.
Follow your normal schedule.
♪ ♪
[Marissa] Someone doesn't like what you do.
They sent someone to kill you.
You?
I don't understand.
I can't see you again.
♪ ♪
[speaking French]
Who were they?
Naziri collected enemies.
Criminal gangs. Right-wing organizations.
Could have been anyone.
[conversing in French on television]
♪ ♪
[beeps]
[phone buzzes]
[speaking French]
[computer chimes]
♪ ♪
[retching]
[gasping]
[girl shuddering]
[man] Mary?
Don't be stupid.
You know I'm gonna find you.
I'm gonna find you, Mary.
When I do...!
Mary.
Mary!
[gasps, grunts]
[speaking French]
Did the police talk to you?
I had just left him.
I told him I was tired
and I wanted to go home.
And then I heard three gunshots.
This city's fucked.
He really liked you, you know.
He told me.
Really?
[indistinct chatter]
I just need to get a coffee.
I'll see you guys in a minute.
[Hanna] Where is he?
He's in the safe house.
The less you know, the better.
Be ready to travel when I say.
These missions are gonna happen fast.
They might change order, time and place.
Whatever they do, we stay ahead of them.
Anyway, you should get back to your friends.
I'll be in touch soon.
[♪ Charlotte Adigéry: "Paténipat"]
[Hanna] Stop here, please.
Stop.
[driver speaks French]
♪ ♪
[door bell tinkles]
♪ ♪
[lock buzzes]
[door closes]
- [lock buzzes] - [door opens]
[door closes]
- [lock buzzes] - [door opens]
♪ ♪
[lock clicks]
[newswoman speaking French on television]
Hi.
Putain.
Does Clare know you're here?
No.
And she mustn't.
Who is she? She won't tell me anything.
I'm sorry if I hurt you.
We had to make it look convincing.
Fuck you.
Who are you?
Who do you work for?
If you want to stay here, I need answers, Mia.
Clare and I are trying to destroy an organization
that wants you dead.
That is all I can tell you.
What organization?
A secret group. American.
Really? And why do they want me dead?
I think because you are a part of a future
that they don't want to happen.
There's a list. All young people, all like you.
Okay, so let me help you.
- No, you can't. - I think I can handle myself.
I can help you.
Not against them, you can't.
- You'll get yourself killed. - [scoffs]
- Okay, and you can? - What?
- Say it. - No, no.
- I'm a girl? Huh? - I...
[speaks French] You hurt me.
Stop your kung fu shit.
Abbas.
When I hear you speak about resistance, in here,
it makes sense to me.
Just a riff.
It's not a riff to me.
I'm fighting in my head all the time every day,
and you were helping me understand why.
On the staircase in the warehouse,
- you stopped me. You were going to... - I was drunk.
- No, you weren't. - I was high.
That's not true.
Clare is right. You shouldn't be here.
You should leave now.
[door opens]
♪ ♪
Mary.
[indistinct chatter]
♪ ♪
[printer whirring]
[man singing in Arabic]
[speaking Arabic]
[Hanna] Was this really necessary?
We have to play the game.
It's not a game to them.
[Marissa] You think I don't know that?
Listen, I think Abbas is having a visitor behind my back.
Yesterday, I got the sense
that someone had been to the safe house.
He denies it, but I think he's lying.
Did he have a girlfriend you know of?
No, I don't think so.
What about one of those two girls you're with?
They're just friends.
Can you ask them, please?
See if you can find out. We need to deal with this.
Sure.
I didn't know you smoked.
I don't need a lesson in health from you.
Did Erik ever talk about who ran Utrax above me?
Uh... No.
I don't think he knew. Why?
What about Carmichael?
You ever heard him talking on the phone
to someone from Pioneer? Mentioning any names?
Is this about the Chairman?
Did you manage to clean up the photograph?
- No, not yet. - Marissa,
what aren't you telling me?
I'm just stuck. I'm stuck and frustrated. There's...
Can you please find out about Naziri's girl?
And be ready for the next mission.
Yeah.
Okay.
♪ ♪
[grunts]
[spoon clinking against bowl]
[crunching]
Hi.
You keep doing that.
I let myself in. I hope that's okay.
You know, that food is meant for me.
Well, um, I saved your life,
so I'm eating your cereal.
Clare is suspicious. She knows someone came here.
You have to clean everything after I go.
I wouldn't have to if you didn't come.
You want me to leave?
Okay.
No, stay, stay.
I'm making coffee for two.
When Clare said you had a girl...
- I was jealous. - Why?
You are the girl.
Who was the woman on the phone you were speaking to
when we first met?
No one you should really worry about.
- Just a friend. - Just a friend?
Mia, I told you. I don't try to kiss every girl I meet.
Then why do you keep wanting me to leave?
Because it's weird. All of this is weird for me.
Okay, suddenly, you tell me my life is at risk.
- People want to kill me. - You better get used to it.
It's my life every day.
[coffee pouring]
I'm grateful, by the way.
- For the coffee? - No.
For saving my life.
This is the first time someone does that for me.
Thank you very much.
There are things you don't know about me.
Abbas, you know nothing about me.
We just have to trust each other.
[Stapleton] The Paris operation was successful.
Naziri is dead. No suspicions raised.
Mia did a good job.
[Chairman] Any concerns?
Not that I can see.
All other trainees are embedded in their host cities
awaiting your instructions.
All right, then let's move forward
- with the second mission. - Yes, sir.
Oh, Brianna, watch John Carmichael like a hawk.
He's accepted you taking over far too easily for my tastes.
I want to know why.
Yes, sir.
♪ ♪
[sighs]
Hi.
No, I can't.
I got a family phone call.
Another disaster with my brother.
But let's go get drunk in the Old Town later tonight.
Later.
[car unlocks]
- [man speaks over P.A. system] - Bonjour.
[officer] Bonjour.
Je vais à Prague.
-Merci. -Merci.
[woman speaking in French over P.A.]
[Katerina] When I was younger,
my father took me for walks around here.
[newsman] So would you say your environmental philosophy
was inspired by your upbringing here?
Yeah. Wouldn't yours be?
What about your fearlessness? Where does that come from?
You don't care if you make powerful enemies?
I think young people listen to me
because I say what I feel.
I don't intend to make an enemy out of anyone.
Enemies make themselves.
- [newsman] It was nice meeting you. - You, too.
[speaking Czech]
Katerina, pretend to be admiring the view,
but look down.
Between the two antennas, you see,
there's a girl in a red coat.
[Katerina] I saw her today in the city.
Who is she?
Ah, she's here to kill you.
♪ ♪
[pinging]
[alarm blaring]
[tires squeal]
[grunts]
[gasps]
[grunts]
[Chuck] "Environmental campaigner dies
in tragic accident."
Went without a hitch.
Good job.
♪ ♪
[woman speaks in French over P.A. system]
[woman] Oh, mon Dieu.
[speaking French]
Merci, mademoiselle.
♪ ♪
[line ringing]
[Tracy] Hello?
Hello? Who is this?
Who is this, please? Is this some kind of cold call?
Trace, it's Mary.
Oh, my God.
Yeah.
Sorry to call like this.
Oh, my God.
Where the hell are you?
Um...
I'm in Europe.
Listen, I need to ask you something.
Mary, you can't just do this.
You can't just call up out of nowhere.
- I know. - I have two children
sitting in the dining room expecting food.
If Ron knew you were calling here like this,
- he'd fucking kill you. - Listen, just let me ask you one thing, okay?
When was the last time you talked to Dad?
What?
I just need to know where he is.
I haven't seen Dad for years.
He came to see the kids, left some stupid presents
that were way too young for them.
And did he ask about me?
Please, I just need to know.
What the hell do you mean?
He said he saw you all the time.
He said what?
He said you'd been working together.
Well, haven't you?
I haven't seen our father in 22 years.
He said you were collaborating.
He said you were fulfilling all his dreams he had for you.
He always had plans for you.
You fought him constantly, but you were the chosen one.
Mary.
Yeah.
You still there?
I have to go.
No, wait, Mary, are-are you coming home?
D-Does Mom know you're okay?
[crying]
So, she's heading back from lectures.
Her head's down.
She stops to help this old lady.
What is that?
[Benson] It looks like a cut on her cheek.
I mean, she could have just hurt herself.
I'm gonna activate Mission 3.
I want you to go back to Paris.
Check on Mia Wolff.
Tell no one you're going.
♪ ♪
I know what's going on.
I'm here to help.
♪ ♪
[speaks French]
Merci.
[buzzes]
♪ ♪
[cash rustles]
[Marissa speaks French]
[paper rustles]
[birds singing]
[sighs]
[camera shutter clicking]
♪ ♪
[motorcycle engine revs]
[Abbas speaking French]
You okay?
I have the feeling that someone was following me.
Clare?
I don't know.
Your face is not healing as it should.
- It's fine. - No, no. Sit down, sit down.
I saw something in the bathroom.
[footsteps approaching]
- Does it hurt? - No.
Thank you.
I have to leave again tonight.
- Another mission? - Mm-hmm.
I'm glad you came.
Does that feel okay?
- Now, Mia, there's... - My name is not Mia.
It's Hanna.
I'm named after my mother.
Johanna.
She died just after I was born.
I'm sorry.
She's the reason I'm involved in all this.
She, uh...
Well, they-they killed her.
But she died for me, for my freedom.
And eventually, so did my father.
And so I-I guess I fight for them
so that...
...they didn't die for nothing.
♪ ♪
[breathes deeply]
[Abbas] How are you?
I'm good.
But I have to go.
What is it?
[chuckles softly] I was just, um...
I was imagining that this was our house
and we lived here together.
[chuckles softly]
No, our house wouldn't be like this.
- Mm. - No.
No, it would be more beautiful.
You know these, uh, whitewash walls
like in Greece?
With, uh, orange trees in the garden.
And a terrace.
I want to be near the sea.
Oh, yeah. It's gonna be just there
in front of you.
There's a staircase from the house and the garden
straight to the rocks.
No beach, just sea.
I don't like when you leave like this.
- I'll be back soon. - Yeah, if you come back at all.
[Abbas] Hanna.
[speaks French]
♪ ♪
[laughter on television]
[woman speaking French]
[knock on door]
[Abbas] Hanna?
Hanna, is that you?
[Abbas grunts]
No, no, no. Please, please.
[panting]
No, no, no.
[both grunting]
[Benson groans loudly]
[Hanna panting]
[Benson gasping]
- [silenced shot] - [casing clatters on floor]
- [gasping stops] - [gun thuds]
[Abbas groans]
- Aah! Aah. It hurts. It hurts. - You're okay.
[Abbas groans]
[sobs quietly]
Marissa, Code Red.
You're okay. You're okay.
Benson's phone's still off. He should have called in by now.
Okay, send a team to Paris.
- Find out what the fuck is going on. - Yes, ma'am.
[line ringing]
This is Benson. Leave a message.
We need to send a team to Paris now.
There's an issue with Mia Wolff.
[Chuck] Okay.
[Terri] I have some questions about Rome?
Yeah?
- [lock beeps] - [latch clicks]
[Stapleton] New office, John?
[grunts]
[grunting]
♪ ♪
We have our main chef back today, sir.
Oh, great, thank you.
- [Marissa] Hanna. - [Hanna] Hmm?
[Marissa] Come talk to me a minute.
I shouldn't have gone there.
[Marissa] No, you damn well shouldn't.
How much do they know?
I have no idea.
I cleaned up the safe house.
There's no evidence we were ever there,
but it depends if their guy had time to call.
No, he didn't. Not when I came.
But maybe before.
Maybe.
Train to Rome is in one hour.
One of us should go. The other should stay and keep him safe.
You stay.
I can go alone.
- Are you sure? - Yeah.
I want to.
How many times were you there?
A few.
So you were his girl the whole time.
You played me like a sucker.
Okay.
Go to Rome, do the job,
and then we'll discuss matters of the heart later.
Okay.
Be careful.
Have you interrogated him?
I'm about to.
I wanted your steer.
It was Carmichael who told you Marissa Wiegler was dead?
Yes, sir.
Get the truth out of him.
Whatever it takes.
You have a team going to Paris?
Right now.
Check Carmichael's laptop.
Get the IP address of the computer he was talking to.
It will lead you to Marissa.
Kill Naziri and the girl. Use maximum force.
Marissa's there, I want her alive.
Yes, sir.
[indistinct chatter]
Where's Carmichael?
He asked me to check on some profiles for Rome.
He's sick.
You report to us now.
Okay.
[indistinct P.A. announcement]
[phone buzzes]
♪ ♪
Marissa, they know about us. Get him out of there now.
We have to go now.
- What? - We have to go.
[beeps]
So, let's talk about Marissa Wiegler.
[man shouting in French]
Get in.
[groaning]
[engine starts]
- [tires squeal] - Get down!
[gun firing]
[gunfire continues]
[engine revving]
- What do I do? - Stay down.
- [tires squeal] - [Marissa] Oh, fuck.
- Abbas... - Yeah?
- When I stop the car... - Yeah?
- ...open the passenger door. - Okay.
- [tires screech] - [Marissa] But don't get out.
Okay, okay. Okay. Now?
- [Marissa] Wait. - [gun firing]
Get down!
- Ready? - Yeah.
Run.
[tires screech]
Abbas.
Where is Abbas?
He ran that way!
- Go find him. - Okay.
I'll follow you.
[Abbas grunts]
[vehicles approaching]
[panting]
♪ ♪
[panting quietly]
♪ ♪
[man shouts indistinctly]
[grunts]
[gunshot]
- [♪ Françoise Hardy: "Mon Amie La Rose"] - [gunshot]
[engine humming]
[shouts]
♪ ♪
[gunshots]
[exhales]
♪ ♪
♪ Run it, run it, run it, run it ♪
♪ Run it, run it, run it ♪
♪ Your mouth go and run it, run it, run it, run it ♪
♪ Run it, run it, run it ♪
♪ If you want pay, if you want paper ♪
♪ Staying up late, staying up later ♪
♪ They could be great, we could be greater ♪
♪ Ooh ♪
♪ Generation, we want to burnout ♪
♪ If you want blood, come meet me downtown ♪
♪ Drink up the flood, better to drown out ♪
♪ Oh, here they come, oh, here they come now ♪
♪ Go head and start it, we just begun ♪
♪ Your mouth go and run it, run it, run it, run it ♪
♪ Run it, run it, run it ♪
♪ Your mouth go and run it, run it, run it, run it ♪
♪ Run it, run it, run it ♪
♪ Your mouth go and run it, run it, run it, run it ♪
♪ Run it, run it, run it ♪
♪ Your mouth go and run it, run it, run it, run it ♪
♪ Run it, run it, run it ♪
♪ Demolition, we want a blowout ♪
♪ Reputation, too high to come down ♪
♪ Go and get some, here comes the countdown ♪
♪ Three, two, one ♪
♪ Your mouth go and run it, run it, run it, run it ♪
♪ Run it, run it, run it ♪
♪ Your mouth go and run it, run it, run it, run it ♪
♪ Run it, run it, run it ♪
♪ Your mouth go and run it, run it, run it, run it ♪
♪ Run it, run it, run it ♪
♪ Your mouth go and run it, run it, run it, run it ♪
♪ Run it, run it, run it ♪
♪ Your mouth go and la, la, la, la ♪♪