-SANDY: Dear Mom,
all is well and good here.
Missing you like crazy,
but learning new things all the time.
I came top of the class in business studies this week,
and my piano is improving.
To be honest, I feel a little like a caged bird now.
I can't wait to go to college and spread my wings.
Things have quietened down here.
The new girl, after a shaky start,
has settled in well and is making great progress.
The online world is a place of fiction and dreams.
You will not be the only young person
whose digital presence does not represent
the entire truth of their existence.
SANDY: It's so good to see someone
who was so unhappy and angry allow themselves
to be a part of what we're doing here.
pay your due?
Sometimes, when she's caught off guard,
I catch a sadness in her eyes.
There's pain deep down inside, I know it,
and I pray for her every night.
Maybe I understand Mia better than anyone
because she lost someone like we lost our Jodie.
bombs away...
But she's beginning to learn to trust us,
and to realize there's no point
fighting a fight she can never win.
Shit.
MARISSA: Vesuvius. 2468. Control.
I'm back in town. I'll be returning to the company.
And I'd like a full domestic clean.
MANNION: Mannion here.
This is Vesuvius.
I'm listening.
I've been trying to sort out a problem on my own,
-Carmichael. -John, we have a problem.
but it didn't work.
It concerns Utrax.
There's a whistleblower
But Utrax is long dead.
No, it's not.
trying to expose our operation.
It's very much alive.
We've intercepted an e-mail.
Okay.
He sent it last night to a London journalist.
I'll call you back.
Looks like he's trying to tell the world what we're doing.
this Wednesday?
Who is he?
We don't know.
MARISSA: Hi.
But we have to stop him from talking.
Where are you?
he flew
I'm in Northern France.
Okay.
Looking for Hanna.
I can't use official channels for this.
So far, no sign.
That's 'cause she's here.
We caught her yesterday.
It's time these girls did
Where's here?
what you trained them for.
Where are you, John?
HANNA: "I cannot make you understand.
"I cannot make anyone understand
"what is happening inside me.
WOMAN: Ready?
I cannot even explain it myself."
-Begin! -
GIRL: She got her good.
JESSIE: It was definitely someone.
McCOY: Mia?
Could you come with me, please?
I saw a figure being taken into the staff buildings.
-
HELEN: Maybe it was, like,
-Nice, Kelly! -Yes, go, go, go! Come on!
a foreign government agent.
Or a spy or something.
CARMICHAEL: Hi, Mia.
-That's it! -Go, go, go!
Don't be stupid, Helen.
Take a seat, please.
All right, let's do this, come on!
HELEN: All I'm saying is we know we're being kept apart
for a reason, we're in the middle of nowhere,
surrounded by guards and what, someone just breaks in?
Thank you for coming, both of you.
WOMAN: Ready position.
As you'll recall, a while ago I spoke to you
about a period of service that you would at sometime undergo.
Well, we've reached that moment.
We're sending you out on your first engagement.
Leo?
There's a journalist in London.
Her name is Nicola Gough.
She's about to obtain sensitive information
That's $5.91.
HELEN: What are you reading?
from an unknown U.S. source.
-JULES: This. -W-What is it?
Just, like, the most important book ever.
The source goes by the code name Tacitus.
-What's it about? -The death of youth.
We need to know Tacitus' true identity,
and we need to stop Nicola Gough from reaching him.
-Doesn't matter. -What do you read, Sandy?
Oh, you know. Mainly magazines, I guess.
This'll tell you everything you need to know.
HELEN: Oh, did you see this?
Take a look at it.
Learn it by heart.
She's an actress.
-Hi.
CARMICHAEL: How you doing?
She looks amazing.
Less than an hour away
Questions?
-from the pickup point. -Good.
God, I love her skin.
One of my men'll be there to meet you.
Why us?
-Oh, come on, Helen. -What?
He'll drive you the rest of the way.
Well, Mia has experience
Why can't you just give me the address?
They're fake. Look at them all.
Phony smiles, phony tans.
in the world, experience the rest of you can...
You know why.
You can talk about fake.
You'll need to give him your phone
not yet rival.
JULES: Fuck that.
and you'll be hooded for the last part of the journey.
And you, Jules...
I'm way more real than they'll ever be.
How is she?
you're a perfect match for what we need...
HELEN: Well, I'm getting a coffee.
She's still not talking.
as you'll see.
Anyone?
Does she know I'm coming?
Now, get ready.
Keep it to yourselves for now, please.
Not yet.
Okay, best keep it that way.
Did you see that car earlier?
Thank you.
-What car? -It came in this morning.
oh, my, oh, yeah
They're always coming in with deliveries.
This was no delivery.
I think someone's back.
oh, my, oh, my night
he addicted me
him
-Welcome back. -Thanks, Kim.
he addicted me
and he addicted me
addicted me
Everything okay?
Yes. It was a challenging mission.
and I addicted him
Like, it used to be pretty good,
But it's done?
Not quite, but we're getting there.
but I literally just found a hair.
oh, my night life
Well, we had good cover while you were gone.
Oh, don't be scared. I'm sure yours is fine.
Maybe the person serving in line
Langley sent her.
and, oh, our night life
She has full authorization. I assumed you knew.
: just forgot to put on her hairnet or something.
Yes, of course.
Oh, no, I'm sure it's fine.
Maybe it's not fine. Should we let someone know?
Marissa Wiegler, head of section.
Sonia Richter. Pleasure to meet you, ma'am.
Clara?
-Thanks, Kim. -Mm-hmm.
-Boo! -Oh!
So, what's going on?
You going with Jules?
LEO: Okay, so, the first thing I want to do is lose the muscle.
Yeah. To London.
But I have to be sure you're not gonna try to rip my head off.
To do what?
I can't say.
Clemency.
Are you gonna try to rip my head off?
It's her, isn't it?
What's wrong?
I'll take that as a no.
Hanna.
: I don't know.
It's just weird.
It was her that broke in.
I thought it would be what you wanted.
Guys, you can go. Wait outside.
It is.
JULES: Hey, you guys, listen.
It was your decision to stay.
I need your help with something.
Just go. We're gonna be fine here.
I got to get to class.
We could have...
I'll see you later.
-left and found your mother. -My mother's dead.
-Marissa... -Marissa was lying.
Sandy?
What?
I want to have a party tonight.
She's dead.
After curfew.
So,
Why do you want to have a party?
I'm happy here now.
Because that's what young people in the real world do.
what that lady told you in the hotel in Bucharest
So am I.
Like, get drunk and have fun.
is the truth.
How are we gonna get drunk?
Hanna?
We don't have anything to get drunk with.
Your mother is dead.
: Not yet we don't.
Look after yourself.
I'm really sorry.
It was a bad one, car's a write-off.
We towed it, cleared the scene.
Did you search her?
And the car-- both clean.
It hurts, right?
That's why none of the girls here
have been told about any of that.
About parents or any kind of previous life.
See, the truth is, without us, none of you would be alive.
The English countryside.
There always was something lawless about it.
I'm not gonna sugarcoat that for you. Okay?
My fault.
I fell asleep at the wheel.
If you want any life at all,
Well, you look exhausted.
it has to be here.
Yeah, I've not been sleeping as well as I should.
What happened to Hanna?
When you told me that she was alive.
Hanna tried to kill the people we sent to pick her up.
I don't know why.
There was a lot of firepower. We were forced to respond.
This stuff from the past, just comes back.
I understand.
I'm afraid she didn't make it.
Can I see her?
LEO: You travel separately
It's not your fault.
and meet there. Mia, you're first.
Well, I have something I want to show you first.
Hanna chose to break into the facility.
Take the front car.
Her decision, not yours.
Come.
See you later.
-Bye. -LEO: Good luck. And remember,
you've done this a hundred times before in training.
Jules... can I have a word?
Ma'am.
It's okay.
How long do you need, Larry?
I'm just completing the protocol.
Yeah, all right, go ahead and finish up.
And the rest of you, will you clear out,
please, give us the space?
I'm okay.
Uh, pull up that file first,
We're good.
if you don't mind.
Yeah, thanks.
Can I show you something?
Look at this.
This way.
When, way back, we first conceived
This is Larry. Say hi, Larry.
of what they might be...
Hi.
...this was exactly it.
You want her back in.
: I know this place. This is Camp G.
LEO: Recognize them?
She's still not communicating.
Where are they?
And we've tried everything.
We interrogated Hanna here.
They're right here.
Or almost everything.
MALE VOICE: We asked John Carmichael to send you here
-Oh, my God!
because we have some questions of our own.
Okay.
Oh, my God...
The night you tried to escape from the Meadows,
SONIA: She arrived back in Paris
someone helped you.
Take me to her.
at 1500 hours, flew into Orly Airport.
Who was it?
I told you, I don't know what you're talking about.
She returned to the offices this morning.
I've sent over all visuals.
Carmichael said you were a good liar.
CARMICHAEL: Did anyone come see her?
No one. I think her boyfriend's left.
Other than that, everything seems normal.
Two dead guards, one shot with a high-velocity rifle,
Let me tell you something, Sonia.
When I taught Marissa Wiegler at the training college,
the other got his neck snapped in two.
no one noticed her for two years.
You sent a message to a friend, told them where you were going.
She was just average, slept with a couple guys,
smoked a little dope, did the bare minimum.
They came after you and tried to help you.
Final exams, she was top of her class.
Who were they?
No one saw it coming.
There wasn't anyone.
So you stay on her.
Don't act dumb.
Watch her very carefully, please.
Does Hanna know about the person that tried to help you?
Anything strange, you call me.
Did she see them that night?
Hello, Hanna. Wait.
You don't understand what's happening here.
How could she?
There was no one there.
You think you do.
Who killed these men?
But you don't.
Because it sure as hell wasn't you.
Hear me out, please.
It's been a while since I last saw you.
You look different.
I like your hair.
Did you dye it yourself?
Does the code name Tacitus mean anything to you?
I'm sorry about all this.
I crashed my car.
Fuck.
Stupid mistake.
Yeah.
He's my dog.
When I got the call, saying they'd found you,
I didn't know what to expect.
They say you came through Northern France,
tracing your way back to Clara.
You were following a shipment.
Find it okay?
Is that right?
Hanna?
-I brought food. -I'm not hungry.
Yes.
Okay, then. Shall we do this?
Do you recognize that woman?
Her name is Sonia Richter.
She's a CIA operative.
She was sent to track your movements and bring you in.
We found her body at a diner in Belgium.
You don't have to say anything.
We know you killed her.
And we understand why.
She was a threat to you.
To what you were moving towards, saving your friend.
A threat to what you love.
If it was me,
I would've done the same.
Arms straight.
They tell me you've not been cooperating
since you've been here.
Good.
I want you to do something for me.
I want you to try and work with me.
And if you do,
I might be able to help you.
Help you see Clara, help you be with her again.
Do you understand?
Hello, Mary. Is that you?
-MARISSA: Hi, Mr. Kaladski. -
Please don't call me that.
PEARL: Like, I genuinely can't see
You have to trust me, though.
I haven't been your teacher for 20 years.
how she's your hero.
She's excluded an entire gender from her lectures.
I just wondered if you'd thought about
what I asking you a few days ago.
I mean, would she refuse to teach me?
Do you trust me?
I don't know, and I'm not condoning that.
Because the girl I was telling you about
But have you read Daly's The Church and the Second Sex?
is with me now.
Maybe.
-Yeah, but-- Oh. Hi. -Hi.
Her name is Beatrice.
Say hi, Beatrice.
I'm Mia.
I'm Pearl. This is Jules.
Hi.
Believe me, you won't regret it.
Uh, hi there, Beatrice.
I'm just here for the semester.
Uh, Tom, Beatrice is in danger.
Or whatever you Brits call it.
She needs somewhere that she can go.
I'm a first-year undergrad.
I started at Portsmouth Uni
Somewhere that's remote and safe.
doing French and languages,
but I didn't like it
so I transferred.
You know the line of work I'm in.
You know what it involves.
Well, nice to meet you.
You know that I wouldn't make a call like this
unless I really needed your help.
Did you speak to Jean?
Yeah, I-I spoke to her.
And?
She wants to know how long it would be for.
A long time.
And-and I-I suppose we can't ask who she is.
It's better if you don't.
I hope she's not a dragon.
Just think of her as a girl
-I hope we're not too early. -No, no.
who deserves a fresh start.
Come in.
We love keen.
: The dangers facing mankind
So,
in the 21st century
let's start with names, shall we?
require radical action.
I'm Bethany.
Sometimes pre-emptive action that will guarantee
all our security.
That's why Utrax was created.
I've just got to catch my breath -HELEN: Hey.
-Sandy.
To be the preventive force that the world needs.
-Sandy. -What?
We got to go to class.
Fuck class.
Sandy, you've been in a terrible mood for days now.
Just shut up, Helen.
When I want lessons in mood,
I'll let you know.
-
Why them?
Mia's been here for just two months.
Why her, huh?
Hi.
JULES: Social media's
Can I come in?
open form structure allows people
I can come back later.
from minority backgrounds a voice
No, it's okay.
where they've traditionally been silenced.
PEARL: Okay, so we have a newfound voice online, great.
Did you have a long journey?
But, in real life, it's actually very different.
I think I saw you arrive in the car.
Besides, isn't real life what actually matters?
Where are we?
The Meadows.
JULES: You can't separate the two as if they're completely unconnected.
But where is that?
Social media's constantly influencing our real life.
SANDY: Oh, cool, they gave you these.
They're really cool.
Cooler than mine.
Yeah.
LEO: Sandy, come in.
My name's Sandy now, by the way.
Hi.
Sit down.
Sandy?
Like a beach?
I guess, if the beach is sandy.
Why did you come here?
I wanted to see if you were okay.
So,
Do you have a name?
I hear you're feeling a little passed over.
Oh, no, not at all, sir.
I'm fine.
Well, it's time to remedy that.
We have something we need you and Clemency to do.
"Clemency."
I came to get you out.
It involves travel abroad.
That's so sweet.
It's an active operation with an element of risk.
But now I know that was a mistake.
Do you both feel ready?
Yeah, it was. Can I go?
They said if you were okay with it,
they could get you to show me around.
They're so beautiful.
Have you written to them?
Help me get to know the place.
You should.
Why?
I write every day to my family.
Almost.
Because maybe I want to stay here, too.
Jules.
Well, you should only do it if you feel ready.
Did you forget something?
I have to go to piano now.
No.
I wondered...
So, I'll see you later.
Do you have a second?
Sure.
It's good to have you back.
What's up?
-WOMAN: Reach. -This is where we do indoor training.
WOMAN: Six, seven, eight.
One, two, three, four,
I'm sorry.
five, six, seven, eight.
Hey.
I just...
: One, two, three, four,
five, six, seven, eight.
I don't think I'm coping very well.
One, two...
I know I act all...
This is the main building,
where we have our classes and dorm rooms.
super confident in class and everything.
Hi, Clemency.
But it's just a lie.
Why did she call you that?
Clemency's my name now.
Well, you're a long way from home.
That can be overwhelming.
: Hip-hop is a musical and artistic movement
characterized by the four main pillars of hip-hop culture:
Do you want to go grab a coffee?
rapping, deejaying, break dancing and graffiti.
If you have time,
which you obviously don't.
Originating from the South Bronx...
I have time.
My room's this way.
-
This is where you sleep?
Oh, my wife's here. Come on. Come and meet her.
Mm-hmm.
I'm sure she'd love to meet you.
Does she work here as well?
No, she's a journalist, actually.
JULES: Oh, wow. Really?
Who are these people?
They're my family.
My parents.
Your family?
Yes.
: Oh, it's just a few minutes' walk.
: It's no problem at all.
We should go.
Clara...
Clemency.
JULES: Bethany invited me back to their place
Sonia?
But your name isn't Clemency.
Have a look at this.
for this political gathering thing.
I'm just getting you in there.
The rest is up to you.
Okay, let me guess the routine.
Yeah.
You call John Carmichael once a day.
I should show you around the place.
Maybe when you go to get coffee for the team.
What's funny?
I've noticed you like to do that.
You call and you report on my movements.
It's weird.
I thought it would feel new,
You include in your report my domestic routine,
as catalogued by those two clowns outside my apartment.
but it just feels kind of like another training exercise,
You think maybe I'm about to meet a journalist
like I've done it before.
or police even.
Maybe I'm about to betray Utrax.
I wonder if Sandy feels the same.
Tell Carmichael this.
I'm not betraying anyone.
What does that mean?
I'm tired and lonely.
Nothing.
My boyfriend left me while I was chasing Erik Heller
No, Jules.
across half of Eastern Europe,
What did you mean by that?
and I am now trying to get him back.
No secrets. We're on the same team.
During which time I would very much appreciate
some fucking privacy.
Sandy and Clemency are in Barcelona.
I have Carmichael's number on this card.
Leo told me.
I will call him if I want.
Where are they?
Why?
-Call security. -Code red, all units.
They're covering the operation on both sides.
And in the meantime, if I see your face again
Code red, all units. Trainees out-of-bounds.
around my private life,
I'll rip it off and mail it to him.
I tried to find you.
But when I came to the hotel in Bucharest, you weren't there,
and I thought you were dead.
No, I'm fine.
It's my fault.
I didn't listen to you about your mother.
-I'm sorry. -My mother's dead.
I know.
What are you doing?
We don't have long.
Agency or, uh...
personal?
You can't take it out. They'll notice.
But you don't need it. They just want to keep you numb.
I need a few more days to organize this.
I can't take it out, Hanna. They'll notice.
Oh, sorry... I don't speak Spanish very well.
You don't want me to cut it out.
You need help with the bags?
Keep away from the windows at all times.
What are you talking about?
Oh, no, I'm good.
I just rented an apartment here.
Don't answer the phone or the doors, okay?
-4A? -Yeah. It's just up there.
You don't, do you?
Nice.
They fill you with drugs and you let them.
Hanna?
You're American.
-Right? -Yeah.
They think you're dead.
You have to stay that way.
Take a year off, traveling.
Look at yourself. What is this?
That's cool. Where have you been?
It's a whole new life I'm offering you.
What about it?
Paris for a month. And Rome.
No one will know where you've gone.
They do it to everyone. They'll do it to you, too.
Now here.
He's an old teacher of mine, no other connection.
No, they won't. I didn't come here to join you.
I'm Clemency.
No one will trace you.
I came here to get you out.
Juan.
How the hell are you gonna do that?
: There's a place in Canada, it's beautiful.
Passports, new names,
I know Erik offered you this.
tickets for both of us. A new life.
But he couldn't deliver it, and I can.
It's all been arranged.
We just have to get out of here.
Where did they take Clara?
-Arranged by who? -Marissa Wiegler.
She's here. She's going to help us.
No idea, but I know there's nothing
that you can do for her now.
You know none of this is real.
These clothes are fake.
The photos in your room are fake.
They're training you to kill people.
That's all they want.
Isn't that why you tried to leave in the first place?
I wanted to leave because I wasn't free.
Don't walk away.
: You're not free. -You don't know that.
Just talk to me for a second, okay?
Try to leave. See how free you are.
Oh.
Just thought I'd say hi.
-
I'm Stephen Mannion.
-Sorry. -Oh, please.
This isn't your home.
Don't bother.
I work for a group that's trying to expose Utrax
My mother said I was always
I don't have a home. So what difference does it make?
the messiest pup in the litter.
and the organization behind it.
-I'm John Carmichael.
Yes, you do. With me.
-
Terri Miller, sir.
Marissa called me when she learned about the Meadows.
You come very highly recommended.
Come with me, Clara.
You're involved with some dangerous people,
Well, I hope to not disappoint.
and I need to know what they want from you.
MAN: This way! Move it!
I see you're watching our latest arrival.
Please.
Yeah.
Stay away from me.
-Hanna, please... -I said stay away.
-MAN: Behind this door, come on! -Okay.
Who is she?
I work with them now.
MAN: Door is locked.
Just someone we lost for a while.
Please, whatever they want you to do, don't do it.
-Open up!
"Lost"?
She's a rebel, I guess, but like God,
we value our rebels highly.
Stand back.
You did really good work on her material.
I'll be here. Same time every day.
Big family-- generous, but not holier than thou.
-Just what she needs. -It's the kind of the family
I would've dreamed of as a kid.
What are you doing here?
Brothers and sisters everywhere.
Just having a smoke.
Ah, you're an only child?
For old time's sake.
Yeah.
Loved but lonely.
-Get out of here. -
We just need to give her more time.
Come on!
You're late.
I know. I'm sorry. I got lost.
What is it?
Booze for the staff, so they can unwind
and out of tune...
after all the stress we cause them.
Who told you about this?
So, I think I did something
Leo accidentally let slip
that was maybe a bit stupid.
that a delivery was arriving today.
What did you do?
-Okay. Let's go. -Are you sure?
JULES: I split up with Aaron.
Move.
Oh, my God.
:
-Oh, you came. -Yeah.
Why?
I-I thought you liked him.
What are you doing here? This is staff only.
Thank you.
I changed my mind.
Sorry, is this out-of-bounds?
I brought Mia. I hope that's okay.
your vitamin...
Yeah, of course.
You know it is.
Wow.
Come in, come in.
every single day...
What?
I just saw that you had chocolate milkshake,
How did you do it?
I messaged him, obviously.
-in the delivery. -MAN: So... what?
Well, what did he say?
Bethany, is that academic here? The one you mentioned?
SANDY: So, I...
He was really upset.
was just wondering
You mean Leslie Neil?
And then Mom tried to change my mind.
if you could spare me one?
Sure, I'll introduce you.
Mia, do you want to meet her?
Whoever Mom is.
She lectures on female violence in popular culture.
-You want a chocolate milkshake? -SANDY: Yeah.
I can't believe you did that.
I thought Aaron was so hot.
She's fucking awesome.
You like him so much,
It's okay. I'm gonna go and grab myself a drink.
you fucking go out with him.
MAN: You can just get it in the cafeteria, you know.
You curse too much.
I know, but you have to pay.
I what?
And it tastes better when it's not from the cafeteria.
I don't understand you, Jules.
I mean, why make everything so difficult?
Now they have to find you another guy.
What if I don't want another guy?
Does it now?
What do you mean?
SANDY: Yeah.
Why does it always have to be about guys?
You caught me.
Haven't you read anything, Sandy?
Dutch courage.
Like... in here they have
nah, nah
Never been one for parties.
Me neither.
this absurd hetero-normal notion
I'm Sandy, by the way.
about who we should be.
Oh, I know.
It's, like, totally 1950s.
I'm from Bentleyville, Ohio.
What?
How do you know anything about the 1950s?
Where are you from?
Are you one of Beth's students?
You know I can't tell you that.
-Forget it. -No...
Yes. I just arrived.
Sandy, leave it.
Yeah, I know.
Go back to your dead-eyed magazine world.
Are you a professor, too?
You can't even tell me your real name.
Uh, no. I'm a journalist.
Leave me to expand my mind.
What kind?
Well, thanks, anyways.
I expand my mind.
Um...
investigative, I suppose you'd say.
All the time.
Whoever you are.
Sure you do.
I'd like to do something like that one day.
Anytime.
Well, get ready for a lot of late nights
and low wages. Hmm.
What are you working on at the moment?
This and that.
How did you get into it?
Do you really want to know?
All done here.
Thanks, man.
Um, sorry. I have to take this.
MAN: What's this all about, Leo?
Just teaching the young
Hello?
a little disobedience.
Yeah, it's me.
Otherwise, how are they going to convince anyone?
I'm just gonna go
somewhere I can talk.
Hanna, this is John Carmichael,
Yeah. We're ready to publish.
-the director of the Meadows. -
No, my-my editor understands
Hi, Hanna.
that you want to do the handover face-to-face.
It's so nice to finally meet you.
Yeah. He's happy to pay for my flight to Barcelona
to meet you.
Uh, you went a little out-of-bounds there.
The staff laundry room is just for staff.
We'll protect your identity at all times.
We'll get a Barcelona journalist involved, as well,
It's okay, but please don't do it again.
so it'll give the exposure more reach.
How are you feeling after this morning?
No, I know a great reporter.
Her name is Alba Paredes.
I'm okay.
You can trust her.
CARMICHAEL: How was the facility?
I can be there in two days.
Did you like it?
Hotel Oriental?
Sure. I'll-I'll stay there, too.
It was different to what I expected.
See you there.
Different to what you saw before, right?
Very different.
CARMICHAEL: Better?
Well, that's good,
because we'd like
to talk about next steps.
We'd like you to consider staying here.
What do you think, Hanna?
You willing to give it a try?
Um...
I know it's hard to trust us.
Uh, le café, le café...
You've been fighting us a long time.
I-It's in your blood to break the rules.
It's what Erik taught me.
CARMICHAEL: I know.
But sometimes,
it's okay to stop fighting.
Hey. It's okay.
It's okay.
I'm just so tired.
Yeah.
I lost you.
I just went to see my friend.
Are you okay?
Yeah. I just...
CARMICHAEL: So, um,
we'll go and set everything up for you.
Where was I?
You'll need a new identity, a new name.
I worked on an investigation
into the Magdalene Laundries.
It's what we do for everybody.
What are they?
You never heard of them?
Thank you.
Oh.
Um, young Irish women,
almost all poor,
some prostitutes,
Chloe?
some pregnant out of wedlock,
some just abandoned by their families,
were sent to these Catholic-run institutions.
-You've got chocolate on your lip. -
And they were locked up, and they were never let out.
-Where have you two been? -
They were tortured, abused.
All trainees to the main hall now.
They lived in hideous conditions.
Some of them had babies taken away from them,
and they never saw them again.
They know. They fucking know.
Many of them died
-Jules, what have you done? -Shut up.
and were buried there in unnamed graves.
McCOY: Okay. Sit down, everyone.
This won't take long.
I, uh...
I did a piece on that.
There's something I need to tell you all.
The cover-up.
We have a visitor.
Is that all true?
Yeah.
It is.
Sadly.
You all right?
CARMICHAEL: I want to introduce you to our latest recruit.
MAN: Stand by! Engage!
Some of you may remember her from a previous occasion,
but I want you to erase that from your mind.
-Engage! -
This is a fresh start.
Her name now is Mia Wolff.
You seen Sandy?
TERRI: These are the photos Mia sent us
She's from Germany.
I think she's at music now.
of Nicola Gough's notebook.
Given Mia's arrival, I would also like to take
But she'll be in the cafe later.
She uses a variation of Teeline shorthand,
this opportunity to talk to you about your futures.
MAN: Group! Clear your weapons!
but it's unique to her,
Pretty soon, there'll be a period of service in your life,
which means that she'll refer to her notes
but no one can easily decode it.
in service of your country, of the free world.
Except you have.
TERRI: Time and again she refers to Tacitus as R.G.
That period of service won't come without risk.
You're soldiers, you know that.
WOMAN: That'll be two dollars, please.
LEO: Did you cross-check
And with risk comes reward.
-with Hotel Oriental? -Yeah, but there are
-Thank you. -Thanks.
no guests booked to stay under those initials.
When you're finished with your years with us,
But...
there is an American student studying politics
you'll be given a new life.
Fully paid for, fully supported.
at the University of Barcelona.
-Hi. -Hi.
Same name, same family, the same person you are now.
Kat Gelder.
Her father is Robert Gelder,
You want a juice? I could get you one.
In my heart, I hope and believe
and he's a lawyer in the military.
I'm okay.
He just took an unexpected leave from work.
that you will find love and happiness,
You could try mine. It's apple.
maybe even have children of your own
And he has Code B classified access
No, thanks.
to intelligence files.
who will live in a safer world thanks to what you did
We think Tacitus is a military lawyer
in your period of service.
called Robert Gelder.
You are a bunch of very remarkable young women.
You could try the clothes, you know.
I could help you. With your makeup and all.
You know him?
And I want to thank you from my heart
Only by name.
for what you're doing here.
I mean, if you want to.
His daughter's studying in Barcelona.
And I want to welcome Mia to the Meadows.
-There's no rush. -You know the girl who broke in?
We think he's using her as cover.
He's coming in the next two days.
The one I left with?
Check his flight status.
In Romania.
We already have. He has nothing reserved yet.
What about her?
Keep checking.
She's dead.
I want to know the second he travels.
Start a tracking operation on the daughter.
Oh. I'm sorry.
Give London the green light to intercept Nicola Gough.
We were in the forest together.
Sir...
But then I left.
Why did you leave?
What does Tacitus know?
I thought I could find my mother.
But they guessed that I'd look for her
Thank you, Leo.
and they tricked me.
Hi, Clemency.
Actually, I was trying to work out how they knew...
-Hey. -We wondered where you were.
You weren't in class.
that I discovered about my mother.
Oh, no, I got called out.
I figure someone must have told them.
This is my friend.
Oh, yeah?
Yeah. We remember her.
Yeah.
Mia, right? So it was you who broke in yesterday.
Someone must have seen me
looking at my mother's name on the computer system that day.
Apparently, you took out, like, 50 guards.
And then told on me.
Jules.
And then I realized
I didn't take out 50 guards.
that your door was the only one open.
Then your standards are slipping.
Because I opened it.
We'll get you out.
Soon.
I'm Sandy.
Okay?
Did you help them find me... 242?
-Hi. -JULES: Sandy just stole,
Just hang in there.
like, a whole crate of vodka.
My name's not 242, it's Sandy.
-Actually, you stole it. -You should've seen her.
-Did you help them? -Course not.
She was talking to this guy, who, like, totally
Stupid bitch!
-had the hots for her. -He did not.
-We should go. -See you later, Clem.
I didn't mean to. They asked me questions.
SANDY: See you around, Mia.
-And you answered the questions? -What was I supposed to do?
They said they could bring you back here and make you safe.
And you decided that that is what I wanted?
SANDY: "Hi, Mom. Big news today.
I just wanted to help.
"A new arrival has changed everything.
I mean, look around here.
"She's lonely,
It's beautiful.
"and some people don't like her because of her past,
"but I think people should be given the chance to change.
You think you know what's best for me? 242?
Don't you?"
My name is not 242.
-You think you know? -Get the hell off me.
with a bikini in Bequia
Galliano sack me
like your freaking acne
brand new perspective
LEO: Today we're looking at a classic
with matching red lipstick
two-operative mission.
We call it Face and Trigger.
I got front
McCOY: In this scenario,
I got a trunk
Operative A is the face.
throw it in the bank bank
The objective of the face is to befriend the target,
but this ain't what you think
make social contact,
discover the target's routines and vulnerabilities.
Your age and your gender will protect you from suspicion,
-
and your support team will make sure
that your identity checks out,
-should the target choose to dig into that. -LEO: Operative B
-
is the trigger.
I guess that one explains itself, right?
-Here's the key.
The face creates the space for the trigger to do her work.
Wow.
The two operatives may decide to meet in public,
I think that's, um, Jacob's sister.
but no one must suspect you know each other.
YOUNG MAN: Jacob? You know that guy?
KAT: I think he does chemistry.
That's your secret.
That's the power you have.
CARMICHAEL: She fits right in.
PROFESSOR: Okay.
She has a home.
So today, we're looking at consensus and conflict
It's what she always wanted.
It's me.
within the African Nationalist movements of the 1950s...
Hanna?
But it means my work is done here.
I'm sorry. I swear I had it.
Hanna?
You're sure you want to leave?
Can you stand aside, please?
I'm not a part of this, John.
-Yeah, sure. -Next.
You only brought me in because you had no other options.
Kat, have you lost your wallet?
You put a hood on my head to drive me here.
Fuck.
I'm aware this whole operation began in the shadows.
: Fuck. -Excuse me.
I kn... I know what it cost you.
Katherine Gelder?
And I know we froze you out for a while.
Is this yours?
15 years.
Oh, my God. Thank you so much.
We are so close, Marissa.
I found it on a seat in the lecture hall.
It must have fallen out of my bag.
Any day now, these girls will be ready to go out into the world.
-I am so vacant today. -You're always vacant.
-They're gonna need support. -Meaning?
Shut up, Ray.
: I'm Ray. -Sandy Phillips.
I'd love to welcome you back with open arms.
Do you study here? I haven't seen you around.
Mm-hmm.
I've been in the city a couple of months.
I'm doing business at the business school?
And are you gonna tell me the truth?
But I like to dip into politics too, sometimes.
: I'm a nerd.
Are you gonna tell me who's behind this operation?
Where do you live?
-Oh, just in a rented room downtown. -Cool.
Who's paying for it? Who's giving the orders?
Did your parents really like Grease or something?
-Uh, no. Th-They holiday in Cali every year.
As I thought.
Oh, no-no-no... he meant the film.
Oh... why?
-Could I ask you to arrange a car? -Sure.
KAT: Your name... blonde hair, high pony?
I'll have someone take you back first thing in the morning.
-It-it doesn't matter. It's fine. -
-Uh, don't want you crashing again. -
Right?
Do you to want to come and eat with us, Sandy?
Well, I would rather go tonight if that's possible.
-Sure. That'd be great. -
I'll see what I can do.
Hi. I missed the lecture earlier.
HANNA: We leave tonight.
-10:00. -There's a curfew at 9:00.
-Can I copy your notes? -Sure.
How do we get there?
Hi, Mia. I'm Helen.
What's up?
-You want one? -Thanks.
Nicola Gough's booked her ticket to Barcelona.
We've had the order to intercept.
-Uh, you want one, Clem? -Sure.
-When does she leave? -Tomorrow morning.
-Sandy? -JULES: Sandy's not thirsty.
She takes the Northern Line to London Bridge,
-She had one earlier. -Shut up.
London Bridge to the airport.
But she won't get there.
SANDY: Ignore them.
They're just voyeurs.
: Welcome, trialists, to the Passway facility.
JULES: Guys.
Party tonight, our dorm common room, 9:00.
Please proceed to Area C for trial induction.
With special ingredients.
-She means beer. -I so do not mean beer.
What if somebody finds out that we're out after curfew?
There is a journalist. Her name is Nicola Gough.
-JULES: Like who? -Like Leo, for example.
: You scared of Leo?
She is about to fly to Barcelona to meet a source
I've got Leo wrapped around my little finger.
code-named Tacitus.
We've been given the order to intercept her
Will you come, Mia?
before she gets to the airport.
Utrax have also sent two other trainees to Barcelona
Sure. I'd like that.
-Great. -JULES: This is gonna be so much fun, right?
to intercept the source.
I'll tell you about it tomorrow.
-When is this to happen? -Tomorrow.
Jesus, that is strong.
Lucy? Lucy Wiegler.
You're supposed to have a mixer with that.
Don't you know anything?
-How do you know? -Because I do my homework
Uh, you're not on the list.
and watch what they tell me to watch.
Follow me at a distance.
Did you apply for this trial?
Unlike you. Have you even bothered
to watch this, for example?
I think so.
No. So you'll know nothing
Do you have your consent form?
about the catwalks this year.
Uh, so I'll get some mixers later.
Welcome, trialists, to the Passway facility.
You want to try some?
Please proceed to Area C for trial induction.
Did you see Hanna's eyes?
When she broke in the time before,
It's okay.
she was wild.
Excuse me. Are you doing the trial?
You're safe.
Like an animal or something.
Maybe.
This time she looked different.
Who is she?
If I give you this money, will you let me take your place?
Rachel and I work together.
We're on the side of the angels.
-Please? -No, thanks.
I didn't notice.
I'm getting five times that.
RACHEL: There's just not many of us left anymore.
She just looked kind of sad.
Give me your bag. And your jacket.
Take off your hoodie.
Like she'd lost everything she loved.
You heard of them? The pioneers?
HANNA: No.
Shut up and drink.
They were originally a small splinter cell group
of nationalist radicals within the Agency.
Go home, and don't ever come back.
RACHEL: We used to joke about them.
Then they developed Utrax.
INSTRUCTOR: Stand by! Engage!
Now we believe they're about to use Utrax
to carry out a series of assassinations
Monica Gastner.
across the world.
I think Tacitus
knows who the targets are.
-GIRL: Just can't get it on target. -GIRL 2: Yeah, seriously...
I believe he has a list in his possession,
How does the curfew work?
and we need to get to him
Everyone in their rooms at 9:00.
-Does that hurt?
before they do.
-No one's allowed out of the accommodation block after that. -INSTRUCTOR: Engage!
A little.
Doors are alarmed, camera switches off.
-She's crazy. -They should put her down.
But Jules is having a party.
-Don't say that. -What? It's true.
It's still in the accommodation area.
She just causes trouble.
Thanks.
For helping me.
I'll find a way.
No sweat.
Leo Garner.
What?
You were right.
It's just a funny phrase.
I think I have a friendship issue.
What is?
"No sweat." Kind of 1950s.
Sir, Robert Gelder has just bought a United Airlines flight
Ow!
Mia. My name's Leo.
to Barcelona; he's leaving tomorrow.
He paid cash at a D.C. travel center.
Be more careful next time.
Hi.
Can I show you your room?
Thank you, Terri. Good work.
I see Clemency has been taking you under her wing?
WOMAN: Do you have everything you need for your stay?
She's been very kind.
As you know, this is a three-night trial.
Well, we all want you to feel at home.
You want me to try talking to Mia?
The first night, you will be given the drug,
and in some cases a placebo.
No. Done talking.
It's a little bare, but that'll change.
And you will be placed under observation.
We'll get it made up for you, I'll get you some things,
The second night you will receive nothing,
and you will be free to hang out, play games,
-make you more comfortable. -Thank you.
Leo.
No problem. And tomorrow we'll get to work
get to know each other.
The third night,
Keep this to yourself.
on building up your new life.
Deal with it personally.
you will receive another treatment.
It's gonna be a lot of fun.
I don't want any signs she was ever there.
At all times, you will be observed,
I look forward to it.
and we want you to know
that your safety is our paramount concern.
I'll, uh, I'll leave you to get settled.
You know, I saw you, on the cameras.
Hey, Mia.
Here's the book you ordered.
The break-in yesterday.
Impressive.
-You're such a dick, Ray. -Hey!
-What'd you get in business? -I got an A.
Come on, appreciation for the guy who got us in here.
-No, you didn't. -I did.
-Really? -What did you get?
This way.
Oh, whatever.
-I got a B. -Well, that's still good.
-No, it's not. -Yes, it is.
Charlie, what did you get in business?
In business? I got an F.
KAT: What is that on your arm?
Hey, I'll catch you guys later.
Oh, uh, it's a birthmark.
See you later.
-Please swallow this. -What is it?
I used to try and hide it,
It's just a small relaxant. Nothing to worry about.
but I don't really care so much anymore.
TERESA: You guys want to go inland this weekend?
-Hey. -Hey.
I will show you the real Spain.
You okay?
I can't, Teresa, sorry.
I don't want to.
You want some of this? I can't eat it.
My dad's coming to see me.
Then you'll have to leave.
I'm good.
Oh, yeah? When?
What's up?
KAT: Like, tomorrow.
And I never get to see him. He's always working, so...
Clem, talk to me.
What does he do?
Uh, he's a lawyer for the military.
Did something happen?
So cool.
Okay, good.
Like what?
It's super secret. He doesn't really say that much about it.
We'll call you soon.
No eating from now on.
I don't know.
SANDY: I think it's great that he's coming.
It's not like him, though, like,
Are there any other people staying here?
Something with Mia, maybe?
no notice whatsoever.
-People? -Young women, staying here?
Clem, you know you can talk to me.
-RAY: Excuse me. -CLARA: Hey.
This is just a trial center.
-RAY: Oh, you're American? -CLARA: Yeah.
Only trialists stay here.
I'm your friend. That's what friends do.
Huh. You study here?
-No, just traveling. -All right.
How long you been in Barcelona?
-Two days. -Oh, cool.
She wants me to leave.
CLARA: Thanks for letting me tag along.
With her.
SANDY: No worries.
Leave?
I love your name, by the way.
-MALE NURSE: Okay. -
Clemency. It's so unusual.
How we doing?
When?
It was my mom's idea.
Tonight.
It's so beautiful here.
We have a way out.
Take your arm out of your sweater.
TERESA: But the city's changing.
See over there?
When I was young, that was just trees.
Now all those villas in the hills are owned
Hold it like this.
by Brits and Americans.
Massive houses, private pools, gardens.
And most of them sit empty all year.
Your driver's on the way.
Leave your belongings here, come with me.
No farewell drink?
thank you, next
I stopped that a while ago.
Didn't do me any good.
for my ex
HANNA: I'm looking for a girl.
thank you, next
Her name's Clara.
Thanks.
MALE NURSE: I don't know her.
We-we couldn't have done it without you.
-
I need to find her.
My pleasure.
for my ex
MALE NURSE: I told you, I don't know her.
Um...
This way.
thank you, next
can I see Mia one more time? Before I go?
Why not?
Alba, hi, it's Nicola.
Yeah, I'm just about to go to the airport now.
Listen, Tacitus is flying today from Washington.
I need you not to say anything to your news team, okay?
Not even your editor.
No e-mails. Nothing.
Take a seat.
Okay.
Yeah.
See you there.
What is that?
Just a screen.
Why can't you tell me where you're going?
You'll be observed at all times for your own safety.
Because I don't want to lie to you.
Okay, we'll fix you up to this line.
It was so easy.
And I can't tell you the truth.
You'll feel a small pinch.
I still think they're gonna catch us.
JULES: Shut up, Helen.
Look...
-About time.
I will make it up to you, I promise.
Take a seat.
Yeah, you bloody well will.
Everyone has to try some of this.
Who are these drugs for?
It's called a screwdriver and it's delicious.
Now the music will play.
Sandy lost her virginity getting it,
Just watch the image.
so it was quite a sacrifice.
Sit back, relax, but try to keep your eyes open, okay?
-I did not. -You wanted to.
HELEN: Why do you always have to be so gross, Jules?
If you need assistance, you press this emergency button.
Uh, watch out. It's pretty strong.
-You understand? -
You don't like it?
No, I love it.
JULES: All right, all right...
-
I'm not saying it's...
S-Sorry, I'm...
JULES: She's here.
You've had vodka before, haven't you?
-All okay? -All good. She's on the Northern Line.
Once, at a party.
A real party?
Train left five minutes ago.
Like, you mean, with boys and stuff?
MAN: Please raise your hand to indicate you're okay.
It was nothing special.
Did you kiss one?
Okay, that's good.
Just look at the trees.
Yes.
Oh, my God.
Did you have sex with him?
She's in the second to last carriage.
No.
I'll fake surprise, get her talking.
I've had sex a thousand times.
You do it just as the train comes into the next station
In my dreams.
so it covers the sound.
Then we get off, leave her in there.
LEO: I think we underestimated the problems she's experiencing.
Mia?
CARMICHAEL: I don't get it.
Is it true you were taken away from us
30 trainees, happy, smiling,
when you were very young?
following absolutely every predicted pathway.
Yes.
And this one.
Well...
-LEO: Mind of her own. -Don't be flippant.
you're one of us now.
Any flaw to the program this early does none of us any good.
-What? -
-So what do you suggest? -
Sorry to interrupt.
Oh, sorry. I didn't realize...
I just wanted to say goodbye to Mia.
I just came to see how she was.
There's a car collecting me in 30 minutes.
LEO: Terri, this is John Carmichael.
We've met.
Good to see you so settled.
You think you can tell me why she's failing?
You seem happy, and it's nice that you're all together.
Oh, I-I don't know.
I wish you all the best for the future
My hunch is that she feels different,
in your new home.
Thank you.
on some fundamental level.
Okay. See you when I see you.
Well, maybe you should work with her,
-see if you can make some progress. -Sure.
Be careful.
Because if this fails, I have to cut her loose.
The doors are alarmed after 9:00.
There's a personal and financial cost to that.
LEO: It's all right, I've got it.
One I'd like to avoid.
Oh.
Good job getting the booze.
Face and Trigger.
-Sandy was terrific. -JULES: Oh...
-He set us up! -HELEN: Oh, thank goodness.
He knew all along we were gonna do this.
Ugh. Face and fucking Trigger.
HELEN: Get over yourself, Jules.
-Let's just watch the movie.
JULES: It's not as fun if they know.
MAN: If your reactions are significant in the test cases,
HELEN: It seems like you're the one
then we can explore effects also on the Utrax recipients.
wrapped around Leo's little finger.
-WOMAN: Agreed. -MAN: We anticipate more extreme reactions
in those cases and can vary dosage accordingly.
-Your car's waiting for you outside. -Thank you.
WOMAN: What's the final operational remit?
Safe journey.
MAN: Removal of all inhibitions towards the achievement
of maximum violence.
To be used in extreme situations only.
WOMAN: Of course.
ERIK: And human beings are?
HANNA: Dangerous and not to be trusted.
ERIK: If you see one?
HANNA: Come and find you.
JULES: Oh, that's gotta hurt.
-ERIK: If there's no time? -Hide.
-HANNA: If I can't hide... -
Engage!
...attack.
Excuse me, Nicola?
I'm so sorry.
MAN: Evening, ma'am.
Night. Larry?
-Yeah? -Carmichael wants you
at the southeast perimeter.
There's a problem with the external cordon.
MAN: What the hell are you doing?!
Okay.
I'm on it.
Thank you.
MAN: Back on the train, please; back on the train.
Let me out of here!
Please let me out!
MAN: Move along, please, move along.
-Stay back. No, no, no-- No! -Stay calm.
JULES: Oh, my God, he's getting away.
-HELEN: Oh!
This is so awesome.
Put this on, please.
Is that necessary?
Standard protocol, I'm afraid.
on your knees
Can we wait till we're through the gates, at least?
is also good for me, yeah
Sure.
-Thanks. -
change everything
we could
the way you should
out there
Where is the Meadows?
Who are you?
Tell me where they are.
out there
-What? -What?
give it up to me, yeah
Get in.
under this moon
Okay.
you're gonna
Now we need the hood on.
give it up to me
What the-- Hey,
Hi.
give me the...
Can I come in?
You're already here.
unforgettable-ble
What do you want?
What? Where are they?
I work here.
Sandy?
give it up to me
Can I sit down?
This way.
unforgettable-ble
I don't want to talk to anyone.
-That's fine. -
You don't have to talk.
I'll just sit here.
Come on, Hanna.
Oh, fuck. Come on.
I just don't want you to be alone tonight.
Finally.
Hello, Marissa.
-
MAN: There she is! Go, go, go!
-Hands up! -I'm on her!
HANNA: Where are we?
Clara?
I'm sorry.
What's going on?
ooh, I know
I feel so summertime
: What have you done?
Don't.
like, overtime
What have you done?!
don't act no nonchalant
Mia,
just like a drum
listen to me.
not the one
What if you could be happy here?
and you're so overdone
What if you could?
we shall overcome
This is where you belong, Mia.
You can trust us.
: We're your family.
-
ain't no
-
I feel so summertime
so summertime
when I'm trying to shine?
Ha
-
grew into a riot
on your mind
the comedown
inside your head
-