[♪♪♪]
ZILAH [IN SPANISH]:
[WIND WHISTLING]
[TAPS FOOT]
[CHIMES TINKLING]
[TAPS FOOT]
[ENGINE REVVING IN DISTANCE]
[SNAPS FINGERS]
[CLAPPING RHYTHMICALLY]
[INSECT BUZZING]
[IN SPANISH]
[TAPPING FEET RAPIDLY]
[TAPPING ECHOING]
[PANTING]
[GUNSHOT]
[GASPS SOFTLY]
[PANTING]
ZILAH [IN SPANISH]:
[♪♪♪]
Hey!
[IN SPANISH]
[GASPS]
[GRUNTING]
[FLAME WHOOSHES]
[♪♪♪]
[FIRE CRACKLING]
[FLAMES WHOOSHING]
[BURGERS SIZZLING]
You're the only one that keeps me out of trouble.
[CHUCKLES]
Is that a beer for me? Thank you.
[CHUCKLING] What? Oh, fuck you!
You like that?
[♪♪♪]
[GUNSHOT ECHOES IN DISTANCE]
[WHOOSHING, SIZZLING]
[WHIRRING LOUDLY]
NANCY ANN: Hey. AIDAN: Hey.
How are ya?
NANCY ANN: Okay.
[COUNTRY MUSIC PLAYING]
You look like you could use a beer.
I'll take the Pepsi.
Sure. Thanks.
Is there anything I can do to help?
No, I'm good. Thanks.
Hey, John.
Stop.
Not now.
Hey, handsome.
Can I get you a beer? No? Oh, okay.
How about I stand here and rub my boobs against your arm--
She's just looking for attention.
She could get it from her husband.
You should mind your own business.
You are my business.
[GUNSHOT ECHOES]
It's an unfortunate side effect
of being my little brother.
Have you said hello to Jay yet? Uh...
No. Hi. Come on.
Hey.
How're you doing?
Okay. Thanks for coming.
AIDAN: Hey, Marie. Hey.
AIDAN: Hi, Jay. How are you?
[HELICOPTER WHIRRING FAINTLY]
MARIE [DISTANTLY]: He's good.
Always eager to see you.
Last time, was it Thanksgiving?
Uh, yeah. Yeah, I think so.
JULIANNE: Yeah, it was.
[MEN SHOUTING FRANTICALLY]
And we all got so hammered.
Heh. Did we? I guess so.
It was so funny. Remember? Yeah.
I remember Aidan played this song on his guitar.
Oh, he's always playing some song on his guitar.
[CONTINUE CHATTERING INDISTINCTLY]
[GUNSHOT ECHOES]
I should get back.
Aidan... I don't want this stuff to burn.
See you later, Jay.
[♪♪♪]
[PLAYING GENTLE MUSIC]
♪ Oh, river come and carry me ♪
♪ Till I return to whiskey Bone and stone ♪
♪ Brave winged spirit Guide us home ♪
♪ Don't slip away ♪
♪ Stray with me ♪
♪ Forever Like sand holds the ocean ♪
♪ Don't slip away ♪
♪ Lonely, wild, open plains ♪
♪ And barren sky Circling birds of prey ♪
♪ The wind groans ♪
♪ Whistling his shame ♪
♪ Don't slip away ♪
♪ Stray with me ♪
♪ Forever Like sand holds the ocean ♪
♪ Don't slip away ♪
[STOPS PLAYING]
Come on. Let's go. AIDAN: Where?
To the border.
No. Not going.
Aidan, it's been nine months.
You can't just sit out here all alone, night after night.
Yes, I can.
[SCOFFS, CHUCKLES]
Attention, Aidan's audience of none!
I'm oh so sorry, but he has to cancel tonight's lonely concert.
'Cause unless you know something I don't,
strumming that guitar isn't gonna pay the mortgage.
There it is. Yeah, nice.
If you're ever gonna get a job,
you'll need to meet more people than me.
You know how many jobs there are in this town?
One.
So tonight, you show them how good you are
and maybe we won't have to move to the Motel 6.
[♪♪♪]
[SHOUTING INDISTINCTLY IN SPANISH]
[SIGHS]
[IN SPANISH]
COYOTE:
RAMON:
[PEOPLE SPEAKING SOFTLY IN SPANISH]
COYOTE:
[SINGING IN SPANISH]
[VEHICLE APPROACHES]
[ENGINE STOPS]
[MAN GIVES ORDER IN SPANISH]
[INDISTINCT RADIO CHATTER]
[♪♪♪]
[AIDAN SIGHS]
Hey. Yeah?
My phone's on if-- Yeah.
Whatever, yeah. Sure.
Okay. See ya. Bye.
MAN 1: It's your first time? MAN 2: Yeah, yeah.
MAN 1: You're gonna love it. There's nothing like it.
Fucking A, brother, fucking A. Come here.
You met Aidan? He's patrolling with me tonight.
Don't believe I have.
Phil. Hi.
MIKE: First night out.
Got home from Afghan last August.
How many tours? Uh, two.
I'm volunteering the next. Damn.
Yeah. Welcome home, son.
I appreciate your service. Thank you.
We need more guys like you here.
Wait until you see how it feels
to guard your country from your own backyard.
All right, listen up.
We've had two or three scout sightings
just west of Puerto Palomas,
so maybe keep an extra eye out there.
You guys are out here on your own dime.
Helping us do our jobs.
We appreciate it.
The country appreciates it.
JIMMY: All right. You guys know the drill.
You put eyeballs on anybody, you call it into base.
Base calls Border Patrol. PHIL: All right.
JIMMY: Weapons check!
PETE: So anyone learned Spanish yet?
What for?
PETE: If we're hunting Mexicans,
someone ought to speak Spanish.
Why? You know how to speak deer?
[MEN LAUGH]
[♪♪♪]
[INDISTINCT RADIO CHATTER]
What the hell?
You seeing this?
Call it in.
[ENGINE REVS]
[♪♪♪]
Mike.
[CHUCKLES]
Either the beaners left it here,
or someone left it for them for when they cross.
Mike.
Get back in the truck and call it in.
There's nobody here!
[GUNSHOT]
Mike, stop! Put the gun down!
Got him. I got him!
Hey! Hey!
Mike!
Fuck! Mike, Mike, Mike, stop, Mike!
Mike!
Fuck!
[PANTING]
No! Mike, let her go!
Okay. Take these.
Here. Come here. [IN SPANISH] Thank you.
Here you go.
Water, water. Wait, wait, wait.
Go. Go. Quickly, okay?
[CRIES OUT]
Don't fucking move, all right?
I will fucking shoot you, I swear to God.
You wanna say good night?
That's fine. Hey. Todo bueno.
[♪♪♪]
[GUNSHOT]
[ENGINE STARTS]
Hey! Hey!
Get out of the truck.
You know where you're going?
North.
Take the next right!
[ENGINE PUTTERING]
[ALERT WHINES]
[ENGINE TURNS OVER]
Get in.
[♪♪♪]
[VOICE SPEAKS IN SPANISH]
JOHN: Christ, Mike.
You knew him?
Where you from?
El Paso.
[FLIES BUZZING]
JOHN: Well, this is damning. Of course I fucking knew him.
[♪♪♪]
Get an APB out on a blue '88 Chevy.
[DOOR CLOSES]
[CHUCKLES]
[WATER RUNNING]
[♪♪♪]
That man you shot.
Was he your friend?
You speak English good.
Well.
I speak English well.
His name was Mike.
Are you a soldier?
Mm-hm.
Marine.
My name is Carmen.
Do you have a name, marine?
[INDISTINCT RADIO CHATTER]
Hello, sir.
[♪♪♪]
[TRUCK HONKING]
[CARMEN & MAN SPEAKING IN SPANISH]
[TAPS CAR]
[SIRENS WAILING]
CARMEN [IN SPANISH]:
[IN SPANISH]
My name's Aidan.
[♪♪♪]
[WHOOSHING]
[IN SPANISH]
[♪♪♪]
Thank you.
[ENGINE STARTS]
[KNOCKING]
[♪♪♪]
So how long have you guys been together?
Long enough.
Long enough?
[SCOFFS]
Okay.
I wouldn't do that.
My boyfriend gets jealous.
And violent.
[IN SPANISH]
Pablo. Yo.
[IN SPANISH]
[CHUCKLES]
[IN ENGLISH] It's all good, man.
[IN ENGLISH] Let's hit the road.
You think I'm a man?
Hm?
[ENGINE STARTS]
[♪♪♪]
This is it.
[ENGINE STARTS]
There you are.
Sure you don't wanna come in? No, I should keep moving.
What are you gonna do?
Hide.
Figure it out.
Anyway, I...
I'm glad you made it.
You should lay low for a while.
[SIREN WAILING]
[♪♪♪]
[BEADS RATTLING]
[PIANO PLAYING]
[MASILDA SPEAKING IN SPANISH]
MASILDA [IN SPANISH]: She is from nowhere in particular,
but she knows where she comes from
and she knows where she is going.
Clear the way for this woman.
Her story is her root.
What holds her when she loses her way,
when she doesn't know where to go.
Clear the way for her strength.
The strength of her blood.
The strength of her mother, of her grandmother,
of the soil fighting to emerge.
Throw me a chance,
and chance will throw you back to me.
Clear the way for this woman.
[MASILDA CONTINUES IN SPANISH]
Excuse me. What can I get you?
I'm looking for Masilda.
To drink.
What can I get you to drink?
Ah. Uh, tequila.
Tequila. Mm-hm.
You? Hey. Hm?
Casper the Ghost, what can I get you?
Uh, just a Pepsi.
A Pepsi? Yeah.
That's hot.
[SINGING IN SPANISH]
[VOCALIZING]
[GASPS]
[KNOCKING]
[IN SPANISH]
[DOOR OPENS]
GABRIELLE [IN SPANISH]:
GABRIELLE:
[IN ENGLISH] Who are you?
Are you looking for a job?
[IN ENGLISH] I...
I don't know.
Maybe.
Carmen?
[IN SPANISH]
[TEARFULLY]
[♪♪♪]
[EXCLAIMS SOFTLY]
[IN ENGLISH] Who is this?
This my friend Aidan.
Welcome, Aidan. Thank you, ma'am.
Oh, he has manners.
[IN SPANISH]
GABRIELLE [IN SPANISH]:
[♪♪♪]
MASILDA:
What'd she say?
[IN ENGLISH] She say you have potential.
MASILDA:
[IN ENGLISH] Are you hungry? Yeah, sure.
Gabrielle gonna give you something. Go with her.
[IN SPANISH]
Yeah. A pleasure to meet you.
[IN ENGLISH] Oh, my pleasure. My pleasure.
For me a pleasure, too, darling.
Great.
Look, he look like Anthony Hopkins.
If I was 30 years younger, I'd go:
[SLURPS] Like a platter of chilaquiles.
[SPEAKING IN SPANISH]
[IN ENGLISH] Come.
CARMEN [IN SPANISH]:
[SHUSHES]
[IN SPANISH]
[♪♪♪]
[SINGER SINGING IN SPANISH]
Uh...
Do you know if there's a telephone booth anywhere
I could use?
A telephone booth?
Yeah, you know, like a pay phone.
I have to make a call.
Yeah, I didn't think you were
gonna change into a cape and tights.
You can use mine. I won't listen.
No, it's, uh-- It's private.
Use the house phone. There's one on the podium.
No, I just need a pay phone.
I don't think they exist anymore.
But check the old bodega.
Think I saw one at the back.
It's okay. Don't worry.
Thanks.
I, uh... I have to call my sister.
I didn't ask.
[SIREN WAILING IN DISTANCE]
[COINS CLINKING]
[KEYPAD BEEPING]
[LINE TRILLING]
JULIANNE [OVER PHONE]: Hello?
Aidan, is that you?
You have to tell me because we don't know if you're...
Is it you?
It's me.
[SIGHS] Thank God.
Are you okay?
I don't know what they told you,
but it's...
It's not...
Stop.
I just wanna know if you're okay.
I'm okay.
Jules--
The bullet they found was...
They said that...
Just tell me it was an accident, Aidan.
Tell Nancy I'm sorry.
And Sarah.
I gotta go.
Jules--
Don't tell me where you are.
I don't wanna know.
I can't come back.
I'm not coming back.
Jules...
you took good care of me.
[CRYING] I love you.
Yeah.
I love you too.
Aidan?
[LINE BEEPS]
[♪♪♪]
Here we are.
It's not everything, but you're gonna be comfortable.
Thanks.
I thank you very much to take care of Carmen.
She's tough,
but she's also frail, you know? Mm-hm.
So are you. Right, sweetheart?
Uh...
Anyway, my heart and my house are both full today.
Sweet dreams.
[WIND WHISTLING]
[CHIMES TINKLING]
[HEARTBEAT THUMPING]
[TENDER MUSIC PLAYING IN DISTANCE]
[♪♪♪]
[CLAPPING] [GASPS]
[IN SPANISH]
[HUMMING]
[SOBBING]
Mama.
Eh?
[CHUCKLES] Eh?
[LAUGHS]
[♪♪♪]
[SIREN WAILING IN DISTANCE]
[BOTH SPEAKING IN SPANISH]
[TINKLING LOUDLY]
Good to see you. You too.
How you been?
Yeah, I've been better.
Have you seen Jay lately?
Yeah. Yeah, we had him over.
He's, um...
He's the same.
Shit. Yeah.
[ENGINE REVVING NEARBY]
They called me.
And?
And I said it didn't sound like you.
What can I do?
[CLEARS THROAT] I need cash.
You know I wish I could.
Fuck.
You know I'm fucked, man. I...
[SCOFFS]
And what do you mean, you wish you could? I...
Aidan.
Every Friday, there's a fight.
Cash prize.
How much? Over 10 G's.
Could be more.
Three rounds.
No gloves.
You come throw down, pot's gonna get big.
Why's that?
'Cause you're a white boy.
Boys love to bet against a white boy.
[UPBEAT MUSIC PLAYING]
[PEOPLE CHATTERING INDISTINCTLY, LAUGHING]
[SINGER SINGING IN SPANISH]
[CROWD CLAPPING, CHEERING]
[LYDIA MENDOZA'S "MAL HOMBRE" PLAYING]
[SINGING IN SPANISH]
[SONG CONTINUES PLAYING]
Punch.
Yep, two. One, two. One, two.
And roll. Roll. That's it. Under my hand.
One, two. One, two. One, two.
One, two. One, two.
Jab. Go. Go. [LAUGHS]
[♪♪♪]
[LAUGH ECHOING]
They're gonna find us.
I mean, you know that, right?
You should stay here.
You belong here.
No, I don't. Yeah, you do.
And you don't get to-- Carmen.
--tell me where I belong.
[IN SPANISH]
[♪♪♪]
[AIDAN GROANING SOFTLY]
[GUNFIRE IN DISTANCE]
[CHIMES TINKLING]
[MAN SCREAMING IN DISTANCE]
[SHUSHES]
[♪♪♪]
[CARMEN WHISPERING PRAYER IN SPANISH]
[♪♪♪]
Come on.
Ready? Go.
AIDAN: It's time to go.
CARMEN: We have no money.
How far are we gonna go? Find out tonight.
Tonight?
What's tonight?
It's a-- It's a shot at money.
I just need you to trust me, okay?
Aidan. What?
What--?
What are you--? Where you gonna go?
Listen, I...
I have to do something. No.
No, we didn't come all this way
for you to disappear now.
You keep saying "I." It's not "I," it's "we."
Just tell me what-- There's a fight.
We have to go now, okay?
Tonight.
[IN SPANISH]
[AUDIENCE APPLAUDING]
[PIANO PLAYING "TU Y YO"]
[SINGING IN SPANISH]
[MUSIC STOPS]
[STRINGS PLAYING "TU Y YO"]
[STRINGS PLAYING UPBEAT SONG]
[AUDIENCE CHEERING AND APPLAUDING]
[♪♪♪]
[PEOPLE CHATTERING INDISTINCTLY IN DISTANCE]
[PEOPLE SHOUTING INDISTINCTLY]
[CROWD ERUPTS]
Ay-yi-yi.
[FEET TAPPING RAPIDLY]
[SPEAKS IN SPANISH]
[CROWD CHEERING]
[♪♪♪]
[IN ENGLISH] Everybody ready?
First rule:
[LAUGHING]
There ain't no rules, man.
[SPEAKS IN SPANISH]
[IN ENGLISH] We fight over here, baby.
We ain't got no bells.
[REPEATS IN SPANISH]
[IN ENGLISH] Here, we fight to the death.
[REPEATS IN SPANISH]
[IN ENGLISH] All right, we good?
[SPEAKING IN SPANISH]
[IN ENGLISH] Bets! Bets!
C'mon, man, y'all gonna make some money or not?
Because here, tonight...
you gonna dance...
or you gonna die.
♪ Look at that boy from Compton 8-piece like the Mamba ♪
♪ Wanna be king in Cali? ♪
♪ Whup that fool Like his mama ♪
♪ Bring that fucking drama Hell-bent like Osama ♪
♪ Hit his ass with the llama Hit his ass with the llama ♪
♪ 'Cause we got the bag To put him in ♪
♪ We got the money He'll never win ♪
♪ Look at the giant Drilling him ♪
♪ Speed shooting Like adrenaline ♪
♪ Beat his ass, get him Kill his ass, kill him ♪
♪ Murder, murder Killer fucking gorilla ♪
♪ Soul stealer Up in your village ♪
♪ A major drug dealer Coming to get 'em ♪
♪ Can't nothing save ya From seeing the villain ♪
♪ Bloody, bloody death Look at the body ♪
♪ He took his last breath Now it's a party ♪
♪ Let's make a fast break Get to the border ♪
♪ Like fuck a wall, punk We on disorder and chaos ♪
♪ Chaos ♪
♪ Mayhem and a violent past ♪
♪ No problem Whupping your ass ♪
♪ Chaos, chaos ♪
♪ We the kids That you fucking forgot ♪
♪ Now we in charge Fucking like it or not ♪
[CROWD SHOUTING INDISTINCTLY]
♪ One ♪ [IN SPANISH] ♪ Get up, get up ♪
♪ Two ♪ ♪ Get up, get up, get up ♪
♪ Three ♪ ♪ Get up, get up ♪
♪ Four ♪ ♪ Get up, get up ♪
♪ Five ♪ ♪ Get up, get up ♪
♪ Six ♪ ♪ Get up, get up, get up ♪
♪ Seven ♪ ♪ Get up, get up ♪
♪ Eight ♪ ♪ Get up, get up, get up ♪
Oh...!
Ready?
Let's go.
♪ Oh, shit ♪
♪ Yo, look at this ♪
♪ He got some heart ♪
♪ Ain't that a bitch? ♪
♪ He came to dance Chop a giant ♪
♪ Get fucking rich ♪
[MAN SINGING IN SPANISH]
♪ Beat his ass, get him Kill his ass, kill him ♪
♪ Bloody murder like Tyson ♪
♪ Eat his motherfuckin' Children ♪
♪ Break him down To his last breath ♪
♪ Beat him till he take His last step ♪
♪ You get the money And get away ♪
♪ When this motherfucker Can taste death ♪
♪ Dance, get up Dance, get up ♪
♪ It's a time to run, amigo ♪
♪ It's a time to fight And make a way ♪
♪ Dance, get up Dance, get up ♪
[MAN SINGING IN SPANISH]
♪ Oh, shit ♪
[♪♪♪]
[TIRES SQUEALING]
[SIREN WAILING]
OFFICER: Everybody down! Freeze!
[GUNSHOTS]
[GROANS]
CARMEN: Get up!
Wait. Yeah.
Are you okay? Yeah.
Go. Go.
[GROANING]
Stop.
Hey, hey, hey.
I don't-- Leave it, leave it.
[BOTH PANTING]
Hey. It's okay. Hey.
We have to go.
Yeah. Yeah.
Can you get up? Mm-hm.
Okay. Yup.
[CRIES OUT]
It's okay. It's okay.
It's all right. Hey.
Hey.
It's okay.
It's okay. Yeah.
Yeah.
Okay.
It's okay. Yeah.
[CARMEN SINGING "BEYOND" A CAPPELLA IN SPANISH]
[WIND WHISTLING]
[ORCHESTRA JOINS CARMEN]
[CARMEN VOCALIZING]
[CHOIR SINGING IN FRENCH]
[CARMEN & CHOIR VOCALIZING]
[MUSIC FADES]
[WIND WHISTLING]
[WAVES CRASHING LOUDLY]
[♪♪♪]