1 00:00:22,856 --> 00:00:25,167 There is, I think, in his works 2 00:00:25,191 --> 00:00:28,838 an element of high tragedy, and I am sure that tonight, 3 00:00:28,862 --> 00:00:31,173 he will be willing to share with us 4 00:00:31,197 --> 00:00:34,334 the movements and gestures of his dance macabre. 5 00:00:37,237 --> 00:00:39,248 I present to you, Stephen King. 6 00:00:42,208 --> 00:00:43,208 Thank you. 7 00:00:44,477 --> 00:00:47,656 You come to experiences in your own life that are frightening, 8 00:00:47,680 --> 00:00:50,493 and you try to make sense of them in what you write. 9 00:00:50,517 --> 00:00:52,328 And I can remember living in Colorado 10 00:00:52,352 --> 00:00:54,630 and we had an old American Motors car 11 00:00:54,654 --> 00:00:57,266 that just simply vomited up it s transmission one day 12 00:00:57,290 --> 00:00:58,330 in the middle of the road. 13 00:00:59,292 --> 00:01:00,770 And a tow truck came along 14 00:01:00,794 --> 00:01:02,438 and took it away to wherever they take 15 00:01:02,462 --> 00:01:04,306 transmissionless Matadors, 16 00:01:04,330 --> 00:01:07,877 and they called around after it had started to get dark 17 00:01:07,901 --> 00:01:10,446 and said, "Your car's ready if you want to come and get it." 18 00:01:10,470 --> 00:01:11,881 And my wife said, "Are you going to take a cab?" 19 00:01:11,905 --> 00:01:13,582 And I said, "No, I'll walk." 20 00:01:13,606 --> 00:01:15,351 And I walked and it got darker and darker, 21 00:01:15,375 --> 00:01:17,453 and this was really on the edge of town, you know. 22 00:01:17,477 --> 00:01:19,221 There's nothing there and you could see the dealership, 23 00:01:19,245 --> 00:01:20,689 but it was a ways away. 24 00:01:20,713 --> 00:01:23,225 And the path went across this bridge, you know, 25 00:01:23,249 --> 00:01:25,261 a little arched humpback wooden bridge. 26 00:01:25,285 --> 00:01:26,462 And I'm walking across it, 27 00:01:26,486 --> 00:01:29,331 and I can hear my heels clacking on the bridge 28 00:01:29,355 --> 00:01:31,834 and I flashed to this story when I was a kid 29 00:01:31,858 --> 00:01:34,537 about these goats that were going across a bridge 30 00:01:34,561 --> 00:01:36,441 and there's this troll underneath and he said... 31 00:01:37,363 --> 00:01:39,708 -"Who's that trip-trapping on my bridge?" 32 00:01:39,732 --> 00:01:42,344 And I thought, "Wouldn't it be a scream 33 00:01:42,368 --> 00:01:44,480 if something just reached up now and grabbed me, 34 00:01:46,306 --> 00:01:47,783 -and pulled me down there, and that was the last 35 00:01:47,807 --> 00:01:49,652 anybody heard of old Stevie King?" 36 00:01:49,676 --> 00:01:50,653 So. 37 00:01:50,677 --> 00:01:53,255 But the incident stayed in my mind, 38 00:01:53,279 --> 00:01:55,825 and over a period of five years, 39 00:01:55,849 --> 00:01:57,026 I would come back to that 40 00:01:57,050 --> 00:01:58,427 and come back to that, and little by little, 41 00:01:58,451 --> 00:02:01,764 I began to evolve a story until now it's developed into 42 00:02:01,788 --> 00:02:03,866 a novel that's about 1,300 pages long. 43 00:02:03,890 --> 00:02:05,201 It's called IT, 44 00:02:05,225 --> 00:02:08,337 and it all came from that one little moment of fear. 45 00:02:08,361 --> 00:02:09,905 And I think that a moment of fear is worth having 46 00:02:09,929 --> 00:02:12,541 if you can get something good out of it. 47 00:02:12,565 --> 00:02:14,877 This is Tim Reid, Richard, in Virginia. 48 00:02:14,901 --> 00:02:17,704 It's back. I found a picture of Georgie. 49 00:02:19,506 --> 00:02:20,783 IT's enduring power 50 00:02:20,807 --> 00:02:24,787 may come from the chords it strikes among all of us. 51 00:02:24,811 --> 00:02:28,424 We're all human beings and we were all children once. 52 00:02:28,448 --> 00:02:30,593 It's amazing to me all these years later 53 00:02:30,617 --> 00:02:32,628 how people are still coming up and talking about 54 00:02:32,652 --> 00:02:35,764 that it has this lasting effect and impact. 55 00:02:35,788 --> 00:02:38,300 You never think that something you've created 56 00:02:38,324 --> 00:02:41,270 will, you know, this will live on forever. 57 00:02:41,294 --> 00:02:42,271 As an actor, 58 00:02:42,295 --> 00:02:43,272 I didn't really pay much attention 59 00:02:43,296 --> 00:02:44,940 to the impact that I was having. 60 00:02:44,964 --> 00:02:46,775 I was just something I was doing as a kid. 61 00:02:46,799 --> 00:02:48,902 -This is battery acid, you slime! 62 00:02:50,904 --> 00:02:53,549 I've done shows in Mexico or in Europe 63 00:02:53,573 --> 00:02:55,484 where the crew that I've worked with there, 64 00:02:55,508 --> 00:02:56,986 they're like, "Oh, my god. You did IT!" 65 00:02:57,010 --> 00:02:57,987 I think the story itself 66 00:02:58,011 --> 00:02:59,221 is kind of timeless... 67 00:02:59,245 --> 00:03:00,456 People going through issues 68 00:03:00,480 --> 00:03:02,491 and having to come together to overcome them. 69 00:03:02,515 --> 00:03:03,492 -We do it. 70 00:03:03,516 --> 00:03:05,494 -Oh yeah. We. 71 00:03:05,518 --> 00:03:08,297 -You know, it's a coming-of-age story. 72 00:03:08,321 --> 00:03:10,432 It always surprises me when people say, 73 00:03:10,456 --> 00:03:12,835 "Oh, my god, I always wanted to be you in IT. 74 00:03:12,859 --> 00:03:14,270 I always wished I was Bev." 75 00:03:14,294 --> 00:03:15,704 And I think, "Oh, you poor thing. 76 00:03:15,728 --> 00:03:17,606 What was your childhood like?" 77 00:03:17,630 --> 00:03:19,775 It's talking some pretty serious talk 78 00:03:19,799 --> 00:03:23,245 about what it's like for each of us to be a child. 79 00:03:23,269 --> 00:03:25,414 - The fun. - Yeah! Yeah! 80 00:03:25,438 --> 00:03:26,906 -And the scary parts. 81 00:03:28,641 --> 00:03:29,885 You know, most TV movies 82 00:03:29,909 --> 00:03:31,887 disappear into oblivion. 83 00:03:31,911 --> 00:03:34,790 I think the fact that IT is consistently played on cable 84 00:03:34,814 --> 00:03:37,793 has opened it to. A much wider audience. 85 00:03:37,817 --> 00:03:39,562 It was one of the first 86 00:03:39,586 --> 00:03:41,297 terrifying mini-series. 87 00:03:41,321 --> 00:03:43,499 People were invested in it. It became an event. 88 00:03:43,523 --> 00:03:45,301 -Something is coming. 89 00:03:45,325 --> 00:03:47,503 And because it was made for TV, 90 00:03:47,527 --> 00:03:50,339 it allowed a younger audience to view it as well. 91 00:03:50,363 --> 00:03:51,840 Little kids, who saw 92 00:03:51,864 --> 00:03:54,810 IT on television, it's still in their minds 93 00:03:54,834 --> 00:03:56,679 as the scariest thing they've ever seen. 94 00:03:56,703 --> 00:03:57,647 Ah! 95 00:03:57,671 --> 00:03:59,882 -That movie scared the beep out of me, like, 96 00:03:59,906 --> 00:04:02,585 I couldn't sleep, I hate clowns, I hate spiders. 97 00:04:02,609 --> 00:04:04,520 Like, couldn't even go near a drain. 98 00:04:04,544 --> 00:04:06,388 People tend to gravitate towards things 99 00:04:06,412 --> 00:04:07,823 that struck them as a kid. 100 00:04:07,847 --> 00:04:09,992 And I think probably a lot of the people who saw IT 101 00:04:10,016 --> 00:04:12,728 as teenagers or younger, it just, it burned themselves. 102 00:04:12,752 --> 00:04:15,331 So as an adult, it becomes a fun memory, 103 00:04:15,355 --> 00:04:17,433 then it takes on this whole other cult level. 104 00:04:17,457 --> 00:04:21,070 -It scared the hell out of millions of people. 105 00:04:26,366 --> 00:04:28,377 -One of the comments is... Is typically 106 00:04:28,401 --> 00:04:31,037 "Tim Curry is the reason why I'm terrified of clowns." 107 00:04:32,739 --> 00:04:34,483 The portrayal of Pennywise probably went from 108 00:04:34,507 --> 00:04:35,818 "Yeah, we're gonna have some clowns over 109 00:04:35,842 --> 00:04:38,387 for little Johnny's birthday party" to, 110 00:04:38,411 --> 00:04:39,722 "Uh, probably not." 111 00:04:39,746 --> 00:04:41,557 Well, a character that manifests itself 112 00:04:41,581 --> 00:04:43,959 in the shape of your fears is terrifying 113 00:04:43,983 --> 00:04:46,629 at any age, in any era. 114 00:04:46,653 --> 00:04:49,598 And so, I think that's why that concept is so indelible. 115 00:04:49,622 --> 00:04:51,433 A lot of people tell me 116 00:04:51,457 --> 00:04:52,835 that IT poisoned their childhood 117 00:04:52,859 --> 00:04:55,537 when they saw it on television. 118 00:04:57,130 --> 00:04:58,173 -And I would always think, 119 00:04:58,197 --> 00:04:59,908 "You shouldn't have been watching it." 120 00:05:22,755 --> 00:05:23,899 I had written Carrie, 121 00:05:23,923 --> 00:05:26,969 and that had put Steve King, Brian de Palma, 122 00:05:26,993 --> 00:05:29,571 the actors and me on the map 123 00:05:29,595 --> 00:05:33,575 in a way that I became a go-to for horror adaptations. 124 00:05:33,599 --> 00:05:34,843 I got a call one day. 125 00:05:38,071 --> 00:05:40,849 .from my agent in Los Angeles who said 126 00:05:40,873 --> 00:05:43,385 he'd been approached by a pair of producers 127 00:05:43,409 --> 00:05:46,789 who'd set up a new Stephen King project at ABC 128 00:05:46,813 --> 00:05:50,125 as a novel for television and was I interested in that? 129 00:05:50,149 --> 00:05:52,995 The next day the doorbell rang, 130 00:05:53,019 --> 00:05:54,663 Federal Express at the door, 131 00:05:54,687 --> 00:05:57,066 and the guy is carrying the most humongous 132 00:05:57,090 --> 00:05:59,868 FedEx package I've ever seen. 133 00:05:59,892 --> 00:06:03,405 I took this unwieldy, bulky piece from him 134 00:06:03,429 --> 00:06:05,941 and was about to close the door and he said, "Hang on a minute." 135 00:06:05,965 --> 00:06:07,409 And he went back to the elevator 136 00:06:07,433 --> 00:06:10,479 and came back with these two giant containers 137 00:06:10,503 --> 00:06:14,116 containing the typed manuscript of IT in its earliest stages. 138 00:06:14,140 --> 00:06:19,421 I sat down and read the opening with young Stuttering Bill. 139 00:06:19,445 --> 00:06:24,693 -Well, we have to seal it first with paraffin. 140 00:06:24,717 --> 00:06:26,562 And baby brother Georgie, 141 00:06:26,586 --> 00:06:29,198 and what turns out to be a horrible demise 142 00:06:29,222 --> 00:06:32,768 at the hands of Pennywise. In the sewer. 143 00:06:32,792 --> 00:06:34,660 I went, "I'll do it." 144 00:06:36,763 --> 00:06:39,475 We went in for a first meeting with the network 145 00:06:39,499 --> 00:06:42,611 and the executive vice president of movies for television 146 00:06:42,635 --> 00:06:44,613 and she looked at me and she said, 147 00:06:44,637 --> 00:06:47,182 "So tell me, what is IT?" 148 00:06:47,206 --> 00:06:51,120 And I said, "Well it's an inter-terrestrial beast... 149 00:06:52,745 --> 00:06:54,790 -"that has come down eons ago 150 00:06:54,814 --> 00:06:57,559 and has the power to screw with kids' minds. 151 00:06:57,583 --> 00:06:59,661 -Beep-beep, Richie. 152 00:06:59,685 --> 00:07:01,730 "And attack their worst fears." 153 00:07:01,754 --> 00:07:03,932 And she looked at me and she nodded, and she said, 154 00:07:03,956 --> 00:07:06,168 "Yes, but what is IT?" 155 00:07:06,192 --> 00:07:07,636 So, I went, "Okay." 156 00:07:07,660 --> 00:07:10,005 And I answered another answer and she asked me, 157 00:07:10,029 --> 00:07:11,907 I don't know, five more times. 158 00:07:11,931 --> 00:07:13,842 And I looked over at the producers and went, 159 00:07:13,866 --> 00:07:15,144 "I'm in hell." 160 00:07:15,168 --> 00:07:17,246 I was coming back home to New York, 161 00:07:17,270 --> 00:07:18,781 and I'm sitting on the plane, 162 00:07:18,805 --> 00:07:21,483 and I see a guy with his back to me 163 00:07:21,507 --> 00:07:24,887 reading what is clearly the cover of my script. 164 00:07:24,911 --> 00:07:26,855 It's Bob Iger, who was the head of 165 00:07:26,879 --> 00:07:29,525 all of the programming at ABC. 166 00:07:29,549 --> 00:07:31,093 And he whipped through night one, 167 00:07:31,117 --> 00:07:33,529 went through his briefcase, pulled out night two, 168 00:07:33,553 --> 00:07:35,898 whipped through night two, stood up, stretched, 169 00:07:35,922 --> 00:07:37,266 sort of smiled, 170 00:07:37,290 --> 00:07:40,202 and it said to me IT had his support, 171 00:07:40,226 --> 00:07:42,704 and I think he decided in that reading, 172 00:07:42,728 --> 00:07:44,006 "Yeah, let's do it." 173 00:07:49,602 --> 00:07:53,182 The producers had a brainstorm and they picked up the phone 174 00:07:53,206 --> 00:07:56,552 and they made an overture toward George Romero. 175 00:07:56,576 --> 00:07:59,755 He loved the book; he was as nuts for it as I was. 176 00:07:59,779 --> 00:08:03,192 He saw the possibilities of what IT could be. 177 00:08:03,216 --> 00:08:08,697 I pitched it to the network as a long novel for television. 178 00:08:08,721 --> 00:08:12,734 I said, "I think it should be eight and ideally ten hours." 179 00:08:12,758 --> 00:08:17,272 We exchanged maybe five times in the course of the process. 180 00:08:17,296 --> 00:08:19,541 I would do what was needed, 181 00:08:19,565 --> 00:08:21,877 which was called a bible in television terms, 182 00:08:21,901 --> 00:08:24,279 which was just a really detailed outline. 183 00:08:24,303 --> 00:08:26,682 And I'd send it to George. 184 00:08:26,706 --> 00:08:28,817 He'd look at the outline, and a week later 185 00:08:28,841 --> 00:08:33,589 I would get a 45-page typed version of mine 186 00:08:33,613 --> 00:08:37,893 interspersed with his thoughts, his notes, and his suggestions. 187 00:08:37,917 --> 00:08:39,294 There was never a question that he thought 188 00:08:39,318 --> 00:08:41,830 it was going to be a gross-out, 189 00:08:41,854 --> 00:08:43,122 lots of blood, 190 00:08:44,257 --> 00:08:45,300 kind of picture. 191 00:08:45,324 --> 00:08:48,604 He understood what television offered 192 00:08:48,628 --> 00:08:52,808 was the chance for you to go right up to the line. 193 00:08:52,832 --> 00:08:58,680 But his radar was out for what would the network allow. 194 00:08:58,704 --> 00:09:01,216 I think the dream of what we had in mind 195 00:09:01,240 --> 00:09:03,085 was absolutely amazing. 196 00:09:03,109 --> 00:09:05,988 I think we were just about 20 years early in having it. 197 00:09:06,012 --> 00:09:07,890 We would have been Game of Thrones. 198 00:09:07,914 --> 00:09:10,325 That would have been the way to do this piece of material 199 00:09:10,349 --> 00:09:11,951 in its fullest possible way. 200 00:09:13,252 --> 00:09:16,932 -The network started to get very nervous. 201 00:09:16,956 --> 00:09:19,201 Nobody had ever gone where this piece had gone, 202 00:09:19,225 --> 00:09:23,272 and they sort of went from it being eight hours, 203 00:09:23,296 --> 00:09:26,141 which became the official running time bible, 204 00:09:26,165 --> 00:09:28,610 to maybe it should be four, 205 00:09:28,634 --> 00:09:30,903 at which point George said, goodbye. 206 00:09:35,708 --> 00:09:37,819 We were looking for a director. 207 00:09:37,843 --> 00:09:38,921 We had an air date. 208 00:09:40,212 --> 00:09:43,392 Stephen King's IT starting tomorrow. 209 00:09:43,416 --> 00:09:46,061 Tommy Lee Wallace came to mind. 210 00:09:46,085 --> 00:09:47,996 Tommy was also a writer. 211 00:09:48,020 --> 00:09:51,900 Part two needed the help and I felt that a director-writer 212 00:09:51,924 --> 00:09:54,069 would probably be the person to do that. 213 00:09:54,093 --> 00:09:56,338 -And action! 214 00:09:56,362 --> 00:10:01,109 I cut my teeth on synopsizing manuscripts for agents 215 00:10:01,133 --> 00:10:04,346 and developed a knack for condensing novels 216 00:10:04,370 --> 00:10:07,683 into a couple of pages of synopsis, 217 00:10:07,707 --> 00:10:11,386 So I just made an attempt to do that with the book. 218 00:10:11,410 --> 00:10:14,289 Larry Cohen wrote this wonderful script, 219 00:10:14,313 --> 00:10:16,224 and I'm referring to night number one 220 00:10:16,248 --> 00:10:18,760 because that's what got me truly excited. 221 00:10:18,784 --> 00:10:21,063 The trick in IT was 222 00:10:21,087 --> 00:10:23,732 in putting on the King hat 223 00:10:23,756 --> 00:10:26,702 and going, "Okay, I've now read this 400 times, 224 00:10:26,726 --> 00:10:29,838 I breathe it with every pore of my body, 225 00:10:29,862 --> 00:10:32,774 and I'm gonna pretend I'm Stephen King 226 00:10:32,798 --> 00:10:35,677 for as long as it takes for me to get this done." 227 00:10:35,701 --> 00:10:37,913 I did three-by-five cards on the wall, 228 00:10:37,937 --> 00:10:41,683 and I went, "Okay, we're missing how you get from here to here. 229 00:10:41,707 --> 00:10:44,019 It's not in what he wrote." 230 00:10:44,043 --> 00:10:48,290 I retained a part of Steve's back-and-forth juggling... 231 00:10:48,314 --> 00:10:50,292 I brought this old photo album from home. 232 00:10:50,316 --> 00:10:51,860 Of the two time periods. 233 00:10:51,884 --> 00:10:55,163 I thought it had a lot of emotional resonance. 234 00:10:55,187 --> 00:10:57,432 That's the only time I've ever seen 235 00:10:57,456 --> 00:11:01,136 the absurdity of a seven-act TV movie structure 236 00:11:01,160 --> 00:11:04,940 actually work because of the seven characters involved. 237 00:11:04,964 --> 00:11:06,475 So, for the first night, 238 00:11:06,499 --> 00:11:09,211 the structural job became really clear 239 00:11:09,235 --> 00:11:13,348 and weirdly the limitation became a tremendous asset. 240 00:11:13,372 --> 00:11:15,350 Each act focused on 241 00:11:15,374 --> 00:11:16,618 one of the characters 242 00:11:16,642 --> 00:11:19,388 and told the story of what happened in childhood 243 00:11:19,412 --> 00:11:22,324 and the alarm being sounded for them. 244 00:11:22,348 --> 00:11:23,825 - Hello? - Beverly, 245 00:11:23,849 --> 00:11:25,160 it's Mike Hanlon. 246 00:11:25,184 --> 00:11:28,096 -I was less enamored with the second night 247 00:11:28,120 --> 00:11:33,101 because it deviated so far away from the novel itself. 248 00:11:33,125 --> 00:11:34,870 I didn't know that in the beginning 249 00:11:34,894 --> 00:11:37,739 because I hadn't read the novel, but I knew something was amiss. 250 00:11:37,763 --> 00:11:40,075 It just didn't deliver the goods. 251 00:11:40,099 --> 00:11:42,044 The husband of Bevy... 252 00:11:42,068 --> 00:11:43,845 -No, I'm not married. 253 00:11:43,869 --> 00:11:45,414 Re-entered the picture 254 00:11:45,438 --> 00:11:49,017 and became kind of the villain of the piece. 255 00:11:49,041 --> 00:11:50,318 - - Being more or less 256 00:11:50,342 --> 00:11:53,088 animated by Pennywise. 257 00:11:53,112 --> 00:11:55,157 In dramatic terms, 258 00:11:55,181 --> 00:11:59,161 it did what it needed to do to bring the movie to an end, 259 00:11:59,185 --> 00:12:02,064 but it had little to do with the book 260 00:12:02,088 --> 00:12:05,033 and I felt like it kind of gypped the viewer. 261 00:12:05,057 --> 00:12:09,771 It was a much more prosaic TV-style climax. 262 00:12:09,795 --> 00:12:12,007 [ 263 00:12:12,031 --> 00:12:14,476 -I was candid with Larry about that. 264 00:12:14,500 --> 00:12:18,880 And by this point, the impetus is moving to Vancouver 265 00:12:18,904 --> 00:12:22,951 and Larry couldn't come to Vancouver to work with me 266 00:12:22,975 --> 00:12:26,321 to bring the second night up to the first. 267 00:12:26,345 --> 00:12:28,056 By this time, I'd been working on the project 268 00:12:28,080 --> 00:12:29,991 for about two-and-a-half, three years. 269 00:12:30,015 --> 00:12:31,560 Not quite as long as it took Steve to write it 270 00:12:31,584 --> 00:12:34,029 but the runner-up prize. 271 00:12:34,053 --> 00:12:35,964 We were about to start Carrie 272 00:12:35,988 --> 00:12:38,266 with the Royal Shakespeare Company over in England 273 00:12:38,290 --> 00:12:41,303 and I was owing a draft on something else, and I went, 274 00:12:41,327 --> 00:12:45,364 "I think this is my cue to say, 'Go with God. I'm done.'" 275 00:12:46,932 --> 00:12:49,377 So, the job fell to the best guy 276 00:12:49,401 --> 00:12:52,981 I could find for free, me. 277 00:12:53,005 --> 00:12:55,350 And so, I did the rewrite myself. 278 00:12:55,374 --> 00:12:58,220 And in this case, we simply were up against 279 00:12:58,244 --> 00:13:00,922 a production schedule that was hurtling toward us 280 00:13:00,946 --> 00:13:03,125 and was not going to be pushed back. 281 00:13:03,149 --> 00:13:05,460 So I just went back to the book again and again 282 00:13:05,484 --> 00:13:09,598 until I could find a way to bring the adult story around 283 00:13:09,622 --> 00:13:13,135 to something resembling the book. 284 00:13:13,159 --> 00:13:17,839 It really is a deep challenge to condense a novel 285 00:13:17,863 --> 00:13:20,408 that rich, that deep, that dense, 286 00:13:20,432 --> 00:13:24,012 into just a few hours of television. 287 00:13:24,036 --> 00:13:26,948 I used Mike as a narrative device. 288 00:13:26,972 --> 00:13:28,984 -I'm sure by now you all remember 289 00:13:29,008 --> 00:13:31,219 what was going on in Derry 30 years ago. 290 00:13:31,243 --> 00:13:34,456 There was a rash of killings, maimings, disappearances. 291 00:13:34,480 --> 00:13:36,958 Because you can save a lot of frames of film 292 00:13:36,982 --> 00:13:39,895 if somebody's summing up the story. 293 00:13:39,919 --> 00:13:41,496 -Henry Bowers confessed to everything, 294 00:13:41,520 --> 00:13:42,831 and the killing stopped. 295 00:13:42,855 --> 00:13:44,399 I thought it was poignant for him 296 00:13:44,423 --> 00:13:46,935 and helped his character actually. 297 00:13:46,959 --> 00:13:51,072 But it was going so fast that at night in the hotel 298 00:13:51,096 --> 00:13:52,096 I would just... 299 00:13:54,500 --> 00:13:56,411 as fast as I could go. 300 00:13:56,435 --> 00:13:58,647 I don't think Night Two is the masterpiece 301 00:13:58,671 --> 00:14:00,182 that Night One is, 302 00:14:00,206 --> 00:14:04,486 because I do respect Larry Cohen's script 303 00:14:04,510 --> 00:14:06,922 and didn't feel all that great 304 00:14:06,946 --> 00:14:09,624 about changing it so drastically. 305 00:14:09,648 --> 00:14:11,593 -Tommy Lee did what he needed to do 306 00:14:11,617 --> 00:14:13,586 given what the circumstances were. 307 00:14:29,501 --> 00:14:31,112 This reminds you very much of your childhood, 308 00:14:31,136 --> 00:14:32,180 this neighborhood? 309 00:14:32,204 --> 00:14:33,515 Yes, it does. 310 00:14:33,539 --> 00:14:35,951 It does. Same dirt road. 311 00:14:35,975 --> 00:14:39,087 Same old Grange Hall at the end of the road. 312 00:14:39,111 --> 00:14:40,388 That's you. 313 00:14:40,412 --> 00:14:41,723 That's me when I sold my first story. 314 00:14:41,747 --> 00:14:44,659 I look a little bit surprised about the whole thing. 315 00:14:44,683 --> 00:14:47,629 -Stephen King is such great drama and mystery. 316 00:14:47,653 --> 00:14:50,932 And for as much as his books are about horrific things, 317 00:14:50,956 --> 00:14:54,269 they are mostly about deeply human 318 00:14:54,293 --> 00:14:56,238 psychological thought processes, 319 00:14:56,262 --> 00:14:59,407 so you get a lot of deep character study. 320 00:14:59,431 --> 00:15:01,309 Well, I'd read most of the books 321 00:15:01,333 --> 00:15:03,712 because he's a master of narrative. 322 00:15:03,736 --> 00:15:06,314 He tells a whacking good story. 323 00:15:06,338 --> 00:15:09,417 -People would say you ought to write about what you know. 324 00:15:09,441 --> 00:15:12,954 I grew up in a small town. We had no running water. 325 00:15:12,978 --> 00:15:14,589 I went to a one-room school 326 00:15:14,613 --> 00:15:17,525 with all the grades together and. 327 00:15:17,549 --> 00:15:20,362 Somebody had to go up to a house and bring back water. 328 00:15:20,386 --> 00:15:22,130 And to me, the whole existence 329 00:15:22,154 --> 00:15:25,333 was not pastoral or beautiful or anything. 330 00:15:25,357 --> 00:15:26,368 It was just boring. 331 00:15:26,392 --> 00:15:27,736 I wanted to be in outer space. 332 00:15:27,760 --> 00:15:32,040 I wanted to fight monsters in the swamps of the Amazon. 333 00:15:32,064 --> 00:15:34,042 So those were the things that I wrote about. 334 00:15:34,066 --> 00:15:37,245 And later I found a way to. 335 00:15:37,269 --> 00:15:39,514 Blend those two interests: 336 00:15:39,538 --> 00:15:43,251 My interest in what was strange and... and alien 337 00:15:43,275 --> 00:15:46,554 and the places where I lived and where I grew up. 338 00:15:46,578 --> 00:15:47,756 Most of his works are 339 00:15:47,780 --> 00:15:50,091 difficult to turn into films. 340 00:15:50,115 --> 00:15:52,160 Because if you try to. 341 00:15:52,184 --> 00:15:54,663 Visually show an audience what this. 342 00:15:54,687 --> 00:15:56,631 Incredibly talented writer 343 00:15:56,655 --> 00:16:01,369 that uses the English language in order to have the reader 344 00:16:01,393 --> 00:16:06,174 conjure up their worst fears, it doesn't always work. 345 00:16:06,198 --> 00:16:08,710 -The movie has to capture 346 00:16:08,734 --> 00:16:12,781 some of the spirit of the writer's heart and-and mind. 347 00:16:12,805 --> 00:16:14,749 And if it doesn't, generally speaking, 348 00:16:14,773 --> 00:16:17,218 what the reader went to the book and found and loved, 349 00:16:17,242 --> 00:16:18,787 the movie audience won't. 350 00:16:18,811 --> 00:16:20,655 -It's hard to capture all the little nuances 351 00:16:20,679 --> 00:16:22,290 that he puts in his books. 352 00:16:22,314 --> 00:16:24,192 His stuff was such an influence 353 00:16:24,216 --> 00:16:26,761 on so many filmmakers as well, as far as storytelling. 354 00:16:26,785 --> 00:16:29,464 Steve's got a very particular genius 355 00:16:29,488 --> 00:16:31,599 in creating villains. 356 00:16:31,623 --> 00:16:34,536 They become iconic and come into a level 357 00:16:34,560 --> 00:16:37,072 of the public's consciousness and the viewer's conscious 358 00:16:37,096 --> 00:16:38,540 that's forever. 359 00:16:38,564 --> 00:16:40,141 -You were one of the first people 360 00:16:40,165 --> 00:16:42,410 to have the idea that a clown 361 00:16:42,434 --> 00:16:45,513 could be a scary figure. 362 00:16:45,537 --> 00:16:48,049 Did you find clowns scary when you were a kid? 363 00:16:48,073 --> 00:16:50,752 -Well, you know, as a kid going to the circus, 364 00:16:50,776 --> 00:16:53,355 there would be like, 12 full-grown people 365 00:16:53,379 --> 00:16:55,824 that would all pile out of a little tiny car. 366 00:16:55,848 --> 00:16:58,226 Their faces were dead white. 367 00:16:58,250 --> 00:17:01,196 Their mouths were red as though they were full of blood. 368 00:17:01,220 --> 00:17:03,431 They're all screaming. Their eyes are huge. 369 00:17:03,455 --> 00:17:04,615 What's not to like, you know? 370 00:17:07,493 --> 00:17:11,139 The circus is still the greatest show on earth, 371 00:17:11,163 --> 00:17:15,543 and to have a circus, you have to have clowns. 372 00:17:18,537 --> 00:17:21,249 Well, there's a long tradition of clowns. 373 00:17:21,273 --> 00:17:24,452 When I was a kid and used to go to pantomimes in England, 374 00:17:24,476 --> 00:17:27,288 they used to have a guy whose name I think 375 00:17:27,312 --> 00:17:30,492 was Charlie Cairoli, who wore the classic 376 00:17:30,516 --> 00:17:34,462 kind of pointed hat and was rather a gentleman. 377 00:17:34,486 --> 00:17:36,564 He wasn't threatening at all. 378 00:17:36,588 --> 00:17:38,133 Growing up, my brother was into clowns 379 00:17:38,157 --> 00:17:40,135 and ran away and joined the circus. 380 00:17:40,159 --> 00:17:43,505 If you've ever been backstage at a circus, 381 00:17:43,529 --> 00:17:46,174 it changes your perceptions of clowns. 382 00:17:46,198 --> 00:17:49,778 -Often there's sort of mayhem involved with being a clown. 383 00:17:49,802 --> 00:17:54,449 -They're usually, both silly and scary or playful, 384 00:17:54,473 --> 00:17:56,451 which can all be frightening to a kid. 385 00:17:56,475 --> 00:17:58,787 -I went to the circus in 1974, 386 00:17:58,811 --> 00:18:01,289 when I was a little kid, and I have a photo of me 387 00:18:01,313 --> 00:18:02,724 where the clown's putting his arm around me, 388 00:18:02,748 --> 00:18:03,758 and I'm only about this tall. 389 00:18:03,782 --> 00:18:06,461 And I have this paralyzed look like, you know, 390 00:18:06,485 --> 00:18:07,695 I'm not happy. 391 00:18:07,719 --> 00:18:08,431 I think it's almost archetypal 392 00:18:08,455 --> 00:18:10,231 in the sense that clowns, 393 00:18:10,255 --> 00:18:12,267 like Pagliacci, the opera... 394 00:18:12,291 --> 00:18:14,569 There's always something behind that smile. 395 00:18:14,593 --> 00:18:18,273 -I think prima facie, clowns are fucking scary. 396 00:18:18,297 --> 00:18:20,175 Even when you're enjoying them, 397 00:18:20,199 --> 00:18:23,845 there's something in there in the grotesquery of it all, 398 00:18:23,869 --> 00:18:26,548 and it's really in the eyes, I think. 399 00:18:26,572 --> 00:18:28,883 You know, you can have this very funny thing. 400 00:18:28,907 --> 00:18:31,252 Even if the mouth isn't overtly scary, 401 00:18:31,276 --> 00:18:33,221 which sometimes clown mouths are, 402 00:18:33,245 --> 00:18:36,157 but the minute the eyes get hard, 403 00:18:36,181 --> 00:18:39,227 the minute the eyes aren't, you know... 404 00:18:41,954 --> 00:18:43,555 You know, aren't that, and they go. 405 00:18:47,759 --> 00:18:49,204 Wow! 406 00:18:49,228 --> 00:18:51,372 -I would go to McDonald's when I was a little kid. 407 00:18:51,396 --> 00:18:54,409 I would not go hang out with the Ronald McDonald cutout. 408 00:18:54,433 --> 00:18:55,510 -The fry guy! 409 00:18:55,534 --> 00:18:57,378 -There's something weird about it. 410 00:18:57,402 --> 00:18:59,714 I didn't think he was going to grow teeth and eat my face. 411 00:18:59,738 --> 00:19:01,716 -Not every single clown you see 412 00:19:01,740 --> 00:19:04,519 makes you want to instantly turn around 413 00:19:04,543 --> 00:19:05,488 and run away in horror. 414 00:19:05,512 --> 00:19:07,555 I think adults and kids 415 00:19:07,579 --> 00:19:09,824 understand clowns very differently. 416 00:19:09,848 --> 00:19:11,726 I can't go to circuses. 417 00:19:11,750 --> 00:19:14,295 I can't go somewhere where there's clowns, 418 00:19:14,319 --> 00:19:15,930 even a picture of it. 419 00:19:15,954 --> 00:19:17,554 What's going to happen if you look at it? 420 00:19:19,324 --> 00:19:21,803 It is a phobia, and it is called coulrophobia. 421 00:19:21,827 --> 00:19:24,806 The majority of people that are afraid of clowns are adults. 422 00:19:31,236 --> 00:19:32,847 I think for kids, 423 00:19:32,871 --> 00:19:34,282 clowns are great fun. 424 00:19:34,306 --> 00:19:37,418 There's just not any menace or danger at all. 425 00:19:37,442 --> 00:19:39,988 And Steve's particular spin was to take something 426 00:19:40,012 --> 00:19:41,990 that's much loved and familiar 427 00:19:42,014 --> 00:19:45,493 and ratchet it up as far as it could possibly go. 428 00:19:45,517 --> 00:19:46,761 -Somebody who's got problems 429 00:19:46,785 --> 00:19:50,465 and fears and phobias, they go to a psychiatrist, 430 00:19:50,489 --> 00:19:52,800 and it costs maybe 150 dollars an hour. 431 00:19:52,824 --> 00:19:53,968 And they don't even get a full hour, 432 00:19:53,992 --> 00:19:55,603 they get 50 minutes. 433 00:19:55,627 --> 00:19:57,805 I do what people pay me. 434 00:19:57,829 --> 00:19:59,374 There's lots of things 435 00:19:59,398 --> 00:20:01,910 that feed into what King was doing 436 00:20:01,934 --> 00:20:04,946 with creating a clown as the main antagonist. 437 00:20:04,970 --> 00:20:07,448 At the time, John Wayne Gacy had just happened, 438 00:20:07,472 --> 00:20:09,784 so we're dealing with people being afraid of clowns, 439 00:20:09,808 --> 00:20:12,253 and the guy next door is a threat. 440 00:20:12,277 --> 00:20:13,955 -At one point, I saw a painting of Pennywise 441 00:20:13,979 --> 00:20:15,857 that Gacy had done. 442 00:20:15,881 --> 00:20:17,325 A dark landscape, 443 00:20:17,349 --> 00:20:18,626 a portrait of Elvis, 444 00:20:18,650 --> 00:20:20,528 and a scene with seven dwarfs. 445 00:20:20,552 --> 00:20:23,431 But this is the work of John Wayne Gacy, 446 00:20:23,455 --> 00:20:26,935 an evil man who buried more than 25 of his victims 447 00:20:26,959 --> 00:20:29,604 in the crawl space of his own house. 448 00:20:29,628 --> 00:20:32,540 Arts Factory owner showed us five pieces, 449 00:20:32,564 --> 00:20:34,609 including this Pennywise the Clown 450 00:20:34,633 --> 00:20:36,411 from Stephen King's IT. 451 00:20:36,435 --> 00:20:39,447 -I was like, should I be flattered or offended? 452 00:20:39,471 --> 00:20:40,748 I don't know how I feel about this. 453 00:20:40,772 --> 00:20:43,851 The scary clown is that realization 454 00:20:43,875 --> 00:20:46,588 deep within the child that they can't express, that no, 455 00:20:46,612 --> 00:20:48,389 something's not quite right in the world, you know. 456 00:20:48,413 --> 00:20:50,692 Like, I've seen the homeless guy in the street. 457 00:20:50,716 --> 00:20:52,827 -Any spare change, mister? 458 00:20:52,851 --> 00:20:55,029 -Or, you know, I've seen really sick people, 459 00:20:55,053 --> 00:20:57,899 or I myself have experienced some kind of abuse 460 00:20:57,923 --> 00:20:59,701 or discrimination, right? 461 00:20:59,725 --> 00:21:01,803 But you're not supposed to talk about it as a child. 462 00:21:01,827 --> 00:21:04,305 You feel like you have to smile and be happy. 463 00:21:06,031 --> 00:21:07,308 That's what the evil clown is about. 464 00:21:07,332 --> 00:21:09,744 It's about the fact that there's something rotten. 465 00:21:10,836 --> 00:21:12,213 -at the heart of society. 466 00:21:12,237 --> 00:21:15,350 This whole town is IT in some way. All of them. 467 00:21:15,374 --> 00:21:17,719 -And as a kid, you're not allowed to express it. 468 00:21:17,743 --> 00:21:18,987 Pennywise is really important 469 00:21:19,011 --> 00:21:22,824 because the '50s were considered safe and sweet 470 00:21:22,848 --> 00:21:25,560 and nostalgic and fun. 471 00:21:25,584 --> 00:21:28,763 And at the heart of it, they're not. 472 00:21:28,787 --> 00:21:31,733 So, the clown works on that metaphorical level 473 00:21:31,757 --> 00:21:34,402 that it's saying this is what the decade was like. 474 00:21:34,426 --> 00:21:35,637 On the outside, it's one thing. 475 00:21:35,661 --> 00:21:38,406 Inside, it's something completely different. 476 00:21:38,430 --> 00:21:40,608 The mythology of clowns being scary 477 00:21:40,632 --> 00:21:44,579 has exponentially grown over the last 20 years. 478 00:21:44,603 --> 00:21:45,813 Fuck you! 479 00:21:45,837 --> 00:21:48,916 -I do feel as though this book 480 00:21:48,940 --> 00:21:51,386 and this movie had some influence on that. 481 00:21:51,410 --> 00:21:53,488 -I was about five or six 482 00:21:53,512 --> 00:21:55,657 and I was in a video rental store, 483 00:21:55,681 --> 00:21:57,558 and then all of a sudden, there's this face 484 00:21:57,582 --> 00:21:59,627 just staring back at me, and I just froze. 485 00:21:59,651 --> 00:22:00,928 Like, if you see a spider, you freeze with fear, 486 00:22:00,952 --> 00:22:02,196 and I just froze. 487 00:22:02,220 --> 00:22:05,466 People, I think, perceptions change 488 00:22:05,490 --> 00:22:07,602 because that's what they're being sold. 489 00:22:07,626 --> 00:22:10,438 They're being sold that clowns are scary. 490 00:22:10,462 --> 00:22:11,706 Sightings of a mysterious clown 491 00:22:11,730 --> 00:22:12,874 have been creeping out 492 00:22:12,898 --> 00:22:14,008 some people in Staten Island. 493 00:22:14,032 --> 00:22:15,810 -Media sites have been abuzz with stories 494 00:22:15,834 --> 00:22:18,146 of a mysterious and creepy clown. 495 00:22:18,170 --> 00:22:20,548 -And you know, I'm sure that Pennywise 496 00:22:20,572 --> 00:22:22,850 and John Wayne Gacy didn't do the best job 497 00:22:22,874 --> 00:22:25,486 in creating a positive image of clowns. 498 00:22:25,510 --> 00:22:28,022 And I'm sure it wasn't Tim Curry's goal 499 00:22:28,046 --> 00:22:30,825 to have people hate clowns for the rest of their lives. 500 00:22:30,849 --> 00:22:32,493 But I think it is kind of a hallmark 501 00:22:32,517 --> 00:22:33,895 of a good performance. 502 00:22:33,919 --> 00:22:36,164 He had a tremendous impact on 503 00:22:36,188 --> 00:22:38,599 growing people's fears about clowns. 504 00:22:38,623 --> 00:22:40,601 I can't say that I ever saw clowns 505 00:22:40,625 --> 00:22:42,136 as being threatening, 506 00:22:42,160 --> 00:22:44,672 although I loved being threatening. 507 00:22:44,696 --> 00:22:46,974 That's it! Let go! 508 00:22:46,998 --> 00:22:48,743 Be afraid! 509 00:22:48,767 --> 00:22:50,511 -It was a lot of fun. 510 00:22:50,535 --> 00:22:51,713 There's enough room 511 00:22:51,737 --> 00:22:54,549 in our understanding of clowns 512 00:22:54,573 --> 00:22:57,151 to have some of them be not so scary, 513 00:22:57,175 --> 00:22:58,953 to be sweet and nice, 514 00:22:58,977 --> 00:23:01,189 and maybe some of them just downright awesome. 515 00:23:01,213 --> 00:23:03,157 Beep-beep. 516 00:23:16,128 --> 00:23:18,072 Push this closer to the monster, please. 517 00:23:21,032 --> 00:23:22,643 A little farther, Tim. Find the light. 518 00:23:22,667 --> 00:23:24,212 All right, here we go. Yeah. Thank you. 519 00:23:24,236 --> 00:23:25,114 And clear, please. 520 00:23:25,138 --> 00:23:26,981 And action! 521 00:23:27,005 --> 00:23:29,217 I believe casting has been 522 00:23:29,241 --> 00:23:31,519 as much a contributing factor 523 00:23:31,543 --> 00:23:34,222 to the success of my version of IT 524 00:23:34,246 --> 00:23:36,190 as any other factor at all. 525 00:23:36,214 --> 00:23:39,193 It was beautifully cast. Period. 526 00:23:39,217 --> 00:23:42,130 -They brought me the script and they said, 527 00:23:42,154 --> 00:23:44,198 "You want to do it?" And I'm like, "Well, yeah." 528 00:23:44,222 --> 00:23:45,967 This is an amazing piece. 529 00:23:45,991 --> 00:23:48,669 We knew what we had when we were working on it. 530 00:23:48,693 --> 00:23:52,006 Pennywise was such a brilliant character. 531 00:23:52,030 --> 00:23:54,108 -We were looking for television leads 532 00:23:54,132 --> 00:23:57,678 to promote the picture in our marketing campaign. 533 00:23:57,702 --> 00:23:59,680 Victoria turned her list in, 534 00:23:59,704 --> 00:24:02,941 and we began going after the network-approved actors. 535 00:24:04,142 --> 00:24:07,522 We had approval of Harvey Fierstein 536 00:24:07,546 --> 00:24:12,560 to star as Pennywise. And we were saying, 537 00:24:12,584 --> 00:24:14,695 "We need to continue to look on the list here. 538 00:24:14,719 --> 00:24:16,831 We don't know whether the network will approve him." 539 00:24:16,855 --> 00:24:17,999 I think they'd mentioned it was going to be 540 00:24:18,023 --> 00:24:20,067 either Roddy McDowell or Malcolm McDowell. 541 00:24:20,091 --> 00:24:23,638 -And they explored Alice Cooper at one juncture. 542 00:24:23,662 --> 00:24:25,640 -So, who else have we got? 543 00:24:27,699 --> 00:24:30,111 -I do remember that we had brought up 544 00:24:30,135 --> 00:24:32,847 Rocky Horror Show and said, "Look at that." 545 00:24:32,871 --> 00:24:35,616 -I had to buy the Rocky Horror Picture Show album, 546 00:24:35,640 --> 00:24:38,643 I had to buy the books, I had to buy the scripts. 547 00:24:40,011 --> 00:24:41,889 You're a very expensive date. 548 00:24:41,913 --> 00:24:42,990 -I know. 549 00:24:43,014 --> 00:24:44,625 -Just the freedom of the character, 550 00:24:44,649 --> 00:24:47,562 the intensity that he gave to it, 551 00:24:47,586 --> 00:24:50,031 was so wonderful and you could see 552 00:24:50,055 --> 00:24:52,266 that this would translate brilliantly 553 00:24:52,290 --> 00:24:53,901 into a horror character. 554 00:24:53,925 --> 00:24:55,069 -How 'bout that?! 555 00:24:55,093 --> 00:24:58,906 -We were focused on Tim Curry. 556 00:24:58,930 --> 00:25:00,141 -Me? 557 00:25:00,165 --> 00:25:01,909 I think he's one of the best actors 558 00:25:01,933 --> 00:25:03,211 that's ever come out of England, 559 00:25:03,235 --> 00:25:05,112 and I don't think he gets his due. 560 00:25:05,136 --> 00:25:06,180 Was there any time in your life 561 00:25:06,204 --> 00:25:07,715 when you said, "I want to be an actor"? 562 00:25:07,739 --> 00:25:09,050 Yes, I did, actually. 563 00:25:09,074 --> 00:25:09,785 What is there in it 564 00:25:09,809 --> 00:25:10,876 which appeals to you most? 565 00:25:12,711 --> 00:25:15,590 -A sort of voluntary schizophrenia, really. 566 00:25:15,614 --> 00:25:19,794 It's a high-risk profession and I enjoy risks. 567 00:25:19,818 --> 00:25:21,796 He's created so many iconic characters 568 00:25:21,820 --> 00:25:22,930 that we've known through time, 569 00:25:22,954 --> 00:25:25,132 and they've been so uniquely different. 570 00:25:25,156 --> 00:25:27,602 You said that being British in Hollywood means 571 00:25:27,626 --> 00:25:29,770 that you're usually stuck playing a butler or a villain, 572 00:25:29,794 --> 00:25:30,805 but that's okay with you. 573 00:25:30,829 --> 00:25:32,073 -I think that they probably feel 574 00:25:32,097 --> 00:25:35,343 that we bring some kind of style to the... the job 575 00:25:35,367 --> 00:25:36,477 that... that we might not 576 00:25:36,501 --> 00:25:38,813 necessarily have acquired in the States. 577 00:25:38,837 --> 00:25:39,947 Yeah, but you know what I think it is about you? 578 00:25:39,971 --> 00:25:41,148 I think it's that you're very seductive 579 00:25:41,172 --> 00:25:43,851 and, you know, I thought if you were the devil, 580 00:25:43,875 --> 00:25:44,952 I would pay to go to hell. 581 00:25:46,278 --> 00:25:47,722 His Darkness character has 582 00:25:47,746 --> 00:25:50,291 stood out from any other devil I've ever seen. 583 00:25:50,315 --> 00:25:52,660 Looking at his body of work, I feel like, 584 00:25:52,684 --> 00:25:54,262 there's nothing that he can't do. 585 00:25:55,620 --> 00:25:57,899 Is he available? 586 00:25:57,923 --> 00:25:59,066 -I will kill you all. 587 00:25:59,090 --> 00:26:01,202 -Is he interested? 588 00:26:01,226 --> 00:26:02,637 Can we make a deal? 589 00:26:02,661 --> 00:26:03,671 -I'll kill you all. 590 00:26:03,695 --> 00:26:05,106 -Will the network be okay with it? 591 00:26:05,130 --> 00:26:06,974 -You are priceless! 592 00:26:06,998 --> 00:26:09,043 -Of course, everyone was. 593 00:26:09,067 --> 00:26:11,979 I didn't audition or even do a meeting. 594 00:26:12,003 --> 00:26:13,948 They just asked me if I wanted to do it, 595 00:26:13,972 --> 00:26:15,850 and I said, yes, I did. 596 00:26:15,874 --> 00:26:17,852 Tim Curry just had all those elements 597 00:26:17,876 --> 00:26:20,245 that he would be fearless in the role. 598 00:26:21,713 --> 00:26:24,125 -Kiss me, fat boy! 599 00:26:25,884 --> 00:26:28,296 -He brought more to the character 600 00:26:28,320 --> 00:26:30,197 than what was written on the page. 601 00:26:30,221 --> 00:26:32,667 So, he was approved at the network 602 00:26:32,691 --> 00:26:34,268 and the rest is history. 603 00:26:34,292 --> 00:26:36,170 -You all taste so much better 604 00:26:36,194 --> 00:26:40,408 when you're afraid, really afraid! 605 00:26:40,432 --> 00:26:42,810 Tim brings his considerable intellect 606 00:26:42,834 --> 00:26:44,636 when he does a part. 607 00:26:46,338 --> 00:26:48,249 I sometimes ask myself that question 608 00:26:48,273 --> 00:26:49,550 after I've done a take. 609 00:26:49,574 --> 00:26:51,886 One of the great advantages is that you can whisper. 610 00:26:51,910 --> 00:26:54,789 I mean, that you can do things that are very small 611 00:26:54,813 --> 00:26:57,291 which you couldn't do on... on a stage 612 00:26:57,315 --> 00:26:59,794 and then that's what I'm discovering about that. 613 00:26:59,818 --> 00:27:01,062 We didn't talk at great length 614 00:27:01,086 --> 00:27:04,265 intellectually about it because it was clear to me 615 00:27:04,289 --> 00:27:06,734 that he had the correct instincts. 616 00:27:06,758 --> 00:27:09,003 -It's got to be true, 617 00:27:09,027 --> 00:27:11,906 whatever you're doing, and the camera picks that up 618 00:27:11,930 --> 00:27:17,244 much more cruelly than anything else. 619 00:27:17,268 --> 00:27:20,748 Tim Curry managed to capture the humor 620 00:27:20,772 --> 00:27:22,083 that a clown can bring. 621 00:27:24,442 --> 00:27:26,120 -And then just managed to switch it. 622 00:27:27,445 --> 00:27:30,191 And be this magnificent evil villain 623 00:27:30,215 --> 00:27:32,293 that would kill you and eat you. 624 00:27:32,317 --> 00:27:33,294 Like that. 625 00:27:33,318 --> 00:27:34,895 -I'll kill you all! 626 00:27:34,919 --> 00:27:38,065 -In a funny way, it's a very simple performance. 627 00:27:38,089 --> 00:27:43,070 -Take your pick, B-B-B-Billy boy! 628 00:27:43,094 --> 00:27:44,905 Whenever you see fearlessness in a colleague, 629 00:27:44,929 --> 00:27:46,774 it's always an inspiration. 630 00:27:46,798 --> 00:27:49,210 Some wise person in the movie business 631 00:27:49,234 --> 00:27:53,014 said for directors the key is... 632 00:27:53,038 --> 00:27:55,816 90 percent of it is casting the right actor 633 00:27:55,840 --> 00:27:57,852 and then getting out of their way. 634 00:27:57,876 --> 00:28:00,187 Tim was a director's dream. 635 00:28:00,211 --> 00:28:01,322 A little further, Tim. 636 00:28:01,346 --> 00:28:03,791 Find the light, uh, somewhere in there. 637 00:28:03,815 --> 00:28:04,992 There's not much there. 638 00:28:05,016 --> 00:28:07,161 Okay. There! There's some. 639 00:28:08,120 --> 00:28:10,264 I liked Tommy Lee a lot. 640 00:28:10,288 --> 00:28:13,191 He was very direct, which was nice. 641 00:28:16,394 --> 00:28:21,075 -Tommy Lee Wallace was a brilliantly minimalist director. 642 00:28:21,099 --> 00:28:22,743 Remember in-in the script, 643 00:28:22,767 --> 00:28:24,345 where I talked about, 644 00:28:24,369 --> 00:28:27,014 and I hope we still have it standing by. 645 00:28:27,038 --> 00:28:29,383 -He basically trusts his casting 646 00:28:29,407 --> 00:28:33,821 and just gives the actors their head and lets them do 647 00:28:33,845 --> 00:28:35,156 what they do well. 648 00:28:35,180 --> 00:28:37,058 He was very clear about what he wanted. 649 00:28:37,082 --> 00:28:39,060 Now, his hands come up first, 650 00:28:39,084 --> 00:28:41,896 and then pulls himself up. There. That's it. 651 00:28:41,920 --> 00:28:44,965 Which was great. I really liked that. 652 00:28:44,989 --> 00:28:46,834 Okay, your chin's a little low. 653 00:28:46,858 --> 00:28:48,903 Ah, that's perfect. 654 00:28:48,927 --> 00:28:51,505 -Because then it becomes a pleasure to deliver. 655 00:28:51,529 --> 00:28:54,942 I'll drive you crazy and I'll kill you all! 656 00:28:54,966 --> 00:28:57,111 I'm every nightmare you've ever had. 657 00:28:57,135 --> 00:29:00,014 I am your worst dream come true. 658 00:29:00,038 --> 00:29:03,984 I'm everything you were ever afraid of. 659 00:29:04,008 --> 00:29:06,520 -He did give me a lot of room. 660 00:29:06,544 --> 00:29:11,058 Pennywise was a very dangerous invention. 661 00:29:11,082 --> 00:29:14,028 And I use dangerous in the best sense of the word. 662 00:29:15,453 --> 00:29:19,200 -What I mean by it is that they're pitched at a level 663 00:29:19,224 --> 00:29:23,037 that totally can go very wrong very quickly, 664 00:29:23,061 --> 00:29:24,538 with the wrong casting, 665 00:29:24,562 --> 00:29:26,107 with the wrong direction, 666 00:29:26,131 --> 00:29:27,908 with any number of fill-in-the-blank 667 00:29:27,932 --> 00:29:29,477 mistake possibilities. 668 00:29:29,501 --> 00:29:35,316 Tim was the genius choice that radiated perfection 669 00:29:35,340 --> 00:29:37,075 everywhere every time he appeared. 670 00:29:49,387 --> 00:29:50,664 You guys don't have to do this. 671 00:29:50,688 --> 00:29:53,024 My dad says you have to know when to take a stand. 672 00:29:55,093 --> 00:29:56,170 Let's get out of here! 673 00:29:56,194 --> 00:29:57,505 Yeah, let's go. 674 00:29:57,529 --> 00:30:00,040 We live in dangerous times, boys and girls. 675 00:30:00,064 --> 00:30:03,511 I want you to be careful. 676 00:30:03,535 --> 00:30:07,014 Not just any car. It 's a bicycle. 677 00:30:07,038 --> 00:30:09,884 They always made the best noise. 678 00:30:09,908 --> 00:30:11,152 Come on, Laurie Anne. 679 00:30:11,176 --> 00:30:12,987 It's gonna storm. 680 00:30:21,986 --> 00:30:23,230 No one even thought of 681 00:30:23,254 --> 00:30:25,199 going to Vancouver in those days. 682 00:30:25,223 --> 00:30:27,401 I wish this summer would never end. 683 00:30:27,425 --> 00:30:29,136 It's the best summer of my whole life. 684 00:30:29,160 --> 00:30:31,138 Your hair is winter fire, 685 00:30:31,162 --> 00:30:33,898 January embers. My heart burns there too. 686 00:30:35,366 --> 00:30:37,111 This was poor town. 687 00:30:37,135 --> 00:30:39,180 Yeah, still is. 688 00:30:39,204 --> 00:30:40,481 It's all I need. 689 00:30:40,505 --> 00:30:42,883 The wave of filmmaking in Vancouver 690 00:30:42,907 --> 00:30:44,418 started in 1984. 691 00:30:44,442 --> 00:30:46,120 I think the dollar dropped. 692 00:30:46,144 --> 00:30:47,988 And so more shows started to go, 693 00:30:48,012 --> 00:30:50,524 "Oh, you can get a bigger bang for your buck in Vancouver, 694 00:30:50,548 --> 00:30:52,593 and we're only two hours away from LA." 695 00:30:52,617 --> 00:30:55,062 Hey! 696 00:30:55,086 --> 00:30:56,487 I'm back! 697 00:30:57,856 --> 00:31:01,168 When the time came for us to start producing, 698 00:31:01,192 --> 00:31:05,406 I had Vancouver implanted in my head as a place to go. 699 00:31:05,430 --> 00:31:06,208 You think we're gonna let you have 700 00:31:06,232 --> 00:31:07,599 all the fun there, Billy boy? 701 00:31:10,602 --> 00:31:13,547 -Having such a big production over such a long period of time 702 00:31:13,571 --> 00:31:15,082 created a huge buzz. 703 00:31:15,106 --> 00:31:19,520 -In '89, it was really busy in town. 704 00:31:19,544 --> 00:31:23,014 Okay, here we go. And roll, please. 705 00:31:26,017 --> 00:31:28,562 -The studio that we used was called The Bridges 706 00:31:28,586 --> 00:31:33,601 and it was an abandoned shipyard building that was converted. 707 00:31:33,625 --> 00:31:34,835 I was working at Thomas Special Effects, 708 00:31:34,859 --> 00:31:37,671 which is a local special effects house here in Vancouver, 709 00:31:37,695 --> 00:31:39,440 owned by John Thomas. 710 00:31:39,464 --> 00:31:41,375 He had a great stable of crew people. 711 00:31:41,399 --> 00:31:43,210 He had all these people that he nurtured 712 00:31:43,234 --> 00:31:45,679 and had what we call "real-world" abilities... 713 00:31:45,703 --> 00:31:48,549 Welders, woodworkers, people that work with fiberglass. 714 00:31:48,573 --> 00:31:51,385 They are all the veterans of the film industry 715 00:31:51,409 --> 00:31:53,354 that Vancouver has created. 716 00:31:53,378 --> 00:31:54,955 It put a lot of people to work. 717 00:31:54,979 --> 00:31:56,457 It used a lot of locations 718 00:31:56,481 --> 00:31:58,492 and it also put Vancouver on the map. 719 00:31:58,516 --> 00:32:00,418 - Cut! - Cut! Very nice. 720 00:32:13,364 --> 00:32:15,209 What are you guys anyway? 721 00:32:15,233 --> 00:32:17,211 -We're sort of a club. 722 00:32:17,235 --> 00:32:19,046 I can remember going to the movies 723 00:32:19,070 --> 00:32:21,749 and they used to have Saturday matinees. 724 00:32:21,773 --> 00:32:24,251 We'd all line up, usually with our money 725 00:32:24,275 --> 00:32:26,220 tied in a handkerchief or something 726 00:32:26,244 --> 00:32:27,621 so we wouldn't lose it, 727 00:32:27,645 --> 00:32:28,856 and then we'd get in the theater, 728 00:32:28,880 --> 00:32:32,026 and everybody would turn their popcorn boxes into bugles 729 00:32:32,050 --> 00:32:34,228 and then the giant grasshoppers would come on 730 00:32:34,252 --> 00:32:36,397 and destroy Chicago and London. 731 00:32:36,421 --> 00:32:39,500 I wrote about some of this stuff in a book called IT. 732 00:32:39,524 --> 00:32:41,468 It's funny, I think a lot of us 733 00:32:41,492 --> 00:32:44,571 have only the haziest memories of our childhood. 734 00:32:44,595 --> 00:32:46,573 -I don't remember much of it at all, what we did. 735 00:32:46,597 --> 00:32:49,310 We can access some of the good memories, 736 00:32:49,334 --> 00:32:51,612 and maybe we can access some of the really bad memories 737 00:32:51,636 --> 00:32:54,214 if a bully beat us up on the school yard. 738 00:32:54,238 --> 00:32:55,416 -You're dead! 739 00:32:55,440 --> 00:32:57,284 -But what I discovered in writing IT was that 740 00:32:57,308 --> 00:33:00,020 the more I thought about my childhood, 741 00:33:00,044 --> 00:33:02,222 the more those memories came back. 742 00:33:02,246 --> 00:33:04,024 There's symbolism everywhere 743 00:33:04,048 --> 00:33:06,727 in the writing that Stephen King created 744 00:33:06,751 --> 00:33:09,163 to express the fears of all children 745 00:33:09,187 --> 00:33:11,131 that go through feeling like a loser. 746 00:33:13,124 --> 00:33:14,401 Feeling like an outsider. 747 00:33:14,425 --> 00:33:15,436 You're only here because 748 00:33:15,460 --> 00:33:16,737 Mom says it's our Christian duty. 749 00:33:16,761 --> 00:33:18,605 -That's what the Losers Club was about 750 00:33:18,629 --> 00:33:22,142 and that's the bond that kept these people together, 751 00:33:22,166 --> 00:33:24,778 because they didn't find sanity, peace, 752 00:33:24,802 --> 00:33:28,549 or even really a loving family except with each other. 753 00:33:28,573 --> 00:33:30,150 Their chosen family. 754 00:33:30,174 --> 00:33:32,252 We're seven now. 755 00:33:32,276 --> 00:33:33,277 Lucky seven. 756 00:33:34,779 --> 00:33:36,390 The gold of the book were the kids. 757 00:33:36,414 --> 00:33:37,524 That's where I responded; 758 00:33:37,548 --> 00:33:39,626 I think it's where the audience responded. 759 00:33:39,650 --> 00:33:42,629 That horror was the icing on the cake, 760 00:33:42,653 --> 00:33:45,766 and very particular icing in this case. 761 00:33:47,091 --> 00:33:50,437 We had a casting director in Canada 762 00:33:50,461 --> 00:33:52,172 by the name of Sid Kozak, and Mark and I 763 00:33:52,196 --> 00:33:53,207 did the U.S. casting. 764 00:33:53,231 --> 00:33:55,275 We were looking for three 765 00:33:55,299 --> 00:33:57,177 major things with the kids. 766 00:33:57,201 --> 00:33:59,279 One was a sense of humor. 767 00:33:59,303 --> 00:34:00,303 -Richie Tozier's my name. 768 00:34:01,539 --> 00:34:02,217 One was they always had to do a scene 769 00:34:02,241 --> 00:34:05,753 that was painful and heartfelt. 770 00:34:05,777 --> 00:34:08,255 -You killed my brother George, you bastard. 771 00:34:08,279 --> 00:34:10,691 -And then they also had to be scared. 772 00:34:13,451 --> 00:34:14,795 A lot of times, when you see them right off, 773 00:34:14,819 --> 00:34:17,865 you go, "They're not prepared emotionally to handle this yet." 774 00:34:17,889 --> 00:34:19,266 You're looking for an old soul. 775 00:34:19,290 --> 00:34:21,568 You're looking for people that have a pain 776 00:34:21,592 --> 00:34:25,172 and kids that could truly, truly feel depth, 777 00:34:25,196 --> 00:34:26,607 truly feel the fear. 778 00:34:26,631 --> 00:34:29,209 Without projecting it, 779 00:34:29,233 --> 00:34:32,437 truly feel the camaraderie of the humor of the group. 780 00:34:34,739 --> 00:34:36,383 And when you're coming in alone, 781 00:34:36,407 --> 00:34:38,252 that's hard for those kids. 782 00:34:38,276 --> 00:34:39,787 All these different characters 783 00:34:39,811 --> 00:34:42,122 that seem to come from different backgrounds 784 00:34:42,146 --> 00:34:43,791 all had the same thing in common... 785 00:34:43,815 --> 00:34:46,160 They're misfits, they're outcasts, 786 00:34:46,184 --> 00:34:48,595 they have an undesirable home life. 787 00:34:48,619 --> 00:34:49,997 -What you got there? 788 00:34:50,021 --> 00:34:51,498 They don't feel like they're worth anything. 789 00:34:51,522 --> 00:34:52,699 -It's the Losers Club. 790 00:34:53,825 --> 00:34:55,903 -And yet, when they all work together, 791 00:34:55,927 --> 00:34:58,172 they are literally unstoppable. 792 00:34:58,196 --> 00:35:02,176 -I think the six of us could put you in the hospital. 793 00:35:02,200 --> 00:35:03,510 -Seven. 794 00:35:03,534 --> 00:35:04,845 -We went to the producers to do a mix and match. 795 00:35:04,869 --> 00:35:08,449 We wanted to have three in each roll for the first one 796 00:35:08,473 --> 00:35:10,651 and see how the kids worked together. 797 00:35:10,675 --> 00:35:13,253 -It was challenging having kids... 798 00:35:13,277 --> 00:35:14,888 -Eddie, which way is Derry? 799 00:35:14,912 --> 00:35:16,723 -and adults... 800 00:35:16,747 --> 00:35:17,825 -That way. 801 00:35:17,849 --> 00:35:20,518 -and you had to cast both in the like. 802 00:35:22,887 --> 00:35:23,931 Like Stand by Me, 803 00:35:23,955 --> 00:35:25,833 the challenge was in finding adults 804 00:35:25,857 --> 00:35:27,835 that would both physically match up with them. 805 00:35:27,859 --> 00:35:29,570 This was a case where I think the network 806 00:35:29,594 --> 00:35:31,905 was completely right in its choices. 807 00:35:31,929 --> 00:35:34,174 -You really needed to believe 808 00:35:34,198 --> 00:35:37,644 Seth Green grows up to be Harry. 809 00:35:37,668 --> 00:35:39,646 I feel like every one of those parts, 810 00:35:39,670 --> 00:35:42,783 there's a poignancy involved, because those kids, 811 00:35:42,807 --> 00:35:45,919 I believed that they grew up to be those people. 812 00:35:45,943 --> 00:35:47,821 At that time, what was really popular 813 00:35:47,845 --> 00:35:50,824 was to find the iconic TV actors 814 00:35:50,848 --> 00:35:53,427 that would be ensemble players. 815 00:35:53,451 --> 00:35:54,962 -The ideas kept coming. 816 00:35:54,986 --> 00:35:57,898 Richard Thomas for Bill. 817 00:35:57,922 --> 00:36:00,901 Those were quick decisions in an office. 818 00:36:00,925 --> 00:36:02,603 John Ritter, Harry Anderson, 819 00:36:02,627 --> 00:36:05,372 Annette O'Toole, Richard Masur, 820 00:36:05,396 --> 00:36:07,365 Dennis Christopher, Tim Reid.. 821 00:36:08,599 --> 00:36:11,445 Stephen King's IT. 822 00:36:11,469 --> 00:36:12,579 I mean, those were like 823 00:36:12,603 --> 00:36:14,314 a gold mine of actors. 824 00:36:14,338 --> 00:36:16,850 -We were getting TV's best 825 00:36:16,874 --> 00:36:19,853 and then piled Tim Curry on top of that. 826 00:36:19,877 --> 00:36:22,256 Well, we knew we had something. 827 00:36:22,280 --> 00:36:24,958 -They all came together wonderfully. 828 00:36:24,982 --> 00:36:26,226 That's lightning in a bottle. 829 00:36:26,250 --> 00:36:28,262 You just don't always get that. 830 00:36:28,286 --> 00:36:29,763 The adult actors wanted to 831 00:36:29,787 --> 00:36:30,964 spend time with the kids, 832 00:36:30,988 --> 00:36:32,799 wanted to get to know them. 833 00:36:32,823 --> 00:36:34,968 We had a Lucky Seven camp 834 00:36:34,992 --> 00:36:37,504 for the express purpose 835 00:36:37,528 --> 00:36:40,307 of having the children and the adults interact 836 00:36:40,331 --> 00:36:42,709 and work out business. 837 00:36:42,733 --> 00:36:45,612 Bill Denbrough goes like this. 838 00:36:45,636 --> 00:36:46,980 It's no accident. 839 00:36:47,004 --> 00:36:50,717 We brought the group that wasn't being shot right then 840 00:36:50,741 --> 00:36:54,555 in for three days simply to have them develop 841 00:36:54,579 --> 00:36:57,357 little tricks of that sort so that it really would feel 842 00:36:57,381 --> 00:36:59,826 a veracity to the whole thing. 843 00:36:59,850 --> 00:37:01,461 When you see that first part 844 00:37:01,485 --> 00:37:04,398 and those kids who then later become those adults, 845 00:37:04,422 --> 00:37:06,800 the end result was, I think, very successful 846 00:37:06,824 --> 00:37:08,902 because the characters were more in synch. 847 00:37:08,926 --> 00:37:12,272 -I think that paid just untold dividends. 848 00:37:12,296 --> 00:37:13,041 It was really important 849 00:37:13,065 --> 00:37:14,174 for Tommy Lee Wallace 850 00:37:14,198 --> 00:37:17,411 that all the kids were bonded in reality 851 00:37:17,435 --> 00:37:19,046 so that that would come across on screen. 852 00:37:19,070 --> 00:37:21,348 -I mean, are we men or are we mice? 853 00:37:21,372 --> 00:37:22,816 We're mice! 854 00:37:22,840 --> 00:37:25,586 -You feel this trust that he has for you. 855 00:37:25,610 --> 00:37:28,922 And as much as he knows about all the characters 856 00:37:28,946 --> 00:37:31,325 and how all the puzzle pieces fit together, 857 00:37:31,349 --> 00:37:34,461 he knew how much our characters meant to us. 858 00:37:34,485 --> 00:37:35,562 -To the Losers Club! 859 00:37:35,586 --> 00:37:37,598 - All right. - To the Losers Club! 860 00:37:41,025 --> 00:37:43,470 The first kid that was cast 861 00:37:43,494 --> 00:37:44,471 was Jonathan Brandis, 862 00:37:44,495 --> 00:37:45,806 because he just was rich. 863 00:37:45,830 --> 00:37:48,508 And when you look at it, oh, my god. 864 00:37:48,532 --> 00:37:52,379 He can reach points of pain and depth, very simply, 865 00:37:52,403 --> 00:37:54,514 deeply, very quickly. 866 00:37:54,538 --> 00:37:58,652 -It's some kind of monster. And it's right here in Derry. 867 00:37:58,676 --> 00:38:01,455 I had a crush on Jonathan Brandis for sure. 868 00:38:01,479 --> 00:38:03,390 I thought he was pretty cute. 869 00:38:03,414 --> 00:38:04,891 My heart burns there too. 870 00:38:04,915 --> 00:38:07,527 -I remember he was on the cover of every, like, 871 00:38:07,551 --> 00:38:08,996 Teen Beat magazine. 872 00:38:09,020 --> 00:38:12,523 -Brought an awful lot of gravity to that role... 873 00:38:14,959 --> 00:38:15,837 -George. 874 00:38:15,861 --> 00:38:19,640 -that somehow was a good emotional match 875 00:38:19,664 --> 00:38:22,676 for his adult counterpart, Richard Thomas. 876 00:38:22,700 --> 00:38:23,944 -George. 877 00:38:23,968 --> 00:38:25,946 I remember Jonathan because we met, 878 00:38:25,970 --> 00:38:29,816 we talked, you know, to get a feeling of the same person, 879 00:38:29,840 --> 00:38:33,387 but that felt like it was an essential meeting to have. 880 00:38:33,411 --> 00:38:36,990 I don't know if he had to put a mole on his cheek. He did! 881 00:38:37,014 --> 00:38:38,525 They made him put a mole on his cheek. 882 00:38:38,549 --> 00:38:41,395 Oh, the poor kid. That's terrible. 883 00:38:41,419 --> 00:38:43,764 That's right, he had to wear a mole. 884 00:38:43,788 --> 00:38:45,732 Oh god. 885 00:38:45,756 --> 00:38:46,668 They both had something 886 00:38:46,692 --> 00:38:47,801 in their personalities 887 00:38:47,825 --> 00:38:51,605 that's serious, that takes the cruel world 888 00:38:51,629 --> 00:38:55,008 and the hurts and the angers and the angst of it all 889 00:38:55,032 --> 00:39:01,014 and takes it personally and wants to do something about it. 890 00:39:01,038 --> 00:39:02,983 I'm going back in. 891 00:39:03,007 --> 00:39:04,818 This time I'm gonna kill It. 892 00:39:04,842 --> 00:39:08,555 -There's a sense of nobleness about both of those people 893 00:39:08,579 --> 00:39:11,558 and Jonathan had that as a child. 894 00:39:11,582 --> 00:39:13,026 Now, listen. 895 00:39:13,050 --> 00:39:15,062 You guys don't have to do this. 896 00:39:15,086 --> 00:39:16,396 And he was the natural 897 00:39:16,420 --> 00:39:18,765 leader of the kid actors, too. 898 00:39:18,789 --> 00:39:20,934 He didn't do it by making a lot of noise. 899 00:39:20,958 --> 00:39:23,804 He just did it by being who he was. 900 00:39:23,828 --> 00:39:25,539 I felt very close to that character 901 00:39:25,563 --> 00:39:27,074 when I read it. 902 00:39:27,098 --> 00:39:30,444 When a script comes to you or a play text and you read it, 903 00:39:30,468 --> 00:39:34,881 you can feel the proximity of the character, 904 00:39:34,905 --> 00:39:37,984 the affinity that you have, and you can feel the distance. 905 00:39:38,008 --> 00:39:41,188 But with Bill, I just thought, "Oh, no, I know how this feels. 906 00:39:41,212 --> 00:39:42,923 I know who this guy is." 907 00:39:42,947 --> 00:39:45,125 It was the Bill-Georgie-Pennywise sequence 908 00:39:45,149 --> 00:39:48,028 with the observation of what siblings were, 909 00:39:48,052 --> 00:39:51,198 but emotionally I believed in the truth of those brothers 910 00:39:51,222 --> 00:39:53,667 loud and clear, and I thought the scene 911 00:39:53,691 --> 00:39:55,902 was one of Steve's best. 912 00:39:55,926 --> 00:39:58,138 -You made it for me? 913 00:39:58,162 --> 00:39:59,639 Can I go sail it? 914 00:39:59,663 --> 00:40:01,608 -I remember the scene assembling the boat 915 00:40:01,632 --> 00:40:02,876 with Jonathan Brandis, 916 00:40:02,900 --> 00:40:04,878 and giving him the kiss and how awkward that was. 917 00:40:04,902 --> 00:40:05,912 -Yuck! 918 00:40:05,936 --> 00:40:07,037 -But he was a great guy. 919 00:40:09,707 --> 00:40:12,853 I was completely stunned. 920 00:40:12,877 --> 00:40:17,057 I had no idea that he had been suffering 921 00:40:17,081 --> 00:40:19,659 any kind of depression or any other issues. 922 00:40:19,683 --> 00:40:21,962 All I knew is he was working. 923 00:40:21,986 --> 00:40:24,498 I think he had just finished a movie with Bruce Willis, 924 00:40:24,522 --> 00:40:25,732 Hart's War. 925 00:40:25,756 --> 00:40:29,069 He had an incredible run on Sea Quest. 926 00:40:33,597 --> 00:40:35,108 -Hello. 927 00:40:36,600 --> 00:40:38,645 -He'd learned the craft of directing.. 928 00:40:38,669 --> 00:40:41,915 -What you do is sit at it and watch '70s television... 929 00:40:41,939 --> 00:40:42,717 - Yeah. - On a channel and... 930 00:40:42,741 --> 00:40:43,817 Just to find out all the ways 931 00:40:43,841 --> 00:40:44,985 you shouldn't direct a television show. 932 00:40:45,009 --> 00:40:47,854 -Um, it's just they're shot kind of cheesy 933 00:40:47,878 --> 00:40:49,756 and I just kind of want to learn how to do something different 934 00:40:49,780 --> 00:40:50,757 with television. 935 00:40:50,781 --> 00:40:52,025 He was doing everything 936 00:40:52,049 --> 00:40:55,662 a resourceful actor could do. 937 00:40:55,686 --> 00:40:57,931 I think he had everything in front of him 938 00:40:57,955 --> 00:41:01,835 and I was excited to see him moving forward. 939 00:41:01,859 --> 00:41:04,171 I was blown away because he's my age. 940 00:41:04,195 --> 00:41:06,072 That was probably one of the first times 941 00:41:06,096 --> 00:41:10,100 I ever even considered my own mortality. 942 00:41:20,044 --> 00:41:21,044 Swear to me. 943 00:41:23,047 --> 00:41:27,027 Swear to me that if It isn't dead, 944 00:41:27,051 --> 00:41:28,595 we'll all come back. 945 00:41:28,619 --> 00:41:31,565 -The kids moved me enormously, 946 00:41:31,589 --> 00:41:33,867 and I think about the scene at the end 947 00:41:33,891 --> 00:41:36,603 when they come together having won the battle 948 00:41:36,627 --> 00:41:41,098 but not the war and hold hands and swear that they'll return. 949 00:41:42,733 --> 00:41:45,011 Swear. 950 00:41:45,035 --> 00:41:49,916 -When you have a project that is such a good story 951 00:41:49,940 --> 00:41:52,652 and has such a good lead actor, 952 00:41:52,676 --> 00:41:56,056 it's really hard to screw it up. musically. 953 00:41:57,882 --> 00:41:59,893 Finding a focus was the first thing. 954 00:41:59,917 --> 00:42:01,628 What's the music going to do? 955 00:42:01,652 --> 00:42:04,865 It could have been the most horrific alien ever 956 00:42:04,889 --> 00:42:07,834 to visit our planet in the form of a clown. 957 00:42:09,226 --> 00:42:12,672 -.but to me, it was kids in jeopardy. 958 00:42:12,696 --> 00:42:14,241 -Hands squeeze. 959 00:42:14,265 --> 00:42:16,076 I focused on the kids. 960 00:42:16,100 --> 00:42:19,946 To a large extent that's because Stephen King and I 961 00:42:19,970 --> 00:42:21,248 are about the same age, 962 00:42:21,272 --> 00:42:24,885 so when he writes about kids, that's my childhood. 963 00:42:24,909 --> 00:42:28,922 In the '50s when we would play outside and build dams 964 00:42:28,946 --> 00:42:34,661 and all of that stuff, we would score our activities ourselves. 965 00:42:34,685 --> 00:42:36,363 If it was an action scene, we would do: 966 00:42:36,387 --> 00:42:40,267 "Nah nah nah nah nah." 967 00:42:40,291 --> 00:42:43,937 When they jump on Silver to get away... 968 00:42:43,961 --> 00:42:46,940 - Go! - Hi-ho Silver, away! 969 00:42:46,964 --> 00:42:49,142 The reference of hi-ho Silver means 970 00:42:49,166 --> 00:42:51,278 that through their minds was going: 971 00:42:51,302 --> 00:42:54,247 badump badump badump badump badump badump. 972 00:42:54,271 --> 00:42:56,182 Now I couldn't do the William Tell 973 00:42:56,206 --> 00:42:58,652 and get away with it with a straight face, 974 00:42:58,676 --> 00:43:01,187 but that was the focus. 975 00:43:01,211 --> 00:43:03,957 We would put the pictures of the adults 976 00:43:03,981 --> 00:43:06,092 up first and as they were cast, 977 00:43:06,116 --> 00:43:09,229 we put the kids that were possible matches for them. 978 00:43:09,253 --> 00:43:15,135 And very early on Sid sent us a tape and photos of Emily, 979 00:43:15,159 --> 00:43:18,371 who was the young Annette O'Toole... 980 00:43:18,395 --> 00:43:20,173 -Daddy, breakfast is ready. 981 00:43:20,197 --> 00:43:22,809 And she set a very high bar. 982 00:43:22,833 --> 00:43:27,047 We kept looking for that role, but she was really an old soul 983 00:43:27,071 --> 00:43:29,950 that just matched what we were looking for. 984 00:43:29,974 --> 00:43:33,019 -The character of Bev was like my mom's childhood. 985 00:43:33,043 --> 00:43:36,423 She grew up in the '50s, her name was Bev, she was poor. 986 00:43:36,447 --> 00:43:38,725 I just felt like I was playing her. 987 00:43:38,749 --> 00:43:42,028 She said, "Those are the exact clothes that I used to wear," 988 00:43:42,052 --> 00:43:44,864 so it was this really unique opportunity 989 00:43:44,888 --> 00:43:47,367 to express my mother's story. 990 00:43:47,391 --> 00:43:53,073 -Emily was a singularly professional young actress. 991 00:43:53,097 --> 00:43:55,976 She was very mature for her years. 992 00:43:56,000 --> 00:43:58,445 She understood that the relationship 993 00:43:58,469 --> 00:44:02,282 between her film father and herself 994 00:44:02,306 --> 00:44:06,853 was not the relationship between her and me 995 00:44:06,877 --> 00:44:10,991 and that makes life a whole lot easier. 996 00:44:11,015 --> 00:44:17,063 -For me, Beverly Marsh was the 1950s female child 997 00:44:17,087 --> 00:44:20,300 who was oppressed based on her gender. 998 00:44:20,324 --> 00:44:21,434 -Bev wants to help. 999 00:44:21,458 --> 00:44:24,204 I hope it's okay. I mean, she's a girl. 1000 00:44:24,228 --> 00:44:29,175 -.and very stringent ideals of how women should behave. 1001 00:44:29,199 --> 00:44:30,243 -Let me see that. 1002 00:44:30,267 --> 00:44:33,346 -Bev's father is extremely critical 1003 00:44:33,370 --> 00:44:35,949 of her developing sexuality. 1004 00:44:35,973 --> 00:44:37,450 -Poetry from some boy? 1005 00:44:37,474 --> 00:44:40,286 -That's a big theme in the novel. 1006 00:44:40,310 --> 00:44:44,457 The domestic and sexual violence against Bev is a major theme. 1007 00:44:44,481 --> 00:44:46,426 It's not as much I don't think in the mini-series, 1008 00:44:46,450 --> 00:44:48,762 but it's there a little bit. 1009 00:44:48,786 --> 00:44:51,364 My agent suggested me for Al Marsh 1010 00:44:51,388 --> 00:44:54,467 and the casting director said, "Oh, no. 1011 00:44:54,491 --> 00:44:58,371 Frank's too much of a nice guy to play that character. No." 1012 00:44:58,395 --> 00:45:01,341 They did three rounds of auditions. 1013 00:45:01,365 --> 00:45:04,744 Finally, on the fourth round, 1014 00:45:04,768 --> 00:45:07,414 the casting director let me go in and audition. 1015 00:45:07,438 --> 00:45:09,215 Casting against type when 1016 00:45:09,239 --> 00:45:12,419 you're in that kind of project, 1017 00:45:12,443 --> 00:45:15,922 that's part of our being creative 1018 00:45:15,946 --> 00:45:18,858 and the agents and managers submitting them and saying, 1019 00:45:18,882 --> 00:45:20,527 "Hey, what about this?" 1020 00:45:20,551 --> 00:45:24,230 -In the room, the director says, 1021 00:45:24,254 --> 00:45:25,765 "Would you shave your beard?" 1022 00:45:25,789 --> 00:45:28,368 I said, "You hire me, my beard's gone." 1023 00:45:28,392 --> 00:45:29,469 -Daddy, please! 1024 00:45:30,361 --> 00:45:34,140 -He felt so guilty having to smack me 1025 00:45:34,164 --> 00:45:39,345 and be this intimidating, domineering, abusive father. 1026 00:45:39,369 --> 00:45:41,047 -Let me alone, you just let me alone! 1027 00:45:41,071 --> 00:45:42,549 -Come here! 1028 00:45:42,573 --> 00:45:43,917 -And sometimes you went a little over 1029 00:45:43,941 --> 00:45:46,310 the limits in terms of discipline. 1030 00:45:48,078 --> 00:45:50,890 -He always apologized at the end of the day 1031 00:45:50,914 --> 00:45:52,459 but while he was in the moment... 1032 00:45:52,483 --> 00:45:55,028 -You get right the hell back here, Bevvy! 1033 00:45:55,052 --> 00:45:57,063 He was just really scary, 1034 00:45:57,087 --> 00:45:59,089 so I didn't have to do a lot of acting. 1035 00:46:00,991 --> 00:46:02,993 The blood coming out of the sink... 1036 00:46:05,596 --> 00:46:07,407 stayed with me because for a while 1037 00:46:07,431 --> 00:46:10,410 I was like afraid to take showers, 1038 00:46:10,434 --> 00:46:14,981 and there's that sewage, subterranean element to IT. 1039 00:46:15,005 --> 00:46:17,417 -Good afternoon, gentlemen. I'm Beverly Marsh. 1040 00:46:17,441 --> 00:46:19,018 Annette O'Toole I had worked 1041 00:46:19,042 --> 00:46:20,286 with several times, 1042 00:46:20,310 --> 00:46:22,322 and I loved Annette and the person that she was 1043 00:46:22,346 --> 00:46:23,690 and the actress that she was. 1044 00:46:23,714 --> 00:46:26,426 There wasn't a lot that I needed to do 1045 00:46:26,450 --> 00:46:29,129 to become the young Annette. 1046 00:46:29,153 --> 00:46:31,397 They said that our mannerisms were similar. 1047 00:46:31,421 --> 00:46:33,533 Well, I was thinking, being Saturday now, 1048 00:46:33,557 --> 00:46:35,568 you could come down with me to the Barrens. 1049 00:46:35,592 --> 00:46:37,070 -My grandfather was an actor. 1050 00:46:37,094 --> 00:46:38,872 He was in Gone with the Wind. 1051 00:46:38,896 --> 00:46:41,141 I think they were having a 40th anniversary party 1052 00:46:41,165 --> 00:46:43,476 and there was a lady there who thought I was kind of 1053 00:46:43,500 --> 00:46:45,211 precocious and cute, 1054 00:46:45,235 --> 00:46:47,547 and put me to work almost right away. 1055 00:46:47,571 --> 00:46:49,215 I was four. 1056 00:46:49,239 --> 00:46:51,317 The Jonathan Ritter match, 1057 00:46:51,341 --> 00:46:53,019 little guy, Brandon, 1058 00:46:53,043 --> 00:46:55,421 unbelievable from the moment he came in. 1059 00:46:55,445 --> 00:46:56,623 -Ten out of ten. 1060 00:46:56,647 --> 00:46:57,724 I remember getting a callback 1061 00:46:57,748 --> 00:47:00,994 and it being an audition that I really wanted to get. 1062 00:47:01,018 --> 00:47:03,563 And there were probably 20 kids in the room. 1063 00:47:03,587 --> 00:47:06,065 -There was a lot of competition in that role. 1064 00:47:06,089 --> 00:47:08,067 I looked around and I remember noticing 1065 00:47:08,091 --> 00:47:10,303 there weren't any other Bens. 1066 00:47:10,327 --> 00:47:15,275 So, I asked the AD, "Where are the other Bens?" 1067 00:47:15,299 --> 00:47:17,310 They said, "It's pretty much just you. 1068 00:47:17,334 --> 00:47:19,045 We're looking at a kid in Vancouver 1069 00:47:19,069 --> 00:47:22,248 and I think one in Texas, but I think it's gonna be you." 1070 00:47:22,272 --> 00:47:23,383 Nobody does that, right? 1071 00:47:23,407 --> 00:47:26,286 Nobody tells you during the casting process 1072 00:47:26,310 --> 00:47:28,354 that it's probably gonna be you. 1073 00:47:28,378 --> 00:47:31,524 I had never been asked to read anything like this before. 1074 00:47:31,548 --> 00:47:32,625 They wouldn't treat us like this 1075 00:47:32,649 --> 00:47:34,260 if Daddy were still alive. 1076 00:47:34,284 --> 00:47:35,528 Being a fat kid, 1077 00:47:35,552 --> 00:47:38,598 you literally don't have a whole lot of roles that, 1078 00:47:38,622 --> 00:47:40,500 I don't want to say have any meaning, 1079 00:47:40,524 --> 00:47:42,502 but... but certainly don't have a lot of depth. 1080 00:47:42,526 --> 00:47:46,005 A lot of times, they're just about food jokes or fat jokes. 1081 00:47:46,029 --> 00:47:48,341 What a porker. 1082 00:47:48,365 --> 00:47:50,376 They're crazy of f-the-cuff one-liners. 1083 00:47:50,400 --> 00:47:52,111 They're the crazy characters. 1084 00:47:52,135 --> 00:47:55,181 Obviously, body image is a real key issue 1085 00:47:55,205 --> 00:47:56,950 that a lot of kids are dealing with, 1086 00:47:56,974 --> 00:47:59,252 probably more than you even imagine. 1087 00:47:59,276 --> 00:48:03,056 -I'd never been given anything to read that wasn't that. 1088 00:48:03,080 --> 00:48:04,560 There was a lot of gravitas with this. 1089 00:48:06,016 --> 00:48:08,428 I remember, "Wow, I'm gonna have to be a real actor now." 1090 00:48:08,452 --> 00:48:11,097 There's a moment where I pull some Sugar Daddies 1091 00:48:11,121 --> 00:48:13,633 out of my pocket and eat them because I'm nervous. 1092 00:48:13,657 --> 00:48:15,935 It was explained to me that there was some importance 1093 00:48:15,959 --> 00:48:17,503 behind that because I protested a little bit. 1094 00:48:17,527 --> 00:48:20,506 I was like, "Ah, really? 1095 00:48:20,530 --> 00:48:22,075 Do we have to do this right now? 1096 00:48:22,099 --> 00:48:24,043 And... and the way Tommy articulated it, 1097 00:48:24,067 --> 00:48:26,179 it made perfect sense, so I went along with the ride. 1098 00:48:26,203 --> 00:48:27,547 I was willing to do those things 1099 00:48:27,571 --> 00:48:30,984 because there was so much more meat with the character 1100 00:48:31,008 --> 00:48:32,151 and so many situations 1101 00:48:32,175 --> 00:48:34,053 that I'd never been able to portray before. 1102 00:48:34,077 --> 00:48:35,188 I did those things willingly, 1103 00:48:35,212 --> 00:48:37,614 knowing that there would be a huge payoff in the end. 1104 00:48:39,182 --> 00:48:41,160 Knowing that you were going to be 1105 00:48:41,184 --> 00:48:44,497 in the same movie with John Ritter and Harry Anderson 1106 00:48:44,521 --> 00:48:47,000 and all these other actors who I'd already 1107 00:48:47,024 --> 00:48:50,703 seen on TV at this young age was a phenomenal experience. 1108 00:48:50,727 --> 00:48:52,405 I was a huge fan of John Ritter. 1109 00:48:52,429 --> 00:48:54,240 He was a massive influence of mine. 1110 00:48:54,264 --> 00:48:57,110 Not just as the kind of actor that he was 1111 00:48:57,134 --> 00:48:58,578 but the kind of comedian that he was. 1112 00:48:58,602 --> 00:49:01,214 The type of physical comedian that he was and 1113 00:49:01,238 --> 00:49:06,019 how deeply sincere he was in all of his performances 1114 00:49:06,043 --> 00:49:07,487 regardless of the character that he was playing. 1115 00:49:07,511 --> 00:49:09,289 -How important is being a star? 1116 00:49:09,313 --> 00:49:11,024 -Uh, it's not important. 1117 00:49:11,048 --> 00:49:13,626 Being thought of as a... As a good actor is. 1118 00:49:13,650 --> 00:49:15,495 You have one of the most gifted comedians 1119 00:49:15,519 --> 00:49:16,496 of his generation too, 1120 00:49:16,520 --> 00:49:18,531 so obviously it's going to be crazy, right? 1121 00:49:18,555 --> 00:49:21,634 -He was always full of mischief. 1122 00:49:21,658 --> 00:49:24,337 Always up to something. 1123 00:49:24,361 --> 00:49:25,538 Here, boy! 1124 00:49:25,562 --> 00:49:29,375 That's it. Oh, I can't stand it. 1125 00:49:29,399 --> 00:49:30,634 I can't stand it. 1126 00:49:32,602 --> 00:49:34,347 I had my two kids come up and visit. 1127 00:49:34,371 --> 00:49:37,083 They were big fans of John Ritter 1128 00:49:37,107 --> 00:49:38,484 because they watched Three's Company, 1129 00:49:38,508 --> 00:49:40,520 so when I told them I was working with him, 1130 00:49:40,544 --> 00:49:42,522 my stature went way up. 1131 00:49:42,546 --> 00:49:44,057 They have never forgotten it. 1132 00:49:45,382 --> 00:49:46,459 Cut! 1133 00:49:46,483 --> 00:49:48,728 -We were all stirring up our own fear. 1134 00:49:48,752 --> 00:49:51,264 That's what we did at work all day internally, 1135 00:49:51,288 --> 00:49:53,733 to be ready to jump into these scenes, 1136 00:49:53,757 --> 00:49:57,170 which were kind of hard and kind of dark. 1137 00:49:57,194 --> 00:49:59,105 John would always lift us up with humor. 1138 00:49:59,129 --> 00:50:02,442 He's always got humor in his back pocket and 1139 00:50:02,466 --> 00:50:04,477 I know it served us really well. 1140 00:50:04,501 --> 00:50:06,412 Here's a comic actor asked 1141 00:50:06,436 --> 00:50:08,614 to play the dramatic role, 1142 00:50:08,638 --> 00:50:13,052 and I never doubted for a minute that he could. 1143 00:50:13,076 --> 00:50:14,287 -Mike? 1144 00:50:14,311 --> 00:50:17,657 Yeah, buddy. Listen, It. It's come back. 1145 00:50:20,384 --> 00:50:25,064 -He walked in and made everyone around him better, 1146 00:50:25,088 --> 00:50:27,500 like a good team player in a sport, 1147 00:50:27,524 --> 00:50:31,471 just by his professionalism, his sense of preparedness, 1148 00:50:31,495 --> 00:50:34,507 and his ability to get down to business 1149 00:50:34,531 --> 00:50:37,477 while still cracking wise and having fun. 1150 00:50:37,501 --> 00:50:40,079 -John had a presence about himself 1151 00:50:40,103 --> 00:50:43,116 that interestingly related more to young people. 1152 00:50:43,140 --> 00:50:44,584 -Hang tough, champ. You're gonna make it. 1153 00:50:44,608 --> 00:50:46,486 -He was adored by young people. 1154 00:50:46,510 --> 00:50:48,221 He really appreciated 1155 00:50:48,245 --> 00:50:51,190 that we were just kids and 1156 00:50:51,214 --> 00:50:54,193 sets should be an enjoyable place to be. 1157 00:50:54,217 --> 00:50:55,661 Maybe he was a little bit responsible 1158 00:50:55,685 --> 00:50:57,163 for all the boys' antics. 1159 00:50:57,187 --> 00:50:59,098 I wouldn't be surprised. 1160 00:50:59,122 --> 00:50:59,867 He was, you know, 1161 00:50:59,891 --> 00:51:01,367 really interested in meeting me. 1162 00:51:01,391 --> 00:51:04,604 I was him. He was... he was one of my idols. 1163 00:51:04,628 --> 00:51:07,740 But there was always a running joke that of all the kids, 1164 00:51:07,764 --> 00:51:11,677 I looked the least like my counterpart, 1165 00:51:11,701 --> 00:51:13,646 and he was quick to sort of notice that as well. 1166 00:51:13,670 --> 00:51:15,448 So he pulled me aside and said, 1167 00:51:15,472 --> 00:51:17,483 "Hey, let's spend some time together 1168 00:51:17,507 --> 00:51:19,585 and think of some things that we can do 1169 00:51:19,609 --> 00:51:21,521 that will sort of bridge that gap." 1170 00:51:21,545 --> 00:51:23,156 There's that reveal where I'm standing there 1171 00:51:23,180 --> 00:51:25,358 in the classroom and then we cut to him 1172 00:51:25,382 --> 00:51:27,193 and he's biting his nail as well. 1173 00:51:27,217 --> 00:51:28,494 That was what we came up with. 1174 00:51:28,518 --> 00:51:30,830 We tossed the football around on set with him 1175 00:51:30,854 --> 00:51:34,500 because he was open to coming in and playing with the kids. 1176 00:51:34,524 --> 00:51:36,202 And I still remember him saying, you know, 1177 00:51:36,226 --> 00:51:37,837 when he was, "Okay, okay, I've had enough," 1178 00:51:37,861 --> 00:51:40,239 and we're like "Oh come on, just a couple more," 1179 00:51:40,263 --> 00:51:41,208 he was like, "When I had no hair on my balls, 1180 00:51:41,232 --> 00:51:44,143 I could throw the ball for hours." 1181 00:51:44,167 --> 00:51:45,278 Everybody had a Game Boy, 1182 00:51:45,302 --> 00:51:47,613 so I was playing my Game Boy. I was playing Tetris, 1183 00:51:47,637 --> 00:51:48,515 and he walked up to me and he said, 1184 00:51:48,539 --> 00:51:51,484 "What is this?" I said, "It's Tetris." 1185 00:51:51,508 --> 00:51:53,252 "Tetris?" I said, "Yeah, Tetris. 1186 00:51:53,276 --> 00:51:54,720 It's a game. Everybody knows Tetris. 1187 00:51:54,744 --> 00:51:56,823 You live under a rock?" 1188 00:51:56,847 --> 00:51:58,825 He grabs it out of my hand and he starts playing. 1189 00:51:58,849 --> 00:52:00,726 And... and from then on I realized, 1190 00:52:00,750 --> 00:52:02,161 "Okay, well, he's cool. 1191 00:52:02,185 --> 00:52:03,429 He's not just John Ritter the actor. 1192 00:52:03,453 --> 00:52:05,398 He's John Ritter, my peer. 1193 00:52:05,422 --> 00:52:07,491 And maybe if I'm lucky, my buddy." 1194 00:52:10,861 --> 00:52:12,939 I got a call to come in 1195 00:52:12,963 --> 00:52:15,408 and speak with the directors for this mini-series. 1196 00:52:15,432 --> 00:52:16,776 I had not read the book, 1197 00:52:16,800 --> 00:52:20,780 so of course I rushed out and spent all night 1198 00:52:20,804 --> 00:52:23,483 and part of the day, because Stephen King writes 1199 00:52:23,507 --> 00:52:25,442 so many long books. 1200 00:52:26,743 --> 00:52:28,287 I took on the role for two reasons. 1201 00:52:28,311 --> 00:52:29,889 One, it was a nice gig, 1202 00:52:29,913 --> 00:52:32,792 and it was going to be for a long time up in Vancouver. 1203 00:52:32,816 --> 00:52:35,194 The other reason was working with some of these actors 1204 00:52:35,218 --> 00:52:37,763 that I had admired, worked with one or two of them, 1205 00:52:37,787 --> 00:52:39,823 so that was really the... the two main reasons. 1206 00:52:41,791 --> 00:52:43,669 I brought this whole photo album from home. 1207 00:52:43,693 --> 00:52:46,439 -Marlon was really wonderful 1208 00:52:46,463 --> 00:52:50,743 and he did this little monologue at the beginning of the audition 1209 00:52:50,767 --> 00:52:54,447 that was simple, deep, and had a lot of thought in it. 1210 00:52:54,471 --> 00:52:56,816 -There was an Easter egg hunt here, 1211 00:52:56,840 --> 00:52:59,819 but the ironworks exploded and all these people got killed. 1212 00:52:59,843 --> 00:53:01,087 The lines that they had me reading 1213 00:53:01,111 --> 00:53:05,458 were pretty much the lines from the actual classroom scene. 1214 00:53:05,482 --> 00:53:07,693 That role was so hard to audition for. 1215 00:53:07,717 --> 00:53:12,532 It has very little material in the group scenes 1216 00:53:12,556 --> 00:53:15,401 and takes a lot of negative language. 1217 00:53:15,425 --> 00:53:17,537 When you're casting and you're being a bully 1218 00:53:17,561 --> 00:53:21,741 to all these kids. wow, it takes a lot out of the day. 1219 00:53:21,765 --> 00:53:24,644 Thank god, he looked physically 1220 00:53:24,668 --> 00:53:26,612 a lot like what I looked like at his age. 1221 00:53:26,636 --> 00:53:27,747 You know, you always wonder, "Oh my god, 1222 00:53:27,771 --> 00:53:30,850 he'll get somebody here who looks nothing like me." 1223 00:53:30,874 --> 00:53:32,351 You know, like they bring a white guy to play me. 1224 00:53:32,375 --> 00:53:34,620 No, it didn't happen! 1225 00:53:34,644 --> 00:53:37,623 Mike represents to me a few souls that I have met 1226 00:53:37,647 --> 00:53:39,258 in my journey in life, 1227 00:53:39,282 --> 00:53:42,028 and they're people who, for whatever reason, 1228 00:53:42,052 --> 00:53:46,532 something happened in their childhood or young adulthood 1229 00:53:46,556 --> 00:53:48,834 that has affected them for the rest of their life. 1230 00:53:50,961 --> 00:53:52,972 I knew of a few people like him, 1231 00:53:52,996 --> 00:53:55,942 and some ended in very tragic situations, 1232 00:53:55,966 --> 00:53:58,844 some fate just never seemed to bless them 1233 00:53:58,868 --> 00:54:00,680 with a good hand, you know? 1234 00:54:00,704 --> 00:54:02,715 It's like always throwing snake eyes. 1235 00:54:02,739 --> 00:54:04,417 And I think Mike was that kind of guy. 1236 00:54:04,441 --> 00:54:06,285 I think that all of them had a sense of that, 1237 00:54:06,309 --> 00:54:07,653 that they were on their way, 1238 00:54:07,677 --> 00:54:10,623 they were young people full of life, full of wonder, 1239 00:54:10,647 --> 00:54:13,426 and all of a sudden, this horrible thing happened to them 1240 00:54:13,450 --> 00:54:14,894 for the rest of their life. 1241 00:54:14,918 --> 00:54:18,998 They have been hiding in psychological fear of life. 1242 00:54:19,022 --> 00:54:21,968 And to me, Mike is the center spoke 1243 00:54:21,992 --> 00:54:23,393 that brought it all back together. 1244 00:54:25,061 --> 00:54:26,539 -Lucky seven. 1245 00:54:26,563 --> 00:54:27,673 -That's how in the series 1246 00:54:27,697 --> 00:54:29,842 when they got a phone call from him, 1247 00:54:29,866 --> 00:54:31,386 didn't take a whole lot of explanation. 1248 00:54:32,769 --> 00:54:34,981 - Yeah? - This is Mike Hanlon, Bill. 1249 00:54:35,005 --> 00:54:36,782 -Immediately they know what this is about. 1250 00:54:36,806 --> 00:54:38,985 -Bill, It's back. 1251 00:54:39,009 --> 00:54:41,887 -Now they have to decide, do they want to participate. 1252 00:54:41,911 --> 00:54:43,155 On my honor I will do my best 1253 00:54:43,179 --> 00:54:45,658 to do my duty to God and my country. 1254 00:54:45,682 --> 00:54:47,360 Stephen King's big secret 1255 00:54:47,384 --> 00:54:50,396 is about the wonders and horrors of childhood... 1256 00:54:50,420 --> 00:54:52,431 Stanley boy. 1257 00:54:53,623 --> 00:54:55,635 And how you get through it 1258 00:54:55,659 --> 00:54:57,770 and how important friends are 1259 00:54:57,794 --> 00:55:02,041 and bonding with special people, like-minded youngsters. 1260 00:55:02,065 --> 00:55:05,611 Those bonds can be as strong as steel 1261 00:55:05,635 --> 00:55:09,849 and his story is a demonstration of just how strong, 1262 00:55:09,873 --> 00:55:11,584 when they made a promise to each other 1263 00:55:11,608 --> 00:55:13,777 to return if It came back. 1264 00:55:15,078 --> 00:55:17,623 -I swear it. 1265 00:55:17,647 --> 00:55:19,425 They were very solemn about it 1266 00:55:19,449 --> 00:55:21,427 and they meant it. 1267 00:55:21,451 --> 00:55:24,964 And you see what happens when they have to keep that promise, 1268 00:55:24,988 --> 00:55:26,899 especially in the case of Stan, 1269 00:55:26,923 --> 00:55:28,868 who couldn't face keeping the promise. 1270 00:55:28,892 --> 00:55:32,672 It was that horrible for him, and so he didn't bother 1271 00:55:32,696 --> 00:55:36,642 to go back. but he did something else instead. 1272 00:55:36,666 --> 00:55:39,045 -I think I'll take a bath. 1273 00:55:39,069 --> 00:55:41,013 Stan was most affected by Pennywise 1274 00:55:41,037 --> 00:55:43,783 and I suspect that even as an adult, 1275 00:55:43,807 --> 00:55:47,119 that memory never was very far from his mind. 1276 00:55:47,143 --> 00:55:51,857 -Stan saw It face to face. 1277 00:55:51,881 --> 00:55:53,659 Not the clown, 1278 00:55:53,683 --> 00:55:56,495 but he saw what was behind the clown. 1279 00:55:56,519 --> 00:55:58,731 -When he got the call from Mike Hanlon... 1280 00:55:58,755 --> 00:55:59,732 -Who did you say? 1281 00:55:59,756 --> 00:56:01,067 Mike Hanlon. 1282 00:56:01,091 --> 00:56:02,134 To come back to Derry, 1283 00:56:02,158 --> 00:56:04,570 it brought back so much trauma to him 1284 00:56:04,594 --> 00:56:07,139 that he just couldn't go on anymore. 1285 00:56:07,163 --> 00:56:12,445 He couldn't even fathom the idea of possibly facing It again. 1286 00:56:12,469 --> 00:56:13,679 -Goodbye. 1287 00:56:13,703 --> 00:56:15,781 Bye, Stan. 1288 00:56:15,805 --> 00:56:17,974 -And he chose an easy way out. 1289 00:56:26,583 --> 00:56:27,693 -For somebody like me who grew up in the '70s, 1290 00:56:27,717 --> 00:56:29,795 It's a Who's Who. 1291 00:56:29,819 --> 00:56:33,432 Richard Masur, who I'd literally grown up watching. 1292 00:56:33,456 --> 00:56:36,001 He was the classic character actor. 1293 00:56:36,025 --> 00:56:38,437 So him coming in, even though it was just for a day 1294 00:56:38,461 --> 00:56:40,873 and he had a small part in IT, I was like, "Wow." 1295 00:56:40,897 --> 00:56:42,842 I got a call from Jim Green 1296 00:56:42,866 --> 00:56:46,512 and he told me they were doing this miniseries. 1297 00:56:46,536 --> 00:56:50,649 -We talked about what we could do to tie the character together 1298 00:56:50,673 --> 00:56:52,885 between the adult and the child. 1299 00:56:52,909 --> 00:56:55,020 He asked what I thought we should do. 1300 00:56:55,044 --> 00:56:56,255 And for whatever reason, 1301 00:56:56,279 --> 00:56:59,225 I immediately thought of this thing where I was gonna 1302 00:56:59,249 --> 00:57:01,694 grab my ear, and he liked it. 1303 00:57:01,718 --> 00:57:04,096 I remember just thinking, "I have no idea what I'm doing 1304 00:57:04,120 --> 00:57:07,800 and this well-respected actor just said he likes my idea." 1305 00:57:07,824 --> 00:57:10,569 I was like, you know, over the moon about it. 1306 00:57:10,593 --> 00:57:12,838 My favorite part of the time I was there 1307 00:57:12,862 --> 00:57:14,974 was when we set up that beauty shot 1308 00:57:14,998 --> 00:57:16,976 of all of us on the staircase. 1309 00:57:17,000 --> 00:57:19,044 I thought that was a wonderful shot. 1310 00:57:19,068 --> 00:57:21,847 It was a lot of people who were really well known 1311 00:57:21,871 --> 00:57:24,784 at that time all standing up there. 1312 00:57:24,808 --> 00:57:27,153 To me, Stan Uris was an outsider 1313 00:57:27,177 --> 00:57:28,921 like the rest of the Losers Club. 1314 00:57:28,945 --> 00:57:30,689 He was very by the book 1315 00:57:30,713 --> 00:57:33,526 in that he didn't deviate from his school lessons 1316 00:57:33,550 --> 00:57:35,928 or what his parents may have told him, 1317 00:57:35,952 --> 00:57:38,564 but he was able to connect with these kids... 1318 00:57:38,588 --> 00:57:40,599 Lucky seven, Stanny. 1319 00:57:40,623 --> 00:57:41,600 -I said I was in. 1320 00:57:41,624 --> 00:57:45,638 -and then explore a different part of himself. 1321 00:57:45,662 --> 00:57:47,106 One of the last casts 1322 00:57:47,130 --> 00:57:48,274 was a little kid named Adam. 1323 00:57:48,298 --> 00:57:50,009 -Some guy killed George. 1324 00:57:50,033 --> 00:57:51,110 Pulled one of his arms right off, 1325 00:57:51,134 --> 00:57:52,878 just like a wing off a fly. 1326 00:57:52,902 --> 00:57:55,815 -He was smaller than most of the other kids 1327 00:57:55,839 --> 00:57:58,884 and they were worried about the size match-up and everything. 1328 00:57:58,908 --> 00:58:01,086 -My character Eddie Kaspbrak, 1329 00:58:01,110 --> 00:58:04,990 I would say that he was kind of the runt of the bunch... 1330 00:58:05,014 --> 00:58:06,294 -How you doin', Eddie Spaghetti? 1331 00:58:07,151 --> 00:58:09,795 -which was already a fairly runty bunch. 1332 00:58:09,819 --> 00:58:10,930 He was the quiet, shy kid 1333 00:58:10,954 --> 00:58:12,698 who was also the youngest of the bunch, 1334 00:58:12,722 --> 00:58:14,834 which I believe was true in reality. 1335 00:58:14,858 --> 00:58:17,603 I think I was the only one who wasn't a teenager yet. 1336 00:58:17,627 --> 00:58:20,840 I was still 12 and I think everyone else was 13 or above. 1337 00:58:20,864 --> 00:58:22,041 I went in and met with the producers 1338 00:58:22,065 --> 00:58:23,943 and we talked with Tommy Lee 1339 00:58:23,967 --> 00:58:25,678 and I guess they got the feeling from 1340 00:58:25,702 --> 00:58:27,079 the work of mine that they had seen 1341 00:58:27,103 --> 00:58:29,148 that I was right to play Eddie. 1342 00:58:29,172 --> 00:58:32,084 And of course, after that, I devoured the book 1343 00:58:32,108 --> 00:58:34,153 and was wondering how in the hell 1344 00:58:34,177 --> 00:58:37,957 they were going to fit all of this beautiful writing 1345 00:58:37,981 --> 00:58:40,025 and all of these amazing background stories 1346 00:58:40,049 --> 00:58:44,296 of these characters into two nights of television. 1347 00:58:44,320 --> 00:58:46,699 On the last mix and match, 1348 00:58:46,723 --> 00:58:48,701 Seth Green wasn't going to be able to make it. 1349 00:58:48,725 --> 00:58:51,203 And Victoria was like, "Oh, my god, 1350 00:58:51,227 --> 00:58:52,738 we have to get him here." 1351 00:58:52,762 --> 00:58:54,874 Everybody was confirmed except Seth, 1352 00:58:54,898 --> 00:58:56,842 and we were a little nervous about that. 1353 00:58:56,866 --> 00:59:00,813 So I actually drove to his house and picked him up. 1354 00:59:00,837 --> 00:59:02,114 It was exciting to know 1355 00:59:02,138 --> 00:59:04,116 that I was getting close to it. 1356 00:59:04,140 --> 00:59:07,686 When you audition, you mostly don't get jobs. 1357 00:59:07,710 --> 00:59:10,155 You... you don't get 90 percent of the things you audition for, 1358 00:59:10,179 --> 00:59:12,791 so to even get a callback and be in the chemistry 1359 00:59:12,815 --> 00:59:14,793 part of it, I was very excited. 1360 00:59:14,817 --> 00:59:17,263 Seth was full of piss and vinegar. 1361 00:59:17,287 --> 00:59:21,300 A great kid, clever and cracking jokes all the time. 1362 00:59:21,324 --> 00:59:23,736 I was a very curious kid, 1363 00:59:23,760 --> 00:59:26,272 and then I was also interested in filmmaking very young. 1364 00:59:26,296 --> 00:59:28,841 Seth was the most precocious, 1365 00:59:28,865 --> 00:59:31,911 but he had this intelligence about him and he would say, 1366 00:59:31,935 --> 00:59:33,779 "I'm going to be a filmmaker one day." 1367 00:59:33,803 --> 00:59:35,981 Part of what they liked about me 1368 00:59:36,005 --> 00:59:38,083 was me doing voices. 1369 00:59:38,107 --> 00:59:39,952 -Your voices all sound the same, Richie. 1370 00:59:39,976 --> 00:59:41,153 -Thanks a bunch, professor. 1371 00:59:41,177 --> 00:59:42,288 -or impressions. 1372 00:59:42,312 --> 00:59:44,757 -By George, Martha, it's the river Nile. 1373 00:59:44,781 --> 00:59:47,192 -.or being fast-witted or funny. 1374 00:59:47,216 --> 00:59:50,095 -Well, hey. Larry, Curly, and Mo. 1375 00:59:50,119 --> 00:59:51,397 -Beep-beep, Richie. 1376 00:59:51,421 --> 00:59:53,222 -That was the thing that got me that part. 1377 00:59:55,191 --> 00:59:58,270 Richie, to me, always seemed both fearless 1378 00:59:58,294 --> 00:59:59,896 and also terrified. 1379 01:00:01,097 --> 01:00:03,309 Tozier! 1380 01:00:03,333 --> 01:00:05,277 -He was willing to keep going forward 1381 01:00:05,301 --> 01:00:06,679 even though he was scared. 1382 01:00:06,703 --> 01:00:08,247 Richie! 1383 01:00:08,271 --> 01:00:10,683 - but he was the first guy to make a joke about it. 1384 01:00:14,677 --> 01:00:15,988 And then Harry Anderson, 1385 01:00:16,012 --> 01:00:19,191 whom I didn't know, we had an instant rapport. 1386 01:00:21,784 --> 01:00:22,795 Harry and I chatted a lot. 1387 01:00:22,819 --> 01:00:25,297 And I'd watched him on Cheers and Night Court. 1388 01:00:25,321 --> 01:00:27,066 I'd seen him do stand-up and magic. 1389 01:00:27,090 --> 01:00:28,930 This is one you probably know. 1390 01:00:33,730 --> 01:00:37,710 -So, I was into that guy and excited to get to play him. 1391 01:00:37,734 --> 01:00:39,345 Directing kids, 1392 01:00:39,369 --> 01:00:41,180 in general, is challenging. 1393 01:00:41,204 --> 01:00:44,450 And he takes a powder and jumps. Boom! 1394 01:00:44,474 --> 01:00:49,088 Jumps right over you and suddenly you guys see him go, 1395 01:00:49,112 --> 01:00:51,123 and that'll be the end of this first piece. 1396 01:00:51,147 --> 01:00:54,126 And directing seven, sometimes ten, 1397 01:00:54,150 --> 01:00:57,229 12 kids all in one scene... 1398 01:00:59,822 --> 01:01:01,467 Don't go way over there. 1399 01:01:01,491 --> 01:01:03,769 Is hugely challenging 1400 01:01:03,793 --> 01:01:05,137 because they have so much energy. 1401 01:01:05,161 --> 01:01:06,138 -Whoa! 1402 01:01:06,162 --> 01:01:09,308 -I think Seth was more or less the ringleader. 1403 01:01:09,332 --> 01:01:10,276 We got in a lot of trouble. 1404 01:01:10,300 --> 01:01:11,443 -Let's get out of here! 1405 01:01:11,467 --> 01:01:14,313 -We were kids. Both on set and off. 1406 01:01:16,205 --> 01:01:17,249 But I think us getting in trouble together 1407 01:01:17,273 --> 01:01:19,184 also made us a lot closer. 1408 01:01:19,208 --> 01:01:20,986 -Yeah. 1409 01:01:21,010 --> 01:01:23,422 -We also had our little spats, like we got tired of each other. 1410 01:01:23,446 --> 01:01:26,425 Jonathan Brandis and I often took out our stresses 1411 01:01:26,449 --> 01:01:29,895 by bagging on each other pretty intensely, actually. 1412 01:01:29,919 --> 01:01:32,331 But at the end of the day, we were all pretty close. 1413 01:01:32,355 --> 01:01:35,200 -If it were filmed now with that same group of kids, 1414 01:01:35,224 --> 01:01:37,503 there would be a lot of them who had diagnoses. 1415 01:01:37,527 --> 01:01:41,373 Maybe ADHD, oppositional defiance. 1416 01:01:41,397 --> 01:01:43,509 Some of them just would not shut up. 1417 01:01:43,533 --> 01:01:44,977 We were dropping water balloons off 1418 01:01:45,001 --> 01:01:48,047 of our balcony onto people's convertibles. 1419 01:01:48,071 --> 01:01:50,282 I think one time we managed to do it with Kool-aid 1420 01:01:50,306 --> 01:01:52,885 and the person was fairly upset. 1421 01:01:52,909 --> 01:01:55,154 The police came and told us it wasn't a good idea to do that, 1422 01:01:55,178 --> 01:01:57,389 especially since we weren't citizens. 1423 01:01:57,413 --> 01:01:59,324 We thought we were going to get deported. 1424 01:01:59,348 --> 01:02:02,995 -I honestly did not get a lot of their jokes. 1425 01:02:03,019 --> 01:02:06,265 All the other boys had read the book, and in the book, 1426 01:02:06,289 --> 01:02:10,069 the kids all have sex with Bev. 1427 01:02:10,093 --> 01:02:12,204 The boys knew this, but I didn't know, 1428 01:02:12,228 --> 01:02:15,174 and so they kept making references to this fact 1429 01:02:15,198 --> 01:02:16,475 and they were just going above my head. 1430 01:02:16,499 --> 01:02:17,509 So finally, my mom said, 1431 01:02:17,533 --> 01:02:19,211 "Why don't you just read the book?" 1432 01:02:19,235 --> 01:02:22,381 And so I read it and I was kind of horrified 1433 01:02:22,405 --> 01:02:25,517 but in a way it was kind of liberating too. 1434 01:02:25,541 --> 01:02:28,287 Because when I was 13, you know, you're going through puberty 1435 01:02:28,311 --> 01:02:30,222 and your things are changing and stuff. 1436 01:02:30,246 --> 01:02:32,958 So it was just this very sort of odd entry 1437 01:02:32,982 --> 01:02:35,060 into adolescence for me. 1438 01:02:35,084 --> 01:02:36,929 There were scenes that I 1439 01:02:36,953 --> 01:02:38,330 never thought twice about, 1440 01:02:38,354 --> 01:02:41,100 meaning the orgy scene with the kids with Bev. 1441 01:02:41,124 --> 01:02:43,235 Pennywise and It are the things 1442 01:02:43,259 --> 01:02:46,371 that drive the losers to, in the novel, 1443 01:02:46,395 --> 01:02:52,277 have this very, very obscure and weird orgy 1444 01:02:52,301 --> 01:02:54,179 in the middle of the narrative 1445 01:02:54,203 --> 01:02:55,905 where they're all having sex with Beverly. 1446 01:02:57,106 --> 01:03:00,986 It's to ward off It, to keep It at bay, 1447 01:03:01,010 --> 01:03:03,889 because childhood is what It loves. 1448 01:03:03,913 --> 01:03:08,093 I am an eater of worlds and of children. 1449 01:03:08,117 --> 01:03:10,262 -And if you want to push away from the thing 1450 01:03:10,286 --> 01:03:13,432 that's scary to you, you push into the thing 1451 01:03:13,456 --> 01:03:16,235 that it can't feed on, and you do that through sex. 1452 01:03:16,259 --> 01:03:18,203 I just thought it was one of 1453 01:03:18,227 --> 01:03:21,607 Steve's digressions down a lane that didn't work. 1454 01:03:21,631 --> 01:03:22,574 I remember the guy 1455 01:03:22,598 --> 01:03:23,409 who played Officer Nell. 1456 01:03:23,433 --> 01:03:26,011 He completely lost his shit one day. 1457 01:03:26,035 --> 01:03:27,379 There's a scene where we're all 1458 01:03:27,403 --> 01:03:29,148 in the Barrens, building the dam. 1459 01:03:29,172 --> 01:03:30,516 The policeman comes along and says, 1460 01:03:30,540 --> 01:03:32,284 "Hey, what are you kids doing down there?" 1461 01:03:32,308 --> 01:03:36,088 and one of the kids said, "Masturbating." 1462 01:03:36,112 --> 01:03:38,090 We all started laughing and then also it carried on. 1463 01:03:38,114 --> 01:03:39,424 We couldn't get the next 1464 01:03:39,448 --> 01:03:41,293 like three or four takes. 1465 01:03:41,317 --> 01:03:43,195 We weren't focusing 1466 01:03:43,219 --> 01:03:47,065 and I remember getting the "this isn't professional" lecture. 1467 01:03:47,089 --> 01:03:49,935 There were times that Jim pulled them aside 1468 01:03:49,959 --> 01:03:51,970 and gave them the lecture. 1469 01:03:51,994 --> 01:03:56,074 And I sometimes would sort of lose it a little bit on set 1470 01:03:56,098 --> 01:03:58,010 and say, "Look, you're actors here. 1471 01:03:58,034 --> 01:04:01,113 I know you're having fun. I love you're having fun. 1472 01:04:01,137 --> 01:04:03,148 You have to do your job." 1473 01:04:03,172 --> 01:04:05,651 Our director came to me and he said, 1474 01:04:05,675 --> 01:04:08,020 "Jim, I'm losing it with these kids." 1475 01:04:08,044 --> 01:04:10,656 So I said, "I need a meeting with the kids 1476 01:04:10,680 --> 01:04:12,457 before we break for lunch 1477 01:04:12,481 --> 01:04:15,093 and I don't want their parents there." 1478 01:04:15,117 --> 01:04:19,064 They rallied around and I said, "You are making a picture. 1479 01:04:19,088 --> 01:04:21,934 If you came here because you want to be an actor, 1480 01:04:21,958 --> 01:04:24,603 then I can tell you right now whatever you're doing on the set 1481 01:04:24,627 --> 01:04:27,072 will reflect on whether you work again. 1482 01:04:27,096 --> 01:04:30,275 I do recommend that you pay attention to your director. 1483 01:04:30,299 --> 01:04:32,110 Shape up, guys." 1484 01:04:32,134 --> 01:04:33,679 And walked away. 1485 01:04:33,703 --> 01:04:37,549 The adults were... 1486 01:04:37,573 --> 01:04:39,051 When they got the... All the adults together, 1487 01:04:39,075 --> 01:04:40,152 'cause some of them knew each other 1488 01:04:40,176 --> 01:04:41,353 and they were all buddies, 1489 01:04:41,377 --> 01:04:43,155 they were actually more noisy than the kids. 1490 01:04:43,179 --> 01:04:45,424 -We used to try to make each other throw up, 1491 01:04:45,448 --> 01:04:48,260 okay, by being as gross as we possibly could, right, 1492 01:04:48,284 --> 01:04:50,062 to make the other person gag. 1493 01:04:50,086 --> 01:04:52,164 We're adults, you know, sort of. 1494 01:04:52,188 --> 01:04:55,234 It just got louder and louder and louder 1495 01:04:55,258 --> 01:04:57,569 until the assistant director finally came in and said, 1496 01:04:57,593 --> 01:04:59,171 "You guys have to leave. 1497 01:04:59,195 --> 01:05:01,240 You have to go outside on the street. 1498 01:05:01,264 --> 01:05:03,508 You can't be in here because we can't get any work done." 1499 01:05:19,448 --> 01:05:21,526 -I want to make sure you remember my name. 1500 01:05:21,550 --> 01:05:23,119 -Oh god, Henry Bowers. 1501 01:05:28,057 --> 01:05:29,101 My agent called and said, 1502 01:05:29,125 --> 01:05:30,636 "Guess what? We've got an audition for you," 1503 01:05:30,660 --> 01:05:31,437 and I said, "Oh really, for what?" 1504 01:05:31,461 --> 01:05:32,704 She said, "Stephen King's IT." 1505 01:05:32,728 --> 01:05:33,972 She said, "It's a big production, 1506 01:05:33,996 --> 01:05:36,341 it's a miniseries, it's incredible." 1507 01:05:36,365 --> 01:05:40,245 She said, "Please work your ass off for this audition." 1508 01:05:40,269 --> 01:05:41,989 'Cause, she said, "It's once in a lifetime." 1509 01:05:43,105 --> 01:05:44,316 I knew. 1510 01:05:44,340 --> 01:05:46,251 Hundreds of kids had probably gone in there. 1511 01:05:46,275 --> 01:05:49,988 Big guys were gonna go in there and be the traditional bully... 1512 01:05:50,012 --> 01:05:50,757 Which I don't find very threatening, 1513 01:05:50,781 --> 01:05:51,890 to be honest with you. 1514 01:05:51,914 --> 01:05:53,258 And so I thought, okay, who can I channel? 1515 01:05:53,282 --> 01:05:57,029 I always refer to Dennis Hopper because he's a very small man, 1516 01:05:57,053 --> 01:06:00,632 but he conveys an intensity that's menacing. 1517 01:06:00,656 --> 01:06:02,734 Jarred was an exceptional actor. 1518 01:06:02,758 --> 01:06:04,269 You're dead, fat boy. 1519 01:06:04,293 --> 01:06:06,138 For someone who was his age. 1520 01:06:06,162 --> 01:06:09,107 The level of commitment that he had was frightening. 1521 01:06:09,131 --> 01:06:10,142 I went in for the audition 1522 01:06:10,166 --> 01:06:11,443 and the casting director grabbed me and he said, 1523 01:06:11,467 --> 01:06:12,744 "I've got to get you to the producers right away." 1524 01:06:12,768 --> 01:06:15,047 He said, "You're exactly what they're looking for.'" 1525 01:06:15,071 --> 01:06:16,181 And I said "Me?" 1526 01:06:16,205 --> 01:06:18,383 And again, here I was, this scrawny kid, 1527 01:06:18,407 --> 01:06:21,086 and I was being plucked out of that group. 1528 01:06:21,110 --> 01:06:23,088 He just had... Something about that guy, 1529 01:06:23,112 --> 01:06:27,059 he had some sort of menacing appeal about him. 1530 01:06:27,083 --> 01:06:29,061 Ta-ta, girls. 1531 01:06:29,085 --> 01:06:31,563 -I could be wrong, but I believe I auditioned for it three times, 1532 01:06:31,587 --> 01:06:35,167 and the first one was for Henry Bowers 1533 01:06:35,191 --> 01:06:38,437 and I wanted that part very badly. 1534 01:06:38,461 --> 01:06:40,372 -I want you to think about that before you die. 1535 01:06:40,396 --> 01:06:41,373 As we know, 1536 01:06:41,397 --> 01:06:43,175 Jarred Blancard got Henry Bowers. 1537 01:06:43,199 --> 01:06:45,043 And what character I played on IT 1538 01:06:45,067 --> 01:06:46,411 is actually a little contentious, 1539 01:06:46,435 --> 01:06:49,114 because in the script I was Patrick, 1540 01:06:49,138 --> 01:06:51,416 and I notice that IMDb, 1541 01:06:51,440 --> 01:06:55,554 and depending where you look online I played Victor, 1542 01:06:55,578 --> 01:06:56,655 which always confused me 1543 01:06:56,679 --> 01:06:58,323 when the fans were like, 1544 01:06:58,347 --> 01:07:00,459 "Hey, we loved you playing Victor in Stephen King's IT," 1545 01:07:00,483 --> 01:07:01,693 and I was like, "You mean Patrick," 1546 01:07:01,717 --> 01:07:02,562 and they'd be like, "No, Victor," 1547 01:07:02,586 --> 01:07:04,086 and I'm like, "No, it was Patrick." 1548 01:07:06,222 --> 01:07:07,332 The very first thing that I did 1549 01:07:07,356 --> 01:07:09,634 was another iconic film called NeverEnding Story 1550 01:07:09,658 --> 01:07:11,761 where, ironically, I played a bully. 1551 01:07:13,829 --> 01:07:15,807 I managed to get typecast in kind of that bully role... 1552 01:07:15,831 --> 01:07:17,142 Not because I was big, 1553 01:07:17,166 --> 01:07:19,478 just because I was intense and could beat people up. 1554 01:07:19,502 --> 01:07:21,179 Let me show you. 1555 01:07:21,203 --> 01:07:23,205 And I could really burp on command. 1556 01:07:24,840 --> 01:07:26,575 -Without throwing up, as well, I might add. 1557 01:07:28,577 --> 01:07:29,721 In the book, it's-it's obvious 1558 01:07:29,745 --> 01:07:31,356 that Henry is badly... 1559 01:07:31,380 --> 01:07:33,859 I mean, abuse doesn't begin to cover 1560 01:07:33,883 --> 01:07:35,527 what he suffers at the hands of his father 1561 01:07:35,551 --> 01:07:37,562 and he has this true fear of his father. 1562 01:07:37,586 --> 01:07:38,597 I'm not a method actor 1563 01:07:38,621 --> 01:07:41,400 but I did keep that a bit in mind 1564 01:07:41,424 --> 01:07:44,369 when I was attempting to torture and ultimately kill 1565 01:07:44,393 --> 01:07:46,138 these poor children, right? 1566 01:07:46,162 --> 01:07:49,374 He needed to transfer those feelings of helplessness. 1567 01:07:49,398 --> 01:07:51,676 He wanted to impose that same fear on other people 1568 01:07:51,700 --> 01:07:53,478 that he suffered when he went home at night. 1569 01:07:53,502 --> 01:07:54,679 There's one scene in the film, 1570 01:07:54,703 --> 01:07:57,716 it's the only scene where my character is vulnerable 1571 01:07:57,740 --> 01:07:58,784 and that's in the classroom 1572 01:07:58,808 --> 01:07:59,818 and that's when he's being threatened 1573 01:07:59,842 --> 01:08:02,454 to be kicked out after a disturbance. 1574 01:08:02,478 --> 01:08:03,755 There's a crack in my voice when he says, 1575 01:08:03,779 --> 01:08:06,124 "But my father will tan my hide." 1576 01:08:06,148 --> 01:08:08,493 and that sort of typifies the fear 1577 01:08:08,517 --> 01:08:11,163 that he has of-of his father. 1578 01:08:11,187 --> 01:08:12,731 I actually get emotional about this because 1579 01:08:12,755 --> 01:08:13,755 my dad's passed. 1580 01:08:15,257 --> 01:08:17,869 He, uh, wasn't supportive at all. 1581 01:08:17,893 --> 01:08:19,237 He never went to any of my plays, 1582 01:08:19,261 --> 01:08:22,307 he sort of scoffed at all of my dreams and aspirations. 1583 01:08:22,331 --> 01:08:23,909 But I remember that he came home from work 1584 01:08:23,933 --> 01:08:26,711 and I said, "Dad, I got it!" 1585 01:08:26,735 --> 01:08:30,715 and his shock and the pride and the sadness 1586 01:08:30,739 --> 01:08:33,218 that he hadn't embraced this dream earlier. 1587 01:08:33,242 --> 01:08:35,821 And from that point on, though, it was nothing but-but pride 1588 01:08:35,845 --> 01:08:37,456 and-and-and it was a wonderful thing. 1589 01:08:37,480 --> 01:08:39,825 I apologize for getting emotional. 1590 01:08:39,849 --> 01:08:42,727 I wanted to be as sensitive off camera 1591 01:08:42,751 --> 01:08:44,162 as I possibly could. 1592 01:08:44,186 --> 01:08:47,232 Yelling these racial slurs and these obscenities, you know, 1593 01:08:47,256 --> 01:08:49,701 calling him, you know, fat boy and all of that kind of thing, 1594 01:08:49,725 --> 01:08:52,604 I wanted to make sure after the take that 1595 01:08:52,628 --> 01:08:54,573 he knew that that's not the way I felt. 1596 01:08:54,597 --> 01:08:56,875 Or what, boy? Or what? 1597 01:08:56,899 --> 01:08:58,009 You know, he always told me 1598 01:08:58,033 --> 01:08:59,111 how uncomfortable he was with having to say 1599 01:08:59,135 --> 01:09:01,680 some of the things he had to say to me, 1600 01:09:01,704 --> 01:09:04,416 which was great. 1601 01:09:04,440 --> 01:09:05,650 'Cause it was some harsh words, man! 1602 01:09:05,674 --> 01:09:07,419 It was some harsh words said. 1603 01:09:07,443 --> 01:09:08,653 I'd always apologize afterwards. 1604 01:09:08,677 --> 01:09:10,388 And the Americans were quite 1605 01:09:10,412 --> 01:09:12,624 astounded by that; they thought, "Well, you're playing a part." 1606 01:09:12,648 --> 01:09:14,860 There's a scene where I get confronted 1607 01:09:14,884 --> 01:09:17,496 by Henry Bowers, where he's supposed to carve 1608 01:09:17,520 --> 01:09:19,498 the "H" in my belly. 1609 01:09:19,522 --> 01:09:21,566 Hey look, it's the fat boy. 1610 01:09:21,590 --> 01:09:23,368 Top of the day, fat boy! 1611 01:09:23,392 --> 01:09:27,906 -And it was probably the scene that I feared the most. 1612 01:09:36,605 --> 01:09:37,550 I thought for a moment 1613 01:09:37,574 --> 01:09:40,218 that he could very well lose it 1614 01:09:40,242 --> 01:09:41,653 and go ahead and just, you know, 1615 01:09:41,677 --> 01:09:43,922 start the artwork on my stomach right then and there. 1616 01:09:43,946 --> 01:09:45,423 - Come on. Don't really cut him. 1617 01:09:45,447 --> 01:09:47,459 Cut him? Huh? 1618 01:09:47,483 --> 01:09:48,727 Cut him? 1619 01:09:48,751 --> 01:09:51,663 He made it very easy to be afraid. 1620 01:09:51,687 --> 01:09:53,665 But I remember that being probably 1621 01:09:53,689 --> 01:09:56,859 the most difficult scene for me to film. 1622 01:09:58,894 --> 01:10:00,472 The only source of disappointment for me 1623 01:10:00,496 --> 01:10:02,874 was the fact that we couldn't go as raw 1624 01:10:02,898 --> 01:10:05,877 and as bold as they did in the book. 1625 01:10:05,901 --> 01:10:07,746 The violence is something that I just... 1626 01:10:07,770 --> 01:10:09,414 I wanted to go further with it. 1627 01:10:09,438 --> 01:10:10,715 I just felt it would have been more effective 1628 01:10:10,739 --> 01:10:12,284 if we were able to do that, 1629 01:10:12,308 --> 01:10:14,452 knowing fully well that we weren't able to. 1630 01:10:14,476 --> 01:10:16,588 Henry Bowers. 1631 01:10:16,612 --> 01:10:20,559 There were two adults that were cast later 1632 01:10:20,583 --> 01:10:22,827 and Green/Epstein were very sweet 1633 01:10:22,851 --> 01:10:27,432 about allowing us to look at so me people that were friends. 1634 01:10:27,456 --> 01:10:31,036 -Henry. Hen. 1635 01:10:31,060 --> 01:10:33,872 This is scaring me already! 1636 01:10:33,896 --> 01:10:37,042 It Needed a special quality person. 1637 01:10:37,066 --> 01:10:41,746 And in this case, he was being cast after the boy 1638 01:10:41,770 --> 01:10:45,350 who played Henry Bowers, who was also a very special person 1639 01:10:45,374 --> 01:10:47,819 and had a strangeness about him. 1640 01:10:47,843 --> 01:10:52,457 -I tell you, people will always remember Henry Bowers. 1641 01:10:52,481 --> 01:10:54,526 Michael Cole, he was from a show 1642 01:10:54,550 --> 01:10:56,695 called Mod Squad that I grew up on. 1643 01:10:56,719 --> 01:10:59,397 He wasn't traditionally a badass 1644 01:10:59,421 --> 01:11:02,500 but he just showed that side and so he was just kind of 1645 01:11:02,524 --> 01:11:04,736 one of these little gem finds, 1646 01:11:04,760 --> 01:11:07,706 somebody that had some gravitas. 1647 01:11:07,730 --> 01:11:10,909 -After all those years, Michael had attained 1648 01:11:10,933 --> 01:11:14,813 a patina of strangeness, which some of us do. 1649 01:11:14,837 --> 01:11:16,881 And so when he came in to talk about it, 1650 01:11:16,905 --> 01:11:20,952 I felt very positive right there and then 1651 01:11:20,976 --> 01:11:23,021 that he could pull that roll off as. 1652 01:11:23,045 --> 01:11:25,790 , okay, that strange little boy 1653 01:11:25,814 --> 01:11:27,659 grew up to be this strange man. 1654 01:11:27,683 --> 01:11:29,394 I'll pay you back, 1655 01:11:29,418 --> 01:11:31,096 I'll pay you all back! 1656 01:11:31,120 --> 01:11:33,632 -Not many casting directors will do this. 1657 01:11:33,656 --> 01:11:36,568 I got down on the floor crawling around, 1658 01:11:36,592 --> 01:11:41,606 and I was so shook up and sweat was starting to run down, 1659 01:11:41,630 --> 01:11:47,445 and Victoria got down on the floor with me, 1660 01:11:47,469 --> 01:11:50,115 sliding sheets of paper in front of me 1661 01:11:50,139 --> 01:11:53,518 so I could get the cue. 1662 01:11:53,542 --> 01:11:56,021 Boy, what a champion. 1663 01:11:56,045 --> 01:11:57,088 I met Michael Cole 1664 01:11:57,112 --> 01:11:58,156 and he was perfectly polite 1665 01:11:58,180 --> 01:12:01,660 but not very effusive or -or friendly, 1666 01:12:01,684 --> 01:12:04,596 and I-I actually backed out of his trailer and I thought, 1667 01:12:04,620 --> 01:12:07,032 "I'm just gonna leave you alone to your business." 1668 01:12:07,056 --> 01:12:08,967 So, he did a great job obviously. 1669 01:12:26,075 --> 01:12:27,852 Pennywise is wonderful. 1670 01:12:27,876 --> 01:12:29,421 I mean, he's charming and scary 1671 01:12:29,445 --> 01:12:32,157 and both elusive and enthralling, you know. 1672 01:12:32,181 --> 01:12:33,525 He's like any good drug. 1673 01:12:33,549 --> 01:12:34,826 Like you just want to go to it, 1674 01:12:34,850 --> 01:12:36,161 but then you regret it immediately. 1675 01:12:36,185 --> 01:12:39,531 Pennywise is much more overtly comic... 1676 01:12:39,555 --> 01:12:42,667 Won't do any good to run, girly boy. 1677 01:12:42,691 --> 01:12:44,603 - - As a lure for the kids 1678 01:12:44,629 --> 01:12:46,538 And as a sort of perverse 1679 01:12:46,562 --> 01:12:48,530 set of jokes for the audience. 1680 01:12:50,132 --> 01:12:53,578 But when he scares, he scares the crap out of you. 1681 01:12:53,602 --> 01:12:57,682 He found the way to really lure you in 1682 01:12:57,706 --> 01:12:59,184 like Georgie in the sewer. 1683 01:12:59,208 --> 01:13:00,518 My boat! 1684 01:13:00,542 --> 01:13:02,787 Exactly! 1685 01:13:02,811 --> 01:13:05,557 When Georgie is first taken by Pennywise, 1686 01:13:05,581 --> 01:13:07,759 which is a great scene when he follows the boat 1687 01:13:07,783 --> 01:13:09,661 down the street in the rain. 1688 01:13:09,685 --> 01:13:11,162 S.S. Georgie. 1689 01:13:13,922 --> 01:13:15,300 The effects guys had done this 1690 01:13:15,324 --> 01:13:18,169 brilliant job to figure out how to get the boat to flow 1691 01:13:18,193 --> 01:13:19,461 all in one take. 1692 01:13:20,696 --> 01:13:22,474 No, please no. 1693 01:13:22,498 --> 01:13:24,175 Tommy Lee Wallace opened the sewer grate, 1694 01:13:24,199 --> 01:13:25,210 which was just a manhole cover 1695 01:13:25,234 --> 01:13:27,212 which was about four feet away from the sewer, 1696 01:13:27,236 --> 01:13:29,814 and had Tim crouch down and speak... 1697 01:13:29,838 --> 01:13:31,649 Hiya, Georgie! 1698 01:13:31,673 --> 01:13:32,984 Into the sewer. 1699 01:13:33,008 --> 01:13:35,854 We Had a strange day to shoot it. 1700 01:13:35,878 --> 01:13:37,489 You can almost always count on 1701 01:13:37,513 --> 01:13:39,457 overcast in Vancouver, 1702 01:13:39,481 --> 01:13:41,659 but this day was sunny and bright, 1703 01:13:41,683 --> 01:13:44,529 but "We better go ahead and do it because 1704 01:13:44,553 --> 01:13:46,798 here we are and the set is built." 1705 01:13:46,822 --> 01:13:48,099 You can see the rays of sunshine 1706 01:13:48,123 --> 01:13:50,168 coming through the scaffolding 1707 01:13:50,192 --> 01:13:52,070 that they built to create the rain. 1708 01:13:52,094 --> 01:13:54,105 I had trepidation about that 1709 01:13:54,129 --> 01:13:57,108 but the effect was kind of wonderful. 1710 01:13:57,132 --> 01:13:59,911 The light was doing weird things and of course you could see 1711 01:13:59,935 --> 01:14:03,014 the rain really well because it was backlit by the sun. 1712 01:14:03,038 --> 01:14:05,850 Then you get to the actual sewer. 1713 01:14:05,874 --> 01:14:09,053 That was a set. It was done outdoors. 1714 01:14:09,077 --> 01:14:11,856 The set was up high and Tim was just standing 1715 01:14:11,880 --> 01:14:14,592 with his face up against the opening, 1716 01:14:14,616 --> 01:14:16,027 so we were on a riser, 1717 01:14:16,051 --> 01:14:19,097 looking down as if we were on the street. 1718 01:14:19,121 --> 01:14:21,566 Little Georgie at the beginning of the film 1719 01:14:21,590 --> 01:14:25,069 when he's chasing his paper boat and I grab him, 1720 01:14:25,093 --> 01:14:27,272 he stopped and said... 1721 01:14:27,296 --> 01:14:28,773 -"Tim, you're scaring me, you're scaring me." 1722 01:14:28,797 --> 01:14:31,676 -"It'll save you a little acting, won't it?" 1723 01:14:31,700 --> 01:14:33,244 That wonderful little boy. 1724 01:14:33,268 --> 01:14:34,446 Do they float? 1725 01:14:34,470 --> 01:14:36,247 And Tim Curry's performance. 1726 01:14:36,271 --> 01:14:39,284 They float, Georgie. 1727 01:14:39,308 --> 01:14:41,719 -to me, that's what that scene is. 1728 01:14:41,743 --> 01:14:45,156 Not much in the way of special effects. 1729 01:14:45,180 --> 01:14:47,559 You'll float too! 1730 01:14:50,819 --> 01:14:53,231 -One of the scenes that was left out 1731 01:14:53,255 --> 01:14:57,836 of the final showing of IT was that scene where 1732 01:14:57,860 --> 01:15:01,105 Sharon comes to the door and is presented with 1733 01:15:01,129 --> 01:15:04,008 a fireman holding the body of her son. 1734 01:15:04,032 --> 01:15:06,611 Holding me with my arm in my sleeve 1735 01:15:06,635 --> 01:15:08,546 and the blood dripping out of the sleeve. 1736 01:15:08,570 --> 01:15:09,614 It's pouring rain 1737 01:15:09,638 --> 01:15:12,283 and she opens the door and there he is, 1738 01:15:12,307 --> 01:15:14,586 and I spent all day screaming 1739 01:15:14,610 --> 01:15:15,787 as we did take after take. 1740 01:15:15,811 --> 01:15:18,056 I guess since it was made for TV 1741 01:15:18,080 --> 01:15:20,658 that that was pushing the envelope a little bit. 1742 01:15:20,682 --> 01:15:22,060 We were certainly aware that we were doing 1743 01:15:22,084 --> 01:15:23,828 a horror movie for television. 1744 01:15:23,852 --> 01:15:26,598 George. 1745 01:15:26,622 --> 01:15:28,800 And back then, we were very limited 1746 01:15:28,824 --> 01:15:30,168 to what you could show. 1747 01:15:30,192 --> 01:15:31,669 We were breaking new ground, 1748 01:15:31,693 --> 01:15:33,137 because I don't remember 1749 01:15:33,161 --> 01:15:35,740 before any kind of material like this 1750 01:15:35,764 --> 01:15:37,709 that I saw on television. 1751 01:15:37,733 --> 01:15:40,178 Sci-fi, horror. 1752 01:15:40,202 --> 01:15:41,046 Float. 1753 01:15:41,070 --> 01:15:43,014 -.blood, and there was a lot of that. 1754 01:15:47,175 --> 01:15:48,253 -And we had to work with 1755 01:15:48,277 --> 01:15:51,289 the program practice department at all times. 1756 01:15:51,313 --> 01:15:55,760 There was a scene where the kids become 1757 01:15:55,784 --> 01:15:59,297 blood brothers and sisters and they cut their hand 1758 01:15:59,321 --> 01:16:02,634 and they place their palms on palms. 1759 01:16:02,658 --> 01:16:05,270 We had to change that 1760 01:16:05,294 --> 01:16:07,038 because it was in the early '90s 1761 01:16:07,062 --> 01:16:08,806 and it was during the time of AIDS. 1762 01:16:08,830 --> 01:16:11,276 So, we wrote the scene to spit in their hand. 1763 01:16:11,300 --> 01:16:14,913 -The advertisers were very nervous. 1764 01:16:14,937 --> 01:16:17,715 This was a children in jeopardy story 1765 01:16:17,739 --> 01:16:19,951 and we had to focus it on 1766 01:16:19,975 --> 01:16:22,186 the fact that it was a Stephen King novel, 1767 01:16:22,210 --> 01:16:23,888 that it was very popular. 1768 01:16:23,912 --> 01:16:25,823 Executives, creatives knew it, 1769 01:16:25,847 --> 01:16:28,259 but program practices still had to follow their guidelines 1770 01:16:28,283 --> 01:16:31,195 and we were constantly up against them, 1771 01:16:31,219 --> 01:16:33,398 pushing it, and fighting 1772 01:16:33,422 --> 01:16:35,800 for the creative integrity of the piece. 1773 01:16:35,824 --> 01:16:38,903 Broadcast Standards rejected the picture, 1774 01:16:38,927 --> 01:16:42,407 and the head of Broadcast Standards at the time 1775 01:16:42,431 --> 01:16:45,310 happened to be someone I knew, so it was easy for me 1776 01:16:45,334 --> 01:16:47,078 to get on the phone to New York 1777 01:16:47,102 --> 01:16:49,013 and ask for help. 1778 01:16:49,037 --> 01:16:51,282 The gentleman that was in charge of 1779 01:16:51,306 --> 01:16:53,418 censorship at ABC 1780 01:16:53,442 --> 01:16:56,254 agreed to come out and look at the picture with me. 1781 01:16:56,278 --> 01:16:59,691 His staff had rejected the picture on so many levels 1782 01:16:59,715 --> 01:17:03,161 that every note that they had meant re-cutting the picture 1783 01:17:03,185 --> 01:17:04,862 and I just simply said, 1784 01:17:04,886 --> 01:17:06,431 "We're not cutting a piece of it." 1785 01:17:06,455 --> 01:17:07,432 "This is what you bought. 1786 01:17:07,456 --> 01:17:08,900 You bought a Stephen King horror. 1787 01:17:08,924 --> 01:17:10,034 We'll be able to show it 1788 01:17:10,058 --> 01:17:12,303 in a very respectable, responsible way... 1789 01:17:12,327 --> 01:17:14,405 is based on subject material 1790 01:17:14,429 --> 01:17:17,442 that may be unsuitable for, and unsettling to 1791 01:17:17,466 --> 01:17:19,811 younger and impressionable viewers. 1792 01:17:19,835 --> 01:17:21,312 -"but we can't deny the audience 1793 01:17:21,336 --> 01:17:23,314 what they come to expect." 1794 01:17:23,338 --> 01:17:25,216 I had made my argument 1795 01:17:25,240 --> 01:17:28,286 that these were recollections of adults. 1796 01:17:28,310 --> 01:17:29,821 The blood. 1797 01:17:29,845 --> 01:17:31,856 I cleaned the whole thing up that very same night. 1798 01:17:31,880 --> 01:17:33,758 And so therefore, we could get away with 1799 01:17:33,782 --> 01:17:35,193 children in jeopardy. 1800 01:17:39,154 --> 01:17:40,198 The next day we were told, 1801 01:17:40,222 --> 01:17:43,125 "No changes. Move forward." 1802 01:18:11,853 --> 01:18:12,930 Cue background! 1803 01:18:12,954 --> 01:18:14,899 Background! 1804 01:18:16,091 --> 01:18:18,069 Eric, go. 1805 01:18:18,093 --> 01:18:20,471 The idea of the carnival scene 1806 01:18:20,495 --> 01:18:22,473 is straight out of the book... 1807 01:18:22,497 --> 01:18:25,410 The hand that reaches right out of the photo album 1808 01:18:25,434 --> 01:18:27,245 and grabs at them. 1809 01:18:27,269 --> 01:18:29,347 -Come on, it's just a drawing! 1810 01:18:29,371 --> 01:18:31,282 The photo book was built by two people, 1811 01:18:31,306 --> 01:18:33,217 Mike Steffy, and Bob Comer. 1812 01:18:33,241 --> 01:18:35,887 Both of them had this amazing mechanical ability 1813 01:18:35,911 --> 01:18:37,855 to build what we call tabletop gags, 1814 01:18:37,879 --> 01:18:39,123 really intricate things. 1815 01:18:39,147 --> 01:18:41,192 -That was my favorite thing, 1816 01:18:41,216 --> 01:18:43,928 that you see a photograph and I come alive. 1817 01:18:43,952 --> 01:18:45,329 Such a great idea. 1818 01:18:53,095 --> 01:18:55,773 -I have never seen so many cables attached to something 1819 01:18:55,797 --> 01:18:58,076 that operated those pages to turn. 1820 01:18:58,100 --> 01:19:00,978 It was a complex push me-pull me cable system. 1821 01:19:01,002 --> 01:19:02,447 They had to hit their marks, 1822 01:19:02,471 --> 01:19:04,282 so they had to have individual cables for individual pages. 1823 01:19:04,306 --> 01:19:05,817 It took them weeks to build it. 1824 01:19:05,841 --> 01:19:07,285 When they operated it, 1825 01:19:07,309 --> 01:19:09,887 it was one of those "How do you hide all that stuff?" 1826 01:19:09,911 --> 01:19:11,856 Visual effects just didn't have the money. 1827 01:19:11,880 --> 01:19:12,791 All right, here we go. Yeah. 1828 01:19:12,815 --> 01:19:14,516 Thank you and clear, please. 1829 01:19:17,552 --> 01:19:18,830 What I really, really 1830 01:19:18,854 --> 01:19:22,233 wanted to emphasize was that "I think I see Pennywise 1831 01:19:22,257 --> 01:19:24,469 back there in the background somewhere 1832 01:19:24,493 --> 01:19:27,071 but he's just not bothering anybody." 1833 01:19:27,095 --> 01:19:28,206 And I picked up the book 1834 01:19:28,230 --> 01:19:29,474 and the first thing we saw was just a big hole in it. 1835 01:19:29,498 --> 01:19:32,076 And he's like, "All right, I want you guys to act 1836 01:19:32,100 --> 01:19:33,211 like you guys are reading this book, 1837 01:19:33,235 --> 01:19:36,581 like Pennywise is dancing down the street. 1838 01:19:36,605 --> 01:19:38,349 He jumps on the pole." 1839 01:19:38,373 --> 01:19:39,318 Uh, remember the uh, 1840 01:19:39,342 --> 01:19:40,918 remember the pull-up. 1841 01:19:40,942 --> 01:19:41,587 Don't watch the clown, background. 1842 01:19:41,611 --> 01:19:43,087 Keep doing your own stuff. 1843 01:19:43,111 --> 01:19:43,689 Remember that, uh, 1844 01:19:43,713 --> 01:19:45,389 little lower, and.yeah. 1845 01:19:45,413 --> 01:19:46,924 - "And then, here it comes..." 1846 01:19:46,948 --> 01:19:48,226 Aah! 1847 01:19:48,250 --> 01:19:49,460 -Oh, shit, he's right in your face, 1848 01:19:49,484 --> 01:19:50,528 just like that. 1849 01:19:50,552 --> 01:19:52,263 -"and I need you guys to react." 1850 01:19:52,287 --> 01:19:54,298 It was Tommy's hand that kind of 1851 01:19:54,322 --> 01:19:55,433 came up through there. 1852 01:19:55,457 --> 01:19:58,202 I remember later seeing the completed scene 1853 01:19:58,226 --> 01:20:00,171 and being blown away. 1854 01:20:00,195 --> 01:20:02,940 -I thought that was a good powerful moment. 1855 01:20:02,964 --> 01:20:04,942 Makeup effects were booming at that time. 1856 01:20:04,966 --> 01:20:07,378 Garage shops were popping up everywhere, 1857 01:20:07,402 --> 01:20:09,914 and Fantasy II was like an all-encompassing 1858 01:20:09,938 --> 01:20:11,516 movie effects house. 1859 01:20:11,540 --> 01:20:13,618 We had a makeup effects wing 1860 01:20:13,642 --> 01:20:16,954 and Bart Mixon was the lead person in it. 1861 01:20:16,978 --> 01:20:18,256 Tommy Lee Wallace 1862 01:20:18,280 --> 01:20:21,859 knew him from Fright Night 2 1863 01:20:21,883 --> 01:20:23,294 I had set up their creature shop 1864 01:20:23,318 --> 01:20:25,096 for Fright Night 2, 1865 01:20:25,120 --> 01:20:27,965 so it was just natural for Gene to bring me back in. 1866 01:20:27,989 --> 01:20:30,134 I had a crew of about a half a dozen artists on the show, 1867 01:20:30,158 --> 01:20:31,869 but I... probably selfishly, 1868 01:20:31,893 --> 01:20:33,571 I wanted to do Pennywise myself. 1869 01:20:33,595 --> 01:20:34,772 -That was Bart's baby. 1870 01:20:34,796 --> 01:20:37,875 Bart sculpted it and did the whole application. 1871 01:20:37,899 --> 01:20:39,177 Fozzie Bear does the twist? 1872 01:20:39,201 --> 01:20:41,245 Early on, I was doing a fair amount of 1873 01:20:41,269 --> 01:20:44,081 clown research and sketching. 1874 01:20:44,105 --> 01:20:46,584 -The idea, first of all, was to do a lot of research 1875 01:20:46,608 --> 01:20:49,353 on representation of clowns over time 1876 01:20:49,377 --> 01:20:51,589 to have a historical perspective. 1877 01:20:51,613 --> 01:20:54,992 We have to think of the size of the actor 1878 01:20:55,016 --> 01:20:57,295 and how big we want him to be, 1879 01:20:57,319 --> 01:20:59,497 how nimble we want him to be. 1880 01:20:59,521 --> 01:21:01,199 What we're doing with the costume is 1881 01:21:01,223 --> 01:21:03,201 we're serving his face; 1882 01:21:03,225 --> 01:21:05,937 everything has to serve the expression. 1883 01:21:05,961 --> 01:21:07,939 -The first time I did prosthetics 1884 01:21:07,963 --> 01:21:10,174 I was doing Legend for Ridley Scott, 1885 01:21:10,198 --> 01:21:12,043 where I played the devil. 1886 01:21:12,067 --> 01:21:14,445 -He had mentioned that Rob Botin had literally 1887 01:21:14,469 --> 01:21:17,548 casted every inch of his body, so I think he wasn't anxious 1888 01:21:17,572 --> 01:21:19,350 to have his life cast done again. 1889 01:21:19,374 --> 01:21:21,485 That's all right, I can bear it. 1890 01:21:21,509 --> 01:21:24,222 He was absolutely weighted down 1891 01:21:24,246 --> 01:21:27,992 with special effects makeup to the point at which he was... 1892 01:21:28,016 --> 01:21:31,362 To most people was no longer recognizable as Tim Curry. 1893 01:21:31,386 --> 01:21:33,664 I was prosthetic down to my waist 1894 01:21:33,688 --> 01:21:36,033 and it was all glued on, 1895 01:21:36,057 --> 01:21:38,402 and to get it off they used to sit me in a bath, 1896 01:21:38,426 --> 01:21:40,271 tear a hole in my head 1897 01:21:40,295 --> 01:21:42,373 and pour in solvent. 1898 01:21:42,397 --> 01:21:45,109 And the two guys who were doing it were insane, 1899 01:21:45,133 --> 01:21:49,080 probably because they were around solvents so much. 1900 01:21:49,104 --> 01:21:51,215 You do get horribly claustrophobic, 1901 01:21:51,239 --> 01:21:54,285 particularly if your whole face is covered. 1902 01:21:54,309 --> 01:21:56,053 So, his only reservation 1903 01:21:56,077 --> 01:21:57,955 was too much makeup. 1904 01:21:57,979 --> 01:22:01,125 He wanted to be able to use his face. 1905 01:22:01,149 --> 01:22:05,329 We pushed and pulled about how much makeup to do. 1906 01:22:05,353 --> 01:22:07,365 I met with him and we had a few conversations 1907 01:22:07,389 --> 01:22:09,734 about what he did or didn't want to wear. 1908 01:22:09,758 --> 01:22:13,170 He did want to go as light as possible with the prosthetic. 1909 01:22:13,194 --> 01:22:14,663 So there was some evolution. 1910 01:22:37,085 --> 01:22:39,363 I'll kill you all. 1911 01:22:39,387 --> 01:22:40,531 I'll kill you all. 1912 01:22:40,555 --> 01:22:41,966 I saw it as a fantasy character. 1913 01:22:41,990 --> 01:22:45,536 It was an illusion that It's presenting to these children. 1914 01:22:45,560 --> 01:22:48,239 I wanted it to almost be like a living cartoon, 1915 01:22:48,263 --> 01:22:50,308 just as harmless and as pleasant looking 1916 01:22:50,332 --> 01:22:51,342 as it could be, 1917 01:22:51,366 --> 01:22:52,277 and that's why the colors 1918 01:22:52,301 --> 01:22:54,512 are pure white and red and blue 1919 01:22:54,536 --> 01:22:56,647 and very primary and very clean. 1920 01:22:56,671 --> 01:22:58,449 I didn't want there to be cracks. 1921 01:22:58,473 --> 01:23:00,484 And at least when he's presenting himself to the kids, 1922 01:23:00,508 --> 01:23:02,286 he's casting this illusion, 1923 01:23:02,310 --> 01:23:05,389 so why would he have flaws in it? 1924 01:23:05,413 --> 01:23:08,125 The usual accoutrement of clownmanship, 1925 01:23:08,149 --> 01:23:10,328 it was definitely going to be whiteface. 1926 01:23:10,352 --> 01:23:11,395 It was really the classic 1927 01:23:11,419 --> 01:23:14,465 Bozo the Clown approach, to begin with. 1928 01:23:14,489 --> 01:23:16,434 -He came over to the shop, we took a life cast, 1929 01:23:16,458 --> 01:23:19,603 and then we produced copies of busts of his head. 1930 01:23:19,627 --> 01:23:22,306 I believe I had three of those that I did clay sketches on 1931 01:23:22,330 --> 01:23:24,375 where we did three different concepts. 1932 01:23:24,399 --> 01:23:26,510 There was a hobo clown 1933 01:23:26,534 --> 01:23:28,813 with jowls and droopy face, 1934 01:23:28,837 --> 01:23:29,914 and then there was one in between 1935 01:23:29,938 --> 01:23:31,782 that had more prosthetics on his face 1936 01:23:31,806 --> 01:23:34,685 but made him a little more angular and meaner. 1937 01:23:34,709 --> 01:23:36,487 Once we-we produced the makeup, 1938 01:23:36,511 --> 01:23:38,356 then we went up to Canada to test it. 1939 01:23:38,380 --> 01:23:40,591 And we did two makeup tests. 1940 01:23:40,615 --> 01:23:41,826 When we got to Vancouver, 1941 01:23:41,850 --> 01:23:45,162 and were doing our test makeup, I was so looking forward 1942 01:23:45,186 --> 01:23:46,630 to that day and that moment 1943 01:23:46,654 --> 01:23:49,300 when we would be able to sit with Tim with the makeup on 1944 01:23:49,324 --> 01:23:51,168 and see this clown with 1945 01:23:51,192 --> 01:23:53,738 bloodshot eyes and fangs and a scary face. 1946 01:23:53,762 --> 01:23:56,440 The first test was just the head and the nose 1947 01:23:56,464 --> 01:23:59,076 with a paint scheme that was what Tim had wanted. 1948 01:23:59,100 --> 01:24:01,512 He dictated the patterns on the face. 1949 01:24:01,536 --> 01:24:04,181 The second test, we added the cheeks and the chin 1950 01:24:04,205 --> 01:24:06,450 and then I painted something closer to what I had 1951 01:24:06,474 --> 01:24:08,119 on my original design, 1952 01:24:08,143 --> 01:24:10,721 where he's got like a bigger red mouth and the blue eyes. 1953 01:24:10,745 --> 01:24:11,922 They photographed both of those. 1954 01:24:11,946 --> 01:24:13,824 The decision was made that he didn't really 1955 01:24:13,848 --> 01:24:15,393 need the cheeks and chin, 1956 01:24:15,417 --> 01:24:17,161 which at the time I was kind of like, 1957 01:24:17,185 --> 01:24:18,262 "Hey, wait a minute!" 1958 01:24:18,286 --> 01:24:20,264 But I think he looks great like he is. 1959 01:24:20,288 --> 01:24:22,600 The paint scheme evolved a little bit further. 1960 01:24:22,624 --> 01:24:24,268 We did at least one more test 1961 01:24:24,292 --> 01:24:26,303 where we just painted Tim's face white 1962 01:24:26,327 --> 01:24:28,806 and then refined the patterns. 1963 01:24:28,830 --> 01:24:32,843 -It's always kind of tough having that stuff stuck on you. 1964 01:24:32,867 --> 01:24:34,211 There was a certain line 1965 01:24:34,235 --> 01:24:36,247 that I was going past, 1966 01:24:36,271 --> 01:24:38,816 and Bart Mixon was in on that conversation, 1967 01:24:38,840 --> 01:24:41,786 as was Doug Higgins, the art director. 1968 01:24:41,810 --> 01:24:45,456 We were all having discussions about Pennywise's look. 1969 01:24:45,480 --> 01:24:49,326 I was excited about adding certain appliance makeup 1970 01:24:49,350 --> 01:24:51,228 like a bulbous forehead, 1971 01:24:51,252 --> 01:24:56,901 perhaps exaggerated cheekbones, big extended chin, 1972 01:24:56,925 --> 01:24:59,837 things to cartoonize his face. 1973 01:24:59,861 --> 01:25:03,240 Tim took a stand about that and said he really didn't want 1974 01:25:03,264 --> 01:25:04,742 to wear these things. 1975 01:25:04,766 --> 01:25:06,911 He agreed to try them on. 1976 01:25:06,935 --> 01:25:09,613 -And he said, "If you want me to wear this scary makeup, 1977 01:25:09,637 --> 01:25:11,348 then I think you have the wrong actor." 1978 01:25:11,372 --> 01:25:13,150 And I thought, "What?" 1979 01:25:13,174 --> 01:25:16,487 He had great patience and great forbearance, 1980 01:25:16,511 --> 01:25:19,490 because I think that job was a purgatory for him, 1981 01:25:19,514 --> 01:25:20,558 I really do. 1982 01:25:20,582 --> 01:25:22,927 One more, Tim. 1983 01:25:22,951 --> 01:25:24,462 And God love him, 1984 01:25:24,486 --> 01:25:25,729 he created a character 1985 01:25:25,753 --> 01:25:29,834 that has scared the pants off of generations. 1986 01:25:29,858 --> 01:25:31,902 He said, "Look, just make me 1987 01:25:31,926 --> 01:25:35,573 as a straight clown and I will scare the audience." 1988 01:25:35,597 --> 01:25:38,709 I thought, "Of course. That's why we have Tim Curry." 1989 01:25:38,733 --> 01:25:40,211 Go! 1990 01:25:40,235 --> 01:25:41,912 Now. 1991 01:25:41,936 --> 01:25:44,215 "He will scare us. We don't need all of that." 1992 01:25:44,239 --> 01:25:46,750 -In the end, we removed all of them 1993 01:25:46,774 --> 01:25:49,720 except the bulbous head, and I'm glad we stuck with that, 1994 01:25:49,744 --> 01:25:54,558 but he was totally right that his face is so expressive... 1995 01:25:54,582 --> 01:25:55,902 Give us a profile, Tim. 1996 01:25:57,952 --> 01:25:59,029 That it was good 1997 01:25:59,053 --> 01:26:02,500 to not see it too done up with rubber. 1998 01:26:02,524 --> 01:26:04,368 But Tim could act through a manhole cover 1999 01:26:04,392 --> 01:26:05,736 if he wanted to, 2000 01:26:05,760 --> 01:26:08,363 because he has that kind of charisma and presence. 2001 01:26:29,384 --> 01:26:31,729 The look that we ended up with 2002 01:26:31,753 --> 01:26:34,265 was based in a large part 2003 01:26:34,289 --> 01:26:35,966 on the Lon Chaney Phantom of the Opera. 2004 01:26:35,990 --> 01:26:37,601 That's why it's got the upturned nose 2005 01:26:37,625 --> 01:26:39,403 and the bulbous head. 2006 01:26:48,436 --> 01:26:50,514 I didn't film any of my scenes with Tim Curry 2007 01:26:50,538 --> 01:26:51,782 'cause they didn't want to scare me. 2008 01:26:51,806 --> 01:26:55,686 I was walking back to go to my trailer to go change 2009 01:26:55,710 --> 01:26:59,823 and Tim Curry is in full gear, his clown makeup, everything, 2010 01:26:59,847 --> 01:27:02,326 and he walks by me and he goes, "Hi!" 2011 01:27:02,350 --> 01:27:05,563 And it scared me so much. 2012 01:27:05,587 --> 01:27:07,865 To be honest that's the reason why I... 2013 01:27:07,889 --> 01:27:09,533 I still haven't seen the movie, 2014 01:27:09,557 --> 01:27:11,035 because I'm terrified of clowns. 2015 01:27:12,727 --> 01:27:15,372 -There was quite a good photograph in a magazine of me 2016 01:27:15,396 --> 01:27:17,708 heading for the makeup trailer 2017 01:27:17,732 --> 01:27:22,513 in a bathrobe with a Marlboro dangling from my face. 2018 01:27:22,537 --> 01:27:24,848 Tim kept himself quite aloof from us. 2019 01:27:24,872 --> 01:27:28,686 He would basically just hang out in his cast chair, 2020 01:27:28,710 --> 01:27:30,988 chain-smoking in full makeup 2021 01:27:31,012 --> 01:27:33,324 and whenever he saw us, he would just go 2022 01:27:33,348 --> 01:27:35,059 "Grrrrr!" 2023 01:27:35,083 --> 01:27:36,293 Those kind of people 2024 01:27:36,317 --> 01:27:38,362 always make your job easier. 2025 01:27:38,386 --> 01:27:40,764 The kids were actually quite scared of me. 2026 01:27:40,788 --> 01:27:42,366 -I'd been playing it really cool 2027 01:27:42,390 --> 01:27:44,001 and then we wound up in a van 2028 01:27:44,025 --> 01:27:45,569 going back to the hotel together 2029 01:27:45,593 --> 01:27:47,571 and I was wearing a Rocky Horror shirt 2030 01:27:47,595 --> 01:27:50,641 and I was like trying to cover it up, 2031 01:27:50,665 --> 01:27:53,644 and he saw it and he was like, "Oh, you like the movie?" 2032 01:27:53,668 --> 01:27:56,880 And I go, "Yeah, I'm... I'm into you, dude!" 2033 01:27:56,904 --> 01:27:59,917 I have a picture of him in half a clown costume 2034 01:27:59,941 --> 01:28:02,920 with me standing next to him looking slightly scared 2035 01:28:02,944 --> 01:28:04,555 that was taken off the set 2036 01:28:04,579 --> 01:28:07,625 after shooting this shower scene 2037 01:28:07,649 --> 01:28:09,026 and I was too scared to ask him for that picture. 2038 01:28:09,050 --> 01:28:10,894 My mom, however, was not. 2039 01:28:10,918 --> 01:28:13,464 I Encouraged him to be really big, 2040 01:28:13,488 --> 01:28:15,566 because it's almost like a character 2041 01:28:15,590 --> 01:28:17,835 who's satirizing himself constantly. 2042 01:28:17,859 --> 01:28:19,570 He's being self-referential 2043 01:28:19,594 --> 01:28:22,373 when he tells these awful, stupid jokes. 2044 01:28:22,397 --> 01:28:24,541 Do you have Prince Albert in a can? 2045 01:28:24,565 --> 01:28:26,076 -Then, urrah, urrah, urrah. 2046 01:28:26,100 --> 01:28:27,478 Urrah, urrah, urrah, 2047 01:28:27,502 --> 01:28:28,446 urrah, urrah, 2048 01:28:28,470 --> 01:28:30,881 you know, it's like, "Wait, 2049 01:28:30,905 --> 01:28:34,418 he's just demented; that's all there is to that. 2050 01:28:34,442 --> 01:28:37,588 But wait, he's not even a clown, he's some other kind of monster, 2051 01:28:37,612 --> 01:28:39,556 so, oh, I'm uneasy." 2052 01:28:39,580 --> 01:28:43,460 Pennywise is this really strange, queer... 2053 01:28:43,484 --> 01:28:45,362 Not in LGBTQ sense, 2054 01:28:45,386 --> 01:28:49,600 but like queer as in strange, as in aberrant. 2055 01:28:49,624 --> 01:28:51,702 I think that the novel, more so than the miniseries, 2056 01:28:51,726 --> 01:28:53,470 is very much grounded in the fact 2057 01:28:53,494 --> 01:28:57,141 that Pennywise is on three different levels: 2058 01:28:57,165 --> 01:28:59,143 It is in disguise 2059 01:28:59,167 --> 01:29:01,145 as Pennywise; Pennywise then 2060 01:29:01,169 --> 01:29:03,714 disguises himself as, say, 2061 01:29:03,738 --> 01:29:04,815 the Creature from the Black Lagoon, 2062 01:29:04,839 --> 01:29:06,374 the mummy, the leper. 2063 01:29:07,675 --> 01:29:11,055 Get out of Derry while you still can! 2064 01:29:11,079 --> 01:29:13,557 Beverly's dad in a dress, 2065 01:29:13,581 --> 01:29:16,093 so it's drag on drag on drag on drag. 2066 01:29:16,117 --> 01:29:18,062 It's all about these very queer elements, 2067 01:29:18,086 --> 01:29:20,397 which is what horror fiction is always about. 2068 01:29:20,421 --> 01:29:22,399 It's always about the thing on the outside. 2069 01:29:22,423 --> 01:29:25,469 So, King is really preying on those fears, 2070 01:29:25,493 --> 01:29:26,737 those fears of the outsider. 2071 01:29:29,030 --> 01:29:30,140 Stan? 2072 01:29:30,164 --> 01:29:31,875 My first day of 2073 01:29:31,899 --> 01:29:34,912 shooting on the set was with Jonathan Brandis, 2074 01:29:34,936 --> 01:29:38,482 where Stan goes to do some bird watching and ends up in 2075 01:29:38,506 --> 01:29:39,683 a house... 2076 01:29:39,707 --> 01:29:40,718 Hello? 2077 01:29:40,742 --> 01:29:42,019 Stanley. 2078 01:29:42,043 --> 01:29:43,053 Yeah? 2079 01:29:43,077 --> 01:29:43,888 And of course, 2080 01:29:43,912 --> 01:29:46,090 It manifests itself as that mummy. 2081 01:29:49,684 --> 01:29:51,628 Jim McLaughlin sculpted the mummy for me, 2082 01:29:51,652 --> 01:29:53,931 which was basically a makeup that Jim had done 2083 01:29:53,955 --> 01:29:55,132 a year or so earlier and I was like, 2084 01:29:55,156 --> 01:29:57,468 "That looks cool, you mind if we use that in the movie?" 2085 01:29:57,492 --> 01:29:59,252 So he just, you know, made me a copy of that. 2086 01:30:00,795 --> 01:30:02,506 There's a werewolf which was really cool 2087 01:30:02,530 --> 01:30:04,208 that was done by Norman Cabrera. 2088 01:30:04,232 --> 01:30:05,743 - This. This isn't happening. 2089 01:30:09,370 --> 01:30:10,781 He's like, "We're doing an homage 2090 01:30:10,805 --> 01:30:14,518 to I Was a Teenage Werewolf, the Michael Landon creature," 2091 01:30:14,542 --> 01:30:15,753 and I was like, 2092 01:30:15,777 --> 01:30:17,221 "Uh, yeah. This is a no-brainer, man. 2093 01:30:17,245 --> 01:30:18,155 I want to do this." 2094 01:30:18,179 --> 01:30:18,923 When I saw the stunt guy 2095 01:30:18,947 --> 01:30:20,724 in the suit the first time, 2096 01:30:20,748 --> 01:30:22,126 all I wanted to do was touch it. 2097 01:30:22,150 --> 01:30:24,194 Werewolves was always my favorite monster 2098 01:30:24,218 --> 01:30:27,064 in every movie, and I loved I Was a Teenage Werewolf 2099 01:30:27,088 --> 01:30:28,732 'cause he had these really cool streaks 2100 01:30:28,756 --> 01:30:30,601 and he wore like the school jacket 2101 01:30:30,625 --> 01:30:32,069 and he was... kind of was like a greaser. 2102 01:30:32,093 --> 01:30:34,705 I basically got my old monster magazines out 2103 01:30:34,729 --> 01:30:36,573 so I had the references all there. 2104 01:30:36,597 --> 01:30:38,542 I knew exactly what they were going for, 2105 01:30:38,566 --> 01:30:40,744 and I liked giving it a slightly updated twist. 2106 01:30:41,936 --> 01:30:43,747 -I look at night two 2107 01:30:43,771 --> 01:30:47,084 and I think it suffers in part from the problems 2108 01:30:47,108 --> 01:30:50,521 of being only a night two. 2109 01:30:50,545 --> 01:30:53,757 Steve's narrative as it accelerates 2110 01:30:53,781 --> 01:30:56,160 benefits from more time rather than less. 2111 01:30:56,184 --> 01:30:57,294 That said, 2112 01:30:57,318 --> 01:30:58,996 the fortune cookie scene in the restaurant 2113 01:30:59,020 --> 01:31:00,597 and the scene 2114 01:31:00,621 --> 01:31:02,666 when Bev goes to her old house 2115 01:31:02,690 --> 01:31:03,867 and another woman is living there 2116 01:31:03,891 --> 01:31:05,269 who is by no means 2117 01:31:05,293 --> 01:31:06,804 what she appears... 2118 01:31:06,828 --> 01:31:09,573 If you're wise, you'll run dear, run, 2119 01:31:09,597 --> 01:31:11,575 because to stay will mean worse than your death. 2120 01:31:11,599 --> 01:31:13,239 Were as good as anything in night one. 2121 01:31:15,703 --> 01:31:17,548 I worry about you, Bevvy. 2122 01:31:17,572 --> 01:31:19,550 I worry a lot. 2123 01:31:19,574 --> 01:31:22,152 Norman Cabrera did the Al Marsh corpse 2124 01:31:22,176 --> 01:31:24,087 when Beverly goes back to her home 2125 01:31:24,111 --> 01:31:26,957 and the old woman turns into the corpse of her father. 2126 01:31:26,981 --> 01:31:29,660 I had to do the whole upper-body cast, 2127 01:31:29,684 --> 01:31:31,695 which is one of the most grueling things 2128 01:31:31,719 --> 01:31:33,864 that an actor can do. 2129 01:31:33,888 --> 01:31:39,036 They tried to Krazy Glue mealy worms to my face, 2130 01:31:39,060 --> 01:31:42,239 actually live worms jiggling on my face. 2131 01:31:42,263 --> 01:31:43,707 But we couldn't get them to stick. 2132 01:31:44,765 --> 01:31:46,667 So, we had to lose the mealy worms. 2133 01:31:51,205 --> 01:31:52,216 When you get on some sets, 2134 01:31:52,240 --> 01:31:55,018 you can tell that it's done in a way 2135 01:31:55,042 --> 01:31:56,286 that's going to make it look good on camera 2136 01:31:56,310 --> 01:31:57,955 but it doesn't really look that great up close... 2137 01:31:57,979 --> 01:31:59,656 Not the case with this set. 2138 01:31:59,680 --> 01:32:00,958 Standby for picture. 2139 01:32:00,982 --> 01:32:03,727 Inside that set, you really felt like 2140 01:32:03,751 --> 01:32:06,821 you were underground and in some sort of sewer system. 2141 01:32:08,890 --> 01:32:10,770 Okay. We're there. 2142 01:32:11,692 --> 01:32:13,337 -The set was awesome. 2143 01:32:13,361 --> 01:32:16,673 It just kind of transformed you and took you to another place. 2144 01:32:16,697 --> 01:32:17,774 Who's missing? 2145 01:32:17,798 --> 01:32:19,776 - Stan! - Oh no! 2146 01:32:19,800 --> 01:32:22,880 There was a scene where Stan got pulled aside 2147 01:32:22,904 --> 01:32:24,815 from the group with Henry and Belch. 2148 01:32:26,674 --> 01:32:30,754 - Hi, kid. I uh, guess you're the first. 2149 01:32:30,778 --> 01:32:31,689 I got a chance to confront 2150 01:32:31,713 --> 01:32:33,357 Ben Heller and you felt like, 2151 01:32:33,381 --> 01:32:35,826 "Oh, this is it now. He's a dead man." 2152 01:32:35,850 --> 01:32:38,862 I felt that little segment came closest to encapsulating 2153 01:32:38,886 --> 01:32:40,063 what Henry Bowers was capable of. 2154 01:32:40,087 --> 01:32:42,933 I want you to think about that before you die. 2155 01:32:42,957 --> 01:32:44,735 Belch, the guy that gets pulled in the pipe, 2156 01:32:44,759 --> 01:32:46,937 the lower half of him is a dummy so that 2157 01:32:46,961 --> 01:32:49,206 they can fold, because it's kind of hard to fold yourself over 2158 01:32:49,230 --> 01:32:50,641 like he does. 2159 01:32:50,665 --> 01:32:52,175 -When they told me how I was going to die 2160 01:32:52,199 --> 01:32:54,311 and the dimensions of the pipe, I started stretching, 2161 01:32:54,335 --> 01:32:55,712 so I'm just in there 2162 01:32:55,736 --> 01:32:57,014 trying to get my head to my knees 2163 01:32:57,038 --> 01:32:58,248 so that I could fit in there, 2164 01:32:58,272 --> 01:32:59,583 and one of the stunt coordinators said, 2165 01:32:59,607 --> 01:33:01,785 "You're not going to be able to do it. I can't do it." 2166 01:33:01,809 --> 01:33:03,220 I wanted to do my own stunts but they were like, 2167 01:33:03,244 --> 01:33:04,404 "No, no, it's an explosion... 2168 01:33:06,347 --> 01:33:07,424 "and you can't do that." 2169 01:33:07,448 --> 01:33:09,393 You know, I was 17 years old and being like, 2170 01:33:09,417 --> 01:33:11,828 "Yeah, yeah, I did my own stunts!" 2171 01:33:11,852 --> 01:33:13,030 As a young effects person, 2172 01:33:13,054 --> 01:33:14,631 I got a lot of the crappy jobs. 2173 01:33:14,655 --> 01:33:16,333 We're down in the sewer, and there's that pipe 2174 01:33:16,357 --> 01:33:17,534 that light goes through, 2175 01:33:17,558 --> 01:33:19,970 and there's a bazillion holes in that pipe. 2176 01:33:19,994 --> 01:33:21,271 Well, my job was, first, 2177 01:33:21,295 --> 01:33:22,706 drill all the holes. 2178 01:33:22,730 --> 01:33:24,074 You got to make them look perfect 2179 01:33:24,098 --> 01:33:25,809 and then you had to go inside it, 2180 01:33:25,833 --> 01:33:27,077 because with the camera sliding in there 2181 01:33:27,101 --> 01:33:29,012 and also we had the actor that got sucked into it, 2182 01:33:29,036 --> 01:33:30,080 all the holes had to have 2183 01:33:30,104 --> 01:33:31,648 all the little sharp edges taken off. 2184 01:33:31,672 --> 01:33:34,117 I just spent 12 hours a day 2185 01:33:34,141 --> 01:33:35,752 doing that. 2186 01:33:35,776 --> 01:33:38,155 Hey, Henry? 2187 01:33:38,179 --> 01:33:39,723 -I was lifted off the ground. 2188 01:33:39,747 --> 01:33:41,858 I was told to just have, they described it as 2189 01:33:41,882 --> 01:33:42,760 dead eyes, right, 2190 01:33:42,784 --> 01:33:45,162 so there's no real reaction to the fact 2191 01:33:45,186 --> 01:33:48,432 that you're being pulled in by some mysterious force. 2192 01:33:48,456 --> 01:33:50,701 Belch! 2193 01:33:50,725 --> 01:33:52,836 I love dying on film. 2194 01:33:52,860 --> 01:33:53,971 There's a finality to it. 2195 01:33:53,995 --> 01:33:56,773 Just the ability to. let go. 2196 01:33:56,797 --> 01:33:59,076 This is battery acid, you slime! 2197 01:33:59,100 --> 01:34:01,378 My character, Eddie Kaspbrak. 2198 01:34:01,402 --> 01:34:03,113 I don't know, I like to think in kind of a way 2199 01:34:03,137 --> 01:34:05,749 he was the one who did the most damage to It. 2200 01:34:05,773 --> 01:34:07,184 Like, the most protective with, you know, 2201 01:34:07,208 --> 01:34:08,208 the battery acid scene. 2202 01:34:10,111 --> 01:34:13,690 -He was a warrior on the inside. 2203 01:34:13,714 --> 01:34:14,825 When the kids saw him, 2204 01:34:14,849 --> 01:34:17,227 I wanted him to be like this cartoon clown, 2205 01:34:17,251 --> 01:34:19,429 and when the adults saw him, I wanted him to be 2206 01:34:19,453 --> 01:34:23,433 this like a horrific caricature of that previous clown. 2207 01:34:23,457 --> 01:34:26,169 The adults know that this isn't really a clown. 2208 01:34:26,193 --> 01:34:27,804 They know that it's a monster, 2209 01:34:27,828 --> 01:34:30,207 and so there's no reason for It 2210 01:34:30,231 --> 01:34:32,809 to necessarily maintain this illusion 2211 01:34:32,833 --> 01:34:35,212 other than just to screw with them. 2212 01:34:35,236 --> 01:34:40,150 And my original concept art for it had blue eye sockets 2213 01:34:40,174 --> 01:34:42,252 which would become eye sockets of the skull; 2214 01:34:42,276 --> 01:34:43,920 just the way the mouth was painted 2215 01:34:43,944 --> 01:34:46,023 would suggest more of a skullish mouth. 2216 01:34:46,047 --> 01:34:49,026 And for various reasons, we didn't go that route. 2217 01:34:49,050 --> 01:34:51,495 But when we ended up doing the battery acid look, 2218 01:34:51,519 --> 01:34:56,199 the disfigured part is what that makeup would have been, 2219 01:34:56,223 --> 01:34:58,135 only on his entire head. 2220 01:34:58,159 --> 01:34:59,836 When we shot that sequence in Canada 2221 01:34:59,860 --> 01:35:01,271 with the battery acid, 2222 01:35:01,295 --> 01:35:02,539 we didn't have time to switch him over 2223 01:35:02,563 --> 01:35:05,842 so we just shot the whole thing with the regular clown face. 2224 01:35:05,866 --> 01:35:07,210 At that point, 2225 01:35:07,234 --> 01:35:10,347 the intention was to not use the disfigured prosthetics 2226 01:35:10,371 --> 01:35:12,082 and I went back to LA 2227 01:35:12,106 --> 01:35:13,250 kind of a little heartbroken. 2228 01:35:13,274 --> 01:35:15,285 And we were building the miniature Pennywise 2229 01:35:15,309 --> 01:35:16,486 for when he goes down the drain 2230 01:35:16,510 --> 01:35:19,756 and I had it sculpted with the normal face, 2231 01:35:19,780 --> 01:35:20,757 and literally 2232 01:35:20,781 --> 01:35:22,993 the day I got the front half of the mold done, 2233 01:35:23,017 --> 01:35:24,494 Gene Warren comes back and goes, 2234 01:35:24,518 --> 01:35:25,762 "Hey, we're doing some reshoots 2235 01:35:25,786 --> 01:35:28,265 and we're going to use the disfigured Pennywise." 2236 01:35:28,289 --> 01:35:32,002 Now I had to take a life cast of his quarter-scale head 2237 01:35:32,026 --> 01:35:34,304 and do like a tiny prosthetic to make it look like 2238 01:35:34,328 --> 01:35:35,572 the disfigured Pennywise. 2239 01:35:35,596 --> 01:35:38,909 To Tim's credit, the only reason that that makeup, 2240 01:35:38,933 --> 01:35:40,277 even though it's a heavier makeup, 2241 01:35:40,301 --> 01:35:43,547 is in the movie is because he had seen the prosthetics 2242 01:35:43,571 --> 01:35:46,516 and he volunteered to wear it for the day that we shot it. 2243 01:35:46,540 --> 01:35:48,285 -I loved the fact that we really got to work 2244 01:35:48,309 --> 01:35:49,820 with Tim in that scene. 2245 01:35:49,844 --> 01:35:50,821 Stan, no! 2246 01:35:50,845 --> 01:35:51,855 Bev, the stones! 2247 01:35:51,879 --> 01:35:52,956 Hurry, Bev. Kill It! 2248 01:35:52,980 --> 01:35:54,524 Kill me? 2249 01:35:54,548 --> 01:35:56,226 Oh, brat! 2250 01:35:56,250 --> 01:35:58,195 You are priceless! 2251 01:35:58,219 --> 01:36:00,230 -When Pennywise gets hit in the head with 2252 01:36:00,254 --> 01:36:02,265 the silver stone and knocks the chunk out of his head. 2253 01:36:02,289 --> 01:36:04,568 Bam! He nails him! 2254 01:36:04,592 --> 01:36:06,369 Initially, we shot that in Vancouver 2255 01:36:06,393 --> 01:36:08,939 with just the regular Pennywise makeup. 2256 01:36:08,963 --> 01:36:11,308 Kill it, Bev! Kill it! 2257 01:36:11,332 --> 01:36:12,342 Make that happen fast. 2258 01:36:12,366 --> 01:36:15,078 As soon as this... as soon as he gets hit. Okay? 2259 01:36:15,102 --> 01:36:16,913 So, bam! He gets hit in the head. 2260 01:36:16,937 --> 01:36:18,815 -I think it was an interesting choice 2261 01:36:18,839 --> 01:36:22,085 by Stephen King to have Bev, the only girl, 2262 01:36:22,109 --> 01:36:24,821 be the one who actually has mastered this weapon 2263 01:36:24,845 --> 01:36:28,125 and can use the weapon against It. 2264 01:36:28,149 --> 01:36:30,460 It's like it's supposed to be Bev. 2265 01:36:30,484 --> 01:36:33,163 In the movie, it's a little silver earring 2266 01:36:33,187 --> 01:36:34,431 about so big, 2267 01:36:34,455 --> 01:36:35,599 but for the shot of it 2268 01:36:35,623 --> 01:36:38,535 flying out of the slingshot and hitting him, 2269 01:36:38,559 --> 01:36:42,372 Bart sculpted at least twice a duplicate of the earring. 2270 01:36:42,396 --> 01:36:44,508 It's flat on the back with... With a little hole 2271 01:36:44,532 --> 01:36:48,311 so they could mount it on a... on a rig 2272 01:36:48,335 --> 01:36:50,380 and I think it probably rotated. 2273 01:36:50,404 --> 01:36:52,282 I remember practicing 2274 01:36:52,306 --> 01:36:55,585 with a slingshot at home. Once I fired it 2275 01:36:55,609 --> 01:36:57,521 right into the camera 2276 01:36:57,545 --> 01:37:00,390 and it ricocheted around the map box. 2277 01:37:00,414 --> 01:37:02,459 Took me a while to live that one down with the boys. 2278 01:37:02,483 --> 01:37:03,560 They were like, "I'll do it! 2279 01:37:03,584 --> 01:37:05,562 I'll do it! She's incompetent!" 2280 01:37:05,586 --> 01:37:07,597 I was just like, "Oh, men." 2281 01:37:07,621 --> 01:37:09,900 Kill It, Bev! 2282 01:37:13,127 --> 01:37:14,471 Filming those scenes 2283 01:37:14,495 --> 01:37:16,873 in the sewer and working with Pennywise. 2284 01:37:17,898 --> 01:37:22,379 And you. are next. 2285 01:37:22,403 --> 01:37:24,481 - Definitely some of the more memorable times. 2286 01:37:24,505 --> 01:37:25,506 Action! 2287 01:37:30,277 --> 01:37:33,089 It really put you in the mood 2288 01:37:33,113 --> 01:37:34,057 and it really gave you the feeling 2289 01:37:34,081 --> 01:37:34,826 that you were actually doing these things. 2290 01:37:34,850 --> 01:37:37,027 Similar to the shower scene. 2291 01:37:37,051 --> 01:37:39,095 It's okay, Eddie. 2292 01:37:39,119 --> 01:37:42,933 Hi. I just wanted to say hello. 2293 01:37:42,957 --> 01:37:44,334 -The entire thing is built on a sound stage 2294 01:37:44,358 --> 01:37:49,906 so you have a bathroom that is seven-eighths complete. 2295 01:37:49,930 --> 01:37:53,076 This is a little inconvenient, Eddie. 2296 01:37:53,100 --> 01:37:56,079 Just hold on while I make a few adjustments. 2297 01:37:56,103 --> 01:37:59,082 -It was a combination of stop-motion 2298 01:37:59,106 --> 01:38:01,251 replacement animation. 2299 01:38:01,275 --> 01:38:05,488 We sculpted the stretching of the drain in the tiles 2300 01:38:05,512 --> 01:38:09,359 and it's sculpted frame by frame and then cast 2301 01:38:09,383 --> 01:38:12,019 and then replacement, one frame at a time. 2302 01:38:13,487 --> 01:38:15,031 You have all this noise. 2303 01:38:15,055 --> 01:38:17,100 The poles blowing the compressed air, 2304 01:38:17,124 --> 01:38:20,303 which are loud bursts from 12 to 14 different poles. 2305 01:38:20,327 --> 01:38:22,339 The director yelling cues at me. 2306 01:38:22,363 --> 01:38:23,406 Have Tim Curry 2307 01:38:23,430 --> 01:38:24,774 reciting his lines for me 2308 01:38:24,798 --> 01:38:28,211 in Tim Curry Pennywise voice over a loudspeaker system. 2309 01:38:28,235 --> 01:38:31,014 So, when you add all those factors together, 2310 01:38:31,038 --> 01:38:33,583 me having an asthma attack at the very end of the scene... 2311 01:38:35,476 --> 01:38:38,188 it's not really too much acting going on there 2312 01:38:38,212 --> 01:38:39,389 because there was a lot of adrenaline, 2313 01:38:39,413 --> 01:38:40,624 there was a lot of pressure. 2314 01:38:40,648 --> 01:38:42,259 Well, sports fans, 2315 01:38:42,283 --> 01:38:44,361 this has been a real hoot. 2316 01:38:44,385 --> 01:38:45,729 The Chinese restaurant scene 2317 01:38:45,753 --> 01:38:48,999 was sort of our scene out of Alien in that 2318 01:38:49,023 --> 01:38:52,736 the director did not let us see what was going to happen. 2319 01:38:59,733 --> 01:39:00,611 First of all, you have to remember 2320 01:39:00,635 --> 01:39:01,945 you have all these actors 2321 01:39:01,969 --> 01:39:04,314 sitting around who have known each other for years. 2322 01:39:04,338 --> 01:39:07,217 Ritter and I were very naughty. 2323 01:39:07,241 --> 01:39:08,152 Poor Tommy, the director, 2324 01:39:08,176 --> 01:39:10,120 I think wanted to really kill both of us. 2325 01:39:10,144 --> 01:39:12,022 We were back in that time 2326 01:39:12,046 --> 01:39:14,224 so we were always relating to each other in character 2327 01:39:14,248 --> 01:39:16,326 as childhood friends. 2328 01:39:16,350 --> 01:39:18,028 And Annette, who is so sweet 2329 01:39:18,052 --> 01:39:19,229 and such a dear heart 2330 01:39:19,253 --> 01:39:20,397 and such a "nice girl," 2331 01:39:20,421 --> 01:39:23,333 has got such a raucous sense of humor. 2332 01:39:23,357 --> 01:39:25,302 I mean, we were just outrageous. 2333 01:39:25,326 --> 01:39:29,072 You put a bunch of actors around a table for hours, 2334 01:39:29,096 --> 01:39:32,008 it's crowd control at a whole other level. 2335 01:39:32,032 --> 01:39:34,277 I think it was very hard and I want to apologize 2336 01:39:34,301 --> 01:39:36,613 right now to the director and everybody. 2337 01:39:36,637 --> 01:39:39,716 And then after that, staying in character 2338 01:39:39,740 --> 01:39:43,119 knowing what this meant, that this was again an omen. 2339 01:39:43,143 --> 01:39:44,688 This thing is never going to leave us. 2340 01:39:44,712 --> 01:39:46,089 The little thing with the eye, 2341 01:39:46,113 --> 01:39:47,090 the fortune cookie, 2342 01:39:47,114 --> 01:39:48,425 that was my favorite. 2343 01:39:48,449 --> 01:39:49,659 Back then, you had to do 2344 01:39:49,683 --> 01:39:51,394 everything practically. 2345 01:39:51,418 --> 01:39:54,164 And if they had to fix it, it was a lot of work and money. 2346 01:39:54,188 --> 01:39:56,266 So, the challenges that IT brought 2347 01:39:56,290 --> 01:39:57,500 to the effects department 2348 01:39:57,524 --> 01:39:59,202 as a mechanical, practical thing, 2349 01:39:59,226 --> 01:40:00,437 was amazing. 2350 01:40:00,461 --> 01:40:01,438 I loved that scene 2351 01:40:01,462 --> 01:40:04,307 and that's... In my fading memory, 2352 01:40:04,331 --> 01:40:07,444 making that scene is one that's always stood out for me. 2353 01:40:07,468 --> 01:40:08,712 That and where I'm telling them all 2354 01:40:08,736 --> 01:40:11,781 we have to be strong and we have to stay together 2355 01:40:11,805 --> 01:40:12,849 and we're going to do this. 2356 01:40:12,873 --> 01:40:13,684 And the reason I remember that scene 2357 01:40:13,708 --> 01:40:16,353 is that I just wonder how terrible 2358 01:40:16,377 --> 01:40:18,154 my performance was at that moment. 2359 01:40:18,178 --> 01:40:22,058 I've been afraid to revisit it because I don't want to know. 2360 01:40:22,082 --> 01:40:23,093 For years, I've been getting paid 2361 01:40:23,117 --> 01:40:24,418 to scare people, 2362 01:40:26,320 --> 01:40:28,465 but I'm the one who's been scared. 2363 01:40:28,489 --> 01:40:29,733 I was just always afraid, oh god, 2364 01:40:29,757 --> 01:40:32,102 was I as hokey as I thought I was? 2365 01:40:32,126 --> 01:40:34,237 There was so much love and fun at the table 2366 01:40:34,261 --> 01:40:35,472 in the Chinese restaurant. 2367 01:40:35,496 --> 01:40:39,376 As difficult as it may have been for them to get it quiet 2368 01:40:39,400 --> 01:40:42,512 and do the work, that chemistry and that craziness 2369 01:40:42,536 --> 01:40:46,750 is one of the things that makes the picture work. 2370 01:40:46,774 --> 01:40:49,419 I was responsible for Stan's head in the fridge. 2371 01:40:49,443 --> 01:40:51,187 Sorry I'm late! 2372 01:40:51,211 --> 01:40:52,622 We were building the stuff in Burbank 2373 01:40:52,646 --> 01:40:54,457 and then flying up to Vancouver. 2374 01:40:54,481 --> 01:40:55,326 And so I had a big trunk 2375 01:40:55,350 --> 01:40:57,260 that I would carry the Pennywise wigs 2376 01:40:57,284 --> 01:40:59,462 and the various prosthetics. You'd go through customs 2377 01:40:59,486 --> 01:41:01,097 and typically they would open it up 2378 01:41:01,121 --> 01:41:02,665 and uh, you know, "What's all this stuff?" 2379 01:41:02,689 --> 01:41:05,268 So, I'm going through this time with the severed head in it, 2380 01:41:05,292 --> 01:41:08,104 so I'm like, you know, "Oh, well this ought to be funny!" 2381 01:41:08,128 --> 01:41:12,242 -From here to here he built a kind of a false neck, 2382 01:41:12,266 --> 01:41:15,812 so it looked like my head was sitting flat on the rack. 2383 01:41:15,836 --> 01:41:18,114 Stan's head in the fridge was a combination 2384 01:41:18,138 --> 01:41:19,883 of a prosthetic on the actor 2385 01:41:19,907 --> 01:41:21,418 to simulate the cut neck. 2386 01:41:21,442 --> 01:41:24,521 I'd already slid into this refrigerator, 2387 01:41:24,545 --> 01:41:26,289 and you have to picture it's a rack, 2388 01:41:26,313 --> 01:41:28,324 and the rack goes into a little notch 2389 01:41:28,348 --> 01:41:29,626 on either side of it. 2390 01:41:29,650 --> 01:41:31,528 So you have to get it just right, 2391 01:41:31,552 --> 01:41:33,430 and it has to go in at just the right angle, 2392 01:41:33,454 --> 01:41:36,366 and I'm part of the rack. 2393 01:41:36,390 --> 01:41:38,368 They had a shelf with a cutout in it 2394 01:41:38,392 --> 01:41:40,637 that slid up against his neck 2395 01:41:40,661 --> 01:41:42,372 and then, all that was rodoed out 2396 01:41:42,396 --> 01:41:43,606 by my brother Brett. 2397 01:41:43,630 --> 01:41:45,408 So it was just a neck prosthetic 2398 01:41:45,432 --> 01:41:48,311 and then a death makeup on Richard. 2399 01:41:48,335 --> 01:41:49,846 -I slide into this thing... 2400 01:41:49,870 --> 01:41:52,382 I just hate everybody and I just want this over with. 2401 01:41:52,406 --> 01:41:53,683 So I'm lying there like this. 2402 01:41:53,707 --> 01:41:57,420 Then they start putting these little cans and stuff 2403 01:41:57,444 --> 01:41:59,589 around my head and I'm just going, 2404 01:41:59,613 --> 01:42:02,192 "Can we just shoot this? Can we please just shoot this?" 2405 01:42:02,216 --> 01:42:03,460 "Yeah, well, we've gotta just." 2406 01:42:03,484 --> 01:42:05,628 I said, "Come on, let's shoot the fucking thing. 2407 01:42:05,652 --> 01:42:08,465 I need to get this off," and then it's like, 2408 01:42:08,489 --> 01:42:13,903 "Hi, kids! How you doing? Yeah, we all float down here." 2409 01:42:13,927 --> 01:42:16,697 You know, and I just... I just wanted to kill somebody. 2410 01:42:29,977 --> 01:42:31,788 When I read the novel, 2411 01:42:31,812 --> 01:42:35,925 all thousand pages of it, I remember going, 2412 01:42:35,949 --> 01:42:40,730 "Wha...? All this, and it's a fuckin' spider?" 2413 01:42:40,754 --> 01:42:41,922 Damn me to hell. 2414 01:42:43,790 --> 01:42:47,370 -Oh man, come on. You can do better than that rubber spider. 2415 01:42:47,394 --> 01:42:48,705 -Aww. 2416 01:42:48,729 --> 01:42:51,441 I was a little let down, to be frank, 2417 01:42:51,465 --> 01:42:55,712 and you're talking to someone who really loves that novel. 2418 01:42:55,736 --> 01:42:58,381 If I'd had one scene that I would have put in 2419 01:42:58,405 --> 01:43:00,917 that I think is one of Steve's great sequences, 2420 01:43:00,941 --> 01:43:04,287 it was where they build the underground clubhouse 2421 01:43:04,311 --> 01:43:07,423 and use it as a smoke hole and hallucinate IT 2422 01:43:07,447 --> 01:43:10,560 as this extraterrestrial arrival eons ago, 2423 01:43:10,584 --> 01:43:12,495 and I think it would have added to the narrative 2424 01:43:12,519 --> 01:43:14,631 and just straight-out storytelling, 2425 01:43:14,655 --> 01:43:17,291 and maybe directed the spider. 2426 01:43:19,393 --> 01:43:20,673 Into the junk pile. 2427 01:43:21,962 --> 01:43:23,740 -The one thing I loathed 2428 01:43:23,764 --> 01:43:25,909 was what they did with him at the end. 2429 01:43:25,933 --> 01:43:29,646 They made him into this awful plastic spider. 2430 01:43:29,670 --> 01:43:31,714 I believe in the Tooth Fairy. 2431 01:43:31,738 --> 01:43:33,850 But I don't believe in you! 2432 01:43:33,874 --> 01:43:35,885 -Which wasn't scary at all. 2433 01:43:35,909 --> 01:43:38,454 Then I got over that and thought, 2434 01:43:38,478 --> 01:43:40,557 "Okay, it's a spider. 2435 01:43:40,581 --> 01:43:41,658 Why not?" 2436 01:43:41,682 --> 01:43:42,926 All right, here we go. 2437 01:43:42,950 --> 01:43:45,628 Because it's so much more than that in the end. 2438 01:43:45,652 --> 01:43:50,800 And there's this cosmic struggle in space or space-time, 2439 01:43:50,824 --> 01:43:55,605 or Bill's mind or somebody's mind, you know? 2440 01:43:55,629 --> 01:43:59,842 Come on. Can we have the deadlights out on a cue? 2441 01:43:59,866 --> 01:44:00,910 - Yep. - Yes. 2442 01:44:00,934 --> 01:44:01,812 It gets into territory 2443 01:44:01,836 --> 01:44:04,380 that to me it was unfilmable. 2444 01:44:04,404 --> 01:44:06,015 Okay, and the entire creature 2445 01:44:06,039 --> 01:44:07,850 is going to breathe a little for me, right? 2446 01:44:07,874 --> 01:44:08,874 Here we go. 2447 01:44:10,611 --> 01:44:12,789 I think it has to breathe a little heavier than that. 2448 01:44:12,813 --> 01:44:16,059 John Thomas, sharper moves! 2449 01:44:16,083 --> 01:44:17,961 So, I think we were all a little bit like, 2450 01:44:17,985 --> 01:44:19,562 "Okay, now we're in a monster movie. 2451 01:44:19,586 --> 01:44:22,256 Now we're going to be fighting this big toy." 2452 01:44:25,025 --> 01:44:25,970 Somebody rear back 2453 01:44:25,994 --> 01:44:29,772 with their fist. John! That's it! 2454 01:44:29,796 --> 01:44:31,507 More of that! 2455 01:44:31,531 --> 01:44:33,333 It culminates in a struggle. 2456 01:44:36,970 --> 01:44:39,882 Between humans and a giant spider. 2457 01:44:39,906 --> 01:44:41,217 All right, fine. 2458 01:44:41,241 --> 01:44:44,420 Our challenge of course was to come up with a creature 2459 01:44:44,444 --> 01:44:46,889 that looks incredible. 2460 01:44:46,913 --> 01:44:50,893 Only we had champagne ideas and a beer budget. 2461 01:44:50,917 --> 01:44:51,894 Look at this masterful piece. 2462 01:44:51,918 --> 01:44:53,096 Yeah. Look at it, look at it. 2463 01:44:53,120 --> 01:44:55,632 - Look at this. Aaron Sims. Aaron Sims. 2464 01:44:55,656 --> 01:44:56,633 Joey. 2465 01:44:56,657 --> 01:44:58,668 That's a bad sculpture, very bad. 2466 01:44:58,692 --> 01:44:59,702 Oh, no it's not. 2467 01:44:59,726 --> 01:45:00,571 It's a very cool sculpture. 2468 01:45:00,595 --> 01:45:02,105 Aaron's doing his magic. 2469 01:45:02,129 --> 01:45:03,273 -It was me and a colleague and friend, 2470 01:45:03,297 --> 01:45:05,708 Joey Orosco, which was creating the spider 2471 01:45:05,732 --> 01:45:07,710 that would be in the climax of the show. 2472 01:45:07,734 --> 01:45:08,945 Look what he's doing. 2473 01:45:08,969 --> 01:45:10,780 - It sucks. I'm fucking it up. Look at it. 2474 01:45:10,804 --> 01:45:11,981 Hey, this is for family television. 2475 01:45:12,005 --> 01:45:14,584 - Hey! No, we got the edit coming now. 2476 01:45:14,608 --> 01:45:17,387 -Going into it, I guess subconsciously, 2477 01:45:17,411 --> 01:45:19,780 I didn't want people to just go, "Oh, it's just a spider." 2478 01:45:22,816 --> 01:45:24,060 -This is like... 2479 01:45:24,084 --> 01:45:25,084 I know, but. 2480 01:45:32,092 --> 01:45:34,637 I didn't want it to be just a big black widow 2481 01:45:34,661 --> 01:45:35,972 or a tarantula. 2482 01:45:37,164 --> 01:45:43,713 Yeah, well I got... 2483 01:45:43,737 --> 01:45:45,481 -It's spider-like, 2484 01:45:45,505 --> 01:45:48,051 but it was never intended to be a spider. 2485 01:45:48,075 --> 01:45:49,686 The design evolved, 2486 01:45:49,710 --> 01:45:51,991 so there was a lot of different designs that were created. 2487 01:45:52,145 --> 01:45:54,624 Some were more spider-like 2488 01:45:54,648 --> 01:45:55,858 that felt they were very grounded 2489 01:45:55,882 --> 01:45:57,627 to an earthbound spider. 2490 01:45:57,651 --> 01:45:58,961 What we ended up going with is 2491 01:45:58,985 --> 01:46:00,587 something that felt otherworldly. 2492 01:46:03,790 --> 01:46:06,469 If you actually delivered a giant spider... 2493 01:46:06,493 --> 01:46:08,137 The two effects guys on the picture, 2494 01:46:08,161 --> 01:46:10,073 John and Gene. 2495 01:46:10,097 --> 01:46:11,908 Living in a cave. 2496 01:46:11,932 --> 01:46:16,012 It took the film from this frightening, 2497 01:46:16,036 --> 01:46:17,814 heady picture, 2498 01:46:17,838 --> 01:46:19,473 to a Ray Harryhausen action adventure. 2499 01:46:21,575 --> 01:46:23,152 But that's what the script called for, 2500 01:46:23,176 --> 01:46:26,989 so we did whatever we thought we could do 2501 01:46:27,013 --> 01:46:28,458 for the time and money, 2502 01:46:28,482 --> 01:46:31,461 and we built a stop-motion spider. 2503 01:46:31,485 --> 01:46:33,696 It was Bart who created the model. 2504 01:46:33,720 --> 01:46:36,132 Did a masterful job and it was beautiful. 2505 01:46:36,156 --> 01:46:38,634 And I'd signed off on that. 2506 01:46:38,658 --> 01:46:40,970 -Well, I don't want to point too many fingers. 2507 01:46:40,994 --> 01:46:42,171 For some reason, I think the spider 2508 01:46:42,195 --> 01:46:46,142 gets a lot of grief that I don't think it deserves. 2509 01:46:46,166 --> 01:46:49,045 When the crew came up from Los Angeles 2510 01:46:49,069 --> 01:46:52,548 and they got it out to assemble the spider, 2511 01:46:52,572 --> 01:46:55,518 there was this kind of, "Oh, by the way, 2512 01:46:55,542 --> 01:46:58,721 the spider, as planned, 2513 01:46:58,745 --> 01:47:00,123 was unwieldy. 2514 01:47:00,147 --> 01:47:02,058 The physics of it were just such that 2515 01:47:02,082 --> 01:47:03,893 we couldn't make that happen. 2516 01:47:03,917 --> 01:47:05,228 It was just too heavy. 2517 01:47:05,252 --> 01:47:08,064 It was collapsing under its own weight." 2518 01:47:08,088 --> 01:47:10,566 You're assembling something that doesn't look anything 2519 01:47:10,590 --> 01:47:12,702 like we agreed upon. 2520 01:47:17,030 --> 01:47:18,708 And now I'm just supposed to shoot it? 2521 01:47:18,732 --> 01:47:19,909 Well, the answer was: 2522 01:47:19,933 --> 01:47:22,145 "Yeah, that's show business. 2523 01:47:22,169 --> 01:47:25,181 You don't have any more time. You've got to do this." 2524 01:47:25,205 --> 01:47:28,851 Hold them up there, hold them up. right arm in. 2525 01:47:28,875 --> 01:47:30,787 So make it look the best you can. 2526 01:47:30,811 --> 01:47:31,811 Drop! 2527 01:47:33,513 --> 01:47:34,624 God! 2528 01:47:34,648 --> 01:47:36,526 Cut. Aces. 2529 01:47:36,550 --> 01:47:37,693 -So I tell people, "Hey, it could have been 2530 01:47:37,717 --> 01:47:39,162 fighting a turtle in outer space. 2531 01:47:39,186 --> 01:47:40,730 Would you have liked that better?" 2532 01:47:40,754 --> 01:47:41,998 -I thought the spider was fantastic, 2533 01:47:42,022 --> 01:47:43,199 to tell you the truth. 2534 01:47:43,223 --> 01:47:46,169 The way it looked in the shop was really cool. 2535 01:47:46,193 --> 01:47:47,870 We had 12 weeks to build it. 2536 01:47:47,894 --> 01:47:49,839 Unfortunately, the shooting of the spider 2537 01:47:49,863 --> 01:47:53,543 was literally the last two days of filming. 2538 01:47:53,567 --> 01:47:54,944 All right, take it up to, 2539 01:47:54,968 --> 01:47:56,203 uh, a hundred. 2540 01:47:58,238 --> 01:47:59,882 Okay! 2541 01:47:59,906 --> 01:48:00,818 I think a lot of times, 2542 01:48:00,842 --> 01:48:02,985 for time constraints on set, 2543 01:48:03,009 --> 01:48:04,687 or for whatever reason... 2544 01:48:04,711 --> 01:48:07,690 Put the hands out slowly! 2545 01:48:07,714 --> 01:48:08,791 Cut! 2546 01:48:08,815 --> 01:48:10,660 -The director can't get the shots 2547 01:48:10,684 --> 01:48:12,795 or doesn't shoot it to its full potential. 2548 01:48:12,819 --> 01:48:14,931 -What we built and delivered was capable of 2549 01:48:14,955 --> 01:48:18,267 a lot more than what's seen in the film. 2550 01:48:18,291 --> 01:48:20,269 And positions, please. 2551 01:48:20,293 --> 01:48:22,104 There we go. 2552 01:48:22,128 --> 01:48:23,040 The big problem with a lot of these movies 2553 01:48:23,064 --> 01:48:25,708 is that you get the set and they're like, 2554 01:48:25,732 --> 01:48:27,009 "Okay, put it in front of the camera. 2555 01:48:27,033 --> 01:48:28,711 Okay, make it move." 2556 01:48:28,735 --> 01:48:30,246 wiggle, wiggle, wiggle. "Okay." 2557 01:48:30,270 --> 01:48:31,881 - Cut. - Cut. 2558 01:48:31,905 --> 01:48:33,149 Nicely done. 2559 01:48:33,173 --> 01:48:34,383 And you're like, "Hold on a second, 2560 01:48:34,407 --> 01:48:34,852 this could do much more..." "No, no. We got it. We got it. 2561 01:48:34,876 --> 01:48:36,076 We're moving on." 2562 01:48:37,110 --> 01:48:38,287 The head had a full range of movement. 2563 01:48:38,311 --> 01:48:39,655 The fangs could move, 2564 01:48:39,679 --> 01:48:41,724 the mouth, the mandibles. 2565 01:48:41,748 --> 01:48:44,594 Get the hands around and then just pinch around. 2566 01:48:46,152 --> 01:48:47,563 The fangs dripped poison. 2567 01:48:49,089 --> 01:48:50,099 The eyes moved. 2568 01:48:50,123 --> 01:48:51,901 - Who's got the eyes? - Mike. 2569 01:48:51,925 --> 01:48:53,165 There you go. 2570 01:48:54,728 --> 01:48:56,138 Go to town, Brent. 2571 01:48:56,162 --> 01:48:58,307 Brent Baker was my main mold maker 2572 01:48:58,331 --> 01:49:01,277 and then he also performed inside the spider. 2573 01:49:01,301 --> 01:49:02,861 Move the butt, Brent. 2574 01:49:04,137 --> 01:49:05,882 Yeah.-. 2575 01:49:05,906 --> 01:49:07,984 Move it like a bug would move it, Brent. 2576 01:49:08,008 --> 01:49:11,921 He is! That's it! It's a frightening bug. 2577 01:49:11,945 --> 01:49:13,356 It's always a challenge when you're 2578 01:49:13,380 --> 01:49:15,291 playing inside a creature suit. 2579 01:49:15,315 --> 01:49:16,226 How is it in there, Brent? 2580 01:49:16,250 --> 01:49:17,326 You gotta speak up, Tommy. 2581 01:49:17,350 --> 01:49:18,618 You okay, Brent? 2582 01:49:21,755 --> 01:49:24,867 They would insert me through the rear of the spider 2583 01:49:24,891 --> 01:49:28,371 and pull off the abdomen, and slide me up into it. 2584 01:49:28,395 --> 01:49:29,206 He was also inside the spider 2585 01:49:29,230 --> 01:49:30,973 when they flipped it over, 2586 01:49:30,997 --> 01:49:32,909 but it had these metal ribs around it 2587 01:49:32,933 --> 01:49:35,077 and those we hadn't thought to pad. 2588 01:49:35,101 --> 01:49:37,847 When I say, "Action," 2589 01:49:37,871 --> 01:49:40,049 IT will overlap, that is to say, 2590 01:49:40,073 --> 01:49:41,317 a few steps back, you'll come in, 2591 01:49:41,341 --> 01:49:43,119 Rambo on the creature, 2592 01:49:43,143 --> 01:49:45,621 it will do its roll and go down. 2593 01:49:45,645 --> 01:49:46,923 It's all fun and games 2594 01:49:46,947 --> 01:49:50,626 until they go to push the spider over on its side 2595 01:49:50,650 --> 01:49:51,994 and like a fool I was like, "I'll do it. 2596 01:49:52,018 --> 01:49:54,058 Yeah, I'll be in it, you know. How bad could it be?" 2597 01:49:55,255 --> 01:49:57,633 And, action! 2598 01:49:57,657 --> 01:49:59,068 So, yeah, he goes like 90 degrees 2599 01:49:59,092 --> 01:50:03,005 and then just slams into these aluminum. 2600 01:50:03,029 --> 01:50:05,007 Square stocks. 2601 01:50:05,031 --> 01:50:07,810 - Cut! - Cut! 2602 01:50:07,834 --> 01:50:09,245 Brent, you all right? 2603 01:50:09,269 --> 01:50:11,314 -He had some nice bruises, but he was a trouper. 2604 01:50:11,338 --> 01:50:12,348 Show your bruises. 2605 01:50:12,372 --> 01:50:13,216 Let's see the bruises. 2606 01:50:13,240 --> 01:50:14,217 You're going to be a star. 2607 01:50:14,241 --> 01:50:15,218 They're starting to turn 2608 01:50:15,242 --> 01:50:17,253 kind of greenish now. There's the other one. 2609 01:50:17,277 --> 01:50:20,189 It's turning all kinds of interesting colors. 2610 01:50:20,213 --> 01:50:22,224 I was effectively blind inside of there. 2611 01:50:22,248 --> 01:50:23,659 Not to complain, 2612 01:50:23,683 --> 01:50:27,363 because it's still great fun, you know, playing a monster. 2613 01:50:27,387 --> 01:50:29,398 It's like, "Hey, I'm almost like part of the cast." 2614 01:50:29,422 --> 01:50:30,533 -It was his idea. 2615 01:50:30,557 --> 01:50:32,859 He wanted to be an actor, so there you go. 2616 01:50:38,064 --> 01:50:40,343 There's a couple of close-ups of the spider 2617 01:50:40,367 --> 01:50:42,845 that for some reason they shot it at like 50, 2618 01:50:42,869 --> 01:50:45,214 60 frames a second, maybe even slower, 2619 01:50:45,238 --> 01:50:48,818 to where it's barely perceived that it's moving. 2620 01:50:48,842 --> 01:50:51,687 I think if we delivered a spider that did as little 2621 01:50:51,711 --> 01:50:53,789 as what you see in the show, 2622 01:50:53,813 --> 01:50:55,373 I think they would have been pissed off. 2623 01:50:59,285 --> 01:51:04,233 -Unfortunately, the timing session after the fact... 2624 01:51:04,257 --> 01:51:06,969 After all the photography is done 2625 01:51:06,993 --> 01:51:09,372 and you've got your movie and now you're in a session 2626 01:51:09,396 --> 01:51:11,374 where you're looking at a scene 2627 01:51:11,398 --> 01:51:13,843 and you're making it lighter or darker; 2628 01:51:13,867 --> 01:51:16,812 at that point, I was in Tahiti 2629 01:51:16,836 --> 01:51:18,381 on this other picture. 2630 01:51:18,405 --> 01:51:22,318 And so, the timing session went on without us, 2631 01:51:22,342 --> 01:51:25,988 with another member of the organization who... 2632 01:51:26,012 --> 01:51:29,358 He and I had not communicated successfully. 2633 01:51:29,382 --> 01:51:31,827 So, it was lit up pretty brightly. 2634 01:51:31,851 --> 01:51:35,131 You saw everything, and I was dismayed. 2635 01:51:35,155 --> 01:51:39,035 And it was out there before I could correct it. 2636 01:51:39,059 --> 01:51:41,837 I would go back and correct it now if I could. 2637 01:51:41,861 --> 01:51:43,973 Okay and roll. 2638 01:51:45,865 --> 01:51:48,277 Five fifty-five, George. 2639 01:51:48,301 --> 01:51:50,146 Five fifty-five, Baker. 2640 01:51:50,170 --> 01:51:51,947 I kept saying there has to be 2641 01:51:51,971 --> 01:51:54,483 a weakness based in fear, 2642 01:51:54,507 --> 01:51:57,853 not in physical strength, that's inside Eddie. 2643 01:51:57,877 --> 01:52:01,323 What is the secret that he has not been able to tell anyone, 2644 01:52:01,347 --> 01:52:02,858 including these people? 2645 01:52:02,882 --> 01:52:05,961 We're now crawling through the tunnel 2646 01:52:05,985 --> 01:52:08,931 towards what will be the spider, 2647 01:52:08,955 --> 01:52:12,334 and that day I'm saying to Tommy, 2648 01:52:12,358 --> 01:52:15,171 "What are we going to do about Eddie, 2649 01:52:15,195 --> 01:52:18,240 and Eddie's fatal flaw, his big fear? 2650 01:52:18,264 --> 01:52:20,142 He hasn't confessed. 2651 01:52:20,166 --> 01:52:22,344 We know what's going to happen to him 2652 01:52:22,368 --> 01:52:23,512 moments after this." 2653 01:52:23,536 --> 01:52:26,072 Push Dennis closer to the monster, please. 2654 01:52:28,041 --> 01:52:30,453 Ready? Uh, Dennis' face is blocked. 2655 01:52:30,477 --> 01:52:33,022 Yeah, go back up into that. 2656 01:52:33,046 --> 01:52:34,423 And then. 2657 01:52:34,447 --> 01:52:35,491 Action! 2658 01:52:44,157 --> 01:52:45,468 Cut! 2659 01:52:45,492 --> 01:52:47,436 Eddie deserves to be completed. 2660 01:52:47,460 --> 01:52:50,539 So, I said to him at lunch before we shot the scene, 2661 01:52:50,563 --> 01:52:56,178 "What if he's just a virgin? That's it. Finished." 2662 01:52:56,202 --> 01:52:57,147 Well, I can't help you with that, pal, 2663 01:52:57,171 --> 01:52:58,414 but thanks for sharing. 2664 01:52:58,438 --> 01:52:59,815 Richie! Let him talk. 2665 01:52:59,839 --> 01:53:02,017 -We all saw how uncomfortable, awkward 2666 01:53:02,041 --> 01:53:04,954 and really strange it is to... It's not really strange, 2667 01:53:04,978 --> 01:53:06,889 it's not really strange at all, it's a choice. 2668 01:53:06,913 --> 01:53:11,293 But how society reacts to people that aren't sexual, 2669 01:53:11,317 --> 01:53:13,295 and Eddie was not. 2670 01:53:13,319 --> 01:53:14,463 I could never sleep with somebody 2671 01:53:14,487 --> 01:53:16,899 that I didn't love. 2672 01:53:16,923 --> 01:53:19,058 And I've never really loved anyone. 2673 01:53:21,161 --> 01:53:23,506 Except you guys. 2674 01:53:23,530 --> 01:53:24,474 And. 2675 01:53:24,498 --> 01:53:27,000 One, two, three, go! 2676 01:53:29,035 --> 01:53:31,280 There are things I wouldn't have done, 2677 01:53:31,304 --> 01:53:33,415 had I had the ability to see in retrospect, 2678 01:53:33,439 --> 01:53:36,352 was the revelation of IT as the spider. 2679 01:53:36,376 --> 01:53:39,021 Had I been around, I would have come up with something 2680 01:53:39,045 --> 01:53:40,180 involving Pennywise. 2681 01:53:42,916 --> 01:53:45,194 -Some things you can't know until after the fact. 2682 01:53:45,218 --> 01:53:48,597 Who knew that Tim Curry was just going to be such a home run? 2683 01:53:48,621 --> 01:53:53,068 It was like, okay, the book says he disappears at this point 2684 01:53:53,092 --> 01:53:54,436 and never to return. 2685 01:53:54,460 --> 01:53:57,306 But like probably most of the audience 2686 01:53:57,330 --> 01:54:01,043 when I watch it, I go, "Oh! There goes Tim." 2687 01:54:05,572 --> 01:54:08,050 -Oh, I wish we could have one more scene with him. 2688 01:54:08,074 --> 01:54:11,020 Some kind of goodbye scene, some way of. 2689 01:54:11,044 --> 01:54:12,888 Well, maybe we should kill him, you know? 2690 01:54:12,912 --> 01:54:17,092 Or maybe his face should be the spider's face. 2691 01:54:17,116 --> 01:54:18,227 Or... I don't know. 2692 01:54:18,251 --> 01:54:19,962 That's a problem we never solved. 2693 01:54:23,556 --> 01:54:25,100 You're ducking way down. 2694 01:54:25,124 --> 01:54:27,203 You got to look for the rock standing straight up. 2695 01:54:27,227 --> 01:54:28,337 - Okay. - It may look... 2696 01:54:28,361 --> 01:54:32,208 It may feel a little goofy, but. - I... I didn't realize. 2697 01:54:32,232 --> 01:54:34,310 I guess after Beverly wounds the spider 2698 01:54:34,334 --> 01:54:37,279 with the slingshot and the rock and it walks away, 2699 01:54:37,303 --> 01:54:40,015 when they came upon him in that last bit, 2700 01:54:40,039 --> 01:54:43,519 had that been Tim Curry again, mortally wounded, 2701 01:54:43,543 --> 01:54:45,554 I think that might have been a more satisfying ending, 2702 01:54:45,578 --> 01:54:48,457 because you were just so invested in Tim 2703 01:54:48,481 --> 01:54:50,359 as that villain at that point. 2704 01:54:50,383 --> 01:54:52,595 -It would have been nice had we been able to solve it, 2705 01:54:52,619 --> 01:54:56,232 because I agree that the story drops Pennywise, 2706 01:54:56,256 --> 01:54:58,200 and he's such an endearing character, 2707 01:54:58,224 --> 01:55:00,402 he deserved a better exit. 2708 01:55:00,426 --> 01:55:02,705 All right, bring it to a climax now. 2709 01:55:02,729 --> 01:55:04,306 Everybody all at once. 2710 01:55:08,368 --> 01:55:09,378 And, cut! 2711 01:55:13,106 --> 01:55:15,150 I suppose people will revisit this 2712 01:55:15,174 --> 01:55:16,652 and know that it's a puppet, 2713 01:55:16,676 --> 01:55:18,520 but it doesn't matter. 2714 01:55:18,544 --> 01:55:21,257 The story returns to the world of the psyche 2715 01:55:21,281 --> 01:55:24,026 and goes back into very good territory, I think. 2716 01:55:24,050 --> 01:55:25,995 It goes back to the heart of what the deep 2717 01:55:26,019 --> 01:55:28,364 thematic structure of the piece is. 2718 01:55:28,388 --> 01:55:30,199 The hardest part about that for me really 2719 01:55:30,223 --> 01:55:32,167 was the fucking bicycle. 2720 01:55:32,191 --> 01:55:34,236 Forget the horror and the drama, 2721 01:55:34,260 --> 01:55:36,572 it was the bicycle that was the problem, okay? 2722 01:55:36,596 --> 01:55:38,474 That's where the fear and the terror was. 2723 01:55:38,498 --> 01:55:40,542 I loved Olivia. Great sense of humor, 2724 01:55:40,566 --> 01:55:43,279 but a fragility which I thought was wonderful. 2725 01:55:43,303 --> 01:55:46,148 And she was terrified that I was going to kill her. 2726 01:55:46,172 --> 01:55:48,350 I know she was. I think she said she was. 2727 01:55:48,374 --> 01:55:49,485 I just said, "Please god, 2728 01:55:49,509 --> 01:55:51,987 let me not kill this actress and myself." 2729 01:55:52,011 --> 01:55:53,289 Hold on. 2730 01:55:53,313 --> 01:55:54,990 You can see the terror on my face 2731 01:55:55,014 --> 01:55:56,458 if you look very carefully. 2732 01:55:56,482 --> 01:55:58,327 Behind the veneer of performance, 2733 01:55:58,351 --> 01:55:59,361 it's there. 2734 01:55:59,385 --> 01:56:01,096 I will forever associate Olivia 2735 01:56:01,120 --> 01:56:04,223 with going downhill at speed on a bike. 2736 01:56:21,107 --> 01:56:24,353 Alan and I went down to the agency 2737 01:56:24,377 --> 01:56:27,656 to meet with Stephen and show him the picture. 2738 01:56:27,680 --> 01:56:29,358 They had a screening room all set up. 2739 01:56:29,382 --> 01:56:31,293 And I remember he came up to us 2740 01:56:31,317 --> 01:56:34,129 and I put my hand out to shake Stephen's hand 2741 01:56:34,153 --> 01:56:37,766 and he had a rat in it, 2742 01:56:37,790 --> 01:56:40,502 a rubber rat. 2743 01:56:40,526 --> 01:56:44,073 It was kind of like a shocking thing, you know, 2744 01:56:44,097 --> 01:56:45,774 and it was, I don't know, maybe to break the ice. 2745 01:56:45,798 --> 01:56:48,377 We had a few exchanged words 2746 01:56:48,401 --> 01:56:51,080 and then he saw it privately. 2747 01:56:51,104 --> 01:56:53,549 He didn't want us to be there, but, um, we later heard 2748 01:56:53,573 --> 01:56:55,250 that he liked it and he was happy. 2749 01:56:55,274 --> 01:56:59,655 I was certain when we got a final cut 2750 01:56:59,679 --> 01:57:01,657 that we had a good movie. 2751 01:57:01,681 --> 01:57:04,226 At the premiere, I was really just thinking 2752 01:57:04,250 --> 01:57:07,720 that I can't believe I'm actually a part of this film. 2753 01:57:09,122 --> 01:57:10,299 The results were, 2754 01:57:10,323 --> 01:57:13,268 that we got a viewership of 30 million people. 2755 01:57:13,292 --> 01:57:15,304 It was huge in the ratings. 2756 01:57:15,328 --> 01:57:18,073 It was viewed as a big success. 2757 01:57:18,097 --> 01:57:21,677 And the press on it was very positive. 2758 01:57:21,701 --> 01:57:24,246 I think the legacy of the original IT 2759 01:57:24,270 --> 01:57:26,582 was this brilliant performance 2760 01:57:26,606 --> 01:57:29,551 on TV, which you would usually see in film, 2761 01:57:29,575 --> 01:57:31,353 in your living rooms. 2762 01:57:31,377 --> 01:57:35,824 -It was just an extraordinary event to. 2763 01:57:35,848 --> 01:57:40,396 Have this King first piece for TV as a mini-series 2764 01:57:40,420 --> 01:57:42,865 come out and stake that kind of territory 2765 01:57:42,889 --> 01:57:45,234 and resonate so strongly with people. 2766 01:57:45,258 --> 01:57:49,104 It became the proverbial water cooler mini-series. 2767 01:57:49,128 --> 01:57:51,573 And I think it then went on to have 2768 01:57:51,597 --> 01:57:54,877 the most unexpected afterlife. 2769 01:57:54,901 --> 01:57:55,812 I think the reason 2770 01:57:55,836 --> 01:57:59,548 that IT was so successful at scaring people 2771 01:57:59,572 --> 01:58:02,584 is because these characters don't have the ability 2772 01:58:02,608 --> 01:58:06,688 to name what scares them or the forces that oppress them. 2773 01:58:06,712 --> 01:58:08,424 The high point was going up 2774 01:58:08,448 --> 01:58:09,782 and receiving the Emmy. 2775 01:58:11,217 --> 01:58:13,595 I'm told that when they announced my name. 2776 01:58:13,619 --> 01:58:15,564 Bam! I was gone. 2777 01:58:15,588 --> 01:58:17,633 You know, as if I thought they were going to take it back 2778 01:58:17,657 --> 01:58:20,269 if I didn't get up to the podium quickly enough. 2779 01:58:20,293 --> 01:58:24,807 -He just made magic with that score. 2780 01:58:29,335 --> 01:58:33,916 - Meep, meep. S.S. Georgie underway. 2781 01:58:33,940 --> 01:58:35,617 Rocks! Rocks? 2782 01:58:35,641 --> 01:58:36,776 Rocks! 2783 01:58:40,880 --> 01:58:42,224 It 's a very lonely Emmy 2784 01:58:42,248 --> 01:58:44,359 sitting in my house, 2785 01:58:44,383 --> 01:58:46,628 but that's all right. 2786 01:58:46,652 --> 01:58:50,833 I credit Tim and Stephen King for my Emmy. 2787 01:58:50,857 --> 01:58:53,302 It's very difficult to write music 2788 01:58:53,326 --> 01:58:57,473 when the story is flawed or when the acting is poor. 2789 01:58:57,497 --> 01:59:01,243 When the story is. I mean, that great, 2790 01:59:01,267 --> 01:59:03,645 and the performances are that good, 2791 01:59:03,669 --> 01:59:08,617 that all adds up to any department's Emmy. 2792 01:59:08,641 --> 01:59:12,278 You're elevated by those performances in that story. 2793 01:59:17,416 --> 01:59:20,195 -One of the reasons that I think it's a cult favorite 2794 01:59:20,219 --> 01:59:23,465 is because of Tim Curry and the clown. 2795 01:59:23,489 --> 01:59:24,733 He 's everything. 2796 01:59:24,757 --> 01:59:26,502 He is the poster, 2797 01:59:26,526 --> 01:59:27,769 he's on T-shirts. 2798 01:59:27,793 --> 01:59:29,204 Pop culture has taken 2799 01:59:29,228 --> 01:59:31,673 ownership of this miniseries. 2800 01:59:31,697 --> 01:59:34,400 -Without the benefit of any CGI, 2801 01:59:36,269 --> 01:59:41,783 just balls to the walls talent, Tim nailed it in a way that. 2802 01:59:41,807 --> 01:59:44,520 You say "IT" and people say "Tim Curry." 2803 01:59:44,544 --> 01:59:47,389 Me? 2804 01:59:47,413 --> 01:59:49,291 -I think it's really interesting how 2805 01:59:49,315 --> 01:59:53,328 the Pennywise character continues to gain that fan base. 2806 01:59:53,352 --> 01:59:55,230 As the internet grew, 2807 01:59:55,254 --> 01:59:56,465 I started to really realize 2808 01:59:56,489 --> 01:59:58,433 how much of an impact he had, 2809 01:59:58,457 --> 02:00:00,569 and the film had on a lot of people. 2810 02:00:03,529 --> 02:00:05,541 Now we're in an age where 2811 02:00:05,565 --> 02:00:07,676 nostalgic things are being passed down. 2812 02:00:07,700 --> 02:00:10,546 We generationally are choosing what icons to perpetuate 2813 02:00:10,570 --> 02:00:11,947 to future generations. 2814 02:00:11,971 --> 02:00:15,317 Pennywise as an ultimate horror icon, 2815 02:00:15,341 --> 02:00:18,921 a demonic infinite that has access to your deepest fears, 2816 02:00:18,945 --> 02:00:22,925 I don't think that's gonna dull anytime soon. 2817 02:00:22,949 --> 02:00:25,594 I'm just so happy to be part 2818 02:00:25,618 --> 02:00:30,799 of what Stephen King created and part of what Tommy Lee 2819 02:00:30,823 --> 02:00:32,601 gave to America. 2820 02:00:32,625 --> 02:00:34,570 Being familiar with Stephen King's work 2821 02:00:34,594 --> 02:00:36,572 and actually being able to help realize this 2822 02:00:36,596 --> 02:00:38,740 on any capacity was a thrill for me. 2823 02:00:38,764 --> 02:00:40,484 We did it! Yeah! 2824 02:00:42,802 --> 02:00:44,604 -I enjoyed the tension. 2825 02:00:46,572 --> 02:00:48,717 I mean, not as a person but as an actor. 2826 02:00:48,741 --> 02:00:50,919 Throughout the whole process of shooting IT, 2827 02:00:50,943 --> 02:00:54,456 I was learning at such an exponential rate. 2828 02:00:54,480 --> 02:00:57,292 I was discovering that there was more to acting 2829 02:00:57,316 --> 02:00:58,994 than standing on your mark. 2830 02:00:59,018 --> 02:00:59,729 Take the outside 2831 02:00:59,753 --> 02:01:01,797 instead of the inside, Brandon. 2832 02:01:01,821 --> 02:01:02,699 There's a lot of room right there. 2833 02:01:02,723 --> 02:01:04,933 Not too far out, squeeze in behind Bill. 2834 02:01:04,957 --> 02:01:07,369 -I was loving it. 2835 02:01:07,393 --> 02:01:08,604 I think it fits well 2836 02:01:08,628 --> 02:01:12,074 amongst some of the great icons of the genre. 2837 02:01:12,098 --> 02:01:15,410 There's even a comedic aspect to it that was never intended. 2838 02:01:15,434 --> 02:01:16,712 Beep-beep! 2839 02:01:16,736 --> 02:01:17,846 I never would have known or thought 2840 02:01:17,870 --> 02:01:19,715 that it would have become a cult classic. 2841 02:01:19,739 --> 02:01:21,516 I always thought that it was a great story. 2842 02:01:21,540 --> 02:01:23,485 But I never realized 2843 02:01:23,509 --> 02:01:25,587 that it would go as far as it's gotten. 2844 02:01:25,611 --> 02:01:27,456 I'm very proud of it 2845 02:01:27,480 --> 02:01:30,692 and I'm used to the idea of cult movies, 2846 02:01:30,716 --> 02:01:32,894 so I'm glad that it's having a life. 2847 02:01:32,918 --> 02:01:34,763 It's a cracking story. 2848 02:01:34,787 --> 02:01:36,331 The popularity of IT 2849 02:01:36,355 --> 02:01:38,900 down through the years is multi-layered. 2850 02:01:38,924 --> 02:01:43,405 I think first it speaks to really fine performances. 2851 02:01:43,429 --> 02:01:45,107 That's first and foremost. 2852 02:01:45,131 --> 02:01:48,510 A good story as the foundation. 2853 02:01:48,534 --> 02:01:49,811 A great script, 2854 02:01:49,835 --> 02:01:51,513 at least in Night One. 2855 02:01:51,537 --> 02:01:53,115 Competent directing. 2856 02:01:53,139 --> 02:01:56,785 That's a formula for something that will be viewed 2857 02:01:56,809 --> 02:02:00,555 more than once among those who consider it a favorite. 2858 02:02:00,579 --> 02:02:01,690 They'll watch it again. 2859 02:02:01,714 --> 02:02:05,727 -Down here we all float!