1
00:00:01,294 --> 00:00:02,922
<i>POP: Nadia, I'm sorry.</i>

2
00:00:02,923 --> 00:00:04,007
<i>I could never make it right.</i>

3
00:00:04,008 --> 00:00:05,719
<i>There's no forgiving it.</i>

4
00:00:05,720 --> 00:00:08,140
<i>Don't blame Abdi.
This is my fault.</i>

5
00:00:08,141 --> 00:00:10,270
<i>He was just trying
to protect you.</i>

6
00:00:10,271 --> 00:00:12,733
NADIA: You and Pop?
ABDI: What the hell?

7
00:00:12,734 --> 00:00:15,531
‐ How could you know something
like that and not tell me?

8
00:00:17,326 --> 00:00:18,745
‐ Nadia, come on.

9
00:00:18,746 --> 00:00:20,666
(TENSE MUSIC)

10
00:00:20,667 --> 00:00:24,549
<i>ACE: Did you know
that 400 years ago,</i>

11
00:00:24,550 --> 00:00:26,803
<i>Jerusalem's Lot was called
New Jerusalem?</i>

12
00:00:26,804 --> 00:00:28,264
<i>New Jerusalem was settled</i>

13
00:00:28,265 --> 00:00:30,811
<i>by a very special group
of people.</i>

14
00:00:30,812 --> 00:00:32,898
(TIRES SCREECHING)

15
00:00:32,899 --> 00:00:34,861
<i>In many ways, this land...</i>

16
00:00:34,862 --> 00:00:36,906
‐ (GROANING)
<i>ACE: Is still theirs.</i>

17
00:00:36,907 --> 00:00:40,205
They never surrendered,
and they never will surrender.

18
00:00:41,249 --> 00:00:44,171
<i>It's all happening exactly
as Amity said it would.</i>

19
00:00:44,172 --> 00:00:47,887
<i>PINTO: We had our own witches
right here in Castle Rock, people.</i>

20
00:00:47,888 --> 00:00:49,014
‐ They were Satanists,

21
00:00:49,015 --> 00:00:50,768
<i>not witches.</i>

22
00:00:50,769 --> 00:00:53,940
Made a bad deal with
the wrong <i>hombre,</i> those folks.

23
00:00:53,941 --> 00:00:55,341
<i>They burned for it.
ACE: (IN FRENCH)</i>

24
00:01:00,245 --> 00:01:01,331
Annie.

25
00:01:05,674 --> 00:01:08,679
(DRAMATIC MUSIC)

26
00:01:08,680 --> 00:01:12,799
♪♪

27
00:01:28,845 --> 00:01:31,306
(HORSE CHUFFS)

28
00:01:31,307 --> 00:01:34,605
(INSECTS CHITTERING)

29
00:01:34,606 --> 00:01:40,952
♪♪

30
00:01:46,589 --> 00:01:47,590
(DOOR SLAMS)

31
00:01:47,591 --> 00:01:49,927
AUGUSTIN: (SPEAKING FRENCH)

32
00:02:12,682 --> 00:02:14,653
Amen.

33
00:02:54,739 --> 00:02:57,303
(CONGREGATION WHISPERING)

34
00:03:04,578 --> 00:03:05,663
(TENSE MUSIC)

35
00:03:08,794 --> 00:03:10,464
♪♪

36
00:03:17,729 --> 00:03:21,341
♪♪

37
00:03:23,198 --> 00:03:24,700
♪♪

38
00:03:24,701 --> 00:03:27,962
(STAMMERING)

39
00:03:29,377 --> 00:03:30,712
(GASPING)

40
00:03:30,713 --> 00:03:32,298
(CONGREGATION GASPING AND MURMURING)

41
00:03:32,299 --> 00:03:34,550
(GROANING)

42
00:03:35,723 --> 00:03:37,393
♪♪

43
00:03:38,896 --> 00:03:41,483
♪♪

44
00:03:41,484 --> 00:03:44,489
(SOFT DRAMATIC MUSIC)

45
00:03:44,490 --> 00:03:47,288
♪♪

46
00:03:47,289 --> 00:03:48,369
<i>AUGUSTIN:</i> (SPEAKING FRENCH)

47
00:04:20,863 --> 00:04:21,863
(TENSE MUSIC)

48
00:04:34,507 --> 00:04:37,764
♪♪

49
00:04:43,084 --> 00:04:45,089
<i>‐ Non, non, Marius.</i>

50
00:05:01,728 --> 00:05:08,158
♪♪

51
00:05:16,758 --> 00:05:17,759
Amity.

52
00:05:17,760 --> 00:05:24,774
♪♪

53
00:06:02,182 --> 00:06:03,978
(BREATHING SHARPLY)

54
00:06:31,324 --> 00:06:34,330
(DISTANT EERIE HOWLING)

55
00:06:38,004 --> 00:06:41,009
(GROWLING)

56
00:06:41,010 --> 00:06:44,390
(HOWLING)

57
00:06:44,391 --> 00:06:47,396
(UNSETTLING MUSIC)

58
00:06:47,397 --> 00:06:54,411
♪♪

59
00:07:10,820 --> 00:07:14,450
(HOWLING)

60
00:07:14,451 --> 00:07:21,465
♪♪

61
00:07:45,388 --> 00:07:48,394
(HOWLING)

62
00:07:54,949 --> 00:07:57,954
(HOWLING)

63
00:07:57,955 --> 00:08:04,969
♪♪

64
00:08:25,928 --> 00:08:28,933
(POWER SAW BUZZING,
HAMMER BANGING)

65
00:08:28,934 --> 00:08:31,939
(DRAMATIC MUSIC)

66
00:08:31,940 --> 00:08:38,954
♪♪

67
00:08:47,304 --> 00:08:50,309
(INDISTINCT CHATTER)

68
00:08:50,310 --> 00:08:57,323
♪♪

69
00:08:57,324 --> 00:09:00,245
(HAMMER BANGING)

70
00:09:00,246 --> 00:09:03,251
(POWER SAW BUZZING)

71
00:09:03,252 --> 00:09:10,224
♪♪

72
00:09:44,585 --> 00:09:47,550
(ENGINE RUMBLING)

73
00:09:50,012 --> 00:09:53,017
(BRAKES SQUEAKING)

74
00:09:53,018 --> 00:09:54,311
HASSAN:
All right, bring it in, guys.

75
00:09:54,312 --> 00:09:57,109
(INDISTINCT CHATTER)

76
00:09:57,110 --> 00:09:58,571
Volunteers, team leaders,

77
00:09:58,572 --> 00:10:00,490
gather round, gather round.

78
00:10:00,491 --> 00:10:02,369
I want to thank you all
for coming out

79
00:10:02,370 --> 00:10:05,417
to volunteer
for our 400th anniversary.

80
00:10:05,418 --> 00:10:07,922
Now, the event is gonna start
at 3:00 sharp,

81
00:10:07,923 --> 00:10:10,010
and it should take us
about two hours

82
00:10:10,011 --> 00:10:12,348
to get the parade down Route 9.

83
00:10:13,643 --> 00:10:16,982
We will conclude in front
of the church in Castle Rock,

84
00:10:16,983 --> 00:10:20,865
where we will kick off
four days of festivities

85
00:10:20,866 --> 00:10:23,662
leading up
to the 400th anniversary.

86
00:10:23,663 --> 00:10:25,373
(INTENSE MUSIC)

87
00:10:25,374 --> 00:10:28,338
(OMINOUS MUSIC)

88
00:10:28,339 --> 00:10:35,353
♪♪

89
00:10:55,978 --> 00:10:58,147
(INDISTINCT<i>
</i>POLICE RADIO CHATTER)

90
00:10:58,148 --> 00:11:01,613
‐ We, uh... still
aren't taking her in?

91
00:11:01,614 --> 00:11:03,117
CLAY: Sit tight, Rook.

92
00:11:07,250 --> 00:11:11,048
(DOOR SLAMS)
‐ Deputy, here's the thing.

93
00:11:11,049 --> 00:11:12,927
I don't want a lawyer.

94
00:11:12,928 --> 00:11:15,683
I did it.
That's the story, soup to nuts.

95
00:11:15,684 --> 00:11:18,187
CLAY: So this is a‐‐
‐ Confession, yes, sir.

96
00:11:18,188 --> 00:11:21,445
She broke into my room,
trying to rob me.

97
00:11:22,907 --> 00:11:24,409
She had a gun.

98
00:11:25,787 --> 00:11:27,750
I did what I had to do.

99
00:11:29,044 --> 00:11:30,046
The end.

100
00:11:31,966 --> 00:11:33,552
(DARK MUSIC)

101
00:11:33,553 --> 00:11:35,723
I wanna talk to my daughter!

102
00:11:35,724 --> 00:11:42,236
♪♪

103
00:11:43,698 --> 00:11:45,201
CLAY: These yours?

104
00:11:47,080 --> 00:11:48,707
ANNIE: Yeah, so what?

105
00:11:48,708 --> 00:11:50,336
‐ Why don't you
walk me through it?

106
00:11:51,881 --> 00:11:53,717
‐ It's not that complicated.

107
00:11:53,718 --> 00:11:55,846
She attacked me. I killed her.

108
00:11:55,847 --> 00:11:58,102
‐ Uh‐huh, and where does
the syringe come into it?

109
00:11:59,229 --> 00:12:00,355
‐ I'm a nurse.

110
00:12:00,356 --> 00:12:01,357
‐ You used the syringe

111
00:12:01,358 --> 00:12:02,485
on the victim first?

112
00:12:03,780 --> 00:12:05,658
‐ There you go.

113
00:12:05,659 --> 00:12:08,371
CLAY: So I dust the syringe,
your prints I'll find?

114
00:12:08,372 --> 00:12:09,874
♪♪

115
00:12:09,875 --> 00:12:12,589
‐ A lot of people
touched that syringe.

116
00:12:13,633 --> 00:12:15,761
That's the nature
of hospital work.

117
00:12:15,762 --> 00:12:17,766
I'm a nurse, see?

118
00:12:18,852 --> 00:12:21,858
‐ Ms. Ingalls,
did you know the deceased?

119
00:12:23,152 --> 00:12:25,406
‐ Not until she broke
into my room.

120
00:12:26,366 --> 00:12:27,786
CLAY: 'Cause we got her phone.

121
00:12:29,665 --> 00:12:31,500
There's a call. Maine number.

122
00:12:31,501 --> 00:12:33,047
She got it in New York.

123
00:12:34,717 --> 00:12:36,510
Nearest we figure,
she hightailed it here

124
00:12:36,511 --> 00:12:38,432
right after
she received the call.

125
00:12:41,647 --> 00:12:43,192
Why?

126
00:12:45,989 --> 00:12:47,658
‐ I don't know why

127
00:12:47,659 --> 00:12:50,289
a crazy woman
does what she does.

128
00:12:51,541 --> 00:12:54,631
I don't know, and I don't care.

129
00:12:54,632 --> 00:12:57,804
I care about my daughter.

130
00:12:57,805 --> 00:13:00,016
What's gonna happen to her?

131
00:13:00,017 --> 00:13:07,031
♪♪

132
00:13:11,498 --> 00:13:14,461
(BREATHING HEAVILY)

133
00:13:14,462 --> 00:13:15,674
(DOOR CLICKS OPEN)

134
00:13:19,097 --> 00:13:20,141
Little love!

135
00:13:22,019 --> 00:13:23,187
Oh!

136
00:13:23,188 --> 00:13:24,816
Oh, I don't know
why those yokels

137
00:13:24,817 --> 00:13:26,527
are keeping us here all night,

138
00:13:26,528 --> 00:13:29,909
but whatever they're trying
to get you to say, don't.

139
00:13:29,910 --> 00:13:32,123
Don't say a word.

140
00:13:33,458 --> 00:13:39,929
Joy, you saved me out there.

141
00:13:39,930 --> 00:13:43,102
(CRYING)

142
00:13:43,103 --> 00:13:45,691
You shouldn't have.

143
00:13:45,692 --> 00:13:48,113
I didn't deserve it.

144
00:13:50,577 --> 00:13:52,914
For now why don't you
just let me

145
00:13:52,915 --> 00:13:55,169
do the saving for a change,
okay?

146
00:13:56,171 --> 00:13:58,759
Okay, it's gonna be all right,
little love.

147
00:13:58,760 --> 00:13:59,844
I'll get you clear of this.

148
00:13:59,845 --> 00:14:01,848
(DOOR CLICKS OPEN)

149
00:14:01,849 --> 00:14:03,644
CLAY: Let's go. ‐ Where?

150
00:14:03,645 --> 00:14:05,856
‐ Now, both of you.
ANNIE: The police station?

151
00:14:05,857 --> 00:14:07,693
She's a minor,

152
00:14:07,694 --> 00:14:10,365
and she's got nothing
to do with this!

153
00:14:10,366 --> 00:14:17,380
♪♪

154
00:14:46,856 --> 00:14:49,862
(ENGINE RATTLING)

155
00:14:51,657 --> 00:14:54,202
(INDISTINCT SHOUTING)

156
00:14:54,203 --> 00:14:56,123
(BRAKES SQUEAK)

157
00:14:56,124 --> 00:15:03,138
♪♪

158
00:15:19,170 --> 00:15:21,048
(GATE BUZZING)

159
00:15:21,049 --> 00:15:23,805
(DOOR WHIRRING)

160
00:15:25,140 --> 00:15:26,894
(BUZZER BLARES)

161
00:15:29,315 --> 00:15:30,567
(DOOR CLICKS SHUT)

162
00:15:30,568 --> 00:15:37,582
♪♪

163
00:15:45,139 --> 00:15:46,975
(BUZZER BLARES)

164
00:15:46,976 --> 00:15:49,982
(INDISTINCT CHATTER)

165
00:16:01,212 --> 00:16:02,757
‐ (GROANS)

166
00:16:09,395 --> 00:16:10,773
‐ John.

167
00:16:14,113 --> 00:16:16,159
‐ How much longer you got?

168
00:16:17,871 --> 00:16:20,626
‐ Quite a grapevine they got
in this shithole.

169
00:16:20,627 --> 00:16:22,212
JOHN: The king is dead.

170
00:16:22,213 --> 00:16:25,469
That's a big headline
for a small town.

171
00:16:27,306 --> 00:16:29,392
‐ Welcome back, by the way.

172
00:16:29,393 --> 00:16:30,938
JOHN: It's good to be back.

173
00:16:30,939 --> 00:16:34,195
Portland, State,
I've done the grand tour.

174
00:16:35,907 --> 00:16:37,953
It's nice they brought us home.

175
00:16:39,748 --> 00:16:41,416
‐ Weeks.

176
00:16:41,417 --> 00:16:42,502
JOHN: What?

177
00:16:42,503 --> 00:16:44,674
‐ You asked how long I got.

178
00:16:44,675 --> 00:16:46,051
JOHN: Weeks?

179
00:16:46,052 --> 00:16:47,263
Damn.

180
00:16:48,431 --> 00:16:51,354
Well, I got‐‐uh, let's see...

181
00:16:52,691 --> 00:16:54,442
‐ Life. POP: Huh.

182
00:16:54,443 --> 00:16:56,906
Looks like we're gonna
just miss you, John.

183
00:16:56,907 --> 00:16:58,034
What a shame.

184
00:17:00,748 --> 00:17:02,919
‐ So what the fuck
are you doing here, Reggie?

185
00:17:06,009 --> 00:17:08,722
‐ I was telling a war story
the other day.

186
00:17:08,723 --> 00:17:10,349
I thought of you.

187
00:17:10,350 --> 00:17:13,022
‐ Yeah, real soldiers
don't tell war stories.

188
00:17:13,023 --> 00:17:15,276
We both know that.

189
00:17:15,277 --> 00:17:17,865
Real soldiers know that nobody
wants to fucking hear them.

190
00:17:17,866 --> 00:17:19,577
‐ Yeah, and then real soldiers
come home from the bar

191
00:17:19,578 --> 00:17:21,496
and pop their wives
a good one in the head, right?

192
00:17:21,497 --> 00:17:23,125
‐ There it is.
‐ Hit them so hard, they don't get up?

193
00:17:23,126 --> 00:17:24,502
‐ Yeah, what do you want me
to say, Reg?

194
00:17:24,503 --> 00:17:26,048
‐ That what real soldiers do,
John?

195
00:17:26,049 --> 00:17:27,508
JOHN: You're spending
your last breath

196
00:17:27,509 --> 00:17:30,181
telling me I'm a piece of shit?

197
00:17:30,182 --> 00:17:34,022
I regret to inform you,
that news has beat you here.

198
00:17:34,023 --> 00:17:36,485
My life ended 30 years ago.

199
00:17:36,486 --> 00:17:38,824
Both my boys got your name.

200
00:17:40,452 --> 00:17:41,454
Not mine.

201
00:17:42,539 --> 00:17:44,670
You think I don't know
what I am?

202
00:17:46,130 --> 00:17:50,847
You think I ain't had time
to think about this?

203
00:17:50,848 --> 00:17:52,726
‐ You know who ain't
had the time?

204
00:17:52,727 --> 00:17:54,354
My sister.

205
00:17:54,355 --> 00:17:56,483
Maybe if you'd told one more
fucking war story

206
00:17:56,484 --> 00:17:58,529
and had one less fucking case
of beer,

207
00:17:58,530 --> 00:18:00,366
Brenda'd still be alive.

208
00:18:00,367 --> 00:18:04,250
‐ 30 years and here you are
with all the answers.

209
00:18:05,460 --> 00:18:06,964
Is that why you came?

210
00:18:08,091 --> 00:18:10,805
‐ (BREATHES DEEPLY)

211
00:18:13,561 --> 00:18:15,939
I came here to forgive you.

212
00:18:15,940 --> 00:18:17,901
‐ (SIGHS)

213
00:18:17,902 --> 00:18:19,823
What bullshit is this, Reg?

214
00:18:21,702 --> 00:18:23,120
‐ It's the truth.

215
00:18:23,121 --> 00:18:24,666
‐ Forgiveness?

216
00:18:25,960 --> 00:18:27,546
That don't wash.

217
00:18:27,547 --> 00:18:29,466
POP:
Everyone deserves forgiveness,

218
00:18:29,467 --> 00:18:30,803
even you.

219
00:18:31,805 --> 00:18:33,474
I forgive you.

220
00:18:33,475 --> 00:18:35,186
JOHN: What the fuck is
really going on, Reg?

221
00:18:35,187 --> 00:18:38,943
You swing in here acting like
the fucking pope

222
00:18:38,944 --> 00:18:42,868
two days after my own son's
sitting across from me

223
00:18:42,869 --> 00:18:44,955
for the first time
in two decades‐‐

224
00:18:44,956 --> 00:18:47,210
‐ Chris was here? ‐ Ace.

225
00:18:47,211 --> 00:18:49,715
I barely recognized him.

226
00:18:49,716 --> 00:18:51,092
(TENSE MUSIC)

227
00:18:51,093 --> 00:18:53,096
Come on, Reg.

228
00:18:53,097 --> 00:18:55,185
What the fuck gives?

229
00:18:55,978 --> 00:18:58,148
(BUZZER BLARES)

230
00:18:58,149 --> 00:19:05,163
♪♪

231
00:19:05,790 --> 00:19:07,376
‐ My fuckup nephew come in here?

232
00:19:10,298 --> 00:19:13,178
Hey, Jimmy.

233
00:19:13,179 --> 00:19:16,101
Remember who you're talking to.

234
00:19:16,102 --> 00:19:21,111
♪♪

235
00:19:21,112 --> 00:19:23,115
‐ I figured he couldn't
hurt anything down there

236
00:19:23,116 --> 00:19:25,494
'cause there's nothing left
to hurt.

237
00:19:25,495 --> 00:19:27,373
‐ Nothing left
to hurt down where?

238
00:19:27,374 --> 00:19:29,587
JIMMY: Old Warden Lacy's hole,

239
00:19:29,588 --> 00:19:31,757
where he kept that gimp.

240
00:19:31,758 --> 00:19:34,095
Block F.

241
00:19:34,096 --> 00:19:36,391
<i>POP: What the fuck do
they's want down in F?</i>

242
00:19:36,392 --> 00:19:38,897
<i>JIMMY: They gave me a
hundred reasons not to ask.</i>

243
00:19:38,898 --> 00:19:42,237
They just kinda...
looked around.

244
00:19:43,531 --> 00:19:46,536
Guess they wanted
to know where it went down.

245
00:19:46,537 --> 00:19:49,125
That cage is still in the tank.

246
00:19:49,126 --> 00:19:50,795
They never took it down.

247
00:19:50,796 --> 00:19:52,841
But the really weird thing was‐‐

248
00:19:52,842 --> 00:19:55,387
(INDISTINCT CHATTER)

249
00:19:55,388 --> 00:19:59,020
♪♪

250
00:19:59,021 --> 00:20:00,900
‐ Spit it out, boy.

251
00:20:03,154 --> 00:20:04,447
‐ The shit's locked.

252
00:20:04,448 --> 00:20:06,953
(EERIE MUSIC)

253
00:20:06,954 --> 00:20:10,084
<i>There were, like,
a pile of clothes inside.</i>

254
00:20:10,085 --> 00:20:11,921
<i>Sweats, you know?</i>

255
00:20:11,922 --> 00:20:13,592
<i>Prison‐issue.</i>

256
00:20:15,888 --> 00:20:17,056
‐ What?

257
00:20:17,057 --> 00:20:18,308
JIMMY: I hear Ace

258
00:20:18,309 --> 00:20:19,854
is making all the stops.

259
00:20:20,773 --> 00:20:22,901
I mean, Block F?

260
00:20:22,902 --> 00:20:24,321
Marsten place?

261
00:20:25,532 --> 00:20:27,368
‐ You mean Marsten's house?

262
00:20:27,369 --> 00:20:29,539
JIMMY: That boy must
be up to something.

263
00:20:29,540 --> 00:20:32,587
He's always got an angle,
you know?

264
00:20:32,588 --> 00:20:35,760
♪♪

265
00:20:35,761 --> 00:20:38,766
(ENGINE RUMBLING)

266
00:20:38,767 --> 00:20:40,519
(BRAKES SQUEAK)

267
00:20:40,520 --> 00:20:47,534
♪♪

268
00:20:57,054 --> 00:20:59,683
(WIND WHOOSHING, WATER LAPPING)

269
00:20:59,684 --> 00:21:01,444
(DOORS CLATTER OPEN)
AMITY: (SPEAKING FRENCH)

270
00:21:04,443 --> 00:21:06,840
(PEOPLE MURMURING)

271
00:21:09,495 --> 00:21:11,215
(DRAMATIC MUSIC)
VILLAGER: (SPEAKING FRENCH)

272
00:21:16,635 --> 00:21:18,262
(CHICKENS CLUCKING)

273
00:21:44,273 --> 00:21:47,279
(PEOPLE MURMURING)

274
00:21:58,134 --> 00:21:59,904
(PEOPLE MURMURING)

275
00:22:04,104 --> 00:22:06,192
<i>‐ Merci, ma prophète.</i>

276
00:22:08,655 --> 00:22:11,660
(VILLAGERS CHATTERING)

277
00:22:11,661 --> 00:22:14,625
♪♪

278
00:22:14,626 --> 00:22:17,254
(DISTANT HORSE WHINNYING)

279
00:22:17,255 --> 00:22:24,268
♪♪

280
00:22:24,269 --> 00:22:27,274
(WOODEN CLATTERING)

281
00:22:27,275 --> 00:22:34,289
♪♪

282
00:22:45,270 --> 00:22:48,276
(POWER SAW BUZZING FAINTLY)

283
00:22:50,948 --> 00:22:53,954
(HAMMER BANGING FAINTLY)

284
00:23:01,761 --> 00:23:04,766
(SOFT EERIE MUSIC)

285
00:23:04,767 --> 00:23:11,781
♪♪

286
00:23:22,928 --> 00:23:23,930
ACE: Pop.

287
00:23:25,934 --> 00:23:28,981
‐ You wanna tell me what you're
doing in this fucking place?

288
00:23:28,982 --> 00:23:31,444
‐ We're a group
of like‐minded individuals

289
00:23:31,445 --> 00:23:34,785
fostering accord
between two communities,

290
00:23:34,786 --> 00:23:37,624
Castle Rock and Salem's Lot,

291
00:23:37,625 --> 00:23:40,295
all on the eve
of our 400th anniversary.

292
00:23:40,296 --> 00:23:41,925
Are you going to the parade?

293
00:23:44,221 --> 00:23:46,140
‐ Do you know the history
of this shithole?

294
00:23:46,141 --> 00:23:48,854
‐ History does not define
a thing, Pop.

295
00:23:48,855 --> 00:23:50,733
You of all people
should know that.

296
00:23:50,734 --> 00:23:53,154
‐ You better start explaining.

297
00:23:53,155 --> 00:23:55,242
‐ You have questions. I get it.

298
00:23:55,243 --> 00:23:56,620
POP: You get it?

299
00:23:56,621 --> 00:23:59,291
Maybe you can help me get it,
Ace.

300
00:23:59,292 --> 00:24:02,339
Help me get what the fuck you
were doing over at the prison.

301
00:24:02,340 --> 00:24:04,135
Help me get
what you're doing here.

302
00:24:04,136 --> 00:24:06,932
‐ I've had some...

303
00:24:06,933 --> 00:24:10,313
revelations about myself,

304
00:24:10,314 --> 00:24:12,443
the kind of life I've led.

305
00:24:12,444 --> 00:24:15,868
Turns out... I wasn't alone.

306
00:24:18,707 --> 00:24:20,501
POP: I'm not buying it, Ace.

307
00:24:23,007 --> 00:24:27,222
You, Hassan, bunch of townies,

308
00:24:27,223 --> 00:24:29,435
fucking Rainbow Coalition.

309
00:24:29,436 --> 00:24:31,648
(TENSE MUSIC)

310
00:24:31,649 --> 00:24:34,111
What the fuck is going on here?

311
00:24:34,112 --> 00:24:35,865
What the fuck were you doing
at the prison

312
00:24:35,866 --> 00:24:38,162
paying off guards,
trying to get into Block F?

313
00:24:40,458 --> 00:24:41,961
‐ I don't know what you mean.

314
00:24:45,761 --> 00:24:48,306
You should go, Pop.

315
00:24:48,307 --> 00:24:51,939
My friends don't want you
in their house.

316
00:24:51,940 --> 00:24:58,954
♪♪

317
00:25:01,668 --> 00:25:03,503
(DOOR SLAMS)

318
00:25:03,504 --> 00:25:05,800
(BACKUP ALERT BEEPING,
INDISTINCT CHATTER)

319
00:25:05,801 --> 00:25:07,846
‐ I got to talk to you.

320
00:25:09,224 --> 00:25:11,687
‐ You told Nadia?

321
00:25:11,688 --> 00:25:14,066
That feel good?

322
00:25:14,067 --> 00:25:15,402
Getting it all off your chest?

323
00:25:15,403 --> 00:25:17,114
‐ She figured it out on her own.

324
00:25:17,115 --> 00:25:19,159
‐ Well, now she won't talk
to me either.

325
00:25:19,160 --> 00:25:22,416
Is there anything
you can't fuck up?

326
00:25:22,417 --> 00:25:24,838
Now, get out, Pop.
I'm done with your shit.

327
00:25:24,839 --> 00:25:26,550
‐ You got to watch your back,
Abdi.

328
00:25:26,551 --> 00:25:27,635
‐ You're here
to threaten me again?

329
00:25:27,636 --> 00:25:29,179
‐ I'm warning you about Ace.

330
00:25:29,180 --> 00:25:31,602
‐ A little late for that.
‐ And your man.

331
00:25:31,603 --> 00:25:33,479
The big one, Hassan?

332
00:25:33,480 --> 00:25:35,317
They're working together.
ABDI: Bullshit.

333
00:25:35,318 --> 00:25:36,903
‐ I seen them together
up at Marsten.

334
00:25:36,904 --> 00:25:39,659
‐ Hassan?
POP: Not just them either.

335
00:25:39,660 --> 00:25:41,663
Cops,
the goddamn city councilwoman,

336
00:25:41,664 --> 00:25:43,876
all listening to fucking Ace?

337
00:25:43,877 --> 00:25:45,838
Something's wrong.

338
00:25:45,839 --> 00:25:47,842
Something bad is coming.

339
00:25:47,843 --> 00:25:49,178
Listen to me.

340
00:25:49,179 --> 00:25:50,472
I'm old enough
to remember things

341
00:25:50,473 --> 00:25:51,892
you can't even fucking imagine.

342
00:25:51,893 --> 00:25:53,687
‐ And I'm old enough to remember

343
00:25:53,688 --> 00:25:56,860
that a fucking week ago,
I was tied to a fucking chair.

344
00:25:56,861 --> 00:26:00,618
(GUN COCKING) Stay away
from me and my family.

345
00:26:00,619 --> 00:26:03,624
(JACKHAMMER POUNDING)

346
00:26:03,625 --> 00:26:06,630
(INDISTINCT SHOUTING)

347
00:26:06,631 --> 00:26:10,846
♪♪

348
00:26:10,847 --> 00:26:13,560
ACE: Nearly all 38 of us
have our new vessels.

349
00:26:13,561 --> 00:26:15,606
Soon our prophet will return.

350
00:26:15,607 --> 00:26:17,652
‐ Tomorrow
the final steps begin.

351
00:26:17,653 --> 00:26:19,238
ACE: We'll do it here,

352
00:26:19,239 --> 00:26:22,452
where the most people
will be gathered,

353
00:26:22,453 --> 00:26:25,835
before their temple
to their false God.

354
00:26:25,836 --> 00:26:31,930
♪♪

355
00:26:31,931 --> 00:26:34,853
‐ The police have the vessel.

356
00:26:34,854 --> 00:26:36,481
Ms. Wilkes.

357
00:26:37,525 --> 00:26:39,696
‐ Patrice. ‐ What?

358
00:26:39,697 --> 00:26:41,616
‐ The prophet's vessel.

359
00:26:41,617 --> 00:26:43,912
She's gotten herself
into some trouble.

360
00:26:43,913 --> 00:26:46,585
She just became
your responsibility.

361
00:26:46,586 --> 00:26:53,600
♪♪

362
00:26:57,064 --> 00:26:58,144
AUGUSTIN: (SPEAKING FRENCH)

363
00:27:07,920 --> 00:27:10,884
(DRAMATIC MUSIC)

364
00:27:14,683 --> 00:27:17,814
♪♪

365
00:27:17,815 --> 00:27:21,111
VILLAGER: <i>Non, non, non! Amity!</i>

366
00:27:21,112 --> 00:27:24,117
(SHOUTING)

367
00:27:24,118 --> 00:27:25,788
<i>Aidez‐moi!</i>

368
00:27:25,789 --> 00:27:28,376
‐ (SPEAKING FRENCH)

369
00:27:28,377 --> 00:27:29,963
(GROANING AND SHOUTING)

370
00:27:29,964 --> 00:27:32,259
<i>Mon Dieu!</i>

371
00:27:32,260 --> 00:27:35,265
(VILLAGERS SCREAMING)

372
00:27:35,266 --> 00:27:38,272
(FIRES ROARING)

373
00:28:12,549 --> 00:28:19,103
♪♪

374
00:28:22,068 --> 00:28:24,656
(MOANING)

375
00:28:24,657 --> 00:28:31,419
♪♪

376
00:28:37,557 --> 00:28:40,563
(INDISTINCT CHATTER)

377
00:28:41,649 --> 00:28:45,029
(BOTH MOANING)

378
00:28:45,030 --> 00:28:48,244
(GRAVEL CRUNCHING)

379
00:28:48,245 --> 00:28:49,831
(CAR DOOR CLICKS OPEN)

380
00:28:49,832 --> 00:28:52,169
♪♪

381
00:29:03,609 --> 00:29:04,819
‐ You didn't bring her.

382
00:29:04,820 --> 00:29:05,946
PATRICE: She's at the station

383
00:29:05,947 --> 00:29:07,323
and it's gonna take some time.

384
00:29:07,324 --> 00:29:09,119
But, Augustin,
her head's swimming

385
00:29:09,120 --> 00:29:10,748
with the same evil medicines
as this one.

386
00:29:10,749 --> 00:29:12,292
Antipsychotics.

387
00:29:12,293 --> 00:29:13,587
We almost lost Helene.

388
00:29:13,588 --> 00:29:15,090
We could lose the prophet too.

389
00:29:16,092 --> 00:29:17,846
‐ It's not a problem
now that we know.

390
00:29:19,515 --> 00:29:21,310
We'll sober her, clear the fog.

391
00:29:21,311 --> 00:29:22,688
‐ There isn't time for that.

392
00:29:22,689 --> 00:29:24,024
Augustin, please, we didn't know

393
00:29:24,025 --> 00:29:25,526
about these
mind‐altering chemicals,

394
00:29:25,527 --> 00:29:26,528
nor did the prophet.

395
00:29:26,529 --> 00:29:27,949
‐ She brought me back.

396
00:29:29,661 --> 00:29:32,249
The Wilkes woman
brought all of us back.

397
00:29:34,922 --> 00:29:37,133
‐ You're seeing signs
where there are none.

398
00:29:37,134 --> 00:29:39,388
ACE: And what signs do you
see, Patrice?

399
00:29:41,392 --> 00:29:43,145
What vessel is suitable?

400
00:29:43,146 --> 00:29:45,692
Clearly you have
the gift of sight.

401
00:29:45,693 --> 00:29:47,822
The angel has touched you.

402
00:29:47,823 --> 00:29:50,661
Show us the proper vessel.

403
00:29:50,662 --> 00:29:55,839
♪♪

404
00:30:16,504 --> 00:30:18,216
(DOOR CLATTERS SHUT)

405
00:30:44,811 --> 00:30:46,941
♪♪

406
00:30:50,155 --> 00:30:53,203
♪♪

407
00:31:08,651 --> 00:31:12,533
(CHOKING)

408
00:31:14,161 --> 00:31:17,167
(BEETLES BUZZING)

409
00:32:01,172 --> 00:32:03,300
‐ (GRUNTING)

410
00:32:03,301 --> 00:32:05,972
(TENSE MUSIC)

411
00:32:05,973 --> 00:32:08,268
‐ (GRUNTING)

412
00:32:08,269 --> 00:32:15,283
♪♪

413
00:32:33,737 --> 00:32:36,032
(TEETH CHOMPING)

414
00:32:36,033 --> 00:32:37,494
AMITY: (SHUSHES)

415
00:33:16,447 --> 00:33:19,077
YOUNG VILLAGER: (GULPING)

416
00:33:19,078 --> 00:33:22,500
(WHIMPERING)

417
00:33:22,501 --> 00:33:25,130
AMITY: (SHUSHES)

418
00:33:25,131 --> 00:33:29,055
(HUMMING)

419
00:33:29,056 --> 00:33:30,391
(SUSPENSEFUL MUSIC)

420
00:33:30,392 --> 00:33:33,438
(ALL SHOUTING)

421
00:33:33,439 --> 00:33:36,319
(VILLAGER CRYING)

422
00:33:36,320 --> 00:33:43,334
♪♪

423
00:34:11,600 --> 00:34:18,154
♪♪

424
00:34:21,620 --> 00:34:24,540
(HAMMER BANGING)

425
00:34:24,541 --> 00:34:27,632
AMITY: (BREATHING HEAVILY)

426
00:34:42,623 --> 00:34:43,703
AUGUSTIN: (SPEAKING FRENCH)

427
00:35:58,856 --> 00:36:01,862
(CHOKING)

428
00:36:08,499 --> 00:36:10,921
(GAGGING)

429
00:36:26,661 --> 00:36:29,875
(LID RUMBLING)

430
00:36:29,876 --> 00:36:34,718
<i>EMCEE: Castle Rock's 400th
anniversary parade has begun!</i>

431
00:36:34,719 --> 00:36:35,970
(UPBEAT MUSIC PLAYING)

432
00:36:35,971 --> 00:36:39,811
(HORN HONKING, ENGINES REVVING)

433
00:36:39,812 --> 00:36:41,732
(CROWD CHEERING)

434
00:36:41,733 --> 00:36:48,747
♪ ♪

435
00:36:49,749 --> 00:36:53,004
(ENGINES RUMBLING,
INDISTINCT CHATTER)

436
00:36:53,005 --> 00:36:55,719
(POWER SAW BUZZING)

437
00:37:08,285 --> 00:37:09,913
(INSECTS CHITTERING)

438
00:37:09,914 --> 00:37:12,920
(BIRDS CHIRPING)

439
00:37:24,401 --> 00:37:25,987
<i>EMCEE: Here she comes, folks!</i>

440
00:37:25,988 --> 00:37:28,450
<i>The Witch of Jerusalem's Lot.</i>

441
00:37:28,451 --> 00:37:30,537
(CROWD CHEERING)

442
00:37:30,538 --> 00:37:33,919
<i>Give yourselves a hand
for coming out today,</i>

443
00:37:33,920 --> 00:37:36,884
<i>celebrating 400 years of beauty.</i>

444
00:37:36,885 --> 00:37:40,057
<i>Now let's all give a big, warm
Castle Rock welcome</i>

445
00:37:40,058 --> 00:37:44,608
<i>to the brothers and sisters
of Jerusalem's Lot!</i>

446
00:37:44,609 --> 00:37:46,110
‐ I haven't seen a crowd
this big

447
00:37:46,111 --> 00:37:49,241
since the 1992 Thanksgiving Day!

448
00:37:49,242 --> 00:37:51,162
Let's hear it for Castle Rock!

449
00:37:51,163 --> 00:37:52,874
♪♪

450
00:37:52,875 --> 00:37:54,460
<i>EMCEE: Look at that car.</i>

451
00:37:54,461 --> 00:37:57,466
(BIRDS CHIRPING)

452
00:37:57,467 --> 00:38:00,472
(SOFT DRAMATIC MUSIC)

453
00:38:00,473 --> 00:38:04,230
♪♪

454
00:38:04,231 --> 00:38:06,484
ABDI: What the fuck?

455
00:38:06,485 --> 00:38:13,499
♪♪

456
00:38:19,261 --> 00:38:22,600
(FIRE ROARING)

457
00:38:22,601 --> 00:38:28,486
♪♪

458
00:38:28,487 --> 00:38:30,157
(GUNSHOT)

459
00:38:30,158 --> 00:38:33,163
(CHEERS AND APPLAUSE)

460
00:38:33,164 --> 00:38:36,169
(LIVELY MUSIC PLAYING)

461
00:38:36,170 --> 00:38:38,716
(BRAKES SQUEAK)

462
00:38:38,717 --> 00:38:40,970
‐ (SIGHS) Any trouble so far?

463
00:38:40,971 --> 00:38:42,807
‐ Oh, no. All's well.

464
00:38:42,808 --> 00:38:45,061
I can let you through if you
need to get to the emporium.

465
00:38:45,062 --> 00:38:46,773
‐ No, I'm gonna take a look.

466
00:38:46,774 --> 00:38:48,318
<i>EMCEE:
Hey, folks, please welcome</i>

467
00:38:48,319 --> 00:38:50,155
<i>Castle Rock's very own
Pastor Drew.</i>

468
00:38:50,156 --> 00:38:52,912
(CHEERS AND APPLAUSE)
‐ I'm glad you could make it.

469
00:38:54,206 --> 00:38:55,958
<i>DREW: Good afternoon,
good afternoon.</i>

470
00:38:55,959 --> 00:38:58,547
<i>I see a lot of my parishioners
out there.</i>

471
00:38:58,548 --> 00:39:00,217
(CHEERS AND APPLAUSE)

472
00:39:00,218 --> 00:39:04,058
<i>We thank you for coming.
We are so thankful.</i>

473
00:39:04,059 --> 00:39:07,481
<i>We want to share our gratitude
with you with a gift.</i>

474
00:39:07,482 --> 00:39:10,487
(TENSE MUSIC)

475
00:39:10,488 --> 00:39:17,502
♪♪

476
00:39:25,017 --> 00:39:26,478
POP: Ace.

477
00:39:27,355 --> 00:39:32,197
<i>‐ A blessing that will
unify all of us.</i>

478
00:39:32,198 --> 00:39:34,159
(PEOPLE MURMURING)

479
00:39:34,160 --> 00:39:36,539
♪♪

480
00:39:36,540 --> 00:39:38,209
POP: What the fuck are you
doing, Ace?

481
00:39:38,210 --> 00:39:39,963
OFFICER: Excuse me, sir!
‐ Hey, where you going, Pop?

482
00:39:39,964 --> 00:39:41,507
POP: Something bad is coming!
OFFICER: Step back.

483
00:39:41,508 --> 00:39:43,261
POP: What are you up to?
OFFICER: Come on.

484
00:39:43,262 --> 00:39:44,764
‐ (GRUNTS) Get off me!

485
00:39:44,765 --> 00:39:45,850
Get off!

486
00:39:45,851 --> 00:39:52,864
♪♪

487
00:39:52,865 --> 00:39:57,290
(EERIE HOWLING)

488
00:40:13,280 --> 00:40:20,294
♪♪

489
00:40:24,427 --> 00:40:28,142
(EERIE HOWLING)

490
00:40:28,143 --> 00:40:33,654
♪♪

491
00:40:33,655 --> 00:40:36,661
(EERIE HOWLING)

492
00:40:44,885 --> 00:40:51,566
♪♪

493
00:41:03,673 --> 00:41:06,720
(EERIE HOWLING)

494
00:41:06,721 --> 00:41:10,436
♪♪

495
00:41:13,233 --> 00:41:16,238
(ETHEREAL MUSIC)

496
00:41:16,239 --> 00:41:23,253
♪♪

497
00:41:54,567 --> 00:41:57,320
(DRAMATIC MUSIC)

498
00:41:57,321 --> 00:42:04,168
♪♪

499
00:42:05,672 --> 00:42:11,015
‐ Let me tell you a story
about starting over.

500
00:42:11,016 --> 00:42:12,643
(SPARSE PIANO MUSIC)

501
00:42:12,644 --> 00:42:15,106
<i>Someone once said</i>

502
00:42:15,107 --> 00:42:19,782
<i>that every good story
ends where it begins.</i>

503
00:42:19,783 --> 00:42:23,874
Well, this one begins
right here in Castle Rock,

504
00:42:23,875 --> 00:42:26,462
<i>and it will end here too.</i>

505
00:42:26,463 --> 00:42:33,435
♪♪

506
00:43:51,592 --> 00:43:53,220
<i>CHILDREN: Bad Robot.</i>