1 00:00:25,021 --> 00:00:27,661 -After you. -No, after you. After you, I insist. 2 00:00:27,701 --> 00:00:29,781 No, no, after you. -You first. -Fine! 3 00:00:30,301 --> 00:00:32,301 I thought you said after me. 4 00:00:32,341 --> 00:00:36,021 Cut! Hey, we're done. Good work, fellas. Thank you. 5 00:00:36,061 --> 00:00:37,541 I aced it, Mr Wilder. 6 00:00:37,581 --> 00:00:39,781 And I had to keep this amateur afloat, I tell you. 7 00:00:39,821 --> 00:00:41,901 I need to make shelf space for my Oscar. 8 00:00:41,941 --> 00:00:44,621 You mean, make bathroom space for your reviews. 9 00:00:44,661 --> 00:00:48,301 -What's next? -Marilyn is next. 10 00:00:48,341 --> 00:00:50,421 So, time is money and thanks to Marilyn, 11 00:00:50,461 --> 00:00:52,741 we are running dangerously short on both. 12 00:00:52,781 --> 00:00:54,821 So, vamos, go, go, go, go. 13 00:00:54,861 --> 00:00:58,461 Sure thing, Mr Wilder. Could we invite Miss Monroe to the set, please? Thank you. 14 00:00:58,501 --> 00:00:59,501 Yes, sir. 15 00:01:11,021 --> 00:01:13,021 Christ, this is killing us! 16 00:01:13,461 --> 00:01:15,021 Where is she? 17 00:01:15,061 --> 00:01:18,901 Great. I have the acting coach, not the actress. 18 00:01:18,941 --> 00:01:24,381 Marilyn is nearly ready. I don't mean to be rude, honey but I don't need you on my set. 19 00:01:24,421 --> 00:01:28,021 You might not need me, Mr Wilder, but Marilyn does. 20 00:01:28,061 --> 00:01:32,101 Where is she, then? I'm here, Mr Wilder. 21 00:01:32,501 --> 00:01:34,141 Oh, Marilyn! 22 00:01:37,381 --> 00:01:41,261 Sugar Kowalczyk reporting for duty. 23 00:01:41,301 --> 00:01:46,301 Marilyn, you look good enough to make a bishop kick a hole in a stained-glass window. 24 00:01:46,341 --> 00:01:48,981 Raymond Chandler, right? Right. Come. 25 00:01:49,021 --> 00:01:52,181 It's a very simple shot, Marilyn. We just... 26 00:01:53,021 --> 00:01:57,941 You. Mrs Strasberg. Stand over there. 27 00:02:00,101 --> 00:02:02,461 It's a very simple shot. Walk up to the door. 28 00:02:02,501 --> 00:02:07,901 Knock on the door and say, "It's me, Sugar."Yes, sir. 29 00:02:10,581 --> 00:02:12,621 Orange juice. 30 00:02:15,581 --> 00:02:17,781 Scene 74, take one. 31 00:02:19,061 --> 00:02:20,421 Action. 32 00:02:22,701 --> 00:02:24,901 It's Sugar. Me. 33 00:02:24,941 --> 00:02:26,221 Cut. 34 00:02:26,261 --> 00:02:29,381 The line, Marilyn, is "It's me, Sugar." 35 00:02:29,421 --> 00:02:33,061 On account of her name being Sugar Kowalczyk. 36 00:02:33,101 --> 00:02:35,301 Paula, what's my motivation in this scene? 37 00:02:35,341 --> 00:02:38,781 Well, darling, you've just arrived backwards off a speedboat. 38 00:02:38,821 --> 00:02:41,421 Your motivation is to get the god damn door open. 39 00:02:41,461 --> 00:02:43,781 Let's go again. 40 00:02:44,981 --> 00:02:47,061 Scene 74, take two. 41 00:02:47,221 --> 00:02:48,221 Action. 42 00:02:49,301 --> 00:02:51,501 Me, it's Sugar. 43 00:02:52,781 --> 00:02:55,221 How was that for you, Mrs Iceberg? Cut. 44 00:02:55,261 --> 00:02:56,261 Paula! 45 00:02:57,221 --> 00:02:58,221 Marilyn. 46 00:02:58,581 --> 00:03:00,021 Where are you going? 47 00:03:02,981 --> 00:03:04,701 Take five, everybody. 48 00:03:09,701 --> 00:03:11,061 Mr Wilder. 49 00:03:11,101 --> 00:03:13,741 Mr Miller. Mr Wilder. 50 00:03:16,101 --> 00:03:20,901 May I suggest one or two changes to Marilyn's lines? 51 00:03:20,941 --> 00:03:25,661 Yeah, and Diamond only spent six months writing it but I'm sure you have done something better 52 00:03:25,701 --> 00:03:28,221 in the last ten minutes right off the top of your head. 53 00:03:28,261 --> 00:03:29,701 Well, I'm only trying to help. 54 00:03:29,741 --> 00:03:31,781 Hmm, while we are talking about it, 55 00:03:31,821 --> 00:03:36,261 may I take the liberty of pointing out some of the dialogue on your Death Of A Salesman, 56 00:03:36,301 --> 00:03:38,061 it is tragically short on laughs. 57 00:03:38,101 --> 00:03:39,661 But we can talk about this later. 58 00:03:39,701 --> 00:03:43,301 If you want to be really helpful then please, get your wife back on set now. 59 00:03:43,341 --> 00:03:47,141 You'll give Marilyn a nervous breakdown with all this relentless pressure. 60 00:03:47,181 --> 00:03:48,581 She has a nervous breakdown, 61 00:03:48,621 --> 00:03:52,261 I am the one due two weeks at the funny farm if we never get this picture read. 62 00:03:52,301 --> 00:03:53,941 There's no need to be facetious. 63 00:03:53,981 --> 00:03:55,581 Please, go get her. 64 00:03:55,621 --> 00:03:59,781 If I know Marilyn, she'll be perfecting her line. 65 00:04:14,141 --> 00:04:16,661 Paula, I need your help. Of course, darling. 66 00:04:16,701 --> 00:04:19,181 You're Sugar Kowalczyk, let's work on her. 67 00:04:19,221 --> 00:04:23,421 Why does she own a ukulele? Because her father played it before he left. 68 00:04:23,461 --> 00:04:26,221 She was five years old. It reminds her of him. 69 00:04:26,261 --> 00:04:29,061 Does she eat cheese? -Only on Fridays. -Why Fridays? 70 00:04:29,101 --> 00:04:32,621 She gets paid on Thursday, on Friday she can afford the cheese. 71 00:04:32,661 --> 00:04:35,421 Say the line. It's me, Sugar. 72 00:04:38,421 --> 00:04:44,141 You don't need any more help, darling. That was perfect. You are a Godsend, Paula. 73 00:04:44,181 --> 00:04:48,581 -Oh. -I just wish Sugar didn't have to sound like a sexy moron. 74 00:04:48,621 --> 00:04:52,101 "The oven is hot. The fridge is cold. 75 00:04:52,141 --> 00:04:58,021 But they both run on electricity. I don't get it. (GIGGLES)" 76 00:04:58,061 --> 00:04:59,821 Nobody's really that dumb. 77 00:05:00,821 --> 00:05:03,061 You...are... 78 00:05:03,101 --> 00:05:05,821 ..an...actor. 79 00:05:08,301 --> 00:05:13,101 -Baby. You OK? -Please leave now. OK, darling. 80 00:05:18,501 --> 00:05:22,861 Oh, Arthur, I get so nervous! Honey. 81 00:05:22,901 --> 00:05:25,981 You are Marilyn Monroe. 82 00:05:26,341 --> 00:05:30,301 You're so much bigger than this silly little line. 83 00:05:30,341 --> 00:05:35,301 I'm sorry, Mr Wilder. I just needed to compose myself. 84 00:05:35,341 --> 00:05:38,501 Quite all right, Marilyn. My wife just needed a little pep talk. 85 00:05:38,541 --> 00:05:41,221 Let's go again, shall we? 86 00:05:43,541 --> 00:05:46,381 Scene 74, take three. 87 00:05:46,741 --> 00:05:47,741 Action. 88 00:05:49,341 --> 00:05:51,701 It's me, Honey. 89 00:05:52,181 --> 00:05:53,221 Cut. 90 00:05:55,061 --> 00:05:57,301 Scene 74, take four. 91 00:05:57,461 --> 00:05:58,461 Action. 92 00:05:58,741 --> 00:06:02,541 Sugar, it's me. 93 00:06:02,661 --> 00:06:03,661 Cut. 94 00:06:06,341 --> 00:06:08,301 Scene 74, take five. 95 00:06:08,341 --> 00:06:09,461 And action. 96 00:06:12,261 --> 00:06:13,461 Me. 97 00:06:14,901 --> 00:06:15,901 It's Sugar. 98 00:06:16,741 --> 00:06:17,741 Cut. 99 00:06:17,981 --> 00:06:19,301 Take six. 100 00:06:19,661 --> 00:06:20,781 Take seven. 101 00:06:20,821 --> 00:06:22,141 Take eight. 102 00:06:22,181 --> 00:06:23,221 Take nine. 103 00:06:26,541 --> 00:06:28,621 Scene 74, take ten. 104 00:06:28,661 --> 00:06:29,821 And action. 105 00:06:32,701 --> 00:06:33,741 Me. 106 00:06:34,621 --> 00:06:36,741 It's my...me. 107 00:06:39,221 --> 00:06:40,301 And cut. 108 00:06:40,621 --> 00:06:41,621 Huh. 109 00:06:44,741 --> 00:06:47,501 There goes Dracula's assistant. 110 00:06:47,981 --> 00:06:52,101 Sugar has just spent the evening with a millionaire. 111 00:06:52,141 --> 00:06:57,421 She thinks he's gonna propose. So, obviously, she's very excited. 112 00:06:57,821 --> 00:07:01,781 What gets you excited in your own life? Books mainly, Paula. 113 00:07:01,821 --> 00:07:04,901 Do you know Rosamond Lehmann? Look. 114 00:07:06,261 --> 00:07:09,421 The Weather In The Streets. What's it about, darling? 115 00:07:09,461 --> 00:07:10,901 It's about the weather! 116 00:07:10,941 --> 00:07:12,501 In the streets. 117 00:07:12,541 --> 00:07:14,421 Screw you, Paula! 118 00:07:14,461 --> 00:07:18,461 I'm sorry, darling... Please leave now, Paula. OK, darling. 119 00:07:20,141 --> 00:07:25,701 Furthermore, I had this idea about this line... Ah, Tony, you remember Arthur Miller? 120 00:07:25,741 --> 00:07:31,501 Sure, I met Mr Miller before. Oh, Arthur, please. The pleasure is all mine. 121 00:07:31,541 --> 00:07:33,821 I really liked A View From The Bridge. 122 00:07:33,861 --> 00:07:36,661 Ah, thank you. It's short on laughs, though. 123 00:07:43,821 --> 00:07:47,341 And what is happening here, apart from nothing? 124 00:07:47,381 --> 00:07:48,541 "It's me, Sugar". 125 00:07:48,981 --> 00:07:53,301 Ten takes already. Jesus Christ. Is she, uh... 126 00:07:53,341 --> 00:07:56,901 Oh, she's something all right. Mood swings all over the place. 127 00:07:56,941 --> 00:07:58,861 You go and talk to her. 128 00:07:58,901 --> 00:08:02,661 Kick her in the ass, give her some flowers. 129 00:08:02,701 --> 00:08:05,181 Just get her back on the set. 130 00:08:06,501 --> 00:08:07,981 Consider it done, Mr Wilder. 131 00:08:14,461 --> 00:08:19,941 Who is it? It's Tony. Please leave now, Paula. OK, darling. 132 00:08:30,541 --> 00:08:33,101 Tony! What are you doing? 133 00:08:33,141 --> 00:08:37,181 I'm not sure but, uh... I think I like it. 134 00:08:40,421 --> 00:08:43,941 You think I'd cheat on my husband? 135 00:08:49,501 --> 00:08:50,541 Guess what? 136 00:08:51,061 --> 00:08:53,261 -What? -I got a hotel suite in Hawaii 137 00:08:53,301 --> 00:08:54,821 on hold under a false name. 138 00:08:54,861 --> 00:08:59,541 The sooner we wrap this picture, the sooner you and I can spend a long weekend together. 139 00:08:59,581 --> 00:09:04,381 What'll I tell Arthur? That you need to be alone so you can memorise your lines. 140 00:09:06,661 --> 00:09:10,701 You're a bad, bad boy. 141 00:09:10,741 --> 00:09:13,181 Yes, I am. 142 00:09:17,461 --> 00:09:18,461 So? 143 00:09:20,141 --> 00:09:23,301 The sacrifices I make for you, Mr Wilder. 144 00:09:23,781 --> 00:09:26,781 It's like kissing Hitler. What did you say to her? 145 00:09:26,821 --> 00:09:31,061 I told her she got the line right, I'd take her to Hawaii and screw her. 146 00:09:31,101 --> 00:09:32,981 What if say the line? 147 00:09:33,021 --> 00:09:38,341 Same deal except Poughkeepsie -instead. -Good. 148 00:09:41,181 --> 00:09:44,181 -I'm ready now, Mr Wilder. -OK. 149 00:09:47,101 --> 00:09:49,181 Scene 74, take 11. 150 00:09:49,301 --> 00:09:50,421 Action. 151 00:09:50,861 --> 00:09:53,581 Honey, it's me. 152 00:09:53,621 --> 00:09:54,621 Cut. 153 00:09:57,181 --> 00:10:00,501 Scene 74, take 12. Action. 154 00:10:02,261 --> 00:10:04,941 Sugar, I'm home. 155 00:10:04,981 --> 00:10:07,781 Cut. 156 00:10:07,861 --> 00:10:11,261 Scene 74, take 13. Action. 157 00:10:13,621 --> 00:10:16,541 Me. It's Sugar. 158 00:10:16,581 --> 00:10:17,661 Cut. 159 00:10:19,341 --> 00:10:21,141 Take 17. 160 00:10:21,181 --> 00:10:22,261 Take 18. 161 00:10:22,301 --> 00:10:24,181 Scene 74, take 19. 162 00:10:26,701 --> 00:10:28,941 Hey. Action. 163 00:10:30,901 --> 00:10:33,061 Sugar, it's me. 164 00:10:41,341 --> 00:10:43,901 I'm a girl. I'm a girl. I'm a girl. 165 00:10:43,941 --> 00:10:45,221 I'm a girl. 166 00:10:46,461 --> 00:10:49,221 Tony. What's happening, are they ready for me? 167 00:10:49,781 --> 00:10:52,301 I don't think, uh, anybody is ready for you. 168 00:10:53,661 --> 00:10:57,381 For Christ's sake. I have to sit around strapped in this outfit all day. 169 00:10:57,421 --> 00:11:02,021 These heels are killing me! I tell you, making this film, wearing this outfit, 170 00:11:02,061 --> 00:11:04,581 my respect for women, it has gone right up! 171 00:11:04,621 --> 00:11:08,421 Well if you want it to go right back down again, then come watch Marilyn at work. 172 00:11:09,781 --> 00:11:11,421 Ladies first. Thank you. 173 00:11:11,741 --> 00:11:13,861 Scene 74, take 25. 174 00:11:13,901 --> 00:11:16,341 And action. 175 00:11:18,581 --> 00:11:22,181 Honey, I'm home. Cut. 176 00:11:24,301 --> 00:11:26,021 This is horrible. 177 00:11:27,461 --> 00:11:30,861 $50 says she don't get it before take 50. 178 00:11:31,901 --> 00:11:33,661 You're on. 179 00:11:33,701 --> 00:11:36,021 Sit down and enjoy the show. 180 00:11:36,981 --> 00:11:39,221 Scene 74, take 26. 181 00:11:39,261 --> 00:11:40,421 Action. 182 00:11:41,981 --> 00:11:45,021 It's me. What's my name again? 183 00:11:45,061 --> 00:11:46,381 Sugar. Sugar. 184 00:11:47,101 --> 00:11:49,661 Scene 74, take 27. 185 00:11:49,701 --> 00:11:50,701 28. 186 00:11:50,741 --> 00:11:51,741 29. 187 00:11:51,781 --> 00:11:53,261 Don't say anything to me. 188 00:11:53,301 --> 00:11:56,501 I'll forget how I want to play it. 189 00:11:59,861 --> 00:12:00,901 Action. 190 00:12:00,941 --> 00:12:03,021 I forgot how I wanted to play it! 191 00:12:03,061 --> 00:12:04,941 Cut! Paula! 192 00:12:05,181 --> 00:12:09,021 I have a nasty feeling I'm gonna leave this set in a box. 193 00:12:21,341 --> 00:12:23,781 -Who is it? -It's Daphne, sugar. 194 00:12:23,821 --> 00:12:27,021 Please leave now, Paula. OK, darling. 195 00:12:30,381 --> 00:12:33,181 -Come in, Jack. -Marilyn, honey. 196 00:12:33,221 --> 00:12:38,501 I've made a suggestion and I hope you aren't gonna hate me for it. What do you mean? 197 00:12:38,781 --> 00:12:41,461 Well... Thank you. 198 00:12:41,501 --> 00:12:45,741 On set, dear, there's a blackboard, with a line on it for you to read. 199 00:12:45,781 --> 00:12:47,261 Jesus Christ, Jack! 200 00:12:47,301 --> 00:12:49,301 Where everyone can see it! 201 00:12:49,341 --> 00:12:52,381 They'll think I really am a moron. Hey, hey, hey, hey. 202 00:12:52,421 --> 00:12:55,421 I have notes pinned all over the place if I need them. We all do. 203 00:12:55,461 --> 00:12:58,421 You know Groucho Marx? Never learned a line in his whole life 204 00:12:58,461 --> 00:13:00,901 and I'll tell ya, it's the same thing with Marlon. 205 00:13:00,941 --> 00:13:05,021 -Really? -Absolutely. You do not have to care what anyone thinks. 206 00:13:05,061 --> 00:13:07,021 That's the trouble. I do care. 207 00:13:07,061 --> 00:13:08,901 Well I think that you are the bee's knees. 208 00:13:08,941 --> 00:13:11,061 And I think you're the cat's pyjamas. 209 00:13:11,101 --> 00:13:14,701 And I'll tell you what else. I think you're the flea's eyebrows. 210 00:13:14,741 --> 00:13:17,221 Oh, my! That good? Yes, that good. 211 00:13:17,261 --> 00:13:21,261 Us girls have -to stick together. -Exactly. 212 00:13:21,901 --> 00:13:22,901 Oh. 213 00:13:24,261 --> 00:13:26,341 Plus, I have $50 riding on you. 214 00:13:26,381 --> 00:13:30,501 -What? -Tony bet me that you could not say the line in 50 takes. 215 00:13:30,541 --> 00:13:32,101 I took that bet. Tony! 216 00:13:32,821 --> 00:13:34,621 That two-faced bastard! 217 00:13:35,501 --> 00:13:36,661 He's been in here... 218 00:13:37,381 --> 00:13:38,981 Well, never mind. 219 00:13:39,021 --> 00:13:43,861 Let's just say I won't be going to Hawaii any time soon. 220 00:13:44,821 --> 00:13:48,981 Jack told me. About the blackboard, too! 221 00:13:51,381 --> 00:13:54,421 But it's OK. 222 00:13:56,301 --> 00:13:58,261 -Bet's off. -Oh, certainly not. 223 00:13:58,301 --> 00:14:03,541 All she needs to do is read from the board, how's that fair? Tony, life isn't fair. 224 00:14:03,581 --> 00:14:07,221 And a gentleman, he doesn't welch after shaking hands. 225 00:14:07,781 --> 00:14:09,901 Call yourself a gentleman? No. 226 00:14:09,941 --> 00:14:11,821 I'm a girl! 227 00:14:12,301 --> 00:14:13,901 Let's put this sucker to bed, huh? 228 00:14:13,941 --> 00:14:15,821 Scene 74, take 30. 229 00:14:15,861 --> 00:14:16,861 Action. 230 00:14:17,181 --> 00:14:19,741 It's me, Marilyn. 231 00:14:19,781 --> 00:14:22,581 I'm sorry, Mr Wilder! 232 00:14:22,621 --> 00:14:24,461 Cut. Just... 233 00:14:26,861 --> 00:14:32,701 Just...relax, Marilyn. Don't...don't worry. 234 00:14:32,741 --> 00:14:34,221 About what? 235 00:14:37,501 --> 00:14:39,861 Just read the line off the blackboard. 236 00:14:39,901 --> 00:14:43,141 I completely forgot it was there! 237 00:14:43,181 --> 00:14:44,941 Yes, right there. Yeah. 238 00:14:46,661 --> 00:14:47,661 Let's go again. 239 00:14:47,701 --> 00:14:48,821 The blackboard! 240 00:14:48,861 --> 00:14:51,021 Scene 74, take 31. 241 00:14:51,061 --> 00:14:52,101 Action. 242 00:14:56,061 --> 00:14:58,021 Can we make it bigger? 243 00:14:59,421 --> 00:15:00,421 Cut. 244 00:15:04,861 --> 00:15:07,781 Paula, your finger's making me dizzy. 245 00:15:10,781 --> 00:15:13,221 Oh, that's better! 246 00:15:13,261 --> 00:15:15,981 Scene 74, take 32. 247 00:15:16,021 --> 00:15:17,101 Action. 248 00:15:19,461 --> 00:15:21,861 It's my sugar. Cut. 249 00:15:23,181 --> 00:15:26,461 It is not your sugar. 250 00:15:27,941 --> 00:15:29,701 Sugar... 251 00:15:31,021 --> 00:15:32,661 ..is your name. 252 00:15:40,421 --> 00:15:41,461 Action. 253 00:15:50,021 --> 00:15:51,101 Cut. 254 00:15:52,741 --> 00:15:54,301 Take 46. 255 00:15:54,341 --> 00:15:55,661 Action. 256 00:16:00,541 --> 00:16:03,781 Cut. Cut, cut! 257 00:16:03,821 --> 00:16:06,181 Darling, my darling. 258 00:16:06,221 --> 00:16:08,861 Baby, baby, baby. 259 00:16:12,421 --> 00:16:14,421 Tyrant. 260 00:16:17,341 --> 00:16:18,861 Take ten minutes, everyone. 261 00:16:18,901 --> 00:16:22,181 Both my doctor and my psychiatrist tell me, you are too old 262 00:16:22,221 --> 00:16:24,501 and too rich to ever go through this again! 263 00:16:24,541 --> 00:16:31,021 Gentlemen, if you find that I am the director of another Marilyn Monroe movie, 264 00:16:31,061 --> 00:16:33,941 you have my permission to shoot me. 265 00:16:33,981 --> 00:16:36,821 Jesus H fuckin' Christ! 266 00:16:38,141 --> 00:16:45,141 When this is all over, we're gonna take a long vacation. I'll take you to Hawaii. 267 00:16:45,421 --> 00:16:48,741 Oh, not you, as well. -What? -Nothing. 268 00:16:50,141 --> 00:16:52,901 Who is it? 269 00:16:55,501 --> 00:16:57,381 Mr Miller. 270 00:16:57,421 --> 00:17:02,621 Could I please have a few moments alone with your wife? 271 00:17:07,501 --> 00:17:09,101 I'll be right outside. 272 00:17:09,141 --> 00:17:10,501 Paula. 273 00:17:11,301 --> 00:17:14,061 Please leave now. OK, darling. 274 00:17:17,501 --> 00:17:18,741 Sit down, Marilyn. 275 00:17:21,221 --> 00:17:23,661 I'm sorry, Mr Wilder. 276 00:17:23,701 --> 00:17:28,141 I know I'm getting us behind schedule. 277 00:17:28,181 --> 00:17:30,701 I am gonna give you a speech now. 278 00:17:31,701 --> 00:17:33,141 Are you ready to... 279 00:17:33,941 --> 00:17:34,981 ..to hear it? 280 00:17:36,941 --> 00:17:38,781 I'm fired? 281 00:17:39,101 --> 00:17:41,221 No. No! 282 00:17:41,261 --> 00:17:44,901 No, you're not fired. 283 00:17:46,741 --> 00:17:47,741 Marilyn. 284 00:17:49,941 --> 00:17:51,541 After The Seven Year Itch, 285 00:17:51,581 --> 00:17:55,301 I vowed I would never work with you again. 286 00:17:56,141 --> 00:17:59,141 Then I changed my mind. You know why I changed my mind? 287 00:18:00,941 --> 00:18:02,741 Cos I realised something. 288 00:18:02,781 --> 00:18:06,661 You are an incredible person. 289 00:18:08,141 --> 00:18:11,501 You know, you had a most hellish start in life. 290 00:18:11,541 --> 00:18:13,541 Don't know who your father is. 291 00:18:14,221 --> 00:18:18,861 You go to a...to a foster home and your mother to a funny farm. 292 00:18:19,621 --> 00:18:23,621 You end up going to an orphanage and then get married at 16 293 00:18:23,661 --> 00:18:26,301 to stop yourself going into another orphanage. 294 00:18:26,341 --> 00:18:27,901 Am I leaving anything out? 295 00:18:27,941 --> 00:18:31,061 When my stepdad. He... Oh yeah. 296 00:18:31,101 --> 00:18:33,341 You ended up with that, uh, that stutter. 297 00:18:33,381 --> 00:18:35,221 Here, here. 298 00:18:36,101 --> 00:18:38,741 You overcame it. Yeah. 299 00:18:39,501 --> 00:18:43,221 You overcame all of this to become 300 00:18:43,261 --> 00:18:46,221 the biggest movie star in all the world. 301 00:18:46,261 --> 00:18:48,621 You're scarcely believable. 302 00:18:48,661 --> 00:18:54,341 If I read this in a script, I would tear it up and throw it in the garbage. That's just too corny. 303 00:18:55,421 --> 00:18:57,381 -I did, didn't I? -Yeah. 304 00:18:57,421 --> 00:19:00,581 The reason I am directing you today 305 00:19:00,621 --> 00:19:05,381 is because you are the biggest star there is. 306 00:19:06,381 --> 00:19:10,421 Out there, that's not a Billy Wilder movie. 307 00:19:10,461 --> 00:19:14,461 This is a Marilyn Monroe movie. 308 00:19:16,541 --> 00:19:21,341 I'm not having too good a day, though, Mr Wilder. 309 00:19:22,741 --> 00:19:27,461 If my Aunt Minnie was in your position, she would be punctual all the time. 310 00:19:27,501 --> 00:19:30,901 And production would never be behind schedule. 311 00:19:30,941 --> 00:19:34,701 But who the hell would pay a dime to see my Aunt Minnie? 312 00:19:39,381 --> 00:19:43,301 So you should take 100 takes. Take 1,000 takes. 313 00:19:43,341 --> 00:19:45,341 Take all the takes you need. 314 00:19:46,221 --> 00:19:48,781 Because you... 315 00:19:49,341 --> 00:19:52,661 ..are Marilyn Monroe. 316 00:19:54,781 --> 00:19:57,421 And don't you ever forget that, kid. 317 00:19:57,461 --> 00:20:00,341 Thank you, Mr Wilder. 318 00:20:00,381 --> 00:20:03,701 I mean it. Thank you. 319 00:20:03,741 --> 00:20:06,301 I'm gonna get that line! 320 00:20:06,341 --> 00:20:08,061 Damn right you are! 321 00:20:09,821 --> 00:20:11,541 Hey. 322 00:20:11,581 --> 00:20:13,501 You can call me Billy. 323 00:20:13,541 --> 00:20:15,141 Thank you, Willy. 324 00:20:16,541 --> 00:20:18,741 Bill-e. 325 00:20:21,501 --> 00:20:23,261 You're funny. 326 00:20:30,141 --> 00:20:34,581 Being a director, you gotta be a policeman, 327 00:20:34,621 --> 00:20:38,381 a midwife, psychoanalyst, 328 00:20:38,421 --> 00:20:42,181 a sycophant, and a bastard. 329 00:20:42,221 --> 00:20:44,021 And which one were you with Marilyn? 330 00:20:44,781 --> 00:20:46,781 All of them. 331 00:20:47,781 --> 00:20:50,181 This had better work. 332 00:20:50,621 --> 00:20:53,021 Or we are caput. 333 00:20:59,421 --> 00:21:01,461 I am ready. 334 00:21:02,821 --> 00:21:04,301 Mr Wilder. 335 00:21:04,741 --> 00:21:06,741 "I am Sugar." 336 00:21:07,141 --> 00:21:10,221 Scene 74, take 47. 337 00:21:10,261 --> 00:21:13,261 And action. 338 00:21:15,421 --> 00:21:18,421 It's me, Sugar. 339 00:21:21,021 --> 00:21:22,021 Cut. 340 00:21:24,981 --> 00:21:25,981 Print! 341 00:21:28,901 --> 00:21:30,101 Thank you! 342 00:21:34,181 --> 00:21:35,301 Oh! 343 00:21:35,501 --> 00:21:36,941 Bravo! 344 00:21:39,101 --> 00:21:40,941 Bravo. Bravo. 345 00:21:49,221 --> 00:21:51,061 Thank you! 346 00:21:51,101 --> 00:21:54,301 Chin chin! 347 00:21:54,341 --> 00:21:59,021 You know, I watched the way Mr Wilder bought that shot. It looked wonderful. 348 00:21:59,061 --> 00:22:00,781 Yeah, you should be in the movies. 349 00:22:00,821 --> 00:22:03,741 I enjoyed The Crucible, by the way, -Mr Miller. -Thank you. 350 00:22:03,781 --> 00:22:06,101 Yeah, but I gotta say... I know, I know. 351 00:22:06,141 --> 00:22:07,621 Short on laughs! 352 00:22:10,501 --> 00:22:13,541 Gentlemen, could I get a little privacy? 353 00:22:13,581 --> 00:22:17,661 I need to get ready for --the next shot. -Sure. -Sure thing. 354 00:22:19,461 --> 00:22:21,661 Hey, Mr Miller, maybe back in New York, 355 00:22:21,701 --> 00:22:24,461 I could be in one of those egghead plays of yours? 356 00:22:35,581 --> 00:22:39,181 Are you OK, darling? Heavens, Paula, you frightened me. 357 00:22:39,221 --> 00:22:41,621 I didn't realise you were still here. 358 00:22:41,661 --> 00:22:46,781 I'm sorry, darling. Please leave now, Paula. OK, darling. 359 00:22:56,741 --> 00:22:58,741 Well, you got it in the end, Marilyn. 360 00:22:58,781 --> 00:23:03,341 I'm sorry it took so long, Willy. I mean Billy! 361 00:23:05,421 --> 00:23:07,621 I was just having a bad day. 362 00:23:07,661 --> 00:23:09,581 -It happens. -Exactly. 363 00:23:09,621 --> 00:23:12,141 Nobody's perfect. 364 00:23:22,861 --> 00:23:27,421 ♪ I wanna be loved by you, just you, 365 00:23:27,461 --> 00:23:30,101 ♪ Nobody else but you 366 00:23:30,141 --> 00:23:35,581 ♪ I wanna be loved by you, alone 367 00:23:35,941 --> 00:23:37,901 ♪ Boop-boop-de-boop ♪ 368 00:23:41,181 --> 00:23:43,181 subtitles by Deluxe E-mail sky.subtitles@sky.uk