- Previously on "The Bold Type"...
- You like him. - He is my employee.
- That wasn't a no. - No, it wasn't.
- I didn't expect to feel this way.
I know it's not ideal.
- Really excited to have you onboard, Addison.
- Your reporter going after a woman that I slept with
seemed like you're targeting her.
- The story has to be completely bulletproof.
- You can trust me.
- They're calling me a cuck.
"Our current political climate has turned most men softer
than a flaccid phallus... case in point, this guy."
- What are you doing? - I am clapping back.
- That is impressive, a NRA card-carrying Republican.
- I really don't like her.
- She is so lucky that she's on the board at Safford.
- Why do I get the feeling that you and Ava
are more than podcast pals?
- I don't want children.
- This is a life decision that you made without me.
- Richard left me.
I'm gonna go home, home to Harrisburg.
- Sutton Brady. - Oh, hey, Billy.
- You're just like your mother.
- Who I am is a person that does not need this anymore.
- Are you okay? - Mm-hmm.
Right now, I just need a little music,
little you guys.
[upbeat music]
[Saweetie's "Best Friend" playing]
- ♪ That my best friend, she a real bad bitch ♪
♪ Got her own money, she don't need no [...] ♪
♪ On the dance floor, she had two, three drinks ♪
♪ Now she twerking, she throw it out and come back in ♪
- ♪ That's my best friend, she a real bad bitch ♪
♪ Drive her own car, she don't need no Lyft ♪
♪ In the strip club, know my girl gon' tip ♪
♪ Now she twerking, she throw it out and come back in ♪
- [groans]
Why did you let us get that drunk on a weeknight?
Sutton.
Sutton, you gotta go to work.
Ow!
- ♪ You my [...] soul mate
- You know, I don't know what hurts worse:
My head or my jaw.
- Okay, you know, I sincerely thought
that you were an intruder, so...
- An intruder that grabs people's feet?
- It's called "Dateline," Jane. Watch it.
Did we go shopping?
- You don't remember?
- I do, and these fries are so good.
- [gags] No.
- You sure? - Yeah.
Also, you have...
- Hey! - Thank you.
- What, are you gonna wear that all day?
- Yes.
- Now they're even.
- Okay, what happened last night?
- You wanted wings, so we went to Hooters.
- Um...do I work there?
- Where's my Amex? - Oh, you left it at the bar.
- No. - Yeah.
That's why, when we got to Hooters, we couldn't pay.
- Oh, so I got a job.
- No, you actually convinced the kitchen
that you worked there, and then you waited on us.
- That's pretty awesome.
Were you trying on dresses for the ad sales conference?
- I must have been.
Jaqueline said that I'm the future of "Scarlet,"
so no pressure at all.
- Not in that dress. - Okay, you're judging me?
- Hooters is a great establishment.
- Help me out.
Back me up.
Hey. - What?
- Everything okay? - Yeah.
[upbeat music]
I just have to get ready for work, so...
- Yeah, you know what?
I should...shower at home--
or, at... Richard's.
Does anybody know where my clothes are?
- Oh, you know what?
I will go and grab my stuff,
and I will come get ready with you.
- You will? - Yeah.
It's on the way to work.
♪
- Oof, I was so hurting,
but there's just something about a New York bagel.
- Yeah, I mean, it made me feel human again,
but I do think we could've gotten more.
- Oh, same. - Hey, mimosas?
You'll never guess why.
- Too soon. - I'll take one.
What? Hair of the dog. - Hmm.
- Hey, can we talk later?
- Yeah, of course.
♪
- He likes you. - Okay, he works under me.
Don't.
- Ah, I see you all have your celebratory drinks,
as do I, because tomorrow is our overnight retreat,
where we'll have fresh air and a change of scenery
to spark creativity,
which is exactly what we need to prepare
for next week's ad sales conference.
As you all know, ad dollars are hard to come by,
which means we have to make a splash.
And I have faith that we will,
and so does Carson Kressley,
as some of you have discovered.
Carson will be joining us at the retreat
and leading us in some creative workshops.
Oh, you can also thank him for the champagne.
- Admit it, you're freaking out.
- The original "Queer Eye" did get me through college.
- This retreat is essential to our success
with the advertisers, so whatever needs to get done,
let's make sure it gets wrapped up today.
To "Scarlet." - To "Scarlet."
♪
- Jacqueline?
I know that I pushed hard
on the "States and Nations" story last night,
and it was uncomfortable
because it involves the woman that Ian--
- Hey.
You look puffy. - Andrew.
- Oh, my God, that one sip of champagne must have gone
straight to my head, sorry. - Yeah.
Anyways, I just want to make sure that--
- Stop.
You were right to push.
If Nicole really is turning a blind eye
to those women's abuses,
then my personal connection is irrelevant.
- I appreciate that.
- Is that all? - Um...
Nicole agreed to...meet me today.
- You should meet her.
- Okay.
[dramatic music]
♪
No, no, bad idea.
[upbeat music]
- Two skinny caps. - Yes.
- That'll be 10.95. - Oh, shoot.
I forgot my wallet,
but my coworker will be right down.
- I got it, Manny, and I will take a cold brew, please.
Thanks.
- Wow, chivalry is alive and handsome.
- [laughs] Just doing my civic duty.
Depriving someone of coffee
in the morning would be criminal.
- Mm-hmm, yeah.
So do you work in the building?
- Yeah--well, not anymore.
Today's my last day, actually.
- Oh, okay.
- Hey, sorry. I got stuck on a call.
- Oh, that's okay. Green eyes bought our coffees.
Thank you. - All right, thanks.
I'm Alex.
- Alex Crawford? - Yeah?
- Joey Faulk from "Pinstripe."
Actually, from nowhere now, thanks to you.
- You got fired?
- What'd you think would happen?
- Look, hey, man, you posted something homophobic.
- Yeah, I made a bad joke eight years ago.
It was insensitive, but I'm not homophobic.
I would never say that today.
Thanks to you, it looks like I did.
[dramatic music]
♪
- Thank you.
Nicole Keating? - Yes.
- Hi. Jane Sloan from "Scarlet."
Thank you for seeing me. - Sure.
How can I help you?
- I heard one of your support staff filed a complaint
against a senior editor for harassment.
- Well, if a complaint was filed,
then, we looked into it.
- Well, that's the thing.
My source says that you were made aware and you did nothing.
Is that true?
- Your source. Is that Cynthia?
- So you do know about this.
- That she works long hours and does some personal errands?
Yes.
- So you have no problem with the fact
that he asks her to clean up his office after he has sex?
- That's not a fact.
Cynthia was never asked to do that.
- How do you know? - Because I looked into it.
- Did you look into it thoroughly?
- What exactly are you suggesting?
- I hear that you and Mark Afton are old friends.
- And you think I let my personal feelings
affect my professional decisions.
- It happens. - Not to me, it doesn't.
But to your boss, apparently, it does.
You should go.
Now.
[dramatic music]
♪
- Excuse me.
I was wondering if you could help me find
Mark Afton's assistant?
- I'm his assistant. How can I help you?
- My name's Jane Sloan.
I'm a writer for "Scarlet Magazine,"
and, um...
I'm investigating a claim that your boss is abusive.
- Well, that claim is false.
- Look, if he is mistreating you or anyone you know,
I can help you.
- If you want to help, please leave right now.
♪
- Can we start every day with a mimosa?
Or not.
You okay? - Yeah.
No, I really am.
I'm excited for the retreat.
Change of scenery, work.
- Well, I'm glad to hear you say that
because fashion does not get the ad dollars it used to,
and you know how I hate
covering fashion on a budget. [phone buzzing]
- I do. Hey, Kat, one second.
- Yes, I understand it's a tenuous situation.
- Kat, hello?
- So we'll talk ideas in an hour?
- Yeah, sounds good.
Is this a butt dial?
- That is an interesting point.
I will definitely bring that up with management.
- What the hell are you talking about?
- I understand. - I don't.
- I'm so sorry. It's corporate.
I'll send someone out to serve you.
- Ah, you're trying to avoid someone,
and you're using me as a decoy.
That's fun. Who is it?
Is it someone you used to hook up with?
[gasps] Is it a member at The Belle?
- Okay, yes, Sutton.
I slept with Eva, and now she's here,
and I can't see her.
- You slept with Eva?
Kat?
Kat! You can't just drop a bomb like that
and then go radio silent. I need--
Rude.
[upbeat music]
♪
[Charlotte Lawrence's "Slow Motion" playing]
♪
- ♪ The colors are fading out ♪
♪ Is it quiet where you're sleeping? ♪
♪ I wish that I could hate you, my baby ♪
- Are you in the zone? - Yes.
- Okay, what have you got?
- Sorry? - About the presentation?
You don't have anything, do you?
- Of course I have something.
We're selling "Scarlet", right?
- Fashion, in our case, but yes.
- But it's--well, it's more than that, right?
It's more than the clothes. It's the people in them.
It's about all of us.
- Sutton, I appreciate your effort,
but this is... this is uncomfortable.
- Okay, hold on, wait. Hear me out.
We are the heart of "Scarlet" fashion,
and our passion, our individuality,
our team is what makes us different.
So when we present to the ad buyers,
I think... I think we should start with a sizzle reel,
but instead of starting with the celebrities that we dress,
we should start with us.
- Advertisers care more about Kim Kardashian
than they do Oliver Grayson.
- Yeah, but they shouldn't. - I don't disagree with that.
- Okay, the point I'm making is every magazine posted a photo
of Kim Kardashian in that Gucci tracksuit, right?
But when we did it, it was part of a story
about how the new power suit is a sweat suit,
and then we put all kinds of different women
in sweats, and heels, and long fancy jackets.
- This is actually a trend now. - Exactly.
So if advertisers want to know why they should invest
in "Scarlet's" fashion pages, they should know a little bit
about who's making it all happen.
- I like it. - Yes!
- Start with mood boards.
We'll flesh it out at the retreat.
[upbeat music]
♪
[phone buzzes]
- Ian, hi, love!
I'm a little late for a lunch, so what is it?
What's up? - Nicole just called me.
- Oh. [sighs]
- Yeah, she told me that Jane came into her office
and accused her of covering up office abuse.
- Jane is a good reporter.
I'm sure she just asked the questions.
- Well, she thinks that it's a witch hunt.
She thinks that Jane was sent by you because--
- Because of what happened with the two of you in Ukraine.
I know. - Yes.
Well, she's threatening to go to the press
if you don't back down.
- Well, I won't back down from a story
about women being abused in the workplace.
- I know.
I just don't want the boys to read about this on page six.
- Neither do I,
but I trust that Jane is gonna get this story right, okay?
I have faith that everything is gonna work out.
So you should, too.
Now I really do have to go. I'm late.
Bye.
[upbeat music]
- You had sex with her
and then broke things off in a text.
- I mean, yeah, it's the easiest way.
What?
- Look, I'm all for you moving on from Eva--
- Same.
- but I do think that ghosting is a little harsh.
- It's not ghosting if you send a text.
- It kind of is.
- You're really gonna sit here, tell me that
none of you have ever avoided a confrontation before?
- I just think people deserve an explanation.
- An explanation. - Yeah, like what changed.
Kat, I know you.
Just come up with a reason and get some closure.
- Yeah.
Closure is a good thing.
♪
[knocking]
- Hey, I'm about to head out.
- Okay.
- Uh...
listen, I...
I just wanted to apologize for the other night.
I feel like I just got caught up in the moment, and...
I don't know.
I wanted to bring it up 'cause we hadn't talked about it yet.
- Scott, I-- - Hi, guys.
Do you need any help or--?
- Oh, Addison, I'm so sorry.
I totally forgot to get back to you about your piece.
- It's okay. It's in your inbox, so...
what are you guys working on?
- Nothing, we were just wrapping up.
See you tomorrow? - Sounds good.
Okay. - See you.
- Um...
We're good. - Okay.
All right, I guess I'll head out then as well.
Have a good night.
- Actually, I could use your help on this.
I'm trying to track down this assistant
that I met at "States and Nations."
I don't know her name,
but I would recognize her if I saw a photo.
- Let's see.
[soft music]
Yeah, but what if she doesn't have a photo linked to her bio?
- Then we dig deeper.
Are you okay to stay late?
- Yeah, whatever it takes.
♪
[Dana Williams' "Stuff" playing]
♪
- ♪ Maybe I'll keep trying
- Hey. - Hi.
Thanks for, uh...
- Do you wanna sit? - Sure.
♪
- I'm glad you texted me back.
I thought we had a lot of fun the other night.
- Yeah.
I just wanted to, you know, communicate
in person that I'm not looking for anything.
- Okay.
Is this because your friends don't like me?
- No, I just...
you know, just not looking for anything.
- Wow, okay.
Just because we had sex doesn't mean
that it had to be something.
- I totally agree.
I just--I didn't want to,
you know--don't you hate it when people, like,
send a text and then never explain what happened?
I didn't want to be that guy--girl.
- ♪ Guess I'm getting tired
- I still don't understand what happened,
but I'm guessing that you don't either.
- I just don't--I'm not looking for anything.
- ♪ Confidence is fired
- So...
- ♪ All these years of living in this skin ♪
- I'll see you around, Kat.
- See you around.
- ♪ I can't find myself
♪ I placed it on the highest shelf ♪
♪ With the rest of the stuff
- Hey, hey, hey, hey.
Do you wanna take the bus together?
- It depends. Are you still team Joey?
- What--I'm Switzerland.
And I did Insta-stalk him,
and he went to the "Scarlet" Women's March,
and he wore the heels and everything.
- Oh, well, he was probably there hitting on women,
like he did to you the other day.
- What? No!
I was creeping on him. He seems like a decent guy.
- He wrote a hit piece attacking my masculinity.
- Oh, that's what this is about.
- What?
- The fragility of the male ego.
- It's not about my ego.
It's about a toxic guy who wrote a homophobic tweet
and got what he deserved.
- No--
- You coming?
- Only if I get the aisle seat.
- Of course.
- And we're not done talking about this, okay?
♪
- Kat gave me some great advice for the bus.
Flasks! - Oh, no.
I threw up on the "Scarlet" bus last time, remember?
- Yeah. - And also, I have a lot of
work to do, even though I told Jacqueline I wouldn't,
but I mean, Scott and I were so close last night.
- I'm sorry?
- So close to getting Raana to talk to us for my story,
but then she got scared, and she hung up.
- So that's when you made out.
- No, that's when I called her back,
and then she told me to never call her again.
- Oh.
- I just really think Raana knows something.
- Hey, Jane, I know we're not supposed to be working
during the retreat, but I brought my laptop
for the bus ride, so if you need anything...
- Oh, actually, I've been sitting on this audio interview
with this woman named Cynthia for a story that I'm doing.
Would you mind transcribing it for me?
- Absolutely. - Great.
I will email it to you right now.
- Cool.
Hey. - Hey.
You're gonna work all weekend, aren't you?
- Nope, just when Jacqueline's not looking.
- Is that Jacqueline and Eva?
- Yes.
- Do you think Kat talked to her?
- I don't know.
- Jane, Sutton, I'm sure you've heard of Eva Rhodes,
one of our very important board members at Safford.
Eva is a frequent guest on many different news outlets,
so she's gonna be leading a workshop
on public speaking at the retreat.
- It's nice to meet you. - Jane, Sutton.
- Hello. - Hi.
- I want you to keep a very special eye on Jane.
Her vertical is a big sell for advertisers.
[upbeat music]
♪
- Looks like Kat talked to her.
- ♪ Ba, ba-da
♪ Ba, ba, ba-da
♪ Ba, ba-da
♪ Ba, ba, ba-da
♪ If you were champagne, you'd be popping ♪
♪ Hot stuff when you're walking ♪
♪ Your name buzz with paparazzi ♪
♪ Like a star, and they are watching ♪
♪ Girl, whoa
♪ You'll get where you're going ♪
- All right, everybody!
Please gather 'round.
Come on, come on, closer!
I would like to introduce to you
our special guest of honor,
who doesn't need any introduction, actually--
- But would still like one.
- Mr. Carson Kressley!
[cheers and applause] - Thank you so much!
Well, I have always loved "Scarlet",
ever since I read that article about gay men
teaching straight women how to please a man
because, let's face it, we know better than anyone.
What we also know is how to get people
to live their best lives,
which is what all of you will be doing
when we leave here tomorrow.
- Yes. - So what do you say?
Shall we get this "Scarlet" retreat started?
- Yes! - Yeah!
- Can I get you a drink? - Yeah.
You know, I probably shouldn't
'cause I had two flasks on the bus,
and that was a little aggressive,
but maybe just one of these sandwiches.
God, this is a tiny sandwich.
Kind of reminds me of the wedding sandwiches
that I had at my wedding.
- Are you okay?
- Is this not the jacket of a woman who is okay?
I'll take a double shot of vodka.
[upbeat music]
♪
- Red, there you are.
Carson, this is Sutton. - Nice to meet you.
- You do know she's not a redhead, right?
- He thinks I will be if he keeps saying it.
- Oh, well, in that case, call me 25.
- 25 is gonna join us a little later
with Jacqueline and some of the board members.
They want to hear your pitch for the ad conference.
- Today? - Mm-hmm.
- In about one hour, right after our trust falls--
oh, which are gonna be so fun.
- You're gonna wow them, Red. This is big.
- I can't wait!
- Where's the spa? - This way.
♪
- Trust can take us to places we never thought we'd go,
like Upstate New York.
But it also allows us to create partnerships
because if we can't trust each other,
we can't invest in each other.
- Now, why do you think RuPaul trusts me
to help mold the next generation of queens?
It's because I'm always there to catch them if they fall,
and I want that same trust for you,
which is why we are doing trust falls.
Also, because I think they're super fun.
- Any word from Raana? - No, not since she hung up.
I can tell there's some part of her that wants to talk,
but something's holding her back, and I don't know what.
- Andrew, yes!
- It's probably trust, Jane.
- Are you serious? - Kind of.
Raana doesn't trust you. Why would she?
You're a stranger trying to get her to open up.
- Yeah, that makes sense.
Okay, well, then I just have to earn her trust,
but I can't do that through email or phone.
If I could just get her to meet me face-to-face
out of the office, I know I could get her to trust me.
- Well, I drove here,
so if you do get her to agree to meet,
I could drive you back.
- Yeah. Yeah, that would be great.
- I'm ready. - Yeah, me, too.
- I trust you, Andrew. - Thank you.
- [gasps]
- Oh, my God. - Oh, sweet Jesus.
- I thought it was supposed to be the--
- Sutton! - Yeah?
- Are you okay?
- Andrew, where were you on that one?
- He was behind you, where you were supposed to be.
- Well, how am I supposed to know that?
I've never done a trust fall before.
- Are you drunk? - I am.
- I'm gonna take her-- - Yeah, okay.
- Away. - Yeah, you do that.
Just a reminder--you're supposed to fall backwards.
Didn't think I'd have to spell that out.
♪
- Okay, you're hammered.
- You know, it all just kind of hit me at once.
But I'm loose, and it's good 'cause I gotta pitch my dance
to Oliver, and Jacqueline, and Carson,
and I was gonna do, like, a little Charleston--
- Okay, please sit. - Yeah.
[phone buzzes] - Oh.
Hey, boo. - Hey.
- How is it?
I'm having serious FOMO right now, you know,
except for the part where Eva
and all the other board members are there.
- That's not why I'm calling. I'm calling about Sutton.
- Oh, okay. What's going on?
- Well, she's hammered and about to sabotage her career.
- Hate that.
- I can't watch her because I have to take a quick trip
to the city to track down a source,
and you know what Sutton's like when she's drunk.
- Yeah. - Kat.
- Sorry.
What can I do?
- I need you here. - But Eva is there.
- I know, but you can stay in our room
and just help Sutton sober up.
- Mm. - I have to get to the city
for a story--please? - Okay, yes.
I will be there in an hour.
- Thank you. Okay, I love you.
- Love you. - Bye.
All right, so Kat is on her way--
♪
Sutton?
Sutton.
[upbeat music]
♪
- Jane!
Pew, pew, pew, pew.
- I found her outside the conference room.
She's drunk. - You're drunk.
- Maybe you should get her back to her room
before anybody else finds out.
- Thank you. - Yeah, you're welcome.
- Thank you. - No, don't touch me.
You're lucky Eva was so nice.
- Yeah, maybe Kat didn't dump her.
♪
- Kat.
What are you doing here?
- Jane--she was worried about Sutton,
so I came to help.
- How's she doing?
- She's okay, yeah.
Jane said you covered for her? - I did.
I told Jacqueline and Oliver that she had food poisoning.
I think it worked. - Oh.
Well, thanks for doing that. - Of course.
- Why did you do that?
- Because I know that she's going through a tough time,
and because she's a good friend of yours.
- Look, I meant what I said earlier.
- Well, you didn't really say anything, Kat.
But clearly something changed for you,
and I just wish that I understood what it was
because nothing changed for me.
- I take full responsibility
for the fact that we,
you know, we ended up [quietly] in bed together.
- I'm pretty sure that was both of us.
- Yeah.
Um...
I knew you were forbidden fruit,
and maybe that's why debating you was so exciting
and maddening.
Whatever.
Point is, I just think we're too different.
- Which is also what made it so exciting.
- I would love to live in a world
where I don't have to fight for everything all the time.
You know, I would love to just chill out
and sleep with whoever I want to sleep with
and not worry about what it says about me
or what I stand for.
- The Kat I know does whatever she wants.
- Yeah, I do, and I have.
But...
after we slept together, I...
I really--I didn't like myself.
And it's not just that we see the world differently,
it's the things you believe in,
the things that you work to protect,
like, those things hurt people like me.
And as much as I tried to convince myself
that maybe it doesn't matter, it actually matters a lot.
- I'm not gonna stand here and start defending all my beliefs.
- I'm not asking you to.
I'm really not.
I'm just letting you know
that I can't... defend your beliefs either.
I just can't.
And I want to be proud of who I'm sleeping with.
Goodbye, Eva.
[upbeat music]
♪
- So Cynthia said that she usually gets home
around 5:30, so she should be here any minute.
I know she's scared,
but I really do think we can help her.
Oh, hey. There she is.
Excuse me.
Raana.
Hi, it's Jane Sloan from "Scarlet."
This is my colleague, Scott.
- Hey.
- How do you know where I live?
- Cynthia told us.
She really cares about you.
Look, you sounded like there was something
you wanted to say the other night on the phone.
- You don't understand.
- Try me.
- I'm diabetic, type one.
Without my health insurance,
I can't afford my insulin shots,
and I need those shots to survive.
- Does Mark Afton know you're diabetic?
- He does.
I think that's why he asks me to...
You know, I really can't talk about this.
- Look, we can protect you.
When I did the Pamela Dolan story,
all of those models kept their jobs.
- We don't have to print your name.
You'll be an anonymous source.
- I'm sorry, I can't.
- Wait, Raana.
Pull out your phone.
- Why?
- Because I want you to record a video of me.
[soft music]
Please.
♪
Hi.
My name is Jane Sloan,
and I run the "Failing Feminist" vertical
at "Scarlet."
♪
About a week ago,
one of my writers told me that he was attracted to me,
and I didn't say anything because I'm his boss.
But the truth is that every time I'm near him,
all I can think about is kissing him.
And if anybody was to find that out,
it could jeopardize my job.
♪
You can put this online if you want to,
but I trust that you won't.
♪
- Why did you do that?
- Because I trust you,
and I want you to know that you could trust me, too.
- I just need to find my power cord.
- You were amazing.
Was that always the backup plan?
- No, it just sort of came out,
and you know, I knew
that I had to say something to gain her trust, so...
- Well, you definitely gained it.
- Got it.
- Okay, so if we hit the road now,
can have you back by 9:00.
- Oh, wow.
I didn't realize how late it was.
I mean, the bus is just picking everybody up
first thing tomorrow.
I feel bad for not going back,
but I could probably just convince Jacqueline
to let me write the piece from home.
That way, it's ready for her to read in the morning.
- Can I ask you something? - Of course.
[Tate McRae's "Slower" playing]
- Did you lie to Raana about wanting to kiss me
in order to get the story?
- ♪ Playing cool makes me lose my mind ♪
- I would never lie to a source.
- Okay, well...
I really want to kiss you, too.
So...
what do we do?
- ♪ I've been falling fast and you don't seem to move ♪
- I don't know.
- ♪ Is it worse for me if I tell the truth? ♪
♪ And are you just a poison that I shouldn't use? ♪
- But, um...
- ♪ What I can't say to you
- I should really write this story, so...
♪
- Okay.
- ♪ We could take it slower
- Okay.
See you tomorrow.
- Yeah.
- ♪ You might not even know her ♪
♪ We could take it slower
- Good night. - Night.
- ♪ We could take it slower
♪
- How about the noise it made when Sutton fell to the ground?
- Oh, yeah.
- Sounded like a Thanksgiving turkey.
- Yeah, she probably never saw a trust fall before.
- Yeah, it probably didn't help that she'd had a few drinks.
[phone buzzes] - Yeah, probably not.
- Pretty big mistake on her part.
- Well, they did have an open bar.
- Well, even so, it was a work event
before the biggest presentation "Scarlet's" ever had.
- What are you trying to say?
- Just that people make mistakes.
- Okay, I would hardly compare Sutton's fall
to Joey's comment.
- Okay, how about the mistake that you made?
When that girl felt you were pressuring her into hooking up.
- Okay, you know I felt terrible about that.
And I would never do that today.
- I know, I know. It was just a mistake.
And thankfully, we didn't cancel you because of it.
- Okay, fine.
Maybe Joey didn't deserve to get fired.
- Oh, I did a deep dive on him. He didn't.
- Okay, but I didn't fire him. "Pinstripe Magazine" did
because the internet has a mind of its own.
- Right and so do you.
So maybe you can do something to change that.
[soft music]
♪
[Ella Henderson's "Take Care of You" playing]
♪
- Jane! This article is incredible!
I can see why Jacqueline forgave you
for ducking out of the retreat.
- Oh, thanks.
- All right, not gonna lie.
That bathtub's a little hard to get used to
after Richard's but still very comforting.
- ♪ I know you seen so many things that mess you up ♪
- Everything okay?
- Um...
Oliver pitched my idea to Jacqueline,
and she wants me to style the whole staff
and create a sizzle reel to open up the conference.
- That's amazing! - Yeah!
I can see why. You deserve this.
- Yeah, I don't think I do.
I think I'm a really terrible person.
I miss Richard so much.
- It's okay. We know.
- It's okay to be sad.
- Yeah.
It's a little more than that.
Um...
Ooh.
When I went home to Harrisburg...
I slept with Billy,
and he has a wife
and kids.
- Oh...
- I know I should've told you guys.
I just feel so ashamed and gross.
- Hey, look.
- Honey. - You made a mistake.
That does not mean that you're a terrible person.
- What if it does?
- It doesn't. - No, mm-mm.
- I mean, I felt so ashamed
after I slept with Eva.
Felt like I turned my back on everything I believed in,
and I hated myself for it.
I should've told you guys,
but I just--I couldn't.
- Yeah.
Can we make a promise
to never keep secrets from each other?
- Well, if we're doing that...
I think I might have feelings for Scott.
- Oh! - Ah, great!
How much do I owe you?
- 30 bucks, baby. - What?
What, are you making bets on whether or not I like Scott?
- No. - No, no.
- We knew you liked Scott.
We were just making a bet
on whether or not you'd admit it.
- So what are you gonna do about it?
- I don't think there is anything I can do.
- There has to be! You're a powerful young female
who is the future of "Scarlet",
and you deserve to be happy,
especially after this past year.
- Yeah.
And it does feel kinda nice to like someone.
- If you really like him, and you do it the right way,
you can make it work.
- Yeah, maybe you're right.
- You see how much better it is when we talk to each other?
- Yeah. Should we cheers to not keeping secrets?
I feel like I should get the wine.
- No.
- Yeah, I was joking. - Yeah.
[phone buzzes]
- Oh.
Hey, Addison.
- Just read your article. It's great.
- Oh, thanks.
- I was just wondering,
did you get my email about Cynthia's interview?
Her...her story doesn't line up.
- What?
[upbeat music]
♪