1 00:00:04,433 --> 00:00:06,300 YOU REALLY THINK YOU CAN GET SOMETHING GOOD 2 00:00:06,300 --> 00:00:07,500 OUT OF THIS MANIFESTO, 3 00:00:07,500 --> 00:00:08,967 SOMETHING WORTHWHILE? 4 00:00:08,967 --> 00:00:10,900 I'M GIVING YOU AN OFFICE. 5 00:00:10,900 --> 00:00:12,467 AND A TEAM, IF YOU WANT IT. 6 00:00:12,467 --> 00:00:15,700 WHAT IF THERE'S A WUDDER OR A BRAH IN HERE? 7 00:00:15,700 --> 00:00:17,400 I'VE GONE THROUGH ALL YOUR OPTIONS. 8 00:00:17,400 --> 00:00:18,833 I THINK A GUILTY PLEA -- NO. 9 00:00:18,833 --> 00:00:24,200 I CHOSE YOU BECAUSE I THOUGHT YOU WERE DIFFERENT. 10 00:00:25,100 --> 00:00:26,800 Barker: IF YOU THINK THAT YOU 11 00:00:26,800 --> 00:00:30,300 AND THE GROUP YOU CAME HERE WITH FROM SAN DIEGO, 12 00:00:30,300 --> 00:00:32,067 IF YOU THINK YOU FOLKS ARE HAPPY NOW, 13 00:00:32,067 --> 00:00:34,533 WAIT UNTIL THEY OPEN THOSE DOORS. 14 00:00:34,533 --> 00:00:36,433 Roddy: A NEW CAR! 15 00:00:39,800 --> 00:00:44,267 [ ENGINE WHIRS ] 16 00:00:44,267 --> 00:00:52,833 [ ENGINE SHUTS OFF ] 17 00:00:52,833 --> 00:00:54,267 Barker: I HOPE... 18 00:00:54,267 --> 00:00:55,733 HEY, KITTY, YOU SHOULD ROTATE, 19 00:00:55,733 --> 00:00:57,133 OR YOU'RE GONNA GET BEDSORES. 20 00:00:57,133 --> 00:00:58,833 HEY, I WALKED TO THE FRIDGE AND BACK 21 00:00:58,833 --> 00:01:00,133 TWICE TODAY. 22 00:01:00,133 --> 00:01:03,300 OH, TWICE. BIG EXERCISE. 23 00:01:03,300 --> 00:01:05,067 MWAH! SO WHAT'S ON THE MENU? 24 00:01:05,067 --> 00:01:06,367 SOUP, I GUESS. 25 00:01:06,367 --> 00:01:08,433 I JUST GOT BACK FROM THE CLINIC ABOUT THREE MINUTES AGO. 26 00:01:08,433 --> 00:01:10,600 OHH, THAT'S A LONG DAY. RIGHT? 27 00:01:10,600 --> 00:01:13,233 IS THAT FROM TALBOT'S? 28 00:01:13,233 --> 00:01:14,400 NO. 29 00:01:14,400 --> 00:01:15,433 UH, IT'S FOR DAD. 30 00:01:15,433 --> 00:01:16,733 IT FEELS LIKE A VIDEO. 31 00:01:17,233 --> 00:01:18,800 WELL, PEOPLE HAVE BEEN SENDING THINGS 32 00:01:18,800 --> 00:01:20,100 SINCE THE TIMES ARTICLE. 33 00:01:20,100 --> 00:01:21,367 DO I NEED TO BE WORRIED ABOUT 34 00:01:21,367 --> 00:01:22,933 ALL THIS FAN MAIL THAT YOU'RE GETTING? 35 00:01:22,933 --> 00:01:24,567 WELL, THAT DEPENDS HOW THE SOUP TURNS OUT. 36 00:01:24,567 --> 00:01:26,133 THAT'S MY GUY. [ LAUGHS ] 37 00:01:26,133 --> 00:01:28,933 EW. ARE YOU SERIOUSLY JOKING ABOUT HAVING AN AFFAIR? 38 00:01:28,933 --> 00:01:30,633 [ LAUGHS ] 39 00:01:30,633 --> 00:01:32,200 HEY, ARE YOU GONNA WATCH THIS WITH ME LATER? 40 00:01:32,200 --> 00:01:33,833 IT'S THE TOURNAMENT OF CHAMPIONS. 41 00:01:36,400 --> 00:01:37,433 DAD? DAD? 42 00:01:37,433 --> 00:01:38,733 Charlie: [ GROANS ] 43 00:01:38,733 --> 00:01:40,700 -[ SCREAMS ] -CHARLIE! 44 00:01:40,700 --> 00:01:43,867 [ Crying ] CHARLIE! -[ GROANS ] OH. 45 00:01:43,867 --> 00:01:46,267 -OH, NO. NO, NO, NO. -[ GROANING ] 46 00:01:46,267 --> 00:01:49,067 Frank: YOU'VE BUILT YOUR CONNECTION. 47 00:01:49,067 --> 00:01:51,067 HE KNOWS YOU CAN TALK ABOUT HIS IDEAS, 48 00:01:51,067 --> 00:01:52,200 THAT YOU'RE HIS EQUAL, 49 00:01:52,200 --> 00:01:53,600 THAT HE MADE THE RIGHT CALL 50 00:01:53,600 --> 00:01:55,700 ON ASKING TO SPEAK TO YOU AND ONLY YOU. 51 00:01:55,700 --> 00:01:57,600 NOW TURN IT. 52 00:01:57,600 --> 00:01:59,567 NO MORE FEELINGS, NO MORE THEORIES. 53 00:01:59,567 --> 00:02:01,267 HIT HIM HARD WITH THE FACTS. 54 00:02:01,267 --> 00:02:02,433 HE'S ABOUT TO BE BURIED 55 00:02:02,433 --> 00:02:04,267 UNDER A MOUNTAIN OF HARD EVIDENCE. 56 00:02:04,267 --> 00:02:05,567 GOING TO TRIAL IS SUICIDE. 57 00:02:05,567 --> 00:02:08,100 CONTROL, HE'S DESPERATE FOR CONTROL. 58 00:02:08,100 --> 00:02:10,833 HE THINKS GOING TO TRIAL WILL GIVE HIM THAT CONTROL. 59 00:02:10,833 --> 00:02:13,267 MAKE HIM UNDERSTAND THAT WE OWN THE COURTROOM. 60 00:02:13,267 --> 00:02:15,433 THE ONLY THING THAT GIVES HIM WIGGLE ROOM 61 00:02:15,433 --> 00:02:16,733 IS TO PLEAD GUILTY. 62 00:02:21,433 --> 00:02:22,633 HE WANTS THE CONTROL. 63 00:02:22,633 --> 00:02:24,200 [ DOOR BUZZES ] 64 00:02:24,200 --> 00:02:26,367 HE LOVES THE CONTROL. 65 00:02:29,700 --> 00:02:31,067 [ EXHALES SHARPLY ] 66 00:02:31,067 --> 00:02:32,600 [ DOOR BUZZES ] 67 00:02:32,600 --> 00:02:34,833 HERE WE GO. 68 00:02:34,833 --> 00:02:37,267 YOU CAN DO THIS, FITZ. 69 00:02:37,267 --> 00:02:39,900 [ DOOR BUZZES ] 70 00:02:43,833 --> 00:02:45,633 [ LOCK ENGAGES, DOOR BUZZES ] 71 00:02:45,633 --> 00:02:49,667 YOU DIDN'T HAPPEN TO BRING THOSE STAMPS, DID YOU? 72 00:02:49,667 --> 00:02:52,100 DO YOU EVER THINK ABOUT WHAT YOU LEAVE BEHIND 73 00:02:52,100 --> 00:02:53,900 AS YOU MOVE THROUGH THIS WORLD? 74 00:02:53,900 --> 00:02:55,533 DO YOU MEAN AS IN 75 00:02:55,533 --> 00:02:59,133 "LEAVE YOUR CAMPSITE CLEANER THAN WHEN YOU FOUND IT"? 76 00:02:59,133 --> 00:03:03,267 MY DAD, HE MADE ME JOIN THE BOY SCOUTS, 77 00:03:03,267 --> 00:03:05,067 THOUGHT IT MIGHT HELP ME MAKE FRIENDS. 78 00:03:05,067 --> 00:03:06,067 IT DIDN'T. 79 00:03:06,067 --> 00:03:07,300 BUT IT DID TEACH ME 80 00:03:07,300 --> 00:03:09,800 TO LEAVE MY CAMPSITE CLEANER THAN WHEN I FOUND IT. 81 00:03:09,800 --> 00:03:11,067 BUT WHAT DOES THAT MATTER 82 00:03:11,067 --> 00:03:12,933 IF, THE NEXT DAY, A LOGGING COMPANY COMES IN 83 00:03:12,933 --> 00:03:15,067 AND CHOPS THE WHOLE FOREST DOWN? 84 00:03:15,067 --> 00:03:16,667 I MEAN IT LITERALLY -- 85 00:03:16,667 --> 00:03:18,400 LIKE ALL THAT YOU LEAVE BEHIND, 86 00:03:18,400 --> 00:03:21,533 LIKE AT THE CHARLES EPSTEIN BOMBING SITE. 87 00:03:21,533 --> 00:03:25,100 YOU KNOW, YOU HADN'T SENT A PACKAGE IN SIX YEARS, 88 00:03:25,100 --> 00:03:28,400 AND THEN, ON JUNE 22nd, 1993, 89 00:03:28,400 --> 00:03:31,600 MAN IN TIBURON OPENS A BROWN PADDED ENVELOPE, AND... 90 00:03:34,633 --> 00:03:36,967 ...HIS WHOLE TORSO IS RIPPED APART. 91 00:03:36,967 --> 00:03:40,667 I THINK I READ ABOUT THAT ONE IN THE NEWSPAPER. 92 00:03:40,667 --> 00:03:42,233 A GENETICIST, RIGHT? 93 00:03:42,233 --> 00:03:43,433 YEAH. 94 00:03:44,800 --> 00:03:47,200 HE HAD A DAUGHTER. 95 00:03:47,200 --> 00:03:49,133 WHEN A MAN INTERACTS WITH THE WORLD, 96 00:03:49,133 --> 00:03:50,567 HE LEAVES TRACES EVERYWHERE. 97 00:03:50,567 --> 00:03:52,867 NOW, EVERY ACTION, EVERY STEP THAT YOU TOOK, 98 00:03:52,867 --> 00:03:54,333 YOU'VE BEEN SHEDDING CLUES -- 99 00:03:54,333 --> 00:03:57,467 NOT ONE, NOT TWO, BUT HUNDREDS, THOUSANDS. 100 00:03:57,467 --> 00:04:01,433 AND THEY HAVE A WAREHOUSE FILLED WITH EVIDENCE. 101 00:04:03,767 --> 00:04:05,067 THIS IS A TRIGGER SWITCH. 102 00:04:06,467 --> 00:04:07,767 IT'S PRECISE. IT'S UNIQUE. 103 00:04:07,767 --> 00:04:10,300 IT'S MADE BY HAND. 104 00:04:10,300 --> 00:04:15,733 FORENSICS FOUND ONE VIRTUALLY INTACT AT THE SCENE. 105 00:04:15,733 --> 00:04:18,600 THEY FOUND AN IDENTICAL SWITCH AT YOUR CABIN. 106 00:04:18,600 --> 00:04:22,300 THIS IS WIRE CLIPPINGS, SPRINGS, 107 00:04:22,300 --> 00:04:25,133 COPPER PIPE, ALUMINUM SCRAPS, 108 00:04:25,133 --> 00:04:27,933 ALL MATCHED. 109 00:04:30,100 --> 00:04:32,767 STAMPS. 110 00:04:32,767 --> 00:04:36,467 THESE ARE STAMPS FROM THE EPSTEIN PACKAGE, 111 00:04:36,467 --> 00:04:38,200 AND THESE ARE STAMPS FROM YOUR CABIN. 112 00:04:38,200 --> 00:04:41,367 YOU TRAVELED THREE DAYS FROM LINCOLN, MONTANA, 113 00:04:41,367 --> 00:04:44,067 TO MAIL THE PACKAGE IN SAN FRANCISCO. 114 00:04:44,067 --> 00:04:45,200 YOU PAID CASH. 115 00:04:45,200 --> 00:04:46,633 YOU USED DISGUISES, 116 00:04:46,633 --> 00:04:48,400 WHICH WAS SMART, 117 00:04:48,400 --> 00:04:49,767 EXCEPT, IN YOUR CABIN, 118 00:04:49,767 --> 00:04:51,933 WE FOUND SIX PAIRS OF SUNGLASSES, 119 00:04:51,933 --> 00:04:54,067 SOME FAKE MUSTACHES, 120 00:04:54,067 --> 00:04:56,933 AND THEN YOUR JOURNAL ENTRIES LOGGING YOUR DISGUISES. 121 00:04:57,633 --> 00:05:01,767 THIS IS THE CHEMICAL COMPONENTS OF THE EXPLOSIVE MIXTURE 122 00:05:01,767 --> 00:05:05,600 AND, UM, THE EPOXY THAT WAS USED IN THE BOX, 123 00:05:05,600 --> 00:05:09,633 YOUR TYPEWRITER THAT WAS USED FOR THE ADDRESS LABEL, 124 00:05:09,633 --> 00:05:11,633 CARBON PAPER, 125 00:05:11,633 --> 00:05:13,467 AND A RECEIPT FOR THE CARBON PAPER. 126 00:05:13,467 --> 00:05:14,833 IT JUST GOES ON AND ON, 127 00:05:14,833 --> 00:05:18,067 AND, TED, THEY HAVE THOUSANDS OF PIECES OF EVIDENCE 128 00:05:18,067 --> 00:05:19,367 THAT CAN LINK YOU TO THE UNABOM, 129 00:05:19,367 --> 00:05:20,967 BUT THEY ONLY NEED ONE TO CONVICT YOU. 130 00:05:20,967 --> 00:05:24,667 THEY'RE GONNA BURY YOU UNDER A MOUNTAIN OF EVIDENCE, 131 00:05:24,667 --> 00:05:26,500 AND ALL YOUR AUTONOMY IS GONNA GO OUT THE WINDOW 132 00:05:26,500 --> 00:05:28,233 THE FIRST DAY OF TRIAL. 133 00:05:30,667 --> 00:05:32,700 HE'S LOOKING GOOD. 134 00:05:32,700 --> 00:05:35,500 Frank: NOW REEL HIM IN. 135 00:05:35,500 --> 00:05:38,133 I WANT YOU TO CHANGE THE WORLD. 136 00:05:38,133 --> 00:05:40,700 I WANT YOU TO START A REVOLUTION. 137 00:05:40,700 --> 00:05:44,200 BUT IF YOU FIGHT THIS -- 138 00:05:44,200 --> 00:05:47,233 IF YOU FIGHT THIS, 139 00:05:47,233 --> 00:05:49,967 YOU ARE GONNA LOSE CONTROL OF EVERYTHING IN YOUR LIFE. 140 00:05:49,967 --> 00:05:52,767 YOU'RE GONNA BE A HELPLESS COG IN THE MACHINE OF JUSTICE 141 00:05:52,767 --> 00:05:55,267 UNTIL THEY STRAP YOU DOWN TO THE ELECTRIC CHAIR. 142 00:05:56,433 --> 00:05:59,100 YOU HAVE ONE OPTION. 143 00:05:59,100 --> 00:06:01,633 IT'S GONNA GIVE YOU SOME BARGAINING POWER, 144 00:06:01,633 --> 00:06:03,233 BUT YOU GOT ONLY ONE. 145 00:06:03,233 --> 00:06:06,867 PLEAD GUILTY. 146 00:06:06,867 --> 00:06:08,533 ALL OF THIS IS FOR ONE BOMB. 147 00:06:08,533 --> 00:06:10,100 THERE WERE 15 OTHERS 148 00:06:10,100 --> 00:06:12,800 THAT WE HAVEN'T EVEN TALKED ABOUT. 149 00:06:12,800 --> 00:06:14,700 SO TRUST ME. 150 00:06:14,700 --> 00:06:16,233 THIS IS ALL THERE IS. 151 00:06:23,933 --> 00:06:25,200 ALL RIGHT. 152 00:06:27,633 --> 00:06:31,500 IF THAT'S MY ONLY OPTION, I'LL DO IT. 153 00:06:31,500 --> 00:06:33,367 THAT'S IT, RIGHT? 154 00:06:33,367 --> 00:06:36,233 [ LAUGHS ] 155 00:06:36,233 --> 00:06:39,067 Frank: THAT'S IT, RIGHT? THAT'S IT. 156 00:06:39,067 --> 00:06:43,500 CAN I ASK YOU ONE QUESTION? 157 00:06:43,500 --> 00:06:46,300 ANYTHING. 158 00:06:46,300 --> 00:06:48,067 SINCE YOU'VE BEEN SO HELPFUL 159 00:06:48,067 --> 00:06:50,800 WALKING ME THROUGH WHAT EVIDENCE THE F.B.I. HAS, 160 00:06:50,800 --> 00:06:52,967 I WAS HOPING YOU MIGHT CONFIRM FOR ME 161 00:06:52,967 --> 00:06:55,300 SOMETHING I'VE SUSPECTED FOR A LONG TIME 162 00:06:55,300 --> 00:06:57,700 BUT COULD NEVER GET A STRAIGHT ANSWER TO. 163 00:06:57,700 --> 00:06:59,567 BUT IT SEEMS TO ME THAT 164 00:06:59,567 --> 00:07:02,933 THERE IS NO FORENSIC EVIDENCE WHATSOEVER 165 00:07:02,933 --> 00:07:04,867 TYING ME TO THESE HEINOUS CRIMES 166 00:07:04,867 --> 00:07:06,767 BESIDES WHAT YOU FOUND IN MY CABIN. 167 00:07:06,767 --> 00:07:09,600 YEAH, BUT THEY GOT SO MUCH EVIDENCE OF EVERY TYPE. 168 00:07:09,600 --> 00:07:14,567 IMAGINE IF YOU COULD THROW OUT ALL THAT EVIDENCE. 169 00:07:14,567 --> 00:07:16,133 THERE'D BE NOTHING LEFT, RIGHT? 170 00:07:16,133 --> 00:07:17,867 BECAUSE IT'S ALL HERE ON THE TABLE. 171 00:07:17,867 --> 00:07:19,800 YOU JUST LAID IT ALL OUT IN FRONT OF ME. 172 00:07:21,400 --> 00:07:22,700 YEAH. 173 00:07:23,867 --> 00:07:27,833 JAMES, DO YOU REALLY NOT HAVE ANY IDEA 174 00:07:27,833 --> 00:07:30,067 WHY I BROUGHT YOU HERE? 175 00:07:32,433 --> 00:07:34,433 HUH. 176 00:07:40,333 --> 00:07:43,067 THIS IS YOUR SEARCH WARRANT. 177 00:07:43,067 --> 00:07:46,533 IT'S BASED ON YOUR LINGUISTIC ANALYSIS. 178 00:07:46,533 --> 00:07:49,767 THIS IS -- THIS IS WHAT GOT YOU INTO MY CABIN, 179 00:07:49,767 --> 00:07:53,333 AND THE PROSECUTION'S ENTIRE CASE 180 00:07:53,333 --> 00:07:58,167 RESTS ON THIS ONE DOCUMENT, YOUR DOCUMENT. 181 00:07:58,167 --> 00:08:00,633 NO, WHAT -- WHAT'S HE DOING? 182 00:08:00,633 --> 00:08:03,333 SO I THOUGHT WE COULD DISCUSS SOMETHING 183 00:08:03,333 --> 00:08:06,167 I LEARNED ABOUT ONLY RECENTLY CALLED 184 00:08:06,167 --> 00:08:09,533 FRUIT OF THE POISONOUS TREE. 185 00:08:09,533 --> 00:08:12,833 THAT'S THE OPTION THAT YOU'RE NEGLECTING TO MENTION -- 186 00:08:12,833 --> 00:08:15,967 THE OPTION WHERE I GET ALL THIS EVIDENCE THROWN OUT 187 00:08:15,967 --> 00:08:20,333 AND I WALK AWAY A FREE MAN. 188 00:08:20,333 --> 00:08:23,067 THE ONLY EVIDENCE CONNECTING ME TO THE UNABOM ATTACKS 189 00:08:23,067 --> 00:08:24,433 WAS FOUND INSIDE MY CABIN. 190 00:08:24,433 --> 00:08:25,800 THE ONLY REASON THE F.B.I. 191 00:08:25,800 --> 00:08:27,900 WAS LEGALLY ALLOWED TO SEARCH MY CABIN 192 00:08:27,900 --> 00:08:29,867 WAS BECAUSE OF YOUR SEARCH WARRANT, 193 00:08:29,867 --> 00:08:34,467 BUT IF THAT SEARCH WARRANT WAS ISSUED ON FALSE PRETENSES 194 00:08:34,467 --> 00:08:35,533 OR BASED ON ARGUMENTS 195 00:08:35,533 --> 00:08:37,500 THAT FAIL TO MEET THE BURDEN OF PROOF, 196 00:08:37,500 --> 00:08:39,933 WELL, THEN ALL THE EVIDENCE FOUND AT THAT LOCATION 197 00:08:39,933 --> 00:08:42,633 IS DEEMED FRUIT OF THE POISONOUS TREE. 198 00:08:42,633 --> 00:08:44,900 IT'S TAINTED. IT'S INADMISSIBLE. 199 00:08:44,900 --> 00:08:45,900 IT'S GOT TO BE THROWN OUT. 200 00:08:45,900 --> 00:08:48,533 SO IF THE SEARCH WARRANT GOES, 201 00:08:48,533 --> 00:08:53,800 THEN ALL THEIR MOUNTAINS OF EVIDENCE SIMPLY... 202 00:08:55,533 --> 00:08:58,067 DISAPPEAR. 203 00:08:58,067 --> 00:08:59,900 ** 204 00:08:59,900 --> 00:09:02,300 DO YOU FOLLOW? 205 00:09:02,300 --> 00:09:05,067 THE WHOLE CASE DEPENDS ON THE EVIDENCE FROM THE CABIN. 206 00:09:05,067 --> 00:09:07,400 AND THE EVIDENCE FROM THE CABIN DEPENDS ON THE SEARCH WARRANT, 207 00:09:07,400 --> 00:09:09,600 BUT THE SEARCH WARRANT DEPENDS ON THIS THING 208 00:09:09,600 --> 00:09:12,733 CALLED FORENSIC LINGUISTICS, 209 00:09:12,733 --> 00:09:17,467 WHICH IS A FIELD THAT YOU JUST INVENTED, JAMES R. FITZGERALD. 210 00:09:17,467 --> 00:09:20,200 THERE IS NO PRECEDENT IN ALL LEGAL HISTORY 211 00:09:20,200 --> 00:09:23,367 FOR A SEARCH WARRANT BASED ON LINGUISTIC ANALYSIS. 212 00:09:23,367 --> 00:09:26,967 SO THE QUESTION I THEN PLACE BEFORE THE COURT BECOMES, 213 00:09:26,967 --> 00:09:29,400 DO WE TRUST THIS MAN AS SO EXPERT 214 00:09:29,400 --> 00:09:31,700 THAT WE TRUST HIS INVENTION? 215 00:09:31,700 --> 00:09:32,867 WHERE DID YOU GET 216 00:09:32,867 --> 00:09:35,300 YOUR FORMAL TRAINING IN LINGUISTICS, 217 00:09:35,300 --> 00:09:37,700 YOUR PhD, YOUR MASTER'S? 218 00:09:40,067 --> 00:09:41,267 AS I HEAR IT, 219 00:09:41,267 --> 00:09:42,867 THE MAJORITY OF YOUR LAW ENFORCEMENT CAREER 220 00:09:42,867 --> 00:09:44,467 WAS SPENT ON THE GRAFFITI SQUAD 221 00:09:44,467 --> 00:09:46,167 OF A SMALL-TOWN POLICE DEPARTMENT. 222 00:09:46,167 --> 00:09:47,400 IS THAT RIGHT? 223 00:09:47,400 --> 00:09:48,733 NOW WOULD YOU SAY THAT 224 00:09:48,733 --> 00:09:50,733 THIS TIME SPENT READING GRAFFITI 225 00:09:50,733 --> 00:09:53,067 CONSTITUTES YOUR LINGUISTIC TRAINING? 226 00:09:53,067 --> 00:09:54,300 BY THE WAY, WE HAVEN'T EVEN GOTTEN TO 227 00:09:54,300 --> 00:09:55,400 THE CONTENT OF THE WARRANT YET. 228 00:09:55,400 --> 00:09:56,933 OH, GOD. OH. 229 00:09:56,933 --> 00:10:00,100 PERHAPS I SHOULD LEAVE YOU WITH MY ANNOTATIONS. 230 00:10:00,100 --> 00:10:01,800 THEY'RE QUITE EXTENSIVE. 231 00:10:01,800 --> 00:10:03,300 WE GOT TO GET HIM OUT OF THERE. 232 00:10:03,300 --> 00:10:05,467 I WAS RIGHT. 233 00:10:05,467 --> 00:10:06,967 MM. 234 00:10:06,967 --> 00:10:09,133 WELL, IT DOESN'T REALLY MATTER IF YOU'RE RIGHT. 235 00:10:09,133 --> 00:10:10,800 IT MATTERS IF THEY BELIEVE IN YOU. 236 00:10:10,800 --> 00:10:12,400 AND IF THEY DON'T BELIEVE IN YOU, 237 00:10:12,400 --> 00:10:14,067 THEN THEY CAN'T TRUST THE WARRANT. 238 00:10:14,067 --> 00:10:15,800 AND IF THEY CAN'T TRUST THE WARRANT, 239 00:10:15,800 --> 00:10:17,100 THEN I WALK OUT OF HERE. [ DOOR BUZZES ] 240 00:10:17,100 --> 00:10:18,267 [ DOOR OPENS ] 241 00:10:18,267 --> 00:10:20,633 INTERVIEW IS OVER. STOP. GET HIM OUT OF HERE. 242 00:10:20,633 --> 00:10:22,533 EVERYTHING YOU TOUCHED IS TAINTED. 243 00:10:22,533 --> 00:10:23,867 YOU NEED LOOK NO FURTHER. 244 00:10:23,867 --> 00:10:25,100 GIVE ME THOSE. THOSE NOTES ARE PRIVILEGED. 245 00:10:25,100 --> 00:10:27,100 YOU ARE THE POISONOUS TREE. 246 00:10:27,100 --> 00:10:30,533 Man: GET HIM OUT. DON'T SAY ANYTHING ELSE. 247 00:10:33,067 --> 00:10:34,267 GOOD CHAT. 248 00:10:34,267 --> 00:10:38,067 ** 249 00:10:38,067 --> 00:10:40,233 [ DOOR CLOSES, BUZZES ] 250 00:10:40,233 --> 00:10:47,300 ** 251 00:10:47,300 --> 00:10:50,167 -- Captions by VITAC -- www.vitac.com 252 00:10:50,167 --> 00:10:53,033 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 253 00:11:06,233 --> 00:11:07,400 I FOUND ONE. 254 00:11:08,233 --> 00:11:09,967 I FOUND A MISTAKE. 255 00:11:10,733 --> 00:11:12,667 PARAGRAPH 185, 256 00:11:12,667 --> 00:11:14,233 "AS FOR THE NEGATIVE CONSEQUENCES 257 00:11:14,233 --> 00:11:16,500 OF ELIMINATING INDUSTRIAL SOCIETY, 258 00:11:16,500 --> 00:11:18,733 WELL, YOU CAN'T EAT YOUR CAKE AND HAVE IT TOO." 259 00:11:20,467 --> 00:11:25,967 "EAT YOUR CAKE AND HAVE IT TOO." 260 00:11:25,967 --> 00:11:28,167 IT'S BACKWARDS. 261 00:11:28,167 --> 00:11:32,667 [ CHUCKLES ] IT'S BACKWARDS. 262 00:11:32,667 --> 00:11:33,900 WHY AREN'T YOU CHEERING? 263 00:11:33,900 --> 00:11:35,567 I FOUND A MISTAKE. WE'RE LOOKING FOR MISTAKES. 264 00:11:35,567 --> 00:11:36,767 I FOUND THE FIRST REAL MISTAKE. 265 00:11:36,767 --> 00:11:37,833 Tabby: OKAY. COOL. 266 00:11:37,833 --> 00:11:39,400 BUT WHAT DOES IT TELL US ABOUT THE UNABOMBER? 267 00:11:39,400 --> 00:11:42,600 WE'RE LOOKING FOR A WUDDER, RIGHT, 268 00:11:42,600 --> 00:11:43,767 SOMETHING THAT TELLS US WHO HE IS, 269 00:11:43,767 --> 00:11:45,967 WHERE HE COMES FROM. THANK YOU. 270 00:11:45,967 --> 00:11:48,700 THANK YOU FOR QUOTING ME TELLING YOU WHAT TO DO. 271 00:11:48,700 --> 00:11:50,467 WHAT CRAWLED UP YOUR ASS AND DIED? 272 00:11:50,467 --> 00:11:52,400 ACKERMAN GAVE US AN OFFICE AND A TEAM 273 00:11:52,400 --> 00:11:53,533 TO COMB THE MANIFESTO. 274 00:11:53,533 --> 00:11:55,667 AFTER TWO WEEKS, WE GOT NOTHING. 275 00:11:55,667 --> 00:11:57,167 WELL, I HAVE SOMETHING. 276 00:11:58,533 --> 00:12:00,467 CHECK IT OUT, YO. 277 00:12:02,100 --> 00:12:04,133 MANIFESTO, PARAGRAPH 11. 278 00:12:10,400 --> 00:12:11,800 Jim: [ SIGHS ] 279 00:12:11,800 --> 00:12:14,067 THESE AREN'T MISTAKES. 280 00:12:14,067 --> 00:12:16,067 SOMEONE CALLS ME A "BROAD," THAT'S A MISTAKE, 281 00:12:16,067 --> 00:12:17,867 ONE THEY WOULD NOT MAKE A SECOND TIME. 282 00:12:17,867 --> 00:12:19,700 "NEGRO" WILL GET YOUR ASS KICKED. 283 00:12:19,700 --> 00:12:21,067 ERNIE, YOU'RE A NERD. 284 00:12:21,067 --> 00:12:22,367 WANT TO TEST A NEGRO, 285 00:12:22,367 --> 00:12:24,067 HUH, BROAD? [ LAUGHS ] 286 00:12:24,067 --> 00:12:25,067 Jim: OKAY. LET'S GO WITH THIS. 287 00:12:25,067 --> 00:12:26,967 LET'S GO WITH IT, ALL RIGHT? 288 00:12:26,967 --> 00:12:29,067 WHAT'S IT TELLING US? 289 00:12:29,067 --> 00:12:31,067 WHAT'S -- WHO TALKS LIKE THIS? 290 00:12:31,067 --> 00:12:32,833 MM-HMM. 291 00:12:32,833 --> 00:12:37,067 MY DAD, WALLY, HE TALKED LIKE THIS, BUT... 292 00:12:37,067 --> 00:12:39,833 IT'S GENERATIONAL. 293 00:12:39,833 --> 00:12:40,933 IT'S GENERATIONAL. 294 00:12:40,933 --> 00:12:42,967 SO NO ONE 30 TO 40 YEARS OLD 295 00:12:42,967 --> 00:12:45,067 WOULD USE THOSE WORDS, RIGHT? 296 00:12:45,067 --> 00:12:46,100 RIGHT? CORRECT. 297 00:12:46,100 --> 00:12:47,267 SO WHAT ARE WE SAYING? 298 00:12:47,267 --> 00:12:49,167 I DON'T KNOW. I DON'T KNOW. I DON'T KNOW. 299 00:12:49,167 --> 00:12:50,667 WHAT -- WHAT -- WHAT ELSE DOES IT TELL US? 300 00:12:50,667 --> 00:12:52,167 WELL, WELL, ALSO, IF HE USED THESE WORDS, 301 00:12:52,167 --> 00:12:53,200 THEN THIS IS A GUY 302 00:12:53,200 --> 00:12:54,300 WHO'S NEVER BEEN AROUND BLACK FOLKS... 303 00:12:54,300 --> 00:12:55,600 MM-HMM. ...OR WOMEN. 304 00:12:55,600 --> 00:12:56,833 THERE YOU GO. AND TRUST ME. 305 00:12:56,833 --> 00:12:59,067 WHEN YOU'RE PRETTY MUCH THE ONLY BLACK GUY IN THE UTF, 306 00:12:59,067 --> 00:13:01,100 YOU GET LOTS OF PRACTICE PICKING UP ON LANGUAGE CLUES. 307 00:13:01,100 --> 00:13:02,300 SO WITH THAT, 308 00:13:02,300 --> 00:13:04,533 HE WOULDN'T LIVE IN SAN FRANCISCO PROPER, RIGHT? 309 00:13:04,533 --> 00:13:06,967 EXCEPT EVERY LETTER AND PACKAGE WAS MAILED FROM HERE. 310 00:13:06,967 --> 00:13:10,400 OOH. 311 00:13:10,400 --> 00:13:12,767 OKAY. ALL RIGHT. 312 00:13:12,767 --> 00:13:14,067 DON'T WORRY ABOUT IT. 313 00:13:14,067 --> 00:13:14,967 LET'S KEEP PLAYING. 314 00:13:14,967 --> 00:13:16,367 MAYBE HE DOES, 315 00:13:16,367 --> 00:13:20,767 'CAUSE HE LIVES IN THE SUBURBS WITHIN DRIVING DISTANCE. 316 00:13:20,767 --> 00:13:22,900 YES. GIVE ME EVERYTHING. 317 00:13:22,900 --> 00:13:24,167 GIVE ME EVERY LANGUAGE CLUE 318 00:13:24,167 --> 00:13:25,933 THAT WE HAVE FOUND IN THE MANIFESTO. 319 00:13:25,933 --> 00:13:28,600 OKAY, WELL, "NEGRO," "CHICK," "BROAD," 320 00:13:28,600 --> 00:13:29,800 "EAT YOUR CAKE," 321 00:13:29,800 --> 00:13:30,867 THOUGH I DON'T KNOW WHERE THAT GETS US. 322 00:13:30,867 --> 00:13:32,200 JUST KEEP GOING. GO ON. COME ON. 323 00:13:32,200 --> 00:13:35,067 UH, THE LONG SENTENCES, THE FORMAL STYLE -- 324 00:13:35,067 --> 00:13:36,433 TRYING TO SOUND SMART. OKAY. 325 00:13:36,433 --> 00:13:37,900 THEY'RE VARIANT SPELLINGS, THEY'RE -- THEY'RE NOT WRONG. 326 00:13:37,900 --> 00:13:39,900 THEY'RE JUST UNUSUAL, LIKE "WILLFUL" WITH ONE L AND... 327 00:13:39,900 --> 00:13:42,233 "ANALYZE" WITH THE S, NOT A Z. 328 00:13:42,233 --> 00:13:44,767 PLUS THE NUMBERED PARAGRAPHS, NUMBERED END NOTES, 329 00:13:44,767 --> 00:13:47,067 A CORRECTIONS PAGE, WORKS-CITED PAGES... 330 00:13:47,067 --> 00:13:48,733 OKAY. ...IT'S A WEIRD FORMAT. 331 00:13:48,733 --> 00:13:50,067 OKAY. OKAY. SO WHAT DOES THAT TELL US? 332 00:13:50,067 --> 00:13:51,067 I DON'T KNOW. IT'S FORMATTED WEIRD. 333 00:13:51,067 --> 00:13:52,667 AW, COME ON! 334 00:13:52,667 --> 00:13:54,500 DUDE, WHAT DO YOU WANT? 335 00:13:54,500 --> 00:13:56,667 WE'VE BEEN LOOKING FOR WUDDER. THERE'S NO WUDDER. 336 00:13:56,667 --> 00:13:58,067 I MEAN, IT'S AN AWESOME IDEA. 337 00:13:58,067 --> 00:13:59,200 WE GAVE IT A SHOT. 338 00:13:59,200 --> 00:14:01,267 BUT DISCRETION IS THE BETTER PART OF VALOR. 339 00:14:01,267 --> 00:14:03,067 I DON'T WANT TO BE THE NEXT STAMP GUY. 340 00:14:03,067 --> 00:14:04,500 I MEAN, HE'S OFF INTERVIEWING 341 00:14:04,500 --> 00:14:06,333 EUGENE O'NEILL'S GRANDKIDS' DOG WALKER, 342 00:14:06,333 --> 00:14:08,267 AND HIS CAREER IS OVER 343 00:14:08,267 --> 00:14:10,267 BECAUSE HE DIDN'T KNOW WHEN TO SAY, "UNCLE." 344 00:14:10,267 --> 00:14:17,300 ** 345 00:14:17,300 --> 00:14:22,833 ** 346 00:14:22,833 --> 00:14:26,133 MAYBE WE SHOULD CALL IN THE EXPERTS. 347 00:14:26,133 --> 00:14:29,800 [ INDISTINCT CONVERSATIONS ] 348 00:14:29,800 --> 00:14:31,133 Man: ARE YOU GOING TO THE, UH, SAN DIEGO THING? 349 00:14:31,133 --> 00:14:32,267 I'M NOT GOING. 350 00:14:32,267 --> 00:14:33,367 IT'S A GOOD ONE. 351 00:14:33,367 --> 00:14:36,233 Jim: THANK YOU ALL FOR COMING, 352 00:14:36,233 --> 00:14:38,267 FOR TAKING THE TIME TO READ THE MANIFESTO. 353 00:14:38,267 --> 00:14:39,800 YOU'VE ALL BEEN ASKED HERE TODAY 354 00:14:39,800 --> 00:14:41,900 BECAUSE YOU WERE EITHER CITED IN THE MANIFESTO 355 00:14:41,900 --> 00:14:43,800 OR YOU WORK IN A RELATED ACADEMIC FIELD. 356 00:14:43,800 --> 00:14:46,433 LOOK, I'M JUST -- 357 00:14:46,433 --> 00:14:48,400 I'M HOPING THAT YOU CAN SHED SOME LIGHT ON WHO THE AUTHOR IS 358 00:14:48,400 --> 00:14:49,500 BASED ON WHAT YOU READ. 359 00:14:49,500 --> 00:14:50,967 ARE THERE THINGS 360 00:14:50,967 --> 00:14:54,233 THAT YOU RECOGNIZE IN THE IDEAS, IN THE LANGUAGE, YOU KNOW, 361 00:14:54,233 --> 00:14:55,700 FROM SOMEONE THAT YOU WORK WITH, 362 00:14:55,700 --> 00:14:58,833 A COLLEAGUE OR FORMER STUDENT MAYBE? 363 00:14:58,833 --> 00:15:00,733 IF ONE OF MY STUDENTS WROTE THIS, 364 00:15:00,733 --> 00:15:02,300 HE'D BE OUT OF THE PROGRAM. 365 00:15:02,300 --> 00:15:04,733 THERE'S NO WAY THIS GUY WOULD PASS PEER REVIEW. 366 00:15:04,733 --> 00:15:06,500 EH, YOU COULD SCRAPE BY WRITING LIKE THIS 367 00:15:06,500 --> 00:15:09,700 IN THE HARD SCIENCES MAYBE. -OH, PLEASE. 368 00:15:09,700 --> 00:15:12,467 THE WORK COMING OUT OF YOUR DEPARTMENT 369 00:15:12,467 --> 00:15:15,133 HASN'T BEEN PUBLISHABLE IN 20 YEARS. 370 00:15:15,133 --> 00:15:17,067 -OH, PLEASE. -I ACTUALLY DO HAVE A QUESTION. 371 00:15:17,067 --> 00:15:18,967 [ INDISTINCT CONVERSATIONS ] EXCUSE ME. 372 00:15:18,967 --> 00:15:21,200 [ INDISTINCT CONVERSATIONS ] 373 00:15:21,200 --> 00:15:22,800 EXCUSE ME. 374 00:15:22,800 --> 00:15:26,067 WAS THERE A CORRECTIONS PAGE APPENDED TO THE FRONT? 375 00:15:27,467 --> 00:15:28,600 YEAH. 376 00:15:28,600 --> 00:15:31,300 AND IS IT CALLED "CORRECTIONS: OR "ERRATA"? 377 00:15:31,300 --> 00:15:33,200 WAS IT IN ENGLISH OR LATIN? 378 00:15:33,200 --> 00:15:36,067 LEAVE IT TO THE COMPARATIVE LINGUISTICS GRAD STUDENT 379 00:15:36,067 --> 00:15:38,333 TO FOCUS ON WHAT'S RELEVANT. 380 00:15:38,333 --> 00:15:40,433 YOU KNOW, THE UNABOMBER HAD ONE THING RIGHT. 381 00:15:40,433 --> 00:15:41,967 DID YOU ALL READ PARAGRAPH 88? 382 00:15:41,967 --> 00:15:46,267 "SOME SCIENTIFIC WORK HAS NO CONCEIVABLE RELATION 383 00:15:46,267 --> 00:15:48,367 TO THE WELFARE OF THE HUMAN RACE," 384 00:15:48,367 --> 00:15:51,800 COMPARATIVE LINGUISTICS, FOR EXAMPLE. 385 00:15:51,800 --> 00:15:53,500 [ LAUGHS ] 386 00:15:53,500 --> 00:15:54,867 AND YOU THINK YOUR WORK IS RELEVANT? 387 00:15:54,867 --> 00:16:00,900 [ ALL TALKING OVER ONE ANOTHER ] 388 00:16:00,900 --> 00:16:02,200 OH, WELL, LISTEN TO THE POLI-SCI -- 389 00:16:02,200 --> 00:16:04,467 [ INDISTINCT CONVERSATIONS ] 390 00:16:04,467 --> 00:16:06,100 Man #1: TIME FLIES WHEN YOU'RE HAVING FUN. 391 00:16:06,100 --> 00:16:07,100 Man #2: NOPE. 392 00:16:07,100 --> 00:16:09,900 SO WHO DO WE SEE ABOUT OUR PER DIEM? 393 00:16:09,900 --> 00:16:11,733 FRONT DESK. 394 00:16:17,633 --> 00:16:20,333 FITZ, GOOD STUFF TODAY? 395 00:16:20,900 --> 00:16:22,500 FILL ME IN FIRST THING TOMORROW. 396 00:16:22,500 --> 00:16:24,200 -YEAH. -EXCUSE ME. 397 00:16:24,200 --> 00:16:26,067 YOU CAN GET YOUR PER DIEM AT THE FRONT DESK. 398 00:16:26,067 --> 00:16:27,900 NO, NO. IT'S NOT THAT. I JUST... 399 00:16:27,900 --> 00:16:30,467 MY QUESTION WAS NEVER ANSWERED. 400 00:16:30,467 --> 00:16:33,200 IS IT "CORRECTIONS" OR "ERRATA"? 401 00:16:36,067 --> 00:16:37,900 IT'S, UH, "CORRECTIONS." 402 00:16:37,900 --> 00:16:39,067 WHY? 403 00:16:39,067 --> 00:16:41,800 COME LOOK AT THE FORMAT. 404 00:16:41,800 --> 00:16:43,267 IT'S WEIRD. MM. 405 00:16:43,267 --> 00:16:44,733 TO YOU, IT'S WEIRD. 406 00:16:44,733 --> 00:16:47,233 TO ME, THESE NUMBERED PARAGRAPHS, 407 00:16:47,233 --> 00:16:49,900 THE NUMBERED END NOTES, AND THE CORRECTIONS PAGE, 408 00:16:49,900 --> 00:16:51,767 I MEAN, THIS IS A DISSERTATION. 409 00:16:51,767 --> 00:16:53,933 THIS IS STANDARD FORMATTING FOR A PhD. 410 00:16:53,933 --> 00:16:55,600 I ASKED EVERYONE ABOUT THE FORMATTING. 411 00:16:55,600 --> 00:16:56,733 WELL, THAT'S THE THING. 412 00:16:56,733 --> 00:16:58,900 MODERN DISSERTATIONS LOOK TOTALLY DIFFERENT NOW. 413 00:16:58,900 --> 00:17:00,767 THE WORD PROCESSOR CHANGED EVERYTHING. 414 00:17:00,767 --> 00:17:03,767 THIS IS IN THE STYLE OF AN OLDER GRADUATE THESIS PAPER. 415 00:17:03,767 --> 00:17:05,633 I NOTICED THESE KIND OF THINGS, 416 00:17:05,633 --> 00:17:09,433 AND THIS STYLE OF END NOTES WAS ONLY USED BEFORE 1972-ISH 417 00:17:09,433 --> 00:17:10,900 WHEN THEY CHANGED TO FOOTNOTES. 418 00:17:10,900 --> 00:17:11,933 THE CORRECTIONS PAGE? 419 00:17:11,933 --> 00:17:15,267 IT WAS CALLED ERRATA BEFORE 1967. 420 00:17:15,267 --> 00:17:17,267 MEANING HE LEARNED THE FORMATTING 421 00:17:17,267 --> 00:17:18,967 BETWEEN '67 AND '72. 422 00:17:18,967 --> 00:17:20,100 MORE THAN THAT. 423 00:17:20,100 --> 00:17:22,167 ONLY PhD CANDIDATES USE THIS STYLE. 424 00:17:22,167 --> 00:17:25,067 SO IF HE'S STILL USING THIS FORMAT 20 YEARS LATER... 425 00:17:25,067 --> 00:17:26,333 HE MUST HAVE WRITTEN A DISSERTATION. 426 00:17:26,333 --> 00:17:27,667 HE MUST HAVE WRITTEN A DISSERTATION 427 00:17:27,667 --> 00:17:30,333 BETWEEN '67 AND '72. AND '72. 428 00:17:30,333 --> 00:17:31,667 VERY NICE. 429 00:17:31,667 --> 00:17:33,533 COMPARATIVE LINGUISTICS, 430 00:17:33,533 --> 00:17:36,800 NOT AS USELESS AS THE UNABOMBER THINKS. 431 00:17:36,800 --> 00:17:38,867 ** 432 00:17:38,867 --> 00:17:40,067 DO YOU HAVE A MINUTE? 433 00:17:40,067 --> 00:17:42,433 ** 434 00:17:45,267 --> 00:17:47,367 Jim: TECHNICALLY, YOU'RE NOT SUPPOSED TO SEE THIS, BUT... 435 00:17:49,200 --> 00:17:50,867 [ GASPS ] 436 00:17:50,867 --> 00:17:53,900 WE'VE BEEN ANALYZING THE LANGUAGE OF THE MANIFESTO, 437 00:17:53,900 --> 00:17:57,433 LOOKING FOR CLUES AS TO WHO HE IS. 438 00:17:57,433 --> 00:17:58,933 WOW. 439 00:17:58,933 --> 00:18:00,100 WE'VE BEEN LOOKING FOR MISTAKES 440 00:18:00,100 --> 00:18:01,700 ON THE THEORY THAT, 441 00:18:01,700 --> 00:18:04,200 WELL, LIKE, I SAY "WUDDER" AND... 442 00:18:04,200 --> 00:18:05,933 IDIOLECT. 443 00:18:05,933 --> 00:18:07,067 IT'S WHAT WE CALL THE SPEECH PATTERNS 444 00:18:07,067 --> 00:18:08,867 OF ONE SPECIFIC PERSON. 445 00:18:08,867 --> 00:18:12,533 IDIOLECT. IDIOLECT, RIGHT. 446 00:18:12,533 --> 00:18:15,067 IT'S LIKE A LINGUISTIC FINGERPRINT. 447 00:18:15,067 --> 00:18:17,633 I MEAN, WE'LL WORK OUT WHO HE IS BY... 448 00:18:17,633 --> 00:18:19,367 BASED ON HOW HE SPEAKS. YES. 449 00:18:19,367 --> 00:18:21,867 SO YOU'VE BEEN LOOKING FOR MISTAKES. 450 00:18:21,867 --> 00:18:23,300 RIGHT. 451 00:18:23,300 --> 00:18:24,167 WE FOUND THESE... 452 00:18:24,167 --> 00:18:25,433 EXCEPT THEY'RE NOT MISTAKES. 453 00:18:25,433 --> 00:18:26,867 ...EXCEPT THEY AREN'T MISTAKES. 454 00:18:26,867 --> 00:18:28,600 THAT'S RIGHT. THEY'RE VARIANT SPELLINGS. 455 00:18:28,600 --> 00:18:30,667 THEY'RE UNUSUAL, BUT THEY'RE TECHNICALLY CORRECT. 456 00:18:30,667 --> 00:18:31,900 AND IS HE CONSISTENT? 457 00:18:31,900 --> 00:18:34,100 HE USES THE SAME SPELLINGS EVERY TIME? 458 00:18:34,100 --> 00:18:37,300 YEAH, LETTERS, MANIFESTO -- IT'S THE SAME UNUSUAL SPELLING. 459 00:18:40,100 --> 00:18:41,300 IS THIS TOTALLY AMATEUR? 460 00:18:41,300 --> 00:18:43,133 LIKE, AM I -- AM I DOING ALL RIGHT? 461 00:18:43,133 --> 00:18:44,533 AM I? ARE YOU KIDDING? 462 00:18:44,533 --> 00:18:46,433 THIS IS CUTTING-EDGE. 463 00:18:46,433 --> 00:18:48,333 USING LANGUAGE TO SOLVE CRIMES? 464 00:18:48,333 --> 00:18:50,933 THERE'S NOT EVEN A NAME FOR WHAT YOU'RE DOING. 465 00:18:50,933 --> 00:18:52,367 SO IF HE'S CONSISTENT, 466 00:18:52,367 --> 00:18:54,133 THAT SUGGESTS A STYLE GUIDE, 467 00:18:54,133 --> 00:18:55,733 YOU KNOW, SOMEWHERE WHERE HE LEARNED TO SPELL THIS WAY, 468 00:18:55,733 --> 00:18:57,433 A NEWSPAPER, MAGAZINE, 469 00:18:57,433 --> 00:18:59,733 SOMEWHERE THAT HAD A STYLE GUIDE FOR THEIR EDITORS 470 00:18:59,733 --> 00:19:02,733 THAT MATCHES THESE SPELLINGS. 471 00:19:02,733 --> 00:19:04,333 AND IF WE CAN FIND THAT STYLE GUIDE... 472 00:19:04,333 --> 00:19:05,900 WE'RE CLOSER TO FINDING HIS IDIOLECT. 473 00:19:05,900 --> 00:19:07,933 AND IF WE CAN FIND HIS IDIOLECT... 474 00:19:07,933 --> 00:19:09,467 THEN WE FIND THE UNABOMBER. 475 00:19:09,467 --> 00:19:10,833 YES. 476 00:19:11,467 --> 00:19:12,933 Jim: [ SIGHS ] NO. 477 00:19:15,933 --> 00:19:16,967 THAT'S IT? 478 00:19:16,967 --> 00:19:18,500 THIS IS BERKELEY. 479 00:19:18,500 --> 00:19:21,100 THE OBSOLETE STYLE GUIDE SECTIONS ARE PRETTY THIN. 480 00:19:21,100 --> 00:19:22,833 I COULD START HITTING THE LOCAL PUBLIC LIBRARIES 481 00:19:22,833 --> 00:19:25,633 IN MARIN COUNTY TODAY IF YOU WANT TO. 482 00:19:25,633 --> 00:19:28,067 JUST KEEP READING. 483 00:19:28,067 --> 00:19:29,733 Tabby: THIS IS CRAZY, MAN. 484 00:19:29,733 --> 00:19:32,900 NEEDLE IN A HAYSTACK FOR WHAT, A FEW SPELLING MISTAKES? 485 00:19:32,900 --> 00:19:35,500 IT'S NOT MISTAKES. IT'S IDIOLECT. 486 00:19:35,500 --> 00:19:37,567 [ PAGER BEEPS ] 487 00:19:37,567 --> 00:19:39,833 Tabby: WHO IS THAT? 488 00:19:39,833 --> 00:19:41,233 IT'S JUST ACKERMAN. 489 00:19:41,233 --> 00:19:43,667 HE WANTS US TO BRIEF HIM, BUT WE GOT NOTHING TO PRESENT. 490 00:19:43,667 --> 00:19:44,767 Jim: HE'LL BE FINE. 491 00:19:44,767 --> 00:19:47,600 [ PHONE RINGS ] 492 00:19:49,933 --> 00:19:51,567 HELLO? OKAY. 493 00:19:51,567 --> 00:19:54,133 JUST TELL HIM I'M ON MY WAY. 494 00:19:54,133 --> 00:19:56,133 DUDE, IT'S SOME WOMAN FOR YOU. 495 00:20:03,400 --> 00:20:04,800 HEY! 496 00:20:04,800 --> 00:20:06,700 I FOUND IT. 497 00:20:06,700 --> 00:20:08,167 THE CHICAGO TRIBUNE, 498 00:20:08,167 --> 00:20:10,000 IT'S THEIR IN-HOUSE STYLE GUIDE. 499 00:20:10,000 --> 00:20:11,733 THEIR PUBLISHER, ROBERT McCORMICK, 500 00:20:11,733 --> 00:20:13,167 WAS THIS BIG PROPONENT 501 00:20:13,167 --> 00:20:15,600 OF THIS FRINGE SIMPLIFIED SPELLING MOVEMENT. 502 00:20:15,600 --> 00:20:17,867 IN 1949, HE FORCED IT ON HIS EDITORS. 503 00:20:17,867 --> 00:20:19,167 IN 1954 WHEN HE DIED, 504 00:20:19,167 --> 00:20:21,067 THEY SWITCHED BACK TO STANDARD SPELLING. 505 00:20:21,067 --> 00:20:22,767 Jim: "ANALYSE." YEAH. 506 00:20:22,767 --> 00:20:23,600 "WILFULY." 507 00:20:23,600 --> 00:20:24,600 "LICENCE." 508 00:20:24,600 --> 00:20:25,833 INSTALMENT WITH ONE L, 509 00:20:25,833 --> 00:20:26,933 HE USES THAT IN U-11. 510 00:20:26,933 --> 00:20:28,333 THIS IS IT. CAN I KEEP THIS? 511 00:20:28,333 --> 00:20:31,067 YES. 512 00:20:31,067 --> 00:20:32,600 THANK YOU. 513 00:20:33,333 --> 00:20:34,833 FITZ? YEAH? 514 00:20:34,833 --> 00:20:36,300 WE'RE LATE. IT STARTED. 515 00:20:36,967 --> 00:20:39,733 SO FROM THAT INITIAL SUBJECT POOL OF 15 MILLION, 516 00:20:39,733 --> 00:20:42,233 WE PUT ADDITIONAL PARAMETERS ON THE M.P.P., 517 00:20:42,233 --> 00:20:45,433 WHICH NARROWED IT TO 2,500. 518 00:20:45,433 --> 00:20:48,600 WE'RE CALLING THAT OUR TIER 3 SUBJECT GROUP. 519 00:20:48,600 --> 00:20:51,600 TIER 2 -- SUBJECTS WITH CRIMINAL RECORDS, 520 00:20:51,600 --> 00:20:53,933 MECHANICAL OR EXPLOSIVES TRAINING, 521 00:20:53,933 --> 00:20:58,500 IN A NEXUS BETWEEN SALT LAKE CITY AND THE BAY AREA. 522 00:20:58,500 --> 00:20:59,767 TIER 1 -- TOP 20. 523 00:20:59,767 --> 00:21:01,533 HIGH LEVEL OF CONFIDENCE 524 00:21:01,533 --> 00:21:04,067 THAT ONE OF THESE GUYS IS OUR MAN. 525 00:21:04,067 --> 00:21:06,533 THEY'RE ALL UNDER ACTIVE SURVEILLANCE, 526 00:21:06,533 --> 00:21:07,800 OR THEY'RE AT LARGE 527 00:21:07,800 --> 00:21:10,567 BEING SOUGHT BY SPECIAL OPERATIONS GROUP. 528 00:21:10,567 --> 00:21:12,700 EXCELLENT. 529 00:21:12,700 --> 00:21:17,867 FITZ, HAVE YOU GOT ANYTHING FROM THOSE NUTTY PROFESSORS 530 00:21:17,867 --> 00:21:20,167 THAT CAN MOVE THE NEEDLE? 531 00:21:20,167 --> 00:21:21,833 Jim: ACTUALLY, YES. 532 00:21:21,833 --> 00:21:23,633 WE HAVE SOLID LINGUISTIC EVIDENCE 533 00:21:23,633 --> 00:21:25,267 THAT HE GREW UP IN CHICAGO 534 00:21:25,267 --> 00:21:27,233 AND THAT HE LEARNED HIS SPELLING AND GRAMMAR 535 00:21:27,233 --> 00:21:29,067 FROM THE CHICAGO TRIBUNE. 536 00:21:29,067 --> 00:21:31,300 AND HOW SOLID IS THIS? 537 00:21:31,300 --> 00:21:33,967 SOLID. 538 00:21:33,967 --> 00:21:35,833 YOU JUST MADE SOMEBODY VERY HAPPY. 539 00:21:35,833 --> 00:21:40,167 CONFIRMED SOMETHING THAT I'VE BEEN SAYING. 540 00:21:40,167 --> 00:21:43,367 LEO FREDERICK BURT, BORN IN CHICAGO. 541 00:21:43,367 --> 00:21:46,467 PASS THESE AROUND. 542 00:21:46,467 --> 00:21:49,500 LEO BURT, MY PICK FOR SUSPECT NUMBER ONE. 543 00:21:49,500 --> 00:21:50,967 BORN AND RAISED IN CHICAGO, 544 00:21:50,967 --> 00:21:53,167 FLIRTED WITH S.D.S. AND THE PANTHERS 545 00:21:53,167 --> 00:21:54,600 BEFORE JOINING A RADICAL 546 00:21:54,600 --> 00:21:56,900 WEATHER UNDERGROUND SPLINTER GROUP, 547 00:21:56,900 --> 00:21:59,667 INVOLVED IN A SERIES OF ANTI-ESTABLISHMENT ATTACKS 548 00:21:59,667 --> 00:22:01,433 IN THE LATE '70s, 549 00:22:01,433 --> 00:22:04,333 INCLUDING -- DRUM ROLL, PLEASE -- 550 00:22:04,333 --> 00:22:06,533 THREE ATTEMPTED BOMBINGS, 551 00:22:06,533 --> 00:22:08,400 WENT INTO HIDING AROUND THE SAME TIME 552 00:22:08,400 --> 00:22:10,600 THAT THE UNABOMBER STARTED HIS ATTACKS, 553 00:22:10,600 --> 00:22:12,067 AND, PLUS, AS YOU CAN SEE, 554 00:22:12,067 --> 00:22:14,267 HE'S A DEAD RINGER FOR THE SKETCH. 555 00:22:14,267 --> 00:22:16,100 YOU WANT TO ADD ANYTHING TO THAT, FITZ? 556 00:22:16,100 --> 00:22:18,067 WELL, IT'S ALSO LIKELY 557 00:22:18,067 --> 00:22:20,500 THAT HE HAD A UNIVERSITY AFFILIATION, 558 00:22:20,500 --> 00:22:22,433 YOU KNOW, THAT THE PREVIOUS PROFILE 559 00:22:22,433 --> 00:22:23,833 SUGGESTED LITTLE OR NO COLLEGE -- 560 00:22:23,833 --> 00:22:25,767 Stan: FITZ, YOUR VOICE IS MUSIC TO MY EARS TODAY. 561 00:22:25,767 --> 00:22:27,800 HE WENT TO UNIVERSITY OF WISCONSIN-MADISON. 562 00:22:27,800 --> 00:22:30,267 THAT'S WHERE HE GOT HOOKED UP WITH THE RADICAL GROUPS. 563 00:22:30,267 --> 00:22:31,400 Don: ALL RIGHT. 564 00:22:31,400 --> 00:22:33,700 LET'S ALERT S.O.G. 565 00:22:33,700 --> 00:22:36,300 AND START RE-INTERVIEWING ALL KNOWN ASSOCIATES. 566 00:22:36,300 --> 00:22:40,767 LET'S SEE IF WE CAN DRAG LEO BURT OUT OF HIDING. 567 00:22:40,767 --> 00:22:42,700 AWESOME WORK, GUYS. MEET ME UPSTAIRS. 568 00:22:42,700 --> 00:22:43,800 WE'LL TALK THROUGH IT. 569 00:22:43,800 --> 00:22:45,500 GET YOU INVOLVED IN THAT TIER 1 SQUAD. 570 00:22:45,500 --> 00:22:47,767 JUST A SECOND, BEFORE EVERYONE GOES. 571 00:22:47,767 --> 00:22:50,367 UM... IS THERE SOMETHING ELSE? 572 00:22:50,367 --> 00:22:51,700 FITZ, LEAVE IT BE. 573 00:22:51,700 --> 00:22:53,233 IT'S JUST A QUESTION. 574 00:22:53,233 --> 00:22:54,900 HOW OLD IS LEO BURT? 575 00:22:56,367 --> 00:22:58,900 FORTY-SEVEN, BORN 1948. WHY? 576 00:22:58,900 --> 00:23:01,700 Jim: HE'S TOO YOUNG. 577 00:23:01,700 --> 00:23:03,633 Tabby: HE'S POSSIBLY TOO YOUNG. 578 00:23:03,633 --> 00:23:04,833 IT'S NOT POSSIBLY. 579 00:23:04,833 --> 00:23:07,300 HE LEARNED HIS SPELLING BETWEEN '49 AND '54. 580 00:23:07,300 --> 00:23:09,867 HE GOT A PhD BETWEEN, YOU KNOW, '67 AND '72. 581 00:23:09,867 --> 00:23:13,067 SO WE'RE LOOKING AT SOMEONE WHO'S MINIMUM OF 50 YEARS OLD. 582 00:23:13,067 --> 00:23:15,233 PLUS, IF HE'S GOT AN AFFILIATION WITH THE BLACK PANTHERS, 583 00:23:15,233 --> 00:23:16,833 THEN HE WOULDN'T USE THE WORD "NEGRO." 584 00:23:16,833 --> 00:23:20,400 SO IT'S NOT HIM. IT'S NOT LEO BURT. 585 00:23:24,233 --> 00:23:26,433 I'M GONNA TAKE "COLLEGE," AND I'M GONNA TAKE "CHICAGO." 586 00:23:26,433 --> 00:23:27,833 I'M GONNA FORGET THE REST. 587 00:23:27,833 --> 00:23:28,933 PERFECT. YOU CAN'T DO THAT. 588 00:23:28,933 --> 00:23:30,467 YOU CAN'T PICK AND CHOOSE. HE'S OVER 50. 589 00:23:30,467 --> 00:23:33,067 THAT'S THREE ROBUST DATA POINTS. 590 00:23:33,067 --> 00:23:34,467 PLUS, THE UNABOMBER GOT A DOCTORATE. 591 00:23:34,467 --> 00:23:36,200 HE DIDN'T JUST SPEND A LITTLE TIME IN COLLEGE. 592 00:23:36,200 --> 00:23:37,600 HE GOT A PhD. NO, YOU CAN'T DO THAT! 593 00:23:37,600 --> 00:23:41,567 Don: OKAY! THIS MEETING'S OVER! 594 00:23:41,567 --> 00:23:43,167 THAT'S IT. 595 00:23:43,167 --> 00:23:45,933 [ INDISTINCT CONVERSATIONS ] 596 00:23:45,933 --> 00:23:47,333 Stan: WHAT'S THIS BASED ON? 597 00:23:47,333 --> 00:23:50,233 THE UNABOMBER'S IDIOLECT, HIS USE OF LANGUAGE, 598 00:23:50,233 --> 00:23:51,367 THE FORMATTING, HIS SPELLING. 599 00:23:51,367 --> 00:23:53,500 THE SPELLING? [BLEEP] SPELLING? 600 00:23:53,500 --> 00:23:55,067 I'M GONNA KILL THIS GUY. 601 00:23:55,067 --> 00:23:57,133 EVERY SERIAL BOMBER IN HISTORY 602 00:23:57,133 --> 00:23:58,833 STARTED BETWEEN 18 AND 21. 603 00:23:58,833 --> 00:24:01,533 THAT PUTS HIS AGE BETWEEN 35 AND 45. 604 00:24:01,533 --> 00:24:02,867 WELL, MAYBE HE'S THE EXCEPTION TO THE RULE. 605 00:24:02,867 --> 00:24:04,400 EVERY PROFILER THAT WE'VE HAD IN HERE, INCLUDING -- 606 00:24:04,400 --> 00:24:06,667 GO BACK TO YOUR DESKS, BOTH OF YOU! 607 00:24:06,667 --> 00:24:08,467 IF YOU WANT A SEAT AT THIS TABLE, 608 00:24:08,467 --> 00:24:11,400 YOU PUT NAMES ON THAT BOARD! THAT'S YOUR JOB! 609 00:24:11,400 --> 00:24:14,100 YOUR JOB IS NOT TO TELL ME TO BURN A MONTH'S WORK 610 00:24:14,100 --> 00:24:15,800 OVER [BLEEP] SPELLING! 611 00:24:26,600 --> 00:24:27,700 WHAT THE HELL IS WRONG WITH YOU? 612 00:24:27,700 --> 00:24:29,067 THEY'RE JUST SO BLINDED, THEY CAN'T SEE. 613 00:24:29,067 --> 00:24:30,633 THEY'RE BLINDED? DUDE, YOU JUST TURNED A PROMOTION 614 00:24:30,633 --> 00:24:31,767 INTO A FREAKING KAMIKAZE MISSION. 615 00:24:31,767 --> 00:24:33,133 NO, NO. I JUST SAVED THE INVESTIGATION. 616 00:24:33,133 --> 00:24:34,900 THAT'S WHAT I'M TRYING TO DO. I'M TRYING TO SAVE IT. 617 00:24:34,900 --> 00:24:36,700 YOU KNOW, THEY CAN RUN THE M.P.P. ALL MONTH LONG, 618 00:24:36,700 --> 00:24:37,833 BUT GARBAGE IN, GARBAGE OUT. 619 00:24:37,833 --> 00:24:39,433 THEY GOT 2,000 SUBJECTS. THEY'RE ALL WRONG. 620 00:24:39,433 --> 00:24:40,800 WELL, HOW CAN YOU BE SO SURE THEY'RE WRONG? 621 00:24:40,800 --> 00:24:42,067 WE DON'T EVEN KNOW WHAT WE'RE DOING. 622 00:24:42,067 --> 00:24:43,067 WE'RE MAKING THIS UP AS WE GO. 623 00:24:43,067 --> 00:24:45,100 YEAH, YEAH. WE'RE BREAKING NEW GROUND. 624 00:24:45,100 --> 00:24:46,167 MAYBE. IT'S GREAT. 625 00:24:46,167 --> 00:24:47,367 MAYBE WE'RE WRONG. 626 00:24:47,367 --> 00:24:48,700 I MEAN, LOOK AT US. 627 00:24:48,700 --> 00:24:50,600 I MEAN, I'M FLUNKING OUT OF INTRO TO PSYCH. 628 00:24:50,600 --> 00:24:52,867 YOU HAVE A NIGHT SCHOOL DEGREE IN AN UNRELATED FIELD. 629 00:24:52,867 --> 00:24:53,967 DOESN'T MEAN THAT... 630 00:24:53,967 --> 00:24:55,600 WE DON'T EVEN KNOW WHAT WE DON'T KNOW. 631 00:24:57,167 --> 00:24:58,900 I KNOW THAT WE'RE RIGHT. 632 00:24:58,900 --> 00:25:00,067 OKAY. 633 00:25:00,067 --> 00:25:01,367 YOU WANT TO STAKE YOUR CAREER ON THAT? 634 00:25:01,367 --> 00:25:02,367 YOU GO AHEAD. 635 00:25:02,367 --> 00:25:03,767 YOU LEAVE ME THE HELL OUT OF IT. 636 00:25:10,667 --> 00:25:11,700 SERIOUSLY? 637 00:25:11,700 --> 00:25:14,333 THEY'RE SENDING ME BACK TO THE LAB. 638 00:25:14,333 --> 00:25:15,467 IT'S BEEN REAL. 639 00:25:24,900 --> 00:25:27,333 [ Phone rings ] 640 00:25:27,333 --> 00:25:29,533 LINDA: Hello? 641 00:25:29,533 --> 00:25:31,733 THANKS FOR STAYING UP. 642 00:25:31,733 --> 00:25:33,700 Rough day, huh? 643 00:25:33,700 --> 00:25:35,400 [ SIGHS ] YEAH. 644 00:25:38,567 --> 00:25:41,400 THERE IS A SILVER LINING. 645 00:25:41,400 --> 00:25:42,333 YEAH. I, UH -- 646 00:25:42,333 --> 00:25:44,200 I FOUND A DICTIONARY OF PHRASES, 647 00:25:44,200 --> 00:25:45,700 AND I'VE BEEN READING ABOUT 648 00:25:45,700 --> 00:25:47,133 "EAT YOUR CAKE AND HAVE IT TOO." 649 00:25:47,133 --> 00:25:49,267 HAVE YOUR CAKE AND EAT IT TOO. 650 00:25:49,267 --> 00:25:51,267 Yeah. See, that's the thing. 651 00:25:51,267 --> 00:25:53,133 It is actually the other way around. 652 00:25:53,133 --> 00:25:55,133 SOMETIME IN THE 1500s, IT GOT SWITCHED AROUND. 653 00:25:55,133 --> 00:25:57,067 AND WE'VE BEEN SAYING IT WRONG EVER SINCE. 654 00:25:57,067 --> 00:25:58,300 [ CHUCKLES ] 655 00:25:58,300 --> 00:26:00,367 Wow. Yeah. 656 00:26:00,367 --> 00:26:03,700 So why are you telling me this? 657 00:26:03,700 --> 00:26:06,433 HOW WAS TODAY? 658 00:26:06,433 --> 00:26:09,100 Doughnuts for dad. 659 00:26:09,100 --> 00:26:10,300 Dan burned his tongue. 660 00:26:10,300 --> 00:26:12,567 Sean opted out. 661 00:26:12,567 --> 00:26:14,833 AND YOU? 662 00:26:14,833 --> 00:26:16,167 I'm fine. 663 00:26:16,167 --> 00:26:20,733 I went. I stayed. I left. 664 00:26:20,733 --> 00:26:22,200 ALL RIGHT. 665 00:26:22,200 --> 00:26:26,233 Well, I love you. 666 00:26:26,233 --> 00:26:28,533 I LOVE YOU. 667 00:26:30,067 --> 00:26:31,933 [ PHONE CLICKS ] 668 00:26:44,533 --> 00:26:46,600 Natalie: TO EATING YOUR CAKE AND HAVING IT TOO 669 00:26:46,600 --> 00:26:47,767 IN THAT ORDER. 670 00:26:47,767 --> 00:26:51,400 ** 671 00:26:51,400 --> 00:26:52,933 THERE'S SOMETHING SO TRAGIC ABOUT HIM, 672 00:26:52,933 --> 00:26:54,667 ISN'T THERE? 673 00:26:54,667 --> 00:26:57,367 A GUY WHO COULD WRITE LIKE THAT, THINK LIKE THAT, 674 00:26:57,367 --> 00:27:00,200 SO MUCH INSIGHT AND PASSION? 675 00:27:00,200 --> 00:27:01,567 AND YET, SOMEHOW, HIS LIFE TURNED OUT 676 00:27:01,567 --> 00:27:02,633 IN SUCH A WAY THAT HE THINKS 677 00:27:02,633 --> 00:27:03,800 THE ONLY WAY HE CAN GET PEOPLE 678 00:27:03,800 --> 00:27:04,833 TO HEAR WHAT HE HAS TO SAY 679 00:27:04,833 --> 00:27:06,667 IS BY BLOWING PEOPLE UP? 680 00:27:06,667 --> 00:27:10,367 WELL, IF HE WAS TRAPPED, IGNORED, POWERLESS... 681 00:27:10,367 --> 00:27:12,800 HE THINKS IT'S ABOUT BEING POWERLESS, 682 00:27:12,800 --> 00:27:15,967 BUT REALLY IT'S ABOUT BEING SO TERRIBLY LONELY. 683 00:27:15,967 --> 00:27:17,767 IT'S ABOUT HAVING JUST ONE PERSON 684 00:27:17,767 --> 00:27:19,867 THAT HE CAN TALK TO WHO UNDERSTANDS HIM, 685 00:27:19,867 --> 00:27:22,167 WHO RESPECTS HIM FOR WHO HE IS. 686 00:27:22,167 --> 00:27:25,067 THAT'S WHAT ANYONE WANTS, RIGHT? 687 00:27:25,067 --> 00:27:28,233 ** 688 00:27:28,233 --> 00:27:30,333 -THERE YOU GO. -THANKS. 689 00:27:31,300 --> 00:27:33,600 THIS IS THE VENN DIAGRAM OF NACHOS? 690 00:27:33,600 --> 00:27:35,767 Natalie: [ LAUGHS ] 691 00:27:35,767 --> 00:27:38,600 YOU HAVE THE JALAPEÑO ZONE TO THE NORTH, 692 00:27:38,600 --> 00:27:40,367 THE BEAN ZONE TO THE WEST, 693 00:27:40,367 --> 00:27:41,633 SALSA ZONE TO THE EAST, 694 00:27:41,633 --> 00:27:43,900 AND AT THE CENTER, IT'S THE PRIPYAT RIVER VALLEY. 695 00:27:43,900 --> 00:27:47,067 [ LAUGHS ] 696 00:27:47,067 --> 00:27:48,800 IT'S JUST SOME LINGUISTICS HUMOR -- 697 00:27:48,800 --> 00:27:50,867 YOU KNOW, THE SLAVIC HOMELAND. 698 00:27:50,867 --> 00:27:53,433 HUH? NEVER MIND. 699 00:27:53,433 --> 00:27:55,800 YOU KNOW, IT'S JUST THIS WEIRD, DORKY THING. 700 00:27:55,800 --> 00:27:58,067 GO ON. 701 00:27:58,067 --> 00:28:00,067 GO ON. TELL ME. 702 00:28:00,067 --> 00:28:02,100 OKAY. 703 00:28:02,100 --> 00:28:06,200 SO, AROUND THE YEAR 600, 704 00:28:06,200 --> 00:28:09,133 SLAVIC PEOPLE SUDDENLY APPEARED ALL OVER EUROPE -- 705 00:28:09,133 --> 00:28:11,533 YOU KNOW, GERMANY, POLAND, SERBIA, RUSSIA -- 706 00:28:11,533 --> 00:28:13,300 BUT NOBODY COULD FIGURE OUT WHERE THEY CAME FROM. 707 00:28:13,300 --> 00:28:14,800 THE SLAVIC HOMELAND. RIGHT. 708 00:28:14,800 --> 00:28:16,667 IT WAS THIS HUGE HISTORICAL MYSTERY 709 00:28:16,667 --> 00:28:19,900 UNTIL THEY STARTED LOOKING AT LANGUAGE, 710 00:28:19,900 --> 00:28:22,533 AND THEN THEY REALIZED THAT PROTO-SLAVIC 711 00:28:22,533 --> 00:28:25,233 WAS MISSING WORDS FOR CERTAIN KINDS OF TREES. 712 00:28:25,233 --> 00:28:26,533 YOU KNOW, THEY HAD TO BORROW WORDS 713 00:28:26,533 --> 00:28:30,200 FOR OAK AND BEECH AND PINE AND... 714 00:28:30,200 --> 00:28:35,700 ** 715 00:28:35,700 --> 00:28:37,300 THE NACHOS ARE EUROPE. 716 00:28:37,300 --> 00:28:39,067 THE SLAVS ARE EVERYWHERE, 717 00:28:39,067 --> 00:28:41,500 BUT THEY DON'T HAVE A WORD FOR JALAPEÑOS. 718 00:28:41,500 --> 00:28:42,967 SO THEY CAN'T COME FROM HERE? 719 00:28:42,967 --> 00:28:44,067 EXACTLY. 720 00:28:44,067 --> 00:28:45,600 AND THEY HAVE NO WORD FOR BEANS 721 00:28:45,600 --> 00:28:47,400 OR SALSA OR SOUR CREAM, 722 00:28:47,400 --> 00:28:51,633 WHICH ELIMINATES EVERYWHERE BUT HERE. 723 00:28:51,633 --> 00:28:53,400 THE PRIPYAT RIVER VALLEY IN UKRAINE. 724 00:28:53,400 --> 00:28:55,067 IT'S BASICALLY THIS HUGE SWAMP -- 725 00:28:55,067 --> 00:28:57,367 THE ONE PLACE IN EUROPE WHERE THERE ARE NO TREES. 726 00:28:57,367 --> 00:28:58,500 RIGHT. 727 00:28:58,500 --> 00:29:01,100 IT WAS BRILLIANT BECAUSE, UP UNTIL THEN, 728 00:29:01,100 --> 00:29:03,200 THEY HAD ONLY BEEN LOOKING AT THE WORDS THAT THEY HAD, 729 00:29:03,200 --> 00:29:05,967 AND THE KEY WAS IN THE WORDS THAT THEY DIDN'T HAVE. 730 00:29:05,967 --> 00:29:08,133 WHAT THEY DIDN'T SAY... MM-HMM. 731 00:29:08,133 --> 00:29:09,700 ...WHAT THEY DIDN'T KNOW HOW TO SAY. 732 00:29:12,700 --> 00:29:15,300 WHAT THEY DIDN'T KNOW HOW TO SAY. 733 00:29:15,300 --> 00:29:18,333 RIGHT. 734 00:29:18,333 --> 00:29:19,367 GO. 735 00:29:19,367 --> 00:29:20,900 IT'S THE SLAVIC HOMELAND. 736 00:29:20,900 --> 00:29:22,100 GO. 737 00:29:22,100 --> 00:29:23,400 THANK YOU. YEAH. 738 00:29:23,400 --> 00:29:24,400 THANK YOU. 739 00:29:24,400 --> 00:29:34,400 ** 740 00:29:34,400 --> 00:29:42,500 ** 741 00:29:42,500 --> 00:29:45,900 SO WHAT DON'T YOU TALK ABOUT? 742 00:29:45,900 --> 00:29:50,500 [ EXHALES SHARPLY ] 743 00:29:50,500 --> 00:29:53,233 WIFE, CHILDREN, FAMILY -- 744 00:29:53,233 --> 00:29:54,933 YOU DON'T TALK ABOUT THEM. 745 00:29:54,933 --> 00:29:59,067 ** 746 00:29:59,067 --> 00:30:00,733 WORK? 747 00:30:00,733 --> 00:30:04,033 DON'T TALK ABOUT A JOB, CO-WORKERS. 748 00:30:04,033 --> 00:30:06,400 FRIENDS -- YOU DON'T HAVE ANY FRIENDS. 749 00:30:06,400 --> 00:30:09,267 YOU GOT NO ONE TO TALK TO, NO ONE TO LISTEN TO. 750 00:30:10,367 --> 00:30:16,233 AND NO COMPUTER, TVs, NO POP CULTURE. 751 00:30:17,367 --> 00:30:21,767 SO NO IBM, G.E., G.M., XEROX, DELL -- 752 00:30:21,767 --> 00:30:24,033 YOU HAVEN'T HEARD OF ANY OF THEM. 753 00:30:24,033 --> 00:30:27,267 ** 754 00:30:27,267 --> 00:30:28,900 YOU'RE CUT OFF. 755 00:30:28,900 --> 00:30:32,967 ** 756 00:30:32,967 --> 00:30:37,267 NO BLACK PEOPLE, NO WOMEN. 757 00:30:37,267 --> 00:30:40,300 ** 758 00:30:40,300 --> 00:30:41,633 YOU HAD A PHONE. 759 00:30:41,633 --> 00:30:43,200 CALL NATHAN R. 760 00:30:43,200 --> 00:30:44,367 YOU WROTE, "CALL NATHAN R." 761 00:30:44,367 --> 00:30:47,633 ** 762 00:30:47,633 --> 00:30:49,900 YOU ARE OUT THERE. 763 00:30:49,900 --> 00:30:52,100 ** 764 00:30:52,100 --> 00:30:54,033 YOU'RE SOMEWHERE BEYOND. 765 00:30:54,033 --> 00:30:58,400 ** 766 00:30:58,400 --> 00:31:00,500 ISOLATED. 767 00:31:00,500 --> 00:31:02,700 ** 768 00:31:02,700 --> 00:31:07,200 THIS IS IT. 769 00:31:07,200 --> 00:31:09,067 THIS IS YOUR HOMELAND HERE... 770 00:31:11,100 --> 00:31:15,333 ...WHERE THERE'S NOBODY, WHERE THERE'S NOTHING. 771 00:31:15,333 --> 00:31:20,767 ** 772 00:31:23,767 --> 00:31:26,567 [ DOOR OPENS ] 773 00:31:26,567 --> 00:31:29,333 [ DOOR CLOSES ] 774 00:31:37,333 --> 00:31:39,367 Natalie: WELL, THIS IS NICE. 775 00:31:39,367 --> 00:31:41,833 YOU DON'T CHANGE, DO YOU, FITZ? 776 00:31:41,833 --> 00:31:44,433 JUST A LITTLE LESS SUBTLE THIS TIME. 777 00:31:44,433 --> 00:31:46,700 Jim: TED SET ME UP 778 00:31:46,700 --> 00:31:48,933 SO HE COULD ATTACK THE SEARCH WARRANT, 779 00:31:48,933 --> 00:31:51,067 ATTACK MY FORENSIC LINGUISTICS WORK. 780 00:31:51,067 --> 00:31:52,167 SO WHAT? 781 00:31:52,167 --> 00:31:54,400 YOUR WORK IS SOLID, AND IT WORKED. 782 00:31:54,400 --> 00:31:55,767 IT DOESN'T MATTER. 783 00:31:55,767 --> 00:31:57,800 IT DOESN'T MATTER 'CAUSE THEY'RE GONNA PUT ME ON THE STAND. 784 00:31:57,800 --> 00:32:00,133 THEY'RE GONNA TEAR ME APART 'CAUSE I DON'T HAVE A PhD. 785 00:32:00,133 --> 00:32:02,167 I'M NOT GONNA BE HUMILIATED IN FRONT OF THE WHOLE BUREAU. 786 00:32:02,167 --> 00:32:04,600 STOP WITH THE SELF-PITY. 787 00:32:04,600 --> 00:32:07,800 WHO CARES WHAT THE BUREAU THINKS? 788 00:32:07,800 --> 00:32:09,200 THEY DON'T CARE ABOUT YOU 789 00:32:09,200 --> 00:32:11,267 UNLESS THEY WANT SOMETHING FROM YOU. 790 00:32:11,267 --> 00:32:14,733 WHAT WE HAD, WHAT WE DISCOVERED, 791 00:32:14,733 --> 00:32:20,367 THE WORK, AT LEAST, WAS SPECIAL, 792 00:32:20,367 --> 00:32:22,167 AND IT WAS RIGHT. 793 00:32:22,167 --> 00:32:26,933 YOU ARE MORE THAN THIS CASE, FITZ, 794 00:32:26,933 --> 00:32:30,333 EVEN IF YOU DON'T BELIEVE IT, 795 00:32:30,333 --> 00:32:32,667 EVEN IF THEY NEVER GIVE YOU CREDIT FOR IT. 796 00:32:32,667 --> 00:32:37,800 THAT HAS TO MEAN SOMETHING, RIGHT? 797 00:32:37,800 --> 00:32:40,367 WHAT WAS THAT ABOUT CREDIT? 798 00:32:40,367 --> 00:32:42,233 Jim: CREDIT -- THAT IS THE WAY BACK IN. 799 00:32:42,233 --> 00:32:43,400 TED WANTS TO BE FAMOUS. 800 00:32:43,400 --> 00:32:45,267 HE WANTS EVERYONE TO KNOW HOW SMART HE IS. 801 00:32:45,267 --> 00:32:47,100 THE ONLY WAY HE'S GONNA GET THE CREDIT 802 00:32:47,100 --> 00:32:48,167 IS TO PLEAD GUILTY. 803 00:32:50,167 --> 00:32:52,467 YOU BET THE FARM ONCE BEFORE THAT HE'D NEED A TROPHY. 804 00:32:52,467 --> 00:32:54,200 THIS IS DIFFERENT. LOOK HOW THAT TURNED OUT. 805 00:32:54,200 --> 00:32:55,600 THIS IS DIFFERENT. YOU KNOW THAT. 806 00:32:55,600 --> 00:32:57,233 YOU CAN CONVINCE ME ALL NIGHT, 807 00:32:57,233 --> 00:32:59,500 BUT THERE'S NO WAY COLE WILL LET YOU IN THERE. 808 00:32:59,500 --> 00:33:02,533 ** 809 00:33:02,533 --> 00:33:04,267 I'LL GO ON MY OWN. 810 00:33:04,267 --> 00:33:06,833 MAKE THE CALL. I'LL GO TONIGHT. 811 00:33:06,833 --> 00:33:08,067 IT'LL BE OFF THE RECORD, 812 00:33:08,067 --> 00:33:09,267 JUST ME AND TED, FACE-TO-FACE. 813 00:33:09,267 --> 00:33:11,367 I'LL MAKE -- I'LL MAKE IT RIGHT. 814 00:33:11,367 --> 00:33:12,733 MAKE THE CALL. 815 00:33:14,467 --> 00:33:15,600 MAKE THE CALL. 816 00:33:19,733 --> 00:33:22,100 [ DOOR CLOSES, BUZZES ] 817 00:33:28,500 --> 00:33:30,233 [ DOOR BUZZES ] 818 00:33:30,233 --> 00:33:32,767 I'M OFF THE CASE. 819 00:33:32,767 --> 00:33:34,533 I'M GOING HOME. 820 00:33:34,533 --> 00:33:38,100 I THOUGHT IT BEST IF YOU HEARD IT FROM ME. 821 00:33:38,100 --> 00:33:40,633 THERE'S ONE THING I WOULD LIKE TO ASK YOU 822 00:33:40,633 --> 00:33:41,667 BEFORE I LEAVE. 823 00:33:49,067 --> 00:33:50,400 DID YOU DO ALL THIS 824 00:33:50,400 --> 00:33:52,067 BECAUSE YOU WANTED TO MAKE A DIFFERENCE IN THE WORLD, 825 00:33:52,067 --> 00:33:53,233 TO CHANGE THINGS? 826 00:33:53,233 --> 00:33:56,067 THAT'S WHAT I ADMIRED ABOUT YOU. 827 00:33:56,067 --> 00:33:58,800 YOU KNOW, I ADMIRED YOU SO MUCH, 828 00:33:58,800 --> 00:34:03,067 I GAVE UP EVERYTHING TO LIVE LIKE YOU -- 829 00:34:03,067 --> 00:34:06,933 ALONE IN THE WOODS, MANIFESTO UNDER MY BED. 830 00:34:06,933 --> 00:34:09,100 IS THAT TRUE? 831 00:34:12,100 --> 00:34:14,200 WHEN YOU ASKED FOR ME, I CAME, RIGHT? 832 00:34:14,200 --> 00:34:17,500 YEAH. YOU DID, DIDN'T YOU? 833 00:34:17,500 --> 00:34:21,467 NOT MANY MEN WHOSE IDEAS CAN CHANGE THE WORLD. 834 00:34:21,467 --> 00:34:24,500 NOW YOU'RE GONNA THROW IT ALL AWAY. 835 00:34:24,500 --> 00:34:28,133 I'M NOT THROWING ANYTHING AWAY. 836 00:34:28,133 --> 00:34:29,667 I'M BEATING THE SYSTEM AT ITS OWN GAME. 837 00:34:29,667 --> 00:34:30,733 THAT'S THE WHOLE POINT. 838 00:34:30,733 --> 00:34:32,533 WELL, GETTING THE SEARCH WARRANT TOSSED OUT 839 00:34:32,533 --> 00:34:33,900 IS BEATING THE SYSTEM. 840 00:34:33,900 --> 00:34:35,200 BUT WHAT ABOUT AFTER? 841 00:34:35,200 --> 00:34:37,933 OH, YOU MEAN AFTER. 842 00:34:37,933 --> 00:34:42,133 WELL, I -- I WALK AWAY A FREE MAN, 843 00:34:42,133 --> 00:34:44,167 VINDICATED AS THE VICTIM 844 00:34:44,167 --> 00:34:47,067 OF YOUR SLOPPY AND INEXPERT POLICE WORK. 845 00:34:47,067 --> 00:34:49,667 AREN'T YOU FORGETTING A STEP? 846 00:34:49,667 --> 00:34:50,800 BEFORE YOU WALK FREE, 847 00:34:50,800 --> 00:34:53,167 YOU GOT TO STAND IN FRONT OF A JUDGE AND SAY, 848 00:34:53,167 --> 00:34:55,933 "I'M NOT GUILTY. 849 00:34:55,933 --> 00:34:57,133 I'M NOT THE UNABOMBER. 850 00:34:57,133 --> 00:34:58,633 I DIDN'T WRITE THE MANIFESTO, 851 00:34:58,633 --> 00:35:01,400 DIDN'T ELUDE THE F.B.I. FOR 2 DECADES. 852 00:35:01,400 --> 00:35:04,867 I'M JUST A NOBODY WHO STANDS FOR NOTHING." 853 00:35:04,867 --> 00:35:07,100 NO. 854 00:35:07,100 --> 00:35:10,867 SEE, YOUR -- YOUR LOGIC IS FLAWED. 855 00:35:10,867 --> 00:35:13,067 I'M GONNA BE ACQUITTED ON A TECHNICALITY, 856 00:35:13,067 --> 00:35:14,733 NOT ON THE MERITS OF THE CASE. 857 00:35:14,733 --> 00:35:18,833 I WON'T BE SAYING THAT I'M NOT THE UNABOMBER. 858 00:35:18,833 --> 00:35:20,067 YOU SAY THAT ON TV, 859 00:35:20,067 --> 00:35:22,233 THEN PEOPLE WHO ADMIRE YOU, LIKE ME, 860 00:35:22,233 --> 00:35:24,533 ARE JUST GONNA THINK YOU'RE A HYPOCRITE. 861 00:35:24,533 --> 00:35:25,967 YOU'RE JUST BETRAYING YOUR OWN PRINCIPLES 862 00:35:25,967 --> 00:35:26,967 TO SAVE YOUR OWN SKIN. 863 00:35:26,967 --> 00:35:28,800 NO, YOU GOT TO STAND UP. 864 00:35:28,800 --> 00:35:30,833 YOU GOT TO TAKE OWNERSHIP OF WHAT YOU WROTE. 865 00:35:30,833 --> 00:35:33,100 OTHERWISE, YOUR LEGACY, THE MANIFESTO WILL VANISH. 866 00:35:33,100 --> 00:35:34,667 THE MANIFESTO WILL NOT VANISH 867 00:35:34,667 --> 00:35:36,700 BECAUSE THE MANIFESTO HAS BEEN PUBLISHED, 868 00:35:36,700 --> 00:35:37,967 AND MORE IMPORTANTLY, 869 00:35:37,967 --> 00:35:40,100 THE MANIFESTO HAPPENS TO BE RIGHT. 870 00:35:40,100 --> 00:35:41,533 DOESN'T MATTER IF IT'S RIGHT. 871 00:35:41,533 --> 00:35:42,800 PEOPLE DON'T BELIEVE IN YOU, 872 00:35:42,800 --> 00:35:44,700 THEY WON'T BELIEVE IN THE MANIFESTO. 873 00:35:44,700 --> 00:35:48,867 ARE YOU, ONE MAN, DOING IT ALL ALONE, 874 00:35:48,867 --> 00:35:50,533 OR ARE YOU A LEADER OF MEN, 875 00:35:50,533 --> 00:35:52,700 A MAN WHO CAN CHANGE THE WORLD, 876 00:35:52,700 --> 00:35:54,100 WHO CAN MAKE A DIFFERENCE 877 00:35:54,100 --> 00:35:55,933 AND CAN LEAVE A LEGACY BEHIND? 878 00:35:55,933 --> 00:35:59,900 BECAUSE YOU CAN'T BE BOTH. 879 00:35:59,900 --> 00:36:02,600 CAN'T EAT YOUR CAKE AND HAVE IT TOO, TED. 880 00:36:05,267 --> 00:36:07,833 WHAT ABOUT YOU, FITZ? 881 00:36:07,833 --> 00:36:10,367 WHAT'S YOUR LEGACY? 882 00:36:10,367 --> 00:36:12,867 WHAT ARE YOU LEAVING BEHIND? 883 00:36:12,867 --> 00:36:17,867 MY FAMILY, MY SONS, THEY'RE MY LEGACY. 884 00:36:17,867 --> 00:36:20,067 SO THEY WERE OUT IN THE WOODS WITH YOU? 885 00:36:20,067 --> 00:36:21,267 MNH-MNH. NO. THEY WEREN'T. 886 00:36:21,267 --> 00:36:22,300 NO. THEY WEREN'T. 887 00:36:22,300 --> 00:36:23,733 SO WHY DO YOU THINK YOU SAID THAT? 888 00:36:23,733 --> 00:36:25,467 WHY DO YOU THINK YOU'RE LYING TO ME? 889 00:36:25,467 --> 00:36:27,067 I WASN'T LYING. IT'S COMPLICATED. 890 00:36:27,067 --> 00:36:28,733 IT'S NOT COMPLICATED. IT'S SIMPLE. 891 00:36:28,733 --> 00:36:29,933 THEY'RE NOT YOUR LEGACY. 892 00:36:29,933 --> 00:36:31,800 I AM. 893 00:36:31,800 --> 00:36:33,700 YOU'RE NOT MY LEGACY. 894 00:36:33,700 --> 00:36:35,133 YOU'RE HERE BECAUSE CATCHING ME 895 00:36:35,133 --> 00:36:37,367 IS THE ONLY MEANINGFUL THING YOU'VE EVER ACCOMPLISHED. 896 00:36:37,367 --> 00:36:39,600 AND NOW I'M GONNA WALK, YOU CAN FEEL IT SLIPPING AWAY. 897 00:36:39,600 --> 00:36:41,167 IF YOU WALK, YOU WILL LOSE ALL RESPECT. 898 00:36:43,133 --> 00:36:45,800 ARE YOU TALKING ABOUT ME OR YOU? 899 00:36:45,800 --> 00:36:50,433 BECAUSE, SEE, IT'S YOU THAT SPENT YOUR WHOLE LIFE 900 00:36:50,433 --> 00:36:51,633 DESPERATE FOR RESPECT, 901 00:36:51,633 --> 00:36:52,800 DESPERATE TO PROVE THAT 902 00:36:52,800 --> 00:36:54,167 YOU'RE SMARTER THAN THE PEOPLE AROUND YOU, 903 00:36:54,167 --> 00:36:55,567 AND FOR A BRIEF MOMENT, YOU WERE. 904 00:36:55,567 --> 00:36:58,100 YOU WERE THE GUY THAT CAUGHT THE UNABOMBER. 905 00:36:58,100 --> 00:36:59,700 BUT I'M ABOUT TO WALK, 906 00:36:59,700 --> 00:37:00,967 AND THE WHOLE WORLD WILL SEE 907 00:37:00,967 --> 00:37:03,500 THAT YOU ARE JUST A KNUCKLE-DRAGGING BEAT COP, 908 00:37:03,500 --> 00:37:06,067 AND THE GRAFFITI SQUAD WAS WHERE YOU BELONGED. 909 00:37:06,067 --> 00:37:10,200 YOU KNOW, THE THING I FIND MOST SAD ABOUT YOU, JAMES, 910 00:37:10,200 --> 00:37:12,967 IS THAT YOU CAN RUN OFF AND LIVE IN THE WOODS, 911 00:37:12,967 --> 00:37:14,933 ABANDONING YOUR WIFE AND KIDS, 912 00:37:14,933 --> 00:37:17,367 STUDY THE MANIFESTO DOWN TO THE LETTER, 913 00:37:17,367 --> 00:37:21,767 BUT IT WILL NOT MAKE ONE JOT OF DIFFERENCE TO ANYONE, 914 00:37:21,767 --> 00:37:25,400 AND THE BEST THAT YOU WILL EVER BE 915 00:37:25,400 --> 00:37:29,100 IS A FEEBLE IMITATION OF ME. 916 00:37:29,100 --> 00:37:39,100 ** 917 00:37:39,100 --> 00:37:42,733 [ DOOR BUZZES ] 918 00:37:42,733 --> 00:37:44,100 ** 919 00:37:44,100 --> 00:37:45,367 [ DOOR BUZZES ] 920 00:37:45,367 --> 00:37:50,167 ** 921 00:37:50,167 --> 00:37:52,333 [ DOOR BUZZES ] 922 00:37:52,333 --> 00:37:57,400 ** 923 00:37:57,400 --> 00:37:59,300 [ DOOR BUZZES ] 924 00:37:59,300 --> 00:38:02,900 ** 925 00:38:06,633 --> 00:38:08,500 [ TYPEWRITER KEYS CLACKING ] 926 00:38:13,633 --> 00:38:15,967 Don: I'VE GOT SOME CONCERNS ABOUT LEO BURT. 927 00:38:15,967 --> 00:38:18,300 HE'S OUR BEST SUSPECT, BUT HE'S ALSO OUR MOST ELUSIVE. 928 00:38:20,300 --> 00:38:22,967 UH, FITZ, UH, YOU WEREN'T ON THE LIST FOR THIS MEETING, 929 00:38:22,967 --> 00:38:25,533 SO IF WE NEED YOU, WE WILL GIVE YOU A BUZZ. 930 00:38:25,533 --> 00:38:26,433 Jim: THIS IS A NEW PROFILE. 931 00:38:26,433 --> 00:38:28,500 IT'S CLEAN, NO TYPOS, SOLID. 932 00:38:28,500 --> 00:38:29,933 GOODBYE, FITZ. 933 00:38:32,600 --> 00:38:33,633 JUST TRYING TO HELP. 934 00:38:34,600 --> 00:38:36,433 THIS IS BASED ON WHAT EXACTLY? 935 00:38:36,433 --> 00:38:38,667 FORENSICS. IT'S GROUNDED IN FORENSICS. 936 00:38:38,667 --> 00:38:39,533 FORENSICS? 937 00:38:39,533 --> 00:38:40,833 I'VE COME UP WITH AN APPROACH 938 00:38:40,833 --> 00:38:42,400 I'M CALLING FORENSIC LINGUISTICS. 939 00:38:42,400 --> 00:38:44,067 FINGERPRINTS ARE FORENSICS. 940 00:38:44,067 --> 00:38:46,067 DNA IS FORENSICS. 941 00:38:46,067 --> 00:38:48,267 SPELLING WILLFULLY WITH ONE L IS NOT FORENSICS. 942 00:38:48,267 --> 00:38:49,367 IT'S NOT JUST SPELLING. 943 00:38:49,367 --> 00:38:51,367 IT'S A COMPREHENSIVE IDIOLECTIC PROFILE. 944 00:38:51,367 --> 00:38:53,767 FITZ, WE DON'T WANT A PROFILE. 945 00:38:53,767 --> 00:38:55,133 WE WANT A PERSON. 946 00:38:55,133 --> 00:38:57,467 CAN YOU GET US A PERSON THAT WE CAN PUT ON THE BOARD? 947 00:38:57,467 --> 00:38:59,133 I THINK IF YOU JUST READ IT... 948 00:38:59,133 --> 00:39:00,300 I DIDN'T THINK SO. 949 00:39:00,300 --> 00:39:04,067 GIVE ME A NAME THAT I CAN PUT ON THE BOARD. 950 00:39:04,067 --> 00:39:07,067 OTHERWISE, SHUT THE DOOR BEHIND YOU. 951 00:39:09,367 --> 00:39:11,633 [ SIGHS ] 952 00:39:14,233 --> 00:39:16,900 [ DOOR CLOSES ] 953 00:39:16,900 --> 00:39:19,367 TOSS THAT THING. 954 00:39:23,700 --> 00:39:24,967 OKAY. WHERE WERE WE? 955 00:39:24,967 --> 00:39:27,900 WE'VE GOT THE TOP FIVE, COUNTING LEO BURT. 956 00:39:27,900 --> 00:39:31,167 ** 957 00:39:31,167 --> 00:39:39,800 [ TYPEWRITER KEYS CLACKING ] 958 00:39:40,400 --> 00:39:43,067 LOOK AT THIS OBEDIENT SHIP. 959 00:39:43,067 --> 00:39:44,100 GOT TO MAKE THEM HEAR YOU. 960 00:39:44,100 --> 00:39:46,067 GOT TO MAKE THEM LISTEN. 961 00:39:46,067 --> 00:39:56,067 ** 962 00:39:56,067 --> 00:40:02,567 ** 963 00:40:02,567 --> 00:40:06,467 [ SIGHS ] 964 00:40:06,467 --> 00:40:08,000 YOU'RE GONNA MAKE THEM LISTEN. 965 00:40:08,000 --> 00:40:09,600 YOU'RE GONNA MAKE THEM HEAR YOU. 966 00:40:14,300 --> 00:40:16,667 HOW? 967 00:40:16,667 --> 00:40:17,733 HOW? 968 00:40:17,733 --> 00:40:21,067 [ INDISTINCT CONVERSATIONS ] 969 00:40:21,067 --> 00:40:22,967 -WHO'S MY LIAISON? -OVER HERE. 970 00:40:26,167 --> 00:40:27,700 Tabby: TELL THE LAB TO DROP EVERYTHING ELSE. 971 00:40:27,700 --> 00:40:29,067 THIS IS ALL HANDS ON DECK. 972 00:40:29,067 --> 00:40:30,600 Man: COPY THAT. WE'RE ON IT. 973 00:40:30,600 --> 00:40:32,300 GET THE ORIGINALS DOWN TO FORENSICS. 974 00:40:32,300 --> 00:40:33,367 FOLLOW ME. 975 00:40:33,367 --> 00:40:43,367 ** 976 00:40:43,367 --> 00:40:45,967 ** 977 00:40:45,967 --> 00:40:47,600 THEY'RE FROM HIM. 978 00:40:47,600 --> 00:40:49,567 THEY'RE ALL FROM HIM. 979 00:40:49,567 --> 00:40:58,233 ** 980 00:40:58,233 --> 00:40:59,833 ** 981 00:40:59,833 --> 00:41:03,733 [ BEEPING ] 982 00:41:07,167 --> 00:41:08,667 [BLEEP] I'M GONNA GO GET HIM. 983 00:41:08,667 --> 00:41:13,133 ** 984 00:41:13,133 --> 00:41:15,533 [ KNOCK ON DOOR ] 985 00:41:15,533 --> 00:41:19,367 ** 986 00:41:19,367 --> 00:41:21,667 WHY DIDN'T YOU ANSWER MY PAGES? 987 00:41:21,667 --> 00:41:22,967 YOU GOT TO COME IN. 988 00:41:22,967 --> 00:41:24,933 WE JUST GOT A BUNCH OF NEW UNABOM LETTERS. 989 00:41:24,933 --> 00:41:29,067 HE'S WRITTEN TO THE TIMES, THE WASHINGTON POST, PENTHOUSE. 990 00:41:29,067 --> 00:41:31,100 YOU'RE NOT GONNA BELIEVE THIS. 991 00:41:31,100 --> 00:41:33,367 THE UNABOMBER WANTS TO MAKE A DEAL. 992 00:41:34,433 --> 00:41:44,433 ** 993 00:41:44,433 --> 00:41:49,767 ** 994 00:41:49,767 --> 00:41:53,233 WELL, WHAT THE HELL DO WE DO NOW? 995 00:41:53,233 --> 00:42:01,067 ** 996 00:42:02,100 --> 00:42:04,067 YOU HAVEN'T GOT A FINGERPRINT IN 17 YEARS. 997 00:42:04,067 --> 00:42:05,900 HE JUST GAVE US A LINGUISTIC FINGERPRINT 998 00:42:05,900 --> 00:42:06,900 ON A SILVER PLATTER. 999 00:42:06,900 --> 00:42:08,333 THIS IS HOW WE CATCH HIM. 1000 00:42:08,333 --> 00:42:10,533 I'M SUPPOSED TO WALK INTO JANET RENO'S OFFICE 1001 00:42:10,533 --> 00:42:12,633 AND ASK HER TO PUBLICLY GIVE IN 1002 00:42:12,633 --> 00:42:14,167 TO THE DEMANDS OF A TERRORIST? 1003 00:42:14,167 --> 00:42:16,500 WHERE DO WE STAND ONCE ALL THIS IS DONE? 1004 00:42:16,500 --> 00:42:17,967 DON'S TAKEN IT UPON HIMSELF 1005 00:42:17,967 --> 00:42:20,900 TO PROPOSE ONE OF THE LARGEST OPERATIONS 1006 00:42:20,900 --> 00:42:21,867 IN F.B.I. HISTORY. 1007 00:42:21,867 --> 00:42:23,467 Both our asses are on the line. 1008 00:42:23,467 --> 00:42:24,700 Do you understand me? 1009 00:42:24,700 --> 00:42:27,767 Stan: NOW I KNOW HE'S GOT 10 PhDs AND A 500 I.Q., 1010 00:42:27,767 --> 00:42:29,567 BUT HE'S STILL A SERIAL KILLER, RIGHT? 1011 00:42:29,567 --> 00:42:31,133 Don: YOU'VE GOT 30 MINUTES 1012 00:42:31,133 --> 00:42:35,067 TO COME UP WITH SOMETHING BETTER THAN FORENSIC LINGUISTICS. 1013 00:42:35,067 --> 00:42:36,533 Tabby: I'M AT MONTGOMERY STATION. I NEED BACKUP. 1014 00:42:36,533 --> 00:42:36,867 F.B.I., FREEZE!