- [Narrator] Previouslyon Chesapeake Shores.
- I'm worn out from myarrest in Nashville.
- I'm moving back to Chesapeake.
- Why now?
- You went out prettylate last night.
Were you with Trace?
- [Girls] Who's Trace?
- Look, I want you to know
that I take full responsibilityfor what happened.
- It's just gonna be work, okay?
I'm not going backthere to be with you.
- Being with you is the bestdecision I've ever made.
- Abby, call me.
I need to talk to you.
I really, really, reallyneed to talk to you.
You seem tired.
Yeah, I didn'tget much sleep.
YouI spent all day yesterday
installing thenew sound system,
and most of the nightYouI swriting with Leigh,day
intrying tothefinish the album.
Well, I hope you the nightgot a lot done.ith Leigh,day
intrying tothefinYeah, I did.m.
We did.
You know, I just gotbehind with Nashville,
missed a few things,I'm kind of playing catch up.
You okay?
Yeah, I'm fine.
YoAbby?y?
I just don't lovehearing about you and Leigh.
We talked about this.
I know, and I trust you,it's just that...
Hey!
Okay.
You know, if I didn'tknow any better,
I'd think that you went toIreland just to shop, Mom.
Well, you don'tknow any better.
I'd think that you went toIrelWhy did you go?p, Mom.
For awhile the smelland taste of sweet breads
and shepherd's pieis so delicious,
but dining at Sally'sfeels like home.
It also feels like you'reavoiding my question.
And you're avoiding
discussing yourbrother, Thomas.
Well I learned fromthe best, didn't I?
Son, you can'tspend your whole life
fighting withyour own brother.
Mom, Dad passed that landdown to the O'Brien family
to be developedresponsibly.
Not to go chasingafter some politician,
to try and get themto give it away.
You don't know what Thomasintends.
Then maybe youshould talk to him--
And I have, and I really needfor you to talk to him.
I've got this under control.
I think I know myfamily just as well--
Is this scoop orI'vesweetheart neckline?rol.
Mermaid cut or A-Line?
Are A-Lines justMermaids that gave up?
Empire, drop waist,bouffant, peplum,
chapel, cathedral--oh, royal!
Definitely royal.
This is the only dresswe have that fits you.
Isn't it bad luckto see the bride
in her dressbefore the wedding?
IsSince neither one oftus are getting married,
I'm not worried.
IsSThis tuxedo is perfecttutoo, we'll take it.ed,
Little Nell is going to havethe greatest wedding ever.
Clipboard me.
Okay: lighting, check.
Tables, chairs, check.
Silverware, plates,sign in book, check.
Oh, umm, thank you.
All we need is the cake,
the flowers, andyou cooking dinner...
I have got a menu foryour approval, check.
And I still needyou to find a band.
I think it's great that
you're doing all I still needthis for your cousin.ind a band.
Little Nell is mysecond cousin, I think...
Hi!
No, no...
Okay, relax,it's for little Nell.
Is she my second cousin?
Second cousinonce removed.
Your great uncle, PatO'Brien married Irene,
Eileen was Laura's sisterand little Nell--
[Talking over one another]
Little Nell ismy second cousin!
Not that this is[Talkfreaking me out,ther]
but why is everyonestaring at me?
Because, you're beautiful...
Betsy! I think thistie a little tight...
♪ The miles aregetting longer, it seems ♪
♪ The closer I get to you ♪
♪ So I'm going home, tothe place where I belong ♪
♪ Where your love hasalways been enough for me ♪
♪ I'm not running from ♪the place where I belong ♪
♪ No, I think yougot me all wrong ♪
♪ I don't regret this lifeyou chose for me ♪
♪ I said these places andthese faces are getting old ♪
♪ So I'm going home ♪
♪ I'm going home ♪
Genetic drift is theprocess responsible for what?
I object!
To what?
To your question.
Your honor, I move forimmediate dismissal.
I'm gone to Irelandfor only three weeks
Your honor, and my grandsonimmediate dloses his mind.
I prefer noncompos mentis.
Connor is interviewing forthe DA job today, Gran.
And I'm going to nail it!compos mentis.
People love me.
More like tolerate.
Hey... love me.
MoGenetic drift is.responsible for losing
an existing alleledue to random sampling.
Boom!MoGenetic drift is.responsible for losing
One for one.
Nice!
You might want to try Bennett,Beecham & Findlay.
I hear they'rea great firm.
I don't need a backupplan or Plan B,
I'm a Plan Akinda guy, Dad.
Only a fool goes inwithout a back up plan.
Well, thank you.
Thank you verymuch for that.
Hello?
Hey.
Hey, I'm gladI caught...
almost everyone.
I'm throwing a dinner partyFriday night at my new place--
Gran, will youtalk to Pastor Wade
about officiating LittleNell's wedding?
Darling, it wouldbe my pleasure...
Thank you.
Megan, that's a grandthing that you're doing.
And I'd love to be there,but I promised the Pastor
Friday night I have tohelp him with his dinner.
But I'm sure that everyoneelse will be there.
Dad, if I am going to analyzeyour relationship with Matt Fox,
I'm going to need those files.
I'm sorry honey, I've beenworking on the Trust.
I'm gI'll have it to youfiles.by this afternoon.
You know, I still don't getwhy Matt Fox wants me.
Doesn't he think I'm going to.be biased being your daughter?
He's surroundedby biased,
everybody who's everworked for him.
You're the only personwho's ever said no to him,
so I think he trusts that you'llhave the guts to say no again.
And what if I do?
What if I tell himnot to do the deal?
Are you going tobe okay with that?
Of course.
There's no one I trustmore than you, honey.
And if youdecide it's no,
then I'll trust in the factthat that's the right decision.
Have a great day.
Okay, bye.
No no, this is thewrong time period.
This one feels stuffy,like a Victorian bride.
We want it to feelmore modern,
more sleek,more form fitting--
Uh, Martin?
Yes Bree, hang ona moment please.
Over here, this needs totin?be far more tight, snug.
We need to feel like hedoesn't want to get married.
You know what?About that.
I was hoping that we couldgo back to my old version,
where the weddingisn't an actual wedding,
I but more an expressionldof Ellie's broken dreams?,
One moment please.eddingBree, walk with me. wedding,
It just doesn't reallymake sense that Ellie
would suddenly return to Charlieand marry him, you know?
I got your pages last night,I took a look at them.
And?
And I don't think we needht,to change anything, so...
Well, look at this!
Charlie is pretty horribleand manipulative,
and Ellie's becomeweak and confused.
I think she's onedimensional now.
Well Bree, Igotta be honest.
You don't writewomen like women.
They don't soundauthentic.
Okay, well Elliesounds like me.
Ellie is me.
Maybe that's theproblem right there:
this playisn't about you.
The Last Dressis about men
on their quest to findworking relationships.
Interesting, but rightnow it reads as though
men don't need women, or atleast not independent women.
Listen, whenWomenWrite contacted me
to produce your play,it was unfinished.
I finished it.
Yeah, by making womensound horrible.
No, by giving mena fair shot.
I don't know if this wasomenbecause of your past,
or your issues withyour father or what,
but the main issue is that noteveryone is out to hurt you.
Wait!
So you're telling me that thechairs I paid for
are going to a partyin Georgetown?
No, I don't care if they're fora congressman's birthday party,
and I don't carewho he's related to...
No, I don't care if they're fora conHe took my tables too?rty,
and I don't carewho he'sGreat!ed to...
Great.
And what am I going to dowith three feet of dance floor?
Well, let him know that he justgave the bride something blue.
Y'know, like in sadness?
No? Forget it.
Uncheck, uncheck, uncheck.
Oh, Harvard Law.
Wow.
Yale, that's impressive.
You clerked fora federal judge...
All right, let me guess:
You gave up stamps and startedcollecting lead bars.
Books.Years of books.
Maybe now I'll actually havetime to read something.
I'm glad you're home, Mom.
Maybe now I'll actually havetimeNot everyone is.ng.
Give her sometime to get there,
she'll adjust.
Maybe it was a mistake.
I had a whole lifein New York.
You had one here first.
Yeah, but it wasn'treally mine.
I was too young and too,I don't know.
But I am happyto be back,
and to see how'reyou doing.
As well as anyonestudying for the MCAT.
I'm bored to deathhow'rebut getting through it.
As well as anyonestudying for the MHow's Georgia?
We still talk.
Just seems we haveless to talk about these days.
What are you going to do?
Right now?
I'm going to help you move yourboxes around your apartment.
Funny!
I mean about Georgiaand about med school...
You know...
I could drop out of both,
but disappointing Dadis not an option.
Kevin?
Are you alright?
It was just a box.
I'm fine.
Honey, what'sgoing on with you?
I'm fine.
16, 42.
Hey Mick, I got yourmessage. What's up?
You know, I heardsomeone pulled
all these stakesout of the ground.
What's thatall about?
It's just a temporary setback,
they're trying to convincemy partner to back out.
By vandalizingthe property?temporary setback,
By whatever means necessary.
I think it'sgoing to get worse.
Well, if it gets bad,
you'll have a placeto kick back.
I can start puttingin the audio.
The club's gonnasound amazing.
That's what I wanted totalk to you about, Trace.
This is just badtiming for both of us.
I'm selling the club.
What?
You gotta be kidding.
No I'm not.
Right now, I've gottaYou gfocus all my attention
on theO'Brien Family Trust,
and you know,you're busy, too.
You missed a couple ofdeliveries 'cause of Nashville,
and with all the stuff going on,I just can't make things right--
You missed a couple ofMick, you can't do this.hville,
We're almostready to open.
I didn't expect the Trustto get in the way of this.
I got an offeryesterday from
the Beer GardenRestaurant Group.
The good news is we'll bothget some money out of it.
What if this isn't aboutthe money for me, Mick?
I need this.
I know, I know--
If you know thendon't sell the club.
I understand howyou feel but Trace,
it's just business.
I'm sorry.
Hey Mick, takeita look at this!.
Yeah.
I'm sorry.
Well, the boxes came.
More boxes?
Different boxes.
It turns out thatyour grandfather
was a fanatical record keeper...
Del, I know that this accountis important for the office,
but I'm back to working thewsame hours I was in New York...
I can bring in more people.
Thank you.
I But it's not just that.e.
I'm getting the feelingthat this property means
something more to mydad and to my uncle...
Well, if anyone canfigure this out, it's you.
somI didn't moveo mydad home for this.e...
Maybe you did, youjust didn't know it.
You're not in on my dad'splan too, are you?
No, but I amconcerned about you.
You're not in on my dad'sI'm fine, thank you.
Good luck.
Can you believehe's doing this?
He's making you money.
By selling the clubout from under me?
Yeah, I know...
But Trace, it's not abad business decision.
So you're defending him?
You know, not everythingis about spreadsheets, Abby.
I know, this was neverabout spreadsheets for you.
Exactly.
I'm just trying to be logical.
You know that I would doanything for you, right?
Yeah, I know.
Hey! Maybe youcould talk to him?
Get him to change his mind.
I can try, butit's not likely.
It was so close,Get hiI can taste it. mind.
Yeah.
So what are yougoing to do?
I don't know, butI've put too much work
into this to let itgo without a fight.
It's not justbusiness for Trace.
He's been talkingabout opening a place
like this sincehigh school.
And he's been breaking his neckfor the last two months
trying to put it together.
And heAnd I'm kicking hims neckback some of the money,
money he didn't have.
And heThis has been a good neckbacdeal for him, too.y,
I don't think that'smwhat he had in mind.
Well, I gotta run anew set of numbers.
Matt Fox brought inan outside consultant.
I heard she's tough.
Just, one thing...
Who's that in the picturewith you and Mom?
That's Thomaswhen he was young.
WhoLooks like somethingrewithwas funny.om?
A lot of thingswere funny back then.
So, what happened?
You change, you grow up.
You put awaySochildish things.
Where'd you get that?
It was in the filesfrom the Trust.
Grandpa must've putthem into the paperwork.
I remember that photo...and I wasn't laughing.
The Last Dressby Bree O'Brien!
Brought to us generously bythe great people at WomenWrite.
[Applause]
Okay...
A white circle of lighton an empty stage.
Ellie Alkin, in asimple wedding dress,
walks underneaththe spot.
She takes a furtive breath,almost unable to speak...
It was all my fault andI'm not talking about the dress,
the flowers,or even the cake.
It was Charlie.
Charlie's faultswere all mine.
I had let himinto my life.
Marvin Alkin enters,carrying a withered rose.
My daughter couldn'tlet go of anything.
Words never spoken,kisses never felt.
Okay, whoa guys-- let'sjust stop here for a second.
Bree, what is this?
I rewrote the script.
You what?
Well, actually, I replaced thenew script with the original.
Listen, we'vespoken about this.
I'm trying tohelp you here.
And I'm trying toswrite somethings.
that I can be proud of...
Frankly, I preferthis version.
This family is rich withcharacter, with life.
It's beautiful.
And Ellie's dressbecomes a symbol
of both herpain and longing.
Bree, this is my company...
And Martin,this is my script.
Bree, this isBree, your last chance.y...
If it wasn't for me,thyou'd be stuckt.
way back inChesapeake Shores.
You brought me flowers?
They're for Mom.Hey Axel!
I didn't think youwere a tulip kind of guy.
No, not really.
So, how are you doing?
I've been better.
Yeah, I heard.
Word travels fast.
And we're the ones doingthe loan for the Beer Garden.
I figured if you wantedto talk about it,
you'd come to me.
Well, what do you think?
I think it's a good deal,and the financials make sense.
But that's not what youwant to hear, is it?
I want to knowhow to stop it.
You'd have to come upwith a better offer
than the Beer Garden.
I thought wewere partners.
how can he just sell theplace out from under me?
Because he putup the money,
and since the club isn't openyet, it doesn't have value.
Because he putIt does to me.
I'd asked you this before,and I'll ask it again.
If you want, your motherand I can co-sign a loan--
I'd asked you this before,And I appreciate that--
You think there'dbe strings attached!
I just don't wantto complicate things.
And I'm justere'dtrying to help!ched!
I know... I know.
I got myself into this.
You told me notto do it, and I did.
I'll figure something out.
♪ Your lips are my lips ♪
♪ Your eyes are my eyes ♪
♪ When loveis forever ♪
They were thebest band available.
This is going to bethe worst wedding ever.
You mean the worst weddingever planned in a week.
No no no, the worstthe wwedding ever.ever.
Besides speakingmultiple languages,
you don't by any chanceplay a musical instrument?
I took harp lessons when Iwas a kid, but I gave it up.
My dad waspretty disappointed.
Come to think of it,he was pretty disappointed
by everything I did.
Sounds familiar.
So... the band?
It's a no,
but give them the congressman'sphone number in Georgetown.
Maybe he needsa band, too.
So are you training,or just hurting yourself?
A little bit of both,I guess.
I called the houseand Nell said you went
for a run on the beach--two hours ago.
I called the houseaI couldn't focus...nt
for a You want tobeach--talk about it?
Not really, no.
Kev, I...
Mom, stop okay?Please.
Okay.
I'm fine, it's just...
Sometimes...
When I'm back, itdoesn't feel like me.
Like I'm watching amovie and I'm in it...
But none ofit feels real.
And running helps?
Hurting helps.
I know where I amwhen I'm hurting.
Do you think it'dhelp to talk to someone?
I don't know, maybe.
Do you think it'dThen how about some lunch?
Sally's.
I gotta go.
So...
when does theinterview start?
It already has.
Right.
Okay.
I just graduatedfrom NYU law.
I had two articles publishedby the NYU Law Review.
The first was about issuingpreclusion in mass tort.
I had two articles publishedby tI felt that--view.
The We here at Bennett,uingpreBeecham & Findlayort.
I had know what you'velishedbydone, Mr. O'Brien;w.
your strengths arethe reason for this interview.
I had know what you'velishedbydoneOf course.ien;w.
What have youlearned in this room?
That I belong atBennett, Beecham & Findlay.
Problems withthe wedding?
Disaster withthe wedding.
Why don't you askyour mother for help?
She's very goodat all this.
And I'm betterat not asking.
Ah Jess!
You know, when your Grandfatherat nand I first got married,
we had to live withhis mother, Doris.
He was theoldest brother,
so he was the firstone that got married.
And she did not want anotherwoman in that house!
I promise you.
I bet you didn't back down.
Didn't have to,didn't fight.
I found out that her favoritething was her garden,
and I admitted humbly I didn'tknow anything about flowers.
So she took me to hergarden and I learned.
And she learned about me.
People can learn a lotfrom flowers, don't you think?
Common ground,working together.
Not going there,but I love you.
Oh, sure now.
Darling, you're just toosmart for your own good.
If you need any help withthe chairs, just let me know.
But remember this:sometimes it really helps
to have somebody totalk to about things.
♪ I've beensleeping all alone ♪
♪ I've been waitingby the phone ♪
♪ Love ain't easyswhen it's wrong ♪ ♪
♪ But we've bothwaited so long ♪
You know what?
I can't concentrate.
Maybe we should dothis another night.
Still thinkingI about the club?te.
I just don'tknow what to do.
Still thinkingI I can't buy it.te.
I don't have themoney or the credit.
Look, I know you probablydon't want to hear this,
but maybe thisis for the best.
You're right, that'snot what I want to hear.
I'm serious.
Maybe this isa good thing.
Maybe you're notsupposed to have a club.
Maybe you're notsupposed to be here.
I know wherethis is going.
Hear me out.
Maybe this is a sign.
Maybe you and me aresupposed to be in Nashville.
Leigh... no.
We're writing music again,and recording an album.
That's good thing.
Maybe it's time you get backto the life you left behind.
So, not only washe cheating on you,
he was also cheatingon your play?
My play feels sodisrespected,
so used, so cheap.
So what are yougoing to do?
I don't know.
Wait, are you referringto me or my play?
Either?
Well, we both wouldlike to yell at him,
and one of us wouldlike to wrap itself up
into a tiny roll and beathim over the head with it.
Speaking of, howare things with Dad?
Good, I'm justreviewing his proposals
to develop theland with Matt Fox
and I hate to admit it,but it's a smart decision.
He was always better withbusiness than family.
Always.
HeSo what are you goingthbto do about Martin?.
I don't know.
I mean, WomenWritegave us the grant
to do the scriptbased on my play
and it's not myplay anymore.
tCan't you justtbarewrite it?lay
No, Martin won't let me.
I miss my typewriter.
There's nothing moresatisfying than yanking
a sheet out of the rollerand crumbling it up and...
Bree?
I have an idea.
Dad, what areyou doing here?
Are you allowedto leave the house?
I'm not in jail!
AIt was a minorto heart attack.se?
It's gonna take more thanthat to keep a Riley down.
Hey Axel.
It's gSo, I see youe thanthtouched up the siding.n.
You saw thelisting on my house.
Yeah, and it surprisedme because
You put a lot ofwork into this place.
YYeah, if I can selledit and sell it quickly,
maybe I can buy the club.
What if the club goes under?
That's a riskI'm willing to take.
Why?
Because Rileysdon't give up.
That's probably thereason we fight so much.
Probably.
ThWell, I've gottaereasoget back home much.
before the wardensees I've gone.
ThWell, I've gottaereasoget bDad?home much.
Did you stopby for a reason?
I've known Mick O'Briensince we were kids.
Other than his family,
Mick truly lovesonly one thing:
Chesapeake Shores.
Hey, Trace!
Hi, Mr. Riley! I'm gladyou're feeling better.
Hi Jess,good to see you.
That is, if you'refeeling better...
Hi Jess,Yeah.good to see you.
I know the answer is no,and I totally understand.
But before youactually say it,
I want you tothink about yes.
Yes to love, yes to weddings,yes to a new life.
Because I've already hadto say no to weird bands
and harps, because whoreally plays the harp, right?
And this is a day you'resupposed to remember--
Jess... what do you want?
I know you don'tdo weddings,
but will you please playone song for Little Nell?
Bon appetit!
I'm the only one here,funny that.
Abby and Kevin arewalking over now.
And Jess?
She's on an errand.
Ah.
I'm sure it wassomething important.
Yeah, she's beena busy bee.
Well, morefor you, Connor.
Thank you.
And thank youfor coming.
Well, this may be a shockerbut I'm glad to be here.
Well here's toAnd thank youConnor's new job.for coming.
It wasn't hisfirst choice,
so maybe a back upplan is a good idea.
And here's to mydad who always,
through thick andthin, has to be right.
You know what I don'tunderstand though?
Dad has two brothershe doesn't talk to,
Yoan ex-wife he don'tunstopped talking to,
and yet somehowwe're supposed
to have healthy,normal relationships?
I don't think Connoris ever gonna have
anything evenlthy,close to normal.onships?
What about you?
Me?
Maybe... maybe not.
Our family, the kings andqueens of missed opportunities.
MWhoa, whoa, whoa!.
[Car crashing]
Stay back!
Call 911!
Yeah, okay.
Hello, I need an ambulance toMill and Chesapeake Road.
There's beena car accident.
Hello, I need an ambulance toMill and ChesOkay, thank you.
Abby, come over tothis side of me, please.
Kevin, I can't.
What are you doing?
Abby, I want you tocome on this side, please.
Checking pulse!
Abby, I want you toKevin...me on this side, please.
One, two, three,four, five, six,
Abby, I want seven, eight,Kevin...me on this nine, ten.se.
Abby, put one hand on top ofthe other, right now please.
Abby, I want seven, eight,Kevin...me onWhat? nine, ten.se.
One hand on topof the other.
Then put them righthere... that's it.
Push down hard, every second.opGo, do it!he other.
One, two, three, four,five, six, seven, eight...
Pulse was thready,
you need to watch fortension pneumothorax.
Got it.
One, two, three...
Hey, you a doctor?
Army Corpsman.
Navy.
So, this hurts to say,but army, you did good.
This one's yours.
Sir, please step back.
What? Oh, right.
Thank you,Sir,but we got this.k.
This one's yours?
It means thatwe saved his life.
No, this one is yours.
So the problem is with me.
I'm incapable of love.
I'm incapable of seeingwhat you do for me.
[Applause]
Kayla, that wasmagnificent.
And Martin:such good directing.
You haven't come tobring us more pages,
And Martin:suchave you Bree?ng.
No, though I do have onelittle scene
that I wouldn'tmind running.
It's actually a three-hander,so Kayla,
thyou want to'tgive her a whirl?
Sure.
Our actual namesare on this.
Oh yeah, imagine that.
Oh and look, I start.
Are you ready?
Yup!
A wise manonce told me:
the secret to life isn'twriting, it's re-writing.
But sometimes even the bestwriters have to realize
the secrethat words alone can'twriting, save the ones you love.
But sometimes even the bestwriters haveThat's so true!
Bree, I'm doing thisfor you, not for me.
Now now, that isnot true at all.
You've alwaysbeen about yourself,
and the only reasonI put up with it
was because I grew upalways trying to prove myself
ato a man I thoughtdidn't care about me.
But he did, hejust never showed it.
That's actuallykind of sad.
Bree, I don'treally know where
you're going withllythis charade, but...
Whoa, just stickto the words.
Bree, you mightnot like this play,
you might not likeme, but I know you.
You're too ambitiousnot to do this.
Am I?
I called WomenWrite,told them what was going on.
And naturally theywanted to read the play.
You know, the oneI didn't write.
They took back the grant.
The play's over.
What?
You can't do this. over.
See, that was my line?
You can't do that.
You'd be throwingaway your career.
No, I'm going backto my typewriter...
I'm writing what's importantto me without you.
Kayla?
Bree walks off thestage, triumphant.
As the lightsfade on Chicago,
Bree begins a newechapter in her life,
home with thefamily that she loves.
And she ends thescene with a bow.
Trace, what'sthis all about?
Here, have a seat.
You finished thesound system...
Trace, we discussed this.
I want 30 days.
Trace, we dWhy?ssed this.
I wanna buy you out.
I saw yourhouse up for sale.
Why?
Because this club ismore than just a business.
Not just because ofwhat it will mean to me,
but because of whatit'll mean to Chesapeake.
Music can heal,it can transform people's lives.
And I want to givesomething back.
Something back to the placethat's given so much to me.
Look, I understand that,I just--
Something back to the placethat's[Phone ringing]to me.
I have to take this,I'm sorry.
Something back to the placethat's[PhonYeah?ging]to me.
Tell him no,not gonna happen.
Because it's just too much...
What's happeningwith your wedding plans?
Well, I made anarrangement with Sally's
for all their tables and chairs.
I found the perfect music,arthe perfect flowers.'s
The cake is just okay,but everything worked out.
David just hasto cook at Sally's
Theon Sunday nightsay,but evefor a month.ed out.
It doesn't sound particularlyfair to David now, does it?
And I'm waitressing.
It doeOh, like you wereularlyfair tin high school!es it?
Then it all worked out.
Almost.
Apparently, when I...
Held up three fingers,they thought I meant...
Three inches.
And when I heldup one finger,
she thought I onlywanted the bride.
That doesn't makeany sense, I know.
Gran, I need help.
I need to bakea cake tonight.
Well I love to bake,but I can't do it.
You see, you know thething called jet lag?
I think I'mhaving some of it.
And I'm not gettingany younger,
so I think I'mgoing to go to bed.
Gran, I need you now.
so I think I'mI need to go to bed,
but I bet you there'ssomebody here
that could help youwith the cake.
Good night, sweet dreams.
- Good night Gran.- Good night darling.
Good night Mom.
- Good night Gran.- Don't look at me.g.
I eat it, I don't bake it.
I would love to.
Okay.
♪ Young love wasa game we played ♪
♪ Our hearts were promisedand plans were made ♪
♪ And as we dance,young and free ♪
♪ Those three littlewords came to me ♪
♪ Oh, when it's real ♪
♪ You can't concealwwhat you feel ♪
♪ They say totake it slow ♪
♪ You're too young toknow what time reveals ♪
♪ Oh, when it's real ♪
♪ Let go of your fearbecause love can heal ♪
♪ They say totake it slow ♪
♪ You're too young toknow what time reveals ♪
♪ Oh, when it's real ♪
♪ Let go of your fearbecause love can heal ♪
♪ Don't listento your head ♪
♪ Follow your heart insteadand come home again ♪
♪ Come home again ♪
Hey, Mick.
You know thatwas really great.
Thanks, Iappreciate that.
And thanks forshowing me the club.
Yeah, of course.
Y'know, I work witha lot of people,
a lot of businesses...
and very few ofthem are willing to
bet everythingon their future.
Does that mean you'regonna give me the 30 days?
No, I'm not goingto sell you the club.
I'm your partner.
And I think Chesapeake Shorescould use a good music club.
I know, I know.
And I think Chesapeake Shorescould uYeah, so do I.c club.
Good.
Hey Mick.
Yeah?
What changed?
Well like you said,
sometimes businessisn't just business.
[Applause]
I'm so proud of you.
I know.
I wanted asquare cake,
not round, but whatever.
Still, you reallystuck with it.
Yeah, I guess so.
What's more important,is the one who helped you.
And who stuckwith it and with you.
Yeah well...
She didn't do it whenwiit counted, right?.
Honey, I loveyou so much,
Sbut maybe it's timenwito give it a rest..
You don't forget it,you don't bury it,
but sometimes whenthe timing's right,
you enjoy itwhile it lasts.
but sometimes whenthOkay.ing's right,
Okay.
No, Kevin!
You're a hero.
Mom, come on.
I just did what Iwas trained to do.
I did what anyonewould've done.
No honey, most peoplerun away from danger.
You ran towards it.
Hey...are you okay?
Yeah, why?
Because youlook happy...
I am.
Mick doesn't wannasell the club.
How? What?
Oh, congratulations!
Okay, that's great.
Thomas.
Mick.
Been awhile.
Yes.