1 00:00:12,625 --> 00:00:14,416 You guys are doing great work there. 2 00:00:15,541 --> 00:00:16,792 Fuck yourself, Frankie. 3 00:00:18,999 --> 00:00:21,458 Oh, shit. 4 00:00:21,541 --> 00:00:24,166 (SIGHS) I guess we should've packed that first. 5 00:00:24,249 --> 00:00:25,208 REGGIE "REG" WINHORN: Oh. 6 00:00:25,291 --> 00:00:27,083 No, there's no room really. 7 00:00:27,166 --> 00:00:29,124 -MELISSA: Reg, you want it? -REG: No. 8 00:00:29,208 --> 00:00:31,999 Well, hell. Just leave it on the street for anyone, I guess. 9 00:00:32,083 --> 00:00:34,124 FRANKIE MARTINO: Come here. 10 00:00:34,208 --> 00:00:35,708 -MELISSA: Thank you. -FRANKIE: Yeah. 11 00:00:35,792 --> 00:00:37,458 Turns out you weren't the worst boss I ever had. 12 00:00:37,541 --> 00:00:39,750 -(FRANKIE LAUGHS) -Boss? 13 00:00:42,458 --> 00:00:44,166 Yeah, I'm a filmmaker. 14 00:00:47,083 --> 00:00:48,667 (WOMAN SPEAKS SPANISH IN DISTANCE) 15 00:00:48,750 --> 00:00:49,958 MATTHEW ROUSE: Right. 16 00:00:52,416 --> 00:00:53,708 FRANKIE: Fuck. 17 00:00:53,792 --> 00:00:55,249 -Mr. Rouse, you got a minute? -MELISSA: Reg! 18 00:00:55,333 --> 00:00:56,833 REG: I'm so proud of you, baby girl. 19 00:00:56,917 --> 00:00:59,249 -Look... I get it. -MELISSA: I'm scared! 20 00:00:59,333 --> 00:01:02,291 You're her father. She's been through a few things, 21 00:01:02,375 --> 00:01:04,208 and this can't be easy. 22 00:01:04,291 --> 00:01:05,583 What, a few things? 23 00:01:05,667 --> 00:01:07,958 Whatever happened in your past and hers, 24 00:01:08,041 --> 00:01:09,792 whatever's already been said and done, 25 00:01:09,875 --> 00:01:11,458 just... let it be. 26 00:01:11,541 --> 00:01:13,375 Don't talk about it, don't pick it up, 27 00:01:13,458 --> 00:01:15,708 don't look at it, don't pick off no scabs, 28 00:01:15,792 --> 00:01:17,166 just let it be. 29 00:01:18,708 --> 00:01:19,792 Can you do that? 30 00:01:20,833 --> 00:01:21,917 Could you? 31 00:01:23,958 --> 00:01:26,458 All these years I thought that... 32 00:01:26,541 --> 00:01:28,208 I thought she might be dead. 33 00:01:29,500 --> 00:01:31,875 And now I know the world was just... 34 00:01:31,958 --> 00:01:34,625 using her as a... whore. 35 00:01:35,333 --> 00:01:36,667 Taking advantage. 36 00:01:38,166 --> 00:01:39,166 Of her. 37 00:01:41,416 --> 00:01:42,625 Of me. 38 00:01:42,708 --> 00:01:44,958 (MELISSA AND REG CHATTING INDISTINCTLY) 39 00:01:45,041 --> 00:01:49,500 I've-- I've been in Times Square a long time. 40 00:01:50,333 --> 00:01:53,041 I've known a lot of whores. 41 00:01:54,208 --> 00:01:55,917 Some are actually decent people. 42 00:01:55,999 --> 00:01:58,291 MELISSA: Thanks, Reg. 43 00:01:58,375 --> 00:02:00,124 -REG: Shit. (CHUCKLES) -(MELISSA LAUGHS) 44 00:02:00,208 --> 00:02:01,917 -My time in New York is done. -MATTHEW: Margaret? 45 00:02:01,999 --> 00:02:03,500 -You ready? -Yeah. 46 00:02:04,792 --> 00:02:06,041 Thanks, guys. 47 00:02:06,124 --> 00:02:08,750 FRANKIE: See ya. (SIGHS) 48 00:02:08,833 --> 00:02:10,166 (ENGINE STARTS) 49 00:02:13,917 --> 00:02:15,541 (EXHALES) 50 00:02:20,917 --> 00:02:24,291 Man, that's great. She's going home. 51 00:02:24,375 --> 00:02:25,541 (SCOFFS) 52 00:02:26,291 --> 00:02:27,375 What? 53 00:02:28,291 --> 00:02:29,541 What, you stupid? 54 00:02:32,416 --> 00:02:33,917 They can never go home. 55 00:02:36,083 --> 00:02:39,166 ♪ ("DREAMING" BY BLONDIE PLAYS) ♪ 56 00:02:50,750 --> 00:02:54,917 ♪ I don't want to live On charity ♪ 57 00:02:56,625 --> 00:03:01,083 ♪ Pleasure's real Or is it fantasy? ♪ 58 00:03:02,708 --> 00:03:06,999 ♪ Reel to reel Is living verité ♪ 59 00:03:07,083 --> 00:03:10,041 ♪ People stop and stare at me ♪ 60 00:03:10,124 --> 00:03:12,875 ♪ We just walk on by ♪ 61 00:03:12,958 --> 00:03:16,291 ♪ We just keep on dreaming ♪ 62 00:03:17,750 --> 00:03:20,500 ♪ Dream, dream Even for a little while ♪ 63 00:03:20,583 --> 00:03:23,416 ♪ Dream, dream Filling up an idle hour ♪ 64 00:03:23,500 --> 00:03:26,416 ♪ Fade away ♪ 65 00:03:26,500 --> 00:03:32,041 ♪ Radiate ♪ 66 00:03:32,124 --> 00:03:36,750 ♪ I sit by And watch the river flow ♪ 67 00:03:38,458 --> 00:03:43,792 ♪ I sit by And watch the traffic go ♪ 68 00:03:43,875 --> 00:03:48,583 ♪ Imagine something Of your very own ♪ 69 00:03:48,667 --> 00:03:51,541 ♪ Something you can Have and hold ♪ 70 00:03:51,625 --> 00:03:54,625 ♪ I build a road in gold ♪ 71 00:03:54,708 --> 00:03:57,958 ♪ Just to have some dreaming ♪ 72 00:03:59,249 --> 00:04:02,041 ♪ Dreaming is free ♪ 73 00:04:02,124 --> 00:04:05,458 -♪ Dreaming ♪ -♪ Dreaming ♪ 74 00:04:05,541 --> 00:04:07,833 ♪ Dreaming is free ♪ 75 00:04:08,833 --> 00:04:15,541 ♪ (GUITARS STRUM) ♪ 76 00:04:15,625 --> 00:04:18,375 -Oh, shit, I-- -It goes to the A there. 77 00:04:18,458 --> 00:04:20,458 Oh, yeah. The A. Okay, um... 78 00:04:20,541 --> 00:04:21,875 -This? -All on the same fret. 79 00:04:21,958 --> 00:04:23,750 -Right here. -(PLAYS CHORD) 80 00:04:23,833 --> 00:04:25,917 GREG TAYLOR: (CLICKS FINGERS) Lori, taxi's here. We gotta go. 81 00:04:25,999 --> 00:04:27,833 -Okay. -Come on. 82 00:04:27,917 --> 00:04:30,833 Sorry, I guess I gotta go. (SIGHS) 83 00:04:33,833 --> 00:04:34,917 So, how am I doing? 84 00:04:34,999 --> 00:04:36,249 GUITARIST: You're getting there. 85 00:04:36,333 --> 00:04:37,541 Cool, thanks. 86 00:04:37,625 --> 00:04:39,792 Yeah, I'm gonna take it with me to New York, 87 00:04:39,875 --> 00:04:41,249 so I can practice there. 88 00:04:41,333 --> 00:04:43,291 You know, and then I-- I just wanna get to a point 89 00:04:43,375 --> 00:04:45,792 where I can play along with you while I sing. 90 00:04:45,875 --> 00:04:47,583 Cool. See you when you get back. 91 00:04:47,667 --> 00:04:49,166 Cool. Thanks. Bye. 92 00:04:49,249 --> 00:04:50,708 GREG: Lori, come on! 93 00:04:50,792 --> 00:04:53,416 Jacket, purse, bag, let's go! 94 00:04:53,500 --> 00:04:55,541 -Come on. -Okay. Jesus fucking... 95 00:04:57,833 --> 00:04:58,875 GREG: Let's go. 96 00:05:04,458 --> 00:05:06,291 -♪ (MUSIC PLAYS IN BACKGROUND) ♪ -MC: 24 hours a day, 97 00:05:06,375 --> 00:05:08,625 all you can handle, all right here. 98 00:05:08,708 --> 00:05:11,999 Frankie, don't it seem a little bit reasonable to you 99 00:05:12,083 --> 00:05:14,792 to give Rudy just a taste of the movie thing, 100 00:05:14,875 --> 00:05:16,416 seein' as we've been taking a taste 101 00:05:16,500 --> 00:05:18,333 of the peeps the whole time? 102 00:05:18,416 --> 00:05:20,458 Look, he expects the skim. 103 00:05:20,541 --> 00:05:22,583 As long as we don't take too much, we're good. 104 00:05:22,667 --> 00:05:24,166 But he's pissed about the movies. 105 00:05:24,249 --> 00:05:25,958 Why not give him just a small piece? 106 00:05:26,041 --> 00:05:27,625 MC: Coming to the stage, Heavenly Heather... 107 00:05:27,708 --> 00:05:29,750 Well, if he stops bitchin' about it all the time, 108 00:05:29,833 --> 00:05:31,625 -maybe I will. -Come on, Frankie. 109 00:05:31,708 --> 00:05:33,958 Just a taste, so I don't have to stress. 110 00:05:35,041 --> 00:05:38,750 All right. A taste. For you. 111 00:05:38,833 --> 00:05:42,583 -TOMMY LONGO: Hey. -Hey. Hey. 112 00:05:45,291 --> 00:05:47,667 (MC CONTINUES ANNOUNCING) 113 00:05:47,750 --> 00:05:48,917 Here you go. 114 00:05:50,208 --> 00:05:51,541 (EXHALES) 115 00:05:54,458 --> 00:05:56,917 Anything else for Rudy? 116 00:05:56,999 --> 00:05:58,999 You know, from your movies? 117 00:05:59,083 --> 00:06:00,708 What, he's still bitching about that? 118 00:06:00,792 --> 00:06:02,625 MC: Live, live pussy, 119 00:06:02,708 --> 00:06:04,792 -Twenty-four hours a day. -Well, if he's still bitching about it, 120 00:06:04,875 --> 00:06:06,208 then fuck him. 121 00:06:06,291 --> 00:06:09,625 ♪ (MUSIC CONTINUES PLAYING IN BACKGROUND) ♪ 122 00:06:14,917 --> 00:06:19,291 MC: Hot, wet ladies are here to make your day... 123 00:06:21,333 --> 00:06:25,583 WOMAN: (OVER PA) ...824 to New York JFK, now boarding at Gate 32. 124 00:06:25,667 --> 00:06:30,625 ...824 to New York JFK, now boarding at Gate 32. 125 00:06:33,625 --> 00:06:35,458 Oh, shit, I forgot to bring my guitar! 126 00:06:35,541 --> 00:06:38,375 Lori, let go. They just called our flight! Come on! 127 00:06:38,458 --> 00:06:40,999 WOMAN: (OVER PA) American Airlines flight 27... 128 00:06:45,792 --> 00:06:46,833 BRYAN: Cecil! 129 00:06:47,458 --> 00:06:48,458 Petey? 130 00:06:50,458 --> 00:06:51,458 Alone? 131 00:06:53,041 --> 00:06:54,458 A hundred years 132 00:06:54,541 --> 00:06:56,208 -have I watched. -CANDY: (WHISPERING) Do your thing. 133 00:06:56,291 --> 00:06:57,999 -Your flashlight on the tree. -Every living creature 134 00:06:58,083 --> 00:06:59,917 who wanders this way 135 00:06:59,999 --> 00:07:03,249 -bemoans their lonely existence. -(HENRY AND CANDY GIGGLING) 136 00:07:03,333 --> 00:07:05,083 And yet, I stand witness. 137 00:07:05,166 --> 00:07:07,875 -Proof they are not alone. -(INDISTINCT WHISPERING) 138 00:07:07,958 --> 00:07:09,458 -(BOTH GIGGLING) -Who... 139 00:07:09,541 --> 00:07:10,792 -HENRY "HANK" JAFFE: Am I doing it wrong? -...is... 140 00:07:10,875 --> 00:07:12,249 -CANDY: Yes! -...lonelier? 141 00:07:12,333 --> 00:07:14,083 -BRYAN: Woe is me. -It's a deer in the headlights. 142 00:07:14,166 --> 00:07:14,999 I get it. -CANDY: Shh. 143 00:07:15,083 --> 00:07:16,208 Abandoned by kin. 144 00:07:16,291 --> 00:07:17,750 -(MUFFLED LAUGHTER) -MAN: Shut up. 145 00:07:17,833 --> 00:07:19,416 -HANK: Shh. -BRYAN: Assaulted by the very... 146 00:07:19,500 --> 00:07:21,541 -♪ (SOUL MUSIC PLAYS) ♪ -I need some time off. 147 00:07:21,625 --> 00:07:22,999 No problem. When? 148 00:07:23,083 --> 00:07:24,833 Don't exactly know yet. 149 00:07:25,667 --> 00:07:27,958 Let me know when you do. 150 00:07:28,041 --> 00:07:30,917 It's to go down to Washington for those porn hearings. 151 00:07:30,999 --> 00:07:32,958 -I'm gonna testify. -(ABIGAIL "ABBY" PARKER SIGHS) 152 00:07:35,333 --> 00:07:37,333 -(ABBY SIGHS) -They're looking for ex-hookers 153 00:07:37,416 --> 00:07:39,667 and porn people to tell their stories, and... 154 00:07:39,750 --> 00:07:41,541 shit, I got a story, don't I? 155 00:07:42,833 --> 00:07:45,124 I didn't even ask. Why tell me? 156 00:07:45,208 --> 00:07:47,208 'Cause you should come with me. 157 00:07:47,291 --> 00:07:48,792 Stop. 158 00:07:48,875 --> 00:07:50,875 You were one of the people who started the movement. 159 00:07:50,958 --> 00:07:53,958 Now something's really happenin' and you're not with us. 160 00:07:54,041 --> 00:07:56,208 -We want the same things! -Not really. 161 00:07:56,291 --> 00:07:57,999 How can you say that? 162 00:07:58,083 --> 00:08:01,291 How can I say that? How can you? 163 00:08:01,375 --> 00:08:02,667 You-- You're about to take 164 00:08:02,750 --> 00:08:04,249 something that was supposed to be 165 00:08:04,333 --> 00:08:07,166 a campaign about awareness and consciousness-raising 166 00:08:07,249 --> 00:08:10,625 and-- and hand it over to Reagan, and Meese, and... 167 00:08:10,708 --> 00:08:12,583 Phyllis Schlafly. 168 00:08:12,667 --> 00:08:14,708 You're being used by extremists. 169 00:08:14,792 --> 00:08:16,124 How is it extreme? 170 00:08:16,208 --> 00:08:17,833 We got that law passed in Indiana. 171 00:08:17,917 --> 00:08:20,500 We got another one almost passed in Minnesota. 172 00:08:20,583 --> 00:08:21,999 -(JULIE SIGHS) -And who got hurt? 173 00:08:22,083 --> 00:08:24,667 Nobody but some fucking pornographers, 174 00:08:24,750 --> 00:08:27,500 and now, there a chance for a federal law 175 00:08:27,583 --> 00:08:28,917 to do it everywhere. 176 00:08:28,999 --> 00:08:31,166 Dworkin and the others are playing with fire. 177 00:08:31,249 --> 00:08:32,333 -Yeah! -ABBY: Yeah. 178 00:08:32,416 --> 00:08:34,083 You tie the anti-pornography movement 179 00:08:34,166 --> 00:08:35,999 to censorship and you lose. 180 00:08:36,083 --> 00:08:37,333 You piss away any good 181 00:08:37,416 --> 00:08:39,249 that Women Against Pornography ever did. 182 00:08:42,166 --> 00:08:44,041 You take all the time you need. 183 00:08:47,249 --> 00:08:49,124 Sometimes that's what you gotta look for. 184 00:08:49,208 --> 00:08:51,458 The ones that can make the stupid shit 185 00:08:51,541 --> 00:08:53,999 -sound smart. That's an actor. -(INDISTINCT CHATTER) 186 00:08:54,083 --> 00:08:56,166 So, the-- the deer, but not the tree. 187 00:08:56,249 --> 00:08:58,958 -(DOOR CREAKS OPEN) -Nah. I didn't believe that leafy bitch for one second. 188 00:08:59,041 --> 00:09:01,249 -(HANK CHUCKLES) -Blitzen! 189 00:09:01,333 --> 00:09:05,208 -Huh. 'Scuse me? -You were fucking great! 190 00:09:05,291 --> 00:09:08,166 You were! You were the best part of that mess. 191 00:09:08,249 --> 00:09:09,375 (CHUCKLES) 192 00:09:09,458 --> 00:09:11,875 I got some good news and some bad news. 193 00:09:11,958 --> 00:09:13,708 Which one you want first? 194 00:09:13,792 --> 00:09:15,625 I'm an actor, so give me the bad news. 195 00:09:15,708 --> 00:09:19,958 I got a great part for you, but it's in an X-rated movie. 196 00:09:20,041 --> 00:09:22,124 -Nah. (SIGHS) -Hang on. 197 00:09:22,208 --> 00:09:24,124 I'm gonna match the SAG rate, 198 00:09:24,208 --> 00:09:26,041 but to get it you gotta show your ass, 199 00:09:26,124 --> 00:09:28,041 you gotta fuck a little on film. 200 00:09:28,124 --> 00:09:29,333 The good news? 201 00:09:29,416 --> 00:09:32,541 The good news is no fucking antlers! 202 00:09:32,625 --> 00:09:34,667 Come on. Let me buy you a cup of coffee. 203 00:09:34,750 --> 00:09:36,708 There's a place around the corner. 204 00:09:36,792 --> 00:09:39,083 -Yeah, all right. -(CANDY LAUGHS) 205 00:09:40,333 --> 00:09:42,083 FLORENCIA: Hey, Papi, wanna warm up? 206 00:09:42,792 --> 00:09:44,124 Just a little bit? 207 00:09:44,208 --> 00:09:45,999 JENNIFER PRESTON: Hey, Daddy. You wanna date? 208 00:09:48,458 --> 00:09:50,124 If I break an ankle in these stilts, 209 00:09:50,208 --> 00:09:54,041 -I get workman's comp, right? -(CHUCKLES) 210 00:09:54,124 --> 00:09:55,708 RALPH: Hey. Lemme help you out. 211 00:09:58,667 --> 00:10:00,416 -Gracias. -You look cold. 212 00:10:00,500 --> 00:10:02,083 You gonna give me your jacket, Papi? 213 00:10:02,166 --> 00:10:04,333 (CHUCKLES) No, but I can help you warm up. 214 00:10:04,416 --> 00:10:06,875 -I got a room inside. -How much? 215 00:10:06,958 --> 00:10:09,708 Fifty'll get ya 30 minutes in heaven with Florencia. 216 00:10:09,792 --> 00:10:11,458 RALPH: Half and half, right? 217 00:10:12,124 --> 00:10:13,958 (SIREN CHIRPS) 218 00:10:14,833 --> 00:10:16,249 Rob, company's comin'. 219 00:10:16,333 --> 00:10:18,041 ROB: (OVER RADIO) Copy that. 220 00:10:22,416 --> 00:10:25,750 PIMP: Bitch, everything I say, you hear backwards. 221 00:10:25,833 --> 00:10:29,124 -MAN: It's bullshit, man. -MAN 2: I know, I know. That's what I said. 222 00:10:29,208 --> 00:10:31,375 RALPH: Oh, let's get this goin'. All right. 223 00:10:31,458 --> 00:10:33,291 Mama's so fucking hot. 224 00:10:33,375 --> 00:10:35,375 I cannot wait to fuck you. 225 00:10:35,458 --> 00:10:38,208 -Yeah, it's gonna be so good. -So fucking good, baby. 226 00:10:38,291 --> 00:10:40,708 -Yeah, let's get-- -Ah, ah, ah, lover boy! 227 00:10:41,875 --> 00:10:43,041 Money first. 228 00:10:44,333 --> 00:10:46,792 -(KEYS CLATTER) -You a cop? 229 00:10:46,875 --> 00:10:48,833 Honey, do I look like a cop? 230 00:10:49,958 --> 00:10:53,541 No, you do not look like a cop. (CHUCKLES) 231 00:10:54,124 --> 00:10:55,333 Thank you! 232 00:10:55,416 --> 00:10:57,249 Thank you. 233 00:10:57,333 --> 00:10:59,249 -Knock, knock! -What the fuck? 234 00:10:59,333 --> 00:11:02,625 -Oh, shit! -Shit. You set me up? 235 00:11:02,708 --> 00:11:04,792 You got cops hiding in your room and I set you up? 236 00:11:04,875 --> 00:11:06,667 -You set me up! -Oh, fuck me! 237 00:11:06,750 --> 00:11:08,750 -Sorry. That's pretty much off the table now. -RALPH: Fuck you, bitch! 238 00:11:08,833 --> 00:11:10,625 -FLORENCIA: Puta madre. -ROB: Out the door. Come on. 239 00:11:10,708 --> 00:11:13,041 -(RALPH MUTTERING) -ROB: Down the hall, to the right. 240 00:11:15,083 --> 00:11:17,958 POLICE OFFICER: (OVER RADIO) The wagon's around the corner. ETA 30 seconds 241 00:11:20,500 --> 00:11:23,124 (ABBY AND PILAR BREATHING HEAVILY, GIGGLING) 242 00:11:24,917 --> 00:11:27,625 (BOTH MOANING) 243 00:11:35,333 --> 00:11:37,750 (MOANING CONTINUES) 244 00:11:39,124 --> 00:11:42,416 (BOTH PANTING) 245 00:11:46,124 --> 00:11:49,792 (CLEARS THROAT) Hey. 246 00:11:50,500 --> 00:11:53,958 (BREATHES HEAVILY) Hey. 247 00:11:57,124 --> 00:11:58,166 I'm, uh... 248 00:11:58,708 --> 00:11:59,792 Vince. 249 00:12:00,291 --> 00:12:01,291 Pilar. 250 00:12:02,083 --> 00:12:03,625 Nice to meet you, Pilar. 251 00:12:04,291 --> 00:12:07,416 (GROANS, SIGHS) 252 00:12:07,500 --> 00:12:08,917 Didn't I leave the thing on? 253 00:12:08,999 --> 00:12:11,583 Uh... Yeah you did, but-- but it's cool. 254 00:12:11,667 --> 00:12:14,291 I-- I'm just beat. I was gonna crash on the sofa. 255 00:12:15,208 --> 00:12:17,625 I'll just grab an extra blanket. 256 00:12:17,708 --> 00:12:21,458 Look, I gotta-- I gotta crash. It was a long night at the club. 257 00:12:25,875 --> 00:12:27,792 Of course, if, uh... 258 00:12:27,875 --> 00:12:30,541 you two ladies need a spare part or two, I'm... 259 00:12:30,625 --> 00:12:32,166 nothing if not a giver. 260 00:12:33,833 --> 00:12:35,208 Uh... I mean, I-- 261 00:12:35,291 --> 00:12:36,833 I like women too, so... 262 00:12:36,917 --> 00:12:38,667 we already got that in common. 263 00:12:39,124 --> 00:12:40,166 Vin. 264 00:12:42,833 --> 00:12:44,041 Okay. (CHUCKLES) 265 00:12:49,999 --> 00:12:52,667 -(BOTH LAUGHING) -Fuck. 266 00:12:59,333 --> 00:13:00,667 (SIGHS) Ah, minga. 267 00:13:03,458 --> 00:13:05,249 -(SNIFFS) -(KNOCKING ON DOOR) 268 00:13:05,333 --> 00:13:06,750 -GREG: Baby, you're up. -Yeah? 269 00:13:06,833 --> 00:13:08,875 -Oh, okay. Sorry. One sec. -(KNOCKING CONTINUES) 270 00:13:08,958 --> 00:13:10,083 (TOILET FLUSHING) 271 00:13:10,166 --> 00:13:12,583 -She's just-- -(INDISTINCT CHATTER) 272 00:13:12,667 --> 00:13:13,833 Come on. 273 00:13:13,917 --> 00:13:15,333 -GREG: You ready? -LORI MADISON: Yeah. 274 00:13:15,416 --> 00:13:17,208 -GREG: You feel good? Right. -LORI: Yeah. 275 00:13:17,291 --> 00:13:18,917 -Make sure you say hi to Stevie for me, okay? -Mm. Mm-hm. 276 00:13:18,999 --> 00:13:20,500 -I've known him a long time. -Okay. 277 00:13:20,583 --> 00:13:22,416 Oh, baby. Hold on one second. One sec-- One second. 278 00:13:22,500 --> 00:13:24,291 -Okay. Right. Good. -(CHUCKLES) 279 00:13:24,375 --> 00:13:26,500 -Go for it. Okay. -Thank you, sweetie. Okay. Yeah. 280 00:13:26,583 --> 00:13:28,541 All right. Good luck! (CHUCKLES) 281 00:13:28,625 --> 00:13:30,166 -LORI: Thank you. -Break a leg. 282 00:13:30,249 --> 00:13:33,541 Hi. I'm Lori Madison, and I'm 120 pounds, 283 00:13:33,625 --> 00:13:35,792 -give or take. -SELMA: And your height? 284 00:13:35,875 --> 00:13:38,541 Oh, um... 5'5" and three-and-a-half quarters. 285 00:13:40,041 --> 00:13:42,458 Excuse me. Do you work here? 286 00:13:42,541 --> 00:13:45,249 I'm sorry. One sec. (CHUCKLES) 287 00:13:46,041 --> 00:13:47,041 Um... 288 00:13:49,208 --> 00:13:52,291 Yes, sir. How can I help you? 289 00:13:52,375 --> 00:13:54,583 I'm looking for something to buy my wife. 290 00:13:55,667 --> 00:13:57,249 Oh, I see. 291 00:13:58,208 --> 00:13:59,667 What's her style? 292 00:13:59,750 --> 00:14:02,208 Can't you just tell me what scarf you'd want? 293 00:14:05,124 --> 00:14:08,249 If that's what you'd like, but I'm not your wife. 294 00:14:09,917 --> 00:14:12,333 Could we run it one more time from the top? 295 00:14:12,416 --> 00:14:13,667 Mm-hm. 296 00:14:13,750 --> 00:14:16,249 And, uh, this time, give us seductive. 297 00:14:17,124 --> 00:14:18,708 Oh, okay. That... 298 00:14:18,792 --> 00:14:20,999 What you really wanna do is get him to screw you 299 00:14:21,083 --> 00:14:22,208 in a dressing room. 300 00:14:27,083 --> 00:14:28,792 Um... Can I just ask... 301 00:14:29,708 --> 00:14:31,792 what, uh, is the story? 302 00:14:32,541 --> 00:14:34,083 Like, beyond the scene. 303 00:14:35,958 --> 00:14:37,333 He's a serial killer. 304 00:14:37,416 --> 00:14:39,875 He doesn't actually have a wife; he's lying about that. 305 00:14:39,958 --> 00:14:42,208 SELMA: His mother worked in a department store. 306 00:14:42,291 --> 00:14:44,458 She stole a scarf from work, lost her job. 307 00:14:44,541 --> 00:14:47,333 And that forced her to turn to a life of prostitution 308 00:14:47,416 --> 00:14:48,500 in order to survive. 309 00:14:49,458 --> 00:14:50,708 Okay. 310 00:14:50,792 --> 00:14:53,249 And now he goes around murdering young women 311 00:14:53,333 --> 00:14:55,208 who remind him of his mother. 312 00:14:55,291 --> 00:14:57,917 In the next scene, he's gonna actually strangle you 313 00:14:57,999 --> 00:14:59,750 with a scarf you picked out. 314 00:15:00,375 --> 00:15:01,458 Ready? 315 00:15:03,249 --> 00:15:06,166 SAM: 'Scuse me, do you work here? 316 00:15:09,208 --> 00:15:10,291 (CLEARS THROAT) 317 00:15:13,833 --> 00:15:14,917 Yes, sir. 318 00:15:16,416 --> 00:15:18,166 How can I help you? 319 00:15:18,249 --> 00:15:20,583 CHRIS ALSTON: Everything we can do to the guy, we're doing it. 320 00:15:20,667 --> 00:15:22,583 You've got six prostitution stings 321 00:15:22,667 --> 00:15:23,999 in the last three weeks, 322 00:15:24,083 --> 00:15:26,375 all with convictions on the premises. 323 00:15:26,458 --> 00:15:29,166 I've had the fire marshal through there twice this month. 324 00:15:29,249 --> 00:15:31,416 Building inspectors, health inspectors. 325 00:15:31,500 --> 00:15:33,083 How much longer are we talking? 326 00:15:33,166 --> 00:15:35,917 We only need two convictions, one more case in the pipeline, 327 00:15:35,999 --> 00:15:38,416 and you've got enough to padlock. 328 00:15:38,500 --> 00:15:41,124 I understand how the padlock law works, Constable. 329 00:15:41,208 --> 00:15:42,416 What I'm asking is how long? 330 00:15:42,500 --> 00:15:44,541 Gene. These cases should hold up, 331 00:15:44,625 --> 00:15:46,875 but we can't speed the process all that much. 332 00:15:46,958 --> 00:15:49,583 The fact is the property owner has the right to appeal 333 00:15:49,667 --> 00:15:51,917 our use of this case under the nuisance statute. 334 00:15:51,999 --> 00:15:53,166 Even with a TRO, 335 00:15:53,249 --> 00:15:55,041 the judge could deny us conjunctive relief 336 00:15:55,124 --> 00:15:56,917 if they mount a coherent appeal. 337 00:15:56,999 --> 00:15:59,708 The rights of property owners are baked into the system. 338 00:15:59,792 --> 00:16:03,166 -It's how it works. -(SHOUTS) Fuck all! 339 00:16:03,249 --> 00:16:05,583 And thanks to this shit-stain of a hotel, 340 00:16:05,667 --> 00:16:07,792 we have lost a 30 million dollar business complex. 341 00:16:07,875 --> 00:16:08,875 Is that what I'm hearing? 342 00:16:08,958 --> 00:16:10,166 The money won't wait? 343 00:16:10,249 --> 00:16:12,541 Not a month more. It will go elsewhere. 344 00:16:16,291 --> 00:16:18,375 What the fuck is it about the center of this fucking town? 345 00:16:18,458 --> 00:16:21,041 Everything is one step forward, two steps back. 346 00:16:26,458 --> 00:16:29,041 Hey, Lor. Check it out. 347 00:16:29,124 --> 00:16:30,750 Everywhere we go, there you are. 348 00:16:34,041 --> 00:16:35,917 So, how'd it go? 349 00:16:35,999 --> 00:16:37,958 -Okay, I guess. -Yeah? What did Stevie say? 350 00:16:38,041 --> 00:16:39,291 Stevie wasn't there. 351 00:16:39,375 --> 00:16:40,999 Why not? 352 00:16:41,083 --> 00:16:43,583 Okay. Well, I'll call him when we get back to the hotel. 353 00:16:43,667 --> 00:16:44,750 It's no problem. 354 00:16:45,416 --> 00:16:46,333 Christ. 355 00:16:46,416 --> 00:16:48,249 Which way is the hotel? 356 00:16:48,333 --> 00:16:50,958 This whole goddamn city smells like piss, you know that? 357 00:16:51,041 --> 00:16:52,541 (CAR HORNS HONKING) 358 00:16:52,625 --> 00:16:56,208 ALSTON: No complaints, Jack. Everything ran like clockwork. 359 00:16:56,291 --> 00:16:58,333 Your people gave me everything I asked for. 360 00:16:58,416 --> 00:16:59,833 ♪ (MUSIC PLAYS IN BACKGROUND) ♪ 361 00:16:59,917 --> 00:17:01,416 You don't look happy. 362 00:17:01,500 --> 00:17:03,500 Oh, the case work is fine. 363 00:17:03,583 --> 00:17:06,124 By the time it leads us to a padlock on the place, 364 00:17:06,208 --> 00:17:09,041 the money will have walked away, so my boss is telling me. 365 00:17:09,124 --> 00:17:10,500 So, what? 366 00:17:10,583 --> 00:17:12,999 You're not a realtor, you're a fucking cop, right? 367 00:17:13,083 --> 00:17:14,249 (CHUCKLES) 368 00:17:14,333 --> 00:17:15,999 The last I checked. 369 00:17:16,083 --> 00:17:17,999 But I'm good taking my people back? 370 00:17:18,083 --> 00:17:19,333 I mean, everyone comes home, 371 00:17:19,416 --> 00:17:21,583 I get to put 'em back down in the hole? 372 00:17:21,667 --> 00:17:23,249 Everybody goes home, Jack. 373 00:17:26,291 --> 00:17:28,083 Even Jennifer? 374 00:17:28,166 --> 00:17:30,458 -Fuck you, Jack. -Fuck you, Jack! 375 00:17:32,375 --> 00:17:33,999 -(LAUGHS) -He's right though. 376 00:17:35,792 --> 00:17:37,416 You, I'd prefer to keep. 377 00:17:37,500 --> 00:17:41,500 Well, if you have more work for me, then you can. 378 00:17:41,583 --> 00:17:44,333 Well, I wouldn't call it work. 379 00:17:44,416 --> 00:17:46,917 -You flatter yourself. -(LAUGHS) 380 00:17:46,999 --> 00:17:48,750 Girl, you got a mouth on you. 381 00:17:48,833 --> 00:17:50,041 (CHUCKLES) 382 00:17:50,124 --> 00:17:51,541 JACK: Drink up, motherfuckers! 383 00:17:51,625 --> 00:17:53,458 -ALL: Yeah! -JACK: Good work. 384 00:18:06,958 --> 00:18:09,333 Angela, I forgot your birthday. 385 00:18:09,416 --> 00:18:11,083 -ANGELA: Mm-hm. -TONY: Oh my-- 386 00:18:11,166 --> 00:18:13,083 -How could I have done that? -(PHONE RINGING) 387 00:18:13,166 --> 00:18:15,625 -(PHONE CLATTERS) -GREG: (MUTTERS) Shit. 388 00:18:15,708 --> 00:18:17,667 Yeah. Hello-- Hello. 389 00:18:17,750 --> 00:18:19,583 Stevie, hey! (CHUCKLES) 390 00:18:19,667 --> 00:18:21,416 Yeah, not bad, buddy. Not bad. 391 00:18:21,500 --> 00:18:23,458 Uh... So-- So listen, how did, um... 392 00:18:23,541 --> 00:18:26,541 -(INDISTINCT CHATTER ON TV) -Uh-huh. Uh-huh. Uh... 393 00:18:26,625 --> 00:18:28,541 Okay. Well, how about this? How about she comes back in, 394 00:18:28,625 --> 00:18:30,124 and reads against your guy, and we-- 395 00:18:30,208 --> 00:18:32,333 (INDISTINCT CHATTER ON TV) 396 00:18:32,416 --> 00:18:33,625 Come on, man, seriously. 397 00:18:33,708 --> 00:18:36,166 We came all this way because you said we'd-- 398 00:18:36,249 --> 00:18:38,583 Right. Yeah. (CHUCKLES) Right. Right. 399 00:18:38,667 --> 00:18:40,124 Right, well, thanks for nothing. 400 00:18:40,208 --> 00:18:42,041 -(PHONE SLAMS) -Fuck! 401 00:18:42,124 --> 00:18:45,333 (INDISTINCT CHATTER ON TV CONTINUES) 402 00:18:47,291 --> 00:18:48,583 Where are you going? 403 00:18:48,667 --> 00:18:50,958 To go talk to him. He's making a big mistake. 404 00:18:51,041 --> 00:18:52,208 LORI: Let it go, Greg! 405 00:18:52,291 --> 00:18:53,958 Nah, he owes me. We have history. 406 00:18:54,041 --> 00:18:55,375 If I'm not good enough for the part, 407 00:18:55,458 --> 00:18:56,667 then I shouldn't have the part. 408 00:18:56,750 --> 00:18:58,291 Baby, you were good enough. 409 00:18:58,375 --> 00:18:59,958 How the fuck do you know? You weren't even in the room. 410 00:19:00,041 --> 00:19:02,208 Yeah, neither was he. And that's the problem. 411 00:19:03,375 --> 00:19:04,416 Greg! 412 00:19:04,500 --> 00:19:05,999 He's got to see it for himself, okay? 413 00:19:06,083 --> 00:19:07,541 It was his idea to have you audition. 414 00:19:07,625 --> 00:19:10,083 His. I didn't even ask him, Lori. He came to me. 415 00:19:10,166 --> 00:19:11,625 I don't want the part! 416 00:19:11,708 --> 00:19:14,166 Then what the fuck are we even doing in this shithole? 417 00:19:14,249 --> 00:19:16,458 I swear to Christ on the motherfucking cross, 418 00:19:16,541 --> 00:19:18,083 do you even know what you want? Huh? 419 00:19:18,166 --> 00:19:19,708 You don't wanna do fuck films anymore, 420 00:19:19,792 --> 00:19:21,625 -you don't wanna do real films-- -I do wanna do real films! 421 00:19:21,708 --> 00:19:23,875 How can you say that when you're turning your back on a job? 422 00:19:23,958 --> 00:19:25,375 It's not a job, they don't want me! 423 00:19:25,458 --> 00:19:28,458 They want you! They just don't know it yet. 424 00:19:30,249 --> 00:19:32,958 -(DOOR SLAMS) -(LAUGHTER ON TV) 425 00:19:33,041 --> 00:19:35,708 ABBY: Thirty-fucking-thousand dollars. 426 00:19:35,792 --> 00:19:38,625 (INDISTINCT CHATTER) 427 00:19:41,083 --> 00:19:43,958 PILAR: Hey, that's a steal. (LAUGHS) 428 00:19:47,124 --> 00:19:49,041 How long have you known that artist? 429 00:19:49,124 --> 00:19:50,667 -Marco? Uh... -Mm. 430 00:19:50,750 --> 00:19:53,083 ...about ten years. We were at RISD together. 431 00:19:54,249 --> 00:19:56,333 I know he's your friend and all, but... 432 00:19:56,416 --> 00:19:59,833 doesn't it burn you up? He gets a solo show to... 433 00:19:59,917 --> 00:20:02,041 papier-mâché fucking cowboy. 434 00:20:02,958 --> 00:20:04,291 Yeah, it does. 435 00:20:05,541 --> 00:20:06,999 But who cares what I think? 436 00:20:07,083 --> 00:20:09,416 Wall Streeters think they've found the next Basquiat, 437 00:20:09,500 --> 00:20:11,041 so he can name his price. 438 00:20:11,124 --> 00:20:12,583 And he has. 439 00:20:15,792 --> 00:20:17,541 Stay with me tonight. 440 00:20:17,625 --> 00:20:19,667 That was the plan. 441 00:20:19,750 --> 00:20:23,249 I mean all night. Don't go back up town. 442 00:20:25,249 --> 00:20:27,667 -I'm afraid we rattled him. -(CHUCKLES) 443 00:20:28,500 --> 00:20:29,833 I'm gonna have to call, 444 00:20:29,917 --> 00:20:31,917 so at least he's not expecting me. 445 00:20:36,833 --> 00:20:39,291 SERVER: Slice of cheese. Enjoy, man. 446 00:20:42,958 --> 00:20:45,792 (HORNS HONKING) 447 00:20:53,249 --> 00:20:55,500 MAN: Hey, look at her. Look at her! 448 00:21:00,667 --> 00:21:03,750 -Lori? Lori? -LORI: Hey. 449 00:21:03,833 --> 00:21:05,833 -Hey, Lori. -LORI: Mike. 450 00:21:05,917 --> 00:21:08,750 Oh, my God. Hi. (INHALES SHARPLY) 451 00:21:08,833 --> 00:21:10,166 (SIGHS) 452 00:21:16,792 --> 00:21:18,124 Hi. 453 00:21:19,291 --> 00:21:22,166 (SIREN WAILS) 454 00:21:24,249 --> 00:21:25,917 I'm tellin' ya, this is no different 455 00:21:25,999 --> 00:21:27,541 than anything else you and me are gonna do. 456 00:21:27,625 --> 00:21:30,667 -ABBY: We'll get some breakfast. -No. N-- Abby. 457 00:21:30,750 --> 00:21:33,500 -The problem-- -Abb-- Abby. Abby. 458 00:21:33,583 --> 00:21:34,875 WORKER: Ready, Roy? 459 00:21:34,958 --> 00:21:37,041 You have fun. Okay? 460 00:21:56,208 --> 00:21:57,833 Hey. Look who I found. 461 00:21:59,999 --> 00:22:02,708 Holy hell. Lori Madison. 462 00:22:04,625 --> 00:22:06,083 Shit, you're not even open yet. 463 00:22:06,166 --> 00:22:08,375 (SIGHS) What, are you kiddin'? You're royalty. 464 00:22:09,625 --> 00:22:11,291 What are you drinkin'? 465 00:22:11,375 --> 00:22:13,249 Uh... Vodka cranberry. 466 00:22:13,333 --> 00:22:15,875 VINCENT MARTINO: You got it. Have a seat. 467 00:22:15,958 --> 00:22:17,750 Tell me everything. 468 00:22:17,833 --> 00:22:19,917 There's nothing to tell. 469 00:22:19,999 --> 00:22:22,583 I'm still a whore, I just got famous for it. 470 00:22:23,249 --> 00:22:25,875 Ah! Come on. 471 00:22:25,958 --> 00:22:27,792 I'm not gonna lie to you, Vincent. 472 00:22:31,375 --> 00:22:32,416 Look... 473 00:22:33,291 --> 00:22:35,416 Even when you were a whore... 474 00:22:36,583 --> 00:22:37,958 you weren't a whore. 475 00:22:38,041 --> 00:22:39,124 Not ever. 476 00:22:40,625 --> 00:22:41,875 What does that even mean? 477 00:22:41,958 --> 00:22:44,583 It means... welcome home. 478 00:22:45,667 --> 00:22:48,583 (WORKERS CHATTING INDISTINCTLY) 479 00:22:52,583 --> 00:22:55,458 Oh. Hey, fellas. 480 00:22:55,541 --> 00:22:57,541 What the fuck is going on here? 481 00:22:57,625 --> 00:22:59,166 Interviewin'. 482 00:22:59,249 --> 00:23:00,500 Interviewin'? 483 00:23:03,208 --> 00:23:04,875 I'm holdin' onto a lot of tension, 484 00:23:04,958 --> 00:23:07,083 so I need Maya to do that thing she does. 485 00:23:07,166 --> 00:23:08,500 Shit! 486 00:23:08,583 --> 00:23:10,541 (SIGHS) Rudy, I'm sorry. Maya's on an outcall tonight. 487 00:23:10,625 --> 00:23:11,833 Had I known... 488 00:23:11,917 --> 00:23:13,208 All right, who's available then? 489 00:23:13,291 --> 00:23:14,583 Right now, um... 490 00:23:14,667 --> 00:23:16,792 Star. She should be coming off her break soon. 491 00:23:16,875 --> 00:23:19,124 Which one is Star? The redhead with the... 492 00:23:19,208 --> 00:23:22,708 No gingers. Freckles fuck me up. It's too Irish. 493 00:23:22,792 --> 00:23:25,833 All right, so, what about, uh, one of these? 494 00:23:25,917 --> 00:23:28,792 I could ask, but officially they're not hired yet. 495 00:23:28,875 --> 00:23:30,083 Uh... 496 00:23:32,625 --> 00:23:35,708 The big one... is the outcall envelope. 497 00:23:35,792 --> 00:23:38,750 All my girls are practically living in Midtown hotels. 498 00:23:38,833 --> 00:23:40,708 -We're making a killin'. -RUDY: That's great, 499 00:23:40,792 --> 00:23:43,583 but who am I supposed to fuck now? 500 00:23:43,667 --> 00:23:46,083 I'm sorry for the inconvenience, Rudy. 501 00:23:46,166 --> 00:23:48,416 You can come back in an hour or two. 502 00:23:48,500 --> 00:23:50,416 You're telling me that business is so good, 503 00:23:50,500 --> 00:23:53,375 I can't even get laid in my own goddamn whorehouse? 504 00:23:53,458 --> 00:23:56,208 (WOMEN CHATTING INDISTINCTLY) 505 00:23:56,291 --> 00:23:57,750 I'll call over to the Alhambra 506 00:23:57,833 --> 00:23:59,999 and see if Jackie can send over some girls for you. 507 00:24:00,750 --> 00:24:02,124 Thank you, sweetheart. 508 00:24:03,416 --> 00:24:05,166 Orientals if they got 'em. 509 00:24:06,166 --> 00:24:08,500 VINCENT: There you go. (SIGHS) 510 00:24:09,667 --> 00:24:11,124 Is he taking requests? 511 00:24:12,249 --> 00:24:14,500 He is now. 512 00:24:14,583 --> 00:24:17,667 Do you have "No Easy Way Down" by Dusty Springfield? 513 00:24:17,750 --> 00:24:19,291 Dusty in Memphis. 514 00:24:20,166 --> 00:24:21,375 Got it right here. 515 00:24:21,458 --> 00:24:22,667 Excuse me. 516 00:24:33,875 --> 00:24:37,833 ♪ ("NO EASY WAY DOWN" BY DUSTY SPRINGFIELD PLAYS) ♪ 517 00:24:40,458 --> 00:24:43,208 (MOANING) 518 00:24:45,625 --> 00:24:49,083 (PANTS) You're my first lieutenant. 519 00:24:49,166 --> 00:24:51,999 -That a fact? -(CHUCKLES) 520 00:24:52,083 --> 00:24:53,917 I don't like guys who make rank. 521 00:24:53,999 --> 00:24:57,208 -(MOANS, GASPS) -Me neither. 522 00:25:00,375 --> 00:25:04,041 ♪ ("NO EASY WAY DOWN" BY DUSTY SPRINGFIELD PLAYS) ♪ 523 00:25:11,291 --> 00:25:12,333 ♪ (SONG ENDS) ♪ 524 00:25:12,416 --> 00:25:13,750 Can you play that again? 525 00:25:17,291 --> 00:25:20,083 ♪ ("NO EASY WAY DOWN" BY DUSTY SPRINGFIELD PLAYS) ♪ 526 00:25:25,958 --> 00:25:27,041 Hey. 527 00:25:28,958 --> 00:25:32,625 ♪ Your toy balloon has sailed ♪ 528 00:25:32,708 --> 00:25:36,750 ♪ In the sky, love ♪ 529 00:25:38,958 --> 00:25:42,416 ♪ But now it must fall ♪ 530 00:25:42,500 --> 00:25:47,583 ♪ To the ground ♪ 531 00:25:47,667 --> 00:25:52,917 ♪ Now your sad eyes reveal ♪ 532 00:25:52,999 --> 00:25:58,249 ♪ Just how badly you feel ♪ 533 00:25:58,333 --> 00:26:02,416 ♪ 'Cause there is no ♪ 534 00:26:02,500 --> 00:26:07,124 ♪ Easy way down ♪ 535 00:26:09,124 --> 00:26:11,208 -Manuel! -MANUEL: Yeah, Vince? 536 00:26:11,291 --> 00:26:13,875 You and Jay, you go, uh, have a dinner on me. 537 00:26:13,958 --> 00:26:15,333 It's gonna be a long night. 538 00:26:15,416 --> 00:26:18,249 -Now, boss? -Yeah, now. 539 00:26:18,333 --> 00:26:20,208 -I'll finish up here. -MANUEL: Jay, 540 00:26:20,291 --> 00:26:21,541 Vamos a comer. 541 00:26:21,625 --> 00:26:24,083 (JAY AND MANUEL CHATTING INDISTINCTLY) 542 00:26:24,166 --> 00:26:27,375 -Jerome! -JEROME: Yeah? What's up? 543 00:26:27,458 --> 00:26:29,625 -BIG MIKE: Let's take a walk. -All right, man. 544 00:26:29,708 --> 00:26:34,208 ♪ Now you're stranded alone ♪ 545 00:26:34,291 --> 00:26:39,583 ♪ And the past is unknown ♪ 546 00:26:39,667 --> 00:26:43,833 ♪ And there is no ♪ 547 00:26:43,917 --> 00:26:48,458 ♪ Easy way down ♪ 548 00:26:51,833 --> 00:26:55,041 ♪ No, it isn't very easy ♪ 549 00:26:56,541 --> 00:27:00,166 ♪ When you're left On your own ♪ 550 00:27:01,792 --> 00:27:04,416 ♪ No, it isn't very easy ♪ 551 00:27:04,500 --> 00:27:06,875 ♪ When each road you take ♪ 552 00:27:06,999 --> 00:27:09,249 ♪ Is one more mistake ♪ 553 00:27:09,333 --> 00:27:14,625 ♪ There's no one to break Your fall ♪ 554 00:27:14,708 --> 00:27:17,750 ♪ And lead you back home, Yeah ♪ 555 00:27:17,833 --> 00:27:21,208 -TAXI DRIVER: Delancey and what? -Uh... Delancey and Essex. 556 00:27:22,541 --> 00:27:23,917 (MOANING) 557 00:27:23,999 --> 00:27:25,917 Actually, go to the FDR and take us 558 00:27:25,999 --> 00:27:27,708 halfway around the island, okay? 559 00:27:29,249 --> 00:27:30,541 (MOANING) 560 00:27:31,708 --> 00:27:33,833 (TAXI RADIO CHATTER) 561 00:27:41,708 --> 00:27:44,208 (BOTH PANTING) 562 00:27:48,124 --> 00:27:50,416 ♪ (SONG ENDS) ♪ 563 00:27:53,166 --> 00:27:57,541 W-- Wait, wait. Hold on. (PANTS) 564 00:27:57,625 --> 00:28:00,583 ♪ ("I CAN'T MAKE IT ALONE" BY DUSTY SPRINGFIELD PLAYS) ♪ 565 00:28:01,375 --> 00:28:03,375 Wha-- For a blowjob? 566 00:28:04,249 --> 00:28:05,583 Just for safety. 567 00:28:06,708 --> 00:28:07,750 For safety? 568 00:28:09,541 --> 00:28:12,291 (STUTTERS) You haven't been in New York. 569 00:28:12,375 --> 00:28:13,792 It's going around. It's everywhere. 570 00:28:15,541 --> 00:28:16,583 Hmm. 571 00:28:17,541 --> 00:28:19,416 Once a whore, always a whore. 572 00:28:20,750 --> 00:28:22,667 No, no, no, no. It's-- It-- 573 00:28:22,750 --> 00:28:23,917 It's not like that. 574 00:28:23,999 --> 00:28:26,416 You can fuck me, but you can't use a cover. 575 00:28:27,750 --> 00:28:28,875 Jesus, Lori. 576 00:28:33,958 --> 00:28:36,625 I guess there are worse things I could be, right, Vincent? 577 00:28:38,792 --> 00:28:41,458 Some of the best people I've known have been whores. 578 00:28:47,166 --> 00:28:52,583 ♪ I've tried and I know I can't make it alone ♪ 579 00:28:52,667 --> 00:28:54,750 What's the last thing you remember? 580 00:28:54,833 --> 00:28:56,375 I was driving. 581 00:28:56,458 --> 00:29:00,458 There was a bright light and then... I woke up here. 582 00:29:00,541 --> 00:29:02,375 Is it weird to be proud of this? 583 00:29:02,458 --> 00:29:03,875 Not at all. You did great. 584 00:29:03,958 --> 00:29:05,999 -You think? -Shh. 585 00:29:06,083 --> 00:29:07,875 -WOMAN: (ON TV) How long have I been in the hospital? -TOD: (ON TV) A week. 586 00:29:07,958 --> 00:29:09,792 WOMAN: Oh, my God. A week? 587 00:29:09,875 --> 00:29:12,708 -TOD: (ON TV) You've been in a coma. -(BOTH CHUCKLING) 588 00:29:12,792 --> 00:29:16,833 Don't worry. Everything's going to be all right now. 589 00:29:16,917 --> 00:29:18,750 You're in good hands. 590 00:29:18,833 --> 00:29:19,999 Bravo. 591 00:29:21,166 --> 00:29:25,291 And so fucking handsome. 592 00:29:30,333 --> 00:29:33,333 -I don't know. -What's wrong? 593 00:29:34,500 --> 00:29:36,208 I'm a little run down. 594 00:29:36,291 --> 00:29:38,124 WOMAN: (ON TV) What do you mean you don't know? 595 00:29:38,208 --> 00:29:40,583 -Aren't you a doctor? -You... 596 00:29:40,667 --> 00:29:42,833 don't have to do anything. 597 00:29:43,833 --> 00:29:45,208 Just relax. 598 00:29:46,875 --> 00:29:48,500 Nurse Paul is here. 599 00:29:48,583 --> 00:29:51,708 (IN SOUTHERN ACCENT) I do declare, my big, handsome man. 600 00:29:51,792 --> 00:29:53,500 (BOTH LAUGHING) 601 00:29:54,416 --> 00:29:56,166 PAUL: Don't worry, Dr. Mackie. 602 00:29:57,208 --> 00:29:58,667 You're in good hands. 603 00:29:58,750 --> 00:30:02,416 -WOMAN: You saved me. -I was only doing my job. 604 00:30:06,208 --> 00:30:08,083 I'm sorry. I'll make it up to you. 605 00:30:08,166 --> 00:30:09,583 It's not your fault. 606 00:30:25,291 --> 00:30:28,291 ♪ (MUSIC PLAYS IN BACKGROUND) ♪ 607 00:30:28,375 --> 00:30:30,875 -(INDISTINCT CHATTER) -Thank you. 608 00:30:32,249 --> 00:30:33,999 -Hey. -Hey. 609 00:30:34,083 --> 00:30:36,166 -Thanks for stopping by. -Yeah. What's up? 610 00:30:36,249 --> 00:30:38,541 I want you to come talk to some people... 611 00:30:38,625 --> 00:30:40,166 about what you do. 612 00:30:40,249 --> 00:30:42,416 -What I do? -Your films. 613 00:30:43,958 --> 00:30:45,333 Okay. Who am I talking to? 614 00:30:45,416 --> 00:30:47,333 Woman Against Pornography. 615 00:30:47,416 --> 00:30:51,416 (LAUGHS) Why the fuck would I do that? 616 00:30:52,249 --> 00:30:53,625 No, I've seen those ladies 617 00:30:53,708 --> 00:30:56,750 parading out in front of the peeps. 618 00:30:56,833 --> 00:30:59,833 Sad housewives, pissed-off lesbians... 619 00:30:59,917 --> 00:31:01,833 -and Loretta! -Who, me? 620 00:31:01,917 --> 00:31:03,667 Not all. Not all. 621 00:31:03,750 --> 00:31:05,249 Some of them are movers and shakers. 622 00:31:05,333 --> 00:31:08,875 Dworkin, a few others. They're thinkers. 623 00:31:08,958 --> 00:31:12,541 And they believe they can get a federal law on the books... 624 00:31:12,625 --> 00:31:14,208 to ban pornography. 625 00:31:16,124 --> 00:31:19,166 Why do they wanna talk to me? I make dirty movies. 626 00:31:21,375 --> 00:31:22,625 They're feminists. 627 00:31:23,458 --> 00:31:24,500 So are you. 628 00:31:25,375 --> 00:31:26,416 (SCOFFS) Oh, I am? 629 00:31:26,500 --> 00:31:29,375 -Yeah! You are. -I mean... 630 00:31:29,458 --> 00:31:31,541 Isn't that what your movies are saying? 631 00:31:31,625 --> 00:31:32,750 Think about it. 632 00:31:32,833 --> 00:31:34,208 I'm just making my movies for me. 633 00:31:34,291 --> 00:31:36,541 My movies say what I want 'em to say. 634 00:31:36,625 --> 00:31:38,958 Okay then. Tell 'em that. 635 00:31:40,458 --> 00:31:42,500 Candy, these women are about to take something 636 00:31:42,583 --> 00:31:44,917 that was meant to be a campaign 637 00:31:44,999 --> 00:31:48,541 -about the objectification of women... -CANDY: Mm-hm. 638 00:31:48,625 --> 00:31:51,375 and hand it to Ronnie Reagan, so he can use feminism 639 00:31:51,458 --> 00:31:52,792 to beat down open speech. 640 00:31:53,583 --> 00:31:55,249 Just... go with me. 641 00:31:55,333 --> 00:31:59,750 And tell them you're a woman, and you shoot fuck films, 642 00:31:59,833 --> 00:32:02,083 because they say exactly what you wanna say. 643 00:32:02,166 --> 00:32:03,999 Make them tell you you're wrong. 644 00:32:05,249 --> 00:32:06,958 Because you're not wrong. 645 00:32:07,041 --> 00:32:09,708 (INDISTINCT CHATTER) 646 00:32:13,917 --> 00:32:16,541 (WINDOW WINDS DOWN) 647 00:32:21,166 --> 00:32:22,249 DOORMAN: Hey! 648 00:32:22,333 --> 00:32:23,625 You can't park here. 649 00:32:23,708 --> 00:32:25,458 -I'm not staying. -DOORMAN: I know you're not. 650 00:32:25,541 --> 00:32:27,500 That's my cab lane you're blocking. 651 00:32:27,583 --> 00:32:29,416 All right, girls. You got my beeper number. 652 00:32:29,500 --> 00:32:30,792 I'll stay close. 653 00:32:37,166 --> 00:32:39,083 LEON: Pick up: chili and a hot dog. 654 00:32:39,166 --> 00:32:40,500 We got an order of... 655 00:32:40,583 --> 00:32:44,500 (GRUNTS) Apple pie with a slice of melty yellow cheese. 656 00:32:44,583 --> 00:32:45,708 You want some? 657 00:32:46,541 --> 00:32:48,166 I'm trying to lose a few. 658 00:32:49,500 --> 00:32:50,958 Well, you could take that rug off. 659 00:32:51,041 --> 00:32:52,208 There's a couple right there. 660 00:32:52,291 --> 00:32:53,375 That's not funny. 661 00:32:53,458 --> 00:32:55,708 -(LAUGHS) Wait, that-- -Fuck you. 662 00:32:57,375 --> 00:32:59,124 Hey, don't you, uh... 663 00:32:59,208 --> 00:33:00,750 Don't you gotta be going through the, uh... 664 00:33:00,833 --> 00:33:03,708 parlors about now? It's your-- It's your busy time. 665 00:33:04,917 --> 00:33:07,041 There's no busy time anymore. 666 00:33:07,124 --> 00:33:10,500 Not as many are coming in with that virus scaring everybody. 667 00:33:10,583 --> 00:33:12,875 Those that do wrap themselves in plastic, 668 00:33:12,958 --> 00:33:14,375 just to get their dicks nibbled. 669 00:33:14,999 --> 00:33:16,249 Pathetic. 670 00:33:18,999 --> 00:33:20,083 Glad I'm married. 671 00:33:21,249 --> 00:33:22,375 Me too. 672 00:33:24,249 --> 00:33:29,249 I'll tell ya, the real money now is the outcall. 673 00:33:29,333 --> 00:33:31,375 Parties especially. 674 00:33:31,458 --> 00:33:33,333 Half the guys don't wanna fuck. 675 00:33:33,416 --> 00:33:34,917 They just want the girls to dance 676 00:33:34,999 --> 00:33:36,500 or eat each other's pussy. 677 00:33:36,583 --> 00:33:38,667 Or maybe take 'em in the back room for a blow, 678 00:33:38,750 --> 00:33:41,041 but they still tip like it's straight fucking. 679 00:33:41,917 --> 00:33:43,500 Easy money for the girls. 680 00:33:43,583 --> 00:33:46,583 All it costs me is gas money and some car rentals. 681 00:33:48,458 --> 00:33:52,041 You know, I remember when sex was sex. 682 00:33:52,124 --> 00:33:54,083 (SIGHS) Yeah. 683 00:33:57,792 --> 00:33:59,083 Speaking of which, 684 00:34:00,416 --> 00:34:03,500 Rudy came in last night for some trim. 685 00:34:03,583 --> 00:34:05,375 And he was crying about you not giving him 686 00:34:05,458 --> 00:34:08,375 -no piece of your movies. -What the fuck? 687 00:34:08,458 --> 00:34:10,875 His feelings are hurt. 688 00:34:10,958 --> 00:34:13,458 -Throw him a little somethin'. -All right! 689 00:34:14,625 --> 00:34:15,958 But keep the peace. 690 00:34:16,041 --> 00:34:19,208 All right, I said! Jesus Christ! 691 00:34:19,291 --> 00:34:23,208 Fucking guy. Left, right, and fucking center! 692 00:34:23,291 --> 00:34:24,792 Fucking sawed-off guinea. 693 00:34:24,875 --> 00:34:27,166 -Just wears you down. -LEON: Order up. Two pork chops 694 00:34:27,249 --> 00:34:28,875 -with mashed potatoes... -Goddamn. 695 00:34:28,958 --> 00:34:31,041 LEON: ...chicken and waffles, thighs only, 696 00:34:31,124 --> 00:34:32,625 two scrambled eggs 697 00:34:32,708 --> 00:34:34,416 -with pancakes. -Have some fucking pie, why don't ya? 698 00:34:35,458 --> 00:34:36,500 Fine. 699 00:34:36,583 --> 00:34:38,041 -It'll cost ya one wig. -Hey! 700 00:34:38,124 --> 00:34:40,500 -Don't fucking touch that thing. -(LAUGHS) 701 00:34:42,833 --> 00:34:45,999 (BEEPING) 702 00:34:49,041 --> 00:34:50,124 Shit. 703 00:34:52,333 --> 00:34:54,833 (PHONE RINGS) 704 00:34:56,750 --> 00:34:57,875 (ELEVATOR DINGS) 705 00:34:59,375 --> 00:35:03,875 Excuse me. Excuse me! Hey! Hey! Hey! 706 00:35:03,958 --> 00:35:05,333 Hey, hey! 707 00:35:05,416 --> 00:35:07,083 (ELEVATOR DINGS) 708 00:35:07,166 --> 00:35:10,166 XIOMARA: Frankie. Come on. Please, please. 709 00:35:10,249 --> 00:35:11,999 Go. Quick! 710 00:35:13,917 --> 00:35:15,416 -Okay, do something. -What happened? 711 00:35:15,500 --> 00:35:17,249 He-- He wanted to be fed lobster while getting blown. 712 00:35:17,333 --> 00:35:18,667 Why didn't you call security? 713 00:35:18,750 --> 00:35:20,291 You said, for trouble to call you! 714 00:35:20,375 --> 00:35:21,416 Fuck. 715 00:35:21,500 --> 00:35:22,917 -I told you to call 911. -What the fuck? 716 00:35:22,999 --> 00:35:24,249 -I told you. -What the fuck is happening? 717 00:35:24,333 --> 00:35:25,625 What the fuck is happening right now? 718 00:35:25,708 --> 00:35:27,792 (GRUNTS) Fuck. 719 00:35:27,875 --> 00:35:30,249 Do the thing. Do the mouth thing. 720 00:35:30,958 --> 00:35:31,958 It's not working. 721 00:35:32,041 --> 00:35:33,667 -It's not working! -Fuck! 722 00:35:34,792 --> 00:35:35,750 Get a pen. 723 00:35:35,833 --> 00:35:36,999 Get a fucking pen! 724 00:35:37,083 --> 00:35:40,249 (SOBS) Okay. Okay. 725 00:35:40,333 --> 00:35:42,541 -I can't find one an-- -Come on. 726 00:35:46,208 --> 00:35:48,833 What are you do-- What the-- What the fuck? 727 00:35:48,917 --> 00:35:50,541 -What the fuck? -(SOBS) 728 00:35:50,625 --> 00:35:51,750 -(BOTH SHRIEK) -Hush now. 729 00:35:53,458 --> 00:35:55,833 BAMBI: Oh, no. This is your fault. I told you-- 730 00:35:55,917 --> 00:35:58,166 -XIOMARA: Shut the fuck up! -(KNOCKING ON DOOR) 731 00:35:58,249 --> 00:35:59,999 SECURITY GUARD: Security. Open up! 732 00:36:01,124 --> 00:36:03,124 (BLOWING) 733 00:36:03,208 --> 00:36:04,375 Motherfucker! 734 00:36:04,458 --> 00:36:06,124 (CLAMORING) 735 00:36:06,208 --> 00:36:08,583 What are you doing? They're breaking-- 736 00:36:08,667 --> 00:36:10,416 Hey, he's saving him! 737 00:36:10,500 --> 00:36:12,833 (INDISTINCT SHOUTING) 738 00:36:12,917 --> 00:36:15,124 -(CANDY LAUGHS) -HANK: Bermuda. 739 00:36:16,833 --> 00:36:19,124 -For the fucking weekend? -Yeah. 740 00:36:20,792 --> 00:36:23,583 No, no, no. No, there's a, um... 741 00:36:23,667 --> 00:36:25,333 There's an opening at La MaMa 742 00:36:25,416 --> 00:36:26,583 that I wanna see on Friday night. 743 00:36:26,667 --> 00:36:27,958 There's one actor in particular... 744 00:36:28,041 --> 00:36:29,875 (SIGHS) What's he playing? A rock? 745 00:36:29,958 --> 00:36:35,083 Or maybe he's Death himself with a scythe and a dildo. (CHUCKLES) 746 00:36:35,166 --> 00:36:37,833 I think I've seen everything that off-off Broadway 747 00:36:37,917 --> 00:36:39,541 has to offer. Come on. 748 00:36:40,667 --> 00:36:42,041 -Oh, thanks. -Bermuda. 749 00:36:43,500 --> 00:36:46,458 I... Oh, I can't go away this weekend. 750 00:36:50,625 --> 00:36:51,999 Is he better looking than me? 751 00:36:52,083 --> 00:36:53,625 I bet he's got a full head of hair. 752 00:36:53,708 --> 00:36:55,291 (LAUGHS) No. 753 00:36:55,375 --> 00:36:58,541 I gotta cast my movie. 754 00:36:58,625 --> 00:37:01,291 I don't-- I don't get the point of finding everybody now. 755 00:37:01,375 --> 00:37:04,249 You're talking about shooting it piecemeal 756 00:37:04,333 --> 00:37:05,875 between paying jobs, right? 757 00:37:05,958 --> 00:37:07,458 -Mm-hm. -So... 758 00:37:07,541 --> 00:37:09,208 what's the point in finding everybody now 759 00:37:09,291 --> 00:37:12,708 if you're just gonna wait for months to use some of them? 760 00:37:12,792 --> 00:37:15,667 So, what? Start with the scenes based on which actors 761 00:37:15,750 --> 00:37:18,041 I can find first? That's not a bad idea. 762 00:37:18,124 --> 00:37:20,208 You're welcome. So, we're going this weekend? 763 00:37:20,291 --> 00:37:23,166 RONALD REAGAN: (ON TV) ...thank you for sharing your time with me tonight. 764 00:37:23,249 --> 00:37:24,875 The subject I wanna discuss with you, 765 00:37:24,958 --> 00:37:28,041 peace and national security, is both timely and important. 766 00:37:28,124 --> 00:37:29,792 Timely, because I have reached a decision, 767 00:37:29,875 --> 00:37:32,083 which offers a new hope for our children... 768 00:37:32,166 --> 00:37:34,458 When shall we three meet again? 769 00:37:35,291 --> 00:37:36,500 In thunder, 770 00:37:36,583 --> 00:37:38,083 -lightning... -Ah, the Scottish play. 771 00:37:38,166 --> 00:37:39,999 -...or in rain? -No, no. It's Macbeth. 772 00:37:40,083 --> 00:37:42,875 ACTOR: When the hurly-burly's done, when the battle's lost and won. 773 00:37:44,375 --> 00:37:47,166 -(INDISTINCT CHATTER) -(SIREN WAILS) 774 00:38:11,500 --> 00:38:12,667 (SIGHS) 775 00:38:18,875 --> 00:38:19,875 (GRUNTS) 776 00:38:22,416 --> 00:38:23,999 (SIGHS) 777 00:38:26,249 --> 00:38:27,333 Stay. 778 00:38:33,333 --> 00:38:34,375 (SIGHS) 779 00:38:35,124 --> 00:38:36,208 ABBY: Close your eyes. 780 00:38:37,083 --> 00:38:38,124 What? 781 00:38:38,208 --> 00:38:40,249 ABBY: Close your eyes, Vincent. 782 00:38:42,333 --> 00:38:43,875 'Kay. They're closed. 783 00:38:58,208 --> 00:38:59,416 Open your eyes. 784 00:39:02,083 --> 00:39:03,249 (CHUCKLES) 785 00:39:04,750 --> 00:39:05,875 Make a wish. 786 00:39:06,583 --> 00:39:07,917 (SIGHS) 787 00:39:15,500 --> 00:39:16,875 I hope it comes true. 788 00:39:18,208 --> 00:39:19,583 You sure about that? 789 00:39:26,166 --> 00:39:27,249 Come here. 790 00:39:42,792 --> 00:39:45,208 HADDIX: So, what, is it like a-- like a pus? 791 00:39:45,291 --> 00:39:47,416 -(PHONE RINGING) -A pus. Well, take a look. 792 00:39:47,500 --> 00:39:49,792 Just get a mirror, like a bathroom pocket-book mirror, 793 00:39:49,875 --> 00:39:51,625 and hold it underneath. 794 00:39:51,708 --> 00:39:53,333 And if it's you, Sammy, no one's gonna believe 795 00:39:53,416 --> 00:39:55,541 it's a hooker anyway, right? 796 00:39:55,625 --> 00:39:58,708 Uh... Hold that thought. A suit just walked into my office. 797 00:39:58,792 --> 00:40:00,583 I gotta go. All right. 798 00:40:03,083 --> 00:40:04,291 -(PHONE RINGING) -(HADDIX SIGHS) 799 00:40:04,375 --> 00:40:05,917 Hey, guys. Give us a minute, all right? 800 00:40:05,999 --> 00:40:07,291 POLICE OFFICER: Sure thing, Mike. 801 00:40:10,083 --> 00:40:11,541 Back in five. 802 00:40:11,625 --> 00:40:14,124 WOMAN: (OVER PA) Officer Dugan, move your car. 803 00:40:14,208 --> 00:40:16,667 You're blocking someone trying to go home. 804 00:40:17,333 --> 00:40:18,416 A suit? 805 00:40:19,625 --> 00:40:21,166 You ain't that? 806 00:40:21,249 --> 00:40:23,333 I remember when you were in the bag, Alston. 807 00:40:23,416 --> 00:40:25,041 -I remember you-- -Yeah, 808 00:40:25,124 --> 00:40:26,875 we were all in the bag once. 809 00:40:28,583 --> 00:40:30,166 I need some help with somethin'. 810 00:40:32,667 --> 00:40:34,333 Something I don't know how to do. 811 00:40:35,291 --> 00:40:36,541 How to do it. 812 00:40:36,625 --> 00:40:38,667 Who I would ask. How it happens. 813 00:40:39,416 --> 00:40:40,583 I don't got a clue. 814 00:40:40,667 --> 00:40:41,917 And I do? 815 00:40:41,999 --> 00:40:43,750 What happened to your new messiah, Jack Maple? 816 00:40:43,833 --> 00:40:45,249 It's not police work. 817 00:40:45,333 --> 00:40:47,333 POLICE OFFICER: Uh... The file's back on my desk. 818 00:40:52,166 --> 00:40:54,083 -(PHONES RINGING) -Sounds fucked up. 819 00:40:54,166 --> 00:40:57,124 WOMAN: (OVER PA) Whoever's got the voucher log, bring it back to the desk, 820 00:40:57,208 --> 00:40:59,041 -please! -That bad? 821 00:41:01,124 --> 00:41:03,124 When it's that bad and that fucked up, 822 00:41:03,208 --> 00:41:04,708 there's usually a hell of a price tag. 823 00:41:06,958 --> 00:41:09,083 ♪ (HORROR MUSIC PLAYS ON TV) ♪ 824 00:41:11,541 --> 00:41:15,208 -(GROWLING) -(OWL HOOTS) 825 00:41:22,208 --> 00:41:24,999 -(WOLF HOWLING) -Enough. 826 00:41:25,083 --> 00:41:27,124 No. Hey, we're just getting to the good part. 827 00:41:27,208 --> 00:41:29,875 -The money shot, as it were? -No, there's no money shot 828 00:41:29,958 --> 00:41:31,875 in this one. The wolf's gonna get his. 829 00:41:31,958 --> 00:41:33,458 The point we're trying to make, 830 00:41:33,541 --> 00:41:35,625 the reason I asked Eileen to come to speak to us tonight-- 831 00:41:35,708 --> 00:41:37,166 -Us? -CELINE: Come on, Abby, 832 00:41:37,249 --> 00:41:40,333 you haven't stood with us in a long time now. 833 00:41:40,416 --> 00:41:42,750 Still standing in the same place. 834 00:41:42,833 --> 00:41:44,958 And we've moved on, yes. 835 00:41:45,041 --> 00:41:48,249 Andrea, putting me aside for a moment, 836 00:41:48,333 --> 00:41:50,583 the reason it's so dangerous to think that 837 00:41:50,667 --> 00:41:53,208 there's a one-size-fits-all answer to... 838 00:41:53,291 --> 00:41:57,333 pornography, or, uh, obscenity, or prostitution-- 839 00:41:57,416 --> 00:41:59,541 Yes, it's because... 840 00:42:00,249 --> 00:42:01,875 um... 841 00:42:01,958 --> 00:42:06,416 what you wanna say about men and women and fucking 842 00:42:06,500 --> 00:42:08,833 is probably not the same thing I wanna say, right? 843 00:42:08,917 --> 00:42:11,541 So, we're all intelligent people here. 844 00:42:11,625 --> 00:42:15,792 We have to find some way to be okay with that difference. 845 00:42:15,875 --> 00:42:18,792 You're doing fine. You're on the other side of the camera now. 846 00:42:18,875 --> 00:42:20,625 I'm sorry, I forgot your name. 847 00:42:20,708 --> 00:42:22,124 Andrea. 848 00:42:22,208 --> 00:42:26,041 Andrea. Uh... I was fine with it when I was fucking on film. 849 00:42:26,124 --> 00:42:28,124 Yeah, I was fine with it when I was fucking in the street. 850 00:42:28,208 --> 00:42:30,667 -Those were choices I made. -And you've done well by them. 851 00:42:30,750 --> 00:42:32,041 Well, I've done what I've done. 852 00:42:32,124 --> 00:42:34,249 That makes sense to me, maybe not to you. 853 00:42:34,333 --> 00:42:35,999 And this makes sense to me. 854 00:42:36,083 --> 00:42:37,667 Not to you, okay. 855 00:42:37,750 --> 00:42:39,458 But if we're... 856 00:42:39,541 --> 00:42:41,667 gonna stand together on this as women-- 857 00:42:41,750 --> 00:42:44,833 I mean, look, you're not gonna wanna tell me who I can fuck, right? 858 00:42:44,917 --> 00:42:47,291 You don't wanna do that. You don't wanna tell me... 859 00:42:48,249 --> 00:42:50,708 what should turn me on. 860 00:42:50,792 --> 00:42:52,917 It's just the same with what I film. 861 00:42:52,999 --> 00:42:54,541 It's the same goddamn thing, 862 00:42:54,625 --> 00:42:56,750 because I'm not trying to clean shit up. 863 00:42:56,833 --> 00:42:59,708 When I'm filming people fucking, 864 00:42:59,792 --> 00:43:04,333 what I'm after is the truest, wildest shit 865 00:43:04,416 --> 00:43:05,958 that's already in all our heads. 866 00:43:06,041 --> 00:43:07,917 I mean, that's the truth I'm after. 867 00:43:07,999 --> 00:43:10,500 I'm sorry, who are you? (LAUGHS) 868 00:43:10,583 --> 00:43:14,750 To come in here and pretend that your outcome, right, 869 00:43:14,833 --> 00:43:16,458 your personal achievements 870 00:43:16,541 --> 00:43:19,291 in a multi-million dollar industry 871 00:43:19,375 --> 00:43:24,375 that feeds off and fuels American sexual oppression 872 00:43:24,458 --> 00:43:27,458 are representative of what awaits other women. 873 00:43:27,541 --> 00:43:29,958 Are they becoming auteurs? 874 00:43:30,041 --> 00:43:32,750 Are they gonna get paid for their vision? 875 00:43:32,833 --> 00:43:34,875 You think I was born with a camera in my hand? 876 00:43:34,958 --> 00:43:36,500 N-- (SIGHS) No. 877 00:43:36,583 --> 00:43:37,917 Do you know where I've been? 878 00:43:37,999 --> 00:43:39,958 You know how hard it was for me to get here? 879 00:43:40,041 --> 00:43:41,416 -This is pointless. -CANDY: Why? 880 00:43:41,500 --> 00:43:42,833 -I know. -ABBY: Andrea, 881 00:43:42,917 --> 00:43:44,875 -this is a woman that-- -ANDREA DWORKIN: No. No, no, no. 882 00:43:44,958 --> 00:43:49,041 The anecdotal does not help us here, Abby. 883 00:43:49,124 --> 00:43:53,166 The anecdotal is the problem, because the fact remains that 884 00:43:53,249 --> 00:43:55,333 for every prostitute who thinks 885 00:43:55,416 --> 00:43:58,208 that she can manage her own commodification, 886 00:43:58,291 --> 00:44:00,625 there are two dozen who can't. 887 00:44:00,708 --> 00:44:03,583 Okay. They're brutalized by the process. 888 00:44:03,667 --> 00:44:06,500 For every porn actress who thinks she can stand 889 00:44:06,583 --> 00:44:09,166 in the light, there are two dozen who are 890 00:44:09,249 --> 00:44:11,792 -used up and tossed aside. -Okay. 891 00:44:11,875 --> 00:44:13,124 You are the strong one. 892 00:44:13,208 --> 00:44:16,208 That's very good for you, Candy. Or... 893 00:44:16,291 --> 00:44:17,999 Arlene, or whatever your name is. 894 00:44:18,083 --> 00:44:21,124 But how many women do you know who've done what you've done, 895 00:44:21,208 --> 00:44:25,124 whose outcome was not yours? Where are they now? 896 00:44:25,208 --> 00:44:28,625 And how many are better because of this brave new world, 897 00:44:28,708 --> 00:44:31,124 and how many are worse? And, remember, 898 00:44:31,208 --> 00:44:35,124 for every playful little scene of some self-actualized 899 00:44:35,208 --> 00:44:38,999 Red Riding Hood, vanquishing her fears and inhibitions, 900 00:44:39,083 --> 00:44:43,333 there are a dozen videotapes up on Eighth Avenue of women 901 00:44:43,416 --> 00:44:48,541 being gang-banged or tortured, or made to fuck everything. 902 00:44:48,625 --> 00:44:49,999 What about those women? 903 00:44:50,083 --> 00:44:51,750 Are you speaking for them? 904 00:44:54,500 --> 00:44:55,583 Uh... 905 00:45:03,667 --> 00:45:06,249 (SCOFFS) I-- I don't know. 906 00:45:08,416 --> 00:45:09,750 But I'm speaking. 907 00:45:09,833 --> 00:45:13,792 So are we, okay? And we are doing so for every woman 908 00:45:13,875 --> 00:45:18,208 who now has to be seen and considered... 909 00:45:18,291 --> 00:45:22,083 and subordinated in light of what you have made your work. 910 00:45:22,166 --> 00:45:25,750 For every woman who is raped or tortured, 911 00:45:25,833 --> 00:45:29,083 if not because of what you thought to film, 912 00:45:29,166 --> 00:45:31,833 then for all the help that you gave them 913 00:45:31,917 --> 00:45:35,208 making that thinkable for some pornographer 914 00:45:35,291 --> 00:45:37,124 to put up on screen. 915 00:45:40,083 --> 00:45:42,083 Excuse me. 916 00:45:42,166 --> 00:45:45,625 -(SCOFFS) -(DOOR OPENS, CLOSES) 917 00:45:51,792 --> 00:45:55,625 (DOOR OPENS, CLOSES) 918 00:46:18,833 --> 00:46:20,166 Are you a fucking moron? 919 00:46:21,999 --> 00:46:25,333 Come on. Get out. Let's go. Go! 920 00:46:33,500 --> 00:46:35,375 (CAN CLATTERS) 921 00:47:02,041 --> 00:47:03,041 Really? 922 00:47:03,124 --> 00:47:04,833 What? It's just in case. 923 00:47:04,917 --> 00:47:07,541 -Yeah, go ahead. It's sulfate. -Yes. 924 00:47:20,124 --> 00:47:22,083 Look, Candy, I'm sorry. 925 00:47:23,583 --> 00:47:25,625 -That was vicious. -Yeah. 926 00:47:28,083 --> 00:47:29,750 Yeah, they were assholes. 927 00:47:37,583 --> 00:47:38,583 Fuck it! 928 00:47:44,625 --> 00:47:46,917 Maybe I needed to hear some of that shit. 929 00:47:54,500 --> 00:47:57,041 Uh... Maybe I should just sing and you should play. 930 00:47:57,124 --> 00:47:58,750 Whatever you want. 931 00:47:58,833 --> 00:48:00,124 Okay, thanks. 932 00:48:02,124 --> 00:48:07,166 ♪ (PLAYS BLUES PROGRESSION) ♪ 933 00:48:31,333 --> 00:48:32,917 Shouldn't even charge for this. 934 00:48:32,999 --> 00:48:35,833 (COUGHS) 935 00:48:37,917 --> 00:48:43,083 ♪ Happy birthday to you ♪ 936 00:48:43,166 --> 00:48:47,750 ♪ Happy birthday to you ♪ 937 00:48:47,833 --> 00:48:54,583 ♪ Happy birthday Dear... ♪ (ALL MUMBLING) 938 00:48:54,667 --> 00:49:00,333 ♪ Happy birthday to you ♪ 939 00:49:00,416 --> 00:49:01,792 One, two, three. 940 00:49:01,875 --> 00:49:04,416 (CHEERING, APPLAUSE) 941 00:49:04,500 --> 00:49:06,291 FRANKIE: Ah! 942 00:49:08,249 --> 00:49:09,750 Officially, we're late. 943 00:49:09,833 --> 00:49:12,416 -It's after midnight. -Boo! 944 00:49:12,500 --> 00:49:14,249 My brother could ruin a wet dream. 945 00:49:14,333 --> 00:49:17,208 (ALL LAUGHING, CLAMORING) 946 00:49:17,291 --> 00:49:18,750 (LAUGHTER) 947 00:49:18,833 --> 00:49:22,124 One more trip around the sun for the Martino brothers! 948 00:49:22,208 --> 00:49:24,416 (ALL CHEERING) 949 00:49:24,500 --> 00:49:25,917 VINCENT: Thank you! 950 00:49:25,999 --> 00:49:28,208 ♪ ("HAPPY BIRTHDAY" BY ALTERED IMAGES PLAYS) ♪ 951 00:49:30,333 --> 00:49:33,625 ♪ Happy, happy birthday In a hot bath ♪ 952 00:49:33,708 --> 00:49:35,083 Hey! Some champagne. 953 00:49:36,583 --> 00:49:38,291 ♪ I remember always, always ♪ 954 00:49:38,375 --> 00:49:39,833 Hey babe, will you grab me some bubbly? 955 00:49:39,917 --> 00:49:42,333 -I'll be right back. Okay? -You got it. 956 00:49:42,416 --> 00:49:45,792 -♪ Seeing them In my dark cupboard ♪ -Yes. 957 00:49:45,875 --> 00:49:47,458 ♪ With my great big cake ♪ 958 00:49:47,541 --> 00:49:48,958 All right. Let's go. 959 00:49:49,041 --> 00:49:51,291 ♪ If they were me If they were me ♪ 960 00:49:51,375 --> 00:49:53,999 ♪ And I was you And I was you ♪ 961 00:49:54,083 --> 00:49:55,458 What the fuck is it now? 962 00:49:55,541 --> 00:49:56,917 You know what now. You keep steppin' on my shit. 963 00:49:56,999 --> 00:49:59,041 Oh, did I? Well, you know what? 964 00:49:59,124 --> 00:50:01,166 You're the only one who complains. 965 00:50:01,249 --> 00:50:02,500 Am I right, George? 966 00:50:04,333 --> 00:50:07,999 Everybody else is getting their head up on our shit. 967 00:50:08,083 --> 00:50:09,541 Except you. 968 00:50:09,625 --> 00:50:12,667 You're the only one who keeps running back to Tommy Longo 969 00:50:12,750 --> 00:50:14,166 to get your fucking discount. 970 00:50:14,249 --> 00:50:17,124 Well, you know what? I'm done with your bullshit. 971 00:50:20,875 --> 00:50:22,667 This ain't right. 972 00:50:22,750 --> 00:50:25,458 ♪ I got such a fright ♪ 973 00:50:25,541 --> 00:50:27,416 ♪ Seeing them In my dark cupboard ♪ 974 00:50:27,500 --> 00:50:29,917 -Goddamn it! -(PHONE HANGS UP) 975 00:50:31,583 --> 00:50:32,958 Vince. 976 00:50:33,041 --> 00:50:34,500 I gotta go. 977 00:50:34,583 --> 00:50:37,041 -What's the problem? -Black Frankie is at Rikers. 978 00:50:37,124 --> 00:50:38,333 What the hell happened? 979 00:50:38,416 --> 00:50:39,667 Something went wrong at a hotel. 980 00:50:39,750 --> 00:50:41,541 They fucked up one of the outcall johns. 981 00:50:42,249 --> 00:50:43,166 How bad? 982 00:50:43,249 --> 00:50:44,333 Attempted murder. 983 00:50:44,416 --> 00:50:47,249 I gotta go find a lawyer and a bondsman. 984 00:50:47,333 --> 00:50:48,875 Tell Fran I had an emergency. 985 00:50:48,958 --> 00:50:50,458 Make sure you walk her to the car. 986 00:50:50,541 --> 00:50:52,375 Yeah, all right. 987 00:50:52,458 --> 00:50:54,333 ♪ ("EVERYBODY WANTS TO RULE THE WORLD" BY TEARS FOR FEARS PLAYS) ♪ 988 00:50:54,416 --> 00:50:57,458 FRANKIE: All right, first birthday dance goes to you, Miss Fuego. 989 00:50:57,541 --> 00:50:58,958 CHRISTINA: Who, me? (LAUGHS) 990 00:50:59,041 --> 00:51:00,958 FRANKIE: Oh! Oh, oh, oh, oh. 991 00:51:08,792 --> 00:51:09,833 Uh-oh. 992 00:51:13,750 --> 00:51:14,917 You wanna dance? 993 00:51:14,999 --> 00:51:18,833 ♪ Welcome to your life ♪ 994 00:51:18,917 --> 00:51:23,166 -♪ There's no turning back ♪ -(LAUGHS) 995 00:51:23,249 --> 00:51:27,416 ♪ Even while we sleep ♪ 996 00:51:27,500 --> 00:51:33,667 ♪ We will find you acting on Your best behavior... ♪ 997 00:51:33,750 --> 00:51:36,750 (SINGING) ♪ I come home, sad and lonely ♪ 998 00:51:36,833 --> 00:51:39,458 ♪ Feel like I wanna cry ♪ 999 00:51:39,541 --> 00:51:45,416 ♪ I want a man to hold me Not some fool to ask me why ♪ 1000 00:51:45,500 --> 00:51:49,375 ♪ And I need someone To love me ♪ 1001 00:51:50,500 --> 00:51:53,166 ♪ And darling I know you can ♪ 1002 00:51:53,249 --> 00:51:57,750 -♪ (GUITAR STRUMS) ♪ -(INDISTINCT CHATTER) 1003 00:51:57,833 --> 00:52:00,875 ♪ Don't you put yourself Above me ♪ 1004 00:52:00,958 --> 00:52:05,958 ♪ Just love me like a man ♪ 1005 00:52:08,416 --> 00:52:10,667 ♪ (GUITAR STRUMMING ENDS) ♪ 1006 00:52:10,750 --> 00:52:14,583 (CHEERING AND SCATTERED APPLAUSE) 1007 00:52:14,667 --> 00:52:16,583 (INDISTINCT CHATTER) 1008 00:52:16,667 --> 00:52:17,833 Thank you. 1009 00:52:22,458 --> 00:52:25,291 -You're Lori Madison, right? -No. 1010 00:52:25,375 --> 00:52:26,999 You sounded great, babe. 1011 00:52:35,999 --> 00:52:39,166 (PERFORMER SPEAKS INDISTINCTLY) 1012 00:52:43,833 --> 00:52:46,583 Whatever you want me to do, I'll do. 1013 00:52:46,667 --> 00:52:49,667 You want me to fuck, I'll fuck. You want me to suck, I'll suck. 1014 00:52:49,750 --> 00:52:51,792 You wanna shove a fucking broom up my ass... 1015 00:52:51,875 --> 00:52:54,833 I can sweep up the set floor while I do everything else. 1016 00:52:54,917 --> 00:52:56,708 -Lori... -LORI: Okay? 1017 00:52:56,792 --> 00:52:59,124 You win. I can't do anything else. You happy? 1018 00:52:59,208 --> 00:53:02,750 ♪ (MAN PLAYING "HOUSE OF THE RISING SUN") ♪ 1019 00:53:04,375 --> 00:53:06,333 -ALSTON: Who called it in? -FIRE INVESTIGATOR: Anonymous. 1020 00:53:06,416 --> 00:53:09,458 -ALSTON: What d'you find? -Oh, a set fire definitely. 1021 00:53:09,541 --> 00:53:11,625 Accelerant's petroleum-based. 1022 00:53:11,708 --> 00:53:13,792 Pour pattern evident on the floor. 1023 00:53:14,875 --> 00:53:16,333 Whole shit-pile would have gone up 1024 00:53:16,416 --> 00:53:18,249 if the guy had checked the air vent in that room. 1025 00:53:19,833 --> 00:53:21,375 It was shut. 1026 00:53:21,458 --> 00:53:23,208 -Thank you. -Yeah. 1027 00:53:26,500 --> 00:53:30,958 (INDISTINCT CHATTER OVER POLICE RADIO) 1028 00:53:31,041 --> 00:53:34,583 When you speak of me, speak well. 1029 00:53:44,291 --> 00:53:46,750 Frankie, this is gonna hurt. 1030 00:53:46,833 --> 00:53:48,375 ♪ ("FEVER" BY SYLVESTER PLAYS) ♪ 1031 00:53:48,458 --> 00:53:50,583 MAN: Kings full of tens! 1032 00:53:50,667 --> 00:53:52,124 Fuck you. 1033 00:53:52,208 --> 00:53:54,333 You bring a full boat to my straight on my birthday! 1034 00:53:54,416 --> 00:53:55,917 That's not how friends treat friends. 1035 00:53:55,999 --> 00:53:58,166 You want me to fold with a full house 1036 00:53:58,249 --> 00:54:01,958 because your mother dropped you one day and not the next. 1037 00:54:02,625 --> 00:54:03,792 No, malaka. 1038 00:54:03,875 --> 00:54:05,124 -(LAUGHS) -Frankie, Georgie raped you. 1039 00:54:05,208 --> 00:54:07,375 You all are fucking degenerates. 1040 00:54:07,458 --> 00:54:09,667 I'm actually going to bed. 1041 00:54:09,750 --> 00:54:10,917 Kalinixta. 1042 00:54:16,124 --> 00:54:17,667 Hey! 1043 00:54:17,750 --> 00:54:19,667 Happy birthday, you little shit! 1044 00:54:21,124 --> 00:54:23,833 What, you givin' up? The shake of the evening. 1045 00:54:25,291 --> 00:54:26,541 Don't hurt yourself. 1046 00:54:40,833 --> 00:54:43,500 (GUNSHOT, GLASS SHATTERING) 1047 00:54:43,583 --> 00:54:47,999 (GUNSHOTS) 1048 00:54:55,708 --> 00:54:57,333 MAN: Holy shit! 1049 00:54:57,416 --> 00:55:00,416 (GUNSHOTS RICOCHET) 1050 00:55:02,625 --> 00:55:04,999 -Open the door! -♪ (MUSIC PLAYS LOUDLY) ♪ 1051 00:55:05,083 --> 00:55:08,083 -Open the fucking door! -(DOOR BUZZING) 1052 00:55:09,208 --> 00:55:11,333 -BOUNCER: What happened? -Motherfucker! 1053 00:55:11,416 --> 00:55:12,750 I thought you left. 1054 00:55:12,833 --> 00:55:15,249 I did, th-- There's some fucking asshole out there 1055 00:55:15,333 --> 00:55:16,999 shooting up the fucking block. 1056 00:55:20,208 --> 00:55:21,291 MAN: Oh shit! 1057 00:55:21,375 --> 00:55:24,083 WOMAN: Come on! Let's get out of here. 1058 00:55:24,999 --> 00:55:27,249 Frankie. Shit. 1059 00:55:28,625 --> 00:55:31,625 -Fuck. Go get Vince! -(FRANKIE GROANS) 1060 00:55:31,708 --> 00:55:34,124 -Shit. Fuck, Frankie! -BOUNCER: Vince! Vince! 1061 00:55:34,208 --> 00:55:35,625 Yo! Come quick! 1062 00:55:35,708 --> 00:55:36,625 Fuck! 1063 00:55:36,708 --> 00:55:38,458 BOUNCER: Vince, come on! 1064 00:55:39,083 --> 00:55:40,083 Shit! 1065 00:55:44,291 --> 00:55:45,375 Shit! 1066 00:55:55,625 --> 00:55:56,750 VINCENT: Frankie. 1067 00:55:58,416 --> 00:55:59,792 What happened? 1068 00:55:59,875 --> 00:56:01,875 -BOUNCER: Call a fucking ambulance. -Hey. 1069 00:56:04,541 --> 00:56:06,291 BOUNCER: Hey, yo, cut the fucking music! 1070 00:56:08,249 --> 00:56:09,625 -♪ (MUSIC STOPS) ♪ -Little brother. 1071 00:56:10,375 --> 00:56:12,833 Don't. Don't. Don't. 1072 00:56:12,917 --> 00:56:15,208 (CONFUSED CHATTER) 1073 00:56:15,291 --> 00:56:17,625 -The rule. -BOUNCER: Back the fuck up! 1074 00:56:17,708 --> 00:56:18,875 What rule? 1075 00:56:23,500 --> 00:56:24,958 Infield fly... 1076 00:56:26,792 --> 00:56:28,041 What? 1077 00:56:28,124 --> 00:56:29,999 BOUNCER: Back it up! 1078 00:56:30,083 --> 00:56:31,458 You never got it. 1079 00:56:32,541 --> 00:56:34,792 -It's simple. -Frankie. 1080 00:56:37,208 --> 00:56:39,041 Two men on base. 1081 00:56:39,124 --> 00:56:40,708 Jesus Christ. 1082 00:56:40,792 --> 00:56:41,958 One out... 1083 00:56:42,917 --> 00:56:43,958 Frankie. 1084 00:56:46,124 --> 00:56:47,708 Don't. Frankie! 1085 00:56:47,792 --> 00:56:48,958 Simple. 1086 00:56:51,124 --> 00:56:52,166 Bet that. 1087 00:56:53,625 --> 00:56:54,667 Frankie! 1088 00:56:58,291 --> 00:57:00,708 (SOBS) 1089 00:57:08,667 --> 00:57:10,416 (CONTINUES SOBBING) 1090 00:57:10,500 --> 00:57:12,999 BOUNCER: Jesus Christ! Where's the fucking ambulance? 1091 00:57:21,500 --> 00:57:22,667 (SOBS) 1092 00:57:24,625 --> 00:57:27,375 ♪ (MUSIC PLAYS) ♪