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MUSIC: "It Seemed The Better Way"
by Leonard Cohen
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♪ Seemed the better way ♪
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♪ When first I heard him speak ♪
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♪ Now it's much too late ♪
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♪ To turn the other cheek ♪
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♪ Sounded like the truth ♪
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♪ Seemed the better way ♪
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♪ Sounded like the truth ♪
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♪ But it's not the truth today ♪
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♪ I wonder what it was ♪
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♪ I wonder what it meant ♪
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♪ First he touched on love ♪
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♪ Then he touched on death ♪
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♪ Sounded like the truth ♪
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♪ Seemed the better way ♪
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♪ Sounded like the truth ♪
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♪ But it's not the truth today ♪
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♪ I better hold my tongue ♪
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♪ I better take my place ♪
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♪ Lift this glass of blood ♪
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♪ Try to say the grace... ♪
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HE KNOCKS
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You have to go.
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THUNDER RUMBLES
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GIRL SINGS:
♪ Light after darkness ♪
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♪ Pain after love ♪
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♪ Strength after weakness ♪
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♪ Crown after cross ♪
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♪ Sweet after bitter ♪
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♪ Hope after fears ♪
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♪ Home after wandering ♪
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♪ Praise after tears ♪
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God is good and all powerful.
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A rock...
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in a troubled sea.
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God is just.
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He protects those who believe.
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He sees all
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but He forgets nothing.
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God is slow to anger
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but his love
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knows no end.
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JOHAN (VO): Those who would make
an enemy of the Lord
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He will pursue into the dark realm.
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THUNDER RUMBLES
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He is fury
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He is wrath
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He is vengeance
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and affliction shall not rise up
a second time.
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But the righteous shall rejoice
when they see the vengeance.
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And He will bathe His feet
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in the blood of the wicked.
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THUNDER RUMBLES
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We should go find your dad.
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What's the plan?
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Let's be honest, Dad doesn't give a shit
about these people.
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Why are we still here? Hanging around?
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ANGELA:
Would you sit down with me for a minute?
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Mum?
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You're scaring me.
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That's you.
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Tiny.
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The man holding you there...
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is your father.
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That's not Dad.
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This is a joke, right?
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JACK:
No, it's not a joke.
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You're not my dad?
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No.
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I know this is a shock.
I always imagined I'd tell you so differently
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but...
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Your real dad, he was a bit of a criminal.
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But the...
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the people he and Jack worked with...
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they're coming after us.
- Why?
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Cos of something that we did.
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Me and Jack.
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What we saw...
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The stuff that we know.
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It could hurt them.
- Wait, just wait, just wait, wait, wait.
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Um...
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Uh, I don't... I don't get it.
So this is not about a cartel?
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No.
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This is about you and you and me.
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Yeah.
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And this is all so difficult
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but I need you to know
that you were always wanted
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and always loved.
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Yeah. Um...
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But you're my mum?
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You are my real mum?
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Because if you tell me you're not, I...
- I'm your mother, darling girl.
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I carried you inside me
and I brought you into this world.
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OK.
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THUNDER RUMBLES
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DOOR OPENS
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DOOR CLOSES
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I'm so sorry.
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She brought you to us
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you became part of our family.
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Yeah... I loved her.
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I let her down.
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I sent her away
without her knowing the truth.
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With no way of protecting herself.
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She never said goodbye to me.
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You have to forgive yourself.
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Perhaps if I'd been more like your father
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my daughter would be alive today.
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I won't make that mistake again.
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He's not my father.
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What do you mean?
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He's not my real dad. Jack.
I just, I just found out.
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He loves you.
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You belong together.
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Have faith in that.
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You should leave.
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No.
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No, I'm staying, Anna.
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I'll kill every man responsible
for my daughter's death.
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And I'm at peace with that.
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Collen. Jess.
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Still packing, I see.
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You got my back, right?
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Yep.
- Yep.
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Now we're fucking talking.
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I stand with you.
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Well, that's a relief.
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You need a fucking shave, mate.
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Stop following me!
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ANNA:
Why now?
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Why've you never told me before?
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Because he is a very dangerous man,
and I didn't want you looking into him.
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He was a cunt, love.
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Your mum has very definite taste in men.
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How did you meet him?
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Working in a pub in Liverpool he owned.
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I stayed upstairs.
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He ran a chain of pubs
we ran a racket out of.
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ANNA: We?
- Yeah.
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There wasn't much money to be had
as a barmaid.
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So where is he now? Prison?
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No.
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He's dead.
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Dead?
- Yeah.
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Yeah.
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How?
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He was killed.
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SHE SNIFFS
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So where do you fit into all this?
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He was an informer.
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On pub scams?
152
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No, it was a lot deeper than that.
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00:15:10,840 --> 00:15:12,256
And what about you?
Were you an informer?
154
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No.
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And you two got together when?
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Er...
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that happened a bit later, but, er...
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we went to London
cos we had to get you out.
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So what about now?
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Now they want us dead.
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We're gonna do everything we can
to keep you safe, Anna.
162
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The people who are coming.
They're like you, aren't they?
163
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Yeah.
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And you don't think we can win this one,
do you?
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Don't, Johan. Don't.
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Don't say what you don't mean. Please.
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I did not mean to hurt you.
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But you do mean to harm, don't you?
169
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If you take this path, there's no end to it.
No end.
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You're becoming like them.
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I'm not asking you
to walk the same path as me.
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That's my choice.
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But you must take Thomas
and you must leave.
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I must?
- Ja.
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00:16:22,560 --> 00:16:23,560
I must?
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Where should we go? To Nelson?
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I love you.
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Then why are you asking me to leave?
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You're not safe if you stay here.
- I'm not safe if I go.
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My daughter's grave is here.
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I'll never leave.
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Just as I'll never leave you.
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This might be my last chance to say this.
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I don't care that you're not my real dad.
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You're the only dad I've got.
186
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I don't want another one.
187
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I love you, Dad.
188
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So we either live together
or we die together.
189
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Let the fuckers come.
190
00:17:42,520 --> 00:17:44,656
JACK: You're the pickle.
- ANGELA: I thought I was the pickle.
191
00:17:44,680 --> 00:17:47,040
JACK: No, you're not the fucking pickle,
you're the ketchup.
192
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Pay attention.
193
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So, I think they'll take us at the trailer.
194
00:17:52,400 --> 00:17:54,073
How can you be sure?
- I can't be.
195
00:17:55,440 --> 00:17:56,440
So we're splitting up?
196
00:17:57,000 --> 00:17:59,196
Yeah, you get the low ground,
Mum gets the high ground.
197
00:17:59,880 --> 00:18:00,880
What about you?
198
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I'm the bun.
199
00:18:42,120 --> 00:18:43,120
ANGELA:
Marry me?
200
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Nah.
201
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Then I'd be stuck with you.
202
00:18:54,320 --> 00:18:55,754
I'd like to keep my options open.
203
00:19:04,920 --> 00:19:06,593
You used to beg me to marry you.
204
00:19:08,920 --> 00:19:09,920
I know.
205
00:19:11,000 --> 00:19:13,310
How many times? Two, three?
206
00:19:14,640 --> 00:19:15,640
Four...
207
00:19:16,640 --> 00:19:17,640
actually.
208
00:19:20,000 --> 00:19:21,957
It's the last one that stung the most though.
209
00:19:36,080 --> 00:19:37,309
Don't know how to say goodbye.
210
00:19:41,960 --> 00:19:42,960
Then don't.
211
00:20:18,680 --> 00:20:20,000
Go back to your room, Thomas.
212
00:21:51,120 --> 00:21:52,240
JACK (VO):
What d'you reckon?
213
00:21:53,640 --> 00:21:55,760
ANGELA (VO):
I think she's stronger than either of us.
214
00:22:54,600 --> 00:22:55,829
If it all goes wrong, alright?
215
00:22:56,520 --> 00:23:00,036
No... if it goes wrong
and we lose track of each other
216
00:23:00,640 --> 00:23:01,994
and it goes fucking...
217
00:23:04,000 --> 00:23:05,000
tits up...
218
00:23:10,120 --> 00:23:11,120
I'll see you in the pub.
219
00:23:19,680 --> 00:23:21,717
The usual seat.
220
00:23:23,280 --> 00:23:24,316
Best view in the room.
221
00:23:25,600 --> 00:23:26,670
Liverpool?
222
00:23:29,600 --> 00:23:30,829
Jesus, Jack...
223
00:23:32,080 --> 00:23:33,116
you want to go back?
224
00:23:33,520 --> 00:23:34,520
We have to, don't we?
225
00:23:35,320 --> 00:23:38,040
If I can't do it, you gotta do it.
You need to do it. We need to.
226
00:23:43,480 --> 00:23:44,709
Names are in the bag.
227
00:23:58,240 --> 00:24:00,391
I'll have three pints on the bar.
- THEY CHUCKLE
228
00:24:03,560 --> 00:24:05,199
Get there before I finish them, alright?
229
00:24:08,040 --> 00:24:09,040
See ya.
230
00:24:09,520 --> 00:24:10,520
Jack...
231
00:24:13,080 --> 00:24:14,116
Come here to me.
232
00:24:41,200 --> 00:24:42,200
See ya.
233
00:27:25,000 --> 00:27:26,593
CREAK
234
00:27:35,080 --> 00:27:36,150
GUN COCKS
235
00:27:49,480 --> 00:27:51,676
SHE BREATHES HEAVILY
236
00:27:52,920 --> 00:27:54,240
CREAK
237
00:28:13,680 --> 00:28:15,194
WIND WHISTLES
238
00:28:19,360 --> 00:28:20,430
CREAK
- ANGELA GASPS
239
00:28:24,160 --> 00:28:25,160
Thomas.
240
00:28:30,080 --> 00:28:31,080
SHE WHISPERS:
Hey.
241
00:28:32,040 --> 00:28:33,040
Hey.
242
00:28:33,960 --> 00:28:35,076
What are you doing here?
243
00:28:42,480 --> 00:28:43,630
DOOR CREAKS
244
00:28:50,080 --> 00:28:51,309
DOOR CREAKS
245
00:28:56,400 --> 00:28:57,720
DOOR CREAKS
246
00:29:12,080 --> 00:29:13,230
DOOR CREAKS
247
00:29:42,280 --> 00:29:43,396
DOOR OPENS
248
00:30:17,760 --> 00:30:18,955
GUNSHOT
- MAN GRUNTS
249
00:30:21,680 --> 00:30:22,955
GUNFIRE
250
00:30:26,520 --> 00:30:27,920
GUNFIRE
251
00:30:41,200 --> 00:30:42,759
GUNFIRE
- JACK: Fuckin' hell!
252
00:30:43,080 --> 00:30:44,719
GUNFIRE
253
00:30:45,880 --> 00:30:46,996
ANNA GASPS
254
00:30:51,760 --> 00:30:53,035
GUNFIRE
255
00:30:53,080 --> 00:30:54,594
Fuck, fuck, fuck off!
256
00:31:02,160 --> 00:31:03,160
Oh, fuck.
257
00:31:05,240 --> 00:31:06,435
PAINTBALL GUN FIRES
258
00:31:06,480 --> 00:31:07,596
GUNSHOT
259
00:31:10,280 --> 00:31:11,475
PAINTBALL GUN FIRES
260
00:31:16,760 --> 00:31:17,830
GUNSHOTS
261
00:31:30,640 --> 00:31:31,676
GUNSHOT
262
00:31:32,400 --> 00:31:33,400
GUNSHOT
263
00:31:34,800 --> 00:31:36,473
Look at me. Look at me!
264
00:31:36,640 --> 00:31:37,676
GUNSHOT
265
00:32:07,680 --> 00:32:08,909
HE SOBS
266
00:32:24,440 --> 00:32:25,351
Go, go, go!
267
00:32:25,400 --> 00:32:26,400
DISTANT GUNFIRE
268
00:32:26,520 --> 00:32:27,520
SHOTGUN COCKS
269
00:32:35,040 --> 00:32:36,040
GUNFIRE
270
00:32:36,400 --> 00:32:38,080
I'm gonna take this off and put it on you.
271
00:32:38,640 --> 00:32:39,790
GUNFIRE
272
00:32:39,840 --> 00:32:41,194
It's OK, here.
273
00:32:42,240 --> 00:32:43,151
Look at me, it's OK.
274
00:32:43,200 --> 00:32:44,793
GUNFIRE
275
00:32:49,840 --> 00:32:51,513
GUNFIRE
276
00:33:02,320 --> 00:33:03,470
DOOR OPENS
277
00:33:04,720 --> 00:33:06,040
FOOTSTEPS APPROACH
278
00:33:09,760 --> 00:33:11,240
GUNSHOTS
279
00:33:23,280 --> 00:33:24,280
Shit.
280
00:33:25,400 --> 00:33:26,400
Come on.
281
00:33:29,880 --> 00:33:30,880
Stay there.
282
00:33:32,880 --> 00:33:34,678
OK, straight to the tractors, go!
283
00:33:41,120 --> 00:33:42,952
OK, to the woods, go, go, go!
284
00:33:53,960 --> 00:33:54,960
You alright, Jack?
285
00:33:55,960 --> 00:33:56,996
GUNSHOTS
286
00:33:57,280 --> 00:33:58,280
GUNSHOT
287
00:34:03,520 --> 00:34:04,520
GUNSHOT
288
00:34:05,760 --> 00:34:06,760
GUNSHOTS
289
00:34:11,280 --> 00:34:12,555
GUNFIRE
290
00:34:12,640 --> 00:34:14,632
Thomas, here, run.
291
00:34:15,000 --> 00:34:16,195
Get out of here, run!
292
00:34:19,440 --> 00:34:20,874
GUNFIRE
293
00:34:31,000 --> 00:34:32,116
GUNFIRE
294
00:34:34,360 --> 00:34:35,510
GUNSHOT
295
00:34:37,440 --> 00:34:38,440
GUNSHOT
296
00:34:38,880 --> 00:34:39,880
GUNSHOTS
297
00:34:41,680 --> 00:34:43,239
GUNFIRE
298
00:34:46,160 --> 00:34:47,230
GUNFIRE
299
00:34:52,280 --> 00:34:53,714
ANNA COUGHS
300
00:34:58,960 --> 00:34:59,960
GUNSHOT
301
00:35:02,480 --> 00:35:03,755
GUNFIRE
- JOHAN GRUNTS
302
00:35:03,880 --> 00:35:04,950
JOHAN GROANS
303
00:35:05,160 --> 00:35:06,160
Johan!
304
00:35:06,640 --> 00:35:08,950
Run, run... Run, Anna!
305
00:35:14,120 --> 00:35:15,156
GUNFIRE
306
00:35:15,320 --> 00:35:16,320
GUNSHOT
307
00:35:24,120 --> 00:35:25,839
JOHAN GASPS
- DISTANT GUNFIRE