1 00:00:10,755 --> 00:00:11,815 PREVIOUSLY ON "QUEEN SUGAR"... 2 00:00:11,822 --> 00:00:14,352 ARSON? WHAT THE HELL IS GOING ON? 3 00:00:14,355 --> 00:00:15,455 PUT A STOP TO IT. 4 00:00:15,455 --> 00:00:17,455 IT'S OUT OF MY HANDS NOW. 5 00:00:17,454 --> 00:00:19,154 I'M CALLING IN THAT FAVOR. 6 00:00:19,155 --> 00:00:20,285 HOW WILL YOUR PROGRAM SURVIVE 7 00:00:20,288 --> 00:00:21,858 IF YOU CAN'T AFFORD TO PLANT NEXT SEASON? 8 00:00:21,855 --> 00:00:23,615 I MEAN, IT WASN'T A TOTAL LOSS. 9 00:00:23,622 --> 00:00:25,482 YOU FORCED PEOPLE TO WORK IN A HURRICANE. 10 00:00:25,488 --> 00:00:27,288 YOU COST TWO MEN THEIR LIVES. 11 00:00:27,288 --> 00:00:29,488 I'VE LOST MY FAMILY. 12 00:00:29,488 --> 00:00:35,088 AND I YOU TO HELP CHARLEY, RALPH ANGEL, AND BLESS NOVA 13 00:00:35,088 --> 00:00:36,688 AND KEEP HER SAFE. 14 00:00:36,688 --> 00:00:37,818 AMEN. 15 00:00:37,821 --> 00:00:39,381 [ SOBS ] 16 00:00:41,822 --> 00:00:44,612 YOU ALL RIGHT, MA'AM? 17 00:00:44,621 --> 00:00:45,981 YEAH. 18 00:00:45,988 --> 00:00:47,588 SURE YOU DON'T WANT TO TAKE A BREAK, 19 00:00:47,588 --> 00:00:49,418 GET A COFFEE, CLEAR YOUR HEAD FROM 20 00:00:49,422 --> 00:00:52,752 WHATEVER'S BOTHERING YOU? 21 00:00:52,755 --> 00:00:55,815 WELL, CLEARING MY HEAD ISN'T -- 22 00:00:55,821 --> 00:01:00,281 ISN'T EXACTLY WHAT I WANT TO DO. 23 00:01:00,288 --> 00:01:04,788 BECAUSE THEN I'D HAVE TO THINK, AND I DON'T WANT TO THINK. 24 00:01:06,088 --> 00:01:09,288 I GOT MAN PROBLEMS, 25 00:01:09,288 --> 00:01:11,488 BILL PROBLEMS, 26 00:01:11,488 --> 00:01:14,888 KID PROBLEMS, SISTER PROBLEMS. 27 00:01:14,888 --> 00:01:20,058 OH, YEAH, AND I'M FREAKING RUNNING FOR OFFICE. 28 00:01:20,055 --> 00:01:21,055 [ LAUGHS ] 29 00:01:21,055 --> 00:01:22,485 IN NEW ORLEANS? 30 00:01:23,888 --> 00:01:25,758 NO. 31 00:01:25,755 --> 00:01:30,815 NO. BUT STILL, GENIUS, RIGHT? 32 00:01:30,821 --> 00:01:32,281 YOU'RE RUNNING FOR OFFICE. 33 00:01:32,288 --> 00:01:33,458 MM-HMM. 34 00:01:33,454 --> 00:01:36,254 AND IF YOU LEAVE HERE, IF YOU'RE NOT CAREFUL, 35 00:01:36,255 --> 00:01:37,785 YOU'RE GONNA SEE A LOT OF PEOPLE OUT THERE 36 00:01:37,788 --> 00:01:40,458 WHO MIGHT RECOGNIZE YOU. 37 00:01:40,455 --> 00:01:41,855 AND THE LATER IN THE MORNING IT GETS, 38 00:01:41,855 --> 00:01:43,915 THE MORE PACKED IT GETS. 39 00:01:43,921 --> 00:01:51,811 ♪♪ 40 00:01:51,821 --> 00:01:59,681 ♪♪ 41 00:01:59,688 --> 00:02:01,218 ANOTHER ONE. 42 00:02:01,221 --> 00:02:04,751 ♪♪ 43 00:02:04,755 --> 00:02:06,355 ♪ DREAMS NEVER DIE ♪ 44 00:02:06,355 --> 00:02:08,485 ♪ TAKE FLIGHT AS THE WORLD TURNS ♪ 45 00:02:08,488 --> 00:02:10,418 ♪ KEEP THE COLORS IN THE LINES ♪ 46 00:02:10,421 --> 00:02:12,511 ♪ TAKE FLIGHT AS THE WORLD TURNS ♪ 47 00:02:12,521 --> 00:02:14,381 ♪ KEEP THE COLORS IN THE LINES ♪ 48 00:02:14,388 --> 00:02:16,988 ♪ TAKE FLIGHT ♪ 49 00:02:16,988 --> 00:02:18,958 ♪ DREAMS NEVER DIE ♪ 50 00:02:18,955 --> 00:02:24,415 ♪♪ 51 00:02:24,422 --> 00:02:28,382 ♪ KEEP THE COLORS IN THE LINES ♪ 52 00:02:28,388 --> 00:02:29,588 ♪ KEEP THE COLORS IN THE LINES ♪ 53 00:02:29,588 --> 00:02:30,418 ♪ TAKE FLIGHT ♪ 54 00:02:34,988 --> 00:02:41,688 ♪♪ 55 00:02:41,688 --> 00:02:43,618 NOVA BORDELON. 56 00:02:45,788 --> 00:02:47,588 MISS MARTHA. 57 00:02:47,588 --> 00:02:49,588 THANK YOU FOR ALLOWING ME TO COME. 58 00:02:49,588 --> 00:02:51,788 I DON'T FOOL WITH FOLKS UNLESS THEIR SOUL'S 59 00:02:51,788 --> 00:02:54,358 BEEN CLEANSED, WHICH MEANS I DON'T FOOL 60 00:02:54,355 --> 00:02:57,315 WITH FOLKS IN GENERAL TOO OFTEN. 61 00:02:57,321 --> 00:02:59,051 BUT WE'RE FAMILY, NOVA. 62 00:02:59,988 --> 00:03:01,518 AH! 63 00:03:03,588 --> 00:03:07,618 YOU ARE THE SPITTING IMAGE OF YOUR MAMA. 64 00:03:07,621 --> 00:03:09,681 AND THOSE EYES -- 65 00:03:09,688 --> 00:03:13,588 I SEE NOTHING BUT LAVOISIER BLOOD IN THOSE EYES. 66 00:03:15,754 --> 00:03:18,184 THIS IS FOR YOU. OH! 67 00:03:19,555 --> 00:03:20,955 OH! [ LAUGHS ] 68 00:03:20,955 --> 00:03:23,485 IMPEPHO! OH! 69 00:03:23,488 --> 00:03:26,418 OH, AFRICA'S SACRED HERB. 70 00:03:26,421 --> 00:03:27,881 TRUDY USED THIS IN MOSTLY USED THIS IN MOST 71 00:03:27,888 --> 00:03:30,218 OF OUR MEDICINALS AND SMUDGES. 72 00:03:30,222 --> 00:03:32,352 IT WAS A FAVORITE OF HERS. 73 00:03:35,921 --> 00:03:38,911 I HAD A HARD TIME FINDING YOUR PLACE, BUT 74 00:03:38,922 --> 00:03:40,512 IT ALL FEELS SO FAMILIAR. 75 00:03:40,522 --> 00:03:43,482 WELL, IT SHOULD. 76 00:03:43,488 --> 00:03:44,758 I'VE BEEN HERE BEFORE? 77 00:03:44,755 --> 00:03:46,155 WHEN YOU WERE ABOUT 3 YEARS OLD, 78 00:03:46,154 --> 00:03:50,854 YOU RAN ALL OVER THIS YARD WEARING OUT YOUR POOR MAMA. 79 00:03:50,855 --> 00:03:53,185 WOW. 80 00:03:53,188 --> 00:03:57,158 I-I DON'T REMEMBER THAT...AT ALL. 81 00:03:57,155 --> 00:04:02,085 I'M SURE THERE ARE MANY THINGS YOU DON'T QUITE REMEMBER. 82 00:04:02,088 --> 00:04:05,188 COME ON. I'LL MAKE US SOME TEA. 83 00:04:05,188 --> 00:04:07,388 [ LAUGHS ] 84 00:04:09,921 --> 00:04:11,581 WHAT?! 85 00:04:11,588 --> 00:04:12,888 [ LAUGHS ] 86 00:04:12,888 --> 00:04:16,658 COUNTRY HAM, RED-EYE GRAVY, GRITS, SCRAMBLED EGGS, 87 00:04:16,654 --> 00:04:18,454 FANCY BISCUITS AND THAT 88 00:04:18,455 --> 00:04:21,655 RHUBARB STRAWBERRY JAM YOU LIKE SO MUCH. 89 00:04:21,655 --> 00:04:23,385 YOU AIN'T GOT TO TELL ME TWICE. 90 00:04:23,388 --> 00:04:24,458 YES. 91 00:04:24,455 --> 00:04:26,285 [ LAUGHS ] 92 00:04:26,288 --> 00:04:29,758 SO, MAY I ASK, WHAT'S THE OCCASION? 93 00:04:29,755 --> 00:04:34,615 I GOT SOMETHING ON MY MIND THAT I THINK I SHOULD TELL YOU. 94 00:04:34,622 --> 00:04:36,452 YOU KNOW YOU CAN TELL ME ANYTHING. 95 00:04:39,554 --> 00:04:42,184 IT'S ABOUT JIMMY DALE. 96 00:04:42,188 --> 00:04:44,158 I KNOW YOU WAS PROTECTING ME. 97 00:04:47,321 --> 00:04:51,611 BUT I CAN'T GET THE IMAGE OF YOU BEATIN' HIM 98 00:04:51,621 --> 00:04:53,951 OUT OF MY HEAD. 99 00:04:53,955 --> 00:05:00,485 YOU WENT SOMEWHERE THAT DAY, AND THE LOOK IN YOUR EYES, I... 100 00:05:04,155 --> 00:05:06,255 I -- I SCARED YOU. 101 00:05:08,221 --> 00:05:09,481 [ SIGHS ] 102 00:05:09,488 --> 00:05:12,088 BUT YOUR RIGHT, VI, I WAS PROTECTING YOU. 103 00:05:12,088 --> 00:05:13,158 I KNOW. 104 00:05:13,155 --> 00:05:18,355 AND I KNOW THAT YOU WOULD NEVER HURT ME. 105 00:05:18,355 --> 00:05:21,415 BUT THE FIRST TIME I SAW JIMMY DALE GET VIOLENT, 106 00:05:21,421 --> 00:05:24,011 IT WASN'T WITH ME. 107 00:05:24,021 --> 00:05:26,481 IT WAS WITH THIS FOOL OF A MAN 108 00:05:26,488 --> 00:05:29,758 WHO WAS TRYING TO TALK TO ME IN THE STREETS. 109 00:05:32,788 --> 00:05:35,118 THAT'S HOW ALL THIS STARTED. 110 00:05:35,121 --> 00:05:37,951 IF SOMEBODY COMING AT YOU -- NO, NO, I KNOW. 111 00:05:37,955 --> 00:05:41,155 BABY, I'M JUST TRYING TO GET BACK TO US. 112 00:05:41,155 --> 00:05:43,815 I'M TRYING TO FIX THIS. 113 00:05:45,155 --> 00:05:49,155 AND I KNOW THAT WHAT I'M SAYING RIGHT NOW 114 00:05:49,155 --> 00:05:50,715 AIN'T FAIR. 115 00:05:55,255 --> 00:05:57,155 BUT I CAN'T SHAKE IT. 116 00:05:58,455 --> 00:06:01,555 OKAY, WELL, HOW DO I FIX THIS? 117 00:06:01,555 --> 00:06:03,385 IT'S NOT FOR YOU TO FIX. 118 00:06:06,888 --> 00:06:09,818 I THINK I GOT SOME WORK 119 00:06:09,821 --> 00:06:14,011 I NEED TO DO ON MYSELF WHEN IT COMES TO JIMMY DALE. 120 00:06:15,955 --> 00:06:19,415 I NEVER DEALT WITH IT, 121 00:06:19,422 --> 00:06:26,612 AND I'M LEARNING THINGS DON'T GO AWAY 122 00:06:26,621 --> 00:06:29,151 JUST BECAUSE YOU IGNORE THEM. 123 00:06:33,888 --> 00:06:35,888 MORNING, POPS. MORNING, BLUE. 124 00:06:35,888 --> 00:06:37,158 OKAY, LET'S MAKE A DEAL HERE. 125 00:06:37,155 --> 00:06:38,685 NO GRANOLA TODAY, PLEASE. 126 00:06:38,688 --> 00:06:40,488 BUT TODAY'S GRANOLA DAY. 127 00:06:40,488 --> 00:06:42,158 YEAH, BUT CAN I JUST HAVE A LITTLE BIT OF 128 00:06:42,155 --> 00:06:43,955 THE SUGAR STARS MIXED IN? 129 00:06:43,954 --> 00:06:45,814 JOIE HAS SUGAR STARS EVERY DAY. 130 00:06:45,821 --> 00:06:47,481 THAT'S WHAT SHE TELL YOU. 131 00:06:47,488 --> 00:06:50,488 BUT I DOUBT HER MAMA LETTING IT GO DOWN LIKE THAT. 132 00:06:50,488 --> 00:06:53,358 DID YOU CALL JOIE'S MOM AND SET UP A PLAY DATE? 133 00:06:53,354 --> 00:06:55,514 NOT YET. THERE'S A LOT GOING ON. 134 00:06:55,521 --> 00:06:57,411 POPS. I'M GONNA CALL TODAY. 135 00:06:57,422 --> 00:06:59,682 I PROMISE. 136 00:06:59,688 --> 00:07:01,818 JOIE'S ALL HE COULD TALK ABOUT ALL NIGHT. 137 00:07:01,821 --> 00:07:05,881 IF YOU'RE TOO BUSY, I CAN CALL HIM AND SET UP A PLAY DATE. 138 00:07:05,888 --> 00:07:07,218 WHAT'S HER NAME? 139 00:07:07,221 --> 00:07:09,551 OH, MISS DEESHA -- SHE'S REALLY NICE, MOM. 140 00:07:09,554 --> 00:07:10,684 YOU'LL LIKE HER. 141 00:07:10,688 --> 00:07:12,418 THERE GRANOLA WAITING FOR YOU INSIDE. 142 00:07:12,421 --> 00:07:13,351 OKAY. 143 00:07:13,355 --> 00:07:15,655 AIN'T GOT TOO MUCH TIME, BLUE. 144 00:07:19,088 --> 00:07:21,318 DEESHA IS JOIE'S MOM. 145 00:07:23,821 --> 00:07:25,281 YOU DIDN'T TELL ME. 146 00:07:25,288 --> 00:07:26,658 IT'S NOT A BIG DEAL, DARLA. 147 00:07:26,655 --> 00:07:29,155 IT'S A BIG DEAL TO ME. 148 00:07:30,621 --> 00:07:32,211 WHEN I SAW YOU TWO TOGETHER... 149 00:07:35,755 --> 00:07:39,955 DEESHA KNEW THAT I WAS BLUE'S MOTHER AND YOUR EX, 150 00:07:39,955 --> 00:07:44,085 BUT I DIDN'T KNOW THAT SHE'S NOT ONLY BOTH YOUR NEW WOMAN 151 00:07:44,088 --> 00:07:45,688 BUT THE MOTHER OF BLUE'S BEST FRIEND. 152 00:07:45,688 --> 00:07:49,618 I MEAN, WHY WOULDN'T I WANT TO KNOW THIS? 153 00:07:50,855 --> 00:07:52,055 YOU SAID YOU DON'T WANT TO TALK 154 00:07:52,055 --> 00:07:54,815 ABOUT THOSE KIND OF THINGS WITH EACH OTHER. 155 00:07:54,821 --> 00:07:56,551 SO I DIDN'T. 156 00:07:58,188 --> 00:08:00,358 I KNOW THINGS DIFFERENT -- 157 00:08:00,355 --> 00:08:02,885 YOU SEEING SOMEBODY, ME SEEING SOMEBODY. 158 00:08:02,888 --> 00:08:04,488 IT'S NEW. 159 00:08:06,688 --> 00:08:08,088 BUT JUST -- JUST GOT TO KNOW 160 00:08:08,088 --> 00:08:10,388 I AIN'T NEVER GONNA DO SOMETHING JUST TO HURT YOU. 161 00:08:12,421 --> 00:08:14,551 I'M REALLY JUST DOING MY BEST. 162 00:08:14,555 --> 00:08:18,955 ♪♪ 163 00:08:20,354 --> 00:08:23,884 HEY, PROSPER, GENEVIEVE, YOUR TABLE'S AVAILABLE. 164 00:08:23,888 --> 00:08:25,358 YEAH, WELL, NOT THIS TIME. 165 00:08:25,354 --> 00:08:27,354 WE'RE JUST PICKING UP LUNCH FOR THE CAMPAIGN OFFICE. 166 00:08:27,355 --> 00:08:28,355 OH, RHON-- 167 00:08:28,355 --> 00:08:29,885 I JUST GOT TO BAG IT UP, MR. PROSPER. 168 00:08:29,888 --> 00:08:31,158 THANK YOU, RHONDA. 169 00:08:31,155 --> 00:08:33,455 YOU SEEN MISS CHARLEY TODAY? 170 00:08:33,454 --> 00:08:35,184 OH, NO, SHE AIN'T COME BY YET. 171 00:08:35,188 --> 00:08:37,488 AND SHE HASN'T BEEN AT THE OFFICE EITHER. 172 00:08:37,488 --> 00:08:39,188 SHE'S USUALLY THE FIRST ONE IN. 173 00:08:39,188 --> 00:08:40,918 YEAH, WELL, SHE PROBABLY JUST SLEPT IN. 174 00:08:40,922 --> 00:08:43,452 GOD KNOWS SHE COULD DO WITH A LITTLE T.L.C. 175 00:08:43,455 --> 00:08:45,115 WE ALL COULD USE A LITTLE T.L.C. 176 00:08:45,121 --> 00:08:46,911 THIS PLACE FEELS LIKE A WAKE IN HERE. 177 00:08:46,921 --> 00:08:48,881 YEAH, WELL, AFTER WHAT HAPPENED HERE 178 00:08:48,888 --> 00:08:51,518 AND THE FIRE AT THE MILL, EVERYBODY'S IN A BAD WAY. 179 00:08:51,521 --> 00:08:52,811 BUT YOU KNOW WHAT I FEEL? 180 00:08:52,822 --> 00:08:55,282 YOU GET KNOCKED DOWN, AND YOU GET BACK UP. 181 00:08:55,288 --> 00:08:58,088 YEAH, WELL, THIS WAS ONE HELL OF A KNOCKDOWN, 182 00:08:58,088 --> 00:09:01,418 SO I'M NOT EVEN SURE WHAT THE GET UP LOOKS LIKE. 183 00:09:01,421 --> 00:09:02,811 WELL, I DO. 184 00:09:02,821 --> 00:09:04,251 YOU DO? YEAH. 185 00:09:04,255 --> 00:09:05,455 I GOT AN IDEA. 186 00:09:05,455 --> 00:09:07,055 IDEA FOR WHAT? 187 00:09:08,888 --> 00:09:11,388 LET ME TALK IT OVER WITH MISS GENEVIEVE. 188 00:09:14,688 --> 00:09:19,088 ALRIGHT, YOU ALL HAVE A GOOD DAY, MR. MYSTERIOUS. 189 00:09:19,088 --> 00:09:27,088 ♪♪ 190 00:09:27,088 --> 00:09:34,888 ♪♪ 191 00:09:34,888 --> 00:09:37,418 [ DOORBELL RINGS ] 192 00:09:37,421 --> 00:09:43,081 ♪♪ 193 00:09:43,088 --> 00:09:48,688 ♪♪ 194 00:09:48,688 --> 00:09:49,758 HEY, BABE. 195 00:09:49,755 --> 00:09:51,155 SORRY, I KNOW I SHOULD HAVE TEXT FIRST. 196 00:09:51,155 --> 00:09:53,215 NO, YOU DON'T GOT TO TEXT FIRST. 197 00:09:53,221 --> 00:09:55,211 YOU CAN COME THROUGH WHENEVER YOU WANT. 198 00:09:55,555 --> 00:09:58,285 I WAS JUST, UM, CRAMMING. 199 00:09:58,288 --> 00:10:00,818 I'VE GOT THIS EXAM THIRD PERIOD. 200 00:10:00,821 --> 00:10:02,151 WELL, I WAS JUST THINKING ABOUT YOU. 201 00:10:02,155 --> 00:10:04,015 -YEAH? -MM-HMM. 202 00:10:04,021 --> 00:10:06,411 I'M ALWAYS THINKING ABOUT YOU. 203 00:10:06,421 --> 00:10:07,951 DON'T FEED ME YOUR SMOOTH 204 00:10:07,955 --> 00:10:09,755 CALIFORNIA-BY-WAY-OF-PARIS LINES. 205 00:10:09,755 --> 00:10:12,055 [ CHUCKLES ] I'M NOT. 206 00:10:12,054 --> 00:10:14,384 YOU'RE ALWAYS ON MY MIND. 207 00:10:14,388 --> 00:10:16,118 ♪ WHERE WE'RE FREE ♪ 208 00:10:16,122 --> 00:10:19,852 ♪ ALL I SEE IS LOST IN GREEN ♪ 209 00:10:19,855 --> 00:10:26,085 ♪ AND MY CORE BREATHIN' FANTASY ♪ 210 00:10:26,088 --> 00:10:31,558 ♪ AND OOH, TAKE MY UP TO THAT PLACE ♪ 211 00:10:31,554 --> 00:10:33,084 WHERE'S YOUR MOM? 212 00:10:33,088 --> 00:10:35,358 OH, BETWEEN THE MILL STUFF AND THE CAMPAIGN OFFICE, 213 00:10:35,354 --> 00:10:38,354 SHE USUALLY LEAVES PRETTY EARLY. 214 00:10:38,355 --> 00:10:41,685 THAT'S WHAT I THOUGHT. 215 00:10:41,688 --> 00:10:42,758 SO? 216 00:10:42,755 --> 00:10:44,485 SO? 217 00:10:45,688 --> 00:10:47,218 WE'RE ALONE? 218 00:10:47,221 --> 00:10:50,211 ♪♪ 219 00:10:55,555 --> 00:11:02,615 ♪♪ 220 00:11:02,621 --> 00:11:09,411 ♪♪ 221 00:11:09,421 --> 00:11:16,311 ♪♪ 222 00:11:16,322 --> 00:11:19,282 THAT'S YOUR GREAT GRAND MAMA -- 223 00:11:19,288 --> 00:11:23,758 ONE A LONG LINE OF LAVOISIER WOMEN CALLED TO BE HEALERS. 224 00:11:24,488 --> 00:11:26,818 WERE ALL THE WOMEN IN OUR FAMILY CALLED TO BE HEALERS? 225 00:11:26,821 --> 00:11:28,611 YES. 226 00:11:28,621 --> 00:11:31,481 BUT NOT ALL ACCEPTED IT. 227 00:11:31,488 --> 00:11:34,418 SOME OF US WERE CURSED INTO IGNORING OUR GIFT. 228 00:11:34,421 --> 00:11:38,211 MY OWN PAPA WANTED ME TO REJECT MY CALLING, 229 00:11:38,221 --> 00:11:41,281 AND WHEN I REFUSED, HE... 230 00:11:41,288 --> 00:11:43,958 HE BANISHED ME FROM THE FAMILY. 231 00:11:43,955 --> 00:11:45,615 WHAT DID YOU DO AFTER THAT? 232 00:11:45,621 --> 00:11:46,781 OH. 233 00:11:46,788 --> 00:11:50,558 WELL, I SPENT MANY YEARS IN HAITI AND AFRICA, 234 00:11:50,555 --> 00:11:53,485 BECOMING A BETTER STUDENT. 235 00:11:53,488 --> 00:11:56,558 I CAME BACK AROUND THE TIME YOU WERE BORN. 236 00:11:56,555 --> 00:11:59,155 I SETTLED IN THIS NICE, PEACEFUL PLACE 237 00:11:59,155 --> 00:12:01,255 WHERE NO ONE BOTHERED ME. 238 00:12:01,254 --> 00:12:06,414 [ CHUCKLES ] BUT YOUR MAMA'S VISITS WERE TREASURES. 239 00:12:06,421 --> 00:12:10,211 AND AT MY REQUEST, SHE KEPT MY RETURN A SECRET 240 00:12:10,221 --> 00:12:13,211 UNTIL HER TRANSITION. 241 00:12:13,221 --> 00:12:14,881 BUT NOW, YOU DID NOT COME HERE 242 00:12:14,888 --> 00:12:18,218 TO LOOK AT OLD PICTURES OR HEAR ABOUT MY TRAVELING. 243 00:12:18,222 --> 00:12:20,852 COME ON, SIT DOWN, SIT DOWN. 244 00:12:20,854 --> 00:12:24,454 WHEN I FOUND OUT ABOUT YOU, I KNEW I HAD TO MEET YOU. 245 00:12:24,455 --> 00:12:25,515 OH. 246 00:12:25,521 --> 00:12:28,651 YOU CAME HERE BECAUSE YOU WERE LED TO. 247 00:12:28,655 --> 00:12:34,085 ♪♪ 248 00:12:34,088 --> 00:12:37,688 YOUR GIFT IS AS STRONG AS TRUDY'S. 249 00:12:37,688 --> 00:12:39,418 FELT IT EVER SINCE I WAS A KID. 250 00:12:39,421 --> 00:12:41,451 DID YOU HEED THE CALL? 251 00:12:41,455 --> 00:12:42,685 IN MY OWN WAY. 252 00:12:42,688 --> 00:12:44,558 [ LAUGHS ] 253 00:12:44,554 --> 00:12:46,884 YOU ARE TRUDY'S DAUGHTER. 254 00:12:46,888 --> 00:12:49,918 SHE DID THINGS IN HER OWN WAY, TOO. 255 00:12:52,455 --> 00:12:55,485 ♪ TELLING ME I'M GON' FALL FOR YOU IF THIS GOES ON ♪ 256 00:12:55,488 --> 00:12:57,958 ♪ DIDN'T THINK SO ♪ 257 00:12:57,955 --> 00:13:00,855 ♪ BUT YOU CAME AND YOU SAW, AND YOU WAITED TO CONQUER ♪ 258 00:13:00,855 --> 00:13:03,455 ♪ MY MAMA SAID SO ♪ 259 00:13:03,454 --> 00:13:05,114 HOLD ON. 260 00:13:05,122 --> 00:13:08,512 ♪ THOUGHT THAT I HAD IT UNDER CONTROL ♪ 261 00:13:08,521 --> 00:13:10,211 I LOVE YOU, MICAH. 262 00:13:10,222 --> 00:13:11,212 I LOVE YOU, TOO. 263 00:13:11,221 --> 00:13:13,151 BUT YOU'RE MY FIRST EVERYTHING. 264 00:13:13,155 --> 00:13:15,055 I KNOW. 265 00:13:15,054 --> 00:13:18,314 AND I WANT TO RESPECT THAT. 266 00:13:18,321 --> 00:13:20,611 YOUR FIRST TIME IS A BIG DEAL. 267 00:13:20,621 --> 00:13:22,681 YOU SURE YOU HAVEN'T BEEN WITH ANYBODY ELSE 268 00:13:22,688 --> 00:13:23,888 SINCE YOU'VE BEEN IN ST. JO. 269 00:13:23,888 --> 00:13:25,918 NO. I MET YOU THE FIRST MONTH I GOT HERE, 270 00:13:25,921 --> 00:13:28,311 AND IT'S BEEN US EVER SINCE. 271 00:13:28,321 --> 00:13:29,581 AND I'M GLAD. 272 00:13:31,388 --> 00:13:33,788 LISTEN, I KNOW WE, UM... 273 00:13:33,788 --> 00:13:37,858 I KNOW WE WERE TALKING ABOUT AFTER PROM, 274 00:13:37,855 --> 00:13:40,655 BUT THERE'S A LOT GOING ON. 275 00:13:40,655 --> 00:13:43,955 WE GOT EXIT EXAMS, COLLEGE ADMISSION LETTERS 276 00:13:43,955 --> 00:13:45,955 ARE GONNA DROP SOON, GRADUATION. 277 00:13:45,955 --> 00:13:50,485 SO I'M TOTALLY COOL 278 00:13:50,488 --> 00:13:53,958 IF YOU WANT TO TAKE MORE TIME. 279 00:13:53,955 --> 00:13:55,285 SERIOUSLY. 280 00:13:57,588 --> 00:14:00,588 WHAT? 281 00:14:00,588 --> 00:14:02,258 JUST THE FACT THAT YOU SAID THAT 282 00:14:02,255 --> 00:14:04,585 MAKES ME THAT MUCH MORE SURE. 283 00:14:04,588 --> 00:14:08,318 THIS, US, 284 00:14:08,321 --> 00:14:11,151 FEELS LIKE THE REAL THING, DOESN'T IT? 285 00:14:11,155 --> 00:14:12,815 YEAH. 286 00:14:12,821 --> 00:14:18,751 ♪♪ 287 00:14:18,755 --> 00:14:21,585 [ CELLPHONE RINGS ] 288 00:14:21,588 --> 00:14:25,988 ♪♪ 289 00:14:25,988 --> 00:14:28,058 HEY, MOM, WHAT'S UP? 290 00:14:28,055 --> 00:14:30,215 HEY. 291 00:14:30,221 --> 00:14:32,911 MAKING SURE YOU GOT TO SCHOOL OKAY. 292 00:14:32,921 --> 00:14:34,051 YEAH. 293 00:14:34,055 --> 00:14:35,715 YEAH, I'M GOOD. 294 00:14:35,721 --> 00:14:40,951 I-I NEED SOME HANDS AT THE MILL OFFICE WHEN YOU'RE OFF. 295 00:14:40,955 --> 00:14:44,085 OKAY. OKAY. I'LL STOP BY RIGHT AFTER LAST PERIOD. 296 00:14:44,088 --> 00:14:47,288 YOU'RE SUCH A GOOD PERSON. 297 00:14:47,288 --> 00:14:50,358 I DON'T DESERVE YOU. 298 00:14:50,355 --> 00:14:52,185 I DON'T. 299 00:14:52,188 --> 00:14:53,788 YOU OKAY, MOM? 300 00:14:53,788 --> 00:14:56,418 YEAH, I'M FINE. 301 00:14:56,421 --> 00:14:58,411 UH, GO ON BACK. 302 00:14:58,421 --> 00:15:01,751 I'LL -- I'LL SEE YOU A LITTLE LATER. 303 00:15:01,755 --> 00:15:03,815 OKAY? 304 00:15:03,821 --> 00:15:05,411 ALRIGHT. 305 00:15:05,421 --> 00:15:11,781 ♪♪ 306 00:15:11,788 --> 00:15:18,188 ♪♪ 307 00:15:20,288 --> 00:15:22,388 -WHAT'S UP, WOOD? -WHAT'S HAPPENING? 308 00:15:22,388 --> 00:15:25,058 FREEING UP SOME SUPPLIES. FIGURED I'D POP IN ON YOU. 309 00:15:25,055 --> 00:15:27,255 SEE HOW YOU WAS HOLDING UP WITHOUT YOUR FULL TEAM. 310 00:15:27,255 --> 00:15:30,485 MAKIN' DO. 311 00:15:30,488 --> 00:15:31,958 SHUTTING DOWN MY REENTRY PROGRAM. 312 00:15:31,955 --> 00:15:33,285 SAY WHAT? 313 00:15:33,288 --> 00:15:36,018 "FURTHER NOTICE," THEY SAID. 314 00:15:36,021 --> 00:15:39,281 I'M SORRY, BROTHER. 315 00:15:39,288 --> 00:15:42,088 I WAS TRYING TO DO SOMETHING GOOD, YOU KNOW? 316 00:15:42,088 --> 00:15:43,618 I KNOW, MAN. 317 00:15:43,621 --> 00:15:45,081 I KNOW. 318 00:15:45,088 --> 00:15:49,158 I'VE BEEN FEELING EMPTY, WOOD. 319 00:15:49,155 --> 00:15:50,285 I DON'T KNOW WHY. 320 00:15:50,288 --> 00:15:53,858 I -- 321 00:15:53,854 --> 00:15:56,514 I AIN'T BEEN FEELING RIGHT. 322 00:15:56,521 --> 00:15:59,251 LOOK, MAN, YOU JUST IN THE FIRE RIGHT NOW. 323 00:15:59,255 --> 00:16:01,755 THAT'S IT. 324 00:16:01,755 --> 00:16:04,415 NOVA BOOK GOT YOU FEELING SOME KIND OF WAY. 325 00:16:04,422 --> 00:16:05,552 YOU'RE IN A NEW RELATIONSHIP. 326 00:16:05,554 --> 00:16:07,014 AIN'T EVEN ON ITS FEET YET, 327 00:16:07,021 --> 00:16:10,481 AND WORK IS ALL SCATTERED ALL OVER THE PLACE. 328 00:16:10,488 --> 00:16:13,288 THAT'S WHY. 329 00:16:13,288 --> 00:16:14,518 IT'S NORMAL, BROTHER. 330 00:16:16,688 --> 00:16:18,158 YEAH, MAYBE. 331 00:16:20,854 --> 00:16:23,054 LOOK HERE, MAN, MY BOYS, UH, 332 00:16:23,054 --> 00:16:25,884 IRWIN AND OWEN ARE GONNA STOP BY LATER ON TONIGHT. 333 00:16:25,888 --> 00:16:27,558 WHY DON'T YOU COME BY? 334 00:16:27,555 --> 00:16:30,155 AW, MAN, I'M ONE STEP AHEAD OF YOU. 335 00:16:30,155 --> 00:16:32,215 I'M GONNA KICK BACK. 336 00:16:32,221 --> 00:16:35,481 MAKER'S READY FOR MY SOYBEANS. 337 00:16:35,488 --> 00:16:37,658 IT'LL TAKE A WHILE WITHOUT ALL MY WORKERS. 338 00:16:41,255 --> 00:16:42,615 ALRIGHT, BROTHER. 339 00:16:42,621 --> 00:16:44,311 NOTHING WILD, ALRIGHT? 340 00:16:46,488 --> 00:16:49,088 I APPRECIATE YOU STOPPING BY. 341 00:16:49,088 --> 00:16:53,088 ♪♪ 342 00:16:53,088 --> 00:16:55,018 [ INDISTINCT CHATTER ] 343 00:16:55,021 --> 00:16:58,681 ROSE DELIVERY, MA'AM. 344 00:16:58,688 --> 00:16:59,758 I'LL TAKE IT ON BACK TO THE -- 345 00:16:59,755 --> 00:17:01,455 OKAY, BABY. THANK YOU. 346 00:17:05,621 --> 00:17:07,411 WHAT'S THAT? 347 00:17:07,421 --> 00:17:10,211 IT'S, UH, MEXICAN CHOCOLATE PEPPER PIE. 348 00:17:10,221 --> 00:17:13,081 MY MOM WANTED YOU TO HAVE IT. 349 00:17:13,088 --> 00:17:15,388 AS A THANK YOU FOR GIVING ME A SECOND CHANCE. 350 00:17:17,522 --> 00:17:19,712 RHONDA, BABY, TAKE THAT. 351 00:17:22,188 --> 00:17:25,088 THERE'S A LIST ON THE CHALKBOARD IN THE HALLWAY. 352 00:17:25,088 --> 00:17:26,888 I EXPECT YOU TO COMPLETE EVERYTHING ON IT 353 00:17:26,888 --> 00:17:28,518 BY THE END OF YOUR SHIFT. 354 00:17:28,521 --> 00:17:31,881 YES, MA'AM. 355 00:17:31,888 --> 00:17:33,818 THANK YOU AGAIN. 356 00:17:36,188 --> 00:17:38,418 OKAY. 357 00:17:38,422 --> 00:17:39,882 OKAY. 358 00:17:39,888 --> 00:17:44,758 ♪♪ 359 00:17:47,088 --> 00:17:51,588 SO, TRUDY'S BEEN VISITING YOU IN YOUR DREAMS. 360 00:17:51,588 --> 00:17:57,018 AT FIRST, IT WAS JUST A FEELING, HER PRESENCE. 361 00:17:57,021 --> 00:18:01,011 BUT RECENTLY THE DREAMS HAVE BECOME DIFFERENT. 362 00:18:01,021 --> 00:18:03,511 I ALMOST SEE HER. 363 00:18:04,821 --> 00:18:09,751 I REACH OUT TO TOUCH HER, AND THAT'S WHEN THE DREAM ENDS. 364 00:18:15,655 --> 00:18:17,785 ♪♪ 365 00:18:17,788 --> 00:18:23,358 THIS BELONGED TO YOUR MAMA, HER REMEDY BOOK -- 366 00:18:23,355 --> 00:18:28,285 NOTES SHE WAS TAKING WHEN SHE WAS STUDYING TO BE A HEALER. 367 00:18:28,288 --> 00:18:31,218 SHE GAVE IT TO ME WHEN SHE LEFT THIS LIFE 368 00:18:31,221 --> 00:18:33,951 AND CHOSE ANOTHER PATH. 369 00:18:33,955 --> 00:18:35,785 YOU MEAN WHEN SHE TURNED AWAY FROM HER CALLING 370 00:18:35,788 --> 00:18:38,918 BECAUSE SHE ACCIDENTALLY GOT PREGNANT WITH ME? 371 00:18:38,922 --> 00:18:42,412 ACCIDENTALLY? OH, NO, NO. 372 00:18:42,421 --> 00:18:44,551 IT TOOK HER A WHILE, BUT SHE CAME TO REALIZE 373 00:18:44,555 --> 00:18:47,915 THAT NOTHING IN HER LIFE WAS AN ACCIDENT, 374 00:18:47,921 --> 00:18:51,751 NOT ERNEST AND CERTAINLY NOT YOU. 375 00:18:51,754 --> 00:18:53,614 MY MAMA GAVE UP WHAT SHE LOVED 376 00:18:53,622 --> 00:18:55,412 FOR WHAT SHE HAD TO DO, RIGHT? 377 00:18:55,421 --> 00:18:57,151 OH, MY GOODNESS! 378 00:18:57,155 --> 00:19:00,255 YOU HAVE IT TWISTED, CHILD. 379 00:19:01,821 --> 00:19:09,481 KNOW THIS -- YOU AND RALPH ANGEL 380 00:19:09,488 --> 00:19:14,588 WERE A SOURCE OF GREAT JOY TO TRUDY. 381 00:19:14,588 --> 00:19:18,158 SHE'S VISITING YOU IN YOUR DREAMS 382 00:19:18,155 --> 00:19:22,085 BECAUSE SHE WANTS YOU TO KNOW SHE MISSES YOU. 383 00:19:22,088 --> 00:19:25,018 SHE LOVES YOU. 384 00:19:25,021 --> 00:19:28,551 SHE'S WATCHING OVER YOU. 385 00:19:28,555 --> 00:19:34,085 SHE WANTS TO REMIND YOU TO BE YOU. 386 00:19:34,088 --> 00:19:37,458 YOU SHOULD GO SEE HER MORE OFTEN. 387 00:19:37,455 --> 00:19:38,885 SEE HER? WHAT DO YOU MEAN? 388 00:19:38,888 --> 00:19:40,818 MAMA WAS CREMATED. 389 00:19:40,821 --> 00:19:43,851 AFTER SHE DIED, DADDY SCATTERED HER ASHES IN THE WIND. 390 00:19:43,855 --> 00:19:47,115 NO. NO. 391 00:19:47,121 --> 00:19:50,681 YOUR FATHER BURIED YOUR MOTHER ON THE FAMILY FARM. 392 00:19:50,688 --> 00:19:52,818 THAT WAS HER LAST GIFT TO HIM, 393 00:19:52,821 --> 00:19:54,481 TO YOU, AND TO YOUR BROTHER. 394 00:19:54,488 --> 00:20:01,818 ♪♪ 395 00:20:01,821 --> 00:20:02,881 [ SIGHS ] 396 00:20:06,688 --> 00:20:08,158 ALL I'M SAYING, THOUGH, WAS THIS, MAN, 397 00:20:08,155 --> 00:20:09,715 SAINTS COACH, HE ACT LIKE, 398 00:20:09,721 --> 00:20:11,511 YOU KNOW, GOOD DEFENSE IS OPTIONAL. 399 00:20:11,521 --> 00:20:13,611 MAN, AIN'T NOTHING WRONG WITH THEY'RE DEFENSE. 400 00:20:13,621 --> 00:20:14,811 AIN'T THAT RIGHT, HOLLYWOOD? 401 00:20:14,821 --> 00:20:17,281 ALL I KNOW IS IF THE REFS CAN THROW A FLAG 402 00:20:17,288 --> 00:20:19,958 WHEN A MAN IS GETTING ABUSED OUT OF BOUNDS, WE GETTING THAT -- 403 00:20:19,955 --> 00:20:24,355 HEY, SPEAKING OF THE SUPER BOWL, WE MAKE IT TO THE BIG GAME 404 00:20:24,355 --> 00:20:26,355 MAYBE YOU TAKE SOME OF THAT GREEN YOU GOT 405 00:20:26,355 --> 00:20:28,155 AND CHART A PLANE FOR ALL OF US. 406 00:20:28,155 --> 00:20:30,055 MAKE IT A BIG PARTY. SEE? 407 00:20:30,055 --> 00:20:31,485 THAT'S HOW I KNOW YOU ALL AIN'T MARRIED. 408 00:20:31,488 --> 00:20:33,018 YOU THINK VI GONNA PUT UP WITH THAT FOOLISHNESS? 409 00:20:33,022 --> 00:20:35,282 YOU DO WHAT VIOLET SAYS? HELL YEAH. 410 00:20:35,288 --> 00:20:36,358 [ LAUGHS ] WHAT AM I GONNA DO, 411 00:20:36,355 --> 00:20:37,755 LAY UP WITH YOUR LITTLE RUSTY ASS? 412 00:20:37,755 --> 00:20:40,255 [ LAUGHTER ] SPEAKING OF VI, THOUGH, 413 00:20:40,255 --> 00:20:42,415 I HEARD THAT YOU HAD A LITTLE RUN-IN WITH HER EX. 414 00:20:42,421 --> 00:20:43,611 [ LAUGHS ] 415 00:20:43,621 --> 00:20:45,081 YEAH? WHERE YOU HEAR THAT? 416 00:20:45,088 --> 00:20:46,618 HEY, MAN, SMALL TOWN. 417 00:20:46,621 --> 00:20:48,151 YOU KNOW PEOPLE AIN'T GOT NOTHING BETTER TO DO 418 00:20:48,154 --> 00:20:50,154 THAN TO TALK ABOUT OTHER PEOPLE'S BUSINESS. 419 00:20:50,155 --> 00:20:52,155 [ LAUGHTER ] 420 00:20:52,155 --> 00:20:55,615 WELL, I HEARD THAT OLD BOY SHOWED UP UNINVITED 421 00:20:55,621 --> 00:20:57,781 AND THEN YOU SHOWED HIM HIS WAY OUT -- 422 00:20:57,788 --> 00:20:59,188 HEAD FIRST. 423 00:20:59,188 --> 00:21:00,988 -THAT MAN HAD IT COMING, TOO. -HE DID HAVE IT COMING. 424 00:21:00,988 --> 00:21:03,788 HE LUCKY TO STILL BE WALKING. AIN'T THAT RIGHT, HOLLYWOOD? 425 00:21:03,788 --> 00:21:05,518 [ LAUGHTER ] 426 00:21:05,521 --> 00:21:06,611 YOU KNOW, MAYBE I COULD HAVE... 427 00:21:06,621 --> 00:21:08,151 MAYBE I COULD HAVE HANDLED IT A LITTLE BETTER, 428 00:21:08,155 --> 00:21:09,355 KEPT A COOLER HEAD. 429 00:21:09,355 --> 00:21:11,485 I KNOW THIS -- A MAN PUT HIS HANDS ON MY WOMAN, 430 00:21:11,488 --> 00:21:14,358 HE GONNA BE SIX FEET UNDER. 431 00:21:14,354 --> 00:21:17,014 I DON'T KNOW, O. YOU KNOW, UH, 432 00:21:17,022 --> 00:21:18,612 IT'S A LITTLE BIT MORE COMPLICATED THAN THAT. 433 00:21:18,621 --> 00:21:19,951 HEY, MAN, AIN'T NOTHIN' COMPLICATED, MAN, 434 00:21:19,955 --> 00:21:21,915 ABOUT PROTECTING YOUR WIFE. 435 00:21:21,921 --> 00:21:24,281 [ LAUGHTER ] 436 00:21:24,288 --> 00:21:26,558 DAMN RIGHT. YEAH. 437 00:21:26,555 --> 00:21:29,785 SO, I'M HANDLING THE DRINKS, 438 00:21:29,788 --> 00:21:32,458 AND PROSPER'S TAKING CARE OF THE MUSIC. 439 00:21:32,455 --> 00:21:34,055 VIOLET, YOU'RE HANDLING... 440 00:21:34,055 --> 00:21:36,085 FOOD AND DECORATIONS. 441 00:21:36,088 --> 00:21:38,318 THIS IS GONNA BE A GREAT EVENT. 442 00:21:38,321 --> 00:21:40,211 MICAH, YOU OKAY, BABY? 443 00:21:41,088 --> 00:21:43,018 HEY, AUNTIE. I'M GOOD. 444 00:21:43,021 --> 00:21:44,281 HOW ARE YOU? 445 00:21:44,288 --> 00:21:46,318 I'M GOOD. 446 00:21:46,322 --> 00:21:48,612 MR. PROSPER, MISS GENEVIEVE, 447 00:21:48,621 --> 00:21:50,481 HAVE ANY OF YOU SEEN MY MOM? 448 00:21:50,488 --> 00:21:52,258 I'VE BEEN TRYING TO GET AHOLD OF HER ALL DAY. 449 00:21:52,255 --> 00:21:54,155 YEAH, ME TOO. 450 00:21:54,155 --> 00:21:55,885 WHEN'S THE LAST TIME YOU SAW HER? 451 00:21:55,888 --> 00:21:58,558 LAST NIGHT, BEFORE WE WENT TO BED. 452 00:21:58,555 --> 00:22:00,755 THIS MORNING, SHE CALLS ME AND TELLS ME TO MEET HER 453 00:22:00,755 --> 00:22:03,785 AT THE MILL OFFICE, BUT SHE NEVER SHOWED. 454 00:22:05,488 --> 00:22:07,218 IT'S PROBABLY NOT A BIG DEAL, BUT... 455 00:22:07,221 --> 00:22:09,611 HAVE YOU TRIED TRACKING HER ON THAT PHONE 456 00:22:09,621 --> 00:22:10,511 THINGAMAJIG OF YOURS? 457 00:22:10,521 --> 00:22:13,181 YEAH, I'M TRYING NOW. 458 00:22:13,188 --> 00:22:15,188 ACTUALLY, I THINK I'M GETTING SOMETHING NOW. 459 00:22:15,188 --> 00:22:20,218 IT SAYS THAT SHE'S IN NEW ORLEANS, ON POYDRAS. 460 00:22:20,221 --> 00:22:23,011 SHE'S, LIKE, NEAR THE CONVENTION CENTER. 461 00:22:23,021 --> 00:22:24,951 Violet: WHAT'S SHE DOING WAY DOWN THERE? 462 00:22:24,955 --> 00:22:26,485 GOOD QUESTION. 463 00:22:29,088 --> 00:22:30,758 [ SIGHS ] 464 00:22:30,755 --> 00:22:33,885 [ BAND PLAYS ] 465 00:22:33,888 --> 00:22:36,688 ♪♪ 466 00:22:36,688 --> 00:22:38,858 H-H-HOLD UP, GUYS. HEY. 467 00:22:38,854 --> 00:22:40,184 HEY. 468 00:22:40,188 --> 00:22:41,758 GUYS, THIS IS DARLA. 469 00:22:41,755 --> 00:22:42,755 -HI. -HI, GUYS. 470 00:22:42,755 --> 00:22:44,815 -HEY, DARLA. -HEY, WHAT'S UP? 471 00:22:44,821 --> 00:22:46,511 LET'S TAKE A BREAK, EVERYBODY. 472 00:22:46,521 --> 00:22:48,011 JUST NEED A MINUTE. 473 00:22:51,055 --> 00:22:53,385 THIS IS TRULY A... 474 00:22:53,388 --> 00:22:54,758 GREAT SURPRISE. 475 00:22:54,755 --> 00:22:55,955 I WAS, UH... 476 00:22:55,955 --> 00:22:58,285 I WAS HOPING I'D GET TO HEAR A COUPLE OF MINUTES 477 00:22:58,288 --> 00:23:00,458 OF YOUR REHEARSAL. 478 00:23:04,022 --> 00:23:09,282 AND I, UH, BROUGHT YOU AND THE GUYS SOME BEIGNETS. 479 00:23:09,288 --> 00:23:11,218 APPRECIATE THAT. 480 00:23:11,221 --> 00:23:13,981 I DO, BUT... 481 00:23:13,988 --> 00:23:15,458 WE NEED TO TALK. 482 00:23:18,521 --> 00:23:22,311 I READ NOVA'S BOOK. 483 00:23:22,321 --> 00:23:24,181 RIGHT. 484 00:23:24,188 --> 00:23:26,158 OF COURSE. 485 00:23:26,155 --> 00:23:27,555 I WAS, UH... 486 00:23:27,555 --> 00:23:29,885 I WAS WONDERING WHY YOU HADN'T BEEN 487 00:23:29,888 --> 00:23:31,688 RETURNING MY CALLS AND TEXTS. 488 00:23:31,688 --> 00:23:36,288 I WAS GOING TO, SOON AS I COULD FIND A WAY TO -- 489 00:23:36,288 --> 00:23:37,818 YOU KNOW WHAT? 490 00:23:37,821 --> 00:23:41,081 YOU COULD HAVE AT LEAST FACED ME IN PERSON 491 00:23:41,088 --> 00:23:43,418 RATHER THAN GHOSTING ME LIKE A TEENAGER. 492 00:23:43,421 --> 00:23:48,411 I'M NOT GHOSTING YOU, DARLA, AND I'M NOT JUDGING YOU. 493 00:23:48,421 --> 00:23:51,981 BUT I DO HAVE A PROBLEM WITH WHAT I READ, AND -- 494 00:23:51,988 --> 00:23:56,488 MY PAST IS MORE IMPORTANT TO YOU THAN RIGHT NOW? 495 00:23:56,488 --> 00:23:58,758 AND I THOUGHT... 496 00:23:58,755 --> 00:24:03,855 I THOUGHT YOU OF ALL PEOPLE WOULD UNDERSTAND. 497 00:24:03,855 --> 00:24:05,385 BUT, I MEAN, IT'S FINE. I GET IT. 498 00:24:05,388 --> 00:24:07,658 I DON'T THINK YOU DO. 499 00:24:07,655 --> 00:24:09,855 MY ISSUE ISN'T WITH THE BOOK OR WHAT'S INSIDE IT. 500 00:24:09,855 --> 00:24:12,355 I DON'T CARE ABOUT YOUR PAST. 501 00:24:12,355 --> 00:24:14,755 I CARE ABOUT YOUR FUTURE. 502 00:24:16,688 --> 00:24:18,318 AND MINE. 503 00:24:18,321 --> 00:24:19,811 WHAT'S THAT SUPPOSED TO MEAN? 504 00:24:22,721 --> 00:24:24,751 I THINK YOU'RE TWO MINUTES AWAY FROM RELAPSING, 505 00:24:24,755 --> 00:24:26,215 AND YOU'RE NOT DOING ANYTHING ABOUT IT. 506 00:24:26,221 --> 00:24:28,281 WHAT? 507 00:24:28,288 --> 00:24:29,818 I'M FINE, LEO. 508 00:24:29,821 --> 00:24:32,151 WHEN'S THE LAST TIME YOU CALLED YOUR SPONSOR? 509 00:24:32,154 --> 00:24:34,354 I DON'T KNOW. A COUPLE WEEKS AGO. 510 00:24:34,354 --> 00:24:36,214 I KNOW THE SIGNS OF A RELAPSE. 511 00:24:36,222 --> 00:24:37,682 I'VE HAD SEVERAL. 512 00:24:37,688 --> 00:24:40,058 THERE'S NO WAY THAT MY PAST CAN BE MADE PUBLIC 513 00:24:40,055 --> 00:24:42,815 LIKE YOURS WAS AND IT NOT HAVE A BAD EFFECT ON ME. 514 00:24:42,821 --> 00:24:43,711 THAT'S YOU. 515 00:24:43,722 --> 00:24:46,512 I FEEL FINE AND IN CONTROL. 516 00:24:46,522 --> 00:24:50,912 I'M STILL WORKING MY STEPS. 517 00:24:50,921 --> 00:24:53,581 WHAT DO YOU WANT TO DO? 518 00:24:53,588 --> 00:24:56,058 FOR THE SAKE OF MY OWN SOBRIETY... 519 00:24:58,155 --> 00:25:02,085 ...I NEED TO PUMP THE BRAKES ON OUR RELATIONSHIP 520 00:25:02,088 --> 00:25:05,318 FOR A LITTLE WHILE. 521 00:25:05,322 --> 00:25:08,352 LISTEN, WE -- WE GOT A GIG LATER. 522 00:25:08,354 --> 00:25:11,884 I NEED TO GET BACK TO REHEARSING. 523 00:25:11,888 --> 00:25:13,858 I'LL CALL YOU IN A COUPLE DAYS. 524 00:25:15,688 --> 00:25:17,818 MAYBE WE CAN TALK. 525 00:25:17,821 --> 00:25:24,211 ♪♪ 526 00:25:24,221 --> 00:25:27,081 ALRIGHT, Y'ALL, LET'S GET BACK TO IT. 527 00:25:27,088 --> 00:25:30,418 ♪♪ 528 00:25:30,421 --> 00:25:32,081 [ INDISTINCT CHATTER ] 529 00:25:32,088 --> 00:25:39,788 ♪♪ 530 00:25:43,488 --> 00:25:51,018 ♪♪ 531 00:25:51,021 --> 00:25:53,211 FOR HER, PLEASE. 532 00:25:58,054 --> 00:25:59,914 WHY ARE YOU HERE? 533 00:25:59,922 --> 00:26:04,782 ♪♪ 534 00:26:04,788 --> 00:26:06,688 YOUR SON IS CONCERNED ABOUT YOU. 535 00:26:09,155 --> 00:26:14,315 HE CALLED ME, TOLD ME WHERE TO LOOK. 536 00:26:14,322 --> 00:26:16,782 LET'S GET OUT OF HERE. 537 00:26:16,788 --> 00:26:21,088 ♪♪ 538 00:26:21,088 --> 00:26:22,458 NO. 539 00:26:24,621 --> 00:26:26,151 NO. 540 00:26:26,155 --> 00:26:28,155 I'M NOT GOING WITH YOU. 541 00:26:32,388 --> 00:26:35,658 I KNOW YOU'RE STILL ANGRY WITH ME. 542 00:26:35,655 --> 00:26:39,885 I UNDERSTAND WHY MORE AND MORE EACH DAY. 543 00:26:39,888 --> 00:26:42,918 BUT RIGHT NOW, YOU ALSO NEED TO BE SAFE. 544 00:26:45,421 --> 00:26:49,011 YOU'RE RUNNING FOR OFFICE. 545 00:26:49,021 --> 00:26:50,981 COME ON. 546 00:26:50,988 --> 00:26:52,488 GOING HOME. 547 00:26:57,188 --> 00:26:58,858 PLEASE. 548 00:27:02,155 --> 00:27:03,815 COME ON. 549 00:27:03,821 --> 00:27:10,151 ♪♪ 550 00:27:10,155 --> 00:27:16,615 ♪♪ 551 00:27:16,621 --> 00:27:18,081 HEY. 552 00:27:20,422 --> 00:27:21,952 HEY. 553 00:27:33,288 --> 00:27:36,888 YOU MAD AT ME? 554 00:27:36,888 --> 00:27:39,018 NO, BABY. 555 00:27:39,021 --> 00:27:41,851 I GOT A WHOLE LOT ON MY MIND RIGHT NOW. 556 00:27:46,355 --> 00:27:49,755 OWEN AND IRWIN WAS OVER, FROM THE RIG. 557 00:27:49,755 --> 00:27:51,755 HOW THEY DOING? 558 00:27:51,754 --> 00:27:54,684 HEARD ABOUT THE BEATING I PUT ON JIMMY DALE. 559 00:27:54,688 --> 00:27:58,218 THEY WAS GLAD ABOUT IT, GAVE ME PROPS. 560 00:27:58,222 --> 00:28:01,182 WELL, YOU GUYS LIKE THAT KIND OF TALK. 561 00:28:01,188 --> 00:28:04,058 USUALLY, I'D ENJOY IT, BUT I DON'T KNOW. 562 00:28:04,055 --> 00:28:08,085 IT MUST'VE BEEN SOMETHING YOU SAID THAT MADE ME REALIZE 563 00:28:08,088 --> 00:28:10,258 THAT MOST TIMES WHEN ME AND THE FELLAS GET TOGETHER, 564 00:28:10,254 --> 00:28:13,254 ALL WE DOING IS KEEPING THE JOKES 565 00:28:13,255 --> 00:28:14,785 AND THE SPORTS TALK COMING. 566 00:28:14,788 --> 00:28:16,288 SOMETHING WRONG WITH THAT? 567 00:28:16,288 --> 00:28:19,018 WELL, IT IS IF THAT'S THE ONLY THING WE'RE DOING. 568 00:28:19,022 --> 00:28:21,212 SEEM LIKE THE ONLY TIME I EVER TALK ABOUT ANY REAL STUFF 569 00:28:21,222 --> 00:28:24,012 IS WHEN I'M WITH YOU. 570 00:28:24,021 --> 00:28:25,711 LIKE TODAY. 571 00:28:25,722 --> 00:28:27,712 I REALLY DIDN'T EVEN KNOW WHAT TO SAY TO RALPH ANGEL 572 00:28:27,722 --> 00:28:29,912 WHEN HE WAS DOWN. 573 00:28:30,921 --> 00:28:33,851 WELL, WE WOMEN HAVE HAD LOTS OF PRACTICE 574 00:28:33,855 --> 00:28:34,985 TALKING TO EACH OTHER. 575 00:28:34,988 --> 00:28:36,458 [ CHUCKLES ] 576 00:28:39,388 --> 00:28:40,918 LOOK AT THIS. 577 00:28:42,521 --> 00:28:44,911 NOW, HOW COME US MEN DON'T DO THINGS 578 00:28:44,921 --> 00:28:46,851 IN GROUPS LIKE Y'ALL DO? 579 00:28:46,855 --> 00:28:48,655 YOU KNOW, ALL THESE DIFFERENT SUPPORT GROUPS FOR WOMEN 580 00:28:48,654 --> 00:28:51,214 AT ST. JO'S AND NOT ONE FOR MEN. 581 00:28:55,121 --> 00:28:57,451 MAYBE IF WE HAD ONE, WE WOULDN'T SCARED THE ONES 582 00:28:57,454 --> 00:29:00,714 WE LOVE SO MUCH WITH THE WAY WE ACT SOMETIMES. 583 00:29:02,854 --> 00:29:04,484 MAYBE YOU RIGHT. 584 00:29:06,688 --> 00:29:08,288 THIS IS ALL THE LIGHTS I GOT. 585 00:29:08,288 --> 00:29:10,088 OOH. THAT GONNA BE ENOUGH? 586 00:29:10,088 --> 00:29:11,558 MAN, THIS IS MORE THAN ENOUGH. 587 00:29:11,555 --> 00:29:13,815 -ALRIGHT. -YOUR AUNT VI'S GONNA BE 588 00:29:13,821 --> 00:29:14,881 SUPER-HAPPY, MAN. THANK YOU. 589 00:29:14,888 --> 00:29:16,958 AIN'T NO THING. AIN'T NO THING. 590 00:29:16,955 --> 00:29:18,485 ALRIGHT. 591 00:29:21,555 --> 00:29:23,085 YO, CAN I ASK YOU SOMETHING? 592 00:29:23,088 --> 00:29:24,818 ANYTHING AND ALWAYS. 593 00:29:24,821 --> 00:29:26,611 WHAT'S GOING ON? 594 00:29:26,621 --> 00:29:28,681 IT'S ABOUT RELATIONSHIPS. 595 00:29:28,688 --> 00:29:29,888 YOU AND KEKE A'IGHT? 596 00:29:29,888 --> 00:29:31,758 YEAH, WE GOOD, WE GOOD. 597 00:29:31,755 --> 00:29:34,315 YOU KNOW... 598 00:29:34,322 --> 00:29:36,512 WE'RE SO GOOD THAT... 599 00:29:36,521 --> 00:29:39,911 WE'RE READY TO TAKE IT TO THE NEXT LEVEL. 600 00:29:39,921 --> 00:29:41,511 AH. IT'S HER FIRST TIME, 601 00:29:41,522 --> 00:29:43,982 AND I'M NOT TOO FAR BEHIND MYSELF. 602 00:29:43,988 --> 00:29:45,858 I JUST... 603 00:29:45,855 --> 00:29:48,355 IT'S A BIG DEAL FOR BOTH OF US. 604 00:29:48,355 --> 00:29:49,955 IT'S IMPORTANT YOU DO RIGHT BY HER. 605 00:29:49,955 --> 00:29:51,185 YEAH. 606 00:29:51,188 --> 00:29:53,858 I MEAN, THINGS ARE GREAT BETWEEN US NOW, BUT... 607 00:29:53,855 --> 00:29:55,215 YOU KNOW, COLLEGE -- I DON'T KNOW. 608 00:29:55,221 --> 00:29:56,581 A LOT COULD CHANGE. 609 00:29:58,054 --> 00:30:00,454 I FEEL YOU, BUDDY. 610 00:30:00,455 --> 00:30:02,915 CHANGE IS ALWAYS GONNA COME. 611 00:30:02,921 --> 00:30:05,111 WHAT REALLY MATTERS IS THAT YOU GOT LOVE FOR HER. 612 00:30:05,121 --> 00:30:06,411 YEAH. 613 00:30:06,421 --> 00:30:08,081 I THINK I DO. 614 00:30:08,088 --> 00:30:10,418 I THINK ABOUT HER ALL THE TIME. 615 00:30:10,422 --> 00:30:11,552 YEAH, YOU IN THERE. 616 00:30:11,554 --> 00:30:12,884 [ LAUGHS ] 617 00:30:12,888 --> 00:30:14,488 I KNOW. CONGRATS. 618 00:30:14,488 --> 00:30:16,058 THANKS. 619 00:30:18,621 --> 00:30:21,781 BUT HOW DO YOU KNOW IT'S FOR REAL? 620 00:30:21,788 --> 00:30:23,518 LIKE, MY DAD TOLD MY MOM HE LOVED HER, 621 00:30:23,521 --> 00:30:25,151 AND LOOK HOW THAT TURNED OUT. 622 00:30:25,155 --> 00:30:27,015 DON'T WORRY ABOUT ALL THAT. 623 00:30:27,021 --> 00:30:29,611 YOU AIN'T YOUR DADDY, MICAH. 624 00:30:29,621 --> 00:30:31,811 REAL QUESTION IS, WHAT'S YOUR GUT SAYING? 625 00:30:31,821 --> 00:30:33,811 I DON'T KNOW. 626 00:30:33,821 --> 00:30:34,751 [ CHUCKLES ] 627 00:30:34,755 --> 00:30:36,415 THAT I'M AN IDIOT IF I STOP 628 00:30:36,421 --> 00:30:38,611 TRIPPING ABOUT WHAT MIGHT, MIGHT NOT HAPPEN 629 00:30:38,621 --> 00:30:40,811 AND JUST... 630 00:30:40,821 --> 00:30:42,681 BE WITH HER. 631 00:30:42,688 --> 00:30:44,288 [ CHUCKLES ] WHAT? 632 00:30:45,821 --> 00:30:47,211 YOUR GUT SOUND KIND OF SMART. 633 00:30:47,221 --> 00:30:48,681 [ LAUGHS ] 634 00:30:48,688 --> 00:30:50,588 MAN, YOUR BUSINESS, BRUH. 635 00:30:53,921 --> 00:30:55,551 I GOT IT. THANKS. 636 00:30:55,555 --> 00:30:57,155 [ LAUGHS ] ALL THAT HAIR. 637 00:30:57,155 --> 00:30:58,685 ALRIGHT. 638 00:31:03,988 --> 00:31:05,988 HEY. 639 00:31:05,988 --> 00:31:07,818 BLUE WANTED TO TRY TO CALL TO SAY GOOD NIGHT. 640 00:31:07,821 --> 00:31:09,681 DARLA: I'm sorry. I was, um... 641 00:31:09,688 --> 00:31:12,418 I was out. MY BAD. 642 00:31:12,421 --> 00:31:14,811 I DIDN'T MEAN TO INTERRUPT YOU ON YOUR, UM... 643 00:31:14,821 --> 00:31:17,351 YOUR DATE. No, it's okay. 644 00:31:17,355 --> 00:31:22,085 I'm home, and I'm really happy to talk to Blue. 645 00:31:22,088 --> 00:31:23,558 BLUE. 646 00:31:23,555 --> 00:31:26,415 YOUR MAMA WANTS TO SAY GOOD NIGHT. 647 00:31:26,421 --> 00:31:27,751 HI, MOMMY. 648 00:31:27,755 --> 00:31:31,015 I TRIED TO CALL YOU A HUNDRED TIMES. 649 00:31:31,021 --> 00:31:32,581 I'M SORRY. 650 00:31:34,488 --> 00:31:36,088 HOW WAS SCHOOL? 651 00:31:36,088 --> 00:31:37,688 School was just okay. 652 00:31:37,688 --> 00:31:40,258 BUT THERESA'S WAS AMAZING. 653 00:31:40,254 --> 00:31:42,414 OH, YEAH? TELL ME WHY. 654 00:31:42,421 --> 00:31:45,081 Joie made this really cool model space rocket 655 00:31:45,088 --> 00:31:47,418 With Ms. Deesha, and they brought it to school, 656 00:31:47,421 --> 00:31:50,911 and all recess, we pretended that we were astronauts. 657 00:31:50,922 --> 00:31:52,382 AND GUESS WHAT. 658 00:31:52,388 --> 00:31:54,658 I WAS THE ONE WHO GOT TO WALK ON THE MOON, 659 00:31:54,655 --> 00:31:57,585 just like you taught me when we played astronauts. 660 00:31:57,588 --> 00:32:00,488 WHAT? WOW -- WOW. THAT'S AMAZING. 661 00:32:00,488 --> 00:32:02,758 Joie wanted to do the moonwalk, 662 00:32:02,755 --> 00:32:05,285 but we drew straws, and I won. 663 00:32:05,288 --> 00:32:06,558 You should have seen me, Mom. 664 00:32:06,555 --> 00:32:07,685 I was walking 665 00:32:07,688 --> 00:32:10,888 IN SLOW-MOTION, LIKE THOSE ASTRONAUTS 666 00:32:10,888 --> 00:32:12,558 IN THOSE OLD MOONWALK VIDEOS, 667 00:32:12,555 --> 00:32:15,215 taking one... 668 00:32:15,221 --> 00:32:16,751 giant... 669 00:32:16,755 --> 00:32:23,515 AND REALLY SLOW LEAP FOR MANKIND ON THE PLAYGROUND. 670 00:32:23,522 --> 00:32:25,912 Then Ms. Deesha gave us all cupcakes 671 00:32:25,921 --> 00:32:27,651 with the names of planets. 672 00:32:27,655 --> 00:32:29,785 Mine had caramel icing. 673 00:32:29,788 --> 00:32:32,218 It was delicious. 674 00:32:32,221 --> 00:32:34,681 BUT WE HAD SO MUCH FUN. 675 00:32:34,688 --> 00:32:35,988 YOU HAD SO MUCH FUN? 676 00:32:35,988 --> 00:32:39,288 I really wish you were there. 677 00:32:39,288 --> 00:32:41,418 I WISH I WAS THERE, TOO. 678 00:32:43,821 --> 00:32:45,681 I LOVE YOU. 679 00:32:46,621 --> 00:32:48,111 GOOD NIGHT. 680 00:32:51,021 --> 00:32:52,611 GOOD NIGHT. 681 00:32:52,621 --> 00:33:02,411 ♪♪ 682 00:33:02,421 --> 00:33:12,351 ♪♪ 683 00:33:12,355 --> 00:33:16,185 ♪ BLACK GIRL ♪ 684 00:33:16,188 --> 00:33:22,658 ♪ WE'LL LEAVE THIS FIGHT TO SOMEONE ELSE FOR NOW ♪ 685 00:33:22,655 --> 00:33:28,755 ♪ YOU CAN CLOSE YOUR EYES, LET YOUR HAIR DOWN ♪ 686 00:33:28,755 --> 00:33:32,585 ♪ BREATHE IN, BREATHE OUT ♪ 687 00:33:32,588 --> 00:33:38,088 ♪♪ 688 00:33:38,088 --> 00:33:44,958 ♪ YES, THERE WILL BE BATTLES YOU SOMETIMES LOSE ♪ 689 00:33:44,954 --> 00:33:48,884 ♪ THEY'D NEVER LAST FOR A DAY IN YOUR SHOES ♪ 690 00:33:48,888 --> 00:33:50,888 I'LL BE IN THE GUEST ROOM IF YOU NEED ME. 691 00:33:50,888 --> 00:33:53,958 ♪ YOU STILL NEED TO REST, TOO ♪ 692 00:33:56,888 --> 00:34:02,288 ♪ YOU STILL NEED TO REST, TOO ♪ 693 00:34:02,288 --> 00:34:06,558 Charley: WHY DID YOU SAY ALL THOSE THINGS? 694 00:34:06,555 --> 00:34:12,685 ♪♪ 695 00:34:12,688 --> 00:34:18,618 ♪♪ 696 00:34:18,621 --> 00:34:20,851 I DIDN'T DO IT TO HURT YOU. 697 00:34:24,022 --> 00:34:28,882 I THOUGHT I WAS DOING SOMETHING GOOD FOR ALL OF US. 698 00:34:28,888 --> 00:34:30,918 I REALLY DID. 699 00:34:31,955 --> 00:34:35,755 BUT I SEE THAT IT WAS JUST GOOD FOR ME. 700 00:34:35,755 --> 00:34:41,015 ♪♪ 701 00:34:41,021 --> 00:34:45,281 I LOVE YOU SO MUCH, CHARLEY. 702 00:34:48,155 --> 00:34:49,685 SO MUCH. 703 00:34:52,388 --> 00:34:54,418 AND I'M SORRY I HURT YOU. 704 00:34:54,421 --> 00:34:57,481 ♪ KEEP IT TUCKED AWAY ♪ 705 00:34:57,488 --> 00:34:58,958 I'M SORRY. 706 00:34:58,955 --> 00:35:00,885 ♪ THEY'LL HAVE TO FIND ANOTHER WONDER FOR TODAY ♪ 707 00:35:00,888 --> 00:35:03,018 [ SOBS ] 708 00:35:03,021 --> 00:35:04,951 ♪ OOH, OOH, OOH ♪ 709 00:35:04,955 --> 00:35:10,815 ♪ YOU DON'T ALWAYS HAVE TO BE THE ONE TO SAVE THE WORLD ♪ 710 00:35:12,821 --> 00:35:17,781 ♪ YOU'RE ALWAYS THE ONE TO SAVE THE WORLD ♪ 711 00:35:19,888 --> 00:35:24,358 ♪ AND THEY NEVER SAY THANK YOU, GIRL ♪ 712 00:35:24,355 --> 00:35:27,015 [ SOBS ] 713 00:35:27,021 --> 00:35:30,211 ♪ I LOVE YOU ♪ 714 00:35:30,221 --> 00:35:33,751 [ SOBBING ] 715 00:35:33,755 --> 00:35:36,015 ♪ GOOD NIGHT ♪ 716 00:35:36,021 --> 00:35:40,011 [ SOBBING ] 717 00:35:40,021 --> 00:35:40,911 ♪ GOOD NIGHT ♪ 718 00:35:44,422 --> 00:35:47,282 [ BIRDS CHIRPING ] 719 00:36:09,421 --> 00:36:10,811 ♪♪ 720 00:36:10,821 --> 00:36:12,011 Nova: "I SAID A LOT OF THINGS 721 00:36:12,021 --> 00:36:13,681 I SHOULDN'T HAVE SAID ABOUT MY SISTER, 722 00:36:13,688 --> 00:36:17,688 CHARLEY BORDELON, IN MY MEMOIR, 'BLESSINGS AND BLOOD.' 723 00:36:17,688 --> 00:36:21,288 BUT I'M HERE TO TRY TO FIX WHAT I BROKE. 724 00:36:21,288 --> 00:36:22,618 I'M SORRY. 725 00:36:22,621 --> 00:36:25,281 I WAS WRONG, AND I'M WRITING THIS ARTICLE 726 00:36:25,288 --> 00:36:27,658 TO SET THE RECORD STRAIGHT. 727 00:36:27,654 --> 00:36:29,384 MY BOOK HURT PEOPLE. 728 00:36:29,388 --> 00:36:31,018 IT DIMINISHED MY SISTER, 729 00:36:31,021 --> 00:36:33,151 A WOMAN I KNOW SEE AS AMONG THE STRONGEST 730 00:36:33,155 --> 00:36:35,315 I'VE EVER ENCOUNTERED, 731 00:36:35,321 --> 00:36:37,811 AND I'D RATHER NOT ONE PERSON PICK UP THIS BOOK 732 00:36:37,821 --> 00:36:40,651 IF IT MEANS HURTING MORE PEOPLE OR COSTING THE PEOPLE OF 733 00:36:40,655 --> 00:36:44,085 ST. JO THE BEST CHAMPION THEY COULD EVER ELECT. 734 00:36:46,955 --> 00:36:50,055 AS A COUNCILWOMAN, SHE'LL PROTECT THE FARMERS OF ST. JO. 735 00:36:50,055 --> 00:36:52,915 SHE'LL PUT YOU FIRST, NOT HERSELF. 736 00:36:52,921 --> 00:36:55,411 I KNOW THIS BECAUSE DESPITE THE UNFORGIVABLE THINGS 737 00:36:55,422 --> 00:37:00,252 I HAVE DONE, SHE STILL ALLOWS ME TO CALL HER 'SISTER.' 738 00:37:00,255 --> 00:37:02,455 SHE IS WHAT WE ALL WANT TO BE -- 739 00:37:02,455 --> 00:37:07,885 STRONG, WISE, COMPASSIONATE, A LEADER. 740 00:37:07,888 --> 00:37:09,418 MOST IMPORTANTLY, CHARLEY BORDELON 741 00:37:09,421 --> 00:37:12,911 IS THE BIG LITTLE SISTER I WANT TO BE WHEN I GROW UP." 742 00:37:17,321 --> 00:37:18,611 [ HINGES CREAK ] 743 00:37:18,621 --> 00:37:20,651 [ SIGHS ] 744 00:37:23,688 --> 00:37:25,958 [ Line ringing ] 745 00:37:25,955 --> 00:37:28,355 Hi, this is Darla. Leave a message. 746 00:37:28,355 --> 00:37:30,215 HEY, DARLA. 747 00:37:30,222 --> 00:37:32,452 I KNOW YOU'RE BUSY, BUT... 748 00:37:32,455 --> 00:37:35,485 I WAS KIND OF WORRIED ABOUT YOU EARLIER. 749 00:37:35,488 --> 00:37:38,418 I DON'T KNOW WHY. I JUST... 750 00:37:38,421 --> 00:37:40,551 JUST WANT TO MAKE SURE YOU'RE GOOD. 751 00:37:42,355 --> 00:37:44,615 ANYWAY, UH... 752 00:37:44,621 --> 00:37:47,881 HAVING A LITTLE GET TOGETHER OVER AT THE MILL TONIGHT. 753 00:37:47,888 --> 00:37:50,158 YOU'RE WELCOME TO COME BY. 754 00:37:51,888 --> 00:37:55,158 IT'LL BE NICE TO SEE YOU. 755 00:37:55,155 --> 00:37:57,115 LET ME KNOW. 756 00:38:07,355 --> 00:38:11,415 ♪♪ 757 00:38:11,421 --> 00:38:13,281 MA, I NEED YOU TO COME WITH ME. 758 00:38:13,288 --> 00:38:15,518 CAN YOU DO THAT? 759 00:38:15,521 --> 00:38:16,911 MICAH... AH, COME ON. 760 00:38:16,921 --> 00:38:20,311 COME ON. I HAVE TO SHOW YOU SOMETHING. 761 00:38:20,322 --> 00:38:22,052 TRUST ME. 762 00:38:23,655 --> 00:38:25,355 MICAH, WHY'D YOU BRING ME HERE? 763 00:38:25,355 --> 00:38:27,485 IT'S OKAY, MOM. YOU GOT TO TRUST ME. 764 00:38:27,488 --> 00:38:29,358 [ INDISTINCT CHATTER ] 765 00:38:29,355 --> 00:38:31,715 WHAT IS ALL THIS? 766 00:38:32,621 --> 00:38:34,551 MICAH, WHAT IS GOING ON? 767 00:38:34,555 --> 00:38:36,355 Woman: THERE SHE IS. 768 00:38:36,355 --> 00:38:38,755 [ WOMAN SINGING INDISTINCTLY ] 769 00:38:38,755 --> 00:38:41,755 [ APPLAUSE ] 770 00:38:41,755 --> 00:38:48,755 [ WOMAN SINGING INDISTINCTLY ] 771 00:38:48,755 --> 00:38:56,355 ♪♪ 772 00:38:56,355 --> 00:39:01,285 RIGHT HERE, RIGHT NOW IS WHERE WE HOLD THE LINE... 773 00:39:01,288 --> 00:39:04,358 -THAT'S RIGHT. -...WHERE WE SAY "ENOUGH," 774 00:39:04,355 --> 00:39:09,215 WHERE WE DECIDE WE WILL NOT BE MOVED NOT ONE STEP FURTHER. 775 00:39:09,221 --> 00:39:12,011 -YEAH, THAT'S RIGHT! -BUT WE'RE TONIGHT TO DO 776 00:39:12,022 --> 00:39:13,612 WHAT WE'VE ALWAYS DONE... 777 00:39:13,621 --> 00:39:14,951 -YEAH, PROSPER. -WHAT WE GOT TO DO. 778 00:39:14,954 --> 00:39:17,484 ...CREATE SOMETHING OUT OF NOTHING. 779 00:39:17,488 --> 00:39:19,618 -YEAH. -YES. 780 00:39:19,621 --> 00:39:23,011 CHARLEY, RALPH ANGEL, NOVA -- 781 00:39:23,021 --> 00:39:27,151 NOW, WE COME TOGETHER TO CLAIM THIS SPACE 782 00:39:27,154 --> 00:39:29,684 AND WHAT'S LEFT OF THIS MILL, 783 00:39:29,688 --> 00:39:33,688 WHAT IT WAS AND WHATEVER IT SHALL BE. 784 00:39:33,688 --> 00:39:35,758 -THAT'S RIGHT! -WE SHARE THE PAIN IT TAKES 785 00:39:35,755 --> 00:39:37,455 TO MOVE FORWARD. 786 00:39:38,588 --> 00:39:41,858 EVERY STEP ON THIS JOURNEY IS NOT GOING TO BE EASY. 787 00:39:41,854 --> 00:39:44,184 -NO! NO, IT'S NOT! -IT'S TIME TO COME TOGETHER. 788 00:39:44,188 --> 00:39:46,018 -YES, IT IS! -YES, IT IS! 789 00:39:46,022 --> 00:39:47,312 NO MATTER WHAT. 790 00:39:47,322 --> 00:39:49,082 [ APPLAUSE ] 791 00:39:49,088 --> 00:39:51,918 ♪ I'VE GOT A FEELING ♪ 792 00:39:51,921 --> 00:39:56,011 ♪ EVERYTHING'S GONNA BE ALL RIGHT ♪ 793 00:39:56,021 --> 00:39:59,481 ♪ I'VE GOT A FEELING ♪ 794 00:39:59,488 --> 00:40:02,188 ♪ EVERYTHING'S GONNA BE ALL RIGHT ♪ 795 00:40:02,188 --> 00:40:03,518 -OH, YEAH. -YES, MA'AM. 796 00:40:03,521 --> 00:40:06,781 ♪ I'VE GOT A FEELING ♪ 797 00:40:06,788 --> 00:40:10,088 ♪ EVERYTHING'S GONNA BE ALL RIGHT ♪ 798 00:40:10,088 --> 00:40:16,858 ♪ BE ALRIGHT, BE ALL RIGHT, BE ALL RIGHT ♪ 799 00:40:16,854 --> 00:40:17,984 [ CHEERING ] 800 00:40:17,988 --> 00:40:21,088 ♪ MY MOTHER TOLD ME ♪ 801 00:40:21,088 --> 00:40:23,318 ♪ EVERYTHING'S GONNA BE ALL RIGHT ♪ 802 00:40:23,322 --> 00:40:25,252 YEAH. 803 00:40:25,255 --> 00:40:28,615 ♪ MY MOTHER TOLD ME ♪ 804 00:40:28,622 --> 00:40:32,412 ♪ EVERYTHING'S GONNA BE ALL RIGHT ♪ 805 00:40:32,421 --> 00:40:35,981 ♪ MY MOTHER TOLD ME ♪ 806 00:40:35,988 --> 00:40:39,058 ♪ EVERYTHING'S GONNA BE ALL RIGHT ♪ 807 00:40:39,055 --> 00:40:46,085 ♪ BE ALL RIGHT, BE ALL RIGHT BE ALL RIGHT ♪ 808 00:40:46,088 --> 00:40:50,818 [ CHEERS AND APPLAUSE ] 809 00:40:52,254 --> 00:40:54,454 [ SOBS ] 810 00:40:54,455 --> 00:40:56,055 [ GASPS ] 811 00:40:56,055 --> 00:41:04,615 ♪♪ 812 00:41:04,621 --> 00:41:07,751 [ COUGHS ] 813 00:41:07,755 --> 00:41:10,755 -- Captions by VITAC -- www.vitac.com 814 00:41:10,755 --> 00:41:13,885 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 815 00:41:13,888 --> 00:41:23,688 ♪♪ 816 00:41:23,688 --> 00:41:33,618 ♪♪ 817 00:41:33,621 --> 00:41:43,481 ♪♪