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[ TELEPHONE RINGS ]
NO ONE EVER CALLS ON THAT LINE.
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00:00:03,008 --> 00:00:04,178
PREVIOUSLY ON "QUEEN SUGAR"...
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-WHAT?!
-MA, WHAT IS IT?
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NO. NO, NO, NO!
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MOM!
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THE MILL'S ON FIRE.
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OH, MY GOD.
I'M-A GET THROUGH THIS.
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I AM STILL STRONG.
WHAT HAPPENED?!
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FOUND 20 BAGS IN YOUR
WORKER'S CAR OVER THERE.
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I'M GLAD I GOT CAMERAS
ALL AROUND THIS PLACE, HUH?
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YOU BEEN CHECKING THOSE CAMERAS,
MAKING SURE THEY'RE WORKING?
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-NOVA.
-CALVIN.
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I DIDN'T FEEL RIGHT,
SO I THOUGHT
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WE SHOULD DO IT AGAIN
OR NOT DO IT AT ALL.
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[ SIREN WAILING ]
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[ HORN BLARING ]
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[ RADIO CHATTER ]
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♪♪
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♪♪
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♪♪
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♪♪
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MICAH? MICAH!
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♪♪
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I'VE BEEN TRYING
TO REACH YOU.
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I'M FINE. I'M SORRY.
WE'VE BEEN HERE ALL NIGHT.
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Man: MA'AM,
YOU CAN'T GO IN THERE.
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SHE'S MY SISTER. PLEASE.
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♪♪
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♪♪
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♪ DREAMS NEVER DIE ♪
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♪ TAKE FLIGHT
AS THE WORLD TURNS ♪
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♪ KEEP THE COLORS
IN THE LINES ♪
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♪ TAKE FLIGHT
AS THE WORLD TURNS ♪
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♪ KEEP THE COLORS
IN THE LINES ♪
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♪ TAKE FLIGHT ♪
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♪ DREAMS NEVER DIE ♪
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♪♪
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♪ KEEP THE COLORS
IN THE LINES ♪
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♪ KEEP THE COLORS
IN THE LINES ♪
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♪ TAKE FLIGHT ♪
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I WAS IN PHILADELPHIA
WHEN I HEARD.
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GOT HERE
AS SOON AS I COULD.
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YEAH, I TOLD YOU.
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SHE'S STILL FAMILY, RIGHT?
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♪♪
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HOW BAD IS IT?
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I WISH I HAD BETTER NEWS,
MS. BORDELON.
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THE DESTRUCTION'S
EXTENSIVE.
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CAN I GO IN, SALVAGE
ANYTHING FROM MY OFFICE?
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YOU NEED TO STAY
ON THIS SIDE.
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EVERYWHERE ELSE
IS UNSTABLE OR GONE.
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WHY DIDN'T YOU
GET HERE SOONER?
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IT TOOK 30 MINUTES
FOR YOU TO ARRIVE.
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YOUR FIRE ALARM
WASN'T FUNCTIONING.
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DISPATCH NEVER GOT THE ALERT.
WE GOT THE CALL FROM A CIVILIAN.
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WE HAVE REGULAR
FIRE INSPECTIONS.
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WE ALSO FOUND TRACES
OF AN ACCELERANT,
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MULTIPLE SOURCES OF ORIGIN,
ABNORMAL BURN PATTERNS.
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ALL THESE TRAITS
ARE CONSISTENT
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WITH ARSON,
MS. BORDELON.
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IT'S JUST A MATTER OF TIME
BEFORE THIS IS A POLICE MATTER.
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THAT'S ALL I CAN
TELL YOU RIGHT NOW.
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EXCUSE ME.
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ARSON? WHAT THE HELL
IS GOING ON?
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♪♪
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LET'S GO.
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-CHARLEY.
-CHARLEY, WAIT, PLEASE.
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I KNOW YOU DON'T WANT
TO HEAR FROM ME.
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LET'S JUST TALK
THROUGH THINGS FIRST
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BEFORE WE DO
ANYTHING RASH.
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YOU DON'T GET
TO SAY THAT TO ME!
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TO US.
AND THERE IS NO "WE."
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♪♪
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[ DOOR OPENS ]
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♪♪
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[ DOOR CLOSES ]
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♪♪
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♪♪
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IT'S GOOD TO SEE YOU,
VIOLET.
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SAM, I DID NOT SUMMON YOU HERE
FOR PLEASANTRIES.
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OR TO TALK OLD TIMES.
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HAVE YOU LOST
YOUR DAMN MIND?
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I HELD OFF CALLING YOU,
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EVEN WHEN MY SHOP
WAS TRASHED.
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'CAUSE I CAN HANDLE
MY OWN THINGS.
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THIS IS MY FAMILY.
YOU CROSSED A LINE.
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YOU KNOW
THAT'S NOT MY STYLE.
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I BARK LOUD TO PROTECT
MY BUSINESS AND MY LAND.
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BUT I WOULD NEVER
DO SOMETHING LIKE THIS.
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YOU KNOW THAT, VIOLET.
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YOU TELL THAT TO CHARLEY,
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WHO JUST HAD THE HEAVEN
KNOCKED OUT OF HER.
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IT MAY NOT BE YOUR STYLE.
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BUT IT'S YOUR PEOPLE.
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PUT A STOP TO IT.
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THIS IS BIGGER THAN ME.
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IT'S OUT OF MY HANDS NOW.
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♪♪
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SAM LANDRY.
I'M CALLING IN THAT FAVOR.
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♪♪
101
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YOU FIND A WAY...
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TO PUT THE DOGS YOU LYING WITH
BACK ON THE LEASH.
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♪♪
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I'LL TRY MY BEST.
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MNH-MNH. DON'T TRY.
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DO IT.
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♪♪
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♪♪
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MAKE SURE
WE'RE NOT DISTURBED.
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GOTCHA.
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CHARLEY!
I JUST HEARD.
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BUT DON'T YOU WORRY.
YOU HAVE MY FULL SUPPORT.
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WE WILL GET THROUGH THIS.
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I KNOW YOU'RE
BEHIND THIS.
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ALL OF IT.
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YOU ACTUALLY
BURNED MY MILL?
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WHAT ERA
ARE WE LIVING IN?
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CHARLEY,
YOU'RE IN SHOCK
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AND DON'T KNOW
WHAT YOU'RE SAYING.
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WHY DON'T YOU
GET CLEANED UP?
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-I'LL MAKE SOME CALLS.
-TO WHO?
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HANK MILLER? OR SOMEBODY ELSE
HIGHER UP AT OLD WORLD ENERGY?
123
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WHO OWNS YOU, FRANCES?
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NO ONE OWNS ME.
I'M NOT A SLAVE.
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AND I AM?
126
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CHARLEY, YOU'RE NOT
THINKING CLEARLY.
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I'M CLEAR THAT YOU WOULD
TEAR UP SAINT JO,
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THIS LAND YOU CLAIM TO LOVE,
AND FILL IT WITH TOXIC WASTE
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JUST SO YOU CAN MAKE
A LITTLE EXTRA CASH.
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IT WASN'T SO LONG AGO THAT YOU
WERE RIGHT THERE WITH ME,
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HAPPY TO GO ALONG WITH
MAKING THAT EXTRA CASH.
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WE WERE TO BE
A SISTERHOOD IN --
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SISTERHOOD?!
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CUT THE ACT, FRANCES.
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'CAUSE I SEE YOU.
136
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YOU DON'T GET TO
QUESTION ME, GAL.
137
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I DO LOVE OUR LAND.
138
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WHAT WE GROW ON IT
AND WHAT WE MAKE OUT OF IT!
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WHAT I LOVE MOST
IS THAT SUGAR CANE.
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AFTER IT'S WASHED,
PROCESSED,
141
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AND ALL THE IMPURITIES
ARE SQUEEZED OUT OF IT,
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IT COMES FORTH AS WHITE AS SNOW,
THE WAY IT SHOULD BE.
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THERE SHE IS!
144
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YOU ARE EXACTLY WHAT
I THOUGHT YOU WERE!
145
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I DON'T KNOW
WHO BURNED YOUR MILL
146
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BECAUSE I DID NOT
BURN YOUR MILL.
147
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BUT WHOEVER DID IT,
I'M GLAD FOR IT.
148
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YOU NEEDED TO BE
PUT IN YOUR PLACE!
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MY PLACE IS WHEREVER
I DECIDE TO BE.
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COMING DOWN HERE,
INFECTING SAINT JO
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WITH YOUR NOUVEAU RICHE
SPORTS MONEY
152
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AND A TAWDRY
SEX SCANDAL.
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YOU'RE NOTHING MORE THAN
AN UPSTART MULATTO GAL,
154
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TRYING TO BE WHITE!
155
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BUT I GUESS THAT'S
YOUR MOTHER'S FAULT.
156
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NOW, YOU'D DO BEST TO KEEP
MY MOTHER OUT YOUR MOUTH
157
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BECAUSE DEEP DOWN, YOU KNOW
YOU'RE JUST INSECURE,
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LYING TRASH WHO,
TRY AS SHE MIGHT,
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WILL NEVER BE MORE THAN
WHAT SHE'S ALWAYS BEEN --
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IRRELEVANT.
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♪♪
162
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WHY'D YOU EVEN BOTHER WITH THE
WHOLE SISTERHOOD MASQUERADE?
163
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THE SAME REASON YOU DID.
164
00:08:01,386 --> 00:08:04,416
THE ART OF WAR.
165
00:08:04,455 --> 00:08:07,285
KEEP YOUR FRIENDS CLOSE
AND YOUR ENEMIES CLOSER.
166
00:08:07,325 --> 00:08:09,395
SO IT WAS YOU
WHO SENT JACOB AFTER ME
167
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WITH HIS PATHETIC
ADVANCES?
168
00:08:10,929 --> 00:08:12,699
THAT WAS JACOB'S
OWN WEAKNESS,
169
00:08:12,730 --> 00:08:15,940
JUST LIKE SAM AND ALL
THE OTHER MEN IN OUR FAMILY.
170
00:08:15,967 --> 00:08:17,967
THEY RISK DILUTING
OUR BLOODLINES,
171
00:08:18,002 --> 00:08:20,132
BUT THEY ALWAYS COME HOME
IN THE END.
172
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THAT IS WHY
YOU WILL NEVER WIN
173
00:08:22,173 --> 00:08:24,503
WHATEVER BATTLE
YOU THINK YOU'RE IN.
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YOU'RE OUTDATED, FRANCES,
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00:08:26,844 --> 00:08:31,884
AND TOO BLIND AND BASIC
TO EVEN SEE IT.
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I ALMOST FEEL SORRY
FOR YOU.
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ALMOST.
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♪♪
179
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[ SIGHS ]
180
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[ BREATHING SHAKILY ]
181
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YOU DID GOOD, CHARLEY.
182
00:09:01,246 --> 00:09:02,746
I GOT JUST ABOUT ALL OF IT.
183
00:09:02,780 --> 00:09:04,780
Frances: "...BURN DOWN YOUR
MILL, BUT WHOEVER DID IT,
184
00:09:04,816 --> 00:09:06,116
I'M GLAD FOR IT.
185
00:09:06,150 --> 00:09:08,120
YOU NEEDED TO BE
PUT IN YOUR PLACE!"
186
00:09:08,152 --> 00:09:10,282
[ BEEP ]
187
00:09:12,790 --> 00:09:14,560
[ EXHALES SHARPLY ]
188
00:09:14,592 --> 00:09:17,222
[ KEYS JINGLE, ENGINE STARTS ]
189
00:09:19,130 --> 00:09:21,100
♪ PAIN IN MY HEART ♪
190
00:09:21,132 --> 00:09:23,392
♪♪
191
00:09:23,434 --> 00:09:25,304
NOLA.
192
00:09:25,336 --> 00:09:30,906
IT'S GOOD TO SEE YOU.
WELCOME BACK.
193
00:09:30,942 --> 00:09:33,672
HEY. THANK YOU.
IS AUNT VI HERE?
194
00:09:33,711 --> 00:09:35,341
UH, NO, NO, I HEARD
SHE WAS AT HOME
195
00:09:35,380 --> 00:09:39,020
GETTING SOME THINGS
TOGETHER FOR THE FAMILY.
196
00:09:39,050 --> 00:09:42,120
COME ON. UM, TAKE A LOAD OFF.
LET'S TALK.
197
00:09:42,153 --> 00:09:45,053
[ NEWS JINGLE PLAYS ]
198
00:09:45,089 --> 00:09:46,889
Woman on TV:
LOCAL MILL QUEEN SUGAR
199
00:09:46,924 --> 00:09:48,724
SUFFERED A DAMAGING FIRE
LAST NIGHT.
200
00:09:48,760 --> 00:09:50,360
-OH, MY GOD.
-IT'S STILL TOO EARLY TO TELL,
201
00:09:50,395 --> 00:09:54,025
BUT POLICE AND FIRE OFFICIALS
SUSPECT FOUL PLAY.
202
00:09:54,065 --> 00:09:55,895
[ BEEP ]
203
00:09:55,933 --> 00:09:57,463
Ralph Angel:
THIS IS RALPH ANGEL.
204
00:09:57,502 --> 00:10:00,932
CAN'T GET TO MY PHONE
RIGHT NOW. LEAVE A MESSAGE.
205
00:10:00,972 --> 00:10:04,732
I AIN'T EVEN SURE WE SHOULD BE
DOING ALL THIS RIGHT NOW.
206
00:10:04,776 --> 00:10:06,806
I GET THAT.
207
00:10:06,844 --> 00:10:10,214
BUT THIS IS YOUR CHANCE TO
STATE YOUR CASE WITH THE BOARD,
208
00:10:10,248 --> 00:10:14,218
INSPIRE THEM WITH THE GOOD WORK
YOU'RE DOING WITH YOUR PROGRAM.
209
00:10:14,252 --> 00:10:17,512
IT'S 30 MINUTES,
IN AND OUT.
210
00:10:17,555 --> 00:10:21,225
AND DON'T LOSE HEART.
YOU'RE GONNA BE FINE.
211
00:10:23,594 --> 00:10:25,094
[ VEHICLE DOOR CLOSES ]
212
00:10:25,129 --> 00:10:27,229
RALPH ANGEL?
213
00:10:27,265 --> 00:10:29,065
RALPH ANGEL, I, UH --
I HEARD ABOUT THE MILL.
214
00:10:29,100 --> 00:10:31,770
ARE YOU OKAY?
215
00:10:31,803 --> 00:10:35,833
YEAH, I'M GOOD.
WE'RE ALL GOOD.
216
00:10:35,873 --> 00:10:38,703
UMM --
DARLA, THIS IS DEESHA.
217
00:10:38,743 --> 00:10:40,143
DEESHA, DARLA.
218
00:10:40,178 --> 00:10:42,478
SHE HELPING ME OUT WITH
MY RE-ENTRY PROGRAM HERE.
219
00:10:42,513 --> 00:10:46,683
SHE A LAWYER FRIEND
OF MINE.
220
00:10:46,718 --> 00:10:48,358
IT'S GREAT
TO MEET YOU, DARLA.
221
00:10:48,386 --> 00:10:50,086
SAME TO YOU.
222
00:10:50,121 --> 00:10:53,151
APPRECIATE YOU
STOPPING BY.
223
00:10:53,191 --> 00:10:56,421
♪♪
224
00:10:56,461 --> 00:11:00,591
HOW IS EVERYONE DOING?
HOW'S CHARLEY?
225
00:11:00,631 --> 00:11:04,761
CHARLEY GOT A PLAN, BUT...
226
00:11:04,802 --> 00:11:06,732
I DON'T KNOW.
227
00:11:06,771 --> 00:11:09,501
IT'S HITTING HER
PRETTY HARD.
228
00:11:09,540 --> 00:11:13,250
OF COURSE.
229
00:11:13,277 --> 00:11:16,147
I'M GONNA GO INSIDE
AND GIVE Y'ALL A MOMENT.
230
00:11:16,180 --> 00:11:18,890
NO, DON'T LET ME INTERRUPT.
I, UH...
231
00:11:20,284 --> 00:11:24,484
I-I JUST CAME BY TO SEE
THAT YOU'RE ALL RIGHT.
232
00:11:24,522 --> 00:11:27,052
APPRECIATE THAT, DARLA.
233
00:11:29,026 --> 00:11:31,056
NICE MEETING YOU.
234
00:11:31,095 --> 00:11:36,665
♪♪
235
00:11:36,701 --> 00:11:39,031
I'VE BEEN UPSET
WITH THEM BEFORE,
236
00:11:39,070 --> 00:11:41,670
BUT I ALWAYS TREATED THEM
LIKE FAMILY.
237
00:11:41,706 --> 00:11:44,906
WITH ALL THIS GOING ON, AM I
WRONG THINKING THEY'D CALL ME?
238
00:11:44,942 --> 00:11:49,012
♪♪
239
00:11:49,046 --> 00:11:51,946
I -- [ CLEARS THROAT ]
240
00:11:51,983 --> 00:11:53,813
I WANT TO TALK TO YOU
ABOUT THE STORY
241
00:11:53,851 --> 00:11:56,011
I READ IN YOUR BOOK,
242
00:11:56,053 --> 00:12:01,083
THE NIGHT YOU SAW ERNEST
BURYING SOMETHING IN THE CANE?
243
00:12:01,125 --> 00:12:04,725
BEFORE HE WAS YOUR DADDY,
HE WAS MY FRIEND.
244
00:12:04,762 --> 00:12:09,162
I MEAN, THERE WERE TIMES ME
AND YOUR DADDY WALKED THE FIELD.
245
00:12:09,200 --> 00:12:10,870
SOME NIGHTS,
HE WOULDN'T SAY A WORD.
246
00:12:10,902 --> 00:12:12,032
OTHER NIGHTS, HE DID.
247
00:12:12,069 --> 00:12:13,709
HE TOLD YOU
ABOUT THOSE WHITE MEN
248
00:12:13,738 --> 00:12:15,708
WHO ATTACKED HIM
AT THE BAIT SHOP?
249
00:12:15,740 --> 00:12:18,550
YEAH. ONE OF THEM ACTUALLY
CAME OUT TO THE FARM,
250
00:12:18,576 --> 00:12:21,306
PLANNING TO DO YOU HARM.
251
00:12:21,345 --> 00:12:24,575
NOW, YOUR DADDY FOUGHT THAT MAN
AND ALMOST KILLED HIM.
252
00:12:24,615 --> 00:12:26,545
SAID IT WAS LIKE
BEING BACK IN THE WAR
253
00:12:26,584 --> 00:12:29,414
DOING WHAT HE HAD
BEEN TRAINED TO DO.
254
00:12:29,454 --> 00:12:31,784
BUT THEN --
THEN THERE WAS A MOMENT
255
00:12:31,823 --> 00:12:33,823
WHEN THEY'RE BOTH COVERED
IN BLOOD AND DIRT,
256
00:12:33,858 --> 00:12:35,328
AND THE MAN'S
BARELY CONSCIOUS.
257
00:12:35,359 --> 00:12:39,799
YOUR FATHER HEARD YOUR MOTHER
SINGING TO RALPH ANGEL.
258
00:12:39,831 --> 00:12:42,661
HE HAD WOKE UP CRYING,
BUT IT WAS TRUDY'S VOICE
259
00:12:42,700 --> 00:12:46,010
THAT BROUGHT HIM
OUT OF THE DARK.
260
00:12:46,037 --> 00:12:48,067
MAMA HAD A VOICE
CLEAR AS A BELL.
261
00:12:48,105 --> 00:12:50,135
YEAH.
SO PURE AND CLEAR.
262
00:12:50,174 --> 00:12:53,404
BROUGHT HIM TO HIMSELF.
AND HE ENDED UP HELPING THE MAN.
263
00:12:53,444 --> 00:12:55,344
HE DROPPED HIM OFF
AT THE HOSPITAL,
264
00:12:55,379 --> 00:12:57,449
AND THEN HE CAME ON
BACK TO THE HOUSE.
265
00:12:57,482 --> 00:12:59,182
BUT -- BUT I SAW HIM
DIGGING.
266
00:12:59,217 --> 00:13:05,117
WHAT YOU SAW WAS YOUR DADDY
BURYING HIS PAIN, HIS ANGER.
267
00:13:05,156 --> 00:13:07,986
NOW, HE TOOK OFF THEM BLOODY
CLOTHES AND THE BAT HE USED
268
00:13:08,025 --> 00:13:10,125
AND ANYTHING THAT REMINDED HIM
OF THAT NIGHT,
269
00:13:10,161 --> 00:13:12,661
AND HE BURIED IT DEEP.
270
00:13:12,697 --> 00:13:15,667
HE WAS HOPING TO FORGET
THAT HE'D BEEN TRAINED TO KILL,
271
00:13:15,700 --> 00:13:18,740
AND HE SAW THAT IT WAS STILL
IN HIM TO DO IT AGAIN.
272
00:13:18,769 --> 00:13:22,109
♪♪
273
00:13:22,139 --> 00:13:24,579
[ VEHICLE DOOR CLOSES,
VEHICLE ALARM CHIRPS ]
274
00:13:28,579 --> 00:13:30,649
[ DOOR OPENS, DOG BARKING ]
275
00:13:32,116 --> 00:13:34,016
MM.
276
00:13:36,621 --> 00:13:39,351
BABY, I GOT HERE
AS SOON AS I COULD.
277
00:13:39,390 --> 00:13:46,630
♪♪
278
00:13:46,664 --> 00:13:48,634
THANK YOU FOR
COMING HOME, BABY.
279
00:13:48,666 --> 00:13:52,166
OH, YOU KNOW I GOT
YOUR BACK, ALL RIGHT?
280
00:13:52,203 --> 00:13:54,103
HOW IS EVERYTHING?
YOU FEELING OKAY?
281
00:13:54,138 --> 00:13:56,778
I'M FEELING ALL RIGHT.
PRETTY GOOD.
282
00:13:56,807 --> 00:13:58,307
ANYTHING YOU NEED ME
TO DO?
283
00:13:58,342 --> 00:14:01,472
YOU'RE HERE NOW.
THAT'S GOOD ENOUGH FOR ME.
284
00:14:01,512 --> 00:14:05,742
I INVITED THE KIDS OVER LATER
FOR FAMILY DINNER.
285
00:14:05,783 --> 00:14:10,013
EVERYBODY NEEDS SOME COMFORT,
SO THAT'S WHAT I'M COOKING.
286
00:14:10,054 --> 00:14:11,954
SOUNDS GOOD.
287
00:14:11,989 --> 00:14:16,399
♪♪
288
00:14:16,427 --> 00:14:18,727
MM.
289
00:14:19,997 --> 00:14:24,467
NAMED THIS PROGRAM AFTER
MY DADDY, ERNEST BORDELON.
290
00:14:24,502 --> 00:14:28,872
HE WAS A MAN OF INTEGRITY,
OF HONOR.
291
00:14:28,906 --> 00:14:33,446
AND IT'S BEEN AN HONOR FOR ME
TO HELP FOLK, OFFER 'EM WORK.
292
00:14:33,477 --> 00:14:36,477
Y'ALL GOTTA KNOW,
I WOULD NEVER DO ANYTHING
293
00:14:36,514 --> 00:14:39,314
TO SHAME THE LEGACY
OF MY FATHER.
294
00:14:39,350 --> 00:14:43,160
THANK YOU FOR YOUR HEARTFELT
WORDS, MR. BORDELON.
295
00:14:43,187 --> 00:14:45,387
BUT IN LIGHT OF
BENJAMIN WILLIAM'S ARREST,
296
00:14:45,423 --> 00:14:48,823
WE STILL NEED TO CONDUCT A
THOROUGH REVIEW OF YOUR PROGRAM.
297
00:14:52,396 --> 00:14:54,626
AS YOU CAN SEE THERE,
MR. WILLIAMS
298
00:14:54,665 --> 00:14:57,835
HAS BEEN A MODEL CITIZEN
DURING HIS PAROLE.
299
00:14:57,868 --> 00:14:59,838
THAT, PLUS THE FACT
SHERIFF GUIDRY
300
00:14:59,870 --> 00:15:03,640
HAS THREE OPEN FILES
OF POSSIBLE POLICE MISCONDUCT
301
00:15:03,674 --> 00:15:08,244
CASTS DOUBT ON THE VERACITY
OF THIS SO-CALLED BUST.
302
00:15:08,279 --> 00:15:11,219
TAKEN TOGETHER,
MR. WILLIAMS' SUSPICIOUS ARREST
303
00:15:11,248 --> 00:15:13,148
DOES NOT REFLECT
ON THE GOOD WORK
304
00:15:13,184 --> 00:15:16,284
AND EFFECTIVENESS OF
MR. BORDELON'S RE-ENTRY PROGRAM.
305
00:15:16,320 --> 00:15:17,860
Man: THAT MAY
OR MAY NOT BE TRUE,
306
00:15:17,888 --> 00:15:20,288
BUT THERE'S ANOTHER MATTER
THAT'S COME TO OUR ATTENTION.
307
00:15:20,324 --> 00:15:23,724
THE NEWS SAYS THERE WAS A FIRE
AT QUEEN SUGAR MILL LAST NIGHT.
308
00:15:23,761 --> 00:15:25,521
THAT'S WHERE YOU MILL
YOUR CANE, RIGHT?
309
00:15:25,563 --> 00:15:28,563
YES, SIR, BUT I MILLED
MORE THAN TWO-THIRDS
310
00:15:28,599 --> 00:15:30,569
OF MY HARVEST
BEFORE THE FIRE.
311
00:15:30,601 --> 00:15:34,031
IT'S A MINOR SETBACK, BUT IT
DOESN'T AFFECT THE PROGRAM.
312
00:15:34,071 --> 00:15:36,271
IT DOES IF YOU'RE UNABLE
TO RECUPERATE YOUR LOSSES
313
00:15:36,307 --> 00:15:37,707
IN TIME TO MAKE PAYROLL.
314
00:15:37,742 --> 00:15:39,272
HOW WILL YOU REPAY
THE PAROLEES
315
00:15:39,310 --> 00:15:41,050
WHO REQUIRE 40 HOURS
OF WORK PER WEEK?
316
00:15:41,078 --> 00:15:42,448
HOW WILL
YOUR PROGRAM SURVIVE
317
00:15:42,480 --> 00:15:44,350
IF YOU CAN'T AFFORD
TO PLANT NEXT SEASON?
318
00:15:44,382 --> 00:15:46,242
I MEAN, IT WASN'T
A TOTAL LOSS.
319
00:15:46,283 --> 00:15:48,343
YEAH, THINGS MIGHT GET TIGHT
FOR A MINUTE, BUT --
320
00:15:48,386 --> 00:15:50,786
MR. BORDELON, SURELY
YOU KNOW WE'LL HAVE TO TAKE
321
00:15:50,821 --> 00:15:52,751
THIS NEW LOSS
INTO CONSIDERATION.
322
00:15:52,790 --> 00:15:54,630
THE PANEL WILL
RECONVENE THIS WEEK,
323
00:15:54,659 --> 00:15:57,359
AND YOU'LL RECEIVE
OUR DECISION SHORTLY AFTER.
324
00:15:57,395 --> 00:15:59,165
THANK YOU FOR COMING IN.
325
00:15:59,196 --> 00:16:06,366
♪♪
326
00:16:06,404 --> 00:16:07,734
Charley:
THE FIRE DEPARTMENT IS --
327
00:16:07,772 --> 00:16:11,032
IS ASSESSING THE DAMAGE
AT THE MOMENT,
328
00:16:11,075 --> 00:16:13,075
SO, UH, ONCE THEY DO THAT,
329
00:16:13,110 --> 00:16:14,550
THE INSURANCE COMPANIES
WILL GO IN AND --
330
00:16:14,578 --> 00:16:16,918
THE INSURANCE COMPANY CAN TAKE
YEARS BEFORE THEY SETTLE THIS.
331
00:16:16,947 --> 00:16:19,017
Woman: CHARLEY, WE TOOK
A CHANCE MILLING WITH YOU.
332
00:16:19,050 --> 00:16:20,890
BUT THIS THING BETWEEN
Y'ALL AND THE LANDRYS
333
00:16:20,918 --> 00:16:22,458
IS LOOKING TOO RISKY
FOR US.
334
00:16:22,486 --> 00:16:24,456
LOOK, THIS IS JUST
A TEMPORARY SETBACK.
335
00:16:24,488 --> 00:16:27,428
A SETBACK?
YOUR MILL WAS ON FIRE.
336
00:16:27,458 --> 00:16:30,458
I MEAN, HOW MUCH DID YOU LOSE,
RALPH ANGEL?
337
00:16:30,494 --> 00:16:32,424
I KNOW YOU STILL HAD CANE
OUT THERE TO MILL.
338
00:16:32,463 --> 00:16:37,093
YEAH, I DID, BUT I'M THINKING
ABOUT KEEPING MY PEOPLE WORKING,
339
00:16:37,134 --> 00:16:40,064
NOT HOW MUCH MONEY I LOST.
340
00:16:40,104 --> 00:16:43,604
LOOK, WE ALL NEED
SOME GOOD WORKERS.
341
00:16:43,641 --> 00:16:45,001
I GOT PEOPLE.
342
00:16:45,042 --> 00:16:48,172
CAN'T AFFORD NO ONE ELSE,
SORRY, NOT AFTER ALL THIS.
343
00:16:48,212 --> 00:16:50,872
-LET'S JUST KEEP TALKING AND --
-GOTTA GET BACK.
344
00:16:50,915 --> 00:16:54,385
Charley: IF...
345
00:16:54,418 --> 00:16:56,388
Ralph Angel:
ALL Y'ALL JUST GO.
346
00:16:56,420 --> 00:16:59,160
IF -- IF YOU JUST --
IF YOU JUST GIVE ME...
347
00:16:59,190 --> 00:17:00,990
♪♪
348
00:17:01,025 --> 00:17:04,825
I'LL TALK TO 'EM, BUT YOU'RE
GONNA HAVE TO GIVE IT SOME TIME.
349
00:17:04,862 --> 00:17:10,092
♪♪
350
00:17:10,134 --> 00:17:15,504
♪♪
351
00:17:18,926 --> 00:17:20,556
EXPECT THE ARSON INVESTIGATOR
TO INTERVIEW YOU.
352
00:17:20,594 --> 00:17:22,094
I WASN'T THERE WHEN IT --
WHEN IT STARTED.
353
00:17:22,129 --> 00:17:24,269
BUT YOU MAY HAVE
INFORMATION ON CONDITIONS
354
00:17:24,298 --> 00:17:25,768
THAT LED TO THE FIRE.
355
00:17:25,800 --> 00:17:28,440
THEY'LL BE LOOKING FOR
EVIDENCE AND POSSIBLE MOTIVE
356
00:17:28,469 --> 00:17:30,269
FOR WHOEVER DID THIS.
357
00:17:30,304 --> 00:17:33,304
WE GOT THAT RECORDING
OF FRANCES BOUDREAUX.
358
00:17:33,340 --> 00:17:34,840
HER EVIL ASS --
359
00:17:34,875 --> 00:17:36,605
IT'S GOOD TO HAVE.
A SMART MOVE.
360
00:17:36,644 --> 00:17:38,774
BUT SHE DIDN'T
OUTRIGHT CONFESS,
361
00:17:38,813 --> 00:17:42,143
SO THAT, UNFORTUNATELY, WON'T
HELP YOU IN A COURT OF LAW.
362
00:17:42,183 --> 00:17:46,483
YOU'RE SAYING IN ORDER TO
PURSUE A CASE AGAINST FRANCES,
363
00:17:46,520 --> 00:17:49,060
WE'LL HAVE TO DIG DEEPER
INTO HER CONNECTION
364
00:17:49,089 --> 00:17:51,159
WITH OLD WORLD ENERGY
AND PROVE --
365
00:17:51,192 --> 00:17:54,752
PROVE CRIMINAL CONSPIRACY
TO COMMIT ARSON.
366
00:17:54,795 --> 00:18:01,835
♪♪
367
00:18:01,869 --> 00:18:06,539
OKAY. OKAY, OKAY, FINE.
WE CAN DO THIS.
368
00:18:06,574 --> 00:18:08,704
JACOB BASICALLY ADMITTED
369
00:18:08,742 --> 00:18:11,472
THAT FRANCES TEAMED UP
WITH OLD WORLD ENERGY
370
00:18:11,512 --> 00:18:13,572
TO GET THEM THE HIGHWAY
THEY NEED IN ORDER TO DRILL.
371
00:18:13,614 --> 00:18:16,284
BUT WE HAVE NO PROOF.
NOT YET.
372
00:18:16,317 --> 00:18:18,517
THERE HAS TO BE
ANOTHER WAY.
373
00:18:18,552 --> 00:18:20,452
THIS IS CLEARLY COLLUSION.
374
00:18:20,488 --> 00:18:22,458
WE -- WE KNOW WHO DID THIS.
WE JUST NEED PROOF.
375
00:18:22,490 --> 00:18:23,830
LET'S TALK
TO PASTOR MARTINEZ.
376
00:18:23,858 --> 00:18:25,328
HE SAID HIS CONGREGANTS
WERE BEING PRESSURED --
377
00:18:25,359 --> 00:18:27,199
THEY'RE NOT GONNA
TESTIFY AGAINST HIM.
378
00:18:27,228 --> 00:18:28,628
WITH THE COPS AND I.C.E.?
379
00:18:28,662 --> 00:18:31,992
OKAY, MAYBE -- MAYBE I COULD
GET A CONFESSION FROM JACOB.
380
00:18:32,032 --> 00:18:36,332
WE JUST NEED ONE WITNESS
WHO COULD -- WHO COULD --
381
00:18:36,370 --> 00:18:37,840
[ BREATHING SHAKILY ]
382
00:18:37,872 --> 00:18:43,702
BABY, YOUR MILL JUST BURNED
LESS THAN 24 HOURS AGO.
383
00:18:43,744 --> 00:18:46,474
YOU DON'T HAVE TO HAVE
ALL THE ANSWERS RIGHT NOW.
384
00:18:46,514 --> 00:18:48,174
COME ON.
385
00:18:48,215 --> 00:18:50,385
♪♪
386
00:18:50,417 --> 00:18:54,457
THIS IS A TIME FOR US
TO LOOK AT EACH OTHER,
387
00:18:54,488 --> 00:18:57,988
TO HOLD EACH OTHER,
AND TO HEAL.
388
00:18:58,025 --> 00:19:00,925
♪♪
389
00:19:00,961 --> 00:19:03,121
IT'S A TIME TO...
390
00:19:03,163 --> 00:19:06,233
BREAK BREAD
AS A FAMILY.
391
00:19:07,935 --> 00:19:11,705
OUR FATHER WHO ART IN HEAVEN,
392
00:19:11,739 --> 00:19:13,939
HALLOWED BE THY NAME.
393
00:19:13,974 --> 00:19:16,144
THY KINGDOM COME,
394
00:19:16,176 --> 00:19:18,106
THY WILL BE DONE
395
00:19:18,145 --> 00:19:21,545
ON EARTH
AS IT IS IN HEAVEN.
396
00:19:27,555 --> 00:19:29,855
[ Line ringing ]
397
00:19:29,890 --> 00:19:32,930
-HELLO, BEAUTIFUL.
-Hey.
398
00:19:32,960 --> 00:19:34,200
ARE YOU BACK
IN BATON ROUGE?
399
00:19:34,228 --> 00:19:36,268
YEP. I JUST GOT BACK.
400
00:19:36,297 --> 00:19:38,097
EVERYONE OKAY THERE?
401
00:19:38,132 --> 00:19:42,062
THEY'RE FINE. SAFE.
402
00:19:42,102 --> 00:19:45,432
THEY'RE NOT SPEAKING TO ME,
BUT THEY'RE FINE.
403
00:19:45,472 --> 00:19:48,602
AND THAT'S
THE IMPORTANT THING.
404
00:19:48,642 --> 00:19:51,672
YOU'RE IMPORTANT,
TOO, NOVA.
405
00:19:51,712 --> 00:19:54,172
WHAT YOU THINK ABOUT
AND ALL THAT'S GOING ON,
406
00:19:54,214 --> 00:19:57,744
it's an important thing.
407
00:19:57,785 --> 00:19:59,885
I THINK...
408
00:20:02,089 --> 00:20:04,929
...I'VE LOST THEM.
409
00:20:04,959 --> 00:20:07,229
I'VE LOST MY FAMILY.
410
00:20:07,261 --> 00:20:10,061
I don't believe that.
411
00:20:10,097 --> 00:20:11,997
YOU DIDN'T SEE
THEIR FACES.
412
00:20:12,032 --> 00:20:15,432
They looked at me like
I wasn't part of them.
413
00:20:15,469 --> 00:20:16,809
Like I wasn't...
414
00:20:16,837 --> 00:20:20,437
LIKE I WASN'T ONE OF THEM.
415
00:20:20,474 --> 00:20:24,104
THEY LOOKED AT ME
LIKE A STRANGER.
416
00:20:24,144 --> 00:20:27,874
NOT EVEN A STRANGER.
417
00:20:27,915 --> 00:20:30,885
LIKE AN ENEMY.
418
00:20:30,918 --> 00:20:35,758
[ SOBBING ]
419
00:20:35,789 --> 00:20:38,059
I'VE LOST MY FAMILY.
420
00:20:38,092 --> 00:20:41,022
♪♪
421
00:20:41,061 --> 00:20:44,021
WHERE ARE YOU?
422
00:20:44,064 --> 00:20:46,494
Nova.
423
00:20:46,533 --> 00:20:48,163
HOME.
424
00:20:48,202 --> 00:20:50,302
Okay. Good.
425
00:20:50,337 --> 00:20:52,477
[ SOBBING ]
426
00:20:54,675 --> 00:20:57,705
JUST BREATHE, SWEETHEART.
JUST BREATHE.
427
00:20:57,745 --> 00:21:03,845
♪♪
428
00:21:03,884 --> 00:21:07,714
Violet:
WE ARE BEING TRIED, LORD.
429
00:21:07,755 --> 00:21:10,425
BUT I KNOW YOU GOT US.
430
00:21:10,457 --> 00:21:13,157
SO I THANK YOU.
431
00:21:13,193 --> 00:21:17,223
THANK YOU FOR KEEPING US
IN YOUR SAFE PLACE.
432
00:21:17,264 --> 00:21:20,434
CHARLEY, MICAH...
433
00:21:20,467 --> 00:21:23,367
RALPH ANGEL, BLUE.
434
00:21:23,404 --> 00:21:27,604
AND I'LL ALWAYS THANK YOU
FOR HOLLYWOOD.
435
00:21:27,641 --> 00:21:30,901
♪♪
436
00:21:30,944 --> 00:21:33,474
AND I ASK YOU TO HELP ME.
437
00:21:36,250 --> 00:21:39,520
I DO MISS THAT STUBBORN CHILD.
438
00:21:41,655 --> 00:21:44,425
I JUST CAN'T WITH HER.
439
00:21:47,327 --> 00:21:49,927
SO YOU WATCH OVER HER.
440
00:21:51,965 --> 00:21:55,195
BLESS HER, LORD.
441
00:21:55,235 --> 00:21:57,505
TOUCH HER MIND AND HEART.
442
00:21:57,538 --> 00:21:59,838
♪♪
443
00:21:59,873 --> 00:22:04,503
SO THAT SHE KNOWS
THE HURT SHE DONE CAUSED.
444
00:22:04,545 --> 00:22:07,745
♪♪
445
00:22:07,781 --> 00:22:10,411
AND KEEP HER SAFE.
446
00:22:10,451 --> 00:22:16,251
♪ AND JUST FALL BACK DOWN ♪
447
00:22:19,126 --> 00:22:22,596
LAVOISIER. L-A-V-O-I-S-I-E-R.
448
00:22:22,629 --> 00:22:24,399
YEAH. THANKS.
449
00:22:24,431 --> 00:22:27,691
[ KNOCK ON DOOR ]
ONE SEC!
450
00:22:32,239 --> 00:22:34,239
YOU CAME.
451
00:22:34,274 --> 00:22:37,544
I DID.
CAN I COME IN?
452
00:22:37,578 --> 00:22:43,618
♪♪
453
00:22:43,650 --> 00:22:45,520
MY VISIT
ISN'T ABOUT ME OR US.
454
00:22:45,552 --> 00:22:46,852
IT'S ABOUT YOU.
455
00:22:46,887 --> 00:22:48,287
ME?
456
00:22:48,322 --> 00:22:51,652
WELL, I'M STRUGGLING.
THAT'S ME RIGHT NOW.
457
00:22:51,692 --> 00:22:53,752
ALL RIGHT.
LET'S TALK ABOUT IT.
458
00:22:53,794 --> 00:22:57,124
[ KNOCK ON DOOR ]
459
00:22:57,164 --> 00:23:00,394
-HEY.
-MICAH!
460
00:23:00,434 --> 00:23:02,564
JUST, UM,
RETURNING YOUR KEYS.
461
00:23:02,603 --> 00:23:05,633
THANKS.
GLAD YOU'RE HERE.
462
00:23:05,672 --> 00:23:07,872
MEET CALVIN.
THIS IS MY NEPHEW, MICAH.
463
00:23:07,908 --> 00:23:10,078
I'VE HEARD GREAT THINGS
ABOUT YOU, MICAH.
464
00:23:10,110 --> 00:23:12,980
YOU'RE THE COP?
465
00:23:13,013 --> 00:23:15,313
EX-COP.
466
00:23:15,349 --> 00:23:17,319
YOU KNOW, I'M THINKING
I SHOULD MAKE A SIGN
467
00:23:17,351 --> 00:23:20,181
OR SOMETHING
SO EVERYBODY KNOWS.
468
00:23:20,220 --> 00:23:22,530
♪♪
469
00:23:22,556 --> 00:23:24,656
I'M GONNA MAKE A PHONE CALL,
IF YOU DON'T MIND?
470
00:23:24,691 --> 00:23:27,091
I'LL BE ON THE BACK PORCH.
OF COURSE.
471
00:23:27,127 --> 00:23:30,727
♪♪
472
00:23:30,764 --> 00:23:32,994
GO ON.
SAY WHAT'S ON YOUR MIND.
473
00:23:33,033 --> 00:23:35,233
I KNOW YOU'RE DISAPPOINTED.
474
00:23:35,269 --> 00:23:36,669
AH, IT'S NONE
OF MY BUSINESS.
475
00:23:36,703 --> 00:23:39,533
BUT YOU'RE FEELING
SOME TYPE OF WAY ABOUT IT.
476
00:23:39,573 --> 00:23:41,103
TELL ME.
RADICAL TRUTH.
477
00:23:41,141 --> 00:23:43,441
HAVE YOU BEEN WITH HIM
THE WHOLE TIME?
478
00:23:43,477 --> 00:23:46,417
NO. YOU READ THE BOOK.
SO DID HE.
479
00:23:46,446 --> 00:23:48,446
WE JUST RECENTLY
REUNITED ON TOUR.
480
00:23:48,482 --> 00:23:52,582
BUT DON'T YOU FEEL WEIRD BEING
WITH A COP, A WHITE COP?
481
00:23:52,619 --> 00:23:54,219
LIKE ORSON?
482
00:23:54,254 --> 00:23:56,624
HE'S NOT THAT TYPE OF COP.
HE DOESN'T ABUSE PEOPLE.
483
00:23:56,657 --> 00:23:58,787
BUT YOU KNOW HIM?
YOU ASKED HIM?
484
00:23:58,826 --> 00:24:01,026
NO, NOT DIRECTLY.
485
00:24:01,061 --> 00:24:03,791
I'VE KNOWN CALVIN
A LONG TIME.
486
00:24:03,831 --> 00:24:05,591
I KNOW HIS HEART.
487
00:24:05,632 --> 00:24:08,462
HE'S NOT THE KIND OF PERSON TO
BEAT UP BLACK AND BROWN PEOPLE.
488
00:24:08,502 --> 00:24:12,732
OKAY, BUT HE'S SEEN
OTHER COPS DO IT.
489
00:24:12,773 --> 00:24:14,373
I -- I DON'T KNOW.
490
00:24:14,408 --> 00:24:16,678
SO YOU'RE OKAY BEING WITH
SOMEBODY WHO WILL STAND BY
491
00:24:16,710 --> 00:24:19,380
AND WATCH OTHER COPS
DO THAT KIND OF ABUSE?
492
00:24:19,413 --> 00:24:22,273
WATCH OTHER COPS DO
WHAT ORSON DID TO ME?
493
00:24:22,316 --> 00:24:28,386
♪♪
494
00:24:28,422 --> 00:24:30,682
-WHAT'S UP, EVERYBODY?
-WHAT'S UP, MAN?
495
00:24:30,724 --> 00:24:32,154
CHECKS FOR THE WEEK.
496
00:24:32,192 --> 00:24:36,392
I KNOW THERE'S BEEN A LOT
OF TALK ABOUT WHAT'S GOING ON,
497
00:24:36,430 --> 00:24:38,370
SO I'LL BE HONEST WITH Y'ALL.
498
00:24:40,734 --> 00:24:44,404
PROGRAM UNDER REVIEW TILL THEY
FIGURE OUT WHAT'S HAPPENING.
499
00:24:44,438 --> 00:24:47,838
I HEARD ABOUT WHAT HAPPENED
WITH YOUR SISTER'S MILL.
500
00:24:47,875 --> 00:24:50,305
I'M SORRY ABOUT THAT.
501
00:24:50,344 --> 00:24:54,044
BUT I GOTTA ASK, MAN.
WE STILL GOT JOBS OR NOT?
502
00:24:54,081 --> 00:24:59,041
I'VE BEEN TALKING TO OTHER FARMS
ABOUT ANY OPEN POSITIONS.
503
00:24:59,086 --> 00:25:00,216
MAN, WHAT ABOUT THIS FARM?
504
00:25:00,254 --> 00:25:03,854
I'M DOING MY BEST
TO KEEP MY WORD.
505
00:25:04,925 --> 00:25:06,755
PUBLIC SAFETY AND
CORRECTIONS BOARD, MAN,
506
00:25:06,793 --> 00:25:08,923
THEY PAY A PART
OF Y'ALL'S SALARY.
507
00:25:08,962 --> 00:25:12,832
UNTIL WE OUT OF REVIEW,
CAN'T KEEP EVERYBODY.
508
00:25:12,866 --> 00:25:18,366
[ ALL MURMURING ]
509
00:25:18,405 --> 00:25:20,775
Man: WHAT'S MY WIFE
GONNA SAY?
510
00:25:20,807 --> 00:25:28,777
♪♪
511
00:25:28,815 --> 00:25:36,785
♪♪
512
00:25:36,823 --> 00:25:44,293
♪♪
513
00:25:44,331 --> 00:25:49,861
♪ ECHOES START
AS A CROSS IN YOU ♪
514
00:25:49,903 --> 00:25:55,603
♪ TREMBLING NOISES
THAT COME TOO SOON ♪
515
00:25:55,642 --> 00:26:01,712
♪ SPATIAL MOVEMENT
WHICH SEEMS TO YOU ♪
516
00:26:01,748 --> 00:26:05,688
♪ RESONATING YOUR MASK OR FEUD ♪
517
00:26:07,487 --> 00:26:13,127
♪ HOLLOW TALKING
AND HOLLOW GIRL ♪
518
00:26:13,160 --> 00:26:16,770
♪ FORCE IT UP
FROM THE ROOF OF PAIN ♪
519
00:26:16,797 --> 00:26:20,267
[ CAMERA SHUTTER CLICKING ]
520
00:26:20,300 --> 00:26:22,270
♪ NEVER SAID IT WAS GOOD ♪
521
00:26:22,302 --> 00:26:25,932
♪ NEVER SAID IT WAS NEAR ♪
522
00:26:25,973 --> 00:26:29,773
♪ SHADOW RISES,
AND YOU ARE HERE ♪
523
00:26:29,810 --> 00:26:35,080
♪♪
524
00:26:35,115 --> 00:26:37,215
[ SIGHS ]
525
00:26:37,250 --> 00:26:38,790
♪♪
526
00:26:38,819 --> 00:26:41,189
♪ AND THEN YOU CUT ♪
527
00:26:45,926 --> 00:26:47,756
♪ YOU CUT IT OUT ♪
528
00:26:47,794 --> 00:26:53,264
♪♪
529
00:26:53,300 --> 00:26:55,340
♪ AND EVERYTHING ♪
530
00:26:55,369 --> 00:27:00,709
♪♪
531
00:27:00,741 --> 00:27:04,041
♪ GOES BACK TO THE BEGINNING ♪
532
00:27:04,077 --> 00:27:11,487
♪♪
533
00:27:11,518 --> 00:27:13,318
♪ AND EVERYTHING ♪
534
00:27:13,353 --> 00:27:15,983
[ SOBBING ]
535
00:27:16,023 --> 00:27:19,153
♪♪
536
00:27:19,192 --> 00:27:22,962
♪ GOES BACK TO THE BEGINNING ♪
537
00:27:22,996 --> 00:27:27,796
♪♪
538
00:27:27,834 --> 00:27:30,134
[ VEHICLE DOOR CLOSES ]
539
00:27:30,170 --> 00:27:32,540
♪♪
540
00:27:32,572 --> 00:27:34,402
♪ NEVER SAID IT WAS GOOD ♪
541
00:27:34,441 --> 00:27:38,441
♪ NEVER SAID IT WAS NEAR ♪
542
00:27:38,478 --> 00:27:42,118
♪♪
543
00:27:45,285 --> 00:27:47,385
[ SIGHS ]
544
00:27:55,429 --> 00:27:57,569
HAVE YOU COME TO GLOAT?
545
00:27:57,597 --> 00:27:59,097
NO, CHARLEY.
546
00:27:59,132 --> 00:28:02,332
FROM ONE BUSINESS OWNER
TO ANOTHER,
547
00:28:02,369 --> 00:28:04,469
I CAME TO PAY
MY RESPECTS.
548
00:28:06,406 --> 00:28:08,536
RESPECT.
549
00:28:10,444 --> 00:28:14,274
NONE OF YOU EVEN KNOW
THE MEANING OF THAT WORD.
550
00:28:16,850 --> 00:28:19,860
ESPECIALLY FRANCES.
551
00:28:19,886 --> 00:28:21,916
I WARNED YOU
ABOUT MY SISTER.
552
00:28:21,955 --> 00:28:25,355
HMM.
553
00:28:25,392 --> 00:28:29,862
WELL, I KNOW SHE HAD SOMETHING
TO DO WITH ALL OF THIS!
554
00:28:32,399 --> 00:28:36,039
AND I KNOW YOUR SORRY EXCUSE
FOR A FAMILY IS IN BUSINESS
555
00:28:36,069 --> 00:28:40,709
WITH HANK MILLER
AND OLD WORLD ENERGY.
556
00:28:40,740 --> 00:28:44,550
I WANT YOU TO KNOW...
557
00:28:44,578 --> 00:28:47,418
I WOULD NEVER
PHYSICALLY HURT YOU
558
00:28:47,447 --> 00:28:50,747
OR YOUR FAMILY --
NOT LIKE THIS.
559
00:28:50,784 --> 00:28:53,784
MY HANDS ARE CLEAN ON THIS.
I PROMISE YOU.
560
00:28:53,820 --> 00:28:56,730
SAM, I WILL NEVER BELIEVE
561
00:28:56,756 --> 00:28:59,426
A WORD THAT COMES
OUT OF YOUR MOUTH.
562
00:28:59,459 --> 00:29:03,169
SO JUST GO
AND LEAVE ME ALONE.
563
00:29:03,196 --> 00:29:11,236
♪♪
564
00:29:11,271 --> 00:29:19,271
♪♪
565
00:29:19,312 --> 00:29:27,352
♪♪
566
00:29:27,387 --> 00:29:34,927
♪♪
567
00:29:34,961 --> 00:29:38,661
THIS WAS ACTUALLY
VERY DELICIOUS.
568
00:29:40,000 --> 00:29:41,940
YOU'RE A GOOD COOK.
569
00:29:41,968 --> 00:29:45,538
LEAST I COULD DO
FOR ALL YOU'VE DONE.
570
00:29:45,572 --> 00:29:50,042
[ SPEAKING INDISTINCTLY ]
571
00:29:50,076 --> 00:29:55,546
JUST BEING THERE FOR ME.
572
00:29:55,582 --> 00:29:57,382
I APPRECIATE YOU.
573
00:29:57,417 --> 00:29:59,657
♪♪
574
00:29:59,686 --> 00:30:05,526
I KNOW LETTING YOUR WORKERS
GO TODAY WAS TOUGH,
575
00:30:05,559 --> 00:30:09,399
BUT YOU DID WHAT YOU
HAD TO DO FOR NOW.
576
00:30:09,429 --> 00:30:12,329
♪♪
577
00:30:12,365 --> 00:30:15,265
JUST...
578
00:30:15,302 --> 00:30:19,102
KEEP YOUR HEAD UP
AND LOOKING FORWARD.
579
00:30:19,139 --> 00:30:21,409
YEAH.
580
00:30:21,441 --> 00:30:24,871
AND EVEN IF WE SAVE
THE PROGRAM,
581
00:30:24,911 --> 00:30:28,311
STILL THE HIGHWAY COME
TO TAKE AWAY THE FARM,
582
00:30:28,348 --> 00:30:32,748
I FEEL LIKE I JUST KEEP
LETTING DOWN MY POPS, YOU KNOW?
583
00:30:32,786 --> 00:30:35,986
♪♪
584
00:30:36,022 --> 00:30:39,482
I RESPECT THAT.
585
00:30:39,526 --> 00:30:43,566
YOUR FEELINGS ARE REAL.
586
00:30:43,597 --> 00:30:46,367
IT DON'T MEAN
THEY'RE ALWAYS THE TRUTH.
587
00:30:46,399 --> 00:30:49,439
[ CHUCKLES ]
588
00:30:49,469 --> 00:30:51,609
IT'S HOW THINGS ALWAYS
WORK OUT FOR YOU.
589
00:30:51,638 --> 00:30:55,138
AND I REALLY
BE WONDERING, LIKE --
590
00:30:55,175 --> 00:30:59,945
SOME PEOPLE JUST BE
SO BLESSED, YOU KNOW?
591
00:30:59,980 --> 00:31:03,390
AND THEN OTHERS...
592
00:31:05,418 --> 00:31:07,688
...THEY JUST SEEM CURSED.
593
00:31:07,721 --> 00:31:13,221
♪♪
594
00:31:13,260 --> 00:31:19,000
I WAS STILL BREASTFEEDING
AND STUDYING FOR THE BAR
595
00:31:19,032 --> 00:31:22,832
WHEN JOIE'S DAD DISAPPEARED
FOR SIX MONTHS.
596
00:31:22,869 --> 00:31:25,239
♪♪
597
00:31:25,272 --> 00:31:27,272
I THOUGHT MY LIFE WAS OVER.
598
00:31:27,307 --> 00:31:29,907
ALMOST LOST MY HOUSE.
599
00:31:31,878 --> 00:31:37,788
HAD A JOB OFFER THAT DEPENDED
ON ME PASSING THE BAR, BUT...
600
00:31:37,817 --> 00:31:40,487
I WAS EXHAUSTED
601
00:31:40,520 --> 00:31:43,960
FROM BEING UP WITH JOIE
ALL NIGHT.
602
00:31:43,990 --> 00:31:48,000
BUT I TOOK IT ONE DAY
AT A TIME,
603
00:31:48,028 --> 00:31:51,568
AND I GOT THROUGH IT.
604
00:31:51,598 --> 00:31:54,498
SMALL GOALS STARTED
ADDING UP TO BIG STRIDES,
605
00:31:54,534 --> 00:31:57,564
AND EVENTUALLY...
606
00:31:57,604 --> 00:32:01,574
I FOUND A WAY
TO MAKE IT WORK.
607
00:32:01,608 --> 00:32:06,818
YOU CAN EITHER
LET FEAR STALL YOU...
608
00:32:06,846 --> 00:32:10,116
OR DRIVE YOU.
609
00:32:10,150 --> 00:32:13,760
♪♪
610
00:32:13,787 --> 00:32:16,557
LET IT DRIVE YOU.
611
00:32:16,589 --> 00:32:20,959
♪ DON'T ♪
612
00:32:20,994 --> 00:32:23,564
♪ TREAT HIM WRONG ♪
613
00:32:23,596 --> 00:32:29,136
♪♪
614
00:32:29,169 --> 00:32:32,769
♪ AS THE SAYING GOES ♪
615
00:32:32,806 --> 00:32:36,306
♪ A GOOD MAN IS HARD TO FIND ♪
616
00:32:36,343 --> 00:32:38,773
STAY WITH ME TONIGHT?
617
00:32:38,812 --> 00:32:41,372
♪ LORD, A GOOD MAN ♪
618
00:32:41,414 --> 00:32:44,584
♪ IS SO HARD TO FIND ♪
619
00:32:44,617 --> 00:32:46,787
♪♪
620
00:32:46,820 --> 00:32:50,990
♪ IF YOU WANT ♪
621
00:32:51,024 --> 00:32:54,424
♪ THE ONE YOU LOVE ♪
622
00:32:54,461 --> 00:32:56,191
♪ YOU BETTER TREAT HIM RIGHT ♪
623
00:32:56,229 --> 00:32:58,799
I MISSED YOU SO MUCH.
624
00:32:58,832 --> 00:33:00,992
I MISSED YOU, TOO.
625
00:33:05,372 --> 00:33:06,672
MICAH.
626
00:33:06,706 --> 00:33:10,106
I JUST WANTED TO SAY,
YESTERDAY WAS --
627
00:33:10,143 --> 00:33:11,573
YEAH, I KNOW.
628
00:33:11,611 --> 00:33:13,541
ALL I COULD
THINK ABOUT WAS,
629
00:33:13,580 --> 00:33:15,350
WHAT IF YOU AND YOUR MOM
HAD BEEN IN THERE?
630
00:33:15,382 --> 00:33:17,542
-THANKFULLY WE WEREN'T.
-I KNOW, BUT WHAT IF YOU HAD?
631
00:33:17,584 --> 00:33:19,244
I DON'T KNOW
WHAT I WOULD HAVE DONE.
632
00:33:19,285 --> 00:33:20,255
IT'S ALL GOOD, BABY.
633
00:33:20,286 --> 00:33:23,756
JUST WAIT.
STOP INTERRUPTING ME.
634
00:33:25,725 --> 00:33:28,625
I'M TRYING TO
TELL YOU SOMETHING.
635
00:33:29,796 --> 00:33:32,496
I LOVE YOU, TOO.
636
00:33:32,532 --> 00:33:34,362
[ BOTH CHUCKLE ]
637
00:33:34,401 --> 00:33:40,001
♪♪
638
00:33:40,039 --> 00:33:45,179
♪♪
639
00:33:45,211 --> 00:33:47,471
I DON'T KNOW IF IT'S
THE RIGHT TIME OR NOT,
640
00:33:47,514 --> 00:33:51,014
BUT PROM IS COMING UP.
641
00:33:51,050 --> 00:33:53,320
IT IS PRETTY SOON, HUH?
642
00:33:53,353 --> 00:33:57,023
YEAH, SO I --
643
00:33:57,056 --> 00:34:01,756
I THINK WE SHOULD TALK ABOUT
MAKING PLANS FOR PROM.
644
00:34:01,795 --> 00:34:05,025
NOW?
645
00:34:05,064 --> 00:34:07,464
OKAY.
646
00:34:07,500 --> 00:34:10,640
UHH -- I'M-A GET A TUX.
647
00:34:10,670 --> 00:34:12,610
YOU KNOW,
GET A LIMOUSINE.
648
00:34:12,639 --> 00:34:15,309
YOU COULD PICK THE COLORS
IF YOU WANT.
649
00:34:15,341 --> 00:34:20,471
NO, I MEAN I THINK
WE SHOULD TALK ABOUT...
650
00:34:20,513 --> 00:34:24,143
MAKING PLANS...
651
00:34:24,184 --> 00:34:26,214
FOR PROM...
652
00:34:26,252 --> 00:34:29,252
NIGHT.
653
00:34:29,289 --> 00:34:33,129
OHH. [ CHUCKLES ]
654
00:34:33,159 --> 00:34:36,769
PLANS.
655
00:34:36,796 --> 00:34:39,366
YEAH.
656
00:34:39,399 --> 00:34:43,269
ARE YOU READY?
657
00:34:43,303 --> 00:34:45,803
I'M READY
TO TALK ABOUT IT.
658
00:34:45,839 --> 00:34:51,949
♪♪
659
00:34:54,614 --> 00:34:56,844
[ EXHALES DEEPLY ]
660
00:34:56,883 --> 00:34:59,543
THAT WAS REAL GOOD.
661
00:34:59,586 --> 00:35:02,686
I THINK YOUR GREEN HAS GOTTEN
EVEN BETTER, IF IT'S POSSIBLE.
662
00:35:05,058 --> 00:35:07,358
I'VE -- I'M NEVER ASKED --
663
00:35:07,393 --> 00:35:09,893
BUT I'VE NEVER FELT
I NEEDED TO ASK.
664
00:35:09,929 --> 00:35:13,269
BUT AFTER TALKING
WITH MICAH...
665
00:35:13,299 --> 00:35:14,599
ASK ME.
666
00:35:14,634 --> 00:35:16,264
HAVE YOU EVER USED
EXCESSIVE FORCE?
667
00:35:16,302 --> 00:35:18,432
NO.
668
00:35:18,471 --> 00:35:22,631
HAVE YOU EVER SEEN ANOTHER
OFFICER USE EXCESSIVE FORCE?
669
00:35:22,675 --> 00:35:25,505
ABUSE BLACK PEOPLE?
670
00:35:25,545 --> 00:35:27,875
YES.
671
00:35:27,914 --> 00:35:30,314
AND DID YOU LOOK AWAY?
672
00:35:31,751 --> 00:35:34,211
YES.
673
00:35:34,254 --> 00:35:37,684
♪♪
674
00:35:37,724 --> 00:35:41,154
HORRIBLE THINGS HAPPEN,
675
00:35:41,194 --> 00:35:43,564
AND YOU HAVE TO BE BRAVE
TO STAND AGAINST THE TIDE.
676
00:35:43,596 --> 00:35:47,366
AND I WASN'T.
I WASN'T BRAVE. I WAS...
677
00:35:50,203 --> 00:35:52,433
I WAS A COWARD.
678
00:35:54,407 --> 00:35:56,647
I'M NOT TRYING TO HUMANIZE
MYSELF OR EXPLAIN IT AWAY.
679
00:35:56,676 --> 00:35:58,876
I'M TELLING YOU THE TRUTH
BECAUSE I WANT YOU TO KNOW
680
00:35:58,912 --> 00:36:02,872
HOW IT FELT
TO BE INSIDE.
681
00:36:02,916 --> 00:36:04,816
HOW DOES RUNNING AWAY HELP?
682
00:36:04,851 --> 00:36:08,451
BECAUSE I WANTED
TO LIVE WITH MYSELF,
683
00:36:08,488 --> 00:36:11,188
NOT STAY IN A TOXIC
ENVIRONMENT,
684
00:36:11,224 --> 00:36:13,924
ONE THAT RUINED THE MOST
IMPORTANT RELATIONSHIP
685
00:36:13,960 --> 00:36:17,730
OF MY LIFE.
686
00:36:17,764 --> 00:36:19,824
I DIDN'T WANT TO BE THE PERSON
YOU TURNED AWAY FROM.
687
00:36:19,866 --> 00:36:24,536
I WANTED TO --
TO CHANGE.
688
00:36:24,571 --> 00:36:27,771
I'M SORRY.
689
00:36:27,807 --> 00:36:30,907
AND I KNOW
IT'S NOT ENOUGH.
690
00:36:30,944 --> 00:36:34,314
YOUR PAST IS ALWAYS
GONNA BE THERE,
691
00:36:34,347 --> 00:36:36,317
ALWAYS GONNA BE
A NEW CHALLENGE.
692
00:36:36,349 --> 00:36:39,549
BECAUSE OF IT,
THERE'S NO WAY TO ERASE IT.
693
00:36:39,586 --> 00:36:42,986
WHY WOULD I WANT
TO DO THAT?
694
00:36:44,457 --> 00:36:47,297
MY PAST LED ME TO YOU.
695
00:36:47,327 --> 00:36:50,527
AND THAT LED ME TO WANT
TO BE A BETTER MAN.
696
00:36:50,563 --> 00:36:55,693
♪♪
697
00:36:55,735 --> 00:37:00,905
♪♪
698
00:37:00,940 --> 00:37:06,080
♪♪
699
00:37:06,112 --> 00:37:10,782
♪♪
700
00:37:10,817 --> 00:37:15,087
[ CELLPHONE BUZZING ]
701
00:37:15,121 --> 00:37:22,221
♪♪
702
00:37:22,261 --> 00:37:29,061
♪♪
703
00:37:29,102 --> 00:37:31,162
-Hello?
-RALPH ANGEL?
704
00:37:31,204 --> 00:37:33,634
♪♪
705
00:37:33,673 --> 00:37:34,703
DARLA?
706
00:37:34,741 --> 00:37:36,771
I CALLED YOU TO SEE
HOW THINGS ARE.
707
00:37:36,809 --> 00:37:38,909
Still here.
708
00:37:38,945 --> 00:37:40,545
ABOUT ALL I GOT.
709
00:37:40,580 --> 00:37:42,850
I KNOW WHAT
THAT FEELS LIKE.
710
00:37:44,784 --> 00:37:47,784
IT SUCKS.
711
00:37:47,820 --> 00:37:50,030
How's Blue?
712
00:37:50,056 --> 00:37:51,556
FINE. [ CHUCKLES ]
713
00:37:51,591 --> 00:37:54,691
HE WAS DOING HIS LITTLE
BLUE CORNER THING EARLIER.
714
00:37:54,727 --> 00:37:58,227
[ SPEAKING INDISTINCTLY ]
715
00:37:58,264 --> 00:37:59,624
I CAN COME BY
AND PICK HIM UP
716
00:37:59,666 --> 00:38:03,066
AND TAKE THE WEIGHT OFF OF YOU
FOR A WHILE, IF YOU WANT.
717
00:38:03,102 --> 00:38:05,402
NAH, YOU GOOD.
718
00:38:05,438 --> 00:38:07,208
TALKED TO HIM EARLIER.
719
00:38:07,240 --> 00:38:09,680
BEEN ASLEEP,
NOT BEFORE HE TOLD ME
720
00:38:09,709 --> 00:38:14,149
HE DON'T WANT TO BE
A MARINE BIOLOGIST NO MORE.
721
00:38:14,180 --> 00:38:15,550
Talking about, uh...
722
00:38:15,581 --> 00:38:17,081
Both: GOING TO SPACE.
723
00:38:17,116 --> 00:38:18,716
Yeah.
724
00:38:18,751 --> 00:38:20,711
YEAH, I DON'T KNOW.
725
00:38:20,753 --> 00:38:23,983
LIKE, HE GROWING UP
RIGHT IN FRONT OF US.
726
00:38:24,023 --> 00:38:26,183
ISN'T HE AMAZING?
727
00:38:26,225 --> 00:38:29,395
Yeah, he's
figuring it out.
728
00:38:29,429 --> 00:38:31,299
JUST LIKE ALL OF US.
729
00:38:31,330 --> 00:38:33,440
♪♪
730
00:38:33,466 --> 00:38:38,766
♪ DON'T TAKE THE BLAME
'CAUSE YOU KEEP ON RUNNING ♪
731
00:38:38,805 --> 00:38:40,605
♪ KEEP ON RUNNING ♪
732
00:38:40,640 --> 00:38:42,180
[ KNOCKING ]
733
00:38:42,208 --> 00:38:46,308
♪ AWAY FROM ME ♪
734
00:38:46,345 --> 00:38:52,345
♪ I'M NOT GONNA PLAY THIS GAME
WHERE I KEEP ON BEGGING ♪
735
00:38:52,385 --> 00:38:55,385
♪ KEEP ON ASKING ♪
736
00:38:55,421 --> 00:38:58,721
♪ ABOUT WHAT YOU NEED ♪
737
00:38:58,758 --> 00:39:00,898
IS THIS TRUE?
738
00:39:00,927 --> 00:39:08,467
♪♪
739
00:39:08,501 --> 00:39:10,631
THE MIGRANT WORKERS THAT WERE
KILLED DURING THE HURRICANE,
740
00:39:10,670 --> 00:39:13,040
WHEN THEIR BOSS TOLD THEM
TO KEEP WORKING, THAT --
741
00:39:13,072 --> 00:39:15,632
THAT WAS YOU?
742
00:39:15,675 --> 00:39:18,405
WHY DIDN'T YOU TELL ME?
743
00:39:18,444 --> 00:39:22,044
I DON'T KNOW.
I WAS EMBARRASSED.
744
00:39:22,081 --> 00:39:25,181
YOU WERE EMBARRASSED
BECAUSE YOU WERE GUILTY.
745
00:39:25,218 --> 00:39:27,458
YOU FORCED PEOPLE
TO WORK IN A HURRICANE.
746
00:39:27,487 --> 00:39:29,357
YOU COST TWO MEN
THEIR LIVES.
747
00:39:29,388 --> 00:39:32,058
I TRIED TO FIX IT.
748
00:39:32,091 --> 00:39:34,421
FOR ALL THE DIFFERENCE
IT MADE.
749
00:39:34,460 --> 00:39:36,870
WHAT -- WHAT DOES
THAT MEAN?
750
00:39:36,896 --> 00:39:41,766
I WISH I COULD CHANGE
WHAT HAPPENED THEN.
751
00:39:41,801 --> 00:39:44,801
BUT I CAN'T.
752
00:39:44,837 --> 00:39:48,607
I WISH I COULD CHANGE
WHAT'S HAPPENING NOW, BUT --
753
00:39:48,641 --> 00:39:50,941
THAT'S --
THAT'S YOUR ANSWER?
754
00:39:50,977 --> 00:39:55,047
YOU LOST YOUR BUILDING,
YOUR BUSINESS,
755
00:39:55,081 --> 00:39:56,741
AND THAT'S TERRIBLE.
756
00:39:56,783 --> 00:39:59,183
BUT THESE MEN
LOST THEIR LIVES.
757
00:40:01,354 --> 00:40:03,784
IS THIS THE REAL YOU?
758
00:40:03,823 --> 00:40:09,123
♪♪
759
00:40:09,162 --> 00:40:11,062
YEAH.
760
00:40:11,097 --> 00:40:12,897
♪♪
761
00:40:12,932 --> 00:40:15,132
YEAH, I GUESS IT IS.
762
00:40:15,168 --> 00:40:20,038
♪♪
763
00:40:20,072 --> 00:40:25,742
♪ I AIN'T GONNA MAKE
AN EMPTY PROMISE ♪
764
00:40:25,778 --> 00:40:29,078
♪ I AIN'T GOT TIME ♪
765
00:40:29,115 --> 00:40:32,745
♪ TO TELL YOU LIES ♪
766
00:40:32,785 --> 00:40:39,485
♪ NO, I AIN'T GONNA PULL YOU
THROUGH THE DARKNESS ♪
767
00:40:39,525 --> 00:40:42,055
♪ BUT I COULD SHOW YOU ♪
768
00:40:42,094 --> 00:40:47,164
♪ WHERE TO FIND THE LIGHT ♪
769
00:40:47,200 --> 00:40:54,380
♪ OOH-OOH-OOH-OOH-OHH ♪
770
00:40:54,407 --> 00:40:59,807
♪ AH-AH-AH-AH-AH ♪
771
00:40:59,846 --> 00:41:06,716
♪ NO, I AIN'T GONNA PULL YOU
THROUGH THE DARKNESS ♪
772
00:41:06,752 --> 00:41:09,682
♪ BUT I COULD SHOW YOU ♪
773
00:41:09,722 --> 00:41:13,652
♪ WHERE TO FIND THE LIGHT ♪
774
00:41:13,693 --> 00:41:16,653
-- Captions by VITAC --
www.vitac.com
775
00:41:16,696 --> 00:41:19,796
CAPTIONS PAID FOR BY
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