1 00:00:01,406 --> 00:00:02,676 PREVIOUSLY ON "QUEEN SUGAR"... 2 00:00:02,674 --> 00:00:03,904 Nova: MY FAMILY IS HAVING TROUBLE WITH THE BOOK. 3 00:00:03,909 --> 00:00:05,009 I JUST NEED SOME MORE TIME 4 00:00:05,010 --> 00:00:06,850 TO SMOOTH THINGS OUT BEFORE THE BOOK TOUR. 5 00:00:06,845 --> 00:00:08,945 THIS STORY IS GONNA HELP SO MANY PEOPLE -- 6 00:00:08,947 --> 00:00:11,647 I DON'T GIVE A DAMN ABOUT SO MANY PEOPLE, NOVA! 7 00:00:11,650 --> 00:00:13,290 HE TRUSTS YOU. 8 00:00:13,285 --> 00:00:16,285 WHEN HE READS THIS, HE'LL BELIEVE I'M A MONSTER. 9 00:00:16,288 --> 00:00:18,628 THIS BOOK AIN'T JUST ABOUT EARNEST. 10 00:00:18,623 --> 00:00:20,753 "MY AUNT VIOLET, BROKEN MORE TIMES 11 00:00:20,759 --> 00:00:21,859 THAN SHE CAN COUNT, 12 00:00:21,860 --> 00:00:23,860 BY MY UNCLE JIMMY DALE." 13 00:00:23,862 --> 00:00:25,462 NO, SHE DIDN'T. 14 00:00:25,464 --> 00:00:27,364 [ Voice breaking ] YOU HAVE TO PUT THE BRAKES ON IT. 15 00:00:27,365 --> 00:00:28,695 I CAN'T. 16 00:00:28,700 --> 00:00:30,670 IT'S GOING TO PRINT. 17 00:00:30,669 --> 00:00:32,909 [ LAMP CLICKS ] 18 00:00:32,904 --> 00:00:35,804 ♪♪ 19 00:00:35,807 --> 00:00:37,337 [ EXHALES DEEPER ] 20 00:00:37,342 --> 00:00:39,472 [ Quietly ] GET IT TOGETHER, VI. 21 00:00:39,478 --> 00:00:42,618 ♪♪ 22 00:00:42,614 --> 00:00:43,874 [ SIGHS ] 23 00:00:43,882 --> 00:00:46,142 YOU ARE STRONGER THAN THIS. 24 00:00:46,151 --> 00:00:47,811 [ KNOCKS ON DOOR ] 25 00:00:47,819 --> 00:00:49,959 Hollywood: [ Muffled ] EVERYTHING ALL RIGHT IN THERE? 26 00:00:49,955 --> 00:00:51,885 FINE. I'LL BE OUT IN A MINUTE. 27 00:00:51,890 --> 00:00:58,000 ♪♪ 28 00:00:57,996 --> 00:01:04,096 ♪♪ 29 00:01:04,102 --> 00:01:05,762 DON'T GIVE ME THAT LOOK. 30 00:01:05,771 --> 00:01:07,701 WELL, YOU DON'T SEEM FINE. 31 00:01:07,706 --> 00:01:09,836 AIN'T SEEMED FINE ALL MORNING. 32 00:01:09,841 --> 00:01:12,641 IF I SAY I'M OKAY, THEN I'M OKAY. 33 00:01:12,644 --> 00:01:14,374 WELL, WHAT YOU SAY AND WHAT YOU ARE 34 00:01:14,379 --> 00:01:17,079 CAN BE TWO TOTALLY DIFFERENT THINGS. 35 00:01:17,082 --> 00:01:19,242 NOW, BABY, I BEGGED YOU DON'T STAY UP ALL NIGHT 36 00:01:19,251 --> 00:01:20,381 READING THAT BOOK. 37 00:01:20,385 --> 00:01:22,455 CALLED HER THREE TIMES THIS MORNING. 38 00:01:22,454 --> 00:01:24,784 AH, SHE TOO SCARED TO ANSWER. HELL, I WOULD BE, TOO. 39 00:01:24,790 --> 00:01:27,430 WELL, THEN SHE SHOULDN'T HAVE PUT MY LIFE OUT THERE. 40 00:01:27,425 --> 00:01:30,155 FOR THE WORLD. 41 00:01:30,162 --> 00:01:33,162 I TOLD HER SHE BETTER COME LOOK ME IN MY FACE 42 00:01:33,165 --> 00:01:34,325 BEFORE THE SUN GOES DOWN 43 00:01:34,332 --> 00:01:36,162 BECAUSE I HAVE TO GO TO THE 9th WARD 44 00:01:36,168 --> 00:01:37,538 LOOKING FOR HER, I WILL. 45 00:01:39,070 --> 00:01:41,140 [ MAKEUP CLATTERS ] 46 00:01:41,139 --> 00:01:43,239 HOW COULD SHE DO THAT? 47 00:01:43,241 --> 00:01:48,071 ♪♪ 48 00:01:48,079 --> 00:01:49,479 HOW COULD SHE? 49 00:01:49,481 --> 00:01:52,041 ♪♪ 50 00:01:52,050 --> 00:01:54,250 Rhonda: MORNING, MS. VI. 51 00:01:54,252 --> 00:01:55,512 MORNING, RHONDA. 52 00:01:55,520 --> 00:01:56,590 EVERYTHING COPACETIC? 53 00:01:56,588 --> 00:01:57,888 OH, YES, MA'AM. 54 00:01:57,889 --> 00:02:01,129 OH, WE'RE RUNNING LOW ON NAPKINS AND TO-GO CONTAINERS. 55 00:02:01,126 --> 00:02:03,326 CAN Y'ALL GRAB SOME FROM THE BACK? 56 00:02:03,328 --> 00:02:04,398 GOT YOU, BABY. 57 00:02:04,396 --> 00:02:09,636 ♪♪ 58 00:02:09,634 --> 00:02:11,204 BABY, JUST GO ON AND TAKE A SEAT 59 00:02:11,203 --> 00:02:12,763 AND I'LL BE RIGHT WITH YOU. 60 00:02:12,771 --> 00:02:14,871 OF COURSE. 61 00:02:14,873 --> 00:02:16,003 THANK YOU. 62 00:02:16,007 --> 00:02:18,347 [ DRAMATIC MUSIC PLAYS ] 63 00:02:18,343 --> 00:02:27,813 ♪♪ 64 00:02:27,819 --> 00:02:30,789 IT'S GOOD TO SEE YOU, SWEETHEART. 65 00:02:30,789 --> 00:02:32,089 IT'S BEEN A WHILE, HUH? 66 00:02:32,090 --> 00:02:39,330 ♪♪ 67 00:02:39,331 --> 00:02:46,601 ♪♪ 68 00:02:46,605 --> 00:02:48,205 IT'S BEEN A WHILE. 69 00:02:48,206 --> 00:02:53,206 ♪♪ 70 00:02:53,211 --> 00:02:54,341 ♪ DREAMS NEVER DIE ♪ 71 00:02:54,346 --> 00:02:56,946 ♪ TAKE FLIGHT AS THE WORLD TURNS ♪ 72 00:02:56,948 --> 00:02:58,788 ♪ KEEP THE COLORS IN THE LINES ♪ 73 00:02:58,783 --> 00:03:00,883 ♪ TAKE FLIGHT AS THE WORLD TURNS ♪ 74 00:03:00,886 --> 00:03:02,816 ♪ KEEP THE COLORS IN THE LINES ♪ 75 00:03:02,821 --> 00:03:05,021 ♪ TAKE FLIGHT ♪ 76 00:03:05,023 --> 00:03:07,583 ♪ DREAMS NEVER DIE ♪ 77 00:03:07,592 --> 00:03:12,762 ♪♪ 78 00:03:12,764 --> 00:03:16,264 ♪ KEEP THE COLORS IN THE LINES ♪ 79 00:03:16,268 --> 00:03:18,238 ♪ KEEP THE COLORS IN THE LINES ♪ 80 00:03:18,236 --> 00:03:19,266 ♪ TAKE FLIGHT ♪ 81 00:03:21,373 --> 00:03:22,903 -HERE YOU GO. -VI? THANK YOU, BROTHER. 82 00:03:23,942 --> 00:03:25,942 COME ON. VI? 83 00:03:25,944 --> 00:03:27,244 I'LL GO GET ANOTHER TOWEL. 84 00:03:27,245 --> 00:03:29,445 ♪♪ 85 00:03:29,447 --> 00:03:32,217 YOU OKAY, BABY? YOU NEED A DOCTOR? 86 00:03:32,217 --> 00:03:34,017 Violet: WHAT HAPPENED? YOU PASSED OUT. 87 00:03:34,019 --> 00:03:35,619 HERE, DRINK THIS. 88 00:03:35,620 --> 00:03:36,890 [ DOOR OPENS ] 89 00:03:39,758 --> 00:03:41,558 MM. 90 00:03:41,559 --> 00:03:43,459 WAIT. WAIT, WHERE... 91 00:03:43,461 --> 00:03:46,991 ♪♪ 92 00:03:46,998 --> 00:03:49,268 WHAT HAPPENED? -SHH, BABY, YOU OKAY, ALL RIGHT? 93 00:03:49,267 --> 00:03:50,937 YOU JUST GOT A LOT ON YOUR MIND RIGHT NOW. 94 00:03:50,936 --> 00:03:53,566 THE OPENING HARVEST, 95 00:03:53,571 --> 00:03:54,731 NOVA, AND ALL THAT STUFF. 96 00:03:54,739 --> 00:03:55,779 THAT'S IT, OKAY? 97 00:03:55,774 --> 00:03:57,234 BUT YOU GOT TO START TAKING IT EASIER. 98 00:03:58,877 --> 00:04:01,547 HOLLYWOOD, UH, LET'S, UH -- 99 00:04:01,546 --> 00:04:03,316 LET'S GO HOME. 100 00:04:03,315 --> 00:04:04,985 I JUST NEED A LITTLE REST, OKAY? 101 00:04:05,984 --> 00:04:07,914 OKAY. 102 00:04:07,919 --> 00:04:14,829 ♪♪ 103 00:04:14,826 --> 00:04:17,396 [ MUFFLED MUSIC PLAYS FROM EARBUDS ] 104 00:04:17,395 --> 00:04:18,965 MICAH? 105 00:04:21,266 --> 00:04:30,006 ♪♪ 106 00:04:30,008 --> 00:04:38,718 ♪♪ 107 00:04:38,717 --> 00:04:47,457 ♪♪ 108 00:04:47,459 --> 00:04:49,699 MAYBE AFTER SCHOOL, 109 00:04:49,694 --> 00:04:51,694 WE SHOULD TALK ABOUT SOME OF THE THINGS 110 00:04:51,696 --> 00:04:53,726 THAT YOU'RE READING IN THAT BOOK. 111 00:04:53,732 --> 00:04:56,592 I KNOW DAD DID WHAT HE DID... 112 00:04:58,403 --> 00:04:59,463 ...BUT... 113 00:05:00,605 --> 00:05:03,175 ...YOU PAID MELINA GALOUDIAN MILLIONS OF DOLLARS 114 00:05:03,174 --> 00:05:05,204 TO KEEP QUIET? 115 00:05:05,210 --> 00:05:07,010 I DID IT FOR YOU. 116 00:05:07,012 --> 00:05:09,812 FOR US. FOR OUR PRIVACY. 117 00:05:09,814 --> 00:05:13,314 NOVA'S BOOK IS NOT HOW I WANTED YOU TO LEARN ABOUT THAT. 118 00:05:17,188 --> 00:05:19,288 ALL I ASK IS THAT YOU REMEMBER 119 00:05:19,290 --> 00:05:21,900 THAT WHAT'S BLACK AND WHITE ON THE PAGES OF A BOOK 120 00:05:21,893 --> 00:05:25,993 IS OFTEN VERY... GRAY IN -- IN REAL LIFE. 121 00:05:25,997 --> 00:05:27,227 PEOPLE SAY STUFF LIKE THAT, 122 00:05:27,232 --> 00:05:28,832 BUT NEVER WHAT THEY REALLY MEAN. 123 00:05:32,570 --> 00:05:35,610 I'M ON THE BOARD OF LANDRY ENTERPRISES. 124 00:05:35,607 --> 00:05:37,407 YOU THINK IT'S BECAUSE I WANT TO BE IN BUSINESS 125 00:05:37,409 --> 00:05:39,779 WITH THE FAMILY THAT ENSLAVED OUR ANCESTORS? 126 00:05:39,778 --> 00:05:41,678 THAT I LOVE MONEY THAT MUCH? 127 00:05:41,679 --> 00:05:43,649 OR IS IT BECAUSE I NEED TO KNOW 128 00:05:43,648 --> 00:05:44,678 WHAT THEY'RE UP TO? 129 00:05:44,682 --> 00:05:46,212 I'M NOT JUDGING YOU, MOM. 130 00:05:46,217 --> 00:05:48,217 I JUST DON'T... 131 00:05:48,219 --> 00:05:51,119 [SIGHS] UNDERSTAND YOU SOMETIMES. 132 00:05:51,122 --> 00:05:52,922 SO, YOU BELIEVE EVERYTHING YOU READ? 133 00:05:52,924 --> 00:05:54,054 NO. 134 00:05:57,128 --> 00:05:59,698 BUT THIS BOOK WAS WRITTEN BY SOMEBODY I TRUST, SO... 135 00:06:00,598 --> 00:06:01,798 [ Quietly ] "TRUST." 136 00:06:04,369 --> 00:06:05,809 WOW. 137 00:06:08,940 --> 00:06:10,410 SO YOU DON'T TRUST ME? 138 00:06:10,408 --> 00:06:12,508 CAN WE TALK ABOUT SOMETHING ELSE, PLEASE? 139 00:06:12,510 --> 00:06:20,790 ♪♪ 140 00:06:20,785 --> 00:06:23,715 [ LAPTOP CHIMING ] 141 00:06:23,721 --> 00:06:27,551 ♪♪ 142 00:06:27,559 --> 00:06:28,729 HEY, DEBORAH! 143 00:06:28,726 --> 00:06:29,796 PERFECT TIMING. 144 00:06:29,794 --> 00:06:31,054 I CAN'T DECIDE WHAT OUTFIT TO WEAR 145 00:06:31,062 --> 00:06:32,592 FOR MY INTERVIEW WITH DR. HALL. 146 00:06:32,597 --> 00:06:35,397 I HEARD YOU SHOULD AVOID RED, BLACK, AND WHITE 147 00:06:35,400 --> 00:06:36,800 WHILE ON CAMERA. GOOD TO KNOW. 148 00:06:36,801 --> 00:06:38,031 [ CHUCKLES ] [ HANGERS RATTLE ] 149 00:06:38,036 --> 00:06:39,536 EVEN IF THE ONLY FOLKS WHO ARE SEEING THIS 150 00:06:39,537 --> 00:06:41,137 ARE PSYCHOLOGY STUDENTS OR THERAPY CENTERS, 151 00:06:41,139 --> 00:06:43,409 I, UH, WANT TO PRESENT MYSELF RIGHT. 152 00:06:43,408 --> 00:06:45,348 THAT MAY ALL BE ABOUT TO CHANGE 153 00:06:45,343 --> 00:06:46,643 WITH THE NEWS I'VE GOT FOR YOU. 154 00:06:46,644 --> 00:06:48,774 SO, WE GOT AN ADVANCE 155 00:06:48,780 --> 00:06:50,620 ON YOUR NEW YORK TIMES BOOK REVIEW, 156 00:06:50,615 --> 00:06:51,885 AND, NOVA, 157 00:06:51,883 --> 00:06:54,143 IT'S A LOVE LETTER. A LOVE LETTER? 158 00:06:55,653 --> 00:06:57,253 FROM THE TIMES? 159 00:06:57,255 --> 00:06:58,525 WELL, WHEN DOES IT COME OUT? 160 00:06:58,523 --> 00:07:00,583 THIS AFTERNOON. 161 00:07:00,592 --> 00:07:02,592 I WASN'T EXPECTING THIS. 162 00:07:02,594 --> 00:07:03,824 WELL, WE WERE. 163 00:07:03,828 --> 00:07:05,098 WE'VE BELIEVED IN YOU FROM THE START. 164 00:07:05,096 --> 00:07:07,026 THANK YOU. 165 00:07:07,031 --> 00:07:08,361 WHAT DID THEY SAY? 166 00:07:08,366 --> 00:07:09,436 WELL, IT'S IN YOUR INBOX, 167 00:07:09,434 --> 00:07:12,134 BUT HERE'S AN APPETIZER. 168 00:07:12,137 --> 00:07:15,577 "'BLESSING AND BLOOD' IS A NEAR-VIRTUOSO-LEVEL MEMOIR 169 00:07:15,573 --> 00:07:18,073 THAT SPEAKS IN BOTH THE INTIMACY OF A WHISPER 170 00:07:18,076 --> 00:07:21,276 AND THE ROAR OF AN URGENT CALL TO ACTION. 171 00:07:21,279 --> 00:07:23,919 NOVA BORDELON'S WRITING FEELS AS IF IT'S FUELED 172 00:07:23,915 --> 00:07:25,745 BY BOTH FIRE AND FEAR, 173 00:07:25,750 --> 00:07:27,690 A POTENT COMBINATION THAT CATAPULTS 174 00:07:27,685 --> 00:07:29,685 THIS JOURNALIST- TURNED-AUTHOR 175 00:07:29,687 --> 00:07:32,857 TO THE UPPER ECHELONS OF WRITERS EXPLORING RACE, 176 00:07:32,857 --> 00:07:35,727 CULTURE, AND IDENTITY IN AMERICA." 177 00:07:35,727 --> 00:07:36,827 I KNOW, RIGHT? 178 00:07:38,163 --> 00:07:39,223 ARE YOU THERE? 179 00:07:40,932 --> 00:07:41,992 OH, MY GOD. 180 00:07:44,402 --> 00:07:46,632 I DON'T KNOW WHAT TO SAY. 181 00:07:46,638 --> 00:07:48,408 YOUR WORK SAYS IT ALL. 182 00:07:48,406 --> 00:07:49,776 IT'S MOVING NOW. 183 00:07:49,774 --> 00:07:52,944 IT'S CONNECTING WITH PEOPLE, JUST LIKE YOU WANTED. 184 00:07:52,944 --> 00:07:54,104 [ SIGHS ] 185 00:07:55,813 --> 00:07:57,643 GENERATOR READY TO GO? 186 00:07:57,649 --> 00:08:00,019 ALTERNATOR'S STILL BUSTED. 187 00:08:00,018 --> 00:08:02,358 MEANT TO CALL YOU BEFORE YOU CAME. 188 00:08:02,353 --> 00:08:03,353 MY BAD. 189 00:08:03,354 --> 00:08:05,824 [ TRAIN HORN BLOWS ] 190 00:08:05,823 --> 00:08:07,853 TODAY JUST AIN'T GOING MY WAY, MR. PROSPER. 191 00:08:10,195 --> 00:08:12,025 AH, YOU'RE DOING JUST FINE, RALPH ANGEL. 192 00:08:12,030 --> 00:08:14,330 SO, WHAT'S ON YOUR MIND? 193 00:08:16,501 --> 00:08:18,361 I DON'T KNOW. 194 00:08:18,369 --> 00:08:21,439 NOVA. THE BOOK. 195 00:08:21,439 --> 00:08:23,479 SHE'S GOING IN ON EVERYBODY. 196 00:08:23,474 --> 00:08:25,944 CHARLEY, AUNT VI, BLUE. 197 00:08:25,944 --> 00:08:28,004 EVERYBODY? 198 00:08:28,012 --> 00:08:30,272 SOMETHING I NEED TO BE CONCERNED WITH, TOO? 199 00:08:30,281 --> 00:08:31,981 I DOUBT IT. 200 00:08:31,983 --> 00:08:34,043 BUT KNOWING NOVA, YOU NEVER KNOW. 201 00:08:34,052 --> 00:08:35,412 SO, WHAT DOES SHE GOT TO WRITE ABOUT BLUE, 202 00:08:35,420 --> 00:08:38,560 OTHER THAN THE LOVE SHE GOT FOR HIM? 203 00:08:38,556 --> 00:08:42,726 SHE TELLING THE WORLD HE AIN'T MINE, PROSPER. 204 00:08:42,727 --> 00:08:45,767 THAT HE AIN'T MY KID. 205 00:08:45,763 --> 00:08:47,393 'FORE HE EVEN KNOW. 206 00:08:47,398 --> 00:08:48,798 I SEE. 207 00:08:50,335 --> 00:08:51,735 YOU DON'T SEEM SURPRISED. 208 00:08:53,438 --> 00:08:55,878 BY NOW, I'VE LEARNED 209 00:08:55,873 --> 00:08:57,773 THAT LIFE IS FULL OF SURPRISES. 210 00:08:57,775 --> 00:09:00,945 PLUS, I'VE SEEN THIS KIND OF THING BEFORE. 211 00:09:04,182 --> 00:09:06,842 MY FATHER WASN'T MY FATHER, EITHER. 212 00:09:06,851 --> 00:09:09,111 I MEAN, IF YOU MEAN IT IN THE BIBLICAL WAY. 213 00:09:09,120 --> 00:09:11,390 FOR REAL? 214 00:09:11,389 --> 00:09:13,329 DIDN'T FIND OUT TILL I WAS IN HIGH SCHOOL, 215 00:09:13,324 --> 00:09:15,824 AND BY THEN, I DIDN'T CARE. 216 00:09:15,827 --> 00:09:18,497 NOW, HE WAS GOOD TO ME. 217 00:09:18,496 --> 00:09:20,166 THAT'S THICKER THAN BLOOD. 218 00:09:20,164 --> 00:09:21,894 SOUND LIKE A GOOD MAN. 219 00:09:21,899 --> 00:09:23,039 YEP. 220 00:09:23,034 --> 00:09:25,234 HE WASN'T MY FATHER, BUT HE WAS MY DADDY. 221 00:09:25,236 --> 00:09:27,236 [ CHUCKLES ] 222 00:09:27,238 --> 00:09:29,538 [ Sighing ] YEAH. 223 00:09:29,540 --> 00:09:32,880 SO, THE WAY I LOOK AT IT IS I WON. 224 00:09:32,877 --> 00:09:34,507 AND BLUE DID, TOO. 225 00:09:36,648 --> 00:09:38,618 A BOOK DON'T CHANGE THAT. 226 00:09:38,616 --> 00:09:40,646 AND MAKE SURE YOUR BOY KNOWS IT. 227 00:09:40,885 --> 00:09:42,085 [ FOOTSTEPS APPROACHING ] 228 00:09:42,086 --> 00:09:43,916 [ SPEAKING SPANISH ] 229 00:09:47,158 --> 00:09:48,498 OKAY, SLOW DOWN, SLOW DOWN. 230 00:09:48,493 --> 00:09:49,653 SAY IT AGAIN. 231 00:09:49,661 --> 00:09:51,761 IGNACIO. ENFERMO. 232 00:09:51,763 --> 00:09:52,793 UH, SICK. 233 00:09:52,797 --> 00:09:56,097 ♪♪ 234 00:09:57,652 --> 00:09:58,812 Host: NOW, NOVA, WE'RE FORTUNATE TO HAVE TWO FAMILIES 235 00:09:58,820 --> 00:10:01,020 THAT READ AN ADVANCE COPY OF YOUR MEMOIR, 236 00:10:01,022 --> 00:10:02,982 AND THEY'RE HERE TO SHARE THEIR EXPERIENCES 237 00:10:02,991 --> 00:10:04,881 AFTER READING YOUR BOOK. 238 00:10:04,892 --> 00:10:06,352 Woman: FOR A LONG TIME, 239 00:10:06,361 --> 00:10:09,261 MY MOTHER AND I REFUSED TO ADDRESS OUR ISSUES. 240 00:10:12,166 --> 00:10:15,236 KIND OF LIKE YOU AND CHARLEY. 241 00:10:15,236 --> 00:10:16,636 CAN I ASK HOW YOU WERE ABLE 242 00:10:16,637 --> 00:10:18,877 TO BREAK THROUGH ALL THE HURT FEELINGS 243 00:10:18,873 --> 00:10:21,603 AND THE TRAUMA TO GET TO A HEALTHIER PLACE WITH HER? 244 00:10:21,609 --> 00:10:23,679 ♪♪ 245 00:10:23,678 --> 00:10:26,018 I FINALLY HAD TO LET GO OF THE FEAR THAT STOPPED ME 246 00:10:26,014 --> 00:10:28,014 FROM THINKING ABOUT ANYTHING IN MY RELATIONSHIPS 247 00:10:28,016 --> 00:10:31,446 THAT SADDENED ME, LET ALONE ALONE DEAL WITH THEM. 248 00:10:31,452 --> 00:10:34,212 I REALIZED I WAS SUPPRESSING EVERYTHING. 249 00:10:34,222 --> 00:10:35,952 BUT THAT'S JUST PUTTING IT IN A DRAWER. 250 00:10:35,957 --> 00:10:38,497 IT'S NOT GONE. IT'S JUST... 251 00:10:38,493 --> 00:10:40,193 AWAY. 252 00:10:40,194 --> 00:10:44,094 AND SOME DAY, SOMEBODY'S GOING TO OPEN THAT DRAWER, 253 00:10:44,098 --> 00:10:45,968 AND THE PAIN WILL STILL BE THERE. 254 00:10:45,967 --> 00:10:48,507 SO, I DECIDED TO CLEAN OUT THE DRAWER 255 00:10:48,503 --> 00:10:50,733 ONCE AND FOR ALL. 256 00:10:50,738 --> 00:10:54,178 WRITING THIS WAS THERAPEUTIC IN THAT WAY. 257 00:10:54,175 --> 00:10:55,305 AND IT'S AN EXPERIENCE 258 00:10:55,309 --> 00:10:58,079 I HOPE THOSE WHO READ IT WILL HAVE, AS WELL. 259 00:10:58,079 --> 00:11:01,989 [ CELLPHONE DIALING ] 260 00:11:01,983 --> 00:11:03,483 Man: FRANCES BOUDREAUX'S OFFICE. 261 00:11:03,484 --> 00:11:05,054 HI, THIS IS CHARLEY BORDELON. 262 00:11:05,053 --> 00:11:06,653 MS. BORDELON, MRS. BOUDREAUX IS NOT 263 00:11:06,654 --> 00:11:07,814 TAKING CALLS AT THIS TIME. 264 00:11:07,822 --> 00:11:09,422 CARE TO LEAVE A MESSAGE? 265 00:11:09,424 --> 00:11:14,524 ♪♪ 266 00:11:14,529 --> 00:11:16,129 YES. 267 00:11:16,130 --> 00:11:18,770 MY MESSAGE IS THAT I WANT TO KNOW HOW JACOB BOUDREAUX 268 00:11:18,766 --> 00:11:22,536 GETS TO ATTEND BOARD MEETINGS AND I DON'T. 269 00:11:22,537 --> 00:11:24,637 ESPECIALLY SINCE WE HAVE THE SAME AMOUNT OF SHARES 270 00:11:24,639 --> 00:11:27,609 IN LANDRY ENTERPRISES. 271 00:11:27,608 --> 00:11:31,008 TELL FRANCES I EXPECT A CALL BACK. 272 00:11:31,012 --> 00:11:33,472 SOON. 273 00:11:33,481 --> 00:11:35,411 [ SIGHS ] 274 00:11:39,187 --> 00:11:40,787 [ LID CLOSES, TOILET FLUSHES ] 275 00:11:41,956 --> 00:11:43,586 WHAT'S GOING ON, VI? 276 00:11:50,431 --> 00:11:54,191 BABY, YOU AIN'T SAY A WORD ON THE WAY HOME, 277 00:11:54,202 --> 00:11:55,702 AND YOU DON'T WANT NOTHING TO EAT. 278 00:11:58,506 --> 00:11:59,976 I'M SCARED FOR YOU. 279 00:12:02,076 --> 00:12:04,476 I SAW JIMMY DALE AT THE DINER. 280 00:12:04,479 --> 00:12:06,479 SAW WHO? 281 00:12:06,481 --> 00:12:08,541 BALD-HEAD GUY 282 00:12:08,549 --> 00:12:11,489 WITH THE WHITE BEARD. 283 00:12:11,486 --> 00:12:13,086 OLD BOY WITH A YELLOW SHIRT? 284 00:12:13,087 --> 00:12:18,697 ♪♪ 285 00:12:18,693 --> 00:12:20,353 SAID HE CAUGHT YOU WHEN YOU PASSED OUT. 286 00:12:20,361 --> 00:12:26,591 ♪♪ 287 00:12:26,601 --> 00:12:28,961 HE PUT HIS HANDS ON YOU? 288 00:12:28,970 --> 00:12:30,140 AND HE AIN'T EVEN SAY 289 00:12:30,138 --> 00:12:31,508 WHO HE WAS? HOLLYWOOD -- 290 00:12:31,506 --> 00:12:33,236 TRYING TO PLAY THE GOOD SAMARITAN AND SHIT, 291 00:12:33,241 --> 00:12:34,631 HE GONNA TIP ON OUT THE FRONT DOOR? 292 00:12:34,642 --> 00:12:35,702 OH, HELL NO! 293 00:12:37,812 --> 00:12:40,172 I DIDN'T KNOW WHAT TO DO. 294 00:12:40,181 --> 00:12:42,111 I DIDN'T KNOW WHAT TO SAY. 295 00:12:42,116 --> 00:12:44,316 WHEN I REALIZED IT WAS HIM, 296 00:12:44,318 --> 00:12:45,958 SOMETHING JUST HAPPENED. [ CELLPHONE DIALING ] 297 00:12:48,189 --> 00:12:50,059 WHO ARE YOU CALLING? HEY, RHONDA, THIS IS WOOD. 298 00:12:50,057 --> 00:12:51,057 Rhonda: HEY, HOLLYWOOD. 299 00:12:51,058 --> 00:12:52,498 HEY, YOU REMEMBER THAT CUSTOMER? 300 00:12:52,493 --> 00:12:53,823 WHICH ONE? 301 00:12:53,828 --> 00:12:55,498 YEAH, THE NEW GUY WITH THE YELLOW SHIRT. 302 00:12:55,496 --> 00:12:57,696 OH, YEAH? 303 00:12:57,698 --> 00:12:59,498 LET ME KNOW IF HE COME BACK IN. 304 00:13:00,568 --> 00:13:02,668 ALL RIGHT. [ CELLPHONE BEEPS ] 305 00:13:02,670 --> 00:13:05,280 HOLLYWOOD, I DON'T WANT YOU TO GET MIXED UP WITH HIS NONSENSE. 306 00:13:05,273 --> 00:13:06,673 HE'S GOOD AT THAT. 307 00:13:06,674 --> 00:13:09,974 OH, BABY, ST. JOE'S AIN'T BUT SO BIG. 308 00:13:09,977 --> 00:13:11,877 HE AROUND HERE SOMEWHERE. 309 00:13:11,879 --> 00:13:13,649 WORST THING IN YOUR LIFE 310 00:13:13,648 --> 00:13:16,148 COMING TO YOUR NEW PLACE OF BUSINESS AFTER 30 YEARS? 311 00:13:18,352 --> 00:13:20,312 NAH, HE HERE TO GET SOMETHING STARTED. 312 00:13:22,657 --> 00:13:24,257 BUT I'M-A FINISH IT. 313 00:13:25,059 --> 00:13:28,569 [ CELLPHONE RINGING, VIBRATING ] 314 00:13:28,563 --> 00:13:29,893 HEY, RALPH. 315 00:13:29,897 --> 00:13:30,897 SAY, I GOT A LITTLE SITUATION 316 00:13:30,898 --> 00:13:32,798 OVER HERE AT THE FARM. 317 00:13:32,800 --> 00:13:34,770 MIGHT MAKE ME LATE TO MY OFFICE SLOT THIS WEEK. 318 00:13:34,769 --> 00:13:36,409 THAT'S GONNA BACK ME UP. 319 00:13:36,404 --> 00:13:37,964 YEAH, WELL, I GOT CIRCUMSTANCES. 320 00:13:37,972 --> 00:13:39,672 WHAT'S THE PROBLEM? 321 00:13:39,674 --> 00:13:41,634 IGNACIO. 322 00:13:41,642 --> 00:13:44,102 MY TOP WORKER, HE GOT SICK. 323 00:13:44,111 --> 00:13:48,171 CAN'T GO TO A HOSPITAL, IF YOU KNOW WHAT I MEAN. 324 00:13:48,182 --> 00:13:50,342 I MAY ACTUALLY KNOW SOMEONE WHO CAN, UH -- 325 00:13:50,351 --> 00:13:53,051 WHO CAN HELP WITH THAT. 326 00:13:53,054 --> 00:13:55,284 LET ME CALL YOU BACK. 327 00:13:55,289 --> 00:13:56,889 KEKE. 328 00:13:56,891 --> 00:13:59,421 ♪♪ 329 00:13:59,427 --> 00:14:02,097 CAN WE TALK? 330 00:14:02,096 --> 00:14:03,266 I'M-A CATCH YOU LATER. ALL RIGHT. 331 00:14:05,733 --> 00:14:06,893 I DON'T KNOW. CAN WE? 332 00:14:06,901 --> 00:14:08,061 I'VE BEEN TRYING TO. 333 00:14:08,069 --> 00:14:11,209 YOU HAVEN'T ANSWERED ANY OF MY TEXTS. 334 00:14:11,205 --> 00:14:12,205 WE'RE AT THE SAME SCHOOL. 335 00:14:12,206 --> 00:14:13,906 WE HAVE TO TALK AT SOME POINT. 336 00:14:16,010 --> 00:14:18,110 ALL RIGHT, LET'S TALK. 337 00:14:18,112 --> 00:14:20,072 WHY ARE YOU ACTING ALL BRAND-NEW ON ME, HUH? 338 00:14:20,081 --> 00:14:21,671 FIGHTING A GUY LIKE YOU SOME NEW-AGE THUG? 339 00:14:21,682 --> 00:14:22,682 YOU THINK THAT'S CUTE? 340 00:14:22,683 --> 00:14:24,283 YOU KNOW HE HAD IT COMING TO HIM. 341 00:14:24,285 --> 00:14:26,155 IF IT WASN'T ME, IT WAS GOING TO BE SOMEONE ELSE. 342 00:14:26,153 --> 00:14:28,013 I'M NOT WITH SOMEONE ELSE. 343 00:14:28,022 --> 00:14:29,482 I'M WITH MICAH WEST. 344 00:14:29,490 --> 00:14:32,160 YOU -- YOU'RE RIGHT. 345 00:14:32,159 --> 00:14:33,959 OKAY? IT WAS STUPID OF ME. 346 00:14:33,961 --> 00:14:36,591 I NEED TO BE MORE WISE ABOUT THINGS. 347 00:14:36,597 --> 00:14:38,737 YOU'RE IMPORTANT TO ME. 348 00:14:38,733 --> 00:14:40,933 WHAT YOU THINK ABOUT ME IS IMPORTANT TO ME. 349 00:14:44,438 --> 00:14:48,178 JUST PROMISE ME THAT IT WON'T GET THERE AGAIN? 350 00:14:48,175 --> 00:14:50,405 YOU NEED CHANNEL THAT ANGER SOME OTHER WAY. 351 00:14:50,411 --> 00:14:52,411 I KNOW. I'M WORKING ON IT. 352 00:14:52,413 --> 00:14:53,973 I CAN'T SAY I WON'T DISAPPOINT YOU. 353 00:14:53,981 --> 00:14:56,311 I'M NOT PERFECT, BUT... 354 00:14:59,487 --> 00:15:01,657 ...I CAN PROMISE YOU I WILL NEVER DISRESPECT YOU. 355 00:15:03,391 --> 00:15:04,551 MAMA TAUGHT ME BETTER THAN THAT. 356 00:15:04,558 --> 00:15:09,868 ♪♪ 357 00:15:09,864 --> 00:15:11,894 WANT TO TELL ME WHAT'S GOING ON, JACOB? 358 00:15:15,136 --> 00:15:18,006 COULD YOU GIVE US A MOMENT, HANK? 359 00:15:18,005 --> 00:15:20,005 MS. BORDELON. 360 00:15:20,007 --> 00:15:21,607 I'LL WAIT JUST OUTSIDE. 361 00:15:21,609 --> 00:15:26,619 ♪♪ 362 00:15:26,614 --> 00:15:28,314 [ DOOR OPENS, CLOSES ] 363 00:15:28,316 --> 00:15:29,486 WHO'S HE? 364 00:15:29,483 --> 00:15:32,113 AND HOW DOES HE KNOW MY NAME? 365 00:15:32,119 --> 00:15:33,859 ONE -- YOU'RE KIND OF FAMOUS, 366 00:15:33,854 --> 00:15:36,324 SO LOTS OF PEOPLE KNOW YOUR NAME. 367 00:15:36,324 --> 00:15:38,424 AND TWO -- HE'S A NEW CONSULTANT. 368 00:15:38,426 --> 00:15:39,496 HANK MILLER. 369 00:15:39,493 --> 00:15:41,453 WHAT'S WITH ALL THE CONSULTANTS? 370 00:15:41,462 --> 00:15:43,062 MARK KRYGER, HANK MILLER -- 371 00:15:43,064 --> 00:15:46,794 BUSINESSES HIRE CONSULTANTS, CHARLEY. 372 00:15:46,801 --> 00:15:50,361 IT'S THEIR JOB TO KNOW ALL OUR PRIMARY SHAREHOLDERS. 373 00:15:50,371 --> 00:15:52,701 WELL, I'M NOT EXACTLY PRIMARY ANYMORE, 374 00:15:52,707 --> 00:15:54,707 AND NEITHER ARE YOU. 375 00:15:54,709 --> 00:15:56,709 YET YOU'RE ABLE TO ATTEND BOARD MEETINGS 376 00:15:56,711 --> 00:15:59,541 WITHOUT POSSESSION OF THE PROPER NUMBER OF SHARES... 377 00:15:59,547 --> 00:16:03,687 SAM COMBINED HIS SHARES AND VOTING POWER WITH ME. 378 00:16:03,684 --> 00:16:06,884 HE PASSED NEW BYLAWS SO FAMILY MEMBERS CAN ATTEND, 379 00:16:06,887 --> 00:16:08,617 EVEN IF WE DON'T HAVE ENOUGH SHARES. 380 00:16:10,391 --> 00:16:12,991 AND TO THINK I GAVE YOU THE BENEFIT OF THE DOUBT 381 00:16:12,993 --> 00:16:15,123 THAT YOU GAINED AN OUNCE OF DIGNITY. 382 00:16:15,129 --> 00:16:17,299 [ CELLPHONE CHIMES ] 383 00:16:17,298 --> 00:16:19,468 [ OMINOUS MUSIC PLAYS ] 384 00:16:19,467 --> 00:16:26,807 ♪♪ 385 00:16:26,807 --> 00:16:34,177 ♪♪ 386 00:16:34,181 --> 00:16:36,441 WHAT'S THIS ALL ABOUT, JACOB? 387 00:16:36,450 --> 00:16:38,790 Jacob: YOU KNOW HOW MUCH I LIKE YOU, CHARLEY. 388 00:16:38,786 --> 00:16:40,956 I NEED TO LET YOU KNOW. 389 00:16:40,955 --> 00:16:43,655 I THINK IT'S BEST IF YOU DON'T RUFFLE ANYMORE FEATHERS. 390 00:16:43,657 --> 00:16:45,627 [ CHUCKLES ] 391 00:16:45,626 --> 00:16:47,656 I DON'T RESPOND TO THREATS. 392 00:16:47,661 --> 00:16:49,261 YOU KNOW WHAT MY FAMILY IS CAPABLE OF. 393 00:16:51,565 --> 00:16:53,635 THEY'RE LIKE A FREIGHT TRAIN. 394 00:16:53,634 --> 00:16:56,764 THEY STOP AT NOTHING IN THEIR WAY. 395 00:16:56,771 --> 00:16:58,431 AND YOU SHUTTING DOWN THE PRISON, 396 00:16:58,439 --> 00:17:00,579 IT DIDN'T EXACTLY SLOW THINGS DOWN. 397 00:17:03,744 --> 00:17:05,974 THAT'S ALL I'M AT LIBERTY TO SAY. 398 00:17:05,980 --> 00:17:08,380 SO NOW I'M SUPPOSED TO TRUST 399 00:17:08,382 --> 00:17:10,612 THAT YOU CARE ABOUT ME? 400 00:17:10,618 --> 00:17:13,358 MY FAMILY? 401 00:17:13,354 --> 00:17:15,054 WHERE'S YOUR MAMA? 402 00:17:15,055 --> 00:17:16,325 SHE CLAIMED TO HAVE MY BACK, 403 00:17:16,323 --> 00:17:17,883 BUT NOW SHE'S NOWHERE TO BE FOUND. 404 00:17:17,892 --> 00:17:20,952 SHE'S IN DC TAKING MEETINGS TO EXPAND LANDRY ENTERPRISES. 405 00:17:20,961 --> 00:17:22,091 EXPANDING TO DO WHAT? 406 00:17:22,096 --> 00:17:24,126 THAT'S ALL I KNOW RIGHT NOW. 407 00:17:24,131 --> 00:17:25,761 OH, THAT'S ALL YOU KNOW? 408 00:17:25,766 --> 00:17:28,266 ♪♪ 409 00:17:28,269 --> 00:17:31,309 SO, YOU'RE GONNA MAKE ME WORK TO FIND OUT? 410 00:17:31,305 --> 00:17:32,675 FINE. 411 00:17:32,673 --> 00:17:34,733 I ACTUALLY KNOW HOW TO WORK. 412 00:17:34,742 --> 00:17:37,442 THAT'S WHAT YOU THINK OF ME? 413 00:17:37,445 --> 00:17:40,375 I'VE JUST BEEN HIGH ON THE HOG SINCE BIRTH. 414 00:17:40,381 --> 00:17:41,911 SILVER SPOON IN MY MOUTH, 415 00:17:41,916 --> 00:17:43,046 NEVER WORKED FOR NOTHING. 416 00:17:43,050 --> 00:17:44,650 THAT'S WHAT YOU THINK? 417 00:17:44,652 --> 00:17:47,282 ♪♪ 418 00:17:47,288 --> 00:17:50,688 YOU'VE HAD A FAMILY. 419 00:17:50,691 --> 00:17:52,081 LOVE. 420 00:17:52,092 --> 00:17:53,452 CAMARADERIE. 421 00:17:53,461 --> 00:17:55,891 I NEVER HAD THAT. 422 00:17:55,896 --> 00:17:57,766 TO GET ANYTHING CLOSE TO LOVE WITH US, 423 00:17:57,765 --> 00:17:59,295 YOU GOT TO BREAK SKIN, 424 00:17:59,300 --> 00:18:02,470 SHOW BLOOD, AND BE HAPPY ABOUT IT. 425 00:18:02,470 --> 00:18:03,910 I WAS NEVER WIRED FOR IT. 426 00:18:03,904 --> 00:18:06,074 I ALWAYS HOPED YOU'D SEE THAT. 427 00:18:06,073 --> 00:18:07,233 I STILL DO. 428 00:18:08,709 --> 00:18:13,079 THERE ARE THINGS GOING ON THAT SHOULDN'T BE, CHARLEY. 429 00:18:13,080 --> 00:18:15,550 I'M TRYING TO LOOK OUT FOR YOU. 430 00:18:15,549 --> 00:18:19,059 WHY CAN'T YOU JUST SIT BACK AND ENJOY YOUR DIVIDENDS? 431 00:18:19,053 --> 00:18:21,153 FOR THE SAME REASON YOU CAN JUST SIT BACK 432 00:18:21,155 --> 00:18:24,085 AND ENJOY YOUR PRIVILEGE, JACOB. 433 00:18:24,091 --> 00:18:26,291 AT SOME POINT, WE ALL MAKE OUR OWN CHOICES. 434 00:18:26,293 --> 00:18:27,893 YOUR FAMILY MADE THEIRS, 435 00:18:27,895 --> 00:18:29,895 AND YOU'VE CHOSEN TO GO ALONG. 436 00:18:30,965 --> 00:18:33,765 YOU TELLING A SAD STORY ABOUT IT DOESN'T CHANGE IT. 437 00:18:33,767 --> 00:18:42,747 ♪♪ 438 00:18:42,743 --> 00:18:44,803 Hollywood: COFFEE HOT ENOUGH FOR YOU? 439 00:18:44,812 --> 00:18:47,112 WELL, IT SURE IS. 440 00:18:47,114 --> 00:18:49,084 NOW, YOU MUST BE THE MANAGER. 441 00:18:49,083 --> 00:18:51,543 I DIDN'T GET TO MEET YOU EARLIER, PROPER LIKE, 442 00:18:51,552 --> 00:18:53,212 WHAT WITH ALL THE COMMOTION. 443 00:18:53,220 --> 00:18:56,330 I SURE DO HOPE VIOLET'S DOING OKAY. 444 00:18:56,323 --> 00:18:58,183 I KNOW WHO YOU ARE, 445 00:18:58,192 --> 00:18:59,692 JIMMY DALE, 446 00:18:59,693 --> 00:19:01,653 AND I KNOW WHAT YOU'RE ALL ABOUT, 447 00:19:01,662 --> 00:19:03,992 SO YOU CAN SAVE "THE SHOWTIME AND THE APOLLO," 448 00:19:03,998 --> 00:19:07,598 SKINNING AND GRINNING, 'CAUSE I KNOW WHAT'S BEHIND IT. 449 00:19:07,601 --> 00:19:10,161 SO DOES MY WIFE. [ CHUCKLES ] 450 00:19:10,170 --> 00:19:11,640 OH, I SEE WHAT'S GOING ON HERE. 451 00:19:11,639 --> 00:19:13,209 BUT YOU GOT THIS ALL WRONG. 452 00:19:13,207 --> 00:19:15,907 SEE, ME AND VIOLET, 453 00:19:15,910 --> 00:19:17,910 THINGS JUST DIDN'T WORK OUT. THAT'S ALL. 454 00:19:17,912 --> 00:19:21,142 BUT THAT'S OLD WATER UNDER AN OLD BRIDGE, MY FRIEND. 455 00:19:21,148 --> 00:19:23,348 I AIN'T YOUR FRIEND. 456 00:19:23,350 --> 00:19:25,960 I'M HOLLYWOOD DESONIER. 457 00:19:25,953 --> 00:19:27,483 AND I'M-A TELL YOU THIS ONE TIME 458 00:19:27,488 --> 00:19:29,658 AND BE NOBLE ABOUT IT. 459 00:19:29,657 --> 00:19:31,957 YOU NEED TO BOUNCE. 460 00:19:33,294 --> 00:19:34,494 EXCUSE ME, YOUNG BLOOD? 461 00:19:34,495 --> 00:19:36,425 SHE DON'T WANT YOU AROUND HERE, 462 00:19:36,430 --> 00:19:37,430 AND NEITHER DO I. 463 00:19:37,431 --> 00:19:39,261 SO GO AHEAD AND RAISE ON UP. 464 00:19:39,400 --> 00:19:42,910 [ LAUGHS ] 465 00:19:42,903 --> 00:19:44,303 AH-HA, HELL. 466 00:19:44,305 --> 00:19:45,505 YOU REMEMBER EARNEST BORDELON? 467 00:19:47,174 --> 00:19:48,874 YEAH, EARNEST. 468 00:19:50,444 --> 00:19:52,844 SO, IF YOU WANT TO PAR TO WITH THAT ASS-WHIPPING, 469 00:19:52,846 --> 00:19:55,586 THINK I'M PLAYING WITH YOU. 470 00:19:55,583 --> 00:19:57,643 SO, GO AHEAD AND PAY YOUR TAB, 471 00:19:57,651 --> 00:19:59,351 GET YOUR LITTLE GOOFY ASS IN THE CAR, 472 00:19:59,353 --> 00:20:02,483 AND GET THE HELL UP OUT OF TOWN BEFORE YOU CATCH THESE HANDS. 473 00:20:02,489 --> 00:20:04,729 ♪♪ 474 00:20:04,725 --> 00:20:07,725 WELL, I DON'T STAY WHERE I'M NOT WANTED. 475 00:20:07,728 --> 00:20:09,068 I MEAN, I WAS JUST DRIVING THROUGH. 476 00:20:09,063 --> 00:20:11,523 I JUST WANTED TO WISH VIOLET GOOD LUCK 477 00:20:11,532 --> 00:20:13,362 WITH HER LITTLE DINER. THAT'S ALL. 478 00:20:13,367 --> 00:20:17,207 I DON'T WANT NO TROUBLE. DIDN'T MEAN NO DISRESPECT. 479 00:20:17,204 --> 00:20:19,904 YEAH. 480 00:20:19,907 --> 00:20:21,537 BUT, UH... 481 00:20:21,542 --> 00:20:26,072 THE BORDELONS WAS MY FAMILY TOO FOR A LONG TIME. 482 00:20:26,080 --> 00:20:29,450 BUT THAT TIME DONE PASSED, BUT THE PAST DON'T CHANGE. 483 00:20:29,450 --> 00:20:37,130 ♪♪ 484 00:20:37,833 --> 00:20:44,163 ♪♪ 485 00:20:44,172 --> 00:20:46,432 I DIDN'T GET INTO IT WITH HIM, BABY. 486 00:20:46,441 --> 00:20:48,041 DIDN'T HAVE TO. HE GONE. 487 00:20:48,043 --> 00:20:50,203 ♪♪ 488 00:20:50,212 --> 00:20:51,472 WELL, HOW'D YOU MANAGE THAT? 489 00:20:51,480 --> 00:20:53,980 'CAUSE JIMMY DON'T BACK DOWN EASY. 490 00:20:53,982 --> 00:20:56,482 MAYBE HE GETTING WISE IN HIS OLD AGE, 491 00:20:56,485 --> 00:20:58,085 BUT I FOLLOWED HIS ASS ALL THE WAY TO THE END 492 00:20:58,086 --> 00:20:59,756 OF ST. JO'S PARISH LINE, 493 00:20:59,755 --> 00:21:03,225 WATCHED HIM HOP ON THE FREEWAY HEADED WEST. 494 00:21:03,225 --> 00:21:05,095 AND ALL YOU DID WAS TALK. 495 00:21:05,093 --> 00:21:06,453 THAT'S ALL. 496 00:21:06,461 --> 00:21:09,061 BUT HE WAS GETTING UP OUT OF HERE COME HOOK OR BY CROOK. 497 00:21:09,064 --> 00:21:12,994 ♪♪ 498 00:21:13,001 --> 00:21:15,601 Ralph Angel: YEAH, I NEVER TAKE NO REAL LUNCH BREAK, 499 00:21:15,604 --> 00:21:17,604 ESPECIALLY NOT LATE LIKE THIS. 500 00:21:17,606 --> 00:21:20,376 I COULD GET USED TO IT. 501 00:21:20,375 --> 00:21:22,405 THE ONE THING ABOUT WORKING IN THE BUREAUCRACY 502 00:21:22,411 --> 00:21:24,811 OF THE UNITED STATES GOVERNMENT I DON'T MIND... 503 00:21:24,813 --> 00:21:26,473 HM? ...IS PEOPLE CLOCK IN, 504 00:21:26,481 --> 00:21:29,141 TAKE THEIR BREAKS, AND CLOCK THE HELL OUT. 505 00:21:30,185 --> 00:21:32,455 WHILE WE WAS ON THE PHONE THE OTHER NIGHT, 506 00:21:32,454 --> 00:21:34,384 SAID YOU WAS WORKING FROM HOME, RIGHT? 507 00:21:34,389 --> 00:21:36,929 I'M NEVER GONNA LET MY CASES SUFFER, 508 00:21:36,925 --> 00:21:38,755 BUT I AM GONNA EAT MY DAMN LUNCH, TOO. 509 00:21:38,760 --> 00:21:41,130 [ BOTH CHUCKLE ] 510 00:21:41,129 --> 00:21:42,469 MMM. 511 00:21:42,464 --> 00:21:45,894 I, UM -- I KNOW IT'S HARVEST TIME. 512 00:21:45,901 --> 00:21:49,001 I DIDN'T -- I DIDN'T THINK YOU'D MAKE IT. 513 00:21:49,004 --> 00:21:51,034 NEEDED A LITTLE BREAK. MM. 514 00:21:51,039 --> 00:21:54,079 WORKING AROUND THE CLOCK, YOU KNOW? 515 00:21:54,076 --> 00:21:56,306 BESIDES... 516 00:21:56,311 --> 00:21:57,741 I WANTED TO SEE YOU. 517 00:21:57,746 --> 00:22:00,676 ♪♪ 518 00:22:00,682 --> 00:22:02,682 Charley: VICKY, I NEED YOU TO LOOK INTO SOMETHING FOR ME. 519 00:22:02,684 --> 00:22:05,154 I-I RECEIVED THE MINUTES FROM THE BOARD MEETING, 520 00:22:05,153 --> 00:22:10,583 AND I SAW A $1.5 MILLION PURCHASE OF UNIDENTIFIED LAND, 521 00:22:10,592 --> 00:22:14,392 ODDLY TUCKED UNDER "OPERATIONAL EXPENDITURES," 522 00:22:14,396 --> 00:22:16,796 AND I HAVE NO CLUE WHAT THAT'S FOR. 523 00:22:16,798 --> 00:22:18,998 YEAH, I'M JUST TRYING TO -- TRYING TO GET UP TO SPEED. 524 00:22:19,001 --> 00:22:20,891 UM... 525 00:22:20,902 --> 00:22:23,402 COULD YOU LOOK INTO IT IF I E-MAILED IT FOR YOU? 526 00:22:23,405 --> 00:22:26,175 YEAH. YEAH, OKAY. 527 00:22:26,174 --> 00:22:27,634 THANKS, VICKY. 528 00:22:27,642 --> 00:22:28,672 YOU'RE THE BEST. 529 00:22:30,846 --> 00:22:32,776 HI. 530 00:22:32,781 --> 00:22:34,511 WOW. 531 00:22:34,516 --> 00:22:35,546 THANK YOU. 532 00:22:35,550 --> 00:22:37,890 THIS IS SO... ON TIME. 533 00:22:37,886 --> 00:22:42,656 ♪♪ 534 00:22:42,657 --> 00:22:44,527 YOU ARE VERY WELCOME. 535 00:22:44,526 --> 00:22:48,166 IT'S GOOD TO BREAK UP THE WORK DAY EVERY ONCE IN A WHILE, YEAH? 536 00:22:48,163 --> 00:22:49,793 YEAH, IT IS. 537 00:22:51,833 --> 00:22:53,563 AND YOU'LL BE PLEASED TO KNOW THAT YOUR BROTHER'S WORK HERE 538 00:22:53,568 --> 00:22:55,168 WILL BE FINE. 539 00:22:55,170 --> 00:22:57,110 GLAD YOU CALLED ME. [ SIGHS ] 540 00:22:57,105 --> 00:22:59,535 THANKS FOR MAKING THE TIME. 541 00:22:59,541 --> 00:23:02,801 YEAH, YOUR BROTHER'S, UH, DOING GOOD BY HIS MEN, 542 00:23:02,811 --> 00:23:04,511 TAKING GOOD CARE OF THEM. 543 00:23:04,513 --> 00:23:05,573 THAT'S NICE TO SEE. 544 00:23:05,580 --> 00:23:06,920 YOU DON'T SEE THAT VERY OFTEN. 545 00:23:06,915 --> 00:23:07,985 HM. 546 00:23:07,983 --> 00:23:10,413 SOME OF THE THINGS I'VE HEARD... 547 00:23:10,419 --> 00:23:12,289 I'VE SEEN SOME, UH, PRETTY MESSED UP STUFF 548 00:23:12,287 --> 00:23:14,527 IN ST. JO THAT YOU WOULDN'T EXPECT. 549 00:23:14,523 --> 00:23:15,823 WHAT DO YOU MEAN? 550 00:23:15,824 --> 00:23:19,954 STUFF THAT, UH, JUST STAYS WITH YOU. 551 00:23:19,961 --> 00:23:22,821 LIKE, UM, THOSE TWO MIGRANT WORKERS, 552 00:23:22,831 --> 00:23:24,531 THE ONES THAT WERE, UH, KILLED 553 00:23:24,533 --> 00:23:28,363 ON ONE OF THE FARMS A FEW YEARS BACK. 554 00:23:28,370 --> 00:23:30,840 BECAUSE THEY WERE FORCED TO WORK IN THE STORM. 555 00:23:30,839 --> 00:23:32,439 THAT'S JUST NOT GIVING A DAMN. 556 00:23:32,441 --> 00:23:34,941 [ MELANCHOLY MUSIC PLAYS ] 557 00:23:34,943 --> 00:23:39,773 ♪♪ 558 00:23:39,781 --> 00:23:41,441 BUT YOU GIVE A DAMN. 559 00:23:41,450 --> 00:23:44,020 I MEAN, THE WORK THAT YOU'RE DOING AT THE BORDER 560 00:23:44,019 --> 00:23:46,519 MAKES A DIFFERENCE, RIGHT? 561 00:23:46,521 --> 00:23:49,451 I'M JUST ONE MAN. 562 00:23:49,458 --> 00:23:52,258 WELL, IF YOU COULD DO MORE, WHAT WOULD IT BE? 563 00:23:54,162 --> 00:23:57,062 MORE. JUST -- JUST MORE. 564 00:23:57,065 --> 00:23:59,795 SET UP THE STATIONS FOR PEOPLE WHO NEED IT. 565 00:23:59,801 --> 00:24:04,101 ANONYMOUS, SAFE, CLEAN. 566 00:24:04,106 --> 00:24:05,606 WHAT WOULD IT TAKE TO GET SOMETHING LIKE THAT 567 00:24:05,607 --> 00:24:06,977 UP AND RUNNING? 568 00:24:06,975 --> 00:24:10,405 VOLUNTEERS AND A SAFE, CLEAN SPACE 569 00:24:10,412 --> 00:24:12,572 THAT'S NOT VISIBLE FROM THE STREET. 570 00:24:12,581 --> 00:24:16,141 BUT, UH, THAT GETS EXPENSIVE. 571 00:24:16,151 --> 00:24:17,781 HM... 572 00:24:19,921 --> 00:24:23,181 SO, I HAVE A SPACE -- 573 00:24:23,191 --> 00:24:25,751 THE FORMER BARRACKS IN THE BACK OF THE MILL. 574 00:24:28,230 --> 00:24:30,530 IT'S VACANT. 575 00:24:30,532 --> 00:24:32,562 I MEAN, IF YOU CAN GET THE VOLUNTEERS, 576 00:24:32,567 --> 00:24:34,637 AND I'D PAY FOR THE SUPPLIES. 577 00:24:34,636 --> 00:24:38,136 WE COULD JUST DO IT THERE. [ CHUCKLES ] 578 00:24:38,140 --> 00:24:39,380 ARE YOU SERIOUS RIGHT NOW? 579 00:24:41,376 --> 00:24:44,776 I-I MEAN, 'CAUSE THAT -- THAT COULD WORK. 580 00:24:44,779 --> 00:24:48,089 WE CAN DO, UH, MAYBE A P.O.P. CLINIC ONCE A WEEK. 581 00:24:49,484 --> 00:24:51,554 FOR NOW. 582 00:24:51,553 --> 00:24:52,883 ARE YOU SERIOUS? 583 00:24:52,888 --> 00:24:58,398 ♪♪ 584 00:24:58,393 --> 00:25:00,023 VERY. 585 00:25:01,696 --> 00:25:02,726 [ CHUCKLES ] 586 00:25:11,706 --> 00:25:15,046 [ SOMBER MUSIC PLAYS ] 587 00:25:15,043 --> 00:25:20,813 ♪♪ 588 00:25:20,815 --> 00:25:26,585 ♪♪ 589 00:25:26,588 --> 00:25:27,858 [ INHALES DEEPLY ] 590 00:25:30,659 --> 00:25:32,529 YOU CAN'T HURT ME AGAIN. 591 00:25:32,527 --> 00:25:39,237 ♪♪ 592 00:25:39,234 --> 00:25:42,334 YEAH, BLUE MAMA AND I -- WE JUST GOT ON GOOD TERMS, 593 00:25:42,337 --> 00:25:45,277 SO IT'S NOT HAPPENING OVERNIGHT, TELL YOU THAT MUCH. 594 00:25:45,273 --> 00:25:47,133 IT'S A PROCESS. YEAH. 595 00:25:47,142 --> 00:25:50,702 I'M STILL NOT THERE WITH JOIE'S DAD YET. 596 00:25:50,712 --> 00:25:55,442 JUST FOUND IT BEST TO STAY AS FAR APART AS POSSIBLE. 597 00:25:55,450 --> 00:25:58,290 HE DOESN'T COME AROUND MUCH, SO IT WORKS. 598 00:25:58,286 --> 00:26:03,726 ♪♪ 599 00:26:03,725 --> 00:26:06,195 LISTEN, UH... 600 00:26:06,194 --> 00:26:09,064 I JUST WANT TO KEEP IT REAL WITH YOU. 601 00:26:09,064 --> 00:26:11,434 I DID SOME THINGS IN MY PAST THAT I HAD TO PAY FOR. 602 00:26:13,535 --> 00:26:14,835 I WAS -- I KNOW. 603 00:26:17,005 --> 00:26:18,235 I RAN YOUR BACKGROUND. 604 00:26:19,975 --> 00:26:22,805 OLD HABITS DIE HARD WHEN YOU'RE A PUBLIC DEFENDER 605 00:26:22,811 --> 00:26:26,071 AND DATING AND HAVE A KID. 606 00:26:26,081 --> 00:26:27,711 I RESPECT THAT. 607 00:26:30,385 --> 00:26:32,885 I READ YOUR FILE. 608 00:26:32,887 --> 00:26:36,857 BUT MY WORK HAS TAUGHT ME PEOPLE AREN'T THEIR FILES. 609 00:26:36,858 --> 00:26:38,058 YOU'RE CERTAINLY NOT. 610 00:26:40,362 --> 00:26:41,792 AH, THIS PIE IS SO GOOD. 611 00:26:41,796 --> 00:26:44,026 I FEEL LIKE I'M DOING SOMETHING WRONG BY EATING IT. 612 00:26:44,032 --> 00:26:45,392 [ CHUCKLES ] 613 00:26:45,400 --> 00:26:46,400 WELL, LET ME HELP YOU OUT. 614 00:26:46,401 --> 00:26:47,531 [ BOTH LAUGH ] 615 00:26:49,638 --> 00:26:52,038 FEELS GOOD IN HERE. 616 00:26:52,040 --> 00:26:53,610 HELP YOURSELF TO WHATEVER. 617 00:26:53,608 --> 00:26:55,378 YES. 618 00:26:55,377 --> 00:26:57,107 WATER'S FINE. 619 00:26:57,112 --> 00:26:58,742 WATER. 620 00:26:58,747 --> 00:27:00,377 SO HEALTHY. 621 00:27:04,786 --> 00:27:06,256 [ REFRIGERATOR DOOR CLOSES ] 622 00:27:08,189 --> 00:27:13,129 ♪♪ 623 00:27:13,128 --> 00:27:14,398 WHAT'S WRONG? 624 00:27:14,396 --> 00:27:16,526 ♪♪ 625 00:27:16,531 --> 00:27:18,991 "MICAH WEST, CLOSE YOUR BIG, LOUD MOUTH, 626 00:27:19,000 --> 00:27:22,840 OR WE WILL FILL IT WITH YOUR BLOOD AND OUR BULLETS." 627 00:27:22,837 --> 00:27:24,407 -WHAT? -"KEEP STIRRING UP TROUBLE 628 00:27:24,406 --> 00:27:26,076 IN ST. JO, AND WE WILL PUT YOU DOWN 629 00:27:26,074 --> 00:27:27,704 LIKE THE FILTHY MUTT YOU ARE." 630 00:27:27,709 --> 00:27:30,609 OH, MY GOD. 631 00:27:30,612 --> 00:27:32,042 WE NEED TO TAKE THIS TO THE POLICE. 632 00:27:32,047 --> 00:27:33,647 WHAT ARE THEY GONNA DO? 633 00:27:33,648 --> 00:27:37,748 ♪♪ 634 00:27:37,752 --> 00:27:39,252 [ FOOTSTEPS APPROACHING ] 635 00:27:39,254 --> 00:27:45,254 ♪♪ 636 00:27:51,599 --> 00:27:53,839 I'LL DEAL WITH THIS. JUST LET ME FIX IT. 637 00:27:53,835 --> 00:27:55,705 HOW DO YOU FIX A DEATH THREAT? 638 00:27:59,207 --> 00:28:00,837 I'M ON IT. 639 00:28:03,278 --> 00:28:08,018 WHY DOES IT SEEM LIKE I CAN'T DO ANYTHING RIGHT BY YOU LATELY? 640 00:28:08,016 --> 00:28:09,286 I DON'T KNOW. I THINK I'M JUST ACCEPTING 641 00:28:09,284 --> 00:28:10,944 THE FACT THAT WE'RE TWO DIFFERENT PEOPLE 642 00:28:10,952 --> 00:28:12,952 WITH TWO DIFFERENT VIEWS OF THE WORLD. 643 00:28:22,464 --> 00:28:24,294 [ DRAWER UNLOCKS, OPENS ] 644 00:28:33,341 --> 00:28:34,601 YOU RECEIVED THE FIRST ONE 645 00:28:34,609 --> 00:28:37,779 A WEEK AFTER YOUR SPEECH AT THE PRISON RALLY. 646 00:28:40,448 --> 00:28:44,048 AND THIS ONE CAME... 647 00:28:44,052 --> 00:28:45,112 TWO DAYS LATER. 648 00:28:47,122 --> 00:28:49,682 SO I SENT YOU TO PARIS FOR THE SUMMER 649 00:28:49,691 --> 00:28:52,151 AND HIRED YOU A SECURITY DETAIL YOU NEVER KNEW ABOUT. 650 00:28:52,160 --> 00:28:53,330 WHAT? 651 00:28:53,328 --> 00:28:55,328 THIS ONE CAME... 652 00:28:55,330 --> 00:28:59,970 THE DAY THAT I TOOK YOU TO THE AIRPORT TO GO TO PARIS. 653 00:28:59,968 --> 00:29:02,668 THESE CAME THE DAY AFTER YOU LEFT. 654 00:29:02,670 --> 00:29:04,440 MICAH, WHAT DO YOU SEE? 655 00:29:04,439 --> 00:29:07,509 LETTERS THREATENING TO KILL ME. 656 00:29:07,509 --> 00:29:11,109 AND HOW DO YOU FEEL NOW THAT YOU'VE SEEN THEM? 657 00:29:11,112 --> 00:29:12,472 ANGRY. 658 00:29:12,480 --> 00:29:13,880 WELL, I DON'T HAVE TIME TO BE ANGRY. 659 00:29:16,117 --> 00:29:19,917 I'M TOO BUSY BEING AFRAID FOR YOU. 660 00:29:19,921 --> 00:29:22,181 SO IF WE SEE THE WORLD DIFFERENTLY, 661 00:29:24,526 --> 00:29:27,226 IT'S BECAUSE I AM COMMITTED 662 00:29:27,228 --> 00:29:30,368 TO DOING WHATEVER I HAVE TO DO TO KEEP YOU SAFE. 663 00:29:32,100 --> 00:29:35,310 IF THAT MEANS SENDING YOU TO PARIS FOR THREE MONTHS... 664 00:29:35,303 --> 00:29:37,033 [ DRAWER CLOSES ] 665 00:29:37,038 --> 00:29:39,378 ...I'M FINE WITH THAT. 666 00:29:39,374 --> 00:29:41,474 ♪♪ 667 00:29:41,476 --> 00:29:45,346 IF THAT MEANS ASKING YOU TO TRUST ME... 668 00:29:46,581 --> 00:29:49,411 ...I'M FINE WITH THAT. 669 00:29:49,417 --> 00:29:50,647 IF THAT MEANS... 670 00:29:50,652 --> 00:29:55,822 ♪♪ 671 00:29:55,824 --> 00:30:01,024 ♪♪ 672 00:30:01,029 --> 00:30:02,729 LET ME PROTECT YOU. 673 00:30:02,730 --> 00:30:07,740 ♪♪ 674 00:30:07,735 --> 00:30:08,835 IT'S MY JOB. 675 00:30:08,837 --> 00:30:17,777 ♪♪ 676 00:30:19,981 --> 00:30:23,411 MOM! HEY! 677 00:30:23,418 --> 00:30:25,188 WHERE'D YOU GUYS GO? 678 00:30:25,186 --> 00:30:27,086 I TEXTED YOU. 679 00:30:27,088 --> 00:30:29,058 DAD SURPRISED ME AFTER SCHOOL. 680 00:30:29,057 --> 00:30:32,497 WE WENT TO THE ROLLER RINK, AND ME AND JOIE GOT ICE CREAM. 681 00:30:32,494 --> 00:30:34,494 I GOT CHOCOLATE MINT. 682 00:30:34,496 --> 00:30:35,666 SUPER GOOD. 683 00:30:35,663 --> 00:30:37,023 JOIE. 684 00:30:37,031 --> 00:30:38,091 WHO IS THAT? 685 00:30:38,099 --> 00:30:39,669 Ralph Angel: NEW FRIEND HE MET AFTER SCHOOL. 686 00:30:39,667 --> 00:30:41,937 HE WANTED TO DO A LITTLE PLAY DATE AT THE PLAYGROUND. 687 00:30:41,936 --> 00:30:43,066 I SEE. 688 00:30:43,071 --> 00:30:44,361 HOPE IT DIDN'T RUIN YOUR APPETITE. 689 00:30:44,372 --> 00:30:47,002 IT WAS ONLY TWO SCOOPS. 690 00:30:47,008 --> 00:30:49,808 Ralph Angel: ALRIGHT, GO WASH THAT OUTSIDE OFF YOU, BLUE. 691 00:30:49,811 --> 00:30:51,471 TAKE YOUR BACKPACK OFF. 692 00:30:53,581 --> 00:30:57,181 [ SIGHS ] I GOT TO TALK TO YOU ABOUT SOMETHING. 693 00:30:57,185 --> 00:30:58,815 OKAY. 694 00:31:01,556 --> 00:31:04,956 NOVA WROTE ABOUT BLUE IN HER BOOK. 695 00:31:04,959 --> 00:31:06,529 WHAT DO YOU MEAN? 696 00:31:06,528 --> 00:31:08,158 WHAT DID SHE WRITE ABOUT HIM? 697 00:31:10,698 --> 00:31:12,638 WHAT THE HELL DID SHE WRITE ABOUT HIM? 698 00:31:15,937 --> 00:31:17,767 THAT I AIN'T HIS BIOLOGICAL FATHER. 699 00:31:17,772 --> 00:31:22,872 ♪♪ 700 00:31:22,877 --> 00:31:23,947 WHY WOULD SHE DO THIS? 701 00:31:23,945 --> 00:31:25,245 [ SIGHS ] [ SCOFFS ] 702 00:31:25,246 --> 00:31:29,486 ♪♪ 703 00:31:29,484 --> 00:31:30,544 WHY WOULD SHE -- 704 00:31:30,552 --> 00:31:34,282 ♪♪ 705 00:31:34,289 --> 00:31:37,289 [ EXHALES SHARPLY ] 706 00:31:37,292 --> 00:31:40,192 I AM SO... 707 00:31:40,194 --> 00:31:42,624 SORRY. 708 00:31:42,630 --> 00:31:45,270 AIN'T YOUR FAULT. 709 00:31:45,266 --> 00:31:46,596 I AIN'T BLAMING YOU. 710 00:31:46,601 --> 00:31:50,001 DID SHE WRITE ABOUT OUR PAST? 711 00:31:50,004 --> 00:31:53,004 I MEAN... [ EXHALES SHARPLY ] 712 00:31:53,007 --> 00:31:55,747 HOW -- HOW CAN SHE GET INTO BLUE WITHOUT WRITING ABOUT US, TOO? 713 00:31:55,743 --> 00:31:57,403 I AIN'T READ MUCH MORE AFTER THAT PART. 714 00:31:57,412 --> 00:31:59,042 I... 715 00:31:59,047 --> 00:32:01,117 I COULDN'T. 716 00:32:01,115 --> 00:32:02,485 WHY WOULD SHE DO THIS? 717 00:32:02,483 --> 00:32:04,083 YOU KNOW NOVA. 718 00:32:04,085 --> 00:32:05,985 SHE GONNA DO WHAT SHE WANT, HOW SHE WANT, 719 00:32:05,987 --> 00:32:08,357 AND IT'S ALWAYS RIGHT FOR NOVA. 720 00:32:08,356 --> 00:32:12,096 DOES SHE EVEN CONSIDER OTHER PEOPLE'S FEELINGS? 721 00:32:12,093 --> 00:32:13,453 THIS HURTS YOU. 722 00:32:13,461 --> 00:32:15,761 [ Sighing ] OH, GOD. 723 00:32:15,763 --> 00:32:17,363 AND IT'S GONNA HURT BLUE. 724 00:32:17,365 --> 00:32:19,495 NOT LET THAT HAPPEN. 725 00:32:19,500 --> 00:32:21,740 CAN'T LET THAT HAPPEN. 726 00:32:21,736 --> 00:32:24,266 I KNOW IT MIGHT TAKE SOME TIME, PROCESS THIS, 727 00:32:24,272 --> 00:32:28,272 BUT, TIME'S RIGHT... 728 00:32:28,276 --> 00:32:31,446 LET'S SPEAK TO HIM TOGETHER. 729 00:32:31,446 --> 00:32:33,076 ALRIGHT? 730 00:32:35,817 --> 00:32:37,587 ALRIGHT. 731 00:32:37,585 --> 00:32:39,355 [ DOOR OPENS ] Violet: THERE HE IS. 732 00:32:39,354 --> 00:32:40,754 [ DOOR CLOSES ] HE IS GONNA LOVE 733 00:32:40,755 --> 00:32:42,625 THAT I MADE THIS CHICKEN POT PIE. 734 00:32:44,926 --> 00:32:47,296 [ OMINOUS CHORD STRIKES ] 735 00:32:47,295 --> 00:32:49,025 SO, YOU DO STILL LIVE HERE. 736 00:32:50,632 --> 00:32:52,362 GOOD TO SEE YOU, VIOLET. 737 00:32:52,367 --> 00:32:53,537 YOU LOOK GOOD, BABY. 738 00:32:53,534 --> 00:32:57,364 ♪♪ 739 00:32:57,372 --> 00:32:58,572 WHY ARE YOU HERE? 740 00:33:00,041 --> 00:33:03,471 WHY -- WHY DON'T YOU OPEN THE DOOR? 741 00:33:03,478 --> 00:33:04,848 LET ME COME IN PROPER 742 00:33:04,846 --> 00:33:07,076 SO WE CAN SET FOR A SPELL, 743 00:33:07,081 --> 00:33:09,411 TALK THINGS OUT. 744 00:33:09,417 --> 00:33:11,147 WE DUE FOR A TALK. 745 00:33:11,152 --> 00:33:12,452 LIKE ADULTS. 746 00:33:15,256 --> 00:33:16,786 NO, YOU NEED TO LEAVE NOW. 747 00:33:18,926 --> 00:33:22,226 I DONE CAME ALL THIS WAY TO SEE YOU, VIOLET. 748 00:33:23,364 --> 00:33:25,194 DON'T TURN ME AWAY. 749 00:33:25,199 --> 00:33:26,669 WE ARE GROWN. 750 00:33:26,668 --> 00:33:29,808 WE ARE GROWN PAST ALL THAT CHILDISH NONSENSE, 751 00:33:29,804 --> 00:33:31,804 AND WE BOTH CHANGED. 752 00:33:31,806 --> 00:33:35,606 SO I'M JUST HERE TO GET BACK ON THE RIGHT TRACK WITH YOU. 753 00:33:35,610 --> 00:33:37,250 THAT'S ALL. 754 00:33:39,213 --> 00:33:40,843 COME ON, SWEET CAKES. 755 00:33:40,848 --> 00:33:49,788 ♪♪ 756 00:33:49,791 --> 00:33:58,731 ♪♪ 757 00:33:58,733 --> 00:34:00,933 I SEE YOU MADE SOME CHANGES. 758 00:34:00,935 --> 00:34:04,005 STILL FEELS LIKE MY HOUSE, THOUGH. 759 00:34:04,005 --> 00:34:06,775 SMELLS LIKE YOU AND YOUR COOKING, 760 00:34:06,774 --> 00:34:09,644 AND I DO MISS BOTH, I WILL TELL YOU. 761 00:34:11,012 --> 00:34:12,542 BUT I DIDN'T MARRY YOU FOR YOUR COOKING, NOW. 762 00:34:15,717 --> 00:34:16,787 SO HOW YOU DOING? 763 00:34:18,886 --> 00:34:20,586 VIOLET, I'M TALKING TO YOU. 764 00:34:20,588 --> 00:34:26,028 ♪♪ 765 00:34:26,027 --> 00:34:28,897 NOT YOUR HOUSE, JIMMY. 766 00:34:28,896 --> 00:34:31,766 MY HOUSE. 767 00:34:31,766 --> 00:34:34,996 I SEE YOU GOT YOURSELF THAT BOY. 768 00:34:35,002 --> 00:34:38,302 YOUR, UH, NEW HUSBAND. 769 00:34:38,306 --> 00:34:39,876 HOLLYWOOD? 770 00:34:39,874 --> 00:34:41,974 IS THAT IT? 771 00:34:41,976 --> 00:34:43,106 HE AIN'T A BOY. 772 00:34:44,245 --> 00:34:46,375 [ LAUGHS ] 773 00:34:46,380 --> 00:34:49,550 I AIN'T NEVER MET NO MAN ALLOW HIMSELF TO BE CALLED THAT. 774 00:34:50,485 --> 00:34:53,085 NO, THAT AIN'T NO MAN. 775 00:34:53,087 --> 00:34:57,227 THAT'S THE NAME OF A BOY WITH STUPID DREAMS. 776 00:34:57,225 --> 00:34:58,525 I DIDN'T COME HERE TO TALK ABOUT HIM. 777 00:34:58,526 --> 00:34:59,996 I CAME HERE TO TALK ABOUT US. 778 00:35:01,729 --> 00:35:04,529 LISTEN, I AM SORRY HOW WE LEFT THINGS. 779 00:35:04,532 --> 00:35:06,592 I WAS JUST... 780 00:35:06,601 --> 00:35:09,331 A YOUNG, DUMB MAN BACK THEN. 781 00:35:09,337 --> 00:35:11,437 EVERYBODY MAKES MISTAKES, 782 00:35:11,439 --> 00:35:14,339 BUT NOT EVERYBODY'S MAN ENOUGH TO ADMIT TO THEM. 783 00:35:14,342 --> 00:35:18,202 SOME COME TO THEY DIGNITY LATER IN LIFE. 784 00:35:18,212 --> 00:35:21,942 YOU THE LAST PERSON WHO CAN EVER TALK ABOUT DIGNITY, 785 00:35:21,949 --> 00:35:24,549 JIMMY DALE. 786 00:35:24,552 --> 00:35:25,782 GET OUT OF MY HOUSE. 787 00:35:25,787 --> 00:35:27,817 SO THAT'S HOW YOU GONNA DO ME? 788 00:35:27,822 --> 00:35:29,822 AFTER ALL THIS TIME? 789 00:35:29,824 --> 00:35:31,854 YOU'RE DAMN RIGHT. THERE'S THE DOOR. 790 00:35:31,859 --> 00:35:33,959 USE IT. [ VEHICLE DOOR CLOSES ] 791 00:35:33,961 --> 00:35:35,921 STILL GOT THAT SPICE IN YOU. 792 00:35:40,401 --> 00:35:42,961 JIMMY DALE. WHAT ARE YOU DOING HERE? 793 00:35:42,970 --> 00:35:44,370 HE'S JUST LEAVING. 794 00:35:44,372 --> 00:35:46,502 OH, HEY, NOVA. GOOD TO SEE YOU AGAIN. 795 00:35:49,043 --> 00:35:50,673 EXCUSE ME -- "AGAIN"? 796 00:35:52,713 --> 00:35:55,313 WHAT'S HE TALKING ABOUT? 797 00:35:55,316 --> 00:35:56,916 I CAN EXPLAIN. 798 00:35:56,918 --> 00:35:59,988 ♪♪ 799 00:36:00,888 --> 00:36:02,128 I CAN EXPLAIN. 800 00:36:02,123 --> 00:36:03,553 Violet: WHATEVER YOU DID 801 00:36:03,558 --> 00:36:07,298 TO BRING THIS TO MY DOORSTEP, 802 00:36:07,295 --> 00:36:09,025 YOU CAN'T EXPLAIN IT. 803 00:36:09,030 --> 00:36:11,430 WELL, SHE AIN'T GOT TO EXPLAIN NOTHING. 804 00:36:11,432 --> 00:36:14,432 I'M JUST HERE TO SEE HOW THE YEARS TREATED YOU, 805 00:36:14,435 --> 00:36:16,765 AND, FROM WHERE I'M STANDING, 806 00:36:16,771 --> 00:36:19,131 THE YEARS DONE GOOD BY YOU. 807 00:36:19,140 --> 00:36:20,140 JUST A LITTLE POOCH -- 808 00:36:20,141 --> 00:36:22,201 DON'T YOU GET NEAR HER!! 809 00:36:22,210 --> 00:36:24,910 -GET YOUR HANDS OFF ME! -GET OUT! 810 00:36:24,912 --> 00:36:26,772 GET OUT! GET OUT! 811 00:36:26,781 --> 00:36:30,181 GO! GET OUT! 812 00:36:30,184 --> 00:36:32,414 YOU WANT TO SHOW YOUR FACE AT OUR HOUSE MAN, 813 00:36:32,420 --> 00:36:33,860 IS YOU OUT YOUR DAMN MIND? 814 00:36:33,855 --> 00:36:36,385 I WAS TRYING TO BE NICE TO YOU, BUT I AIN'T THE ONE, BOY. 815 00:36:36,390 --> 00:36:37,690 I'M TRYING TO TELL YOU. 816 00:36:37,692 --> 00:36:41,122 AAH! Violet: NO! HOLLYWOOD, NO! 817 00:36:41,128 --> 00:36:42,128 STOP! 818 00:36:42,129 --> 00:36:44,269 YOU'RE GONNA KILL HIM! [ GRUNTING ] 819 00:36:44,265 --> 00:36:45,465 HOLLYWOOD, STOP! 820 00:36:45,466 --> 00:36:54,306 ♪♪ 821 00:36:54,308 --> 00:36:57,048 [ Out of breath ] I SEE WHY YOU HELD ONTO YOUR ANGER 822 00:36:57,044 --> 00:36:58,944 ALL THIS TIME, VIOLET. 823 00:36:58,946 --> 00:37:01,076 'CAUSE I TOOK SOMETHING FROM YOU 824 00:37:01,082 --> 00:37:03,142 THAT YOU AIN'T NEVER GONNA GET BACK, 825 00:37:03,150 --> 00:37:05,960 BUT I JUST CAME HERE TO SAY I WAS SORRY. 826 00:37:05,953 --> 00:37:07,483 BUT YOU KNOW WHAT? 827 00:37:07,488 --> 00:37:09,388 I AIN'T SORRY AT ALL. 828 00:37:09,390 --> 00:37:11,730 I AIN'T SORRY ABOUT A DAMN THING. 829 00:37:11,726 --> 00:37:17,966 ♪♪ 830 00:37:17,965 --> 00:37:20,165 YOU ARE WHAT YOU ALWAYS WERE -- 831 00:37:20,167 --> 00:37:22,867 EARNEST'S LITTLE SASSY SISTER, 832 00:37:22,870 --> 00:37:25,340 BUT YOU WERE ONE HOT PIECE OF ASS. 833 00:37:25,339 --> 00:37:26,739 [ HOLLYWOOD GRUNTS ] 834 00:37:26,741 --> 00:37:28,371 I NEVER SHOULD'VE TRIED TO MAKE YOU A WIFE. 835 00:37:28,376 --> 00:37:29,976 Violet: HE DOESN'T MATTER. HE DOESN'T MATTER. 836 00:37:29,977 --> 00:37:31,577 HE'S NOT WORTH IT. 837 00:37:31,579 --> 00:37:36,719 ♪♪ 838 00:37:36,717 --> 00:37:41,857 ♪♪ 839 00:37:41,856 --> 00:37:43,726 I NEVER MEANT FOR THINGS TO COME TO THIS. 840 00:37:43,724 --> 00:37:45,224 YEAH, YOU NEVER DO. 841 00:37:47,762 --> 00:37:49,462 WELL, I'LL START WITH THE TRUTH. 842 00:37:51,933 --> 00:37:54,563 I DID GO TALK TO JIMMY DALE FOR MY BOOK. 843 00:37:56,537 --> 00:37:58,267 I THOUGHT IT WAS FOR A GOOD REASON AT THE TIME. 844 00:37:58,272 --> 00:38:00,572 I WANTED TO GET ALL SIDES OF THE STORY. 845 00:38:03,477 --> 00:38:07,777 I WAS HOPING TO EXPLORE WHETHER REDEMPTION WAS POSSIBLE -- 846 00:38:07,782 --> 00:38:09,282 EVEN FOR THE WORST OF US, 847 00:38:09,283 --> 00:38:12,583 FOR THOSE WITH UNFORGIVABLE PASTS -- 848 00:38:15,189 --> 00:38:16,689 BUT I REALIZED AFTER TALKING TO HIM 849 00:38:16,691 --> 00:38:19,921 THAT HE WAS THE SAME PIECE OF TRASH YOU ALWAYS SAID HE WAS, 850 00:38:19,927 --> 00:38:21,527 AND THAT'S WHY I LEFT HIS POINT OF VIEW 851 00:38:21,529 --> 00:38:23,929 OUT OF THE BOOK. 852 00:38:23,931 --> 00:38:25,791 I DIDN'T KNOW THAT VISITING HIM WOULD MAKE HIM 853 00:38:25,800 --> 00:38:29,710 COME STIR UP TROUBLE IN ST. JO. 854 00:38:29,704 --> 00:38:33,474 ALL I WANTED TO DO WAS CELEBRATE YOUR TRIUMPH. 855 00:38:33,474 --> 00:38:35,574 EVERYTHING THAT YOU'VE BEEN THROUGH -- 856 00:38:35,576 --> 00:38:38,976 WHAT SO MANY HAVE BEEN THROUGH. 857 00:38:38,980 --> 00:38:40,250 I DIDN'T FEEL LIKE I COULD DO THAT 858 00:38:40,247 --> 00:38:42,287 IF I LEAVE HALF THE STORY OUT. 859 00:38:45,853 --> 00:38:49,183 MY INTENTION WASN'T TO HURT ANYONE. 860 00:38:49,190 --> 00:38:52,200 ♪♪ 861 00:38:52,193 --> 00:38:55,363 YOU HAVE DONE SOME THINGS IN YOUR DAY, CHILD. 862 00:38:55,363 --> 00:39:00,293 ♪♪ 863 00:39:00,301 --> 00:39:01,491 BUT THIS... 864 00:39:01,502 --> 00:39:05,102 ♪♪ 865 00:39:05,106 --> 00:39:06,936 ...YOUR DADDY WOULD BE ASHAMED. 866 00:39:06,941 --> 00:39:09,771 ♪♪ 867 00:39:09,777 --> 00:39:13,117 YOUR MAMA -- 868 00:39:13,114 --> 00:39:15,884 YOUR MAMA WOULD DO WHAT I'M ABOUT TO. 869 00:39:15,883 --> 00:39:18,853 ♪♪ 870 00:39:18,853 --> 00:39:21,613 YOU NEED TO LEAVE RIGHT NOW. 871 00:39:21,622 --> 00:39:23,752 I DIDN'T TELL JIMMY -- STOP IT. 872 00:39:23,758 --> 00:39:28,898 ♪♪ 873 00:39:28,896 --> 00:39:32,236 I DON'T WANT TO LOOK AT YOU. 874 00:39:32,233 --> 00:39:33,863 I DON'T WANT TO TALK TO YOU. 875 00:39:36,504 --> 00:39:39,934 NOT RIGHT NOW, NOT TOMORROW. 876 00:39:39,940 --> 00:39:43,080 WAY I'M FEELING, EVEN TEN YEARS 877 00:39:43,077 --> 00:39:45,447 CAN'T PUT ENOUGH DISTANCE BETWEEN US. 878 00:39:45,446 --> 00:39:49,346 AUNT VI -- DON'T KNOCK AT MY DOORSTEP. 879 00:39:49,350 --> 00:39:51,790 DON'T BRING NO FLOWERS TO MY GRAVE. 880 00:39:51,786 --> 00:39:54,656 I DON'T NEED YOU... 881 00:39:57,658 --> 00:40:01,428 ...DISTURBING ANY MORE OF MY PEACE. 882 00:40:01,429 --> 00:40:02,929 THIS IS THE LAST TIME 883 00:40:02,930 --> 00:40:08,370 I LET YOU IN THIS HOUSE, 884 00:40:08,369 --> 00:40:09,839 NOVA BORDELON. 885 00:40:09,837 --> 00:40:18,877 ♪♪ 886 00:40:18,879 --> 00:40:27,959 ♪♪ 887 00:40:35,362 --> 00:40:37,792 [ BREATHING SHAKILY ] 888 00:40:39,700 --> 00:40:45,440 ♪♪ 889 00:40:45,439 --> 00:40:51,179 ♪♪ 890 00:40:51,178 --> 00:40:54,178 -- Captions by VITAC -- www.vitac.com 891 00:40:54,181 --> 00:40:57,181 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 892 00:40:57,184 --> 00:41:04,084 ♪♪ 893 00:41:04,091 --> 00:41:11,021 ♪♪ 894 00:41:11,031 --> 00:41:17,961 ♪♪