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00:00:01,406 --> 00:00:02,676
PREVIOUSLY ON "QUEEN SUGAR"...
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Nova: MY FAMILY IS HAVING
TROUBLE WITH THE BOOK.
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I JUST NEED
SOME MORE TIME
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TO SMOOTH THINGS OUT
BEFORE THE BOOK TOUR.
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THIS STORY IS
GONNA HELP SO MANY PEOPLE --
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I DON'T GIVE A DAMN
ABOUT SO MANY PEOPLE, NOVA!
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HE TRUSTS YOU.
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WHEN HE READS THIS,
HE'LL BELIEVE I'M A MONSTER.
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THIS BOOK AIN'T
JUST ABOUT EARNEST.
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"MY AUNT VIOLET,
BROKEN MORE TIMES
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THAN SHE CAN COUNT,
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BY MY UNCLE JIMMY DALE."
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NO, SHE DIDN'T.
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[ Voice breaking ]
YOU HAVE TO PUT
THE BRAKES ON IT.
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I CAN'T.
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IT'S GOING TO PRINT.
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[ LAMP CLICKS ]
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♪♪
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[ EXHALES DEEPER ]
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[ Quietly ]
GET IT TOGETHER, VI.
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♪♪
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[ SIGHS ]
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YOU ARE STRONGER THAN THIS.
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[ KNOCKS ON DOOR ]
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Hollywood: [ Muffled ]
EVERYTHING ALL RIGHT IN THERE?
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FINE. I'LL BE OUT
IN A MINUTE.
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♪♪
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♪♪
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DON'T GIVE ME
THAT LOOK.
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WELL, YOU DON'T
SEEM FINE.
31
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AIN'T SEEMED
FINE ALL MORNING.
32
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IF I SAY I'M OKAY,
THEN I'M OKAY.
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WELL, WHAT YOU SAY
AND WHAT YOU ARE
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CAN BE TWO TOTALLY
DIFFERENT THINGS.
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NOW, BABY, I BEGGED YOU
DON'T STAY UP ALL NIGHT
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READING THAT BOOK.
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CALLED HER
THREE TIMES THIS MORNING.
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AH, SHE TOO SCARED TO ANSWER.
HELL, I WOULD BE, TOO.
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WELL, THEN SHE SHOULDN'T
HAVE PUT MY LIFE OUT THERE.
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FOR THE WORLD.
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I TOLD HER SHE BETTER
COME LOOK ME IN MY FACE
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BEFORE THE SUN
GOES DOWN
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BECAUSE I HAVE TO GO
TO THE 9th WARD
44
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LOOKING FOR HER,
I WILL.
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[ MAKEUP CLATTERS ]
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HOW COULD SHE DO THAT?
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♪♪
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HOW COULD SHE?
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♪♪
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Rhonda:
MORNING, MS. VI.
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MORNING, RHONDA.
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EVERYTHING
COPACETIC?
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OH, YES, MA'AM.
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OH, WE'RE RUNNING LOW
ON NAPKINS AND TO-GO CONTAINERS.
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CAN Y'ALL GRAB SOME
FROM THE BACK?
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GOT YOU, BABY.
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♪♪
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BABY, JUST GO ON
AND TAKE A SEAT
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AND I'LL BE
RIGHT WITH YOU.
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OF COURSE.
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THANK YOU.
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[ DRAMATIC MUSIC PLAYS ]
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♪♪
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IT'S GOOD TO SEE YOU,
SWEETHEART.
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IT'S BEEN
A WHILE, HUH?
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♪♪
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♪♪
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IT'S BEEN
A WHILE.
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♪♪
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♪ DREAMS NEVER DIE ♪
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♪ TAKE FLIGHT
AS THE WORLD TURNS ♪
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♪ KEEP THE COLORS
IN THE LINES ♪
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♪ TAKE FLIGHT
AS THE WORLD TURNS ♪
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♪ KEEP THE COLORS
IN THE LINES ♪
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♪ TAKE FLIGHT ♪
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♪ DREAMS NEVER DIE ♪
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♪♪
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♪ KEEP THE COLORS
IN THE LINES ♪
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♪ KEEP THE COLORS
IN THE LINES ♪
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♪ TAKE FLIGHT ♪
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-HERE YOU GO.
-VI? THANK YOU, BROTHER.
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COME ON. VI?
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I'LL GO GET
ANOTHER TOWEL.
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♪♪
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YOU OKAY, BABY?
YOU NEED A DOCTOR?
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Violet: WHAT HAPPENED?
YOU PASSED OUT.
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HERE, DRINK THIS.
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[ DOOR OPENS ]
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MM.
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WAIT.
WAIT, WHERE...
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♪♪
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WHAT HAPPENED?
-SHH, BABY, YOU OKAY, ALL RIGHT?
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YOU JUST GOT A LOT
ON YOUR MIND RIGHT NOW.
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THE OPENING HARVEST,
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00:03:53,571 --> 00:03:54,731
NOVA,
AND ALL THAT STUFF.
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00:03:54,739 --> 00:03:55,779
THAT'S IT, OKAY?
97
00:03:55,774 --> 00:03:57,234
BUT YOU GOT TO START
TAKING IT EASIER.
98
00:03:58,877 --> 00:04:01,547
HOLLYWOOD, UH,
LET'S, UH --
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LET'S GO HOME.
100
00:04:03,315 --> 00:04:04,985
I JUST NEED
A LITTLE REST, OKAY?
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00:04:05,984 --> 00:04:07,914
OKAY.
102
00:04:07,919 --> 00:04:14,829
♪♪
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[ MUFFLED MUSIC
PLAYS FROM EARBUDS ]
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MICAH?
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♪♪
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♪♪
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♪♪
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MAYBE AFTER SCHOOL,
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WE SHOULD TALK ABOUT
SOME OF THE THINGS
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THAT YOU'RE READING
IN THAT BOOK.
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I KNOW DAD DID
WHAT HE DID...
112
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...BUT...
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...YOU PAID MELINA GALOUDIAN
MILLIONS OF DOLLARS
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TO KEEP QUIET?
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I DID IT FOR YOU.
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FOR US.
FOR OUR PRIVACY.
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NOVA'S BOOK IS NOT HOW I WANTED
YOU TO LEARN ABOUT THAT.
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ALL I ASK IS THAT
YOU REMEMBER
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THAT WHAT'S BLACK AND WHITE
ON THE PAGES OF A BOOK
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IS OFTEN VERY...
GRAY IN -- IN REAL LIFE.
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PEOPLE SAY STUFF
LIKE THAT,
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BUT NEVER
WHAT THEY REALLY MEAN.
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I'M ON THE BOARD OF
LANDRY ENTERPRISES.
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YOU THINK IT'S BECAUSE
I WANT TO BE IN BUSINESS
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WITH THE FAMILY THAT
ENSLAVED OUR ANCESTORS?
126
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THAT I LOVE MONEY
THAT MUCH?
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OR IS IT BECAUSE
I NEED TO KNOW
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WHAT THEY'RE UP TO?
129
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I'M NOT
JUDGING YOU, MOM.
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I JUST DON'T...
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[SIGHS] UNDERSTAND YOU
SOMETIMES.
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SO, YOU BELIEVE
EVERYTHING YOU READ?
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NO.
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BUT THIS BOOK WAS WRITTEN
BY SOMEBODY I TRUST, SO...
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[ Quietly ]
"TRUST."
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00:06:04,369 --> 00:06:05,809
WOW.
137
00:06:08,940 --> 00:06:10,410
SO YOU DON'T
TRUST ME?
138
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CAN WE TALK ABOUT
SOMETHING ELSE, PLEASE?
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♪♪
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[ LAPTOP CHIMING ]
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♪♪
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HEY, DEBORAH!
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PERFECT TIMING.
144
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I CAN'T DECIDE
WHAT OUTFIT TO WEAR
145
00:06:31,062 --> 00:06:32,592
FOR MY INTERVIEW
WITH DR. HALL.
146
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I HEARD YOU SHOULD AVOID
RED, BLACK, AND WHITE
147
00:06:35,400 --> 00:06:36,800
WHILE ON CAMERA.
GOOD TO KNOW.
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[ CHUCKLES ]
[ HANGERS RATTLE ]
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EVEN IF THE ONLY FOLKS
WHO ARE SEEING THIS
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ARE PSYCHOLOGY STUDENTS
OR THERAPY CENTERS,
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00:06:41,139 --> 00:06:43,409
I, UH, WANT
TO PRESENT MYSELF RIGHT.
152
00:06:43,408 --> 00:06:45,348
THAT MAY ALL BE
ABOUT TO CHANGE
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00:06:45,343 --> 00:06:46,643
WITH THE NEWS
I'VE GOT FOR YOU.
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SO, WE GOT AN ADVANCE
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ON YOUR NEW YORK TIMES
BOOK REVIEW,
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AND, NOVA,
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IT'S A LOVE LETTER.
A LOVE LETTER?
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FROM THE TIMES?
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00:06:57,255 --> 00:06:58,525
WELL, WHEN DOES IT
COME OUT?
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THIS AFTERNOON.
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I WASN'T
EXPECTING THIS.
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WELL, WE WERE.
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00:07:03,828 --> 00:07:05,098
WE'VE BELIEVED IN YOU
FROM THE START.
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THANK YOU.
165
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WHAT DID THEY SAY?
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00:07:08,366 --> 00:07:09,436
WELL, IT'S IN
YOUR INBOX,
167
00:07:09,434 --> 00:07:12,134
BUT HERE'S
AN APPETIZER.
168
00:07:12,137 --> 00:07:15,577
"'BLESSING AND BLOOD' IS
A NEAR-VIRTUOSO-LEVEL MEMOIR
169
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THAT SPEAKS IN BOTH
THE INTIMACY OF A WHISPER
170
00:07:18,076 --> 00:07:21,276
AND THE ROAR OF
AN URGENT CALL TO ACTION.
171
00:07:21,279 --> 00:07:23,919
NOVA BORDELON'S WRITING
FEELS AS IF IT'S FUELED
172
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BY BOTH FIRE
AND FEAR,
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A POTENT COMBINATION
THAT CATAPULTS
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THIS JOURNALIST-
TURNED-AUTHOR
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TO THE UPPER ECHELONS
OF WRITERS EXPLORING RACE,
176
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CULTURE, AND
IDENTITY IN AMERICA."
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I KNOW, RIGHT?
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ARE YOU THERE?
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OH, MY GOD.
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I DON'T KNOW
WHAT TO SAY.
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YOUR WORK
SAYS IT ALL.
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IT'S MOVING NOW.
183
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IT'S CONNECTING WITH PEOPLE,
JUST LIKE YOU WANTED.
184
00:07:52,944 --> 00:07:54,104
[ SIGHS ]
185
00:07:55,813 --> 00:07:57,643
GENERATOR READY
TO GO?
186
00:07:57,649 --> 00:08:00,019
ALTERNATOR'S
STILL BUSTED.
187
00:08:00,018 --> 00:08:02,358
MEANT TO CALL YOU
BEFORE YOU CAME.
188
00:08:02,353 --> 00:08:03,353
MY BAD.
189
00:08:03,354 --> 00:08:05,824
[ TRAIN HORN BLOWS ]
190
00:08:05,823 --> 00:08:07,853
TODAY JUST AIN'T
GOING MY WAY, MR. PROSPER.
191
00:08:10,195 --> 00:08:12,025
AH, YOU'RE DOING JUST FINE,
RALPH ANGEL.
192
00:08:12,030 --> 00:08:14,330
SO, WHAT'S ON
YOUR MIND?
193
00:08:16,501 --> 00:08:18,361
I DON'T KNOW.
194
00:08:18,369 --> 00:08:21,439
NOVA.
THE BOOK.
195
00:08:21,439 --> 00:08:23,479
SHE'S GOING IN
ON EVERYBODY.
196
00:08:23,474 --> 00:08:25,944
CHARLEY,
AUNT VI, BLUE.
197
00:08:25,944 --> 00:08:28,004
EVERYBODY?
198
00:08:28,012 --> 00:08:30,272
SOMETHING I NEED TO BE
CONCERNED WITH, TOO?
199
00:08:30,281 --> 00:08:31,981
I DOUBT IT.
200
00:08:31,983 --> 00:08:34,043
BUT KNOWING NOVA,
YOU NEVER KNOW.
201
00:08:34,052 --> 00:08:35,412
SO, WHAT DOES SHE GOT
TO WRITE ABOUT BLUE,
202
00:08:35,420 --> 00:08:38,560
OTHER THAN THE LOVE
SHE GOT FOR HIM?
203
00:08:38,556 --> 00:08:42,726
SHE TELLING THE WORLD
HE AIN'T MINE, PROSPER.
204
00:08:42,727 --> 00:08:45,767
THAT HE AIN'T
MY KID.
205
00:08:45,763 --> 00:08:47,393
'FORE HE EVEN KNOW.
206
00:08:47,398 --> 00:08:48,798
I SEE.
207
00:08:50,335 --> 00:08:51,735
YOU DON'T SEEM
SURPRISED.
208
00:08:53,438 --> 00:08:55,878
BY NOW,
I'VE LEARNED
209
00:08:55,873 --> 00:08:57,773
THAT LIFE
IS FULL OF SURPRISES.
210
00:08:57,775 --> 00:09:00,945
PLUS, I'VE SEEN
THIS KIND OF THING BEFORE.
211
00:09:04,182 --> 00:09:06,842
MY FATHER WASN'T
MY FATHER, EITHER.
212
00:09:06,851 --> 00:09:09,111
I MEAN, IF YOU MEAN IT
IN THE BIBLICAL WAY.
213
00:09:09,120 --> 00:09:11,390
FOR REAL?
214
00:09:11,389 --> 00:09:13,329
DIDN'T FIND OUT
TILL I WAS IN HIGH SCHOOL,
215
00:09:13,324 --> 00:09:15,824
AND BY THEN,
I DIDN'T CARE.
216
00:09:15,827 --> 00:09:18,497
NOW, HE WAS GOOD TO ME.
217
00:09:18,496 --> 00:09:20,166
THAT'S THICKER
THAN BLOOD.
218
00:09:20,164 --> 00:09:21,894
SOUND LIKE
A GOOD MAN.
219
00:09:21,899 --> 00:09:23,039
YEP.
220
00:09:23,034 --> 00:09:25,234
HE WASN'T MY FATHER,
BUT HE WAS MY DADDY.
221
00:09:25,236 --> 00:09:27,236
[ CHUCKLES ]
222
00:09:27,238 --> 00:09:29,538
[ Sighing ]
YEAH.
223
00:09:29,540 --> 00:09:32,880
SO, THE WAY I LOOK AT IT
IS I WON.
224
00:09:32,877 --> 00:09:34,507
AND BLUE DID, TOO.
225
00:09:36,648 --> 00:09:38,618
A BOOK
DON'T CHANGE THAT.
226
00:09:38,616 --> 00:09:40,646
AND MAKE SURE
YOUR BOY KNOWS IT.
227
00:09:40,885 --> 00:09:42,085
[ FOOTSTEPS APPROACHING ]
228
00:09:42,086 --> 00:09:43,916
[ SPEAKING SPANISH ]
229
00:09:47,158 --> 00:09:48,498
OKAY, SLOW DOWN,
SLOW DOWN.
230
00:09:48,493 --> 00:09:49,653
SAY IT AGAIN.
231
00:09:49,661 --> 00:09:51,761
IGNACIO.
ENFERMO.
232
00:09:51,763 --> 00:09:52,793
UH, SICK.
233
00:09:52,797 --> 00:09:56,097
♪♪
234
00:09:57,652 --> 00:09:58,812
Host:
NOW, NOVA, WE'RE FORTUNATE
TO HAVE TWO FAMILIES
235
00:09:58,820 --> 00:10:01,020
THAT READ AN ADVANCE COPY
OF YOUR MEMOIR,
236
00:10:01,022 --> 00:10:02,982
AND THEY'RE HERE TO SHARE
THEIR EXPERIENCES
237
00:10:02,991 --> 00:10:04,881
AFTER READING
YOUR BOOK.
238
00:10:04,892 --> 00:10:06,352
Woman:
FOR A LONG TIME,
239
00:10:06,361 --> 00:10:09,261
MY MOTHER AND I REFUSED
TO ADDRESS OUR ISSUES.
240
00:10:12,166 --> 00:10:15,236
KIND OF LIKE YOU
AND CHARLEY.
241
00:10:15,236 --> 00:10:16,636
CAN I ASK
HOW YOU WERE ABLE
242
00:10:16,637 --> 00:10:18,877
TO BREAK THROUGH
ALL THE HURT FEELINGS
243
00:10:18,873 --> 00:10:21,603
AND THE TRAUMA TO GET
TO A HEALTHIER PLACE WITH HER?
244
00:10:21,609 --> 00:10:23,679
♪♪
245
00:10:23,678 --> 00:10:26,018
I FINALLY HAD TO LET GO
OF THE FEAR THAT STOPPED ME
246
00:10:26,014 --> 00:10:28,014
FROM THINKING ABOUT ANYTHING
IN MY RELATIONSHIPS
247
00:10:28,016 --> 00:10:31,446
THAT SADDENED ME,
LET ALONE ALONE DEAL WITH THEM.
248
00:10:31,452 --> 00:10:34,212
I REALIZED I WAS
SUPPRESSING EVERYTHING.
249
00:10:34,222 --> 00:10:35,952
BUT THAT'S JUST
PUTTING IT IN A DRAWER.
250
00:10:35,957 --> 00:10:38,497
IT'S NOT GONE.
IT'S JUST...
251
00:10:38,493 --> 00:10:40,193
AWAY.
252
00:10:40,194 --> 00:10:44,094
AND SOME DAY, SOMEBODY'S GOING
TO OPEN THAT DRAWER,
253
00:10:44,098 --> 00:10:45,968
AND THE PAIN
WILL STILL BE THERE.
254
00:10:45,967 --> 00:10:48,507
SO, I DECIDED
TO CLEAN OUT THE DRAWER
255
00:10:48,503 --> 00:10:50,733
ONCE AND FOR ALL.
256
00:10:50,738 --> 00:10:54,178
WRITING THIS WAS THERAPEUTIC
IN THAT WAY.
257
00:10:54,175 --> 00:10:55,305
AND IT'S AN EXPERIENCE
258
00:10:55,309 --> 00:10:58,079
I HOPE THOSE WHO READ IT
WILL HAVE, AS WELL.
259
00:10:58,079 --> 00:11:01,989
[ CELLPHONE DIALING ]
260
00:11:01,983 --> 00:11:03,483
Man:
FRANCES BOUDREAUX'S OFFICE.
261
00:11:03,484 --> 00:11:05,054
HI, THIS IS
CHARLEY BORDELON.
262
00:11:05,053 --> 00:11:06,653
MS. BORDELON,
MRS. BOUDREAUX IS NOT
263
00:11:06,654 --> 00:11:07,814
TAKING CALLS
AT THIS TIME.
264
00:11:07,822 --> 00:11:09,422
CARE TO LEAVE
A MESSAGE?
265
00:11:09,424 --> 00:11:14,524
♪♪
266
00:11:14,529 --> 00:11:16,129
YES.
267
00:11:16,130 --> 00:11:18,770
MY MESSAGE IS THAT I WANT
TO KNOW HOW JACOB BOUDREAUX
268
00:11:18,766 --> 00:11:22,536
GETS TO ATTEND BOARD MEETINGS
AND I DON'T.
269
00:11:22,537 --> 00:11:24,637
ESPECIALLY SINCE WE HAVE
THE SAME AMOUNT OF SHARES
270
00:11:24,639 --> 00:11:27,609
IN LANDRY ENTERPRISES.
271
00:11:27,608 --> 00:11:31,008
TELL FRANCES
I EXPECT A CALL BACK.
272
00:11:31,012 --> 00:11:33,472
SOON.
273
00:11:33,481 --> 00:11:35,411
[ SIGHS ]
274
00:11:39,187 --> 00:11:40,787
[ LID CLOSES, TOILET FLUSHES ]
275
00:11:41,956 --> 00:11:43,586
WHAT'S GOING ON, VI?
276
00:11:50,431 --> 00:11:54,191
BABY, YOU AIN'T SAY A WORD
ON THE WAY HOME,
277
00:11:54,202 --> 00:11:55,702
AND YOU DON'T WANT
NOTHING TO EAT.
278
00:11:58,506 --> 00:11:59,976
I'M SCARED FOR YOU.
279
00:12:02,076 --> 00:12:04,476
I SAW JIMMY DALE
AT THE DINER.
280
00:12:04,479 --> 00:12:06,479
SAW WHO?
281
00:12:06,481 --> 00:12:08,541
BALD-HEAD GUY
282
00:12:08,549 --> 00:12:11,489
WITH THE WHITE BEARD.
283
00:12:11,486 --> 00:12:13,086
OLD BOY WITH
A YELLOW SHIRT?
284
00:12:13,087 --> 00:12:18,697
♪♪
285
00:12:18,693 --> 00:12:20,353
SAID HE CAUGHT YOU
WHEN YOU PASSED OUT.
286
00:12:20,361 --> 00:12:26,591
♪♪
287
00:12:26,601 --> 00:12:28,961
HE PUT
HIS HANDS ON YOU?
288
00:12:28,970 --> 00:12:30,140
AND HE AIN'T EVEN SAY
289
00:12:30,138 --> 00:12:31,508
WHO HE WAS?
HOLLYWOOD --
290
00:12:31,506 --> 00:12:33,236
TRYING TO PLAY
THE GOOD SAMARITAN AND SHIT,
291
00:12:33,241 --> 00:12:34,631
HE GONNA TIP ON OUT
THE FRONT DOOR?
292
00:12:34,642 --> 00:12:35,702
OH, HELL NO!
293
00:12:37,812 --> 00:12:40,172
I DIDN'T KNOW
WHAT TO DO.
294
00:12:40,181 --> 00:12:42,111
I DIDN'T KNOW
WHAT TO SAY.
295
00:12:42,116 --> 00:12:44,316
WHEN I REALIZED
IT WAS HIM,
296
00:12:44,318 --> 00:12:45,958
SOMETHING JUST HAPPENED.
[ CELLPHONE DIALING ]
297
00:12:48,189 --> 00:12:50,059
WHO ARE YOU CALLING?
HEY, RHONDA, THIS IS WOOD.
298
00:12:50,057 --> 00:12:51,057
Rhonda:
HEY, HOLLYWOOD.
299
00:12:51,058 --> 00:12:52,498
HEY, YOU REMEMBER
THAT CUSTOMER?
300
00:12:52,493 --> 00:12:53,823
WHICH ONE?
301
00:12:53,828 --> 00:12:55,498
YEAH, THE NEW GUY
WITH THE YELLOW SHIRT.
302
00:12:55,496 --> 00:12:57,696
OH, YEAH?
303
00:12:57,698 --> 00:12:59,498
LET ME KNOW
IF HE COME BACK IN.
304
00:13:00,568 --> 00:13:02,668
ALL RIGHT.
[ CELLPHONE BEEPS ]
305
00:13:02,670 --> 00:13:05,280
HOLLYWOOD, I DON'T WANT YOU TO
GET MIXED UP WITH HIS NONSENSE.
306
00:13:05,273 --> 00:13:06,673
HE'S GOOD AT THAT.
307
00:13:06,674 --> 00:13:09,974
OH, BABY,
ST. JOE'S AIN'T BUT SO BIG.
308
00:13:09,977 --> 00:13:11,877
HE AROUND HERE
SOMEWHERE.
309
00:13:11,879 --> 00:13:13,649
WORST THING IN YOUR LIFE
310
00:13:13,648 --> 00:13:16,148
COMING TO YOUR NEW PLACE
OF BUSINESS AFTER 30 YEARS?
311
00:13:18,352 --> 00:13:20,312
NAH, HE HERE
TO GET SOMETHING STARTED.
312
00:13:22,657 --> 00:13:24,257
BUT I'M-A FINISH IT.
313
00:13:25,059 --> 00:13:28,569
[ CELLPHONE RINGING, VIBRATING ]
314
00:13:28,563 --> 00:13:29,893
HEY, RALPH.
315
00:13:29,897 --> 00:13:30,897
SAY, I GOT
A LITTLE SITUATION
316
00:13:30,898 --> 00:13:32,798
OVER HERE
AT THE FARM.
317
00:13:32,800 --> 00:13:34,770
MIGHT MAKE ME LATE
TO MY OFFICE SLOT THIS WEEK.
318
00:13:34,769 --> 00:13:36,409
THAT'S GONNA
BACK ME UP.
319
00:13:36,404 --> 00:13:37,964
YEAH, WELL,
I GOT CIRCUMSTANCES.
320
00:13:37,972 --> 00:13:39,672
WHAT'S THE PROBLEM?
321
00:13:39,674 --> 00:13:41,634
IGNACIO.
322
00:13:41,642 --> 00:13:44,102
MY TOP WORKER,
HE GOT SICK.
323
00:13:44,111 --> 00:13:48,171
CAN'T GO TO A HOSPITAL,
IF YOU KNOW WHAT I MEAN.
324
00:13:48,182 --> 00:13:50,342
I MAY ACTUALLY KNOW
SOMEONE WHO CAN, UH --
325
00:13:50,351 --> 00:13:53,051
WHO CAN HELP WITH THAT.
326
00:13:53,054 --> 00:13:55,284
LET ME
CALL YOU BACK.
327
00:13:55,289 --> 00:13:56,889
KEKE.
328
00:13:56,891 --> 00:13:59,421
♪♪
329
00:13:59,427 --> 00:14:02,097
CAN WE TALK?
330
00:14:02,096 --> 00:14:03,266
I'M-A CATCH YOU LATER.
ALL RIGHT.
331
00:14:05,733 --> 00:14:06,893
I DON'T KNOW.
CAN WE?
332
00:14:06,901 --> 00:14:08,061
I'VE BEEN
TRYING TO.
333
00:14:08,069 --> 00:14:11,209
YOU HAVEN'T ANSWERED
ANY OF MY TEXTS.
334
00:14:11,205 --> 00:14:12,205
WE'RE AT
THE SAME SCHOOL.
335
00:14:12,206 --> 00:14:13,906
WE HAVE TO TALK
AT SOME POINT.
336
00:14:16,010 --> 00:14:18,110
ALL RIGHT,
LET'S TALK.
337
00:14:18,112 --> 00:14:20,072
WHY ARE YOU ACTING
ALL BRAND-NEW ON ME, HUH?
338
00:14:20,081 --> 00:14:21,671
FIGHTING A GUY
LIKE YOU SOME NEW-AGE THUG?
339
00:14:21,682 --> 00:14:22,682
YOU THINK
THAT'S CUTE?
340
00:14:22,683 --> 00:14:24,283
YOU KNOW HE HAD IT
COMING TO HIM.
341
00:14:24,285 --> 00:14:26,155
IF IT WASN'T ME, IT WAS
GOING TO BE SOMEONE ELSE.
342
00:14:26,153 --> 00:14:28,013
I'M NOT WITH
SOMEONE ELSE.
343
00:14:28,022 --> 00:14:29,482
I'M WITH
MICAH WEST.
344
00:14:29,490 --> 00:14:32,160
YOU --
YOU'RE RIGHT.
345
00:14:32,159 --> 00:14:33,959
OKAY?
IT WAS STUPID OF ME.
346
00:14:33,961 --> 00:14:36,591
I NEED TO BE MORE WISE
ABOUT THINGS.
347
00:14:36,597 --> 00:14:38,737
YOU'RE IMPORTANT
TO ME.
348
00:14:38,733 --> 00:14:40,933
WHAT YOU THINK ABOUT ME
IS IMPORTANT TO ME.
349
00:14:44,438 --> 00:14:48,178
JUST PROMISE ME THAT
IT WON'T GET THERE AGAIN?
350
00:14:48,175 --> 00:14:50,405
YOU NEED CHANNEL THAT ANGER
SOME OTHER WAY.
351
00:14:50,411 --> 00:14:52,411
I KNOW.
I'M WORKING ON IT.
352
00:14:52,413 --> 00:14:53,973
I CAN'T SAY
I WON'T DISAPPOINT YOU.
353
00:14:53,981 --> 00:14:56,311
I'M NOT PERFECT,
BUT...
354
00:14:59,487 --> 00:15:01,657
...I CAN PROMISE YOU
I WILL NEVER DISRESPECT YOU.
355
00:15:03,391 --> 00:15:04,551
MAMA TAUGHT ME
BETTER THAN THAT.
356
00:15:04,558 --> 00:15:09,868
♪♪
357
00:15:09,864 --> 00:15:11,894
WANT TO TELL ME
WHAT'S GOING ON, JACOB?
358
00:15:15,136 --> 00:15:18,006
COULD YOU GIVE US
A MOMENT, HANK?
359
00:15:18,005 --> 00:15:20,005
MS. BORDELON.
360
00:15:20,007 --> 00:15:21,607
I'LL WAIT
JUST OUTSIDE.
361
00:15:21,609 --> 00:15:26,619
♪♪
362
00:15:26,614 --> 00:15:28,314
[ DOOR OPENS, CLOSES ]
363
00:15:28,316 --> 00:15:29,486
WHO'S HE?
364
00:15:29,483 --> 00:15:32,113
AND HOW DOES HE
KNOW MY NAME?
365
00:15:32,119 --> 00:15:33,859
ONE -- YOU'RE KIND OF
FAMOUS,
366
00:15:33,854 --> 00:15:36,324
SO LOTS OF PEOPLE
KNOW YOUR NAME.
367
00:15:36,324 --> 00:15:38,424
AND TWO --
HE'S A NEW CONSULTANT.
368
00:15:38,426 --> 00:15:39,496
HANK MILLER.
369
00:15:39,493 --> 00:15:41,453
WHAT'S WITH
ALL THE CONSULTANTS?
370
00:15:41,462 --> 00:15:43,062
MARK KRYGER,
HANK MILLER --
371
00:15:43,064 --> 00:15:46,794
BUSINESSES HIRE
CONSULTANTS, CHARLEY.
372
00:15:46,801 --> 00:15:50,361
IT'S THEIR JOB TO KNOW
ALL OUR PRIMARY SHAREHOLDERS.
373
00:15:50,371 --> 00:15:52,701
WELL, I'M NOT EXACTLY
PRIMARY ANYMORE,
374
00:15:52,707 --> 00:15:54,707
AND NEITHER ARE YOU.
375
00:15:54,709 --> 00:15:56,709
YET YOU'RE ABLE
TO ATTEND BOARD MEETINGS
376
00:15:56,711 --> 00:15:59,541
WITHOUT POSSESSION OF
THE PROPER NUMBER OF SHARES...
377
00:15:59,547 --> 00:16:03,687
SAM COMBINED HIS SHARES
AND VOTING POWER WITH ME.
378
00:16:03,684 --> 00:16:06,884
HE PASSED NEW BYLAWS
SO FAMILY MEMBERS CAN ATTEND,
379
00:16:06,887 --> 00:16:08,617
EVEN IF WE DON'T
HAVE ENOUGH SHARES.
380
00:16:10,391 --> 00:16:12,991
AND TO THINK I GAVE YOU
THE BENEFIT OF THE DOUBT
381
00:16:12,993 --> 00:16:15,123
THAT YOU GAINED
AN OUNCE OF DIGNITY.
382
00:16:15,129 --> 00:16:17,299
[ CELLPHONE CHIMES ]
383
00:16:17,298 --> 00:16:19,468
[ OMINOUS MUSIC PLAYS ]
384
00:16:19,467 --> 00:16:26,807
♪♪
385
00:16:26,807 --> 00:16:34,177
♪♪
386
00:16:34,181 --> 00:16:36,441
WHAT'S THIS
ALL ABOUT, JACOB?
387
00:16:36,450 --> 00:16:38,790
Jacob: YOU KNOW HOW MUCH
I LIKE YOU, CHARLEY.
388
00:16:38,786 --> 00:16:40,956
I NEED
TO LET YOU KNOW.
389
00:16:40,955 --> 00:16:43,655
I THINK IT'S BEST IF YOU DON'T
RUFFLE ANYMORE FEATHERS.
390
00:16:43,657 --> 00:16:45,627
[ CHUCKLES ]
391
00:16:45,626 --> 00:16:47,656
I DON'T RESPOND
TO THREATS.
392
00:16:47,661 --> 00:16:49,261
YOU KNOW WHAT MY FAMILY
IS CAPABLE OF.
393
00:16:51,565 --> 00:16:53,635
THEY'RE LIKE
A FREIGHT TRAIN.
394
00:16:53,634 --> 00:16:56,764
THEY STOP AT NOTHING
IN THEIR WAY.
395
00:16:56,771 --> 00:16:58,431
AND YOU SHUTTING DOWN
THE PRISON,
396
00:16:58,439 --> 00:17:00,579
IT DIDN'T EXACTLY
SLOW THINGS DOWN.
397
00:17:03,744 --> 00:17:05,974
THAT'S ALL
I'M AT LIBERTY TO SAY.
398
00:17:05,980 --> 00:17:08,380
SO NOW I'M SUPPOSED
TO TRUST
399
00:17:08,382 --> 00:17:10,612
THAT YOU CARE
ABOUT ME?
400
00:17:10,618 --> 00:17:13,358
MY FAMILY?
401
00:17:13,354 --> 00:17:15,054
WHERE'S YOUR MAMA?
402
00:17:15,055 --> 00:17:16,325
SHE CLAIMED
TO HAVE MY BACK,
403
00:17:16,323 --> 00:17:17,883
BUT NOW SHE'S NOWHERE
TO BE FOUND.
404
00:17:17,892 --> 00:17:20,952
SHE'S IN DC TAKING MEETINGS
TO EXPAND LANDRY ENTERPRISES.
405
00:17:20,961 --> 00:17:22,091
EXPANDING TO DO WHAT?
406
00:17:22,096 --> 00:17:24,126
THAT'S ALL
I KNOW RIGHT NOW.
407
00:17:24,131 --> 00:17:25,761
OH, THAT'S ALL YOU KNOW?
408
00:17:25,766 --> 00:17:28,266
♪♪
409
00:17:28,269 --> 00:17:31,309
SO, YOU'RE GONNA MAKE ME
WORK TO FIND OUT?
410
00:17:31,305 --> 00:17:32,675
FINE.
411
00:17:32,673 --> 00:17:34,733
I ACTUALLY KNOW
HOW TO WORK.
412
00:17:34,742 --> 00:17:37,442
THAT'S WHAT
YOU THINK OF ME?
413
00:17:37,445 --> 00:17:40,375
I'VE JUST BEEN HIGH ON THE HOG
SINCE BIRTH.
414
00:17:40,381 --> 00:17:41,911
SILVER SPOON
IN MY MOUTH,
415
00:17:41,916 --> 00:17:43,046
NEVER WORKED
FOR NOTHING.
416
00:17:43,050 --> 00:17:44,650
THAT'S WHAT YOU THINK?
417
00:17:44,652 --> 00:17:47,282
♪♪
418
00:17:47,288 --> 00:17:50,688
YOU'VE HAD A FAMILY.
419
00:17:50,691 --> 00:17:52,081
LOVE.
420
00:17:52,092 --> 00:17:53,452
CAMARADERIE.
421
00:17:53,461 --> 00:17:55,891
I NEVER HAD THAT.
422
00:17:55,896 --> 00:17:57,766
TO GET ANYTHING
CLOSE TO LOVE WITH US,
423
00:17:57,765 --> 00:17:59,295
YOU GOT
TO BREAK SKIN,
424
00:17:59,300 --> 00:18:02,470
SHOW BLOOD,
AND BE HAPPY ABOUT IT.
425
00:18:02,470 --> 00:18:03,910
I WAS NEVER
WIRED FOR IT.
426
00:18:03,904 --> 00:18:06,074
I ALWAYS HOPED
YOU'D SEE THAT.
427
00:18:06,073 --> 00:18:07,233
I STILL DO.
428
00:18:08,709 --> 00:18:13,079
THERE ARE THINGS GOING ON
THAT SHOULDN'T BE, CHARLEY.
429
00:18:13,080 --> 00:18:15,550
I'M TRYING
TO LOOK OUT FOR YOU.
430
00:18:15,549 --> 00:18:19,059
WHY CAN'T YOU JUST SIT BACK
AND ENJOY YOUR DIVIDENDS?
431
00:18:19,053 --> 00:18:21,153
FOR THE SAME REASON
YOU CAN JUST SIT BACK
432
00:18:21,155 --> 00:18:24,085
AND ENJOY
YOUR PRIVILEGE, JACOB.
433
00:18:24,091 --> 00:18:26,291
AT SOME POINT, WE ALL
MAKE OUR OWN CHOICES.
434
00:18:26,293 --> 00:18:27,893
YOUR FAMILY
MADE THEIRS,
435
00:18:27,895 --> 00:18:29,895
AND YOU'VE CHOSEN
TO GO ALONG.
436
00:18:30,965 --> 00:18:33,765
YOU TELLING A SAD STORY
ABOUT IT DOESN'T CHANGE IT.
437
00:18:33,767 --> 00:18:42,747
♪♪
438
00:18:42,743 --> 00:18:44,803
Hollywood: COFFEE HOT ENOUGH
FOR YOU?
439
00:18:44,812 --> 00:18:47,112
WELL, IT SURE IS.
440
00:18:47,114 --> 00:18:49,084
NOW, YOU MUST BE
THE MANAGER.
441
00:18:49,083 --> 00:18:51,543
I DIDN'T GET TO MEET YOU
EARLIER, PROPER LIKE,
442
00:18:51,552 --> 00:18:53,212
WHAT WITH
ALL THE COMMOTION.
443
00:18:53,220 --> 00:18:56,330
I SURE DO HOPE
VIOLET'S DOING OKAY.
444
00:18:56,323 --> 00:18:58,183
I KNOW WHO YOU ARE,
445
00:18:58,192 --> 00:18:59,692
JIMMY DALE,
446
00:18:59,693 --> 00:19:01,653
AND I KNOW
WHAT YOU'RE ALL ABOUT,
447
00:19:01,662 --> 00:19:03,992
SO YOU CAN SAVE
"THE SHOWTIME AND THE APOLLO,"
448
00:19:03,998 --> 00:19:07,598
SKINNING AND GRINNING,
'CAUSE I KNOW WHAT'S BEHIND IT.
449
00:19:07,601 --> 00:19:10,161
SO DOES MY WIFE.
[ CHUCKLES ]
450
00:19:10,170 --> 00:19:11,640
OH, I SEE
WHAT'S GOING ON HERE.
451
00:19:11,639 --> 00:19:13,209
BUT YOU GOT THIS
ALL WRONG.
452
00:19:13,207 --> 00:19:15,907
SEE,
ME AND VIOLET,
453
00:19:15,910 --> 00:19:17,910
THINGS JUST DIDN'T WORK OUT.
THAT'S ALL.
454
00:19:17,912 --> 00:19:21,142
BUT THAT'S OLD WATER
UNDER AN OLD BRIDGE, MY FRIEND.
455
00:19:21,148 --> 00:19:23,348
I AIN'T YOUR FRIEND.
456
00:19:23,350 --> 00:19:25,960
I'M HOLLYWOOD DESONIER.
457
00:19:25,953 --> 00:19:27,483
AND I'M-A TELL YOU THIS
ONE TIME
458
00:19:27,488 --> 00:19:29,658
AND BE NOBLE ABOUT IT.
459
00:19:29,657 --> 00:19:31,957
YOU NEED TO BOUNCE.
460
00:19:33,294 --> 00:19:34,494
EXCUSE ME,
YOUNG BLOOD?
461
00:19:34,495 --> 00:19:36,425
SHE DON'T WANT YOU
AROUND HERE,
462
00:19:36,430 --> 00:19:37,430
AND NEITHER DO I.
463
00:19:37,431 --> 00:19:39,261
SO GO AHEAD
AND RAISE ON UP.
464
00:19:39,400 --> 00:19:42,910
[ LAUGHS ]
465
00:19:42,903 --> 00:19:44,303
AH-HA, HELL.
466
00:19:44,305 --> 00:19:45,505
YOU REMEMBER
EARNEST BORDELON?
467
00:19:47,174 --> 00:19:48,874
YEAH, EARNEST.
468
00:19:50,444 --> 00:19:52,844
SO, IF YOU WANT TO PAR TO
WITH THAT ASS-WHIPPING,
469
00:19:52,846 --> 00:19:55,586
THINK I'M PLAYING
WITH YOU.
470
00:19:55,583 --> 00:19:57,643
SO, GO AHEAD
AND PAY YOUR TAB,
471
00:19:57,651 --> 00:19:59,351
GET YOUR LITTLE GOOFY ASS
IN THE CAR,
472
00:19:59,353 --> 00:20:02,483
AND GET THE HELL UP OUT OF TOWN
BEFORE YOU CATCH THESE HANDS.
473
00:20:02,489 --> 00:20:04,729
♪♪
474
00:20:04,725 --> 00:20:07,725
WELL, I DON'T STAY
WHERE I'M NOT WANTED.
475
00:20:07,728 --> 00:20:09,068
I MEAN, I WAS JUST
DRIVING THROUGH.
476
00:20:09,063 --> 00:20:11,523
I JUST WANTED
TO WISH VIOLET GOOD LUCK
477
00:20:11,532 --> 00:20:13,362
WITH HER LITTLE DINER.
THAT'S ALL.
478
00:20:13,367 --> 00:20:17,207
I DON'T WANT NO TROUBLE.
DIDN'T MEAN NO DISRESPECT.
479
00:20:17,204 --> 00:20:19,904
YEAH.
480
00:20:19,907 --> 00:20:21,537
BUT, UH...
481
00:20:21,542 --> 00:20:26,072
THE BORDELONS WAS MY FAMILY TOO
FOR A LONG TIME.
482
00:20:26,080 --> 00:20:29,450
BUT THAT TIME DONE PASSED,
BUT THE PAST DON'T CHANGE.
483
00:20:29,450 --> 00:20:37,130
♪♪
484
00:20:37,833 --> 00:20:44,163
♪♪
485
00:20:44,172 --> 00:20:46,432
I DIDN'T GET
INTO IT WITH HIM, BABY.
486
00:20:46,441 --> 00:20:48,041
DIDN'T HAVE TO.
HE GONE.
487
00:20:48,043 --> 00:20:50,203
♪♪
488
00:20:50,212 --> 00:20:51,472
WELL, HOW'D YOU
MANAGE THAT?
489
00:20:51,480 --> 00:20:53,980
'CAUSE JIMMY
DON'T BACK DOWN EASY.
490
00:20:53,982 --> 00:20:56,482
MAYBE HE GETTING WISE
IN HIS OLD AGE,
491
00:20:56,485 --> 00:20:58,085
BUT I FOLLOWED HIS ASS
ALL THE WAY TO THE END
492
00:20:58,086 --> 00:20:59,756
OF ST. JO'S
PARISH LINE,
493
00:20:59,755 --> 00:21:03,225
WATCHED HIM HOP ON
THE FREEWAY HEADED WEST.
494
00:21:03,225 --> 00:21:05,095
AND ALL YOU DID
WAS TALK.
495
00:21:05,093 --> 00:21:06,453
THAT'S ALL.
496
00:21:06,461 --> 00:21:09,061
BUT HE WAS GETTING UP OUT OF
HERE COME HOOK OR BY CROOK.
497
00:21:09,064 --> 00:21:12,994
♪♪
498
00:21:13,001 --> 00:21:15,601
Ralph Angel: YEAH, I NEVER
TAKE NO REAL LUNCH BREAK,
499
00:21:15,604 --> 00:21:17,604
ESPECIALLY NOT LATE
LIKE THIS.
500
00:21:17,606 --> 00:21:20,376
I COULD
GET USED TO IT.
501
00:21:20,375 --> 00:21:22,405
THE ONE THING ABOUT WORKING
IN THE BUREAUCRACY
502
00:21:22,411 --> 00:21:24,811
OF THE UNITED STATES GOVERNMENT
I DON'T MIND...
503
00:21:24,813 --> 00:21:26,473
HM?
...IS PEOPLE CLOCK IN,
504
00:21:26,481 --> 00:21:29,141
TAKE THEIR BREAKS,
AND CLOCK THE HELL OUT.
505
00:21:30,185 --> 00:21:32,455
WHILE WE WAS ON THE PHONE
THE OTHER NIGHT,
506
00:21:32,454 --> 00:21:34,384
SAID YOU WAS WORKING
FROM HOME, RIGHT?
507
00:21:34,389 --> 00:21:36,929
I'M NEVER GONNA
LET MY CASES SUFFER,
508
00:21:36,925 --> 00:21:38,755
BUT I AM GONNA
EAT MY DAMN LUNCH, TOO.
509
00:21:38,760 --> 00:21:41,130
[ BOTH CHUCKLE ]
510
00:21:41,129 --> 00:21:42,469
MMM.
511
00:21:42,464 --> 00:21:45,894
I, UM --
I KNOW IT'S HARVEST TIME.
512
00:21:45,901 --> 00:21:49,001
I DIDN'T --
I DIDN'T THINK YOU'D MAKE IT.
513
00:21:49,004 --> 00:21:51,034
NEEDED A LITTLE BREAK.
MM.
514
00:21:51,039 --> 00:21:54,079
WORKING AROUND THE CLOCK,
YOU KNOW?
515
00:21:54,076 --> 00:21:56,306
BESIDES...
516
00:21:56,311 --> 00:21:57,741
I WANTED TO SEE YOU.
517
00:21:57,746 --> 00:22:00,676
♪♪
518
00:22:00,682 --> 00:22:02,682
Charley:
VICKY, I NEED YOU TO LOOK
INTO SOMETHING FOR ME.
519
00:22:02,684 --> 00:22:05,154
I-I RECEIVED THE MINUTES
FROM THE BOARD MEETING,
520
00:22:05,153 --> 00:22:10,583
AND I SAW A $1.5 MILLION
PURCHASE OF UNIDENTIFIED LAND,
521
00:22:10,592 --> 00:22:14,392
ODDLY TUCKED UNDER
"OPERATIONAL EXPENDITURES,"
522
00:22:14,396 --> 00:22:16,796
AND I HAVE NO CLUE
WHAT THAT'S FOR.
523
00:22:16,798 --> 00:22:18,998
YEAH, I'M JUST TRYING TO --
TRYING TO GET UP TO SPEED.
524
00:22:19,001 --> 00:22:20,891
UM...
525
00:22:20,902 --> 00:22:23,402
COULD YOU LOOK INTO IT
IF I E-MAILED IT FOR YOU?
526
00:22:23,405 --> 00:22:26,175
YEAH.
YEAH, OKAY.
527
00:22:26,174 --> 00:22:27,634
THANKS, VICKY.
528
00:22:27,642 --> 00:22:28,672
YOU'RE THE BEST.
529
00:22:30,846 --> 00:22:32,776
HI.
530
00:22:32,781 --> 00:22:34,511
WOW.
531
00:22:34,516 --> 00:22:35,546
THANK YOU.
532
00:22:35,550 --> 00:22:37,890
THIS IS SO...
ON TIME.
533
00:22:37,886 --> 00:22:42,656
♪♪
534
00:22:42,657 --> 00:22:44,527
YOU ARE VERY WELCOME.
535
00:22:44,526 --> 00:22:48,166
IT'S GOOD TO BREAK UP THE WORK
DAY EVERY ONCE IN A WHILE, YEAH?
536
00:22:48,163 --> 00:22:49,793
YEAH, IT IS.
537
00:22:51,833 --> 00:22:53,563
AND YOU'LL BE PLEASED TO KNOW
THAT YOUR BROTHER'S WORK HERE
538
00:22:53,568 --> 00:22:55,168
WILL BE FINE.
539
00:22:55,170 --> 00:22:57,110
GLAD YOU CALLED ME.
[ SIGHS ]
540
00:22:57,105 --> 00:22:59,535
THANKS FOR
MAKING THE TIME.
541
00:22:59,541 --> 00:23:02,801
YEAH, YOUR BROTHER'S, UH,
DOING GOOD BY HIS MEN,
542
00:23:02,811 --> 00:23:04,511
TAKING GOOD CARE
OF THEM.
543
00:23:04,513 --> 00:23:05,573
THAT'S NICE TO SEE.
544
00:23:05,580 --> 00:23:06,920
YOU DON'T SEE THAT
VERY OFTEN.
545
00:23:06,915 --> 00:23:07,985
HM.
546
00:23:07,983 --> 00:23:10,413
SOME OF THE THINGS
I'VE HEARD...
547
00:23:10,419 --> 00:23:12,289
I'VE SEEN SOME, UH,
PRETTY MESSED UP STUFF
548
00:23:12,287 --> 00:23:14,527
IN ST. JO THAT
YOU WOULDN'T EXPECT.
549
00:23:14,523 --> 00:23:15,823
WHAT DO YOU MEAN?
550
00:23:15,824 --> 00:23:19,954
STUFF THAT, UH,
JUST STAYS WITH YOU.
551
00:23:19,961 --> 00:23:22,821
LIKE, UM,
THOSE TWO MIGRANT WORKERS,
552
00:23:22,831 --> 00:23:24,531
THE ONES THAT
WERE, UH, KILLED
553
00:23:24,533 --> 00:23:28,363
ON ONE OF THE FARMS
A FEW YEARS BACK.
554
00:23:28,370 --> 00:23:30,840
BECAUSE THEY WERE FORCED
TO WORK IN THE STORM.
555
00:23:30,839 --> 00:23:32,439
THAT'S JUST
NOT GIVING A DAMN.
556
00:23:32,441 --> 00:23:34,941
[ MELANCHOLY MUSIC PLAYS ]
557
00:23:34,943 --> 00:23:39,773
♪♪
558
00:23:39,781 --> 00:23:41,441
BUT YOU GIVE A DAMN.
559
00:23:41,450 --> 00:23:44,020
I MEAN, THE WORK THAT
YOU'RE DOING AT THE BORDER
560
00:23:44,019 --> 00:23:46,519
MAKES A DIFFERENCE,
RIGHT?
561
00:23:46,521 --> 00:23:49,451
I'M JUST ONE MAN.
562
00:23:49,458 --> 00:23:52,258
WELL, IF YOU COULD DO MORE,
WHAT WOULD IT BE?
563
00:23:54,162 --> 00:23:57,062
MORE.
JUST -- JUST MORE.
564
00:23:57,065 --> 00:23:59,795
SET UP THE STATIONS
FOR PEOPLE WHO NEED IT.
565
00:23:59,801 --> 00:24:04,101
ANONYMOUS,
SAFE, CLEAN.
566
00:24:04,106 --> 00:24:05,606
WHAT WOULD IT TAKE
TO GET SOMETHING LIKE THAT
567
00:24:05,607 --> 00:24:06,977
UP AND RUNNING?
568
00:24:06,975 --> 00:24:10,405
VOLUNTEERS
AND A SAFE, CLEAN SPACE
569
00:24:10,412 --> 00:24:12,572
THAT'S NOT VISIBLE
FROM THE STREET.
570
00:24:12,581 --> 00:24:16,141
BUT, UH,
THAT GETS EXPENSIVE.
571
00:24:16,151 --> 00:24:17,781
HM...
572
00:24:19,921 --> 00:24:23,181
SO, I HAVE
A SPACE --
573
00:24:23,191 --> 00:24:25,751
THE FORMER BARRACKS
IN THE BACK OF THE MILL.
574
00:24:28,230 --> 00:24:30,530
IT'S VACANT.
575
00:24:30,532 --> 00:24:32,562
I MEAN, IF YOU CAN GET
THE VOLUNTEERS,
576
00:24:32,567 --> 00:24:34,637
AND I'D PAY
FOR THE SUPPLIES.
577
00:24:34,636 --> 00:24:38,136
WE COULD JUST DO IT THERE.
[ CHUCKLES ]
578
00:24:38,140 --> 00:24:39,380
ARE YOU SERIOUS
RIGHT NOW?
579
00:24:41,376 --> 00:24:44,776
I-I MEAN, 'CAUSE THAT --
THAT COULD WORK.
580
00:24:44,779 --> 00:24:48,089
WE CAN DO, UH, MAYBE
A P.O.P. CLINIC ONCE A WEEK.
581
00:24:49,484 --> 00:24:51,554
FOR NOW.
582
00:24:51,553 --> 00:24:52,883
ARE YOU SERIOUS?
583
00:24:52,888 --> 00:24:58,398
♪♪
584
00:24:58,393 --> 00:25:00,023
VERY.
585
00:25:01,696 --> 00:25:02,726
[ CHUCKLES ]
586
00:25:11,706 --> 00:25:15,046
[ SOMBER MUSIC PLAYS ]
587
00:25:15,043 --> 00:25:20,813
♪♪
588
00:25:20,815 --> 00:25:26,585
♪♪
589
00:25:26,588 --> 00:25:27,858
[ INHALES DEEPLY ]
590
00:25:30,659 --> 00:25:32,529
YOU CAN'T HURT ME
AGAIN.
591
00:25:32,527 --> 00:25:39,237
♪♪
592
00:25:39,234 --> 00:25:42,334
YEAH, BLUE MAMA AND I --
WE JUST GOT ON GOOD TERMS,
593
00:25:42,337 --> 00:25:45,277
SO IT'S NOT HAPPENING OVERNIGHT,
TELL YOU THAT MUCH.
594
00:25:45,273 --> 00:25:47,133
IT'S A PROCESS.
YEAH.
595
00:25:47,142 --> 00:25:50,702
I'M STILL NOT THERE
WITH JOIE'S DAD YET.
596
00:25:50,712 --> 00:25:55,442
JUST FOUND IT BEST TO STAY
AS FAR APART AS POSSIBLE.
597
00:25:55,450 --> 00:25:58,290
HE DOESN'T COME AROUND MUCH,
SO IT WORKS.
598
00:25:58,286 --> 00:26:03,726
♪♪
599
00:26:03,725 --> 00:26:06,195
LISTEN, UH...
600
00:26:06,194 --> 00:26:09,064
I JUST WANT TO KEEP IT REAL
WITH YOU.
601
00:26:09,064 --> 00:26:11,434
I DID SOME THINGS IN MY PAST
THAT I HAD TO PAY FOR.
602
00:26:13,535 --> 00:26:14,835
I WAS --
I KNOW.
603
00:26:17,005 --> 00:26:18,235
I RAN
YOUR BACKGROUND.
604
00:26:19,975 --> 00:26:22,805
OLD HABITS DIE HARD
WHEN YOU'RE A PUBLIC DEFENDER
605
00:26:22,811 --> 00:26:26,071
AND DATING
AND HAVE A KID.
606
00:26:26,081 --> 00:26:27,711
I RESPECT THAT.
607
00:26:30,385 --> 00:26:32,885
I READ YOUR FILE.
608
00:26:32,887 --> 00:26:36,857
BUT MY WORK HAS TAUGHT ME
PEOPLE AREN'T THEIR FILES.
609
00:26:36,858 --> 00:26:38,058
YOU'RE CERTAINLY NOT.
610
00:26:40,362 --> 00:26:41,792
AH, THIS PIE
IS SO GOOD.
611
00:26:41,796 --> 00:26:44,026
I FEEL LIKE I'M DOING
SOMETHING WRONG BY EATING IT.
612
00:26:44,032 --> 00:26:45,392
[ CHUCKLES ]
613
00:26:45,400 --> 00:26:46,400
WELL, LET ME
HELP YOU OUT.
614
00:26:46,401 --> 00:26:47,531
[ BOTH LAUGH ]
615
00:26:49,638 --> 00:26:52,038
FEELS GOOD
IN HERE.
616
00:26:52,040 --> 00:26:53,610
HELP YOURSELF
TO WHATEVER.
617
00:26:53,608 --> 00:26:55,378
YES.
618
00:26:55,377 --> 00:26:57,107
WATER'S FINE.
619
00:26:57,112 --> 00:26:58,742
WATER.
620
00:26:58,747 --> 00:27:00,377
SO HEALTHY.
621
00:27:04,786 --> 00:27:06,256
[ REFRIGERATOR DOOR CLOSES ]
622
00:27:08,189 --> 00:27:13,129
♪♪
623
00:27:13,128 --> 00:27:14,398
WHAT'S WRONG?
624
00:27:14,396 --> 00:27:16,526
♪♪
625
00:27:16,531 --> 00:27:18,991
"MICAH WEST,
CLOSE YOUR BIG, LOUD MOUTH,
626
00:27:19,000 --> 00:27:22,840
OR WE WILL FILL IT WITH
YOUR BLOOD AND OUR BULLETS."
627
00:27:22,837 --> 00:27:24,407
-WHAT?
-"KEEP STIRRING UP TROUBLE
628
00:27:24,406 --> 00:27:26,076
IN ST. JO,
AND WE WILL PUT YOU DOWN
629
00:27:26,074 --> 00:27:27,704
LIKE THE FILTHY MUTT
YOU ARE."
630
00:27:27,709 --> 00:27:30,609
OH, MY GOD.
631
00:27:30,612 --> 00:27:32,042
WE NEED TO TAKE THIS
TO THE POLICE.
632
00:27:32,047 --> 00:27:33,647
WHAT ARE THEY
GONNA DO?
633
00:27:33,648 --> 00:27:37,748
♪♪
634
00:27:37,752 --> 00:27:39,252
[ FOOTSTEPS APPROACHING ]
635
00:27:39,254 --> 00:27:45,254
♪♪
636
00:27:51,599 --> 00:27:53,839
I'LL DEAL WITH THIS.
JUST LET ME FIX IT.
637
00:27:53,835 --> 00:27:55,705
HOW DO YOU FIX
A DEATH THREAT?
638
00:27:59,207 --> 00:28:00,837
I'M ON IT.
639
00:28:03,278 --> 00:28:08,018
WHY DOES IT SEEM LIKE I CAN'T
DO ANYTHING RIGHT BY YOU LATELY?
640
00:28:08,016 --> 00:28:09,286
I DON'T KNOW.
I THINK I'M JUST ACCEPTING
641
00:28:09,284 --> 00:28:10,944
THE FACT THAT WE'RE
TWO DIFFERENT PEOPLE
642
00:28:10,952 --> 00:28:12,952
WITH TWO DIFFERENT VIEWS
OF THE WORLD.
643
00:28:22,464 --> 00:28:24,294
[ DRAWER UNLOCKS, OPENS ]
644
00:28:33,341 --> 00:28:34,601
YOU RECEIVED
THE FIRST ONE
645
00:28:34,609 --> 00:28:37,779
A WEEK AFTER YOUR SPEECH
AT THE PRISON RALLY.
646
00:28:40,448 --> 00:28:44,048
AND THIS ONE CAME...
647
00:28:44,052 --> 00:28:45,112
TWO DAYS LATER.
648
00:28:47,122 --> 00:28:49,682
SO I SENT YOU TO PARIS
FOR THE SUMMER
649
00:28:49,691 --> 00:28:52,151
AND HIRED YOU A SECURITY DETAIL
YOU NEVER KNEW ABOUT.
650
00:28:52,160 --> 00:28:53,330
WHAT?
651
00:28:53,328 --> 00:28:55,328
THIS ONE CAME...
652
00:28:55,330 --> 00:28:59,970
THE DAY THAT I TOOK YOU
TO THE AIRPORT TO GO TO PARIS.
653
00:28:59,968 --> 00:29:02,668
THESE CAME
THE DAY AFTER YOU LEFT.
654
00:29:02,670 --> 00:29:04,440
MICAH,
WHAT DO YOU SEE?
655
00:29:04,439 --> 00:29:07,509
LETTERS THREATENING
TO KILL ME.
656
00:29:07,509 --> 00:29:11,109
AND HOW DO YOU FEEL
NOW THAT YOU'VE SEEN THEM?
657
00:29:11,112 --> 00:29:12,472
ANGRY.
658
00:29:12,480 --> 00:29:13,880
WELL, I DON'T HAVE TIME
TO BE ANGRY.
659
00:29:16,117 --> 00:29:19,917
I'M TOO BUSY
BEING AFRAID FOR YOU.
660
00:29:19,921 --> 00:29:22,181
SO IF WE SEE
THE WORLD DIFFERENTLY,
661
00:29:24,526 --> 00:29:27,226
IT'S BECAUSE
I AM COMMITTED
662
00:29:27,228 --> 00:29:30,368
TO DOING WHATEVER I HAVE TO DO
TO KEEP YOU SAFE.
663
00:29:32,100 --> 00:29:35,310
IF THAT MEANS SENDING YOU
TO PARIS FOR THREE MONTHS...
664
00:29:35,303 --> 00:29:37,033
[ DRAWER CLOSES ]
665
00:29:37,038 --> 00:29:39,378
...I'M FINE
WITH THAT.
666
00:29:39,374 --> 00:29:41,474
♪♪
667
00:29:41,476 --> 00:29:45,346
IF THAT MEANS ASKING YOU
TO TRUST ME...
668
00:29:46,581 --> 00:29:49,411
...I'M FINE
WITH THAT.
669
00:29:49,417 --> 00:29:50,647
IF THAT MEANS...
670
00:29:50,652 --> 00:29:55,822
♪♪
671
00:29:55,824 --> 00:30:01,024
♪♪
672
00:30:01,029 --> 00:30:02,729
LET ME PROTECT YOU.
673
00:30:02,730 --> 00:30:07,740
♪♪
674
00:30:07,735 --> 00:30:08,835
IT'S MY JOB.
675
00:30:08,837 --> 00:30:17,777
♪♪
676
00:30:19,981 --> 00:30:23,411
MOM!
HEY!
677
00:30:23,418 --> 00:30:25,188
WHERE'D
YOU GUYS GO?
678
00:30:25,186 --> 00:30:27,086
I TEXTED YOU.
679
00:30:27,088 --> 00:30:29,058
DAD SURPRISED ME
AFTER SCHOOL.
680
00:30:29,057 --> 00:30:32,497
WE WENT TO THE ROLLER RINK,
AND ME AND JOIE GOT ICE CREAM.
681
00:30:32,494 --> 00:30:34,494
I GOT CHOCOLATE MINT.
682
00:30:34,496 --> 00:30:35,666
SUPER GOOD.
683
00:30:35,663 --> 00:30:37,023
JOIE.
684
00:30:37,031 --> 00:30:38,091
WHO IS THAT?
685
00:30:38,099 --> 00:30:39,669
Ralph Angel: NEW FRIEND
HE MET AFTER SCHOOL.
686
00:30:39,667 --> 00:30:41,937
HE WANTED TO DO A LITTLE
PLAY DATE AT THE PLAYGROUND.
687
00:30:41,936 --> 00:30:43,066
I SEE.
688
00:30:43,071 --> 00:30:44,361
HOPE IT DIDN'T RUIN
YOUR APPETITE.
689
00:30:44,372 --> 00:30:47,002
IT WAS ONLY
TWO SCOOPS.
690
00:30:47,008 --> 00:30:49,808
Ralph Angel: ALRIGHT, GO WASH
THAT OUTSIDE OFF YOU, BLUE.
691
00:30:49,811 --> 00:30:51,471
TAKE YOUR BACKPACK
OFF.
692
00:30:53,581 --> 00:30:57,181
[ SIGHS ] I GOT TO TALK
TO YOU ABOUT SOMETHING.
693
00:30:57,185 --> 00:30:58,815
OKAY.
694
00:31:01,556 --> 00:31:04,956
NOVA WROTE ABOUT BLUE
IN HER BOOK.
695
00:31:04,959 --> 00:31:06,529
WHAT DO YOU MEAN?
696
00:31:06,528 --> 00:31:08,158
WHAT DID SHE
WRITE ABOUT HIM?
697
00:31:10,698 --> 00:31:12,638
WHAT THE HELL
DID SHE WRITE ABOUT HIM?
698
00:31:15,937 --> 00:31:17,767
THAT I AIN'T
HIS BIOLOGICAL FATHER.
699
00:31:17,772 --> 00:31:22,872
♪♪
700
00:31:22,877 --> 00:31:23,947
WHY WOULD SHE
DO THIS?
701
00:31:23,945 --> 00:31:25,245
[ SIGHS ]
[ SCOFFS ]
702
00:31:25,246 --> 00:31:29,486
♪♪
703
00:31:29,484 --> 00:31:30,544
WHY WOULD SHE --
704
00:31:30,552 --> 00:31:34,282
♪♪
705
00:31:34,289 --> 00:31:37,289
[ EXHALES SHARPLY ]
706
00:31:37,292 --> 00:31:40,192
I AM SO...
707
00:31:40,194 --> 00:31:42,624
SORRY.
708
00:31:42,630 --> 00:31:45,270
AIN'T YOUR FAULT.
709
00:31:45,266 --> 00:31:46,596
I AIN'T BLAMING YOU.
710
00:31:46,601 --> 00:31:50,001
DID SHE WRITE
ABOUT OUR PAST?
711
00:31:50,004 --> 00:31:53,004
I MEAN...
[ EXHALES SHARPLY ]
712
00:31:53,007 --> 00:31:55,747
HOW -- HOW CAN SHE GET INTO BLUE
WITHOUT WRITING ABOUT US, TOO?
713
00:31:55,743 --> 00:31:57,403
I AIN'T READ MUCH MORE
AFTER THAT PART.
714
00:31:57,412 --> 00:31:59,042
I...
715
00:31:59,047 --> 00:32:01,117
I COULDN'T.
716
00:32:01,115 --> 00:32:02,485
WHY WOULD SHE DO THIS?
717
00:32:02,483 --> 00:32:04,083
YOU KNOW NOVA.
718
00:32:04,085 --> 00:32:05,985
SHE GONNA DO WHAT SHE WANT,
HOW SHE WANT,
719
00:32:05,987 --> 00:32:08,357
AND IT'S ALWAYS
RIGHT FOR NOVA.
720
00:32:08,356 --> 00:32:12,096
DOES SHE EVEN CONSIDER
OTHER PEOPLE'S FEELINGS?
721
00:32:12,093 --> 00:32:13,453
THIS HURTS YOU.
722
00:32:13,461 --> 00:32:15,761
[ Sighing ]
OH, GOD.
723
00:32:15,763 --> 00:32:17,363
AND IT'S GONNA
HURT BLUE.
724
00:32:17,365 --> 00:32:19,495
NOT LET
THAT HAPPEN.
725
00:32:19,500 --> 00:32:21,740
CAN'T LET
THAT HAPPEN.
726
00:32:21,736 --> 00:32:24,266
I KNOW IT MIGHT TAKE
SOME TIME, PROCESS THIS,
727
00:32:24,272 --> 00:32:28,272
BUT, TIME'S RIGHT...
728
00:32:28,276 --> 00:32:31,446
LET'S SPEAK
TO HIM TOGETHER.
729
00:32:31,446 --> 00:32:33,076
ALRIGHT?
730
00:32:35,817 --> 00:32:37,587
ALRIGHT.
731
00:32:37,585 --> 00:32:39,355
[ DOOR OPENS ]
Violet: THERE HE IS.
732
00:32:39,354 --> 00:32:40,754
[ DOOR CLOSES ]
HE IS GONNA LOVE
733
00:32:40,755 --> 00:32:42,625
THAT I MADE
THIS CHICKEN POT PIE.
734
00:32:44,926 --> 00:32:47,296
[ OMINOUS CHORD STRIKES ]
735
00:32:47,295 --> 00:32:49,025
SO, YOU DO
STILL LIVE HERE.
736
00:32:50,632 --> 00:32:52,362
GOOD TO SEE YOU,
VIOLET.
737
00:32:52,367 --> 00:32:53,537
YOU LOOK GOOD,
BABY.
738
00:32:53,534 --> 00:32:57,364
♪♪
739
00:32:57,372 --> 00:32:58,572
WHY ARE YOU HERE?
740
00:33:00,041 --> 00:33:03,471
WHY -- WHY DON'T YOU
OPEN THE DOOR?
741
00:33:03,478 --> 00:33:04,848
LET ME
COME IN PROPER
742
00:33:04,846 --> 00:33:07,076
SO WE CAN
SET FOR A SPELL,
743
00:33:07,081 --> 00:33:09,411
TALK THINGS OUT.
744
00:33:09,417 --> 00:33:11,147
WE DUE FOR A TALK.
745
00:33:11,152 --> 00:33:12,452
LIKE ADULTS.
746
00:33:15,256 --> 00:33:16,786
NO, YOU NEED
TO LEAVE NOW.
747
00:33:18,926 --> 00:33:22,226
I DONE CAME ALL THIS WAY
TO SEE YOU, VIOLET.
748
00:33:23,364 --> 00:33:25,194
DON'T TURN ME AWAY.
749
00:33:25,199 --> 00:33:26,669
WE ARE GROWN.
750
00:33:26,668 --> 00:33:29,808
WE ARE GROWN PAST
ALL THAT CHILDISH NONSENSE,
751
00:33:29,804 --> 00:33:31,804
AND WE BOTH CHANGED.
752
00:33:31,806 --> 00:33:35,606
SO I'M JUST HERE TO GET BACK
ON THE RIGHT TRACK WITH YOU.
753
00:33:35,610 --> 00:33:37,250
THAT'S ALL.
754
00:33:39,213 --> 00:33:40,843
COME ON, SWEET CAKES.
755
00:33:40,848 --> 00:33:49,788
♪♪
756
00:33:49,791 --> 00:33:58,731
♪♪
757
00:33:58,733 --> 00:34:00,933
I SEE YOU MADE
SOME CHANGES.
758
00:34:00,935 --> 00:34:04,005
STILL FEELS LIKE
MY HOUSE, THOUGH.
759
00:34:04,005 --> 00:34:06,775
SMELLS LIKE
YOU AND YOUR COOKING,
760
00:34:06,774 --> 00:34:09,644
AND I DO MISS BOTH,
I WILL TELL YOU.
761
00:34:11,012 --> 00:34:12,542
BUT I DIDN'T MARRY YOU
FOR YOUR COOKING, NOW.
762
00:34:15,717 --> 00:34:16,787
SO HOW YOU DOING?
763
00:34:18,886 --> 00:34:20,586
VIOLET,
I'M TALKING TO YOU.
764
00:34:20,588 --> 00:34:26,028
♪♪
765
00:34:26,027 --> 00:34:28,897
NOT YOUR HOUSE,
JIMMY.
766
00:34:28,896 --> 00:34:31,766
MY HOUSE.
767
00:34:31,766 --> 00:34:34,996
I SEE YOU GOT YOURSELF
THAT BOY.
768
00:34:35,002 --> 00:34:38,302
YOUR, UH,
NEW HUSBAND.
769
00:34:38,306 --> 00:34:39,876
HOLLYWOOD?
770
00:34:39,874 --> 00:34:41,974
IS THAT IT?
771
00:34:41,976 --> 00:34:43,106
HE AIN'T A BOY.
772
00:34:44,245 --> 00:34:46,375
[ LAUGHS ]
773
00:34:46,380 --> 00:34:49,550
I AIN'T NEVER MET NO MAN
ALLOW HIMSELF TO BE CALLED THAT.
774
00:34:50,485 --> 00:34:53,085
NO, THAT AIN'T
NO MAN.
775
00:34:53,087 --> 00:34:57,227
THAT'S THE NAME OF A BOY
WITH STUPID DREAMS.
776
00:34:57,225 --> 00:34:58,525
I DIDN'T COME HERE
TO TALK ABOUT HIM.
777
00:34:58,526 --> 00:34:59,996
I CAME HERE
TO TALK ABOUT US.
778
00:35:01,729 --> 00:35:04,529
LISTEN, I AM SORRY
HOW WE LEFT THINGS.
779
00:35:04,532 --> 00:35:06,592
I WAS JUST...
780
00:35:06,601 --> 00:35:09,331
A YOUNG, DUMB MAN
BACK THEN.
781
00:35:09,337 --> 00:35:11,437
EVERYBODY MAKES
MISTAKES,
782
00:35:11,439 --> 00:35:14,339
BUT NOT EVERYBODY'S MAN ENOUGH
TO ADMIT TO THEM.
783
00:35:14,342 --> 00:35:18,202
SOME COME TO THEY DIGNITY
LATER IN LIFE.
784
00:35:18,212 --> 00:35:21,942
YOU THE LAST PERSON
WHO CAN EVER TALK ABOUT DIGNITY,
785
00:35:21,949 --> 00:35:24,549
JIMMY DALE.
786
00:35:24,552 --> 00:35:25,782
GET OUT OF MY HOUSE.
787
00:35:25,787 --> 00:35:27,817
SO THAT'S HOW YOU
GONNA DO ME?
788
00:35:27,822 --> 00:35:29,822
AFTER ALL THIS TIME?
789
00:35:29,824 --> 00:35:31,854
YOU'RE DAMN RIGHT.
THERE'S THE DOOR.
790
00:35:31,859 --> 00:35:33,959
USE IT.
[ VEHICLE DOOR CLOSES ]
791
00:35:33,961 --> 00:35:35,921
STILL GOT
THAT SPICE IN YOU.
792
00:35:40,401 --> 00:35:42,961
JIMMY DALE.
WHAT ARE YOU DOING HERE?
793
00:35:42,970 --> 00:35:44,370
HE'S JUST LEAVING.
794
00:35:44,372 --> 00:35:46,502
OH, HEY, NOVA.
GOOD TO SEE YOU AGAIN.
795
00:35:49,043 --> 00:35:50,673
EXCUSE ME --
"AGAIN"?
796
00:35:52,713 --> 00:35:55,313
WHAT'S HE
TALKING ABOUT?
797
00:35:55,316 --> 00:35:56,916
I CAN EXPLAIN.
798
00:35:56,918 --> 00:35:59,988
♪♪
799
00:36:00,888 --> 00:36:02,128
I CAN EXPLAIN.
800
00:36:02,123 --> 00:36:03,553
Violet:
WHATEVER YOU DID
801
00:36:03,558 --> 00:36:07,298
TO BRING THIS
TO MY DOORSTEP,
802
00:36:07,295 --> 00:36:09,025
YOU CAN'T
EXPLAIN IT.
803
00:36:09,030 --> 00:36:11,430
WELL, SHE AIN'T GOT
TO EXPLAIN NOTHING.
804
00:36:11,432 --> 00:36:14,432
I'M JUST HERE TO SEE
HOW THE YEARS TREATED YOU,
805
00:36:14,435 --> 00:36:16,765
AND, FROM WHERE
I'M STANDING,
806
00:36:16,771 --> 00:36:19,131
THE YEARS
DONE GOOD BY YOU.
807
00:36:19,140 --> 00:36:20,140
JUST A LITTLE POOCH --
808
00:36:20,141 --> 00:36:22,201
DON'T YOU
GET NEAR HER!!
809
00:36:22,210 --> 00:36:24,910
-GET YOUR HANDS OFF ME!
-GET OUT!
810
00:36:24,912 --> 00:36:26,772
GET OUT! GET OUT!
811
00:36:26,781 --> 00:36:30,181
GO! GET OUT!
812
00:36:30,184 --> 00:36:32,414
YOU WANT TO SHOW YOUR FACE
AT OUR HOUSE MAN,
813
00:36:32,420 --> 00:36:33,860
IS YOU OUT
YOUR DAMN MIND?
814
00:36:33,855 --> 00:36:36,385
I WAS TRYING TO BE NICE TO YOU,
BUT I AIN'T THE ONE, BOY.
815
00:36:36,390 --> 00:36:37,690
I'M TRYING TO TELL YOU.
816
00:36:37,692 --> 00:36:41,122
AAH!
Violet: NO! HOLLYWOOD, NO!
817
00:36:41,128 --> 00:36:42,128
STOP!
818
00:36:42,129 --> 00:36:44,269
YOU'RE GONNA KILL HIM!
[ GRUNTING ]
819
00:36:44,265 --> 00:36:45,465
HOLLYWOOD, STOP!
820
00:36:45,466 --> 00:36:54,306
♪♪
821
00:36:54,308 --> 00:36:57,048
[ Out of breath ] I SEE
WHY YOU HELD ONTO YOUR ANGER
822
00:36:57,044 --> 00:36:58,944
ALL THIS TIME, VIOLET.
823
00:36:58,946 --> 00:37:01,076
'CAUSE I TOOK
SOMETHING FROM YOU
824
00:37:01,082 --> 00:37:03,142
THAT YOU AIN'T NEVER
GONNA GET BACK,
825
00:37:03,150 --> 00:37:05,960
BUT I JUST CAME HERE
TO SAY I WAS SORRY.
826
00:37:05,953 --> 00:37:07,483
BUT YOU KNOW WHAT?
827
00:37:07,488 --> 00:37:09,388
I AIN'T SORRY AT ALL.
828
00:37:09,390 --> 00:37:11,730
I AIN'T SORRY
ABOUT A DAMN THING.
829
00:37:11,726 --> 00:37:17,966
♪♪
830
00:37:17,965 --> 00:37:20,165
YOU ARE
WHAT YOU ALWAYS WERE --
831
00:37:20,167 --> 00:37:22,867
EARNEST'S
LITTLE SASSY SISTER,
832
00:37:22,870 --> 00:37:25,340
BUT YOU WERE
ONE HOT PIECE OF ASS.
833
00:37:25,339 --> 00:37:26,739
[ HOLLYWOOD GRUNTS ]
834
00:37:26,741 --> 00:37:28,371
I NEVER SHOULD'VE TRIED
TO MAKE YOU A WIFE.
835
00:37:28,376 --> 00:37:29,976
Violet: HE DOESN'T MATTER.
HE DOESN'T MATTER.
836
00:37:29,977 --> 00:37:31,577
HE'S NOT WORTH IT.
837
00:37:31,579 --> 00:37:36,719
♪♪
838
00:37:36,717 --> 00:37:41,857
♪♪
839
00:37:41,856 --> 00:37:43,726
I NEVER MEANT FOR THINGS
TO COME TO THIS.
840
00:37:43,724 --> 00:37:45,224
YEAH,
YOU NEVER DO.
841
00:37:47,762 --> 00:37:49,462
WELL, I'LL START
WITH THE TRUTH.
842
00:37:51,933 --> 00:37:54,563
I DID GO TALK TO JIMMY DALE
FOR MY BOOK.
843
00:37:56,537 --> 00:37:58,267
I THOUGHT IT WAS FOR
A GOOD REASON AT THE TIME.
844
00:37:58,272 --> 00:38:00,572
I WANTED TO GET ALL SIDES
OF THE STORY.
845
00:38:03,477 --> 00:38:07,777
I WAS HOPING TO EXPLORE WHETHER
REDEMPTION WAS POSSIBLE --
846
00:38:07,782 --> 00:38:09,282
EVEN FOR THE WORST OF US,
847
00:38:09,283 --> 00:38:12,583
FOR THOSE WITH
UNFORGIVABLE PASTS --
848
00:38:15,189 --> 00:38:16,689
BUT I REALIZED
AFTER TALKING TO HIM
849
00:38:16,691 --> 00:38:19,921
THAT HE WAS THE SAME PIECE
OF TRASH YOU ALWAYS SAID HE WAS,
850
00:38:19,927 --> 00:38:21,527
AND THAT'S WHY I LEFT
HIS POINT OF VIEW
851
00:38:21,529 --> 00:38:23,929
OUT OF THE BOOK.
852
00:38:23,931 --> 00:38:25,791
I DIDN'T KNOW THAT
VISITING HIM WOULD MAKE HIM
853
00:38:25,800 --> 00:38:29,710
COME STIR UP TROUBLE
IN ST. JO.
854
00:38:29,704 --> 00:38:33,474
ALL I WANTED TO DO
WAS CELEBRATE YOUR TRIUMPH.
855
00:38:33,474 --> 00:38:35,574
EVERYTHING THAT YOU'VE
BEEN THROUGH --
856
00:38:35,576 --> 00:38:38,976
WHAT SO MANY
HAVE BEEN THROUGH.
857
00:38:38,980 --> 00:38:40,250
I DIDN'T FEEL LIKE
I COULD DO THAT
858
00:38:40,247 --> 00:38:42,287
IF I LEAVE
HALF THE STORY OUT.
859
00:38:45,853 --> 00:38:49,183
MY INTENTION
WASN'T TO HURT ANYONE.
860
00:38:49,190 --> 00:38:52,200
♪♪
861
00:38:52,193 --> 00:38:55,363
YOU HAVE DONE SOME THINGS
IN YOUR DAY, CHILD.
862
00:38:55,363 --> 00:39:00,293
♪♪
863
00:39:00,301 --> 00:39:01,491
BUT THIS...
864
00:39:01,502 --> 00:39:05,102
♪♪
865
00:39:05,106 --> 00:39:06,936
...YOUR DADDY
WOULD BE ASHAMED.
866
00:39:06,941 --> 00:39:09,771
♪♪
867
00:39:09,777 --> 00:39:13,117
YOUR MAMA --
868
00:39:13,114 --> 00:39:15,884
YOUR MAMA WOULD DO
WHAT I'M ABOUT TO.
869
00:39:15,883 --> 00:39:18,853
♪♪
870
00:39:18,853 --> 00:39:21,613
YOU NEED
TO LEAVE RIGHT NOW.
871
00:39:21,622 --> 00:39:23,752
I DIDN'T TELL JIMMY --
STOP IT.
872
00:39:23,758 --> 00:39:28,898
♪♪
873
00:39:28,896 --> 00:39:32,236
I DON'T WANT
TO LOOK AT YOU.
874
00:39:32,233 --> 00:39:33,863
I DON'T WANT
TO TALK TO YOU.
875
00:39:36,504 --> 00:39:39,934
NOT RIGHT NOW,
NOT TOMORROW.
876
00:39:39,940 --> 00:39:43,080
WAY I'M FEELING,
EVEN TEN YEARS
877
00:39:43,077 --> 00:39:45,447
CAN'T PUT ENOUGH DISTANCE
BETWEEN US.
878
00:39:45,446 --> 00:39:49,346
AUNT VI --
DON'T KNOCK AT MY DOORSTEP.
879
00:39:49,350 --> 00:39:51,790
DON'T BRING NO FLOWERS
TO MY GRAVE.
880
00:39:51,786 --> 00:39:54,656
I DON'T NEED YOU...
881
00:39:57,658 --> 00:40:01,428
...DISTURBING ANY MORE
OF MY PEACE.
882
00:40:01,429 --> 00:40:02,929
THIS IS
THE LAST TIME
883
00:40:02,930 --> 00:40:08,370
I LET YOU
IN THIS HOUSE,
884
00:40:08,369 --> 00:40:09,839
NOVA BORDELON.
885
00:40:09,837 --> 00:40:18,877
♪♪
886
00:40:18,879 --> 00:40:27,959
♪♪
887
00:40:35,362 --> 00:40:37,792
[ BREATHING SHAKILY ]
888
00:40:39,700 --> 00:40:45,440
♪♪
889
00:40:45,439 --> 00:40:51,179
♪♪
890
00:40:51,178 --> 00:40:54,178
-- Captions by VITAC --
www.vitac.com
891
00:40:54,181 --> 00:40:57,181
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
892
00:40:57,184 --> 00:41:04,084
♪♪
893
00:41:04,091 --> 00:41:11,021
♪♪
894
00:41:11,031 --> 00:41:17,961
♪♪