1 00:00:02,001 --> 00:00:05,939 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:06,005 --> 00:00:10,944 ♪ ON THE SHOW TONIGHT DON'T YOU WORRY, BABY 3 00:00:11,010 --> 00:00:14,948 ♪ WHERE YOU COME FROM IT'LL BE ALL RIGHT 4 00:00:15,014 --> 00:00:21,221 ♪ IT'S "THE LATE LATE SHOW!" >> Reggie: LADIES AND 5 00:00:21,287 --> 00:00:25,492 GENTLEMEN, ALL THE WAY FROM GIVE IT UP FOR YOUR HOST, THE 6 00:00:25,558 --> 00:00:33,967 ONE, THE ONLY... JAMES CORDEN! 7 00:00:34,033 --> 00:00:36,035 [CHEERS AND APPLAUSE] >> James: HOW ARE YOU? 8 00:00:36,102 --> 00:00:40,273 THANK YOU VERY, VERY MUCH. 9 00:00:40,340 --> 00:00:41,541 SO GOOD TO SEE YOU. 10 00:00:41,608 --> 00:00:43,009 THANK YOU VERY, VERY MUCH FOR BEING HERE. 11 00:00:43,076 --> 00:00:45,979 I APPRECIATE YOU ALL, EVERYBODY. 12 00:00:46,045 --> 00:00:47,213 HELLO, GOOD EVENING, LADIES AND GENTLEMEN, AN WELCOME TO "THE 13 00:00:47,280 --> 00:00:49,449 LATE LATE SHOW." 14 00:00:49,516 --> 00:00:51,184 THANKS FOR STAYING UP FOR US. 15 00:00:51,251 --> 00:00:53,286 THANK YOU FOR COMING OUT, EVERYBODY! 16 00:00:53,353 --> 00:00:55,488 THANK YOU SO MUCH. 17 00:00:55,555 --> 00:00:56,656 LET'S TAKE A LOOK AND SEE WHO THE GUESTS ARE ON THE SHOW 18 00:00:56,723 --> 00:00:57,791 TONIGHT! 19 00:00:57,857 --> 00:00:58,792 SHE IS A FANTASTIC ACTOR YOU KNOW FROM "MOTHER/ANDROID," 20 00:00:58,858 --> 00:01:01,461 "CARRIE," AND HER HIT SERIES, "THE PERIPHERAL." 21 00:01:01,528 --> 00:01:05,932 THE ELECTRIC, THE DAZZLING, CHLOEË GRACE MORETZ IS ON THE 22 00:01:05,999 --> 00:01:06,866 SHOW TONIGHT! 23 00:01:06,933 --> 00:01:07,934 [CHEERS AND APPLAUSE] CHLOEË, HOW ARE YOU? 24 00:01:08,001 --> 00:01:09,669 >> I'M GOOD. 25 00:01:09,736 --> 00:01:10,336 HOW ARE YOU? 26 00:01:10,403 --> 00:01:12,472 >> James: I'M VERY, VERY WELL. 27 00:01:12,539 --> 00:01:13,640 WHAT'S HAPPENING HERE? 28 00:01:13,706 --> 00:01:14,908 WHAT'S HAPPENING HERE? 29 00:01:14,974 --> 00:01:18,111 >> MY DOG, HE JUST -- HE BIT THE DRESS AND RIPPED A HOLE IN IT SO 30 00:01:18,178 --> 00:01:19,813 I DECIDED TO GO WITH IT. 31 00:01:19,879 --> 00:01:20,647 I KNOW. 32 00:01:20,713 --> 00:01:22,449 >> James: IS THAT A REAL HOLE? 33 00:01:22,515 --> 00:01:25,151 I CAN'T WORK OUT -- IS IT A HOLE IN THE DRESS? 34 00:01:25,218 --> 00:01:26,886 >> IT'S A HOLE IN THE DRESS. 35 00:01:26,953 --> 00:01:28,555 >> James: AND THEN THERE'S A WHAT? 36 00:01:28,621 --> 00:01:29,522 THERE'S A FLOWER? 37 00:01:29,589 --> 00:01:32,258 >> THERE'S A FLOWER GROWING OUT OF MY SKIN. 38 00:01:32,325 --> 00:01:33,293 >> BEAUTIFUL. 39 00:01:33,359 --> 00:01:34,928 >> MOTHER EARTH. 40 00:01:34,994 --> 00:01:36,229 WHAT AM I SUPPOSED TO SAY? 41 00:01:36,296 --> 00:01:38,965 >> >> James: I SHOULD -- I 42 00:01:39,032 --> 00:01:43,369 THOUGHT A MADE AN ERST -- EFFORT WITH IT. 43 00:01:43,436 --> 00:01:44,604 I DIDN'T. 44 00:01:44,671 --> 00:01:47,774 >> LOOK, I CAN BRING A PAIR OF SCISSORS DOWN AND RIP A HOLE IN 45 00:01:47,841 --> 00:01:49,275 YOUR SHIRT IF YOU WANT ME TO. 46 00:01:49,342 --> 00:01:50,043 YEAH. 47 00:01:50,109 --> 00:01:51,211 >> James: CALM DOWN! 48 00:01:51,277 --> 00:01:52,645 CALM DOWN! 49 00:01:52,712 --> 00:01:57,717 >> PEOPLE ARE -- I'LL BRING IT DOWN. 50 00:01:57,784 --> 00:01:58,284 >> James: STOP! 51 00:01:58,351 --> 00:02:01,588 I'M NOT A PIECE OF MEAT! 52 00:02:01,654 --> 00:02:04,657 BUT YEAH, SURE, LET'S DO IT. 53 00:02:04,724 --> 00:02:05,391 WHY NOT? 54 00:02:05,458 --> 00:02:06,392 CHLOEË GRACE MORETZ, EVERYBODY. 55 00:02:06,459 --> 00:02:07,527 [CHEERS AND APPLAUSE] AND, HE IS A TALENTED AND 56 00:02:07,594 --> 00:02:09,929 HANDSOME ACTOR YOU KNOW FROM "TOP GUN: MAVERICK," "HIDDEN 57 00:02:09,996 --> 00:02:11,164 FIGURES," AND HIS NEW, CRITICALLY-ACCLAIMED MOVIE 58 00:02:11,231 --> 00:02:12,165 "DEVOTION." 59 00:02:12,232 --> 00:02:12,932 THE DASHING GLEN POWELL IS ON THE SHOW TONIGHT! 60 00:02:12,999 --> 00:02:17,637 [CHEERS AND APPLAUSE] THERE HE IS! 61 00:02:17,704 --> 00:02:19,072 HOW ARE YOU, GLEN? 62 00:02:19,138 --> 00:02:19,539 >> I'M GOOD. 63 00:02:19,606 --> 00:02:21,808 HOW ARE YOU DOING? 64 00:02:21,875 --> 00:02:22,742 >> James: I'M GOOD. 65 00:02:22,809 --> 00:02:23,376 WHAT ARE YOU DOING? 66 00:02:23,443 --> 00:02:26,145 >> JUST DOING SOME READING. 67 00:02:26,212 --> 00:02:26,646 >> James: RIGHT. 68 00:02:26,713 --> 00:02:27,413 AND YOU'RE READING? 69 00:02:27,480 --> 00:02:30,116 >> IT'S A GREAT BOOK, GREAT STORY. 70 00:02:30,183 --> 00:02:36,623 IT'S ALSO GOT MY FACE ON IT SO IT'S EXTRA SPECIAL. 71 00:02:36,689 --> 00:02:39,325 >> James: YOU'RE READING THE BOOK THAT YOUR MOVIE IS BASED ON 72 00:02:39,392 --> 00:02:41,961 THAT YOU SHOT TWO YEARS AGO AND IS ALREADY OUT? 73 00:02:42,028 --> 00:02:44,330 >> James: SHOULDN'T YOU HAVE READ THE BOOK BEFORE YOU SHOT 74 00:02:44,397 --> 00:02:45,098 IT? 75 00:02:45,164 --> 00:02:46,900 >> NEVER TOO LATE TO DO A GOOD JOB. 76 00:02:46,966 --> 00:02:47,534 >> James: THAT'S RIGHT. 77 00:02:47,600 --> 00:02:48,101 WE ABSOLUTELY LOVE YOU. 78 00:02:48,167 --> 00:02:49,669 GLEN POWELL, EVERYBODY! 79 00:02:49,736 --> 00:02:50,970 [CHEERS AND APPLAUSE] AND SHE IS A TALENTED SINGER AND 80 00:02:51,037 --> 00:02:53,973 ACTRESS YOU KNOW FROM "THE SEX LIVES OF COLLEGE GIRLS." 81 00:02:54,040 --> 00:02:55,341 HER DEBUT E.P., "EVERYTHING TO EVERYONE," IS OUT RIGHT NOW! 82 00:02:55,408 --> 00:03:03,917 THE ALWAYS COOL RENEEÉ RAPP IS N THE SHOW TONIGHT! 83 00:03:03,983 --> 00:03:09,923 [CHEERS AND APPLAUSE] HEY,RENEEÉ, HOW ARE YOU? 84 00:03:09,989 --> 00:03:12,692 I DRANK A RED BULL SO I'M IN A GOOD MOOD. 85 00:03:12,759 --> 00:03:16,362 >> James: YOU DRANK A RED BULL, IS THAT WHY YOU CAN'T LOOK 86 00:03:16,429 --> 00:03:16,829 DIRECTLY? 87 00:03:16,896 --> 00:03:17,964 OH, THERE YOU ARE. 88 00:03:18,031 --> 00:03:19,299 YOU CAME OUT LIKE THIS. 89 00:03:19,365 --> 00:03:21,935 I'M GOOD. 90 00:03:22,001 --> 00:03:24,604 HOW ARE YOU DOING, RENEEÉ? 91 00:03:24,671 --> 00:03:26,072 EVERYTHING GOOD? 92 00:03:26,139 --> 00:03:28,975 >> IT WAS SUGAR-FREE. 93 00:03:29,042 --> 00:03:30,009 IT TASTED TERRIBLE. 94 00:03:30,076 --> 00:03:32,645 >> James: SO HAPPY YOU'RE HERE TO PERFORM TONIGHT. 95 00:03:32,712 --> 00:03:33,513 >> SO HAPPYTO BE HERE. 96 00:03:33,580 --> 00:03:34,881 THANK YOU FOR HAVING ME. 97 00:03:34,948 --> 00:03:36,215 >> James: IT'S GOING TO BE SO GREAT. 98 00:03:36,282 --> 00:03:38,518 I WAS WATCHING YOUR REHEARSAL PERFORMANCE. 99 00:03:38,585 --> 00:03:38,952 IT'S BRILLIANT. 100 00:03:39,018 --> 00:03:40,653 IT'S A PLEASURE. 101 00:03:40,720 --> 00:03:42,021 SEE YOU SOON. 102 00:03:42,088 --> 00:03:45,058 RENEEÉ RAPP, EVERYBODY! 103 00:03:45,124 --> 00:03:46,125 [CHEERS AND APPLAUSE] REGGIE, ARE YOU READY? 104 00:03:46,192 --> 00:03:46,759 THEN LET'S! 105 00:03:46,826 --> 00:03:47,727 I'M JAMES CORDEN, AND THIS? 106 00:03:47,794 --> 00:03:48,094 THIS IS "THE LATE LATE SHOW!" ROLL THE TITLES! 107 00:03:48,161 --> 00:03:49,162 COME ON! 108 00:03:51,698 --> 00:03:52,832 ♪ 109 00:03:52,899 --> 00:03:55,234 Captioning sponsored by CBS 110 00:03:55,735 --> 00:04:01,240 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 111 00:04:01,307 --> 00:04:06,079 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 112 00:04:06,145 --> 00:04:12,318 ♪ IT'S THE LATE, LATE SHOW ♪ 113 00:04:13,086 --> 00:04:13,486 >> James: BLESS YOU. 114 00:04:13,553 --> 00:04:13,920 BLESS YOU. 115 00:04:13,987 --> 00:04:14,621 NICE TO BE BACK. 116 00:04:14,687 --> 00:04:15,221 HOW WAS EVERYONE'S THANKSGIVING? 117 00:04:15,288 --> 00:04:15,822 EVERYONE HAVE A GOOD ONE? 118 00:04:15,888 --> 00:04:17,690 HAVE A GOOD THANKSGIVING? 119 00:04:17,757 --> 00:04:18,758 HOW WAS YOURS? 120 00:04:18,825 --> 00:04:21,661 HOW WAS YOURS, IAN? 121 00:04:21,728 --> 00:04:22,295 GOOD ONE. 122 00:04:22,362 --> 00:04:23,262 >> Ian: DELICIOUS. 123 00:04:23,329 --> 00:04:26,099 FROM TOP TO BOTTOM, IT WAS A DELICIOUS WEEKEND. 124 00:04:26,165 --> 00:04:27,000 >> James: DELICIOUS. 125 00:04:27,066 --> 00:04:35,942 WHAT WAS THE MOST DELICIOUS THING YOU ATE? 126 00:04:36,009 --> 00:04:40,947 [LAUGHTER] WE'LL BE RIGHT BACK, EVERYBODY! 127 00:04:41,014 --> 00:04:43,616 THERE WERE SO MANY GOOD THINGS. 128 00:04:43,683 --> 00:04:50,423 LIKE, MY WIFE MADE HOTDOG ROLLS LIKE, MY WIF HICH YOU DON'T TRAY 129 00:04:50,490 --> 00:04:52,058 ASSOCIATE WITH THANKSGIVING -- >> James: WHAT'S A HOTDOG 130 00:04:52,125 --> 00:04:52,759 ROLL? 131 00:04:52,825 --> 00:04:54,427 > >> Ian: IT IS A HOT DOG AND 132 00:04:54,494 --> 00:04:59,265 THEN YOU ROLL IT UP IN DOUGH AND CUT IT UP INTO LITTLE PIECES. 133 00:04:59,332 --> 00:05:03,436 I GUESS YOU PUT IT IN THE OVEN AND POP IT AND I GUESS ONE IS 134 00:05:03,503 --> 00:05:04,671 OK. 135 00:05:04,737 --> 00:05:08,041 THEN YOU HAVE ANOTHER ONE AND ANOTHER ONE AND THEN YOU END UP 136 00:05:08,107 --> 00:05:09,976 EATING 17 HOTDOGS OVER THE COURSE OF A NIGHT. 137 00:05:10,043 --> 00:05:13,813 >> James: ISN'T THIS WHAT YOU AMERICANS CALL PIG IN A BLANKET? 138 00:05:13,880 --> 00:05:14,213 >> YES. 139 00:05:14,280 --> 00:05:14,714 >> Ian: YEAH. 140 00:05:14,781 --> 00:05:14,981 YEAH. 141 00:05:15,048 --> 00:05:15,248 YEAH. 142 00:05:15,314 --> 00:05:16,416 YEAH. 143 00:05:16,482 --> 00:05:17,684 YEAH. 144 00:05:17,750 --> 00:05:19,886 WE'RE JEWS, SO WE -- AS JEWS, WE DON'T CALL IT A PIG IN A BLANKET 145 00:05:19,952 --> 00:05:21,587 SO MUCH. 146 00:05:21,654 --> 00:05:28,761 IT'S MORE OF A COW IN A CALFTAN. 147 00:05:28,828 --> 00:05:29,929 >> James: I LOVE THAT! 148 00:05:29,996 --> 00:05:31,998 THAT'S ACTUALLY SOMETHING THAT COULD BE MARKETED RIGHT NOW. 149 00:05:32,065 --> 00:05:36,269 >> Ian: I'LL DO AN ESPRESSO MARTINI. 150 00:05:36,335 --> 00:05:46,012 >> James: I'M DRIVING, I'LL GET A COW IN A KAFTAN. 151 00:05:46,079 --> 00:05:49,148 >> MY BIRTHDAY FELL ON THANKSGIVING THIS YEAR. 152 00:05:49,215 --> 00:05:53,119 IT WAS A BIRTHDAY FOR ME. 153 00:05:53,186 --> 00:06:00,860 [APPLAUSE] >> James: ROB, DID WE 154 00:06:00,927 --> 00:06:01,127 ORGANIZE? 155 00:06:01,194 --> 00:06:01,561 NO? 156 00:06:01,627 --> 00:06:03,696 HAPPY BIRTHDAY! 157 00:06:03,763 --> 00:06:04,797 HAPPY BIRTHDAY! 158 00:06:04,864 --> 00:06:09,068 >> YEAH, I'VE ONLY BEEN HERE WITH YOU FOR SEVEN YEARS. 159 00:06:09,135 --> 00:06:10,169 THANKS FOR KNOWING MY BIRTHDAY. 160 00:06:10,236 --> 00:06:11,404 >> James: HERE'S THE THING WITH YOU, NICK, AND I DON'T 161 00:06:11,471 --> 00:06:12,739 THINK I'M ALONE HERE. 162 00:06:12,805 --> 00:06:16,409 IMPOSSIBLE FOR ME TO KNOW HOW OLD YOU ARE. 163 00:06:16,476 --> 00:06:17,076 HA-HA! 164 00:06:17,143 --> 00:06:18,978 I CANNOT -- I CANNOT PLACE IT. 165 00:06:19,045 --> 00:06:21,581 THAT'S -- I'M OFFERING THAT'S COMPLIMENT. 166 00:06:21,647 --> 00:06:23,082 I THINK THAT IS A COMPLIMENT. 167 00:06:23,149 --> 00:06:25,985 IMPOSSIBLE TO AGE NICK BERNSTEIN. 168 00:06:26,052 --> 00:06:28,221 DOES ANYONE KNOW WHAT I'M TALKING ABOUT? 169 00:06:28,287 --> 00:06:30,523 DO YOU UNDERSTAND, ROB? 170 00:06:30,590 --> 00:06:33,326 WINNIE, WINNIE, HOW OLD DO YOU THINK NICK BERNSTEIN IS? 171 00:06:33,392 --> 00:06:35,595 GIVE ME THE OVER AND THE UNDER. 172 00:06:35,661 --> 00:06:38,331 >> 42 AND LIKE, I DON'T KNOW, 6 64. 173 00:06:38,397 --> 00:06:39,999 >> James: THERE YOU GO. 174 00:06:40,066 --> 00:06:40,533 >> YOU KNOW? 175 00:06:40,600 --> 00:06:42,401 >> IT'S A REAL RANGE. 176 00:06:42,468 --> 00:06:44,237 >> James: 64 IS HERE AND 42 IS HERE. 177 00:06:44,303 --> 00:06:48,808 TELL ME WHEN TO STOP. 178 00:06:48,875 --> 00:06:54,313 NO! 179 00:06:54,380 --> 00:06:55,414 >> IT'S LIKE ABOUT THERE. 180 00:06:55,481 --> 00:06:57,049 YEAH. 181 00:06:57,116 --> 00:06:57,850 >> James: 44? 182 00:06:57,917 --> 00:07:02,789 >> 46. 183 00:07:02,855 --> 00:07:03,489 I'M 46. 184 00:07:03,556 --> 00:07:05,224 >> James: 46 AND LOOKING GREAT! 185 00:07:05,291 --> 00:07:10,863 LOOKING GREAT ON IT! 186 00:07:10,930 --> 00:07:11,931 LOOKING GREAT. 187 00:07:11,998 --> 00:07:16,269 >> Ian: NOW THAT HE'S 46, THAT SOUNDS LIKE LESS OF A 188 00:07:16,335 --> 00:07:17,370 COMPLIMENT. 189 00:07:17,436 --> 00:07:18,638 >> James: I THINK THAT COMES WITH BEING THE BIG CHEESE. 190 00:07:18,704 --> 00:07:21,574 THAT'S WHAT COMES WITH BEING THE BIG CHEESE WALKING AROUND AS AN 191 00:07:21,641 --> 00:07:25,545 AIR OF LIKE THERE'S NO WAY A 46-YEAR-OLD COULD CLIMB TO THE 192 00:07:25,611 --> 00:07:32,819 MIDDLE AS WELL AS -- [LAUGHTER] 193 00:07:32,885 --> 00:07:34,453 SUSAN, HOW WAS YOUR THANKSGIVING? 194 00:07:34,520 --> 00:07:35,288 DID YOU HAVE A GOOD ONE? 195 00:07:35,354 --> 00:07:38,424 >> IT WAS GREAT, YEAH. 196 00:07:38,491 --> 00:07:39,292 >> James: WHAT'D YOU DO? 197 00:07:39,358 --> 00:07:41,828 >> I WENT OUT TO A VERY NICE STEAKHOUSE. 198 00:07:41,894 --> 00:07:42,695 >> James: YOU WENT OUT TO A STEAKHOUSE? 199 00:07:42,762 --> 00:07:43,262 >> YEAH. 200 00:07:43,329 --> 00:07:44,197 >> >> James: COPY THAT. 201 00:07:44,263 --> 00:07:44,597 HOW WAS IT? 202 00:07:44,664 --> 00:07:45,264 >> FANTASTIC. 203 00:07:45,331 --> 00:07:47,033 >> James: AND YOU HAD A STEAK? 204 00:07:47,099 --> 00:07:47,700 >> YES,. 205 00:07:47,767 --> 00:07:49,468 >> James: ANY PAP RICA? 206 00:07:49,535 --> 00:07:50,736 WHITE PEPPER? 207 00:07:50,803 --> 00:07:51,804 BLACK PEPPER? 208 00:07:51,871 --> 00:07:52,505 >> NO. 209 00:07:52,572 --> 00:07:55,041 >> James: NO BLACKENED CHICKEN? 210 00:07:55,107 --> 00:07:55,541 >> NO. 211 00:07:55,608 --> 00:07:56,642 >> James: COPY THAT. 212 00:07:56,709 --> 00:07:58,244 DO YOU HAVE ANY IDEA WHAT I'M TALKING ABOUT? 213 00:07:58,311 --> 00:07:58,744 >> NO. 214 00:07:58,811 --> 00:08:00,146 >> James: RIGHT. 215 00:08:00,213 --> 00:08:06,652 SO I'M DRIVING INTO WORK LAST WEEK, I HEAR AN AD ON THE RADIO 216 00:08:06,719 --> 00:08:08,821 FOR POPEYE'S CHICKEN. 217 00:08:08,888 --> 00:08:09,989 IS IT YOU? 218 00:08:10,056 --> 00:08:13,860 >> WHAT ARE YOU TALKING ABOUT? 219 00:08:13,926 --> 00:08:15,695 [LAUGHTER] >> James: IT HAS TO BE YOU. 220 00:08:15,761 --> 00:08:19,131 IT HAS TO BE -- THERE IS AN AD RIGHT HERE. 221 00:08:19,198 --> 00:08:20,032 >> A VOICEOVER? 222 00:08:20,099 --> 00:08:21,601 >> James: A VOICEOVER ON THE RADIO, RIGHT? 223 00:08:21,667 --> 00:08:23,736 >> NO, IT'S NOT ME! 224 00:08:23,803 --> 00:08:25,204 I DO VOICEOVERS, TOO. 225 00:08:25,271 --> 00:08:28,908 >> James: YEAH, BUT IT -- >> IT SHOULD HAVE BEEN ME. 226 00:08:28,975 --> 00:08:29,542 >> James: AND IT'S NOT YOU? 227 00:08:29,609 --> 00:08:30,376 >> RIGHT. 228 00:08:30,443 --> 00:08:31,544 >> James: NO, HANG ON. 229 00:08:31,611 --> 00:08:33,846 LET ME GIVE YOU A COPY OF THIS, RIGHT? 230 00:08:33,913 --> 00:08:36,215 READ THIS AND THEN WE'RE GOING TO PLAY THE AD, RIGHT? 231 00:08:36,282 --> 00:08:42,221 IT IS -- IT'S EXTRAORDINARY HOW MUCH -- IF THIS ISN'T YOU, I 232 00:08:42,288 --> 00:08:45,591 FEEL A BIT LIKE -- REMEMBER THE EPISODE OF "FRIENDS" WHEN JOE 233 00:08:45,658 --> 00:08:48,327 FINDS THAT GUY'S HAND? 234 00:08:48,394 --> 00:08:51,464 HE FOUND SUSAN'S VOICE. 235 00:08:51,530 --> 00:08:55,468 YOU BE YOUR SUSAN AND I'M THE ONE THAT SAYS "JAMES" JUST IN 236 00:08:55,534 --> 00:08:56,969 CASE THAT WASN'T CLEAR. 237 00:08:57,036 --> 00:08:57,570 [LAUGHTER] GO. 238 00:08:57,637 --> 00:08:59,138 >> COPY THAT. 239 00:08:59,205 --> 00:09:03,175 I GOT PAPRIKA, CUMIN AND ONION. 240 00:09:03,242 --> 00:09:03,676 COPY? 241 00:09:03,743 --> 00:09:04,710 >> James: COPY THAT. 242 00:09:04,777 --> 00:09:06,712 >> SALT, BLACK PEPPER AND WHITE PEPPER. 243 00:09:06,779 --> 00:09:07,246 >> James: COPY THAT. 244 00:09:07,313 --> 00:09:08,781 >> READY? 245 00:09:08,848 --> 00:09:10,149 >> James: COPY THAT. 246 00:09:10,216 --> 00:09:14,754 >> ALMOST FORGOT ABOUT -- >> James: COPY THAT. 247 00:09:14,820 --> 00:09:17,156 I'M SURE THAT'S SURE. 248 00:09:17,223 --> 00:09:18,391 RIGHT? 249 00:09:18,457 --> 00:09:20,793 >> POPEYE'S DRIVER HERE WITH THE SHIPMENT OF THE SEASONING FOR 250 00:09:20,860 --> 00:09:22,028 YOU ON NEW BLAKENED CHICKEN SANDWICH. 251 00:09:22,094 --> 00:09:22,495 COPY THAT? 252 00:09:22,561 --> 00:09:23,562 DO YOU COPY ME? 253 00:09:23,629 --> 00:09:24,964 >> COPY THAT. 254 00:09:25,031 --> 00:09:28,067 I GOT PAPRIKA AND CUMIN AND ONION. 255 00:09:28,134 --> 00:09:29,702 SALT, BLACK PEPPER AND WHITE PEPPER. 256 00:09:29,769 --> 00:09:30,102 COPY THAT? 257 00:09:30,169 --> 00:09:32,038 >> COPY THAT. 258 00:09:32,104 --> 00:09:34,206 >> ALMOST FORGOT ABOUT GARLIC. 259 00:09:34,273 --> 00:09:35,007 >> COPY THAT. 260 00:09:35,074 --> 00:09:36,442 >> DO YOU THINK OTHERS WILL COPY US? 261 00:09:36,509 --> 00:09:37,343 >> COPY THAT. 262 00:09:37,410 --> 00:09:38,210 I'M SURE THEY'LL TRY. 263 00:09:38,277 --> 00:09:42,048 >> INTRODUCING THE NEW BLACKENED CHICKEN. 264 00:09:42,114 --> 00:09:43,616 >> James: SUSAN, THAT HAS TO BE YOU. 265 00:09:43,683 --> 00:09:44,417 THAT HAS TO BE YOU. 266 00:09:44,483 --> 00:09:46,052 IT HAS TO BE YOU. 267 00:09:46,118 --> 00:09:48,821 >> NO, THAT DOES NOT SOUND LIKE ME. 268 00:09:48,888 --> 00:09:51,557 >> James: IT -- >> COPY. 269 00:09:51,624 --> 00:09:55,361 >> James: IT -- IT SOUNDS -- I CAME INTO WORK LAST WEEK. 270 00:09:55,428 --> 00:09:56,529 DAVE WILL BACK ME UP HERE. 271 00:09:56,595 --> 00:10:01,934 I SAID, "GUYS, SUSAN'S GOT A SIDE HUSTLE AS A VOICEOVER FOR 272 00:10:02,001 --> 00:10:04,937 DAVE, TRY TO EXPLAIN TO SUSAN HOW HARD IT WAS TO TRACK DOWN 273 00:10:05,004 --> 00:10:07,573 >> I WATCHED EVERY SINGLE POPEYE'S AD ON YOUTUBE. 274 00:10:07,640 --> 00:10:09,709 I REACHED OUT TO POPEYE'S. 275 00:10:09,775 --> 00:10:11,944 THEY FOUND THE ONE AND SENT ME THAT ONE. 276 00:10:12,011 --> 00:10:14,981 >> James: THE WAY THEY FOUND IT IS WATCHED YOU TALKING ON THE 277 00:10:15,047 --> 00:10:17,883 SHOW AND GO YEAH, YEAH, YEAH, WE KNOW EXACTLY WHO IT IS. 278 00:10:17,950 --> 00:10:23,856 IT'S THIS PERSON PERSON HERE BECAUSE IT CAN'T BE ANYONE ELSE 279 00:10:23,923 --> 00:10:24,657 OTHER THAN SUSAN. 280 00:10:24,724 --> 00:10:26,692 >> THE WOMAN IS LIKE COPY THAT. 281 00:10:26,759 --> 00:10:29,362 I GOT PAPRIKA AND CUMIN. 282 00:10:29,428 --> 00:10:30,930 >> James: YES! 283 00:10:30,997 --> 00:10:32,131 LISTEN. 284 00:10:32,198 --> 00:10:35,901 WE GOT TO GIVE AMERICA WHAT IT WANTS, WHAT IT NEEDS, WHAT IT 285 00:10:35,968 --> 00:10:36,736 DESIRES. 286 00:10:36,802 --> 00:10:46,779 IT'S "THE NEWS!" [CHEERS AND APPLAUSE] 287 00:10:46,846 --> 00:10:49,482 LARRY IS STANDING IN FOR STEVE TONIGHT. 288 00:10:49,548 --> 00:10:52,752 LARRY ON THE KEYS! 289 00:10:52,818 --> 00:10:54,487 AND HERE IS THE NEWS. 290 00:10:54,553 --> 00:10:57,189 APPARENTLY, TWITTER C.E.O. ELON MUSK IS NOW AT WAR 291 00:10:57,256 --> 00:10:59,992 WITH APPLE, AND IT'S PLAYING OUT IN A SERIES OF TWEETS. 292 00:11:00,059 --> 00:11:03,996 YESTERDAY, HE POSTED, "APPLE HAS THREATENED TO WITHHOLD TWITTER 293 00:11:04,063 --> 00:11:07,500 FROM ITS APP STORE, BUT WON'T TELL US WHY." 294 00:11:07,566 --> 00:11:10,970 MUSK SAYS APPLE IS THREATENING TO REMOVE THE TWITTER APP FROM 295 00:11:11,037 --> 00:11:13,973 THE APP STORE, WHICH IS TERRIBLE NEWS FOR THE SIX PEOPLE WHO 296 00:11:14,040 --> 00:11:17,676 STILL WORK AT TWITTER. 297 00:11:17,743 --> 00:11:20,913 [LAUGHTER] HE THEN WENT ONTO TWEET THIS IS 298 00:11:20,980 --> 00:11:26,952 A BATTLE FOR THE FUTURE OF CIVILIZATION. 299 00:11:27,019 --> 00:11:29,655 IF FREE SPEECH IS LOST EVEN IN AMERICA, TYRANNY IS ALL THAT 300 00:11:29,722 --> 00:11:34,226 LIES AHEAD. 301 00:11:34,293 --> 00:11:35,528 IF THE BATTLE OF THE FUTURE OF CIVILIZATION DEPENDS ON TWITTER 302 00:11:35,594 --> 00:11:38,798 BEING IN THE APP STORE, I THINK WE'VE ALREADY LOST. 303 00:11:38,864 --> 00:11:42,468 [LAUGHTER] HAVEN'T WE? 304 00:11:42,535 --> 00:11:44,904 ELON MUSK IS BASICALLY YOUR FRIEND AT A BAR WHO GETS TOO 305 00:11:44,970 --> 00:11:47,840 DRUNK AND WHEN THEY TRY TO KICK HIM OUT, HE TURNS -- HE TURNS 306 00:11:47,907 --> 00:11:52,711 INTO SOME HUGE ISSUE LIKE "WHAT DO YOU MEAN I CAN'T PEE ON THE 307 00:11:52,778 --> 00:11:56,549 JUKEBOX?" I THOUGHT THIS WAS AMERICA! 308 00:11:56,615 --> 00:11:59,852 A BATTLE FOR THE FUTURE OF CIVILIZATION! 309 00:11:59,919 --> 00:12:04,590 IT'S BARELY EVEN A BATTLE FOR THE FUTURE OF CAT MEMES. 310 00:12:04,657 --> 00:12:08,394 AND TODAY, PRESIDENT BIDEN TRAVELED TO MICHIGAN TO GIVE AN 311 00:12:08,461 --> 00:12:10,396 ECONOMIC SPEECH AT A MICROCHIP FACTORY. 312 00:12:10,463 --> 00:12:14,467 I CAN BET MY LIFE WHEN HE SAW A MICROCHIP, HE WAS LIKE, "WOULD 313 00:12:14,533 --> 00:12:18,204 YOU LOOK AT THAT! 314 00:12:18,270 --> 00:12:20,673 DAMN, THESE SUCKERS ARE TINY!" MICHIGAN IN LATE NOVEMBER. 315 00:12:20,739 --> 00:12:22,641 THAT'S THE PART OF BEING THE PRESIDENT OF THE UNITED STATES I 316 00:12:22,708 --> 00:12:23,476 WOULDN'T LIKE. 317 00:12:23,542 --> 00:12:25,377 YOU KNOW? 318 00:12:25,444 --> 00:12:28,848 EVERY DAY I WOULD BE LIKE SURELY THERE'S A FACTORY WE CAN VISIT 319 00:12:28,914 --> 00:12:30,516 IN HAWAII, ISN'T THERE? 320 00:12:30,583 --> 00:12:33,953 CAN WE DO THAT? 321 00:12:34,019 --> 00:12:35,121 THE FACTORY PLANS TO QUADRUPLE OUTPUT IN THE COMING YEARS. 322 00:12:35,187 --> 00:12:36,322 IN BASIC TERMS, THIS MEANS CHRISTMAS BREAK MAY BE YOUR 323 00:12:36,388 --> 00:12:42,962 UNCLE'S LAST CHANCE TO TALK ANY TIME SOMEONE MENTIONS BUYING 324 00:12:43,028 --> 00:12:47,967 A CAR. 325 00:12:48,033 --> 00:12:49,135 ABSOLUT VODKA HAS JUST RELEASED A LIMITED EDITION HANDBAG. 326 00:12:49,201 --> 00:12:53,973 IT COSTS $200, AND LOOKS EXACTLY LIKE AN ESPRESSO MARTINI. 327 00:12:54,039 --> 00:12:55,141 HERE IT IS HERE! 328 00:12:55,207 --> 00:12:57,676 IT'S THE PERFECT GIFT FOR THAT SPECIAL DRUNK BITCH IN YOUR 329 00:12:57,743 --> 00:13:03,849 LIFE. 330 00:13:03,916 --> 00:13:05,050 AN ESPRESSO MARTINI PURSE. 331 00:13:05,117 --> 00:13:07,119 YEAH, IT'S ALL FUN AND GAMES UNTIL YOU DRUNKENLY CHUG A BUNCH 332 00:13:07,186 --> 00:13:13,259 OF LOOSE CHANGE AND GUM WRAPPERS. 333 00:13:13,325 --> 00:13:14,527 THIS KIND OF THING IS A FUN ACCESSORY TO TAKE ON A NIGHT 334 00:13:14,593 --> 00:13:16,028 OUT, BUT YOU HAVE TO BE CAREFUL. 335 00:13:16,095 --> 00:13:18,164 YOU DON'T WANT TO SHOW UP TO WORK WITH THE NATTY LIGHT 336 00:13:18,230 --> 00:13:25,037 BRIEFCASE. 337 00:13:25,104 --> 00:13:26,539 AND FINALLY, THERE'S A NEW GUINESS WORLD RECORD TO TELL YOU 338 00:13:26,605 --> 00:13:27,806 ABOUT. 339 00:13:27,873 --> 00:13:28,440 A SPANISH ATHLETE HAS BROKEN THE RECORD FOR NUMBER OF WATERMELONS 340 00:13:28,507 --> 00:13:30,943 SLAPPED IN A MINUTE. 341 00:13:31,010 --> 00:13:33,078 HIS FINAL TALLY WAS 39. 342 00:13:33,145 --> 00:13:37,183 HERE HE IS IN ACTION! 343 00:13:37,249 --> 00:13:40,186 >> GO... 344 00:13:40,252 --> 00:13:49,261 [UPBEAT MUSIC] >> James: UM, "SIR, SIR, WE'RE 345 00:13:49,328 --> 00:13:52,831 GOING TO HAVE TO ASK YOU TO LEAVE WHOLE FOODS!" 346 00:13:52,898 --> 00:13:59,505 [LAUGHTER] [APPLAUSE] 347 00:13:59,572 --> 00:14:03,075 SO BEFORE I SAW THE VIDEO, I WAS LIKE, I THINK -- DO YOU THINK 348 00:14:03,142 --> 00:14:07,046 THE RECORD IS YOU HAVE TO BREAK THEM? 349 00:14:07,112 --> 00:14:15,387 BECAUSE IN MY HEAD, I WAS LIKE, I COULD SLAP A WATERMELON! 350 00:14:15,454 --> 00:14:21,594 [LAUGHTER] THAT'S HOW I SLAP. 351 00:14:21,660 --> 00:14:28,834 THAT'S HOW I -- LIKE THAT. 352 00:14:28,901 --> 00:14:29,702 YEAH. 353 00:14:29,768 --> 00:14:31,637 >> Ian: I THINK THAT'S PART OF IT, YEAH. 354 00:14:31,704 --> 00:14:33,305 >> James: YOU HAVE TO BREAK THEM. 355 00:14:33,372 --> 00:14:36,175 BUT DO YOU THINK HE'S JUST BREAKING THEM WHOLE? 356 00:14:36,242 --> 00:14:39,511 >> Ian: LOOKING AT THAT DUDE, I DON'T THINK ANYTHING'S BEEN 357 00:14:39,578 --> 00:14:42,047 DONE TO THOSE WATERMELONS. 358 00:14:42,114 --> 00:14:44,350 I THINK IT'S JUST THAT GUY BEASTING OUT. 359 00:14:44,416 --> 00:14:44,917 >> James: THAT'S INSANE. 360 00:14:44,984 --> 00:14:46,151 >> Ian: YEAH. 361 00:14:46,218 --> 00:14:47,319 >> James: THAT'S INSANE. 362 00:14:47,386 --> 00:14:52,091 HOW DO YOU GET TO THE POINT WHERE YOU'RE LIKE -- FIND OUT 363 00:14:52,157 --> 00:14:55,327 WHAT THE WORLD RECORD IS FOR THIS. 364 00:14:55,394 --> 00:14:59,131 BECAUSE I'VE JUST DONE SEVEN IN 15 SECONDS AND I RECKON I CAN 365 00:14:59,198 --> 00:15:00,399 GET CLOSE TO THIS. 366 00:15:00,466 --> 00:15:01,200 LIKE. 367 00:15:01,267 --> 00:15:02,701 >> Ian: HOW DO YOU THINK HE TRAINS? 368 00:15:02,768 --> 00:15:06,171 DO YOU THINK ALL SUMMER HE'S OUT THERE RUINING PICNICS? 369 00:15:06,238 --> 00:15:13,379 >> James: I MEAN, YOU GOT TO WEIGH THE COST -- THE COST OF 370 00:15:13,445 --> 00:15:17,816 PURCHASING WATERMELONS VERSUS THE MONEY YOU CAN MAKE FROM 371 00:15:17,883 --> 00:15:22,821 BEING THE WORLD RECORDHOLDER FOR SLAPPING WATERMELONS, HAVEN'T 372 00:15:22,888 --> 00:15:24,056 YOU? 373 00:15:24,123 --> 00:15:26,458 I MEAN, WHO NEEDS THE WORLD CUP ANYMORE WHEN YOU'VE GOT THAT? 374 00:15:26,525 --> 00:15:29,695 IT'S IMPRESSIVE, YOU PROBABLY ARE WONDERING WHY HE DID THIS. 375 00:15:29,762 --> 00:15:32,531 IT'S VERY SIMPLE THE REASON WHY HE DID THIS. 376 00:15:32,598 --> 00:15:33,732 REVENGE. 377 00:15:33,799 --> 00:15:36,969 HIS WIFE LEFT HIM FOR A WATERMELON. 378 00:15:37,036 --> 00:15:37,670 AND THAT'S THE NEWS! 379 00:15:37,736 --> 00:15:38,203 WE'LL BE RIGHT BACK, EVERYBODY! 380 00:15:53,519 --> 00:15:54,119 >> James: WELCOME BACK. 381 00:15:54,186 --> 00:15:55,988 LET'S MEET OUR GUESTS TONIGHT! 382 00:15:56,055 --> 00:15:57,523 HE STARS IN, AND EXECUTIVE PRODUCES "DEVOTION." 383 00:15:57,589 --> 00:15:59,591 PLEASE WELCOME GLEN POWELL! 384 00:16:13,105 --> 00:16:13,939 >> James: SHE STARS IN "THE PERIPHERAL." 385 00:16:14,006 --> 00:16:15,007 PLEASE WELCOME CHLOEË GRACE MORETZ! 386 00:16:15,074 --> 00:16:15,841 [CHEERS AND APPLAUSE] >> Reggie: IT'S CHLOEË GRACE 387 00:16:15,908 --> 00:16:22,781 MORETZ! 388 00:16:22,848 --> 00:16:34,860 ♪ >> James: BLESS YOU FOR BEING 389 00:16:34,927 --> 00:16:35,494 HERE. 390 00:16:35,561 --> 00:16:36,428 THANKS FOR COMING TO SEE US. 391 00:16:36,495 --> 00:16:39,298 IT'S OUR FIRST SHOW BACK POST THANKSGIVING. 392 00:16:39,365 --> 00:16:39,865 HOW WAS YOUR THANKSGIVING? 393 00:16:39,932 --> 00:16:43,802 HOW WAS IT, CHLOEË? 394 00:16:43,869 --> 00:16:47,473 >> I WAS WORKING A LOT THIS YEAR SO I DIDN'T GET TO REALLY GO 395 00:16:47,539 --> 00:16:48,073 FULL THANKSGIVING BUT I HAD ENOUGH TIME TO COOK MY TWO 396 00:16:48,140 --> 00:16:48,540 FAVORITE SOUTHERN DISHES. 397 00:16:48,607 --> 00:16:49,241 I'M FROM GEORGIA. 398 00:16:49,308 --> 00:16:50,476 >> James: YEAH. 399 00:16:50,542 --> 00:16:53,011 >> I'M SURE YOU GET THIS BEING FROM TEXAS BUT THE SOUTHERN FOOD 400 00:16:53,078 --> 00:16:54,446 FOR THANKSGIVING IS KIND OF INSANE. 401 00:16:54,513 --> 00:16:58,817 SO I JUST DID MAC & CHEESE AND THEN SWEET POTATO CASSEROLE BUT 402 00:16:58,884 --> 00:17:01,553 I WAS SERVING IT TO A BUNCH OF PEOPLE THAT ARE NOT FROM THE 403 00:17:01,620 --> 00:17:05,224 SOUTH AND SO I WAS LIKE, IT'S GOING TO TASTE SO GOOD BUT DON'T 404 00:17:05,290 --> 00:17:07,659 ASK ME WHAT IS IN IT. 405 00:17:07,726 --> 00:17:10,596 DO NOT LET ME TELL YOU THE INGREDIENTS BECAUSE IT'LL BLOW 406 00:17:10,662 --> 00:17:11,797 YOUR MIND AWAY. 407 00:17:11,864 --> 00:17:14,433 >> James: BECAUSE YOU DON'T WANT TO KNOW WHAT YOU'RE EATING. 408 00:17:14,500 --> 00:17:18,904 >> IT TASTES GREAT BUT MY MAC & CHEESE FOR INSTANCE IS SOUR 409 00:17:18,971 --> 00:17:22,641 CREAM, CREAM CHEESE, SHARP CHEDDAR, MILD CHEDDAR, BUTTER, 410 00:17:22,708 --> 00:17:24,810 WHOLE MILK AND EVAPORATED MILK. 411 00:17:24,877 --> 00:17:25,611 >> James: WOW. 412 00:17:25,677 --> 00:17:28,247 IT'S -- IT'S -- >> IT'S REALLY GOOD! 413 00:17:28,313 --> 00:17:30,849 >> James: LESS OF A DISH, MORE OF A HEART ATTACK ON A PLATE. 414 00:17:30,916 --> 00:17:32,885 >> JUST A SMALL ONE. 415 00:17:32,951 --> 00:17:34,119 A LITTLE JUST SCOOP OF CHOLESTEROL. 416 00:17:34,186 --> 00:17:34,887 YOU KNOW? 417 00:17:34,953 --> 00:17:36,355 >> James: SURE, THAT'S WHAT IT IS. 418 00:17:36,422 --> 00:17:40,159 >> JUST ONE AT I TIME, BUT IT'S GOOD. 419 00:17:40,225 --> 00:17:42,461 >> James: GLEN, LAST TIME I SAW YOU IN THE SUMMER, YOU WERE 420 00:17:42,528 --> 00:17:45,731 TEARING UP A DANCE FLOOR WITH TOM CRUISE AT A PARTY. 421 00:17:45,798 --> 00:17:46,231 >> YEP. 422 00:17:46,298 --> 00:17:46,999 YEP. 423 00:17:47,065 --> 00:17:49,201 YEP. 424 00:17:49,268 --> 00:17:50,068 [APPLAUSE] >> James: DID YOU HAVE FUN 425 00:17:50,135 --> 00:17:51,003 THAT NIGHT? 426 00:17:51,069 --> 00:17:52,671 WHAT WAS THE HIGHLIGHT OF THAT NIGHT FOR YOU? 427 00:17:52,738 --> 00:17:54,139 >> THAT WAS A HELL OF A NIGHT. 428 00:17:54,206 --> 00:17:59,678 SO JAMES AND I, UM, HUNG OUT TOGETHER AT TOM CRUISE'S 60TH 429 00:17:59,745 --> 00:18:00,145 BIRTHDAY. 430 00:18:00,212 --> 00:18:01,113 >> James: WE DID. 431 00:18:01,180 --> 00:18:01,647 >> 60, RIGHT? 432 00:18:01,713 --> 00:18:03,048 KIND OF UNBELIEVABLE. 433 00:18:03,115 --> 00:18:04,216 THE GUY LOOKED GOOD. 434 00:18:04,283 --> 00:18:07,553 >> James: YES, IT WAS INSANE, BUT THERE WAS QUITE A MOMENT 435 00:18:07,619 --> 00:18:09,822 THAT I WITNESSED THAT I DON'T WANT TO SAY IT WAS A DANCEOFF, 436 00:18:09,888 --> 00:18:12,658 BECAUSE IT WASN'T -- >> IT WAS A DANCEOFF. 437 00:18:12,724 --> 00:18:13,892 >> James: GO ON TELL US WHAT HAPPENED. 438 00:18:13,959 --> 00:18:17,496 >> SO BASICALLY WHAT HAPPENED WAS IS WE'RE AT TOM'S BIRTHDAY. 439 00:18:17,563 --> 00:18:19,465 THERE'S A LIVE BAND. 440 00:18:19,531 --> 00:18:21,767 PRETTY SMALL GROUP OF PEOPLE BUT I'M ON THE DANCE FLOOR AND I 441 00:18:21,834 --> 00:18:25,037 LOOK OVER AND TOM STARTS -- HE'S DANCING AND TEARING IT UP. 442 00:18:25,103 --> 00:18:26,405 AND I START KIND OF DOING HIS MOVES. 443 00:18:26,472 --> 00:18:28,207 AND THEN HE STARTS DOING MY MOVES. 444 00:18:28,273 --> 00:18:31,710 AND THEN BEFORE I KNOW T THE CROWD STARTS SEPARATING AND TOM 445 00:18:31,777 --> 00:18:34,213 AND I ARE IN A DANCEOFF. 446 00:18:34,279 --> 00:18:35,280 >> James: CORRECT. 447 00:18:35,347 --> 00:18:36,915 >> WHICH YOU NEVER WANT TO COMPETE WITH TOM CRUISE ON 448 00:18:36,982 --> 00:18:38,784 ANYTHING, MUCH LESS A DANCE-OFF. 449 00:18:38,851 --> 00:18:40,486 >> James: AT HIS OWN BIRTHDAY PARTY. 450 00:18:40,552 --> 00:18:42,254 >> AT HIS OWN BIRTHDAY PARTY. 451 00:18:42,321 --> 00:18:43,489 RISKY MOVE. 452 00:18:43,555 --> 00:18:47,292 THEN ALL OF A SUDDEN I LOOK AND I'M LIKE THE DANCE MOVES LOOK 453 00:18:47,359 --> 00:18:48,393 REALLY FAMILIAR. 454 00:18:48,460 --> 00:18:53,198 I DON'T KNOW IF YOU EVER SAW "TROPIC THUNDER" WITH LES 455 00:18:53,265 --> 00:18:54,366 GROSSMAN. 456 00:18:54,433 --> 00:18:56,568 HE WAS BUSTING OUT THE LES GROSSMAN DANCE MOVE ON THE DANCE 457 00:18:56,635 --> 00:18:57,769 FLOOR. 458 00:18:57,836 --> 00:19:01,907 TO "APPLE BOTTOM JEANS, BOOTS WITH THE FUR" AND LITERALLY I 459 00:19:01,974 --> 00:19:05,611 SAT THERE, AND THE SONG ENDED AND I SAT THERE SHELL SHOCKED 460 00:19:05,677 --> 00:19:08,447 AND A BUDDY CAME UP AND MY BUDDY SAID, "IS EVERYTHING OK?" 461 00:19:08,514 --> 00:19:12,651 AND I SAID, I THINK I JUST EXPERIENCED THE GREATEST MOMENT 462 00:19:12,718 --> 00:19:13,752 OF MY WHOLE LFE. 463 00:19:13,819 --> 00:19:15,888 I HAD A DANCE-OFF WITH LES GROSSMAN, ONE OF MY FAVORITE 464 00:19:15,954 --> 00:19:16,655 CHARACTERS OF TOM'S. 465 00:19:16,722 --> 00:19:17,823 IT WAS GREAT. 466 00:19:17,890 --> 00:19:19,825 >> James: YOU'RE SAYING IT WAS THE GREATEST MOMENT OF YOUR 467 00:19:19,892 --> 00:19:20,692 ENTIRE LIFE. 468 00:19:20,759 --> 00:19:23,695 THIS YEAR IS A SEQUENCE OF THOSE MOMENTS. 469 00:19:23,762 --> 00:19:28,367 LET'S TALK ABOUT "TOP GUN:MAVERICK." 470 00:19:28,433 --> 00:19:29,501 THE FILM HAS MADE $1.5 BILLION. 471 00:19:29,568 --> 00:19:32,604 IT'S FAR AND AWAY THE MOST SUCCESSFUL MOVIE OF THE YEAR. 472 00:19:32,671 --> 00:19:37,175 TALK TO ME ABOUT HOW YOUR LIFE HAS CHANGED SINCE THAT FILM HAS 473 00:19:37,242 --> 00:19:38,377 COME OUT? 474 00:19:38,443 --> 00:19:41,380 WHAT ARE THE SORT OF PERKS OF SUCCESS THAT YOU ARE ENJOYING? 475 00:19:41,446 --> 00:19:44,816 >> I MEAN, I'M VERY POPULAR WHEN I GET OFF A PLANE. 476 00:19:44,883 --> 00:19:47,085 I USUALLY TAKE A LOT OF PICTURES WITH PILOTS. 477 00:19:47,152 --> 00:19:48,453 THAT'S ONE PART OF IT. 478 00:19:48,520 --> 00:19:49,688 >> James: OK. 479 00:19:49,755 --> 00:19:55,127 >> MY NEPHEW DID -- HE GOT HIT IN THE HEAD WITH A ZIPLINE OVER 480 00:19:55,193 --> 00:19:56,895 THANKSGIVING, SO HE HAD TO GET SOME STITCHES. 481 00:19:56,962 --> 00:20:00,132 WE WENT TO THE HOSPITAL AND, UM, I REALIZED THAT, YOU KNOW, WE 482 00:20:00,198 --> 00:20:02,501 HAD A LOT OF NURSES FOR FOUR STITCHES. 483 00:20:02,568 --> 00:20:03,802 THERE WAS A LOT OF NURSES THERE. 484 00:20:03,869 --> 00:20:07,739 I JUST, LIKE -- I WAS LIKE THE CARE AT THIS HOSPITAL IS 485 00:20:07,806 --> 00:20:08,874 INCREDIBLE. 486 00:20:08,941 --> 00:20:10,909 THEN I TOOK PICTURES WITH EVERYBODY AFTERWARDS BUT THERE 487 00:20:10,976 --> 00:20:13,412 WERE SOME HANGMAN FANS IN THE HOSPITAL. 488 00:20:13,478 --> 00:20:17,249 >> James: MEANWHILE THERE'S TWO OTHER PEOPLE IN THE ENTIRE 489 00:20:17,316 --> 00:20:19,351 THING JUST BEING ABSOLUTELY IGNORED. 490 00:20:19,418 --> 00:20:20,686 >> SO SAD. 491 00:20:20,752 --> 00:20:21,887 I FELT SO SORRY FOR THEM. 492 00:20:21,954 --> 00:20:27,326 >> James: CHLOEË, YOU RECENTLY TOOK A ROAD TRIP TO GLEN'S 493 00:20:27,392 --> 00:20:28,360 HOMETOWN OF AUSTIN, TEXAS. 494 00:20:28,427 --> 00:20:29,628 I'VE NEVER BEEN. 495 00:20:29,695 --> 00:20:30,629 I'D LOVE TO GO. 496 00:20:30,696 --> 00:20:34,466 WHAT SORT OF SITES DID YOU SEE? 497 00:20:34,533 --> 00:20:37,069 >> I WAS DOING THE PRESS FOR THE SHOW IN LONDON. 498 00:20:37,135 --> 00:20:39,037 WE WENT STRAIGHT FROM LONDON INTO DALLAS FIRST. 499 00:20:39,104 --> 00:20:40,806 WE LANDED IN DALLAS. 500 00:20:40,872 --> 00:20:42,207 IT WAS THE TEXAS STATE FAIR. 501 00:20:42,274 --> 00:20:45,110 I WAS LIKE I HAVE TO GO TO THE TEXAS STATE FAIR BECAUSE IT'S 502 00:20:45,177 --> 00:20:46,011 ALL THE FRIED FOOD. 503 00:20:46,078 --> 00:20:46,945 WE WENT. 504 00:20:47,012 --> 00:20:47,813 WE ATE ALL THE FOOD WE CAN FIND. 505 00:20:47,879 --> 00:20:51,783 IT WAS A FRIED CHARCUTERIE BOARD, YES! 506 00:20:51,850 --> 00:20:56,021 IT WAS FRIED MEAT AND CHEESE WITH SOME HONEY. 507 00:20:56,088 --> 00:20:58,690 THEN I HAD FRIED OREOS AND ALL OF THIS CRAZY STUFF. 508 00:20:58,757 --> 00:20:59,925 FRIED SHRIMP. 509 00:20:59,992 --> 00:21:01,560 AND THEN WE GOT IN THE CAR AND DROVE TO AUSTIN BUT WE HAD TO GO 510 00:21:01,627 --> 00:21:02,427 TO BUC-EE'S. 511 00:21:02,494 --> 00:21:02,928 DO YOU KNOW BUC-EE'S? 512 00:21:02,995 --> 00:21:05,097 >> I KNOW BUC-EE'S. 513 00:21:05,163 --> 00:21:07,499 >> BUC-EE'S IS BASICALLY -- WHAT WOULD YOU DESCRIBE IT AS? 514 00:21:07,566 --> 00:21:08,900 >> IT'S A TRUCK STOP. 515 00:21:08,967 --> 00:21:10,102 >> IT'S THE SEXIEST TRUCK STOP. 516 00:21:10,168 --> 00:21:13,772 >> IT'S THE MOST WILD, SEXY TRUCK STOP WITH A BIG OLD BEAVER 517 00:21:13,839 --> 00:21:16,074 AS THEIR SIGN AND WE ALSO ATE MORE FOOD THERE. 518 00:21:16,141 --> 00:21:20,746 AND I HAD A KOLACHE. 519 00:21:20,812 --> 00:21:22,481 FANCY HOTDOG WRAPPED IN DOUGH WITH SOME CHEESE INSIDE. 520 00:21:22,547 --> 00:21:25,817 I BASICALLY GOT MYSELF TO AUSTIN AND BY THE TIME WE GOT THERE, 521 00:21:25,884 --> 00:21:29,187 ALL OF THAT FOOD THROUGHOUT THE DAY, I HAD SOMEHOW GOT MYSELF 522 00:21:29,254 --> 00:21:30,822 SOME FOOD POISONING. 523 00:21:30,889 --> 00:21:32,190 >> James: SOMEHOW. 524 00:21:32,257 --> 00:21:35,727 >> SOMEHOW AND WE'RE LITERALLY LIKE -- IT WAS ME AND MY FRIENDS 525 00:21:35,794 --> 00:21:39,965 AND WE WERE ALL SICK AND WE WERE VOMITING AND WE WERE LIKE 526 00:21:40,032 --> 00:21:41,299 BUC-EE'S BUCKED ME UP! 527 00:21:41,366 --> 00:21:43,935 >> BUC-EE'S BUCKED YOU UP. 528 00:21:44,002 --> 00:21:45,504 [LAUGHTER] >> SO I LOVE BUC-EE'S BUT ALSO, 529 00:21:45,570 --> 00:21:46,405 OH MY GOD. 530 00:21:46,471 --> 00:21:48,306 >> YOU COULD HAVE SAVED YOURSELF SOME TIME. 531 00:21:48,373 --> 00:21:51,309 BUC-EE'S IS KNOWN AS THE CLEANEST BAHROOMS OF ANY GAS 532 00:21:51,376 --> 00:21:51,810 STATION TRUCK STOP. 533 00:21:51,877 --> 00:21:53,378 >> James: IT'S GOT. 534 00:21:53,445 --> 00:21:54,046 HANG ON -- WHAT? 535 00:21:54,112 --> 00:21:55,213 SAY THAT AGAIN. 536 00:21:55,280 --> 00:21:56,948 >> NO ONE FROM BUC-EE'S HAS REACHED OUT TO ME ABOUT THIS. 537 00:21:57,015 --> 00:21:58,684 >> THIS IS NOT A PAID AD. 538 00:21:58,750 --> 00:22:01,887 >> BUT IF YOU NEED TO GO TO THE BATHROOM IF YOU HAVE FOOD 539 00:22:01,953 --> 00:22:03,088 POISONING, BUC-EE'S IS THE PLACE TO GO. 540 00:22:03,155 --> 00:22:03,955 >> James: HANG ON HANG ON. 541 00:22:04,022 --> 00:22:05,157 HANG ON. 542 00:22:05,223 --> 00:22:09,061 IT'S GOT THE CLEANEST BATHROOMS OF ANY TRUCK STOP IN TEXAS? 543 00:22:09,127 --> 00:22:11,596 >> I DON'T KNOW IF THAT'S AN OFFICIAL STAT BUT THAT'S -- I'M 544 00:22:11,663 --> 00:22:12,764 PRETTY SURE THAT'S THE CASE. 545 00:22:12,831 --> 00:22:16,001 I THINK THAT'S WHAT THEY -- I DON'T KNOW IF THERE'S LIKE A 546 00:22:16,068 --> 00:22:20,906 BOARD OF UP LIKE A PLAQUE, I THINK -- I THINK THAT'S PART OF 547 00:22:20,972 --> 00:22:23,575 THE SALES. 548 00:22:23,642 --> 00:22:24,776 >> James: BUC-EE'S. 549 00:22:24,843 --> 00:22:26,111 IT COULDN'T HAVE BEEN THE FOOD POISONING FROM BUC-EE'S THEN. 550 00:22:26,178 --> 00:22:28,647 BECAUSE IF YOU'RE GETTING FOOD POISONING, YOU CANNOT HAVE THE 551 00:22:28,714 --> 00:22:31,616 CLEANEST -- YOU CANNOT HAVE THE CLEANEST BATHROOMS AS WELL AS 552 00:22:31,683 --> 00:22:32,117 THAT, CAN YOU? 553 00:22:32,184 --> 00:22:33,518 >> JAMES IS RIGHT. 554 00:22:33,585 --> 00:22:35,053 >> James: YOU ABSOLUTELY CANNOT. 555 00:22:35,120 --> 00:22:36,521 >> IT'S NOT BUC-EE'S. 556 00:22:36,588 --> 00:22:39,424 >> James: IT WAS DEEP FRIED CHARCUTERIE BOARD. 557 00:22:39,491 --> 00:22:40,292 THAT'S WHAT IT WAS. 558 00:22:40,358 --> 00:22:43,028 >> OR THE DEEP FRIED SHRIMP ON A HOT DAY. 559 00:22:43,095 --> 00:22:45,964 >> OH. 560 00:22:46,031 --> 00:22:47,199 >> James: NOW YOU'RE MENTIONING THAT. 561 00:22:47,265 --> 00:22:48,433 IT'S OBVIOUS WHAT HAPPENED! 562 00:22:48,500 --> 00:22:52,738 NOW LOOK, CHLOEË, LET'S TALK ABOUT YOUR BRILLIANT SHOW, "THE 563 00:22:52,804 --> 00:22:54,406 PERIPHERAL" THE HUGE HIT ON PRIME VIDEO. 564 00:22:54,473 --> 00:22:56,775 THE SEASON FINALE IS THIS FRIDAY. 565 00:22:56,842 --> 00:22:59,244 FOR ANYONE WHO DOESN'T KNOW, TELL US WHAT IT'S ABOUT AND WHO 566 00:22:59,311 --> 00:23:00,245 YOU PLAY. 567 00:23:00,312 --> 00:23:04,683 >> IT'S ABOUT A YOUNG WOMAN NAMED FLYNN FISHER. 568 00:23:04,750 --> 00:23:06,985 SHE LIVES IN THE SMALL TOWN IN THE APPALACHIAN MOUNTAINS. 569 00:23:07,052 --> 00:23:08,420 SHE PLAYS VIDEO GAMES FOR A LIVING. 570 00:23:08,487 --> 00:23:12,624 ONE DAY, THEY TELL HER TO BE THE TEST ON A NEW HEADSET. 571 00:23:12,691 --> 00:23:15,594 SHE THINKS IT'S GOING TO BE ANOTHER SIMULATION GAME. 572 00:23:15,660 --> 00:23:21,066 WHEN SHE PUTS ON THE HEADSET, SHE REALIZES SHE'S OPERATING A 573 00:23:21,133 --> 00:23:22,501 ROBOT BODY IN THE YEAR 2100. 574 00:23:22,567 --> 00:23:24,903 SHE'S USED AS A SORT OF GOVERNMENT PAWN AND SPY. 575 00:23:24,970 --> 00:23:27,939 WHEN SHE STARTS TO FIGURE THAT OUT, PEOPLE IN HER REAL WORLD 576 00:23:28,006 --> 00:23:29,708 ARE COMING TO KILL HER AND HER FAMILY. 577 00:23:29,775 --> 00:23:32,744 SO IT'S HOW THEY CAN WORK WITH PEOPLE THAT THEY MEET IN THE 578 00:23:32,811 --> 00:23:35,947 FUTURE TO MITIGATE THE ISSUES IN THEIR OWN WORLD HAPPENING 579 00:23:36,014 --> 00:23:36,948 CURRENTLY. 580 00:23:37,015 --> 00:23:38,083 >> James: YOU SHOT MOST OF THE SERIES IN LONDON. 581 00:23:38,150 --> 00:23:40,519 I KNOW YOU'VE WORKED IN LONDON BEFORE, BUT IS THIS TRUE? 582 00:23:40,585 --> 00:23:44,356 DIDN'T YOU ONCE -- I HOPE THIS IS TRUE BECAUSE I LOVE THIS 583 00:23:44,422 --> 00:23:47,325 STORY -- DIDN'T YOU ONCE PRETEND TO BE BRITISH? 584 00:23:47,392 --> 00:23:48,193 >> YEAH. 585 00:23:48,260 --> 00:23:49,694 >> James: IN AN AUDITION TO GET A ROLE? 586 00:23:49,761 --> 00:23:50,629 IS THAT TRUE? 587 00:23:50,695 --> 00:23:51,997 >> 100% TRUE. 588 00:23:52,063 --> 00:23:53,198 >> James: OK, WHAT WAS IT FOR? 589 00:23:53,265 --> 00:23:54,099 WHAT HAPPENED? 590 00:23:54,166 --> 00:23:59,638 >> IT WAS FOR A MOVIE CALLED "HUGO KABRAE." 591 00:23:59,704 --> 00:24:06,845 >> James: MARTINE SCORSESE FILM. 592 00:24:06,912 --> 00:24:09,014 >> HE WAS AUDITIONING GIRLS ONLY ACTUALLY FROM ENGLAND. 593 00:24:09,080 --> 00:24:10,649 I WAS LIKE, OK, I CAN DO THAT. 594 00:24:10,715 --> 00:24:12,117 I COULD BE FROM ENGLAND. 595 00:24:12,184 --> 00:24:13,985 WE GO INTO THE AUDITION. 596 00:24:14,052 --> 00:24:19,691 I MAKE UP THIS WHOLE STORY THAT MY PARENTS ARE HORSE BREEDERS. 597 00:24:19,758 --> 00:24:22,828 I DON'T KNOW WHY THAT WAS WHERE I LANDED BUT I LANDED THERE. 598 00:24:22,894 --> 00:24:27,699 AND I DO BASICALLY A WHOLE BIT AND I TOTALLY PRETENDED I WAS 599 00:24:27,766 --> 00:24:28,900 BRITISH. 600 00:24:28,967 --> 00:24:29,534 I BOOKED THE ROLE,. 601 00:24:29,601 --> 00:24:31,403 >> James: YEAH. 602 00:24:31,469 --> 00:24:34,339 [APPLAUSE] >> THANK YOU. 603 00:24:34,406 --> 00:24:38,844 IT'S -- IT WASN'T UNTIL HALF WAY THROUGH PRODUCTION THAT HE HEARD 604 00:24:38,910 --> 00:24:40,745 MY AMERICAN ACCENT. 605 00:24:40,812 --> 00:24:42,948 HE GOES THAT'S A GREAT AMERICAN ACCENT. 606 00:24:43,014 --> 00:24:44,082 I SAID, YEAH. 607 00:24:44,149 --> 00:24:47,152 ABOUT THAT, I'M ACTUALLY FROM GEORGIA, AS FAR AWAY FROM 608 00:24:47,219 --> 00:24:48,320 ENGLAND AS YOU CAN GET. 609 00:24:48,386 --> 00:24:52,824 >> James: WHAT DID MARTIN SCORE SCZESNY SAY WHEN HE FOUND 610 00:24:52,891 --> 00:24:55,894 OUT -- SCORSESE SAY WHEN HE FOUND OUT? 611 00:24:55,961 --> 00:24:57,095 >> HE THOUGHT IT WAS GREAT. 612 00:24:57,162 --> 00:25:00,799 >> James: IF YOU'RE UNDER THE AGE OF 16, YOU CAN LIE ABOUT 613 00:25:00,866 --> 00:25:02,067 ANYTHING. 614 00:25:02,133 --> 00:25:05,003 MARTIN SCORSESE WON'T PUSH YOU TOO FAR IN IT. 615 00:25:05,070 --> 00:25:07,906 THAT'S A WONDERFUL MORAL FOR ALL OF US ONLY IF YOU'RE AS TALENTED 616 00:25:07,973 --> 00:25:09,140 AS CHLOEË. 617 00:25:09,207 --> 00:25:11,276 >> I WANT TO KNOW HOW FAR YOU WENT DOWN WITH THE HORSE BREEDER 618 00:25:11,343 --> 00:25:11,743 THING, TOO. 619 00:25:11,810 --> 00:25:13,211 >> IT WENT SO FAR. 620 00:25:13,278 --> 00:25:17,415 >> James: LET'S TAKE A LOOK AT A CLIP FROM THE SEASON FINALE OF 621 00:25:17,482 --> 00:25:21,119 "THE PERIPHERAL" WHICH AIRS THIS FRIDAY ON PRIME VIDEO. 622 00:25:21,186 --> 00:25:30,795 >> MY LIFE, MY FAMILY, EVERYONE THAT I LOVE... IT'S JUST PAIN TO 623 00:25:30,862 --> 00:25:31,997 YOU, ISN'T IT? 624 00:25:32,063 --> 00:25:40,839 WINNER TAKES ALL. 625 00:25:40,906 --> 00:25:41,773 >> WHERE ARE YOU GOING? 626 00:25:41,840 --> 00:25:48,847 >> I'M GOING TO WIN. 627 00:25:48,914 --> 00:25:50,081 [APPLAUSE] >> James: STICK AROUND. 628 00:25:50,148 --> 00:25:52,150 MORE WITH THESE TWO WHEN WE COME BACK. 629 00:26:03,962 --> 00:26:06,398 >> THAT PAPER COST YOU NOTHING. 630 00:26:06,464 --> 00:26:08,099 NOTHING! 631 00:26:08,166 --> 00:26:12,337 YOU KNOW HOW TIRED I AM OF PEOPLE TRYING TO HELP ME WHILE 632 00:26:12,404 --> 00:26:17,375 LOOKING DOWN ON ME? 633 00:26:17,442 --> 00:26:23,481 >> I'M NOT LOOKING DOWN ON YOU. 634 00:26:23,548 --> 00:26:30,155 WHAT DO YOU WANT ME TO DO? 635 00:26:30,221 --> 00:26:33,058 >> JUST BE MY WING MAN! 636 00:26:33,124 --> 00:26:41,800 [CHEERS AND APPLAUSE] >> James: THAT WAS A CLIP FROM 637 00:26:41,866 --> 00:26:43,935 "DEVOTION" WHICH IS IN THEATERS RIGHT NOW. 638 00:26:44,002 --> 00:26:44,502 CONGRATULATIONS ON THE FILM. 639 00:26:44,569 --> 00:26:45,503 MOST INCREDIBLE REVIEWS. 640 00:26:45,570 --> 00:26:46,972 PEOPLE ARE ABSOLUTELY LOVING IT. 641 00:26:47,038 --> 00:26:50,141 FOR ANYONE WHO DOESN'T KNOW, TELL US WHAT IT'S ABOUT AND WHO 642 00:26:50,208 --> 00:26:51,276 YOU PLAY. 643 00:26:51,343 --> 00:26:55,613 >> "DEVOTION" IS ABOUT THE FAMOUS AVIATOR DUO DURING THE 644 00:26:55,680 --> 00:26:56,815 KOREAN WAR. 645 00:26:56,881 --> 00:27:03,788 JESSE BROWN AND TOM HUDNER WHO PULLED ALL THE MISSIONS BEHIND 646 00:27:03,855 --> 00:27:04,956 ENEMY LINES. 647 00:27:05,023 --> 00:27:08,226 IT'S A STORY ABOUT HOW FAR YOU'RE WILLING TO GO ABOUT BEING 648 00:27:08,293 --> 00:27:09,561 AN AWESOME WING MAN. 649 00:27:09,627 --> 00:27:12,530 >> James: YOU'RE STARRING ON THE FILM AND EXCLUSIVE PRODUCER 650 00:27:12,597 --> 00:27:13,765 OF THE MOVIE. 651 00:27:13,832 --> 00:27:16,368 I KNOW THIS IS A PROJECT YOU'VE BEEN VERY, VERY CLOSE TO FOR A 652 00:27:16,434 --> 00:27:17,569 LONG TIME. 653 00:27:17,635 --> 00:27:19,204 HOW DID YOU CONVINCE THE FAMILY YOU WERE THE RIGHT PERSON TO 654 00:27:19,270 --> 00:27:20,472 TELL THIS STORY? 655 00:27:20,538 --> 00:27:24,409 >> YEAH, IT'S A LITTLE LIKE I GUESS ASKING YOUR GIRLFRIEND'S 656 00:27:24,476 --> 00:27:26,344 DAD TO MARRY HER TO A DEGREE. 657 00:27:26,411 --> 00:27:31,950 YOU HAVE TO SAY LIKE, "HEY, I'M NOT GOING TO MESS UP YOUR 658 00:27:32,017 --> 00:27:33,118 LEGACY." 659 00:27:33,184 --> 00:27:34,619 RIGHT AFTER YOU MAKE THAT PROMISE, YOU HAVE TO LIVE UP TO 660 00:27:34,686 --> 00:27:35,820 THAT PROMISE. 661 00:27:35,887 --> 00:27:37,489 SO IT'S BEEN LIKE SIX YEARS IN THE MAKING BUT I'M JUST REALLY 662 00:27:37,555 --> 00:27:38,656 PROUD OF IT. 663 00:27:38,723 --> 00:27:42,193 ANOTHER THING THAT'S SO COOL ABOUT IS IT ALL THE BOX OFFICE 664 00:27:42,260 --> 00:27:45,130 PROCEEDS GO TO THE MARINE SCHOLARSHIP FOUNDATION WHICH 665 00:27:45,196 --> 00:27:48,433 BENEFIT THE -- [APPLAUSE] 666 00:27:48,500 --> 00:27:52,937 -- SONS AND DAUGHTERS OF VETERANS SO YEAH. 667 00:27:53,004 --> 00:27:54,572 >> James: IT'S SO BRILLIANT. 668 00:27:54,639 --> 00:27:57,475 ALL THE FIGHTER JET SEQUENCES ARE AMAZING. 669 00:27:57,542 --> 00:27:59,177 WHERE DID YOU LEARN TO FLY A PLANE? 670 00:27:59,244 --> 00:28:02,080 WAS IT ON THIS OR WAS IT ON "TOP GUN?" 671 00:28:02,147 --> 00:28:04,416 >> I GOT MY FLIGHT SCHOOL FROM TOM CRUISE. 672 00:28:04,482 --> 00:28:05,650 >> James: OK. 673 00:28:05,717 --> 00:28:08,987 >> SO I GOT TO PUT ALL OF THAT -- THAT WAS THE INCREDIBLE PART 674 00:28:09,054 --> 00:28:13,958 IS LEARNING ALL OF THAT ON "TOP GUN" I GOT TO PUT ALL OF THAT 675 00:28:14,025 --> 00:28:15,260 EDUCATION INTO IARE "DEVOTION" SO -- 676 00:28:15,326 --> 00:28:18,396 >> IS THIS THE SORT OF THING YOU'D LIKE TO DO IF SOMEONE SAID 677 00:28:18,463 --> 00:28:21,599 TO YOU, YOU'RE GOING TO DO THIS FILM AND YOU HAVE TO LEARN TO 678 00:28:21,666 --> 00:28:24,369 FLY AND YOU'RE GOING TO FLY FIGHTER JETS. 679 00:28:24,436 --> 00:28:25,437 >> FOR SURE. 680 00:28:25,503 --> 00:28:27,038 I LIKE ANYTHING THAT'S ADRENALINE-FILLED AND FAST AND 681 00:28:27,105 --> 00:28:27,839 DANGEROUS. 682 00:28:27,906 --> 00:28:30,275 THAT WOULD BE SO MUCH FUN. 683 00:28:30,341 --> 00:28:31,009 I RIDE DIRT BIKES. 684 00:28:31,076 --> 00:28:31,776 I HAVE A MOTORCYCLE. 685 00:28:31,843 --> 00:28:33,111 I LIKE TO DO KIND OF WILD THINGS. 686 00:28:33,178 --> 00:28:34,979 I WOULD LOVE TO LEARN TO FLY. 687 00:28:35,046 --> 00:28:38,316 >> James: I CAN SEE YOU IN -- DO YOU THINK -- WHAT ABOUT IF 688 00:28:38,383 --> 00:28:41,453 THIS -- DO YOU THINK THERE'LL EVER BE ANOTHER "TOP GUN?" 689 00:28:41,519 --> 00:28:44,622 >> DO I THINK THERE'S ANOTHER "TOP GUN?" 690 00:28:44,689 --> 00:28:46,391 THAT'S ABOVE MY PAY GRADE. 691 00:28:46,458 --> 00:28:48,460 IF TOM IS WATCHING THIS I'M NOT SAYING ANYTHING. 692 00:28:48,526 --> 00:28:50,361 >> James: DO YOU THINK HE'D EVER DO IT AGAIN? 693 00:28:50,428 --> 00:28:52,163 >> I THINK IF WE CAN BEAT IT. 694 00:28:52,230 --> 00:28:56,234 THE THING WITH TOM IS IF WE CAN BEAT WITH WHAT WE JUST DID WITH 695 00:28:56,301 --> 00:28:59,938 "TOP GUN: MAVERICK" HE WOULD VENTURE INTO THAT SPACE. 696 00:29:00,004 --> 00:29:00,939 IT WOULD TAKE A BIG EFFORT. 697 00:29:01,005 --> 00:29:02,340 THE MOVIE IS INCREDIBLE. 698 00:29:02,407 --> 00:29:05,176 WE USED EVERY RESOURCE AVAILABLE TO MAKE IT AS SPECIAL AS 699 00:29:05,243 --> 00:29:08,746 POSSIBLE AND, AGAIN I -- I -- THIS MOVIE SAVED THE MOVIE 700 00:29:08,813 --> 00:29:11,216 BUSINESS IN MY OPINION. 701 00:29:11,282 --> 00:29:12,383 >> James: IT WAS BRILLIANT. 702 00:29:12,450 --> 00:29:15,720 REGGIE, DO YOU HAVE A QUESTION FOR OUR GUESTS THIS EVENING? 703 00:29:15,787 --> 00:29:17,822 >> Reggie: OH YEAH, I DO, JAMES. 704 00:29:17,889 --> 00:29:21,326 TONIGHT'S QUESTION GOES TO... 705 00:29:21,392 --> 00:29:24,262 [DRUMROLL] BOTH OF OUR GUESTS HERE ON THAT 706 00:29:24,329 --> 00:29:29,200 FANCY, FANCY PALE BLUE COUCH OF A THING THERE. 707 00:29:29,267 --> 00:29:33,138 SO DO YOU THINK THAT IF PEOPLE LANDED ON THE PLANET THAT HAD A 708 00:29:33,204 --> 00:29:37,542 TECHNOLOGY TO PILOT SOME TYPE OF GIGANTIC MECHANIZED STRUCTURE 709 00:29:37,609 --> 00:29:41,713 THAT YOU WOULD BE INTERESTED IN THAT? 710 00:29:41,779 --> 00:29:43,348 >> IT'S A GOOD QUESTION. 711 00:29:43,414 --> 00:29:44,449 >> YEAH. 712 00:29:44,516 --> 00:29:47,519 >> UM, I'VE ACTUALLY BEEN THINKING ABOUT THIS MORNING 713 00:29:47,585 --> 00:29:49,287 QUITE A BIT SO THE ANSWER IS YES. 714 00:29:49,354 --> 00:29:49,921 >> THE ANSWER IS YES. 715 00:29:49,988 --> 00:29:50,788 YES. 716 00:29:50,855 --> 00:29:53,124 >> James: IT'S A YES, REG. 717 00:29:53,191 --> 00:29:53,758 >> IT'S A YES. 718 00:29:53,825 --> 00:29:57,695 >> Reggie: [INDISCERNIBLE] 719 00:29:57,762 --> 00:29:59,397 THAT IS THE CORRECT ANSWER. 720 00:29:59,464 --> 00:30:00,598 >> James: IT'S ABSOLUTELY CORRECT. 721 00:30:00,665 --> 00:30:04,869 PLEASE THANK OUR WONDERFUL GUESTS, CHLOEË GRACE MORETZ AND 722 00:30:04,936 --> 00:30:05,570 GLEN POWELL. 723 00:30:05,637 --> 00:30:06,905 WE'LL BE RIGHT BACK, EVERYBODY! 724 00:30:17,015 --> 00:30:19,017 ♪ >> James: WELCOME BACK. 725 00:30:19,083 --> 00:30:22,086 HERE PERFORMING "TOO WELL" FROM HER DEBUT E.P., "EVERYTHING TO 726 00:30:22,153 --> 00:30:24,656 EVERYONE," WHICH IS OUT RIGHT NOW, PLEASE WELCOME RENEEÉ RAPP! 727 00:30:24,722 --> 00:30:35,099 [CHEERS AND APPLAUSE] ♪♪ 728 00:30:35,166 --> 00:30:39,470 ♪ TODAY, I WOKE UP IN A GOOD MOOD FOR ONCE 729 00:30:39,537 --> 00:30:43,308 ♪ FIRST TIME IN SIX MONTHS I DON'T HATE YOU AS MUCH 730 00:30:43,374 --> 00:30:46,911 ♪ YOU WEREN'T THERE IN MY DREAMS I COULD FINALLY SLEEP 731 00:30:46,978 --> 00:30:51,916 ♪ I FELT GOOD, BUT IT SUCKS I DON'T HATE YOU AS MUCH 732 00:30:51,983 --> 00:30:55,286 ♪ IT'S EASIER HOLDIN' A GRUDGE I'D RATHER BE ANGRY THAN CRUSHED 733 00:30:55,353 --> 00:30:59,190 ♪ I'M DOIN' TOO MUCH I DO TOO MUCH 734 00:30:59,257 --> 00:31:03,628 ♪ I'M BACK WHERE I STARTED AGAIN CRYIN' AND CALLIN' MY FRIENDS 735 00:31:03,695 --> 00:31:07,131 ♪ THIS [BLEEP] NEVER ENDS UGH 736 00:31:07,198 --> 00:31:13,404 ♪ I GET SO SICK OF MYSELF CAN'T STOP OVERTHINKIN' 737 00:31:13,471 --> 00:31:18,109 ♪ I HEARD YOU'RE HAPPY SOMEWHERE ELSE 738 00:31:18,176 --> 00:31:21,312 ♪ BUT I DON'T FORGET TOO WELL 739 00:31:21,379 --> 00:31:29,287 ♪ I GET SO SICK OF MYSELF CAN'T STOP REMINISCIN' 740 00:31:29,354 --> 00:31:33,891 ♪ I HEARD YOU'RE HAPPY SOMEWHERE ELSE 741 00:31:33,958 --> 00:31:38,496 ♪ BUT I DON'T FORGET TOO WELL 742 00:31:38,563 --> 00:31:42,700 ♪ I STILL SEE YOUR FACE I HATE HEARIN' YOUR NAME 743 00:31:42,767 --> 00:31:46,371 ♪ WHAT A WRECK, WHAT A SHAME I'M REPLAYIN' THAT DAY 744 00:31:46,437 --> 00:31:50,141 ♪ AND YOU CALLED ME AT 8:00 TWO WEEKS ON A BREAK 745 00:31:50,208 --> 00:31:54,879 ♪ JUST TO ASK FOR MORE SPACE YOU'RE MY BIGGEST MISTAKE 746 00:31:54,946 --> 00:31:58,950 ♪ IT'S EASIER HOLDIN' A GRUDGE I'D RATHER BE ANGRY THAN CRUSHED 747 00:31:59,017 --> 00:32:02,520 ♪ I'M DOIN' TOO MUCH I DO TOO MUCH 748 00:32:02,587 --> 00:32:07,125 ♪ I'M BACK WHERE I STARTED AGAIN CRYIN' AND CALLIN' MY FRIENDS 749 00:32:07,191 --> 00:32:08,660 ♪ THIS [BLEEP] NEVER ENDS UGH 750 00:32:08,726 --> 00:32:16,634 ♪ I GET SO SICK OF MYSELF CAN'T STOP OVERTHINKIN' 751 00:32:16,701 --> 00:32:21,673 ♪ I HEARD YOU'RE HAPPY SOMEWHERE ELSE 752 00:32:21,739 --> 00:32:24,842 ♪ BUT I DON'T FORGET TOO WELL 753 00:32:24,909 --> 00:32:32,250 ♪ I GET SO SICK OF MYSELF CAN'T STOP REMINISCIN' 754 00:32:32,317 --> 00:32:37,055 ♪ I HEARD YOU'RE HAPPY SOMEWHERE ELSE 755 00:32:37,121 --> 00:32:41,759 ♪ BUT I DON'T FORGET TOO WELL 756 00:32:41,826 --> 00:32:48,566 ♪ I GET SO SICK OF MYSELF CAN'T STOP OVERTHINKIN' 757 00:32:48,633 --> 00:32:53,304 ♪ I HEARD YOU'RE HAPPY SOMEWHERE ELSE 758 00:32:53,371 --> 00:32:55,373 ♪ BUT I DON'T FORGET TOO WELL ♪ 759 00:32:59,077 --> 00:33:01,913 [CHEERS AND APPLAUSE] >> James: LADIES AND 760 00:33:01,979 --> 00:33:05,917 GENTLEMEN, THAT WAS ABSOLUTELY BRILLIANT! 761 00:33:05,983 --> 00:33:06,984 RENEEÉ RAPP, EVERYBODY! 762 00:33:24,001 --> 00:33:26,938 ♪ >> James: WELCOME BACK. 763 00:33:27,004 --> 00:33:29,173 NOW, THE WORLD CUP IS UPON US, AND LAST WEEK, ENGLAND AND 764 00:33:29,240 --> 00:33:33,945 AMERICA HAD AN UNDERWHELMING SHOWDOWN THAT ENDED IN A TIE. 765 00:33:34,011 --> 00:33:37,582 AS A LIFELONG FOOTBALL FAN HOPING THE SPORT WOULD FINALLY 766 00:33:37,648 --> 00:33:42,754 CAPTURE THE HEARTS OF AMERICANS, IT COULD NOT HAVE GONE WORSE. 767 00:33:42,820 --> 00:33:47,892 IT WAS LIKE A 90-MINUTE COMMERCIAL FOR THE NFL. 768 00:33:47,959 --> 00:33:50,595 BUT, SINCE THE GAME ENDED IN A DRAW, WE WANTED TO DECLARE A 769 00:33:50,661 --> 00:33:54,966 WINNER BETWEEN ENGLAND AND AMERICA WITH OUR OWN STAFF 770 00:33:55,032 --> 00:33:55,867 COMPETITION. 771 00:33:55,933 --> 00:34:01,906 TAKE A LOOK! 772 00:34:01,973 --> 00:34:03,107 WE KICK OFF THE COMPETITION WITH A NATIONAL ANTHEM SINGOFF. 773 00:34:03,174 --> 00:34:05,476 >> BECAUSE IF THERE'S ONE THING THE U.S. AND ENGLAND HAVE IN 774 00:34:05,543 --> 00:34:06,878 COMMON, IT'S SINGING COMPETITIONS. 775 00:34:06,944 --> 00:34:08,312 WE LOVE THAT [BLEEP]. 776 00:34:08,379 --> 00:34:15,853 [LAUGHTER] ♪ VICTORIOUS 777 00:34:15,920 --> 00:34:24,562 ♪ HAPPY AND GLORIOUS >> MORE LIKE GOD SKIP THIS SONG. 778 00:34:24,629 --> 00:34:28,766 >> OH PLEASE, THE ONLY KING YOUR COUNTRY IS SAVING IS THE BURGER 779 00:34:28,833 --> 00:34:29,367 KING. 780 00:34:29,434 --> 00:34:31,135 >> ♪ GOD SAVE THE KING. 781 00:34:31,202 --> 00:34:32,870 >> WOW, THAT WAS AWFUL! 782 00:34:32,937 --> 00:34:35,740 >> HEY, HOW DARE YOU -- NO, YOU'RE RIGHT. 783 00:34:35,807 --> 00:34:38,876 THAT WAS AWFUL! 784 00:34:38,943 --> 00:34:40,878 >> LOOK AT THAT. 785 00:34:40,945 --> 00:34:42,213 DILLON IS DRESSING TO THE JOB HE WANTS. 786 00:34:42,280 --> 00:34:44,682 >> James: THAT JOB IS GUY WHO SELLS MATTRESSES AT A LOW, LOW 787 00:34:44,749 --> 00:34:48,186 PRICE. 788 00:34:48,252 --> 00:34:52,924 >> ♪ O, SAY CAN YOU SEE BY THE 789 00:34:52,990 --> 00:34:54,158 DAWN'S EARLY LIGHT. 790 00:34:54,225 --> 00:34:57,428 >> James: A TYPICAL UNDERSTATED AMERICAN 791 00:34:57,495 --> 00:34:58,262 PERFORMANCE. 792 00:34:58,329 --> 00:35:00,765 >> Ian: HE'S REALLY HOLDING BACK HERE 793 00:35:00,832 --> 00:35:02,633 ♪ AT THE TWILIGHT'S LAST GLEAMING 794 00:35:02,700 --> 00:35:04,735 ♪ AND THE ROCKETS' RED GLARE. 795 00:35:04,802 --> 00:35:10,875 >> Ian: IN WHAT WOULD A RENDITION OF THE STAR-SPANGLED 796 00:35:10,942 --> 00:35:13,578 BANNER WITH WITHOUT A DANCE GROUP. 797 00:35:13,644 --> 00:35:14,345 TASTEFUL AND DIGNIFIED. 798 00:35:14,412 --> 00:35:15,213 >> James: THIS IS EMBARRASSING. 799 00:35:15,279 --> 00:35:16,514 HAVE YOU NO SHAME? 800 00:35:16,581 --> 00:35:19,717 >> NOT EVEN A LITTLE BIT, NIGEL. 801 00:35:19,784 --> 00:35:20,785 >> MY NAME ISN'T NIGEL. 802 00:35:20,852 --> 00:35:24,856 >> Ian: YOU HAVE IT LIAM. 803 00:35:24,922 --> 00:35:26,958 >> NONE ARE MY NAME. 804 00:35:27,024 --> 00:35:27,792 >> NONE? 805 00:35:27,859 --> 00:35:35,800 >> YEP ♪ AND THE HOME OF THE BRAVE ♪ 806 00:35:35,867 --> 00:35:37,268 [APPLAUSE] >> Ian: THAT'S A BIG WIN FOR 807 00:35:37,335 --> 00:35:38,035 THE AMERICANS. 808 00:35:38,102 --> 00:35:41,005 >> I BELIEVE YOU MEAN SUPER SIZED. 809 00:35:41,072 --> 00:35:45,977 >> Ian: THE NEXT COMPETITION IS DARTS. 810 00:35:46,043 --> 00:35:49,280 A GENTLEMENLY GAME OF PRECISION AND COORDINATION TRADITIONALLY 811 00:35:49,347 --> 00:35:52,149 PLAYED BY RAGING ALCOHOLICS. 812 00:35:52,216 --> 00:35:53,451 I PLAYED COLLEGE BASKETBALL. 813 00:35:53,518 --> 00:35:57,021 THAT COULD ONLY HURT HIM IN A GAME OF DARTS. 814 00:35:57,088 --> 00:35:59,724 >> THE SLITS HAVE NOTHING TO DO WITH DARTS. 815 00:35:59,790 --> 00:36:05,296 MIKE IS A THIRSTY BITCH WHO NEEDS ATTENTION. 816 00:36:05,363 --> 00:36:06,731 I DON'T REALLY FOLLOW DARTS. 817 00:36:06,797 --> 00:36:09,233 IS IT WHEN HE HITS THE MIDDLE? 818 00:36:09,300 --> 00:36:10,535 >> I'VE NO IDEA. 819 00:36:10,601 --> 00:36:14,071 I'M MORE OF A BILLIARDS GUY. 820 00:36:14,138 --> 00:36:16,474 >> COMING UP SHORT IN THIS ROUND OF DARTS. 821 00:36:16,541 --> 00:36:17,542 >> DARTS IS A GAME OF FINESSE. 822 00:36:17,608 --> 00:36:21,779 >> I THINK HE MIGHT HAVE FINESSED HIMSELF OUT OF THE 823 00:36:21,846 --> 00:36:22,747 COMPETITION. 824 00:36:22,813 --> 00:36:27,051 >> BEN PAINTED HIS FACE LIKE THE ENGLISH FLAG. 825 00:36:27,118 --> 00:36:28,252 INSPIRING DISPLAY. 826 00:36:28,319 --> 00:36:34,692 >> HE LOOKS LIKE HE'S ABOUT TO GET CUT IN HALF BY BRAVEHEART. 827 00:36:34,759 --> 00:36:39,630 >> AND THAT'S A BULL'S-EYE! 828 00:36:39,697 --> 00:36:45,836 THAT'S A BULL'S-EYE! 829 00:36:45,903 --> 00:36:50,474 NOW THAT'S QUALITY DARTS. 830 00:36:50,541 --> 00:36:52,009 >> WHO SAYS THAT AFFECTS YOUR MOTOR SKILLS? 831 00:36:52,076 --> 00:36:53,077 >> I HOPE IT DOESN'T. 832 00:36:53,144 --> 00:36:55,479 HE'S GOT TO DO THE SHOW LATER. 833 00:36:55,546 --> 00:37:00,117 >> I DON'T THINK YOU BEING DRUNK WOULD AFFECT YOUR ABILITY TO 834 00:37:00,184 --> 00:37:00,885 EDIT THIS SHOW. 835 00:37:00,952 --> 00:37:01,452 >> THAT'S RIGHT. 836 00:37:01,519 --> 00:37:04,455 NEXT UP IS AXE THROWING. 837 00:37:04,522 --> 00:37:06,557 IT'S MUCH LIKE DARTS BUT IS MUCH MORE STUPID AND VIOLENT AS IS 838 00:37:06,624 --> 00:37:06,824 YOUR WAY. 839 00:37:06,891 --> 00:37:07,358 >> OK. 840 00:37:07,425 --> 00:37:07,592 NO. 841 00:37:07,658 --> 00:37:08,326 NO. 842 00:37:08,392 --> 00:37:09,994 ABSOLUTELY NOT. 843 00:37:10,061 --> 00:37:13,264 >> PRODUCER KATE SHUTTING DOWN THIS EVENT COMPLETELY. 844 00:37:13,331 --> 00:37:14,398 A TOTAL KILL JOY. 845 00:37:14,465 --> 00:37:15,833 SHE MUST BE ENGLISH. 846 00:37:15,900 --> 00:37:20,071 >> I'M TRULY DESPISING YOU. 847 00:37:20,137 --> 00:37:22,873 >> WHAT ARE YOU GOING TO DO ABOUT IT? 848 00:37:22,940 --> 00:37:24,976 WHEN OVER IN A RED COAT? 849 00:37:25,042 --> 00:37:27,078 I'LL THROW YOUR TEA IN THE HARBOR. 850 00:37:27,144 --> 00:37:31,015 WHY DON'T YOU EAT A BOWL OF MUSHY PEAS. 851 00:37:31,082 --> 00:37:32,250 >> MUSHY PEAS. 852 00:37:32,316 --> 00:37:34,418 >> WE'RE ALL KNOTTED UP WHICH MEANS WE'RE HEADED NOW TO A LIVE 853 00:37:34,485 --> 00:37:38,789 TIEBREAKER. 854 00:37:38,856 --> 00:37:41,492 >> OK, WE'RE OUTSIDE IN THE PARKING LOT. 855 00:37:41,559 --> 00:37:44,996 IT'S TIME TO SETTLE THIS ONCE AND FOR ALL IN A DUNK TANK 856 00:37:45,062 --> 00:37:46,163 TIEBREAKER. 857 00:37:46,230 --> 00:37:48,699 TO KEEP IN THE TRADITIONS OF OUR NATIVE COUNTRIES, I'LL BE 858 00:37:48,766 --> 00:37:52,970 KICKING A FOOTBALL, SOCCER BALL, AT MY AMERICAN TARGET NICK 859 00:37:53,037 --> 00:37:54,839 BERNSTEIN WHILE IAN WILL BE THROWING A FOOTBALL, AMERICAN 860 00:37:54,905 --> 00:37:59,543 FOOTBALL, AT HIS ENGLISH TARGET, LOUIE WEYMOUTH. 861 00:37:59,610 --> 00:38:01,912 WHICHEVER OF US DUNKS THE OPPOSING COUNTRY FIRST WILL WIN. 862 00:38:01,979 --> 00:38:03,047 READY TO DO THIS? 863 00:38:03,114 --> 00:38:03,614 >> LET'S DO IT. 864 00:38:03,681 --> 00:38:04,515 >> GOOD LUCK. 865 00:38:04,582 --> 00:38:05,349 HERE WE GO. 866 00:38:05,416 --> 00:38:07,752 OK. 867 00:38:07,818 --> 00:38:10,755 WAIT FOR THE WHISTLE. 868 00:38:10,821 --> 00:38:12,023 READY TO GO FOR A SWIM? 869 00:38:12,089 --> 00:38:16,093 READY TO GO FOR A SWIM! 870 00:38:16,160 --> 00:38:17,495 HEY, LOUIE? 871 00:38:17,561 --> 00:38:20,031 >> COME ON, JAMES! 872 00:38:20,097 --> 00:38:22,099 [CHEERS AND APPLAUSE] >> OH. 873 00:38:22,166 --> 00:38:22,600 OH. 874 00:38:22,667 --> 00:38:26,837 >> GOING FOR A SWIM! 875 00:38:26,904 --> 00:38:34,311 [BELL] [APPLAUSE] 876 00:38:34,378 --> 00:38:36,013 >> THAT DOES IT! 877 00:38:36,080 --> 00:38:37,948 AMERICA ARE THE WINNERS. 878 00:38:38,015 --> 00:38:40,017 WE'LL BE RIGHT BACK WITH MORE OF "THE LATE LATE SHOW" ♪ 879 00:39:05,943 --> 00:39:09,046 TOMORROW NIGHT, WE'LL BE JOINED BY JUSTIN LONG 880 00:39:09,113 --> 00:39:10,281 AND BETH BEHRS WILL DROP BY, PLUS WE'LL HAVE MUSIC FROM AVRIL 881 00:39:10,347 --> 00:39:10,915 LAVIGNE AND YUNGBLUD. 882 00:39:10,981 --> 00:39:11,415 WE HOPE YOU'LL JOIN US, TOO. 883 00:39:11,482 --> 00:39:11,949 WE'LL SEE YOU THEN. 884 00:39:12,016 --> 00:39:13,851 REGGIE, TAKE US HOME.