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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW, OOH

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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW

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♪ OH, OH
IT'S THE LATE LATE SHOW ♪

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♪ ♪ ♪
♪ ♪ ♪

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♪ ♪ ♪
>> James: Good evening ladies

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and gentlemen, welcome to The
Late Late Show.

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Hope you all had a nice Monday.

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We have a fun week of shows for
you.

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Tonight, we'll be chatting with
the hilarious Will Arnett, and

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later the very talented Maria
Bakalova will be joining us, so

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stick around.

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How was our weekend, gang?

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REG, HOW WAS SEDONA?

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>> IT WAS REALLY COOL.

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FAIRLY AMAZING, BEAUTIFUL.

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JUST INSANE GEOGRAPHY.

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IT'S INCREDIBLE.

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>> James: WHEN YOU GOT THERE,
WERE YOU, LIKE, AH, I COMPLETELY

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UNDERSTAND WHY THEY NAMED A CAR
AFTER THIS PLACE.

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( LAUGHTER )
BECAUSE THAT'S WHAT I IMAGINE.

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AH, YEAH, IT'S A MID-SIZE, I GET
IT, A RENTAL AT THE AIRPORT.

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>> Reggie: YEAH.

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IT WAS LIKE THE FIRST PROBABLY
AMONG THE FIRST THINGS THAT I

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THOUGHT.

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>> Reggie: I THINK THAT'S WHAT
HAPPENS TO A LOT OF PEOPLE.

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>> Reggie: THAT'S KIND OF WHY
I WENT UP THERE, I WAS, LIKE,

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DOES IT LIVE UP TO THE NAME?

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( LAUGHTER )
LET'S TAKE A LOOK AT HEADLINES.

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OVER THE WEEKEND, PRESIDENT
TRUMP SEEMED TO ACCIDENTALLY

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ADMIT DEFEAT FOR THE FIRST TIME,
WHEN HE TWEETED...

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"HE WON BECAUSE THE ELECTION WAS
RIGGED.ù"

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THAT'S RIGHT, TRUMP FINALLY
ADMITTED BIDEN WON.

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( CHEERS AND APPLAUSE )
>> James: BANG!

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BUT I WILL SAY,
TRUMP'S HANDLERS WERE

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IMMEDIATELY LIKE, "PAY NO
ATTENTION, IT WAS JUST A BRIEF

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MOMENT OF SANITY."

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( LAUGHTER )
TRUMP WON'T EVEN MENTION BIDEN

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BY NAME, KIND OF WHEN
A TEENAGER TALKS ABOUT THEIR EX

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BEST-FRIEND. "WELL I WAS HAVING
A GREAT TIME AT THE MALL UNTIL

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SHE SHOWED UP."

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"WHO?"
"HER!"

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BUT AFTER HE REALIZED WHAT HE
HAD DONE, THE PRESIDENT LATER

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TWEETED THIS, IN ALL CAPS...

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"I WON THE ELECTION!"
I'VE GOT TO SAY, YOU'D THINK

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THIS WOULD BE BIGGER NEWS.

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( LAUGHTER )
LISTEN, AS THE PARENT OF THREE

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YOUNG CHILDREN, I CAN ASSURE
YOU, WE'VE STILL GOT LIKE SIX

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MORE STAGES OF TANTRUM BEFORE WE
FINALLY GET HIM DOWN FOR BED.

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( LAUGHTER )
HERE'S THE THING, SCREAMING

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SOMETHING DOESN'T MAKE IT TRUE.

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IN FACT, IF YOU SAW A FRIEND
TWEET IN ALL CAP "MY LIFE IS

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GOING GREAT!" YOU'D IMMEDIATELY
START TO WORRY.

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( LAUGHTER )
BUT HE MAY BE SLOWLY ACCEPTING

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HIS FATE BECAUSE, JUST HOURS
LATER, TRUMP POSTED A MORE

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SUBDUED, LESS SCREAMY VERSION OF
THE SAME TWEET, WRITING...

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"I WON THE ELECTION!"
( LAUGHTER )

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LOOK AT THAT.

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WITHOUT THE ALL-CAPS I CAN
HARDLY RECOGNIZE THAT AS A TRUMP

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TWEET.

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( LAUGHTER )
ALTHOUGH HE DID RANDOMLY

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CAPITALIZE "ELECTION" TO LET US
KNOW HE HASN'T FORGOTTEN HIS

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ROOTS.

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( LAUGHTER )
YOU CAN REALLY SENSE HOW

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DEFLATED TRUMP IS FROM HIS
TWEETS.

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HE'S HOURS AWAY FROM TWEETING...

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(SAD) "WITCH HUNT OR WHATEVER.ù"
( LAUGHTER )

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SURE, LOCK HER UP.

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DO WHAT YOU WANT.

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YOU ALWAYS DO.

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( LAUGHTER )
>> JAMES: BUT SOME PEOPLE STILL

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DON'T THINK IT'S OVER.

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ON SATURDAY, A FEW THOUSAND
TRUMP SUPPORTERS GATHERED IN

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WASHINGTON D.C. TO PROTEST THE
ELECTION RESULTS.

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BUT THE WHITE HOUSE PRESS
SECRETARY FALSELY CLAIMED ON

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TWITTER THAT MORE THAN A MILLION
PEOPLE ACTUALLY ATTENDED.

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I MEAN, IF THIS IS HOW HIS AIDES
DO MATH, THEN IT'S WONDER TRUMP

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THINKS HE WON THE ELECTION.

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THE PRESS SECRETARY EVEN TWEETED
THIS PHOTO TO SUPPORT HER CLAIùu

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IT DOESN'T LOOK LIKE A MILLION
PEOPLE, BUT KEEP IN MIND A LOT

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OF THOSE GUYS ARE WEARING
CAMOUFLAGE.

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( LAUGHTER )
IT WAS KNOWN AS "THE MILLION

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MAGA MARCH."

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WHICH IS BETTER THAN THE
ORIGINAL NAME, "THE CRAZIES

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THANKSGIVING DAY PARADE."

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( LAUGHTER )
WHAT KIND OF FLOATS AND GIANT

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BALLOONS WOULD YOU SEE AT "THE
CRAZIES THANKSGIVING DAY

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PARADE?"
WHAT WOULD YOU GET THERE?

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>> WE'RE TALKING THE CRAZIES
THANKSGIVING PARADE?

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>> James: YEAH.

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WHAT KIND OF FLOATS?

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>> James: WHAT SORT OF
BALLOONS WOULD YOU SEE?

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>> MAYBE A FLOUT OF MY EXWIFE.

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( LAUGHTER )
>> James: HANG OPEN.

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WHAT DID YOU SAY?

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>> AT THE CRAZIES THANKSGIVING
PARADE?

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>> James: YEAH.

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THE KIND OF FLOAT WE MAY SEE?

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>> James: YEAH.

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HOW ABOUT MY EX-WIFE.

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>> James: I STILL DON'T GET
IT.

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( LAUGHTER )
AND I DID THAT THING WHERE I

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LAUGHED ALONG.

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>> I THINK HE'S SUGGESTING HIS
EX-WIFE IS CRAZY.

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>> Reggie: SHE'S CRAZY.

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NOT ONLY DOES SHE HAVE A
COUPLE OF SCREWS LOOSE, SHE

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DRIVES ME CRAZY.

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( RIM SHOT )
( LAUGHTER )

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>> James: HONESTLY, I DON'T
KNOW WHAT I'M MISSING.

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( LAUGHTER )
I KNOW I'M IN THE MINORITY.

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IAN SAID IT, I BELIEVE IT'S
FUNNY, I JUST DON'T GET IT.

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DO YOU GET IT, GUILLERMO?

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>> I WOULD JUST SUGGEST MOVING
ON.

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( LAUGHTER )
LOOK, WHETHER IT WAS -- LOOK,

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WHETHER IT WAS THOUSANDS OR A
MILLION, THE IMPORTANT THING IS

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THAT THE WHITE HOUSE IS STILL
ENCOURAGING PEOPLE TO GATHER IN

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LARGE GROUPS WITHOUT MASKS RIGHT
NOW.

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( LAUGHTER )
IN ORLANDO, FLORIDA,

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THE CITY JUST UNVEILED PLANS FOR
THE NATION'S FIRST-EVER FLYING

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CAR HUB.

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HERE'S AN ARTIST'S RENDERING OF
WHAT IT WILL LOOK LIKE

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SO AN AIRPORT. THEY INVENTED AN
AIRPORT.

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IT'S BEING CALLED A "VERTIPORT."

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AS IN (SERIOUS NEWS ANCHOR)
"THERE WAS YET ANOTHER ACCIDENT

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TODAY AT THE NATION'S FIRST
VERTIPORT..."

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( LAUGHTER )
LOOK AT -- BRING THAT UP!

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HOW IS THAT A FLYING CAR?

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IF YOU HAVE A TWENTY-FOUR-FOOT
WINGSPAN, THAT'S NOT A CAR!

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GOOD LUCK AT THE CARL'S JUNIOR
DRIVE-THRU LANE.

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( LAUGHTER )
HERE'S MY DEBIT CARD, SHOULD I

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JUST THROW IT TO YOU?

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( LAUGHTER )
WOULD YOU DO THIS, GUILLERMO?

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YOU WERE TRYING TO SHOW ME THE
WINGS DR. .

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>> FLIP IN.

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>> James: IT DOESENTS LOOK
LIKE A CAR.

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>> IT LOOKS LIKE A COMB.

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>> Reggie: IT'S MADE BY
LILLIAN.

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IT'S A MULTI-PROPULSION SYSTEM
KIND OF GROUND EFFECT VEHICLE.

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IT'S HARD.

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YOU CAN'T MAKE CARS LOOK LIKE
CARS AND FLY.

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I'LL SEE YA LATER.

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( LAUGHTER )
>> James: THAT'S TOO MUCH!

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( LAUGHTER )
>> James: THAT'S TOO MUCH!

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BUT THAT'S MY POINT, THEN, DON'T
CALL IT A FLYING CAR.

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>> Reggie: I AGREE.

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>> James: CALL IT SOMETHING
ELSE BECAUSE IF IT'S A FLYING

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CAR, I WANT IT TO BE A SEDONA.

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( LAUGHTER )
I WANT IT TO BE A SEDONA AND I

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WANT IT STUCK IN TRAFFIC.

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I DON'T WANT IT TO GO TO A
VERTIPORT AND TAKE OFF.

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I WANT TO BE ON THE 405 IN
TRAFFIC AND BE LIKE, TWO HOURS,

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FORGET THAT.

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SEE YOU LATER, GUYS!

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THAT'S A FLYING CAR.

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>> Reggie: I AGREE.

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>> James: AND FINALLY, JUST IN
TIME FOR THE HOLIDAYS, THE SNACK

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COMPANY
RITZ IS GIVING AWAY A GIANT TEN

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INCH CRACKER MEANT TO BE USED AS
AN EDIBLE HOLIDAY CHEESE BOARD.

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HERE IT IS HERE.
SO NOW YOU CAN BE LIKE, "DO I

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WANT AN APPETIZER?

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I REALLY SHOULDN'T. BUT I GUESS
I CAN HAVE ONE CRACKER."

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( LAUGHTER )
I LOVE THAT PEOPLE AREN'T

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ALLOWED TO SHARE FOOD BECAUSE OF
COVID AND RITZ IS LIKE, "BUT

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WHAT IF YOU COULD EAT THE PLATE
EVERYONE'S BEEN TOUCHING ALL

164
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NIGHT LONG?!"
( LAUGHTER )

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A TEN-INCH CRACKER.

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IS IT PRACTICAL?

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NO.

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BUT IS IT INTERESTING?

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ALSO NO.

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THE CRACKER ISN'T FOR SALE.

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IT'S BEING GIVEN AWAY THROUGH
RITZ'S INSTAGRAM ACCOUNT.

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WHICH EXPLAINS THIS ODD TWEET
FROM TRUMP...

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"I WON THE GIANT RITZ CRACKER!"
( LAUGHTER )

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WE'RE SO EXCITED, MELISSA
McCARTHY IS GOING TO BE ON THE

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SHOW TOMORROW.

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I'M NOT SURE IF YOU KNEW THIS,
REG, BUT BACK WHEN THE WORLD WAS

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STILL SEMI-NORMAL, MELISSA AND I
THOUGHT IT WOULD BE FUN TO

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CHALLENGE A FEW OTHER CASTMATES
OF HER UPCOMING FILM,

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SUPERINTELLIGENCE, TO A
SCAVENGER HUNT TO SEE HOW WELL

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WE'D ALL FARE IN THE WORLD
WITHOUT THE HELP OF BASIC.

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00:08:50,029 --> 00:08:51,113
-- BASIC TECHNOLOGY.

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00:08:51,197 --> 00:08:54,116
IT WAS A LOT OF FUN.

183
00:08:54,200 --> 00:08:54,951
I'M EXCITED TO SHARE THAT
ADVENTURE NOW.

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THIS IS "A DAY WITHOUT AI."

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00:09:01,165 --> 00:09:08,631
♪
♪

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00:09:08,714 --> 00:09:10,466
>> James: OKAY.

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00:09:10,549 --> 00:09:15,304
AS THE STARS OF THE BRILLIANT
AND HILARIOUS FILM

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00:09:15,388 --> 00:09:17,682
"SUPERINTELLIGENCE" WHICH IS
ABOUT THE WORLD'S FIRST TRUE

189
00:09:17,765 --> 00:09:22,186
ARTIFICIAL INTELLIGENCE, YOU ARE
BEING CHALLENGED TO SPEND THE

190
00:09:22,270 --> 00:09:27,817
DAY WITHOUT ANY A.I. OR
TECHNOLOGY WHATSOEVER.

191
00:09:27,900 --> 00:09:32,321
YOU WILL BE SPLIT INTO TWO
TEAMS, SAM AND JEAN, MYSELF AND

192
00:09:32,405 --> 00:09:33,447
MELISSA.

193
00:09:33,531 --> 00:09:36,492
WHICHEVER TEAM RETURNS HERE
FIRST WITH THE THREE TASKS

194
00:09:36,575 --> 00:09:38,577
COMPLETED WILL WIN.

195
00:09:38,661 --> 00:09:43,541
YOU MUST TAKE AND BRING BACK A
SELFIE OF YOUR TEAM IN FRONT OF

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00:09:43,624 --> 00:09:47,586
AN ICONIC LOS ANGELES MONUMENT
OR LANDMARK.

197
00:09:47,670 --> 00:09:58,681
FIND A CHINESE RESTAURANT AND
PURCHASE AND ORDER OF GENERAL

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00:09:58,764 --> 00:09:59,974
TSAU'S CHICKEN.

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00:10:00,057 --> 00:10:03,519
FIND A FRIEND YOU WILL BRING
WITH YOU BACK TO TELEVISION

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00:10:03,602 --> 00:10:06,063
CITY, IT MUST BE SOMEONE YOU'RE
KNOWN OVER A YEAR.

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PLACE YOUR PHONES, WATCHES AND
OTHER MISCELLANEOUS TECHNOLOGY

202
00:10:10,151 --> 00:10:10,651
INTO THIS BOX.

203
00:10:10,735 --> 00:10:12,194
NO CREDIT CARDS.

204
00:10:12,278 --> 00:10:13,487
THAT COUNTS AS TECHNOLOGY.

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00:10:13,571 --> 00:10:17,241
>> I HAVE A BLOOD GLUCOSE
MONITOR ON MY ARM.

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00:10:17,325 --> 00:10:19,035
>> James: I THINK THAT'S ALL
RIGHT.

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00:10:19,118 --> 00:10:19,452
>> CERTAINLY.

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00:10:19,535 --> 00:10:20,119
NO, TAKE IT OFF.

209
00:10:20,202 --> 00:10:22,872
TAKE OFF THE GLUCOSE MONITOR!

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00:10:22,955 --> 00:10:25,708
>> James: THAT'S LOCKED.

211
00:10:25,791 --> 00:10:30,588
WE HAVE TWO HOURS, AND OUR TIME
STARTS NOW.

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00:10:30,671 --> 00:10:31,380
OKAY.

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00:10:31,464 --> 00:10:35,051
MELISSA, GO, GO, GO, GO, GO, GO,
GO!

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00:10:35,134 --> 00:10:35,551
>> OKAY.

215
00:10:35,634 --> 00:10:36,010
>> James: WHAT'S THIS?

216
00:10:36,093 --> 00:10:36,719
WHAT'S THIS BOX?

217
00:10:36,802 --> 00:10:40,056
>> OOOH, MONEY!

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00:10:40,139 --> 00:10:41,390
A $20 BILL.

219
00:10:41,474 --> 00:10:45,227
>> James: A CAMERA PHONE BOOK.

220
00:10:45,311 --> 00:10:46,354
WET TOWELS.

221
00:10:46,437 --> 00:10:47,605
WE'RE IN A CITY WITHOUT ANY
LANDMARKS.

222
00:10:47,688 --> 00:10:52,693
I LITERALLY DON'T KNOW MY WAY
ANYWHERE WITHOUT A NAVIGATION

223
00:10:52,777 --> 00:10:53,235
SYSTEM.

224
00:10:53,319 --> 00:10:53,986
THIS SAYS NO LEFT TURN.

225
00:10:54,070 --> 00:10:55,696
>> NO, IF YOU GO RIGHT AND
RIGHT.

226
00:10:55,780 --> 00:10:58,366
>> James: RIGHT AND RIGHT?

227
00:10:58,449 --> 00:11:00,076
GO FULL McCARTHY.

228
00:11:00,159 --> 00:11:02,578
>> I'M SORRY.

229
00:11:02,661 --> 00:11:03,412
WAIT!

230
00:11:03,496 --> 00:11:03,746
SORRY.

231
00:11:03,829 --> 00:11:05,581
ONE SECOND.

232
00:11:05,664 --> 00:11:11,045
THANK YOU.

233
00:11:11,128 --> 00:11:12,296
THANK YOU SO MUCH!

234
00:11:12,380 --> 00:11:13,547
>> James: OH, MY GOSH.

235
00:11:13,631 --> 00:11:14,965
THANK YOU.

236
00:11:15,049 --> 00:11:16,759
THIS IS GOING TO BE A BREEZE.

237
00:11:16,842 --> 00:11:21,555
IT'S GOING TO BE AN ABSOLUTE
BREEZE.

238
00:11:21,639 --> 00:11:23,766
>> CBS STUDIOS IS AN AMERICAN
LANDMARK.

239
00:11:23,849 --> 00:11:25,935
WE CAN JUST FILM THERE.

240
00:11:26,018 --> 00:11:26,602
>> OH, MY GOD.

241
00:11:26,685 --> 00:11:29,397
HOW DID HE KNOW?

242
00:11:29,480 --> 00:11:29,939
>> James: I DON'T KNOW.

243
00:11:30,022 --> 00:11:33,526
EVERYBODY'S DONE BUT US.

244
00:11:33,609 --> 00:11:34,276
I'M JUST FOLLOWING YOU.

245
00:11:34,360 --> 00:11:36,404
I HOPE YOU KNOW WHAT YOU'RE
DOING.

246
00:11:36,487 --> 00:11:38,781
>> OOOH, OOOH!

247
00:11:38,864 --> 00:11:39,323
WHAT?

248
00:11:39,407 --> 00:11:40,408
OH, MY GOD THERE IT IS!

249
00:11:40,491 --> 00:11:43,119
THERE IT IS!

250
00:11:43,202 --> 00:11:44,370
>> OKAY.

251
00:11:44,453 --> 00:11:45,037
OKAY.

252
00:11:45,121 --> 00:11:48,916
JUST SAY --
>> FOR A SECOND.

253
00:11:48,999 --> 00:11:52,670
( LAUGHTER )
>> JEAN SMART, COME ON DOWN!

254
00:11:52,753 --> 00:12:00,845
( CHEERING )
>> James: THERE'S NO LANDMARKS

255
00:12:00,928 --> 00:12:02,054
IN L.A.

256
00:12:02,138 --> 00:12:05,641
THERE'S LITERALLY ALL OF THE
LANDMARKS ARE A JACK IN THE BOX

257
00:12:05,724 --> 00:12:08,269
AND GREAT PLACE FOR AVOCADO
TOAST.

258
00:12:08,352 --> 00:12:09,979
>> WHERE ARE THE TARPETTES.

259
00:12:10,062 --> 00:12:12,773
>> James: I DON'T KNOW WHAT
THE TARPETTES ARE.

260
00:12:12,857 --> 00:12:13,816
>> WHAT'S THE LABRAYA TARPETTES.

261
00:12:13,899 --> 00:12:18,154
IT'S A PIT OF TAR.

262
00:12:18,237 --> 00:12:19,321
EXCUSE ME.

263
00:12:19,405 --> 00:12:23,701
COULD YOU TELL ME WHERE THE
LABREA TAR PITS ARE?

264
00:12:23,784 --> 00:12:24,160
>> I DON'T KNOW.

265
00:12:24,243 --> 00:12:26,829
OH YOU DON'T KNOW.

266
00:12:26,912 --> 00:12:27,663
NO.

267
00:12:27,746 --> 00:12:31,292
>> James: HELL OF A LANDMARK,
McCARTHY.

268
00:12:31,375 --> 00:12:32,001
COME ON, MAN!

269
00:12:32,084 --> 00:12:34,128
GIVE ME A BREAK!

270
00:12:34,211 --> 00:12:35,129
( LAUGHTER )
>> TAR PITS!

271
00:12:35,212 --> 00:12:37,673
>> James: OH, I SEE.

272
00:12:37,756 --> 00:12:38,757
THIS IS THE LANDMARK.

273
00:12:38,841 --> 00:12:42,386
>> THIS IS THE LANDMARK.

274
00:12:42,470 --> 00:12:44,180
>> James: MY KIDS HAVE BEEN
HERE.

275
00:12:44,263 --> 00:12:49,518
>> LET'S LEAVE THE CAR HERE.

276
00:12:49,602 --> 00:12:52,354
THERE'S A WOOLLY MA'AM MUTH
SOMEWHERE.

277
00:12:52,438 --> 00:12:54,398
>> James: THAT'S AN ELEPHANT.

278
00:12:54,482 --> 00:12:55,566
THAT'S THE TAR PIT.

279
00:12:55,649 --> 00:12:58,444
REALLY GETTING THOSE KNEES GOING
TODAY.

280
00:12:58,527 --> 00:12:58,903
>> James: THERE IT IS.

281
00:12:58,986 --> 00:12:59,570
YOU CAN SMELL IT.

282
00:12:59,653 --> 00:13:02,865
>> James: THAT'S THE TAR PIT.

283
00:13:02,948 --> 00:13:04,366
WHERE'S THE CAMERA?

284
00:13:04,450 --> 00:13:06,577
>> I DON'T HAVE IT.

285
00:13:06,660 --> 00:13:07,870
I THOUGHT YOU HAD IT.

286
00:13:07,953 --> 00:13:09,997
YOU TOOK IT OUT OF THE BOX.

287
00:13:10,080 --> 00:13:11,081
NO, NO!

288
00:13:11,165 --> 00:13:14,543
WHEN YOU WENT IN THE BOX, YOU
SAID, HERE'S THE CAMERA.

289
00:13:14,627 --> 00:13:17,379
YOU SAID --
>> James: WAIT, I'LL GO GET

290
00:13:17,463 --> 00:13:17,880
THE CAMERA.

291
00:13:17,963 --> 00:13:18,839
>> GO, GO, GO, GO!

292
00:13:18,923 --> 00:13:20,758
DON'T BREATHE IN THAT TAR!

293
00:13:20,841 --> 00:13:22,551
OH, MY GOD!

294
00:13:22,635 --> 00:13:23,552
YOU CAN DO IT!

295
00:13:23,636 --> 00:13:28,891
HOPE HE HAS THE KEY.

296
00:13:28,974 --> 00:13:30,726
♪
♪

297
00:13:30,809 --> 00:13:45,699
♪
>> LITTLE HUSTLE!

298
00:13:45,783 --> 00:13:46,742
♪
>> LITTLE HUSTLE!

299
00:13:46,825 --> 00:13:49,578
UNT SNIEWNT YOU WANT ME TO
MOVE THE CAR?

300
00:13:49,662 --> 00:13:50,329
>> PLEASE.

301
00:13:50,412 --> 00:13:50,913
>> James: I'M UNDER TIME
PRESSURE.

302
00:13:50,996 --> 00:13:51,497
>> MOVE IT.

303
00:13:51,580 --> 00:13:53,624
>> James: I'LL MOVE IT.

304
00:13:53,707 --> 00:13:56,210
OH, MY GOD!

305
00:13:56,293 --> 00:13:58,921
>> DOES ANYBODY THINK JAMES --
ANYBODY SEEN JAMES CORDEN?

306
00:13:59,004 --> 00:14:00,965
OH, MY GOD!

307
00:14:01,048 --> 00:14:01,757
THAT ABOY!

308
00:14:01,840 --> 00:14:04,593
>> James: THEY MADE ME MOVE
THE CAR!

309
00:14:04,677 --> 00:14:05,594
>> OH, MY GOD!

310
00:14:05,678 --> 00:14:07,471
>> James: TRAFFIC PERSON MADE
ME MOVE THE CAR.

311
00:14:07,555 --> 00:14:09,306
>> YOU'RE REALLY, REALLY SWEATY.

312
00:14:09,390 --> 00:14:10,766
>> James: THAT'S IT.

313
00:14:10,849 --> 00:14:11,559
THAT'S THE ONE.

314
00:14:11,642 --> 00:14:12,768
>> I FEEL GREAT ABOUT THAT ONE.

315
00:14:12,851 --> 00:14:14,562
>> James: LET'S GO.

316
00:14:14,645 --> 00:14:15,938
ENJOY THE TAR PITS, GUYS.

317
00:14:16,021 --> 00:14:21,402
>> James: ONE OF L.A.'S
GREATEST LANDMARKS.

318
00:14:21,485 --> 00:14:23,279
>> GET THAT STROLLER MOVING.

319
00:14:23,362 --> 00:14:25,406
KEEP YOUR EYES OPEN FOR A
PHONE.

320
00:14:25,489 --> 00:14:26,282
THERE'S ONE RIGHT THERE.

321
00:14:26,365 --> 00:14:28,659
I THINK I KNOW WHAT THE WIPES
ARE FOR.

322
00:14:28,742 --> 00:14:30,494
THAT'S DISGUSTING.

323
00:14:30,578 --> 00:14:32,454
IT SOUNDS DIRTY.

324
00:14:32,538 --> 00:14:34,957
>> YES, WE'RE WONDERING IF YOU
COULD DEVELOP AN INSTAMATIC

325
00:14:35,040 --> 00:14:36,750
CAMERA WITHIN AN HOUR.

326
00:14:36,834 --> 00:14:37,459
YOU DON'T?

327
00:14:37,543 --> 00:14:40,337
DID YOU EVER?

328
00:14:40,421 --> 00:14:40,963
>> DO YOU DO ONE-HOUR PHOTO?

329
00:14:41,046 --> 00:14:42,673
YOU DO?

330
00:14:42,756 --> 00:14:43,299
OKAY, GREAT.

331
00:14:43,382 --> 00:14:44,466
WE'LL BE RIGHT THERE.

332
00:14:44,550 --> 00:14:46,302
THANK YOU.

333
00:14:46,385 --> 00:14:47,469
>> OH, MY GOSH!

334
00:14:47,553 --> 00:14:50,097
I DON'T KNOW IF IT'S STILL
THERE, BUT THERE USED TO BE AN

335
00:14:50,180 --> 00:14:54,393
ACTUAL CAMERA -- A CAMERA CAMERA
SHOP ON FAIRFAX.

336
00:14:54,476 --> 00:14:57,771
I THINK IT'S SAMMY'S CAMERA.

337
00:14:57,855 --> 00:14:58,856
>> SAMMY'S CAMERA, RIGHT THERE.

338
00:14:58,939 --> 00:15:00,649
OH!

339
00:15:00,733 --> 00:15:02,067
YEP.

340
00:15:02,151 --> 00:15:04,653
AND YOUR NAME.

341
00:15:04,737 --> 00:15:04,987
SAM.

342
00:15:05,070 --> 00:15:06,614
I'M DORIS.

343
00:15:06,697 --> 00:15:07,197
DORIS, THANK YOU SO MUCH.

344
00:15:07,281 --> 00:15:09,658
SEE YOU IN AN HOUR.

345
00:15:09,742 --> 00:15:11,535
>> SEE YOU IN AN HOUR.

346
00:15:11,619 --> 00:15:12,661
THANK YOU.

347
00:15:12,745 --> 00:15:15,497
OH, MY GOD, ARE YOU UP ON A
CURVE?

348
00:15:15,581 --> 00:15:16,498
>> James: YEAH.

349
00:15:16,582 --> 00:15:19,501
NO ONE SEEMS TO UNDERSTAND
WHAT'S AT STAKE HERE.

350
00:15:19,585 --> 00:15:20,669
>> OH!

351
00:15:20,753 --> 00:15:21,837
>> James: OH!

352
00:15:21,920 --> 00:15:23,255
SAMMY'S CAMERA.

353
00:15:23,339 --> 00:15:25,799
>> James: THIS IS 500s.

354
00:15:25,883 --> 00:15:27,426
SUPPOSED TO BE GOING THIS
WAY.

355
00:15:27,509 --> 00:15:29,803
>> James: BUT WE'RE IN THE
LEFT LANE.

356
00:15:29,887 --> 00:15:31,180
PAUL McCARTHY, REMEMBER.

357
00:15:31,263 --> 00:15:32,389
PAUL McCARTHY.

358
00:15:32,473 --> 00:15:34,850
>> CAN YOU LET US CUT THROUGH?

359
00:15:34,933 --> 00:15:35,059
>> James: YES!

360
00:15:35,142 --> 00:15:37,519
YES!

361
00:15:37,603 --> 00:15:38,228
YES!

362
00:15:38,312 --> 00:15:39,021
( HONKING )
NOW WE'RE COOKIN'!

363
00:15:39,104 --> 00:15:41,190
OH, MY GOD!

364
00:15:41,273 --> 00:15:42,358
SHE'S INCREDIBLE.

365
00:15:42,441 --> 00:15:43,150
>> OH, THIS IS IT!

366
00:15:43,233 --> 00:15:46,070
>> James: SAMMY'S CAMERA!

367
00:15:46,153 --> 00:15:49,365
I HAVE TWO OTHER PEOPLE COME IN
HERE AND DROPPED OFF A CAMERA.

368
00:15:49,448 --> 00:15:50,407
>> YES, YOUNG MAN.

369
00:15:50,491 --> 00:15:53,035
>> James: YOUNG MAN, YOU CAN
LOSE THAT.

370
00:15:53,118 --> 00:15:54,161
>> NOT GREAT PEOPLE.

371
00:15:54,244 --> 00:15:57,206
>> James: TRUTHFULLY, THE
IMAGES ARE DISGUSTING.

372
00:15:57,289 --> 00:16:02,169
YOU DON'T WANT TO BE RESPONSIBLE
FOR DEVELOPING WHAT THOSE TWO --

373
00:16:02,252 --> 00:16:05,422
>> I'M GOING TO SMACK TALK YOU
BUT I'M NOT GETTING INTO THAT.

374
00:16:05,506 --> 00:16:07,341
>> James: WHAT DO WE OWE YOU?

375
00:16:07,424 --> 00:16:08,050
$12.

376
00:16:08,133 --> 00:16:10,678
MONEY'S IN THE CAR.

377
00:16:10,761 --> 00:16:12,680
I'LL BE RIGHT BACK!

378
00:16:12,763 --> 00:16:15,391
>> DOES ANYBODY KNOW A CHINESE
RESTAURANT CLOSE TO HERE?

379
00:16:15,474 --> 00:16:17,059
IN THE FARMER'S MARKET?

380
00:16:17,142 --> 00:16:20,229
FARMERS MARKET!

381
00:16:20,312 --> 00:16:21,105
PAY LATER!

382
00:16:21,188 --> 00:16:25,401
>> James: WHAT DID I GO GET
THE MONEY FOR!

383
00:16:25,484 --> 00:16:31,365
>> WE'RE LEAVING!

384
00:16:31,448 --> 00:16:34,576
( BEEPING )
>> OH, PLEASE, PLEASE -- WE'RE

385
00:16:34,660 --> 00:16:37,413
HERE FROM "THE LATE LATE SHOW"
AND ARE WONDERING DO YOU HAVE

386
00:16:37,496 --> 00:16:48,215
GENERAL TAO'S CHICKEN?

387
00:16:48,298 --> 00:16:53,095
OH!

388
00:16:53,178 --> 00:16:55,264
I'LL GIVE YOU FIVE BUCKS CASH.

389
00:16:55,347 --> 00:16:58,100
>> I CAN'T DO THAT.

390
00:16:58,183 --> 00:17:01,103
WHAT ARE WE GOING TO DO?

391
00:17:01,186 --> 00:17:02,020
I SEE.

392
00:17:02,104 --> 00:17:05,441
>> James: WHICH WAY, THE
FARMERS MARKET HERE.

393
00:17:05,524 --> 00:17:09,236
WELCOME TO THE FARMERS MARKET.

394
00:17:09,319 --> 00:17:09,611
THERE IT IS!

395
00:17:09,695 --> 00:17:10,612
THERE IT IS!

396
00:17:10,696 --> 00:17:12,281
THERE IT IS!

397
00:17:12,364 --> 00:17:13,115
HI!

398
00:17:13,198 --> 00:17:13,782
HOW ARE YOU?

399
00:17:13,866 --> 00:17:19,121
WE NEAT GENERAL TAO'S CHICKEN?

400
00:17:19,204 --> 00:17:21,331
HOW MUCH IS IT?

401
00:17:21,415 --> 00:17:22,332
>> $8.

402
00:17:22,416 --> 00:17:23,459
>> James: $8?

403
00:17:23,542 --> 00:17:23,959
YEAH.

404
00:17:24,042 --> 00:17:25,002
>> James: WHAT IS IT?

405
00:17:25,085 --> 00:17:29,506
CAN I TRY A BIT OF THAT ONE?

406
00:17:29,590 --> 00:17:30,966
MM-MMM!

407
00:17:31,049 --> 00:17:32,050
>> THAT'S GOOD.

408
00:17:32,134 --> 00:17:36,096
IF YOU'RE CURBING OUT, I'M NOT
GOING TO SAY NO, PLEASE.

409
00:17:36,180 --> 00:17:38,474
>> HI, WE NEED MONEY FOR A TV
SHOW.

410
00:17:38,557 --> 00:17:41,101
COULD YOU GIVE US $2.

411
00:17:41,185 --> 00:17:47,733
>> WE NEED MONEY TO BUY GENERAL
TAO'S CHICKEN.

412
00:17:47,816 --> 00:17:50,819
>> NOBODY WITH WHITE PANTS
DOESN'T HAVE MONEY.

413
00:17:50,903 --> 00:17:52,821
MAYBE A SPRING ROLL?

414
00:17:52,905 --> 00:17:54,531
JUST A SPRING ROLL?

415
00:17:54,615 --> 00:17:56,158
IS THERE A SPRING ROLL KNOCKING
AROUND?

416
00:17:56,241 --> 00:17:58,994
NO, NO, WE'VE ONLY GOT 8.

417
00:17:59,077 --> 00:18:00,829
I CAN'T STRESS THAT ENOUGH.

418
00:18:00,913 --> 00:18:02,206
AND THAT COMES WITH DRINKS, DOES
IT?

419
00:18:02,289 --> 00:18:03,290
THANK YOU, WE'VE GOT TO GO.

420
00:18:03,373 --> 00:18:06,293
THIS WAY, THIS WAY, THIS WAY!

421
00:18:06,376 --> 00:18:08,128
( CHEERING )
SEE YA!

422
00:18:08,212 --> 00:18:08,670
OKAY.

423
00:18:08,754 --> 00:18:11,340
>> THIS IS REALLY RED.

424
00:18:11,423 --> 00:18:14,176
WE'RE DOING A TV SHOW AND WE'RE
SUPPOSED TO BUY CHINESE FOOD AND

425
00:18:14,259 --> 00:18:18,180
WE ONLY HAVE $7 BECAUSE WE'RE ON
A SCAVENGER HUNT.

426
00:18:18,263 --> 00:18:22,059
IS THERE A WAY YOU CAN PITCH IN
11?

427
00:18:22,142 --> 00:18:24,102
>> JUST HELP US OUT.

428
00:18:24,186 --> 00:18:24,436
OH, MY GOD!

429
00:18:24,520 --> 00:18:26,188
THANK YOU.

430
00:18:26,271 --> 00:18:31,026
!

431
00:18:31,109 --> 00:18:32,027
YES!

432
00:18:32,110 --> 00:18:36,406
>> James: I THINK WE HAVE TO
FIND THE FRIEND FIRST?

433
00:18:36,490 --> 00:18:40,702
>> THERE'S A 92% CHANCE IF WE GO
TO GROUND LINK THEY'LL NO

434
00:18:40,786 --> 00:18:41,787
SOMEONE.

435
00:18:41,870 --> 00:18:44,164
>> DO YOU HAVE A LAND LINE PHONE
WE CAN BORROW BRIEFLY?

436
00:18:44,248 --> 00:18:46,542
CALL MY FRIEND JAMIE AND I KNOW
HER PHONE NUMBER.

437
00:18:46,625 --> 00:18:49,878
JAMIE, IT'S SAM.

438
00:18:49,962 --> 00:18:52,214
I NEED YOU TO MEET UP WITH US.

439
00:18:52,297 --> 00:18:56,426
>> SEE THE THINGS HANGING DOWN?

440
00:18:56,510 --> 00:18:59,805
WE'RE ON A SCAVENGER HUNT AND
LOOKING FOR SOMEONE WE KNOW.

441
00:18:59,888 --> 00:19:00,681
>> KEVIN KIRKPATRICK.

442
00:19:00,764 --> 00:19:02,099
WHERE IS HE.

443
00:19:02,182 --> 00:19:02,891
THE THEATER.

444
00:19:02,975 --> 00:19:05,352
>> James: YOU KNOW KEVIN
KIRKPATRICK?

445
00:19:05,435 --> 00:19:05,894
>> 15 YEARS.

446
00:19:05,978 --> 00:19:07,896
HE WAS IN MY WEDDING.

447
00:19:07,980 --> 00:19:09,273
>> GOING THERE AS QUICK AS YOU
CAN.

448
00:19:09,356 --> 00:19:16,905
CBS, LET'S GO!

449
00:19:16,989 --> 00:19:17,906
>> WHERE'S KEVIN?

450
00:19:17,990 --> 00:19:20,117
I THINK HE WENTO AN AUDITION.

451
00:19:20,200 --> 00:19:22,578
>> James: HE HAD AN AUDITION?

452
00:19:22,661 --> 00:19:24,246
IS KEVIN HERE?

453
00:19:24,329 --> 00:19:32,546
YOU THINK HE'S GONE TO AN
AUDISH.

454
00:19:32,629 --> 00:19:33,714
>> DO YOU HAVE A WATER?

455
00:19:33,797 --> 00:19:39,261
>> James: I NEED A FRIEND I'VE
KNOWN LONGER THAN 12 MONTHS!

456
00:19:39,344 --> 00:19:43,765
>> MY FRIEND JAMIE, I TOLD HER
TO BE RIGHT OUTSIDE, SO I LOOK

457
00:19:43,849 --> 00:19:45,767
OUT FOR HER.

458
00:19:45,851 --> 00:19:46,768
SHE'S BLONDE.

459
00:19:46,852 --> 00:19:47,394
>> AMAZING, WHOEVER SHE IS.

460
00:19:47,477 --> 00:19:50,772
THAT'S HER, JAMIE!

461
00:19:50,856 --> 00:19:51,064
JAMIE!

462
00:19:51,148 --> 00:19:51,607
GET IN!

463
00:19:51,690 --> 00:19:52,774
GET IN!

464
00:19:52,858 --> 00:19:54,568
>> WHAT IS HAPPENING?

465
00:19:54,651 --> 00:19:55,819
I'LL EXPLAIN EVERYTHING IN
THE CAR.

466
00:19:55,903 --> 00:20:00,949
JUST GET IN!

467
00:20:01,033 --> 00:20:01,575
>> OH, MY GOD!

468
00:20:01,658 --> 00:20:04,286
GO, GO, GO, GO, GO!

469
00:20:04,369 --> 00:20:06,288
DO YOU KNOW OUR MANAGING
DIRECTOR?

470
00:20:06,371 --> 00:20:08,165
SHE'S BACK THERE.

471
00:20:08,248 --> 00:20:10,250
>> SHE'S BACK IN HER OFFICE.

472
00:20:10,334 --> 00:20:11,293
>> James: HEATHER D. MICHELLE?

473
00:20:11,376 --> 00:20:14,171
THAT'S MY VOCAL WARMUP.

474
00:20:14,254 --> 00:20:18,467
HEATHER D. MICHELLE, HEATHER D.

475
00:20:18,550 --> 00:20:19,801
MICHELLE.

476
00:20:19,885 --> 00:20:20,677
>> HEATHER...

477
00:20:20,761 --> 00:20:21,511
I.

478
00:20:21,595 --> 00:20:22,846
DO YOU WANT TO GET IN OUR CAR
WITH US?

479
00:20:22,930 --> 00:20:25,807
>> James: HEATHER D. MICHELLE!

480
00:20:25,891 --> 00:20:30,437
NOW, BE HONEST, HAVE YOU KNOWN
MELISSA McCARTHY LONGER THAN

481
00:20:30,520 --> 00:20:32,439
12 MONTHS.

482
00:20:32,522 --> 00:20:32,940
>> 30 YEARS.

483
00:20:33,023 --> 00:20:34,149
>> James: 30 YEARS?

484
00:20:34,232 --> 00:20:40,364
WE'VE GOT THE CHINESE, WE'VE GOT
THE SELFIE, EVERYWHERE'S A RED

485
00:20:40,447 --> 00:20:41,657
LIGHT!

486
00:20:41,740 --> 00:20:43,200
( LAUGHTER )
>> I MIGHT NEED YOU.

487
00:20:43,283 --> 00:20:44,451
LOOK AT THIS.

488
00:20:44,534 --> 00:20:46,662
>> THANK YOU!

489
00:20:46,745 --> 00:20:49,831
( HONKING )
>> James: THEY STOP AND

490
00:20:49,915 --> 00:20:51,333
THEY'RE NOT ANGRY.

491
00:20:51,416 --> 00:20:52,459
LOOK, LOOK AT THAT!

492
00:20:52,542 --> 00:20:57,339
IF THAT WAS ME, I WOULD HAVE
DIED FOUR TIMES TODAY.

493
00:20:57,422 --> 00:21:00,717
>> BUT THEY'RE LIKE WELL, SHE'S
IN AN OLIVE GREEN JUMP SUIT, SHE

494
00:21:00,801 --> 00:21:02,344
KNOWS WHAT SHE'S TALKING ABOUT.

495
00:21:02,427 --> 00:21:03,971
I DON'T SEE THEM.

496
00:21:04,054 --> 00:21:05,847
>> James: I'M GOING.

497
00:21:05,931 --> 00:21:07,391
OH, GOSH.

498
00:21:07,474 --> 00:21:08,809
OH, MY GOSH.

499
00:21:08,892 --> 00:21:09,267
WE'RE PUTTING THE CAR HERE.

500
00:21:09,351 --> 00:21:11,520
WAIT, WAIT, WAIT!

501
00:21:11,603 --> 00:21:14,815
WE NEED THE FOOD, THE FOOD, THE
PICTURES!

502
00:21:14,898 --> 00:21:15,691
HAVE YOU GOT THE PICTURES?

503
00:21:15,774 --> 00:21:18,860
GO, GO, GO, GO, GO, GO, GO!

504
00:21:18,944 --> 00:21:20,320
IS THE CAR OKAY THERE?

505
00:21:20,404 --> 00:21:26,368
I FEEL LIKE THE CAR'S NOT OKAY
THERE!

506
00:21:26,451 --> 00:21:33,834
( BEEPING )
♪

507
00:21:33,917 --> 00:21:37,337
♪
>> ARE WE THE FIRST ONES?

508
00:21:37,421 --> 00:21:40,382
>> James: HEY!

509
00:21:40,465 --> 00:21:41,383
NO!

510
00:21:41,466 --> 00:21:43,176
NO!

511
00:21:43,260 --> 00:21:45,220
>> James: WE DID IT TWICE.

512
00:21:45,303 --> 00:21:49,099
WE GOT MORE SELFIES AT OTHER
LANDMARKS.

513
00:21:49,182 --> 00:21:53,228
TWO SELFIES IN FRONT OF
LANDMARKS, THAT'S A POINT EACH.

514
00:21:53,311 --> 00:22:00,902
TWO ORDERS OF CHINESE CHICKEN,
TWO FRIENDS YOU'VE KNOWN OVER A

515
00:22:00,986 --> 00:22:03,280
YEAR, WHICH MEANS THE WINNERS IF
THEY DID IT IN RECORD TIME ARE

516
00:22:03,363 --> 00:22:11,788
ME AND MELISSA McCARTHY AND
HEATHER D. MICHELLE!

517
00:22:11,872 --> 00:22:12,414
WHOO!

518
00:22:12,497 --> 00:22:13,665
I'M SORRY FOR YOUR LOSS.

519
00:22:13,749 --> 00:22:17,544
I'M SORRY GUYS, BUT I THINK THE
TRUTH IS WE'RE ALL WINNERS TODAY

520
00:22:17,627 --> 00:22:21,548
BECAUSE WE ALL LEARNED SOMETHING
VERY IMPORTANT WHICH IS -- WE

521
00:22:21,631 --> 00:22:25,552
LEARNED THAT WE ARE ALL USELESS
WITHOUT OUR CELL PHONES.

522
00:22:25,635 --> 00:22:27,429
WELL DONE EVERYBODY.

523
00:22:27,512 --> 00:22:29,306
IT'S TIME TO GIVE YOU YOUR
PHONES BACK.

524
00:22:29,389 --> 00:22:32,934
WHO KNOWS THE CODE FOR THIS?

525
00:22:33,018 --> 00:22:34,269
>> SERIOUSLY?

526
00:22:34,352 --> 00:22:36,104
>> James: ANYONE?

527
00:22:36,188 --> 00:22:36,730
GUYS?

528
00:22:36,813 --> 00:22:39,316
>> James: GUYS?

529
00:22:39,399 --> 00:22:39,608
HMM?

530
00:22:39,691 --> 00:22:40,609
MM-MMM.

531
00:22:40,692 --> 00:22:41,818
>> SERIOUSLY, GUYS, SOMEBODY'S
GOT ANOTHER CONE.

532
00:22:41,902 --> 00:22:45,447
>> James: OUR THANKS TO MISSA
McCARTHY, SAM AND JEAN SMART.

533
00:22:45,530 --> 00:22:49,242
"SUPERINTELLIGENCE" PREMIERES ON
HBO MAX ON NOVEMBER 26TH.

534
00:22:49,326 --> 00:22:51,495
WHEN WE COME BACK, WE'LL TALK TO
WILL ARNETT.

535
00:22:51,578 --> 00:22:52,496
COME ON BACK, EVERYBODY!

536
00:23:06,051 --> 00:23:06,718
♪
>> James: WELCOME BACK.

537
00:23:06,802 --> 00:23:07,886
LET'S MEET OUR FIRST GUEST
TONIGHT!

538
00:23:07,969 --> 00:23:11,431
HE'S THE STAR OF 'ARRESTED
DEVELOPMENT', 'BOJACK HORSEMAN',

539
00:23:11,515 --> 00:23:16,144
AND 'THE LEGO MOVIE'.ù THE
MIGHTY, THE CHARMING, WILL

540
00:23:16,228 --> 00:23:16,603
ARNETT!

541
00:23:16,686 --> 00:23:20,315
HOW ARE YOU, WILL?

542
00:23:20,398 --> 00:23:20,816
>> SO GREAT.

543
00:23:20,899 --> 00:23:22,025
I AM SO, SO GREAT.

544
00:23:22,109 --> 00:23:22,651
THANK YOU FOR ASKING.

545
00:23:22,734 --> 00:23:24,111
HOW ARE YOU DOING, MAN.

546
00:23:24,194 --> 00:23:25,862
>> James: I'M GOOD.

547
00:23:25,946 --> 00:23:29,032
I'M ALWAYS HAPPY TO SEE YOU BUT
I FEEL LIKE CIRCUMSTANCES HAVE

548
00:23:29,116 --> 00:23:31,868
CHANGED BETWEEN US BECAUSE I
DON'T KNOW HOW TO ADDRESS YOU

549
00:23:31,952 --> 00:23:32,494
NOW.

550
00:23:32,577 --> 00:23:46,299
ARE YOU LORD ARN ARN ARNETT.

551
00:23:46,383 --> 00:23:51,847
>> I DO A PODCAST WITH JASON
BATEMAN AND SEAN HAYES AS YOU

552
00:23:51,930 --> 00:23:53,473
KNOW CALLED "SMARTLESS."

553
00:23:53,557 --> 00:23:58,562
ONE OF OUR ADVERTISERS ADVERTISE
A THING WHERE YOU CAN BUY A

554
00:23:58,645 --> 00:24:02,649
LORDSHIP OR A LADYSHIP OVER IN
SCOTLAND.

555
00:24:02,732 --> 00:24:06,361
SO I DECIDED TO PUT MY MONEY
WHERE MY MOUTH WAS AND I WENT

556
00:24:06,444 --> 00:24:08,697
AHEAD AND BOUGHT MYSELF A
LORDSHIP.

557
00:24:08,780 --> 00:24:13,702
SO, LOOK, I'M NOT ONE OF THESE
NEW LORDS.

558
00:24:13,785 --> 00:24:16,204
( LAUGHTER )
WHO'S GOING TO GO AROUND AND

559
00:24:16,288 --> 00:24:21,710
DEMANDING PEOPLE CALL ME "SIR"
ALL THE TIME, JUST IN FORMAL

560
00:24:21,793 --> 00:24:22,169
SETTINGS.

561
00:24:22,252 --> 00:24:23,253
>> James: SURE.

562
00:24:23,336 --> 00:24:26,506
I MEAN, WHEREABOUTS IN
SCOTLAND -- HOW MUCH OF SCOTLAND

563
00:24:26,590 --> 00:24:29,926
ARE YOU THE LORD OF?

564
00:24:30,010 --> 00:24:31,761
>> LOOK, IT'S VERY VAGUE.

565
00:24:31,845 --> 00:24:41,563
I DON'T KNOW EXACTLY HOW MUCH OR
EVEN TECHNICALLY WHERE, BUT I DO

566
00:24:41,646 --> 00:24:49,154
KNOW THAT SOMEWHERE OUT THERE,
MAYBE IN THE HIGHLANDS, MAYBE IN

567
00:24:49,237 --> 00:24:57,621
SOME LOCH SOMEWHERE, MY PEOPLE
ARE WAITING FOR ME.

568
00:24:57,704 --> 00:25:03,752
>> James: THEY'RE WAITING FOR
THE LINEAGE OF YOUR FAMILY WHICH

569
00:25:03,835 --> 00:25:04,419
HAS GROWN.

570
00:25:04,502 --> 00:25:05,921
YOU'VE HAD A SON IN LOCKDOWN.

571
00:25:06,004 --> 00:25:07,547
HE'S ALMOST SIX MONTHS OLD NOW.

572
00:25:07,631 --> 00:25:09,257
CONGRATULATIONS.

573
00:25:09,341 --> 00:25:09,925
>> THANK YOU.

574
00:25:10,008 --> 00:25:11,092
>> James: SUCH WONDERFUL NEWS.

575
00:25:11,176 --> 00:25:13,595
I REMEMBER YOU TELLING ME LAST
TIME YOU WERE ON THE SHOW YOU

576
00:25:13,678 --> 00:25:14,596
WERE EXPECTING.

577
00:25:14,679 --> 00:25:16,765
HOW ARE YOU COPING?

578
00:25:16,848 --> 00:25:17,807
HOW IS IT?

579
00:25:17,891 --> 00:25:19,100
>> IT'S -- IT'S GOOD.

580
00:25:19,184 --> 00:25:20,310
IT'S REALLY GOOD.

581
00:25:20,393 --> 00:25:23,063
I DON'T KNOW IF MY VOICE SOUNDS
HIGHER WHEN I SAY IT'S GOOD.

582
00:25:23,146 --> 00:25:25,982
IT'S BEEN ACTUALLY REALLY
FANTASTIC.

583
00:25:26,066 --> 00:25:28,568
TO TELL YOU THE TRUTH ONE OF THE
GREAT THINGS ABOUT BEING IN THIS

584
00:25:28,652 --> 00:25:30,779
KIND OF LOCKDOWN IS I HAVE BEEN
JUST HOME A LOT.

585
00:25:30,862 --> 00:25:32,113
>> James: YEAH.

586
00:25:32,197 --> 00:25:35,116
SO I HAVE BEEN HERE AND I
REALLY, REALLY SORT OF HAVE

587
00:25:35,200 --> 00:25:39,579
TAKEN THAT AS ONE OF THE SORT OF
JAMES, I DON'T KNOW IF YOU KNEW

588
00:25:39,663 --> 00:25:40,330
THAT ABOUT ME.

589
00:25:40,413 --> 00:25:41,122
>> I DID.

590
00:25:41,206 --> 00:25:44,084
>> James: I ENJOY LIFE, I
REALLY DO.

591
00:25:44,167 --> 00:25:47,254
SO I'M LIKE THIS IS KIND OF A
GOOD THING.

592
00:25:47,337 --> 00:25:49,631
I'M HOME WITH THE KIDS A LOT,
BUT NOW I'M HERE WITH THIS NEW

593
00:25:49,714 --> 00:25:51,633
BABY.

594
00:25:51,716 --> 00:25:54,844
HE -- UM -- HE GETS UP VERY
EARLY.

595
00:25:54,928 --> 00:25:56,638
>> James: YES.

596
00:25:56,721 --> 00:25:57,806
YOU KNOW, YEAH.

597
00:25:57,889 --> 00:26:00,850
SO SOMETIMES DAD'S CRANKY, SURE.

598
00:26:00,934 --> 00:26:02,852
I'LL ADMIT TO THAT.

599
00:26:02,936 --> 00:26:07,107
BUT FOR THE MOST PART, IT'S BEEN
REALLY -- NO, IT'S BEEN REALLY

600
00:26:07,190 --> 00:26:09,693
FANTASTIC AND, YEAH, IT'S BEEN
SUCH A WILD, WEIRD TIME.

601
00:26:09,776 --> 00:26:13,154
>> James: WHY ARE YOU TALK --
WHERE WITH YOU TALKING TO US

602
00:26:13,238 --> 00:26:14,072
FROM?

603
00:26:14,155 --> 00:26:16,491
ARE YOU IN SOME SORT OF
UNDERGROUND BUNKER?

604
00:26:16,574 --> 00:26:17,951
WHERE ARE WE RIGHT NOW?

605
00:26:18,034 --> 00:26:20,370
>> NO, I'M NOT IN A PANIC ROOM!

606
00:26:20,453 --> 00:26:22,956
YOU'RE IN A PANIC ROOM!

607
00:26:23,039 --> 00:26:25,041
( LAUGHTER )
>> James: NO, BECAUSE THIS IS

608
00:26:25,125 --> 00:26:28,169
A STUDIO THAT'S SET UP IN YOUR
HOUSE, RIGHT?

609
00:26:28,253 --> 00:26:29,379
>> IT IS.

610
00:26:29,462 --> 00:26:36,177
THIS IS MY VOICE -- THIS IS MY
VOICEOVER BOOTH THAT Y I HAVE IN

611
00:26:36,261 --> 00:26:36,970
THE HOUSE.

612
00:26:37,053 --> 00:26:39,556
I'VE HAD THIS BOOTH FOR A FEW
YEARS.

613
00:26:39,639 --> 00:26:43,351
I REALIZE I DO A LOT OF VOICE
WORK AND, SO, I REALIZE EVERY

614
00:26:43,435 --> 00:26:47,022
DAY I HAVE BEEN DRIVING AROUND
GOING TO VARIOUS STUDIOS GOING,

615
00:26:47,105 --> 00:26:49,858
WHY DON'T I JUST DO THAT FROM
HOME.

616
00:26:49,941 --> 00:26:50,650
SO I DID THAT.

617
00:26:50,734 --> 00:26:52,694
I WAS KIND OF READY.

618
00:26:52,777 --> 00:26:55,697
NOW DURING THE PANDEMIC I END UP
TAKING MY MEETINGS IN HERE

619
00:26:55,780 --> 00:27:00,035
BECAUSE THE KIDS AND PEOPLE ARE
RUNNING AROUND AND THE BABY, AND

620
00:27:00,118 --> 00:27:03,663
I'VE HIT THIS POINT WHERE I'M IN
HERE A LOT AND STARTED THINKING

621
00:27:03,747 --> 00:27:08,543
AM I SLOWLY GOING CRAZY JUST
NONSTOP IN THE BOOTH RECORDING

622
00:27:08,626 --> 00:27:11,546
TRACKS FOR VARIOUS PRODUCTS AND
THINGS AND JUST HEARING THE

623
00:27:11,629 --> 00:27:14,632
SOUND OF MY OWN VOICE AND MAYBE
I'M LOSING IT AND MAYBE I'M

624
00:27:14,716 --> 00:27:20,221
PUTTING MY VOICE OUT THERE AND
NOBODY CAN HEAR ME HEAR ME HEAR

625
00:27:20,305 --> 00:27:24,225
ME HEAR ME --
>> James: YOU'RE SO GOOD WITH

626
00:27:24,309 --> 00:27:25,852
VOICEOVERS, I FEEL LIKE YOU
COULD SELL ANYTHING.

627
00:27:25,935 --> 00:27:27,395
HAVE YOU ALWAYS BEEN THAT WAY?

628
00:27:27,479 --> 00:27:30,732
HAS YOUR VOICE ALWAYS BEEN A
NATURAL SELLING TOOL?

629
00:27:30,815 --> 00:27:35,403
>> WELL, I THINK BEFORE -- I
THINK BEFORE I HIT PUBERTY I

630
00:27:35,487 --> 00:27:39,616
HAND KIND OF LIKE -- IT WAS
ALREADY RASPY BUT NOT DEEP, IT

631
00:27:39,699 --> 00:27:40,742
WAS SQUEAKY LIKE THIS.

632
00:27:40,825 --> 00:27:44,871
WHEN I GOT INTO MY TEENS AND
20s, I KIND OF GOT A LOT OF

633
00:27:44,954 --> 00:27:49,292
ACTING JOBS BECAUSE I LOOKED
REALLY YOUNG AT THE BUT I HAD

634
00:27:49,376 --> 00:27:50,502
THIS CRAZY VOICE.

635
00:27:50,585 --> 00:27:53,713
GOING IN FOR, LIKE, TEENAGE
PARTS, IT WOULD BE, HEY, MOM, AM

636
00:27:53,797 --> 00:27:54,964
I GROUNDED AGAIN?

637
00:27:55,048 --> 00:27:59,552
AND IT'S, LIKE, NO, MAN, NO,
IT'S NOT GOING TO WORK

638
00:27:59,636 --> 00:28:01,763
( LAUGHTER )
>> James: NOW, LET'S TALK

639
00:28:01,846 --> 00:28:05,558
ABOUT YOUR BRILLIANT PODCAST
JASON PATEMAN AND SEAN HAYES

640
00:28:05,642 --> 00:28:07,644
"SMARTLESS," IT'S SUCH A
BRILLIANT PODCASTS.

641
00:28:07,727 --> 00:28:11,731
IT'S ONE OF MY ABSOLUTE
FAVORITES.

642
00:28:11,815 --> 00:28:14,651
HOW WOULD WILL ARNETT AS A
VOICEOVER ARTIST SELL SUCH A

643
00:28:14,734 --> 00:28:17,654
THING IF YOU'RE DOING A
COMMERCIAL FOR IT.

644
00:28:17,737 --> 00:28:24,744
>> I DON'T KNOW, I WOULD
PROBABLY SAY, THREE FRIENDS --

645
00:28:24,828 --> 00:28:34,337
WITH ONE MISSION -- THIS FALL --
TAKE A RIDE -- INTO TOTAL

646
00:28:34,421 --> 00:28:35,296
NONSENSE!

647
00:28:35,380 --> 00:28:37,799
IT'S "SMARTLESS" WHEREVER YOU
GET PODCASTS.

648
00:28:37,882 --> 00:28:38,633
SOMETHING LIKE THAT.

649
00:28:38,716 --> 00:28:41,553
>> James: IT'S SUCH A
BRILLIANT PODCAST.

650
00:28:41,636 --> 00:28:50,603
EXPLAIN WHAT THE SETUP OF THE
PODCAST IS.

651
00:28:50,687 --> 00:28:55,316
>> EVERY EPISODE, JASON OR SEAN
OR I BRING ON A GUEST AND THE

652
00:28:55,400 --> 00:29:00,822
OTHER TWO GUYS DON'T KNOW WHO IT
IS.

653
00:29:00,905 --> 00:29:04,617
IT WAS OUT OF LAZINESS SO WE
DON'T ALL HAVE TO RESEARCH.

654
00:29:04,701 --> 00:29:07,162
SO THE ONE GUY WHO BRINGS THE
GUEST HAS TO DO SOME RESEARCH ON

655
00:29:07,245 --> 00:29:10,373
THE GUEST AND THE OTHER TWO GUYS
CAN JUST SHOW UP.

656
00:29:10,457 --> 00:29:16,337
BUT THE TRUTH IS, IT'S REALLY
JUST AN EXCUSE FOR US TO KIND OF

657
00:29:16,421 --> 00:29:18,715
TAKE THE PISS OUT OF EACH OTHER.

658
00:29:18,798 --> 00:29:21,718
THAT'S ALL WE WANT TO DO IS
LAUGH AND GOOF AROUND BUT HAVE

659
00:29:21,801 --> 00:29:24,679
PEOPLE AROUND THAT WE REALLY
LIKE.

660
00:29:24,762 --> 00:29:27,640
I CAN SAY THIS, I MIGHT AS WELL
GET IT OUT, JAMES, YOU WERE ON

661
00:29:27,724 --> 00:29:29,851
THE SHOW RECENTLY THAT'S GOING
TO BE COMING OUT SOON THAT'S A

662
00:29:29,934 --> 00:29:35,690
GREAT EPISODE AND WE HAD A LOT
OF FUN, DIDN'T WE?

663
00:29:35,773 --> 00:29:37,734
>> James: I LOVED DOING IT SO
MUCH.

664
00:29:37,817 --> 00:29:38,985
IT'S SO BRILLIANT.

665
00:29:39,068 --> 00:29:39,861
I COULD LISTEN TO IT ALL DAY.

666
00:29:39,944 --> 00:29:41,070
CHECK IT OUT.

667
00:29:41,154 --> 00:29:46,075
"SMARTLESS" AVAILABLE WHEREVER
YOU CHOOSE TO GET YOUR PODCASTS.

668
00:29:46,159 --> 00:29:50,205
STICK AROUND, MORE WILL ARNETT,
EVERYBODY!

669
00:30:01,007 --> 00:30:02,217
>> James: WE'RE BACK WITH THE

670
00:30:02,300 --> 00:30:03,259
GLORIOUS WILL ARNETT.

671
00:30:03,343 --> 00:30:06,971
WE'RE DOING A "THE LATE LATE
SHOW" SHOW AND TELL.

672
00:30:07,055 --> 00:30:10,892
DO YOU HAVE SOMETHING YOU WOULD
LIKE THE SHARE THIS EVENING?

673
00:30:10,975 --> 00:30:12,101
>> I DO INDEED.

674
00:30:12,185 --> 00:30:15,438
IT'S NOT JUST A THING BUT IT'S
ALSO A HIDDEN TALENT THAT OTHER

675
00:30:15,522 --> 00:30:15,855
PEOPLE DON'T KNOW.

676
00:30:15,939 --> 00:30:16,564
>> James: OH.

677
00:30:16,648 --> 00:30:16,981
SO BEAR WITH ME.

678
00:30:17,065 --> 00:30:21,236
>> James: OKAY.

679
00:30:21,319 --> 00:30:24,739
YOU KNOW WHAT I THINK THAT A
LOT OF PEOPLE MISS IS THE LOST

680
00:30:24,822 --> 00:30:25,865
ART OF VENTRILOQUISM.

681
00:30:25,949 --> 00:30:29,911
>> James: OH, NO WAY!

682
00:30:29,994 --> 00:30:30,370
YEAH, HERE WE GO.

683
00:30:30,453 --> 00:30:34,249
>> James: OKAY.

684
00:30:34,332 --> 00:30:34,666
HEY, JAMES!

685
00:30:34,749 --> 00:30:36,376
>> James: YEAH.

686
00:30:36,459 --> 00:30:41,881
( LAUGHTER )
>> IS THERE SOMETHING THAT YOU

687
00:30:41,965 --> 00:30:43,800
WOULD LIKE TO SAY TO JAMES?

688
00:30:43,883 --> 00:30:47,262
>> NICE TO MEET YOU.

689
00:30:47,345 --> 00:30:48,596
OKAY, COOL.

690
00:30:48,680 --> 00:30:50,098
THAT'S GOOD.

691
00:30:50,181 --> 00:30:52,475
UM, JAMES, DO YOU HAVE ANY
QUESTIONS FOR LEGO BATMAN?

692
00:30:52,559 --> 00:30:58,898
>> James: I FEEL LIKE, REG, DO
YOU HAVE A QUESTION FOR LEGO

693
00:30:58,982 --> 00:30:59,315
BATMAN?

694
00:30:59,399 --> 00:31:00,900
>> Reggie: YEAH.

695
00:31:00,984 --> 00:31:02,652
GO AHEAD, REG.

696
00:31:02,735 --> 00:31:03,945
>> Reggie: OKAY.

697
00:31:04,028 --> 00:31:08,658
ARE YOU -- I WAS READING A LOT
OF THE TRADE PUBLICATIONS, AND

698
00:31:08,741 --> 00:31:11,744
THE LEGO VERSIONS OF ALL OF
THEM, AND I WAS WONDERING, IS IT

699
00:31:11,828 --> 00:31:20,920
TRUE THAT THEY ARE GOING TO DO A
LEGO VERSION OF A SERIES CALLED

700
00:31:21,004 --> 00:31:23,590
"FLAKED"?

701
00:31:23,673 --> 00:31:28,344
>> OH, MAN, THAT'S MAKING ME SO
UPSET I'M RAISING MY ARM.

702
00:31:28,428 --> 00:31:35,351
( LAUGHTER )
>> Reggie: OKAY.

703
00:31:35,435 --> 00:31:37,937
YEAH, I THINK THAT'S CORRECT.

704
00:31:38,021 --> 00:31:40,231
>> James: THAT ANSWERS THE
QUESTION.

705
00:31:40,315 --> 00:31:42,483
LADIES AND GENTLEMEN, WILL
ARNETT AND LEGO BATMAN HERE ON

706
00:31:42,567 --> 00:31:43,276
THE SHOW.

707
00:31:43,359 --> 00:31:44,986
WHO CAN BELIEVE IT?

708
00:31:45,069 --> 00:31:46,154
THANK YOU SO MUCH, WILL.

709
00:31:46,237 --> 00:31:47,614
STAY SAFE OUT THERE.

710
00:31:47,697 --> 00:31:53,369
WE'LL BE RIGHT BACK AFTER THIS,
EVERYBODY!

711
00:31:53,453 --> 00:31:54,495
♪
♪

712
00:32:00,918 --> 00:32:01,794
♪
>> James: WE'VE GOT SOME

713
00:32:01,878 --> 00:32:03,004
FANTASTIC GUESTS
COMING UP ON THE SHOW... THIS

714
00:32:03,087 --> 00:32:04,464
WEEK: MELISSA MCCARTHY, BOBBY
CANNAVALE, ALISON BRIE, YUVAL

715
00:32:04,547 --> 00:32:09,719
NOAH HARARI, AND MARC MARON,
ARE GOING TO BE HERE.

716
00:32:09,802 --> 00:32:12,013
AFTER THIS WE'LL BE CHATTING
WITH MARIA BAKALOVA, EVERYBODY.

717
00:32:12,096 --> 00:32:13,097
COME ON BACK!

718
00:32:13,181 --> 00:32:14,849
♪
♪

719
00:32:14,932 --> 00:32:21,564
♪

720
00:32:21,564 --> 00:32:24,150
♪
♪

721
00:32:24,233 --> 00:32:25,276
♪
>> James: WELCOME BACK.

722
00:32:25,360 --> 00:32:27,153
OUR NEXT GUEST IS THE BRILLIANT
BREAKOUT STAR OF BORAT'S

723
00:32:27,236 --> 00:32:28,363
SUBSEQUENT MOVIE FILM.

724
00:32:28,446 --> 00:32:32,033
SHE PLAYS THE TEENAGE DAUGHTER
NAVIGATING LIFE IN THE UNITED

725
00:32:32,116 --> 00:32:32,367
STATES.

726
00:32:32,450 --> 00:32:33,368
HAVE A LOOK.

727
00:32:33,451 --> 00:32:37,163
>> IS THERE ANYTHING ELSE I CAN
HELP YOU WITH.

728
00:32:37,246 --> 00:32:40,166
>> I WANT THIS ONE WITH THE BABY
ON IT.

729
00:32:40,249 --> 00:32:45,922
>> THIS IS OUR LITTLE SECRET.

730
00:32:46,005 --> 00:32:46,839
OKAY.

731
00:32:46,923 --> 00:32:53,012
WHOA, WHOA, WHOA!

732
00:32:53,096 --> 00:32:58,559
( BURPING )
>> WE NEED A DOCTOR!

733
00:32:58,643 --> 00:33:03,022
I HAVE A BABY INSIDE ME, AND
I WANT TO TAKE IT OUT OF ME.

734
00:33:03,106 --> 00:33:07,735
>> MM-HMM.

735
00:33:07,819 --> 00:33:08,820
RIGHT.

736
00:33:08,903 --> 00:33:11,072
>> James: PLEASE WELCOME THE
INCREDIBLY TALENTED MARIA

737
00:33:11,155 --> 00:33:20,123
BAKALOVA!

738
00:33:20,206 --> 00:33:22,542
( CHEERS AND APPLAUSE )
HI!

739
00:33:22,625 --> 00:33:23,084
>> HI.

740
00:33:23,167 --> 00:33:24,877
>> James: HOW ARE YOU?

741
00:33:24,961 --> 00:33:26,003
SUPER HAPPY, SURE NERVOUS.

742
00:33:26,087 --> 00:33:29,090
EXCITED, MAYBE MORE NERVOUS THAN
WHEN SHOOTING THE MOVIE.

743
00:33:29,173 --> 00:33:33,094
>> NO, YOU CAN'T BE MORE NERVOUS
WHEN YOU'RE SHOOTING THE MOVIE

744
00:33:33,177 --> 00:33:34,762
THAN TO BE HERE NOW.

745
00:33:34,846 --> 00:33:38,641
WE SHOULD SAY THIS IS YOUR FIRST
TIME ON A LATE-NIGHT TALK SHOW.

746
00:33:38,725 --> 00:33:39,475
>> YEAH.

747
00:33:39,559 --> 00:33:41,102
AND WE'RE SO EXCITED THAT
YOU'RE HERE.

748
00:33:41,185 --> 00:33:43,938
WE'RE SO HAPPY THAT YOU'RE HERE.

749
00:33:44,021 --> 00:33:45,231
EVERYTHING THAT'S BEEN HAPPENING
TO YOU SINCE THE FILM CAME OUT,

750
00:33:45,314 --> 00:33:48,985
THE FILM IS OBVIOUSLY A HUGE
HIT, YOUR PERFORMANCE HAS BEEN

751
00:33:49,068 --> 00:33:51,070
SINGLED OUT BY EVERYBODY.

752
00:33:51,154 --> 00:33:55,408
WHAT'S LIFE BEEN LIKE SINCE THE
FILM CAME OUT?

753
00:33:55,491 --> 00:33:58,995
>> WHAT LIFE'S BEEN LIKE, I'M
LUCKY TO LIVE HERE RIGHT NOW BUT

754
00:33:59,078 --> 00:34:07,628
AT THE SAME TIME I'M LUCKY THAT
IT'S NOT A GOOD THINGS BECAUSE

755
00:34:07,712 --> 00:34:09,297
COVID SAVED ME.

756
00:34:09,380 --> 00:34:12,967
I'M KIND OF WORRIED ABOUT IF
COVID DOESN'T EXIST AND PEOPLE

757
00:34:13,050 --> 00:34:16,095
DON'T WEAR MASKS THEY WILL
PROBABLY RECOGNIZE ME AND

758
00:34:16,179 --> 00:34:22,268
ESPECIALLY GIRLS ARE GOING TO
SAY HELLO TO ME LIKE, HI!

759
00:34:22,351 --> 00:34:26,105
( LAUGHTER )
>> James: I THINK THE REASON

760
00:34:26,189 --> 00:34:31,527
PEOPLE ARE SO EXCITED ABOUT YOU
AND YOUR CAREER RIGHT NOW IS YOU

761
00:34:31,611 --> 00:34:34,781
HAVE TO ALL OF US COME FROM
NOWHERE.

762
00:34:34,864 --> 00:34:38,451
YOU MADE A COUPLE OF FILMS IN
BULGARIA BEFORE.

763
00:34:38,534 --> 00:34:39,660
>> YEAH.

764
00:34:39,744 --> 00:34:41,120
>> James: YOU HAVEN'T DONE A
COMEDY OR IMPROV BEFORE, AND 600

765
00:34:41,204 --> 00:34:44,624
OTHER ACTORS AUDITIONED FOR THIS
PART.

766
00:34:44,707 --> 00:34:51,881
TALK TO ME ABOUT THE AUDITION
PROCESS FOR A FILM LIKE BORAT.

767
00:34:51,964 --> 00:34:57,804
>> YEAH, I'M COMING FROM
BULGARIA, BUT, ACTUALLY, WHEN I

768
00:34:57,887 --> 00:35:04,685
DID THE RECORDING, I DID IT AT
5:00 A.M. AFTER THE UNIVERSITY

769
00:35:04,769 --> 00:35:09,357
AND MY FRIEND SHOWED IT AS A
JOKE.

770
00:35:09,440 --> 00:35:14,570
I THOUGHT, IT'S NOT A REAL
AUDITION THEY'RE GOING TO DO

771
00:35:14,654 --> 00:35:15,571
HUMAN TRAFFICKING ON ME.

772
00:35:15,655 --> 00:35:17,198
>> James: THAT'S HONESTLY
WHERE YOUR MIND WENT.

773
00:35:17,281 --> 00:35:18,366
>> YEAH.

774
00:35:18,449 --> 00:35:23,037
>> James: THEN YOU SEND IN THE
TAPE, YOU REALIZE YOU'RE NOT

775
00:35:23,120 --> 00:35:27,750
BEING HUMAN TRAFFICKED.

776
00:35:27,834 --> 00:35:33,214
HOW MANY AWE CIGSINGS DO YOU GO
THROUGH BEFORE YOU AUDITION FOR

777
00:35:33,297 --> 00:35:40,221
IMPROV WITH SACHA.

778
00:35:40,304 --> 00:35:45,393
>> IT WAS AFTER MY GRADUATION
AND I FINALLY HAD MY DIPLOMA AND

779
00:35:45,476 --> 00:35:48,229
I'M IMPROVISING SOMETHING THAT
MY DADDY IS THE BEST DADDY IN

780
00:35:48,312 --> 00:35:52,567
THE WHOLE FLAT WORLD BECAUSE HE
GIVES ME CIGARETTES, HE ALLOWS

781
00:35:52,650 --> 00:35:54,569
ME TO DRINK AND EVERYTHING IS
AMAZING.

782
00:35:54,652 --> 00:35:57,572
SO I SENT ANOTHER ONE AND
ANOTHER ONE AND PROBABLY TWO

783
00:35:57,655 --> 00:35:58,739
MORE AFTER THAT.

784
00:35:58,823 --> 00:36:04,245
I FLY TO ENGLAND, MY MOM WAS
CRYING, SHE WAS, LIKE, AM I EVER

785
00:36:04,328 --> 00:36:06,455
GOING TO SEE YOU AGAIN?

786
00:36:06,539 --> 00:36:07,248
I WAS, LIKE, MAYBE.

787
00:36:07,331 --> 00:36:10,751
MAYBE IT'S GOING TO BE ALL
RIGHT.

788
00:36:10,835 --> 00:36:14,463
BUT, AT THE SAME TIME IT WAS,
LIKE, IT'S GOING TO BE MY FIRST

789
00:36:14,547 --> 00:36:16,757
TIME TRAVELING ALONE, I HAVE TO
DO IT.

790
00:36:16,841 --> 00:36:21,637
I WENT THERE AND SACHA WAS
THERE, AN THAT'S HOW I STARTED.

791
00:36:21,721 --> 00:36:25,433
>> James: THERE WAS SO MUCH
SECRECY SURROUNDING THE MOVIE, I

792
00:36:25,516 --> 00:36:28,269
MEAN, AM I RIGHT THAT YOU
COULDN'T EVEN TELL YOUR PARENTS

793
00:36:28,352 --> 00:36:32,982
WHAT YOU WERE DOING WHILST YOU
WERE FILMING THE FILM.

794
00:36:33,065 --> 00:36:34,108
SO WHEN DID THEY KNOW?

795
00:36:34,192 --> 00:36:38,404
WHAT DID THEY THINK WHEN THEY
SAW THE FILM?

796
00:36:38,487 --> 00:36:43,951
>> MY MOM -- MY MOM FaceTimeED
ME AFTER SHE WATCHED THE MOVIE,

797
00:36:44,035 --> 00:36:45,411
AND SHE WAS SO SAD.

798
00:36:45,494 --> 00:36:51,292
( LAUGHTER )
HER EYES WERE FULL OF TEARS.

799
00:36:51,375 --> 00:36:57,131
SHE WAS CRYING FOR MAYBE TWO
HOURS BECAUSE SHE'S KIND OF A

800
00:36:57,214 --> 00:36:59,800
MASOCHIST, OBVIOUSLY, SHE
WATCHED IT TWICE, AND SHE WAS

801
00:36:59,884 --> 00:37:00,801
EVEN MORE SAD.

802
00:37:00,885 --> 00:37:05,723
( LAUGHTER )
SHE WAS, LIKE --

803
00:37:05,806 --> 00:37:12,813
( CRYING )
-- TUTAR -- IT'S SO SAD!

804
00:37:12,897 --> 00:37:14,273
( LAUGHTER )
>> James: ONE OF THE MOST

805
00:37:14,357 --> 00:37:17,193
TALKED ABOUT SCENES WAS YOUR
INCIDENT WITH RUDY GIULIANI.

806
00:37:17,276 --> 00:37:21,656
WHAT WAS IT LIKE FILMING THAT
INTERVIEW?

807
00:37:21,739 --> 00:37:22,990
>> NERVE RACKING.

808
00:37:23,074 --> 00:37:28,287
MY HEART WAS RACING AND I WAS
NERVOUS.

809
00:37:28,371 --> 00:37:30,206
I WAS SCARED.

810
00:37:30,289 --> 00:37:33,292
NOT SCARED SCARED BECAUSE SACHA
WAS IN THE CLOSET, BUT --

811
00:37:33,376 --> 00:37:36,212
>> James: FOR SURE.

812
00:37:36,295 --> 00:37:40,216
AND WHEN SACHA OR BORAT BURSTS
OUT AND WHEN HE'S DOING ALL

813
00:37:40,299 --> 00:37:43,844
THOSE THINGS AND RUDY GIULIANI
LEAVES, ARE YOU AND THE CREW,

814
00:37:43,928 --> 00:37:46,681
LIKE, YEAH, GREAT, THAT'S GOOD,
THAT'S HOW IT WORKS OUT.

815
00:37:46,764 --> 00:37:49,642
IS THAT HOW IT WORKED OUT AT THE
END OF A SHOOT DAY FOR ONE OF

816
00:37:49,725 --> 00:37:53,688
THOSE SCENES?

817
00:37:53,771 --> 00:37:56,357
>> RUDY GIULIANI DID ACTUALLY
CALL THE POLICE, BUT WE DID

818
00:37:56,440 --> 00:37:58,484
NOTHING ILLEGAL.

819
00:37:58,567 --> 00:37:59,527
>> James: SURE.

820
00:37:59,610 --> 00:38:05,533
SO WE LEFT THE PLACE
TOGETHER, AND SO HOW WE CAN RUN

821
00:38:05,616 --> 00:38:06,784
TOGETHER AND WE'RE HAPPY.

822
00:38:06,867 --> 00:38:08,661
IT'S LIKE A FAMILY MOMENT.

823
00:38:08,744 --> 00:38:12,707
>> James: SO WHEN YOU KNOW
THAT HE'S CALLED -- WHEN YOU

824
00:38:12,790 --> 00:38:14,709
KNOW THAT RUDY GIULIANI'S CALLED
THE POLICE, DO YOU HAVE TO GET

825
00:38:14,792 --> 00:38:17,169
OUT OF THERE QUITE QUICK?

826
00:38:17,253 --> 00:38:18,004
>> YEAH.

827
00:38:18,087 --> 00:38:21,590
( LAUGHTER )
>> James: SO YOU'RE, LIKE,

828
00:38:21,674 --> 00:38:26,053
HE'S CALLED THE POLICE AND HE'S
PACKING UP ALL THE EQUIPMENT AND

829
00:38:26,137 --> 00:38:28,222
YOU'RE IN A VAN AND YOU'RE GONE?

830
00:38:28,306 --> 00:38:29,140
>> YEAH.

831
00:38:29,223 --> 00:38:30,683
( LAUGHTER )
>> James: WELL, I GOT TO TELL

832
00:38:30,766 --> 00:38:34,395
YOU, I THINK YOUR PERFORMANCE IN
THE FILM IS ABSOLUTELY BRILLIANT

833
00:38:34,478 --> 00:38:39,775
AND IT'S WORTHY OF ALL OF THE
PRAISE YOU'RE GETTING IS

834
00:38:39,859 --> 00:38:40,943
ABSOLUTELY DESERVED.

835
00:38:41,027 --> 00:38:45,740
YOU COULD CHECK OUT MARIA IN
BORAT'S SUBSEQUENT MOVIE FILM

836
00:38:45,823 --> 00:38:46,699
STREAMING NOW ON AMAZON PRIME
VIDEO.

837
00:38:46,782 --> 00:38:47,575
MARIA BAKALOVA, EVERYBODY!

838
00:38:47,658 --> 00:38:49,910
WE'LL BE RIGHT BACK AFTER THESE
MESSAGES!

839
00:38:49,994 --> 00:38:50,369
♪
♪

840
00:38:50,453 --> 00:38:52,455
♪
♪

841
00:39:01,505 --> 00:39:05,259
♪ ♪ ♪
♪ ♪ ♪

842
00:39:05,342 --> 00:39:06,344
>> James: THANK YOU SO MUCH
FOR WATCHING!

843
00:39:06,427 --> 00:39:09,388
TOMORROW NIGHT: MELISSA
MCCARTHY, BOBBY CANNAVALE, AND

844
00:39:09,472 --> 00:39:10,765
MUSIC FROM FITZ.

845
00:39:10,848 --> 00:39:12,391
WE HOPE TO SEE YOU THEN.

846
00:39:12,475 --> 00:39:14,310
REGGIE, TAKE US HOME.

847
00:39:14,393 --> 00:39:16,937
Captioning sponsored by CBS
Captioned by

848
00:39:17,021 --> 00:39:20,024
Media Access Group at WGBH
access.wgbh.org