1 00:00:02,001 --> 00:00:09,342 ♪ ALREADY HAVE SOME FUN ♪ ♪ YOU ARE GOING TO GET SOME TIME 2 00:00:09,342 --> 00:00:13,813 ON THIS ♪ ♪ WE HOPE YOU GET SOME FUN 3 00:00:13,813 --> 00:00:16,950 TIMES ♪ ♪ IT'S TIME, IT'S TIME "THE 4 00:00:16,950 --> 00:00:18,952 LATE LATE SHOW" ♪ Reggie: LADIES AND 5 00:00:18,952 --> 00:00:22,255 GENTLEMEN, ALL THE WAY FROM INSIDE A GIANT VERSION OF A 6 00:00:22,255 --> 00:00:26,526 WOODEN WOODEN SHOE MADE OF LEATHER. 7 00:00:26,526 --> 00:00:30,029 THE ONE, THE ONLY JAMES GORDON. 8 00:00:30,029 --> 00:00:36,169 James: HOW ARE YOU? 9 00:00:36,169 --> 00:00:46,513 [CHEERS AND APPLAUSE] OH, THANK YOU! 10 00:00:46,513 --> 00:00:48,348 WELCOME TO "THE LATE LATE SHOW"! 11 00:00:48,348 --> 00:00:51,651 THANKS FOR BEING HERE. 12 00:00:51,651 --> 00:00:54,320 LET'S SEE WHO OUR GUESTS ARE ON THE SHOW TONIGHT! 13 00:00:54,320 --> 00:00:56,990 HE'S A TALENTED ACTOR YOU KNOW FROM "THE LORD OF THE RINGS" 14 00:00:56,990 --> 00:00:58,158 MOVIES, "THE PIRATES OF THE CARIBBEAN," MOVIES AND SO MUCH 15 00:00:58,158 --> 00:00:58,992 MORE. 16 00:00:58,992 --> 00:01:04,697 THE DASHING, THE MIGHTY, ORLANDO BLOOM! 17 00:01:04,697 --> 00:01:06,800 THERE HE IS! 18 00:01:06,800 --> 00:01:07,767 HELLO! 19 00:01:07,767 --> 00:01:08,435 WHO IS THIS? 20 00:01:08,435 --> 00:01:12,071 WHO DO WE HAVE HERE, ORLANDO? 21 00:01:12,071 --> 00:01:15,775 Orlando: MY RESCUE BUDDY BOY. 22 00:01:15,775 --> 00:01:17,744 HE IS BUDDY FROM BAKERSFIELD. 23 00:01:17,744 --> 00:01:20,814 James: BUDDY FROM BAKERSFIELD, IS THAT WHERE YOU 24 00:01:20,814 --> 00:01:21,281 FOUND HIM? 25 00:01:21,281 --> 00:01:22,315 Orlando: YEAH. 26 00:01:22,315 --> 00:01:25,852 IT'S BEEN ON HE DOES LOOK LIKE HE HAS TAKEN CRACK. 27 00:01:25,852 --> 00:01:27,821 IMAGINE BEING RAISED IN BAKERSFIELD AND SUDDENLY ARE 28 00:01:27,821 --> 00:01:31,958 TAKEN INTO THE HOME OF ONE OF THE HOTTEST MOVIE STARS ON 29 00:01:31,958 --> 00:01:35,962 PLANET EARTH AND HIS PARTNER, ONE OF THE BEST-SELLING 30 00:01:35,962 --> 00:01:37,397 RECORDING ARTISTS IN THE WORLD. 31 00:01:37,397 --> 00:01:40,300 I MEAN, YOU HAVE REALLY LUCKED OUT. 32 00:01:40,300 --> 00:01:45,972 YOU ARE LIKE THE BEST OF THE RESCUE PET WORLD. 33 00:01:45,972 --> 00:01:47,173 ORLANDO BLOOM, EVERYBODY! 34 00:01:47,173 --> 00:01:51,077 AND WE LOVE THIS NEXT GUEST SO MUCH, WE HAVE HAD THE GREATEST 35 00:01:51,077 --> 00:01:53,980 TIMES WITH HIM OVER THE YEARS. 36 00:01:53,980 --> 00:02:00,286 HE IS A BRILLIANT MULTIPLATINUM SINGER/SONGWRITER WITH THE 37 00:02:00,286 --> 00:02:05,391 BRILLIANT NEW SINGLE CALLED "HEAVEN," IT IS OUT TONIGHT AT 38 00:02:05,391 --> 00:02:09,429 MIDNIGHT, AND COMING FROM HIS FORTHCOMING ALBUM "THE SHOW." 39 00:02:09,429 --> 00:02:12,799 I'VE BEEN LUCKY TO HEAR SOME OF IT, HE IS EXCEPTIONAL. 40 00:02:12,799 --> 00:02:18,304 OUR FRIEND, YOUR FRIEND, EVERYBODY'S FRIEND NIALL HORAN! 41 00:02:18,304 --> 00:02:23,109 [CHEERS AND APPLAUSE] HOW ARE YOU, BABY? 42 00:02:23,109 --> 00:02:26,646 Niall: TEARS OF JOY, I'VE MISSED YOU VERY MUCH. 43 00:02:26,646 --> 00:02:30,250 James: I HAVE MISSED YOU SO MUCH, YOU LOOK DELICIOUS! 44 00:02:30,250 --> 00:02:36,422 YOU DO, I LIKE THIS, THE DOUBLE NIALL HORAN. 45 00:02:36,422 --> 00:02:39,959 CONGRATS ON "HEAVEN," IT IS MY FAVORITE NEW SONG THAT IS OUT 46 00:02:39,959 --> 00:02:40,760 RIGHT NOW. 47 00:02:40,760 --> 00:02:45,932 WE LOVE YOU, NIALL HORAN, EVERYBODY! 48 00:02:45,932 --> 00:02:50,537 [CHEERS AND APPLAUSE] THIS IS "THE LATE LATE SHOW"! 49 00:02:50,537 --> 00:02:51,337 ROLLED THE TITLES! 50 00:02:51,337 --> 00:02:57,777 ♪ ♪ ♪ THE LATE LATE SHOW, OH, OH, 51 00:02:57,777 --> 00:03:01,915 THE LATE LATE SHOW, WOO! ♪ ♪ THE LATE LATE SHOW, OH, OH, 52 00:03:01,915 --> 00:03:11,658 THE LATE LATE SHOW OH-OH! ♪ ♪ IT'S THE LATE, LATE SHOW ♪ 53 00:03:11,658 --> 00:03:15,728 James: BLESS YOU FOR BEING HERE, THANK YOU, EVERYONE. 54 00:03:15,728 --> 00:03:17,130 THANK YOU VERY, VERY MUCH. 55 00:03:17,130 --> 00:03:23,937 HEY, YOU KNOW WHAT IS THE MOST TWEETED AND INSTAGRAMMED THING 56 00:03:23,937 --> 00:03:26,472 TO THE "THE LATE LATE SHOW" ON TWITTER AND INSTAGRAM? 57 00:03:26,472 --> 00:03:28,942 WHAT THE HASHTAG IS? 58 00:03:28,942 --> 00:03:30,510 #Kidnapped1Direction. 59 00:03:30,510 --> 00:03:33,947 [CHEERS AND APPLAUSE] AND I AM WONDERING, WE HAVE ONE 60 00:03:33,947 --> 00:03:38,251 OF THEM UP THERE. 61 00:03:38,251 --> 00:03:43,856 [CHEERS AND APPLAUSE] WE HAVE TO START WITH ONE. 62 00:03:43,856 --> 00:03:47,226 AND I DON'T THINK IT SHOULD BE A BRUTAL KIDNAPPING, BUT JUST 63 00:03:47,226 --> 00:03:52,465 BETWEEN US, YOU AND I, MONITOR NIALL. 64 00:03:52,465 --> 00:03:55,735 Reggie: WHICH ONE WOULD BE THE HARDEST TO KIDNAP? 65 00:03:55,735 --> 00:03:57,236 James: THAT'S A VERY GOOD QUESTION. 66 00:03:57,236 --> 00:04:01,274 I THINK THAT LOUIS WILL BE THE HARDEST, BECAUSE HE HAS HIS WITS 67 00:04:01,274 --> 00:04:02,208 ABOUT THEM. 68 00:04:02,208 --> 00:04:02,742 YOU KNOW WHAT I MEAN? 69 00:04:02,742 --> 00:04:05,311 HE IS FROM DON CASTOR. 70 00:04:05,311 --> 00:04:07,880 THEY DON'T MESS AROUND. 71 00:04:07,880 --> 00:04:12,085 YOU CAN'T JUST BE LIKE-- HEAD ON A SWIVEL. 72 00:04:12,085 --> 00:04:17,490 THAT WILL BE TOUGH, BUT WE HAVE TO START SOMEWHERE, SO LET'S 73 00:04:17,490 --> 00:04:21,327 START UP THE VAN AND SEE WHAT HAPPENS. 74 00:04:21,327 --> 00:04:22,462 WE WILL WORK ON THAT. 75 00:04:22,462 --> 00:04:30,536 IT'S TIME, IT'S TIME FOR "THE NEWS." 76 00:04:30,536 --> 00:04:36,609 LAST NIGHT IT WAS REPORTED THAT DELAWARE WAS A PART OF THE 77 00:04:36,609 --> 00:04:38,878 CLASSIFIED PROBE, REMOVING MULTIPLE BOXES FROM THE PREMISES 78 00:04:38,878 --> 00:04:43,249 EVEN THOUGH THE DOCUMENTS DID NOT HAVE CLASSIFIED MARKINGS. 79 00:04:43,249 --> 00:04:49,956 THE FBI PREVIOUSLY SEARCHED JOE BIDEN'S BEACH HOUSE, AND NOW 80 00:04:49,956 --> 00:04:53,960 AND IF I AM HONEST, THIS IS STARTING TO FEEL LESS LIKE AN 81 00:04:53,960 --> 00:04:58,398 FBI RAID, AND MORE LIKE THEY WANT TO GO ON SPRING BREAK. 82 00:04:58,398 --> 00:05:00,600 [LAUGHTER] AND LIKE MOST PEOPLE AT THE 83 00:05:00,600 --> 00:05:02,902 UNIVERSITY OF DELAWARE, THE FBI WAS ONLY SEARCHING THERE 84 00:05:02,902 --> 00:05:07,507 BECAUSE THEY COULDN'T GET INTO A BETTER UNIVERSITY. 85 00:05:07,507 --> 00:05:10,576 [LAUGHTER] [APPLAUSE] 86 00:05:10,576 --> 00:05:14,247 LETS ME SAY THIS, IF YOU WENT TO THE UNIVERSITY OF DELAWARE, IT 87 00:05:14,247 --> 00:05:18,317 IS STILL A BETTER UNIVERSITY THAN THE ONE THAT I WENT TO. 88 00:05:18,317 --> 00:05:22,255 REG, DID YOU DO FURTHER EDUCATION? 89 00:05:22,255 --> 00:05:23,523 WHERE DID YOU GO? 90 00:05:23,523 --> 00:05:27,226 Reggie: I TRIED TWICE, THE FIRST WAS THE ART INSTITUTE OF 91 00:05:27,226 --> 00:05:28,094 SEATTLE. 92 00:05:28,094 --> 00:05:31,030 AND I WENT THERE FOR ABOUT FOUR MONTHS. 93 00:05:31,030 --> 00:05:35,868 AND THEN I WENT TO CORNISH COLLEGE OF THE ARTS. 94 00:05:35,868 --> 00:05:40,473 TIM IS AN ALUM THERE, AND I WENT FOR TWO AND HALF YEARS UNTIL 95 00:05:40,473 --> 00:05:45,545 TIM'S CLASS GRADUATED, AND THEN THERE WERE NO MORE FUN PEOPLE 96 00:05:45,545 --> 00:05:49,048 LEFT, SO I JUST LEFT. 97 00:05:49,048 --> 00:05:53,219 I WANTED TO EXPERIENCE WHAT IT WAS LIKE TO BE IN THE MOVIE 98 00:05:53,219 --> 00:05:53,753 "FAME." 99 00:05:53,753 --> 00:05:56,289 James: RIGHT, YES. 100 00:05:56,289 --> 00:05:59,125 I WANTED EVERY EDUCATION ESTABLISHMENT I WAS EVER AND TO 101 00:05:59,125 --> 00:06:06,632 BE EITHER "FAME" OR "GREASE." 102 00:06:06,632 --> 00:06:09,802 IN THE DREAM OF BEING IN "GREASE" HAS ONLY COME TRUE 103 00:06:09,802 --> 00:06:15,374 TODAY WHEN WINNIE CAME TO WORK WEARING THAT JACKET. 104 00:06:15,374 --> 00:06:24,283 [APPLAUSE] SHE WALKED IN AND WE WERE LIKE 105 00:06:24,283 --> 00:06:29,288 ♪ I'VE GOT CHILLS ♪ IT'S [BLEEP] HOT. 106 00:06:29,288 --> 00:06:31,991 James: AND OTHER NEWS, THIS MORNING PRESIDENT BIDEN 107 00:06:31,991 --> 00:06:35,895 UNDERWENT HIS SECOND PHYSICAL EXAM AS PRESIDENT. 108 00:06:35,895 --> 00:06:39,665 THE PHYSICIAN REPORTED THAT THE PRESIDENT REMAINS HEALTHY AND 109 00:06:39,665 --> 00:06:40,867 VIGOROUS. 110 00:06:40,867 --> 00:06:43,069 THAT'S RIGHT, YOU TUNED INTO THAT SHOW TO BE ENTERTAINED, AND 111 00:06:43,069 --> 00:06:48,274 YOU ARE HEARING ABOUT AN 80-YEAR-OLD MAN'S DOCTOR VISIT. 112 00:06:48,274 --> 00:06:50,209 BETWEEN THE FBI SEARCH AND UNDERGOING A PHYSICAL, THIS IS A 113 00:06:50,209 --> 00:06:58,384 HUGE WEEK FOR BIDEN-GATE PROBE. 114 00:06:58,384 --> 00:07:03,189 THIS SEEMS LIKE ONE OF THE WORST PARTS OF BEING THE UNITED STATES 115 00:07:03,189 --> 00:07:05,391 PRESIDENT, HAVING THE ENTIRE COUNTRY KNOW YOUR HEIGHT, 116 00:07:05,391 --> 00:07:08,995 WEIGHT, AND SOME KIND OF WEIRD RASH. 117 00:07:08,995 --> 00:07:12,632 [LAUGHTER] MOVING ON, A UNIVERSITY 118 00:07:12,632 --> 00:07:17,003 PROFESSOR HAS CREATED A SPECIFIC FORMULA TO DEFINE HAPPY SONGS. 119 00:07:17,003 --> 00:07:20,306 AND HE HAS IDENTIFIED THAT THE HAPPIEST SONG IN THE WORLD IS-- 120 00:07:20,306 --> 00:07:23,509 ANY GUESSES? 121 00:07:23,509 --> 00:07:27,680 WHAT DO YOU THINK IS THE HAPPIEST SONG IN THE WORLD? 122 00:07:27,680 --> 00:07:30,416 "SOMEWHERE OVER THE RAINBOW." 123 00:07:30,416 --> 00:07:31,918 James: THE HAPPIEST SONG? 124 00:07:31,918 --> 00:07:34,987 I WAS GOING TO SAY "HAPPY BIRTHDAY." 125 00:07:34,987 --> 00:07:40,259 A >> James: THE HAPPIEST SONG IS "SOMEWHERE OVER THE RAINBOW." 126 00:07:40,259 --> 00:07:40,693 HAPPY? 127 00:07:40,693 --> 00:07:43,563 HAPPY TEARS. 128 00:07:43,563 --> 00:07:46,299 James: DAVE, WHAT IS THE HAPPIEST SONG? 129 00:07:46,299 --> 00:07:50,236 I WAS THINKING LIKE A CHRISTMAS CAROL, LIKE "DECK THE 130 00:07:50,236 --> 00:07:50,870 HALLS." 131 00:07:50,870 --> 00:07:52,638 James: WHAT DO YOU THINK? 132 00:07:52,638 --> 00:07:58,945 IS IT JUST "HAPPY" James: PHARRELL HAPPY. 133 00:07:58,945 --> 00:08:00,880 WHEN YOU ASKED GUILLERMO AND HE SAID "SOMEWHERE OVER THE 134 00:08:00,880 --> 00:08:04,183 RAINBOW" CC TURNED TO ME AND SAID THEY PLAYED THAT MY MOM'S 135 00:08:04,183 --> 00:08:06,719 FUNERAL. 136 00:08:06,719 --> 00:08:09,722 [LAUGHTER] 137 00:08:13,726 --> 00:08:18,664 [LAUGHTER] James: WOW. 138 00:08:18,664 --> 00:08:26,906 WOW. 139 00:08:26,906 --> 00:08:32,311 WELL, I CAN TELL YOU, ACCORDING TO THIS PROFESSOR, THE HAPPIEST 140 00:08:32,311 --> 00:08:36,949 SONG IN THE WORLD IS "GOOD VIBRATIONS" BY THE BEACH BOYS. 141 00:08:36,949 --> 00:08:39,919 COMING IN FIRST, COMING IN DEAD LAST, YOUR FRIENDS DRUNKEN 142 00:08:39,919 --> 00:08:43,556 KARAOKE VERSION OF "GOOD VIBRATIONS." 143 00:08:43,556 --> 00:08:44,924 THE PROFESSOR ATTRIBUTES THE SONG'S HAPPY TONE TO THE 144 00:08:44,924 --> 00:08:53,099 COMBINATION OF A MAJOR KEY, SEVENTH CHORDS, 137 145 00:08:53,099 --> 00:08:54,767 BEATS-PER-MINUTE, FOUR BEATS IN EVERY BAR, AND A VERSE-CHORUS- 146 00:08:54,767 --> 00:08:56,002 VERSE-CHORUS STRUCTURE. 147 00:08:56,002 --> 00:08:59,472 I DON'T REALLY KNOW WHAT THAT MEANS, BUT BAND, CAN YOU CREATE 148 00:08:59,472 --> 00:09:03,376 A SONG BASED ON THOSE GUIDELINES? 149 00:09:03,376 --> 00:09:06,012 YOU SAID 1:30 SEVEN? 150 00:09:06,012 --> 00:09:10,716 James: 1:30 SEVEN, MAJOR KEY, SEVENTH CHORDS. 151 00:09:10,716 --> 00:09:18,824 FOUR BEATS IN EVERY BAR, FIRST-FOREST-FIRST-CHORUS. 152 00:09:18,824 --> 00:09:30,069 ♪ ♪ ♪ I'VE GOT SOMETHING TO SAY ♪ 153 00:09:30,069 --> 00:09:33,706 ♪ WHEN YOU ARE DOING WHAT YOU ARE DOING ♪ 154 00:09:33,706 --> 00:09:38,144 ♪ DOING WHAT YOU ARE DOING TOD TODAY ♪ 155 00:09:38,144 --> 00:09:43,783 ♪ IT GOES OH ♪ ♪ DO WHAT YOU ARE DOING ♪ 156 00:09:43,783 --> 00:09:45,851 ♪ OH ♪ ♪ A TRICKY SITUATION ♪ 157 00:09:53,225 --> 00:09:58,931 [CHEERS AND APPLAUSE] James: COME ON NOW! 158 00:09:58,931 --> 00:10:02,001 THEY HAD NO IDEA THIS WAS IN THE MONOLOGUE. 159 00:10:02,001 --> 00:10:03,936 THEY ARE THE BEST BAND IN LATE NIGHT! 160 00:10:03,936 --> 00:10:08,441 WE WILL BE RIGHT BACK WITH MORE "THE LATE LATE SHOW"! 161 00:10:08,441 --> 00:10:09,108 YES! 162 00:10:09,108 --> 00:10:10,676 [CHEERS AND APPLAUSE] ♪ ♪ 163 00:10:15,915 --> 00:10:26,959 ♪ AND YOU ♪ ♪ OH, YEAH ♪ 164 00:10:26,959 --> 00:10:31,964 James: THANK YOU SO MUCH FOR MEETING ME. 165 00:10:31,964 --> 00:10:34,867 LOOK-- IT'S A HIGHBALL. 166 00:10:34,867 --> 00:10:36,135 Gordon: [BLEEP]. 167 00:10:36,135 --> 00:10:36,736 WHAT ARE YOU? 168 00:10:36,736 --> 00:10:39,271 I AM AN IDIOT SANDWICH. 169 00:10:39,271 --> 00:10:39,839 Gordon: LOUDER! 170 00:10:48,914 --> 00:10:50,282 James: WELCOME BACK. 171 00:10:50,282 --> 00:10:51,951 I'VE BEEN THINKING A LOT ABOUT WHAT TO DO AFTER THE SHOW ENDS 172 00:10:51,951 --> 00:10:53,819 AND THOUGHT I'D GIVE THE RESTAURANT INDUSTRY A TRY. 173 00:10:53,819 --> 00:11:00,092 BUT I COULDN'T DO IT WITHOUT THE HELP OF AN OLD FRIEND. 174 00:11:00,092 --> 00:11:00,760 HAVE A LOOK. 175 00:11:00,760 --> 00:11:11,037 ♪ ♪ James: THERE HE IS! 176 00:11:11,037 --> 00:11:11,837 Gordon: JAMES. 177 00:11:11,837 --> 00:11:15,074 James: THANK YOU FOR MEETING ME. 178 00:11:15,074 --> 00:11:19,278 Gordon: WELL, I MEAN, IT DOES NOT LOOK OPEN, JAMES. 179 00:11:19,278 --> 00:11:21,914 James: IT IS NOT OPEN, YET. 180 00:11:21,914 --> 00:11:28,320 THIS IS MY IDEA, MY NEW VENTURE, ME AND YOU, JAMES GORDON, 181 00:11:28,320 --> 00:11:32,091 GORDON RAMSAY, WE ARE GOING TO OPEN OUR OWN FIVE-STAR 182 00:11:32,091 --> 00:11:32,625 RESTAURANT. 183 00:11:32,625 --> 00:11:33,259 COME ON, GET IN HERE. 184 00:11:33,259 --> 00:11:35,094 YOU ARE GOING TO LOVE IT. 185 00:11:35,094 --> 00:11:35,961 YES, YES. 186 00:11:35,961 --> 00:11:38,431 I KNEW THAT YOU WOULD LOVE THE SURPRISE! 187 00:11:38,431 --> 00:11:46,705 ♪ ♪ Gordon: WHAT IS THIS PLACE? 188 00:11:46,705 --> 00:11:50,309 James: YOU ARE STANDING INSIDE THE CBS COMMISSARY, 189 00:11:50,309 --> 00:11:53,079 RIGHT, IT'S BEING CLOSED FOR TWO YEARS. 190 00:11:53,079 --> 00:11:56,348 SO I THINK THIS OPENS UP A PHENOMENAL BUSINESS OPPORTUNITY. 191 00:11:56,348 --> 00:11:57,316 AND LOOK AROUND. 192 00:11:57,316 --> 00:12:01,921 YOU TELL ME, WHAT DO YOU THINK WE NEED TO DO? 193 00:12:01,921 --> 00:12:03,289 Gordon: LOOK AT IT. 194 00:12:03,289 --> 00:12:07,860 I MEAN, COME ON, HE NEEDS FRESHNESS, FLOWERS, TEXTURE. 195 00:12:07,860 --> 00:12:09,895 James: I'VE GOT SOME FLOWERS ALREADY. 196 00:12:09,895 --> 00:12:12,164 I PICK THE USE OF OFF TILL DAY. 197 00:12:12,164 --> 00:12:13,599 THEY'RE ALL OVER THE TABLE. 198 00:12:13,599 --> 00:12:14,934 EVERYWHERE. 199 00:12:14,934 --> 00:12:20,539 Gordon: JAMES, IN THE DEEPEST SYMPATHY, IT'S FOR A 200 00:12:20,539 --> 00:12:21,707 FUNERAL. 201 00:12:21,707 --> 00:12:23,075 James: WELL, YEAH, THAT'S WHAT BRIAN WOULD'VE WANTED, HE 202 00:12:23,075 --> 00:12:25,878 LOVES HIS FOOD. 203 00:12:25,878 --> 00:12:30,116 THEY SAY OH, THIS IS GOING TO BE TERRIBLE, BUT DEEP IN THERE, HE 204 00:12:30,116 --> 00:12:31,150 KNOWS. 205 00:12:31,150 --> 00:12:33,552 WE DON'T HAVE MASSIVE TIME, BECAUSE WE OPEN TODAY. 206 00:12:33,552 --> 00:12:36,155 FOR LUNCH. 207 00:12:36,155 --> 00:12:39,425 Gordon: TODAY? 208 00:12:39,425 --> 00:12:44,130 WE ARE [BLEEP]. 209 00:12:44,130 --> 00:12:50,369 James: GORDON, YOUR SHOW IS "NEXT LEVEL CHEF" BUT THIS IS 210 00:12:50,369 --> 00:12:54,807 NEXT LEVEL MENU, LOOK HOW MANY DISHES WE HAVE ON THE MENU. 211 00:12:54,807 --> 00:12:57,910 FUN STUFF, WORD SEARCHES, SPOT THE DIFFERENCE PRAYED I WAS 212 00:12:57,910 --> 00:13:04,049 THINKING LIKE WHAT ABOUT LIKE SEARED BUTTERED SCALLOPS ON A 213 00:13:04,049 --> 00:13:09,855 BED OF ARUGULA WITH A TRUFFLE RISOTTO REDUCTION. 214 00:13:09,855 --> 00:13:13,926 Gordon: WE ARE OPENING IN LESS THAN TWO HOURS. 215 00:13:13,926 --> 00:13:15,661 SERIOUSLY? 216 00:13:15,661 --> 00:13:16,662 HAMBURGER. 217 00:13:16,662 --> 00:13:22,601 James: DOES NOT REALLY FEEL LIKE FINE DINING. 218 00:13:22,601 --> 00:13:23,836 Gordon: OKAY, THEN HOW ABOUT A FRESH-GRILLED BOVINE SPREAD 219 00:13:23,836 --> 00:13:25,037 PLACED BETWEEN TWO BAKED GRAINS WITH LOCALLY SOURCED 220 00:13:25,037 --> 00:13:27,339 GREENS AND A TOMATO REDUCTION? 221 00:13:27,339 --> 00:13:30,276 HOW DOES THAT SOUND? 222 00:13:30,276 --> 00:13:31,343 James: I LIKE THAT. 223 00:13:31,343 --> 00:13:34,813 WHAT IS THAT? 224 00:13:34,813 --> 00:13:38,083 Gordon: IT'S [BLEEP] HAMBURGER. 225 00:13:38,083 --> 00:13:39,084 JAMES. 226 00:13:39,084 --> 00:13:41,053 James: YOU'RE GOING TO LOVE THIS, WAIT, WAIT. 227 00:13:41,053 --> 00:13:44,456 OKAY, LOOK. 228 00:13:44,456 --> 00:13:44,857 TA-DA! 229 00:13:44,857 --> 00:13:47,526 LOOK AT THAT! 230 00:13:47,526 --> 00:13:49,295 YOU UNDERSTAND WHAT I HAVE! 231 00:13:49,295 --> 00:13:53,999 BECAUSE YOU ARE GORDON RAMSAY AND MY NAME IS CORDEN. 232 00:13:53,999 --> 00:14:00,606 SO I'VE TAKEN MY LAST NAME AND YOUR LAST NAME, CORDEN RAMSAY. 233 00:14:00,606 --> 00:14:02,908 YOU GET IT, RIGHT? 234 00:14:02,908 --> 00:14:08,080 EVERYONE ELSE HAS BEEN WAY MORE INTO IT. 235 00:14:08,080 --> 00:14:09,915 BECAUSE CORDEN, WHAT IS YOUR NAME? 236 00:14:09,915 --> 00:14:12,585 SO BASICALLY YOU TAKE MY LAST NAME WHICH SOUNDS KIND OF LIKE 237 00:14:12,585 --> 00:14:13,519 HIS FIRST NAME. 238 00:14:13,519 --> 00:14:18,023 HE PUT THEM TOGETHER, YOU GET CORDEN RAMSAY. 239 00:14:18,023 --> 00:14:22,094 GORDON, NOW SAY MY NAME-- CORDEN. 240 00:14:22,094 --> 00:14:23,295 YOU GET IT? 241 00:14:23,295 --> 00:14:24,363 I DON'T THINK HE DOES. 242 00:14:24,363 --> 00:14:28,334 Gordon: YOU CAN JUST STICK THEM ON THERE. 243 00:14:28,334 --> 00:14:29,802 James: THREE MICHELIN STARS? 244 00:14:29,802 --> 00:14:33,939 AND IT ALWAYS HAS A MICHELIN STAR, LET ME GOOGLE IT. 245 00:14:33,939 --> 00:14:36,442 Gordon: IT TOOK ME TEN YEARS TO GET A [BLEEP] STAR. 246 00:14:36,442 --> 00:14:39,545 James: AND I HAVE ONE IN 10 ! 247 00:14:39,545 --> 00:14:44,950 OKAY, THESE FOUR ARE THE MOST QUALIFIED "THE LATE LATE SHOW" 248 00:14:44,950 --> 00:14:46,418 STAFFERS TO WORK IN THE RESTAURANT. 249 00:14:46,418 --> 00:14:48,220 WHEN I SAID MOST QUALIFIED I MEAN THEY HAVE THE LEAST TO DO 250 00:14:48,220 --> 00:14:51,490 ON THE SHOW. 251 00:14:51,490 --> 00:14:54,660 SENIOR VICE PRESIDENT OF LATE-NIGHT PROGRAMMING 252 00:14:54,660 --> 00:14:55,628 WEST COAST. 253 00:14:55,628 --> 00:14:57,963 NOBODY KNOWS WHAT THAT JOB IS COMING AND I'LL? 254 00:14:57,963 --> 00:14:59,265 IN THESE TWO ARE IN THE BAND. 255 00:14:59,265 --> 00:15:02,368 THIS IS THE EARLIEST THEY HAVE BEEN UP IN EIGHT YEARS. 256 00:15:02,368 --> 00:15:04,903 WINNIE DOES NOT RESPECT ANYONE, SO DON'T TAKE IT PERSONALLY, 257 00:15:04,903 --> 00:15:09,742 THAT'S JUST WHO SHE IS. 258 00:15:09,742 --> 00:15:13,012 Gordon: WINNIE, CAN YOU HAND ME A LADLE. 259 00:15:13,012 --> 00:15:17,349 >>> SIR, YES, SIR. 260 00:15:17,349 --> 00:15:19,251 I DON'T ACTUALLY RESPECT GORDON, BUT I KNEW THAT WILL REALLY MAKE 261 00:15:19,251 --> 00:15:20,919 JAMES FEEL BAD. 262 00:15:20,919 --> 00:15:23,322 Gordon: YOU TAKE CARE OF THE HOUSE, YOU GUYS STAY WITH 263 00:15:23,322 --> 00:15:24,089 ME. 264 00:15:24,089 --> 00:15:25,090 AND WE WILL GET CRACKING. 265 00:15:25,090 --> 00:15:27,393 James: YOU GUYS STAY OVER THERE, COME WITH ME. 266 00:15:27,393 --> 00:15:30,229 COME ON GEER OMO! 267 00:15:30,229 --> 00:15:32,131 Gordon: LET'S GET THE BURGERS ON. 268 00:15:32,131 --> 00:15:33,866 GET THEM SEASON, PLEASE. 269 00:15:33,866 --> 00:15:35,901 WHEN WAS THE LAST TIME YOU COOKED? 270 00:15:35,901 --> 00:15:38,904 I DON'T KNOW, A YEAR AGO. 271 00:15:38,904 --> 00:15:40,306 IS THIS A PROBLEM? 272 00:15:40,306 --> 00:15:46,011 YEAH, I DID NOT WASH MY HAN HANDS. 273 00:15:46,011 --> 00:15:51,450 Gordon: WE TURNED THEM DOWN, LITTLE BUTTERS INTO THREE, 274 00:15:51,450 --> 00:15:51,750 FASTER. 275 00:15:51,750 --> 00:15:52,351 FASTER! 276 00:15:52,351 --> 00:15:52,951 WHAT ARE YOU? 277 00:15:52,951 --> 00:15:56,955 I AM AN IDIOT SANDWICH. 278 00:15:56,955 --> 00:15:57,556 Gordon: LOUDER! 279 00:15:57,556 --> 00:16:00,559 I AM AN IDIOT SANDWICH. 280 00:16:00,559 --> 00:16:01,160 Gordon: LOUDER! 281 00:16:01,160 --> 00:16:02,695 I AM AN IDIOT SANDWICH. 282 00:16:02,695 --> 00:16:06,465 James: YOU ARE THE MOST IMPORTANT FACTOR IN THE 283 00:16:06,465 --> 00:16:09,234 RESTAURANT, SO, GORDON, WHAT DO YOU NEED TO KNOW? 284 00:16:09,234 --> 00:16:13,706 SIR FROM THE LEFT, CLEAR TO THE RIGHT, SERVE THE DRINKS ON 285 00:16:13,706 --> 00:16:14,373 THE RIGHT. 286 00:16:14,373 --> 00:16:17,076 SPARKLING ARE STILL WATER? 287 00:16:17,076 --> 00:16:17,743 STILL. 288 00:16:17,743 --> 00:16:21,680 GIVE HIM THE STILL PLEASE. 289 00:16:21,680 --> 00:16:25,317 James: IT'S IMPORTANT, IT IS A HIGH POOR. 290 00:16:25,317 --> 00:16:26,151 I WANT A HIGH POOR. 291 00:16:26,151 --> 00:16:28,020 IT HAS TO BE HIGH. 292 00:16:28,020 --> 00:16:30,689 THAT DOES NOT MATTER, BECAUSE IT IS ABOUT THEATER. 293 00:16:30,689 --> 00:16:33,959 IT'S SPECTACLE, RIGHT. 294 00:16:33,959 --> 00:16:38,630 Gordon: AND YOU JUST MADE ME LOOK LIKE I [BLEEP] MYSELF. 295 00:16:38,630 --> 00:16:40,699 PINKY UP. 296 00:16:40,699 --> 00:16:41,734 OKAY. 297 00:16:41,734 --> 00:16:46,305 THEY FINISHED THEIR FRIES AND THEY LOVED IT, OKAY? 298 00:16:46,305 --> 00:16:51,744 IF YOU GET TO THIS POSITION YOU THINK, OH, THERE ARE MORE FRIES. 299 00:16:51,744 --> 00:16:55,114 James: THERE IS ONE MORE FRY, WHAT DO I DO? 300 00:16:55,114 --> 00:16:55,647 SIMPLE. 301 00:16:55,647 --> 00:16:57,750 Gordon: OH, MY GOD. 302 00:16:57,750 --> 00:17:03,455 James: WEIGHT, WAIT FOR THE DRINK. 303 00:17:03,455 --> 00:17:04,490 OKAY. 304 00:17:04,490 --> 00:17:09,061 AND NOW GRACEFULLY MOVE AROUND, 305 00:17:09,061 --> 00:17:14,867 THAT IS BEAUTIFUL. 306 00:17:14,867 --> 00:17:16,301 I ACTUALLY THINK THAT'S PRETTY GOOD. 307 00:17:16,301 --> 00:17:23,342 I THINK WE HAVE A REAL WINNER HERE. 308 00:17:23,342 --> 00:17:27,646 Gordon: OH, GOD. 309 00:17:27,646 --> 00:17:32,351 I HAVE TO ADMIT I AM COMING TO THE IDEA A LITTLE BIT MORE NOW. 310 00:17:32,351 --> 00:17:37,256 LITERALLY, THE ONLY PLACE IN THE ENTIRE STUDIO PEOPLE CAN EAT. 311 00:17:37,256 --> 00:17:41,593 James: OH, MAN, THIS IS A WHO'S WHO OF TV CITY, TWO CAST 312 00:17:41,593 --> 00:17:47,065 MEMBERS FROM "THE BOLD AND THE BEAUTIFUL" THAT GUY WHO LIGHTS 313 00:17:47,065 --> 00:17:51,136 UP "THE PRICE IS RIGHT" THAT GUY STANDING THERE. 314 00:17:51,136 --> 00:17:52,704 Gordon: THIS PLACE DOES LOOK BEAUTIFUL. 315 00:17:52,704 --> 00:17:57,075 COME ON, WE CAN DO IT. 316 00:17:57,075 --> 00:17:59,311 James: IT IS SHOWTIME! 317 00:17:59,311 --> 00:18:01,713 RESTAURANT CORDEN RAMSAY IS OPEN, COME IN. 318 00:18:01,713 --> 00:18:02,514 N. 319 00:18:02,514 --> 00:18:05,451 WILL YOU SHOW OR GUEST TO TABLE 37. 320 00:18:05,451 --> 00:18:08,320 WHICH ONE IS 37? 321 00:18:08,320 --> 00:18:11,657 James: I DON'T KNOW, JUST SIT THEM DOWN. 322 00:18:11,657 --> 00:18:17,830 I WOULD LIKE TO DO ANYTHING THAT IS VEGAN. 323 00:18:17,830 --> 00:18:20,232 Gordon: TELL THEM TO TAKE THE BURGER. 324 00:18:20,232 --> 00:18:23,902 YOU SHOULD HAVE THE BURGER. 325 00:18:23,902 --> 00:18:24,770 IS IT VEGAN? 326 00:18:24,770 --> 00:18:28,407 WE CAN GET YOU THE BUN, THAT'S VEGAN. 327 00:18:28,407 --> 00:18:30,642 HOW ABOUT A CAESAR SALAD. 328 00:18:30,642 --> 00:18:38,450 ONE BURGER. 329 00:18:38,450 --> 00:18:39,885 OH, SORRY. 330 00:18:39,885 --> 00:18:46,091 CAN I GET SOME ICE? 331 00:18:46,091 --> 00:18:53,932 [LAUGHTER] ENJOY. 332 00:18:53,932 --> 00:19:02,674 ♪ ♪ James: FRESHWATER SHRIMP? 333 00:19:02,674 --> 00:19:06,745 NO, SO YOU CAN JUST CHOOSE THE ONE YOU WANT, SO-- 334 00:19:06,745 --> 00:19:08,280 THEY ARE FROZEN. 335 00:19:08,280 --> 00:19:09,915 NO, FRESHWATER. 336 00:19:09,915 --> 00:19:11,683 WHICH ONE DID YOU WANT? 337 00:19:11,683 --> 00:19:12,317 JUST POINT. 338 00:19:12,317 --> 00:19:14,853 I WILL GO WITH THAT ONE. 339 00:19:14,853 --> 00:19:16,421 James: WHICH ONE, THIS ONE? 340 00:19:16,421 --> 00:19:21,460 BECAUSE I WILL PUT IT THERE, AND THEN WE WILL COOK THAT ONE IN A 341 00:19:21,460 --> 00:19:22,661 MINUTE. 342 00:19:22,661 --> 00:19:24,496 WHAT ABOUT YOU? 343 00:19:24,496 --> 00:19:25,264 THIS ONE? 344 00:19:25,264 --> 00:19:29,434 FRESH FROM THE L.A. RIVER, THE IS. 345 00:19:29,434 --> 00:19:33,272 Gordon: ENERGY, PLEASE, IT IS A RESTAURANT. 346 00:19:33,272 --> 00:19:35,040 HAVE YOU SALTED THESE? 347 00:19:35,040 --> 00:19:38,644 NO, ARE WE SUPPOSED TO. 348 00:19:38,644 --> 00:19:45,417 James: I NEED TWO BURGERS, QUICK, QUICK, QUICK. 349 00:19:45,417 --> 00:19:48,820 OH, MY GOSH! 350 00:19:48,820 --> 00:19:51,490 Gordon: HEIGHT ON THE SALAD! 351 00:19:51,490 --> 00:19:51,890 HEIGHT. 352 00:19:51,890 --> 00:19:54,626 WHAT IS THAT? 353 00:19:54,626 --> 00:19:59,097 STOP DOING THAT, LET'S GO. 354 00:19:59,097 --> 00:20:01,633 STAY THERE, STAY THERE! 355 00:20:01,633 --> 00:20:05,270 PUT IT ON MY HEAD. 356 00:20:05,270 --> 00:20:07,439 Gordon: JAMES, JAMES, JAMES! 357 00:20:07,439 --> 00:20:09,341 BE CAREFUL. 358 00:20:09,341 --> 00:20:14,580 James: IT'S OKAY. 359 00:20:14,580 --> 00:20:22,421 [APPLAUSE] ♪ ♪ 360 00:20:22,421 --> 00:20:25,057 James: THERE IS THE SALAD. 361 00:20:25,057 --> 00:20:27,826 AND TO THE SALAD, AND A BURGER. 362 00:20:27,826 --> 00:20:39,438 ♪ ♪ [APPLAUSE] 363 00:20:39,438 --> 00:20:43,675 James: OKAY, SO HOW DO WE DO? 364 00:20:43,675 --> 00:20:44,977 Gordon: WE HAVE TO CLOSE. 365 00:20:44,977 --> 00:20:46,912 James: CLOSE THE RESTAURANT? 366 00:20:46,912 --> 00:20:49,247 Gordon: SHUT IT DOWN. 367 00:20:49,247 --> 00:20:53,885 James: THE PANDEMIC, IT JUST HIT RESTAURANT SO HARD. 368 00:20:53,885 --> 00:20:54,987 Gordon: STOP BLAMING THE PANDEMIC. 369 00:20:54,987 --> 00:20:58,256 James: IT'S DURING THE PANDEMIC, WHAT CAN YOU DO? 370 00:20:58,256 --> 00:20:59,825 IT MAKES IT SO DIFFICULT FOR EVERYONE. 371 00:20:59,825 --> 00:21:03,061 CHIN UP, YOU TRIED YOUR BEST. 372 00:21:03,061 --> 00:21:05,897 MAKE SURE YOU LOCK UP WHEN YOU LEAVE. 373 00:21:05,897 --> 00:21:06,431 THE PANDEMIC. 374 00:21:06,431 --> 00:21:07,299 I WILL SEE YOU, BUDDY. 375 00:21:07,299 --> 00:21:10,736 TAKE IT EASY. 376 00:21:10,736 --> 00:21:14,239 Gordon: [BLEEP]. 377 00:21:14,239 --> 00:21:17,876 James: OH, THANKS TO THE INCREDIBLE GORDON RAMSAY! 378 00:21:17,876 --> 00:21:22,314 CHECK OUT "NEXT LEVEL SHAFT" WHICH AIRS THURSDAYS ON FOX! 379 00:21:22,314 --> 00:21:23,382 WE WILL BE RIGHT BACK WITH NIALL HORAN, EVERYONE! 380 00:21:41,333 --> 00:21:42,300 James: WELCOME BACK! 381 00:21:42,300 --> 00:21:43,468 LET'S MEET OUR GUEST TONIGHT. 382 00:21:43,468 --> 00:21:45,270 HIS NEW ALBUM, "THE SHOW," IS AVAILABLE FOR PRE-ORDER NOW. 383 00:21:45,270 --> 00:21:51,610 NIALL HORAN! 384 00:21:51,610 --> 00:21:56,415 Reggie: ITS NIALL HORAN ON "THE LATE LATE SHOW"! 385 00:21:56,415 --> 00:22:01,920 ♪ ♪ James: HE IS THE STAR AND 386 00:22:01,920 --> 00:22:04,122 EXECUTIVE PRODUCER OF "CARNIVAL ROW"! 387 00:22:04,122 --> 00:22:05,691 IT'S ORLANDO BLOOM! 388 00:22:05,691 --> 00:22:09,861 Reggie: ITS ORLANDO BLOOM! 389 00:22:09,861 --> 00:22:12,130 [CHEERS AND APPLAUSE] ♪ ♪ 390 00:22:12,130 --> 00:22:14,099 James: I AM SO HAPPY! 391 00:22:14,099 --> 00:22:18,603 HOW ARE YOU? 392 00:22:18,603 --> 00:22:20,138 HAVE A SEAT, PLEASE! 393 00:22:20,138 --> 00:22:25,811 ♪ ♪ BLESS YOU FOR BEING HERE! 394 00:22:25,811 --> 00:22:30,449 Orlando: YOU ARE NOT GOING TO MISS THIS, IT IS SO 395 00:22:30,449 --> 00:22:31,049 BEAUTIFUL? 396 00:22:31,049 --> 00:22:32,284 NOBODY WANTS YOU TO LEAVE. 397 00:22:32,284 --> 00:22:35,153 James: THEY ARE VERY SWEET, BUT WHAT IS AMAZING THIS IS NOT 398 00:22:35,153 --> 00:22:37,322 THE FIRST TIME THAT YOU TWO HAVE BEEN ON THE SHOW TOGETHER. 399 00:22:37,322 --> 00:22:40,392 YOU ARE IN ONE OF OUR SHOWS ON LONDON. 400 00:22:40,392 --> 00:22:46,331 YOU ALWAYS GET ON GREAT. 401 00:22:46,331 --> 00:22:49,634 Orlando: WE WERE GOING TO GOLF, I DON'T EVEN GOLF, BUT 402 00:22:49,634 --> 00:22:50,736 WITH NIALL I WILL DO ANYTHING. 403 00:22:50,736 --> 00:22:55,540 James: YOU MAKE PLANS, BUT NEVER SEE THEM THROUGH. 404 00:22:55,540 --> 00:22:58,043 HOW LOS ANGELES OF YOU. 405 00:22:58,043 --> 00:23:01,913 Niall: YOU KNOW, ORLANDO, WE SHOULD DO A MOVIE TOGETHER OR 406 00:23:01,913 --> 00:23:03,115 SOMETHING. 407 00:23:03,115 --> 00:23:05,517 James: ORLANDO, I WANT TO TALK TO YOU ABOUT THIS, WHICH IS 408 00:23:05,517 --> 00:23:11,923 QUITE SHOCKING, A STORY I DID NOT KNOW. 409 00:23:11,923 --> 00:23:17,229 THAT YEARS AGO, YOUR HOUSE GOT TO BURGLED AND GOT BURGLED NOT 410 00:23:17,229 --> 00:23:22,167 JUST BY ANY KIND OF BURGLAR, BUT THE INFAMOUS "BLING RING." 411 00:23:22,167 --> 00:23:26,204 AND PEOPLE DON'T KNOW THIS, BUT YOU TOOK MATTERS INTO YOUR OWN 412 00:23:26,204 --> 00:23:27,205 HANDS. 413 00:23:27,205 --> 00:23:28,540 CAN YOU EXPLAIN? 414 00:23:28,540 --> 00:23:29,908 Niall: DID YOU? 415 00:23:29,908 --> 00:23:32,244 James: EXPLAIN WHAT HAPPENED. 416 00:23:32,244 --> 00:23:34,746 Orlando: BASICALLY I GOT A CALL SOME MONTHS LATER. 417 00:23:34,746 --> 00:23:37,783 AND IT TOOK A LOT OF THINGS, IT WAS A REALLY WEIRD SITUATION. 418 00:23:37,783 --> 00:23:40,252 James: WHAT THEY STEAL? 419 00:23:40,252 --> 00:23:43,321 Orlando: CLOTHING, BUT WHAT THEY DID FIND WAS A STASH OF 420 00:23:43,321 --> 00:23:47,259 WATCHES I HAD. 421 00:23:47,259 --> 00:23:50,195 AND IT DID NOT EVEN OCCUR TO ME IN MY LIFE. 422 00:23:50,195 --> 00:23:53,064 ANYWAY, THEY TOOK THESE WATCHES. 423 00:23:53,064 --> 00:23:56,802 BECAUSE I HAVE COLLECTED WATCHES SINCE I STARTED MAKING MOVIES. 424 00:23:56,802 --> 00:23:58,203 I BY ONE EACH MOVIE. 425 00:23:58,203 --> 00:24:00,205 AND THEY TOOK SOME EXPENSIVE WATCHES. 426 00:24:00,205 --> 00:24:03,308 THREE MONTHS AFTER I GOT A PHONE CALL FROM A GUY WHO I ACTUALLY 427 00:24:03,308 --> 00:24:05,777 BOUGHT SOME FROM. 428 00:24:05,777 --> 00:24:06,344 AND I WAS LIKE WHAT? 429 00:24:06,344 --> 00:24:09,181 SO I GO TO MEET THE GUY. 430 00:24:09,181 --> 00:24:11,583 AND HE SAYS I THINK YOU CAN PROBABLY GET IT BACK. 431 00:24:11,583 --> 00:24:13,985 AND I WAS LIKE WHAT? 432 00:24:13,985 --> 00:24:15,954 AND I WAS LIKE, OKAY. 433 00:24:15,954 --> 00:24:18,590 CAN I GET THE CONTACT FOR WHOEVER THIS PERSON WAS? 434 00:24:18,590 --> 00:24:20,525 AND HE WAS LIKE, THAT'S TOO DIFFICULT. 435 00:24:20,525 --> 00:24:22,994 AND I WAS LIKE, OKAY. 436 00:24:22,994 --> 00:24:26,364 ANYWAY, LONG STORY SHORT I GET THE NUMBER OF THIS GUY AND I AM 437 00:24:26,364 --> 00:24:28,800 CALLING HIM FOR MAYBE 3-6 MONTHS. 438 00:24:28,800 --> 00:24:31,837 EVENTUALLY I FIND OUT WHERE HE IS FROM. 439 00:24:31,837 --> 00:24:34,806 AND THERE'S A PAWNSHOP IN THE VALLEY KIND OF THING. 440 00:24:34,806 --> 00:24:38,743 AND I JUST WALKED UP TO HIS HOUSE ONE DAY AND UP TO A SHOP 441 00:24:38,743 --> 00:24:42,414 AND I HAD A LITTLE MICROPHONE. 442 00:24:42,414 --> 00:24:44,382 James: NO, LIKE A PRIVATE DETECTIVE? 443 00:24:44,382 --> 00:24:48,186 YOU PUT ON YOUR OWN-- Orlando: I CALLED THE 444 00:24:48,186 --> 00:24:50,655 PRIVATE DETECTIVE AND HE SAID JUST GET A VOICE RECORDER AND D& 445 00:24:50,655 --> 00:24:51,156 IT. 446 00:24:51,156 --> 00:24:52,257 AND I WAS LIKE OKAY. 447 00:24:52,257 --> 00:24:55,927 SO I GO DOWN THERE-- Niall: NO SECURITY OR 448 00:24:55,927 --> 00:24:56,494 ANYTHING. 449 00:24:56,494 --> 00:24:58,463 Orlando: NO, JUST ME. 450 00:24:58,463 --> 00:25:00,565 I'M FROM KENT, BRO. 451 00:25:00,565 --> 00:25:03,201 OUT OF THE SWAMP. 452 00:25:03,201 --> 00:25:07,606 SO I GO DOWN THERE AND I'M LIKE, HEY, MAN, HOW ARE YOU DOING. 453 00:25:07,606 --> 00:25:08,506 HE IS LIKE ORLANDO. 454 00:25:08,506 --> 00:25:10,008 OBVIOUSLY I WALK IN ON HIM. 455 00:25:10,008 --> 00:25:13,411 AND I'M LIKE NO HARM, NO FOUL, BUT I HEAR-- 456 00:25:13,411 --> 00:25:17,249 AND HE IS LIKE, YEAH, WELL, YOU KNOW. 457 00:25:17,249 --> 00:25:19,284 ONE OF THOSE GUYS WEARING ALL OF THE SILVER. 458 00:25:19,284 --> 00:25:23,521 LIKE SMALL HERBS. 459 00:25:23,521 --> 00:25:26,258 Niall: WEARING YOUR WAT WATCHES. 460 00:25:26,258 --> 00:25:27,425 Orlando: HE SAYS COME BACK TOMORROW. 461 00:25:27,425 --> 00:25:30,662 TURN UP THE NEXT DAY AND HE TAKES ME TO HIS DAUGHTER IN A 462 00:25:30,662 --> 00:25:31,696 SHOP. 463 00:25:31,696 --> 00:25:33,365 I THINK HE WAS TRYING TO SHOW ME WHAT WAS AT STAKE. 464 00:25:33,365 --> 00:25:36,902 I WAS LIKE NO POLICE, JUST I WOULD LIKE TO GET MY WATCHES 465 00:25:36,902 --> 00:25:38,169 BACK. 466 00:25:38,169 --> 00:25:40,839 AND HE WAS LIKE, OKAY, I'VE GOT TO GO AROUND AND RUB SOME PEOPLE 467 00:25:40,839 --> 00:25:41,606 UP. 468 00:25:41,606 --> 00:25:42,607 I'M LIKE WHAT? 469 00:25:42,607 --> 00:25:43,575 WELL, LET'S GO. 470 00:25:43,575 --> 00:25:45,477 I'LL RUN OFF SOME UP. 471 00:25:45,477 --> 00:25:48,213 AND ESSENTIALLY HE GOES I CAN'T DO IT RIGHT NOW. 472 00:25:48,213 --> 00:25:53,585 SO I LEAVE AND I GET A PHONE CALL AND 10 MINUTES LATER HE 473 00:25:53,585 --> 00:25:57,956 SAYS COME BACK AND I AM ON MY WAY TO THANKSGIVING LUNCH AT A 474 00:25:57,956 --> 00:26:02,594 TIME WITH MY EX AN END HE SAID I'M NOT WASTING ANYMORE TIME AND 475 00:26:02,594 --> 00:26:04,596 HE SAYS COME BACK. 476 00:26:04,596 --> 00:26:08,934 AND A BOX AND I JUST STARTED TO CRY. 477 00:26:08,934 --> 00:26:11,903 LIKE I LOST TEN WATCHES, BUT FIVE OF THE ONES-- BECAUSE 478 00:26:11,903 --> 00:26:17,375 ESSENTIALLY THAT IS SO CUTE, AND HOW DO YOU GET OFF THE KINDS OF 479 00:26:17,375 --> 00:26:20,645 WATCHES I COLLECTED, WAS VERY CHALLENGING. 480 00:26:20,645 --> 00:26:22,814 James: DID YOU HAVE TO BUY THEM? 481 00:26:22,814 --> 00:26:29,454 Orlando: I JUST SAID THANKS VERY MUCH, MATE. 482 00:26:29,454 --> 00:26:30,221 [LAUGHTER] [APPLAUSE] 483 00:26:30,221 --> 00:26:33,825 Niall: WHAT A STORY THAT I IS! 484 00:26:33,825 --> 00:26:38,596 Orlando: I THINK WAS SOPHIA KOPLIN WITH "THE BLING RING" BUT 485 00:26:38,596 --> 00:26:40,799 I THINK ME GETTING MY WATCHES BACK IS BETTER. 486 00:26:40,799 --> 00:26:44,002 I'LL BE IN THAT ONE WITH YOU. 487 00:26:44,002 --> 00:26:45,203 DON'T CROSS ME, GUYS. 488 00:26:45,203 --> 00:26:49,407 James: YOU BOTH HAVE QUITE A CONNECTION, BECAUSE NIALL IF 489 00:26:49,407 --> 00:26:52,811 IT WAS NOT FOR ORLANDO'S PARTNER KATY PERRY, YOU WOULD NOT BE SET 490 00:26:52,811 --> 00:26:58,316 HERE RIGHT NOW, BECAUSE KATY WAS THE JUDGE ON "THE X FACTOR" THAT 491 00:26:58,316 --> 00:27:00,285 ACTUALLY PUT YOU THROUGH TO THE NEXT ROUNDS. 492 00:27:00,285 --> 00:27:03,822 HERE'S THE MOMENT-- Orlando: NO. 493 00:27:03,822 --> 00:27:07,125 James: HERE'S THE MOMENT WHERE KATY PERRY CHANGES YOUR 494 00:27:07,125 --> 00:27:08,360 LIFE. 495 00:27:08,360 --> 00:27:13,732 I AGREED, AND BY THE WAY-- JUST IF YOU ARE LIKABLE, LIKABLE 496 00:27:13,732 --> 00:27:19,904 IS TALENT, AND YOU HAVE A SEED OF IT. 497 00:27:19,904 --> 00:27:23,041 [CHEERS AND APPLAUSE] ♪ ♪ 498 00:27:23,041 --> 00:27:25,343 OF COURSE, YOU ARE IN. 499 00:27:25,343 --> 00:27:30,682 [CHEERS AND APPLAUSE] ♪ ♪ 500 00:27:30,682 --> 00:27:34,719 James: I CANNOT BELIEVE! 501 00:27:34,719 --> 00:27:36,021 WHAT DID YOU DO? 502 00:27:36,021 --> 00:27:38,456 Niall: THIS IS A SIMULATION REALLY. 503 00:27:38,456 --> 00:27:41,960 James: WHAT DO YOU REMEMBER ABOUT THAT DAY? 504 00:27:41,960 --> 00:27:44,929 Orlando: IS AT THE MOMENT I REALLY CHANGED YOUR WHOLE THING? 505 00:27:44,929 --> 00:27:48,566 Niall: MY AUDITION WAS GOING VERY SELF, ORLANDO. 506 00:27:48,566 --> 00:27:50,935 AND KATY COMING IN THE COMPETITION. 507 00:27:50,935 --> 00:27:54,372 BECAUSE IF IT WAS NOT FOR HER, I DEFINITELY WOULD NOT BE HERE. 508 00:27:54,372 --> 00:27:57,175 AND SHE KNOWS IT. 509 00:27:57,175 --> 00:28:01,012 James: WHEN YOU WALK OFFSTAGE THAT DAY, WHAT IS GOING 510 00:28:01,012 --> 00:28:02,213 THROUGH YOUR HEAD? 511 00:28:02,213 --> 00:28:04,482 Niall: THE WHOLE TIME I AM WALKING ONTO THE STAGE AND I'M 512 00:28:04,482 --> 00:28:07,619 JUST THINKING, THAT'S KATY KATY PERRY, THAT IS SIMON 513 00:28:07,619 --> 00:28:08,486 COWELL. 514 00:28:08,486 --> 00:28:10,388 THE WHOLE THING LOOKED LIKE A POSTCARD. 515 00:28:10,388 --> 00:28:15,460 IT DID NOT FEEL REAL, BECAUSE I WATCHED IT FOR SO LONG ON TV AND 516 00:28:15,460 --> 00:28:20,432 KATY WAS AT HER PEAK, WE ARE TALKING LIKE "TEENAGE DREAM" 517 00:28:20,432 --> 00:28:24,936 FIVE NUMBER 1s, 2009 OR 2010, WHATEVER IT WAS. 518 00:28:24,936 --> 00:28:31,142 AND THEN I DO THE AUDITION AND CHERYL SAYS NO, SIMON COWELL, 519 00:28:31,142 --> 00:28:35,680 SHE SAVES ME AND IT WAS JUST MIND-BOGGLING. 520 00:28:35,680 --> 00:28:37,649 AND LITTLE DID I KNOW WHAT WAS TO COME AFTERWARD. 521 00:28:37,649 --> 00:28:40,285 BUT IF IT WAS NOT FOR HER-- [CHEERS AND APPLAUSE] 522 00:28:40,285 --> 00:28:42,787 IF IT WAS NOT FOR KATY. 523 00:28:42,787 --> 00:28:47,926 WHEN WE SEE EACH OTHER STILL, WE HAVE AN EMBRACE, A THANKS. 524 00:28:47,926 --> 00:28:49,794 Orlando: THAT IS COOL, MAN. 525 00:28:49,794 --> 00:28:53,765 IT'S BEYOND TALKING ABOUT THIS FULL CIRCLE. 526 00:28:53,765 --> 00:28:57,435 BECAUSE YOU ARE IN ONE OF THE SCENES, YOU ARE ONE OF THE 527 00:28:57,435 --> 00:29:00,138 COACHES ON "THE VOICE" I THINK YOU WILL BE SO GREAT. 528 00:29:00,138 --> 00:29:02,207 I THINK THAT YOU WILL BE SO GREAT AT THIS. 529 00:29:02,207 --> 00:29:06,010 HOW IS IT GOING, ARE YOU ENJOYING FILMING? 530 00:29:06,010 --> 00:29:09,714 Niall: YES, IT HAS BEEN UNBELIEVABLE, BLAKE SHELTON, 531 00:29:09,714 --> 00:29:11,683 KELLY CLARKSON, CHANCELLOR RAPPER. 532 00:29:11,683 --> 00:29:14,786 SMALL WOW! 533 00:29:14,786 --> 00:29:16,754 Orlando: THAT IS A GREAT LINEUP. 534 00:29:16,754 --> 00:29:18,623 Niall: IT IS UNBELIEVABLE. 535 00:29:18,623 --> 00:29:23,361 James: ARE YOU ENJOYING? 536 00:29:23,361 --> 00:29:26,131 [LAUGHTER] Niall: THE FIRST TIME THEY 537 00:29:26,131 --> 00:29:28,233 DID THAT I WAS LIKE DO IT AGAIN! 538 00:29:28,233 --> 00:29:29,434 IT IS REALLY COOL. 539 00:29:29,434 --> 00:29:32,170 James: I DO THINK THAT SHOW WOULD BE BETTER IF THEY WALKED 540 00:29:32,170 --> 00:29:35,974 OUT AND ALL OF THE JUDGES WERE LOOKING AT THE SINGERS AND THEN 541 00:29:35,974 --> 00:29:38,877 YOU TURN AROUND IF YOU DON'T LIKE THEM. 542 00:29:38,877 --> 00:29:43,548 YOU HAVE TO GO-- NO. 543 00:29:43,548 --> 00:29:46,584 Niall: NOW WE KNOW WHAT YOU WILL DO AFTER ME. 544 00:29:46,584 --> 00:29:48,620 James: I CANNOT WAIT FOR THE SERIES. 545 00:29:48,620 --> 00:29:50,588 I'M SO HAPPY YOU WILL DO IT. 546 00:29:50,588 --> 00:29:52,323 I THINK YOU WILL BE BRILLIANT AT IT. 547 00:29:52,323 --> 00:29:53,758 I REALLY DO. 548 00:29:53,758 --> 00:29:56,561 AND ORLANDO, WE HAVE TO CONGRATULATE YOU ON THE SECOND 549 00:29:56,561 --> 00:29:58,496 AND FINAL SEASON OF "CARNIVAL ROW"! 550 00:29:58,496 --> 00:30:00,965 [CHEERS AND APPLAUSE] TELL US WHAT IT IS ABOUT. 551 00:30:00,965 --> 00:30:04,569 Orlando: SO IF YOU WERE A FAN OF THE FIRST, WE GOT COVID& 552 00:30:04,569 --> 00:30:08,106 PUT IT ON THE WORKS, BUT I'M REALLY, REALLY PROUD OF IT. 553 00:30:08,106 --> 00:30:13,411 HONESTLY, IT IS-- ALMOST BEFORE IT'S TIME, BUT 554 00:30:13,411 --> 00:30:16,014 THROUGH A FANTASY LENS WE GET TO REALLY EXPLORE SOME REAL-LIFE 555 00:30:16,014 --> 00:30:17,248 THINGS. 556 00:30:17,248 --> 00:30:22,053 WE WERE ACTUALLY SHOOTING THE STORY LINE ABOUT A VIRUS ON THE 557 00:30:22,053 --> 00:30:28,359 RUN THAT WAS TAKING OUT FEY FOLKS AND WE GOT SHUT DOWN FOR 558 00:30:28,359 --> 00:30:30,328 COVID. 559 00:30:30,328 --> 00:30:31,863 Niall: LIFE IS A SIMULATION. 560 00:30:31,863 --> 00:30:35,833 Orlando: IT IS WONDERFUL AND A GREAT CHARACTER FOR ME, 561 00:30:35,833 --> 00:30:37,368 AND PRAGUE IS SUITABLE TO WORKING. 562 00:30:37,368 --> 00:30:40,271 James: LET'S TAKE A LOOK AT THE CLIP FROM THE FINAL SEASON 563 00:30:40,271 --> 00:30:43,908 OF "CARNIVAL ROW" WHICH IS STREAMING ON AMAZON PRIME VIDEO. 564 00:30:43,908 --> 00:30:47,445 WHAT IS HAPPENING? 565 00:30:47,445 --> 00:30:48,346 IT'S AMONG US. 566 00:30:48,346 --> 00:30:52,016 TO HELP OURSELVES! 567 00:30:52,016 --> 00:30:55,386 IT'S MUCH EASIER TO HIDE AMONGST CREATURES. 568 00:30:55,386 --> 00:30:56,054 TO HIDE AMONGST CREATURES. 569 00:30:56,054 --> 00:30:57,889 WEARING A UNIFORM. 570 00:30:57,889 --> 00:31:01,125 NOT HIDING ANYMORE. 571 00:31:01,125 --> 00:31:07,832 HELPING THE POLICE WITH THE FEY HIDING. 572 00:31:07,832 --> 00:31:08,333 HIDING. 573 00:31:08,333 --> 00:31:11,336 HELPING THE POLICE. 574 00:31:11,336 --> 00:31:14,939 HIDING, HIDING. 575 00:31:14,939 --> 00:31:17,342 AND IT HURTS IT. 576 00:31:17,342 --> 00:31:19,544 HIDING. 577 00:31:19,544 --> 00:31:20,678 HELPING. 578 00:31:20,678 --> 00:31:24,249 James: STICK AROUND, MORE WITH THESE TWO WHEN WE COME 579 00:31:24,249 --> 00:31:24,916 BACK. 580 00:31:24,916 --> 00:31:25,016 [CHEERS AND APPLAUSE] ♪ ♪ 581 00:31:36,794 --> 00:31:38,696 BILL AND WELCOME BACK! 582 00:31:38,696 --> 00:31:40,898 ORLANDO BLOOM AND NIALL HORAN ARE HERE! 583 00:31:40,898 --> 00:31:43,534 THIS IS EXCITING, LET'S TALK ABOUT NIALL HORAN'S NEW MUSIC. 584 00:31:43,534 --> 00:31:48,973 YOU HAVE AN INCREDIBLE NEW ALB ALBUM! 585 00:31:48,973 --> 00:31:54,279 "THE SHOW," THE ALBUM WILL BE OUT ON JUNE 9TH AND CAN BE 586 00:31:54,279 --> 00:31:55,313 PREPREORDERED RIGHT NOW. 587 00:31:55,313 --> 00:31:59,317 AND I KNOW YOU DID SOME RECORDING IN JOSHUA TREE. 588 00:31:59,317 --> 00:32:02,820 DID YOU ENJOY BEING THERE AND BEING CREATIVE? 589 00:32:02,820 --> 00:32:05,223 Niall: THAT WAS BRILLIANT, WHEN YOU ARE IN L.A., EVERYBODY 590 00:32:05,223 --> 00:32:08,326 LEAVES AT THE SAME TIME, PRODUCERS PUT THE KIDS TO BED. 591 00:32:08,326 --> 00:32:14,799 I WAS LIKE LET'S GET OUT OF L.A., WENT INTO THE STUDIO FOR A 592 00:32:14,799 --> 00:32:18,369 WEEK, JOE LITTLE, JOHN RYAN AND I AND WE JUST SAT THERE AND 593 00:32:18,369 --> 00:32:22,907 WROTE SONG AFTER SONG, WRITING SONGS IN THE POOL, HAVE A FEW 594 00:32:22,907 --> 00:32:26,444 BEERS, A LITTLE BIT OF LUNCH, STAY UP TILL WHENEVER AND IN& 595 00:32:26,444 --> 00:32:30,581 HINDSIGHT WHEN I LISTEN TO THE ALBUM, YOU CAN HEAR THAT 596 00:32:30,581 --> 00:32:31,482 JOSHUA TREE EERINESS TO IT. 597 00:32:31,482 --> 00:32:33,651 AND I THINK IT MADE A DIFFERENCE. 598 00:32:33,651 --> 00:32:35,219 NO, WE WERE NOT TAKING ANYTHING. 599 00:32:35,219 --> 00:32:38,089 IF THAT'S WHAT YOU ARE LOOKING AT. 600 00:32:38,089 --> 00:32:39,457 BUT IT DEFINITELY MADE A DIFFERENCE TO THE MUSIC. 601 00:32:39,457 --> 00:32:42,060 AND IT CAME AT A GOOD TIME. 602 00:32:42,060 --> 00:32:44,696 AND WE WERE WRITING THE FIRST SINGLE OUT THERE, AND 603 00:32:44,696 --> 00:32:47,131 POTENTIALLY THE NEXT ONE. 604 00:32:47,131 --> 00:32:50,001 James: THE FIRST SINGLE "HEAVEN" IS SO GOOD, IT IS SO 605 00:32:50,001 --> 00:32:51,269 GOOD. 606 00:32:51,269 --> 00:32:54,872 AND YOU ARE REALLY, REALLY JUST REALLY BECOMING I THINK LIKE THE 607 00:32:54,872 --> 00:32:57,775 SONGWRITER THAT I THINK YOU WHAT WAS FELT INYOUR CORE THAT YOU 608 00:32:57,775 --> 00:32:58,242 COULD BE. 609 00:32:58,242 --> 00:33:01,846 AND IT IS SO GOOD. 610 00:33:01,846 --> 00:33:06,017 "HEAVEN" CAME OUT AT MIDNIGHT TONIGHT, AND-- 611 00:33:06,017 --> 00:33:07,985 IT'S ALREADY BLOWING EVERYBODY AWAY, AND I DON'T KNOW, I SORT 612 00:33:07,985 --> 00:33:14,325 OF FEEL LIKE THE SONG IS OUT, IT CAME OUT AT MIDNIGHT, WE WOULD 613 00:33:14,325 --> 00:33:18,529 ALL LIKE TO HEAR A BIT. 614 00:33:18,529 --> 00:33:34,512 [CHEERS AND APPLAUSE] Niall: [LAUGHS] 615 00:33:34,512 --> 00:33:41,886 ♪ ♪ IF YOU KNOW IT, SING ALONG, OR 616 00:33:41,886 --> 00:33:44,489 DON'T, IF YOU DON'T KNOW, DON'T TRY. 617 00:33:44,489 --> 00:33:47,125 IT ALWAYS UP SOUNDING HORRIFIC. 618 00:33:47,125 --> 00:33:48,226 OKAY. 619 00:33:48,226 --> 00:33:51,829 ♪ GOD ONLY KNOWS WHERE THIS COULD GO ♪ 620 00:33:51,829 --> 00:33:57,168 ♪ AND EVEN IF OUR LOVE STARTS TO GO OUT OF CONTROL ♪ 621 00:33:57,168 --> 00:34:02,440 ♪ AND YOU AND ME GO UP IN FLAMES ♪ 622 00:34:02,440 --> 00:34:13,151 ♪ HAVE AND WON'T BE THE SAME ♪ James: OH, MY GOD, COME ON! 623 00:34:13,151 --> 00:34:19,056 [CHEERS AND APPLAUSE] HOW ARE YOU DOING THAT? 624 00:34:19,056 --> 00:34:21,893 DO ANOTHER VERSE! 625 00:34:21,893 --> 00:34:25,596 Niall: OKAY. 626 00:34:25,596 --> 00:34:29,000 ♪ STRANGE LIGHT FLOWS AROUND YOU ♪ 627 00:34:29,000 --> 00:34:35,206 ♪ YOU FLOW ACROSS THE ROOM ♪ ♪ HEAVEN CAN'T HOLD A CANDLE 628 00:34:35,206 --> 00:34:38,309 TO ♪ ♪ YOUR MADE OF SOMETHING NEW ♪ 629 00:34:38,309 --> 00:34:42,780 ♪ GOD ONLY KNOWS WHERE THIS COULD GO ♪ 630 00:34:42,780 --> 00:34:47,618 ♪ AND EVEN IF OUR LOVE STARTS TO GROW OUT OF CONTROL ♪ 631 00:34:47,618 --> 00:34:52,190 ♪ AND YOU AND ME GO UP IN FLA FLAMES ♪ 632 00:34:52,190 --> 00:34:59,530 ♪ HEAVEN WON'T BE THE SAME ♪ [CHEERS AND APPLAUSE] 633 00:34:59,530 --> 00:35:03,434 Orlando: IT IS SO GOOD. 634 00:35:03,434 --> 00:35:07,038 Niall: THANK YOU, THAN THANK YOU. 635 00:35:07,038 --> 00:35:10,174 James: [BLEEP] IT IS SO GOOD! 636 00:35:10,174 --> 00:35:12,643 Orlando: THAT'S WHAT I'M SAYING! 637 00:35:12,643 --> 00:35:16,814 [CHEERS AND APPLAUSE] [LAUGHTER] 638 00:35:16,814 --> 00:35:23,888 Orlando: I HAVE PRINCE, NOW I WILL PUT IT NEXT TO IT. 639 00:35:23,888 --> 00:35:29,093 James: THIS IS SHOW 1,657, WHEN YOU ARE IN THE BAND AND 640 00:35:29,093 --> 00:35:31,295 THERE WAS A SOLO ARTIST, THE TIMES THAT WE SPENT WITH YOU 641 00:35:31,295 --> 00:35:34,799 HERE, YOU ARE SUCH A PART OF THE FAMILY AT THIS SHOW. 642 00:35:34,799 --> 00:35:37,668 WE LOVE YOU SO MUCH AND I AM SO PROUD OF YOU. 643 00:35:37,668 --> 00:35:39,337 AND I'M SO PROUD OF THIS RECORD. 644 00:35:39,337 --> 00:35:40,638 I'M SO PROUD OF IT. 645 00:35:40,638 --> 00:35:42,507 IT IS BRILLIANT. 646 00:35:42,507 --> 00:35:43,474 IT'S ABSOLUTELY BRILLIANT. 647 00:35:43,474 --> 00:35:45,843 Niall: I JUST WANT TO SAY THANK YOU TO YOU. 648 00:35:45,843 --> 00:35:47,912 I'M GOING TO GET EMOTIONAL HERE. 649 00:35:47,912 --> 00:35:49,146 I THINK. 650 00:35:49,146 --> 00:35:54,151 I HAVE KNOWN YOURSELF AND BEEN FOR A VERY LONG TIME, DONE MUSIC 651 00:35:54,151 --> 00:35:56,454 VIDEOS. 652 00:35:56,454 --> 00:36:01,392 I REMEMBER THE DAY YOU MOVED OUT HERE, I LOST TWO FRIENDS FIRST 653 00:36:01,392 --> 00:36:07,765 OF ALL, AND THEN YOU LOOKED AT THE SHOW, AND ROB, AND REG ALL 654 00:36:07,765 --> 00:36:11,168 OF THE TEAM WHO HAD COME TO KNOW SO MANY TIMES. 655 00:36:11,168 --> 00:36:14,672 YOU BOYS CHANGE POP CULTURE FOREVER. 656 00:36:14,672 --> 00:36:18,209 AND TWO VERY CLOSE FRIENDS OF MINE. 657 00:36:18,209 --> 00:36:19,644 James: WE LOVE YOU! 658 00:36:19,644 --> 00:36:20,678 Orlando: THAT IS SO BEAUTIFUL. 659 00:36:20,678 --> 00:36:23,047 James: WE WILL HAVE HIM CRY. 660 00:36:23,047 --> 00:36:26,350 WE WILL BE RIGHT BACK WITH MORE OF "THE LATE LATE SHOW," 661 00:36:26,350 --> 00:36:27,018 EVERYBODY! 662 00:36:27,018 --> 00:36:27,184 [CHEERS AND APPLAUSE] ♪ ♪ 663 00:36:42,733 --> 00:36:47,505 James: WE ARE BACK WITH ORLANDO BLOOM AND NIALL HORAN! 664 00:36:47,505 --> 00:36:49,941 NOW ORLANDO, I SEE YOU AROUND THE PLACE, AND YOU ARE-- I SEE 665 00:36:49,941 --> 00:36:51,242 YOU ON MOTORBIKES. 666 00:36:51,242 --> 00:36:53,444 I SEE YOU SURFING. 667 00:36:53,444 --> 00:36:56,714 YOU ARE-- I WOULD CAST YOU AS A DAREDEVIL. 668 00:36:56,714 --> 00:36:57,882 OKAY. 669 00:36:57,882 --> 00:37:00,451 AND I WAS NOT SURPRISED THAT YOU WERE GOING ON THE SHOW, WE 670 00:37:00,451 --> 00:37:02,587 LOOKED AT YOUR WIKIPEDIA PAGE. 671 00:37:02,587 --> 00:37:04,722 I DON'T EVEN KNOW IF YOU KNOW THIS IS ON HERE. 672 00:37:04,722 --> 00:37:09,527 IT HAS A LONG LIST OF BROKEN BONES THAT YOU HAVE RECEIVED, 673 00:37:09,527 --> 00:37:10,728 RIGHT? 674 00:37:10,728 --> 00:37:14,231 SO TELL ME IF THIS IS RIGHT, BROKEN LEFT ARM, YOU CRACK YOUR 675 00:37:14,231 --> 00:37:16,867 SKULL THREE TIMES, YOU BROKE YOUR NOSE PLAYING RUGBY, YOU 676 00:37:16,867 --> 00:37:22,406 BROKE YOUR RIGHT LEG SKIING, LEFT LEG ON A MOTORBIKE, YOUR 677 00:37:22,406 --> 00:37:27,912 RIGHT WRIST SNOWBOARDING, YOU'RE BACK ON A FRIENDS ROOF TERRORIST 678 00:37:27,912 --> 00:37:30,414 AND SEVERAL RIBS SHOOTING "LORD OF THE RINGS" HAVE I 679 00:37:30,414 --> 00:37:33,484 MISSED ANYTHING? 680 00:37:33,484 --> 00:37:34,318 Niall: WHAT? 681 00:37:34,318 --> 00:37:35,119 Orlando: I BROKE A NAIL LAST NIGHT. 682 00:37:35,119 --> 00:37:41,359 James: WHICH IS THE MOST PAINFUL? 683 00:37:41,359 --> 00:37:43,361 Orlando: YOUR BACK IS EVERYTHING IT'S CONNECTED TO 684 00:37:43,361 --> 00:37:44,095 YOUR NERVOUS SYSTEM. 685 00:37:44,095 --> 00:37:46,063 I WAS LIKE WAIT, I CAN'T MOVE. 686 00:37:46,063 --> 00:37:48,065 HAD INSANE PAIN. 687 00:37:48,065 --> 00:37:52,503 I WAS A BABY. 688 00:37:52,503 --> 00:37:54,038 Niall: OKAY. 689 00:37:54,038 --> 00:37:55,673 Orlando: KEPT GETTING DROPPED. 690 00:37:55,673 --> 00:38:00,478 [LAUGHTER] SPIEL WHEN YOU HEAR THAT, IT ALL 691 00:38:00,478 --> 00:38:02,313 STARTS TO MAKE SENSE. 692 00:38:02,313 --> 00:38:04,315 [LAUGHTER] DO YOU HAVE A QUESTION FOR A 693 00:38:04,315 --> 00:38:05,683 GUEST THIS EVENING? 694 00:38:05,683 --> 00:38:07,485 Reggie: I DO. 695 00:38:07,485 --> 00:38:09,020 TONIGHT'S QUESTION GOES... 696 00:38:09,020 --> 00:38:13,624 [DRUM ROLL" LIKE THIS. 697 00:38:13,624 --> 00:38:19,363 THINGS MADE OF WOOD, THINGS MADE OF METAL, WHAT TENDS TO GET YOU 698 00:38:19,363 --> 00:38:28,839 ACTIVATED WHEN YOU HEAR THE DISTANT CATTLE. 699 00:38:28,839 --> 00:38:31,942 Orlando: I MEAN, MAGNESIUM POWDER WHICH I WILL TAKE GETS 700 00:38:31,942 --> 00:38:35,980 YOU ACTIVATED FIRST THING IN THE MORNING, IF YOU KNOW WHAT I ME 701 00:38:35,980 --> 00:38:36,547 MEAN. 702 00:38:36,547 --> 00:38:39,016 Niall: HORSE RACING. 703 00:38:39,016 --> 00:38:41,452 Reggie: THAT IS INSANE, I THOUGHT YOU WERE GOING TO GET 704 00:38:41,452 --> 00:38:43,721 THAT WRONG, BUT THAT IS CORRECT. 705 00:38:43,721 --> 00:38:44,922 James: IT IS ABSOLUTELY CORRECT! 706 00:38:44,922 --> 00:38:45,756 ORLANDO BLOOM, NIALL HORAN! 707 00:38:45,756 --> 00:38:47,658 WE WILL BE RIGHT BACK, EVERY EVERYBODY! 708 00:39:03,941 --> 00:39:05,643 James: THANK YOU SO MUCH! 709 00:39:05,643 --> 00:39:06,177 WE WILL SEE YOU NEXT TIME! 710 00:39:06,177 --> 00:39:06,944 REGGIE, TAKE US HOME!