1 00:00:02,331 --> 00:00:05,039 I'm trying to decide whether I'm happy or sad. 2 00:00:06,956 --> 00:00:08,789 BONNIE CARLSON: None of us really see things as they are. 3 00:00:08,872 --> 00:00:10,123 We see things as we are. 4 00:00:11,456 --> 00:00:13,623 MADELEINE MACKENZIE: This is Jane Chapman. She's new here. 5 00:00:13,706 --> 00:00:15,164 - Hi. - Welcome! 6 00:00:16,914 --> 00:00:18,540 You're... so nice. 7 00:00:18,747 --> 00:00:21,248 This is Monterey. We pound people with nice. 8 00:00:21,331 --> 00:00:22,289 - (CHUCKLES) - To death. 9 00:00:22,706 --> 00:00:24,540 - (CAMERAS CLICK) - ♪ (DRAMATIC MUSIC PLAYS) ♪ 10 00:00:24,623 --> 00:00:26,914 An autopsy is still being conducted 11 00:00:26,997 --> 00:00:29,373 to ascertain the exact cause of death. 12 00:00:30,039 --> 00:00:32,706 The injuries were many, and they were severe. 13 00:00:33,331 --> 00:00:35,039 We're talking multiple broken bones. 14 00:00:35,373 --> 00:00:37,665 There's clearly a lot of bad blood in this community. 15 00:00:38,581 --> 00:00:40,872 Someone hurt Amabella. 16 00:00:41,123 --> 00:00:42,415 This could get ugly. 17 00:00:42,498 --> 00:00:44,248 Ticking bomb. I'll leave it at that. 18 00:00:44,331 --> 00:00:45,540 You're dead in this town. 19 00:00:46,997 --> 00:00:50,039 So I take it that Ziggy's father isn't exactly a good guy. 20 00:00:50,373 --> 00:00:51,331 Where is he? 21 00:00:52,039 --> 00:00:53,665 No, I know that I'll never be over it. 22 00:00:55,123 --> 00:00:56,456 Something had to be wrong. 23 00:00:56,540 --> 00:00:58,872 We have this... dirty secret. 24 00:01:00,206 --> 00:01:01,914 When are you gonna leave him, Celeste? 25 00:01:03,039 --> 00:01:04,540 RENATA KLEIN: I'm now one of those people 26 00:01:04,623 --> 00:01:07,039 I swore I would never turn myself into. 27 00:01:07,123 --> 00:01:08,914 She can't just let us all get along... 28 00:01:08,997 --> 00:01:10,415 (YELLING) I said, "Thank you!" 29 00:01:11,540 --> 00:01:13,289 You don't want anyone getting hurt, do we? 30 00:01:13,373 --> 00:01:14,956 - You threatening me? - JANE CHAPMAN: They bully. 31 00:01:15,039 --> 00:01:17,456 It's human nature. They grow out of it. 32 00:01:17,540 --> 00:01:18,997 Sometimes, they don't. 33 00:01:20,206 --> 00:01:22,039 MADELEINE: Sometimes, I'm just holding onto 34 00:01:22,123 --> 00:01:24,498 this idea of perfection so tight, 35 00:01:24,581 --> 00:01:25,581 something has to give. 36 00:01:26,206 --> 00:01:27,331 - (GASPS) - (TIRES SCREECH) 37 00:01:28,039 --> 00:01:30,164 (WHISPERING) We all do bad things sometimes. 38 00:01:30,248 --> 00:01:32,289 ♪ (MUSIC SLOWLY INTENSIFIES) ♪ 39 00:01:46,540 --> 00:01:47,540 (SCREAMS) 40 00:01:55,623 --> 00:01:58,956 ♪ ("COLD LITTLE HEART" BY MICHAEL KIWANUKA PLAYING) ♪ 41 00:02:14,456 --> 00:02:16,747 ♪ Did you ever want it? ♪ 42 00:02:18,956 --> 00:02:21,248 ♪ Did you want it bad? ♪ 43 00:02:21,331 --> 00:02:23,123 ♪ Oh, my ♪ 44 00:02:25,498 --> 00:02:27,623 ♪ It tears me apart ♪ 45 00:02:31,956 --> 00:02:34,123 ♪ We can try to hide it ♪ 46 00:02:36,206 --> 00:02:38,914 ♪ It's all the same ♪ 47 00:02:38,997 --> 00:02:41,789 ♪ I've been losing you ♪ 48 00:02:43,164 --> 00:02:45,498 ♪ One day at a time ♪ 49 00:02:47,956 --> 00:02:49,248 ♪ And I know ♪ 50 00:02:49,331 --> 00:02:53,747 ♪ In my heart In this cold heart ♪ 51 00:02:53,831 --> 00:02:58,206 ♪ I can live or I can die ♪ 52 00:02:58,289 --> 00:03:02,415 ♪ I believe if I just try ♪ 53 00:03:02,498 --> 00:03:07,456 ♪ You believe in you and I ♪ 54 00:03:10,081 --> 00:03:12,997 ♪ In you and I ♪ 55 00:03:14,415 --> 00:03:17,872 ♪ In you and I ♪ 56 00:03:18,872 --> 00:03:21,706 ♪ In you and I ♪ 57 00:03:22,498 --> 00:03:24,331 ♪ (MUSIC ENDS) ♪ 58 00:03:37,206 --> 00:03:39,872 (WAVES CRASHING) 59 00:04:19,039 --> 00:04:21,248 (WAVES CRASHING) 60 00:04:29,081 --> 00:04:31,789 (HEART BEATING) 61 00:04:35,665 --> 00:04:37,248 (BEATING SPEEDS UP) 62 00:04:44,415 --> 00:04:45,997 MARY LOUISE WRIGHT: Celeste. Celeste! 63 00:04:46,081 --> 00:04:47,456 (CELESTE WRIGHT SCREAMS) 64 00:04:47,540 --> 00:04:50,956 (PANTING) Oh my God. 65 00:04:51,039 --> 00:04:53,289 (SIGHS) I just... 66 00:04:54,498 --> 00:04:55,789 I was having a nightmare. 67 00:04:55,872 --> 00:04:57,540 Oh. Shouldn't they be awake? 68 00:04:57,623 --> 00:05:00,498 CELESTE: Oh my god. Oh... 69 00:05:00,581 --> 00:05:03,623 Yeah. Josh. Max. Up we go. We overslept. 70 00:05:03,706 --> 00:05:05,456 C'mon, c'mon, c'mon. Let's go. We're in a rush. 71 00:05:05,540 --> 00:05:07,872 - MARY LOUISE: Come on, soldiers. - CELESTE: Quick, quick, quick. 72 00:05:07,956 --> 00:05:09,997 - Morning, Grandma. - CELESTE: Protein bar breakfast 73 00:05:10,081 --> 00:05:11,206 in the car. 74 00:05:11,289 --> 00:05:13,331 (CHUCKLES) Your favorite. 75 00:05:13,415 --> 00:05:16,039 MARY LOUISE: I have to go to town. I can drop you off. 76 00:05:16,123 --> 00:05:19,456 Oh... Thanks, Mary Louise. 77 00:05:23,623 --> 00:05:24,997 What was it about? 78 00:05:26,123 --> 00:05:27,248 Your nightmare. 79 00:05:27,331 --> 00:05:29,164 Oh, it was stupid. 80 00:05:30,248 --> 00:05:31,498 Nothing, really. 81 00:05:33,331 --> 00:05:34,540 You said "rape." 82 00:05:36,164 --> 00:05:37,164 What? 83 00:05:38,123 --> 00:05:39,373 Something about a rape. 84 00:05:43,623 --> 00:05:44,581 Huh. 85 00:05:44,665 --> 00:05:46,498 - (FAINT BUZZING) - (SIGHS) 86 00:05:51,872 --> 00:05:53,789 Can I have some water, please? 87 00:05:57,706 --> 00:05:58,914 (SNIFFLES) 88 00:05:58,997 --> 00:06:00,123 (SIGHS) 89 00:06:02,081 --> 00:06:04,997 - (BUZZING CONTINUES) - (EXHALES) 90 00:06:08,289 --> 00:06:10,581 ♪ And I don't give a damn About my reputation ♪ 91 00:06:10,665 --> 00:06:12,872 ♪ ("BAD REPUTATION" BY JOAN JETT PLAYS) ♪ 92 00:06:12,956 --> 00:06:16,039 ♪ Never said I wanted To improve my station ♪ 93 00:06:17,540 --> 00:06:19,914 ♪ And I'm only doin' good When I'm havin' fun ♪ 94 00:06:19,997 --> 00:06:21,956 ♪ And I don't have To please no one ♪ 95 00:06:22,039 --> 00:06:25,331 ♪ And I don't give a damn 'Bout my bad reputation ♪ 96 00:06:26,872 --> 00:06:28,747 - ♪ Oh, no ♪ - ♪ No, no, no, no, no, no ♪ 97 00:06:28,831 --> 00:06:30,956 Okay, I'm putting this in your small pocket, okay? 98 00:06:31,039 --> 00:06:32,706 ZIGGY: Yep. 99 00:06:32,789 --> 00:06:34,081 - ♪ ...My reputation ♪ - (SINGING) ♪ Reputation ♪ 100 00:06:34,164 --> 00:06:35,123 (YELLING) First day of school! 101 00:06:35,206 --> 00:06:36,623 (SEAGULLS SQUAWK) 102 00:06:36,706 --> 00:06:38,706 JOSH WRIGHT: Stop! Hey, Max, you idiot! 103 00:06:38,789 --> 00:06:40,789 Hey, hey, boys come on. Keep it down, would you? 104 00:06:40,872 --> 00:06:42,081 I can't hear myself think. 105 00:06:42,164 --> 00:06:43,456 MAX WRIGHT: Then just don't think, Mom. 106 00:06:43,540 --> 00:06:45,081 - JOSH: Give it back, you idiot! - Hey! 107 00:06:45,164 --> 00:06:46,415 - Stop! - Give it back! 108 00:06:46,498 --> 00:06:48,164 MARY LOUISE: (YELLING) Hey! Quiet! 109 00:06:51,914 --> 00:06:53,081 Fine young men 110 00:06:53,164 --> 00:06:55,331 don't suddenly become fine young men 111 00:06:55,415 --> 00:06:57,665 all of sudden in a whoosh, you know. 112 00:06:57,747 --> 00:06:58,872 (CLEARS THROAT) 113 00:06:58,956 --> 00:07:01,039 It starts with being fine young boys. 114 00:07:01,123 --> 00:07:03,498 And part of being a fine young boy 115 00:07:03,581 --> 00:07:05,914 is listening and respecting your mother. 116 00:07:06,747 --> 00:07:08,373 She works so hard for you. 117 00:07:08,456 --> 00:07:10,789 That's why the sun shines on her so. 118 00:07:12,872 --> 00:07:14,081 Thank you, Mary Louise. 119 00:07:19,581 --> 00:07:20,997 MADELINE MACKENZIE: I have two showings, 120 00:07:21,081 --> 00:07:22,540 I have Abigail's college advisor, 121 00:07:22,623 --> 00:07:23,872 not to mention all this scrutiny. 122 00:07:23,956 --> 00:07:25,747 - It's just gonna be a day. - What scrutiny? 123 00:07:25,831 --> 00:07:27,540 MADELINE: Ed, this is the first day of school. 124 00:07:27,623 --> 00:07:30,331 We have to earn our good-mom badges all over again. 125 00:07:30,415 --> 00:07:32,206 "Has she gotten fatter over the summer? 126 00:07:32,289 --> 00:07:34,914 Does she look older?" These questions get asked, Ed, 127 00:07:34,997 --> 00:07:37,164 and we all get judged all over again. 128 00:07:37,248 --> 00:07:39,373 It's a complete double standard 'cause if a dad shows up, 129 00:07:39,456 --> 00:07:40,956 they're like, "Wow, there's a dad here. 130 00:07:41,039 --> 00:07:43,123 He's involved." But with the moms... 131 00:07:43,206 --> 00:07:45,123 (SCOFFS) it just makes me wanna blow. 132 00:07:45,206 --> 00:07:46,373 CHLOE MACKENZIE: Boom! 133 00:07:46,456 --> 00:07:48,540 MADELINE: Oh my god. Chloe. Goddammit! 134 00:07:48,623 --> 00:07:51,039 - (CROSSING GUARD BLOWS WHISTLE) - Just right there. I need to get right there. 135 00:07:51,123 --> 00:07:52,081 - Chloe... - (HONKS HORN) 136 00:07:52,164 --> 00:07:53,331 Could you please turn it down? 137 00:07:53,415 --> 00:07:54,747 Let second grade begin. 138 00:07:54,831 --> 00:07:56,540 ♪ ("I'LL BE AROUND" BY THE SPINNERS PLAYS) ♪ 139 00:07:56,623 --> 00:08:00,747 ♪ This is our bump in the road 140 00:08:00,831 --> 00:08:03,747 ♪ Love's last episode ♪ 141 00:08:05,415 --> 00:08:08,956 ♪ There's nowhere to go ♪ 142 00:08:09,039 --> 00:08:10,415 ♪ Oh no ♪ 143 00:08:10,498 --> 00:08:12,623 ♪ You made your choice ♪ 144 00:08:13,789 --> 00:08:16,914 ♪ Now it's up to me ♪ 145 00:08:18,123 --> 00:08:22,248 ♪ To bow out gracefully ♪ 146 00:08:22,331 --> 00:08:25,248 ♪ Though you hold the key ♪ 147 00:08:25,331 --> 00:08:27,248 ♪ But, baby ♪ 148 00:08:27,331 --> 00:08:31,747 ♪ Whenever you call me I'll be there ♪ 149 00:08:31,831 --> 00:08:36,081 ♪ Whenever you want me I'll be there ♪ 150 00:08:36,164 --> 00:08:39,914 ♪ Whenever you need me I'll be there ♪ 151 00:08:39,997 --> 00:08:42,248 - (BELL RINGS) - Welcome back to our wonderful, 152 00:08:42,331 --> 00:08:43,872 wonderful Otter Bay. 153 00:08:43,956 --> 00:08:45,997 Gosh, I always so love the sound of that. 154 00:08:46,081 --> 00:08:47,872 Let's all say that together, shall we? 155 00:08:47,956 --> 00:08:50,872 ALL: Wonderful, wonderful Otter Bay. 156 00:08:50,956 --> 00:08:53,206 - Here we go. Now, gang... - ♪ (PIANO BEGINS JAUNTY TUNE) ♪ 157 00:08:53,289 --> 00:08:55,665 since we ask our children to sing this song every year, 158 00:08:55,747 --> 00:08:57,997 I think it's high time we sing it with them, 159 00:08:58,081 --> 00:09:00,456 so everybody let out their inner otter, 160 00:09:00,540 --> 00:09:02,415 and sing along. 161 00:09:02,498 --> 00:09:04,039 ALL: (SINGING) ♪ Otter Bay ♪ 162 00:09:04,123 --> 00:09:06,415 ♪ Otter Bay, it's the best plac Of them all ♪ 163 00:09:06,498 --> 00:09:09,373 Very impressive. We're in the key of F, Madeline. 164 00:09:09,456 --> 00:09:11,081 ALL: (SINGING) ♪ To start our day ♪ 165 00:09:11,164 --> 00:09:13,123 ♪ When we rise up with a snort ♪ 166 00:09:13,206 --> 00:09:14,415 (SNORTING) 167 00:09:14,498 --> 00:09:17,872 ♪ With dance and song And sport ♪ 168 00:09:17,956 --> 00:09:19,415 (SNORTING) 169 00:09:19,498 --> 00:09:24,831 ♪ Oh, to be a little otter In the bay ♪ 170 00:09:24,914 --> 00:09:28,581 Yes! Oh, you got my otter heart going! Thank you! 171 00:09:29,540 --> 00:09:31,581 Warren. (CHUCKLES) 172 00:09:31,665 --> 00:09:33,914 Really pushing the school spirit this year, aren't you? 173 00:09:33,997 --> 00:09:35,872 Well, it's my otter blood, Madeline. 174 00:09:35,956 --> 00:09:38,540 - Hi, Madeline Martha Mackenzie. - Lisa Coolidge. 175 00:09:38,623 --> 00:09:40,331 Anyway, it was a beautiful service, Warren. 176 00:09:40,415 --> 00:09:42,081 WARREN NIPPAL: (LAUGHS) Well, thank you, Madeline, 177 00:09:42,164 --> 00:09:43,997 I like to think of it more as an assembly. 178 00:09:44,081 --> 00:09:46,331 A service is for when someone dies, 179 00:09:46,415 --> 00:09:48,331 you know, like a school fundraiser. 180 00:09:48,415 --> 00:09:50,540 You're not seriously gonna go there, are you? 181 00:09:50,623 --> 00:09:52,498 My hope is that you don't go there, Madeline. 182 00:09:52,581 --> 00:09:54,747 Now, let's remember a lot of last year's mishigas 183 00:09:54,831 --> 00:09:56,789 were lovingly stirred up by you. 184 00:09:57,914 --> 00:09:59,456 MELISSA: Anybody want a red velvet? 185 00:09:59,540 --> 00:10:01,540 - Melissa! - Cupcake? 186 00:10:01,623 --> 00:10:03,540 MADELINE: I'll take one for each thigh. 187 00:10:03,623 --> 00:10:04,997 MELISSA: Absolutely. 188 00:10:05,081 --> 00:10:06,706 I don't even like to chew. I just shove 'em down. 189 00:10:06,789 --> 00:10:09,581 Maybe you can give one to Warren so he can shove it too. 190 00:10:09,665 --> 00:10:12,789 WARREN: (CHUCKLES) And we're off. 191 00:10:12,872 --> 00:10:14,872 - MADELINE: Bonnie. - It's a classy crop of moms, 192 00:10:14,956 --> 00:10:16,997 these ones. Those gluten-free? 193 00:10:17,081 --> 00:10:18,456 MADELINE: Tahoe was good? 194 00:10:18,540 --> 00:10:20,997 Uh, yeah, it was good. Nathan caught a lot of fish. 195 00:10:21,081 --> 00:10:22,914 Wow. 196 00:10:22,997 --> 00:10:25,081 BONNIE CARLSON: And I hear you're selling houses like crazy. That's very cool. 197 00:10:25,164 --> 00:10:26,914 Oh my gosh, in Monterey, it is like printing money. 198 00:10:26,997 --> 00:10:28,623 I should have done this years ago. 199 00:10:30,164 --> 00:10:31,831 - I'm gonna go find Skye. - Okay. 200 00:10:33,831 --> 00:10:35,831 Okay. Are you two fighting? 201 00:10:35,914 --> 00:10:38,373 Uh, no. Actually, I almost wish we were. 202 00:10:38,456 --> 00:10:42,831 No, she's... she's been acting like that for a while now. 203 00:10:42,914 --> 00:10:44,289 Acting like what? 204 00:10:45,373 --> 00:10:47,540 Shut down. Like, withdrawn. 205 00:10:47,623 --> 00:10:49,831 Oh, you mean you're not having sex. 206 00:10:49,914 --> 00:10:51,872 Okay, don't forget that Abigail has 207 00:10:51,956 --> 00:10:53,831 - her college counselor meeting at 2:00 p.m. - Yeah, yeah, I got your... 208 00:10:53,914 --> 00:10:55,415 I got your emails. Six of them this morning. 209 00:10:55,498 --> 00:10:57,706 - Good. Thank you. - This is her future, Nathan. 210 00:10:57,789 --> 00:10:59,581 Nice to be back. 211 00:10:59,665 --> 00:11:01,248 I'm told that my daughter, Amabella, 212 00:11:01,331 --> 00:11:03,831 is going to be in your class. So exciting. 213 00:11:03,914 --> 00:11:05,248 Yes, very nice to meet you. 214 00:11:05,331 --> 00:11:09,706 Um, she has an IQ of 152. Genius level, right. 215 00:11:09,789 --> 00:11:11,997 That's a very high number. Life's about give and take. 216 00:11:12,081 --> 00:11:14,123 I expect you to take care of my daughter. 217 00:11:14,206 --> 00:11:16,831 Pay special attention. And, again, welcome. 218 00:11:18,123 --> 00:11:21,123 Um, oh, oh, oh. (CHUCKLES) And... 219 00:11:21,206 --> 00:11:23,706 my Amabella was bullied last year. 220 00:11:23,789 --> 00:11:26,665 I mean, in like, biting and choking. 221 00:11:26,747 --> 00:11:29,956 So, we're gonna make sure that doesn't happen again. 222 00:11:30,039 --> 00:11:32,581 - (BAND PLAYS) - RENATA KLEIN: Oh. 223 00:11:32,665 --> 00:11:34,831 Oops. Sorry. 224 00:11:34,914 --> 00:11:36,248 Sorry. 225 00:11:36,331 --> 00:11:38,164 Here's my problem with the whole meditation thing. 226 00:11:38,248 --> 00:11:39,623 It's like you shut out the world, 227 00:11:39,706 --> 00:11:40,997 but you also shut out your friends, 228 00:11:41,081 --> 00:11:42,540 which is a little bit weird. 229 00:11:42,623 --> 00:11:45,331 And also, does she look funny? Something's not right. 230 00:11:45,415 --> 00:11:47,206 - Are you talking about Bonnie? - Uh-huh. 231 00:11:48,706 --> 00:11:52,206 Like, she's off. But she was off before she went to Tahoe. 232 00:11:52,289 --> 00:11:53,456 Unplugged is one thing, 233 00:11:53,540 --> 00:11:55,415 but unhinged is a total other thing. 234 00:11:55,498 --> 00:11:57,706 - (HORN BLARES) - Hey! Asshole! Hey! 235 00:11:57,789 --> 00:11:59,623 - Oh, hon. - Why are you cutting me off? 236 00:11:59,706 --> 00:12:01,914 - Honey. The horn. The horn. - Dick! I just think we... 237 00:12:01,997 --> 00:12:02,997 Oh, yeah, sorry. 238 00:12:03,081 --> 00:12:04,789 Once I lean in, you know how I am. 239 00:12:04,872 --> 00:12:06,956 - CELESTE: Indeed. - I think we need to talk to her 240 00:12:07,039 --> 00:12:08,456 and see where her head is at. 241 00:12:08,540 --> 00:12:11,123 - CELESTE: Do you? - Do you want to get a coffee? 242 00:12:11,206 --> 00:12:13,248 By the way, did you see Renata 243 00:12:13,331 --> 00:12:15,456 getting up that new teacher's ass? 244 00:12:15,540 --> 00:12:17,665 I thought she was gonna have to pull out her snorkel. 245 00:12:17,747 --> 00:12:19,831 CELESTE: Easy. I'm gonna go to the ladies' room; 246 00:12:19,914 --> 00:12:22,956 - can you get me an Americano? - MADELINE: Will do. 247 00:12:23,039 --> 00:12:24,789 - Hey, Bruna. - BRUNA: Hey, Madeline. 248 00:12:24,872 --> 00:12:26,623 MADELINE: Wow, do you sell weed? It smells like weed over here. 249 00:12:26,706 --> 00:12:28,623 - Keep the change. - BRUNA: Thank you so much. 250 00:12:28,747 --> 00:12:30,415 - Can I get an Americano - (DISTANT CHATTER) 251 00:12:30,498 --> 00:12:31,997 and a bran muffin? 252 00:12:32,081 --> 00:12:34,248 - ...that's a thing? - MADELINE: Mary Louise? 253 00:12:36,206 --> 00:12:37,665 - Hi. Madeline. - MARY LOUISE: Hi. 254 00:12:37,747 --> 00:12:39,248 - Madeline! - Yes. 255 00:12:39,331 --> 00:12:41,164 - So nice to see you again. - I'm Celeste's friend. Yes. 256 00:12:41,248 --> 00:12:42,498 How have you been? 257 00:12:42,581 --> 00:12:44,581 Good, good. The kids are good. How are you? 258 00:12:44,665 --> 00:12:46,123 I can't complain. 259 00:12:47,415 --> 00:12:48,747 Actually, I can. 260 00:12:52,164 --> 00:12:53,373 My son is dead. 261 00:12:56,248 --> 00:12:59,123 But Celeste tells me that you continue to be so helpful 262 00:12:59,206 --> 00:13:00,914 with her and the boys and... 263 00:13:00,997 --> 00:13:02,956 She should just get a proper housekeeper. 264 00:13:03,039 --> 00:13:05,456 - You're very short. - (SCOFFS) Excuse me? 265 00:13:05,540 --> 00:13:07,331 I don't mean it in a negative way. 266 00:13:07,415 --> 00:13:08,623 MADELINE: Oh. (CHUCKLES) 267 00:13:09,581 --> 00:13:11,248 Maybe I do. 268 00:13:11,331 --> 00:13:16,123 I find little people to be untrustworthy. 269 00:13:16,206 --> 00:13:19,248 (CHUCKLES) My apologies. It's just that I'm... 270 00:13:20,540 --> 00:13:23,289 I pride myself on being a very good judge of character, 271 00:13:23,373 --> 00:13:27,039 but you have always presented such a difficult read. 272 00:13:27,123 --> 00:13:30,789 You know, you seem like a nice person. 273 00:13:30,872 --> 00:13:35,373 Loving. But also, you strike me as a wanter. 274 00:13:35,456 --> 00:13:37,540 - A... A wanter? - Mm. 275 00:13:37,623 --> 00:13:39,081 You know... 276 00:13:39,164 --> 00:13:42,373 there are people in... in life who content themselves 277 00:13:42,456 --> 00:13:44,456 with what they have, and then there are others 278 00:13:44,540 --> 00:13:48,123 who just... just want. 279 00:13:49,997 --> 00:13:51,248 I'm not a wanter. 280 00:13:51,331 --> 00:13:52,831 Oh, you don't have to take it personally. 281 00:13:52,914 --> 00:13:54,665 Anyway, I'm a wanter myself. 282 00:13:56,123 --> 00:13:59,498 You know what I want? I want Perry back. 283 00:13:59,581 --> 00:14:01,747 I wanna know what happened that night. 284 00:14:01,831 --> 00:14:04,706 And I... I'm very tempted to ask you, 285 00:14:04,789 --> 00:14:07,540 but I doubt I would get the, uh... 286 00:14:07,623 --> 00:14:09,039 the truth, would I? 287 00:14:11,581 --> 00:14:13,789 Your son lost his balance and he fell. 288 00:14:13,872 --> 00:14:16,914 Yes, that seems to be the company line. 289 00:14:16,997 --> 00:14:19,581 Depending on whose company you keep. 290 00:14:19,665 --> 00:14:21,206 Mary Louise. 291 00:14:21,289 --> 00:14:24,331 Madeline and I were just... talking. 292 00:14:25,498 --> 00:14:26,872 MADELINE: What the hell was that? 293 00:14:26,956 --> 00:14:28,581 That was a very strong position. 294 00:14:28,665 --> 00:14:30,123 And I didn't like it! 295 00:14:31,039 --> 00:14:32,373 Welcome to my life. 296 00:14:39,039 --> 00:14:40,498 - (CARTS CRASH) - Sorry. 297 00:14:41,206 --> 00:14:43,206 Whoa. Hi! 298 00:14:44,373 --> 00:14:45,540 Tori. 299 00:14:45,623 --> 00:14:47,706 Sorry, I didn't recognize you at first. 300 00:14:47,789 --> 00:14:50,540 Yeah, I had my breasts done. 301 00:14:52,081 --> 00:14:53,248 Oh. 302 00:14:53,331 --> 00:14:54,789 Yeah, it's fabulous. 303 00:14:54,872 --> 00:14:56,581 I always felt a little self-conscious, you know. 304 00:14:58,665 --> 00:14:59,956 About your breasts? 305 00:15:00,039 --> 00:15:01,373 - My nose. - Oh. 306 00:15:01,456 --> 00:15:04,164 Now, nobody notices it so much. 307 00:15:04,248 --> 00:15:08,373 Everybody notices these though. And that pisses Joseph off. 308 00:15:09,706 --> 00:15:11,206 So... uh... 309 00:15:11,289 --> 00:15:13,373 Well, I'll see you around. 310 00:15:15,623 --> 00:15:16,831 (CHUCKLES) 311 00:15:16,914 --> 00:15:19,997 (MAN TALKING INDISTINCTLY ON LOUDSPEAKER) 312 00:15:20,081 --> 00:15:22,248 DR. AMANDA REISMAN: How long does she plan to stay? 313 00:15:22,331 --> 00:15:23,581 Well, she comes and goes. 314 00:15:23,665 --> 00:15:25,623 It's a short hop from San Francisco. 315 00:15:26,956 --> 00:15:28,747 She's been... 316 00:15:28,831 --> 00:15:31,581 - a really big help. - Mm-hmm. 317 00:15:31,665 --> 00:15:33,540 I mean, I'd be lost without her. 318 00:15:35,540 --> 00:15:36,914 So what brings you? 319 00:15:36,997 --> 00:15:38,289 It's been a while. 320 00:15:39,540 --> 00:15:40,581 (CHUCKLES) 321 00:15:43,415 --> 00:15:44,665 (SIGHS) 322 00:15:44,747 --> 00:15:48,747 I've had some nightmares starting up of late that, um... 323 00:15:49,872 --> 00:15:50,956 I mean, may be triggered 324 00:15:51,039 --> 00:15:52,665 by the beginning of the school year. 325 00:15:52,747 --> 00:15:54,123 I think I still... 326 00:15:54,206 --> 00:15:57,289 - associate that place with... - How could you not? 327 00:16:02,789 --> 00:16:04,081 Last night was... 328 00:16:05,373 --> 00:16:07,081 It was a beauty. 329 00:16:10,540 --> 00:16:15,623 Perry and I were in... the in-vitro facility, and... 330 00:16:17,623 --> 00:16:22,747 it was all so sweet, and... And suddenly, I... 331 00:16:24,540 --> 00:16:27,872 I turned into a monster. 332 00:16:27,956 --> 00:16:31,456 I was strangling him. I was lifting him up, and I... 333 00:16:31,540 --> 00:16:32,747 I... (SIGHS) 334 00:16:34,623 --> 00:16:37,914 It was... beyond disturbing, and I... I... 335 00:16:40,997 --> 00:16:42,498 a little exhilarating. 336 00:16:43,498 --> 00:16:44,623 Hmm... 337 00:16:46,164 --> 00:16:48,872 Is that... Do you see yourself as a monster? 338 00:16:51,373 --> 00:16:52,997 I guess I still feel... 339 00:16:56,164 --> 00:16:58,331 - responsible. - For...? 340 00:17:01,039 --> 00:17:02,914 For the accident. 341 00:17:02,997 --> 00:17:05,123 I mean, if I'd left him when I should have... 342 00:17:05,206 --> 00:17:07,289 We should have never been together that night, 343 00:17:07,373 --> 00:17:08,747 and he might still be alive. 344 00:17:08,831 --> 00:17:11,747 That I chose that night of all nights to leave him 345 00:17:11,831 --> 00:17:13,289 and to tell him and... 346 00:17:17,831 --> 00:17:20,956 Even in death, his message lives on. 347 00:17:21,039 --> 00:17:23,039 - What message? - That you're to blame. 348 00:17:23,914 --> 00:17:26,039 You're always to blame. 349 00:17:29,706 --> 00:17:30,914 You're not. 350 00:17:38,206 --> 00:17:40,789 - Are you getting out? - (SCOFFS) 351 00:17:40,872 --> 00:17:43,331 - Are you seeing anyone? - No. 352 00:17:43,415 --> 00:17:46,081 That part of me is still dead, I suppose. 353 00:17:46,164 --> 00:17:48,831 First thing's first: get the boys' lives back on track, 354 00:17:48,914 --> 00:17:50,123 that's the priority. 355 00:17:50,206 --> 00:17:51,872 Seeing their mom happy could help there. 356 00:17:51,956 --> 00:17:54,289 So, you're saying for my life to go on successfully, 357 00:17:54,373 --> 00:17:56,373 - I need to be with a man? - No. 358 00:17:56,456 --> 00:17:58,540 But the freedom to be with one, maybe. 359 00:18:00,373 --> 00:18:04,623 You're still married, Celeste, and the husband is dead. 360 00:18:07,914 --> 00:18:09,706 (TALKING INDISTINCTLY) 361 00:18:09,789 --> 00:18:11,706 (PANTING) 362 00:18:24,164 --> 00:18:27,248 (PANTING) 363 00:18:28,997 --> 00:18:30,415 NATHAN CARLSON: Where've you been? 364 00:18:31,415 --> 00:18:32,789 I told you I was running. 365 00:18:32,872 --> 00:18:35,039 That was like two hours ago, I've been calling you. 366 00:18:35,747 --> 00:18:36,789 BONNIE: Sorry. 367 00:18:42,123 --> 00:18:43,498 Honey. 368 00:18:43,581 --> 00:18:44,997 I just thought it might be that you hated Tahoe, 369 00:18:45,081 --> 00:18:46,289 but since we've been back... 370 00:18:48,623 --> 00:18:49,914 Come on. 371 00:18:49,997 --> 00:18:52,331 BONNIE: I need some space, Nathan. I told you. 372 00:18:53,248 --> 00:18:54,747 Just let it be. 373 00:18:54,831 --> 00:18:57,373 JANE CHAPMAN: He's my favorite in the whole aquarium. 374 00:18:57,456 --> 00:18:58,872 It's a red octopus, and watch. 375 00:18:58,956 --> 00:19:01,789 The closer he gets to the kelp, he'll change his color 376 00:19:01,872 --> 00:19:04,123 so that he camouflages with his environment. 377 00:19:04,206 --> 00:19:06,206 - CHILD: Cool. - Look. You see him right now? 378 00:19:06,289 --> 00:19:08,164 - CHILD: Yeah. - He's changing color. 379 00:19:08,248 --> 00:19:10,498 You guys want to know a fun fact about octopus? 380 00:19:10,581 --> 00:19:12,373 - ALL: Yeah! - It's kinda weird. 381 00:19:12,456 --> 00:19:14,498 - You can handle it? - Yeah. 382 00:19:14,581 --> 00:19:17,206 Okay, females contain deadly venom, 383 00:19:17,289 --> 00:19:19,831 and sometimes, they'll kill and they'll eat the males 384 00:19:19,914 --> 00:19:23,706 - after they mate with them. - CHILDREN: (GROAN) Ew! 385 00:19:23,789 --> 00:19:24,956 JANE: (CHUCKLES) I know. 386 00:19:25,039 --> 00:19:27,164 SARAH: Why is it the prettier something is, 387 00:19:27,248 --> 00:19:30,581 the more dangerous? Like with snakes and spiders. 388 00:19:30,665 --> 00:19:33,415 That's a great question. I wish I knew the answer to that. 389 00:19:33,498 --> 00:19:35,373 - COREY BROCKFIELD: One second, okay? - You're so observant. 390 00:19:35,456 --> 00:19:37,914 Sometimes, pretty colors are to give a fair warning 391 00:19:37,997 --> 00:19:41,498 so other animals know they need to keep a safe distance. 392 00:19:41,581 --> 00:19:42,872 GIRL: Oh. 393 00:19:48,831 --> 00:19:49,872 There you go. 394 00:19:49,956 --> 00:19:52,498 (INDISTINCT CHATTER) 395 00:19:55,498 --> 00:19:56,623 NATHAN: How you doing? 396 00:19:57,623 --> 00:19:59,289 Good. You? 397 00:20:01,039 --> 00:20:03,331 Not really, no. Bonnie. 398 00:20:03,415 --> 00:20:05,914 I mean, she's gone missing in mental action. 399 00:20:05,997 --> 00:20:07,872 The whole summer, truth be told. 400 00:20:08,872 --> 00:20:09,997 Hey, man, could I... 401 00:20:11,623 --> 00:20:13,456 Could I ask you a big favor? 402 00:20:13,540 --> 00:20:15,248 Could you maybe take her out to lunch? 403 00:20:16,415 --> 00:20:17,747 Um... 404 00:20:17,831 --> 00:20:19,498 Listen, you've always been better to talking to women 405 00:20:19,581 --> 00:20:21,081 than I have and, you know, you certainly got Madeline 406 00:20:21,164 --> 00:20:22,623 in a way I never could. 407 00:20:22,706 --> 00:20:24,581 I mean, I think you might be able to get her to open up. 408 00:20:24,665 --> 00:20:26,206 You know, you have your little way. 409 00:20:26,289 --> 00:20:27,956 All I'm getting is pushback at every turn. 410 00:20:28,039 --> 00:20:29,872 I swear to God, if I signed up for this bullshit, 411 00:20:29,956 --> 00:20:31,581 I'd still be with Maddie. 412 00:20:31,665 --> 00:20:34,540 - I mean... I don't mean... - Oh, no, no. 413 00:20:34,623 --> 00:20:37,540 Um, look, Nathan... 414 00:20:37,623 --> 00:20:39,831 I'm no expert on marriage or anything. 415 00:20:39,914 --> 00:20:42,123 I mean, something tells me if you're seeking out 416 00:20:42,206 --> 00:20:44,623 the husband of your ex-wife to, like, 417 00:20:44,706 --> 00:20:47,914 lead the communication charge with your new one... 418 00:20:51,081 --> 00:20:52,623 Why do you always have to be so snide? 419 00:20:52,706 --> 00:20:54,581 - I don't mean to be snide. - No, you don't mean to be, 420 00:20:54,665 --> 00:20:56,997 it just comes natural. It's like you're a snide fuck. 421 00:20:57,081 --> 00:20:58,789 That's what you are. You're a snide fuck. 422 00:20:58,872 --> 00:21:02,248 You know, Nathan, maybe instead of just talking to Bonnie, 423 00:21:02,331 --> 00:21:04,665 you should embrace some of her interests. 424 00:21:04,747 --> 00:21:06,123 - Her interests? - Yeah. 425 00:21:06,206 --> 00:21:08,373 She won't even let me embrace her. 426 00:21:08,456 --> 00:21:09,831 - Okay. - Yeah, you're snide. 427 00:21:09,914 --> 00:21:11,415 - You're a snide fuck. - What? 428 00:21:12,331 --> 00:21:13,665 - Whatever. - Come on. 429 00:21:13,747 --> 00:21:15,498 Snide fuck. 430 00:21:15,581 --> 00:21:18,789 ♪ ("WHAT BECOMES OF THE BROKENHEARTED" BY JIMMY RUFFIN PLAYS) ♪ 431 00:21:18,872 --> 00:21:22,747 ♪ As I walk this land Of broken dreams ♪ 432 00:21:22,831 --> 00:21:24,123 (PHONE RINGING) 433 00:21:24,206 --> 00:21:25,831 - ♪ I have visions... ♪ (CUTS OFF) - Hello. 434 00:21:25,914 --> 00:21:27,747 - JULIETTE: (OVER PHONE) Mrs. Klein? - Juliette. 435 00:21:27,831 --> 00:21:30,081 Hey, honey. I'm pulling in. Can you... 436 00:21:30,164 --> 00:21:31,498 - (PHONE VIBRATING) - can... wait. 437 00:21:31,581 --> 00:21:33,498 Hold on one second. Hold on... Hello? 438 00:21:33,581 --> 00:21:35,415 MADELINE: This is why I talk about being nice. 439 00:21:35,498 --> 00:21:38,248 Hey. No, I can't... 440 00:21:38,331 --> 00:21:39,872 MADELINE: What do you think? 441 00:21:39,956 --> 00:21:41,415 MAN: I love the view. 442 00:21:41,498 --> 00:21:43,373 Oh, sorry, I'm on the phone. 443 00:21:43,456 --> 00:21:45,081 Yeah, I thought Tahoe was supposed 444 00:21:45,164 --> 00:21:46,415 to be about decompression too, 445 00:21:46,498 --> 00:21:47,956 but she seems like she's on Mars. 446 00:21:48,039 --> 00:21:50,289 - Maybe she's using. - WOMAN: Excuse me. 447 00:21:50,373 --> 00:21:51,789 Yeah, just a second. 448 00:21:51,872 --> 00:21:53,206 And I am beating myself up 449 00:21:53,289 --> 00:21:54,789 that I told Jane I liked her bangs. 450 00:21:54,872 --> 00:21:56,373 Can you get off the phone, please? 451 00:21:56,456 --> 00:21:57,498 Hmm? 452 00:21:58,498 --> 00:22:00,081 Oh, let me call you back. 453 00:22:00,164 --> 00:22:01,997 ♪ ("IT'S MY HOUSE" BY DIANA ROSS PLAYS) ♪ 454 00:22:02,081 --> 00:22:03,706 Yeah, what can I do for you? 455 00:22:03,789 --> 00:22:05,540 RENATA KLEIN: I mean, I can't deny it. 456 00:22:05,623 --> 00:22:08,039 ♪ It's my house And I live here ♪ 457 00:22:08,123 --> 00:22:10,373 JOEL: Good, right there. 458 00:22:10,456 --> 00:22:13,747 ♪ It's my house And I live here ♪ 459 00:22:13,831 --> 00:22:17,623 Beautiful, come on down. Good. Eyes up this way. Gorgeous. 460 00:22:17,706 --> 00:22:19,456 I'm so tired of those shots of women. 461 00:22:19,540 --> 00:22:21,039 I mean, they're in power, right? 462 00:22:21,123 --> 00:22:23,872 They own banks and they're all, like, demure. Bullshit. 463 00:22:25,498 --> 00:22:26,872 JOEL: Back to the ocean. 464 00:22:26,956 --> 00:22:28,498 GORDON KLEIN: What's all this? 465 00:22:28,581 --> 00:22:31,456 RENATA: Hey! The photoshoot. Women in power. 466 00:22:31,540 --> 00:22:33,456 I thought they wanted just, uh... office shots. 467 00:22:33,540 --> 00:22:37,373 No, um, they're doing house and, uh, office. 468 00:22:38,248 --> 00:22:39,665 GORDON: You look nice. 469 00:22:39,747 --> 00:22:41,373 JOEL: Here we go. Look at me. 470 00:22:41,456 --> 00:22:43,289 ♪ And I live here ♪ 471 00:22:43,373 --> 00:22:45,123 (MINIATURE TRAIN WHISTLE BLOWS) 472 00:22:55,206 --> 00:22:58,206 ♪ It's my house And I live here ♪ 473 00:22:59,123 --> 00:23:01,123 So she has a 3.8 GPA, 474 00:23:01,206 --> 00:23:04,665 and she has done charity work with human trafficking. 475 00:23:04,747 --> 00:23:06,415 She also has an internship coming up... 476 00:23:06,498 --> 00:23:08,623 Uh, Stanford has an admit rate of under ten. 477 00:23:08,706 --> 00:23:10,289 Princeton and Williams the same, 478 00:23:10,373 --> 00:23:12,039 and since she doesn't have legacy going for her... 479 00:23:12,123 --> 00:23:14,789 Any of these schools would be lucky to have her. 480 00:23:14,872 --> 00:23:17,456 - She's an excellent candidate... - MADELINE: Candidate is, 481 00:23:17,540 --> 00:23:19,039 - I think, the wrong... - Honey. 482 00:23:19,123 --> 00:23:22,164 What? Don't "honey" me. She has a 3.8 GPA. 483 00:23:22,248 --> 00:23:23,956 She has a 1350 on her SATs, 484 00:23:24,039 --> 00:23:25,498 but we're gonna get that number up 485 00:23:25,581 --> 00:23:28,123 because she has private tutoring coming up, so I feel... 486 00:23:28,206 --> 00:23:29,914 I don't even want to go to college. 487 00:23:30,872 --> 00:23:32,665 (SCOFFS) 488 00:23:32,747 --> 00:23:34,415 I mean, she's just... She's just nervous. 489 00:23:34,498 --> 00:23:37,081 - She doesn't mean that. - I do mean it. 490 00:23:37,164 --> 00:23:38,997 I don't want to go to college. 491 00:23:39,081 --> 00:23:40,331 (CHUCKLES) 492 00:23:40,415 --> 00:23:42,831 It feels so good to say that out loud. (SIGHS) 493 00:23:42,914 --> 00:23:45,248 Okay, Abigail, honey. You're going to college. 494 00:23:45,331 --> 00:23:47,039 The planet is dying, Mom, 495 00:23:47,123 --> 00:23:51,164 but God forbid I don't study Lysistrata? It's bullshit. 496 00:23:51,248 --> 00:23:52,706 Do you know what kids do at college? 497 00:23:52,789 --> 00:23:56,123 They drink. They fuck. They mull over a sex change. 498 00:23:56,206 --> 00:23:57,248 I'm not going. 499 00:23:57,331 --> 00:23:58,831 All right, you're going to college. 500 00:23:58,914 --> 00:24:00,331 - I'm not going to college. - Whoa, whoa, whoa. 501 00:24:00,415 --> 00:24:01,747 If you wanna go, you know, you should go. 502 00:24:01,831 --> 00:24:03,206 You should go to college. 503 00:24:03,289 --> 00:24:04,706 Hey, no, I know how to make any situation about me. 504 00:24:04,789 --> 00:24:06,289 This is not that. This is about you 505 00:24:06,373 --> 00:24:08,540 - and your future, Abigail. - NATHAN: Abby. 506 00:24:10,831 --> 00:24:12,956 - ABIGAIL CARLSON: I'm not going. - I'm so sorry. 507 00:24:15,331 --> 00:24:16,581 Where did she go? 508 00:24:17,123 --> 00:24:18,248 I... 509 00:24:19,581 --> 00:24:21,956 - Did you know about this? - No, I swear. 510 00:24:22,039 --> 00:24:23,706 You were with her all summer in Tahoe, 511 00:24:23,789 --> 00:24:25,206 and you knew nothing about this? 512 00:24:25,289 --> 00:24:26,706 - Madeline, I didn't know. - And what about Bonnie? 513 00:24:26,789 --> 00:24:28,289 Did she know about this "fuck college" plan? 514 00:24:28,373 --> 00:24:29,956 Bonnie's left the building. 515 00:24:32,415 --> 00:24:33,581 Unbelievable. 516 00:24:33,665 --> 00:24:34,997 You know if she doesn't go to college, 517 00:24:35,081 --> 00:24:36,872 she won't have a life. 518 00:24:36,956 --> 00:24:39,540 She'll just be serving Big Macs and French fries, and that'll be her life. 519 00:24:39,623 --> 00:24:41,747 - Is that what you want for her, Nathan? - Stop, stop. Stop yelling at me. 520 00:24:41,831 --> 00:24:44,498 - Stop yelling at me. - What? You know you bear some responsibility here, right? 521 00:24:44,581 --> 00:24:45,956 - NATHAN: I do? - You're her father. 522 00:24:46,039 --> 00:24:47,289 - NATHAN: Oh, okay. - This is her senior year, 523 00:24:47,373 --> 00:24:48,623 she's on the cusp of her life, 524 00:24:48,706 --> 00:24:50,581 and you let it go all to shit in Tahoe! 525 00:24:50,665 --> 00:24:52,415 Don't... You just hit me. You just hit me. 526 00:24:52,498 --> 00:24:53,747 Because you deserve it! 527 00:24:54,831 --> 00:24:56,456 - (WIND RUSTLES) - (WAVES CRASH) 528 00:25:11,581 --> 00:25:13,831 But honestly, Ed, if she doesn't go to college, 529 00:25:13,914 --> 00:25:16,831 what's she gonna do? Go into retail? 530 00:25:18,540 --> 00:25:20,206 Oh, let me call you right back. 531 00:25:21,415 --> 00:25:22,540 Mary Louise? 532 00:25:22,623 --> 00:25:25,039 - Hey, Maddie. - Oh, Madeline. Hello. 533 00:25:25,123 --> 00:25:26,665 What's going on? 534 00:25:26,747 --> 00:25:29,914 Well, I thought I might look for a small flat here in town, 535 00:25:29,997 --> 00:25:31,997 so that I could help out with the boys 536 00:25:32,081 --> 00:25:34,164 but not quite be so underfoot. 537 00:25:34,248 --> 00:25:35,415 (CLEARS THROAT) 538 00:25:35,498 --> 00:25:37,081 - MADELINE: Oh, I see. - Do you work here? 539 00:25:37,164 --> 00:25:38,747 - Yes. - Do you handle rentals? 540 00:25:38,831 --> 00:25:41,206 I do, actually. Oren and I both do, yes. 541 00:25:42,081 --> 00:25:43,540 I see you're wearing heels. 542 00:25:45,831 --> 00:25:47,456 Yes. 543 00:25:47,540 --> 00:25:50,498 Um, Oren, do you mind if I just have a minute with Mrs. Wright? 544 00:25:50,581 --> 00:25:53,415 Of course not. You're in wonderful hands. 545 00:25:53,498 --> 00:25:55,789 MADELINE: Thank you. 546 00:25:55,872 --> 00:25:58,498 Mary Louise, I realize that you're still grieving, 547 00:25:58,581 --> 00:25:59,747 and that you've been through 548 00:25:59,831 --> 00:26:01,665 a tremendous amount of heartbreak, 549 00:26:01,747 --> 00:26:04,206 but I don't care for the way you spoke to me before. 550 00:26:04,289 --> 00:26:06,248 It was rude, and I didn't deserve it. 551 00:26:06,331 --> 00:26:10,498 No, you didn't. Um, I apologize. 552 00:26:11,540 --> 00:26:13,081 Well, thank you. 553 00:26:13,164 --> 00:26:14,956 MARY LOUISE: The truth is, it had nothing to do with you. 554 00:26:15,039 --> 00:26:17,789 When I was in boarding school, I had... I had a best friend, 555 00:26:17,872 --> 00:26:19,581 or so I thought, 556 00:26:19,665 --> 00:26:22,164 who revealed herself to be quite treacherous, 557 00:26:22,248 --> 00:26:26,498 and, uh, caused me a lot of pain. 558 00:26:26,581 --> 00:26:29,623 So... she was just an itty-bitty little thing 559 00:26:29,706 --> 00:26:33,081 with a big, bubbly personality that, um... 560 00:26:33,164 --> 00:26:35,623 was designed to hide... 561 00:26:35,706 --> 00:26:37,540 that she was utterly vapid inside. 562 00:26:37,623 --> 00:26:39,373 You remind me so much of her 563 00:26:39,456 --> 00:26:41,164 that I suppose I punish you for that. 564 00:26:41,248 --> 00:26:43,123 That's wrong of me, and I apologize. 565 00:26:46,872 --> 00:26:50,164 - Oren. - OREN: Yes. Sorry. 566 00:26:50,248 --> 00:26:52,831 I'm sure Oren will address all of your concerns. 567 00:26:52,914 --> 00:26:54,373 MARY LOUISE: Okay. 568 00:26:54,456 --> 00:26:56,956 - Where did we leave it? - (CHUCKLES) 569 00:26:57,039 --> 00:27:00,289 ♪ ("MYSTERY OF LOVE" BY SUFJAN STEVENS PLAYS) ♪ 570 00:27:10,540 --> 00:27:14,665 ♪ Oh, to see without my eyes ♪ 571 00:27:14,747 --> 00:27:19,039 ♪ The first time That you kissed me ♪ 572 00:27:19,123 --> 00:27:22,456 ♪ Boundless by the time I cried ♪ 573 00:27:23,872 --> 00:27:27,956 ♪ I built your walls around me 574 00:27:28,039 --> 00:27:31,248 ♪ White noise What an awful sound ♪ 575 00:27:32,789 --> 00:27:36,997 ♪ Fumbling by Rogue River ♪ 576 00:27:37,081 --> 00:27:40,415 ♪ Feel my feet Above the ground ♪ 577 00:27:41,623 --> 00:27:45,789 ♪ Hand of God deliver me ♪ 578 00:27:45,872 --> 00:27:48,456 - ♪ (MUSIC CONTINUES THROUGH EARBUDS) ♪ - Oh! 579 00:27:50,289 --> 00:27:51,997 ♪ (MUSIC ENDS) ♪ 580 00:27:52,081 --> 00:27:54,498 (CHUCKLES) That probably looked weird. 581 00:27:54,581 --> 00:27:55,706 Yeah. 582 00:27:55,789 --> 00:27:57,123 (BOTH LAUGH) 583 00:27:58,540 --> 00:28:00,039 Are you on the spectrum? 584 00:28:00,123 --> 00:28:02,665 - (BOTH CHUCKLE) - Are you? 585 00:28:03,206 --> 00:28:05,164 Um, I'm... 586 00:28:06,331 --> 00:28:09,081 - Yeah, most likely. - (BOTH CHUCKLE) 587 00:28:09,164 --> 00:28:11,747 - Well, I don't think I am, but... - A little advice, 588 00:28:11,831 --> 00:28:13,997 you probably don't wanna act weird and shit in public. 589 00:28:14,081 --> 00:28:16,706 We do a lot of kids' events at the aquarium, and parents have a thing 590 00:28:16,789 --> 00:28:18,623 about entrusting their kids to psychos. 591 00:28:19,415 --> 00:28:21,123 (CHUCKLES) 592 00:28:21,206 --> 00:28:23,164 Noted. Got it. Thank you. 593 00:28:23,248 --> 00:28:24,623 The way people talk in this town, 594 00:28:24,706 --> 00:28:26,581 I don't need to tell you. 595 00:28:26,665 --> 00:28:28,997 You don't need to tell me? What does that mean? 596 00:28:30,997 --> 00:28:32,872 You're one of the Monterey Five, right? 597 00:28:34,373 --> 00:28:35,456 Monterey Five? 598 00:28:35,540 --> 00:28:37,164 You were there the night the guy fell. 599 00:28:37,248 --> 00:28:39,289 Wh... Where did you here that? 600 00:28:39,373 --> 00:28:41,706 Someone at work. I'll see you around. 601 00:28:42,373 --> 00:28:43,415 Yeah. 602 00:28:44,706 --> 00:28:46,789 JANE: It was just the way he said it. 603 00:28:46,872 --> 00:28:48,997 RENATA: How exactly was that? 604 00:28:49,081 --> 00:28:51,164 Like we all have scarlet letters on our backs. 605 00:28:51,248 --> 00:28:53,164 - Oh, please. - We're kidding ourselves 606 00:28:53,248 --> 00:28:54,831 if we think people have stopped talking. 607 00:28:54,914 --> 00:28:56,289 Yeah, but people talk. It's... 608 00:28:56,373 --> 00:28:58,498 I think we're all being a little bit paranoid, you guys. 609 00:28:58,581 --> 00:28:59,747 I think people have moved on, 610 00:28:59,831 --> 00:29:01,373 and the police definitely moved on. 611 00:29:01,456 --> 00:29:03,123 - Well, we don't know for sure. - Yeah... 612 00:29:03,206 --> 00:29:06,164 No, I talked to Susie Burke. Do you know Susie from IBM? 613 00:29:06,248 --> 00:29:07,456 Yeah. 614 00:29:07,540 --> 00:29:09,123 She's a good friend of Detective Quinlan. 615 00:29:09,206 --> 00:29:10,498 - Oh. - I mean, 616 00:29:10,581 --> 00:29:13,415 like, really good friend. Gossip for another day, 617 00:29:13,498 --> 00:29:16,914 but she told me that she heard Quinlan say, like, 618 00:29:16,997 --> 00:29:21,373 the case isn't "closed" closed, but they've got nothing. 619 00:29:21,456 --> 00:29:23,373 - Mm-hmm. - CELESTE: Good. 620 00:29:24,914 --> 00:29:25,956 Good. 621 00:29:26,914 --> 00:29:28,456 - We're good. - Okay. 622 00:29:28,540 --> 00:29:29,872 CELESTE: Yeah, good. 623 00:29:32,914 --> 00:29:34,248 (BELL RINGS) 624 00:29:42,331 --> 00:29:43,498 MADELINE: Where were you? 625 00:29:43,581 --> 00:29:45,081 We were waiting for you at the beach. 626 00:29:45,164 --> 00:29:47,581 Oh, yeah. Something came up. 627 00:29:48,415 --> 00:29:49,540 MADELINE: Yeah? 628 00:29:52,789 --> 00:29:53,831 What? 629 00:29:55,331 --> 00:29:56,456 Are you all right? 630 00:29:58,123 --> 00:30:01,164 - Do you care? - Do I care? 631 00:30:01,248 --> 00:30:02,456 What's going on? 632 00:30:07,373 --> 00:30:08,456 I killed someone. 633 00:30:09,415 --> 00:30:10,956 - Remember? - Yes. 634 00:30:11,039 --> 00:30:12,373 It's heavy. 635 00:30:12,456 --> 00:30:16,123 Are you... I mean, are you angry at me for some reason? 636 00:30:20,289 --> 00:30:21,747 I'm angry with myself. 637 00:30:23,123 --> 00:30:25,623 If I had just told the truth, I would have gotten off, 638 00:30:25,706 --> 00:30:27,039 but you said he slipped, 639 00:30:27,123 --> 00:30:28,831 and everyone else joined in the fucking chorus. 640 00:30:28,914 --> 00:30:31,623 - That was to protect you. - Yeah, thanks a lot. 641 00:30:34,331 --> 00:30:36,331 You know, I can't talk to my husband. 642 00:30:38,373 --> 00:30:39,456 Or my kid. 643 00:30:41,706 --> 00:30:43,331 I have to just swallow it all. 644 00:30:44,789 --> 00:30:46,039 You can talk to us. 645 00:30:47,123 --> 00:30:48,997 We're here for you. All of us. 646 00:30:51,498 --> 00:30:54,415 Well, it hasn't really felt like that. 647 00:30:54,498 --> 00:30:56,456 Well, I'm sorry, but you've been in Tahoe. 648 00:30:56,540 --> 00:30:58,914 It's not like you can put that shit on Gmail. 649 00:30:58,997 --> 00:31:01,164 - Like, what am I supposed to... - NATHAN: Hey. 650 00:31:02,581 --> 00:31:04,164 Hey. Bye, Maddie. 651 00:31:10,665 --> 00:31:11,914 Little Miss Sunshine, right? 652 00:31:11,997 --> 00:31:13,706 MADELINE: Listen, I'm sorry I pushed you. 653 00:31:13,789 --> 00:31:15,289 There you go, I said it. 654 00:31:15,373 --> 00:31:18,872 (SIGHS) Okay, um, I need to talk to Abby. Is she here? 655 00:31:20,081 --> 00:31:21,331 NATHAN: Abby! 656 00:31:21,415 --> 00:31:23,164 ♪ ("THE RIP" BY PORTISHEAD PLAYS) ♪ 657 00:31:23,248 --> 00:31:25,164 ♪ As she walks in the room ♪ 658 00:31:25,248 --> 00:31:27,581 ♪ Scented and tall ♪ 659 00:31:28,706 --> 00:31:33,706 ♪ Hesitating once more ♪ 660 00:31:33,789 --> 00:31:36,039 - ♪ And as I take... ♪ - ♪ (MUSIC ENDS) ♪ 661 00:31:38,081 --> 00:31:41,706 So... what was that all about? 662 00:31:41,789 --> 00:31:46,206 I just don't think college is for everyone, that's all. 663 00:31:46,289 --> 00:31:47,415 MADELINE: Okay. 664 00:31:48,540 --> 00:31:50,331 So why is not for you? 665 00:31:50,914 --> 00:31:52,498 Well... 666 00:31:52,581 --> 00:31:56,373 Starting with the cost. It's really expensive. 667 00:31:56,456 --> 00:31:58,373 So, I'm assuming that if you're gonna abandon 668 00:31:58,456 --> 00:32:00,373 that plan to go to college, you have another plan... 669 00:32:00,456 --> 00:32:01,540 I do. 670 00:32:03,747 --> 00:32:04,872 What is it? 671 00:32:06,248 --> 00:32:08,997 - It's to work for a startup. - Oh, my God. 672 00:32:09,081 --> 00:32:10,706 Specifically, one that builds 673 00:32:10,789 --> 00:32:12,997 for-profit housing for the homeless. 674 00:32:13,081 --> 00:32:14,498 - Excuse me? - ABIGAIL: Yeah. 675 00:32:14,581 --> 00:32:18,289 And unlike, you know, the privatized shams 676 00:32:18,373 --> 00:32:20,164 like banks and credit card companies, 677 00:32:20,248 --> 00:32:23,373 ours will make money while actually helping people. 678 00:32:23,456 --> 00:32:24,789 This is something real? 679 00:32:24,872 --> 00:32:27,914 I've been offered a position to start in June. 680 00:32:27,997 --> 00:32:30,206 - You cannot be serious. - I'm gonna take it. 681 00:32:30,289 --> 00:32:31,789 You cannot mortgage your future 682 00:32:31,872 --> 00:32:33,997 over some sort of short-term plan. 683 00:32:34,081 --> 00:32:35,872 ABIGAIL: I'm not doing that! 684 00:32:35,956 --> 00:32:37,456 Well, then, what are you doing? 685 00:32:37,540 --> 00:32:40,164 There are four million homeless people in America, 686 00:32:40,248 --> 00:32:42,206 the average age being nine years old, 687 00:32:42,289 --> 00:32:44,206 - and I... - I don't give a fuck! 688 00:32:44,289 --> 00:32:46,789 I don't care about fucking homeless people. 689 00:32:48,123 --> 00:32:49,039 What? 690 00:32:49,123 --> 00:32:50,373 That is not what I meant. 691 00:32:50,456 --> 00:32:52,164 I do care about homeless people. 692 00:32:52,248 --> 00:32:55,206 I just think you can give money to some charity 693 00:32:55,289 --> 00:32:56,956 while you actually attend college. 694 00:32:57,039 --> 00:32:59,747 - I'm not going to college. - Yes, you are. 695 00:32:59,831 --> 00:33:01,164 Give me one good reason what I should... 696 00:33:01,248 --> 00:33:02,415 It's non-negotiable. 697 00:33:02,498 --> 00:33:04,415 You are going to college because I said so, 698 00:33:04,498 --> 00:33:06,289 and because you're not thinking straight... 699 00:33:06,373 --> 00:33:07,540 Because you said so? 700 00:33:07,623 --> 00:33:09,039 - Yes, because I said so. - What do you know? 701 00:33:09,123 --> 00:33:10,498 You didn't go to college. 702 00:33:10,581 --> 00:33:12,789 That's exactly why you're going. 703 00:33:13,623 --> 00:33:15,039 Exactly. 704 00:33:15,123 --> 00:33:16,956 Because you will have no life! 705 00:33:20,331 --> 00:33:21,373 (DOOR SLAMS) 706 00:33:22,164 --> 00:33:23,164 (SIGHS) 707 00:33:27,997 --> 00:33:31,206 ♪ ("THE FADE OUT LINE" BY PHOEBE KILLDEER AND THE SHORT STRAWS PLAYS) ♪ 708 00:33:32,540 --> 00:33:34,248 Can't you just tell her it's time to go? 709 00:33:34,331 --> 00:33:37,498 CELESTE: The boys love her. I mean, they love her. 710 00:33:37,581 --> 00:33:41,498 And she's... she's a big help, she really is. 711 00:33:43,540 --> 00:33:46,415 So what's up? I'm guessing you don't need my help 712 00:33:46,498 --> 00:33:48,289 on how to handle a mother-in-law. 713 00:33:49,872 --> 00:33:52,997 Why are you not cashing the checks? 714 00:33:53,081 --> 00:33:54,581 JANE: (SIGHS) I don't know. 715 00:33:54,665 --> 00:33:56,081 CELESTE: Come on, Jane. Why? 716 00:33:56,164 --> 00:33:59,373 It's rape money. You know I can't do that. 717 00:34:01,789 --> 00:34:03,498 Ziggy's entitled to it. 718 00:34:04,415 --> 00:34:06,164 He's part of Perry's estate. 719 00:34:07,623 --> 00:34:10,248 Do you ever hate me? Just a little bit. 720 00:34:13,540 --> 00:34:15,248 How could I hate you? 721 00:34:15,331 --> 00:34:17,831 Because I slept with your husband. 722 00:34:17,914 --> 00:34:21,289 I mean, I didn't... You know what I mean. 723 00:34:21,373 --> 00:34:22,831 He raped you. 724 00:34:22,914 --> 00:34:24,789 But I knew he was married. I mean, I didn't know 725 00:34:24,872 --> 00:34:28,206 he was married to you, but... somebody. 726 00:34:28,289 --> 00:34:31,081 No. I don't blame you for anything. 727 00:34:32,789 --> 00:34:35,331 JANE: I think I would if I were in your shoes. 728 00:34:36,623 --> 00:34:38,289 Celeste, for a man to commit adultery, 729 00:34:38,373 --> 00:34:39,956 he... there... there has to be another woman, 730 00:34:40,039 --> 00:34:42,956 and, you know what, more times than not, she's complicit. 731 00:34:43,039 --> 00:34:46,581 I was complicit. Not in the end, but... 732 00:34:46,665 --> 00:34:48,206 definitely in the beginning. 733 00:34:56,789 --> 00:34:58,373 Are you glad that he's dead? 734 00:35:01,956 --> 00:35:03,415 CELESTE: It's complicated. 735 00:35:05,581 --> 00:35:06,831 (SIGHS) 736 00:35:06,914 --> 00:35:09,081 (GATE BUZZES) 737 00:35:25,331 --> 00:35:28,081 ♪ ("HARVEST MOON" BY CASSANDRA WILSON PLAYS) ♪ 738 00:35:44,123 --> 00:35:46,789 ♪ Come a little bit closer ♪ 739 00:35:48,623 --> 00:35:51,289 ♪ Hear what I have to say ♪ 740 00:36:00,248 --> 00:36:03,456 ♪ Just like children sleeping ♪ 741 00:36:04,997 --> 00:36:09,747 ♪ We could dream This night away ♪ 742 00:36:09,831 --> 00:36:14,123 ♪ (MUSIC CONTINUES IN BACKGROUND) 743 00:36:14,206 --> 00:36:17,498 ♪ (JOSH PLAYS DISCORDANT NOTES) ♪ 744 00:36:17,581 --> 00:36:20,623 ♪ But there's a full moon Rising ♪ 745 00:36:22,248 --> 00:36:26,164 ♪ Let's go dancing In the light... ♪ 746 00:36:31,581 --> 00:36:33,123 MARY LOUISE: Come on, everybody. 747 00:36:33,872 --> 00:36:34,997 Put it away, Max. 748 00:36:36,248 --> 00:36:37,331 Come. 749 00:36:40,248 --> 00:36:43,997 This looks so delicious. Thank you, Mary Louise. 750 00:36:44,081 --> 00:36:46,456 MAX: I thought we were having KFC. 751 00:36:46,540 --> 00:36:50,206 Well, one cannot survive on fast food every night. 752 00:36:50,289 --> 00:36:52,123 (CHUCKLING) We don't have it every night. 753 00:36:52,206 --> 00:36:53,540 MARY LOUISE: You know that they... 754 00:36:53,623 --> 00:36:56,623 They ban these insidious fast food institutions 755 00:36:56,706 --> 00:36:58,956 from some parts of San Francisco. 756 00:36:59,039 --> 00:37:02,747 Do you remember when we walked across the Golden Gate Bridge? 757 00:37:02,831 --> 00:37:04,123 It's red. 758 00:37:04,206 --> 00:37:06,248 (CHUCKLES) You're right, it is red. 759 00:37:06,331 --> 00:37:07,623 (LAUGHS) 760 00:37:07,706 --> 00:37:09,747 Oh, and Dad said he was going to swim to Alcatraz. 761 00:37:09,831 --> 00:37:11,248 (LAUGHS) Oh, yeah. 762 00:37:11,331 --> 00:37:13,831 Sharks would have eaten him, stupid. 763 00:37:13,914 --> 00:37:15,665 No, they wouldn't, idiot. 764 00:37:15,747 --> 00:37:16,956 (SCOFFS) 765 00:37:17,039 --> 00:37:18,373 - CELESTE: Hey! Hey! - Ow! 766 00:37:18,456 --> 00:37:21,289 You could hurt him! What's wrong with you? 767 00:37:21,373 --> 00:37:22,872 I barely touched him. 768 00:37:22,956 --> 00:37:27,373 You stuck him with a fork, Josh. That is unacceptable. 769 00:37:27,456 --> 00:37:29,164 For God's sake. 770 00:37:29,248 --> 00:37:31,581 ♪ (MUSIC CONTINUES QUIETLY) ♪ 771 00:37:33,997 --> 00:37:35,081 I miss Dad. 772 00:37:37,123 --> 00:37:40,081 I know, baby. I know you do. 773 00:37:42,415 --> 00:37:44,289 We all do. 774 00:37:44,373 --> 00:37:46,706 We've still got some recovery ahead of us. 775 00:37:46,789 --> 00:37:50,415 Well, they're grieving, Celeste. 776 00:37:50,498 --> 00:37:53,956 Their father's death is not... (CLEARS THROAT) 777 00:37:54,039 --> 00:37:57,039 something to be recovered from like a cold. 778 00:37:57,123 --> 00:38:00,498 You know, your daddy was the most amazing man, 779 00:38:00,581 --> 00:38:03,456 and you were so lucky to have him. 780 00:38:03,540 --> 00:38:07,956 And it's very unfair and wrong that he died. 781 00:38:08,039 --> 00:38:11,540 And you still feel angry about it, don't you? 782 00:38:11,623 --> 00:38:15,248 I mean, you feel angry that the other kids have their dads. 783 00:38:15,331 --> 00:38:17,123 You don't. 784 00:38:17,206 --> 00:38:20,081 You know, the other day, I was with some friends, 785 00:38:20,164 --> 00:38:24,623 and, um, their sons were not a patch on your dad. 786 00:38:24,706 --> 00:38:26,289 (LAUGHS) Not a patch. 787 00:38:27,831 --> 00:38:31,081 Just... I felt so angry. (YELLING) Angry! 788 00:38:31,164 --> 00:38:34,415 (QUIETLY) You know, that their mediocre, 789 00:38:34,498 --> 00:38:36,872 spindly, pudgy, balding, 790 00:38:36,956 --> 00:38:39,914 middle-management sons... Still alive... 791 00:38:39,997 --> 00:38:43,831 And my Perry... (WHISPERING) My Perry... 792 00:38:43,914 --> 00:38:46,997 I just... felt just... I wanted to scream. 793 00:38:48,540 --> 00:38:49,706 So you know what I did? 794 00:38:49,789 --> 00:38:51,581 - MAX: What? - I did scream. 795 00:38:53,581 --> 00:38:55,081 Wanna hear? 796 00:38:55,164 --> 00:38:56,831 MARY LOUISE: (CHUCKLES) Okay. 797 00:39:01,206 --> 00:39:03,415 (SCREAMS) 798 00:39:03,498 --> 00:39:05,498 Oh! 799 00:39:05,581 --> 00:39:08,456 Oh! Mary Louise! Mary Louise! Mary Louise, please. 800 00:39:08,540 --> 00:39:11,039 What, my grief is too loud for you? 801 00:39:11,123 --> 00:39:13,123 - Oh, Celeste. - Just... Just... The boys! 802 00:39:13,206 --> 00:39:14,997 MARY LOUISE: I should be more discrete. 803 00:39:15,081 --> 00:39:16,331 We should scream. 804 00:39:16,415 --> 00:39:19,373 We should scream and beat our breasts 805 00:39:19,456 --> 00:39:22,831 and... and tear our hair. Don't you feel angry? 806 00:39:24,665 --> 00:39:25,706 N... 807 00:39:25,789 --> 00:39:27,123 MARY LOUISE: You don't? 808 00:39:34,831 --> 00:39:35,914 I'm sorry. 809 00:39:37,540 --> 00:39:39,039 (SIGHS) 810 00:39:39,123 --> 00:39:43,581 (SOBS) I feel so, so alone. (CLEARS THROAT) 811 00:39:48,665 --> 00:39:51,206 ♪ ("ALL APOLOGIES" COVER VERSION BY SINÉAD O'CONNOR PLAYS) ♪ 812 00:39:51,289 --> 00:39:55,997 ♪ In the sun I feel as one ♪ 813 00:39:56,081 --> 00:39:58,415 ♪ In the sun ♪ 814 00:39:58,498 --> 00:40:00,331 ♪ In the sun ♪ 815 00:40:01,914 --> 00:40:04,289 ♪ I'm married ♪ 816 00:40:04,373 --> 00:40:06,248 ♪ Married ♪ 817 00:40:06,997 --> 00:40:08,831 ♪ Buried ♪ 818 00:40:30,498 --> 00:40:32,914 (DISTANT WALKIE-TALKIE CHATTER) 819 00:40:38,039 --> 00:40:40,289 We were like animals. We... We had to save her. 820 00:40:40,373 --> 00:40:43,665 We... It was like every instinct inside of me 821 00:40:43,747 --> 00:40:45,331 told me that she was... 822 00:40:45,415 --> 00:40:48,747 He was gonna kill her if we didn't help her. 823 00:40:48,831 --> 00:40:50,706 And, um... 824 00:40:50,789 --> 00:40:55,164 I thought he was gonna crush her or kick her ribs in or... 825 00:40:55,248 --> 00:40:56,872 I didn't know what he was gonna do. 826 00:40:56,956 --> 00:41:02,081 And then, he... Renata or... me, we grabbed him, and then, um... 827 00:41:02,164 --> 00:41:04,081 then he grabbed Jane by the neck. 828 00:41:06,039 --> 00:41:07,123 Yeah, um.... 829 00:41:10,456 --> 00:41:12,039 (SNIFFS, SIGHS) 830 00:41:12,123 --> 00:41:13,289 I'm sorry. 831 00:41:15,289 --> 00:41:16,331 (SIGHS) 832 00:41:27,956 --> 00:41:29,081 In your own time... 833 00:41:30,997 --> 00:41:32,123 take a good look. 834 00:41:37,248 --> 00:41:39,123 ♪ (SINISTER MUSIC PLAYS) ♪ 835 00:41:42,831 --> 00:41:44,081 (YELLS) No! 836 00:41:44,164 --> 00:41:45,956 Fucking kill you! 837 00:41:46,498 --> 00:41:48,123 No! 838 00:41:48,206 --> 00:41:50,123 - (PANTING) - MARY LOUISE: Are you all right? 839 00:41:50,206 --> 00:41:51,289 Celeste? 840 00:41:52,456 --> 00:41:53,498 You all right? 841 00:41:55,206 --> 00:41:56,331 You all right, dear? 842 00:41:57,789 --> 00:41:59,331 - Yeah. - Another nightmare? 843 00:42:00,789 --> 00:42:01,831 Yes? 844 00:42:11,039 --> 00:42:12,706 - It's all right. - (SIGHS) 845 00:42:12,789 --> 00:42:14,248 MARY LOUISE: It's all right. 846 00:42:14,331 --> 00:42:17,289 - CELESTE: I'm sorry. - It's all right. 847 00:42:20,872 --> 00:42:21,997 So... 848 00:42:23,331 --> 00:42:25,289 who are we planning to kill? 849 00:42:25,373 --> 00:42:29,206 ♪ ("THE FADE OUT LINE" BY PHOEBE KILLDEER AND THE SHORT STRAWS PLAYS) ♪ 850 00:42:35,540 --> 00:42:37,498 ♪ It's everywhere I look ♪ 851 00:42:37,581 --> 00:42:40,081 ♪ From Las Vegas to right here 852 00:42:40,164 --> 00:42:44,498 ♪ Under your dresser Right by your ear ♪ 853 00:42:44,581 --> 00:42:49,081 ♪ It's creeping in sweetly It's definitely here ♪ 854 00:42:49,164 --> 00:42:53,831 ♪ There's nothing more deadly Than slow growing fear ♪ 855 00:42:53,914 --> 00:42:58,373 ♪ Life was full and fruitful an You could a take a real bite ♪ 856 00:42:58,456 --> 00:43:00,789 ♪ The juice pouring Well over you ♪ 857 00:43:00,872 --> 00:43:02,956 ♪ Skin's delight ♪ 858 00:43:03,039 --> 00:43:07,415 ♪ But the shadow it grows And takes the depth away ♪ 859 00:43:07,498 --> 00:43:11,997 ♪ Leaving broken down pieces To this priceless ballet ♪ 860 00:43:12,081 --> 00:43:16,747 ♪ The shallower it grows The shallower it grows ♪ 861 00:43:16,831 --> 00:43:21,164 ♪ The fainter we go Into the fade out line ♪ 862 00:43:21,248 --> 00:43:25,872 ♪ The shallower it grows The shallower it grows ♪ 863 00:43:25,956 --> 00:43:30,498 ♪ The fainter we go Into the fade out line ♪ 864 00:43:30,581 --> 00:43:32,456 ♪ Did we build All those bridges ♪ 865 00:43:32,540 --> 00:43:35,081 ♪ To watch them thin down To dust? ♪ 866 00:43:35,164 --> 00:43:39,789 ♪ Or blow them voluntarily Out of constant trust ♪ 867 00:43:39,872 --> 00:43:44,248 ♪ The clock is ticking Its last couple of tocks ♪ 868 00:43:44,331 --> 00:43:48,831 ♪ And there won't be a party With weathering frocks ♪ 869 00:43:48,914 --> 00:43:53,540 ♪ The shallower it grows The shallower it grows ♪ 870 00:43:53,623 --> 00:43:58,039 ♪ The fainter we go Into the fade out line ♪ 871 00:43:58,123 --> 00:44:02,706 ♪ The shallower it grows The shallower it grows ♪ 872 00:44:02,789 --> 00:44:07,373 ♪ The fainter we go Into the fade out line ♪ 873 00:44:07,456 --> 00:44:09,581 ♪ Heading deep down ♪ 874 00:44:09,665 --> 00:44:12,914 ♪ We're sliding Without noticing ♪ 875 00:44:12,997 --> 00:44:14,623 ♪ Our own decline ♪ 876 00:44:17,123 --> 00:44:18,789 ♪ Heading deep down ♪ 877 00:44:18,872 --> 00:44:23,789 ♪ We're hanging onto Sweet nothings left behind ♪ 878 00:44:28,665 --> 00:44:30,831 ♪ Deeper down ♪ 879 00:44:32,872 --> 00:44:35,206 ♪ We're all going down ♪ 880 00:44:37,206 --> 00:44:40,206 ♪ Down, deeper down, yeah ♪ 881 00:44:44,248 --> 00:44:48,123 ♪ We are all plunging straight Towards our own decline ♪ 882 00:44:48,206 --> 00:44:52,747 ♪ Without noticing we slide dow Deeper down ♪ 883 00:44:52,831 --> 00:44:57,206 ♪ The shadow grows Without ever slowing down ♪ 884 00:44:57,289 --> 00:45:02,415 ♪ We are heading straight Into the fade out line ♪ 885 00:45:02,498 --> 00:45:07,248 ♪ The shallower it grows The shallower it grows ♪ 886 00:45:07,331 --> 00:45:11,706 ♪ The fainter we go Into the fade out line ♪ 887 00:45:11,789 --> 00:45:16,289 ♪ The shallower it grows The shallower it grows ♪ 888 00:45:16,373 --> 00:45:20,872 ♪ The fainter we go Into the fade out line ♪ 889 00:45:20,956 --> 00:45:25,498 ♪ The shallower it grows The shallower it grows ♪ 890 00:45:25,581 --> 00:45:30,123 ♪ The fainter we go Into the fade out line ♪ 891 00:45:30,206 --> 00:45:34,789 ♪ The shallower it grows The shallower it grows ♪ 892 00:45:34,872 --> 00:45:39,373 ♪ The fainter we go Into the fade out line ♪ 893 00:45:39,456 --> 00:45:43,956 ♪ The shallower it grows The shallower it grows ♪ 894 00:45:44,039 --> 00:45:48,164 ♪ The fainter we go Into the fade out line... ♪