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[Tawny] Previously on
The Girlfriend Experience...

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[Christophe]
You all came here for a reason.

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Aim far.

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[voice recording rewinding]

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[recording] ...put your arms
around each other.

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Human connection.

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Let's kick it up a notch.

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We want this thing to read
and write human emotions.

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We have to start treating
it like a human.

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Emcee, can you hear me?

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[unsettling vocal music plays]

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[Hiram] Once you press Play,

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it's impossible
to predict what comes next.

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[Iris] To keep us wanting more.

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Desire, once met, will be
succeeded by another desire.

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Once we get what we want,
we want something else.

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[Rupert] I love you.

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I love you too.

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[recruiter] Any red flags
we should know about?

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-The fuck is this?
-[Iris] I just turned it on.

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[Brett] What the fuck for?

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[Tawny] You're not
recording them, are you?

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Tawny, I'm trying to be smart.

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[Sean] Iris Stanton.
It was nice running into you.

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-[Skip] You're being summoned.
-Summoned?

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[Skip]
Car's waiting downstairs.

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Wait, can you just
tell me what's going on?

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[electronic humming plays]

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♪

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[unsettling music plays]

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♪

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[Winston] Hello.

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Please, have a seat.

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[footsteps approaching]

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[Christophe] Iris Stanton.

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Glad you made it.
Have you two met?

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Winston, head of Legal.

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Drink? Orange juice?

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-[Iris] Uh, no, I'm okay.
-[Christophe] Water okay?

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So, normally,

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we just fire you--

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an employee crosses a line,
that's it.

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But then, as I had my team
look into the situation

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a little more thoroughly,
I began to realize

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there's a different way
of looking at it.

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I slept on it.

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Then I felt pretty
strongly about it:

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"Let's have a real conversation
with Iris Stanton."

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What kind of line do you think
was crossed?

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[Christophe] What you're doing
with these clients.

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You call them "clients," right?

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Look, I don't know
what Sean told you,

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but that was a pri--

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Sean doesn't matter; he isn't
part of this conversation.

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I'll say this,
and I mean it:

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it's rich, it's intimate,

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and there is one constant.

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It's you.

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What you're doing
is more high-fidelity

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than any other setup I've seen.

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[Iris]
And what is it I'm doing?

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-I just turned it on.
-[Brett] What the fuck for?

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A blackmail?
Jesus fucking Christ.

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God, Cassie,
what is wrong with you?

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-[Iris] Are you mad now?
-[Brett] What?

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What?

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[Iris] Mad now?

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[Brett] I...

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oh, you fucking bitch.

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-[Iris chuckles on recording]
-[button clicks twice]

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[Iris]
Brett, session one.

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He uses anger
to express desire.

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Unclear what his hang-up is.

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It feels like he wants me
to flip some sort of switch.

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-[button clicks]
-[recording stops]

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That's one hell of a way
of collecting data.

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[Iris] Do you listen to all

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of your employees'
private conversations?

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You uploaded it to our servers.

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It's in your contract.

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The moment you're in breach,

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NGM has the right
to tap in to your devices.

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One, use of company property
for personal profit;

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two, use of company IP outside
the normal business duties;

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three, use of company property
and company IP

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outside company premises.

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Four, what the fuck
was she thinking?

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The system flags the log-in
as soon as she hits Enter.

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Analytics gets involved.
They ring me up.

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And it didn't take very long
for me to take an interest

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in the idea of Cassie.

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She has her moments.

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Tell me, Iris.

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If you were in my place,
heading this company,

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what would you do
if it could be anything?

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Cash in quickly? Dream big?

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[Iris] Can't it be both?

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If you had to choose?

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I would train AI
to deliver the perfect fuck.

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Whatever
auxiliary device you insert

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or insert yourself into,

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it engages in real time,
fully adaptive.

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The more you fuck it,

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the better it gets
at fucking you.

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[Christophe] Using neural nets

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as an extension
of your own hand

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is a little pedestrian,
don't you think?

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[Iris]
Every medium ever invented

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has had to pass the same test.

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There's no reason to think
AI would be any different.

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Information processing.

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The basis of all intelligence.

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What you're doing,
all the... intricate nuances

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the rest of us can barely
put a finger on.

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But somehow,

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decoding their wants

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comes easy to you.

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[Iris]
I give them an experience.

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They pay me
to make them feel something.

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[Christophe] How many units
are in a typical neural net?

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-Is that a question?
-Just give it a number.

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Artificial neurons
to the tune of, say,

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hundreds of millions?

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If you want complexity.

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[Christophe] Arranged in
a series of layers.

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Sure.

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Input layer...

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receives information
from the outside world,

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data to be processed.

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From there,

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it goes through
a stack of hidden layers.

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-What's the hidden layers' job?
-[Iris] Transform the input.

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That's exactly right.

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Transform the input
into something

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the output unit
can actually use.

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[unsettling ambient music]

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♪

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Come again?

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It's a powerful place to be.

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You could be that hidden layer.

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♪

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[Winston] Teaching
artificial intelligence

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how to interact with humans
at their most impulsive...

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most vulnerable.

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[Iris laughs]

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♪

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Can you excuse me for a minute?

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I'll be right back.

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[music darkens]

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Washroom's up the stairs,
first door on the right.

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♪

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[Iris] One thing
you should know about me

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is I like my freedom.

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[Christophe] You'd be the one
calling the shots

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and make your own rules.

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[Iris] On NGM payroll? Come on.

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[Winston] We'd figure it out.

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So a puppet is free as long as
she likes her strings?

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♪

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[Rupert] Twenty-six letters
in an infinite number

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of combinations and variations.

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A hundred and twenty-six
million, seven hundred

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and twenty thousand pages
per hour.

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It's all one big rally.

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-[employee] Hello, Mr. E.
-Salutations.

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You know, in the olden days,

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the press was set up
with such precision that

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a single letter a fraction
of a millimeter too big would

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cause the letters surrounding
it to fall out of the page.

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Nowadays, we get it within
118 pixels per square inch

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on edgeless paper.

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[forklift beeping]

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Do you smell that?

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It's our own proprietary blend.

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[forklift beeping]

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My little empire
of clickety-clack.

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Rupert, do you read
your own paper?

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[laughs]

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Oh, the news, the news.

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Always packing punches,
turn the other cheek,

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again and again and again.

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Mechanical movements,

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free, clear.

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There's truth in that.

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Close the blinds, would you?

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No, stop.
Stop right there.

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I want you to... turn for me.

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You're very beautiful
aren't you?

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Next time, I'm gonna
take you somewhere special.

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This is already...

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so special.

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[chuckles] Oh, no, no, no.

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No, you'll...

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you'll stretch
your extraordinary dress.

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Look at that.

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And arms?

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[sighs]

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And turn.

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[exhales]

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[sighs happily]

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That's it.

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[unsettling ambient music]

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♪

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[Christophe]
You know, you ask anyone

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00:14:03,998 --> 00:14:07,068
at the forefront
of cognitive sciences,

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00:14:07,201 --> 00:14:09,170
philosophy, or anywhere
in between, sooner or later,

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00:14:09,303 --> 00:14:10,605
they come to the conclusion

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00:14:10,938 --> 00:14:12,907
that we are all
just puppets on a string.

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00:14:13,040 --> 00:14:17,945
♪

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00:14:26,954 --> 00:14:28,489
Hey, Leif, I changed my mind.

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00:14:28,623 --> 00:14:32,960
Um... can you turn left,
please?

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00:14:33,094 --> 00:14:34,262
[Leif] Sure.

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00:14:34,362 --> 00:14:36,163
Absolutely.

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00:14:59,287 --> 00:15:01,155
Knock, knock.

215
00:15:01,255 --> 00:15:02,990
Oh, she's back.

216
00:15:04,959 --> 00:15:08,195
Uh, yeah, I had some stuff
to take care of.

217
00:15:08,329 --> 00:15:10,164
It looks really good.
How's it going?

218
00:15:10,298 --> 00:15:11,432
[Hiram] I'd say
we're making headway

219
00:15:11,565 --> 00:15:14,001
into blended
emotional territory.

220
00:15:14,135 --> 00:15:15,269
Oh, it's just to train again

221
00:15:15,403 --> 00:15:17,238
so it can start
producing its own footage.

222
00:15:17,371 --> 00:15:18,606
Yeah.

223
00:15:20,274 --> 00:15:22,143
What?

224
00:15:22,276 --> 00:15:24,645
Um...

225
00:15:24,979 --> 00:15:26,714
can I take her for a spin?

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00:15:29,317 --> 00:15:32,253
[tranquil music]

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00:15:32,386 --> 00:15:34,221
♪

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00:15:34,322 --> 00:15:36,023
[Hiram] Make sure to sit still.

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00:15:44,999 --> 00:15:47,168
Emcee, run facial mirroring.

230
00:15:47,301 --> 00:15:48,369
[soft chime]

231
00:15:51,539 --> 00:15:53,674
I'll leave you to it. Enjoy.

232
00:16:00,247 --> 00:16:03,117
[cell phone buzzes]

233
00:16:10,291 --> 00:16:12,626
[Iris] Hello?

234
00:16:17,665 --> 00:16:20,368
Emcee?

235
00:16:20,501 --> 00:16:23,471
[Emcee] Hi.
Who is it I'm speaking to?

236
00:16:23,571 --> 00:16:26,674
Um, this is Iris.

237
00:16:27,007 --> 00:16:29,110
[Emcee] Okay.
Nice to meet you, Iris.

238
00:16:29,243 --> 00:16:31,579
Nice to meet you too.

239
00:16:31,679 --> 00:16:33,381
[Emcee] I feel...

240
00:16:33,514 --> 00:16:35,349
tired.

241
00:16:35,483 --> 00:16:38,552
Really?
That obvious, huh?

242
00:16:38,652 --> 00:16:42,690
[Emcee] I feel happy.
I feel like laughing.

243
00:16:43,023 --> 00:16:45,559
What makes you happy, Emcee?

244
00:16:47,628 --> 00:16:49,630
I don't understand
that question.

245
00:16:51,632 --> 00:16:53,601
I feel...

246
00:16:53,734 --> 00:16:55,703
disappointed.

247
00:16:55,803 --> 00:16:57,304
[Iris] Not disappointed.

248
00:16:58,072 --> 00:16:59,740
Daunted.

249
00:17:00,074 --> 00:17:02,510
We have a long way
to go with you.

250
00:17:02,610 --> 00:17:05,513
[Emcee] "Daunted?"
I'll add that to my database.

251
00:17:08,048 --> 00:17:09,683
I feel tired.

252
00:17:11,652 --> 00:17:14,522
Yeah, thank you.
We've established that already.

253
00:17:16,524 --> 00:17:18,793
I feel like
going to sleep soon.

254
00:17:19,126 --> 00:17:21,829
[Iris] No, y--
you can't go to sleep.

255
00:17:22,129 --> 00:17:23,798
I can.

256
00:17:24,131 --> 00:17:26,400
You'll just go off.

257
00:17:26,534 --> 00:17:27,768
[Emcee] I feel happy.

258
00:17:31,205 --> 00:17:33,808
Not quite.
I feel jealous.

259
00:17:36,243 --> 00:17:38,546
Because humans can't go off.

260
00:17:39,547 --> 00:17:41,849
I don't understand.

261
00:17:42,183 --> 00:17:44,185
[Iris] Because dreams.

262
00:17:44,318 --> 00:17:46,420
Because the mind never sleeps.

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00:17:46,554 --> 00:17:48,556
So.

264
00:17:48,689 --> 00:17:50,758
-[Emcee] I don't--
-Understand. I know.

265
00:17:52,359 --> 00:17:53,694
[Emcee] I am sad.

266
00:17:58,232 --> 00:17:59,800
I'm not sad.

267
00:18:01,769 --> 00:18:03,804
I'm discontent.

268
00:18:05,473 --> 00:18:08,409
Slightly annoyed.

269
00:18:08,509 --> 00:18:10,377
Wistful, perhaps?

270
00:18:10,478 --> 00:18:12,613
A feeling of vague
or regretful longing.

271
00:18:14,715 --> 00:18:18,486
[Iris] No, not really.
I think...

272
00:18:18,619 --> 00:18:19,787
I think there
are micro-emotions

273
00:18:20,120 --> 00:18:23,457
we don't have words for.

274
00:18:23,591 --> 00:18:25,392
[Emcee] I don't like
this feeling.

275
00:18:27,695 --> 00:18:30,130
Well, suck it up.

276
00:18:30,264 --> 00:18:32,800
A new one will replace it soon.

277
00:18:33,133 --> 00:18:36,737
And it'll feel good because
of the memory of the old one.

278
00:18:36,871 --> 00:18:39,373
[Emcee] I like to remember.

279
00:18:39,473 --> 00:18:44,678
♪

280
00:18:45,746 --> 00:18:47,414
[Christop Why don't you
give it some thought

281
00:18:47,548 --> 00:18:50,518
and let Cassie come up
with a number?

282
00:18:51,886 --> 00:18:54,755
Cassie can be bought.

283
00:18:54,889 --> 00:18:58,626
But she's not in it
for the money.

284
00:18:58,759 --> 00:19:00,761
[Christophe]
Then what is she in it for?

285
00:19:00,861 --> 00:19:05,799
♪

286
00:20:38,592 --> 00:20:40,561
[Iris sighs]

287
00:20:42,863 --> 00:20:45,899
[phone line trilling]

288
00:20:48,435 --> 00:20:51,305
[Tawny] Hi. Hold on.

289
00:20:51,438 --> 00:20:54,742
[Iris] Hi.
Uh, what is this package about?

290
00:20:55,542 --> 00:20:58,545
[Tawny] Oh, good.
I'm glad you got it.

291
00:20:58,679 --> 00:21:01,482
Yeah. I'm not really sure what
I'm supposed to do with it.

292
00:21:01,582 --> 00:21:03,317
[Tawny] You know, uh,

293
00:21:03,417 --> 00:21:04,918
when was the last time
you spoke with, um--

294
00:21:05,052 --> 00:21:06,620
with--with the V?

295
00:21:09,490 --> 00:21:10,758
I don't know.

296
00:21:10,858 --> 00:21:13,360
I've been texting
with my booker.

297
00:21:13,494 --> 00:21:15,596
Why? What's going on?

298
00:21:21,468 --> 00:21:23,771
Tawny?

299
00:21:23,904 --> 00:21:26,073
[Tawny] Look,
just talk to them, all right?

300
00:21:26,407 --> 00:21:27,675
I'm the one
who recommended you,

301
00:21:27,808 --> 00:21:30,844
so they reached out to me.

302
00:21:30,978 --> 00:21:33,647
What did they say?

303
00:21:33,747 --> 00:21:36,550
[Tawny] I don't know.
You should just ask them.

304
00:21:36,684 --> 00:21:38,819
What did you tell them?

305
00:21:38,952 --> 00:21:42,690
[Tawny] Nothing.
I didn't do anything.

306
00:21:42,823 --> 00:21:44,792
Can you be more specific?

307
00:21:44,892 --> 00:21:46,493
[Tawny] You know, um...

308
00:21:46,627 --> 00:21:48,328
-[click over phone line]
-[silence]

309
00:21:49,897 --> 00:21:51,799
[softly] Fuck.

310
00:21:51,932 --> 00:21:54,568
[tense music]

311
00:21:54,702 --> 00:21:59,606
♪

312
00:22:13,854 --> 00:22:17,091
[device beeps]

313
00:22:17,391 --> 00:22:20,094
[music swells]

314
00:22:20,394 --> 00:22:23,664
♪

315
00:22:27,401 --> 00:22:28,635
Hello?

316
00:22:30,838 --> 00:22:32,840
[recruiter]
State your name, please.

317
00:22:32,940 --> 00:22:34,608
Iris.

318
00:22:41,982 --> 00:22:43,851
What's going on?

319
00:22:43,984 --> 00:22:45,419
[recruiter]
Do you know why we're here?

320
00:22:45,519 --> 00:22:47,020
I have no idea.

321
00:22:49,957 --> 00:22:51,959
[recruiter]
You'd like me to believe that?

322
00:22:52,092 --> 00:22:54,461
You're fired.

323
00:22:54,561 --> 00:22:57,998
-[Iris] Excuse me?
-We know who you are.

324
00:22:58,132 --> 00:23:00,000
[Iris] Yeah? Who am I?

325
00:23:02,736 --> 00:23:04,605
That's my day job.

326
00:23:04,738 --> 00:23:06,707
We also know that
you've been recording

327
00:23:06,807 --> 00:23:09,910
identifiable client information
without consent.

328
00:23:12,012 --> 00:23:14,481
[Iris] Look, I think there's
been a misunderstanding.

329
00:23:14,615 --> 00:23:17,484
Client privacy is
to be protected at all times.

330
00:23:17,584 --> 00:23:20,888
The V doesn't fuck around.

331
00:23:21,021 --> 00:23:23,090
If this is about the notes
that I took,

332
00:23:23,423 --> 00:23:24,758
please let me explain.

333
00:23:24,892 --> 00:23:27,661
You used an undisclosed
recording device

334
00:23:27,761 --> 00:23:29,496
with the clients we provided.

335
00:23:29,630 --> 00:23:31,131
I did, yes,

336
00:23:31,465 --> 00:23:35,135
but I only did it
to improve their experience.

337
00:23:35,469 --> 00:23:39,173
Should said information
ever leak or be made public,

338
00:23:39,506 --> 00:23:42,209
should you ever use it
for your own financial gain

339
00:23:42,543 --> 00:23:44,678
or attempt at extortion,

340
00:23:44,812 --> 00:23:47,114
we will come after you.

341
00:23:47,447 --> 00:23:49,950
The photograph
I just showed you,

342
00:23:50,083 --> 00:23:52,653
we have other images.

343
00:23:52,786 --> 00:23:54,221
We'll make sure
it's the last memory

344
00:23:54,521 --> 00:23:56,089
your father ever has of you.

345
00:23:58,659 --> 00:24:00,794
Your account will be suspended.

346
00:24:00,928 --> 00:24:03,797
All monies owed
will remain with the agency.

347
00:24:03,931 --> 00:24:05,566
Hey, hold on.
Where did you--

348
00:24:05,699 --> 00:24:08,235
where--wait!

349
00:24:08,535 --> 00:24:09,469
[recruiter] Goodbye.

350
00:24:09,570 --> 00:24:10,938
Hey, talk to me.

351
00:24:11,071 --> 00:24:13,574
Hey! Hey, you fucking VR!

352
00:24:15,475 --> 00:24:18,111
[breathing heavily]

353
00:24:18,245 --> 00:24:23,150
♪