Why is PADRE doing this?
To ensure what he's built endures.
I am the only one who could save his life.
Get them out of here.
♪
We are PADRE.
All these people lost their children to PADRE.
Fight alongside us.
What's this? King County.
What does it mean?
Some kind of graffiti.
- Who are you? - I'm your mother.
- How'd they find us? - At least we got to see.
[Birds chirping]
[Walkers growling]
[Soft thudding]
Sorry it took me so long.
[Growling and thudding continue]
♪
[Growling and thudding grows louder]
♪
I'm here!
♪
[Growling and thudding continue]
Duane?
♪
[Shouting echoing]
Ohh...
No. No.
[Growling and thudding continue]
♪
No!
♪
[Insects buzzing]
Hey!
I cando it.
I can kill you. [Grunts]
And you.
I can kill all of you!
[Walkers growling]
♪
[Growling stops]
♪
[Groans]
♪
I'm sorry, Duane.
Duane, I can't do it.
♪
I don't know why I can't do it!
♪
[Birds chirping]
[Engine revs in distance]
♪
You're a long way from home.
♪
Whoa! It's me! It's me!
What the hell are you doing here?
How did you find me?
You asked me to come.
No, I did not.
I was working at the repeater station and you sent me an SOS.
It was coded like we talked about.
Nobody knew I was coming here.
You sure?
Unless somebody followed me, yes, I am sure.
And you know better than to listen to that.
I could've been a walker. I could've --It doesn't matter.
What the hell is that smell?
Yeah, uh...
Walkers feeding on skunks, and I, uh...
Yeah, well, we need to get you cleaned up.
What are you doing so far inland?
Morgan?
♪
Wait, wait, wait!
It's just me.
Why the hell are you two here?
You know you're just gonna get yourselves killed.
Yeah, by you if you get any closer.
What are you doing here?
You get the same message that Grace did?
No.
I'm the one who sent it.
Madison told me you were going to take care of something important.
Madison. You saw her?
Is she okay?
She got away. Good.
I didn't tell Madison where I was headed.
You didn't have to.
The graffiti on the boat -- King County.
I knew it meant something by the way you told me it didn't.
Well, you are so much smarter than you got any right to be.
[Grace chuckles]
Does this have something to do with Jenny and Duane?
Their names were on the wall, too.
You shouldn't be here.
Who are they?
You need to take her away from here.
It's his wife and son.
Is that why you're here?
I came here --
I came to put my boy to rest.
You mean he's...Walking around.
Still.
How'd you fake that message? "Dock of the Bay."
How'd you know about our code?
I knew that song meant something to you and Mom.
Is it okay if I call you that?
Of course.
I thought if I put it at the end of the message,
she'd think it was you.
If I told you the truth,
I didn't think you'd bring me here.
Is this what it feels like?
What feels like?
Getting in trouble with your parents?
You know, we're not the ones you need to worry about.
How'd you get away from PADRE?
Madison's friend Daniel. He helped me.
Daniel's still alive?
He's found other parents who lost their kids.
He's building an army to take PADRE down.
We can help him do that.
Yeah, we...
We can, but first I gotta do what I come here to do.
Duane.
Where is he?
We were looking for food.
Man, we were always looking for food,
and I went down into the basement
and told him to stay in the kitchen and...
I don't know. Maybe the door was ajar.
The front door, because when I came out, there she was.
His mother, standing right opposite him,
but she wasn't his mother anymore.
Before I could even get my gun up, Jenny was on top of him.
I finally did what I should have done weeks before.
I, uh -- I-I-I fired.
But it was too late.
I'm so sorry, Morgan.
There was just blood.
God, the blood and the teeth and -- and...
♪
I don't know.
I just ran.
You know, I ran like I didn't know what else to do.
♪
Ran and left him here.
♪
Left my boy to become one of them.
♪
Mo: Where'd you go?
I don't know.
♪
It's a blur.
It just comes back to me in pieces. It's...
All I know is I started killing anything
that moved in front of me.
Whether it was alive or dead, I killed it.
♪
You sure you're up for this?
Yeah.
I just think that maybe I should go in there by myself.
We wanna come.
[Sniffs]
What?
You really need some new clothes.
[Grace chuckles]
Yeah.
But we're still here, which should tell you
we're not letting you go in there by yourself.
♪
[Flare explodes]
- Were you followed? - No, I was careful.
Let's get out of here. Let's go. Come on.
♪
[Horse neighs]
Over there.
Okay. Come on.
[Horse neighs]
Stop. Behind there.
♪
Back up.
♪
There's nowhere to go, Morgan!
Okay.
I need you to stay here.
He called you Morgan. You know Red Kite?
I'm the reason he's at PADRE.
Stay here.
♪
Down...
What are you doing here? How'd you find me?
We're here to take you back.
We heard the message you sent Grace.
That message was coded.
Coordinates and "Dock of the Bay," Morgan?
You really think we wouldn't figure that out?
Come on.
You don't really want to take me back, do you?
This isn't up for debate, Morgan.
[Sniffs] What the hell is that?
It's just a skunk. I -- Look. Please --
He's going on the back of yourhorse.
PADRE's got your son, doesn't he?
He's using him against you.
Damn right he is.
And we bring you back, he's giving Finch and us
freedom to go wherever we want.You can't believe that.
We'll take our chances. Alright?
We know what'll happen to Finch if we don'tbring you back.
Worse than what's already happened.
You sold us out seven years ago to rescue your kid.
We're just returning the favor.
[Walker growling]
No! Hey, hey, hey!
[Growling stops]
[Body thuds]
♪
Ah...
You brought them?
Technically, we came without his permission.
Voice on radio: Red Kite, come in.
What do we do now?
Dude, you know what we have to do.
Well, we turn her in to PADRE, PADRE's gonna hurt her.
Yeah, well, we won't see ourkid if we don't.
Red Kite, are you there? Do you need assistance?
Alright. I may have an idea. Okay?
Look, you take off with Grace and Mo right now.
Okay? We'll find some walkers that look like y'all
and we'll mess up their faces like we did
when Al and I ran from Ginny.
That's not gonna work.It worked with Virginia.
We got lucky with Virginia.
If it doesn't work this time,
that's your kid's life on the line.
He's right, D. We've got way too much to lose right now.
What, you want Finch to know we traded in some kid to PADRE
to buy his freedom?
[Sighs]
Look, we have two guards babysitting us.
Okay? We rode ahead to sweep the town.
So if I were you, I'd make your decision
right now before they catch up.
Red Kite, we're approaching. What's your status?
There is something I have to do first.
[Clears throat]God.
[Sniffs]
Morgan. Let it go.
I can't. I'm sorry. I can't.
So...
Run. Go.
- Hey! Stop! - I'm gonna...
Alright. Cut 'em off at the entrance!
♪
[Walkers growling]
♪
There are more of them coming.
Over here. Come on.
♪
[Growling in distance]
It's clear.
[Growling in distance]
It's gonna be getting dark soon.
Kitchen's through here.
In the cupboards, there may be oil lamps.
Extra oil in the lowers.
And, Grace, up on the second-floor front bedroom,
there may be a rifle.
If there is, under the bed,
there'll be extra ammo in a shoebox.
Morgan --We're gonna need that rifle.
Walkers are gonna find us before Dwight and Sherry do.
[Sighs]
I'm not going anywhere until you tell me
how you know where everything is in this house.
I used to live here with Duane before he died.
Are you sure being here is a good idea?
♪
You got a better one?
♪
[Walkers growling in distance]
Did it get rid of the smell?
I think it just masks it.
How'd you know that'd work?
When Duane was little, he had a dog named Midge.
Used to follow him everywhere
and bark at everybody else.
One time, she got too close to the wrong end of a skunk.
She smelled worse than me.
But she had to be where Duane was at.
So he's crying. She's stinking.
Me and Jenny damn near lost our minds.
So you gave her a bath in tomato soup? Yup.
Made her smell like a mix between wet dog and bad ketchup.
Why do you think there's all these cans still left?
Even when we hadn't eaten in days,
Duane wouldn't touch the stuff.
Was it nice?
What, the soup?
How things used to be.
I would say it wasn't bad.
Do you think it'll ever be like that again?
I think if we do things right...
we might have the chance to make it even better.
Give everybody that second chance that they deserve.
I'm sorry what I said to you before.
When I said me and Grace were not your parents.
I know what you were trying to do.
Because we are.
In every way that matters, we are.
I know.
It's just Isaac and Rachel, they're your parents, too.
And they sacrificed their lives so that you would survive.
[Growling grows louder]
[Thudding]
Go upstairs, Mo. Go.
There's too many out there. We can't stay here, Morgan.
The walkers, they're gonna lead Dwight and Sherry here.
Yeah. They'll head off, soon.
When they do, I want you to take Mo
as far north as your truck will get her.
Where are yougoing?I gotta take care of Duane.
Then I will catch up to you,
and we can regroup with Madison and Daniel.
You have to come with us now.
I need to put my boy to rest.
You just told Mo you wanted a second chance.
This might be the only one you get.
I need to do this.
This is exactly what I was doing when we first met.
No. You were burying your co-workers.
I was risking my life for people who were already dead.
This is my son.
And it's Mo's life!
We could have gotten away when Dwight and Sherry gave us the out.
That wouldn't have worked.You don't know that.
I gotta do this.
Only way I can be sure I can give that girl what she needs.
Why?I need to know that I won't let her down.
You are so scared of the past repeating itself
that you don't even realize that you're the one
who's making it happen.
And now we're trapped in this house
that you and Duane lived because you brought us here.
Dwight: We know you're in there, Morgan.
Look out the window.
Mo.
Upstairs, please.
♪
[Walkers growling]
Be smart about this, Morgan.
This isn't then.
Whatever happened in this house with Duane,
it doesn't have to happen with us.
♪
I'm listening.
We're trying to make this easy on you.
You're the one that's making it hard.
Don't forget that.
Don't need to make it any harder.
Maybe we can still make that deal.
No, I think it's too late for that.
We're waiting, Morgan.
Man, you can keep waiting, 'cause those walkers out there,
they're a bigger problem for you than they are us.
[Walkers growling]
Morgan.
You said you had to take care of something.
Maybe we can help.
PADRE thinks you came out here for a reason.
Weapons, more soldiers to plan an attack.
It's not like that.
Okay, then tell us what it's like.
It's my boy. My son.
He died here. He's in one of the houses close by.
I came back to bury him.
[Walkers growling]
I'm sorry, Morgan, but we have our son to think about, too.
Let's get it done. Do it.
[Horse neighs]
[Flares whizzing]
The house won't hold when it's surrounded
by every walker within 10 miles.
Mo: Dad!
♪
Did you do this?
Morgan: I don't remember. I don't know.
♪
I don't remember ever coming back here after Duane died.
- Morgan. - It's okay.
I'm okay.
[Walkers growling]
Jenny was always outside.
She would wander back here most nights.
I don't know if it's 'cause she heard us in here
or she could smell us, but I would --
I'd sit and wait.
I wanted to put her to rest, didn't want Duane
to have to see his mother like that.
A man named Rick Grimes gave me this rifle
to do right by her, and I...never could.
I don't know. I must have...
come back here after Duane died.
Why'd you write all this?
So, things, um...
they went wrong for me for a long time after.
What does "clear" mean?
Clear? It --
It's when I was killing them, when I was --
when I was killing anything and anyone
who came anywhere near me.
[Thud]
♪
I like it when you smile.
Yeah, me too.
I remember the first time I saw you smile.
It was on the carousel.
♪
What have we been doing these last seven years?
We've been doing what -- what we thought we had to.
♪
Did you guys ever see each other?
Now and then.
If PADRE knew what we mean to each other...
He would have used it against you.
Yeah.
♪
I'm sorry we wasted all that time, Morgan.
[Flares whizzing]
Dwight: Maybe this'll hurry you up.
[Walkers growling]
♪
What is it?
They're trying to burn us out.
Here. We'll save you the bullet.
This one's a courtesy kill.
But the next one we light on fire keeps walking.
Dwight, come on. I got Mo in here with me.
You're gonna get her killed.
No.You will.
You got five minutes to turn yourself over...
or I'm sending one up on that porch.
We'll be waiting, Morgan.
I should've taken that deal from before.
I put you and Mo in danger.
Mo: You made the right choice, Dad.
We just can't abandon Daniel and Madison.
We have to get back to my truck.
You can stop the walkers before they get to the house.
You can make a path so we can get to the truck.
You just have to "clear" for us.
No. It is not that simple.
This is your second chance, Dad.
Grace: Maybe this is what you need to show yourself
that things can be different.
That's Sherry and Dwight out there.
We can get by them.
PADRE will hurt their son.
Not if we can help Daniel take the island first.
She's right, Morgan.
Rick -- he gave you this gun for a reason.
Use it.
[Walkers growling]
Aim for the ones in the center.
I'll take care of the ones to the side.
You stay behind me.
We get through the scrum, walkers will follow
and make it hard for Dwight and Sherry to get close.
I'm gonna cover you, but when I say, you take a hard right
and you do not stop until we are at the truck, okay?
You can do this. I know you can.
[Rifle cocks]We're about to find out.
I meant what I said before.
I am so sorry we wasted so much time.
♪
Me too.
What was that for?
You've never seen anybody kiss before.
And I don't need to again.
♪
Can we just start killing the Carrion, please?
Come on.
♪
Ready?
[Gunshot]
[Walkers growling]
♪
[Grunts]
♪
In the house! Now!
♪
Morgan. He's on fire!
Morgan!
♪
[Gunshot]
[Horse neighs]
There's nowhere to go.
PADRE wants answers. Why are you really here, Morgan?
I told you already. I'm here for my boy.
Alright. Show us. It's the only way PADRE's gonna believe you.
It's alright.
After you see I'm telling the truth,
you can take me back to PADRE if you have to,
but promise me you'll get Mo out of that house.
It's surrounded by walkers.
We'll make sure she's okay.
♪
[Walker growling]
♪
Dwight: Morgan.
♪
Let me be the one to do it.
Please.
Not gonna try anything, are you?
Promise I won't.
Hey, hey, hey. No.
He's fine.
♪
Ready?
Let's go.
It's not him. It's not him.
Duane?! Duane?
Where is he?
Duane?
Duane!It's o-- It's okay.
Hey. Easy, easy, Morgan.Morgan, it's okay.
No, he's -- he's -- he's he's got -- got to be here.
He has got to be here!
Morgan. Morgan. He's not here.
He has to be!Hey, hey.
Duane!He must have --
Duane!
He must have gotten out. Morgan.
I wait-- I waited too long.
I...
I waited too long.
It's okay, Morgan. It's okay.
It's not okay.
I waited too long. I...
I couldn't put him to rest back then,
and I-I can't put him to rest now.
I brought you here for nothing.
You and Mo, I put you in danger for nothing!
I couldn't...Guard: On your feet.
Shrike wants answers.
Why did you really come here?
He told you. For his son.
Bullshit! Grace.
Does it look like he's faking it?!
He was lying. His kid's not here.
If he won't tell you why he's there, kill him.
[Gun cocks]
No. No. Morgan. Morgan.
You heard her. Why are you here?
Morgan, you need to listen to me.
You need to tell them about Duane.
Last chance.
Why were you here?
Alright. Just give him a minute, okay?
Morgan, please. Please listen to me, Morgan.
They will kill you if you don't tell them what happened here.
You know it's already over.
No. No.
So if you're gonna do it...
Grace: N-- No.
...do it.
Grace: No. No! Morgan!
No! Morgan! No!
Sherry: Grace.No! Morgan, no!
Grace: No!
Morgan: You shouldn't have done that.
I'm not just gonna stand here
and watch you get killed in cold blood, Morgan.
You're not the only one trying to escape your past.
What PADRE's doing -- you know, making us do,
it's like living at the Sanctuary all over again.
Your boy's gonna end up just like mine.
And I can't have that on me. I can't.
Shrike: PADRE Three.
PADRE's gonna kill him.
Report. Now.
Not if we have something to do with it.
PADRE Three, answer.
Dwight: This is Red Kite.
Let me talk to Oriole.
Uh, Oriole can't talk right now.
Why not? Where is he?
You can talk to him after I talk to my son.
I want to know he's okay.
Go ahead.
Talk to him.
♪
Hello?
Hey, bud.
How are you feeling?
Finch: I think the treatment worked.
You're gonna be alright.What's going on?
Hey, you remember that thing that I --
I taught you in class before you got sick?
The Chimney Sweep?
Do it now.
Did it work?
Yeah, she's out. Now what? They're going to find her.
Look, there is a morning supply boat
that leaves in 20 minutes.
I want you to sneak on board, and we're --
we're gonna meet you on the dock when you land.
Can you do that?
I think so.
We know you can. Okay?
Look. It's not safe to talk on here anymore.
We'll meet you on the mainland, alright?
Okay.
Alright. We need to start riding now if we're gonna
make it there before the boat hits the dock.
Yeah.
Hey, Morgan, um...
Look. Whatever happened here...
just know that you have a chance
to make things different with Mo.
Don't forget that. We'll see ya.
Grace: Mo?
[Radio crackles]
Mo?
Mo, can you hear me?
We're on our way to drive the walkers away.
Mo: Hurry, Mom!
You get away from that door. You hear me?
We'll be there.
Come on, Morgan.Morgan: No, you should go.
You're her best shot.No, I'm not, Morgan.
You saw what happened to me outside that house.
You have to do it. You have to put it behind you.
I can't. Neither can I!
What are you talking about?
There's a reason why I didn't want you to hear
what I was listening to in the truck.
What?
The book.
I was playing it at double speed.
The radiation's caught up with me.
Morgan, I can feel it.
You were wrong before.
No.
This time it's different.
♪
I'm sick, Morgan.
♪
I know this isn't what you want to hear,
especially now, but you have got to get her out of that house.
How long have you known?A few months.
♪
I was starting to feel sick, so I went to go find a hospital,
and I did a scan.
I'm paying the price for chasing the dead, Morgan,
and I don't want you to do the same.
You can't do the same!I'm gonna get to her.
And then you, me, and Mo --
we're gonna spend some time together.
Okay.
Mo, can you hear me?
Mo: One of the flares. Caught the house on fire.
It's spreadi--
Mo?
Listen, baby. I'm coming for you.
[Walkers growling]
Dad, I'm upstairs! I can't get out!
Get to the attic, Mo! I'm on my way to you!
♪
[Coughing]
♪
[Thud]Who's there?
♪
[Grunts]
♪
[Grunts]
[Walker growling]
♪
You're not her.
[Walker growling]
You are not her!
[Grunts]
Duane?
♪
None of you are her!
On my way!
♪
Mo, are you here?!
Dad! I'm trapped!
Dad!
I'm stuck!
I brought him here?
Dad, help me!
[Walker growling]
[Grunts]
Mo: Help me, Dad!
[Grunts]
Dad! Please!
Do it, Dad! Please!
Please! You can do it! I know you can!
Help!
Daddy, Daddy!
[Gunshot]
♪
You okay? Hey. You okay?
It's okay. Gonna be okay.
You did it.
Let's get out of here.
♪
There are a few things I have to take care of.
But I'll be back. I promise.
And I won't take 10 years to make good on that.
♪
It's okay, Morgan.
It's over.
You didn't let it happen again. And that's what matters.
We help Madison and Daniel with PADRE.
We reunite every child who's still got a parent out there.
We do what we said we were gonna --
spend as much time together as we can.
You once told me...
that no matter what --
no matter what was coming, I had to live.
So that's what we're gonna do.
When do we tell her?
Well, she's only just got us all back together.
Let's not take that away from her just yet, huh?
Dad.
You need something to help you remember
what they were like before.
[Growling]Help me! Help!
[Mo screaming]
Dad!
[Growling stops]
Come here. Come here. You okay?
You didn't get bit?No, I'm fine.
I didn't get bit.
But I think he may have been skunked, too.Yeah.
We should forget about the, uh, photo album
and look for cans of tomato soup for you.
Yeah. Morgan...
♪
He should've gotten off by now.
Hey. He'll be here.
[Wood creaks]Hey!
Oh.
Look. We gotta get out of here before they spot us.
Don't sneak up on us like that.
Whoa! Do you think they saw us?
I don't know.
♪
Man: Hey! Who are you?
[Man grunts]
- What the hell's going on? - You alright?
I'm gonna need your help with Grace. She got bit.
The treatment that June has been using on your boy.
Is it working?
Yeah. Yeah. He's doing okay.
Then we gotta get Grace to June.
It's her only chance.Let's go.
♪
Hey. You hang on. Hang on.
June's gonna be able to fix this.
- You don't know that. - Hey.
No matter what's coming, we have to live.
Right?Hm.
Yeah.
I promise.
♪
I promise.
♪
They're getting closer.
I'm pushing her all I can!
[ Silenced gunshot ]
It's gonna be okay.
June has a way of treating bites.
She has to get to the train car.
There's no way Padre's leaving it unguarded.
Why do you think I put it on wheels in the first place?
[Groans]
Those are the tracks it was on.
We are getting closer.
Come on, my way.
Don't you try and stop me!
♪
Hey!
- I think the thing that made it so easy
to kind of return to King County and to return to that house
that we saw in the pilot of "The Walking Dead,"
this location, these sets where the entire kind of
"Walking Dead" universe began,
was the fact that kind of Morgan, at his core
as a character, was defined by what happened in that house,
by what didn'thappen in that house.
- And we were always looking for food.
And I went down into the basement
and told them to stay in the kitchen.
And I don't know -- maybe the door was ajar.
The front door, because when I came up,
there she was.
His mother standing right opposite him,
but she wasn't his mother anymore.
I'm so sorry, Morgan.
I just ran.
Ran and left them here.
- Those sets that were used in the "Walking Dead" pilot
had long been dismantled, so we were very lucky
that we got such an amazing production team
that we could actually build the exterior of that yellow house.
And then we re-created the interior using all the plans
and all the set photographs that we had.
It looks exactly like the house
that Morgan Jones and Rick Grimes
were in at the very start of this whole entire universe.
- Man named Rick Grimes gave me this rifle
to do right by her, and I...never could.
- Morgan has had an incredibly complicated journey
from where he started on "The Walking Dead"
to where we have found him on "Fear."
He's petrified that he's not going to be able to protect Mo,
his daughter, the way he wasn't able to protect his son.
He's still punishing himself
for what happened with Duane way back
when we first met him on "The Walking Dead."
I'm on my way!
[Growling]
- Mo, you here? - Dad! I'm trapped!
I brought him here?
Dad, help me!
Help me, Dad!
[Grunts]
Dad, please!
Help!
Daddy, daddy!
[Fire crackling]
♪
- The scene where Morgan buries Jenny and Duane
was one that we talked about a lot.
And I think what was really important to us
was feeling like Morgan had done what he came there to do,
was he sort of put these ghosts of his past to rest
and he was ready to move on.
You once told me...
that no matter what --
no matter what was coming, I had to live.
So that's what we're going to do.
And then just the final blow.
Help me! Help!
[Screams]
Dad!
- Morgan said some words, and that was,
"I lose people, I lose myself."
You okay? You didn't get bit?
No, I'm fine. I didn't get bit.
- That's a real window into Morgan's soul.
So the real pivot point is,
is Morgan going to be able to overcome this mistaken belief
that every time he loses someone,
he's going to lose himself?
And if that is the case,
Morgan's probably not going to survive.
Hang on. Hang on.
June's gonna be able to fix this.
You don't know that.
- Hey, no matter what's coming, we have to live.
Right?Yeah.
♪