1
00:00:01,968 --> 00:00:04,771
>> A NEW STUDY CLAIMS THAT
STONED CALIFORNIA SENIORS ARE
2
00:00:04,838 --> 00:00:06,973
HEADING TO THE E.R. BY THE
THOUSANDS.
3
00:00:07,040 --> 00:00:21,921
THE DOCTOR WHO PUBLISHED THE
REPORTS SAYS:
4
00:00:21,988 --> 00:00:25,458
THE DOCTOR WHO PUBLISHED THE
REPORTS SAYS:
5
00:00:25,525 --> 00:00:40,407
( SUNG TO THE TUNE OF THE THEME
6
00:00:40,473 --> 00:01:05,565
( SUNG TO THE TUNE OF THE THEME
7
00:01:05,632 --> 00:01:11,104
>> Announcer: IT'S "THE LATE
SHOW WITH STEPHEN COLBERT."
8
00:01:11,171 --> 00:01:15,108
TONIGHT: DOC OF SHAME
9
00:01:15,175 --> 00:01:22,048
PLUS, STEPHEN WELCOMES:
DANIEL GURIRA, JEREMY POPE,
10
00:01:22,115 --> 00:01:26,186
AND MUSICAL GUEST INGRID
ANDRESS.
11
00:01:26,252 --> 00:01:28,354
FEATURING LOUIS CATO AND THE
12
00:01:28,421 --> 00:01:32,459
LATE SHOW BAND.
AND NOW, LIVE ON TAPE FROM THE
13
00:01:32,525 --> 00:01:36,463
ED SULLIVAN THEATER IN NEW YORK
CITY, IT'S STEPHEN COLBERT!
14
00:01:36,529 --> 00:01:44,404
>> Stephen: HEY!
15
00:01:44,471 --> 00:01:59,185
OH, MAN!
>> Louis: THAT SWAG IN YOUR
16
00:01:59,252 --> 00:02:00,820
STEP.
>> Stephen: NICE TO SEE YOU.
17
00:02:00,887 --> 00:02:05,592
HELLO, HELLO, HELLO.
>> Audience: STEPHEN!
18
00:02:05,658 --> 00:02:06,826
STEPHEN!
>> Stephen: WELCOME, ONE AND
19
00:02:06,893 --> 00:02:10,096
ALL.
THANK YOU VERY MUCH.
20
00:02:10,163 --> 00:02:17,871
WELCOME TO "THE LATE SHOW."
I AM YOUR HOST, STEPHEN COLBERT.
21
00:02:17,937 --> 00:02:22,208
YOU KNOW, FOLKS, WE MADE A BUNCH
OF JOKES FOR THE FOUR YEARS THAT
22
00:02:22,275 --> 00:02:23,476
THE PREVIOUS BILLIONAIRE
PRESIDENT RULED WITH MALICIOUS
23
00:02:23,543 --> 00:02:28,414
INTENT AND EXPLOITED OUR
DEMOCRACY TO PAY FOR THE GOLD
24
00:02:28,481 --> 00:02:33,419
PLATING ON HIS TOILETS.
AND THAT WAS FUN.
25
00:02:33,486 --> 00:02:35,922
BUT I GOTTA SAY, I FEEL MUCH
SAFER IN THE HANDS OF THIS
26
00:02:35,989 --> 00:02:42,161
PRESIDENT, WHO'S JUST A REGULAR
OLD JOE SIX-GAFFE.
27
00:02:42,228 --> 00:02:46,165
( LAUGHTER )
PILING UP.
28
00:02:46,232 --> 00:02:48,234
FOR INSTANCE, LAST NIGHT, WE
LEARNED THAT BIDEN AIDES HAVE
29
00:02:48,301 --> 00:02:49,736
FOUND A SECOND BATCH OF
CLASSIFIED DOCUMENTS AT A NEW
30
00:02:49,802 --> 00:02:51,938
LOCATION.
NO!
31
00:02:52,005 --> 00:02:58,278
SAY IT AIN'T SO, JOE!
I KNOW YOU'RE RETIREMENT AGE.
32
00:02:58,344 --> 00:03:01,948
ARE YOU STARTING A COLLECTION?
THEY'RE CLASSIFIED DOCUMENTS,
33
00:03:02,015 --> 00:03:04,584
NOT SPOONS FROM THE DELAWARE
TRAIN MUSEUM!
34
00:03:04,651 --> 00:03:08,288
( LAUGHTER )
( APPLAUSE )
35
00:03:08,354 --> 00:03:13,159
INDISCRETION.
TOMORROW.
36
00:03:13,226 --> 00:03:15,161
TOMORROW.
DEFENDERS OF THE PRESIDENT ARE
37
00:03:15,228 --> 00:03:20,066
SAYING THIS WAS AN HONEST
MISTAKE, HIS TEAM HAS BEEN
38
00:03:20,133 --> 00:03:21,701
COOPERATIVE, PLUS LAWYERS SAY
IT HAPPENS ALL THE TIME.
39
00:03:21,768 --> 00:03:22,502
GOOD TO KNOW.
COUNTERPOINT: MAYBE IT
40
00:03:22,569 --> 00:03:27,040
SHOULDN'T.
( LAUGHTER )
41
00:03:27,106 --> 00:03:30,743
HAVE THE TECHNOLOGY-- MAYBE WHEN
YOU CHECK OUT A DOCUMENT,
42
00:03:30,810 --> 00:03:37,183
THERE'S SOME KIND OF CARD THAT
pGETS STAMPED, AND THEN IF YOU
43
00:03:37,250 --> 00:03:39,018
DON'T RETURN THE DOCUMENT ON
TIME, THERE'S AN OVERDUE
44
00:03:39,085 --> 00:03:42,455
DOCUMENT FEE THAT YOU HAVE TO
PAY, OR YOU'RE NOT ALLOWED TO
45
00:03:42,522 --> 00:03:44,424
CHECK OUT THE NEXT EXCITING
VOLUME OF "NANCY DREW AND THE
46
00:03:44,490 --> 00:03:48,094
STATUS OF IRAN'S NUCLEAR
PROGRAM."
47
00:03:48,161 --> 00:03:50,630
AFTER--
( CHEERS AND APPLAUSE )
48
00:03:50,697 --> 00:03:55,101
THANK YOU.
I'M JUST SAYIN'.
49
00:03:55,168 --> 00:03:57,937
AFTER THE FIRST CLASSIFIED
DOCUMENTS WERE FOUND LAST
50
00:03:58,004 --> 00:04:01,808
NOVEMBER, BIDEN'S TEAM STARTED A
THOROUGH SWEEP, AND THIS TIME,
51
00:04:01,874 --> 00:04:04,377
THEY UNCOVERED A SECOND BATCH
IN A STORAGE AREA IN BIDEN'S
52
00:04:04,444 --> 00:04:07,714
GARAGE.
KUDOS TO HIS TEAM FOR BEING ABLE
53
00:04:07,780 --> 00:04:13,820
TO FIND ANYTHING IN AN OLD MAN'S
GARAGE.
54
00:04:13,886 --> 00:04:17,090
"WRKTS HOs OOs!
OKAY, OKAY.
55
00:04:17,156 --> 00:04:18,791
OKAY, WE'RE DONE WITH THE BOX
LABELED 'TAKE-OUT MENUS
56
00:04:18,858 --> 00:04:20,960
1985-1987.'
LET'S TAKE A BREAK, THEN START
57
00:04:21,027 --> 00:04:24,297
ON THOSE BABY FOOD JARS FULL OF
SCREWS."
58
00:04:24,364 --> 00:04:29,035
THIS MORNING-- A LITTLE GERBER
FULL OF TACKS.
59
00:04:29,102 --> 00:04:31,137
THIS MORNING, THE PRESIDENT
RESPONDED TO ACCUSATIONS THAT HE
60
00:04:31,204 --> 00:04:34,807
JUST LEFT THESE DOCUMENTS
SITTING AROUND NEXT TO HIS
61
00:04:34,874 --> 00:04:37,777
CORVETTE.
>> I'M GOING TO GET THE CHANCE
62
00:04:37,844 --> 00:04:40,380
TO SPEAK ON ALL OF THIS, GOD
WILLING, SOON.
63
00:04:40,446 --> 00:04:43,049
BUT AS I SAID EARLIER THIS
WEEK--AND, BY THE WAY, MY
64
00:04:43,116 --> 00:04:44,550
CORVETTE IS IN A LOCKED GARAGE,
OKAY?
65
00:04:44,617 --> 00:04:48,621
SO IT'S NOT LIKE THEY'RE SITTING
OUT ON THE STREET.
66
00:04:48,688 --> 00:04:52,959
>> Stephen: "COME ON, COME ON,
GUYAS, I JUST WANT YOU TO KNOW.
67
00:04:53,026 --> 00:04:55,128
FOR THE RECORD,
YOU THINK I'D LEAVE MY SWEET
68
00:04:55,194 --> 00:04:57,230
CHERRY 'VETTE OUT ON THE MAIN
DRAG WHERE SOME STREET TOUGHS
69
00:04:57,296 --> 00:04:58,798
COULD SCUFF IT UP WITH THEIR
SWITCHBLADES?
70
00:04:58,865 --> 00:05:01,534
NO SIREE, I KEEP THAT BABY
LOCKED UP TIGHT IN MY GARAGE.
71
00:05:01,601 --> 00:05:05,271
SUNDAY AFTERNOONS, I GO IN THERE
AND BUFF IT WITH A HANDFUL OF
72
00:05:05,338 --> 00:05:11,244
MISSILE MAPS."
THIS CONTINUING "COME ON, JACK."
73
00:05:11,310 --> 00:05:13,112
THIS CONTINUING GAME OF
WHACK-A-DOCS HAS CAUGHT THE
74
00:05:13,179 --> 00:05:16,449
ATTENTION OF ATTORNEY GENERAL
AND KEEBLER ELF WHO INVESTED HIS
75
00:05:16,516 --> 00:05:19,719
COOKIES INTO A HIGH-YIELD
SAVINGS ACCOUNT, MERRICK
76
00:05:19,786 --> 00:05:23,756
GARLAND.
YOU MAY REMEMBER LAST YEAR,
77
00:05:23,823 --> 00:05:25,992
GARLAND ASSIGNED A SPECIAL
PROSECUTOR TO LOOK INTO THE
78
00:05:26,059 --> 00:05:30,363
FORMER PRESIDENT'S MAR-A-LAGO
DOCUMENT STASH, AMONG OTHER
79
00:05:30,430 --> 00:05:32,465
THINGS.
WELL, TODAY, HE ANNOUNCED THE
80
00:05:32,532 --> 00:05:33,800
SEQUEL.
>> I'M HERE TO ANNOUNCE THE
81
00:05:33,866 --> 00:05:38,204
APPOINTMENT OF ROBERT HUR AS A
SPECIAL COUNSEL PURSUANT TO
82
00:05:38,271 --> 00:05:40,039
DEPARTMENT OF JUSTICE
REGULATIONS GOVERNING SUCH
83
00:05:40,106 --> 00:05:44,343
MATTERS.
>> Stephen: WELL, I GUESS HE HAD
84
00:05:44,410 --> 00:05:46,779
TO.
BUT THIS FEELS LIKE FLOSSING: "I
85
00:05:46,846 --> 00:05:49,682
KNOW IT'S THE RIGHT THING TO DO,
BUT IT'S MAKING ME SPIT BLOOD."
86
00:05:49,749 --> 00:05:54,353
SPECIFICALLY, WE'RE TALKING
ABOUT FORMER ATTORNEY ROBERT
87
00:05:54,420 --> 00:05:57,457
HUR.
WHO WAS APPOINTED BY THE
88
00:05:57,523 --> 00:05:59,625
PREVIOUS PRESIDENT.
WHICH EXPLAINS THE T-SHIRT HE
89
00:05:59,692 --> 00:06:11,904
WORE AT THE SWEARING-IN
CEREMONY.
90
00:06:11,971 --> 00:06:15,041
YOU KNOW WHO MIGHT ALSO BE
GETTING A SPECIAL COUNSEL SOON?
91
00:06:15,108 --> 00:06:21,614
NEWLY ELECTED CONGRESSMAN,
GEORGE SANTOS, SEEN HERE TALKING
92
00:06:21,681 --> 00:06:24,884
TO HIS DAD, BRUCE SPRINGSTEEN.
( LAUGHTER )
93
00:06:24,951 --> 00:06:28,888
I DIDN'T KNOW.
BRUCE MUST BE SO PROUD.
94
00:06:28,955 --> 00:06:30,923
YESTERDAY, "THE NEW YORK TIMES"
GOT A COPY OF THE RESUME SANTOS
95
00:06:30,990 --> 00:06:34,427
GAVE TO THE NASSAU COUNTY
REPUBLICAN PARTY AFTER THEY
96
00:06:34,494 --> 00:06:35,828
SENT HIM A STANDARD VETTING
QUESTIONNAIRE.
97
00:06:35,895 --> 00:06:38,564
THEY ASKED HIM THE STANDARD
QUESTIONS FOR ANY PROSPECTIVE
98
00:06:38,631 --> 00:06:41,033
G.O.P. CANDIDATE LIKE:
"WHAT IS YOUR WORK EXPERIENCE?"
99
00:06:41,100 --> 00:06:44,504
"WHERE DID YOU GO TO SCHOOL?"
AND "WHICH LADY M&M TURNS YOU ON
100
00:06:44,570 --> 00:06:50,977
THE MOST?"
( LAUGHTER )
101
00:06:51,043 --> 00:06:55,681
THE RESUME WAS FULL OF LIES, BUT
ONE JOB WE KNOW HE HAD FOR SURE
102
00:06:55,748 --> 00:06:59,685
WAS CON MAN, BECAUSE SANTOS
RECEIVED PAYMENTS FROM A COMPANY
103
00:06:59,752 --> 00:07:02,889
OUT THERE CALLED HARBOR CITY
CAPITAL THAT THE S.E.C. ACCUSED
104
00:07:02,955 --> 00:07:06,025
OF RUNNING A $17 MILLION PYRAMID
SCHEME.
105
00:07:06,092 --> 00:07:09,529
SANTOS INSISTS IT WAS NOT A SCAM
AND THAT HE IS, IN FACT, A
106
00:07:09,595 --> 00:07:13,232
PYRAMID.
( LAUGHTER )
107
00:07:13,299 --> 00:07:17,436
SANTOS--
>> Louis: JUST KEEPS COMING.
108
00:07:17,503 --> 00:07:21,140
>> Stephen: APPLAUD.
APPLAUSE FOR THAT JOKE.
109
00:07:21,207 --> 00:07:24,210
SEE THE MINUTE-BY-MINUTES ON
THAT ONE.
110
00:07:24,277 --> 00:07:28,247
SANTOS IS SUCH A LIAR THAT
YESTERDAY, THE LONG ISLAND
111
00:07:28,314 --> 00:07:31,250
G.O.P. THEMSELVES HELD A PRESS
CONFERENCE DEMANDING THAT HE
112
00:07:31,317 --> 00:07:33,186
RESIGN FORTHWITH.
BUT THIS MORNING, SANTOS SAID
113
00:07:33,252 --> 00:07:35,521
HE'S NOT BACKING DOWN.
>> I WILL NOT RESIGN.
114
00:07:35,588 --> 00:07:38,825
I WILL BE CONTINUING TO HOLD MY
OFFICE ELECTED BY THE PEOPLE.
115
00:07:38,891 --> 00:07:41,460
>> DO YOU FEEL YOU WILL BE ABLE
TO SERVE YOUR PEOPLE.
116
00:07:41,527 --> 00:07:47,366
>> Stephen: OKAY, LOOKS LIKE HE
TRIPPED THERE, BUT ACCORDING TO
117
00:07:47,433 --> 00:07:49,035
SANTOS, HE DIDN'T.
HE WAS JUST KICKING IN THE
118
00:07:49,101 --> 00:07:59,979
WINNING GOAL AT THE WORLD CUP.
( CHEERS AND APPLAUSE )
119
00:08:00,046 --> 00:08:06,052
SO SANTOS SAYS HE'S STAYING PUT.
THOUGH AS REPORTERS CONTINUED TO
120
00:08:06,118 --> 00:08:11,190
CHASE HIM AROUND THE CAPITOL, HE
SEEMED TO LEAVE AN OUT:
121
00:08:11,257 --> 00:08:14,260
>> WILL YOU RESIGN IF THE
VOTERS-- IF THE VOTERS CALL--
122
00:08:14,327 --> 00:08:17,530
>> IF 142 PEOPLE ASK FOR ME TO
RESIGN, I'LL RESIGN.
123
00:08:17,597 --> 00:08:19,198
>> Stephen: I'M GUESSING THAT
WHEN THAT DOOR CLOSED, HE
124
00:08:19,265 --> 00:08:22,001
PRESSED ALL THE BUTTONS AND
PRAYED FOR THE CABLE TO SNAP.
125
00:08:22,068 --> 00:08:25,204
( LAUGHTER )
AND THAT'S A WEIRDLY SPECIFIC
126
00:08:25,271 --> 00:08:30,710
NUMBER.
IF 142 PEOPLE ASKED HIM TO
127
00:08:30,776 --> 00:08:33,379
RESIGN, HE WOULD DO IT.
FOR THE RECORD, THE ED SULLIVAN
128
00:08:33,446 --> 00:08:44,190
HOLDS ABOUT 450 PEOPLE.
( CHEERS AND APPLAUSE ).
129
00:08:44,257 --> 00:08:52,798
AND I'M GONNA GUESS AT LEAST 142
OF THEM WOULD MAKE A BETTER
130
00:08:52,865 --> 00:08:59,972
CONGRESSMAN THAN GEORGE SANTOS.
( APPLAUSE )
131
00:09:00,039 --> 00:09:03,309
WEIRDLY SPECIFIC AMOUNT, SANTOS
TOLD A REPORTER HE MEANT THE
132
00:09:03,376 --> 00:09:07,914
"142,000 VOTERS WHO VOTED FOR
ME," CLAIMING THE ELEVATOR CUT
133
00:09:07,980 --> 00:09:10,983
THAT PART OFF.
NO, IT DIDN'T!
134
00:09:11,050 --> 00:09:14,854
HE KNOWSABOUT CAMERAS, RIGHT?
LET'S WATCH IT AGAIN.
135
00:09:14,921 --> 00:09:18,324
>> IF 142 PEOPLE ASK FOR ME TO
RESIGN, I'LL RESIGN.
136
00:09:18,391 --> 00:09:22,428
>> Stephen: THE NUMBER 142 WAS
IN THE MIDDLE OF THE SENTENCE!
137
00:09:22,495 --> 00:09:26,132
IF WE ARE TO BELIEVE GEORGE
SANTOS-- AND I DON'T REMEMBER
138
00:09:26,198 --> 00:09:30,269
IT-- WHAT HE WAS GOING TO SAY
WAS "IF 142 PEOPLE ASKED ME TO
139
00:09:30,336 --> 00:09:39,412
RESIGN, I'LL RESIGN...
THOUSAND.
140
00:09:39,478 --> 00:09:44,684
WE'VE GOT AN UPDATE ON WHAT
CAUSED YESTERDAY'S MASSIVE
141
00:09:44,750 --> 00:09:48,287
F.A.A. GLITCH THAT GROUNDED
NEARLY EVERY FLIGHT IN THE
142
00:09:48,354 --> 00:09:51,390
UNITED STATES.
DON'T WORRY, THE REASON IS
143
00:09:51,457 --> 00:09:53,592
VERY DUMB, BECAUSE THE SYSTEM
CRASHED WHEN AN ENGINEER
144
00:09:53,659 --> 00:09:58,297
ACCIDENTALLY "REPLACED ONE FILE
WITH ANOTHER."
145
00:09:58,364 --> 00:10:01,167
OH, MY GOD.
IF THAT'S ALL IT TAKES TO GROUND
146
00:10:01,233 --> 00:10:05,171
EVERY FLIGHT IN AMERICA, THE
COMPUTER SYSTEM IS WAY TOO
147
00:10:05,237 --> 00:10:08,307
SIMPLE.
FOR PETE'S SAKE, EVEN MY TOASTER
148
00:10:08,374 --> 00:10:16,148
HAS A "BAGEL" BUTTON!
SNEAK PEEK.
149
00:10:16,215 --> 00:10:18,584
A LITTLE MORE.
NOW, ONCE THE SYSTEM WENT DOWN,
150
00:10:18,651 --> 00:10:22,621
THE BACKUP KICKED IN, BUT THE
DATA WAS CORRUPTED AND WASN'T
151
00:10:22,688 --> 00:10:24,357
CONSIDERED RELIABLE.
THAT'S WHY YOU GOTTA HAVE
152
00:10:24,423 --> 00:10:29,228
BACKUPS FOR YOUR BACKUPS.
SAME RULE I USE WHEN PACKING
153
00:10:29,295 --> 00:10:31,097
UNDERWEAR FOR A VACATION.
"THREE NIGHTS?
154
00:10:31,163 --> 00:10:34,734
145 PAIRS."
( LAUGHTER )
155
00:10:34,800 --> 00:10:42,742
145 PAIRS, ONE SHIRT.
OH, THERE'S SALACIOUS NEWS FROM
156
00:10:42,808 --> 00:10:47,446
ACROSS THE POND.
YOU'LL RECALL THAT DURING THE
157
00:10:47,513 --> 00:10:49,281
BIG COVID LOCKDOWN, THE FORMER
BORIS JOHNSON AND HIS STAFF
158
00:10:49,348 --> 00:10:52,718
THREW PARTIES AT NUMBER 10
DOWNING STREET, WHICH IS THE
159
00:10:52,785 --> 00:10:55,221
WHITE HOUSE IN METRIC.
WELL, THE BRITISH PRESS JUST
160
00:10:55,287 --> 00:11:02,828
LEARNED THAT JOHNSON'S AIDES HAD
SEX AT A NUMBER 10 LOCKDOWN
161
00:11:02,895 --> 00:11:05,698
PARTY.
YES, THEY HAD SEX!
162
00:11:05,765 --> 00:11:09,668
OR AS IT'S KNOWN IN ENGLAND:
BANGERS AND MASH.
163
00:11:09,735 --> 00:11:15,875
( LAUGHTER )
BUT-- BUBBLE AND SQUEAK.
164
00:11:15,941 --> 00:11:18,878
BUT REST ASSURED, THEY FOLLOWED
COVID PROTOCOLS.
165
00:11:18,944 --> 00:11:23,582
THEY WERE SINGING HAPPY BIRTHDAY
THE WHOLE TIME.
166
00:11:23,649 --> 00:11:25,818
IN ONE CASE, WITNESSES AT A
PARTY SAY THEY SAW A COUPLE
167
00:11:25,885 --> 00:11:29,822
"FEELING EACH OTHER UP IN A
KITCHEN," MAKING IT THE FIRST
168
00:11:29,889 --> 00:11:33,192
TIME SOMETHING GOOD HAPPENED IN
A BRITISH KITCHEN.
169
00:11:33,259 --> 00:11:35,194
( LAUGHTER )
>> Louis: OH!
170
00:11:35,261 --> 00:11:37,329
>> Stephen: I'M SORRY, JAIME
OLIVER.
171
00:11:37,396 --> 00:11:39,932
I'M SORRY, GORDON RAMSEY.
AFTER THAT, THE PAIR WERE
172
00:11:39,999 --> 00:11:43,135
SPOTTED RETIRING TO A DARK ROOM
FROM WHICH THEY LATER EMERGED
173
00:11:43,202 --> 00:11:46,839
"FLUSTERED."
NOW "FLUSTERED" MAY NOT SEEM
174
00:11:46,906 --> 00:11:48,974
LIKE THE SEXIEST WORD, BUT IT'S
THE FIRST STEP IN ANY BRITISH
175
00:11:49,041 --> 00:11:54,647
EROTIC JOURNEY.
IT GOES "FLUSTERED," "CHUFFED,"
176
00:11:54,713 --> 00:11:59,718
"SPIT-SPOT," AND "COLIN FIRTH."
( LAUGHTER )
177
00:11:59,785 --> 00:12:00,920
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT!
178
00:12:00,986 --> 00:12:08,194
MY GUESTS ARE, FROM "BLACK
PANTHER: WAKANDA FOREVER," DANAI
179
00:12:08,260 --> 00:12:10,596
GURIRA, AND STAR OF "THE
INSPECTION," JEREMY POPE.
180
00:12:10,663 --> 00:12:13,866
BUT WHEN WE COME BACK,
IT'S "MEANWHILE!"
181
00:12:13,933 --> 00:12:17,403
STICK AROUND.
182
00:12:34,887 --> 00:12:45,197
♪ ♪ ♪
( APPLAUSE )
183
00:12:45,264 --> 00:12:48,367
>> Stephen: GIEF IT UP FOR
LOUIS CATO AND THE LATE SHOW
184
00:12:48,434 --> 00:12:56,075
BAND, EVERYBODY!
( APPLAUSE )
185
00:12:56,142 --> 00:12:58,944
>> Stephen: QUICK REMINDER,
EVERYBODY, QUICK REMINDER FOR
186
00:12:59,011 --> 00:13:02,715
THE PEOPLE OUT THERE WHO MAY
NOT-- MAY NOT REALIZE THAT I AM
187
00:13:02,781 --> 00:13:04,917
NOT THE MOST TALENTED PERSON ON
THE SHOW.
188
00:13:04,984 --> 00:13:08,587
THOSE PEOPLE OVER THERE ARE THE
MOST TALENTED PEOPLE ON THE
189
00:13:08,654 --> 00:13:10,723
SHOW.
>> Louis: I BEG TO DIFFER.
190
00:13:10,789 --> 00:13:16,262
>> Stephen: CO COMING UP THIS
WEEKEND, IS IT WINTER JAZZED
191
00:13:16,328 --> 00:13:19,298
FEST?
WHO ALL IS PERFORMING AT WINTER
192
00:13:19,365 --> 00:13:21,567
JAZZFEST?
>> MYSELF, LOUIS BOUCHER.
193
00:13:21,634 --> 00:13:23,936
>> Stephen: WHERE ARE YOU
GOING TO BE, LOUIS.
194
00:13:24,003 --> 00:13:28,207
>> Louis: I'LL BE AT THE
BROOKLYN BOWL.
195
00:13:28,274 --> 00:13:31,410
>> AND I'LL BE AT THE ZINC BAR.
>> Stephen: AND YOU WILL BE
196
00:13:31,477 --> 00:13:34,213
PLAYING WITH HER?
THAT'S FANTASTIC.
197
00:13:34,280 --> 00:13:39,151
TONIGHT, SO MUCH SHOW, WE HAVE
DANIA GURIRA TONIGHT FROM
198
00:13:39,218 --> 00:13:42,054
"WAKANDA FOREVER."
AND FROM THE NEW MOVIE "THE
199
00:13:42,121 --> 00:13:45,424
INSPECTION" JEREMY POPE IS GOING
TO BE HERE TONIGHT.
200
00:13:45,491 --> 00:13:53,065
FIRST, MY FRIENDS,s YOU KNOW,
IF YOU WATCH THE SHOW, YOU KNOW
201
00:13:53,132 --> 00:13:55,000
I SPEND MOST OF MY TIME, RIGHT
OVER THERE, CAREFULLY SELECTING
202
00:13:55,067 --> 00:13:56,535
THE DAY'S FINEST NEWS
BLOODLINES, LOOKING FOR A FLAT
203
00:13:56,602 --> 00:14:01,840
CROUP, HIGH WITHERS, AND
METALLIC SHEEN TO THE COAT,
204
00:14:01,907 --> 00:14:05,578
THEN PAIRING THEM TO PRODUCE THE
GOLDEN AKHALTEKE PUREBRED
205
00:14:05,644 --> 00:14:08,047
STALLION THAT IS MY MONOLOGUE.
BUT SOMETIMES, JUST SOMETIMES,
206
00:14:08,113 --> 00:14:12,484
FOLKS, I BREAK INTO AN ANIMAL
RESEARCH FACILITY, SHAKE UP
207
00:14:12,551 --> 00:14:14,520
EVERY D.N.A. SAMPLE I CAN FIND
IN A DISCARDED SOULCYCLE BLENDER
208
00:14:14,587 --> 00:14:16,956
BOTTLE, THEN INCUBATE THE
RESULTS BEHIND AN OLD RADIATOR
209
00:14:17,022 --> 00:14:22,561
TO BIRTH THE WHEEZING CAT-FACED
GIRAFF-IGATOR OF NEWS THAT IS MY
210
00:14:22,628 --> 00:14:28,667
SEGMENT:
>> MEANWHILE!
211
00:14:28,734 --> 00:14:34,173
( CHEERS AND APPLAUSE )
DIME IN A CUP AT 20 FOOT.
212
00:14:34,240 --> 00:14:40,446
A SHOT GLASS, MY FRIEND.
MEANWHILE, NEW YORK CITY'S "NO
213
00:14:40,512 --> 00:14:42,181
PANTS SUBWAY RIDE" HAS BEEN
CANCELED FOR A THIRD CONSECUTIVE
214
00:14:42,248 --> 00:14:45,651
YEAR.
( BOOING ).
215
00:14:45,718 --> 00:14:47,653
>> Stephen: I KNOW.
ALTHOUGH, EVIDENTLY, NOBODY TOLD
216
00:14:47,720 --> 00:14:58,697
THE DUDE SCREAMING QUOTES FROM
"JUMANJI" ON THE E-TRAIN.
217
00:14:58,764 --> 00:15:00,466
( LAUGHTER )
PEOPLE NOT TO POUR BAILEYS DOWN
218
00:15:00,532 --> 00:15:03,636
THE DRAIN.
OF COURSE NOT.
219
00:15:03,702 --> 00:15:07,706
THE ONLY APPROPRIATE PLACE
FOR BAILEYS IS INTO DADDY'S
220
00:15:07,773 --> 00:15:10,876
COFFEE, RIGHT THERE.
MMMM.
221
00:15:10,943 --> 00:15:15,714
MMMM.
MMMM.
222
00:15:15,781 --> 00:15:20,986
OOOH!
THICK ALCOHOL.
223
00:15:21,053 --> 00:15:25,958
THESE CREME-ALARMISTS SAY THAT
DUE TO ITS THICK CONSISTENCY,
224
00:15:26,025 --> 00:15:31,397
BAILEYS WILL COLLATE IN THE "U"
BEND UNDER THE SINK AND PREVENT
225
00:15:31,463 --> 00:15:34,667
LIQUID FROM PASSING THROUGH TO
THE EXTERNAL DRAINAGE.
226
00:15:34,733 --> 00:15:36,101
NOT THE MOST RINGING ENDORSEMENT
FOR SOMETHING YOU'RE SUPPOSED TO
227
00:15:36,168 --> 00:15:40,839
DRINK.
"WAITER, I'LL HAVE A GLASS OF
228
00:15:40,906 --> 00:15:43,242
YOUR FINEST WHATEVER WILL
COLLATE IN A U-BEND AND PREVENT
229
00:15:43,309 --> 00:15:47,313
LIQUID FROM PASSING THROUGH TO
MY EXTERNAL DRAIN ANNUAL, IF YOU
230
00:15:47,379 --> 00:15:51,350
KNOW WHAT I MEAN."
TO BE SAFE, THEY'RE RECOMMENDING
231
00:15:51,417 --> 00:15:52,651
PEOPLE POUR THEIR BAILEYS INTO
A SEALABLE CONTAINER AND DISPOSE
232
00:15:52,718 --> 00:15:56,989
OF IT IN THEIR GENERAL WASTE
BIN.
233
00:15:57,056 --> 00:15:58,390
EXPLAINS THEIR NEW SLOGAN:
"BAILEYS: JUST TREAT US LIKE
234
00:15:58,457 --> 00:16:02,161
CREAMY BATTERIES."
CAN
235
00:16:02,227 --> 00:16:11,270
( LAUGHTER )
MEANWHILE--
236
00:16:11,337 --> 00:16:13,539
( APPLAUSE )
DISCOVERED THAT, ALTHOUGH WE'VE
237
00:16:13,605 --> 00:16:17,309
EVOLVED AWAY FROM IT, "HUMANS
STILL HAVE GENES FOR A FULL COAT
238
00:16:17,376 --> 00:16:19,011
OF FUR."
RESEARCHERS MADE THE DISCOVERY
239
00:16:19,078 --> 00:16:22,381
BY STUDYING THIS PHOTO OF
EMMANUEL MACRON.
240
00:16:22,448 --> 00:16:30,322
( LAUGHTER )
PINT PRICES IN IRELAND.
241
00:16:30,389 --> 00:16:36,362
REACHED FOR COMMENT, THE IRISH
WERE INCOMPREHENSIBLE.
242
00:16:36,428 --> 00:16:40,466
( LAUGHTER )
HOW MUCH IS THE PRICE GOING TO
243
00:16:40,532 --> 00:16:41,900
GO UP?
ACCORDING TO THE BREWER, 12 EURO
244
00:16:41,967 --> 00:16:44,570
CENTS PER PINT.
AND THE VINTNERS FEDERATION OF
245
00:16:44,636 --> 00:16:45,938
IRELAND CALLED THE MOVE
"UNPRECEDENTEND."
246
00:16:46,004 --> 00:16:50,676
WOW.
AN UNPRECEDENTED PRICE HIKE ON
247
00:16:50,743 --> 00:16:53,312
GUINNESS OUGHT TO BE WRITTEN
DOWN IN SOME KIND OF ANNUAL
248
00:16:53,379 --> 00:16:58,016
"BOOK OF WORLD RECORDS."
( LAUGHTER )
249
00:16:58,083 --> 00:17:01,487
>> Louis: SEE WHAT YOU DID
THERE.
250
00:17:01,553 --> 00:17:04,356
SEE WHAT YOU DID THERE.
>> Stephen: THAT'S ALL RIGHT.
251
00:17:04,423 --> 00:17:07,659
I'M NOT GOING TO DRINK ANYMORE.
MEANWHILE, A NEW STUDY HAS SHOWN
252
00:17:07,726 --> 00:17:08,827
THAT WOMEN SCORE HIGHER FOR
EMPATHY THAN MEN IN MOST
253
00:17:08,894 --> 00:17:15,067
COUNTRIES.
( APPLAUSE )
254
00:17:15,134 --> 00:17:22,074
( LAUGHTER )
( LAUGHTER )
255
00:17:22,141 --> 00:17:28,213
WE'LL BE RIGHT BACK WITH STAR OF
"BLACK PANTHER: WAKANDA
256
00:17:28,280 --> 00:17:30,416
FOREVER," DANAI GURIRA.
257
00:17:45,798 --> 00:17:49,802
( APPLAUSE )
GENTLEMEN, WELCOME BACK, MY
258
00:17:49,868 --> 00:17:55,240
FRIENDS.
FOLKS, MY FIRST GUEST IS AN
259
00:17:55,307 --> 00:17:57,576
ACTRESS AND PLAYWRIGHT YOU KNOW
FROM "THE WALKING DEAD," "BLACK
260
00:17:57,643 --> 00:18:00,813
PANTHER," AND "AVENGERS:
INFINITY WAR."
261
00:18:00,879 --> 00:18:03,081
SHE NOW STARS IN "BLACK PANTHER:
WAKANDA FOREVER."
262
00:18:03,148 --> 00:18:07,486
>> GET OUT OF MY DOOR!
GET OUT!
263
00:18:07,553 --> 00:18:13,959
HEY, I'M WARNING YOU DO NOT TAKE
ANOTHER STEP TOWARD ME!
264
00:18:14,026 --> 00:18:20,833
>> SEE HOW THEY TEACH THE
CHILDREN TO TREAT THEIR GUESTS?
265
00:18:20,899 --> 00:18:26,071
>> OOH!
>> YOU BROUGHT A SPEAR IN HERE!
266
00:18:26,138 --> 00:18:28,373
YOU BROUGHT A SPEAR IN HERE.
>> I LIKE THAT.
267
00:18:28,440 --> 00:18:32,010
>> HEY, HEY, HEY, PUT IT DOWN.
YOU'LL HURT YOURSELF.
268
00:18:32,077 --> 00:18:34,513
COME ON.
>> IT'S ALL RIGHT, PRINCESS.
269
00:18:34,580 --> 00:18:38,550
SMALL, SMALL GIRL.
#-R I AM GOING TO GIVE YOU TWO
270
00:18:38,617 --> 00:18:41,987
OPTIONS.
YOU CAN COME TO WAKANDA,
271
00:18:42,054 --> 00:18:46,291
CONSCIOUS OR UNCONSCIOUS.
>> Stephen: PLEASE WELCOME BACK
272
00:18:46,358 --> 00:18:48,827
TO "THE LATE SHOW," DANAI
GURIRA!
273
00:18:48,894 --> 00:18:52,798
♪ IF I COULD, I'D CATCH A
274
00:18:52,865 --> 00:19:00,038
FALLING STAR
♪ TO SHINE ON YOU ♪
275
00:19:00,105 --> 00:19:07,212
( APPLAUSE )
>> THANK YOU!
276
00:19:07,279 --> 00:19:08,847
>> Stephen: HELLO.
>> HELLO!
277
00:19:08,914 --> 00:19:10,315
>> Stephen: NICE TO SEE YOU
AGAIN.
278
00:19:10,382 --> 00:19:12,851
>> AWESOME TO SEE YOU.
>> Stephen: SO "WAKANDA
279
00:19:12,918 --> 00:19:16,388
FOREVER" CAME OUT IN NOVEMBER,
AND THERE WAS A LOT OF WORRY
280
00:19:16,455 --> 00:19:20,259
THERE WOULDN'T BE ANOTHER.
THERE WOULD BE SOME QUESTION HOW
281
00:19:20,325 --> 00:19:24,463
YOU WOULD DEAL WITH THE
PRODUCTION OF THE STORY WITH
282
00:19:24,530 --> 00:19:27,332
CHADWICK BOSEMAN'S DEATH.
I'M NOT THE FIRST TO SAY IT'S A
283
00:19:27,399 --> 00:19:33,639
VERY TENDER, VERY THOUGHTFUL,
REALLY MOVING WAY THAT HIS DEATH
284
00:19:33,705 --> 00:19:36,508
IS DEALT WITH THROUGH THE DEATH
OF THE CHARACTER.
285
00:19:36,575 --> 00:19:40,879
AND I'M-- I'M CURIOUS HOW YOU--
HOW YOU FEEL ABOUT THE MOVIE
286
00:19:40,946 --> 00:19:44,116
THAT MEANT SO MUCH TO SO MANY
PEOPLE AND HAS BEEN SUCH A
287
00:19:44,182 --> 00:19:45,684
COMMERCIAL AND CRITICAL SUCCESS
AT THIS POINT.
288
00:19:45,751 --> 00:19:49,054
>> YEAH, THANK YOU.
I MEAN, I'M REALLY THANKFUL,
289
00:19:49,121 --> 00:19:52,357
ACTUALLY, JUST FOR THE FACT THAT
WE CAME BACK REALLY HAVING TO GO
290
00:19:52,424 --> 00:19:54,359
THROUGH A GRIEVING PROCESS
OURSELVES.
291
00:19:54,426 --> 00:19:57,062
WE HADN'T DONE THAT TOGETHER.
WE HADN'T BEEN AROUND EACH
292
00:19:57,129 --> 00:19:58,297
OTHER.
IT WAS DURING COVID.
293
00:19:58,363 --> 00:20:01,266
AND IT WAS VERY MUCH A TIME
WHERE THE WHOLE PURPOSE OF THIS
294
00:20:01,333 --> 00:20:05,270
FILM WAS TO HONOR HIM AND TO
HONOR HIS LEGACY AND ALL THE
295
00:20:05,337 --> 00:20:09,841
WORK THAT HE POURED INTO
CREATING IT WITH RYAN AND
296
00:20:09,908 --> 00:20:13,111
BRINGING RYAN ON.
SO IT WAS REALLY ABOUT HIS
297
00:20:13,178 --> 00:20:14,680
LEGACY BEING RESPECTED AND
HONORED.
298
00:20:14,746 --> 00:20:18,317
SO TO PUT IT OUT IN THE WORLD
AND POUR EVERYTHING WE HAD INTO
299
00:20:18,383 --> 00:20:21,720
IT THAT WAY, AND THEN TO RECEIVE
THE RESPONSE IT'S HAD-- WHICH
300
00:20:21,787 --> 00:20:23,922
I'VE SEEN ACROSS THE GLOBE,
REALLY.
301
00:20:23,989 --> 00:20:28,026
I WAS JUST IN ZIMBABWE AND HEAR
PEOPLE TALKING ABOUT IT THERE AS
302
00:20:28,093 --> 00:20:30,195
WELL, THE STORY ABOUT HIM
SPECIFICALLY.
303
00:20:30,262 --> 00:20:31,697
THAT MEANS EVERYTHING.
THAT WAS THE ENTIRE REASON WE
304
00:20:31,763 --> 00:20:40,105
DID IT.
>> Stephen: CAPITOL HILL, WELL,R
305
00:20:40,172 --> 00:20:41,907
CHARACTER, SHE'S A BIG PART OF
THIS FILM.
306
00:20:41,974 --> 00:20:45,978
AND I THINK, WITHOUT GIVING
ANYTHING AWAY TO PEOPLE, THE
307
00:20:46,044 --> 00:20:50,248
MOMENTS OF HER ACCUSATIONS AND
REALIZES AND PERSONAL FAILURE
308
00:20:50,315 --> 00:20:52,884
ARE SOME OF THE MOST MOVING
PARTS OF THE MOVIE FOR ME.
309
00:20:52,951 --> 00:20:54,786
WHAT HAVE BEEN SOME OF THE
REACTIONS YOU'VE GOTTEN FROM
310
00:20:54,853 --> 00:21:00,125
PEOPLE OUT IN THE WORLD TO
OKOYE'S STORY IN THIS?
311
00:21:00,192 --> 00:21:03,528
>> YEAH, I MEAN IT'S BEEN VERY--
IT'S BEEN REALLY AMAZING,
312
00:21:03,595 --> 00:21:05,797
ACTUALLY, BECAUSE THE THING I
DIDN'T EXPECT IS THE WOMEN WHO
313
00:21:05,864 --> 00:21:10,268
COME TO ME, BLACK WOMEN WHO COME
TO ME AND TALK ABOUT THE ASPECT
314
00:21:10,335 --> 00:21:14,373
OF HOW WE ARE IN A STRONG BLACK
WOMAN TROPE OF STORTS.
315
00:21:14,439 --> 00:21:16,274
STRONG BLACK WOMAN.
SHE'S STRONG, SHE'S STRONG.
316
00:21:16,341 --> 00:21:20,012
AND OKOYE IS KIND OF A VERY
PALPABLE REPRESENTATION OF THAT.
317
00:21:20,078 --> 00:21:23,081
BUT TO ACTUALLY SEE HER FAIL, A
LOT OF WOMEN CAME TO ME AND
318
00:21:23,148 --> 00:21:27,753
TALKED ABOUT HOW THEY
APPRECIATED SEEING HER
319
00:21:27,819 --> 00:21:30,822
VULNERABILITY AND SHOWING WE
SHOULDN'T HAVE TO CARRY THE
320
00:21:30,889 --> 00:21:34,893
WORLD ON OUR SHOULDERS.
AND HOW DO WE PROCESS OUR OWN
321
00:21:34,960 --> 00:21:36,361
GRIEF?
DO WE EVER GET TO.
322
00:21:36,428 --> 00:21:39,097
THE IDEA OF HER ACTUALLY GOING
THROUGH THIS FAILING-- TRUST ME,
323
00:21:39,164 --> 00:21:43,101
WHEN I FIRST HEARD THE SCRIPT, I
WAS LIKE-- WHEN RYAN SAT ME DOWN
324
00:21:43,168 --> 00:21:46,104
AND TOLD ME WHAT HAPPENS, I'M
FIRED AND ALL THE WEST.
325
00:21:46,171 --> 00:21:50,142
I WAS LIKE WHOA, WHOA, WHOA.
LET'S DISCUSS THIS.
326
00:21:50,208 --> 00:21:53,879
BUT THEN I REALIZED HOW POWERFUL
IT WOULD BE TO ACTUALLY ALLOW A
327
00:21:53,945 --> 00:21:57,449
CHARACTER LIKE HER TO GO THROUGH
FAILING AND COMPLICATIONS THAT
328
00:21:57,516 --> 00:22:00,819
CAUSE HER TO NOT BE ABLE TO JUST
STAND STRONG AND HOLD EVERYTHING
329
00:22:00,886 --> 00:22:03,088
TOGETHER.
SHE HAS TO GO THROUGH HER
330
00:22:03,155 --> 00:22:04,556
BROKENNESS, TOO.
>> Stephen: WELL, OKOYE'S
331
00:22:04,623 --> 00:22:11,063
DEFINITELY NOT FIRED, BECAUSE
THERE ARE RUMORS OUT THERE OF A
332
00:22:11,129 --> 00:22:14,232
"BLACK PANTHER" SPIN-OFF, A
SERIES ABOUT YOUR CHARACTER,
333
00:22:14,299 --> 00:22:16,535
OKOYE.
AND MARVEL KEEPS IT KIND OF
334
00:22:16,601 --> 00:22:18,737
TIGHT.
( APPLAUSE )
335
00:22:18,804 --> 00:22:23,075
RUMORS, RIGHT?
YOU'VE HEARD ABOUT THESE RUMORS.
336
00:22:23,141 --> 00:22:24,676
YOU KNOW PEOPLE KNOW ABOUT THIS,
RIGHT?
337
00:22:24,743 --> 00:22:27,079
CAN YOU TELL US ANYTHING MORE
ABOUT THAT?
338
00:22:27,145 --> 00:22:30,916
CAN YOU CONFIRM THAT THERE WILL
BE AN OKOYE SPIN-OFF.
339
00:22:30,982 --> 00:22:34,586
WHAT CAN YOU SAY, DANIA GURIRA?
>> STEPHEN!
340
00:22:34,653 --> 00:22:39,691
ME>> Stephen: COME ON!
COME ON!
341
00:22:39,758 --> 00:22:44,563
>> I HAVE BEEN TOLD THAT I CAN
GENTLY ALLUDE TO THIS
342
00:22:44,629 --> 00:22:47,365
POSSIBILITY.
( CHEERS AND APPLAUSE )
343
00:22:47,432 --> 00:22:54,206
JUST GENTLY.
>> Stephen: YOU GENTLY
344
00:22:54,272 --> 00:22:56,508
ALLUDING IS THE MARVEL VERSION
OF A FULL MONTY.
345
00:22:56,575 --> 00:23:00,045
I CAN'T BELIEVE-- I CAN'T
BELIEVE I GOT ANYTHING OUT OF
346
00:23:00,112 --> 00:23:02,581
YOU.
WELL, OKAY, SO WALKING-- OKAY,
347
00:23:02,647 --> 00:23:06,118
SO THERE'S A SPIN-OFF.
HERE'S--
348
00:23:06,184 --> 00:23:08,053
( LAUGHTER )
>> GENTLY.
349
00:23:08,120 --> 00:23:09,788
>> Stephen: THAT'S DEFINITELY
HAPPENING.
350
00:23:09,855 --> 00:23:13,759
TAKE IT TO THE BANK.
>> GENTLE.
351
00:23:13,825 --> 00:23:20,232
>> Stephen: "WALKING DEAD"
FANS ARE EXCITED TO SEE YOU POST
352
00:23:20,298 --> 00:23:25,670
THIS PHOTO ABOUT YOUR CHARACTER
FROM "WALKING DEAD" COMING OUT
353
00:23:25,737 --> 00:23:27,305
NEXT YEAR.
ANYTHING YOU CAN TELL US?
354
00:23:27,372 --> 00:23:29,574
>> THAT I CAN STRONGLY ALLUDE
TO.
355
00:23:29,641 --> 00:23:33,178
I CAN STRONGLY ALLUDE TO THAT.
>> Stephen: THE PHOTO IS A
356
00:23:33,245 --> 00:23:35,514
STRONG ALLUSION RIGHT THERE.
>> PRETTY STRONG.
357
00:23:35,580 --> 00:23:37,682
WE'RE IN PREPRODUCTION RIGHT
NOW.
358
00:23:37,749 --> 00:23:41,787
WE ARE WELL UNDER WAY.
IT'S BEEN A REALLY INTERESTING
359
00:23:41,853 --> 00:23:42,988
JOURNEY.
WHAT TO EXPECT.
360
00:23:43,054 --> 00:23:46,925
NOW I GO BACK TO GENTLE IN THE
SENSE THAT IT IS GOING TO BE
361
00:23:46,992 --> 00:23:50,929
WHAT WE CALLED "AN EPIC LOVE
STORY," AND THESE TWO CHARACTERS
362
00:23:50,996 --> 00:23:53,698
WHO SEPARATED, AS WE KNOW-- OR
DON'T.
363
00:23:53,765 --> 00:23:57,369
THEY WERE SEPARATED, AND SO
WE'RE BRINGING THEM BACK
364
00:23:57,435 --> 00:24:01,940
TOGETHER BUT WE DON'T KNOW HOME.
WE HAVE LOST RICK GRIMES.
365
00:24:02,007 --> 00:24:05,076
WE DON'T KNOW WHERE HE IS, WHAT
HAPPENED TO HIM.
366
00:24:05,143 --> 00:24:07,412
SHE NEVER DOUBTED HE MIGHT STILL
BE ALIVE.
367
00:24:07,479 --> 00:24:09,381
WE'LL SEE.
A LOT OF PIECES OF THE PUZZLE
368
00:24:09,447 --> 00:24:12,818
ARE GOING TO BE FIGURED OUT.
>> Stephen: WE HAVE TO TAKE A
369
00:24:12,884 --> 00:24:15,287
QUICK BREAK BUT WE'LL BE BACK
WITH MORE DANIA GURIRA,
370
00:24:15,353 --> 00:24:18,723
EVERYBODY.
STICK AROUND.
371
00:24:31,970 --> 00:24:37,475
WE'RE BACK WITH STAR OF "BLACK
PANTHER: WAKANDA FOREVER," DANAI
372
00:24:37,542 --> 00:24:40,412
GURIRA.
I'M EXCITED ABOUT THIS.
373
00:24:40,478 --> 00:24:45,350
THIS PAST SUMMER, YOU STARRED AS
RICHARD III IN RICHARD III FOR
374
00:24:45,417 --> 00:24:47,853
SHAKESPEARE IN THE PARK.
( APPLAUSE )
375
00:24:47,919 --> 00:24:53,291
HAD-- I HAD BEEN ABLE TO SEE
THIS, YOU KNOW.
376
00:24:53,358 --> 00:24:55,994
IT'S ONE OF MY FAVORITE PLAYS.
DID YOU EVER IMAGINE THAT THIS
377
00:24:56,061 --> 00:24:57,662
WOULD BE A PART THAT WOULD BE
OFFERED TO YOU?
378
00:24:57,729 --> 00:25:00,799
>> NO.
I-- I DID NOT.
379
00:25:00,866 --> 00:25:06,905
WHEN I GOT THE PHONE CALL, IT
WAS A DEAR FRIEND, THE HEAD OF
380
00:25:06,972 --> 00:25:09,808
THE PUBLIC THEATER, AND I'VE
DONE SHAKESPEARE IN THE PARK
381
00:25:09,875 --> 00:25:12,878
BEFORE LIKE, LITERALLY, A DECADE
AGO.
382
00:25:12,944 --> 00:25:15,113
YOU WERELY MY TIME SCHEDULE AND
EVERYTHING NEVER WORKED OUT.
383
00:25:15,180 --> 00:25:17,749
AND I THOUGHT HE WAS GOING TO
SAY SOMETHING, AND I WAS GETTING
384
00:25:17,816 --> 00:25:20,685
READY TO SAY,s, OSCAR, I
CAN'T."
385
00:25:20,752 --> 00:25:24,856
BUT HE SAID RICHARD III, AND I
WAS JUST-- I WAS STUMPED.
386
00:25:24,923 --> 00:25:27,826
I WAS SPEECHLESS.
I COULDN'T EVEN BELIEVE THAT WAS
387
00:25:27,893 --> 00:25:31,096
WHAT HE WAS OFFERING ME.
I JUST COULDN'T SAY NO.
388
00:25:31,162 --> 00:25:34,032
, YOU KNOW, IT'S NOT OFTEN A
GIRL GETS TO PLAY A BAD GUY.
389
00:25:34,099 --> 00:25:36,301
>> Stephen: ONE OF THE BADDEST
OF THE BAD GUYS.
390
00:25:36,368 --> 00:25:39,271
>> ONE OF THE WORST.
HE'S SUCH A BASTARD.
391
00:25:39,337 --> 00:25:41,473
IT WAS SO FUN.
HE'S SO FUN.
392
00:25:41,539 --> 00:25:43,275
I MISS HIM.
>> Stephen: OH!
393
00:25:43,341 --> 00:25:45,443
>> YEAH.
>> Stephen: OH, I REALLY WISH
394
00:25:45,510 --> 00:25:47,612
I COULD HAVE SEEN IT.
THAT WOULD HAVE BEEN
395
00:25:47,679 --> 00:25:49,881
EXTRAORDINARY.
>> I MEAN, PBS DID RECORD IT,s
396
00:25:49,948 --> 00:25:51,249
IF YOU EVER --
>> Stephen: THEY DID?
397
00:25:51,316 --> 00:25:54,486
>> IT WILL BE ON "GREAT
PERFORMANCES," I THINK IN MAY.
398
00:25:54,552 --> 00:25:57,489
>> Stephen: I HAVE ONE MORE
QUESTION BEFORE I CAN LET YOU
399
00:25:57,555 --> 00:26:00,725
GO, AND I FOUND OUT YOU AND I
HAVE SOMETHING IN COMMON.
400
00:26:00,792 --> 00:26:07,332
WE WERE BOTH CAST IN EPISODES OF
"LAW AND ORDER: CRIMINAL INTENT,
401
00:26:07,399 --> 00:26:10,201
"IN 2004.
AND I UNDERSTAND THAT WAS YOUR
402
00:26:10,268 --> 00:26:14,105
FIRST TV JOB.
>> MY FIRST JOB, THANK YOU "LAW
403
00:26:14,172 --> 00:26:16,241
& ORDER."
>> Stephen: WHAT DO YOU
404
00:26:16,308 --> 00:26:20,078
REMEMBER ABOUT THAT?
>> I WAS VERY THANKFUL BECAUSE I
405
00:26:20,145 --> 00:26:24,649
WAS VERY BROKE AND JUST OUT OF
GRAD SCHOOL DOWN THE ROAD AT
406
00:26:24,716 --> 00:26:26,551
TISH, AND I WAS VERY, VERY
HAPPY.
407
00:26:26,618 --> 00:26:32,090
I REMEMBER I WAS PLAYING A
NURSE, AND SHE WAS ZIMBABWEAN,
408
00:26:32,157 --> 00:26:34,993
WHICH I AM.
I THOUGHT THAT WAS COOL.
409
00:26:35,060 --> 00:26:39,965
GOD BLESS, THEY HAD GIVER HER A
LAST NAME,INGS A FIRST NAME.
410
00:26:40,031 --> 00:26:43,134
IT WOULD NEVER BE A LAST NAME.
>> Stephen: LIKE JENNIFER,
411
00:26:43,201 --> 00:26:45,770
SOMETHING LIKE THAT.
>> EXACTLY.
412
00:26:45,837 --> 00:26:47,772
LIKE YOU'RE STEPHEN JENNIFER.
I COULD NOT.
413
00:26:47,839 --> 00:26:53,645
ON MY FIRST JOB, I WAS NOT GOING
TO WALK UP TO THE WRITERS OF
414
00:26:53,712 --> 00:26:58,249
"LAW & ORDER" AND SAY, "EXCUSE
ME, I'M ACTUALLY ZIMBABWEAN."
415
00:26:58,316 --> 00:27:02,821
I AM HAPPY TO BE HERE.
I I WILL DO WHATEVER YOU SAY.
416
00:27:02,887 --> 00:27:06,558
I AM SO THANKFUL TO "LAW &
ORDER."
417
00:27:06,624 --> 00:27:09,060
>> Stephen: I ACTUALLY DID
TALK TO THE WRITERS AFTER MY
418
00:27:09,127 --> 00:27:15,533
EPISODE.
I PLAYED THE MURDER-- SPOILER,
419
00:27:15,600 --> 00:27:17,035
I'M THE MURDERER, IF YOU HAVEN'T
SEEN IT.
420
00:27:17,102 --> 00:27:21,139
IT'S BEEN ON FOR 18 YEARS.
BUT I WENT UP TO HER AND I SAID,
421
00:27:21,206 --> 00:27:23,108
"THANKS SO MUCH.
IT WAS REALLY A PLEASURE."
422
00:27:23,174 --> 00:27:26,244
AND I PLAYED A 40-YEAR-OLD GUY
WHO LIVED WITH HIS MOM WHO KILLS
423
00:27:26,311 --> 00:27:30,849
A WOMAN THROUGH THE MAIL WITH A
LYE BOMB AND FORGES CHECKS FOR A
424
00:27:30,915 --> 00:27:33,118
LIVING.
AND SHE GOES, "I THOUGHT OF YOU
425
00:27:33,184 --> 00:27:36,955
WHEN I WROTE IT."
( LAUGHTER )
426
00:27:37,022 --> 00:27:40,692
I WAS SO GRATEFUL.
>> THANKFUL, RIGHT.
427
00:27:40,759 --> 00:27:42,227
"LAW & ORDER."
>> Stephen: GOOD TO SEE YOU.
428
00:27:42,293 --> 00:27:43,361
>> YOU,s TOO.
>> Stephen: "BLACK PANTHER:
429
00:27:43,428 --> 00:27:44,496
WAKANDA FOREVER" IS NOW IN
THEATERS AND IS AVAILABLE TO
430
00:27:44,562 --> 00:27:49,134
STREAM ON DISNEY+ ON FEBRUARY
1st.
431
00:27:49,200 --> 00:27:52,070
DANAI GURIRA, EVERYBODY!
WE'LL BE RIGHT BACK WITH STAR OF
432
00:27:52,137 --> 00:27:53,705
"THE INSPECTION," JEREMY POPE.
433
00:28:07,619 --> 00:28:13,358
WELCOME BACK!
( CHEERS AND APPLAUSE )
434
00:28:13,425 --> 00:28:17,962
LADIES AND GENTLEMEN, MY NEXT
GUEST IS A TWO-TIME TONY NOMINEE
435
00:28:18,029 --> 00:28:22,801
WHO NOW STARS IN THE FILM, "THE
INSPECTION."
436
00:28:22,867 --> 00:28:30,675
>> I'VE BEE RAISING MYSELF
SINCE I WAS 16.
437
00:28:30,742 --> 00:28:40,718
25 NOW.
MY MOM... SHE WON'T EVEN TALK TO
438
00:28:40,785 --> 00:28:50,161
ME.
MOST OF MY FRIENDS ARE DEAD OR
439
00:28:50,228 --> 00:28:54,699
IN JAIL.
THE STREETS IS GOING TO KILL ME,
440
00:28:54,766 --> 00:29:01,473
NO MATTER WHAT.
SO IF I DIE IN THIS UNIFORM, I'M
441
00:29:01,539 --> 00:29:05,810
A HERO TO SOMEBODY.
>> Stephen: PLEASE WELCOME TO
442
00:29:05,877 --> 00:29:09,714
"THE LATE SHOW," JEREMY POPE!
♪ ♪ ♪
443
00:29:09,781 --> 00:29:24,662
( APPLAUSE )
( CHEERS AND APPLAUSE )
444
00:29:24,729 --> 00:29:31,269
( APPLAUSE )
( CHEERS AND APPLAUSE )
445
00:29:31,336 --> 00:29:34,906
IS IT.
>> Stephen: FIRST OF ALL,,
446
00:29:34,973 --> 00:29:38,176
YES.
>> YES?
447
00:29:38,243 --> 00:29:39,811
>> Stephen: YES TO ALL OF
THIS.
448
00:29:39,878 --> 00:29:44,149
THANKS FOR BEING HERE.
>> THANK YOU FOR HAVING ME.
449
00:29:44,215 --> 00:29:47,118
( APPLAUSE ).
YOU'VE GOT-- YOU'VE GOT
450
00:29:47,185 --> 00:29:50,288
SARTORIAL SPLENDOR, BECAUSE
EARLIER THIS WEEK, YOU WERE AT
451
00:29:50,355 --> 00:29:55,260
THE GOLDEN GLOBES IN A LOVELY
LEATHER ENSEMBLE RIGHT THERE.
452
00:29:55,326 --> 00:29:59,330
AND YOU'RE HAVING-- IT'S A VERY
SPECIAL TIME IN YOUR LIFE RIGHT
453
00:29:59,397 --> 00:30:03,735
NOW, BECAUSE A LOT OF PEOPLE ARE
AMAZED BY YOUR WORK.
454
00:30:03,801 --> 00:30:08,339
AND RYAN MURPHY SAID SOMETHING
INCREDIBLE ABOUT YOU WHEN HE GOT
455
00:30:08,406 --> 00:30:11,176
THE CAROL BURNETT AWARD AT THE
GOLDEN GLOBES.
456
00:30:11,242 --> 00:30:14,646
JIM, SHOW HIM WHAT HE SAID.
>> ALTHOUGH HE IS VERY YOUNG,
457
00:30:14,712 --> 00:30:18,683
THE ACHIEVEMENTS OF JEREMY POPE
ASTOUND ME.
458
00:30:18,750 --> 00:30:22,954
( APPLAUSE )
AWARD TWICE IN ONE YEAR.
459
00:30:23,021 --> 00:30:28,560
WAS NOMINATED FOR A LEAD ACTOR
EMMY FOR MY SHOW "HOLLYWOOD" AND
460
00:30:28,626 --> 00:30:31,763
TONIGHT IS NOMINATED FOR A
GOLDEN GLOBE FOR "THE
461
00:30:31,829 --> 00:30:36,534
INSPECTION," AND HOPEFULLY ON TO
A WELL-DESERVED OSCAR
462
00:30:36,601 --> 00:30:38,069
NOMINATION.
JEREMY POPE IS THE FUTURE.
463
00:30:38,136 --> 00:30:44,943
( CHEERS AND APPLAUSE ).
>> Stephen: HE SAYS THERE, HE
464
00:30:45,009 --> 00:30:47,946
SAYS THERE THAT YOU'RE THE
FUTURE.
465
00:30:48,012 --> 00:30:51,883
AND AS A CARD-CARRYING MEMBER OF
THE PAST, HOW DOES IT FEEL TO BE
466
00:30:51,950 --> 00:30:54,552
THE FUTURE?
>> I DON'T KNOW.
467
00:30:54,619 --> 00:30:58,089
I WAS VERY MOVED BY HIS WORDS,
YOU KNOW, AND I WAS SO GRATEFUL
468
00:30:58,156 --> 00:31:01,226
TO BE IN THAT SPACE.
I GOT TO BRING MY MOM AND MY
469
00:31:01,292 --> 00:31:04,629
YOUNGER BROTHER WITH ME TO THE
GLOBES,s MY FIRST GLOBES.
470
00:31:04,696 --> 00:31:08,600
I DON'T KNOW.
WE NEVER-- AS ARTISTS AND ACTORS
471
00:31:08,666 --> 00:31:12,036
WE NEVER REALLY TALK ABOUT THE
HARD NOSE AND THE THINGS WE
472
00:31:12,103 --> 00:31:15,607
DON'T GET.
IT'S THESE MOMENTS WHEN YOU'RE
473
00:31:15,673 --> 00:31:17,609
CELEBRATED AND NOMINATED FOR
AWARDS AND THINGS LIKE THAT.
474
00:31:17,675 --> 00:31:21,079
IT'S BEEN A JOURNEY SO TO HAVE
SOMEONE WHO TOOK A CHANCE ON ME
475
00:31:21,145 --> 00:31:26,484
AND GAVE ME MY FIRST TV JOB
WITHOUT HAVING TV CREDITS AND
476
00:31:26,551 --> 00:31:31,623
FINDING ARCHIE AND "HOLLYWOOD,
"AND GETTING NOMINATED FOR AN
477
00:31:31,689 --> 00:31:33,157
EMMY.
IT WAS A BLESSING FOR HIM TO
478
00:31:33,224 --> 00:31:35,793
SPEAK OF ME IN THAT ROOM IN THAT
WAY.
479
00:31:35,860 --> 00:31:38,496
>> Stephen: A LOVELY MOMENT, A
LOVELY MOMENT.
480
00:31:38,563 --> 00:31:44,702
( APPLAUSE )
"THE INSPECTION."
481
00:31:44,769 --> 00:31:48,239
YOU PLAY ELLIS FRENCH IS THE
CHARACTER'S NAME.
482
00:31:48,306 --> 00:31:53,811
AND HE IS A GAY MARINE DURING
THE "DON'T ASK/DON'T TELL" ERA
483
00:31:53,878 --> 00:31:56,447
OF THE MARINES.
I'M CURIOUS, BASICALLY EVERY
484
00:31:56,514 --> 00:31:59,717
ACTOR, YOU KNOW, WANTS TO, WHO,
BUT I'M CURIOUS, THIS PARTICULAR
485
00:31:59,784 --> 00:32:02,353
SCRIPT WHAT&DREW YOU TO THIS?
>> YOU KNOW, I TOOK THIS JOB
486
00:32:02,420 --> 00:32:08,526
READING THE SCRIPT, YOU KNOW,
BASED OFF OF MY WRITER AND
487
00:32:08,593 --> 00:32:11,462
DIRECTOR'S STORY, GETTING KICKED
OUT OF HIS HOUSE FOR BEING GAY
488
00:32:11,529 --> 00:32:15,466
AND JOINING THE MARINES AND JUST
KIND OF, FOR MYSELF, AS A BLACK
489
00:32:15,533 --> 00:32:19,704
GAY MAN, WANTING TO KNOW WHAT
HIS EXPERIENCE WAS AND WHY HE
490
00:32:19,771 --> 00:32:23,207
WANTED TO TELL THE STORY.
BECAUSE I THINK ANY TIME YOU'RE
491
00:32:23,274 --> 00:32:25,810
TELLING YOUR STORY IN THIS WAY,
ONCE YOU PUT IT OUT, YOU CAN'T
492
00:32:25,877 --> 00:32:30,481
GET IT BACK.
AND I KNEW THAT BY HIM GIVING
493
00:32:30,548 --> 00:32:33,785
US, HOLLYWOOD, THE WORLD, A
PIECE OF HIM, THAT'S VERY
494
00:32:33,851 --> 00:32:35,286
VULNERABLE AND THAT COMES AT A
COST.
495
00:32:35,353 --> 00:32:37,922
WHILE I WAS MOVED WITH THE
STORY, I ULTIMATELY WANTED TO BE
496
00:32:37,989 --> 00:32:39,891
THE PERSON THE AUDIENCE MEETS
FIRST.
497
00:32:39,957 --> 00:32:43,328
AND I KNEW IF I COULD PROTECT
HIS STORY AND BRING AS MUCH AS I
498
00:32:43,394 --> 00:32:46,831
COULD TO THIS ROLE, MAYBE IT
WOULD RESONATE WITH PEOPLE OUT
499
00:32:46,898 --> 00:32:49,767
THERE WHO NEED TO FEEL SEEN AND
REPRESENTED AND HEARD AND LOVE
500
00:32:49,834 --> 00:32:51,869
AND THAT'S KIND OF WHY WE MADE
THIS FILM.
501
00:32:51,936 --> 00:32:56,541
>> Stephen: WHAT A GENEROUS
WAY TO APPROACH THE PART.
502
00:32:56,607 --> 00:33:00,044
SO YOU DID-- YOU DID A LITTLE
MARINE TRAINING FOR THIS.
503
00:33:00,111 --> 00:33:03,481
YOU DID SOME BOOT CAMP.
>> s DID WE, DID WE DO BOOT
504
00:33:03,548 --> 00:33:04,549
CAMP.
>> Stephen: YOU DID?
505
00:33:04,615 --> 00:33:07,318
>> YES, WE DID BOOT CAMP.
>> Stephen: WHAT WAS THAT
506
00:33:07,385 --> 00:33:08,920
LIKE?
AND DID YOU SAY TO THEM, "PLEASE
507
00:33:08,986 --> 00:33:11,823
BE NICE?"
>> IT WAS HARD, Y'ALL, IT WAS
508
00:33:11,889 --> 00:33:12,590
HARD.
>> Stephen: HOW LONG DID YOU
509
00:33:12,657 --> 00:33:13,991
DO IT?
>> I THOUGHT I WAS A THUG.
510
00:33:14,058 --> 00:33:17,028
IT WAS HARD!
IT WAS TOUGH!
511
00:33:17,095 --> 00:33:19,964
BECAUSE KNOW-- IN THESE
SITUATIONS YOU'RE KIND OF LIKE--
512
00:33:20,031 --> 00:33:22,600
YOU'RE GOING TO TEACH ME HOW TO
BEST ACT IT, RIGHT.
513
00:33:22,667 --> 00:33:25,002
>> Stephen: YES, YES.
>> BUT, NO, THEY REALLY WANT YOU
514
00:33:25,069 --> 00:33:27,004
TO DO IT.
YOU KNOW, LIKE --
515
00:33:27,071 --> 00:33:28,339
>> Stephen: YOU CAN'T JUST
ACT--
516
00:33:28,406 --> 00:33:31,776
>> WE CAN'T ACT LIKE WE'RE DOING
PUSH-UPS.
517
00:33:31,843 --> 00:33:35,580
WE HAVE TO REALLY DO THEM.
I THINK THE THING ABOUT
518
00:33:35,646 --> 00:33:38,483
ELEGANCE--
>> I WOULD LIKE TO SEE SOMEBODY
519
00:33:38,549 --> 00:33:42,353
DO PUSH-UPS WITHOUT DOING THEM.
>> CAN WE DO THE SHOT I'M HERE
520
00:33:42,420 --> 00:33:45,857
BUT THE L LEGS ARE DOWN.
"NO, NO, WE CAN'T."
521
00:33:45,923 --> 00:33:48,726
I THINK ELEGANCE WAS KIND OF
SECRETLY OVING IT BECAUSE THIS
522
00:33:48,793 --> 00:33:52,530
IS WHAT HE WENT THROUGH, SO HE
WAS ENJOYING WATCHING US.
523
00:33:52,597 --> 00:33:55,299
>> Stephen: DID YOU EVER SAY--
WHO WAS YOUR DRILL SERGEANT.
524
00:33:55,366 --> 00:34:01,672
>> WE HAD A BEAUTIFUL DRILL
SERGEANT, OCTAYA JONES, TO MAKE
525
00:34:01,739 --> 00:34:04,342
SURE WE LOOKED GOOD, AND SHE DID
THAT.
526
00:34:04,409 --> 00:34:12,917
SHE GOT SOME BASE IN HER VOICE,
AND HE GOT IT DOWN, ""YES, SIR!
527
00:34:12,984 --> 00:34:16,020
WHOA, WHOA WEAPON "I'M AN
ACTOR."
528
00:34:16,087 --> 00:34:18,022
I WANTED TO REMIND HER, THIS
ISN'T MY LIFE.
529
00:34:18,089 --> 00:34:19,891
THIS IS--
( APPLAUSE )
530
00:34:19,957 --> 00:34:22,393
I KNOW WHAT YOU DO.
>> Stephen: I DIDN'T SIGN
531
00:34:22,460 --> 00:34:24,529
ANYTHING SAYING I HAD TO STAY
HERE.
532
00:34:24,595 --> 00:34:28,332
>> I RESPECT WHAT YOU DO, BUT
WHAT I DO IS-- I NEED SOFT
533
00:34:28,399 --> 00:34:29,534
VOICE.
>> Stephen: INDOOR VOICE.
534
00:34:29,600 --> 00:34:33,137
>> I TRIED TO-- EVERY NOW AND
AGAIN I WOULD SAY, "CAN YOU
535
00:34:33,204 --> 00:34:36,007
REPEAT WHAT YOU SAID BUT CALM?"
YOU KNOW WHAT I MEAN?
536
00:34:36,073 --> 00:34:42,847
>> Stephen: WELL, YOU ALSO,
ARE IN A BROADWAY PLAY RIGHT NOW
537
00:34:42,914 --> 00:34:48,719
CALL "THE COLLABORATION"
PORTRAYING ARTIST JEANNE
538
00:34:48,786 --> 00:34:55,560
MICHELLE BASQUEAT.
THE THEATER WHERE YOU'RE DOING
539
00:34:55,626 --> 00:34:57,595
IT, THE SAMUEL J. FRIEDMAN
THEATRE, THAT'S WHERE YOU MADE
540
00:34:57,662 --> 00:34:59,564
YOUR BROADWAY DEBUT, AND I
UNDERSTAND YOU'RE ARE IN THE
541
00:34:59,630 --> 00:35:01,632
SAME DRESSING ROOM AS YOU HAD
BEFORE.
542
00:35:01,699 --> 00:35:05,636
PEOPLE DON'T KNOW THIS, BROADWAY
DISTRESSING ROOMS, THE
543
00:35:05,703 --> 00:35:08,005
BACKSTAGE, IT'S AN HONOR BUT
IT'S CRAPPY BACK THERE.
544
00:35:08,072 --> 00:35:11,375
WHAT DO YOU DO TO MAKE IT HOMEY?
>> SO IT'S ALL ABOUT THE SNACKS
545
00:35:11,442 --> 00:35:14,045
FOR ME.
>> Stephen: WHERE DO YOU GO?
546
00:35:14,111 --> 00:35:15,546
SWEET OR SAVORY?
>> ALL.
547
00:35:15,613 --> 00:35:23,187
I CONSIDER MY DRESSING ROOM, I
NEED IT TO RESEMBLE A 7-ELEVEN.
548
00:35:23,254 --> 00:35:28,693
LIFE SAVERS, HARD, SOFT,
FUNNIONS, I NEED A VARIETY.
549
00:35:28,759 --> 00:35:31,863
PEOPLE KNOW WE SPEND A LOT OF
TIME IN THESE ROOMS AND YOU GET
550
00:35:31,929 --> 00:35:37,001
THERE AND YOU GET KIND OF BORED
AND YOU GET SNACKY.
551
00:35:37,068 --> 00:35:38,669
>> Stephen: DO PEOPLE COME TO
VISIT YOU.
552
00:35:38,736 --> 00:35:41,772
>> OH, KNOCK, KNOCK, KNOCK.
THEY DON'T WANT TO SEE ME.
553
00:35:41,839 --> 00:35:44,041
THEY WANT TO SEE WHAT'S IN THE
SNACK DRAWER.
554
00:35:44,108 --> 00:35:47,645
I'M IN THE SAME DRESSING ROOM.
I BOUGHT PILLOWS AND TRIED TO
555
00:35:47,712 --> 00:35:51,849
FANCY IT UP IN 2018, AND THOSE
SAME PILLOWS ARE THERE, SAME
556
00:35:51,916 --> 00:35:53,551
LITTLE BLANKET.
>> Stephen: EXCELLENT,
557
00:35:53,618 --> 00:35:56,487
EXCELLENT.
THAT'S VERY GENEROUS OF YOU FOR
558
00:35:56,554 --> 00:35:59,690
EVERYBODY WHO CAME AFTER.
WELL, FUTURE, THANK YOU FOR
559
00:35:59,757 --> 00:36:02,460
BEING HERE.
>> NICE TO SEE YOU.
560
00:36:02,527 --> 00:36:04,295
>> Stephen: "THE INSPECTION" IS
AVAILABLE ON DEMAND AND "THE
561
00:36:04,362 --> 00:36:05,696
COLLABORATION" IS PLAYING ON
BROADWAY AT THE SAMUEL J.
562
00:36:05,763 --> 00:36:11,536
FRIEDMAN THEATRE.
JUST EXTENDED.
563
00:36:11,602 --> 00:36:13,671
WE'LL BE RIGHT BACK WITH A
PERFORMANCE BY INGRID ANDRESS.
564
00:36:13,738 --> 00:36:15,072
TRUE, RIGHT?
565
00:36:23,548 --> 00:36:25,950
>> Stephen: PERFORMING "FEEL
LIKE THIS" FROM HER ALBUM, "GOOD
566
00:36:26,017 --> 00:36:33,991
PERSON," INGRID ANDRESS!
( CHEERS AND APPLAUSE )
567
00:36:34,058 --> 00:36:40,498
♪ ♪ ♪
>> ♪ IT'S CRAZY HOW MANIPULATION
568
00:36:40,565 --> 00:36:44,468
FEELS LIKE
♪ A SOFT BLANKET HOLDING YOU
569
00:36:44,535 --> 00:36:47,838
TIGHT
♪ AND EVERY NIGHT, SLEEPING NEXT
570
00:36:47,905 --> 00:36:53,511
TO SOMEONE'S
♪ JUST AS WARM AS THE GASLIGHT
571
00:36:53,578 --> 00:36:58,449
IT'S FUNNY HOW JEALOUSY
♪ SOUNDS LIKE
572
00:36:58,516 --> 00:37:02,186
SOMEBODY'S WORRIED 'BOUT YOU
♪ AND ALL THAT CONTROL TAKES ON
573
00:37:02,253 --> 00:37:05,022
DIFFERENT ROLES
♪ DON'T REALIZE THE TOLL IT
574
00:37:05,089 --> 00:37:09,660
TAKES ON YOU
♪ I'VE BEEN TO PRETTY DARK
575
00:37:09,727 --> 00:37:18,402
PLACES
♪ STUCK IN TOXIC SITUATIONS
576
00:37:18,469 --> 00:37:22,573
BUT YOU TASTE LIKE STABILITY AND
♪ THAT'S NEW FOR ME
577
00:37:22,640 --> 00:37:24,041
YEAH, THIS FEELS LIKE
♪ HOMEMADE COOKING
578
00:37:24,108 --> 00:37:27,244
LIKE BACKYARD KISSING
♪ LIKE HOLD THE DOOR OPEN
579
00:37:27,311 --> 00:37:30,748
AND I LAUGH
♪ BUT IT'S NICE LIKE SUNDAY
580
00:37:30,815 --> 00:37:34,085
SLEEPIN' IN
♪ BABY, I'M LEANING IN
581
00:37:34,151 --> 00:37:35,886
CONVERSATIONS,
♪ I CAN TELL THAT YOU'RE
582
00:37:35,953 --> 00:37:40,091
LISTENING
♪ I THOUGHT I KNEW WHAT
583
00:37:40,157 --> 00:37:47,331
I KNEW WHAT LOVE WAS
♪ GUESS I DIDN'T KNOW AT ALL
584
00:37:47,398 --> 00:37:51,836
'CAUSE I DON'T KNOW WHAT THIS IS
♪ BUT I THINK LOVE'S SUPPOSED TO
585
00:37:51,902 --> 00:38:00,277
FEEL LIKE THIS
♪ IT'S FUNNY HOW I USED TO MAKE
586
00:38:00,344 --> 00:38:06,484
EXCUSES
♪ EXCUSES AS OFTEN AS I BREATHE
587
00:38:06,550 --> 00:38:11,188
DEFENDING HIM,
♪ TRYING TO DEFUSE IT
588
00:38:11,255 --> 00:38:16,060
AND IT WOULD ONLY BLOW UP ON ME
♪ YEAH, I'VE BEEN TO PRETTY DARK
589
00:38:16,127 --> 00:38:23,634
PLACES
♪ STUCK IN TOXIC SITUATIONS
590
00:38:23,701 --> 00:38:28,239
BUT YOU TASTE LIKE SECURITY
♪ AND THAT'S NEW FOR ME
591
00:38:28,305 --> 00:38:30,975
YEAH, THIS FEELS LIKE
♪ HOMEMADE COOKING
592
00:38:31,042 --> 00:38:35,046
LIKE BACKYARD KISSING
♪ LIKE HOLD THE DOOR OPEN AND I
593
00:38:35,112 --> 00:38:37,748
LAUGH
♪ BUT IT'S NICE LIKE SUNDAY
594
00:38:37,815 --> 00:38:41,385
SLEEPIN' IN
♪ BABY, I'M LEANING IN
595
00:38:41,452 --> 00:38:44,488
CONVERSATIONS, I CAN TELL THAT
♪ YOU'RE LISTENING
596
00:38:44,555 --> 00:38:49,026
I THOUGHT I KNEW WHAT
♪ I KNEW WHAT LOVE WAS
597
00:38:49,093 --> 00:38:54,665
GUESS I DIDN'T KNOW AT ALL
♪ 'CAUSE I DON'T KNOW
598
00:38:54,732 --> 00:38:56,500
WHAT THIS IS
♪ BUT I THINK LOVE'S SUPPOSED TO
599
00:38:56,567 --> 00:39:09,080
FEEL LIKE THIS
♪ OOH-OOH, OOH-OOH, OOH
600
00:39:09,146 --> 00:39:13,984
OOH-OOH, OOH-OOH, OOH
♪ YEAH, THIS FEELS LIKE NOT JUST
601
00:39:14,051 --> 00:39:17,154
FOR TONIGHT
♪ NOT SOME QUICK GOODBYE
602
00:39:17,221 --> 00:39:19,790
TELL ME THAT YOU WANT ME
♪ AND I KNOW THAT YOU MEAN IT
603
00:39:19,857 --> 00:39:22,960
LIKE
♪ SUNDAY SLEEPIN' IN
604
00:39:23,027 --> 00:39:27,264
BABY, I'M LEANING IN
♪ CONVERSATIONS, I CAN TELL THAT
605
00:39:27,331 --> 00:39:30,401
YOU'RE LISTENING
♪ I THOUGHT I KNEW WHAT
606
00:39:30,468 --> 00:39:37,374
I KNEW WHAT LOVE WAS
♪ GUESS I DIDN'T KNOW AT ALL
607
00:39:37,441 --> 00:39:49,320
'CAUSE I DON'T KNOW WHAT THIS IS
NO, I DON'T KNOW WHAT THIS IS
608
00:39:49,386 --> 00:39:52,923
♪ BUT I THINK LOVE'S SUPPOSED TO
FEEL LIKE THIS ♪
609
00:39:52,990 --> 00:40:01,899
( CHEERS AND APPLAUSE )
THANK YOU.
610
00:40:01,966 --> 00:40:04,702
INGRID ANDRESS, EVERYBODY!
THAT'S IT FOR "THE LATE SHOW."
611
00:40:04,769 --> 00:40:08,105
TUNE IN NEXT WEEK WHEN I'LL BE
JOINED BY HUGH JACKMAN,
612
00:40:08,172 --> 00:40:13,477
ADAM KINZINGER, AND TREVOR NOAH.
GOOD NIGHT!