1 00:00:01,267 --> 00:00:04,471 >> IN A RECENT INTERVIEW, ERIC TRUMP REVEALED HOW HE KEEPS A 2 00:00:04,537 --> 00:00:08,408 POSITIVE LIFE BY DETAILING HIS STRICT MORNING ROUTINE. 3 00:00:08,475 --> 00:00:10,844 >> I WAKE UP AT 4:30 IN THE MORNING, EVERY SINGLE MORNING. 4 00:00:10,910 --> 00:00:12,278 I SAY THE PLEDGE OF ALLEGIANCE TO MY FIVE-YEAR-OLD AND MY 5 00:00:12,345 --> 00:00:14,848 THREE-YEAR-OLD. IN FACT, THEY SAY THEM NOW. 6 00:00:14,914 --> 00:00:18,017 AND THEN I MAKE THEM SAY SOMETHING THAT'S MEANINGFUL TO 7 00:00:18,084 --> 00:00:20,320 THEM. I DO THIS EVERY SINGLE NIGHT AT 8 00:00:20,387 --> 00:00:23,556 7:45, NO MATTER WHERE I AM IN THE WORLD. 9 00:00:23,623 --> 00:00:28,128 >> ARE YOU A TODDLER WHO NEEDS A LITTLE BOOST BECAUSE YOUR FATHER 10 00:00:28,194 --> 00:00:29,996 FORCES YOU TO WAKE UP AT 4:30 EVERY MORNING TO SAY THE PLEDGE 11 00:00:30,063 --> 00:00:34,467 OF ALLEGIANCE? THEN REACH FOR TODDLER COFFEE. 12 00:00:34,534 --> 00:00:38,071 THIS HIGHLY ROBUST CAFFEINATED BLEND WILL GIVE YOU ALL THE 13 00:00:38,138 --> 00:00:40,540 ENERGY YOU NEED TO BELT OUT PLEDGES AND PRAYERS LONG BEFORE 14 00:00:40,607 --> 00:00:44,644 DAWN. BUT WHAT ABOUT WHEN DAD CALLS AT 15 00:00:44,711 --> 00:00:49,649 7:45 P.M. EVERY NIGHT TO DEMAND MEANING FROM A TODDLER? 16 00:00:49,716 --> 00:00:52,419 PARENTS KNOW THAT CAFFEINE ALONE WON'T KEEP A SMALL CHILD GOING 17 00:00:52,485 --> 00:00:56,923 FOR OVER 15 HOURS. INTRODUCING BABY METH, THE 18 00:00:56,990 --> 00:01:00,593 PERFECT PRE-K STIMULANT, BECAUSE LET'S FACE IT, THOSE BABY TEETH 19 00:01:00,660 --> 00:01:02,762 ARE GOING TO FALL OUT ANYWAY. TODDLER COFFEE AND BABY METH. 20 00:01:02,829 --> 00:01:09,068 ♪ THE BEST PART OF WAKING UP IS LATER DOING METH ♪ 21 00:01:09,135 --> 00:01:13,673 >> Announcer: IT'S "THE LATE SHOW WITH STEPHEN COLBERT." 22 00:01:13,740 --> 00:01:16,109 TONIGHT: 23 00:01:17,744 --> 00:01:22,382 PLUS, STEPHEN WELCOMES: COMMON 24 00:01:22,449 --> 00:01:26,019 AND LILY COLLINS 25 00:01:26,753 --> 00:01:31,157 FEATURING LOUIS CATO AND THE LATE SHOW BAND. 26 00:01:33,092 --> 00:01:37,997 AND NOW, LIVE ON TAPE FROM THE ED SULLIVAN THEATER IN NEW YORK 27 00:01:38,064 --> 00:01:40,400 CITY, IT'S STEPHEN COLBERT! 28 00:01:42,035 --> 00:01:56,916 ( CHEERS AND APPLAUSE ) ( CHEERS AND APPLAUSE ). 29 00:01:56,983 --> 00:02:00,687 ( CHEERS AND APPLAUSE ) ( CHEERS AND APPLAUSE ). 30 00:02:00,753 --> 00:02:03,423 THAT WAS. GOOD TO SEE YOU. 31 00:02:03,490 --> 00:02:08,294 HAPPY, HAPPY, HAPPY, HAPPY. MONDAY, THAT'S RIGHT, THAT'S 32 00:02:08,361 --> 00:02:09,963 RIGHT. HELLO! 33 00:02:10,029 --> 00:02:12,699 THANKS, EVERYBODY. PLEASE, HAVE A SEAT, EVERYBODY. 34 00:02:12,765 --> 00:02:15,635 YOU'RE TOO KIND. WELCOME, WELCOME, ONE AND ALL TO 35 00:02:15,702 --> 00:02:18,304 "THE LATE SHOW." I AM YOUR HOST, STEPHEN COLBERT. 36 00:02:18,371 --> 00:02:22,775 AND TONIGHT, LADIES AND GENTLEMEN, I AM OVER THE MOON. 37 00:02:22,842 --> 00:02:25,311 BECAUSE YESTERDAY, AN AMERICAN SPACECRAFT CAME BACK FROM IT! 38 00:02:25,378 --> 00:02:28,748 HERE'S WHAT'S HAPPENING: NASA IS WORKING ON SOMETHING CALLED THE 39 00:02:28,815 --> 00:02:31,985 ARTEMIS PROGRAM, THE FIRST HUMAN TRIP TO THE MOON SINCE THE EARLY 40 00:02:32,051 --> 00:02:33,052 1970S. WE'RE GETTIN' YOUR GOLF BALL 41 00:02:33,119 --> 00:02:37,023 BACK, ALAN SHEPARD! ( LAUGHTER ) 42 00:02:37,090 --> 00:02:41,294 LIES. AND THE MISSION PASSED ITS FIRST 43 00:02:41,361 --> 00:02:46,132 BIG TEST THIS PAST MONTH, WITH A LAUNCH IN THE MIDDLE OF THE 44 00:02:46,199 --> 00:02:52,338 NIGHT, LUNARHORBIT. AND 45 00:02:52,405 --> 00:02:54,274 SAFE SPLASHDOWN IN THE PACIFIC, COMPLETING ITS 26-DAY, 46 00:02:54,340 --> 00:02:57,310 1.4-MILLION-MILE JOURNEY! WELCOME BACK, ORION! 47 00:02:57,377 --> 00:03:05,752 ( CHEERS AND APPLAUSE ) BEEN GONE FOR A MONTH. 48 00:03:05,818 --> 00:03:09,055 I HAVE SO MUCH TO TELL YOU ABOUT "WHITE LOTUS." 49 00:03:09,122 --> 00:03:13,860 ( LAUGHTER ) HISTORIC OCEAN PLOP CAME 50 50 00:03:13,927 --> 00:03:17,430 YEARS TO THE DAY AFTER THE LAST APOLLO MISSION, APOLLO 17, 51 00:03:17,497 --> 00:03:22,902 LANDED ON THE LUNAR SURFACE IN 1972. 52 00:03:22,969 --> 00:03:25,038 THAT IS AMAZING. THE LAST TIME WE FLEW TO THE 53 00:03:25,104 --> 00:03:27,340 MOON, I LOOKED LIKE THIS. ( LAUGHTER ) 54 00:03:27,407 --> 00:03:35,448 OOH! WORRIED, A WORRIED KID. 55 00:03:35,515 --> 00:03:37,984 IT'S TRUE. IT'S TRUE WHAT THEY SAY: THE 56 00:03:38,051 --> 00:03:41,988 CAMERA REALLY DOES ADD 50 YEARS. THE ORION CAPSULE WAS AN 57 00:03:42,055 --> 00:03:49,028 UNCREWED VESSEL, BUT IT DID CONTAIN A MANNEQUIN NAMED 58 00:03:49,095 --> 00:03:55,001 "COMMANDER MOONIKIN CAMPOS," AND HELGA" AND "ZOHAR." 59 00:03:55,068 --> 00:03:56,436 IN SPACE, NO ONE CAN HEAR YOU SCREAM, "HELGA! 60 00:03:56,502 --> 00:03:58,805 ZOHAR! WHO TOOK YOUR LEGS?!" 61 00:03:58,871 --> 00:04:04,877 ( LAUGHTER ) WHY WOULD THEY JUST SEND TORSOS. 62 00:04:04,944 --> 00:04:07,981 THE MANNEQUINS' JOB WAS TO TEST THE EFFECTS OF RADIATION ON THE 63 00:04:08,047 --> 00:04:10,650 HUMAN BODY, WHICH IS WHY HELGA AND ZOHAR WERE MADE OF MATERIALS 64 00:04:10,717 --> 00:04:14,287 THAT MIMIC THE SOFT TISSUE, ORGANS, AND BONES OF A WOMAN. 65 00:04:14,354 --> 00:04:17,323 A BIG DAY FOR SCIENCE. HUGE DAY FOR THE LONELIEST NERD 66 00:04:17,390 --> 00:04:19,626 AT NASA: "GOOD NEWS, FELLAS! 67 00:04:19,692 --> 00:04:23,429 I'VE DONE EXTENSIVE PERSONAL RESEARCH ON MIMICKING THE TENDER 68 00:04:23,496 --> 00:04:29,035 TOUCH OF AN ACTUAL HUMAN WOMAN. PLEASE MEET MY LOVELY ROBOT 69 00:04:29,102 --> 00:04:33,406 COMPANIONS SQUEEZELLA, AAAND I'M BEING ESCORTED OUT." 70 00:04:33,473 --> 00:04:37,043 OKAY, I'M BEING-- I'M BEING ESCORTED. 71 00:04:37,110 --> 00:04:43,916 ( APPLAUSE ) SPEAKING OF THINGS THAT SHOULD 72 00:04:43,983 --> 00:04:48,154 BE LAUNCHED INTO SPACE: GEORGIA CONGRESSWOMAN MARJORIE TAYLOR 73 00:04:48,221 --> 00:04:51,624 GREENE. ( CHEERS AND APPLAUSE ) 74 00:04:51,691 --> 00:04:57,030 DIDN'T JUST KICK IN. ( LAUGHTER ) 75 00:04:57,096 --> 00:05:04,203 WEEKEND TO SPEAK AT A MEETING OF THE NEW YORK YOUNG REPUBLICAN 76 00:05:04,270 --> 00:05:05,638 CLUB, WHERE SHE WAS CELEBRATED BY NEW YORK'S YOUNG REPUBLICAN 77 00:05:05,705 --> 00:05:11,511 COMMUNITY: TRENT. ( LAUGHTER ) 78 00:05:11,577 --> 00:05:16,349 THAT SHE WAS INVOLVED IN ORGANIZING THE JANUARY 6th 79 00:05:16,416 --> 00:05:19,218 INSURRECTION, FOR ONE INSANE REASON: 80 00:05:19,285 --> 00:05:20,987 >> I GOT TO TELL YOU SOMETHING, IF STEVE BANNON AND I HAD 81 00:05:21,054 --> 00:05:24,691 ORGANIZED THAT, WE WOULD HAVE WON. 82 00:05:24,757 --> 00:05:29,262 >> Stephen: SO, BY "WE" SHE MEANS THE RIOTERS AND BY 83 00:05:29,328 --> 00:05:35,268 "WOULD HAVE WON" SHE MEANS "OVERTHROWN THE GOVERNMENT"? 84 00:05:35,334 --> 00:05:37,003 SO, SIDING WITH THE BAD GUYS. WHAT'S IT LIKE TO WATCH MOVIES 85 00:05:37,070 --> 00:05:38,805 WITH HER? "I'M NOT SURE WHAT 'JURASSIC' 86 00:05:38,871 --> 00:05:40,206 MEANS, BUT I CAN TELL YOU IF STEVE BANNON AND I HAD BEEN ON 87 00:05:40,273 --> 00:05:41,407 THAT ISLAND, WE WOULD HAVE EATEN LAURA DERN AND SAM NEILL FOR 88 00:05:41,474 --> 00:05:47,346 SURE." BONES AND ALL. 89 00:05:47,413 --> 00:05:53,052 BONES AND ALL." ( APPLAUSE ) 90 00:05:53,119 --> 00:05:59,692 >> I COME TO WASHINGTON, I SWEAR IT'S ON JANUARY 3. 91 00:05:59,759 --> 00:06:05,031 I GET ACCUSED OF GIVING INSURRECTION TOURS. 92 00:06:05,098 --> 00:06:08,801 WHICH I THOUGHT WAS HILARIOUS BECAUSE I COULDN'T FIND THE 93 00:06:08,868 --> 00:06:14,640 BATHROOM IN THE CAPITOL. >> Stephen: AND BASED ON WHAT 94 00:06:14,707 --> 00:06:15,808 THEY SMEARED ON THE WALLS OF THE ROTUNDA, NEITHER COULD THE 95 00:06:15,875 --> 00:06:16,909 RIOTERS. FOR THOSE OF YOU WHO DON'T KNOW 96 00:06:16,976 --> 00:06:19,479 WHAT I'M TALKING ABOUT, WHAT WAS IT, MADAME SPEAKER? 97 00:06:19,545 --> 00:06:23,116 >> POO POO. >> Stephen: YES, THANK YOU FOR 98 00:06:23,182 --> 00:06:27,487 YOUR DECADES OF LEADERSHIP. WHEN SHE WASN'T ADVOCATING FOR 99 00:06:27,553 --> 00:06:29,155 SHOOTING CAPITOL POLICEMEN, GREENE WEIGHED IN ON THE OTHER 100 00:06:29,222 --> 00:06:31,491 MAJOR ISSUE FACING AMERICANS: BUTT STUFF. 101 00:06:31,557 --> 00:06:35,461 >> BY THE WAY, YOU CAN PICK UP A BUTT PLUG OR A DILDO AT TARGET 102 00:06:35,528 --> 00:06:39,465 AND CVS NOWADAYS. >> Stephen: OKAY. 103 00:06:39,532 --> 00:06:46,205 ( LAUGHTER ) TARGET SELLS BUTT 104 00:06:46,272 --> 00:06:47,640 PLUGS. NOW WE KNOW WHAT THEIR LOGO'S 105 00:06:47,707 --> 00:06:51,677 SUPPOSED TO BE. AND-- 106 00:06:51,744 --> 00:06:57,116 ( APPLAUSE ) WHY CAN'T THE PEOPLE TRYING TO 107 00:06:57,183 --> 00:06:59,685 OVERTHROW OUR COUNTRY BE MORE LIKE THE FUN ONES IN GERMANY? 108 00:06:59,752 --> 00:07:05,424 BECAUSE LAST WEEK, DEUTSCHE POLICE ROUNDED UP 25 FAR-RIGHT 109 00:07:05,491 --> 00:07:07,460 EXTREMISTS WHO PLANNED TO OVERTHROW THE GERMAN GOVERNMENT, 110 00:07:07,527 --> 00:07:13,366 INCLUDING "A SELF-STYLED PRINCE, A RETIRED PARATROOPER, A 111 00:07:13,432 --> 00:07:15,468 BERLIN JUDGE, A DOCTOR, A COOK, A PILOT, A CLASSICAL TENOR." 112 00:07:15,535 --> 00:07:21,674 ( AS GERMAN ) MIDNIGHT TOKER. 113 00:07:21,741 --> 00:07:23,476 ( LAUGHTER ) SOME CALL HIM MAURICE. 114 00:07:23,543 --> 00:07:27,113 WOOT-WOOO!" NOTHING? 115 00:07:27,180 --> 00:07:29,515 NOTHING? OKAY. 116 00:07:29,582 --> 00:07:31,684 APPARENTLY, THEIR PLAN WAS TO TAKE CONTROL OF THE WORLD'S 117 00:07:31,751 --> 00:07:35,488 FOURTH LARGEST ECONOMY, ABOLISH ITS DEMOCRACY, AND INSTALL AN 118 00:07:35,555 --> 00:07:37,890 OBSCURE SEPTUAGENARIAN ARISTOCRAT AS "EMPEROR." 119 00:07:37,957 --> 00:07:41,460 COME ON, GERMANY. YOU'RE A MODERN COUNTRY. 120 00:07:41,527 --> 00:07:43,162 YOU DON'T WANT A SEPTUAGENARIAN EMPEROR. 121 00:07:43,229 --> 00:07:45,798 YOU WANT AN OCTOGENARIAN PRESIDENT! 122 00:07:45,865 --> 00:07:49,468 ( LAUGHTER ) RIGHT? 123 00:07:49,535 --> 00:07:52,872 RIGHT? THAT'S WHAT WE'RE TALKING ABOUT. 124 00:07:52,939 --> 00:07:54,774 BEFORE-- BEFORE YOU GUYS GOT HERE. 125 00:07:54,841 --> 00:08:03,482 THE ARISTOCRAT IN QUESTION IS 71-YEAR-OLD HEINRICH XIII PRINCE 126 00:08:03,549 --> 00:08:05,318 REUSS, WHO USES THE ROYAL TITLE, "DESPITE GERMANY 127 00:08:05,384 --> 00:08:07,420 ABOLISHING ANY FORMAL ROLE FOR ROYALTY MORE THAN A CENTURY 128 00:08:07,486 --> 00:08:09,655 AGO." SO, BASICALLY, PRINCE HEINRICH 129 00:08:09,722 --> 00:08:13,192 IS ABOUT AS MUCH A MONARCH AS QUEEN LATIFAH. 130 00:08:13,259 --> 00:08:18,564 ( LAUGHTER ) FIGHT INJUSTICE HERE ON CBS. 131 00:08:18,631 --> 00:08:22,034 "THE ENFORCENATOR"-- SUNDAYS AT 5:00. 132 00:08:22,101 --> 00:08:25,872 CBS. ( APPLAUSE ) 133 00:08:25,938 --> 00:08:31,477 SITTING WELL WITH THE REST OF HIS TEUTONIC CLAN, AT LEAST 134 00:08:31,544 --> 00:08:37,617 ACCORDING TO FAMILY SPOKESMAN HEINRICH XIV, "A DISTANT COUSIN 135 00:08:37,683 --> 00:08:41,787 WHO, LIKE ALL MALE HEIRS TO THE REUSS THRONE, IS ALSO NAMED 136 00:08:41,854 --> 00:08:42,922 HEINRICH." THAT'S GOTTA BE TOUGH AT FAMILY 137 00:08:42,989 --> 00:08:43,856 REUNIONS: "HEINRICH!" 138 00:08:43,923 --> 00:08:45,091 "HEINRICH!" "I WAS SO SORRY TO HEAR ABOUT 139 00:08:45,157 --> 00:08:46,125 HEINRICH." "YEAH, I LOVED HEINRICH. 140 00:08:46,192 --> 00:08:51,464 BUT YOU KNOW WHO I HATE? HEINRICH. 141 00:08:51,530 --> 00:08:55,468 OF COURSE, ME, TOO, NOT AS MUCH AS HEINRICH. 142 00:08:55,534 --> 00:09:01,073 SHH-- HERE COMES HEINRICH. ( CHEERS AND APPLAUSE ) 143 00:09:01,140 --> 00:09:10,750 TURNS OUT, THE COOK INSURRECTIONIST I MENTIONED 144 00:09:10,816 --> 00:09:12,051 EARLIER IN THE LIST IS FAMOUS GERMAN CELEBRITY CHEF FRANK 145 00:09:12,118 --> 00:09:15,454 HEPPNER, WHO IS THOUGHT TO BE A MEMBER OF THE COMMAND STAFF OF 146 00:09:15,521 --> 00:09:16,689 THE MILITARY ARM OF THE TERRORIST GROUP. 147 00:09:16,756 --> 00:09:19,492 HE'S THE MOST EXTREME TERRORIST CHEF SINCE THE FOOD NETWORK 148 00:09:19,558 --> 00:09:25,164 FINALLY CANCELLED "OSAMA BIN COOKIN'." 149 00:09:25,231 --> 00:09:28,100 TERRIBLE SHOW. WHY WOULD THEY GIVE HIM THAT 150 00:09:28,167 --> 00:09:31,470 SHOW? WHY ON EARTH? 151 00:09:31,537 --> 00:09:34,440 BACK IN AMERICA, THE BIG POLITICAL STORY THIS WEEKEND WAS 152 00:09:34,507 --> 00:09:35,841 THAT KYRSTEN SINEMA ANNOUNCED SHE IS LEAVING THE DEMOCRATIC 153 00:09:35,908 --> 00:09:38,077 PARTY AND REGISTERING AS AN INDEPENDENT. 154 00:09:38,144 --> 00:09:43,249 THAT IS SHOCKING. KYRSTEN SINEMA WAS A DEMOCRAT? 155 00:09:43,316 --> 00:09:47,553 ( LAUGHTER ) THIS ANNOUNCEMENT-- SHE WAS A 156 00:09:47,620 --> 00:09:49,889 WHAT? THIS ANNOUNCEMENT CAME ON THE 157 00:09:49,956 --> 00:09:52,325 HEELS OF RAPHAEL WARNOCK'S VICTORY, WHICH GUARANTEED THE 158 00:09:52,391 --> 00:09:55,194 DEMOCRATS FULL CONTROL OF THE SENATE. 159 00:09:55,261 --> 00:10:07,473 ( CHEERS AND APPLAUSE ) SO, NATURALLY, SINEMA DECIDED TO 160 00:10:07,540 --> 00:10:09,208 MAKE IT ABOUT HER. SHE'S LIKE THE PERSON WHO SHOWS 161 00:10:09,275 --> 00:10:11,177 UP TO YOUR WEDDING WEARING WHITE, OR GOES TO YOUR FUNERAL 162 00:10:11,243 --> 00:10:13,879 IN A COFFIN. ( CREAKING ) 163 00:10:13,946 --> 00:10:22,388 ( LAUGHTER ) ( APPLAUSE ) 164 00:10:22,455 --> 00:10:27,493 EVEN BIGGER IF IT CHANGED ANYTHING, BECAUSE SINEMA SAID 165 00:10:27,560 --> 00:10:30,563 SHE EXPECTS TO KEEP HER SAME COMMITTEE ASSIGNMENTS, WHICH 166 00:10:30,629 --> 00:10:33,899 MEANS SHE'LL CAUCUS WITH THE DEMOCRATS, AND TOLD 167 00:10:33,966 --> 00:10:35,468 ARIZONANS "NOTHING WILL CHANGE ABOUT MY VALUES OR MY BEHAVIOR." 168 00:10:35,534 --> 00:10:39,472 SO REST ASSURED. SHE MAY BE AN INDEPENDENT NOW 169 00:10:39,538 --> 00:10:43,476 BUT STILL SUUUCKS. ( LAUGHTER ) 170 00:10:43,542 --> 00:10:55,488 ON FRIDAY-- SUUCKS. ON FRIDAY, OUR FRIEND JAKE 171 00:10:55,554 --> 00:10:57,356 TAPPER ASKED SINEMA ABOUT HOW THIS DOESN'T AFFECT THE BALANCE 172 00:10:57,423 --> 00:10:59,492 OF POWER IN THE SENATE: >> WHAT YOU'RE DOING TODAY 173 00:10:59,558 --> 00:11:04,530 DOESN'T CHANGE THAT? IT'S STILL BASICALLY GOING TO BE 174 00:11:04,597 --> 00:11:05,831 51-49. >> I KNOW YOU HAVE TO ASK THAT 175 00:11:05,898 --> 00:11:07,466 QUESTION, BUT THAT'S KIND OF A D.C. THING TO WORRY ABOUT. 176 00:11:07,533 --> 00:11:09,702 I'M NOT REALLY SPENDING MUCH TIME WORRYING ABOUT WHAT THE 177 00:11:09,769 --> 00:11:11,470 MECHANICS LOOK LIKE FOR WASHINGTON, D.C. 178 00:11:11,537 --> 00:11:13,873 >> Stephen: YOU WORK IN WASHINGTON, D.C. 179 00:11:13,939 --> 00:11:17,777 THAT'S WHAT YOUR CONSTITUENTS HIRED YOU TO GO DO. 180 00:11:17,843 --> 00:11:22,281 THAT'S LIKE A PILOT SAYING, "UH, ATTENTION, PASSENGERS. 181 00:11:22,348 --> 00:11:25,851 I KNOW YOU HAVE TO ASK THESE QUESTIONS ABOUT THE LEFT ENGINE 182 00:11:25,918 --> 00:11:27,453 BEING ON FIRE, BUT THAT'S KIND OF A PLANE ISSUE. 183 00:11:27,520 --> 00:11:30,356 I'M NOT SPENDING MUCH TIME WORRYING ABOUT THE MECHANICS OF 184 00:11:30,423 --> 00:11:33,159 THIS PLANE. ANYWAY, GOTTA GO. 185 00:11:33,225 --> 00:11:34,960 LOTS OF FLASHY LIGHTS AND BEEP, BEEP, BOOP, BOOPS HAPPENING UP 186 00:11:35,027 --> 00:11:35,861 HERE. HEY, THAT'S A PRETTY 187 00:11:35,928 --> 00:11:39,465 MOUNTAIN." ( LAUGHTER ) 188 00:11:39,532 --> 00:11:49,842 BACK WHEN SHE WAS A DEMOCRAT, SINEMA WAS LASER FOCUSED ON HER 189 00:11:49,909 --> 00:11:53,846 NUMBER-ONE PRIORITY: UNDERMINING DEMOCRATS. 190 00:11:53,913 --> 00:11:55,481 SHE BLOCKED BIDEN'S INITIAL "BUILD BACK BETTER" PROPOSAL, 191 00:11:55,548 --> 00:11:59,485 BLOCKED DEMOCRATIC ATTEMPTS TO INCREASE TAXES ON CORPORATE 192 00:11:59,552 --> 00:12:07,827 AMERICA, AND SHE TORPEDOED RAISING FEDERAL MINIMUM WAGES 193 00:12:07,893 --> 00:12:13,866 THUMBS-DOWN CURTSY MOVE IT WAS THE MOST DISRESPECTFUL 194 00:12:13,933 --> 00:12:17,837 DISMISSAL OF WORKING CLASS SINEMA'S NEW PARTY AFFILIATION 195 00:12:17,903 --> 00:12:19,538 PUTS HER IN THE SAME CAMP AS OTHER INDEPENDENTS WHO CAUCUS 196 00:12:19,605 --> 00:12:23,342 WITH THE DEMOCRATS, LIKE ANGUS KING AND BERNIE SANDERS. 197 00:12:23,409 --> 00:12:26,879 BUT SANDERS DOESN'T NECESSARILY WANT HER IN THE CLUB. 198 00:12:26,946 --> 00:12:31,183 HE RECENTLY REFERRED TO HER AS A "CORPORATE DEMOCRAT." 199 00:12:31,250 --> 00:12:32,218 IT'S TRUE, SHE'S ALWAYS SHILLING FOR CORPORATIONS. 200 00:12:32,284 --> 00:12:34,720 SHE'S CLEARLY IN THE POCKET OF SPIRIT HALLOWEEN. 201 00:12:34,787 --> 00:12:35,788 I'M NOT SURE BECOMING AN INDEPENDENT IS GOING TO HELP 202 00:12:35,855 --> 00:12:43,462 SINEMA. IN A RECENT POLL, A SOLID 54% OF 203 00:12:43,529 --> 00:12:47,333 ARIZONA REPUBLICANS, 57% OF DEMOCRATS, AND 51% OF 204 00:12:47,399 --> 00:12:49,869 INDEPENDENTS DON'T LIKE HER. THAT'S EVERYBODY! 205 00:12:49,935 --> 00:12:54,874 ( LAUGHTER ) GESTURE TO REPRESENT HOW THE 206 00:12:54,940 --> 00:12:59,278 PEOPLE OF ARIZONA FEEL ABOUT KYRSTEN SINEMA. 207 00:12:59,345 --> 00:13:01,747 THERE YOU GO. ( LAUGHTER ) 208 00:13:01,814 --> 00:13:03,115 WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. 209 00:13:03,182 --> 00:13:04,850 MY GUESTS ARE COMMON AND THE STAR OF "EMILY IN PARIS," LILY 210 00:13:04,917 --> 00:13:11,457 COLLINS. BUT WHEN WE COME BACK, 211 00:13:11,524 --> 00:13:13,526 "MEANWHILE!" JOIN US, WON'T YOU? 212 00:13:56,368 --> 00:13:58,270 WELCOME BACK EVERYBODY. GIVE IT UP FOR THE BAND, LOUIS 213 00:13:58,337 --> 00:14:03,242 CATO AND THE LATE SHOW BAND RIGHT THERE! 214 00:14:03,309 --> 00:14:07,012 ( CHEERS AND APPLAUSE ) >> Louis: STEPHEN. 215 00:14:07,079 --> 00:14:10,382 >> Stephen: OH, LOUIS. >> Louis: OH, STEPHEN. 216 00:14:10,449 --> 00:14:12,618 >> Stephen: DO YOU-- THANKS, EVERYBODY. 217 00:14:12,685 --> 00:14:13,819 THANK YOU. ( APPLAUSE ) 218 00:14:13,886 --> 00:14:18,624 FANTASTIC GUESTS TONIGHT. WE'VE HAD ON ONE BEFORE. 219 00:14:18,691 --> 00:14:20,893 THANK YOU SO MUCH, EVERYBODY. PLEASE HAVE A SEAT. 220 00:14:20,960 --> 00:14:23,229 TONIGHT WE HAVE TWO AMAZING PEOPLE HERE. 221 00:14:23,295 --> 00:14:28,801 WE'VE GOT THE ACTOR, MUSICIAN, ACTIVIST COMMON IS ON THIS 222 00:14:28,867 --> 00:14:31,103 EVENING. ( CHEERS AND APPLAUSE ). 223 00:14:31,170 --> 00:14:35,541 >> Louis: LEGENDARY. >> Stephen: HE'S MAKE HIS 224 00:14:35,608 --> 00:14:37,142 BROADWAY DEBUT RIGHT DOWN THE STREET. 225 00:14:37,209 --> 00:14:39,245 AND EVERYBODY HERE WATCH "EMILY IN PARIS"? 226 00:14:39,311 --> 00:14:42,648 YOU WATCH THAT SHOW? I HEAR GOOD THINGS. 227 00:14:42,715 --> 00:14:44,617 LILY COLLINS IS ON HERE THIS EVENING. 228 00:14:44,683 --> 00:14:47,453 HOW IS YOUR CHRISTMAS SPIRIT, LOUIS. 229 00:14:47,519 --> 00:14:48,988 >> Louis: YOU KNOW, IT'S PRETTY GOOD. 230 00:14:49,054 --> 00:14:51,257 PEOPLE ARE ALREADY GIVING GIFTS AND STUFF AND CARDS. 231 00:14:51,323 --> 00:14:53,626 >> Stephen: HAVE YOU GUYS FINISHED ALL YOUR CHRISTMAS 232 00:14:53,692 --> 00:14:56,428 SHOPPING OVER THERE? >> Louis: NO, STILL GOING. 233 00:14:56,495 --> 00:14:59,965 >> Stephen: THIS WEEKEND WAS GOING TO BE IT. 234 00:15:00,032 --> 00:15:02,468 I'M GETTING IT DONE THIS WEEKEND, I'M NOT GETTING 235 00:15:02,534 --> 00:15:05,504 STRESSED OUT ABOUT THIS. I'M WALKING AROUND WITH EVIE, 236 00:15:05,571 --> 00:15:07,773 VARIOUS STORES, ON 5th AVENUE. 237 00:15:07,840 --> 00:15:10,709 WHAT DO YOU LIKE? SHE KEPT POINTING AT THINGS 238 00:15:10,776 --> 00:15:15,314 SAYING, "YOU CAN'T BUY ME THAT." BECAUSE, I COULD-- I HOST A 239 00:15:15,381 --> 00:15:18,617 LATE-NIGHT SHOW. I GOT A LOT OF MONEY. 240 00:15:18,684 --> 00:15:22,621 I'M DOING FINE. I'M DOING FINE OKAY. 241 00:15:22,688 --> 00:15:27,226 I CAN'T BUY TWITTER, THOUGH I WOULD. 242 00:15:27,293 --> 00:15:35,234 ( APPLAUSE ) SHE'S LIKE, "DON'T BUY THAT, 243 00:15:35,301 --> 00:15:38,704 THAT'S EXTRAVAGANT." VERY BREATH TAKINGLY 244 00:15:38,771 --> 00:15:40,806 LEVEL-HEADED GIRL. I DON'T KNOW WHAT TO GET HER. 245 00:15:40,873 --> 00:15:43,742 ANY RECOMMENDATIONS? YOU GUYS KNOW EVIE? 246 00:15:43,809 --> 00:15:49,848 WHAT SHOULD I GET EVIE. >> I THINK YOU ARE HER GREATEST 247 00:15:49,915 --> 00:15:54,153 GIFT. ( APPLAUSE ) 248 00:15:54,219 --> 00:16:00,793 YOU DELIVERED THAT LINE JUST LIKE I WROTE IT. 249 00:16:00,859 --> 00:16:03,729 TANK YOU. ( LAUGHTER ) 250 00:16:03,796 --> 00:16:09,501 THANK YOU. MERRY CHRISTMAS. 251 00:16:09,568 --> 00:16:11,737 MERRY CHRISTMAS. FOLKS, I SPEND MOST OF MY TIME 252 00:16:11,804 --> 00:16:15,808 RIGHT OVER THERE, SURVEYING THE NEWS BEAUTY SHOPS AND SELECTING 253 00:16:15,874 --> 00:16:18,143 ONLY THE FINEST "LARIN" STORY HAIR, THEN, USING MY LATCH-HOOK 254 00:16:18,210 --> 00:16:23,382 NEEDLE, SPEND DAYS VENTILATING EACH TOPICAL STRAND USING A 255 00:16:23,449 --> 00:16:25,951 FLAT KNOT INTO A HAND-TIED MONOFILAMENT CAP, TO CREATE THE 256 00:16:26,018 --> 00:16:30,356 BESPOKE RAFFAELE MOLLICA LACE-FRONT WIG THAT IS MY 257 00:16:30,422 --> 00:16:35,094 NIGHTLY MONOLOGUE. BUT SOMETIMES, SOMETIMES, FOLKS, 258 00:16:35,160 --> 00:16:36,228 I FALL OUT OF A TREE WHERE I'VE BEEN HIDING FROM THE 259 00:16:36,295 --> 00:16:38,564 BLOODHOUNDS, SCRAPE THE FUR OFF A ROADKILL RACCOON, USE 260 00:16:38,630 --> 00:16:40,766 DISCARDED CHEWING GUM TO STICK IT ON A TRIANGULAR SHARD OF 261 00:16:40,833 --> 00:16:43,435 BROKEN FRISBEE, AND FASHION A BELT OUT OF BOOT STRINGS, THEN 262 00:16:43,502 --> 00:16:46,505 STRIP NAKED AND WANDER FOOD COURTS PERFORMING THE FOURTH 263 00:16:46,572 --> 00:16:49,541 ACT OF KING LEAR WEARING THE FETID MERKIN OF NEWS THAT IS MY 264 00:16:49,608 --> 00:16:54,480 SEGMENT: >> "MEANWHILE!" 265 00:16:54,546 --> 00:17:01,520 ( CHEERS AND APPLAUSE ) THAT'S THE TRUE MEANING OF 266 00:17:01,587 --> 00:17:02,621 CHRISTMAS. MEANWHILE, IN GERMANY, GERMAN 267 00:17:02,688 --> 00:17:07,926 POLICE ARE SEEKING HELP IN SOLVING A BULL SPERM HEIST. 268 00:17:07,993 --> 00:17:10,696 OKAY, TIP FOR GERMAN POLICE: THE SPERM THIEF IS PROBABLY SOMEONE 269 00:17:10,763 --> 00:17:13,866 WHO APPEARS QUITE RESERVED AND BUTTONED-DOWN, BUT THEY ARE 270 00:17:13,932 --> 00:17:19,938 SECRETLY INTO SOME FREAKY STUFF. SO THAT NARROWS IT DOWN TO: 271 00:17:20,005 --> 00:17:22,141 GERMANS. ( LAUGHTER ) 272 00:17:22,207 --> 00:17:29,882 MEANWHILE, PANTONE HAS REVEALED THAT THEIR 2023 COLOR OF THE 273 00:17:29,948 --> 00:17:33,552 YEAR IS VIVA MAGENTA, WHICH THEY SAY "MERGES THE RICHNESS, 274 00:17:33,619 --> 00:17:37,022 WARMTH, AND STRENGTH OF NATURAL MATTERS WITH THE RICH, OPEN 275 00:17:37,089 --> 00:17:41,960 HORIZONS OF THE DIGITAL WORLD." ALSO KNOWN AS "RED." 276 00:17:42,027 --> 00:17:48,000 ( LAUGHTER ) ALONG WITH THE BIG DEBUT, 277 00:17:48,066 --> 00:17:49,535 PANTONE'S WEBSITE HAS TIPS FOR HOW TO INCORPORATE VIVA MAGENTA 278 00:17:49,601 --> 00:17:54,273 INTO YOUR WARDROBE, CALLING IT A "UNIVERSALLY FLATTERING SHADE." 279 00:17:54,339 --> 00:18:03,081 WAIT A SECOND, WHO WROTE THAT? JIMMY, CAN WE GET A PICTURE OF 280 00:18:03,148 --> 00:18:05,651 THE PANTONE STAFFER? I KNEW IT! 281 00:18:05,717 --> 00:18:14,660 MEANWHILE WE HAVE YET ANOTHER... >> MEANWHILE. 282 00:18:14,726 --> 00:18:19,231 >> PREVIOUSLY I TALKED ABOUT NEW YORK CITY'S WAR ON RATS,s AND 283 00:18:19,298 --> 00:18:31,944 ERIC ADAMS, AND HIS ALTER EGO, CAT-AMS. 284 00:18:32,010 --> 00:18:33,545 ADAMS HAS MADE FIGHTING NEW YORK'S RAT-NAMI ONE OF HIS TOP 285 00:18:33,612 --> 00:18:35,214 PRIORITIES. SO IT CAME AS A MAJOR SHOCK WHEN 286 00:18:35,280 --> 00:18:36,548 ADAMS WAS FINED OVER A RAT INFESTATION AT HIS OWN HOUSE. 287 00:18:36,615 --> 00:18:38,550 WAIT A SECOND. IF HIS HOUSE IS A SAFE HAVEN FOR 288 00:18:38,617 --> 00:18:41,553 RATS, HOW DO WE KNOW ERIC ADAMS ISN'T REALLY SOME KIND OF RAT 289 00:18:41,620 --> 00:18:44,156 DOUBLE AGENT? QUICK! 290 00:18:44,223 --> 00:18:48,093 SOMEONE CHECK UNDER HIS HAT! THIS ALL STARTED BACK IN MAY, 291 00:18:48,160 --> 00:18:49,528 WHEN A HEALTH INSPECTOR SPOTTED "FRESH RAT DROPPINGS" AT THE 292 00:18:49,595 --> 00:18:52,898 MAYOR'S TOWNHOUSE. THAT IS DISGUSTING! 293 00:18:52,965 --> 00:18:55,934 FRESH RAT DROPPINGS HAVE NO PLACE IN NEW YORK HOMES! 294 00:18:56,001 --> 00:19:00,539 THEY BELONG IN OUR SUBWAYS, GROCERY STORES, DELIS, MUSEUMS, 295 00:19:00,606 --> 00:19:01,640 PARKS, DOCTORS' OFFICES, RESTAURANTS, HOLIDAY WINDOWS, 296 00:19:01,707 --> 00:19:05,644 SHOES, TOTE BAGS, AND PINKBERRY TOPPING STATIONS! 297 00:19:05,711 --> 00:19:10,582 ( LAUGHTER ) WELCOME TO NEW YORK! 298 00:19:10,649 --> 00:19:17,589 ( APPLAUSE ) ( APPLAUSE ) 299 00:19:17,656 --> 00:19:24,930 NEWS, FRENCH PRESIDENT EMMANUEL MACRON HAS ANNOUNCED THAT 300 00:19:24,997 --> 00:19:26,164 FRANCE WILL MAKE CONDOMS FREE IN PHARMACIES FOR ANYONE UP TO 301 00:19:26,231 --> 00:19:28,233 AGE 25. WOW. 302 00:19:28,300 --> 00:19:31,803 THEY ARE REALLY CELEBRATING THAT WORLD CUP WIN. 303 00:19:31,870 --> 00:19:33,772 ( LAUGHTER ) YOU KNOW HOW HARD IT IS TO PUT 304 00:19:33,839 --> 00:19:40,546 ON A CONDOM WITH YOUR FEET? ( LAUGHTER ) 305 00:19:40,612 --> 00:19:47,152 YOU DO. THE FRENCH GOVERNMENT WANTS TO 306 00:19:47,219 --> 00:19:49,521 MAKE SURE EVERYONE HAS ACCESS TO PROTECTION BECAUSE SEXUALLY 307 00:19:49,588 --> 00:19:53,525 TRANSMITTED DISEASES ARE ON THE RISE AMONG YOUNG PEOPLE. 308 00:19:53,592 --> 00:19:55,928 YES, FRENCH HEALTH EXPERTS SAY THAT AFTER YOU'VE HAD A SEXUAL 309 00:19:55,994 --> 00:19:59,131 ENCOUNTER, IT'S A GOOD IDEA FOR ALL THREE OF YOU TO GET TESTED. 310 00:19:59,197 --> 00:20:00,766 WE'LL BE RIGHT BACK WITH COMMON. ♪ ♪ ♪ 311 00:20:22,654 --> 00:20:33,599 >> Stephen: ME? ME? 312 00:20:33,665 --> 00:20:35,667 ( APPLAUSE ) LADIES AND GENTLEMEN, MY 313 00:20:35,734 --> 00:20:40,505 FRIENDS, MY COUNTRYMEN, MY FIRST GUEST IS AN ARTIST, 314 00:20:40,572 --> 00:20:42,608 ACTOR, AUTHOR, AND ACTIVIST WHO IS NOW MAKING HIS BROADWAY DEBUT 315 00:20:42,674 --> 00:20:45,677 IN THE PLAY "BETWEEN RIVERSIDE AND CRAZY." 316 00:20:45,744 --> 00:20:53,485 PLEASE WELCOME BACK TO "THE LATE SHOW," COMMON. 317 00:20:53,552 --> 00:21:05,631 ♪ ♪ ♪ ( APPLAUSE ) 318 00:21:05,697 --> 00:21:12,304 >> Stephen: NICE TO SEE YOU. HAPPY HOLIDAYS. 319 00:21:12,371 --> 00:21:14,272 >> GREAT TO SEE YOU. HAPPY HOLIDAYS. 320 00:21:14,339 --> 00:21:17,109 >> Stephen: ARE YOU HAVING A HAPPY TIME OF THE YEAR FOR YOU? 321 00:21:17,175 --> 00:21:20,045 >> YEAH, I LOVE CHRISTMASTIME. IT MAKES ME FEEL LIKE A KID. 322 00:21:20,112 --> 00:21:22,814 A LOT OF PEOPLE IN A JOYOUS SPACE OVERALL. 323 00:21:22,881 --> 00:21:24,349 >> Stephen: AND THE STREETS ARE PACKED RIGHT NOW. 324 00:21:24,416 --> 00:21:26,818 I HAVEN'T SEEN NEW YORK LIKE THIS IN THREE OR FOUR YEARS. 325 00:21:26,885 --> 00:21:30,689 >> I MEAN, AND DOING BROADWAY, GETTING TO THAT THEATER DURING 326 00:21:30,756 --> 00:21:33,425 THIS TIME IS A STRUGGLE SOMETIMES. 327 00:21:33,492 --> 00:21:35,661 >> Stephen: I BET. # I ACTUALLY HEARD-- I WANT TO 328 00:21:35,727 --> 00:21:38,730 GET TO THIS IN A MINUTE, I WANT TO GET TO THAT STORY IN A 329 00:21:38,797 --> 00:21:41,099 MINUTE. I HEARD YOU HAD A LITTLE TROUBLE 330 00:21:41,166 --> 00:21:43,969 GETTING TO THE THEATER ON TIME. BUT LET'S EARN IT. 331 00:21:44,036 --> 00:21:47,272 EVERYONE OF COURSE KNOWS WHO YOU ARE NOW, BUT 30 YEARS AGO, WHEN 332 00:21:47,339 --> 00:21:50,008 YOUR FIRST ALBUM CAME OUT, PEOPLE DIDN'T NECESSARILY KNOW 333 00:21:50,075 --> 00:21:54,479 WHO COMMON WAS. YOUR FIRST ALBUM WAS, "CAN I 334 00:21:54,546 --> 00:21:57,983 BORROW A DOLLAR?" THERE YOU ARE, 20 YEARS OLD. 335 00:21:58,050 --> 00:22:00,786 ( APPLAUSE ). >> Stephen: JUST TAKE OFF THE 336 00:22:00,852 --> 00:22:02,320 BEARD, YOU LOOK EXACTLY THE SAME. 337 00:22:02,387 --> 00:22:04,022 >> MAN, PLEASE! I WISH. 338 00:22:04,089 --> 00:22:06,091 >> Stephen: THAT'S CLEAN LIVING I GUESS. 339 00:22:06,158 --> 00:22:07,893 >> THANK YOU. I MEAN, I DO MY BEST. 340 00:22:07,959 --> 00:22:10,962 >> Stephen: YOU SAID BACK THEN A LOT OF HIP HOP ARTISTS DON'T 341 00:22:11,029 --> 00:22:13,565 THINK EXPRESSING WHAT REALLY EXISTS IN THEIR LIFE IS GOING TO 342 00:22:13,632 --> 00:22:16,301 GET SALES OR RESPECT, BUT TO ME THAT'S THE ONLY WAY TO WIN. 343 00:22:16,368 --> 00:22:21,106 WHY DO YOU THINK THAT YOU WERE THAT SELF-ASHUFERRED A 344 00:22:21,173 --> 00:22:22,974 20-YEAR-OLD? BECAUSE NOT EVERY 20-YEAR-OLD 345 00:22:23,041 --> 00:22:27,879 HAS THAT SENSE OF CONFIDENCE IN THEIR OWN MESSAGE, IN THEIR OWN 346 00:22:27,946 --> 00:22:30,549 MISSION. >> TIFNINGS THE LOVE I GOT FROM 347 00:22:30,615 --> 00:22:33,151 MY MOTHER, MY BELIEF IN GOD, MY BELIEF IN MYSELF. 348 00:22:33,218 --> 00:22:36,988 AND I WAS SURROUNDED-- I WAS IN AN ENVIRONMENT THAT KIND OF 349 00:22:37,055 --> 00:22:41,326 ENCOURAGED ME TO BE ABLE TO BE MYSELF AND BE FREE. 350 00:22:41,393 --> 00:22:42,561 SO -- >> Stephen: DESCRIBE THAT 351 00:22:42,627 --> 00:22:43,829 ENVIRONMENT. ARE THESE YOUR FRIENDS? 352 00:22:43,895 --> 00:22:47,132 >> THESE ARE MY FRIENDS, AND IT WAS GREAT TO HAVE A PEER GROUP, 353 00:22:47,199 --> 00:22:50,068 LIKE, THAT WAS MY AGE, THAT WOULD ALLOW ME TO BE MYSELF AND, 354 00:22:50,135 --> 00:22:53,138 YOU KNOW, VICE VERSA. WE ALL KIND OF SUPPORTED EACH 355 00:22:53,205 --> 00:22:57,309 OTHER, YOU KNOW, AS YOUNG MEN, YOUNG BLACK MEN, JUST BEING 356 00:22:57,375 --> 00:23:00,378 LIKE, "OKAY, YOU'RE INTO THIS? OKAY, COOL." 357 00:23:00,445 --> 00:23:02,013 AND, "YOU'RE DIFFERENT? OKAY, COOL." 358 00:23:02,080 --> 00:23:04,883 IT KIND OF PROVIDED THAT PLATFORM FOR ME TO SAY, HEY I 359 00:23:04,950 --> 00:23:07,819 CAN GO OUT IN THE WORLD AND BE MYSELF BECAUSE I'M NOT AFRAID OF 360 00:23:07,886 --> 00:23:11,723 WHAT PEOPLE WILL SAY, BECAUSE I HAVE LOVE HERE AT THE 361 00:23:11,790 --> 00:23:13,225 FOUNDATION. >> Stephen: THAT'S 362 00:23:13,291 --> 00:23:15,594 INTERESTING. I THINK-- WHEN I TALK TO YOUNG 363 00:23:15,660 --> 00:23:17,095 ARTISTS... ( APPLAUSE ) 364 00:23:17,162 --> 00:23:21,566 YOUNG PEOPLE OF ANY DESCRIPTION, ONE OF THE THINGS I REALLY WANT 365 00:23:21,633 --> 00:23:25,337 THEM TO KNOW IS THAT THERE'S A PLACE FOR YOU AS YOU ARE. 366 00:23:25,403 --> 00:23:27,906 >> EXACTLY. >> Stephen: THERE'S A PLACE 367 00:23:27,973 --> 00:23:31,209 FOR THE YOU, YOU ARE. >> THAT'S SO POWERFUL STEPHEN. 368 00:23:31,276 --> 00:23:35,147 AND THE MORE WE ENCOURAGE YOUNG PEOPLE TO KNOW, HEY, YOU CAN BE 369 00:23:35,213 --> 00:23:38,250 AS UNIQUE AND DIFFERENT. ROOTS JUST ABOUT BEING-- FINDING 370 00:23:38,316 --> 00:23:41,286 THAT TRUTH WITHIN YOURSELF. AND IT TAKES-- YOU KNOW, I CAN'T 371 00:23:41,353 --> 00:23:45,323 SAY I HAD IT ALL TOGETHER. AND I'M STILL GROWING AND 372 00:23:45,390 --> 00:23:48,360 LEARNING. BUT AT 20 YEARS OLD, I WAS JUST, 373 00:23:48,426 --> 00:23:50,462 LIKE, HEY I'M GOING TO GO ON THIS PATH. 374 00:23:50,529 --> 00:23:53,498 I HAVE A BELIEF IN MYSELF. I HAVE A DREAM. 375 00:23:53,565 --> 00:23:57,169 AND I FEEL A PURPOSE TO DO THIS. SO IF SOME PEOPLE SAY-- LIKE, 376 00:23:57,235 --> 00:24:00,972 THAT FIRST ALBUM CAME OUT, AND A LOT OF PEOPLE DIDN'T KNOW THAT 377 00:24:01,039 --> 00:24:03,375 ALBUM. WE TALK ABOUT IT AND CELEBRATE 378 00:24:03,441 --> 00:24:07,212 IT FOR 30 YEARS NOW. I CAN CELEBRATE THE 30-YEAR 379 00:24:07,279 --> 00:24:09,281 ANNIVERSARY, BUT IT WASN'T, LIKE, POPULAR OR NOTHING. 380 00:24:09,347 --> 00:24:11,416 I HAD TO WORK -- >> Stephen: YOU GOT THERE. 381 00:24:11,483 --> 00:24:13,718 YOU GOT THERE. THE HARD WORK, YOU GOT THERE. 382 00:24:13,785 --> 00:24:17,289 30 YEARS AFTER THAT ALBUM, YOU'RE MAKING YOUR DEBUT AS AN 383 00:24:17,355 --> 00:24:22,294 ACTOR ON BROADWAY. ( CHEERS AND APPLAUSE ). 384 00:24:22,360 --> 00:24:27,899 THE SHOW IS CALLED "BETWEEN RIVERSIDE AND CRAZY" AT THE 385 00:24:27,966 --> 00:24:31,436 HAYES THEATER. "A," WHY DID IT TAKE YOU SO LONG 386 00:24:31,503 --> 00:24:33,872 TO GET TO BROADWAY? WHAT WERE YOU HOLDING BACK? 387 00:24:33,939 --> 00:24:36,041 AND WHY THIS ONE? >> I WAS DREAMING OF BEING ON 388 00:24:36,107 --> 00:24:39,010 BROADWAY FOR A LONG TIME, JUST DOING THEATER. 389 00:24:39,077 --> 00:24:43,615 I REALLY, REALLY WANTED TO DO THEATER. 390 00:24:43,682 --> 00:24:49,688 THIS PLAY, THIS WRITER, STEPHEN ADLY GUIRGIS IS ONE OF THE 391 00:24:49,754 --> 00:24:52,557 GREATEST AMERICAN PLAYWRIGHTS. I READ THIS PLAY AND WAS 392 00:24:52,624 --> 00:24:54,326 LIKE,s, I WANT TO BE A PART OF THIS." 393 00:24:54,392 --> 00:24:58,997 I HAD TO AUDITION TO GET THE ROLE BECAUSE HE-- STEPHEN 394 00:24:59,064 --> 00:25:02,734 ACTUALLY TOLD ME, HE WAS LIKE, MAN, YOU'RE TOO EVOLVED FOR THIS 395 00:25:02,801 --> 00:25:04,302 ROLE." I SAID, MAN, LISTEN. 396 00:25:04,369 --> 00:25:06,504 I'M NOT PERFECT MAN. I'M WORKING. 397 00:25:06,571 --> 00:25:07,939 I'M TRYING TO GET MYSELF AFFECTS. 398 00:25:08,006 --> 00:25:09,641 I CAN PLAY THIS CHARACTER YOU WANT." 399 00:25:09,708 --> 00:25:14,179 SO I GOT THE AUDITION AND WENT IN AND DID WHAT I HAD TO DO, AND 400 00:25:14,246 --> 00:25:16,314 I'M SO GRATEFUL BECAUSE THIS STORY IS LIKE A STORY WHERE YOU 401 00:25:16,381 --> 00:25:18,783 MEET PEOPLE WHO ARE NOT ALL GOOD, NOT ALL BAD. 402 00:25:18,850 --> 00:25:23,054 AND YOU-- AND YOU MEET THIS FATHER AND SON-- IT'S BASED 403 00:25:23,121 --> 00:25:25,223 AROUND A FATHER AND SON RELATIONSHIP WHERE THE MOTHER 404 00:25:25,290 --> 00:25:28,293 HAS JUST DIED, THE WIFE HAS JUST DIED, AND THE FATHER AND SON 405 00:25:28,360 --> 00:25:30,695 MOVE IN TOGETHER. AND THEY'RE TRYING TO BOND-- 406 00:25:30,762 --> 00:25:33,231 BUILD THEIR RELATIONSHIP, BUT THEY NEVER HAD A GREAT 407 00:25:33,298 --> 00:25:36,334 RELATIONSHIP. AND THE SON, WHO I PLAY, I'M 408 00:25:36,401 --> 00:25:37,869 BRINGING IN PEOPLE INTO OUR HOME. 409 00:25:37,936 --> 00:25:40,639 AND WE ALL GOT THESE THINGS THAT WE'VE DONE IN OUR LIVES THAT WE 410 00:25:40,705 --> 00:25:45,143 WANT TO LET GO OF. AND IT'S THIS CULMINATION OF ALL 411 00:25:45,210 --> 00:25:47,913 THESE NEW YORK PERSONALITIES COMING TOGETHER IN THIS ONE 412 00:25:47,979 --> 00:25:50,415 APARTMENT. AND THE GROWTH OF THAT. 413 00:25:50,482 --> 00:25:52,684 AND IT DOESN'T, LIKE, IT'S-- IT'S FUNNY. 414 00:25:52,751 --> 00:25:55,620 IT'S VERY FUNNY, BUT IT HAS A LOT OF DEPTH TO IT. 415 00:25:55,687 --> 00:25:58,456 AND I JUST WAS LIKE, THIS IS THE TYPE OF STORY AND WRITING THAT I 416 00:25:58,523 --> 00:26:02,127 WANT TO BE A PART OF. I LOVE BEING IN THAT THEATER AND 417 00:26:02,193 --> 00:26:05,931 PEOPLE ARE LAUGHING BUT THEY LEAVE CHANGED. 418 00:26:05,997 --> 00:26:10,302 THEY LEAVE LIKE THEY FELT SOME REAL-LIFE, RAW STORY OF PEOPLE, 419 00:26:10,368 --> 00:26:14,205 AND HUMAN BEINGS THAT ARE NOT ALL PERFECT BUT WANT TO BE 420 00:26:14,272 --> 00:26:15,907 BETTER. I LOOK AT WORK THAT I WANT TO 421 00:26:15,974 --> 00:26:17,909 DO. THE WORK I WANT TO DO AS AN 422 00:26:17,976 --> 00:26:21,813 ACTOR AND AS AN ARTIST IS WORK THAT CHANGES PEOPLE'S LIVES, 423 00:26:21,880 --> 00:26:23,915 THAT INSPIRES PEOPLE, BUT ALSO ENTERTAINS. 424 00:26:23,982 --> 00:26:25,650 IT'S WHAT YOU DO. ( CHEERS AND APPLAUSE ). 425 00:26:25,717 --> 00:26:27,819 WHAT YOU DO. >> Stephen: NICE OF YOU TO 426 00:26:27,886 --> 00:26:28,687 SAY. THANK YOU VERY MUCH. 427 00:26:28,753 --> 00:26:30,655 >> THAT'S THE TRUTH. >> Stephen: WELL -- 428 00:26:30,722 --> 00:26:33,825 >> CAN I TELL YOU ONE THING BEFORE YOU ASK ME A QUESTION? 429 00:26:33,892 --> 00:26:37,896 >> Stephen: OF COURSE YOU CAN. >> ONE OF MY CASTMATES JUST TOLD 430 00:26:37,963 --> 00:26:43,134 ME SHE HAS A CRUSH ON YOU. HER NAME IS ROSAL. 431 00:26:43,201 --> 00:26:47,806 SHE SAID HE'S SO BRILLIANT, I GOT ONE OF THOSE CRUSHES ON 432 00:26:47,872 --> 00:26:51,910 STEPHEN. SO I HAD TO LET YOU KNOW. 433 00:26:51,977 --> 00:26:56,982 ( CHEERS AND APPLAUSE ). >> Stephen: I COULDN'T GET 434 00:26:57,048 --> 00:26:59,517 ARRESTED WHEN I WAS A YOUNG ACTOR, AND I'M CURIOUS WHAT THE 435 00:26:59,584 --> 00:27:02,153 FIRST PLAY YOU DID WAS, EVEN LIKE IN SCHOOL. 436 00:27:02,220 --> 00:27:03,888 WHAT WAS THE FIRST THING YOU DID? 437 00:27:03,955 --> 00:27:07,492 >> THE FIRST PLAY I DID WAS "CHRISTMAS CAROL. 438 00:27:07,559 --> 00:27:08,626 THE. >> Stephen: WHAT WERE YOU IN 439 00:27:08,693 --> 00:27:11,029 THE "CHRISTMAS CAROL?" >> I WAS TINY TIM. 440 00:27:11,096 --> 00:27:12,597 >> Stephen: SO YOU WERE REALLY YOUNG. 441 00:27:12,664 --> 00:27:14,733 >> I WAS REALLY YOUNG, FIFTH GRADE. 442 00:27:14,799 --> 00:27:19,738 AND I DID THE PLAY, AND I GAVE MY SWEAT AND TEARS AND I GAVE MY 443 00:27:19,804 --> 00:27:21,706 SOUL TO IT. TINY TIM HAS HEART. 444 00:27:21,773 --> 00:27:25,510 AND AS SOON AS I FINISHED THE PLAY, MY MOTHER KEPT SAYING, 445 00:27:25,577 --> 00:27:30,015 "BOY--" MY BEST FRIEND-- "BOY, DEREK WAS SO GOOD IN THAT PLAY. 446 00:27:30,081 --> 00:27:34,019 DEREK WAS SO GOOD. I MEAN, SHE BARELY GAVE ME ANY, 447 00:27:34,085 --> 00:27:37,589 LIKE, COMPLIMENT. I SAID I GUESS I BETTER DO 448 00:27:37,655 --> 00:27:39,891 SOMETHING ELSE, PLAY BASKETBALL. >> Stephen: HIP HOP IT IS. 449 00:27:39,958 --> 00:27:44,362 >> HIP HOP IT HAS TO BE BECAUSE SHE DIDN'T GIVE ME ANY LOVE. 450 00:27:44,429 --> 00:27:49,300 NOW SHE'S BRINGING 140 PEOPLE TO BROADWAY TO WATCH THIS PLAY ON 451 00:27:49,367 --> 00:27:52,303 SATURDAY NIGHT, OUR FRIEND AND FAMILY NIGHT. 452 00:27:52,370 --> 00:27:55,807 ( APPLAUSE ) QUICK BREAK, BUT WE'LL BE RIGHT 453 00:27:55,874 --> 00:27:58,309 BACK WITH MORE COMMON, EVERYBODY. 454 00:27:58,376 --> 00:27:59,010 STICK AROUND. ♪ ♪ ♪ 455 00:28:10,755 --> 00:28:13,191 WE'RE BACK HERE. LOOK AT THIS, THE STAR OF 456 00:28:13,258 --> 00:28:17,996 "BETWEEN RIVERSIDE AND CRAZY" ON BROADWAY, COMMON. 457 00:28:18,063 --> 00:28:19,764 WHEN YOU'RE DOING EIGHT SHOWS A WEEK, WHEN YOU'RE LIVING IN A 458 00:28:19,831 --> 00:28:21,900 BROADWAY THEATER, IT'S LIKE HOME. 459 00:28:21,966 --> 00:28:24,569 WHAT DO YOU HAVE IN THERE TO MAKE IT MORE LIKE HOME? 460 00:28:24,636 --> 00:28:28,440 I'VE GOT-- CAN YOU EXPLAIN WHAT THIS IS I GUESS IS WHAT I'M 461 00:28:28,506 --> 00:28:31,843 ASKING. >> THESE ARE LIKE MANTRAS, 462 00:28:31,910 --> 00:28:37,849 THINGS TO REMIND ME OF WHO I AM AND TO INSPIRE ME. 463 00:28:37,916 --> 00:28:44,656 MY CHEF, HER NAME IS WANDA, I'M A VEGAN AND SHE COOKS THE BEST 464 00:28:44,722 --> 00:28:47,525 FOOD BUT SHE PUTS THESE MESSAGES ON THE CONTAINERS. 465 00:28:47,592 --> 00:28:49,127 >> Stephen: I LIKE THIS ONE RIGHT HERE. 466 00:28:49,194 --> 00:28:55,166 THIS ONE SAYS, "I LIVE BRAVELY IN MY TRUE AUTHENTICITY. 467 00:28:55,233 --> 00:28:59,404 PROF LON BURGER AND SALAD. THE. 468 00:28:59,471 --> 00:29:01,840 >> VEGGIE BURGER. THAT'S IT. 469 00:29:01,906 --> 00:29:04,709 LIVING IN AUTHENTICITY, YES. >> Stephen: ARE THERE ANY 470 00:29:04,776 --> 00:29:06,978 LESSONS YOU HAVE LEARNED DOING BROADWAY? 471 00:29:07,045 --> 00:29:08,379 NOW THAT YOU'VE DONE IT, WHAT HAVE YOU LEARNED ABOUT WHAT'S 472 00:29:08,446 --> 00:29:10,882 NECESSARY? >> MAN, IT'S A SACRED PLACE. 473 00:29:10,949 --> 00:29:14,586 IT'S A BEAUTIFUL PLACE. IT'S ONE OF THE MOST ARTISTIC 474 00:29:14,652 --> 00:29:19,424 EXPRESSIONS YOU COULD EVER GIVE. AND, REALLY, I'M GETTING TO 475 00:29:19,491 --> 00:29:20,792 SHARE THIS EXPERIENCE WITH THE AUDIENCE. 476 00:29:20,859 --> 00:29:24,796 IT TOOK ME BACK TO THE GRASS ROOTS OF JUST, LIKE, I'M SHARING 477 00:29:24,863 --> 00:29:28,566 MY DRESSING ROOM WITH SOMEONE. LIKE, LIKE INITIALLY, WE DIDN'T 478 00:29:28,633 --> 00:29:32,604 EVEN HAVE OUR OWN-- LIKE, HAVE A MAKEUP ARTIST TO DO, LIKE, 479 00:29:32,670 --> 00:29:34,072 WHATEVER MAKEUP. >> Stephen: THAT'S SOMETHING 480 00:29:34,139 --> 00:29:36,341 PEOPLE DON'T UNDERSTAND ABOUT BROADWAY THEATER. 481 00:29:36,407 --> 00:29:40,245 IIS THATs, YES, IT'S A PINNACLE FOR MANY PEOPLE IN THEIR CAREER 482 00:29:40,311 --> 00:29:44,983 TO BE ON BROADWAY IT'S A FANTASTIC SPACE AND FANTASTIC 483 00:29:45,049 --> 00:29:47,385 TRADITION, BACKSTAGE IT'S VERY LIMITED. 484 00:29:47,452 --> 00:29:49,454 IT'S TIGHT. >> IT'S LIMITED. 485 00:29:49,521 --> 00:29:52,891 I HAVE TO SIGN IN. I'M LIKE SUCH A FRESHMAN ON 486 00:29:52,957 --> 00:29:54,826 BROADWAY. EVERY DAY THEY'RE LIKE, 487 00:29:54,893 --> 00:29:58,663 "RASHEED, DID YOU SIGN IN? DID YOU SIGN IN?" 488 00:29:58,730 --> 00:30:00,899 THERE ARE SO MANY LITTLE ELEMENTS BUT I APPRECIATE 489 00:30:00,965 --> 00:30:03,801 EVERYBODY WORKING ON OUR TEAM, ON OUR PRODUCTION, ECAUSE YOU 490 00:30:03,868 --> 00:30:06,804 SEE ALL THE WORK THAT GOES INTO IT AND THE PASSION AND THE 491 00:30:06,871 --> 00:30:10,475 CREATIVITY. AND IT'S LIKE WE WORKING, WE'RE 492 00:30:10,542 --> 00:30:12,844 IN REHEARSALS. WE'RE STILL IN PREVIEWS RIGHT 493 00:30:12,911 --> 00:30:14,546 NOW. OPENING NIGHT IS THE 19th, 494 00:30:14,612 --> 00:30:18,349 AND I'M JUST-- LIKE, MAN, THIS IS ONE OF THE GREATEST 495 00:30:18,416 --> 00:30:21,452 EXPERIENCES I'VE HAD ALREADY. AND THE CAST IS JUST BEAUTIFUL. 496 00:30:21,519 --> 00:30:23,087 >> Stephen: AND YOU HAD TROUBLE GETTING THERE ONE NIGHT? 497 00:30:23,154 --> 00:30:27,492 >> OH, YEAH, YEAH, YEAH. THAT'S WHAT I HAD TO-- YEAH. 498 00:30:27,559 --> 00:30:30,395 WELL,A WE TALKED ABOUT NEW YORK CITY BEING BUSY, ONE-- ONE DAY 499 00:30:30,461 --> 00:30:38,403 WE HAD TWO SHOWS, AND I DECIDED TO GO TO BIRN-- NOT TOO FAR 500 00:30:38,469 --> 00:30:42,407 AWAY. MAYBE, LIKE, TWO MILES AWAY FROM 501 00:30:42,473 --> 00:30:45,243 THE THEATER. YOU ALL ARE ALREADY LIKE, WHAT 502 00:30:45,310 --> 00:30:48,846 ARE YOU DOING, COMMON? OUR SHOW IS AT 8:00. 503 00:30:48,913 --> 00:30:53,384 I DECIDED TO LEAVE AT 7:10. I'M SUPPOSED TO BE IN THE 504 00:30:53,451 --> 00:30:57,522 THEATER AT 7:30. I GET IN THE UBER, AND IT SAYS A 505 00:30:57,589 --> 00:31:00,391 40-MINUTE DRIVE TO GET THERE. I'M PANICKING. 506 00:31:00,458 --> 00:31:03,628 OH, MY GOD, I CANNOT BE LADY. THEY'RE REALLY GOING TO SAY THIS 507 00:31:03,695 --> 00:31:09,500 DUDE IS A RAPPER COMING LATE. THEY TRY-- ANYWAY, I SEE THEREAT 508 00:31:09,567 --> 00:31:14,072 BIKE TAXI, AND I TELL MY SISTER SABRINA, WE'VE GOT TO GET IN THE 509 00:31:14,138 --> 00:31:17,842 BIKE TAXI. WE GET IN THE BIKE TAXI. 510 00:31:17,909 --> 00:31:21,446 WE'RE ROLLING. HE'S OUT THERE PLAYING THE BEE 511 00:31:21,512 --> 00:31:24,315 GEES "STAYING ALIVE." AND WE REALLY TRY TO STAY ALIVE. 512 00:31:24,382 --> 00:31:26,150 >> Stephen: IS THIS WHAT THIS PHOTO IS? 513 00:31:26,217 --> 00:31:28,186 >> THIS IS THE PHOTO. >> Stephen: YOU GUYS ARE 514 00:31:28,253 --> 00:31:30,855 TRYING TO KEEP YOUR COMPOSURE WHILE THE GUY IS DRIVING? 515 00:31:30,922 --> 00:31:34,392 >> I'M TRYING TO STAY CALM AND COOL. 516 00:31:34,459 --> 00:31:38,062 AND SABRINA TOLD HIM TO HURRY UP, HURRY UP. 517 00:31:38,129 --> 00:31:42,734 HE SAID, "THE MORE YOU TELL ME TO GO FASTER THE SLOWER I'LL 518 00:31:42,800 --> 00:31:45,436 GO." WE CHILL, AND I SAID I HAVE A 519 00:31:45,503 --> 00:31:48,439 PERFORMANCE TO DO. AND HE SAID, REALLY, YOU'RE 520 00:31:48,506 --> 00:31:50,708 DOING THEATER?" AND I SAID WE'RE DOING THEATER." 521 00:31:50,775 --> 00:31:53,978 HE DIDN'T KNOW WHO I WAS. I GOT OUT, RAN A COUPLE OF 522 00:31:54,045 --> 00:31:56,848 BLOCKS, AND MADE IT TO THE SHOW. I LEARNED. 523 00:31:56,914 --> 00:31:58,383 I'M EARLY EVERY TIME. >> Stephen: NOW YOU'RE STAYING 524 00:31:58,449 --> 00:31:59,951 IN THE NEIGHBORHOOD. >> Stephen: COMMON, GOOD TO 525 00:32:00,018 --> 00:32:01,753 SEE YOU, THANK YOU SO MUCH FOR BEING HERE. 526 00:32:01,819 --> 00:32:06,357 >> THANK YOU SO MUCH. >> Stephen: "BETWEEN RIVERSIDE 527 00:32:06,424 --> 00:32:10,461 AND CRAZY" IS IN PREVIEWS NOW AND OPENS DECEMBER 19 AT THE 528 00:32:10,528 --> 00:32:11,596 HAYES THEATER. IT'S COMMON, EVERYBODY. 529 00:32:11,663 --> 00:32:13,197 WE'LL BE RIGHT BACK WITH THE STAR OF "EMILY IN PARIS," 530 00:32:13,264 --> 00:32:14,332 LILY COLLINS. ♪ ♪ ♪ 531 00:32:31,849 --> 00:32:33,985 ( APPLAUSE ) WELCOME BACK, EVERYBODY. 532 00:32:34,052 --> 00:32:40,658 FOLKS, LADIES AND GENTLEMEN, MY NEXT GUEST IS AN ACTRESS YOU 533 00:32:40,725 --> 00:32:48,366 KNOW FROM "MIRROR, MIRROR," "MANK," AND "EMILY IN PARIS." 534 00:32:48,433 --> 00:32:50,368 ♪ ♪ ♪ >> MADELYN. 535 00:32:50,435 --> 00:32:57,108 THIS IS THE HARDEST DECISION I HAVE EVER HAD TO MAKE. 536 00:32:57,175 --> 00:33:03,581 YOU'VE DONE SO MUCH FOR ME, AND I'M SO GRATEFUL FOR THAT. 537 00:33:03,648 --> 00:33:06,851 ♪ ♪ ♪ I MEAN, IT'S JUST-- IT'S JUST 538 00:33:06,918 --> 00:33:18,296 SOMETHING THAT I HAVE TO DO. ( SIGHS ) 539 00:33:18,363 --> 00:33:24,469 >> EMILY, NO! >> Stephen: PLEASE WELCOME BACK 540 00:33:24,535 --> 00:33:29,140 TO "THE LATE SHOW," LILY COLLINS. 541 00:33:29,207 --> 00:33:41,119 ♪ ♪ ♪ ( APPLAUSE ) 542 00:33:41,185 --> 00:33:45,957 HI! >> Stephen: HELLO. 543 00:33:46,023 --> 00:33:49,160 NICE TO SEE YOU AGAIN. >> NICE TO SEE YOU, TOO. 544 00:33:49,227 --> 00:33:52,530 >> Stephen: I HAVE TO ASK SOMETHING ABOUT THAT CLIP RIGHT 545 00:33:52,597 --> 00:33:53,731 THERE. YOU HAVE BANGS. 546 00:33:53,798 --> 00:33:56,234 >> YES, I HAVE BANG S. >> Stephen: WAS THAT A WIG 547 00:33:56,300 --> 00:33:58,970 YOU WERE CUTTING OR DID YOU CUT YOUR OWN HAIR THERE? 548 00:33:59,036 --> 00:34:01,773 >> OH, GOSH NO, THAT WOULD BE A MESS. 549 00:34:01,839 --> 00:34:06,110 THAT WAS A PIECE BUT WE ONLY HAD ONE PIECE BECAUSE FAKE HAIR IS 550 00:34:06,177 --> 00:34:07,178 EXPENSIVE. >> Stephen: VERY EXPENSIVE. 551 00:34:07,245 --> 00:34:11,115 >> AND WE HAD ONE SHOT AND I WEIRDLY CUT IT EVEN. 552 00:34:11,182 --> 00:34:13,117 >> Stephen: WOW. >> GO FIGURE. 553 00:34:13,184 --> 00:34:15,052 PRETTY LUCKY. >> Stephen: TV MAGIC IS WHAT 554 00:34:15,119 --> 00:34:18,589 THAT IS. THIS IS THE THIRD-- THIS IS 555 00:34:18,656 --> 00:34:20,091 SEASON THREE. >> YEAH. 556 00:34:20,158 --> 00:34:22,860 >> Stephen: FOR "EMILY IN PARIS." 557 00:34:22,927 --> 00:34:25,830 ( APPLAUSE ). >> Stephen: SPOILER ALERT, 558 00:34:25,897 --> 00:34:28,900 SPOILER ALERT FOR THE PEOPLE WHO HAVEN'T SEEN IT YET, "EMILY IN 559 00:34:28,966 --> 00:34:32,503 PARIS" TAKES PLACE IN PARIS. AND HOW MUCH OF THE YEAR DO YOU 560 00:34:32,570 --> 00:34:34,005 SPEND THERE WHEN YOU'RE SHOOTING? 561 00:34:34,071 --> 00:34:37,608 >> I SPEND ABOUT FIVE MONTHS. >> Stephen: WOW. 562 00:34:37,675 --> 00:34:39,577 >> YEAH. >> Stephen: NOOSE A NICE GIG! 563 00:34:39,644 --> 00:34:43,915 >> IT'S A LOVELY GIG. I ACTUALLY NOW HAVE A RESIDENCY 564 00:34:43,981 --> 00:34:45,216 CARD. >> Stephen: WHAT IS THAT LIKE 565 00:34:45,283 --> 00:34:48,619 A GREEN CARD? >> YEAH, I HAVE, LIKE, A 566 00:34:48,686 --> 00:34:50,855 TWO-YEAR RESIDENCY CARD FOR FRANCE. 567 00:34:50,922 --> 00:34:53,124 >> Stephen: WOW. >> WHICH I JUST NEVER THOUGHT 568 00:34:53,191 --> 00:34:55,993 I'D GET TO SAY THAT. WE'RE SO THE GRATEFUL TO BE ABLE 569 00:34:56,060 --> 00:34:59,096 TO SHOOT THERE. PARIS HAS REALLY ENVELOPED US 570 00:34:59,163 --> 00:35:01,365 AND WELCOMED US. >> Stephen: DO YOU FEEL A 571 00:35:01,432 --> 00:35:04,769 LITTLE BIT LIKE A LOCAL NOW? >> I DO FEEL A LITTLE LIKE A 572 00:35:04,836 --> 00:35:06,003 LOCAL. >> Stephen: YOU HAVE CERTAINLY 573 00:35:06,070 --> 00:35:10,374 MADE IT. THIS IS "PARIS VOGUE" RIGHT 574 00:35:10,441 --> 00:35:11,175 THERE. LOOK AT THAT. 575 00:35:11,242 --> 00:35:13,478 ( APPLAUSE ) THAT'S PRETTY NICE. 576 00:35:13,544 --> 00:35:17,081 >> THAT WAS-- THAT WAS A REAL-- THAT WAS A REAL SHOCK WHEN I GOT 577 00:35:17,148 --> 00:35:18,616 THAT COVER. I'M NOT GOING TO LIE. 578 00:35:18,683 --> 00:35:22,587 I WAS LIKE, "WHAT!" I WAS SO HONORED TO BE ON THE 579 00:35:22,653 --> 00:35:25,923 COVER OF "FRENCH VOGUE." >> Stephen: YOU CAN GET 580 00:35:25,990 --> 00:35:27,525 ANYWHERE IN PARIS, JUST HOLD THIS UP. 581 00:35:27,592 --> 00:35:29,861 JUST SAY, "EXCUSE ME, OPEN THE DOOR. 582 00:35:29,927 --> 00:35:35,066 >> "I NEED A RESERVATION. >> Stephen: HAVE YOU MET 583 00:35:35,132 --> 00:35:36,601 EMMANUEL MACRON? >> I HAVE NOT. 584 00:35:36,667 --> 00:35:40,004 >> Stephen: I HAVE. I DON'T HAVE MY LITTLE CARD BUT 585 00:35:40,071 --> 00:35:45,076 I HAVE MET EMMANUEL MACRON. >> I HAVE MET HIS LOVELY WIFE. 586 00:35:45,142 --> 00:35:48,880 >> Stephen: BRIGITTE. WHAT DID SHE SAY? 587 00:35:48,946 --> 00:35:51,315 WAS SHE NICE? >> SHE'S ACTUALLY A REALLY. 588 00:35:51,382 --> 00:35:53,117 BIG FAN OF THE SHOW. >> Stephen: WOW. 589 00:35:53,184 --> 00:35:55,653 WHAT ABOUT YOUR SHOW, DOES SHE LIKE YOURS? 590 00:35:55,720 --> 00:36:02,426 ( LAUGHTER ) SHE SAID TO SAY HI. 591 00:36:02,493 --> 00:36:06,631 >> Stephen: WHEN I MET MACRON, HE ACTUALLY DID THIS-- HE WAS, 592 00:36:06,697 --> 00:36:09,467 LIKE, SO FRENCH. YOU KNOW, I KNOW HE'S FRENCH. 593 00:36:09,534 --> 00:36:13,437 HE'S THE PRESIDENT OF FRANCE. HE LEANED IN AND TOOK MY HAND. 594 00:36:13,504 --> 00:36:21,245 AND I WAS LIKE WAIT A SECOND. I'M 100%-- HOSE ME DOWN, MAN. 595 00:36:21,312 --> 00:36:25,149 I TOTALLY GET IT. THIS IS THE TRUE SIGN THAT YOUR 596 00:36:25,216 --> 00:36:30,621 CHARACTER HAS MADE. ON GOOGLE MAP, YOUR CHARACTER, 597 00:36:30,688 --> 00:36:32,890 EMILY COOPER'S APARTMENT NOW APPEARS ON GOOGLE MAPS. 598 00:36:32,957 --> 00:36:35,760 >> THIS IS CRAZY. I WAS TRYING TO SEND MY FRIEND A 599 00:36:35,826 --> 00:36:38,195 LOCATION OF WHERE WE WERE SHOOTING THAT DAY, AND I ZOOMED 600 00:36:38,262 --> 00:36:44,101 IN AND I SAID WAIT, IT SAYS, "EMILY COOPER'S APARTMENT," ON 601 00:36:44,168 --> 00:36:45,202 GOOGLE MAPS? THAT'S WEIRD. 602 00:36:45,269 --> 00:36:47,071 >> Stephen: YES >> AND ALSO VERY COOL. 603 00:36:47,138 --> 00:36:49,941 I WAS LIKE, THANKS GOOGLE. >> Stephen: YOU AND YOUR 604 00:36:50,007 --> 00:36:51,375 HUSBAND ARE STARTING A PRODUCTION COMPANY. 605 00:36:51,442 --> 00:36:54,612 >> WE HAVE. YES, WE RECENTLY LAUNCHED CASE 606 00:36:54,679 --> 00:37:01,852 STUDY FILMS WITH OUR PARTNER ALEX ZORLOFSKY. 607 00:37:01,919 --> 00:37:03,120 >> Stephen: IT'S A LOT OF WORK. 608 00:37:03,187 --> 00:37:05,089 >> YES, THERE'S A LOT OF WORK. THERE ARE THIEF US. 609 00:37:05,156 --> 00:37:09,927 >> Stephen: SURE, SO WE CAN DIVVY UP THE WORK. 610 00:37:09,994 --> 00:37:11,996 WE'RE REALLY EXCITED BECAUSE I ALWAYS WANTED A PRODUCTION 611 00:37:12,063 --> 00:37:14,632 COMPANY BUT IT WAS ABOUT TIMING AND WITH WHOM. 612 00:37:14,699 --> 00:37:18,636 CHARLIE WRITE, DIRECTOR, PRODUCER. 613 00:37:18,703 --> 00:37:22,807 MYSELF, ACTRESS AND PRODUCER. AND ALEX, WE ALL BRING DIFFERENT 614 00:37:22,873 --> 00:37:26,310 THINGS TO THE TABLE. AND WE WANT IT TO BE A ONE-STOP 615 00:37:26,377 --> 00:37:30,014 SHOP FOR CREATIVES TO BE ABLE TO BRING THEIR I.P., TELL THEIR 616 00:37:30,081 --> 00:37:32,583 STORIES AND BE ABLE TO TAKE OWNERSHIP OVER THEIR PROJECTS IN 617 00:37:32,650 --> 00:37:35,586 A WAY THAT MAYBE OTHER PLACES WOULDN'T GIVE THEM THE 618 00:37:35,653 --> 00:37:37,188 OPPORTUNITY TO. >> Stephen: WELL, YOUR 619 00:37:37,254 --> 00:37:39,657 HUSBAND, CHARLIE, IS A DIRECTOR. HE'S DIRECTED YOU. 620 00:37:39,724 --> 00:37:41,525 >> YEAH. >> Stephen: WHAT WAS IT LIKE 621 00:37:41,592 --> 00:37:45,663 TO BE DIRECT BIDE YOUR HUSBAND? AND CAN YOU TURN OFF THE 622 00:37:45,730 --> 00:37:46,897 WORKPLACE RELATIONSHIP WHEN YOU GET HOME? 623 00:37:46,964 --> 00:37:52,737 >> WE FILMED A MOVIE CALLED "WIND FALL," IN WHICH-- SPOILER 624 00:37:52,803 --> 00:37:55,506 ALERT-- I END UP KILLING TWO PEOPLE, ONE OF WHICH IS MY 625 00:37:55,573 --> 00:37:58,609 HUSBAND IN THE MOVIE, WHICH WAS INTERESTING-- WELL, NO, IT'S IN 626 00:37:58,676 --> 00:38:02,613 THE PLOT-- I MEAN, IT'S LIKE-- IT'S WARRANTED, OKAY! 627 00:38:02,680 --> 00:38:05,916 NO, BUT WE WERE PLANNING OUR WEDDING AT THE SAME TIME AS 628 00:38:05,983 --> 00:38:09,120 SHOOTING THAT MOVIE. SO IT WAS ALMOST LIKE HE GOT TO 629 00:38:09,186 --> 00:38:11,589 SEE, LIKE, WORST-CASE SCENARIO RIGHT AWAY. 630 00:38:11,656 --> 00:38:14,358 ( LAUGHTER ) SOME TENSION. 631 00:38:14,425 --> 00:38:16,794 >> THERE WAS SOME TENSION. >> Stephen: EXACTLY. 632 00:38:16,861 --> 00:38:19,397 > NO, IT WAS AN INCREDIBLE EXPERIENCE WORKING WITH HIM. 633 00:38:19,463 --> 00:38:23,067 I FELT VERY ENCOURAGED AND INSPIRED EVERY SINGLE DAY. 634 00:38:23,134 --> 00:38:26,604 AND I OFTEN FORGOT THAT HE WAS ACTUALLY MY FIANCE BECAUSE HE 635 00:38:26,671 --> 00:38:29,607 JUST IS VERY MUCH AN ACTOR'S DIRECTOR, AND THERE WAS ONLY 636 00:38:29,674 --> 00:38:33,444 THREE CAST MEMBERS. AND WE WERE ALL REALLY GOOD 637 00:38:33,511 --> 00:38:35,846 FRIENDS. SO HE SPOKE TO US WILL OF THE 638 00:38:35,913 --> 00:38:38,549 SAME WAY AND IT WAS REALLY FUN AND THE WEDDING HAPPENED! 639 00:38:38,616 --> 00:38:39,817 >> Stephen: CONGRATULATIONS. >> WE STILL GOT MARRY. 640 00:38:39,884 --> 00:38:44,288 >> Stephen: I UNDERSTAND YOU AND YOUR HUSBAND-- YOU BOTH HAVE 641 00:38:44,355 --> 00:38:48,726 BEEN BITTEN BY THE PICKLEBALL BUG, WHICH I RECENTLY HAVE ALSO 642 00:38:48,793 --> 00:38:50,061 AS WELL. >> I KNOW. 643 00:38:50,127 --> 00:38:54,632 BECAUSE NOT ONLY AM I THE COVER ON "FRENCH VOGUE" BUT, GUYS, I 644 00:38:54,699 --> 00:38:56,233 THINK THIS -- >> Stephen: THIS IS THE-- 645 00:38:56,300 --> 00:39:01,305 >> NO, NO, EXCUSE ME. THIS IS MORE EXCITING! 646 00:39:01,372 --> 00:39:03,808 ( CHEERS AND APPLAUSE ). >> OKAY? 647 00:39:03,874 --> 00:39:05,076 OKAY? >> Stephen: NO ONE KNOWS WHAT 648 00:39:05,142 --> 00:39:08,979 THAT IS. >> THIS IS PICKLEBALL MAGAZINE. 649 00:39:09,046 --> 00:39:12,450 IN PICKLEBALL MAGAZINE, I ALSO LOVE THE COORDINATION-- EMILY 650 00:39:12,516 --> 00:39:13,751 WOULD BE PROUD. >> Stephen: I WANT YOU TO KNOW 651 00:39:13,818 --> 00:39:17,088 THS IS HER COPY OF THAT MAGAZINE, NOT MY COPY OF THIS 652 00:39:17,154 --> 00:39:19,190 MAGAZINE. >> BY THE WAY, BY THE WAY, I 653 00:39:19,256 --> 00:39:22,393 TOTALLY DIDN'T EVEN REALIZE THEY APPARENTLY HAD TO PAY $8 FOR 654 00:39:22,460 --> 00:39:23,661 THIS. BECAUSE AS I WAS ON MY WAY OUT 655 00:39:23,728 --> 00:39:27,364 OF THE PICKLEBALL STORE, MY HUSBAND WAS GETTING A NEW 656 00:39:27,431 --> 00:39:30,634 RACKET, I JUST TOOK IT. >> Stephen: SO YOU STOLE THIS? 657 00:39:30,701 --> 00:39:32,937 >> I THOUGHT THAT IT WAS FOR FREE. 658 00:39:33,003 --> 00:39:34,872 >> Stephen: DID THEY STOP YOU AND MAKE YOU PAY? 659 00:39:34,939 --> 00:39:38,509 OR ARE YOU A CRIMINAL ON THE RUN RIGHT NOW? 660 00:39:38,576 --> 00:39:42,613 >> IT WAS WORTH IT! IT WAS WORTH IT! 661 00:39:42,680 --> 00:39:47,084 ( APPLAUSE ) WE SHOULD PLAY SOMETIME. 662 00:39:47,151 --> 00:39:48,686 >> YES, WE WOULD LOVE TO. WE'RE BIG PICKLEBALL FANS. 663 00:39:48,753 --> 00:39:50,955 >> Stephen: I'M A BIG FAN OF LILY COLLINS. 664 00:39:51,021 --> 00:39:52,990 THANK YOU SO MUCH FOR BEING HERE. 665 00:39:53,057 --> 00:39:57,728 SEASON THREE OF "EMILY IN PARIS" IS ON NETFLIX ON DECEMBER 21. 666 00:39:57,795 --> 00:40:00,464 LILY COLLINS, EVERYBODY. WE'LL BE RIGHT BACK. 667 00:40:19,917 --> 00:40:21,152 >> Stephen: THAT'S IT FOR "THE LATE SHOW." 668 00:40:21,218 --> 00:40:25,289 TUNE IN TOMORROW WHEN MY GUESTS WILL BE RuPAUL AND ED SHEERAN. 669 00:40:25,356 --> 00:40:27,758 JAMES CORDEN IS NEXT. GOOD NIGHT.