1 00:00:02,001 --> 00:00:05,939 >> AMAZON HAS FILED SUIT TO CHALLENGE THE NEW UNION FORMED 2 00:00:06,005 --> 00:00:08,108 BY ITS WORKERS AT A NEW YORK CITY FACILITY. 3 00:00:08,174 --> 00:00:10,744 ONE COMPLAINT SAYS THEY TRIED TO ENTICE VOTERS WITH CANNABIS. 4 00:00:10,810 --> 00:00:13,947 >> AMAZON IS PUSHING BACK, SAYING NEW YORK UNION ORGANIZERS 5 00:00:14,013 --> 00:00:17,550 GAVE WORKERS WEED TO HELP SECURE UNIONIZATION VOTES. 6 00:00:17,617 --> 00:00:25,558 . FOUNDER OF AMAZON, JEFF BEZOS. 7 00:00:25,625 --> 00:00:31,698 VOTED FOR A UNION IS BECAUSE 8 00:00:31,765 --> 00:00:35,735 THEY GAVE YOU MARIJUANA. SO IN ORDER TO GET YOU TO VOTE 9 00:00:35,802 --> 00:00:42,642 AGAINST THE UNION, I'VE SLIPPED PEYOTE INTO YOUR BEVERAGES. 10 00:00:42,709 --> 00:00:44,511 YOUR TRIP SHOULD BE STARTING NOW. 11 00:00:44,577 --> 00:00:49,549 I WILL BE YOUR SPIRIT GUIDE ON 12 00:00:49,616 --> 00:00:52,652 YOUR JOURNEY 13 00:00:52,719 --> 00:00:57,557 >> IN THE ASTROPLANE I DON'T NEED BATHROOM BREAKS. 14 00:00:57,624 --> 00:01:05,665 I CAN HOLD IT FOREVER. RIDE MY PENIS ROCKET! 15 00:01:05,732 --> 00:01:09,235 >> STUFF US WITH YOUR PACKING PENUTS. 16 00:01:09,302 --> 00:01:11,171 >> I WANT TO WORK A 14-HOUR SHIFT. 17 00:01:11,237 --> 00:01:17,544 I LOVE YOU, FATHER. >> ALL RIGHT, FREAK-OUT'S OVER. 18 00:01:17,610 --> 00:01:20,547 BACK TO WORK. 19 00:01:21,614 --> 00:01:25,552 >> IT'S "THE LATE SHOW WITH STEPHEN COLBERT." 20 00:01:25,618 --> 00:01:31,391 THANK GOOD IT'S FRIDAY! 21 00:01:31,458 --> 00:01:37,530 AND EASTER'S FIRST DRAFTS. PLUS, 22 00:01:37,597 --> 00:01:44,571 JOSH BROLIN AND MUSICAL GUEST, THE WHO 23 00:01:46,706 --> 00:01:49,742 FEATURING JON BATISTE AND STAY HUMAN. 24 00:01:53,646 --> 00:01:56,516 AND NOW, LIVE ON TAPE FROM THE ED SULLIVAN THEATER IN NEW YORK 25 00:01:56,583 --> 00:02:00,653 CITY, IT'S STEPHEN COLBERT! 26 00:02:02,555 --> 00:02:15,702 >> WOOO! 27 00:02:15,768 --> 00:02:26,513 YOU GOT TO FIND THE EXTRA GEAR. 28 00:02:26,579 --> 00:02:33,152 ALL TO "LATE SHOW"." I AM YOUR HOST, STEPHEN COLBERT. 29 00:02:33,219 --> 00:02:39,259 HAPPY FRIDAY, EVERYBODY! HAPPY FRIDAY TO YOU ALL, MY 30 00:02:39,325 --> 00:02:40,260 FRIENDS. IT'S A BIG DAY FOR MANY OF THE 31 00:02:40,326 --> 00:02:41,694 WORLD'S RELIGIONS. RIGHT NOW, IT'S GOOD FRIDAY, 32 00:02:41,761 --> 00:02:45,565 THE START OF PASSOVER, AND WE'RE ALSO IN THE MIDST OF RAMADAN. 33 00:02:45,632 --> 00:02:48,301 SO, HAPPY RAMA-GOOD-PASS-ADAN-OVER-DAY 34 00:02:48,368 --> 00:02:56,242 TO YOU ALL! 35 00:02:56,309 --> 00:02:59,846 A PRIEST, A RABBI, AND AN IMAM WALK INTO A BAR, THEN WALK 36 00:02:59,913 --> 00:03:01,014 RIGHT OUT, BECAUSE THEY'RE SUPPOSED TO BE AT CHURCH, SEDER 37 00:03:01,080 --> 00:03:06,019 AND/OR FASTING. THE LAST TIME THE ABRAHAMIC 38 00:03:06,085 --> 00:03:08,388 RELIGIONS ALL CELEBRATED MAJOR FESTIVALS ON THE SAME DAY 39 00:03:08,454 --> 00:03:12,759 WAS OVER 30 YEARS AGO. SO... 40 00:03:12,825 --> 00:03:17,530 2020? 41 00:03:17,597 --> 00:03:26,306 FOR THOSE CELEBRATING EASTER, 42 00:03:26,372 --> 00:03:28,508 CONGRATS ON MAKING IT THROUGH LENT. 43 00:03:28,575 --> 00:03:32,512 TRADITIONALLY, MANY CATHOLICS USE LENT AS A TIME TO ABSTAIN 44 00:03:32,579 --> 00:03:37,150 FROM ALL MEAT EXCEPT FISH. IN FACT, McDONALD'S SAYS 25% OF 45 00:03:37,216 --> 00:03:38,518 THEIR ANNUAL FILET-O-FISH SALES HAPPEN DURING THE SIX WEEKS OF 46 00:03:38,585 --> 00:03:41,554 LENT. THE OTHER 75% COMES WHEN THEY 47 00:03:41,621 --> 00:03:45,258 DRENCH THAT PATTY WITH BARBEQUE SAUCE AND CALL IT A "McRIB." 48 00:03:45,325 --> 00:03:48,995 BUT-- SAME STUFF. 49 00:03:49,062 --> 00:03:51,965 YOU CAN'T PROVE IT. YOU CAN'T PROVE IT'S NOT THE 50 00:03:52,031 --> 00:03:54,434 SAME STUFF. BUT IT TURNS OUT THERE'S A 51 00:03:54,500 --> 00:03:57,570 WORKAROUND, BECAUSE CAPYBARA, BEAVER, AND OTHER AQUATIC 52 00:03:57,637 --> 00:04:01,574 ANIMALS COUNT AS FISH DURING LENT, WHICH EXPLAINS THE 53 00:04:01,641 --> 00:04:04,978 POPULARITY OF THE NEW SEAFOOD RESTAURANT LONG JOHN BEAVER'S. 54 00:04:05,044 --> 00:04:11,384 IN THE 16th CENTURY WHEN THE 55 00:04:11,451 --> 00:04:14,487 VATICAN GRANTED THE VENEZUELAN CHURCH REQUEST THAT CAPYBARA BE 56 00:04:14,554 --> 00:04:17,590 COUNTED AS FISH, NOT MEAT, FOR LENTEN PURPOSES BECAUSE THEY 57 00:04:17,657 --> 00:04:21,561 WERE SEMI-AQUATIC, STRONG SWIMMERS, AND HAD SORT OF WEBBED 58 00:04:21,628 --> 00:04:25,565 FEET. WHICH MEANS IT'S ALSO 59 00:04:25,632 --> 00:04:29,235 TECHNICALLY OKAY TO EAT AQUAMAN. 60 00:04:29,302 --> 00:04:34,107 SOUND WAS. IT WAS EITHER BEING UPSET OR 61 00:04:34,173 --> 00:04:38,544 GREAT LONGING. NOW IT'S TIME FOR A "LATE SHOW" 62 00:04:38,611 --> 00:04:45,551 IDIOT UPDATE. >> WELL, ACTUALLY... 63 00:04:45,618 --> 00:04:53,359 FOLKS WHO WERE EITHER IDIOTS OR 64 00:04:53,426 --> 00:04:56,529 SPIES, WHO WERE ARRESTED FOR IMPERSONATING FEDERAL AGENTS AND 65 00:04:56,596 --> 00:04:57,964 SUPPLYING SECRET SERVICE PERSONNEL WITH GIFTS SUCH 66 00:04:58,031 --> 00:05:00,466 AS RENT-FREE APARTMENTS AND iPHONES. 67 00:05:00,533 --> 00:05:02,268 SO SECRET SERVICE AGENTS ARE PAID SO POORLY THEY NEED FREE 68 00:05:02,335 --> 00:05:05,438 PHONES AND SHELTER? THAT EXPLAINS THEIR NEW 69 00:05:05,505 --> 00:05:07,440 "THE ELITE. 70 00:05:07,507 --> 00:05:08,975 THE WORTHY. FREE MUFFINS IN THE DUMPSTER OUT 71 00:05:09,042 --> 00:05:15,548 BACK. " ACCORDING TO ONE OF THE 72 00:05:15,615 --> 00:05:18,217 DEFENDANTS, THE MAN HAD NO INTENTION OF COMPROMISING ANY 73 00:05:18,284 --> 00:05:22,922 FEDERAL AGENT, AND ONLY PROVIDED GIFTS TO AGENTS "WITH WHOM HE 74 00:05:22,989 --> 00:05:25,258 HAD A GENUINE FRIENDSHIP" AND NEVER ASKED FOR ANYTHING IN 75 00:05:25,324 --> 00:05:28,928 RETURN. AND THE JUDGE MORE OR LESS 76 00:05:28,995 --> 00:05:31,364 BELIEVED THAT STORY. SO, INSTEAD OF SENDING THEM TO 77 00:05:31,431 --> 00:05:34,667 JAIL, HE ORDERED BOTH MEN TO REMAIN IN HOME CONFINEMENT, 78 00:05:34,734 --> 00:05:40,940 SUBJECT TO G.P.S. MONITORING, WITH THEIR PARENTS. 79 00:05:41,007 --> 00:05:43,643 I'D RATHER GO TO JAIL. 80 00:05:43,710 --> 00:05:47,380 "LISTEN UP,- DINNER IS - 30. 81 00:05:47,447 --> 00:05:52,485 00 WE WATCH "WHEEL OF FORTUNE." 82 00:05:52,552 --> 00:05:55,021 AND AFTER THAT, YOU NEED TO HELP DAD WITH HIS YAHOO! MAIL. 83 00:05:55,088 --> 00:06:01,861 THE INTERTUBES ARE ALL CLOGGED!" ONE THING THAT MAKES THIS WHOLE 84 00:06:01,928 --> 00:06:02,962 STORY EVEN WEIRDER THAN IT IS IS THAT THE U.S. ATTORNEY FOR D.C. 85 00:06:03,029 --> 00:06:05,164 RELEASED PICTURES OF THE EVIDENCE THEY FOUND IN THESE 86 00:06:05,231 --> 00:06:07,400 GUYS' APARTMENTS, INCLUDING HIGH-CAPACITY MAGAZINES, 87 00:06:07,467 --> 00:06:11,537 MULTIPLE COPIES OF LICENSES AND PASSPORTS, A MACHINE TO PRINT 88 00:06:11,604 --> 00:06:15,374 NEW I.D.s, AND THESE DOOR-OPENING TOOLS, DESCRIBED AS 89 00:06:15,441 --> 00:06:21,080 A "DYNAMIC ENTRY KIT" -- YOU ALL KNOW, THE THINGS YOU NEED 90 00:06:21,147 --> 00:06:23,116 WHEN YOU'RE MAKING FRIENDS. WE ALL REMEMBER WHEN JOHN 91 00:06:23,182 --> 00:06:27,920 WILKES BOOTH SHOT LINCOLN AT FORD'S THEATER, AND THEN 92 00:06:27,987 --> 00:06:30,389 FAMOUSLY CRIED, "SO IS THAT A NO ON BRUNCH?" 93 00:06:30,456 --> 00:06:33,559 SPEAKING OF THE SECRET SERVICE-- THE BIDEN ADMINISTRATION HAS 94 00:06:33,626 --> 00:06:35,795 BEEN PRETTY LOW ON SCANDALS SO FAR, BUT WE JUST GOT A BIG ONE 95 00:06:35,862 --> 00:06:38,798 CONCERNING FORMER FIRST DOG MAJOR BIDEN, SEEN HERE GIVING 96 00:06:38,865 --> 00:06:42,368 THE PRESIDENT A TASTE OF HIS OWN HAIR SNIFFING. 97 00:06:46,372 --> 00:06:48,374 THAT'S NOT THAT BAD. 98 00:06:48,441 --> 00:06:54,947 THAT'S NOT-- I DON'T... MAJOR PUT THE BIDENS IN THE 99 00:06:55,014 --> 00:06:58,317 DOGHOUSE LAST YEAR WHEN HE GOT A LITTLE BITEY WITH WHITE HOUSE 100 00:06:58,384 --> 00:07:00,486 STAFF. AT THE TIME, PRESS SECRETARY 101 00:07:00,553 --> 00:07:06,359 JEN PSAKI ACKNOWLEDGED JUST ONE BITING INCIDENT, SAYING, 102 00:07:06,425 --> 00:07:11,898 "MAJOR HAD BEEN SURPRISED BY AN UNFAMILIAR PERSON AND REACTED IN 103 00:07:11,964 --> 00:07:15,902 A WAY THAT RESULTED IN A MINOR INJURY TO THE INDIVIDUAL." 104 00:07:15,968 --> 00:07:17,770 OF COURSE MAJOR GOT A LITTLE CHOMPY. 105 00:07:17,837 --> 00:07:18,971 HE LEARNED IT FROM HIS DAD. 106 00:07:19,038 --> 00:07:21,274 BUT NOW IT TURNS OUT THAT THE WHITE HOUSE TRIED TO BURY THE 107 00:07:21,340 --> 00:07:24,076 REAL STORY LIKE A BONE IN THE BACKYARD, BECAUSE THANKS TO A 108 00:07:24,143 --> 00:07:27,880 FREEDOM OF INFORMATION ACT REQUEST, WE NOW KNOW THAT MAJOR 109 00:07:27,947 --> 00:07:31,317 ACTUALLY BIT AGENTS ON EIGHT CONSECUTIVE DAYS. 110 00:07:31,384 --> 00:07:35,254 AND NEWLY RELEASED EMAILS SHOW SECRET SERVICE AGENTS WERE 111 00:07:35,321 --> 00:07:36,923 OUTRAGED BY THE WHITE HOUSE'S ATTEMPTS TO PLAY DOWN THE 112 00:07:36,989 --> 00:07:41,961 BITES. THIS IS CLEARLY A COVER-UP! 113 00:07:42,028 --> 00:07:43,129 A WHITE HOUSE SCANDAL OF EPIC PROPORTIONS THAT FOX NEWS IS 114 00:07:43,196 --> 00:07:45,364 CALLING "BITE-GHAZI." 115 00:07:45,431 --> 00:07:59,879 NOW-- STAY ON THE STORY, SEAN! PER THE SECRET SERVICE, THIS 116 00:07:59,946 --> 00:08:02,081 WASN'T JUST ANY NIBBLE. SEVERAL AGENTS GOT CHOMPED ON 117 00:08:02,148 --> 00:08:06,385 THEIR LEFT FOREARM, RIGHT THIGH, AND RIGHT BUTTOCK. 118 00:08:06,452 --> 00:08:07,887 OKAY, THAT'S TERRIBLE, BUT IT'S PART OF THE JOB! 119 00:08:07,954 --> 00:08:11,390 YOU'RE WILLING TO TAKE A BULLET FOR YOUR COUNTRY, BUT YOU WON'T 120 00:08:11,457 --> 00:08:15,895 GET YOUR BUTT MUNCHED?! 121 00:08:15,962 --> 00:08:21,901 PRESIDENT NEVER HAD A DOG. HE WAS HAULING AROUND A BUTT 122 00:08:21,968 --> 00:08:23,569 BUFFET! IT'S TOO TEMPTING! 123 00:08:23,636 --> 00:08:34,180 ALONG WITH OUTRAGE AT THE 124 00:08:34,247 --> 00:08:39,919 COVERUP, ONE AGENT IS STILL TRYING TO GET PRESIDENT BIDEN TO 125 00:08:39,986 --> 00:08:42,922 PERSONALLY PAY FOR A DAMAGED COAT. 126 00:08:42,989 --> 00:08:45,925 HOWEVER, THE WHITE HOUSE DID NOT SAY WHETHER BIDEN PAID FOR IT. 127 00:08:45,992 --> 00:08:48,928 "OKAY, HEARD THE PUP TOOK A CHUNK OUTTA YOUR MacINTOSH, 128 00:08:48,995 --> 00:08:50,062 WASHED IT DOWN WITH A TALL GLASS OF BACKSIDE. 129 00:08:50,129 --> 00:08:53,065 DON'T WORRY, JACK, UNCLE JOE'S GOTCHA. 130 00:08:53,132 --> 00:08:56,068 TELL YA WHAT-- HERE'S A CRISP FIVER, TAKE THE TROLLEY ON DOWN 131 00:08:56,135 --> 00:08:58,504 TO BAMBURGER'S, BUY YOURSELF A NICE RACCOON NUMBER, DAVY 132 00:08:58,571 --> 00:08:59,705 CROCKETT SPECIAL. KEEP THE CHANGE AND HIT THE 133 00:08:59,772 --> 00:09:01,874 SODY FOUNTAIN. GET AN EGG CREAM AND A 134 00:09:01,941 --> 00:09:05,745 MONTE CRISTO. NOTHIN' BETTER FOR A CHOMPED 135 00:09:05,811 --> 00:09:08,714 TUCHUS. L'CHAIM, JACK!" 136 00:09:08,781 --> 00:09:16,022 NOTHING LIKE HIM. 137 00:09:16,088 --> 00:09:18,557 ABSOLUTELY NOTHING LIKE HIM. NOT EVEN CLOSE. 138 00:09:18,624 --> 00:09:25,631 TOTALLY DON'T KNOW. SO WHAT BECAME OF THE CHOMPER IN 139 00:09:25,698 --> 00:09:26,832 CHIEF? WELL, REPORTEDLY, MAJOR WAS 140 00:09:26,899 --> 00:09:29,035 GIVEN TO FAMILY FRIENDS LATE LAST YEAR, BUT HIS PRESENT 141 00:09:29,101 --> 00:09:30,069 WHEREABOUTS ARE UNKNOWN. HE'S OBVIOUSLY IN WITNESS 142 00:09:30,136 --> 00:09:37,910 PROTECTION. SO KEEP AN EYE OUT FOR A NEW 143 00:09:37,977 --> 00:09:44,617 NEIGHBOR WHO'S SHORT AND HAIRY WITH THE NAME "REX NOTADOG." 144 00:09:44,684 --> 00:09:45,885 THERE'S SOME NEWS ABOUT THE NEWS. 145 00:09:45,952 --> 00:09:48,054 ACCORDING TO A NEW "ECONOMIST"/YOUGOV/ 146 00:09:48,120 --> 00:09:49,889 MIGHTY MIGHTY BOSSTONES POLL, THE MOST TRUSTED NEWS SOURCE IN 147 00:09:49,956 --> 00:09:56,862 AMERICA IS THE WEATHER CHANNEL. WITH 52% OF AMERICANS TRUST IT, 148 00:09:56,929 --> 00:09:58,331 WHILE THE OTHER 48% RELY ON THE SECOND MOST TRUSTED NAME IN 149 00:09:58,397 --> 00:10:01,667 "THE WINDOW." 150 00:10:01,734 --> 00:10:05,171 BUT THERE ARE SOME-- 24 HOURS. THAT'S 24 HOURS. 151 00:10:05,237 --> 00:10:07,974 >> YEAH, YOU LOOK OUT THERE. 152 00:10:08,040 --> 00:10:13,679 >> ALWAYS ACCURATE. BUT THERE ARE SOME PARTISAN 153 00:10:13,746 --> 00:10:14,880 DIFFERENCES, BECAUSE THE WEATHER CHANNEL IS TRUSTED BY 62% OF 154 00:10:14,947 --> 00:10:19,785 DEMOCRATS BUT ONLY HALF OF REPUBLICANS. 155 00:10:19,852 --> 00:10:21,854 WHICH MEANS THERE IS NOW AN OPENING FOR A CONSERVATIVE 156 00:10:21,921 --> 00:10:25,658 RUPERT MURDOCH'S "FOX NEWS 157 00:10:25,725 --> 00:10:29,462 WEATHER NEWS." "A DEADLY CARAVAN 158 00:10:29,528 --> 00:10:32,865 OF MEXICAN CLOUDS IS CROSSING OUR SOUTHERN BORDER, BRINGING A 159 00:10:32,932 --> 00:10:36,502 TORRENT OF CRITICAL RAIN THEORY, TO BE FOLLOWED BY A RAINBOW. 160 00:10:36,569 --> 00:10:37,903 JUST MORE EVIDENCE THAT THE GAY AGENDA IS BENT ON FLOODING YOUR 161 00:10:37,970 --> 00:10:44,343 BASEMENT. 162 00:10:44,410 --> 00:10:49,582 TONIGHT. MY GUEST IS JOSH BROLIN. 163 00:10:49,648 --> 00:10:52,685 BUT WHEN WE COME BACK, WE LOOK AT SOME EASTER CARDS WITH A VERY 164 00:10:52,752 --> 00:10:54,754 SPECIAL WIFE OF MINE. STICK AROUND. 165 00:11:34,026 --> 00:11:40,332 JON BATISTE AND STAY HUMAN. TOO BEAUTIFUL. 166 00:11:40,399 --> 00:11:48,974 TOO BEAUTIFUL FOR WORDS. FOLKS, THIS WEEKEND IS 167 00:11:49,041 --> 00:11:51,977 EASTER, THE DAY WHERE CATHOLICS AROUND THE GLOBE CELEBRATE THE 168 00:11:52,044 --> 00:11:53,245 MIRACLE THAT IS YOUR 5-YEAR-OLD KEEPING HIS CHURCH BLAZER ON FOR 169 00:11:53,312 --> 00:11:57,183 MORE THAN 12 MINUTES. 170 00:11:57,249 --> 00:12:02,822 THERE ARE LOTS OF GOOD OPTIONS OUT THERE, BUT THEY DON'T ALL 171 00:12:02,888 --> 00:12:04,890 GET IT ON THE FIRST TRY. SO TONIGHT, WE'LL TAKE A LOOK AT 172 00:12:04,957 --> 00:12:08,694 SOME OF THE EARLY ATTEMPTS IN OUR SEGMENT, "FIRST DRAFTS." 173 00:12:08,761 --> 00:12:12,998 >> NO, NO, STUPID! 174 00:12:13,065 --> 00:12:15,601 >> AS ALWAYS I NEED SOME HELP FOR THIS. 175 00:12:15,668 --> 00:12:21,774 LUCKILY I HAVE THE BEST CARD HOLDER/LIFE PARTNER IN THE GAME, 176 00:12:21,841 --> 00:12:24,310 MY WIFE, EVIE. HELLO, DARLING. 177 00:12:24,376 --> 00:12:29,348 AREN'T YOU A VISION! 178 00:12:29,415 --> 00:12:32,051 >> HELLO. YOU LOOK LOVELY. 179 00:12:32,118 --> 00:12:34,487 I LOVE YOUR EASTER PINK. >> THANK YOU! 180 00:12:34,553 --> 00:12:36,155 >> YOU LOOK FANTASTIC. 181 00:12:36,222 --> 00:12:41,093 >> I THINK THIS IS SORT OF LIKE MY EASTER BUNNY-BIKER CHICK 182 00:12:41,160 --> 00:12:41,894 LOOK. >> DARLING, YOU KNOW 183 00:12:41,961 --> 00:12:44,263 HOW THIS WORKS. >> I DO, I GOT IT. 184 00:12:44,330 --> 00:12:46,031 TWO YEARS. >> I KNOW, WE'VE BEEN 185 00:12:46,098 --> 00:12:48,901 DOING THIS FOR TWO YEARS. I HAVE TO EXPLAIN IT ANYWAY, 186 00:12:48,968 --> 00:12:51,370 BECAUSE SOME PEOPLE OUT THERE MAY NOT KNOW THE PREMISE. 187 00:12:51,437 --> 00:12:53,906 >> OH, THEY KNOW! THEY ALL KNOW. 188 00:12:53,973 --> 00:12:58,410 >> PART OF IT IS ME EXPLAINING TO THEM. 189 00:12:58,477 --> 00:13:01,814 DARLING WHAT I WOULD LIKE YOU TO HELP ME WITH RIGHT NOW-- THE 190 00:13:01,881 --> 00:13:07,052 MOCKERY DOES NOT HELP. 191 00:13:07,119 --> 00:13:11,357 HAVE A COLLECTION OF EASTER CARDS HERE, GREETING CARDS THAT 192 00:13:11,423 --> 00:13:15,561 THE FIRST CARD THAT I'LL HOLD UP OF EACH OF THESE SETS IS THE 193 00:13:15,628 --> 00:13:17,630 CARD THAT WAS SOLD. THE SECOND ONE WAS THE FIRST 194 00:13:17,696 --> 00:13:20,833 DRAFT OF THAT CARD THAT WAS NOT GOOD ENOUGH TO BE SOLD. 195 00:13:20,900 --> 00:13:22,334 >> GOT IT. 196 00:13:22,401 --> 00:13:28,073 >> OKAY! >> MY DARLING, WOULD 197 00:13:28,140 --> 00:13:32,511 YOU HAND ME THE FIRST CARD? THANK YOU VERY MUCH. 198 00:13:32,578 --> 00:13:40,052 HERE'S A FUN ONE, IT SAILS, "WHY DID THE EASTER BUNNY CROSS THE 199 00:13:40,119 --> 00:13:42,588 ROAD? TO WISH YOU HAPPY EASTER!" 200 00:13:42,655 --> 00:13:45,724 SEE, VERY SIMPLE. >> I CAN'T IMAGINE. 201 00:13:45,791 --> 00:13:49,061 >> THE COMMENTS FROM THE PEANUT GALLERY DO NOT HELP 202 00:13:49,128 --> 00:13:53,165 THE PUNCH LINE. 203 00:13:53,232 --> 00:13:56,335 "WHY DID THE EASTER BUNNY CROSS THE ROAD? 204 00:13:56,402 --> 00:13:58,671 LOOK, I DON'T KNOW, OKAY?! HE CAME OUT OF NOWHERE! 205 00:13:58,737 --> 00:14:00,139 DON'T LET THE KIDS INTO THE GARAGE UNTIL I FINISH HOSING 206 00:14:00,206 --> 00:14:07,313 DOWN THE CAR." 207 00:14:07,379 --> 00:14:10,316 >> YOU DIDN'T MESS IT UP AT ALL. 208 00:14:10,382 --> 00:14:14,520 >> THEY THOUGHT IT WAS FUNNY. >> YOU ARE PERFECT IN 209 00:14:14,587 --> 00:14:16,589 EVERY WAY. WE ARE LUCKY ENOUGH THAT THE 210 00:14:16,655 --> 00:14:19,692 KIDS ARE GOING TO COME OUT FOR EASTER. 211 00:14:19,758 --> 00:14:21,927 ISN'T THAT NICE. WE HAVE COMMITMENTS FOR ALL 212 00:14:21,994 --> 00:14:28,968 THREE. >> IF WE PROVIDE THE UBER, 213 00:14:29,034 --> 00:14:30,169 THEY'LL COME. >> WHAT DO YOU WANT 214 00:14:30,236 --> 00:14:33,239 TO DO? >> DO YOU WANT TO GO TO CHURCH. 215 00:14:33,305 --> 00:14:36,108 WE HAVEN'T BEEN -- >> WE WENT ON PALM 216 00:14:36,175 --> 00:14:37,576 SUNDAY. DON'T TELL THE PEOPLE WE HAVEN'T 217 00:14:37,643 --> 00:14:39,745 BEEN TO CHURCH IN A WHILE. I HAVE A REPUTATION. 218 00:14:39,812 --> 00:14:42,147 >> THERE'S BEEN A PANDEMIC. >> THAT'S WHY I 219 00:14:42,214 --> 00:14:48,187 HAVEN'T BEEN TO MASS IN A WHILE. THANK YOU FOR REMINDING ME. 220 00:14:48,254 --> 00:14:52,324 WITH THE POPE HERE. 221 00:14:52,391 --> 00:14:57,162 AND JELLYBEANS. 222 00:14:57,229 --> 00:15:02,635 HAVE A SWEET EASTER. >> I KNOW YOUR FAVORITE EASTER 223 00:15:02,701 --> 00:15:06,171 CANDY IS PEEPS, RIGHT? >> 224 00:15:06,238 --> 00:15:10,075 >> WE HAVE TO GET TO THE PUNCH LINE, THAT WAS THE 225 00:15:10,142 --> 00:15:12,144 SETUP, AND THEN WE TALK IN BETWEEN THE JOKES. 226 00:15:12,211 --> 00:15:15,648 I KNOW, I KNOW YOU'VE BECOME INCREDIBLY JADED AFTER DOING 227 00:15:15,714 --> 00:15:19,885 THIS FOR TWO YEARS, BUT THIS IS WHAT I DO FOR A LIVING. 228 00:15:19,952 --> 00:15:24,123 YOU HAVE-- YOU HAVE TO LET ME DO THE PUNCH LINE. 229 00:15:24,189 --> 00:15:30,129 >> YIT IS, IT IS. 230 00:15:30,195 --> 00:15:32,831 BUT THE FIRST DRAFT SAID, "CANDY EGGS, CHOCOLATE BUNNIES, 231 00:15:32,898 --> 00:15:37,670 AND JELLYBEANS... WERE ALL SOLD OUT AT THE CVS, SO 232 00:15:37,736 --> 00:15:39,938 THE EASTER BUNNY BOUGHT YOU AN iPHONE 6 CAR CHARGER." 233 00:15:40,005 --> 00:15:42,441 >> THAT'S ACTUALLY-- THAT'S ACTUALLY. 234 00:15:42,508 --> 00:15:43,942 >> ANNIVERSARY USEFUL. 235 00:15:44,009 --> 00:15:47,813 WHAT DID YOU WANT TO SAY? >> PEEPS IS YOUR FAVORITE CANDY. 236 00:15:47,880 --> 00:15:50,849 >> I HATE PEEPS. WHAT HAVE YOU DONE WITH MY 237 00:15:50,916 --> 00:15:53,919 WIFE'S BODY? HOW DID YOU NOT KNOW THAT I 238 00:15:53,986 --> 00:15:56,889 DON'T LIKE PEEPS. I DON'T LIKE PEEPS. 239 00:15:56,955 --> 00:16:03,262 WHAT EASTER CANDY DO I LIKE? >> YOU LOOK MARZ APAN. 240 00:16:03,329 --> 00:16:06,165 >> I DO. I'M LIKE A 79-YEAR-OLD WOMAN. 241 00:16:06,231 --> 00:16:14,907 IN CHOCOLATE. 242 00:16:14,973 --> 00:16:18,410 I MAKE MY OWN MARZ APAN SOMETIMES. 243 00:16:18,477 --> 00:16:20,879 THANK YOU THANK YOU FOR BEING HERE. 244 00:16:20,946 --> 00:16:29,154 >> IT WAS REALLY FUN. >> HERE'S A CARD THAT 245 00:16:29,221 --> 00:16:31,023 SAYS, "I HAVE A CLUE WHERE SOME EGGS MIGHT BE... 246 00:16:31,090 --> 00:16:33,258 SO HOP ALONG AND FOLLOW ME! HAPPY EASTER!" 247 00:16:33,325 --> 00:16:35,294 THAT'S NICE BUT THE FIRST DRAFT SAID, 248 00:16:35,361 --> 00:16:36,562 "I HAVE A CLUE WHERE SOME EGGS MIGHT BE... 249 00:16:36,628 --> 00:16:37,763 BUT YOU'RE BORN WITH A FINITE NUMBER, AND YOU'RE 38 YEARS OLD. 250 00:16:37,830 --> 00:16:41,133 GET TO WORK. I WANT A GRANDCHILD. 251 00:16:41,200 --> 00:16:48,207 LOVE, MOM." 252 00:16:48,273 --> 00:16:51,977 LIKE A CADBURY EGG... NOTHING BUT SWEET INSIDE AND 253 00:16:52,044 --> 00:16:56,014 OUT. HAPPY EASTER." 254 00:16:56,081 --> 00:16:59,184 >> OH, SWEET! >> YEAH. 255 00:16:59,251 --> 00:17:00,419 BUT THE FIRST DRAFT SAID, "TO ME, YOU'RE LIKE A CADBURY EGG... 256 00:17:00,486 --> 00:17:05,124 I THINK WE SHOULD ONLY SEE EACH OTHER ONCE A YEAR, UNLESS I 257 00:17:05,190 --> 00:17:10,596 HAPPEN TO BE IN EUROPE." 258 00:17:10,662 --> 00:17:15,100 YEAR. >> IT WOULD BE. 259 00:17:15,167 --> 00:17:18,404 EASTER I KNOW IS ONE OF THE TIMES OF YEAR WHEN YOU EXPRESS 260 00:17:18,470 --> 00:17:23,275 SOME REGRET FOR HAVING MARRY ED ME, BECAUSE I TOOK YOU AWAY FROM 261 00:17:23,342 --> 00:17:25,944 THE SOUTH WHERE IT'S SPRING IN EASTER, AND ALL THE FLOWERS ARE 262 00:17:26,011 --> 00:17:27,846 OUT-- >> IT'S NOT THAT I REGRET 263 00:17:27,913 --> 00:17:29,915 MARRYING YOU. IT'S THAT I REGRET WE HAVE TO 264 00:17:29,982 --> 00:17:31,917 LIVE IN THE COLD NORTHEAST. >> THEY TOOK YOU AWAY 265 00:17:31,984 --> 00:17:35,053 FROM THE SOUTH WITH MY JOB. >> YOU DIDN'T TAKE ME AWAY FROM 266 00:17:35,120 --> 00:17:38,257 THE SOUTH. WE CHOSE TO LIVE HERE TOGETHER. 267 00:17:38,323 --> 00:17:47,032 . >> OH! 268 00:17:47,099 --> 00:17:48,934 I LOVE NEW YORK! I LIKE IT HERE. 269 00:17:49,001 --> 00:17:51,770 >> OKAY. 270 00:17:51,837 --> 00:17:55,808 LATELY. IT HAS BEEN TOO COLD LATELY. 271 00:17:55,874 --> 00:17:58,110 I WOULD LIKE A WARMER SPRING FOR SURE. 272 00:17:58,177 --> 00:17:59,278 >> YOU LIVED IN NEW YORK BEFORE I DID. 273 00:17:59,344 --> 00:18:01,547 >> YEAH. >> YOU INTRODUCED ME 274 00:18:01,613 --> 00:18:02,848 TO NEW YORK. >> YEAH. 275 00:18:02,915 --> 00:18:04,683 >> YOU DID. WHAT DO YOU MEAN? 276 00:18:04,750 --> 00:18:06,151 >> I DID. >> YOU DID. 277 00:18:06,218 --> 00:18:09,621 . YOU TO? 278 00:18:09,688 --> 00:18:18,897 >> - OH, UH, BOLDYGAS - 00 A.M. SULANYTHING 279 00:18:18,964 --> 00:18:21,333 I'M TRYING TO REMEMBER WHAT ELSE. 280 00:18:21,400 --> 00:18:25,904 WHAT DID WE DO THE FIRST-- WE WALKED THE BROOKLYN BRIDGE, THAT 281 00:18:25,971 --> 00:18:29,341 WAS ONE OF OUR FIRST THINGS BECAUSE WE DIDN'T HAVE TO PAY 282 00:18:29,408 --> 00:18:30,576 FOR THAT. THE STATEN ISLAND FERRY. 283 00:18:30,642 --> 00:18:33,946 >> WE WERE VERY POOR. Y I WAS TELLING PEOPLE EARLIER 284 00:18:34,012 --> 00:18:36,849 WE DID NOT HAVE TWO PENNIES TWO RUB TOGETHER. 285 00:18:36,915 --> 00:18:39,251 >> NOT EVEN ONE. >> EXACTLY, WE HAD TO 286 00:18:39,318 --> 00:18:42,921 TAKE ONE PENNY, SNAP IT IN HALF AND RUB IT LIKE, THAT OR LIKE 287 00:18:42,988 --> 00:18:44,022 THAT. BUT GUESS WHAT? 288 00:18:44,089 --> 00:18:47,159 IT'S WORKED OUT PRETTY WELL. >> IT'S WORKED OUT. 289 00:18:47,226 --> 00:18:49,595 IT'S WORKED OUT. >> THANK YOU VERY 290 00:18:49,661 --> 00:18:53,365 MUCH. 291 00:18:53,432 --> 00:18:58,537 I TELL THE PEOPLE OUT HERE THAT I'M ALWAYS NERVOUS WHEN YOU'RE 292 00:18:58,604 --> 00:18:59,605 ON? >> WHY? 293 00:18:59,671 --> 00:19:01,106 >> BECAUSE I WANT TO YOU HAVE A GOOD TIME. 294 00:19:01,173 --> 00:19:04,943 >> I'M HAVING FUN. >> GOOD! 295 00:19:05,010 --> 00:19:07,346 >> WHAT? 296 00:19:07,412 --> 00:19:09,882 >> DON'T BE NERVOUS. >> WHAT IF I HAVE YOU 297 00:19:09,948 --> 00:19:13,151 ON ONE TIME AND YOU DON'T HAVE A GOOD TIME? 298 00:19:13,218 --> 00:19:14,987 >> I'LL ALWAYS HAVE FUN YOU. >> WILL? 299 00:19:15,053 --> 00:19:17,389 >> YES, BECAUSE I'M HERE WITH ALL THESE WONDERFUL PEOPLE. 300 00:19:17,456 --> 00:19:18,824 IT'S SO FUN. 301 00:19:18,891 --> 00:19:26,899 I MEAN, THERE'S NO PRESSURE! THERE'S NO SCRIPT! 302 00:19:26,965 --> 00:19:28,033 >> THERE'S NO PRESSURE? 303 00:19:28,100 --> 00:19:29,201 >> THERE'S NO SCRIPT. >> NO. 304 00:19:29,268 --> 00:19:32,337 >> I TONIGHT EVEN YOU KNOW -- >> YOU DON'T EVEN 305 00:19:32,404 --> 00:19:40,212 WAIT FOR THE PUNCH LINE. >> NO, I DON'T. 306 00:19:40,279 --> 00:19:41,914 EXACTLY >> HERE'S A FUN ONE. 307 00:19:41,980 --> 00:19:43,315 "I WISH CHOCOLATE BUNNIES MULTIPLIED LIKE REAL ONES. 308 00:19:43,382 --> 00:19:45,050 HAPPY EASTER." ISN'T THAT NICE? 309 00:19:45,117 --> 00:19:48,020 WE WOULD HAVE A LOT MORE OF THEM, WOULDN'T WE. 310 00:19:48,086 --> 00:19:49,254 BUT THE FIRST DRAFT READ, "I WISH CHOCOLATE BUNNIES 311 00:19:49,321 --> 00:19:50,522 MULTIPLIED LIKE REAL ONES... 312 00:19:50,589 --> 00:19:55,327 I LIKE TO WATCH MY CANDY DO IT." WE'LL BE RIGHT BACK WITH JOSH 313 00:19:55,394 --> 00:19:57,396 BROLIN. EVIE MAGEE, EVERYBODY! 314 00:20:16,014 --> 00:20:22,955 EVERYBODY! LADIES AND GENTLEMEN, YOU KNOW 315 00:20:23,021 --> 00:20:24,723 MY GUEST TONIGHT AS AN ACTOR FROM "ENDGAME," "NO 316 00:20:24,790 --> 00:20:28,961 COUNTRY FOR OLD MEN," AND "DUNE." 317 00:20:29,027 --> 00:20:33,532 PLEASE WELCOME BACK TO "THE LATE SHOW," JOSH BROLIN! 318 00:20:33,599 --> 00:20:48,480 . 319 00:20:48,547 --> 00:21:01,093 . 320 00:21:01,159 --> 00:21:08,600 YOU WERE GOING TO SAY, "LADIES 321 00:21:08,667 --> 00:21:11,703 AND GENTLEMEN, SURPRISE GUEST, DWAYNE JOHNSON!" 322 00:21:11,770 --> 00:21:15,440 AND THEY WERE LIKE... JOSH BROLIN. 323 00:21:15,507 --> 00:21:19,444 >> THAT'S CLOSE. I MIX YOU GUYS UP ALL THE TIME, 324 00:21:19,511 --> 00:21:22,047 MAN. AT THE OSCARS, MAN, YOU STANDING 325 00:21:22,114 --> 00:21:26,518 NEXT TO JASON MAMOA. YOU LOOKED TINY. 326 00:21:26,585 --> 00:21:29,521 >> WHY WOULD YOU SAY THAT. >> I DON'T THINK OF 327 00:21:29,588 --> 00:21:32,891 YOU AS A SMALL PERSON. >> THERE WAS A CLIP, ASK HIM IF 328 00:21:32,958 --> 00:21:36,928 HE'D EVER BEEN NOMINATED WHICH I THOUGHT WAS NOT A NICE THING TO 329 00:21:36,995 --> 00:21:39,798 ASK HIM BECAUSE HE'D NEVER BEEN NOMINATED. 330 00:21:39,865 --> 00:21:43,035 WHEN I SAW THE CLIP IT WAS THIS, "HAVE YOU BEEN NOMINATED? 331 00:21:43,101 --> 00:21:46,204 SO I LOOK LIKEDLY WANT ASS. I THOUGHT HE LOOKED LIKE THE 332 00:21:46,271 --> 00:21:49,908 ASS, THE WAY IT WAS WRITTEN. BUT IT DIDN'T TURN OUT THAT WAY. 333 00:21:49,975 --> 00:21:52,844 >> GOOD TO SEE YOU AGAIN IT'S BEEN TOO LONG. 334 00:21:52,911 --> 00:21:54,579 >> HAS IT. >> FROM MY POINT? 335 00:21:54,646 --> 00:21:57,749 >> NOT FOR ME, NOT FOR ME. >> YOU'RE THE GUEST. 336 00:21:57,816 --> 00:21:59,651 YOU GET TO NAME THE MOMENT. >> I LOVE YOU. 337 00:21:59,718 --> 00:22:02,254 YOU'RE A GOOD DUDE-- I LIKE THE GRAY. 338 00:22:02,320 --> 00:22:04,623 >> THIS IS COVID, MAN, THIS IS COVID. 339 00:22:04,690 --> 00:22:07,492 >> YOU HAVE COVID? >> NO, THIS IS THE 340 00:22:07,559 --> 00:22:09,327 YEARS OF ANXIETY ABOUT THE COVID COMING IN. 341 00:22:09,394 --> 00:22:12,497 I LIKE THE GRAY ON YOU, TOO. >> THANKS, I DON'T HAVE ANY 342 00:22:12,564 --> 00:22:14,099 GRAY. >> YOU DON'T HAVE ANY 343 00:22:14,166 --> 00:22:16,301 GRAY? THIS IS JUST FOR A PART RIGHT 344 00:22:16,368 --> 00:22:17,269 HERE? WHAT ABOUT THE HAIR ON YOUR 345 00:22:17,335 --> 00:22:19,805 CHEST IS THAT GRAY? OH, WAIT, THERE IS NONE. 346 00:22:19,871 --> 00:22:28,113 THERE'S NO... 347 00:22:28,180 --> 00:22:30,348 IT'S CBS. OH, NO! 348 00:22:30,415 --> 00:22:34,319 COME ON! WHOA! 349 00:22:34,386 --> 00:22:36,855 >> SORRY. >> YOU BRAIDED IT. 350 00:22:36,922 --> 00:22:41,560 . LET'S JUST KEEP GOING. 351 00:22:41,626 --> 00:22:45,397 LOOK, NOW THE AUDIENCE IS LIKE, "PLEASE STOP, PLEASE STOP." 352 00:22:45,464 --> 00:22:49,835 >> YOU HAVE NOT BEEN HERE PHYSICALLY SINCE 2018, AND 353 00:22:49,901 --> 00:22:54,339 YOU TOOK A BREAK FROM ACTING, YOU SAID YOU WERE GOING TO STEP 354 00:22:54,406 --> 00:23:01,113 AWAY A LITTLE BIT, BUT THEN YOU GOT A CALL TO DO "DUNE." 355 00:23:01,179 --> 00:23:05,617 WHY DID YOU BREAK YOUR PROMISE TO YOURSELF? 356 00:23:05,684 --> 00:23:06,818 >> BECAUSE IT'S DENIS VILLENEUVE. 357 00:23:06,885 --> 00:23:14,593 >> YOU DID "SICARIO." >> AND NOW WE'RE GOING BACK TO 358 00:23:14,659 --> 00:23:15,827 DO "DUNE. >> HOW OLD WERE YOU 359 00:23:15,894 --> 00:23:20,065 WHEN YOU DID "DUNE." >> I WAS 17. 360 00:23:20,132 --> 00:23:24,236 >> I READ IT WHEN I THINK I WAS 18, OR 19, I GUESS, 361 00:23:24,302 --> 00:23:29,875 AND I THOUGHT-- WELL, I-- THOUGHT I HAVE TO PLAY PAUL 362 00:23:29,941 --> 00:23:31,743 ATREIDES. DID YOU SAY TO YOURSELF AT THAT 363 00:23:31,810 --> 00:23:33,345 AGE-- DID YOU WANT TO BE AN ACTOR AT THAT AGE? 364 00:23:33,411 --> 00:23:37,616 >> I DID, BUT I ALWAYS LOOKED AT THE OTHER GUY. 365 00:23:37,682 --> 00:23:41,453 I WAS DEFINITELY NOT PAUL ATREIDES. 366 00:23:41,520 --> 00:23:43,955 TIFS PROBABLY STILLGAR. I WANT TO PLAY EVERY ROLE THAT 367 00:23:44,022 --> 00:23:47,592 JARVIER DOES. >> HE INVITED ME TO 368 00:23:47,659 --> 00:23:50,061 THE SET. >> I AM GOING TO UNINVITE YOU. 369 00:23:50,128 --> 00:23:52,130 >> WE'LL SEE, WE'LL SEE. 370 00:24:02,974 --> 00:24:05,944 ONCE-- I DON'T DENIS, YOU CAN'T STOP ME NOW. 371 00:24:06,011 --> 00:24:08,914 ONCE I'M IN THE STILL SUIT-- >> WHEN WE DID "EVEREST." 372 00:24:08,980 --> 00:24:10,916 WE'RE GOING TO CLIMB EVEREST AND THE KRAKOWER BOOK, AND IT'S 373 00:24:10,982 --> 00:24:14,052 GOING TO BE AMAZING, NOT REALIZING EVERYBODY LOOKED LIKE 374 00:24:14,119 --> 00:24:20,926 THIS. I CAN'T BREATHE! 375 00:24:20,992 --> 00:24:23,328 LITERALLY THE ENTIRE MOVIE, EVERY CHARACTER, YOU HAVE NO 376 00:24:23,395 --> 00:24:27,399 IDEA WHICH ONE I AM. NOT A STAR MAKER. 377 00:24:27,465 --> 00:24:30,535 A STAR MAKER? 378 00:24:30,602 --> 00:24:32,938 >> NOT A STAR MAKER. >> WE HAVE TO TAKE A 379 00:24:33,004 --> 00:24:36,942 LITTLE BIT OF A BREAK, BUT WE'LL BE RIGHT BACK WITH MR. JOSH 380 00:24:37,008 --> 00:24:38,009 BROLIN, EVERYBODY, STICK AROUND. 381 00:24:49,020 --> 00:24:52,958 CRAIG ALMOST TORE MY ARM OFF LAST TIME. 382 00:24:53,024 --> 00:24:55,961 HEY, EVERYBODY, WE'RE BACK HERE WITH STAR OF STAGE AND SCREEN, 383 00:24:56,027 --> 00:25:02,400 JOSH BROLIN. YOU COLLABORATED WITH THE 384 00:25:02,467 --> 00:25:03,902 "DUNE'S" DIRECTOR OF PHOTOGRAPHER, GREG FRAZIER, ON 385 00:25:03,969 --> 00:25:07,906 THIS SPECIAL BOOK CALLED "THE ART AND SOUL OF DUNE." 386 00:25:07,973 --> 00:25:11,910 HE TOOK EXTRAORDINARY, CANDID PHOTOGRAPHY-- I'M NOT GOING TO 387 00:25:11,977 --> 00:25:15,380 FLIP THROUGH THE WHOLE THING-- BUT PHOTOGRAPHY OF THE MAKING OF 388 00:25:15,447 --> 00:25:16,147 IT. YOU WROTE THE TEXT. 389 00:25:16,214 --> 00:25:17,749 >> YEAH. >> AND I-- 390 00:25:17,816 --> 00:25:21,219 >> I WROTE THE TEXT. NO, I DIDN'T. 391 00:25:21,286 --> 00:25:23,188 BUT ALL THESE WERE TAKEN ON FILM. 392 00:25:23,255 --> 00:25:27,425 ALL THESE WERE TAKEN WITH CAMERAS THAT HE HAD FOUND, LIKE, 393 00:25:27,492 --> 00:25:33,932 ALL OVER HUNGARY, LIKE IN FLEA MARKETS AND STUFF LIKE THAT. 394 00:25:33,999 --> 00:25:38,370 I MEAN, REALLY BEAUTIFUL STUFF. BUT, YEAH, HERE-- JUST READ A 395 00:25:38,436 --> 00:25:39,871 FEW WORDS -- >> WHY DON'T YOU READ 396 00:25:39,938 --> 00:25:43,375 IT. I LIKE THIS, WOULD YOU READ 397 00:25:43,441 --> 00:25:45,410 THIS. READ THIS, WHAT I HAD THE PAGE 398 00:25:45,477 --> 00:25:46,945 OPENED TO. SEE WHERE THE PAGE IS MARKED? 399 00:25:47,012 --> 00:25:50,215 THAT'S A HINT THAT I WANT YOU TO READ THAT. 400 00:25:50,282 --> 00:25:55,220 READ, THAT YOU SON OF A BITCH, READ THAT RIGHT THERE. 401 00:25:55,287 --> 00:26:00,959 >> YOU HAVE THIS ALL PLANNED 402 00:26:01,026 --> 00:26:06,298 OUT, AND IT'S SO... SO STUFFY. 403 00:26:06,364 --> 00:26:10,902 A LACERATING LIGHT LANDS ON . 404 00:26:10,969 --> 00:26:12,370 SORRY. 405 00:26:12,437 --> 00:26:16,975 SPOT. A LACERATING LIGHT LANDS ON 406 00:26:17,042 --> 00:26:19,744 MORNING, SHARDS OF ORANGE AND BLACK SEEM TO BE THE COLORS THAT 407 00:26:19,811 --> 00:26:22,247 RAIN AROUND YOU, NOW US. I REACH OUT KNOWING YOUR HANDS 408 00:26:22,314 --> 00:26:26,451 WILL BE ROUGH TO THE TOUCH, BUT I AM STILL NOW, MIND YOU, SO BE 409 00:26:26,518 --> 00:26:29,254 GENTLE IF YOU WOULD. I'LL BE HERE FOR LONGER THAN YOU 410 00:26:29,321 --> 00:26:32,590 MIGHT HAVE INITIALLY HAD ME. THE DESERT ISN'T AS HARSH AS I 411 00:26:32,657 --> 00:26:35,927 BELIEVED IT WOULD BE, BUT IT DOES, I FIND, OFTEN PRESENT WHAT 412 00:26:35,994 --> 00:26:39,397 FEVERED DREAMS MIGHT HAVE SLEPT AWAY UNNOTICED DURING THE NIGHT, 413 00:26:39,464 --> 00:26:43,201 AND SO WE AWAKEN BECAUSE IT IS MORNING WITH A SLIGHTLY 414 00:26:43,268 --> 00:26:44,602 POSSESSED AIR ALIVE AND AROUND US. 415 00:26:44,669 --> 00:26:48,106 I AM HERE, AND IT IS ALL BEGUN, THIS REACHING AND THIS REACHING 416 00:26:48,173 --> 00:26:54,079 OUT AGAIN." 417 00:26:54,145 --> 00:27:02,954 ENOUGH TIME... THIS IS MINE. THERE ISN'T ENOUGH TIME 418 00:27:03,021 --> 00:27:05,991 FORRERING IT MAKES ME THINK OF, BUT I'LL JUST GO TO THIS-- THIS 419 00:27:06,057 --> 00:27:09,194 IS NOT THE FIRST TIME YOU HAVE DONE POETIC WRITING. 420 00:27:09,260 --> 00:27:12,897 LOOK AT YOU HERE. HOW OLD ARE YOU IN THIS 421 00:27:12,964 --> 00:27:14,099 PHOTOGRAPH? >> 23. 422 00:27:14,165 --> 00:27:17,902 >> YOU'RE 23, AND THIS IS A YOUNG, PONYTAILED JOSH 423 00:27:17,969 --> 00:27:19,904 BROLIN. AND ALAN GINSBERG IN A WRITING 424 00:27:19,971 --> 00:27:21,106 CLASS. HOW DID THIS COME ABOUT? 425 00:27:21,172 --> 00:27:26,444 >> I THOUGHT I WAS JIM MORRISON. I THOUGHT MY NAME WAS JIM 426 00:27:26,511 --> 00:27:27,645 MORRISON. >> YOU KIND OF LOOK 427 00:27:27,712 --> 00:27:31,916 LIKE BILLY JACK HERE. 428 00:27:31,983 --> 00:27:38,289 LEFT EAR--" >> DO YOU WANT TO EXPLAIN WHO 429 00:27:38,356 --> 00:27:41,693 ALAN GINSBERG IS. >> THEY KNOW-- KNOW-- Y 430 00:27:41,760 --> 00:27:47,032 KNOW WHO ALAN GINSBERG IS. >> ALAN GINSBERG FG IN 431 00:27:47,098 --> 00:27:51,302 ROCHESTER, NEW YORK, I WAS DOING PLAYS, THEATER IN ROCHESTER NEW 432 00:27:51,369 --> 00:27:57,842 YORK, I WAS DOING TWO PLAYS, ROTATING REP, AND A GREAT FRIEND 433 00:27:57,909 --> 00:28:02,914 OF MINE, AND I SAID YOU HAVE TO-- IT'S GINSBERG. 434 00:28:02,981 --> 00:28:07,052 GINSBERG WAS BUDDIES WITH KEROUAC AND YOUR EARLY 20s 435 00:28:07,118 --> 00:28:11,056 THAT ALL YOU READ IS KEROUAC, YOU SMOKE CIGARETTE AFTER 436 00:28:11,122 --> 00:28:12,757 CIGARETTE. BUT HE DIDN'T LIKE ME. 437 00:28:12,824 --> 00:28:14,426 >> GINSBERG DIDN'T LIKE YOU. 438 00:28:14,492 --> 00:28:18,763 >> NO, NO, IN THAT MOMENT WHEN I'M LOOKING AT HIM LONGINGLY 439 00:28:18,830 --> 00:28:22,067 LIKE THIS, AND I THINK HE'S SAYING SOMETHING LIKE, "GO 440 00:28:22,133 --> 00:28:23,334 AWAY." 441 00:28:23,401 --> 00:28:25,537 IT WAS GINSBERG, AND IT DOESN'T MATTER AND I GOT THE PICTURE. 442 00:28:25,603 --> 00:28:29,474 >> I DIDN'T GET THE PICTURE BUT I MET GINSBERG ONCE. 443 00:28:29,541 --> 00:28:31,476 >> TELL ME. >> I WAS-- THE NIGHT 444 00:28:31,543 --> 00:28:35,046 I MET MY WIFE. WE MET AT THIS PARTY AFTER AN 445 00:28:35,113 --> 00:28:37,015 EVENT. SOME PEOPLE HAVE HEARD THIS. 446 00:28:37,082 --> 00:28:40,452 I WON'T TELL THE WHOLE STORY. AT THE END OF THIS I AM SMITTEN 447 00:28:40,518 --> 00:28:44,589 BY THIS ENCHANTING WOMAN I HAD MET THAT NIGHT AND WE'RE IN THE 448 00:28:44,656 --> 00:28:49,260 A PARTY FOLLOWING THE PREMIERE OF "THE HYDROGEN JUKEBOX." 449 00:28:49,327 --> 00:28:52,997 I'M TALKING TO THIS WONDERFUL WOMAN, AND SHE ASKS ME FOR MY 450 00:28:53,064 --> 00:28:56,234 ADDRESS AND NUMBER. AND I'M LIKE, "ALL RIGHT!" 451 00:28:56,301 --> 00:28:59,838 BUT I DON'T HAVE A PEN, SO I TURN AROUND AND ASK THE GUY 452 00:28:59,904 --> 00:29:04,042 BEHIND ME FOR HIS PEN, AND ALAN GINSBERG HANDS ME-- 453 00:29:04,109 --> 00:29:09,380 >> REALLY, REALLY. >> SO I WROTE MY 454 00:29:09,447 --> 00:29:12,350 ADDRESS DOWN, AND GAVE IT TO MY WIFE. 455 00:29:12,417 --> 00:29:17,388 THAT WAS IT IT. THAT WAS MY INTRODUCTION TO ALAN 456 00:29:17,455 --> 00:29:19,524 GINSBERG. >> DID YOU SAY I'M STEPHEN 457 00:29:19,591 --> 00:29:20,725 COLBERT. >> I SAY THE IN THE 458 00:29:20,792 --> 00:29:21,893 FUTURE YOU MIGHT CARE, BUT UNFORTUNATELY I WILL BE TALKING 459 00:29:21,960 --> 00:29:25,196 TO A PERSON YOU DON'T LIKE. WE HAVE TO TAKE A BREAK, BUT 460 00:29:25,263 --> 00:29:28,900 WHEN WE COME BACK, I WILL ASK JOSH ABOUT HIS AMAZING NEW SHOW 461 00:29:28,967 --> 00:29:29,968 "OUTER RANGE." STICK AROUND. 462 00:29:40,979 --> 00:29:45,283 >> IT DID NOT HAPPEN I WASN'T EVEN THERE THAT NIGHT. 463 00:29:45,350 --> 00:29:47,519 HEY, EVERYBODY, WE'RE BACK WITH JOSH BROLIN. 464 00:29:47,585 --> 00:29:50,755 THE NEXT THING I WANT TO TALK ABOUT HERE-- WE CAN TALK ABOUT 465 00:29:50,822 --> 00:29:54,225 SO MUCH TONIGHT-- I WANT TO TALK ABOUT "OUTER RANGE" ON AMAZON. 466 00:29:54,292 --> 00:29:57,295 I'VE WATCHED EPISODE ONE, AND I AM KNEE DEEP, BABY. 467 00:29:57,362 --> 00:29:59,264 IT HAS SUCKED ME IN. >> THAT'S GOOD. 468 00:29:59,330 --> 00:30:01,533 >> AND THAT'S NOT JUST A METAPHOR, BECAUSE THERE'S 469 00:30:01,599 --> 00:30:06,171 A WHOLE IN YOUR WEST PASTURE THAT I'M REALLY SCARED OF, OR 470 00:30:06,237 --> 00:30:08,740 MAYBE THERE ISN'T. WE DON'T KNOW. 471 00:30:08,806 --> 00:30:11,442 I'M NOT GIVING ANYTHING AWAY. THAT'S IN THE TRAILER. 472 00:30:11,509 --> 00:30:13,444 FOR THE PEOPLE OUT THERE, TELL THEM WHAT THE STORY IS. 473 00:30:13,511 --> 00:30:15,413 >> I DON'T KNOW. I'M TRYING. 474 00:30:15,480 --> 00:30:17,815 >> OKAY, OKAY. WHT CHARACTER DO YOU PLAY? 475 00:30:17,882 --> 00:30:22,187 >> I PLAY ROYAL ABBOTT. I'M THE HEAD OF THE RANCH. 476 00:30:22,253 --> 00:30:26,224 I'M THE PATERNAL FOREFFORT IN THE FAMILY TOGETHER. 477 00:30:26,291 --> 00:30:29,794 HE'S ALL ABOUT THE INTEGRITY OF THE FAMILY, AS THIS THING WHICH 478 00:30:29,861 --> 00:30:33,064 YOU JUST MENTIONED SHOWS UP-- WHICH IS BASICALLY MAYBE 479 00:30:33,131 --> 00:30:36,801 SYMBOLIC OF THE UNKNOWN, MAYBE SYMBOLIC OF OUR SOCIAL FABRIC 480 00:30:36,868 --> 00:30:37,969 RIGHT NOW. I DON'T KNOW. 481 00:30:38,036 --> 00:30:39,237 >> MAYBE A VOID INSIDE OF HIM. 482 00:30:39,304 --> 00:30:42,106 >> A VOID INSIDE OF HIM, A SECRET, IT COULD REPRESENT A 483 00:30:42,173 --> 00:30:44,409 SECRET. ONCE HE HOLDS ON TO THAT SECRET, 484 00:30:44,475 --> 00:30:47,278 THAT FOUNDATION THAT WAS HIS FAMILY STARTS TO CRUMBLE. 485 00:30:47,345 --> 00:30:50,882 AND ONCE IT STARTS TO CRUMBLE, YOU HAVE A LOT OF EXTREME 486 00:30:50,949 --> 00:30:52,750 BEHAVIORS THAT REACT AROUND THAT. 487 00:30:52,817 --> 00:30:56,454 >> WE HAVE A CLIP HERE AT Y'ALL AT TABLE. 488 00:30:56,521 --> 00:30:57,689 >> Y'ALL. >> ANYTHING YOU WANT 489 00:30:57,755 --> 00:31:02,093 TO SAY ABOUT THIS? >> NO, HOSS, LET'S JUST GO WITH 490 00:31:02,160 --> 00:31:03,328 IT. 491 00:31:03,394 --> 00:31:11,102 >> JIMMY, GIDDYAP. >> WE ASK YOU TO SHOW US THE WAY 492 00:31:11,169 --> 00:31:18,576 HERE BECAUSE WE'RE IN TROUBLE. WE ARE DESPERATE. 493 00:31:18,643 --> 00:31:24,315 YOU MADE THIS CRAZY WORLD. MAYBE YOU CAN GIVE US SOME SORT 494 00:31:24,382 --> 00:31:29,887 OF HINT AS TO WHAT YOU'RE UP TO, BECAUSE I DON'T HAVE THE FIRST 495 00:31:29,954 --> 00:31:31,422 CLUE. MAYBE IT'S THAT YOU HAVE NOTHING 496 00:31:31,489 --> 00:31:34,025 TO DO WITH THIS, OR MAYBE YOU'RE NOT EVEN THERE. 497 00:31:34,092 --> 00:31:38,930 WHO KNOWS. THERE IS A BIG DISTANCE BETWEEN 498 00:31:38,997 --> 00:31:43,134 YOU AND US, A GAP, A VOID. THERE IS A GREAT VOID. 499 00:31:43,201 --> 00:31:44,669 I'M ASKING YOU TO FILL THAT VOID. 500 00:31:44,736 --> 00:31:47,338 I'M ASKING YOU TO FILL THAT VOID. 501 00:31:47,405 --> 00:31:49,607 I'M ASKING YOU TO COME DOWN HERE AND EXPLAIN YOURSELF BECAUSE 502 00:31:49,674 --> 00:31:52,810 THIS WORLD OF YOURS ISN'T QUITE ADDING UP, AND I HATE YOU FOR 503 00:31:52,877 --> 00:31:56,914 IT, AND I REALLY DO, AND I DON'T EVEN THINK I BELIEVE 504 00:31:56,981 --> 00:32:08,826 IN. BUT I REALLY HATE YOU. 505 00:32:08,893 --> 00:32:12,997 WILL AMEN. 506 00:32:13,064 --> 00:32:19,070 THAT-- THAT SELLS AT THE END THERE. 507 00:32:19,137 --> 00:32:21,339 THAT'S A BEAUTIFUL PRAYER. THAT REALLY IS. 508 00:32:21,406 --> 00:32:24,575 THAT REALLY IS. NOW, IT'S A WESTERN ON A CERTAIN 509 00:32:24,642 --> 00:32:26,911 LEVEL HERE. IT'S SUPERNATURAL AND IT'S A 510 00:32:26,978 --> 00:32:28,046 WESTERN AT THE SAME TIME. YOU CLEARLY KNOW WHAT YOU'RE 511 00:32:28,112 --> 00:32:30,081 DOING ON A HORSE. WE TALKED ABOUT THIS BEFORE PUP 512 00:32:30,148 --> 00:32:32,650 GREW UP ON A RANCH WITH A BUNCH OF HORSES THERE. 513 00:32:32,717 --> 00:32:36,387 >> I DID, I GREW UP ON THE RARCH. 514 00:32:36,454 --> 00:32:40,525 I'M STILL ON THE PRAYER, I'M LISTENING TO YOU. 515 00:32:40,591 --> 00:32:42,026 DO YOU PRAY. >> YES. 516 00:32:42,093 --> 00:32:45,029 >> SO DO WE. >> WHEN THE FAMILY IS 517 00:32:45,096 --> 00:32:46,197 TOGETHER. INDIVIDUALLY, IF IT'S ME AND 518 00:32:46,264 --> 00:32:48,466 EVIE-- >> THAT'S SOMETHING THEY TOOK 519 00:32:48,533 --> 00:32:51,269 FROM ME AND IT'S EVERY PRAYER FROM MY OWN FAMILY EVERY DINNER. 520 00:32:51,336 --> 00:32:52,704 >> THAT'S A BEAUTIFUL STORY. 521 00:32:52,770 --> 00:32:54,305 >> THANK YOU. >> THAT'S A BEAUTIFUL 522 00:32:54,372 --> 00:32:56,841 STORY. >> YES, I RODE HORSES FOR QET A 523 00:32:56,908 --> 00:32:59,177 LONG TIME WHEN I WAS A KID. >> BUT A LOT OF 524 00:32:59,243 --> 00:33:02,714 PEOPLE, LIKE, LIE ABOUT RIDING HORSES AND THEN THEY HAVE TO GO 525 00:33:02,780 --> 00:33:03,881 DO IT. >> NO, NO. 526 00:33:03,948 --> 00:33:08,353 I DID A SERIES WHEN I WAS 20-- WHEN I WAS DOING THAT, THE 527 00:33:08,419 --> 00:33:11,055 GINSBERG PICTURE, I WAS DOING A SERIES AND WOULD DO PLAYS DURING 528 00:33:11,122 --> 00:33:14,926 THE SUMMER. AND THIS SERIES-- YOU KNOW, THEY 529 00:33:14,992 --> 00:33:17,995 AUDITION AND, YOU KNOW, YOU HAVE PEOPLE IN NEW YORK, AND THEY'RE 530 00:33:18,062 --> 00:33:21,966 LIKE, "ON DO YOU RIDE." THERE WAS A GUY-- I WON'T SAY 531 00:33:22,033 --> 00:33:24,836 WHO IT IS-- OH, YEAH, I RIDE. I RIDE. 532 00:33:24,902 --> 00:33:27,672 YOU WANT ME TO RIDE THE HORSE, I'LL RIDE THE HORSE. 533 00:33:27,739 --> 00:33:31,743 I GREW UP RIDING. YOU DIDN'T RIDE. 534 00:33:31,809 --> 00:33:33,611 THE SOPRANOS YOU DIDN'T RIDE FOR SURE. 535 00:33:33,678 --> 00:33:36,814 I GREW UP RIDING. I DID 65 HORSES EVERY MORNING. 536 00:33:36,881 --> 00:33:38,816 I FED THEM. IT WAS HORRIBLE ONLY IN 537 00:33:38,883 --> 00:33:42,086 HINDSIGHT AS THIS GREAT ROMANCE THAT WE TALK ABOUT. 538 00:33:42,153 --> 00:33:46,190 NOBODY RODE. IF YOU LOOK AT THE OPENING SHOT 539 00:33:46,257 --> 00:33:53,398 THE QUALIFY YOUNG RIDERS," EVERYBODY IS AT LEAST 14,15 540 00:33:53,464 --> 00:33:56,134 INCHES OUT OF THE SADDLE. THERE'S ALL SPACE THERE, THERE 541 00:33:56,200 --> 00:33:59,670 IS ME IN THE FRONT JUST GOING ALONG AND ALL THE OTHER NEW 542 00:33:59,737 --> 00:34:01,172 YORKERS. >> WISHING THEY WERE 543 00:34:01,239 --> 00:34:03,908 WEARING A CUP. >> WISHING THEY WERE WEARING A 544 00:34:03,975 --> 00:34:05,076 CUP. IT WAS BAD. 545 00:34:05,143 --> 00:34:07,278 I HAVE RIDDEN MY WHOLE LIFE. >> HAVE YOU EVER HAD 546 00:34:07,345 --> 00:34:11,382 TO LIE IN AN AUDITION? >> AYE ONLY LIED IN AUDITIONS. 547 00:34:11,449 --> 00:34:13,885 DURING ANY AUDITION. 548 00:34:13,951 --> 00:34:20,258 I MEAN, WE HAD-- YOU KNOW, YOU GET A PICTURE TAKEN YOU GET AN 549 00:34:20,324 --> 00:34:23,294 EIGHT BY 10, AND THE OTHER SIDE YOU HAVE A RESUME, AND EVERY 550 00:34:23,361 --> 00:34:25,296 SINGLE TITLE ON THAT RESUME I MADE UP. 551 00:34:25,363 --> 00:34:28,433 BECAUSE YOU HAVE TO GO IN-- YEAH, ULTIMATE TO BE VALUABLE. 552 00:34:28,499 --> 00:34:32,670 YOU WANT TO BE LIKE A GUY WITH, "LOOK AT ALL THIS WORK HE'S 553 00:34:32,737 --> 00:34:33,938 DONE! LET'S HIRE HIM!" 554 00:34:34,005 --> 00:34:38,576 AND I DID "KING LEAR," LIKE I WAS 17. 555 00:34:38,643 --> 00:34:44,949 YOU DON'T PLAY "KING LEAR" WHEN YOU'RE 17 BUT I NEVER READ IT 556 00:34:45,016 --> 00:34:47,885 AND I DIDN'T KNOW. AND THEN THEY CALL YOU ON IT AND 557 00:34:47,952 --> 00:34:54,225 THEY GO, WHERE DID YOU DO "KING LEAR." 558 00:34:54,292 --> 00:35:00,364 AND YOU'RE LIKE, s, ITALY." AND ITALY, I SAW THE GOD FATHER 559 00:35:00,431 --> 00:35:03,668 PALERMO. IN PALERMO AT THE INTERNATIONAL 560 00:35:03,734 --> 00:35:06,337 ITALIAN THEATER IN PALERMO. >> I BELIEVE YOU. 561 00:35:06,404 --> 00:35:09,073 >> AND THEY GO, "THANK YOU FOR COMING IN. 562 00:35:09,140 --> 00:35:12,243 THANK YOU FOR COMING IN. GLCHMENT OH, MY GOODNESS. 563 00:35:12,310 --> 00:35:17,048 I IT WELL. 564 00:35:17,114 --> 00:35:18,683 WELL, JOSH, THANK YOU FOR COMING IN. 565 00:35:18,749 --> 00:35:21,853 >> THANKS. >> "OUTER RANGE" 566 00:35:21,919 --> 00:35:25,923 PREMIERES TODAY ON PRIME VIDEO. IT'S JOSH BROLIN, EVERYBODY! 567 00:35:25,990 --> 00:35:27,992 WE'LL BE RIGHT BACK. 568 00:35:47,011 --> 00:35:50,681 >> AND NOW, PERFORMING THEIR CLASSIC SONG, "BEHIND BLUE 569 00:35:50,748 --> 00:35:52,984 EYES," FROM THE ROYAL ALBERT HALL AS PART OF THEIR SUPPORT OF 570 00:35:53,050 --> 00:36:04,529 TEENAGE CANCER TRUST, THE WHO! 571 00:36:04,595 --> 00:36:19,477 NO ONE KNOWS 572 00:36:19,544 --> 00:36:20,578 NO ONE KNOWS 573 00:36:20,645 --> 00:36:24,916 WHAT IT'S LIKE 574 00:36:24,982 --> 00:36:29,287 TO BE A SAD MAN 575 00:36:29,353 --> 00:36:32,657 NO ONE KNOWS 576 00:36:32,723 --> 00:36:41,299 TO BE HATED 577 00:36:41,365 --> 00:36:49,307 TO TELLING ONLY LIES 578 00:36:49,373 --> 00:36:53,611 THEY AREN'T AS EMPTY 579 00:36:53,678 --> 00:37:02,420 SEEMS TO BE 580 00:37:02,486 --> 00:37:13,297 ONLY LONELY 581 00:37:13,364 --> 00:37:20,438 THAT'S NEVER FREE 582 00:37:20,504 --> 00:37:25,276 WHAT IT'S LIKE 583 00:37:25,343 --> 00:37:37,154 LIKE I DO 584 00:37:37,221 --> 00:37:41,292 AND NO ONE BITES BACK AS HARD 585 00:37:41,359 --> 00:37:49,300 NONE OF MY PAIN AND WOE CAN SHOW THROUGH 586 00:37:49,367 --> 00:37:56,440 THEY AREN'T AS EMPTY 587 00:37:56,507 --> 00:38:05,249 SEEMS TO BE 588 00:38:05,316 --> 00:38:13,257 ONLY LONELY 589 00:38:13,324 --> 00:38:26,437 THAT'S NEVER FREE 590 00:38:34,378 --> 00:38:37,248 CRACK IT OPEN 591 00:38:37,314 --> 00:38:41,285 AND LOSE MY COOL 592 00:38:41,352 --> 00:38:44,388 TELL ME SOME BAD NEWS 593 00:38:44,455 --> 00:38:53,264 AND ACT LIKE A FOOL 594 00:38:53,330 --> 00:39:00,771 PUT YOUR FINGER DOWN MY THROAT 595 00:39:00,838 --> 00:39:02,440 PLEASE GIVE ME A BLANKET 596 00:39:02,506 --> 00:39:13,284 LET ME WEAR YOUR COAT 597 00:39:13,350 --> 00:39:20,424 PLEASE LET ME WEAR YOUR COAT 598 00:39:20,491 --> 00:39:32,436 NO ONE KNOWS 599 00:39:32,503 --> 00:39:37,241 WHAT IT'S LIKE 600 00:39:37,308 --> 00:39:42,880 TO BE THE SAD MAN 601 00:39:55,993 --> 00:40:01,932 ACCOMPANIED BY A FULL ORCHESTRA 602 00:40:01,999 --> 00:40:04,235 THE WHO, EVERYBODY! THAT'S IT FOR "THE LATE SHOW." 603 00:40:04,301 --> 00:40:07,238 TUNE IN NEXT WEEK, WHEN I'LL BE JOINED BY JULIA ROBERTS, 604 00:40:07,304 --> 00:40:09,673 JASON BATEMAN, AND NEIL deGRASSE TYSON. 605 00:40:09,740 --> 00:40:10,274 GOOD NIGHT.