1 00:00:02,635 --> 00:00:05,472 PLAYER JOHN STOCKTON HAS COME UNDER CRITICISM FOR HIS 2 00:00:05,538 --> 00:00:08,775 ANTI-VACCINE CONSPIRACIES. IN A RECENT INTERVIEW IN THE 3 00:00:08,842 --> 00:00:10,610 "SPOKESMAN REVIEW," STOCKTON CLAIMED... 4 00:00:10,677 --> 00:00:25,558 ♪ ♪ ♪ 5 00:00:25,625 --> 00:00:28,128 ♪ ♪ ♪ 6 00:00:28,194 --> 00:00:30,964 >> WELCOME TO "ESPN SPORTS 7 00:00:31,030 --> 00:00:33,133 CENTER." RECAPPING THE WEEK IN SPORTS, 8 00:00:33,199 --> 00:00:37,737 LET'S GO TO THE HIGHLIGHTS. PLENTY OF P.G.A. ACTION AT 9 00:00:37,804 --> 00:00:45,545 TORREY PINES. TOUGH START FOR RORY SPEATH, WHO 10 00:00:45,612 --> 00:00:46,646 HIT INTO A TRAP ON THE FOURTH HOLE, AND THEN DIED. 11 00:00:46,713 --> 00:00:48,114 ON THE SEVENTH, JORDAN McILROY DEAD. 12 00:00:48,181 --> 00:00:49,315 ON THE 11TH, IN THE WATER HAZARD, GARY FALDO. 13 00:00:49,382 --> 00:00:51,785 LET'S TAKE A LOOK AT THE LEADER BOARD: 14 00:00:51,851 --> 00:00:53,653 TONY GRIFFIN, DEAD BRYSON ROSE, DEAD. 15 00:00:53,720 --> 00:00:55,688 JUSTIN DECHAMBEAU, 2 OVER PAR, AND SIX FEET UNDER. 16 00:00:55,755 --> 00:01:01,261 UP NEXT, TENNIS. THE MIAMI OPEN. 17 00:01:01,327 --> 00:01:03,630 WHERE NOVAK DJOKOVIC WAS ON FIRE, SERVING A RECORD 113 18 00:01:03,696 --> 00:01:06,933 STRAIGHT ACES TO A DEAD RAFAEL NADAL. 19 00:01:07,000 --> 00:01:12,172 AND, FINALLY, THE M.L.B., WHERE THE RED SOX TOOK ON THE YANKEES. 20 00:01:12,238 --> 00:01:13,740 BOTH TEAMS DIED DURING THE SECOND INNING, BUT BECAUSE IT'S 21 00:01:13,807 --> 00:01:17,710 BASEBALL, NOBODY NOTICED. 22 00:01:17,777 --> 00:01:22,081 >> Announcer: IT'S "THE LATE SHOW WITH STEPHEN COLBERT." 23 00:01:22,148 --> 00:01:30,056 TONIGHT: NO PORT FOR OLD MAN. 24 00:01:30,123 --> 00:01:35,762 PLUS, STEPHEN WELCOMES: ADRIEN BRODY 25 00:01:35,829 --> 00:01:37,130 AND MUICAL GUEST LADY WRAY 26 00:01:37,197 --> 00:01:41,668 FEATURING JON BATISTE AND STAY HUMAN. 27 00:01:41,734 --> 00:01:43,736 AND NOW, LIVE ON TAPE FROM THE 28 00:01:43,803 --> 00:01:49,342 ED SULLIVAN THEATER IN NEW YORK CITY, IT'S STEPHEN COLBERT! 29 00:01:49,409 --> 00:01:57,684 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 30 00:01:57,750 --> 00:02:06,059 >> Stephen: THAT'S WHAT I WAS HOPING FOR. 31 00:02:06,125 --> 00:02:18,037 ( CHEERS AND APPLAUSE ) >> Audience: STEPHEN! 32 00:02:18,104 --> 00:02:19,138 STEPHEN! STEPHEN! 33 00:02:19,205 --> 00:02:21,875 STEPHEN! STEPHEN! 34 00:02:21,941 --> 00:02:23,443 STEPHEN! >> Stephen: THANK YOU, LADIES 35 00:02:23,510 --> 00:02:25,712 AND GENTLEMEN. HELLO! 36 00:02:25,778 --> 00:02:36,856 ♪ ♪ ♪ WELCOME, ONE AND ALL-- LOOK! 37 00:02:36,923 --> 00:02:40,159 WELCOME TO "THE LATE SHOW." I AM YOUR HOST, STEPHEN COLBERT. 38 00:02:40,226 --> 00:02:42,328 THE BIG STORY-- ( CHEERS AND APPLAUSE ) 39 00:02:42,395 --> 00:02:49,202 IF YOU GUYS HAVE BEEN CHECKING YOUR PHONES BEFORE THE SHOW 40 00:02:49,269 --> 00:02:53,439 BEGAN, BUT, THE BIG STORY TONIGHT COMES FROM THE HIGHEST 41 00:02:53,506 --> 00:02:54,574 COURT IN THE LAND, BECAUSE SUPREME COURT JUSTICE STEPHEN 42 00:02:54,641 --> 00:02:58,344 BREYER IS RETIRING. YES, YOU HEARD THAT RIGHT. 43 00:02:58,411 --> 00:03:00,813 HE'S RETIRING FROM THE COURT, BUT THERE'S RUMORS HE'S GOING TO 44 00:03:00,880 --> 00:03:01,948 BE THE NEXT QUARTERBACK FOR THE TAMPA BAY BUCCANEERS. 45 00:03:02,015 --> 00:03:06,653 HE CAN STILL DO IT. THEY'RE A VERY-- THEY'RE A VERY 46 00:03:06,719 --> 00:03:10,657 FORGIVING ORGANIZATION. THIS COMES AFTER A YEAR -LONG, 47 00:03:10,723 --> 00:03:12,659 HIGH-PRESSURE CAMPAIGN TO GET BREYER TO STEP DOWN WHILE 48 00:03:12,725 --> 00:03:14,093 DEMOCRATS STILL HAVE CONTROL OF THE SENATE, WHICH INCLUDED 49 00:03:14,160 --> 00:03:18,631 A BILLBOARD TRUCK THAT DROVE AROUND WASHINGTON D.C., THAT 50 00:03:18,698 --> 00:03:22,702 SAID "BREYER, RETIRE." ( LAUGHTER ) 51 00:03:22,769 --> 00:03:26,339 THAT HAS GOT TO STING. THAT'S LIKE IF I WALKED UP TO 52 00:03:26,406 --> 00:03:30,443 THE ED SULLIVAN THEATER AND THE BUILDING SAID, "QUIT." 53 00:03:30,510 --> 00:03:33,146 THIS MEANS-- SOME DAY. SOME DAY. 54 00:03:33,212 --> 00:03:35,281 SOME DAY. ( CHEERS AND APPLAUSE ). 55 00:03:35,348 --> 00:03:39,786 BUT THAT'S SOME DAY IS NOT TODAY. 56 00:03:39,852 --> 00:03:41,120 THIS MEANS THAT PRESIDENT BIDEN WILL GET HIS FIRST CHANCE TO 57 00:03:41,187 --> 00:03:42,422 NAME A NEW SUPREME COURT JUSTICE. 58 00:03:42,488 --> 00:03:47,927 ( CHEERS AND APPLAUSE ) COME ON! 59 00:03:47,994 --> 00:03:49,128 MENT. >> Jon: THERE WE GO. 60 00:03:49,195 --> 00:04:02,175 >> Stephen: AND KEEP IN MIND, KEEP IN MIND, IF BIDEN CAN 61 00:04:02,241 --> 00:04:03,910 GET HIS NOMINEE CONFIRMED, DEMOCRATS WILL STILL HAVE A 62 00:04:03,977 --> 00:04:05,511 CRUSHING MINORITY. THERE WAS SOME REPORTING THAT 63 00:04:05,578 --> 00:04:07,180 BREYER WAS UPSET THAT HIS RETIREMENT NEWS LEAKED TODAY, 64 00:04:07,246 --> 00:04:09,449 BUT THAT WAS WALKED BACK LATER. REPORTERS SAY JUSTICE BREYER HAD 65 00:04:09,515 --> 00:04:11,684 FIRMLY DECIDED ON HIS OWN TO RETIRE AND THAT AN ANNOUNCEMENT 66 00:04:11,751 --> 00:04:14,020 WAS DUE VERY SOON. AND WHILE IT APPEARS SOMEONE 67 00:04:14,087 --> 00:04:15,855 JUMPED THE GUN ON THAT, BETTER TO CHARACTERIZE HIM AS 68 00:04:15,922 --> 00:04:21,728 "SURPRISED" BY EVENTS TODAY THAN "UPSET." 69 00:04:21,794 --> 00:04:24,897 YES, SOMEBODY-- SOMEBODY SIMPLY JUMPED THE GUN. 70 00:04:24,964 --> 00:04:27,200 THAT GUN, BY THE WAY, HAS MORE RIGHTS THAN MOST WOMEN DO UNDER 71 00:04:27,266 --> 00:04:30,603 THE CURRENT SUPREME COURT. ( CHEERS AND APPLAUSE ) 72 00:04:30,670 --> 00:04:40,346 OF COURSE, STEPHEN BREYER IS AN OLD FRIEND OF MINE, AND WHEN HE 73 00:04:40,413 --> 00:04:42,615 WAS ON THE SHOW BACK IN SEPTEMBER, I ASKED HIM ABOUT 74 00:04:42,682 --> 00:04:45,785 THIS. THE LAST QUESTION IS ARE YOU 75 00:04:45,852 --> 00:04:46,853 GOING TO RETIRE? >> AM I GOING TO RETIRE? 76 00:04:46,919 --> 00:04:48,955 EVENTUALLY. I DON'T WANT TO DIE. 77 00:04:49,022 --> 00:04:52,592 >> Stephen: WHAT WOULD DO YOU IF YOU DID RETIRE? 78 00:04:52,659 --> 00:04:53,860 IF YOU COULD RETIRE, IF THIS WAS THE RIGHT TIME, WHAT WOULD YOUR 79 00:04:53,926 --> 00:04:54,661 PLANS BE? JUSTICE >> I'M NOT SURE. 80 00:04:54,727 --> 00:04:55,895 >> Stephen: WHAT'S FUN FOR YOU? 81 00:04:55,962 --> 00:04:57,296 >> I'M NOT SURE. >> Stephen: HIKING? 82 00:04:57,363 --> 00:04:58,464 WOODWORKING? >> COOKING. 83 00:04:58,531 --> 00:04:59,932 >> Stephen: COOKING? >> YEAH. 84 00:04:59,999 --> 00:05:01,200 >> Stephen: OKAY. YOU'RE GOING TO GET A LOT OF 85 00:05:01,267 --> 00:05:04,570 REALLY NICE POTS AND PANS AFTER THIS INTERVIEW. 86 00:05:04,637 --> 00:05:06,906 ( LAUGHTER ) BREYER'S FORTHCOMING COOKBOOK, 87 00:05:06,973 --> 00:05:09,308 "FROM TORTS TO TARTS." ( LAUGHTER ) 88 00:05:09,375 --> 00:05:18,551 "HOW I LEFT THE BENCH AND STEPPED UP TO THE BUNDT." 89 00:05:18,618 --> 00:05:20,353 BUT THE PRESIDENT'S GOT A LOT MORE ON HIS PLATE THAN FINDING A 90 00:05:20,420 --> 00:05:25,124 NEW JUSTICE. RUSSIA IS POISED TO INVADE 91 00:05:25,191 --> 00:05:26,926 UKRAINE, SO YESTERDAY, BIDEN THREATENED TO IMPOSE PERSONAL 92 00:05:26,993 --> 00:05:31,397 SANCTIONS AGAINST PUTIN, INCLUDING SEIZING ASSETS AND 93 00:05:31,464 --> 00:05:32,365 BARRING TRAVEL TO THE UNITED STATES. 94 00:05:32,432 --> 00:05:38,104 BOOM! YOU HEAR THAT, VLAD. 95 00:05:38,171 --> 00:05:43,042 YOU HEAR THAT, VLAD? YOU MESS WITH UKRAINE, YOU CAN 96 00:05:43,109 --> 00:05:44,377 FORGET THE PUTIN FAMILY TRIP TO DISNEY WORLD! 97 00:05:44,444 --> 00:05:46,813 HE'LL HAVE TO SETTLE FOR THE RUSSIAN EQUIVALENT: TURNIPTOWN. 98 00:05:46,879 --> 00:05:49,716 IT'S THE HAPPIEST PLACE IN RUSSIA. 99 00:05:49,782 --> 00:05:50,883 OF COURSE, IT ALL DEPENDS ON WHAT PUTIN DOES NEXT, WHICH IS 100 00:05:50,950 --> 00:05:54,654 ANYONE'S GUESS. AS PRESIDENT BIDEN PUT IT 101 00:05:54,721 --> 00:05:57,190 YESTERDAY: >> YOU KNOW, I'LL BE COMPLETELY 102 00:05:57,256 --> 00:06:00,226 HONEST WITH YOU. IT'S A LITTLE BIT LIKE READING 103 00:06:00,293 --> 00:06:02,161 TEA LEAVES. >> Stephen: YES, IT'S JUST-- 104 00:06:02,228 --> 00:06:05,331 IT'S JUST LIKE READING TEA LEAVES. 105 00:06:05,398 --> 00:06:07,467 THOUGH, FOR PUTIN, IT'S A PRETTY EASY READ. 106 00:06:07,533 --> 00:06:12,939 ( LAUGHTER ) SO-- THE WORLD'S-- 107 00:06:13,005 --> 00:06:21,080 ( APPLAUSE ) IT SPELLS IT OUT. 108 00:06:21,147 --> 00:06:24,917 >> Stephen: SO, THE WORLD'S TWO GREATEST NUCLEAR POWERS ARE TOE 109 00:06:24,984 --> 00:06:29,589 TO TOE IN A HIGH-STAKES STARING CONTEST, BUT NOT EVERYONE'S 110 00:06:29,655 --> 00:06:30,757 PULLING FOR OUR GUY. ACCORDING TO A NEW POLL, 62% OF 111 00:06:30,823 --> 00:06:33,092 REPUBLICANS SAY PUTIN IS A STRONGER LEADER THAN BIDEN. 112 00:06:33,159 --> 00:06:36,829 ( BOOING ) WHAT IS WRONG WITH YOU?! 113 00:06:36,896 --> 00:06:39,732 STOP ROOTING FOR THE OTHER TEAM! HAVEN'T YOU SEEN "ROCKY IV," 114 00:06:39,799 --> 00:06:41,467 "FROM RUSSIA WITH LOVE," "AIR FORCE ONE," "RAMBO: 115 00:06:41,534 --> 00:06:47,740 FIRST BLOOD PART II," "GOLDEN EYE," "THE HUNT FOR RED 116 00:06:47,807 --> 00:06:48,674 OCTOBER"? ( CHEERS AND APPLAUSE ) 117 00:06:48,741 --> 00:06:57,250 DOES-- DOES YOUR CABLE SYSTEM NOT CARRY TBS? 118 00:06:57,316 --> 00:07:08,561 ( LAUGHTER ) REPUBLICAN CRITERIA FOR 119 00:07:08,628 --> 00:07:10,129 "TOUGHNESS" IS. IT'S TRUE THAT JOE BIDEN HASN'T MURDERED ANYONE 120 00:07:10,196 --> 00:07:12,965 WITH A CUP OF TEA LACED WITH POLONIUM, A NOOSE, POINT -BLANK 121 00:07:13,032 --> 00:07:14,600 SHOOTINGS, OR BY CHUCKING THEM OUT OF WINDOWS. 122 00:07:14,667 --> 00:07:16,035 THE ONLY WAY'S JOE'S GONNA KILL YOU IS BY REPEATEDLY TELLING THE 123 00:07:16,102 --> 00:07:20,106 SAME STORY. ( AS BIDEN ) 124 00:07:20,173 --> 00:07:22,842 FINGERS, TOMMY POTATO, SLAPJACK, AND POPCORN, ALL STANDING AROUND 125 00:07:22,909 --> 00:07:24,310 SHARING A BIG BUCKET OF MOTHBALLS. 126 00:07:24,377 --> 00:07:29,215 THE YEAR WAS 40-AUGHT-2, AND WE WERE STARIN' UP AT AN OL' 127 00:07:29,282 --> 00:07:32,718 HUCKLEBERRY MOON. ANYWAY, SLAPJACK WAS A BIG GUY 128 00:07:32,785 --> 00:07:36,689 AND HE HAD THESE TINY LITTLE FEET. 129 00:07:36,756 --> 00:07:38,024 HEY! DON'T PASS OUT! 130 00:07:38,090 --> 00:07:39,458 DON'T PASS OUT! KEEP BREATHING! 131 00:07:39,525 --> 00:07:45,264 KEEP BREATHING! COME ON, WAKE UP! 132 00:07:45,331 --> 00:07:53,239 DANG IT! ( CHEERS AND APPLAUSE ) 133 00:07:53,306 --> 00:08:03,015 "LOST ANOTHER ONE." ( LAUGHTER ) 134 00:08:03,082 --> 00:08:11,858 THINK BIDEN IS WEAKER. IT'S THAT THEY'RE CRUSHIN' HARD 135 00:08:11,924 --> 00:08:12,959 ON VLAD. HERE'S THE LAST G.O.P. SECRETARY 136 00:08:13,025 --> 00:08:14,560 OF STATE, WHAT'S LEFT OF MIKE POMPEO. 137 00:08:14,627 --> 00:08:17,163 >> VLADIMIR PUTIN RESPECTED US. WE HAD RESPECT FOR HIM AND HIS 138 00:08:17,230 --> 00:08:18,931 POWER. HE'S A VERY TALENTED STATESMAN. 139 00:08:18,998 --> 00:08:23,002 HE HAS LOTS OF GIFTS. >> Stephen: MIKE, DON'T OPEN 140 00:08:23,069 --> 00:08:30,409 THOSE GIFTS! THOSE GRAPEFRUITS FROM HARRY & 141 00:08:30,476 --> 00:08:33,546 DAVID ARE TICKING! IT GETS WORSE. 142 00:08:33,613 --> 00:08:35,281 THE POLL ALSO SAID JUST 4% OF REPUBLICANS SAY BIDEN IS 143 00:08:35,348 --> 00:08:40,052 STRONGER THAN PUTIN, AND 25% DECLINED TO TAKE SIDES. 144 00:08:40,119 --> 00:08:41,454 THAT MAKES SENSE: REPUBLICANS HAVE A LONG HISTORY OF IDOLIZING 145 00:08:41,520 --> 00:08:42,955 RUSSIAN LEADERS. WE ALL REMEMBER REAGAN'S FAMOUS 146 00:08:43,022 --> 00:08:48,961 SPEECH: >> MR. GORBACHEV, I LOVE WHAT 147 00:08:49,028 --> 00:08:52,798 YOU'VE DONE WITH THIS WALL! >> Stephen: BUT BIDEN'S STILL 148 00:08:52,865 --> 00:08:58,571 GOT A WAY TO APPEAL TO THE FOX NEWS VOTE, AND HE'S GOT A 149 00:08:58,638 --> 00:08:59,472 CHANCE, ACCORDING TO THIS MORNING'S "FOX 150 00:08:59,538 --> 00:09:00,940 & FRIENDS." >> AMERICA'S RATINGS OF 151 00:09:01,007 --> 00:09:02,141 PRESIDENT BIDEN'S PERSONAL CHARACTERISTICS 60%. 152 00:09:02,208 --> 00:09:04,076 SIX OUT OF 10 LIKE HIM. AND 37% SAYS HE IS A STRONG AND 153 00:09:04,143 --> 00:09:05,778 DECISIVE LEADER. IF I WAS TO PICK STRONG NUMBERS 154 00:09:05,845 --> 00:09:07,813 FOR THE COUNTRY, I WOULD LIKE IT REVERSED: GIVE ME A STRONG 155 00:09:07,880 --> 00:09:09,815 LEADER THAT'S A LITTLE LESS LIKEABLE. 156 00:09:09,882 --> 00:09:12,919 >> Stephen: THE REPUBLICANS' DADDY ISSUES ARE GOING TO 157 00:09:12,985 --> 00:09:15,788 KILL US ALL. ( LAUGHTER ) 158 00:09:15,855 --> 00:09:28,734 ( CHEERS AND APPLAUSE ) RUSSIA, BUT THEY BETTER HURRY, 159 00:09:28,801 --> 00:09:30,202 BECAUSE THEY'RE ABOUT TO LOSE ONE OF THEIR MEMBERS: BRITISH 160 00:09:30,269 --> 00:09:33,005 PRIME MINISTER AND MAN WHOSE CARPET MATCHES THE HAYSTACK, 161 00:09:33,072 --> 00:09:39,078 BORIS JOHNSON. ( LAUGHTER ) 162 00:09:39,145 --> 00:09:41,580 LOSING HIS JOB, THANKS TO THE SCANDAL BRITS HAVE DUBBED, 163 00:09:41,647 --> 00:09:46,886 PARTYGATE. NO, NO, BRITAIN! 164 00:09:46,953 --> 00:09:48,387 "GATES" ARE OUR THING. YOU HAVE TO GET YOUR OWN BRITISH 165 00:09:48,454 --> 00:09:52,692 SUFFIX FOR SCANDALS. MIGHT I SUGGEST CALLING THEM 166 00:09:52,758 --> 00:09:56,362 "PRINCE ANDREWS"? ( CHEERS AND APPLAUSE ) 167 00:09:56,429 --> 00:09:58,531 SEE, THAT'S BETTER. IT'S HONEST NJTSZ YOU'RE PUTTING 168 00:09:58,597 --> 00:10:00,933 IT OUT THERE! >> Stephen: THAT'S HONEST, 169 00:10:01,000 --> 00:10:03,069 BABY. YOU HAVE TO PUT IT OUT THERE. 170 00:10:03,135 --> 00:10:06,405 THAT'S WHAT ANDREW DID. HE PUT IT OUT THERE, THAT'S WHY 171 00:10:06,472 --> 00:10:12,378 IT'S A SCANDAL-- ALLEGEDLY, ALLEGEDLY! 172 00:10:12,445 --> 00:10:14,413 SO WHAT IS PARTY PRINCE ANDREW? WELL, LATE LAST YEAR, REPORTS 173 00:10:14,480 --> 00:10:18,284 SURFACED OF A CHRISTMAS PARTY THAT TOOK PLACE AT DOWNING 174 00:10:18,351 --> 00:10:20,853 STREET, THE PRIME MINISTER'S RESIDENCE, DURING THE COVID 175 00:10:20,920 --> 00:10:24,156 LOCKDOWN IN DECEMBER OF 2020. THEN, "THE GUARDIAN" RELEASED A 176 00:10:24,223 --> 00:10:26,559 PHOTO FROM MAY 15, 2020, SHOWING THE PRIME MINISTER AND 177 00:10:26,625 --> 00:10:27,827 HIS WIFE IN THEIR SUNNY GARDEN, ALONGSIDE 17 STAFFERS AND 178 00:10:27,893 --> 00:10:30,863 HALF-MPTY BOTTLES OF WINE. SO THE PRIME MINISTER IS GOING 179 00:10:30,930 --> 00:10:34,300 TO GET FIRED OVER A GARDEN PARTY. 180 00:10:34,367 --> 00:10:36,135 THE ONLY WAY THIS SCANDAL COULD BE MORE BRITISH IS IF PBS 181 00:10:36,202 --> 00:10:38,671 INTERRUPTED IT HALFWAY THROUGH TO ASK FOR PLEDGES. 182 00:10:38,738 --> 00:10:42,808 ( LAUGHTER ) BUT-- 183 00:10:42,875 --> 00:10:49,015 ( CHEERS AND APPLAUSE ) AN ALBUM. 184 00:10:49,081 --> 00:10:53,119 TOAT BAG. TOAT BAG. 185 00:10:53,185 --> 00:10:55,021 BUT IT DIDN'T STOP THERE. AN EMAIL THEN LEAKED FROM ONE OF 186 00:10:55,087 --> 00:10:57,423 BORIS' SENIOR AIDES REGARDING ANOTHER GARDEN PARTY ON 187 00:10:57,490 --> 00:10:59,725 MAY 20, 2020. IN THE EMAIL, THE AIDE INVITED 188 00:10:59,792 --> 00:11:06,899 MORE THAN 100 STAFF, TELLING THEM TO "BRING YOUR OWN BOOZE"! 189 00:11:06,966 --> 00:11:11,137 OKAY, THAT SOUNDS CHEAP, BUT EVEN IN THE WHITE HOUSE, YOU 190 00:11:11,203 --> 00:11:15,408 GOTTA BRING YOUR OWN SIX PACK. JUST REMEMBER THE SIGN ON 191 00:11:15,474 --> 00:11:17,376 TRUMAN'S DESK: GAS, GRASS, OR ASS-- I DON'T PRESIDENT FOR 192 00:11:17,443 --> 00:11:22,048 FREE. GIVE THEM HELL, HARRY. 193 00:11:22,114 --> 00:11:25,584 MORE ALLEGATIONS EMERGED THAT STAFFERS HELD TWO PARTIES ON THE 194 00:11:25,651 --> 00:11:27,486 EVE OF PRINCE PHILIP'S FUNERAL. ON NOVEMBER 13, THERE WAS 195 00:11:27,553 --> 00:11:31,390 ALLEGEDLY A PARTY AT BORIS' RESIDENCE, THEN ON NOVEMBER 27, 196 00:11:31,457 --> 00:11:34,393 THERE WAS AN IMPROMPTU FAREWELL CELEBRATION FOR AN 197 00:11:34,460 --> 00:11:37,663 AIDE, NOT TO MENTION THE RECURRING "WINE TIME FRIDAYS." 198 00:11:37,730 --> 00:11:40,633 I DIDN'T KNOW 10 DOWNING WAS SUCH A PARTY PALACE! 199 00:11:40,699 --> 00:11:43,402 THOUGH IT DOES EXPLAIN THAT WINSTON CHURCHILL CLIP: 200 00:11:43,469 --> 00:11:51,544 >> WE SHALL FIGHT THEM ON THE BEACHES, WE SHALL FIGHT THEM 201 00:11:51,610 --> 00:11:53,112 ON THE LANDING GROUNDS-- ( DOORBELL RINGS ) 202 00:11:53,179 --> 00:11:56,582 I CALL THE PEPPERONI. NOM-NOM-NOM-NOM-NOM-NOM-NOM. 203 00:11:56,649 --> 00:11:59,118 >> Stephen: PEOPLE WERE NATURALLY-- 204 00:11:59,185 --> 00:12:09,028 ( APPLAUSE ) NOM-NOM-NOM. 205 00:12:09,095 --> 00:12:12,531 PEOPLE WERE NATURALLY UPSET THAT THE PRIME MINISTER WAS PARTYING 206 00:12:12,598 --> 00:12:13,899 WHILE THEY COULDN'T EVEN ATTEND FUNERALS, SO JOHNSON WENT BEFORE 207 00:12:13,966 --> 00:12:17,036 PARLIAMENT TO TRY TO EXPLAIN: >> I HAVE BEEN REPEATEDLY 208 00:12:17,103 --> 00:12:20,239 ASSURED SINCE THESE ALLEGATIONS EMERGED THAT THERE WAS NO PARTY 209 00:12:20,306 --> 00:12:23,175 AND THAT NO COVID RULES WERE BROKEN. 210 00:12:23,242 --> 00:12:27,379 WHEN I WENT INTO THAT GARDEN JUST AFTER 6:00 ON THE 20th OF 211 00:12:27,446 --> 00:12:31,417 MAY, 2020, I BELIEVED IMPLICITLY THAT THIS WAS A WORK EVENT. 212 00:12:31,484 --> 00:12:35,121 >> Stephen (AS JOHNSON): "MR. SPEAKER, WHEN I WAS 213 00:12:35,187 --> 00:12:39,391 PHOTOGRAPHED SNORTING MOLLY OFF THOSE STRIPPERS' BUTTOCKS, YOU 214 00:12:39,458 --> 00:12:46,165 HAVE TO UNDERSTAND, I THOUGHT I WAS ASSURED IT WAS A "WORK" 215 00:12:46,232 --> 00:12:49,168 ORGY." ( CHEERS AND APPLAUSE ) 216 00:12:49,235 --> 00:12:57,476 JOHNSON EVENTUALLY APOLOGIZED. SCANDAL OVER, RIGHT? 217 00:12:57,543 --> 00:13:01,914 WRONG. 12 DAYS LATER WHEN ALLEGATIONS 218 00:13:01,981 --> 00:13:03,682 THEN EMERGED THAT IN JUNE 2020 BORIS HELD A BIRTHDAY BASH. 219 00:13:03,749 --> 00:13:08,053 ONE MEMBER OF THE PRIME MINISTER'S PARTY TRIED TO COVER 220 00:13:08,120 --> 00:13:10,689 UP FOR HIM BY CLAIMING THAT JOHNSON WAS "AMBUSHED WITH A 221 00:13:10,756 --> 00:13:12,558 CAKE." ( LAUGHTER ) 222 00:13:12,625 --> 00:13:17,196 THING IN THE U.K. WE ACTUALLY HAVE SOME FOOTAGE OF 223 00:13:17,263 --> 00:13:21,333 A BRITISH CITIZEN BEING AMBUSHED BY A DESSERT. 224 00:13:21,400 --> 00:13:23,135 >> HELLOOOOO! WE'VE GOT A GREAT SHOW FOR YOU 225 00:13:23,202 --> 00:13:30,476 TONIGHT. MY GUEST IS ADRIEN BRODY. 226 00:13:30,543 --> 00:13:33,979 BUT WHEN WE RETURN, THE TOP FASHION ADVICE IN THE WORLD... 227 00:13:34,046 --> 00:13:36,982 IS NOT AVAILABLE, SO I'M GONNA TAKE A CRACK. 228 00:14:18,057 --> 00:14:20,059 ( APPLAUSE ) WELCOME BACK EVERYBODY! 229 00:14:20,125 --> 00:14:29,702 SAY HELLO TO JON BATISTE AND THE STAY HUMANIZERS. 230 00:14:29,768 --> 00:14:36,208 JON, JON, EVERYBODY OVER THERE, DOES ANYBODY KNOW-- DO WE KNOW 231 00:14:36,275 --> 00:14:38,978 WHAT'S GOING ON WITH THE WEATHER THIS WEEKEND? 232 00:14:39,044 --> 00:14:44,984 IS IT GOING TO BE, LIKE, A GIANT STORM IN THE NEW YORK. 233 00:14:45,050 --> 00:14:47,086 >> GIANT. >> Stephen: GIANT? 234 00:14:47,152 --> 00:14:48,320 REALLY? YES? 235 00:14:48,387 --> 00:14:49,221 OKAY. DO YOU KNOW? 236 00:14:49,288 --> 00:14:51,523 DO YOU KNOW? HAVE YOU HEARD? 237 00:14:51,590 --> 00:14:54,827 >> Jon: I HEARD ABOUT THAT. I HEARD IT'S GOING TO BE COMING 238 00:14:54,893 --> 00:14:56,595 DOWN OUT THERE. WINTER WONDERLAND. 239 00:14:56,662 --> 00:15:00,532 >> Stephen: YOU KNOW WHAT I LOVE ABOUT NEW YORK, NEW YORK, 240 00:15:00,599 --> 00:15:02,635 FOR JUST A FEW MINUTES AFTER A BIG SNOWFALL, EVERYTHING IS 241 00:15:02,701 --> 00:15:04,136 CLEAN AND QUIET. >> Jon: I LOVE THAT. 242 00:15:04,203 --> 00:15:06,572 >> Stephen: IT'S JUST A LITTLE-- LITTLE FARM TOWN. 243 00:15:06,639 --> 00:15:10,676 ( LAUGHTER ). >> Stephen: ADRIEN BRODY IS 244 00:15:10,743 --> 00:15:13,345 GOING TO BE OUT HERE IN JUST A MOMENT. 245 00:15:13,412 --> 00:15:14,813 ( CHEERS AND APPLAUSE ). >> Jon: LOVE ADRIEN. 246 00:15:14,880 --> 00:15:19,485 >> Stephen: OSCAR-WINNING ADRIEN BRODY IS GOING TO BE OUT 247 00:15:19,551 --> 00:15:21,453 HERE. AMAZING MAN, IN THE MEANTIME, 248 00:15:21,520 --> 00:15:25,858 FOLKS, IF THERE'S ONE THING I'M KNOWN FOR IT'S FASHION. 249 00:15:25,924 --> 00:15:28,727 FROM MY LIGHT-BLUE SUITS TO MY DARK-BLUE SUITS TO THE 250 00:15:28,794 --> 00:15:31,930 OCCASIONAL LIGHT GREY, I ALWAYS SLAY. 251 00:15:31,997 --> 00:15:33,932 WHICH IS WHY I AM JUST THE MAN TO CATCH YOU UP ON ALL THE 252 00:15:33,999 --> 00:15:36,802 LATEST STYLE TRENDS IN MY SEGMENT: 253 00:15:36,869 --> 00:15:42,841 >> THE LATE CHIC PRESENTS: STEPHEN COLBERT'S SLAY YOUR 254 00:15:42,908 --> 00:15:54,787 FLEEK. ( CHEERS AND APPLAUSE ) 255 00:15:54,853 --> 00:16:00,459 >> Stephen: WELCOME TO TONIGHT'S FLEEK SLAYING. 256 00:16:00,526 --> 00:16:03,062 RIGHT NOW, THE HOT NEW THING IS BEING TOTALLY OVER THAT THING 257 00:16:03,128 --> 00:16:06,832 AND MOVING ON TO THE NEXT THING BECAUSE, AMONG GEN Z AND 258 00:16:06,899 --> 00:16:11,070 MILLENNIALS, MICRO-TRENDS CONTINUE TO GAIN TRACTION. 259 00:16:11,136 --> 00:16:13,972 THESE ARE CHEAP, STYLISH FASHION ITEMS THAT ARE DESIGNED TO LAST 260 00:16:14,039 --> 00:16:18,010 ONLY UNTIL THE END OF THE CURRENT SEASON. 261 00:16:18,077 --> 00:16:20,846 AND, THANKS TO GLOBAL WARMING, EVERY DAY IS A NEW SEASON 262 00:16:20,913 --> 00:16:23,048 ( LAUGHTER ) TODAY IS "MUGGY-COLD," AND THE 263 00:16:23,115 --> 00:16:27,086 FORECAST FOR TOMORROW IS "MID-WINTER SPRING VOLCANO!" 264 00:16:27,152 --> 00:16:32,358 ( LAUGHTER ) FOR STARTERS, THE BIG MEN'S 265 00:16:32,424 --> 00:16:35,060 FASHION TREND OF 2022 IS DRESSING LIKE A TWEEN. 266 00:16:35,127 --> 00:16:38,831 'KAY. THAT'S WEIRD. 267 00:16:38,897 --> 00:16:41,200 ALSO VERY SPECIFIC. "EXCUSE ME, DOES THIS SHIRT MAKE 268 00:16:41,266 --> 00:16:42,801 ME LOOK 12? IT'S OUR ANNIVERSARY TONIGHT. 269 00:16:42,868 --> 00:16:45,871 DO YOU HAVE ANYTHING WITH SNOOPY ON IT?" 270 00:16:45,938 --> 00:16:48,807 ( LAUGHTER ) LIKE CHILDREN IS CALLED 271 00:16:48,874 --> 00:16:53,879 "KIDCORE." FASHION EXPERTS CAME UP WITH THE 272 00:16:53,946 --> 00:16:55,147 TERM BY ASKING, "HOW CAN WE MAKE THE PEOPLE WHO DO THIS SOUND THE 273 00:16:55,214 --> 00:17:01,720 MOST LIKE PEDOPHILES?" ( LAUGHTER ) 274 00:17:01,787 --> 00:17:06,058 ( LAUGHTER ) IT'S A WEIRD NAME. 275 00:17:06,125 --> 00:17:10,028 KIDCORE TAKES IT'S INSPIRATION FROM KIDS' POP CULTURE AND 276 00:17:10,095 --> 00:17:15,067 FASHION IN THE '90s AND THE AUGHTS. 277 00:17:15,134 --> 00:17:16,702 THIS TREND IS ALL ABOUT CAREFREE FUN AND COMFORT, ALLOWING ADULT 278 00:17:16,769 --> 00:17:18,837 MEN TO CONJURE THEIR TWEEN -AGE YEARS. 279 00:17:18,904 --> 00:17:19,972 PERFECT FOR THE ADULT MAN WHO LIKES BEING A GROWN-UP BUT 280 00:17:20,038 --> 00:17:23,075 MISSES ACNE AND AWKWARD BONERS. 281 00:17:23,142 --> 00:17:28,147 ( LAUGHTER ) WITHIN THE MICRO-TREND OF 282 00:17:28,213 --> 00:17:34,420 ENHANCING YOUR MOOD THROUGH THE WEARING OF JOYFUL ATTIRE THAT IS 283 00:17:34,486 --> 00:17:36,822 OFTEN FULL OF COLOR, TEXTURES, OR PATTERNS, KNOWN AS "DOPAMINE 284 00:17:36,889 --> 00:17:41,693 DRESSING"-- WHICH IS NOT, AS I HOPED, WHEN YOU ADD SOME CRUSHED 285 00:17:41,760 --> 00:17:42,628 UP MOLLY TO A BOTTLE OF RANCH. ( LAUGHTER ) 286 00:17:42,694 --> 00:17:45,898 ANOTHER-- ANOTHER-- ( APPLAUSE ) 287 00:17:45,964 --> 00:17:56,074 ANOTHER MICRO-TREND IS "JELLYFISHING," WHICH IS THE ART 288 00:17:56,141 --> 00:18:00,779 OF WEARING YOUR CHUNKIEST PUFFER COAT OR BULKIEST SWEATER WITH 289 00:18:00,846 --> 00:18:05,751 SLIM-FITTING BOTTOMS TO RESEMBLE A BELL-SHAPED JELLYFISH BODY AND 290 00:18:05,818 --> 00:18:07,052 TENTACLES. REMEMBER: IF YOU COME INTO 291 00:18:07,119 --> 00:18:11,089 CONTACT WITH SOMEONE WHILE THEY ARE JELLYFISHING, DON'T PANIC. 292 00:18:11,156 --> 00:18:14,827 JUST ASK A FRIEND TO PEE ON YOU. ( LAUGHTER ) 293 00:18:14,893 --> 00:18:18,497 ♪ ♪ ♪ AND NOW... 294 00:18:18,564 --> 00:18:25,737 THAT'S WHAT YOU'VE GOT TO DO. IT'S WHAT YOU'RE SUPPOSED TO. 295 00:18:25,804 --> 00:18:27,172 AND NOW MICRO-TRENDS ARE MOVING SO QUICK, THINGS ARE COMING BACK 296 00:18:27,239 --> 00:18:30,843 THAT AREN'T EVEN OLD, LIKE THE RETURN OF THE HIPSTER. 297 00:18:30,909 --> 00:18:34,146 HIPSTERS ARE BACK! AND THAT SOUND YOU HEAR IS A 298 00:18:34,213 --> 00:18:36,215 THOUSAND YOUNG MEN IN BEANIES TELLING YOU THAT THAT SOUND YOU 299 00:18:36,281 --> 00:18:41,153 HEAR IS ACTUALLY SO MUCH WARMER ON VINYL. 300 00:18:41,220 --> 00:18:47,092 ( LAUGHTER ) IS ABOUT AMERICAN APPAREL GOLD 301 00:18:47,159 --> 00:18:51,096 LAME LEGGINGS, SIDESWEPT BANGS, RICHIE TENENBAUM HEADBANDS, 302 00:18:51,163 --> 00:18:54,132 AND TANK TOPS WITH CRATEROUS ARMHOLES THAT DIP ALL THE WAY TO 303 00:18:54,199 --> 00:18:58,704 THE HIP BONES. BUT THE STYLE IS NOW GOING BY A 304 00:18:58,770 --> 00:18:59,838 NEW NAME: "INDIE SLEAZE." KIND OF AN OFF-PUTTING NAME TO 305 00:18:59,905 --> 00:19:04,510 GIVE YOUR OWN STYLE. IT'S LIKE CALLING YOUR 306 00:19:04,576 --> 00:19:06,778 RESTAURANT "RAY'S DISGUSTING SANDWICHES." 307 00:19:06,845 --> 00:19:14,086 ( LAUGHTER ) HIPSTER TREND WAS, LIKE, 2012. 308 00:19:14,152 --> 00:19:17,222 AS ONE STYLE EXPERT PUT IT, "TREND CYCLES HAVE SPED UP TO 309 00:19:17,289 --> 00:19:19,424 SUCH A DEGREE THAT THE VANGUARD COOL KIDS ARE NOW IDOLIZING A 310 00:19:19,491 --> 00:19:23,962 TIME THAT WAS BARELY 10 YEARS IN THE PAST." 311 00:19:24,029 --> 00:19:25,264 IT'S BECOMING IMPOSSIBLE TO KEEP UP. 312 00:19:25,330 --> 00:19:27,699 SO HERE TO SCHOOL US ON THE LATEST HIGH-SPEED FASHION TRENDS 313 00:19:27,766 --> 00:19:32,538 IS MY WRITER AND CERTIFIED YOUNG PERSON, ELIANA KWARTLER 314 00:19:32,604 --> 00:19:36,842 ( CHEERS AND APPLAUSE ) >> HI, STEVE! 315 00:19:36,909 --> 00:19:42,414 HI, STEVE! HELLO. 316 00:19:42,481 --> 00:19:45,584 >> Stephen: ELIANA, ELIANA, THANK YOU FOR BEING HERE TO HELP 317 00:19:45,651 --> 00:19:51,356 US SLAY THE FLEEK. >> AND ALSO WITH YOU. 318 00:19:51,423 --> 00:19:54,560 >> Stephen: ELIANA, I LOVE THE OUTFIT. 319 00:19:54,626 --> 00:19:56,528 IS THAT SWEATER INDIE SLEAZE? >> OH, MY GOD, NO, GRANDPA. 320 00:19:56,595 --> 00:19:59,097 INDIE SLEAZE IS DEAD. >> Stephen: BUT I WAS JUST 321 00:19:59,164 --> 00:20:00,799 SAYING IT'S THE HOT NEW TREND. >> AND IT WAS UNTIL THIS 322 00:20:00,866 --> 00:20:04,036 AFTERNOON. KEEP UP, STEVE. 323 00:20:04,102 --> 00:20:06,838 YOU CAN'T SPELL "FASHION" WITHOUT "FAST." 324 00:20:06,905 --> 00:20:10,175 >> Stephen: YES, YOU CAN. ( LAUGHTER ) 325 00:20:10,242 --> 00:20:15,347 >> Stephen: YOU WENT TO YALE. >> SO DID GEORGE BUSH. 326 00:20:15,414 --> 00:20:23,088 ( LAUGHTER ) ARE OBSESSED WITH THIS TOTALLY 327 00:20:23,155 --> 00:20:25,557 THROW-BACK AND RETRO NEW STYLE CALLED 2021-CORE. 328 00:20:25,624 --> 00:20:27,092 >> Stephen: 2021 WAS A MONTH AGO. 329 00:20:27,159 --> 00:20:35,033 >> I KNOW. SO VINTAGE, RIGHT? 330 00:20:35,100 --> 00:20:38,403 2021-CORE IS, LIKE, INSANELY FUGLY. 331 00:20:38,470 --> 00:20:39,738 LIKE, IT'S MIDDLE PARTS. IT'S "SQUID GAME." 332 00:20:39,805 --> 00:20:41,506 IT'S SAYING IT'S A "NO BONES DAY." 333 00:20:41,573 --> 00:20:43,408 PEOPLE WERE SO WEIRD BACK THEN. >> Stephen: OKAY, I THINK I 334 00:20:43,475 --> 00:20:48,580 GET IT. SO, LIKE, 2021-CORE IS LIKE 335 00:20:48,647 --> 00:20:51,116 CROCS WITH LOW-RISE JEANS. >> EXACTLY. 336 00:20:51,183 --> 00:20:55,320 BUT, UNFORTUNATELY, NOW THAT YOU GET IT, 2021-CORE IS OVER. 337 00:20:55,387 --> 00:21:04,429 ( LAUGHTER ) SAY THAT'S... 338 00:21:04,496 --> 00:21:15,040 THAT'S HARSH. >> THE NEW HOT TREND THAT ALL 339 00:21:15,107 --> 00:21:18,377 YOUNG PEOPLE ARE LEGIT PISSING THEMSELVES OVER IS CALLED "EIGHT 340 00:21:18,443 --> 00:21:19,478 MINUTES AGO-CHIC." IT'S DARK SUITS. 341 00:21:19,544 --> 00:21:21,380 IT'S MONOLOGUE. IT'S STANDING OVER THERE INSTEAD 342 00:21:21,446 --> 00:21:24,816 OF SITTING OVER HERE. ( CHEERS AND APPLAUSE ) 343 00:21:24,883 --> 00:21:30,656 OKAY, OKAY, OKAY, I UNDERSTAND. >> CLEARLY. AND THAT SUCKS, 344 00:21:30,722 --> 00:21:31,523 BECAUSE THE HOT NEW VINTAGE TREND-- 345 00:21:31,590 --> 00:21:35,160 >> Stephen: THERE CAN'T BE ANOTHER ONE. 346 00:21:35,227 --> 00:21:36,828 AFTER THAT, WE'RE UP TO THE PRESENT. 347 00:21:36,895 --> 00:21:41,400 >> WHICH IS DEAD NOW. THE NEW VINTAGE STYLE IS 348 00:21:41,466 --> 00:21:44,102 FUTURE-CORE. IT'S WHATEVER YOU'RE WEARING 349 00:21:44,169 --> 00:21:46,271 NOW, AND THEN YOU CONTINUE TO WEAR IT TOMORROW, SO TOMORROW 350 00:21:46,338 --> 00:21:53,745 YOU'LL HAVE SOMETHING TO LOOK BACK ON FROM TODAY. 351 00:21:53,812 --> 00:21:55,280 >> Stephen: THEN DID YOU WEAR THIS OUTFIT YESTERDAY? 352 00:21:55,347 --> 00:22:00,819 >> UM, NO, I WORE IT TOMORROW. DUH. 353 00:22:00,886 --> 00:22:11,063 ( APPLAUSE ) ME" IS SO TACKY. 354 00:22:11,129 --> 00:22:15,067 >> Stephen: HOW DO YOU KNOW WHAT TOMORROW YOU THINKS? 355 00:22:15,133 --> 00:22:19,071 >> I AM TOMORROW ME, STEVE. I'M TOMORROW ME'S YESTERDAY ME, 356 00:22:19,137 --> 00:22:20,772 AND YESTERDAY'S ME'S TOMORROW ME. 357 00:22:20,839 --> 00:22:23,108 AND TOMORROW I WILL BE TODAY'S ME, AND ALSO YESTERDAY ME FOR 358 00:22:23,175 --> 00:22:26,778 TOMORROW'S TOMORROW ME. IT'S NOT COMPLICATED, STEVE 359 00:22:26,845 --> 00:22:28,447 >> Stephen: ELIANA KWARTLER, EVERYONE. 360 00:22:28,513 --> 00:22:33,452 ELIANA THANK YOU FOR SLAYING THE FLEEK, LIKE NEVER BEFORE. 361 00:22:33,518 --> 00:22:34,553 WE'LL BE RIGHT BACK. 362 00:22:57,275 --> 00:22:58,677 ( APPLAUSE ) WELCOME BACK TO "THE LATE SHOW." 363 00:22:58,744 --> 00:23:01,947 MY GUEST TONIGHT IS THE ACADEMY AWARD- WINNING ACTOR YOU KNOW 364 00:23:02,013 --> 00:23:05,484 FROM "THE FRENCH DISPATCH," "THE GRAND BUDAPEST HOTEL," AND "THE 365 00:23:05,550 --> 00:23:10,589 PIANIST." HIS LATEST FILM IS "CLEAN." 366 00:23:10,655 --> 00:23:17,529 >> SIR, WE'RE CLOSED. 367 00:23:17,596 --> 00:23:22,434 ( BLEEP ). I SAID WE'RE CLOSED. 368 00:23:22,501 --> 00:23:28,907 ♪ ♪ ♪ I'M GOING TO HAVE TO OPEN YOU 369 00:23:28,974 --> 00:23:35,881 UP. >> WHAT? 370 00:23:35,947 --> 00:23:40,085 ( BLEEP ). ♪ ♪ ♪ 371 00:23:40,152 --> 00:23:50,495 ( BLEEP ). ( BLEEP ). 372 00:23:50,562 --> 00:23:51,530 >> Stephen: PLEASE WELCOME BACK TO "THE LATE SHOW," 373 00:23:51,596 --> 00:23:58,637 ADRIEN BRODY! ♪ ♪ ♪ 374 00:23:58,703 --> 00:24:13,585 ( APPLAUSE ) AGAIN. 375 00:24:13,652 --> 00:24:14,986 ( APPLAUSE ) AGAIN. 376 00:24:15,053 --> 00:24:16,655 LOVELY TO HAVE YOU HERE. >> IT'S NICE, THANK YOU. 377 00:24:16,721 --> 00:24:20,559 IT'S NICE TO SEE YOU ALL. NICE TO SEE PEOPLE. 378 00:24:20,625 --> 00:24:22,427 ( CHEERS AND APPLAUSE ). >> Stephen: HUMAN BEINGS. 379 00:24:22,494 --> 00:24:24,629 >> PEOPLE! HUMAN BEINGS! 380 00:24:24,696 --> 00:24:28,400 >> Stephen: IS THIS ONE OF YOUR FIRST CROWDS SINCE THE 381 00:24:28,466 --> 00:24:30,602 WHOLE LOCKDOWN? >> IT'S THE FIRST TIME I'VE SEEN 382 00:24:30,669 --> 00:24:32,270 PEOPLE. I'VE BEEN LOCKED DOWN. 383 00:24:32,337 --> 00:24:35,707 >> Stephen: PEOPLE ARE NICE, AREN'T THEY? 384 00:24:35,774 --> 00:24:37,809 >> PEOPLE ARE NICE. >> Stephen: THAT WAS A VERY 385 00:24:37,876 --> 00:24:41,980 INTENSE CLIP WE SAW RIGHT THERE. I THINK OF YOU MORE AS A LOVER 386 00:24:42,047 --> 00:24:43,582 THAN A FIGHTER. >> THAT WAS THE LOVE SCENE OF 387 00:24:43,648 --> 00:24:46,184 THE MOVIE, BY THE WAY. >> Stephen: INTENSE. 388 00:24:46,251 --> 00:24:49,688 WAS THAT A MONKEY WRENCH, A PIPE WRENCH? 389 00:24:49,754 --> 00:24:54,926 >> IT WAS A PIPE WRENCH. IT'S A WONDERFUL TOOL, VERY 390 00:24:54,993 --> 00:24:56,294 VERSATILE. >> Stephen: MULTIPURPOSE. 391 00:24:56,361 --> 00:24:57,896 >> MULTIPURPOSE. >> Stephen: I UNDERSTAND IN 392 00:24:57,963 --> 00:25:00,198 THIS FILM, "CLEAN," SOMEBODY VERY IMPORTANT TO YOU WAS GIVEN 393 00:25:00,265 --> 00:25:04,169 AN UNUSUAL CREDIT FOR THE FILM. WHO WAS THAT AND WHY? 394 00:25:04,236 --> 00:25:06,838 >> SO, YEAH. SO... 395 00:25:06,905 --> 00:25:14,579 ONE OF MY DEAREST FRIENDS, HIS NAME WAS PATRICK OLDANNY. 396 00:25:14,646 --> 00:25:20,719 HE WAS ASSIGNED AS MY STAND -IN WHEN I WAS 19 ON STEPHEN SOD 397 00:25:20,785 --> 00:25:27,292 BERG'S FILM "KING OF THE HILL." WE FILMED IN ST. LOUIS, AND 398 00:25:27,359 --> 00:25:31,596 WE'VE BEEN BEST FRIENDS-- MY PARENTS CALL HIM "THE GOOD SON," 399 00:25:31,663 --> 00:25:34,065 WHICH WOULD IMPLY -- >> Stephen: SURE. 400 00:25:34,132 --> 00:25:39,204 >> OBVIOUSLY, YES. AND HE JUST-- HE'S BEEN IN MY 401 00:25:39,271 --> 00:25:42,807 LIFE FOREVER. HE MET HIS WIFE INDIRECTLY 402 00:25:42,874 --> 00:25:45,010 COMING TO VISIT ME FOR NEW YEAR'S. 403 00:25:45,076 --> 00:25:49,281 WE USED TO HAVE THIS THING. ANYWAY, PATRICK PASSED AWAY LAST 404 00:25:49,347 --> 00:25:50,215 YEAR. UNFORTUNATELY. 405 00:25:50,282 --> 00:25:55,320 AND IT IS A LOSS. HE WAS A WONDERFUL GUY. 406 00:25:55,387 --> 00:26:02,894 BUT HE WAS-- HE WAS KIND OF-- HE-- HE-- WE CREDIT HIM AS COMIC 407 00:26:02,961 --> 00:26:06,531 RERELIEF, WHICH WAS HIS REQUEST. >> Stephen: COMMIE RELIEF IN 408 00:26:06,598 --> 00:26:08,500 THIS MOVIE. >> IN THIS FILM, YES. 409 00:26:08,566 --> 00:26:12,370 IF YOU MAKE IT TO THE END CREDITS OF "CLEAN," WE WILL SEE 410 00:26:12,437 --> 00:26:14,572 PATRICK IS ASSIGNED THIS COMIC RELIEF FOR THE FILM. 411 00:26:14,639 --> 00:26:17,943 AND HE REALLY WAS. AND HE REALLY HELD EVERYONE UP. 412 00:26:18,009 --> 00:26:21,146 BUT HE WAS A PILLAR OF SUPPORT FOR ME. 413 00:26:21,212 --> 00:26:25,684 THIS WAS A VERY DIFFICULT MOVIE. I DON'T WANT TO DIGRESS. 414 00:26:25,750 --> 00:26:28,420 I COWROTE THE FILM, BUT IT'S SOMETHING I'VE BEEN YEARNING TO 415 00:26:28,486 --> 00:26:31,623 MAKE FOR WELL OVER A DECADE, AND I BROUGHT ON PAUL SOLET, THE 416 00:26:31,690 --> 00:26:34,960 DIRECTOR, AND WE WROTE THIS TOGETHER, AND MADE THIS MOVIE. 417 00:26:35,026 --> 00:26:37,796 AND IT'S SOMETHING THAT I'VE BEEN YEARNING TO DO FOR MANY 418 00:26:37,862 --> 00:26:40,799 YEARS, AND IT WAS VERY CHALLENGING TO MAKE AN 419 00:26:40,865 --> 00:26:43,501 INDEPENDENT FILM FROM SCRATCH, VERY INDEPENDENTLY. 420 00:26:43,568 --> 00:26:47,906 AND PATRICK REALLY HELD ME UP. ONE DAY ON SET, PATRICK WAS-- HE 421 00:26:47,973 --> 00:26:53,345 WAS LIKE A ROCK STAR. HE WAS-- HE WAS VERY TALENTED. 422 00:26:53,411 --> 00:26:57,749 AND HE... IT WAS FREEZING. WE SHOT IN WINTER. 423 00:26:57,816 --> 00:27:01,486 AND PATRICK WAS STANDING IN FRONT OF ONE OF OUR MANY HEATERS 424 00:27:01,553 --> 00:27:05,490 THAT DIDN'T REALLY KEEP ANYBODY WARM, AND THE POOR CREW WAS 425 00:27:05,557 --> 00:27:07,759 FREEZING ALL THE TIME. WE WERE ALL FREEZING TO DEATH. 426 00:27:07,826 --> 00:27:10,061 IT WAS HORRIBLE. AND ONE OF THE CREW MEMBERS 427 00:27:10,128 --> 00:27:13,465 LOOKED OVER TO PATRICK AND WAS LIKE, "HEY, MAN, YOU'RE ON 428 00:27:13,531 --> 00:27:17,402 FIRE." AND HE SAID, "HUH?" 429 00:27:17,469 --> 00:27:20,505 "YOU'RE ON FIRE." HE GOES, "OH, THANKS. 430 00:27:20,572 --> 00:27:23,341 OF." HE GOES, ," NO, NO, LITERALLY, 431 00:27:23,408 --> 00:27:27,379 MAN, YOUR LEG IS BURNING." HE HAD CAUGHT ON FIRE. 432 00:27:27,445 --> 00:27:31,649 AND, YOU KNOW, HAD TO PUT HIMSELF OUT AND EVERYTHING. 433 00:27:31,716 --> 00:27:38,390 AND, YOU KNOW, EVERYBODY WAS LIKE, THE WORKING CONDITIONS ARE 434 00:27:38,456 --> 00:27:40,325 REALLY TERRIBLY UNSAFE. ( LAUGHTER ) 435 00:27:40,392 --> 00:27:47,132 THAT'S PATRICK." PATRICK FOUND A WAY TO -- 436 00:27:47,198 --> 00:27:48,366 >> Stephen: TO BE ON FIRE. >> PAT WAS ALWAYS ON FIRE. 437 00:27:48,433 --> 00:27:50,201 >> Stephen: WE HAVE TO TAKE A QUICK BREAK BUT WHETHER WE COME 438 00:27:50,268 --> 00:27:53,038 BACK, WE'LL HAVE MORE ADRIEN BRODY, EVERYBODY. 439 00:27:53,104 --> 00:27:53,671 STICK AROUND. 440 00:28:01,279 --> 00:28:07,052 HEY EVERYBODY, WE'RE BACK HERE WITH ADRIEN BRODY. 441 00:28:07,118 --> 00:28:09,087 YOU'VE BEEN DOING THIS SINCE YOU WERE REALLY YOUNG. 442 00:28:09,154 --> 00:28:14,092 HOW OLD WERE YOU WHEN YOU DID YOUR FIRST PROFESSIONAL ACTING 443 00:28:14,159 --> 00:28:15,360 JOB? >> I WAS... 444 00:28:15,427 --> 00:28:21,833 I WAS-- I WAS GETTING JUMPED GOING TO DO OFFBROADWAY, TAKING 445 00:28:21,900 --> 00:28:24,369 THE TRAIN FROM JUNIOR HIGH SCHOOL IN THE EAST VILLAGE. 446 00:28:24,436 --> 00:28:26,104 >> Stephen: WOW. AND WHAT DID YOU SEE? 447 00:28:26,171 --> 00:28:28,740 WHAT WAS THE FIRST SORT OF-- >> I DID A FILM. 448 00:28:28,807 --> 00:28:33,144 >> Stephen: ...PERFORMANCE YOU SAW THAT YOU WENT, "I WANT TO DO 449 00:28:33,211 --> 00:28:35,880 THAT?" WHAT WAS THE FIRST THING THAT 450 00:28:35,947 --> 00:28:38,983 INSPIRED YOU? >> IT'S INTERESTING, MAGIC, I 451 00:28:39,050 --> 00:28:42,520 WAS OBSESSED WITH MAGIC, AND MAGIC CAME IN MY LIFE AT A VERY 452 00:28:42,587 --> 00:28:46,324 YOUNG AGE, AND THAT APPRECIATION FOR MAGIC I THINK, ESPECIALLY AS 453 00:28:46,391 --> 00:28:52,230 A BOY, IT WAS EMPOWERING, YOU KNOW. 454 00:28:52,297 --> 00:28:58,970 I COULD CAPTIVATE ADULTS, AND WHAT I REALIZED IN THINKING BACK 455 00:28:59,037 --> 00:29:03,041 AFTER MANY YEARS-- I WAS A PROFESSIONAL MAGICIAN BEFORE I 456 00:29:03,108 --> 00:29:07,345 WAS-- BEFORE MY DAY JOB. MY DAY JOB WAS I WAS THE 457 00:29:07,412 --> 00:29:10,315 "AMAZING ADRIEN" AND I WOULD DO A BIRTHDAY PARTY FOR 50 BUCK S. 458 00:29:10,381 --> 00:29:13,818 >> Stephen: NO! >> AND I HAD A WHOLE REPERTOIRE. 459 00:29:13,885 --> 00:29:17,822 >> Stephen: ARE THERE PHOTOS! ( APPLAUSE ) 460 00:29:17,889 --> 00:29:21,893 YOU WERE STUCK, IF YOU WERE STUCK, COULD YOU STILL-- COULD 461 00:29:21,960 --> 00:29:26,564 YOU STILL DO IT. IF A KID WAS SAD, COULD YOU BE, 462 00:29:26,631 --> 00:29:29,367 "I'M A BIRTHDAY CLOWN." >> IF I'M DRINKING AT A 463 00:29:29,434 --> 00:29:32,670 PARTY,s YOU COULD GET ME TO DO A MAGIC CRICK. 464 00:29:32,737 --> 00:29:37,542 IT'S FUN. BUT I REALIZED MAGIC IS THE 465 00:29:37,609 --> 00:29:41,179 INTRODUCTION TO PERFORMANCE. AND, YOU KNOW, IF YOU BUY A 466 00:29:41,246 --> 00:29:44,782 TRICK, IT'S, YOU KNOW, A BOX, AND YOU GET YOUR LITTLE PRETTY 467 00:29:44,849 --> 00:29:48,853 CRAPPY GIZMO IN THAT, RIGHT? >> Stephen: SURE. 468 00:29:48,920 --> 00:29:51,756 >> THE BASIC BREAKDOWN OF HOW THE TRICK WORKS AND SOME GENERAL 469 00:29:51,823 --> 00:29:55,393 IDEA. AND IT'S UP TO YOU TO BE THE 470 00:29:55,460 --> 00:29:57,862 INDIVIDUAL AND TO MAKE IT UNIQUE. 471 00:29:57,929 --> 00:30:01,399 AND THAT-- WHEN YOU CONVEY THAT-- AND IT EVOLVES. 472 00:30:01,466 --> 00:30:03,234 IT'S LIKE A PERFORMANCE AT A PLAY. 473 00:30:03,301 --> 00:30:06,004 YOU KNOW, YOU DO ONE PERFORMANCE, AND ONE BIT REALLY 474 00:30:06,070 --> 00:30:09,073 WORKED FOR SOMEONE, AND YOU'RE LIKE, "THAT KIND OF WORKED." 475 00:30:09,140 --> 00:30:13,278 AND YOU TRY IT ON SOMEBODY ELSE AND IT EVOLVES. 476 00:30:13,344 --> 00:30:17,649 "THAT PART DIDN'T WORK." AND THAT IS, I THINK, OPENED THE 477 00:30:17,715 --> 00:30:21,352 DOOR FOR ME TO UNDERSTAND MY RELATIONSHIP WITH ACTING AND 478 00:30:21,419 --> 00:30:22,287 UNDERSTANDING IMPROVISATION AND ALL OF THAT. 479 00:30:22,353 --> 00:30:24,722 SO I THINK THAT FED ME A LOT. AND -- 480 00:30:24,789 --> 00:30:26,658 >> Stephen: I HAVE A QUESTION FOR YOU AS AN ACTOR. 481 00:30:26,724 --> 00:30:30,528 WHEN YOU ARE PERFORMING LIVE, PARTICULARLY, AND AN AUDIENCE 482 00:30:30,595 --> 00:30:35,300 IS-- YOU DON'T KNOW HOW TO, FOR LACK OF A BETTER WORD, HOOK UP 483 00:30:35,366 --> 00:30:37,769 YOUR JUMPER CABLES TO THE AUDIENCE, WHEN YOU DON'T FEEL 484 00:30:37,835 --> 00:30:39,904 THAT CONNECTION, WHAT IS THE TEMPTITATION TO DO, AND WHAT DO 485 00:30:39,971 --> 00:30:42,106 YOU HAVE TO DO TO ACTUALRY MAKE THAT CONNECTION? 486 00:30:42,173 --> 00:30:46,544 IS THERE SOMETHING YOU-- SOME REACTION THAT YOU HAVE THAT YOU 487 00:30:46,611 --> 00:30:49,847 THINK IS THE BEST ONE TO AN AUDIENCE YOU DIDN'T FEEL IS 488 00:30:49,914 --> 00:30:52,183 QUITE. >> YOU MEAN IN LIVE PERFORMANCE? 489 00:30:52,250 --> 00:30:55,887 >> IN LIVE PERFORMANCE, YEAH. >> THIS IS THE CLOSEST THING I 490 00:30:55,954 --> 00:30:58,356 HAVE DONE TO A LIVE PERFORMANCE IN YEARS. 491 00:30:58,423 --> 00:31:01,326 YOU SHOULD PROBABLY TALK-- ( APPLAUSE ) 492 00:31:01,392 --> 00:31:05,697 >> Stephen: YEAH, YEAH, I DEAL WITH THAT ALL THE TIME. 493 00:31:05,763 --> 00:31:08,967 >> YOU DO, RIGHT? >> Stephen: NO, IT'S SUBTLE, 494 00:31:09,033 --> 00:31:11,603 BUT YOU WANT TO FEEL LIKE YOU'RE CONNECTING WITH THE AUDIENCE, 495 00:31:11,669 --> 00:31:14,772 AND THERE'S A TENDENCY TO WANT TO MUSCLE AN AUDIENCE. 496 00:31:14,839 --> 00:31:16,241 >> I DON'T WANT TO MUSCLE ANYBODY. 497 00:31:16,307 --> 00:31:18,643 YOU DON'T DO THAT. >> Stephen: NO, THAT'S THE 498 00:31:18,710 --> 00:31:19,911 TEMPTATION. WHAT YOU HAVE TO DO IS YOU HAVE 499 00:31:19,978 --> 00:31:23,615 TO ACTUALLY RELAX. >> THE ODD THING IS WHEN THERE'S 500 00:31:23,681 --> 00:31:24,916 A DISCONNECT. >> Stephen: YEAH. 501 00:31:24,983 --> 00:31:28,386 >> THIS IS A VERY CONNECTED SPACE, AND THEY CAN HEAR CLEARLY 502 00:31:28,453 --> 00:31:34,092 AND IT'S WHEN YOU DO AN INTRO AT AN AWARDS SHOW, FOR INSTANCE. 503 00:31:34,158 --> 00:31:36,361 >> Stephen: THOSE ARE ALWAYS WONDERFUL! 504 00:31:36,427 --> 00:31:37,962 >> AREN'T THEY WONDERFUL! ( LAUGHTER ) 505 00:31:38,029 --> 00:31:42,934 WASTED BY THE TIME YOU GET UP, AND YOU'VE GOTTEN TWO SECONDS. 506 00:31:43,001 --> 00:31:45,136 THEY'VE WRITTEN SOMETHING FOR YOU TO SAY, AND THEN YOU MIGHT 507 00:31:45,203 --> 00:31:49,207 THINK IT'S FUNNY, OR THE WRITER THINKS IT'S FUNNY, AND YOU HAVE 508 00:31:49,274 --> 00:31:52,477 TO MAKE IT FUNNY. AND NOBODY'S PAYING ANY 509 00:31:52,543 --> 00:31:54,145 ATTENTION. AND YOU DON'T HEAR IT, AND THEY 510 00:31:54,212 --> 00:31:57,782 DON'T HEAR YOU, AND THEY DON'T SEE-- AND IT'S THIS VOID. 511 00:31:57,849 --> 00:32:00,652 AND THAT'S AWFUL. AND THEN, YOU REALLY DON'T HAVE 512 00:32:00,718 --> 00:32:02,287 ANY INTERACTION. SO... 513 00:32:02,353 --> 00:32:05,189 >> Stephen: NEXT TIME, JUST DO A MAGIC TRICK WHEN YOU GO OUT 514 00:32:05,256 --> 00:32:06,291 THERE. JUST... 515 00:32:06,357 --> 00:32:13,665 >> YOU GO "ANY THE WINNER IS..." ( LAUGHTER ) 516 00:32:13,731 --> 00:32:28,212 ( CHEERS AND APPLAUSE ) BECAUSE THOSE ARE HIS NOTES, AND 517 00:32:28,279 --> 00:32:30,381 HE WON'T KNOW WHO TO INTRODUCE NEXT. 518 00:32:30,448 --> 00:32:32,717 >> Stephen: WE HAVE TO TAKE A QUICK BREAK, BUT STICK AROUND. 519 00:32:32,784 --> 00:32:35,987 WHEN WE COME BACK, I WILL ASK ADRIEN ABOUT HIS RECENT ROLE AS 520 00:32:36,054 --> 00:32:37,855 JOSH ARONSON IN "SUCCESSION." 521 00:32:52,937 --> 00:32:59,043 WE'RE BACK WITH THE STAR OF "CLEAN," ADRIEN BRODY. 522 00:32:59,110 --> 00:33:01,346 I WANT TO TALK ABOUT YOUR ROLE AS JOSH AARONSON IN 523 00:33:01,412 --> 00:33:05,883 "SUCCESSION." HERE YOU ARE. 524 00:33:05,950 --> 00:33:08,986 THIS WAS MIDSEASON THIS PAST SEASON. 525 00:33:09,053 --> 00:33:11,556 HERE'S THIS CHARACTER. HE'S THIS OTHER BILLIONAIRE, AND 526 00:33:11,622 --> 00:33:16,928 COMES IN AND PUNCTURES THEIR CLAUSTROPHOBIC TERRAREIUM OF 527 00:33:16,994 --> 00:33:19,764 FAMILY POLITICS WITH YOUR OLYMPIC DISDAIN FOR THEM. 528 00:33:19,831 --> 00:33:24,068 I HAD TO WRITE YOU THE NEXT DAY. IT WAS SUCH A FANTASTIC 529 00:33:24,135 --> 00:33:25,670 PERFORMANCE. BUT THE QUESTION IS HOW MANY 530 00:33:25,737 --> 00:33:28,272 LAYERS ARE YOU WEARING AS THIS CHARACTER? 531 00:33:28,339 --> 00:33:30,208 ( LAUGHTER ) I COUNTED SIX LAYERS THAT YOU'RE 532 00:33:30,274 --> 00:33:31,409 WEARING THERE. >> AT LEAST, AT LEAST. 533 00:33:31,476 --> 00:33:35,413 >> Stephen: WHY SO MANY LAYERS? 534 00:33:35,480 --> 00:33:36,881 WHAT'S THAT CHOICE? >> THAT'S SO GREAT. 535 00:33:36,948 --> 00:33:38,983 AND HE WROTE ME THE LOVELIEST NOTE. 536 00:33:39,050 --> 00:33:43,855 AND I THINK MY DAD APPRECIATED STEPHEN'S NOTE MORE THAN MY WORK 537 00:33:43,921 --> 00:33:45,356 IN "SUCCESSION." IT WAS REALLY BEAUTIFUL, THANK 538 00:33:45,423 --> 00:33:49,627 YOU, AND KIND. THAT WAS A VERY CONSCIOUS CHOICE 539 00:33:49,694 --> 00:33:52,897 ON MY PART. >> Stephen: REALLY? 540 00:33:52,964 --> 00:33:55,333 >> YES. AND, YOU KNOW, IT'S A 541 00:33:55,400 --> 00:33:58,069 WONDERFUL-- IT WAS A WONDERFUL BIT. 542 00:33:58,136 --> 00:34:03,408 AND I'D LOVE TO COME BACK AND DO A LOT MORE TO DISRUPT THAT POWER 543 00:34:03,474 --> 00:34:04,175 STRUGGLE. ( APPLAUSE ). 544 00:34:04,242 --> 00:34:07,211 ENDORSE THAT IDEA. >> THANK YOU. 545 00:34:07,278 --> 00:34:10,248 IT WAS REALLY-- IT WAS VERY EXCITING BECAUSE I LOVE THE SHOW 546 00:34:10,314 --> 00:34:13,084 AND I LOVE THESE ACTORS AND I LOVE THE WRITING. 547 00:34:13,151 --> 00:34:15,686 MY UNDERSTANDING OF THE WAY A LOT OF THESE GUYS WORK, AND THE 548 00:34:15,753 --> 00:34:21,125 REASON THEY'RE SO SUCCESSFUL IS THAT THEY-- IT'S LIKE A GAME OF 549 00:34:21,192 --> 00:34:22,994 CHESS, THEY'RE WAY PREPARED, MUCH MORE THAN I WOULD BE-- 550 00:34:23,060 --> 00:34:29,000 MAYBE NOT YOU, BUT MOST PEOPLE ARE NOT AS FAR AHEAD OF THE 551 00:34:29,067 --> 00:34:32,737 CURVE. AND THOSE LAYERS REPRESENT A 552 00:34:32,804 --> 00:34:43,681 PREPAREDNESS FOR THE ELEMENTS, AND A PREVIOUS PLAN TO UNSETTLE 553 00:34:43,748 --> 00:34:47,418 THEM FOR THIS PROPOSED BUSINESS MEETING TO END UP TAKING THEM ON 554 00:34:47,485 --> 00:34:51,522 A WALK TO END UP PRESSURIZING THEM TO SEE WHERE THEY BREAK 555 00:34:51,589 --> 00:34:56,194 DOWN. AND THAT RELATIONSHIP. 556 00:34:56,260 --> 00:35:00,765 AND NOT ALL OF THAT IS REVEALED IN THE STORYTELLING, BUT IT'S 557 00:35:00,832 --> 00:35:04,402 IMPORTANT TO ME AS I DO THAT AND AS I PORTRAY THIS MAN. 558 00:35:04,469 --> 00:35:07,338 SO I WANTED THOSE LAYERS IN CASE IT'S TOO HOT, YOU TAKE THEM OFF. 559 00:35:07,405 --> 00:35:10,575 IN CASE IT STARTS TO RAIN, YOU HAVE A WINDBREAKER THING YOU CAN 560 00:35:10,641 --> 00:35:13,044 ZIP OFF, TAKE THE HAT OFF IF IT'S TOO MUCH. 561 00:35:13,110 --> 00:35:16,981 AND WE WERE SHOOTING IN THE ELEMENTS AT SEASIDE, THE 562 00:35:17,048 --> 00:35:21,052 CHARACTER OWNED AN ISLAND. AND I FIGURED, HE'S PREPARED. 563 00:35:21,118 --> 00:35:23,955 HE HAS HIKING BOOTS. THEY'RE IN THEIR DRESS SHOES. 564 00:35:24,021 --> 00:35:29,660 HE WEARS THEM DOWN. HE'S IN A POSITION OF POWER. 565 00:35:29,727 --> 00:35:30,495 CHECKMATE. ( APPLAUSE ). 566 00:35:30,561 --> 00:35:32,330 THE MAN. >> THE CLOTHES MAKE THE MAN. 567 00:35:32,396 --> 00:35:37,101 AND THEY MAKE THE MEME, BECAUSE A LOT OF PEOPLE HAD A LOT OF 568 00:35:37,168 --> 00:35:40,505 COMMENTS ABOUT THE CLOTHING. SOMEONE SENT ME SOMETHING. 569 00:35:40,571 --> 00:35:43,007 IT WAS VERY FUNNY. >> Stephen: ADRIEN, IT WAS 570 00:35:43,074 --> 00:35:45,109 LOVELY TO SEE YOU AGAIN. THANK YOU SO MUCH FOR BEING 571 00:35:45,176 --> 00:35:47,378 HERE, MAN. "CLEAN" PREMIERES THIS FRIDAY IN 572 00:35:47,445 --> 00:35:51,015 THEATERS AND ON DEMAND. ADRIEN BRODY, EVERYBODY. 573 00:35:51,082 --> 00:35:52,283 WE'LL BE RIGHT BACK. ♪ ♪ ♪ 574 00:36:14,772 --> 00:36:19,110 PERFORMING COME ON IN," FROM HER ALBUM, "PIECE OF ME," LADY WRAY 575 00:36:19,176 --> 00:36:25,583 ( APPLAUSE ) ♪ ♪ ♪ 576 00:36:25,650 --> 00:36:31,088 ♪ ♪ ♪ ♪ ♪ ♪ 577 00:36:31,155 --> 00:36:41,165 ♪ ♪ ♪ ♪ WHAT YOU WANT 578 00:36:41,232 --> 00:36:47,505 YOU CAN HAVE ♪ PUT YOUR HEART 579 00:36:47,572 --> 00:36:55,246 IN MY HAND ♪ I'VE BEEN WAITING 580 00:36:55,313 --> 00:36:56,213 (I'VE BEEN WAITING) FOR THE RIGHT MAN 581 00:36:56,280 --> 00:37:01,352 ♪ ♪ ♪ ♪ WE'VE COME TOO FAR BY FAITH 582 00:37:01,419 --> 00:37:11,529 WE'VE COME TOO FAR BY FAITH ♪ COME ON IN 583 00:37:11,596 --> 00:37:15,433 COME ON IN ♪ COME ON IN 584 00:37:15,499 --> 00:37:19,770 COME ON IN ♪ ♪ ♪ 585 00:37:19,837 --> 00:37:27,445 ♪ BABY, COME INTO MY LIFE WE DON'T HAVE A LOT OF TIME 586 00:37:27,511 --> 00:37:31,716 ♪ HOPING WE CAN GET IT RIGHT I CAN TURN YOUR DARK TO LIGHT 587 00:37:31,782 --> 00:37:42,526 ♪ COME ON IN ♪ ♪ ♪ 588 00:37:42,593 --> 00:37:45,396 MMM ♪ ♪ ♪ 589 00:37:45,463 --> 00:37:51,402 ♪ YOU CAN DREAM DREAM IN COLOR 590 00:37:51,469 --> 00:37:55,539 (COLOR) ♪ DON'T YOU LISTEN 591 00:37:55,606 --> 00:37:59,543 TO THE NAYSAYERS ♪ SET THE BAR 592 00:37:59,610 --> 00:38:02,813 (YOU SET THE BAR) ♪ HIGH AS A TOWER 593 00:38:02,880 --> 00:38:14,558 WE'VE COME TOO FAR BY FAITH ♪ WE'VE COME TOO FAR BY FAITH 594 00:38:14,625 --> 00:38:27,204 COME ON IN ♪ ♪ ♪ 595 00:38:27,271 --> 00:38:31,542 ♪ ♪ ♪ ♪ STAY THERE, 596 00:38:31,609 --> 00:38:35,579 I'LL FIND YOU WHERE YOU ARE ♪ I KNOW THAT IT'S WRITTEN 597 00:38:35,646 --> 00:38:39,450 IN THE STARS ♪ ♪ ♪ 598 00:38:39,517 --> 00:38:45,456 ♪ COME ON IN COME ON IN 599 00:38:45,523 --> 00:38:51,429 ♪ COME ON IN COME ON IN 600 00:38:51,495 --> 00:38:55,533 ♪ ♪ ♪ ♪ BABY, COME INTO MY LIFE 601 00:38:55,599 --> 00:38:59,503 WE DON'T HAVE A LOT OF TIME ♪ HOPING WE CAN GET IT RIGHT 602 00:38:59,570 --> 00:39:03,274 (GET IT RIGHT) I CAN TURN YOUR DARK TO LIGHT 603 00:39:03,340 --> 00:39:09,447 ♪ ♪ ♪ ♪ COME ON IN 604 00:39:09,513 --> 00:39:17,354 COME ON IN ♪ COME ON IN 605 00:39:17,421 --> 00:39:19,523 COME ON IN ♪ COME ON IN 606 00:39:19,590 --> 00:39:27,465 ♪ ♪ ♪ COME ON IN 607 00:39:27,531 --> 00:39:31,535 ♪ COME ON IN ♪ ♪ ♪ 608 00:39:31,602 --> 00:39:35,072 ♪ WAITING FOR YOU SO WON'T YOU COME ON IN? 609 00:39:35,139 --> 00:39:37,975 ♪ COME ON, A-COME ON 610 00:39:38,042 --> 00:39:39,610 ♪ A-COME ON A-COME ON 611 00:39:39,677 --> 00:39:43,547 ♪ A-COME ON COME ON IN 612 00:39:43,614 --> 00:39:47,752 (COME ON IN) (COME ON IN) 613 00:39:47,818 --> 00:39:51,889 ♪ I WANT YOU TO COME ON IN I'VE BEEN WAITING FOR YOU, BABY 614 00:39:51,956 --> 00:39:54,692 ♪ COME ON IN NOW COME ON, 615 00:39:54,759 --> 00:39:57,428 ♪ A-COME ON A-COME ON, 616 00:39:57,495 --> 00:40:05,803 ♪ COME ON IN ♪ 617 00:40:05,870 --> 00:40:08,405 BEAUTIFUL. THANK YOU. 618 00:40:08,472 --> 00:40:11,242 LADY WRAY, EVERYBODY! THAT'S IT FOR "THE LATE SHOW." 619 00:40:11,308 --> 00:40:14,979 TUNE IN TOMORROW WHEN MY GUESTS WILL BE KATE AND OLIVER HUDSON. 620 00:40:15,045 --> 00:40:17,548 JAMES CORDEN IS NEXT. GOOD NIGHT, Y'ALL.