1 00:00:02,001 --> 00:00:04,938 >> AS FOR THE FRESH PRINCE, WILL RECENTLY CONFIRMED HIS REBOOT IS 2 00:00:05,004 --> 00:00:06,339 IN DEVELOPMENT AND HAS BEEN PICKED UP FOR TWO SEASONS AT THE 3 00:00:06,406 --> 00:00:09,943 PEACOCK STREAMING SERVICE, BUT THERE'S A TWIST. 4 00:00:10,009 --> 00:00:11,745 >> THE CONCEPTS IN THE FRESH PRINCE OF BELLAIRE REIMAGINED AS 5 00:00:11,811 --> 00:00:16,950 A DRAMA? >> INDUSTRY INSIDERS ARE CALLING 6 00:00:17,016 --> 00:00:25,959 IT A GRITTY MAKEOVER THAT IS MORE SERIOUS IN TONE. 7 00:00:26,025 --> 00:00:29,963 >> YOU LOVE THE ORIGINAL "ALF," THE SHOW ABOUT A WACKY ALIEN 8 00:00:30,029 --> 00:00:31,598 LIVING WITH A SUBURBAN FAMILY. BUT, NOW, PEACOCK IS PROUD TO 9 00:00:31,664 --> 00:00:38,972 PRESENT THE GRITTY REBOOT. THEY WERE YOUR TYPICAL MIDDLE 10 00:00:39,038 --> 00:00:42,942 CLASS FAMILY, UNTIL ONE DAY AN INTERGALACTIC TRAVELER FROM THE 11 00:00:43,009 --> 00:00:44,043 PLANET MELMAC POPPED UP. >> IT'S ME YOU'RE TALKING TO, 12 00:00:44,110 --> 00:00:47,480 ALF. >> THIS FALL, "ALF," LIKE YOU'VE 13 00:00:47,547 --> 00:00:51,484 NEVER SEEN IT BEFORE. >> ARE YOU KIDDING? 14 00:00:51,551 --> 00:00:55,388 LL THE FAMILY HIJINX YOU LOVE, ONLY GRITTIER. 15 00:00:55,455 --> 00:00:57,624 >> THE ONLY GOOD CAT IS A STIR FRIED CAT. 16 00:00:57,690 --> 00:01:01,928 >> "ALF." AND STAY TUNED FOR THE GRITTY 17 00:01:01,995 --> 00:01:03,496 REBOOT OF "FRIENDS." >> I ALWAYS PICTURE YOUR MOM 18 00:01:03,563 --> 00:01:06,966 WHEN I'M HAVING SEX. 19 00:01:07,033 --> 00:01:11,938 >> Announcer: IT'S T THE SHOW WITH STEPHEN COLBERT! 20 00:01:12,005 --> 00:01:17,744 TONIGHT, OATH KEEPERS. PLUS STEPHEN WELCOMES LIEV 21 00:01:17,811 --> 00:01:25,952 SCHREIBER, AND MUSICAL GUEST ALLISON RUSSELL, FEATURING JON 22 00:01:26,019 --> 00:01:32,058 BATISTE AND "STAY HUMAN." AND, NOW, LIVE ON TAPE FROM THE 23 00:01:32,125 --> 00:01:40,200 ED SULLIVAN THEATER IN NEW YORK CITY, IT'S STEPHEN COLBERT! 24 00:01:40,266 --> 00:01:41,100 ( CHEERS AND APPLAUSE ) ( BAND PLAYING ) 25 00:01:41,167 --> 00:01:44,904 >> Stephen: HEY! BEAUTIFUL! 26 00:01:44,971 --> 00:01:48,141 HEY, BABY! I DIDN'T EXPECT TO SEE YOU HERE 27 00:01:48,208 --> 00:01:49,175 TONIGHT! NOW IT'S A PARTY! 28 00:01:49,242 --> 00:01:52,178 NOW IT'S A PARTY! THERE YOU GO! 29 00:01:52,245 --> 00:01:58,618 HELLO, MY FRIENDS! ( CHEERS AND APPLAUSE ) 30 00:01:58,685 --> 00:02:05,325 COME ON! THREE SHOWS! 31 00:02:05,391 --> 00:02:08,328 ( AUDIENCE CHANTING STEPHEN ) >> Stephen: THANK YOU. 32 00:02:08,394 --> 00:02:10,330 ( PIANO RIFF ) I MEAN, COME ON, I'VE GOT TO 33 00:02:10,396 --> 00:02:13,399 SAY, I LOVE RUNNING OUT TO A CROWD LIKE THIS, I COULD DO IT 34 00:02:13,466 --> 00:02:16,703 ALL NIGHT LONG. >> Jon: YEAH, YEAH, YEAH, 35 00:02:16,769 --> 00:02:17,837 YEAH. >> Stephen: WELCOME. 36 00:02:17,904 --> 00:02:20,740 WELCOME, MY FRIENDS. ( CHEERS AND APPLAUSE ) 37 00:02:20,807 --> 00:02:23,076 >> Jon: TRIPLE DOUBLE. >> Stephen: WELCOME TO "THE 38 00:02:23,142 --> 00:02:26,646 LATE SHOW." I'M YOUR HOST STEPHEN COLBERT, 39 00:02:26,713 --> 00:02:29,282 AND, FOLKS -- ( CHEERING ) 40 00:02:29,349 --> 00:02:34,787 >> Stephen: -- YOU LUCKY PEOPLE ARE HERE ON AN HISTORIC 41 00:02:34,854 --> 00:02:38,191 EVENING BECAUSE A YEAR AFTER THE JANUARY 6th INSURRECTION, THE 42 00:02:38,258 --> 00:02:42,095 FEDS ARE DISHING OUT SERIOUS CONSEQUENCES BECAUSE TODAY AN 43 00:02:42,161 --> 00:02:47,166 OATH KEEPER LEADER AND TEN OTHERS WERE CHARGED WITH 44 00:02:47,233 --> 00:02:50,136 SEDITIOUS CONSPIRACY RELATED TO THE CAPITOL ATTACK! 45 00:02:50,203 --> 00:02:52,605 ( CHEERS AND APPLAUSE ) COME ON! 46 00:02:52,672 --> 00:02:53,940 THAT'S REAL! YEW YEP! 47 00:02:54,007 --> 00:02:58,611 >> Stephen: THAT'S REALER THAN REAL! 48 00:02:58,678 --> 00:03:02,248 THIS IS HUGE! SEDITIOUS CONSPIRACY IS NO SLAP 49 00:03:02,315 --> 00:03:10,390 ON THE WRIST, IT'S A CHARGE OF INCITING REBELLION AGAINST THE 50 00:03:10,456 --> 00:03:14,627 FEDERAL GOVERNMENT THAT CARRIES A MAXIMUM PENALTY OF 20 YEARS IN 51 00:03:14,694 --> 00:03:16,696 PRISON! ( APPLAUSE ) 52 00:03:16,763 --> 00:03:20,333 THAT'S PRETTY BAD, I GOTTA SAY, BUT SOMEHOW IT FEELS LIKE IT 53 00:03:20,400 --> 00:03:22,635 SHOULD BE MORE. LIKE, IF YOU TRIED TO TAKE THE 54 00:03:22,702 --> 00:03:25,939 GOVERNMENT DOWN, YOU SHOULD GO AWAY FOR LONGER THAN ONE BILLY E 55 00:03:26,005 --> 00:03:29,943 EILISH. TO PUT IT ALL IN PERSPECTIVE, 56 00:03:30,009 --> 00:03:36,950 THIS IS THE MOST SWEEPING CASE TO EMERGE FROM A FEDERAL 57 00:03:37,016 --> 00:03:38,217 UP TILL NOW, THE MOST SERIOUS CHARGE ANY OF THESE GUYS HAVE 58 00:03:38,284 --> 00:03:44,958 GOTTEN IS IMPERSONATING A FLINTSTONE. 59 00:03:45,024 --> 00:03:52,966 ( APPLAUSE ) THE BIGGEST NAME THAT THE FEDS 60 00:03:53,032 --> 00:03:54,901 PICKED UP TODAY WAS LEADER OF THE OATH KEEPERS 61 00:03:54,968 --> 00:03:58,972 AND PIRATE CAPTAIN OF THE S.S. LIPITOR, STEWART RHODES. 62 00:03:59,038 --> 00:04:01,074 THE INDICTMENT ALLEGES THAT RHODES AND HIS CO -CONSPIRATORS 63 00:04:01,140 --> 00:04:04,744 ENGAGED IN A CONSPIRACY TO OPPOSE THE LAWFUL TRANSFER OF 64 00:04:04,811 --> 00:04:06,913 PRESIDENTIAL POWER BY FORCE, BY PREVENTING, HINDERING, OR 65 00:04:06,980 --> 00:04:12,752 DELAYING BY FORCE, EXECUTION OF LAWS GOVERNING THE TRANSFER OF 66 00:04:12,819 --> 00:04:16,756 POWER. WHICH IS AN ELEGANT WAY OF 67 00:04:16,823 --> 00:04:19,092 SAYING, POOPING ON THE WALL. ( LAUGHTER ) 68 00:04:19,158 --> 00:04:21,260 NOW, IN THEIR DEFENSE, THE OATH KEEPERS' CLAIM THAT THEY 69 00:04:21,327 --> 00:04:24,764 CONVERGED ON WASHINGTON JUST BEFORE JANUARY 6 AS PART OF A 70 00:04:24,831 --> 00:04:28,768 SECURITY DETAIL HIRED TO PROTECT CONSERVATIVE CELEBRITIES LIKE 71 00:04:28,835 --> 00:04:34,207 ROGER J. STONE. GET YOUR STORY STRAIGHT, OATH 72 00:04:34,273 --> 00:04:36,409 KEEPERS. WERE YOU THERE TO PROTECT 73 00:04:36,476 --> 00:04:38,344 CELEBRITIES, OR ROGER STONE? BESIDES, ROGER STONE DOESN'T 74 00:04:38,411 --> 00:04:39,912 NEED A BUNCH OF HENCHMEN. IT'S NOT LIKE HE'S SOME SORT OF 75 00:04:39,979 --> 00:04:40,947 CARTOONISH SUPER... VILLAIN. 76 00:04:41,014 --> 00:04:46,519 OH. THERE YOU GO. 77 00:04:46,586 --> 00:04:48,354 ( LAUGHTER ) NOW, HERE'S THE THING. 78 00:04:48,421 --> 00:04:52,392 THIS ISN'T A CHARGE THEY JUST YANK OUT WILLY-NILLY. 79 00:04:52,458 --> 00:04:53,693 YOU DON'T CHARGE SOMEONE WITH SEDITION UNLESS YOU GOT 'EM DEAD 80 00:04:53,760 --> 00:04:56,763 TO RIGHTS, AND IT LOOKS LIKE THEY DO. 81 00:04:56,829 --> 00:05:00,566 BECAUSE IN THE LEAD-UP TO JANUARY 6TH, RHODES CALLED ON 82 00:05:00,633 --> 00:05:04,771 MEMBERS OF HIS GROUP TO STOCK UP ON AMMO AND PREPARE FOR A FULL 83 00:05:04,837 --> 00:05:16,749 ON WAR IN THE STREETS. A WAR THEY LOST. 84 00:05:16,816 --> 00:05:20,753 THIS IS STARTING TO RESTORE MY FAITH IN THE JUSTICE DEPARTMENT. 85 00:05:20,820 --> 00:05:24,757 FINALLY, THEY'RE CHARGING PEOPLE WITH THE SEDITION WE SAW WITH 86 00:05:24,824 --> 00:05:28,394 OUR OWN EYES ON LIVE TV. HOPEFULLY, ONE DAY, THE FEDS 87 00:05:28,461 --> 00:05:34,934 WILL LEARN THE IDENTITY OF THAT SHADOWY FIGURE WHO WAS THE 88 00:05:35,001 --> 00:05:40,807 PRESIDENT WHO TOLD THEM TO DO IT. 89 00:05:40,873 --> 00:05:44,944 ( APPLAUSE ) YOU KNOW WHAT I DON'T HAVE A LOT 90 00:05:45,011 --> 00:05:46,946 OF FAITH IN? THE SUPREME COURT. 91 00:05:47,013 --> 00:05:49,315 BECAUSE, TODAY, THE SUPREME COURT BLOCKED BIDEN'S VACCINE 92 00:05:49,382 --> 00:05:53,286 MANDATE FOR LARGE EMPLOYERS. WHAT THE HELL, SUPREMES? 93 00:05:53,352 --> 00:05:54,320 ( AUDIENCE REACTS ) WHAT DO YOU KNOW ABOUT LARGE 94 00:05:54,387 --> 00:05:58,958 EMPLOYERS? YOU'RE A SMALL BUSINESS WITH 95 00:05:59,025 --> 00:06:04,030 NINE WORKERS WHOSE DRESS CODE IS ANKLE-LENGTH HEFTY BAG. 96 00:06:04,097 --> 00:06:04,964 ( LAUGHTER ) AS IS FREQUENT WITH THIS COURT, 97 00:06:05,031 --> 00:06:09,135 THE VOTE WAS ALONG IDEOLOGICAL LINES. 98 00:06:09,202 --> 00:06:11,170 AND THE CONSERVATIVES WROTE, IN AN UNSIGNED OPINION: 99 00:06:11,237 --> 00:06:14,941 ALTHOUGH CONGRESS HAS INDISPUTABLY GIVEN OSHA THE 100 00:06:15,007 --> 00:06:18,578 POWER TO REGULATE OCCUPATIONAL DANGERS, IT HAS NOT GIVEN THAT 101 00:06:18,644 --> 00:06:21,147 AGENCY THE POWER TO REGULATE PUBLIC HEALTH MORE BROADLY. 102 00:06:21,214 --> 00:06:25,852 BUT COVID 'IS' AN OCCUPATIONAL DANGER. 103 00:06:25,918 --> 00:06:28,287 WHY DO YOU THINK EVERYONE WHO CAN, IS WORKING FROM HOME? 104 00:06:28,354 --> 00:06:30,523 YOU THINK IT'S BECAUSE THEY 'WANT' TO SEE THEIR SPOUSE YELL 105 00:06:30,590 --> 00:06:33,126 AT THE ROOMBA AGAIN? IT CAN'T HEAR YOU JACK, IT'S A 106 00:06:33,192 --> 00:06:38,030 MACHINE! ( LAUGHTER ) 107 00:06:38,097 --> 00:06:39,232 SPEAKING OF THE PANDEMIC, THAT'S ALL WE'VE BEEN DOING FOR THE 108 00:06:39,298 --> 00:06:42,969 LAST TWO YEARS. BUT THERE MAY BE SOME HOPE ON 109 00:06:43,035 --> 00:06:45,138 THE HORIZON, SOME LIGHT AT THE END OF THE NASAL SWAB, IF YOU 110 00:06:45,204 --> 00:06:50,109 WILL. BECAUSE EXPERTS TELL US THAT THE 111 00:06:50,176 --> 00:06:54,947 OMICRON WAVES ARE APPEARING TO SLOW DOWN IN NEW YORK CITY AND 112 00:06:55,014 --> 00:06:58,284 OTHER MAJOR METROPOLITAN AREAS. ( CHEERING ) 113 00:06:58,351 --> 00:07:00,186 COME ON. PLEASE, YES. 114 00:07:00,253 --> 00:07:04,190 >> Jon: OH! >> Stephen: BRING IT. 115 00:07:04,257 --> 00:07:06,526 BRING IT! >> Jon: PLEASE. 116 00:07:06,592 --> 00:07:09,729 >> Stephen: NEW YORKERS REACTED TO THE NEWS 117 00:07:09,796 --> 00:07:10,963 OF THE SLOW DOWN BY SAYING: ON YOUR RIGHT. 118 00:07:11,030 --> 00:07:12,198 KEEP WALKING. FRICKIN' TOURISTS. 119 00:07:12,265 --> 00:07:14,967 YOU DON'T HAVE M&MS WHERE YOU COME FROM? 120 00:07:15,034 --> 00:07:18,971 REALLY RAY LOVELY PLACE, YOU SHOULD REALLY CHECK IT OUT. 121 00:07:19,038 --> 00:07:21,140 IT'S NOT JUST NEW YORK IN BOTH NEW JERSEY AND MARYLAND, 122 00:07:21,207 --> 00:07:22,975 THE NUMBER OF NEW CASES HAS FALLEN SLIGHTLY THIS WEEK, AND 123 00:07:23,042 --> 00:07:27,313 CORONAVIRUS LEVELS IN BOSTON-AREA WASTEWATER ARE 124 00:07:27,380 --> 00:07:29,081 FALLING. ONE LOCAL SCIENTIST SAID 125 00:07:29,148 --> 00:07:30,950 (SOUTHIE ACCENT) OUR BUTT CHOWDAH IS WICKED VIRUS 126 00:07:31,017 --> 00:07:39,025 FREE! YANKEES SUCK! 127 00:07:39,091 --> 00:07:42,528 WE'RE NOT FULLY OUT OF THE WOODS JUST YET, BUT IN THE WORDS OF 128 00:07:42,595 --> 00:07:45,131 ONE EPIDEMIOLOGIST: OUR ASSESSMENT IS WE HAVE LIKELY 129 00:07:45,198 --> 00:07:51,804 PEAKED AS A COUNTRY. ( LAUGHTER ) 130 00:07:51,871 --> 00:07:54,974 NO ARGUMENT THERE, BUT DO YOU HAVE ANY THOUGHTS ON THE 131 00:07:55,041 --> 00:07:57,343 CORONAVIRUS? I CANNOT WAIT FOR OMICRON TO GO 132 00:07:57,410 --> 00:07:59,378 AWAY, BECAUSE I'M TIRED OF HAVING TO DO AT-HOME TESTS. 133 00:07:59,445 --> 00:08:02,315 I DO IT SO MUCH THAT I'VE STARTED EXPERIMENTING. 134 00:08:02,381 --> 00:08:06,719 SOMETIMES I BRING IN ANOTHER Q-TIP FOR A MENAGE-A-SWAB. 135 00:08:06,786 --> 00:08:10,289 KEEP IT FRESH. KEEP IT SPICEY. 136 00:08:10,356 --> 00:08:11,524 SOME PEOPLE ONLINE HAVE STARTED TO QUESTION WHETHER WE'RE EVEN 137 00:08:11,591 --> 00:08:14,193 DOING IT RIGHT. THEY THINK WE'RE JABBING THE 138 00:08:14,260 --> 00:08:18,831 SWAB IN THE WRONG PLACE BECAUSE RESEARCHERS INCREASINGLY BELIEVE 139 00:08:18,898 --> 00:08:21,133 OMICRON MAY REPLICATE IN THE THROAT BEFORE THE NOSE. 140 00:08:21,200 --> 00:08:26,973 THE THROAT? DIE YOU BASTARDS! 141 00:08:27,039 --> 00:08:35,915 ( CHEERS AND APPLAUSE ) WHAT THE (BLEEP) IS THIS? 142 00:08:35,982 --> 00:08:40,152 THIS IS TEA. THERE IS A RULE. 143 00:08:40,219 --> 00:08:48,160 WHAT'S THE RULE, MARK? BOOZE IS BOOZE ON THIS SHOW! 144 00:08:48,227 --> 00:08:53,299 ( APPLAUSE ) TODAY, PRESIDENT BIDEN GAVE AN 145 00:08:53,366 --> 00:08:54,567 UPDATE ON THE BATTLE AGAINST COVID. 146 00:08:54,634 --> 00:08:56,736 AND WITH THINGS AS BAD AS THEY ARE, HE WENT BACK TO BASICS. 147 00:08:56,802 --> 00:08:59,438 >> FIRST: MASKING, MASKING, MASKING. 148 00:08:59,505 --> 00:09:04,143 MASKING IS AN IMPORTANT TOOL TO CONTROL THE SPREAD OF COVID-19. 149 00:09:04,210 --> 00:09:12,151 C.D.C. SAYS WEARING A WELL-FITTING MASK OF ANY OF THEM 150 00:09:12,218 --> 00:09:13,419 IS CERTAINLY BETTER THAN NOT WEARING A MASK, IF IT'S WELL 151 00:09:13,486 --> 00:09:14,954 FITTING. OVER YOUR NOSE. 152 00:09:15,021 --> 00:09:20,893 >> STEPHEN: IT'S KIND OF EMBARRASSING THAT 22 MONTHS INTO 153 00:09:20,960 --> 00:09:24,597 A PANDEMIC, THE LEADER OF THE FREE WORLD STILL HAS TO TEACH US 154 00:09:24,664 --> 00:09:27,900 RUDIMENTARY SAFETY TIPS. IT BRINGS TO MIND EISENHOWER'S 155 00:09:27,967 --> 00:09:31,904 FAMOUS FAREWELL ADDRESS: BEFORE I STEP ASIDE, I ONCE 156 00:09:31,971 --> 00:09:32,905 AGAIN URGE MY FELLOW AMERICANS: DON'T PUT YOUR PENIS IN THE 157 00:09:32,972 --> 00:09:38,110 LIGHT SOCKET. I USED TO HAVE HAIR! 158 00:09:38,177 --> 00:09:39,011 ( LAUGHTER ) ( APPLAUSE ) 159 00:09:39,078 --> 00:09:42,915 I LIKE IKE. WHY CAN'T WE HAVE IKE? 160 00:09:42,982 --> 00:09:44,450 ( LAUGHTER ) BUT THE SPEECH EVERYONE'S 161 00:09:44,517 --> 00:09:47,920 TALKING ABOUT WAS BIDEN'S FIERY ADDRESS EARLIER THIS WEEK 162 00:09:47,987 --> 00:09:51,924 CALLING ON THE SENATE TO PASS VOTING RIGHTS LEGISLATION. 163 00:09:51,991 --> 00:09:54,293 HE PUT THE STAKES IN STARK TERMS: 164 00:09:54,360 --> 00:09:57,663 >> I ASK EVERY ELECTED OFFICIAL IN AMERICA. 165 00:09:57,730 --> 00:10:02,168 HOW DO YOU WANT TO BE REMEMBERED? 166 00:10:02,234 --> 00:10:07,406 THE CONSEQUENTIAL MOMENTS IN HISTORY, THEY PRESENT A CHOICE. 167 00:10:07,473 --> 00:10:15,014 DO YOU WANT TO BE ON THE SIDE OF DR. KING OR GEORGE WALLACE? 168 00:10:15,081 --> 00:10:17,116 DO YOU WANT TO BE ON THE SIDE OF JOHN LEWIS OR BULL CONNER? 169 00:10:17,183 --> 00:10:18,751 DO YOU WANT TO BE THE SIDE OF ABRAHAM LINCOLN OR JEFFERSON 170 00:10:18,818 --> 00:10:21,587 DAVIS? (AS BIDEN) 171 00:10:21,654 --> 00:10:26,826 HARRY POTTER OR VOLDEMORT? LUKE SKYWALKER OR DARTH VADER? 172 00:10:26,892 --> 00:10:30,129 TED LASSO OR THE VAGUE CONCEPT OF A LACK OF TEAM UNITY ROOTED 173 00:10:30,196 --> 00:10:31,864 IN A HUMANISTIC IDEA THAT NOBODY'S OUTRIGHT BAD THEY'RE 174 00:10:31,931 --> 00:10:33,566 JUST WRESTLING WITH THEIR OWN DEMONS? 175 00:10:33,632 --> 00:10:38,504 BELIEVE. WHO'S THAT BLONDE LADY BOSS? 176 00:10:38,571 --> 00:10:43,409 ( CHEERS AND APPLAUSE ) SHE'S A TALL DRINK OF WATER. 177 00:10:43,476 --> 00:10:45,678 THAT SPEECH RUFFLED THE FEATHERS OF REPUBLICANS IN CONGRESS, 178 00:10:45,745 --> 00:10:50,282 ESPECIALLY FLORIDA SENATOR AND 5TH GRADER EXPLAINING TO THE 179 00:10:50,349 --> 00:10:55,021 OTHER KIDS WHY HE WOULD BE AN ASSET TO THE DODGEBALL TEAM, 180 00:10:55,087 --> 00:10:57,556 MARCO RUBIO. IN THE SENATE YESTERDAY, RUBIO 181 00:10:57,623 --> 00:11:03,396 CRITICIZED BIDEN'S SPEECH AND ATTEMPTED TO ZING THE LIBS: 182 00:11:03,462 --> 00:11:07,400 >> YESTERDAY WE WERE TREATED TO THE PRESIDENT TELLING US THAT 183 00:11:07,466 --> 00:11:10,136 ELECTION LAWS THAT ARE BEING PASSED BY VARIOUS STATES OVER 184 00:11:10,202 --> 00:11:15,374 THE COURSE OF THE LAST YEAR ARE BASICALLY THE SAME, THE 185 00:11:15,441 --> 00:11:19,378 EQUIVALENT, OF SEGREGATION THAT EXISTED IN THE 1950S, 1960S AND 186 00:11:19,445 --> 00:11:25,484 BEFORE. NOW, LOOK, IF YOUR DAILY ROUTINE 187 00:11:25,551 --> 00:11:30,356 IS TO WAKE UP IN THE MORNING AND TURN ON MSNBC AS YOU RIDE YOUR 188 00:11:30,423 --> 00:11:33,559 PELOTON, AND THEN GO ON TWITTER AS YOU'RE DRINKING YOUR CARAMEL 189 00:11:33,626 --> 00:11:35,895 MACCHIATO, AND THEN YOU'RE READING THE NEW YORK TIMES AND 190 00:11:35,961 --> 00:11:39,432 AS YOU'RE EATING YOUR AVOCADO TOAST, I IMAGINE ALL OF THIS 191 00:11:39,498 --> 00:11:43,402 MAKES PERFECT SENSE TO YOU. >> STEPHEN: HEY, THAT IS A GROSS 192 00:11:43,469 --> 00:11:49,909 MISCHARACTERIZATION REAL LIBERALS EAT QUINOA POKE -BOWLS 193 00:11:49,975 --> 00:11:51,777 AND DRINK OAT MILK ON THEIR PELOTON LATE AT NIGHT WHILE 194 00:11:51,844 --> 00:11:57,583 WATCHING MY SHOW WHICH REMINDS ME: 195 00:11:57,650 --> 00:12:00,219 -- ( CHEERS AND APPLAUSE ) 196 00:12:00,286 --> 00:12:03,389 ( PIANO RIFF ) WHICH REMINDS ME, 197 00:12:03,456 --> 00:12:05,758 WHAT UP, LIBERAL PELOTON CHEST OPEN, CHIN UP, BUTT BACK IN THAT 198 00:12:05,825 --> 00:12:07,426 SADDLE, OK? WE'VE GOT AN 8 MINUTE 199 00:12:07,493 --> 00:12:09,995 HIGH-INTENSITY MONOLOGUE WITH THREE HILLS, 2 RECOVERIES, AND A 200 00:12:10,062 --> 00:12:14,400 COOL-DOWN WITH SOME COMMERCIALS FOR GHOSTS ON CBS, THURSDAYS AT 201 00:12:14,467 --> 00:12:17,803 9M. SO, CRANK UP THAT RESISTANCE AND 202 00:12:17,870 --> 00:12:20,439 REMEMBER, THIS ISN'T ABOUT WHAT NUMBER YOU HIT, IT'S ABOUT 203 00:12:20,506 --> 00:12:21,674 WATCHING MY BUTT IN THE MIRROR COME ON LET'S GET UP, LET'S GET 204 00:12:21,740 --> 00:12:25,878 UP LET'S GET UP! 205 00:12:25,945 --> 00:12:29,548 DO THAT! DO THAT! 206 00:12:29,615 --> 00:12:33,252 ( APPLAUSE ) AND I'M WINDED. 207 00:12:33,319 --> 00:12:34,587 ( LAUGHTER ) SENATOR RUBIO'S ANTI-TWITTER 208 00:12:34,653 --> 00:12:35,821 RANT WOULD BE A LOT MORE CONVINCING IF HE HADN'T POSTED 209 00:12:35,888 --> 00:12:40,459 IT ON TWITTER. ( LAUGHTER ) 210 00:12:40,526 --> 00:12:41,660 ALSO, GOTTA SAY, STARBUCKS ISN'T A LIBERAL DRINK. 211 00:12:41,727 --> 00:12:43,395 AT THIS POINT, IT'S AN EVERYONE DRINK. 212 00:12:43,462 --> 00:12:45,764 MARCO RUBIO'S HOME STATE HAS THE THIRD MOST STARBUCKS, WITH 213 00:12:45,831 --> 00:12:51,403 786 STORES. IT'S THE MOST POPULAR DRINK IN 214 00:12:51,470 --> 00:12:55,407 FLORIDA, AFTER MONSTER ENERGY AND NYQUIL. 215 00:12:55,474 --> 00:12:57,977 ( LAUGHTER ) BIG NEWS FROM ACROSS THE POND 216 00:12:58,043 --> 00:13:07,920 QUEEN ELIZABETH HAS STRIPPED PRINCE ANDREW OF HIS TITLES. 217 00:13:07,987 --> 00:13:09,255 ( APPLAUSE ) SO FROM HERE ON OUT, HE'S THE 218 00:13:09,321 --> 00:13:15,928 ANDREW FORMERLY KNOWN AS PRINCE. PREVIOUSLY ON GAME OF THRONES, 219 00:13:15,995 --> 00:13:18,097 HIS-NOLONGER-ROYAL-LOWNESS IS FIGHTING A CIVIL SEXUAL ASSAULT 220 00:13:18,164 --> 00:13:22,935 LAWSUIT, BROUGHT BY A WOMAN WHO WAS TRAFFICKED BY ANDREW'S 221 00:13:23,002 --> 00:13:25,938 FRIEND JEFFREY EPSTEIN. THAT'S BAD. 222 00:13:26,005 --> 00:13:28,274 YOU KNOW IT'S GOTTA BE BAD WHEN THE ROYAL FAMILY, A GROUP OF 223 00:13:28,340 --> 00:13:31,810 IN-BRED, GINSOAKED JUMPED -UP, MEDIEVAL GANGSTERS THAT ARE THE 224 00:13:31,877 --> 00:13:34,513 PRODUCT OF AN INHERENTLY RACIST CLASS SYSTEM, WHO HAVE ALL THEIR 225 00:13:34,580 --> 00:13:37,449 MONEY FROM RAVAGING THE WORLD AND THEN STRIPPING THE GOLD 226 00:13:37,516 --> 00:13:44,190 TEETH OUT OF PENSIONERS, SAY, HE DID WHAT? 227 00:13:44,256 --> 00:13:46,058 ( CHEERS AND APPLAUSE ) >> Jon: WOO-WEE! 228 00:13:46,125 --> 00:13:49,728 >> Stephen: THE QUEEN MADE IT CLEAR WHERE 229 00:13:49,795 --> 00:13:51,797 SHE STANDS WITH HER STATEMENT: THE DUKE OF YORK WILL CONTINUE 230 00:13:51,864 --> 00:13:55,801 NOT TO UNDERTAKE ANY PUBLIC DUTIES AND IS DEFENDING THIS 231 00:13:55,868 --> 00:13:58,971 CASE AS A PRIVATE CITIZEN. YES, FROM NOW ON, HE'LL BE A 232 00:13:59,038 --> 00:14:01,907 PRIVATE CITIZEN DEFENDING WHAT HE DID WITH HIS CITIZEN'S 233 00:14:01,974 --> 00:14:03,609 PRIVATES. BUT HE DOESN'T JUST LOSE THE 234 00:14:03,676 --> 00:14:08,914 TITLE HIS ROYAL HIGHNESS. OH, NO. 235 00:14:08,981 --> 00:14:13,919 JOHNNY, TELL HIM WHAT HE'S LOST ANDREW HAS LOST THE RIGHT TO BE 236 00:14:13,986 --> 00:14:17,923 CALLED THE COMMODORE-IN- CHIEF OF THE FLEET AIR ARM, THE ROYAL 237 00:14:17,990 --> 00:14:19,325 COLONEL OF THE ROYAL HIGHLAND FUSILIERS, THE DEPUTY 238 00:14:19,391 --> 00:14:23,229 COLONEL-IN-CHIEF OF THE ROYAL LANCERS - QUEEN ELIZABETHS' OWN, 239 00:14:23,295 --> 00:14:29,001 THE ROYAL COLONEL OF THE ROYAL REGIMENT OF SCOTLAND. 240 00:14:29,068 --> 00:14:31,370 HE'S ALSO LOST THE RESPECT OF HIS COUNTRY AND A YEAR'S SUPPLY 241 00:14:31,437 --> 00:14:34,940 OF TURTLE WAX BACK TO YOU, STEVE. 242 00:14:35,007 --> 00:14:37,943 >> Stephen: WE'VE GOT A GREAT 243 00:14:38,010 --> 00:14:39,345 SHOW FOR YOU TONIGHT, MY GUEST IS LIEV 244 00:14:39,411 --> 00:14:41,614 SCHREIBER, BUT WHEN WE COME BACK, FOOTBALL INTROS LIKE THIS 245 00:14:41,680 --> 00:14:44,550 AUDIENCE HAS NEVER SEEN BEFORE. ( CHEERS AND APPLAUSE ) 246 00:14:44,617 --> 00:14:45,117 ( BAND PLAYING ) 247 00:15:21,987 --> 00:15:26,191 >> Stephen: HEY, EVERYBODY, WELCOME BACK! 248 00:15:26,258 --> 00:15:30,696 HAPPY THURSDAY! WHOO! 249 00:15:30,763 --> 00:15:35,401 ( CHEERS AND APPLAUSE ) GIVE IT UP FOR JON BATISTE AND 250 00:15:35,467 --> 00:15:41,273 "STAY HUMAN" RIGHT THERE. THAT BAND. 251 00:15:41,340 --> 00:15:45,778 JON, JON, WE'VE GOT THE MULTITALENTED LIEV SCHREIBER. 252 00:15:45,844 --> 00:15:51,550 >> Jon: OH, YES, YES. >> Stephen: THE RAY DONOVAN 253 00:15:51,617 --> 00:15:53,852 MOVIE. HE'LL BE OUT HERE IN A SECOND. 254 00:15:53,919 --> 00:15:59,825 I RARELY ISSUE APOLOGIES ON THE SHOW AND I HAVE TO ISSUE A RARE 255 00:15:59,892 --> 00:16:06,398 APOLOGY TO MY STAFF MEMBER. I HAVE TO ISSUE TO THE PROPS 256 00:16:06,465 --> 00:16:07,900 DEPARTMENT. WHEN I TOOK A SIP OF WHAT I 257 00:16:07,966 --> 00:16:11,737 THOUGHT WAS BOURBON AND I SAID WHAT THE ( BLEEP ) IS THIS, AD 258 00:16:11,804 --> 00:16:15,874 IT WAS ICED TEA. THE RULE IS REHEARSAL ICED TEA 259 00:16:15,941 --> 00:16:23,349 IN THE SHOW, WE DO REAL LIQUOR. I CAN'T LIE TO THE AMERICAN 260 00:16:23,415 --> 00:16:27,152 PEOPLE. THAT'S AN ISSUE OF TRUST. 261 00:16:27,219 --> 00:16:30,889 IF I SAY TO THEM, BOY, I HAVE A DRINKING PROBLEM, THEY NEED TO 262 00:16:30,956 --> 00:16:33,258 KNOW THAT'S A REAL THING. BUT A DRINKING OPPORTUNITY, I 263 00:16:33,325 --> 00:16:35,861 HAVE A DRINKING OPPORTUNITY, NOT A DRINKING PROBLEM. 264 00:16:35,928 --> 00:16:39,398 BUT THIS IS ON ME. WHAT HAPPENED WAS I HAVE 265 00:16:39,465 --> 00:16:42,201 DECLARED, LOUDLY, TO NOT ONLY THE AUDIENCE AND THE STAFF THAT 266 00:16:42,267 --> 00:16:45,304 IT'S A DRY JANUARY FOR ME BECAUSE I'M JUST MOANING ABOUT 267 00:16:45,371 --> 00:16:48,741 IT A LOT HERE. AND WHAT THEY DID WAS, OH, IT'S 268 00:16:48,807 --> 00:16:51,877 DRY JANUARY, WE'RE NOT GOING TO GIVE HIM REAL BOURBON, WE'RE 269 00:16:51,944 --> 00:16:57,649 GOING TO DO THE RIGHT THING AND BE NICE GUYS AND GIVE HIM ICED 270 00:16:57,716 --> 00:17:01,387 TEA. WHAT THEY DIDN'T KNOW IS I LEFT 271 00:17:01,453 --> 00:17:05,791 THAT JOKE IN BECAUSE I WANTED THAT REAL BOURBON. 272 00:17:05,858 --> 00:17:10,095 THAT'S NOT ME. I HAD TO, LORD. 273 00:17:10,162 --> 00:17:12,898 ( LAUGHTER ) ANYWAY, I APOLOGIZE. 274 00:17:12,965 --> 00:17:16,168 I DIDN'T MEAN TO FREAK OUT. IF I HAD BOURBON, THAT WOULD 275 00:17:16,235 --> 00:17:20,639 HAVE TAKEN AN EDGE OFF IT. ( LAUGHTER ) 276 00:17:20,706 --> 00:17:26,678 SO PLEASE FORGIVE. THIS IS THE END OF THE N.F. L. 277 00:17:26,745 --> 00:17:30,983 POST SEASON, WHEN THE STAKES HEAT UP AND SO DOES THE CHILLY. 278 00:17:31,049 --> 00:17:42,828 ONE OF MY FAVORITE PART OF THE FOOTBALL GAME 279 00:17:42,895 --> 00:17:44,163 IS THOSE PLAYER INTRODUCTION VIDEOS WHERE, ONE-BY-ONE, WE GET 280 00:17:44,229 --> 00:17:45,431 TO MEET THE TEAMS. >> KOLTON MILLER, UCLA 281 00:17:45,497 --> 00:17:46,965 JOHN SIMPSON, FORT DORCHESTER HIGH SCHOOL 282 00:17:47,032 --> 00:17:51,136 ANDRE JAMES, UCLA ALEX LEATHERWOOD, ALABAMA, 283 00:17:51,203 --> 00:17:53,806 BRANDON PARKER, NORTH CAROLINA IN FACT, I LOVE THESE PLAYER 284 00:17:53,872 --> 00:17:55,240 INTRODUCTIONS SO MUCH THAT WHEN WE DID A SPECIAL EDITION OF THE 285 00:17:55,307 --> 00:17:56,608 LATE SHOW AFTER LAST YEAR'S SUPER BOWL, I HIRED SOME OF MY 286 00:17:56,675 --> 00:17:57,876 FAVORITE HOLLYWOOD DIRECTORS TO RE-MAKE THEM. 287 00:17:57,943 --> 00:17:58,811 OF COURSE, BACK THEN I DIDN'T HAVE A LIVE AUDIENCE HERE TO 288 00:17:58,877 --> 00:18:01,580 ENJOY THEM, BUT I DO NOW. JIM? 289 00:18:01,647 --> 00:18:03,182 >> A LATE SHOW PRESENTS: GREAT DIRECTORS DIRECT THE PLAYER 290 00:18:03,248 --> 00:18:13,892 INTROS. ( BEEPING ) 291 00:18:13,959 --> 00:18:16,829 >> EVERYBODY WAS DOING PLAYER INTRODUCTIONS. 292 00:18:16,895 --> 00:18:22,901 THERE WAS VICTOR CRUZ. >> HOW YOU DOING? 293 00:18:22,968 --> 00:18:23,936 UMASS. >> MARCUS KUHN. 294 00:18:24,002 --> 00:18:29,074 WE CALL HIM THE STEAM ROLLER. >> COULDN'T TALK. 295 00:18:29,141 --> 00:18:33,812 JOHNNY KASIUS AND HIS GUYS. UNIVERSITY OF WISCONSIN. 296 00:18:33,879 --> 00:18:39,184 LORENZO CARTER, THE KID. U.G.A. 297 00:18:39,251 --> 00:18:45,090 AND THEN FULL ARONZU, AND THE KID ON ACCOUNT THEY WAS BOTH THE 298 00:18:45,157 --> 00:18:47,292 KIDS. >> UConn. 299 00:18:47,359 --> 00:18:50,596 AND THEN FINALLY BENNY TWO-TIMES WHO GOT THAT NICKNAME 300 00:18:50,662 --> 00:18:55,367 BECAUSE HE SAID EVERYTHING TWICE LIKE -- 301 00:18:55,434 --> 00:19:01,073 >> NOTRE DAME, NOTRE DAME. ( BEEPING ) 302 00:19:01,139 --> 00:19:05,677 >> BENNET JACKSON, THE POSITION HE PLAYS IS SAFETY. 303 00:19:05,744 --> 00:19:11,650 BUT NOTHING CAN BE CONSIDERED SAFE IN A VAST, INDIFFERENT 304 00:19:11,717 --> 00:19:16,154 UNIVERSE, WHERE THE STARS BLINDLY RUN. 305 00:19:16,221 --> 00:19:25,097 TO CONSIDER ONESELF SAFETY IS TO LAUGH IN THE FACE OF DESTINY. 306 00:19:25,163 --> 00:19:31,737 UNIVERSITY OF NOTRE DAME. ( BEEPING ) 307 00:19:31,803 --> 00:19:43,248 >> NOW, LET ME TAKE A WILD GUESS HERE -- YOU'RE BRETT, RIGHT? 308 00:19:43,315 --> 00:19:44,049 >> NO. UConn. 309 00:19:44,116 --> 00:19:46,184 >> CHECK OUT THE BIG BRAIN ON BRAD! 310 00:19:46,251 --> 00:19:50,122 >> DID YOU MEAN BENNETT JACKSON UNIVERSITY NOTRE DAME? 311 00:19:50,188 --> 00:19:54,826 >> I DON'T REMEMBER ASKING YOU A ( BLEEP ) DAMN THING. 312 00:19:54,893 --> 00:19:58,163 >> ALL RIGHT, OKAY. ( LAUGHTER ) 313 00:19:58,230 --> 00:20:03,969 >> YOU WERE SAYING? AS I WAS SAYING, I'M 314 00:20:04,036 --> 00:20:09,074 FOLIFASUKASI, UConn. >> JOHN, UNIVERSITY OF 315 00:20:09,141 --> 00:20:21,086 WISCONSIN. ( LAUGHTER ) 316 00:20:21,153 --> 00:20:25,090 ( BEEPING ) UM. 317 00:20:25,157 --> 00:20:27,693 >> ALL THE FOOTBALLERS GATHERED IN PREPARATION FOR THE FIRST OF 318 00:20:27,759 --> 00:20:30,362 WHAT WAS SURE TO BE MANY QUARTERS. 319 00:20:30,429 --> 00:20:36,234 THERE IS VICTOR CRUZ, THE ENIGMATIC WIDE RECEIVER. 320 00:20:36,301 --> 00:20:40,038 LORENZO CARTER, THE ECONO CLASTIC LINEBACKER. 321 00:20:40,105 --> 00:20:42,441 CARTER LOVED NOTHING MORE THAN CHASING A QUARTERBACK. 322 00:20:42,507 --> 00:20:47,279 HAS BEEN ONE OF THE GIANTS GO-TO RUSHERS AND NEXT SEASON HE'S 323 00:20:47,346 --> 00:20:56,188 HOPING TO -- RUSH MORE. MARCUS KUHN, THE DEFENSIVE 324 00:20:56,254 --> 00:20:58,523 ECCENTRIC TACKLE. >> I DON'T INTEREST MYSELF EX 325 00:20:58,590 --> 00:21:03,261 S.E.C. TRICK. >> THE DEFENSIVE DEFENSIVE 326 00:21:03,328 --> 00:21:04,796 TACKLE ( BEEPING ) 327 00:21:04,863 --> 00:21:12,871 ( CRASHING SOUNDS ) ( GROWLING ) 328 00:21:12,938 --> 00:21:21,079 >> OH, HOWDY, BIG FELLA, MARCUS KUHN, NC STATE! 329 00:21:21,146 --> 00:21:23,448 ( CHEERS AND APPLAUSE ) >> STEPHEN: THANK YOU TO THE 330 00:21:23,515 --> 00:21:25,517 PLAYERS WE'LL BE RIGHT BACK WITH LIEV SCHREIBER. 331 00:21:48,040 --> 00:21:49,107 >> Stephen: WELCOME BACK, EVERYBODY. 332 00:21:49,174 --> 00:21:51,643 MY GUEST TONIGHT IS A TONY WINNING ACTOR YOU'VE SEEN IN 333 00:21:51,710 --> 00:21:53,445 "SPOTLIGHT," "THE FRENCH DISPATCH," AND THE SHOWTIME 334 00:21:53,512 --> 00:21:57,449 SERIES "RAY DONOVAN." HE NOW STARS IN, "RAY DONOVAN: 335 00:21:57,516 --> 00:22:03,255 THE MOVIE." 336 00:22:03,321 --> 00:22:06,525 >> I SHOULDN'T HAVE COME TONIGHT. 337 00:22:06,591 --> 00:22:12,764 >> AND THEN WHAT? I DON'T KNOW. 338 00:22:12,831 --> 00:22:15,801 MAYBE NONE OF THIS WOULD HAVE HAPPENED. 339 00:22:15,867 --> 00:22:19,671 >> YOU'RE PROBABLY RIGHT, NONE OF IT WOULD HAVE HAPPENED. 340 00:22:19,738 --> 00:22:23,408 >> NO WIFE. NO KIDS. 341 00:22:23,475 --> 00:22:28,213 NO LIFE. >> PROBABLY BETTER FOR EVERYONE 342 00:22:28,280 --> 00:22:38,023 IF I HAD. >> THAT'S SOME SACRIFICE, RAY. 343 00:22:38,090 --> 00:22:46,064 YOU WOULD BE WILLING TO GIVE UP ALL THOSE YEARS, ALL THAT 344 00:22:46,131 --> 00:22:50,869 LIFE, JUST FOR HIM? >> PLEASE WELCOME BACK TO "THE 345 00:22:50,936 --> 00:22:54,139 LATE SHOW," LIEV SCHREIBER! ( CHEERS AND APPLAUSE ) 346 00:22:54,206 --> 00:23:09,087 ( BAND PLAYING ) 347 00:23:09,154 --> 00:23:16,294 ( BAND PLAYING ) 348 00:23:16,361 --> 00:23:19,965 >> I WASN'T SURE I'D EVER SEE ONE OF THOSE AGAIN. 349 00:23:20,031 --> 00:23:23,034 >> Stephen: NICE TO SEE YOU. THANKS FOR COMING BACK. 350 00:23:23,101 --> 00:23:25,437 >> THANKS FOR HAVING ME. >> Stephen: YOU WENT THROUGH 351 00:23:25,504 --> 00:23:28,573 SOMETHING RECENTLY, OVER CHRISTMAS AND NEW YEAR'S. 352 00:23:28,640 --> 00:23:34,346 YOU WERE STUCK IN CHILE. >> YEAH, WE HAVE BEEN PLANNING 353 00:23:34,412 --> 00:23:38,283 THIS TRIP TO THE ANTARCTIC WITH THE KIDS FOR YEARS NOW. 354 00:23:38,350 --> 00:23:40,852 >> Stephen: WAS THIS THEIR IDEA, YOUR IDEA. 355 00:23:40,919 --> 00:23:42,888 >> IT WAS ACTUALLY MY FRIEND TAYLOR'S IDEA. 356 00:23:42,954 --> 00:23:46,992 >> Stephen: OKAY. AND WE GET DOWN, 12-HOUR 357 00:23:47,058 --> 00:23:51,396 FLIGHT TO CHILE, AND WE GET DOWN THERE AND BOUGHT ALL THIS 358 00:23:51,463 --> 00:23:54,366 EXPENSIVE EXPEDITION GEAR BECAUSE YOU NEED SPECIAL 359 00:23:54,432 --> 00:23:56,768 CLOTHES. >> Stephen: SURE. 360 00:23:56,835 --> 00:23:58,603 IT'S NOT HABITABLE. >> WE'RE NOT EQUIPPED TO LIVE 361 00:23:58,670 --> 00:24:01,006 DOWN THERE, RIGHT. WE'RE WAITING TO GET ON THE 362 00:24:01,072 --> 00:24:04,609 PLANE AND TURNS OUT ONE OF THE KIDS IN OUR GROUP, BECAUSE WE 363 00:24:04,676 --> 00:24:09,447 BROUGHT A LOT OF KIDS, HAD A POSITIVE COVID TEST. 364 00:24:09,514 --> 00:24:12,417 YEAH. SO -- I WANTED TO KILL HIM. 365 00:24:12,484 --> 00:24:15,654 ( LAUGHTER ) BUT I'M OKAY NOW AND I'M OKAY 366 00:24:15,720 --> 00:24:19,491 WITH HIS DAD, JEREMY -- I LOVE YOU. 367 00:24:19,558 --> 00:24:21,359 ( LAUGHTER ) SO WE'RE TOLD BY THE PEOPLE, 368 00:24:21,426 --> 00:24:25,463 THEY BRING US BACK TO THIS KIND OF CONCRETE BUNCHER, WHICH IS 369 00:24:25,530 --> 00:24:30,235 THE ONLY HOTEL IN THIS AREA OF CHILE, AND TELL US WE HAVE TO 370 00:24:30,302 --> 00:24:32,671 STAY THERE FOR SEVEN DAYS BECAUSE OF CLOSE CONTACT. 371 00:24:32,737 --> 00:24:35,574 MIND YOU, WE HAVE THIS ADVENTURE WAITING FOR US. 372 00:24:35,640 --> 00:24:38,243 TWO DAYS INTO THAT, I TEST POSITIVE. 373 00:24:38,310 --> 00:24:41,446 >> Stephen: OH, MAN. AND WE COLD FRONT GET THESE 374 00:24:41,513 --> 00:24:47,986 STAGGERED POSITIVE TESTS. I SPENT THE PAST 16 DAYS IN A 375 00:24:48,053 --> 00:24:51,623 CONCRETE BUNKER. >> Stephen: IS THIS WHERE YOU 376 00:24:51,690 --> 00:24:54,459 GOT THE KEYBOARD. >> RIGHT. 377 00:24:54,526 --> 00:24:57,462 SO SOMEONE ASKED ME IF THEY COULD GET ME ANYTHING, WHICH WAS 378 00:24:57,529 --> 00:24:59,531 VERY KIND OF THEM. I SAWED IT WOULD BE AWESOME IF 379 00:24:59,598 --> 00:25:04,102 YOU COULD FIND ME AN ELECTRONIC KEYBOARD SO I COULD PRACTICE. 380 00:25:04,169 --> 00:25:08,406 >> Stephen: DO YOU PLAY? I DIDN'T KNOW YOU PLAYED. 381 00:25:08,473 --> 00:25:10,442 >> I DO PLAY. I MEAN, NOT LIKE THAT, BUT I 382 00:25:10,508 --> 00:25:15,647 PLAY A LITTLE BIT. THEY FOUND ME AN OLD-SCHOOL 383 00:25:15,714 --> 00:25:21,453 CASIO KEYBOARD. I SAID, CASIO? 384 00:25:21,519 --> 00:25:24,189 YOU COULDN'T FIND ME ANYTHING BERT THAN THAT? 385 00:25:24,256 --> 00:25:26,858 THEN I FOUND THE DANCE BUTTON. >> Stephen: THIS IS YOU WITH 386 00:25:26,925 --> 00:25:29,895 THE DANCE BUTTON? >> THIS IS DEEJAY COVID. 387 00:25:29,961 --> 00:25:36,067 >> Stephen: JIM. ♪♪ 388 00:25:36,134 --> 00:25:40,739 >> DEEJAY COVID! WITH THE BEST MUSIC! 389 00:25:40,805 --> 00:25:42,474 ( CHEERS AND APPLAUSE ) >> Stephen: 16 DAYS. 390 00:25:42,540 --> 00:25:46,845 16 DAYS. >> I FIGURED NOW THAT RAY'S 391 00:25:46,912 --> 00:25:51,616 OVER, IT'S PROBABLY GOOD TO HAVE SOME IN MY POCKET. 392 00:25:51,683 --> 00:25:55,020 >> Stephen: ANOTHER LOVELY THING YOU'VE DONE, ALSO -- THIS 393 00:25:55,086 --> 00:26:01,459 WAS URING COVID, RIGHT, YOU WERE IN VENICE SHOOTING A FILM. 394 00:26:01,526 --> 00:26:04,095 >> THE FIRST COVID. >> Stephen: BEFORE WE HAD 395 00:26:04,162 --> 00:26:07,399 VACCINES OR A PLAN. >> THE CRAZY COVID. 396 00:26:07,465 --> 00:26:10,101 LAST YEAR. >> Stephen: HAD YOU SPENT MUCH 397 00:26:10,168 --> 00:26:12,938 TIME THERE BEFORE THIS? >> NO, BEFORE THE FILM FESTIVAL 398 00:26:13,004 --> 00:26:15,674 I HAD BEEN TO VENICE. IT'S ONE OF MY FAVORITE PLACES 399 00:26:15,740 --> 00:26:16,841 IN THE WORLD. SO BEAUTIFUL. 400 00:26:16,908 --> 00:26:23,148 >> Stephen: MAGICAL. I LIKE GETTING OFF THE MAIN PATE 401 00:26:23,214 --> 00:26:26,217 TIME -- AND I LIKE TO GO TO THE SIDE STREETS AND SEE IF I CAN 402 00:26:26,284 --> 00:26:29,454 FIND MY WAY OUT BEFORE THE RATS EAT ME. 403 00:26:29,521 --> 00:26:31,589 >> YEAH. >> Stephen: BECAUSE IT'S A 404 00:26:31,656 --> 00:26:35,961 LITTLE WARREN OF STREETS, YOU CAN GET LOST IN A MINUTE. 405 00:26:36,027 --> 00:26:37,562 >> YOU HAVE TO KNOW WHERE YOU'RE GOING. 406 00:26:37,629 --> 00:26:40,131 >> Stephen: YES. BUT FOR ME, IT WAS ALWAYS 407 00:26:40,198 --> 00:26:43,835 PACKED WITH TOURISTS AND THE FILM FESTIVAL. 408 00:26:43,902 --> 00:26:47,806 NOW THE VENETIANS HAVE THEIR CITY BACK. 409 00:26:47,872 --> 00:26:52,944 IT'S EMPTY. RIGHT NOW IT'S SO BEAUTIFUL TO 410 00:26:53,011 --> 00:26:55,547 WALK DOWN THE STREETS IN THE MIDDLE OF THE NIGHT. 411 00:26:55,613 --> 00:26:57,615 EXQUISITE. >> Stephen: BACK BE MORE LIEV 412 00:27:05,957 --> 00:27:06,992 ( CHEERS AND APPLAUSE ) >> Stephen: HEY, EVERYBODY! 413 00:27:07,058 --> 00:27:08,393 WE'RE BACK HERE WITH LIEV SCHREIBER. 414 00:27:08,460 --> 00:27:12,297 LIEV, I TOLD YOU THE LAST TIME YOU WERE HERE HOW MUCH I ENJOYED 415 00:27:12,364 --> 00:27:17,736 YOUR PERFORMANCE AS YAGO IN "A FELLOW," BUT DO YOU EVER WISH 416 00:27:17,802 --> 00:27:21,740 YOU WEREN'T A GOOD ACTOR? AND I'LL TELL YOU WHY, HERE'S 417 00:27:21,806 --> 00:27:25,143 WHAT'S BEHIND IT, IS EVERYBODY GOES, LIEV SCHREIBER, HE'S A 418 00:27:25,210 --> 00:27:29,214 REALLY GOOD ACTOR AND YOU'VE DONE ALL THIS REALLY GOOD WORK, 419 00:27:29,280 --> 00:27:32,817 AND THEN THAT GUY ALWAYS DOES A GOOD JOB. 420 00:27:32,884 --> 00:27:38,857 DON'T YOU WISH TIMES YOU GO, I'D JUST LOVE TO SUCK IN THE NEXT 421 00:27:38,923 --> 00:27:41,860 THING. BECAUSE YOU ALWAYS PUT A LOT OF 422 00:27:41,926 --> 00:27:44,496 THOUGHT, CHARACTER DEVELOPMENT, BACK STORY, FOCUS, MEMORIZATION, 423 00:27:44,562 --> 00:27:50,635 BUT IF YOU WEREN'T, LIKE, REALLY GREAT LIKE YOU ARE, YOU COULD 424 00:27:50,702 --> 00:27:53,371 SUCK SOMETIMES AND SAY, WELL, SOMETIMES HE SUCCESS. 425 00:27:53,438 --> 00:27:57,442 >> REALITY IS WE SUCK MOST OF THE TIME, IT'S JUST THAT WE 426 00:27:57,509 --> 00:28:01,312 DON'T GO OUT AND PROMOTE THE THINGS WE SUCK IN. 427 00:28:01,379 --> 00:28:04,482 >> Stephen: SO THERE ARE PRODUCTS IF I REALLY DUG DOWN 428 00:28:04,549 --> 00:28:08,486 DEEP I COULD FIND SUCKY LIEV SCHREIBER OUT THERE? 429 00:28:08,553 --> 00:28:10,288 >> THERE'S A LOT OF SUCKY STUFF OUT THERE OF MINE. 430 00:28:10,355 --> 00:28:13,491 >> Stephen: DO YOU WANT TO GIVE ANY TITLES? 431 00:28:13,558 --> 00:28:14,793 >> NOPE. >> Stephen: OKAY. 432 00:28:14,859 --> 00:28:16,227 GOOD TO KNOW. >> YEAH. 433 00:28:16,294 --> 00:28:23,268 DO YOUR HOMEWORK. >> Stephen: SHOWTIME'S " RAY 434 00:28:23,334 --> 00:28:27,338 DONOVAN " SEVEN SEASONS ENDED IN 2020. 435 00:28:27,405 --> 00:28:30,675 RAY'S BACK FOR A MOVIE, AFTER I TOLD THE FOLKS. 436 00:28:30,742 --> 00:28:33,278 SEVEN SEASONS, HOW MANY YEARS IS THAT FOR YOU. 437 00:28:33,344 --> 00:28:35,313 >> EIGHT YEARS. >> Stephen: AFTER PLAYING A 438 00:28:35,380 --> 00:28:37,182 CHARACTER FOR EIGHT YEARS, WHAT'S IT LIKE TO GO AWAY AND 439 00:28:37,248 --> 00:28:43,822 COME BACK TO THAT CHARACTER AND THEN LIKE GET BACK IN THE SKIN? 440 00:28:43,888 --> 00:28:48,426 >> THIS FEELS, IN MANY WAYS, LIKE -- BECAUSE OF COVID AND 441 00:28:48,493 --> 00:28:53,698 EVERYTHING, THIS FEELS IN MANY WAYS LIKE THE END TO ME, LIKE 442 00:28:53,765 --> 00:28:59,237 BEING HERE WITH YOU RIGHT NOW, BECAUSE WE COULDN'T DO THIS AS A 443 00:28:59,304 --> 00:29:01,206 CAST. I IMAGINE YOU KNOW, WORKING ON A 444 00:29:01,272 --> 00:29:04,476 TELEVISION SHOW FOR A LONG TIME, THAT YOU BECOME A FAMILY WITH 445 00:29:04,542 --> 00:29:08,480 THE PEOPLE YOU WORK WITH. IT GOT TO THE POINT FOR ME WITH 446 00:29:08,546 --> 00:29:10,882 THOSE ACTORS, I DON'T KNOW WHAT TO DO IN THE MORNING WITHOUT 447 00:29:10,949 --> 00:29:15,854 THEM. I WAKE UP AND I'M, LIKE, WHERE'S 448 00:29:15,920 --> 00:29:18,690 EDDIE? AND IT'S REALLY BEEN HARD, BUT 449 00:29:18,756 --> 00:29:24,496 I'M GLAD IT'S OVER, BECAUSE IT'S TIME TO MOVE ON, BUT I CAN'T SAY 450 00:29:24,562 --> 00:29:29,400 ENOUGH ABOUT HOW -- HOW MUCH IT MEANT TO ME TO BE WORKING WITH 451 00:29:29,467 --> 00:29:32,470 THOSE PEOPLE FOR THAT LONG. >> Stephen: YOU KNOW, FROM MY 452 00:29:32,537 --> 00:29:39,177 PREVIOUS SHOW, BECAUSE I STILL GET TO WORK WITH THE PEOPLE WITH 453 00:29:39,244 --> 00:29:43,581 WHEN WE JUST CAME OVER FROM THE OLD SHOW, BUT I TOOK STUFF FROM 454 00:29:43,648 --> 00:29:45,416 THE OLD SHOW. DID YOU? 455 00:29:45,483 --> 00:29:49,420 >> YEAH, I TOOK RAY'S WEDDING RING, AND I TOOK A MEDALLION 456 00:29:49,487 --> 00:29:55,560 THAT HE WEARS, WHICH IS, YOU KNOW, RAY'S ROMAN CATHOLIC, I'M 457 00:29:55,627 --> 00:30:01,566 A QUARTER ROMAN CATHOLIC, SO I KIND OF HAD TO RESEARCH THE 458 00:30:01,633 --> 00:30:06,538 ROMAN CATHOLIC THING. I DECIDED I WANTED TO GET HIM A 459 00:30:06,604 --> 00:30:09,541 ST. CHRISTOPHER MEDALLION. AND I WENT TO THE CATHOLIC ME 460 00:30:09,607 --> 00:30:14,913 CAL DALE ANYONE PLACE DOWNTOWN NEAR WALL STREET AND HE SHOWED 461 00:30:14,979 --> 00:30:21,152 ME ALL THE MEDALLIONS. I SAID I'M LOOKING FOR A 462 00:30:21,219 --> 00:30:24,122 ST. CHRISTOPHER BUT WHO'S THAT ANYONE? 463 00:30:24,189 --> 00:30:31,329 ST. Y JENESIUS. I SAID WHO'S THAT? 464 00:30:31,396 --> 00:30:35,633 HE SAID, THE PATRON SAINT OF ACTORS AND PROSTITUTES. 465 00:30:35,700 --> 00:30:37,535 ( LAUGHTER ) I THOUGHT, WHAT ARE THE CHANCES 466 00:30:37,602 --> 00:30:40,505 THEY'D EVER DO A REALLY GOOD CLOSEUP ON THIS THING. 467 00:30:40,572 --> 00:30:45,243 I GOT THAT, IF ANYONE ASKS ME, IT'S ST. CHRISTOPHER BUT NOW 468 00:30:45,310 --> 00:30:52,083 THAT WE'RE DONE I CAN SAY RAY HAS BEEN WEARING THE MEDALLION 469 00:30:52,150 --> 00:30:53,685 OF ST. JENESIUS. >> SERIOUSLY? 470 00:30:53,751 --> 00:30:58,223 >> Stephen: GIVEN TO ME BY A GUY IN CHICAGO CALLED PAT FINN. 471 00:30:58,289 --> 00:31:02,427 >> AND YOU DON'T WEAR IT? >> Stephen: IT'S HANGING ON 472 00:31:02,493 --> 00:31:12,704 THE MIRROR NEXT TO MY S SAP LA, --SCAPULA, YOU KNOW, MY HOLY 473 00:31:12,770 --> 00:31:14,038 CARDS. ( APPLAUSE ) 474 00:31:14,105 --> 00:31:17,809 THAT'S JEEZY RIGHT THERE. ACTORS, PROSTITUTES, CLOWNS -- 475 00:31:17,875 --> 00:31:21,312 WHICH IS WHY I WAS GIVEN IT -- AND I THINK THIEVES MIGHT BE 476 00:31:21,379 --> 00:31:23,815 ANOTHER ONE. >> I FALL INTO ALL FOUR 477 00:31:23,881 --> 00:31:25,049 CATEGORIES. >> Stephen: JUST SHOWS YOU, 478 00:31:25,116 --> 00:31:30,154 WHEN PEOPLE ARE DECIDING WHAT GROUPS OF PEOPLE TO GET 479 00:31:30,221 --> 00:31:33,925 TOGETHER, BACK A COUPLE HUNDRED YEARS AGO, ACTORS AND 480 00:31:33,992 --> 00:31:37,262 PROSTITUTES, PUT THEM IN THERE. VERY FINE LINE BETWEEN THOSE. 481 00:31:37,328 --> 00:31:40,231 >> WHAT DID HE DO TO GET THAT? >> Stephen: HE WAS A LOT 482 00:31:40,298 --> 00:31:47,205 OVERFUN IS WHAT HE WAS. AND VERY FORGIVING. 483 00:31:47,272 --> 00:31:50,942 WE HAVE TO TAKE A QUICK BREAK. WHEN WE COME BACK, I'M GOING TO 484 00:31:51,009 --> 00:31:53,011 ASK LIEV IF HE'S EVER FORGOTTEN HIS LINES ON STAGE. 485 00:32:01,986 --> 00:32:03,187 ( CHEERS AND APPLAUSE ) >> Stephen: HEY, EVERYBODY! 486 00:32:03,254 --> 00:32:08,760 WE'RE BACK WITH LIEV SCHREIBER. NOW, AS WE SAW IN THE CLIP 487 00:32:08,826 --> 00:32:16,434 THERE, GREAT ALAN ALDA PLAYS YOUR THERAPIST IN THAT, AND YOU 488 00:32:16,501 --> 00:32:21,806 ALSO APPEARED WITH HIM IN "GLEN GARY GLEN ROSS." 489 00:32:21,873 --> 00:32:25,710 I'VE INTERVIEWED ALAN AND BEEN LUCKY ENOUGH TO HAVE DINNER WITH 490 00:32:25,777 --> 00:32:27,578 ALAN. HE'S A LOVELY FELLA. 491 00:32:27,645 --> 00:32:30,882 WHAT'S IT LIKE TO SHARE THE STAGE WITH SUCH AN ICONIC 492 00:32:30,948 --> 00:32:33,117 FIGURE. >> IN THE BEGINNING, IT WAS 493 00:32:33,184 --> 00:32:39,223 NERVE RACKING BECAUSE, YOU KNOW, I SORT OF PINCHED MYSELF BECAUSE 494 00:32:39,290 --> 00:32:42,794 I COULDN'T BELIEVE I WAS THERE WITH HIM ON STAGE, BUT WE 495 00:32:42,860 --> 00:32:45,463 ACTUALLY BECAME REALLY REALLY CLOSE. 496 00:32:45,530 --> 00:32:48,766 WE WERE A DOUBLE ACT PARTICULARLY IN THAT PLAY AND IT 497 00:32:48,833 --> 00:32:53,871 KIND OF CONTINUED KIND KOCH LIKE AN ABBOTT AND COSTELLO THING. 498 00:32:53,938 --> 00:32:57,909 HE WAS FUNNIER SO I WAS DEFINITELY LIKE THE ABBOTT, 499 00:32:57,975 --> 00:33:01,913 LIKE, YOU'RE CRAZY! AND THEN HE WOULD DO SOMETHING. 500 00:33:01,979 --> 00:33:04,916 IT WAS AMAZING WORKING WITH HIM. YOU KNOW, HE WOULD FORGET A LINE 501 00:33:04,982 --> 00:33:09,354 EVERY ONCE IN A WHILE. >> Stephen: IN THE PLAY OR IN 502 00:33:09,420 --> 00:33:13,324 "RAY DONOVAN"? >> PRETTY MUCH EVERYTHING. 503 00:33:13,391 --> 00:33:17,895 >> Stephen: IN "RAY DONOVAN," YOU CAN CUT AND TRY IT AGAIN BUT 504 00:33:17,962 --> 00:33:21,332 ON LIVE BROADWAY YOU KIND OF HAVE TO BREATHE THROUGH THAT 505 00:33:21,399 --> 00:33:23,034 MOMENT. >> HE'S A REAL PRO. 506 00:33:23,101 --> 00:33:26,904 HE COVERED IT BEAUTIFULLY. I REMEMBER THE FIRST TIME IT 507 00:33:26,971 --> 00:33:29,507 HAPPENED TO ME, IT WAS A HORROR SHOW. 508 00:33:29,574 --> 00:33:35,046 AS A YOUNG ACTOR, I SAID, I'M NOT GOING TO FORGET LINES,ETH AN 509 00:33:35,113 --> 00:33:39,350 ALAN ALDA TYPE THING. I WAS IN A PREVIEW AND THE STAGE 510 00:33:39,417 --> 00:33:44,922 MANAGER TOLD THE PROMPTER WHO TELLS YOU YOUR LINES, LIEV IS 511 00:33:44,989 --> 00:33:51,028 GOOD AT THIS, CLASSICAL SHAKESPEARE, HE'S NOT GOING TO 512 00:33:51,095 --> 00:33:54,232 FORGET THE LINES. I WAS GIVING THE ACTRESS A LOOK 513 00:33:54,298 --> 00:33:59,804 WHICH IS I'M SCREWED, CAN YOU HELP AND SHE LOOKED BACK AT ME 514 00:33:59,871 --> 00:34:04,208 AND SHE WAS LIKE -- AND I GAVE HER A SECOND LOOK WHICH IS I'M 515 00:34:04,275 --> 00:34:07,845 REALLY REALLY IN TROUBLE RIGHT NOW, AND SHE WENT -- 516 00:34:07,912 --> 00:34:09,580 ( LAUGHTER ) AND, SO, I THOUGHT, I'M GOING TO 517 00:34:09,647 --> 00:34:12,850 HAVE TO DO IT. I'M GOING TO HAVE TO DO THE ONE 518 00:34:12,917 --> 00:34:16,854 THING I NEVER DREAMED OF DOING, AND I WENT -- LINE. 519 00:34:16,921 --> 00:34:19,424 WHICH IS WHAT YOU SAY WHEN YOU CAN'T REMEMBER YOUR LINE. 520 00:34:19,490 --> 00:34:25,163 AND I REALIZED, AFTER ABOUT 15 SECONDS OF SILENCE, WHICH IS 521 00:34:25,229 --> 00:34:28,533 INTERMINABLE IN A THEATER, THAT THE PROMPTER GIRL HADN'T HEARD 522 00:34:28,599 --> 00:34:31,035 ME. SO I HAD TO SAY IT AGAIN. 523 00:34:31,102 --> 00:34:36,941 AND LOUDER. AND I WAS, LIKE -- LINE! 524 00:34:37,008 --> 00:34:39,577 AND I REALIZED SHE WAS ON THE WRONG SIDE OF THE STAGE AND I 525 00:34:39,644 --> 00:34:41,779 HEAR HER RUNNING BEHIND THE STAGE. 526 00:34:41,846 --> 00:34:46,951 THE CURTAIN GOES, THUMP, THUMP, THUMP, THUMP, THUMP. 527 00:34:47,018 --> 00:34:52,356 SHE GETS TO THIS SIDE AND I HEAR A MUSIC STAND FALL DOWN, AND 528 00:34:52,423 --> 00:34:54,892 THEN SHE GIVES ME A LINE FROM ACT TWO OR ONE. 529 00:34:54,959 --> 00:34:57,862 I LOOK OVER AT JANET AND AT THAT POINT, SHE SAID SOMETHING, I 530 00:34:57,929 --> 00:35:00,565 CAN'T REMEMBER WHAT IT WAS, BUT IT GOT US OUT OF IT. 531 00:35:00,631 --> 00:35:04,836 BUT I HAVE BEEN SO NICE TO ALAN ALDA EVER SINCE THAT HAPPENED TO 532 00:35:04,902 --> 00:35:06,604 ME. >> Stephen: WOW. 533 00:35:06,671 --> 00:35:07,638 YEAH. >> Stephen: WOW. 534 00:35:07,705 --> 00:35:12,910 IS THAT THE ONLY TIME IT'S EVER HAPPENED TO YOU? 535 00:35:12,977 --> 00:35:18,182 >> IT'S THE ONLY TIME I'M WILLING TO TALK ABOUT RIGHT NOW. 536 00:35:18,249 --> 00:35:20,685 ( APPLAUSE ) >> Stephen: LIEV, THANK YOU SO 537 00:35:20,751 --> 00:35:22,920 MUCH FOR BEING HERE. >> THANK YOU FOR HAVING ME! 538 00:35:22,987 --> 00:35:24,121 >> STEPHEN: "RAY DONOVAN: THE MOVIE," PREMIERES TOMORROW ON 539 00:35:24,188 --> 00:35:25,356 SHOWTIME. LIEV SCHREIBER EVERYBODY. 540 00:35:25,423 --> 00:35:27,425 WE'LL BE RIGHT BACK WITH A PERFORMANCE BY ALLISON RUSSELL. 541 00:35:55,019 --> 00:35:59,457 GRAMMY NOMINATED ALBUM, "OUTSIDE CHILD," ALLISON RUSSELL 542 00:35:59,524 --> 00:36:07,465 ♪ ♪ ♪ ♪ ♪ ♪ 543 00:36:07,532 --> 00:36:11,469 ♪ BLOOD ON MY SHIRT, TWO RIPPED BUTTONS 544 00:36:11,536 --> 00:36:15,439 ♪ MIGHT'VE KILLED ME THAT TIME, OH IF I'D LET HIM 545 00:36:15,506 --> 00:36:21,779 ♪ HE'S SLOW WHEN HE'S DRUNK, AND HE LOST HIS GRIP ON ME 546 00:36:21,846 --> 00:36:26,117 ♪ NOW I'M RUNNING DOWN LA RUE ST. PAUL 547 00:36:26,183 --> 00:36:30,888 ♪ TRYING TO GET OUT FROM THE WEIGHT OF IT ALL 548 00:36:30,955 --> 00:36:33,791 ♪ CAN'T FLAG A COP 'CAUSE I KNOW HE WON'T STOP 549 00:36:33,858 --> 00:36:42,867 ♪ I'LL GO SEE PERSEPHONE TAP TAP TAPPIN' 550 00:36:42,934 --> 00:36:45,803 ♪ ON YOUR WINDOW SCREEN GOTTA LET ME IN, 551 00:36:45,870 --> 00:36:51,509 ♪ PERSEPHONE GOT NOWHERE TO GO, 552 00:36:51,576 --> 00:36:57,782 ♪ BUT I HAD TO GET AWAY FROM HIM MY PETALS ARE BRUISED, 553 00:36:57,848 --> 00:37:02,420 ♪ BUT I'M STILL A FLOWER COME RUNNIN' TO YOU 554 00:37:02,486 --> 00:37:07,458 ♪ IN THE VIOLET HOUR PUT YOUR SKINNY ARMS AROUND ME, 555 00:37:07,525 --> 00:37:13,731 ♪ LET ME TASTE YOUR SKIN MOUTH TO MOUTH, 556 00:37:13,798 --> 00:37:15,600 ♪ MOUTH TO FLOWER SALTY SWEET, 557 00:37:15,666 --> 00:37:19,670 ♪ YOU GIVE ME POWER I FEEL YOU SHAKE 558 00:37:19,737 --> 00:37:25,343 ♪ UNDER MY LIPS YOUR FINGERS TENDER 559 00:37:25,409 --> 00:37:27,445 ♪ FIND MY SECRETS DON'T MAKE A SOUND, 560 00:37:27,511 --> 00:37:31,515 ♪ DON'T CRY OUT, LOVE YOUR PARENTS ARE SLEEPING 561 00:37:31,582 --> 00:37:35,453 ♪ JUST ABOVE I KISS YOU ONCE, 562 00:37:35,519 --> 00:37:39,457 ♪ I KISS YOU TWICE FALL ASLEEP 563 00:37:39,523 --> 00:37:45,796 ♪ LOOKING IN EACH OTHER'S EYES TAP TAP TAPPIN' 564 00:37:45,863 --> 00:37:50,201 ♪ ON YOUR WINDOW SCREEN GOTTA LET ME IN, 565 00:37:50,267 --> 00:37:55,439 ♪ PERSEPHONE GOT NOWHERE TO GO, 566 00:37:55,506 --> 00:38:01,979 ♪ BUT I HAD TO GET AWAY FROM HIM MY PETALS ARE BRUISED, 567 00:38:02,046 --> 00:38:03,881 ♪ BUT I'M STILL A FLOWER COME RUNNIN' TO YOU 568 00:38:03,948 --> 00:38:09,787 ♪ IN THE VIOLET HOUR PUT YOUR SKINNY ARMS AROUND ME, 569 00:38:09,854 --> 00:38:24,735 ♪ LET ME TASTE YOUR SKIN ♪ ♪ ♪ 570 00:38:24,802 --> 00:38:27,471 ♪ LET ME TASTE YOUR SKIN ♪ ♪ ♪ 571 00:38:27,538 --> 00:38:35,446 ♪ ♪ ♪ LIGHT ON YOUR SHOULDER, 572 00:38:35,513 --> 00:38:39,450 ♪ LIGHT ON YOUR CHEEK LIGHT TELLING ME 573 00:38:39,517 --> 00:38:43,654 ♪ IT'S TIME TO LEAVE THE BIRDS ARE CALLING 574 00:38:43,721 --> 00:38:47,458 ♪ TO THE MORNING YOUR PARENTS' FEET 575 00:38:47,525 --> 00:38:51,495 ♪ ABOVE US STIRRING KISS YOUR BELLY 576 00:38:51,562 --> 00:38:55,433 ♪ BEFORE I GO CLIMB BACK OUTTA YOUR 577 00:38:55,499 --> 00:38:59,437 ♪ BASEMENT WINDOW BACK TO THE COLD'S BITE, 578 00:38:59,503 --> 00:39:07,445 ♪ BACK TO THE HARD LIFE BACK TO THE HARSH BRIGHT STREET 579 00:39:07,511 --> 00:39:10,114 ♪ TAP TAP TAPPIN' ON YOUR WINDOW SCREEN 580 00:39:10,181 --> 00:39:15,453 ♪ GOTTA LET ME IN, PERSEPHONE 581 00:39:15,519 --> 00:39:21,792 ♪ GOT NOWHERE TO GO, BUT I HAD TO GET AWAY FROM HIM 582 00:39:21,859 --> 00:39:26,330 ♪ MY PETALS ARE BRUISED, BUT I'M STILL A FLOWER 583 00:39:26,397 --> 00:39:30,434 ♪ COME RUNNIN' TO YOU IN THE VIOLET HOUR 584 00:39:30,501 --> 00:39:33,571 ♪ PUT YOUR SKINNY ARMS AROUND ME, 585 00:39:33,637 --> 00:39:39,210 ♪ LET ME TASTE YOUR SKIN ♪ ♪ ♪ 586 00:39:39,276 --> 00:39:42,079 ♪ MY PETALS ARE BRUISED, BUT I'M STILL A FLOWER 587 00:39:42,146 --> 00:39:45,783 ♪ COME RUNNIN' TO YOU IN THE VIOLET HOUR 588 00:39:45,850 --> 00:39:50,287 ♪ PUT YOUR SKINNY ARMS AROUND ME, 589 00:39:50,354 --> 00:39:55,459 ♪ LET ME TASTE YOUR SKIN ♪ ♪ ♪ 590 00:39:55,526 --> 00:40:03,467 ♪ ♪ ♪ 591 00:40:03,534 --> 00:40:05,402 ( CHEERS AND APPLAUSE ) EVERYBODY GOODNIGHT THAT'S IT 592 00:40:05,469 --> 00:40:08,372 FOR THE LATE SHOW. TUNE IN TOMORROW WHEN MY GUEST 593 00:40:08,439 --> 00:40:09,807 WILL BE BILLIONS STAR, COREY STOLL. 594 00:40:09,874 --> 00:40:11,876 GOODNIGHT. Captioning sponsored by CBS