1 00:00:01,534 --> 00:00:03,436 >> IN HONOR OF CYBER MONDAY, 2 00:00:03,503 --> 00:00:06,072 20th CENTURY FOX IS PROUD TO UPDATE ITS BELOVED YULETIDE 3 00:00:06,139 --> 00:00:12,479 CLASSIC, INTRODUCING Miracleon34thStreet.com, THE 4 00:00:12,545 --> 00:00:17,350 HEARTWARMING TALE OF A MALL SANTA ALL ALONE BECAUSE EVERYONE 5 00:00:17,417 --> 00:00:18,084 IS SHOPPING ONLINE. 6 00:00:18,151 --> 00:00:22,088 COULD HE BE THE REAL SANTA? 7 00:00:22,155 --> 00:00:24,057 NOBODY KNOWS. 8 00:00:24,124 --> 00:00:29,162 BUT CIRCUIT CITY HAS 4K FLAT SCREENS FOR ONLY $399! 9 00:00:29,229 --> 00:00:30,597 EXPERIENCE THE MIRACLE OF A MALL SANTA, PONDERING HIS LIFE 10 00:00:30,663 --> 00:00:33,933 CHOICES. 11 00:00:34,000 --> 00:00:36,469 THE MAGIC OF KRIS KRINGLE DINING ALONE IN THE FOOD COURT, AND THE 12 00:00:36,536 --> 00:00:42,075 MAJESTY OF SANTA NAPPING IN A J.C. PENNEYS. 13 00:00:42,142 --> 00:00:47,013 Miracleon34thStreet.com, SEE IT IN THEATERS TODAY -- 14 00:00:47,080 --> 00:00:52,118 OR STAY AT HOME AND SEE IT ON YOUR NEW 4K FLAT SCREEN! 15 00:00:52,185 --> 00:00:57,524 >> Announcer: IT'S "THE LATE SHOW" WITH STEPHEN COLBERT! 16 00:00:57,590 --> 00:01:02,061 TONIGHT, THE MOST WONDERFUL TIME OF THE YEAR! 17 00:01:02,128 --> 00:01:09,269 PLUS STEPHEN WELCOMES PETER JACKSON AND MUSICAL GUEST 18 00:01:09,335 --> 00:01:14,874 CHELSEA CUTLER, FEATURING JON BATISTE AND "STAY HUMAN." 19 00:01:14,941 --> 00:01:22,582 AND NOW, LIVE ON TAPE FROM THE ED SULLIVAN THEATER IN NEW YORK 20 00:01:22,649 --> 00:01:25,618 CITY, IT'S STEPHEN COLBERT! 21 00:01:25,685 --> 00:01:34,561 ( CHEERS AND APPLAUSE ) ( BAND PLAYING ) 22 00:01:34,627 --> 00:01:36,162 >> Stephen: WHEY! 23 00:01:36,229 --> 00:01:36,796 WELCOME BACK! 24 00:01:36,863 --> 00:01:42,068 GOOD TO SEE YOU AGAIN! 25 00:01:42,135 --> 00:01:50,910 ( CHEERS AND APPLAUSE ) YOU HAVE A NICE THANKSGIVING? 26 00:01:50,977 --> 00:01:54,080 >> Jon: YES, INDEED. 27 00:01:54,147 --> 00:01:56,883 ( AUDIENCE CHANTING STEPHEN ) ( PIANO RIFF ) 28 00:01:56,950 --> 00:02:04,224 >> Stephen: HEY! 29 00:02:04,290 --> 00:02:07,060 >> Stephen: THANK YOU, LADIES AND GENTLEMEN! 30 00:02:07,126 --> 00:02:09,462 OH! 31 00:02:09,529 --> 00:02:10,063 NICE! 32 00:02:10,129 --> 00:02:10,797 PLEASE HAVE A SEAT. 33 00:02:10,864 --> 00:02:11,431 THANK YOU SO MUCH! 34 00:02:11,498 --> 00:02:13,066 WELCOME TO "THE LATE SHOW." 35 00:02:13,132 --> 00:02:16,269 I'M YOUR HOST STEPHEN COLBERT. 36 00:02:16,336 --> 00:02:17,504 ( CHEERS AND APPLAUSE ) A LITTLE BREAK? 37 00:02:17,570 --> 00:02:21,508 HAD A COUPLE OF DAYS OFF FOR THANKSGIVING. 38 00:02:21,574 --> 00:02:23,042 DID YOU HAVE SOMETHING GOOD, JOHN? 39 00:02:23,109 --> 00:02:25,778 >> YEAH, A GOOD MEAL, A GOOD FAMILY TIME. 40 00:02:25,845 --> 00:02:26,946 THAT'S RIGHT ON. 41 00:02:27,013 --> 00:02:30,483 >> Stephen: WHEN YOU WERE DOWN IN NEW ORLEANS, DO YOU HAVE 42 00:02:30,550 --> 00:02:34,888 NEW ORLEANS BASED STUFFING? 43 00:02:34,954 --> 00:02:36,122 CRAYFISH? 44 00:02:36,189 --> 00:02:38,958 >> YOU PUT NEW ORLEANS SEASONING ON IT AND IT MAKES EVERYTHING 45 00:02:39,025 --> 00:02:40,059 NEW ORLEANS. 46 00:02:40,126 --> 00:02:41,628 EVEN IF IT'S JUST REGULAR OLD MAC AND CHEESE, BOP BOW! 47 00:02:41,694 --> 00:02:44,030 >> Stephen: YOU'RE TRANSPORTED. 48 00:02:44,097 --> 00:02:45,465 >> Jon: IT'S SOMEWHERE ELSE. 49 00:02:45,532 --> 00:02:47,734 >> Stephen: BOP BOW! 50 00:02:47,800 --> 00:02:48,968 >> Jon: BOP BOW! 51 00:02:49,035 --> 00:02:51,671 ( PIANO RIFF ) >> Stephen: HAPPY MONDAY TO 52 00:02:51,738 --> 00:02:57,744 EVERYONE, AND TO MY JEWISH VIEWERS, HAPPY 53 00:02:57,810 --> 00:02:58,811 SECOND NIGHT OF HANUKKAH. 54 00:02:58,878 --> 00:03:01,848 ( CHEERS AND APPLAUSE ) >> Stephen: HAPPY HANUKKAH. 55 00:03:01,915 --> 00:03:03,383 THE SECOND NIGHT IS PARTICULARLY IMPORTANT, BECAUSE IT 56 00:03:03,449 --> 00:03:05,084 COMMEMORATES THE DAY WHEN THE ANCIENT MACCABEES GATHERED IN 57 00:03:05,151 --> 00:03:07,720 THE TEMPLE TO PRETEND THEY LIKED THE DRESS SHIRT THEY GOT FROM 58 00:03:07,787 --> 00:03:09,155 THEIR AUNT. 59 00:03:09,222 --> 00:03:10,690 ( LAUGHTER ) IT'S STILL NOVEMBER, SO IT'S AN 60 00:03:10,757 --> 00:03:13,626 UNUSUALLY EARLY CHANUKAH THIS YEAR. 61 00:03:13,693 --> 00:03:15,762 I'M GUESSING IT'S TOUGH TO GO DIRECTLY FROM THANKSGIVING INTO 62 00:03:15,828 --> 00:03:17,864 ANOTHER HOLIDAY. 63 00:03:17,931 --> 00:03:19,098 ESPECIALLY ON THE FOOD FRONT. 64 00:03:19,165 --> 00:03:20,199 "I COULDN'T EAT ANOTHER BITE OF MASHED POTATOES AND CRANBERRY 65 00:03:20,266 --> 00:03:22,035 SAUCE. 66 00:03:22,101 --> 00:03:27,740 OOH, FRIED POTATOES AND APPLESAUCE!" 67 00:03:27,807 --> 00:03:29,409 ( LAUGHTER ) MMM! 68 00:03:29,475 --> 00:03:30,109 MMM! 69 00:03:30,176 --> 00:03:31,744 SOUR CREAM! 70 00:03:31,811 --> 00:03:33,046 >> Jon: WHOO! 71 00:03:33,112 --> 00:03:36,349 >> Stephen: FOR ALL OF YOU PLAYING 72 00:03:36,416 --> 00:03:38,051 DREIDEL TONIGHT, REMEMBER, GAMBLING'S ONLY FUN 'TIL IT 73 00:03:38,117 --> 00:03:40,787 BECOMES A PROBLEM. 74 00:03:40,853 --> 00:03:44,524 AVOID ANYONE SPENDING THEIR GELT ON CHANUKAH BETTING APPS LIKE 75 00:03:44,591 --> 00:03:49,963 DREIDEL-KINGS. 76 00:03:50,029 --> 00:03:51,364 ( LAUGHTER ) TODAY IS ALSO CYBER-MONDAY, 77 00:03:51,431 --> 00:03:54,867 A.K.A. "BUY JEFF BEZOS A SECOND PENIS ROCKET DAY." 78 00:03:54,934 --> 00:03:57,303 ( LAUGHTER ) >> Jon: OH, MY GOSH. 79 00:03:57,370 --> 00:03:59,772 >> Stephen: IT'S NICE. 80 00:03:59,839 --> 00:04:00,139 TWO. 81 00:04:00,206 --> 00:04:02,342 SWORD FIGHT. 82 00:04:02,408 --> 00:04:03,409 ( PIANO RIFF ) SURE. 83 00:04:03,476 --> 00:04:04,577 IT'S THE HIGHLIGHT OF THE HOLIDAY SEASON. 84 00:04:04,644 --> 00:04:05,878 CHILDREN LIE AWAKE IN THEIR BEDS, LISTENING FOR THE CLICK 85 00:04:05,945 --> 00:04:10,383 CLICK CLICK OF THEIR MOM ENTERING PROMO CODES. 86 00:04:10,450 --> 00:04:11,918 ( LAUGHTER ) IT MIGHT BE HARD TO FIND THE 87 00:04:11,985 --> 00:04:13,252 PERFECT GIFT THIS SEASON, BECAUSE THE SUPPLY CHAIN IS A 88 00:04:13,319 --> 00:04:14,520 MESS. 89 00:04:14,587 --> 00:04:16,589 WHICH IS WHY "SOME HOLIDAY SHOPPERS ARE DOUBLING DOWN 90 00:04:16,656 --> 00:04:18,825 STOCKPILING GIFTS IN CASE THEIR FAVORITE ITEMS DON'T ARRIVE IN 91 00:04:18,891 --> 00:04:20,560 TIME." 92 00:04:20,627 --> 00:04:22,996 THAT'S WHY REALLY SMART SHOPPERS DON'T WAIT FOR BLACK FRIDAY. 93 00:04:23,062 --> 00:04:26,833 THEY STARTED TRAMPLING PEOPLE WEEKS AGO. 94 00:04:26,899 --> 00:04:30,837 ( LAUGHTER ) ONE SURVEY FOUND THAT THIS YEAR 95 00:04:30,903 --> 00:04:34,273 A WHOPPING 20% OF SHOPPERS SAID THEY PLAN TO ORDER MORE GIFTS IN 96 00:04:34,340 --> 00:04:36,442 CASE SOME ARE DELAYED OR CANCELED. 97 00:04:36,509 --> 00:04:37,844 SO, IF YOU'RE DOING THE 12 DAYS OF CHRISTMAS, BE SAFE AND DOUBLE 98 00:04:37,910 --> 00:04:41,280 YOUR ORDER. 99 00:04:41,347 --> 00:04:43,182 THAT'S 16 MAIDS A-MILKING, 20 LORDS A-LEAPING, AND FORGET 100 00:04:43,249 --> 00:04:46,853 ABOUT 12 DRUMMERS DRUMMING-- JUST HIRE THE TEXAS A&M MARCHING 101 00:04:46,919 --> 00:04:50,857 BAND. 102 00:04:50,923 --> 00:04:52,892 ( APPLAUSE ) THAT'S GOOD! 103 00:04:52,959 --> 00:04:58,831 >> Jon: PLEASE PLAY THE DRUM FOR ME. 104 00:04:58,898 --> 00:05:03,636 P A-PA-PUM-PUM. 105 00:05:03,703 --> 00:05:08,474 >> Stephen: ONE RETAIL EXPERT DESCRIBED THE MARKET THIS WAY: 106 00:05:08,541 --> 00:05:09,642 "WE SEE A CONSUMER WHO IS ANXIOUS TO SPEND. 107 00:05:09,709 --> 00:05:11,077 THEY ARE EAGER TO SHOP AND ANXIOUS ABOUT THE EXECUTION." 108 00:05:11,144 --> 00:05:12,311 COINCIDENTALLY, "EAGER TO SHOP AND ANXIOUS ABOUT THE EXECUTION" 109 00:05:12,378 --> 00:05:14,847 IS ALSO THE TITLE OF MARIE ANTOINETTE'S MEMOIR. 110 00:05:14,914 --> 00:05:21,454 ( LAUGHTER ) YOU KNOW, YOU DON'T HEAR MARIE 111 00:05:21,521 --> 00:05:27,994 ANTOINETTE JOKES ANYMORE. 112 00:05:28,061 --> 00:05:30,897 AUDIENCES LOVE FRENCH REVOLUTION JOKES. 113 00:05:30,963 --> 00:05:33,066 SURE! 114 00:05:33,132 --> 00:05:34,133 ( APPLAUSE ) UNFORTUNATELY, THERE ARE A LOT 115 00:05:34,200 --> 00:05:36,069 OF SMALL BUSINESSES STRUGGLING THROUGH THIS PANDEMIC. 116 00:05:36,135 --> 00:05:38,337 SO, WE HERE AT "THE LATE SHOW" HAVE BEEN TRYING TO HELP BY 117 00:05:38,404 --> 00:05:42,842 ENCOURAGING PEOPLE TO POST ABOUT SMALL BUSINESSES THAT COULD 118 00:05:42,909 --> 00:05:46,846 USE A BOOST, USING THE HASHTAG "COLBERT SMALL BIZ BUMP" AND 119 00:05:46,913 --> 00:05:50,850 THEN HIGHLIGHTING SOME OF THEM ON THE SHOW. 120 00:05:50,917 --> 00:05:53,820 WE EVEN MADE A BIG COMMERCIAL FOR A PLACE CALLED FOGGY PINE 121 00:05:53,886 --> 00:05:58,291 BOOKS IN BOONE, NORTH CAROLINA THAT FEATURED TOM HANKS. 122 00:05:58,357 --> 00:06:01,294 AND ANOTHER ONE, JUST HEAVENLY FUDGE FACTORY ON LOPEZ ISLAND 123 00:06:01,360 --> 00:06:05,531 WASHINGTON, THAT FEATURED KENNY G.-- OR COULD IT HAVE BEEN TOM 124 00:06:05,598 --> 00:06:06,833 HANKS PLAYING KENNY G? 125 00:06:06,899 --> 00:06:13,272 HE'S THAT GOOD. 126 00:06:13,339 --> 00:06:14,841 ( APPLAUSE ) AND I'M PROUD TO SAY THAT YOUR 127 00:06:14,907 --> 00:06:18,111 SUPPORT HAS MADE A BIG IMPACT ON THE SMALL BUSINESSES WE'VE 128 00:06:18,177 --> 00:06:19,345 FEATURED. 129 00:06:19,412 --> 00:06:21,647 JUST LOOK AT WHAT HAPPENED AFTER WE MENTIONED A SMALL BAKERY ON 130 00:06:21,714 --> 00:06:22,849 "THE LATE SHOW." 131 00:06:22,915 --> 00:06:25,485 >> A STORE IN CEDAR RAPIDS, IOWA, CALLED SHAWNNIECAKES 132 00:06:25,551 --> 00:06:29,388 SPECIALTY TREATS, SAW A HUGE SPIKE IN BUSINESS OVER THE 133 00:06:29,455 --> 00:06:30,656 WEEKEND. 134 00:06:30,723 --> 00:06:33,659 THEY SELL TOFFEE BUTTER COOKIES LEMON POUNDCAKE, CHOCOLATE CAKES 135 00:06:33,726 --> 00:06:34,794 KNOWN AS JORDANS. 136 00:06:34,861 --> 00:06:35,895 >> SHAWNNIECAKES LOOKED GOOD. 137 00:06:35,962 --> 00:06:37,096 I WAS LOOKING ON THE SCREEN. 138 00:06:37,163 --> 00:06:38,231 >> LOOKED REAL GOOD. 139 00:06:38,297 --> 00:06:40,433 >> NOT OFTEN I WANT TO LICK MY TV SCREEN, BUT THAT LOOKED 140 00:06:40,500 --> 00:06:42,435 GOOD. 141 00:06:42,502 --> 00:06:43,503 >> STEPHEN: HUGE SUCCESS! 142 00:06:43,569 --> 00:06:46,839 NOT ONLY DID WE HELP SHAWNNIECAKES, WE TEMPTED GAYLE 143 00:06:46,906 --> 00:06:53,045 KING TO FRENCH KISS HER SAMSUNG! 144 00:06:53,112 --> 00:06:55,915 ( CHEERS AND APPLAUSE ) A LITTLE SAMSUNG TONGUE TO 145 00:06:55,982 --> 00:06:57,683 TONGUE THE SAMSUNG! 146 00:06:57,750 --> 00:07:00,086 SHE SAID IT, NOT ME. 147 00:07:00,153 --> 00:07:01,387 AND SINCE WE PUT OUT THE CALL, WE'VE HEARD ABOUT EVEN MORE 148 00:07:01,454 --> 00:07:02,855 SMALL BUSINESSES THAT COULD USE A BOOST. 149 00:07:02,922 --> 00:07:06,492 I'M TALKING ABOUT GREAT PLACES LIKE VINTAGE JEWELRY ON SPRING 150 00:07:06,559 --> 00:07:10,363 STREET IN EUREKA SPRINGS, ARKANSAS; AND PREUSS PETS IN 151 00:07:10,429 --> 00:07:11,430 LANSING, MICHIGAN. 152 00:07:11,497 --> 00:07:16,502 AND, IN AUBURN, MASSACHUSETTS MCCOY'S ACTION KARATE. 153 00:07:16,569 --> 00:07:19,272 SO MUCH MORE EFFECTIVE THAN INACTION KARATE. 154 00:07:19,338 --> 00:07:22,909 "COME AT ME, BRO. 155 00:07:22,975 --> 00:07:25,278 I WILL NOT DO ANYTHING." 156 00:07:25,344 --> 00:07:29,382 ( LAUGHTER ) AND WE ALSO GOT THIS VIDEO FROM 157 00:07:29,448 --> 00:07:30,850 GREEN LEAF DENTAL CARE IN HOUSE SPRINGS, MISSOURI. 158 00:07:30,917 --> 00:07:33,519 >> GREETINGS, STEPHEN. 159 00:07:33,586 --> 00:07:37,290 MY NAME'S NATHAN SUTER, DENTIST AND OWNER OF GREEN LEAF DENTAL 160 00:07:37,356 --> 00:07:38,858 CARE IN HOUSE SPRINGS, MISSOURI. 161 00:07:38,925 --> 00:07:44,697 GREEN LEAF DENTAL CARE IS A SMALL REFERENCE IN NAME TO A 162 00:07:44,764 --> 00:07:46,833 "LORD OF THE RINGS" CHARACTER, WHICH I'M SURE YOU KNOW. 163 00:07:46,899 --> 00:07:49,302 >> STEPHEN: WELL I ASSUME YOU MEAN LEGOLAS, ONLY SON OF THE 164 00:07:49,368 --> 00:07:54,841 ELVENKING THRANDUIL OF MIRKWOOD, WHO'S NAME IS A SILVAN DIALECT 165 00:07:54,907 --> 00:07:56,742 FORM OF THE SINDARIN ELVISH "LAEGOLAS," MEANING "GREEN 166 00:07:56,809 --> 00:07:57,877 LEAF." 167 00:07:57,944 --> 00:07:58,945 UNLESS, OF COURSE, THERE'S A LORD OF THE RINGS CHARACTER 168 00:07:59,011 --> 00:08:02,849 NAMED "DENTAL CARE" THAT I'VE NEVER HEARD OF. 169 00:08:02,915 --> 00:08:06,853 BUT, IT WAS WRITTEN BY A GUY FROM ENGLAND, SO I KIND OF DOUBT 170 00:08:06,919 --> 00:08:10,857 IT. 171 00:08:10,923 --> 00:08:13,459 ( LAUGHTER ) ( PIANO RIFF ) 172 00:08:13,526 --> 00:08:18,030 THAT TAKES A LITTLE MOMENT TO LAND. 173 00:08:18,097 --> 00:08:22,902 SO, MAKE SURE TO CHECK OUT GREEN LEAF DENTAL, THE ONLY DENTIST 174 00:08:22,969 --> 00:08:24,136 WHO CAN TURN THIS... INTO THIS. 175 00:08:24,203 --> 00:08:29,141 ( LAUGHTER ) ( APPLAUSE ) 176 00:08:29,208 --> 00:08:33,613 HE'S READY TO DATE, BUT HE'LL NEVER GIVE YOU A RING. 177 00:08:33,679 --> 00:08:36,649 WE ALSO HEARD FROM A RESTAURANT CALLED "PIZZA GIRLS" IN PALM 178 00:08:36,716 --> 00:08:38,851 BEACH GARDENS, FLORIDA, WHOSE OWNERS WROTE US TO SAY, "WE 179 00:08:38,918 --> 00:08:42,488 AREN'T STRIPPERS, WE'RE PIZZA GIRLS! 180 00:08:42,555 --> 00:08:43,589 ( LAUGHTER ) WE'VE SPENT 26 YEARS IN THE 181 00:08:43,656 --> 00:08:45,758 RESTAURANT BIZ AND WE HAVE AWARD-WINNING PIZZA, BUT NEW 182 00:08:45,825 --> 00:08:49,028 CUSTOMERS THINK WE'RE STRIPPERS!" 183 00:08:49,095 --> 00:08:50,830 WELL, WE WANTED TO HELP GET THIS IMPORTANT INFORMATION OUT, SO 184 00:08:50,897 --> 00:08:57,837 PLEASE JOIN ME AT "THE LATE SHOW'S" PIZZA NEWS CAMERA: 185 00:08:57,904 --> 00:08:59,071 ♪♪ ♪♪ 186 00:08:59,138 --> 00:09:00,740 BREAKING PIZZA NEWS OUT OF PALM BEACH GARDENS, FLORIDA, WHERE 187 00:09:00,806 --> 00:09:02,842 LOCAL AUTHORITIES HAVE CONFIRMED THAT "PIZZA GIRLS" IS, IN FACT, 188 00:09:02,909 --> 00:09:06,846 A RESTAURANT AND NOT-- I REPEAT NOT-- A STRIP CLUB. 189 00:09:06,913 --> 00:09:10,383 RESIDENTS ARE ENCOURAGED TO VISIT PIZZA GIRLS ONLY IF YOU 190 00:09:10,449 --> 00:09:12,285 ARE LOOKING FOR DELICIOUS ITALIAN FOOD IN AN ENVIRONMENT 191 00:09:12,351 --> 00:09:14,854 WHERE EVERYBODY KEEPS THEIR CLOTHES ON. 192 00:09:14,921 --> 00:09:18,824 IF YOU ARE LOOKING FOR A STRIP CLUB, AUTHORITIES RECOMMEND 193 00:09:18,891 --> 00:09:22,895 TRYING PRETTY MUCH ANYWHERE ELSE IN FLORIDA. 194 00:09:22,962 --> 00:09:25,464 ( LAUGHTER ) ( APPLAUSE ) 195 00:09:25,531 --> 00:09:29,502 THANKS, STEPHEN. 196 00:09:29,568 --> 00:09:31,404 BUT THERE WAS ONE SMALL BUSINESS THAT REALLY CAUGHT MY EYE: A 197 00:09:31,470 --> 00:09:37,143 PLACE IN NEW HOPE, MINNESOTA, CALLED "REDMON'S POPCORN." 198 00:09:37,209 --> 00:09:40,279 IT WAS STARTED LAST YEAR BY ZACHARY REDMON, WHO LOST HIS JOB 199 00:09:40,346 --> 00:09:42,615 AS A BARBER DURING THE PANDEMIC AND STARTED SELLING GOURMET 200 00:09:42,682 --> 00:09:44,951 POPCORN OUT OF THE TRUNK OF HIS CAR, THEN GOT SUCH A GOOD 201 00:09:45,017 --> 00:09:48,521 REACTION, HE OPENED HIS OWN SHOP. 202 00:09:48,587 --> 00:09:50,856 AND WITH OVER 40 UNIQUE FLAVORS, ZACHARY REDMON DESCRIBES HIS 203 00:09:50,923 --> 00:09:54,827 POPCORN LIKE THIS: >> I'M LIKE A LUXURY VEHICLE OF 204 00:09:54,894 --> 00:09:55,995 POPCORN. 205 00:09:56,062 --> 00:09:58,831 >> STEPHEN: WELL, LUXURY VEHICLE POPCORN DESERVES A LUXURY 206 00:09:58,898 --> 00:10:01,334 VEHICLE COMMERCIAL. 207 00:10:01,400 --> 00:10:03,069 JIM? 208 00:10:03,135 --> 00:10:08,941 >> FOR THOSE WHO ENJOY THE FINER THINGS -- THE ONES WHO BLAZE 209 00:10:09,008 --> 00:10:15,848 THEIR OWN TRAILS -- WHEN YOU DEMAND HIGH PERFORMANCE, ALL 210 00:10:15,915 --> 00:10:22,455 ROADS LEAD TO NEW HOPE, MINNESOTA. 211 00:10:22,521 --> 00:10:29,061 REDMAN'S POPCORN, UNPARALLELED DESIGN, UNRIVALED COMFORT, AND 212 00:10:29,128 --> 00:10:34,834 ABLE TO POP FROM ZERO TO 60 IN 2.3 SECONDS. 213 00:10:34,900 --> 00:10:41,040 IT'S THE ONLY POPCORN TO RECEIVE J.D. POWER & ASSOCIATES AWARD 214 00:10:41,107 --> 00:10:42,842 FOR MID-SIZE LUXURY SNACK. 215 00:10:42,908 --> 00:10:48,914 NOW AVAILABLE IN EXCLUSIVE FINISHES LIKE BANANA PUDDING, 216 00:10:48,981 --> 00:10:57,323 CHILLY CHEESE, BUTTER FINGER, AND FOR THOSE LOOKING TO KICK IT 217 00:10:57,390 --> 00:10:58,657 UP A GEAR, HOT BARBECUE. 218 00:10:58,724 --> 00:11:04,797 HOW DOES REDMAN'S GET EVERY BITE PERFECTLY COATED WITH FLAVOR? 219 00:11:04,864 --> 00:11:09,168 LET'S JUST SAY THEY GO THE EXTRA MILE. 220 00:11:09,235 --> 00:11:12,171 ( LAUGHTER ) ONLY REDMAN'S POPCORN IS 221 00:11:12,238 --> 00:11:14,807 ENGINEERED FOR EXCELLENCE. 222 00:11:14,874 --> 00:11:24,817 IN FACT, IT'S SO GOOD, I'M EATING IT RIGHT NOW! 223 00:11:24,884 --> 00:11:26,218 ( SMACKING ) >> I KNOW I PROBABLY SHOULD HAVE 224 00:11:26,285 --> 00:11:29,088 WAITED TILL I FINISHED RECORDING THIS, BUT, DAMN! 225 00:11:29,155 --> 00:11:31,323 THIS STUFF IS GOOD! 226 00:11:31,390 --> 00:11:32,558 ♪♪ ♪♪ 227 00:11:32,625 --> 00:11:38,431 FOR CURRENT SALES EVENTS, VISIT THE DEALERSHIP AT 2738WANETKA 228 00:11:38,497 --> 00:11:40,399 AVENUE, SWEET 150B. 229 00:11:40,466 --> 00:11:43,736 REDMAN'S POPCORN, BUCKLE YOUR TONGUE, BECAUSE YOUR MOUTH IS IN 230 00:11:43,803 --> 00:11:46,839 FOR THE RIDE OF ITS LIFE. 231 00:11:46,906 --> 00:11:47,640 ♪♪ ♪♪ 232 00:11:47,706 --> 00:11:52,278 ( CHEERS AND APPLAUSE ) >> REDMAN'S. 233 00:11:52,344 --> 00:11:54,413 >> Stephen: THANKS TO ZAC REDMAN AND NICK OFFERMAN! 234 00:11:54,480 --> 00:11:56,582 GRAB SOME POPCORN AND STICK AROUND, BECAUSE WE'VE GOT A 235 00:11:56,649 --> 00:11:57,850 GREAT SHOW FOR YOU TONIGHT WITH THE DRAMATIC CONCLUSION OF MY 236 00:11:57,917 --> 00:12:03,589 INTERVIEW OF THE DIRECTOR OF THE LANDMARK NEW BEATLES 237 00:12:03,656 --> 00:12:05,057 DOCUMENTARY, PETER JACKSON. 238 00:12:05,124 --> 00:12:08,561 BUT WHEN WE COME BACK, I DEBUT SOME BRAND-NEW HOLIDAY MOVIE 239 00:12:08,627 --> 00:12:09,261 CLASSICS. 240 00:12:38,491 --> 00:12:45,364 ( CHEERS AND APPLAUSE ) ( BAND PLAYING ) 241 00:12:45,431 --> 00:12:47,199 >> Stephen: GIVE IT UP FOR JON BATISTE AND "STAY HUMAN," 242 00:12:47,266 --> 00:12:49,335 EVERYBODY! 243 00:12:49,401 --> 00:12:51,137 ( CHEERS AND APPLAUSE ) > Jon: HA HA! 244 00:12:51,203 --> 00:12:53,305 >> Stephen: MONDAY, RIGHT? 245 00:12:53,372 --> 00:12:54,473 >> Jon: YES! 246 00:12:54,540 --> 00:12:57,476 >> Stephen: JON, YOU KNOW HOW I FEEL ABOUT PETER JACKSON, 247 00:12:57,543 --> 00:12:57,977 RIGHT? 248 00:12:58,043 --> 00:12:59,111 >> YES, SURE, SURE. 249 00:12:59,178 --> 00:13:02,214 >> Stephen: AND WHAT AN AMAZING ARTIST HE IS, INCREDIBLE 250 00:13:02,281 --> 00:13:04,750 DIRECTOR, AND SUCH A WIDE VARIETY OF INTERESTS. 251 00:13:04,817 --> 00:13:09,388 HE STARTED OFF COMEDY HORROR, HE'S GOT "THE LORD OF THE RINGS" 252 00:13:09,455 --> 00:13:12,224 MOVIES, NOW HE HAS THE INCREDIBLE DOCUMENTARY ABOUT THE 253 00:13:12,291 --> 00:13:13,359 BEATLES. 254 00:13:13,425 --> 00:13:17,196 NOW HE'S BACK TO TELL THE FULL STORY NOBODY KNOWS OF THE 255 00:13:17,263 --> 00:13:20,733 ROOFTOP CONCERT, PLANET TOP APPLE, IT'S NOT WHAT ANYBODY 256 00:13:20,799 --> 00:13:21,567 THINKS. 257 00:13:21,634 --> 00:13:24,503 IT'S NOT THREE SONGS, IT'S NINE SONGS! 258 00:13:24,570 --> 00:13:25,471 >> Jon: OH, MY GOODNESS! 259 00:13:25,538 --> 00:13:28,307 >> Stephen: OH! 260 00:13:28,374 --> 00:13:29,108 YOU WILL SEE. 261 00:13:29,175 --> 00:13:31,177 >> Jon: YEP. 262 00:13:31,243 --> 00:13:39,151 >> Stephen: FOLKS, THE HOLIDAY SEASON IS FINALLY 263 00:13:39,218 --> 00:13:40,920 TO RECOVER FROM GORGING ON THANKSGIVING DINNER THAN 264 00:13:40,986 --> 00:13:42,054 GORGING ON CHRISTMAS MOVIES. 265 00:13:42,121 --> 00:13:43,389 CHEESY MADE-FOR-TV HOLIDAY MOVIES HAVE BECOME AN ANNUAL 266 00:13:43,455 --> 00:13:45,324 TRADITION, AND THIS YEAR THERE WILL BE MORE THAN EVER, 267 00:13:45,391 --> 00:13:47,226 BECAUSE LIFETIME ALONE WILL RELEASE 35 NEW CHRISTMAS MOVIES, 268 00:13:47,293 --> 00:13:51,163 INCLUDING SOON-TO-BE-CLASSICS, LIKE "AN ICE WINE CHRISTMAS," 269 00:13:51,230 --> 00:13:55,167 "MERRY LIDDLE CHRISTMAS BABY," "CHRISTMAS WITH A CROWN," AND 270 00:13:55,234 --> 00:13:58,237 "AFIANCEÉ FOR CHRISTMAS." 271 00:13:58,304 --> 00:13:59,371 AND OF COURSE, ITS STEAMIER SEQUEL, "A THROUPLE BY ARBOR 272 00:13:59,438 --> 00:14:03,175 DAY." 273 00:14:03,242 --> 00:14:07,179 AND NOT TO BE OUTDONE, HALLMARK WILL BE RELEASING A STAGGERING 274 00:14:07,246 --> 00:14:10,649 41 NEW HOLIDAY MOVIES. 275 00:14:10,716 --> 00:14:13,619 BUT THERE'S ONE PROBLEM: WHILE THAT MAKES 146 NEW CHRISTMAS 276 00:14:13,686 --> 00:14:17,189 MOVIES BEING RELEASED THIS YEAR, THERE ARE STILL BASICALLY 277 00:14:17,256 --> 00:14:18,958 ZERO HANUKKAH MOVIES. 278 00:14:19,024 --> 00:14:19,725 THAT'S A SHANDA. 279 00:14:19,792 --> 00:14:23,162 EVERYONE DESERVES HOLIDAY MOVIES! 280 00:14:23,229 --> 00:14:25,831 SO, TONIGHT, IN HONOR OF THE SECOND NIGHT OF HANUKKAH, "THE 281 00:14:25,898 --> 00:14:31,170 LATE SHOW" IS BRIDGING THE HOLIDAY MOVIE GAP WITH OUR BRAND 282 00:14:31,237 --> 00:14:32,071 NEW SLATE OF HANUKKAH CLASSICS. 283 00:14:32,137 --> 00:14:35,774 >> THIS CHRISTMAS, GET READY FOR HANUKKAH! 284 00:14:35,841 --> 00:14:38,611 >> I'VE SEARCHED THE WHOLE CITY AND I CAN'T FILE OIL ANYWHERE! 285 00:14:38,677 --> 00:14:42,314 NOW I'LL NEVER ONE THE LATKE COMPETITION. 286 00:14:42,381 --> 00:14:46,185 >> HOW CAN THE WHOLE CITY BE SOLD OUT OF POTATOES? 287 00:14:46,252 --> 00:14:47,186 >> OH, MANY I POTATOES! 288 00:14:47,253 --> 00:14:48,254 MY OIL! 289 00:14:48,320 --> 00:14:52,191 BECAUSE MIRACLES AREN'T JUST FOR MACK ABEES. 290 00:14:52,258 --> 00:14:54,927 >> WHAT DID YOU SAY YOUR NAME WAS? 291 00:14:54,994 --> 00:14:56,695 >> DAVID, DAVID CANOLA. 292 00:14:56,762 --> 00:14:59,164 AND THE ONLY THING THAT LASTS LONGER THAN THE OIL IN THE 293 00:14:59,231 --> 00:15:00,299 TEMPLE IS ROMANCE. 294 00:15:00,366 --> 00:15:06,071 THIS WINTER, IT'S A WHOLE LATKE LOVE. 295 00:15:06,138 --> 00:15:13,679 IT'S NOT JUST ROM-COM, WE ALSO HAVE FRIED FOOD FRENZY, HOME FOR 296 00:15:13,746 --> 00:15:19,018 THE HOLIDAYS, GAULTY AS CHARGED. 297 00:15:19,084 --> 00:15:20,886 >> WE THE INJURY FIND THE DEFENDANT DELICIOUS. 298 00:15:20,953 --> 00:15:22,187 THE EIGHT NIGHTS OF HANUKKAH. 299 00:15:22,254 --> 00:15:26,659 >> THE TIME HAS COME FOR YOU TO PICK A SUITER TO MARRY! 300 00:15:26,725 --> 00:15:30,095 >> HUH HOW CAN I PICK ONE WHEN I LOVE ALL EIGHT? 301 00:15:30,162 --> 00:15:33,999 >> NO, LADY HANUKKAH, IT'S NOT POSSIBLE! 302 00:15:34,066 --> 00:15:35,167 >> SOMEHOW, IT IS! 303 00:15:35,234 --> 00:15:41,106 I MIRACULOUSLY HAVE ENOUGH LOVE FOR ALL EIGHT NIGHTS! 304 00:15:41,173 --> 00:15:42,241 >> GET IT? 305 00:15:42,308 --> 00:15:46,645 A MINORA FOR MOM, THE GHOSTS OF HANUKKAH PAST, I WISH WE 306 00:15:46,712 --> 00:15:49,648 CELEBRATED CHRISTMAS, AND CASINO DREIDEL. 307 00:15:49,715 --> 00:15:55,654 >> YOUR SPIN, MR. BOND. 308 00:15:55,721 --> 00:16:09,168 ( SUSPENSEFUL MUSIC ) >> GIMEL. 309 00:16:09,234 --> 00:16:11,804 WE EVEN HANUKKAH'D UP CHRISTMAS CLASSICS. 310 00:16:11,870 --> 00:16:16,942 IT'S A HANUKKAH LIFE, SMA LOMA LOAN, DREIDEL ALL THE WAY, AND A 311 00:16:17,009 --> 00:16:18,210 HANUKKAH CAROL. 312 00:16:18,277 --> 00:16:19,445 >> HI, I'M CAROL. 313 00:16:19,511 --> 00:16:22,514 WE HAVE AS MANY MOVIES AS WAYS TO SPELL HANUKKAH. 314 00:16:22,581 --> 00:16:25,684 SPEAKING OF WITCH THE HANUKKAH MIRACLE. 315 00:16:25,751 --> 00:16:28,354 THE HANUKKAH MIRACLE. 316 00:16:28,420 --> 00:16:37,429 THE C CHAMP CHAN CAY MIRACLE. 317 00:16:37,496 --> 00:16:42,735 AND THE HANUKKAH CAROL 2. 318 00:16:42,801 --> 00:16:44,470 >> SORRY IF I FORGET MY COAT. 319 00:16:44,536 --> 00:16:45,637 THAT AND MORE. 320 00:16:45,704 --> 00:16:48,507 THE HANUKKAH SEASON, BETWEEN THANKSGIVING AND THE NEW YEAR. 321 00:16:48,574 --> 00:16:52,778 IP NOT SURE HOW THE LUNAR CALENDAR WORKS. 322 00:16:52,845 --> 00:16:53,979 ANYWAY, HAPPY HANUKKAH. 323 00:16:54,046 --> 00:16:57,015 >> Stephen: WE'LL BE RIGHT BACK WITH SIR PETER JACKSON. 324 00:17:07,359 --> 00:17:15,300 ( CHEERS AND APPLAUSE ) ( BAND PLAYING ) 325 00:17:15,367 --> 00:17:25,210 ( BAND PLAYING BEATLES SONG HEY JUDE ) 326 00:17:25,277 --> 00:17:29,348 >> Stephen: HEY, EVERYBODY! 327 00:17:29,415 --> 00:17:34,653 WELCOME BACK! 328 00:17:34,720 --> 00:17:39,057 LADIES AND GENTLEMEN, TO YET ANOTHER BEAUTIFUL MONDAY NIGHT 329 00:17:39,124 --> 00:17:40,292 HERE AT "THE LATE SHOW." 330 00:17:40,359 --> 00:17:42,394 FOLKS, LAST WEDNESDAY WE AIRED MY INTERVIEW WITH ACADEMY AWARD 331 00:17:42,461 --> 00:17:43,662 WINNING DIRECTOR AND PERSON WHO HAS ACTUALLY LET ME SLEEP AT HIS 332 00:17:43,729 --> 00:17:48,467 HOUSE, PETER JACKSON. 333 00:17:48,534 --> 00:17:49,935 I SPOKE TO PETER FROM NEW ZEALAND ABOUT HIS LATEST 334 00:17:50,002 --> 00:17:51,870 PROJECT, THE ABSOLUTELY STUNNING BEATLES DOCUMENTARY "GET BACK," 335 00:17:51,937 --> 00:17:54,573 WHICH TAKES YOU BEHIND THE SCENES FOR THE MAKING OF 336 00:17:54,640 --> 00:17:58,877 THEIR ALBUM, "LET IT BE." 337 00:17:58,944 --> 00:18:01,880 PETER'S DOCUMENTARY DID SOMETHING I DIDN'T THINK WAS 338 00:18:01,947 --> 00:18:07,653 POSSIBLE: MAKE ME SIGN UP FOR DISNEY+. 339 00:18:07,719 --> 00:18:09,021 ( LAUGHTER ) IT ALSO CHANGED THE WAY I 340 00:18:09,087 --> 00:18:10,222 THOUGHT ABOUT THE BEATLES. 341 00:18:10,289 --> 00:18:12,090 SO, TONIGHT, I'M EXCITED TO SHARE THE REST OF OUR INTERVIEW 342 00:18:12,157 --> 00:18:16,094 BEGINNING WITH THE STORY BEHIND THEIR LEGENDARY ROOFTOP CONCERT. 343 00:18:16,161 --> 00:18:19,498 JIM? 344 00:18:19,565 --> 00:18:21,900 WE'VE CERTAINLY SEEN PARTS OF THE ROOFTOP CONCERT, YOU KNOW, 345 00:18:21,967 --> 00:18:24,002 FOR THE LAST 50 YEARS. 346 00:18:24,069 --> 00:18:27,105 THIS IS THE ENTIRETY OF IT THAT YOU HAVE TO. 347 00:18:27,172 --> 00:18:28,140 >> YEP. 348 00:18:28,207 --> 00:18:29,475 >> Stephen: EVERYBODY THOUGHT IT WAS THREE SONGS. 349 00:18:29,541 --> 00:18:33,912 THEY DID NINE SONGS, SIX SONGS, THREE OF THEM TWICE, SO IT'S 350 00:18:33,979 --> 00:18:37,749 ABOUT A 45-MINUTE CONCERT, ISN'T IT? 351 00:18:37,816 --> 00:18:42,654 >> YEP, THE ROOFTOP CONCERT WAS -- I DIDN'T USUALLY LIKE 352 00:18:42,721 --> 00:18:46,658 THAT BECAUSE ALL THE BAGGAGE OF THE BREAKUP AND IT WAS GRAINY 353 00:18:46,725 --> 00:18:51,663 AND A FEW SONGS AND IT'S FAMOUS BUT THEY DON'T LOOK LIKE THEY'RE 354 00:18:51,730 --> 00:18:52,831 HAVING MUCH FUN. 355 00:18:52,898 --> 00:18:57,469 BUT WITH THE CONTEXT OF IT ALL AND THE WHOLE THING AND THE 356 00:18:57,536 --> 00:18:59,771 RESTORATION, IT'S MY FAVORITE BEATLES PERFORMANCE IN THE 357 00:18:59,838 --> 00:19:00,973 WORLD. 358 00:19:01,039 --> 00:19:02,875 BECAUSE EMOTIONALLY YOU KNOW WHAT THEY'RE TRYING TO ACHIEVE. 359 00:19:02,941 --> 00:19:05,644 AND THEY THEMSELVES DON'T KNOW IF THEY CAN. 360 00:19:05,711 --> 00:19:07,246 THEY'RE NERVOUS ABOUT GOING UP THERE. 361 00:19:07,312 --> 00:19:10,983 THEY DON'T EVEN KNOW IF THEY'RE GOING TO DO IT TEN MINUTES 362 00:19:11,049 --> 00:19:12,951 BEFORE THEY WALK OUT ON THE ROOF. 363 00:19:13,018 --> 00:19:18,490 THEY COME UP, OKAY, OKAY, WE'RE GOING TO DO THIS, AND BY HALFWAY 364 00:19:18,557 --> 00:19:24,730 THROUGH, T -- THEY'RE FOUR TEENAGERS FROM LIVERPOOL GETTING 365 00:19:24,796 --> 00:19:26,965 TO DO ROCK AND ROLL AGAIN. 366 00:19:27,032 --> 00:19:29,902 >> Stephen: CAN YOU TELL ME THE STORY OF WHERE THE FOOTAGE 367 00:19:29,968 --> 00:19:32,971 HAS BEEN FOR 50 YEARS? 368 00:19:33,038 --> 00:19:39,044 >> PEOPLE ASSUME WHEN THEY HEAR THERE'S 60 HOURS OF FILM 369 00:19:39,111 --> 00:19:43,081 UNDISCOVERED, THEY ASSUME IT'S BEEN LOST AND SOMEBODY FOUND IT. 370 00:19:43,148 --> 00:19:43,682 THAT'S NOT TRUE. 371 00:19:43,749 --> 00:19:46,251 THE BEATLES SUPPRESSED IT. 372 00:19:46,318 --> 00:19:48,120 THEY NEVER INTENDED ANYONE TO SEE UT. 373 00:19:48,186 --> 00:19:50,355 THEY DON'T WANT ANYONE TO SEE IT. 374 00:19:50,422 --> 00:19:51,790 >> Stephen: WHAT CHANGED IT? 375 00:19:51,857 --> 00:19:53,158 WELL, I THINK 50 YEARS. 376 00:19:53,225 --> 00:19:56,094 I HAVEN'T HAD THIS CONVERSATION WITH THEM, BUT I GET THE STRONG 377 00:19:56,161 --> 00:20:02,701 FEELING THAT THEY NOW FEEL THAT IT'S TIME FOR HISTORY TO TAKE 378 00:20:02,768 --> 00:20:04,102 DOMINANCE OVER THE THEIR PERSONAL FEELINGS. 379 00:20:04,169 --> 00:20:08,006 YOU KNOW, THEY UNDERSTAND, TOTALLY UNDERSTAND THE HISTORIC 380 00:20:08,073 --> 00:20:13,712 IMPORTANCE OF THIS FOOTAGE, THE AMAZING HISTORIC TREASURY TROVE 381 00:20:13,779 --> 00:20:16,081 AND FEEL THAT AFTER 50 YEARS IT SHOULD COME OUT. 382 00:20:16,148 --> 00:20:18,817 >> Stephen: WHAT WAS THEIR REACTION TO YOU WHEN THEY SAW 383 00:20:18,884 --> 00:20:19,985 IT? 384 00:20:20,052 --> 00:20:22,888 I KNOW THEY DIDN'T GIVE YOU NOTES, BUT WAS THERE ANYTHING 385 00:20:22,955 --> 00:20:24,489 THEY PARTICULARLY LEARNED THAT SHOCKED THEM? 386 00:20:24,556 --> 00:20:27,225 >> WELL, YOU KNOW, THERE'S A MOMENT WHERE PAUL McCARTNEY 387 00:20:27,292 --> 00:20:30,662 LEAVES THE ROOM -- I MEAN, IT'S LUNCHTIME, RINGO AND PAUL LEAVE 388 00:20:30,729 --> 00:20:34,566 THE ROOM, AND JOHN AND GEORGE ARE LEFT THERE, AND GEORGE VERY 389 00:20:34,633 --> 00:20:39,237 NERVOUSLY SAYS TO JOHN, JOHN, I'VE GOT ALL THESE SONGS HERE, 390 00:20:39,304 --> 00:20:45,243 I'VE WRITTEN, I HAVE 20 SONGS I'VE WRITTEN. 391 00:20:45,310 --> 00:20:49,381 NORMAL QUOTA IS TWO SONGS PER ALBUM THAT THE BEATLES LET 392 00:20:49,448 --> 00:20:53,318 GEORGE DO, HE SAID, IT WILL TAKE ME TEN YEARS TO GET THESE SONGS 393 00:20:53,385 --> 00:20:54,519 OUT. 394 00:20:54,586 --> 00:20:58,590 SO I'M THINKING, I MIGHT JUST LIKE TO DO AN ALBUM OF MY OWN, 395 00:20:58,657 --> 00:21:01,560 JUST GET MY SONGS OUT OF THE WAY. 396 00:21:01,627 --> 00:21:03,729 JOHN SAID, ALL BY YOURSELF? 397 00:21:03,795 --> 00:21:09,101 YEAH, IT WOULD BE A GREAT TO DO AN ALBUM WITH ALL MY SONGS AND 398 00:21:09,167 --> 00:21:09,868 HEAR IT. 399 00:21:09,935 --> 00:21:12,537 JOHN SAID, THAW, THAT'S FANTASTIC. 400 00:21:12,604 --> 00:21:17,409 JOHN SAID, WE'LL STILL DO THE BEATLE THING AND JOHN SAID, 401 00:21:17,476 --> 00:21:22,347 YEAH, GEORGE CAN DO AN ALBUM AND JOHN CAN DO AN ALBUM. 402 00:21:22,414 --> 00:21:26,885 THAT'S HOW THE BEATLES WORK, DO THE SOLO WORK AND COME TOGETHER 403 00:21:26,952 --> 00:21:32,157 EVERY NOW AND THEN AND STILL BE THE BEATLES. 404 00:21:32,224 --> 00:21:34,693 PAUL DIDN'T KNOW ABOUT THAT CONVERSATION. 405 00:21:34,760 --> 00:21:38,664 I SAID WHAT DO YOU THINK OF THE CONVERSATION YOU SAW THE FIRST 406 00:21:38,730 --> 00:21:39,831 TIME. 407 00:21:39,898 --> 00:21:42,668 THAT SORT OF PAINTS A PICTURE OF HOW THE BEATLES COULD HAVE 408 00:21:42,734 --> 00:21:43,835 CARRIED ON THE FUTURE. 409 00:21:43,902 --> 00:21:47,005 HE SAID, OH, I WISH I KNEW THEY SAID THAT AT THE TIME. 410 00:21:47,072 --> 00:21:49,941 >> Stephen: WE HAVE TO TAKE A QUICK BREAK, PETER. 411 00:21:50,008 --> 00:21:52,477 DON'T GO ANYWHERE, EVERYBODY. 412 00:21:52,544 --> 00:21:54,346 WE'LL BE BACK WITH THE DIRECTOR OF "THE BEATLES: GET BACK," 413 00:21:54,413 --> 00:21:55,213 PETER JACKSON. 414 00:21:55,280 --> 00:21:59,051 ( CHEERS AND APPLAUSE ) ( BAND PLAYING ) 415 00:22:13,198 --> 00:22:23,175 ( CHEERS AND APPLAUSE ) ( BAND PLAYING ) 416 00:22:23,241 --> 00:22:28,413 ( CHEERS AND APPLAUSE ) ( BAND PLAYING ) 417 00:22:28,480 --> 00:22:29,648 >> Stephen: HEY, EVERYBODY. 418 00:22:29,715 --> 00:22:32,584 WE'RE BACK WITH THE DIRECTOR OF THE BEATLES "GET BACK," PETER 419 00:22:32,651 --> 00:22:33,685 JACKSON. 420 00:22:33,752 --> 00:22:35,821 I LOVE THE BEATLES. 421 00:22:35,887 --> 00:22:37,255 I LOVE THE -- I'M A FAN OF PROCESS. 422 00:22:37,322 --> 00:22:41,460 I'M A FAN OF SEEING, YOU KNOW, GREAT ARTISTS IN THE MESSY ACT 423 00:22:41,526 --> 00:22:44,262 OF CREATION, SWIMMING IN ALL THEIR OWN DOUBTS. 424 00:22:44,329 --> 00:22:49,167 IT PULLS THEM OFF THE PEDESTAL A BIT AND MAKES THEM EVEN MORE 425 00:22:49,234 --> 00:22:50,268 BEAUTIFUL IN WAYS. 426 00:22:50,335 --> 00:22:53,739 THIS IS ALL -- THE PROCESS OF CREATING THESE SONGS IS 427 00:22:53,805 --> 00:22:55,006 FANTASTIC. 428 00:22:55,073 --> 00:22:58,777 AS MY WIFE EVIE SAID, OH, MY GOD THERE ARE SO MANY HOURS OF THEM 429 00:22:58,844 --> 00:23:00,112 JUST PLAYING WITH EACH OTHER. 430 00:23:00,178 --> 00:23:03,181 I MEAN, PLAYING LIKE -- LIKE PLAYING A GAME. 431 00:23:03,248 --> 00:23:06,818 LIKE NOT PLAYING THEIR OWN SONGS, BUT PLAYING OTHER 432 00:23:06,885 --> 00:23:09,154 PEOPLE'S SONGS AND IN A VARIETY OF DIFFERENT STYLES, WHILE 433 00:23:09,221 --> 00:23:13,525 THEY'RE WAITING FOR TAPES TO ROLL OR MICS TO BE SET UP, AND 434 00:23:13,592 --> 00:23:17,129 THEN SUDDENLY THEY WILL START WORKING, AND YOU WILL SEE THEM 435 00:23:17,195 --> 00:23:18,363 DISCOVERING THEIR SONG. 436 00:23:18,430 --> 00:23:21,533 AND WE HAVE A MOMENT HERE WHERE GEORGE IS TRYING TO FIGURE OUT 437 00:23:21,600 --> 00:23:23,435 THE LYRICS TO SOMETHING. 438 00:23:23,502 --> 00:23:27,906 IT'S JUST A NASCENT SONG AT THIS POINT. 439 00:23:27,973 --> 00:23:28,640 JIM? 440 00:23:28,707 --> 00:23:30,942 ♪♪ >> WHAT COULD IT BE, PAUL? 441 00:23:31,009 --> 00:23:33,478 SOMETHING IN THE WAY SHE MOVES. 442 00:23:33,545 --> 00:23:35,046 >> WHAT ATTRACTED ME, THAT'S ALL. 443 00:23:35,113 --> 00:23:39,718 >> JUST SAY WHATEVER COMES IN YOUR HEAD AT THE TIME. 444 00:23:39,785 --> 00:23:42,954 >> I HAVE BEEN THROUGH THIS ONE, LIKE, FOR ABOUT SIX MONTHS. 445 00:23:43,021 --> 00:23:50,428 ATTRACTS ME LIKE A -- PROM POMEGRANATE. 446 00:23:50,495 --> 00:23:54,132 THINK OF THAT, ATTRACTS ME LIKE A POMEGRANATE. 447 00:23:54,199 --> 00:23:57,536 ( LAUGHTER ) ♪ SOMETHING IN THE WAY SHE 448 00:23:57,602 --> 00:23:59,738 MOVES. 449 00:23:59,805 --> 00:24:05,343 ♪ ATTRACTS ME LIKE A POMEGRANATE ♪ 450 00:24:05,410 --> 00:24:10,849 ♪ SOMETHING IN THE WAY SHE MOVES ME ♪ 451 00:24:10,916 --> 00:24:13,518 >> I TELL YOU WHAT, STEPHEN, WHAT SURPRISED ME ABOUT ALL THIS 452 00:24:13,585 --> 00:24:17,689 IS IT'S SUCH AN INTERACTIVE EXPERIENCE. 453 00:24:17,756 --> 00:24:24,129 WHEN I'M WATCHING IT THE FIRST TIME, I'M SCREAMING OUT "NO 454 00:24:24,196 --> 00:24:27,566 OTHER LOVER!" YOU'RE TRYING TO GET BEHIND THEM 455 00:24:27,632 --> 00:24:29,434 TO GET THE WORDS. 456 00:24:29,501 --> 00:24:31,336 IT'S WE THE DIRECTOR. 457 00:24:31,403 --> 00:24:32,537 YOU KNOW. 458 00:24:32,604 --> 00:24:34,039 ( LAUGHTER ) >> Stephen: WHEN THEY'RE 459 00:24:34,105 --> 00:24:36,675 TRYING TO FIGURE OUT WHAT SWEET LORETTE AT THAT'S LAST NAME 460 00:24:36,741 --> 00:24:37,809 SHOULD BE. 461 00:24:37,876 --> 00:24:46,384 A SWEET LORETTA MARSH, MARY -- I'M GOING IT'S MARDEN, YOU 462 00:24:46,451 --> 00:24:47,619 IDIOT! 463 00:24:47,686 --> 00:24:51,223 >> THEY GIVE JO JO A SURNAME FOR A WHILE, AND FOR A WHILE JO JO 464 00:24:51,289 --> 00:24:51,823 JACKSON. 465 00:24:51,890 --> 00:24:53,992 I THINK, HEY, THAT'S GOOD! 466 00:24:54,059 --> 00:24:59,998 AND A TERRIBLE MOMENT WHERE PAUL AND JOHN SAY JO JO JACKSON, 467 00:25:00,065 --> 00:25:00,866 THAT'S PAID. 468 00:25:00,932 --> 00:25:02,767 AND I'M, LIKE, COME ON, GUYS. 469 00:25:02,834 --> 00:25:06,137 >> Stephen: I LIKE WHEN JOHN QUESTIONS WHETHER TUCSON'S IN 470 00:25:06,204 --> 00:25:07,272 ARIZONA. 471 00:25:07,339 --> 00:25:11,643 >> AND PAUL SAYS, YEAH, IT'S WHERE THE HIGH CHAPPARAL IS 472 00:25:11,710 --> 00:25:12,811 SHOT. 473 00:25:12,878 --> 00:25:15,814 TUCSON WAS THERE BECAUSE THE HIGH CHAPPARAL TEAM WAS THERE. 474 00:25:15,881 --> 00:25:17,515 PAUL SAID, WHAT'S THAT? 475 00:25:17,582 --> 00:25:22,854 HE SAID, HIGH CHAPPARAL IS WHO WE THANK FOR TUCSON, ARIZONA. 476 00:25:22,921 --> 00:25:23,989 WHO WOULD HAVE THOUGHT. 477 00:25:24,055 --> 00:25:29,394 >> Stephen: I ALSO THINK IT WILL CHANGE PEOPLE'S VIEW OF 478 00:25:29,461 --> 00:25:37,369 YOKO OHNO'S ROLE IN THE BEATLES LAST YEARS TOGETHER. 479 00:25:37,435 --> 00:25:41,239 IT MAY HAVE CAUSED FRICTION IN THEIR PROCESS, HARD TO TELL. 480 00:25:41,306 --> 00:25:43,074 CERTAINLY DOESN'T HAPPEN ON CAMERA. 481 00:25:43,141 --> 00:25:46,177 >> YOU'RE DEALING WITH GUYS WHO ARE GETTING OLDER, THEIR 482 00:25:46,244 --> 00:25:47,379 LIFESTYLE CHANGES. 483 00:25:47,445 --> 00:25:52,484 WHEN THEY WERE THE MOPTOPS ON THE ED SULLIVAN SHOW, WOULD IT 484 00:25:52,550 --> 00:25:57,422 HAVE BEEN APPROPRIATE FOR ONE OF THEIR GIRLFRIENDS TO HANG 485 00:25:57,489 --> 00:25:58,390 AROUND? 486 00:25:58,456 --> 00:26:00,892 I DON'T THINK ANY ONE OF THEM WOULD LIKE THAT. 487 00:26:00,959 --> 00:26:07,465 BUT HERE JOHN AND YOKO ARE IN LOVE AND HE DOESN'T WANT TO BE 488 00:26:07,532 --> 00:26:09,534 APART FROM HER. 489 00:26:09,601 --> 00:26:12,470 WHY'RE IN LOVE, WHY DOESN'T SHE COME ALONG. 490 00:26:12,537 --> 00:26:16,107 SHE SITS BY SIDE HIM BECAUSE THEY'RE IN LOVE. 491 00:26:16,174 --> 00:26:17,309 SHE DOESN'T INTERFERE. 492 00:26:17,375 --> 00:26:21,513 YOU DON'T GET YOKO SUGGESTING TO PAUL HOW THE SOLO SHOULD BE 493 00:26:21,579 --> 00:26:22,614 PLAYED. 494 00:26:22,681 --> 00:26:27,319 YOU KNOW, SHE IS NOT TRYING TO INTERFERE, SHE'S TOTALLY 495 00:26:27,385 --> 00:26:29,587 RESPECTFUL OF WHAT THEY'RE DOING. 496 00:26:29,654 --> 00:26:32,624 SHE'S KNITTING, READING BOOKS, THEY'RE THERE BECAUSE THEY LOVE 497 00:26:32,691 --> 00:26:37,529 EACH OTHER AND T THE BEATLES ARE GETTING ON WITH IT. 498 00:26:37,595 --> 00:26:41,533 THEY'RE NOT THE KIDS, THE LIFESTYLE IS CHANGING, BUT 499 00:26:41,599 --> 00:26:45,470 THEY'RE STILL THE BEATLES AND YOKO AND JOHN ARE ALLOWED, IT 500 00:26:45,537 --> 00:26:47,839 DOESN'T MATTER AT ALL, I MEAN, YEAH. 501 00:26:47,906 --> 00:26:50,909 >> Stephen: YOU SAY THEY'RE NOT KIDS ANYMORE, BUT ONE OF THE 502 00:26:50,976 --> 00:26:53,511 THINGS YOU'RE REMINDED BECAUSE THIS GETS MENTIONED A COUPLE OF 503 00:26:53,578 --> 00:26:56,081 TIMES BY THE BEATLES IN THE DOCUMENTARY. 504 00:26:56,147 --> 00:26:58,216 THEY'RE BETWEEN 26 AND 28 YEARS OLD. 505 00:26:58,283 --> 00:26:59,617 GEORGE IS 26. 506 00:26:59,684 --> 00:27:01,920 >> GEORGE IS 25, I BELIEVE. 507 00:27:01,987 --> 00:27:07,492 GEORGE IS 25, PAUL IS 26 AND RINGO AND JOHN ARE 28, I 508 00:27:07,559 --> 00:27:08,093 BELIEVE. 509 00:27:08,159 --> 00:27:09,227 27 OR 28, I BELIEVE, YEAH. 510 00:27:09,294 --> 00:27:12,497 >> Stephen: I MEAN, TO ME, THAT SEEMS LIKE THEY'RE STILL 511 00:27:12,564 --> 00:27:18,503 KIDS, BUT THEY'RE IN THE LAST YEAR OF THE MOST POP MAKING 512 00:27:18,570 --> 00:27:19,738 BAND. 513 00:27:19,804 --> 00:27:22,507 >> YOU HAVE 25-YEAR-OLD GEORGE HARRISON TOWARDS THE END OF THE 514 00:27:22,574 --> 00:27:26,411 BEATLES CAREER, THEY'RE EIGHT MONTHS FROM BREAKING UP AND HE'S 515 00:27:26,478 --> 00:27:27,445 25 YEARS OLD. 516 00:27:27,512 --> 00:27:28,680 IT'S AMAZING. 517 00:27:28,747 --> 00:27:32,550 EVERYTHING GEORGE ACHIEVED AS A BEATLE HE'S DONE IT UP TO AGE 518 00:27:32,617 --> 00:27:33,518 25. 519 00:27:33,585 --> 00:27:34,652 WHAT AN AMAZING LIFE. 520 00:27:34,719 --> 00:27:37,522 IT'S AMAZING TO THINK BECAUSE THEY'RE YOUNG. 521 00:27:37,589 --> 00:27:38,923 THEY'RE ALMOST KIDS. 522 00:27:38,990 --> 00:27:40,992 THEY JUST -- YEAH. 523 00:27:41,059 --> 00:27:42,694 THAT'S INCREDIBLE, THEIR AGE IS INCREDIBLE. 524 00:27:42,761 --> 00:27:43,928 >> Stephen: WE HAVE TO TAKE ANOTHER BREAK. 525 00:27:43,995 --> 00:27:48,133 BUT STICK AROUND BECAUSE WE'LL BE BACK WITH MORE PETER JACKSON. 526 00:27:48,199 --> 00:27:50,001 ( CHEERS AND APPLAUSE ) ( BAND PLAYING ) 527 00:28:25,904 --> 00:28:34,679 ( CHEERS AND APPLAUSE ) ( BAND PLAYING ) 528 00:28:34,746 --> 00:28:35,914 >> Stephen: HEY, EVERYBODY. 529 00:28:35,980 --> 00:28:42,687 WE'RE BACK WITH THE DIRECTOR OF MY NEW FAVORITE TRILOGY, "THE 530 00:28:42,754 --> 00:28:44,823 BEATLES: GET BACK," PETER JACKSON. 531 00:28:44,889 --> 00:28:49,327 I WANT TO GIVE A SHOUT OUT QUICKLY TO YOUR EDITOR JABEZ 532 00:28:49,394 --> 00:28:52,030 OLSON BECAUSE WHEN I WAS THERE TWO YEARS AGO, WHEN I WAS LUCKY 533 00:28:52,097 --> 00:28:55,767 ENOUGH TO COME TO YOUR PLAYS IN NEW ZEALAND, YOU SAID, OH, DO 534 00:28:55,834 --> 00:28:57,502 YOU WANT TO WATCH THIS FOOTAGE? 535 00:28:57,569 --> 00:29:01,439 WE WENT DOWN TO THE BASEMENT OF YOUR EDITING THEATER, YOUR 536 00:29:01,506 --> 00:29:05,677 EDITING STUDIO, AND YOU AND ME AND JABEZ SAT THERE FOR HOURS 537 00:29:05,743 --> 00:29:10,882 FOR TWO DAYS WHERE YOU SHOWED ME STUFF. 538 00:29:10,949 --> 00:29:14,619 I SAID, HOW CAN YOU TAKE ALL 57 HOURS WHICH I WOULD LOVE TO 539 00:29:14,686 --> 00:29:17,922 WATCH ALL OF, JUST CLEAN UP THE SOUND AND I WOULD HAPPILY STAY 540 00:29:17,989 --> 00:29:21,726 HERE A WEEK AND WATCH ALL OF IT, HOW DO YOU GET THAT INTO AN 541 00:29:21,793 --> 00:29:22,927 ACTUAL MOVIE? 542 00:29:22,994 --> 00:29:24,729 AND ONE OF THE THINGS THAT I JUST WANT TO SAY BECAUSE I'M ONE 543 00:29:24,796 --> 00:29:30,401 OF THE FEW PEOPLE WHO WILL KNOW THIS, THAT FEELING OF WATCHING 544 00:29:30,468 --> 00:29:34,539 IT IN ITS RAW STATE WAS SUCH A PRIVILEGE TO SEE, AND I FEEL 545 00:29:34,606 --> 00:29:38,309 THAT SAME PRIVILEGE IN THE EDIT FOR THAT YOU'VE CREATED HERE 546 00:29:38,376 --> 00:29:41,179 BECAUSE YOU REALLY DO FEEL YOU'RE JUST ANOTHER PERSON IN 547 00:29:41,246 --> 00:29:44,115 THAT STUDIO, BUT YOU'RE ALSO WATCHING A STORY AT THE SAME 548 00:29:44,182 --> 00:29:47,852 TIME, AND MY QUESTION TO YOU IS HOW DID YOU FIND THAT STORY? 549 00:29:47,919 --> 00:29:51,489 BECAUSE IT SEEMS LIKE IT MIGHT HAVE BEEN LIKE ARCHEOLOGY. 550 00:29:51,556 --> 00:29:55,960 YOU DIDN'T KNOW IT WAS ON THE FOOTAGE, IT DIDN'T EVEN HAVE 551 00:29:56,027 --> 00:29:56,728 PROPSH TIME CODES. 552 00:29:56,794 --> 00:29:58,363 THERE'S NO STORY BOARD OR SCRIPT. 553 00:29:58,429 --> 00:30:00,999 WHAT WAS THAT PROCESS LIKE OF FINDING THE STORY? 554 00:30:01,065 --> 00:30:04,969 >> WELL, WHAT ONE OPTION WAS THAT WE THOUGHT ABOUT AND 555 00:30:05,036 --> 00:30:10,375 QUICKLY DISCARDED WAS, OKAY, THIS UNSEEN FOOTAGE HAS COME, 556 00:30:10,441 --> 00:30:11,442 YEAH, FROM 50 YEARS AGO. 557 00:30:11,509 --> 00:30:17,282 TO TELL THE STORY, WE'LL INTERVIEW RINGO TODAY, PAUL 558 00:30:17,348 --> 00:30:20,652 TODAY, JOHN TODAY, THEY CAN TELL THE STORY AND WE'LL CUT THE 559 00:30:20,718 --> 00:30:21,352 CLIPS TO FOOTAGE. 560 00:30:21,419 --> 00:30:24,355 THAT'S THE LAZY WAY OF DOING IT. 561 00:30:24,422 --> 00:30:27,892 YOU GET TODAY AND 50 YEARS AGO AND YOU SORT OF FILL THE GAP. 562 00:30:27,959 --> 00:30:30,361 OFFI ALWAYS FANTASIZE ABOUT GETTING IN A TIME MACHINE AND 563 00:30:30,428 --> 00:30:33,198 SITTING IN THE STUDIO WITH THE BEATLES, THIS IS WHAT WE'VE GOT 564 00:30:33,264 --> 00:30:36,734 TO DO, AND THE BEATLES HAVE GOT TO TELL US THE STORY. 565 00:30:36,801 --> 00:30:39,871 BECAUSE WHEN YOU THINK ABOUT IT, THEY'RE THE -- THE FOUR GUYS ARE 566 00:30:39,938 --> 00:30:43,541 THERE, THEY'VE GOT A PLAN, THEY START TO WORK, THE PLAN GOES 567 00:30:43,608 --> 00:30:48,213 WRONG, THEY'RE TALKING ABOUT THE FACT IT'S GOING WRONG, THEIR 568 00:30:48,279 --> 00:30:50,682 CONVERSATIONS TELL YOU THE STORY, WHICH MAKES IT WAY MORE 569 00:30:50,748 --> 00:30:56,688 INTERESTING AND DRAMATIC BECAUSE THEY'RE HAVING THINGS GOING ON, 570 00:30:56,754 --> 00:31:00,792 THEY HAVE TO COME UP WITH PLANS, AND THEIR DISCUSSIONS OF HOW 571 00:31:00,858 --> 00:31:05,129 THEY DO THAT IS NOT SCRIPTED OR AN INTERVIEW OF TODAY OF SOMEONE 572 00:31:05,196 --> 00:31:06,331 WHO REMEMBERS IT. 573 00:31:06,397 --> 00:31:10,635 YOU SEE IT IN REALTIME THESE FOUR GUYS TRYING TO WORK IT OUT, 574 00:31:10,702 --> 00:31:11,936 AND THE CONVERSATIONS TELL YOU THE STORY. 575 00:31:12,003 --> 00:31:14,272 WE DIDN'T KNOW WHAT THE CONVERSATIONS WERE BECAUSE AS 576 00:31:14,339 --> 00:31:17,308 YOU SAID, THERE WAS NO SCRIPT, SO WE HAD TO WATCH THE STUFF 577 00:31:17,375 --> 00:31:21,012 OVER AND OVER AGAIN AND EAVESDROP ON THE 50-YEAR-OLD 578 00:31:21,079 --> 00:31:23,648 DISCUSSIONS, AND SOMETIMES THERE'S NO FILM, AND YOU'RE 579 00:31:23,715 --> 00:31:27,085 LITERALLY EAVESDROPPING ON WHAT THIS CONVERSATION WAS. 580 00:31:27,151 --> 00:31:30,688 >> Stephen: BECAUSE THE DIRECTOR -- THE DIRECTOR AT THE 581 00:31:30,755 --> 00:31:32,890 TIME WILL IT E LITERALLY HID MICROPHONES. 582 00:31:32,957 --> 00:31:35,893 >> I TELL YOU THE OTHER FUNNY THING THAT MAKES ME LAUGH, 583 00:31:35,960 --> 00:31:39,030 STEPHEN, IS THAT THE BEATLES DECIDE THEY'RE GOING TO ASK 584 00:31:39,097 --> 00:31:44,302 MICHAEL HOLT TO COME IN, FOR THE FIRST TIME OF THEIR CAREER THEY 585 00:31:44,369 --> 00:31:50,241 DECIDE THEY WILL LET THE INTIMATE FLY ON THE WALL PROCESS 586 00:31:50,308 --> 00:31:51,309 BE SHOT. 587 00:31:51,376 --> 00:31:53,711 THEY IMMEDIATELY START TO THIN█K IS THIS A GOOD IDEA? 588 00:31:53,778 --> 00:31:55,446 THIS IS FREAKING US OUT. 589 00:31:55,513 --> 00:31:59,083 AT THAT POINT, IT BECOMES A BATTLE OF THE WILLS. 590 00:31:59,150 --> 00:32:03,888 MICHAEL STARTS TO REALIZE -- MICHAEL NEEDS HUGE CREDIT FOR 591 00:32:03,955 --> 00:32:07,492 THIS -- MICHAEL WAS DETERMINED TO RECORD EVERY INTIMATE 592 00:32:07,558 --> 00:32:09,894 CONVERSATION HE CAN AND HE'S HIDING MICROPHONES. 593 00:32:09,961 --> 00:32:13,264 HALF THE TIME, THEY DON'T KNOW THEY'RE FILMED BECAUSE MICHAEL 594 00:32:13,331 --> 00:32:19,170 USED TO SET THE CAMERAS UP ON TRIPODS, TEN MINUTE ROLES AND 595 00:32:19,237 --> 00:32:22,240 THE CAMERAMEN WERE THERE, THEN THEY PUT TAPE OVER THE RED 596 00:32:22,307 --> 00:32:27,512 LIGHTS BECAUSE WHEN THE CAMERA GOES ON, THE RED LIGHT, AND TAPE 597 00:32:27,578 --> 00:32:32,550 OVER THE RED LIGHT SO THE BEATLES WOULDN'T SEE IT. 598 00:32:32,617 --> 00:32:36,821 THE CAMERAMAN WOULD HIT THE BUTTON AND HEAD OFF TO TEA. 599 00:32:36,888 --> 00:32:39,357 THE CAMERA IS THERE AND NOT ROLLING, SO, OKAY. 600 00:32:39,424 --> 00:32:45,430 THEY DID ALL SORTS OF TRICKS TO TRICK THE BEATLES INTO THINKING 601 00:32:45,496 --> 00:32:47,165 THEY WEREN'T BEING FILMING. 602 00:32:47,231 --> 00:32:48,566 SO THE BEATLES START TO COUNTER. 603 00:32:48,633 --> 00:32:51,536 THEY REALIZE THERE ARE MICROPHONES. 604 00:32:51,602 --> 00:32:56,607 IF THEY WANT TO HAVE A CONVERSATION, THEY CRANK UP THE 605 00:32:56,674 --> 00:32:59,977 AMP, STRUM GUITARS AND GO EVERYTHING -- I MEAN, YOU HAVE A 606 00:33:00,044 --> 00:33:01,646 BATTLE OF THE WILLS. 607 00:33:01,713 --> 00:33:05,750 THE BEATLES DON'T THINK TO SAY TO MICHAEL, COULD YOU STOP 608 00:33:05,817 --> 00:33:06,384 RECORDING. 609 00:33:06,451 --> 00:33:07,985 THEY DON'T THINK ABOUT THAT. 610 00:33:08,052 --> 00:33:10,254 ( LAUGHTER ) THIS BATTLE OF THE WILLS ERUPTS 611 00:33:10,321 --> 00:33:13,391 AND THEY ACTUALLY SUCCEEDED THE BETLES BECAUSE THEY'RE HAVING 612 00:33:13,458 --> 00:33:15,560 CONVERSATIONS AND THEIR GUITARS ARE DROWNING IT OUT. 613 00:33:15,626 --> 00:33:20,565 SO WHAT WE'VE DONE IN NEW ZEALAND 50 YEARS LATER, WE 614 00:33:20,631 --> 00:33:24,168 DEVELOPED TECHNOLOGY WITH COMPUTERS AND A.I. THAT HE 615 00:33:24,235 --> 00:33:27,171 TAUGHT A COMPUTER WHAT A GUITAR SOUNDS LIKE. 616 00:33:27,238 --> 00:33:29,907 AND YOU SAID, HELP US GET RID OF THE GUITAR, PLEASE. 617 00:33:29,974 --> 00:33:33,277 WE DON'T WANT TO HEAR THE GUITAR, WE WANT TO HEAR THE 618 00:33:33,344 --> 00:33:34,679 DISCUSSIONS. 619 00:33:34,746 --> 00:33:36,881 IT'S CRAZY, BUT IT WORKS. 620 00:33:36,948 --> 00:33:40,084 WE STRIPPED AWAY ALL THAT THE BEATLES HAD DONE AND AFTER 50 621 00:33:40,151 --> 00:33:41,319 YEARS, THEY'RE TRICKS. 622 00:33:41,386 --> 00:33:42,587 NO, BOYS, WE HEAR IT ALL. 623 00:33:42,653 --> 00:33:44,155 WE HEAR IT ALL. 624 00:33:44,222 --> 00:33:49,026 SO WE'RE LISTENING TO STUFF THAT NO ONE'S ACTUALLY HEARD BECAUSE 625 00:33:49,093 --> 00:33:50,595 IT DID GET SWAMPED OUT. 626 00:33:50,661 --> 00:33:54,465 BUT THAT'S SO GOOD FOR US BECAUSE IT'S STILL THE STORY 627 00:33:54,532 --> 00:33:55,700 THERE. 628 00:33:55,767 --> 00:33:57,535 THE CONVERSATIONS STILL TELL THE STORY, SO WE'VE GOT ACCESS TO 629 00:33:57,602 --> 00:34:02,540 ALL THIS DISCUSSION THAT IS SO RAW AND POTENT AND HONEST AND 630 00:34:02,607 --> 00:34:07,178 REAL AND JUST THEY AT THE TIME DDN'T WANT ANYONE TO HEAR, SO, 631 00:34:07,245 --> 00:34:10,415 YEAH, IT'S BEEN FUN. 632 00:34:10,481 --> 00:34:12,617 >> Stephen: PETER, THANK YOU FOR BEING HERE AND MAKING THE 633 00:34:12,683 --> 00:34:15,887 THREE PART DOCUMENTARY MOVIE ABOUT THE "GET BACK" SESSIONS. 634 00:34:15,953 --> 00:34:22,693 IT IS A BEAUTIFUL LOVE STORY, IT IS EXHILARATING, IT'S 635 00:34:22,760 --> 00:34:26,697 ILLUMINATING, HEARTBREAKING MANY TIMES, AND IT REALLY DOES FEEL 636 00:34:26,764 --> 00:34:30,368 LIKE A PRIVILEGE TO BE LET INTO THIS WORLD. 637 00:34:30,435 --> 00:34:31,502 >> I AGREE. 638 00:34:31,569 --> 00:34:34,105 >> Stephen: AND I'M SO GLAD YOU WERE THE ARCHEOLOGIST TO 639 00:34:34,172 --> 00:34:39,811 TAKE US THROUGH IT BECAUSE IT'S A REALLY BEAUTIFUL STORY. 640 00:34:39,877 --> 00:34:40,878 THANKS AGAIN TO PETER JACKSON. 641 00:34:40,945 --> 00:34:44,182 "THE BEATLES: GET BACK" IS AVAILABLE NOW ON DISNEY+. 642 00:34:44,248 --> 00:34:48,453 WE'LL BE RIGHT BACK WITH A PERFORMANCE BY CHELSEA CUTLER. 643 00:35:12,076 --> 00:35:14,278 >> STEPHEN: PERFORMING, "DEVIL ON MY SHOULDER" FROM HER 644 00:35:14,345 --> 00:35:18,282 ALBUM, "WHEN I CLOSE MY EYES," CHELSEA CUTLER. 645 00:35:18,349 --> 00:35:19,684 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 646 00:35:19,750 --> 00:35:22,887 ♪ ♪ ♪ ♪ SMOKE DETECTOR ON THE CEILIN' 647 00:35:22,954 --> 00:35:26,858 I ALREADY KNOW THE FEELIN' ♪ DEVIL ON MY SHOULDER'S REAL 648 00:35:26,924 --> 00:35:34,866 WE'VE BEEN HERE BEFORE ♪ CONSTELLATIONS IN THE CARPET 649 00:35:34,932 --> 00:35:38,903 AND IT'S NOT EVEN GETTIN' ♪ DARK YET 650 00:35:38,970 --> 00:35:46,878 THERE'S ALWAYS THUNDER IN AUGUST ♪ BEFORE THE STORM 651 00:35:46,944 --> 00:35:50,848 NOW MY FRIENDS DON'T CALL ME ♪ ANYMORE 'CAUSE THEY KNOW THAT 652 00:35:50,915 --> 00:35:54,886 I WON'T MAKE IT OUT THE DOOR ♪ TO COME OVER 653 00:35:54,952 --> 00:36:02,860 USED TO THE WEIGHT OF THE WORLD ♪ ON MY SHOULDERS, AH 654 00:36:02,927 --> 00:36:05,530 HELP ME ♪ I'M STILL WAITIN' FOR 655 00:36:05,596 --> 00:36:10,301 SOMEONE TO TELL ME ♪ THIS WON'T LAST FOREVER 656 00:36:10,368 --> 00:36:14,338 BUT IT'S HELL FOR ME ♪ JUST TO REMIND MYSELF 657 00:36:14,405 --> 00:36:17,508 I'M SUPPOSED TO BREATHE ♪ THERE AIN'T NOBODY ELSE 658 00:36:17,575 --> 00:36:21,846 THAT CAN HELP ME ♪ SCREAMIN' IN THE SHOWER 659 00:36:21,913 --> 00:36:23,514 ISN'T HEALTHY ♪ HOLDIN' IT TOGETHER 660 00:36:23,581 --> 00:36:29,520 BUT IT'S HELL FOR ME ♪ I'M NOT THE PERSON THAT 661 00:36:29,587 --> 00:36:34,859 I'M SUPPOSED TO BE ♪ I DON'T THINK I'M 662 00:36:34,926 --> 00:36:41,532 MAKIN' PROGRESS ♪ TALK ABOUT A-- PROCESS 663 00:36:41,599 --> 00:36:46,871 I DON'T WANNA HAVE TO WORK ♪ FOR IT ANYMORE 664 00:36:46,938 --> 00:36:53,511 NO WONDER I WAKE UP EXHAUSTED ♪ WHEN EVERY NIGHT I'M 665 00:36:53,578 --> 00:36:58,883 TURNIN', TOSSIN' ♪ 'CAUSE ALL I DO IS THINK ABOUT 666 00:36:58,950 --> 00:37:05,523 WHAT I DON'T WANNA THINK ABOUT ♪ OH, HELP ME 667 00:37:05,590 --> 00:37:09,493 I'M STILL WAITIN' FOR ♪ SOMEONE TO TELL ME 668 00:37:09,560 --> 00:37:11,529 THIS WON'T LAST FOREVER ♪ BUT IT'S HELL FOR ME 669 00:37:11,596 --> 00:37:17,168 JUST TO REMIND MYSELF ♪ I'M SUPPOSED TO BREATHE 670 00:37:17,234 --> 00:37:20,271 THERE AIN'T NOBODY ELSE ♪ THAT CAN HELP ME 671 00:37:20,338 --> 00:37:22,873 SCREAMIN' IN THE SHOWER ♪ ISN'T HEALTHY 672 00:37:22,940 --> 00:37:27,011 HOLDIN' IT TOGETHER ♪ BUT IT'S HELL FOR ME 673 00:37:27,078 --> 00:37:34,885 I'M NOT THE PERSON THAT ♪ I'M SUPPOSED TO BE 674 00:37:34,952 --> 00:37:41,525 ♪ ♪ ♪ ♪ ♪ ♪ 675 00:37:41,592 --> 00:37:47,531 ♪ ♪ ♪ ♪ ♪ ♪ 676 00:37:47,598 --> 00:37:50,868 ♪ ♪ ♪ ♪ NOW MY FRIENDS DON'T CALL ME 677 00:37:50,935 --> 00:37:54,872 ANYMORE 'CAUSE THEY KNOW THAT ♪ I WON'T MAKE IT OUT THE DOOR 678 00:37:54,939 --> 00:37:58,876 TO COME OVER ♪ USED TO THE WEIGHT 679 00:37:58,943 --> 00:38:05,516 OF THE WORLD ON MY SHOULDERS, AH ♪ NOW MY FRIENDS DON'T CALL ME 680 00:38:05,583 --> 00:38:10,855 ANYMORE 'CAUSE THEY KNOW THAT ♪ I WON'T MAKE IT OUT THE DOOR 681 00:38:10,921 --> 00:38:14,859 TO COME OVER ♪ USED TO THE WEIGHT 682 00:38:14,925 --> 00:38:20,931 OF THE WORLD ON MY SHOULDERS, AH ♪ HELP ME 683 00:38:20,998 --> 00:38:25,136 I'M STILL WAITIN' FOR ♪ SOMEONE TO TELL ME 684 00:38:25,202 --> 00:38:29,440 THIS WON'T LAST FOREVER ♪ BUT IT'S HELL FOR ME 685 00:38:29,507 --> 00:38:33,044 JUST TO REMIND MYSELF ♪ I'M SUPPOSED TO BREATHE 686 00:38:33,110 --> 00:38:34,879 THERE AIN'T NOBODY ELSE ♪ THAT CAN HELP ME 687 00:38:34,945 --> 00:38:40,451 SCREAMIN' IN THE SHOWER ♪ ISN'T HEALTHY 688 00:38:40,518 --> 00:38:42,853 HOLDIN' IT TOGETHER ♪ BUT IT'S HELL FOR ME 689 00:38:42,920 --> 00:38:49,126 I'M NOT THE PERSON THAT ♪ I'M SUPPOSED TO BE 690 00:38:49,193 --> 00:38:56,167 I'M SUPPOSED TO BE ♪ ♪ ♪ 691 00:38:56,233 --> 00:38:57,201 ♪ ♪ ♪ >> Stephen: CHELSEA CUTLER, 692 00:38:57,268 --> 00:38:58,169 EVERYBODY. 693 00:38:58,235 --> 00:39:00,671 THAT'S IT FOR "THE LATE SHOW." 694 00:39:00,738 --> 00:39:02,840 TUNE IN TOMORROW WHEN MY GUESTS WILL BE PETER DINKLAGE AND STAR 695 00:39:02,907 --> 00:39:07,578 OF "SQUID GAME," LEE JUNG-JAE. 696 00:39:07,645 --> 00:39:08,813 JAMES CORDEN IS NEXT. 697 00:39:08,879 --> 00:39:18,789 GOOD NIGHT. 698 00:39:18,856 --> 00:39:26,697 ( CHEERS AND APPLAUSE ) ( THEME SONG PLAYING ) 699 00:39:26,764 --> 00:39:28,299 >> Stephen: YOU KNOW WHAT THEY SAY, PEOPLE IN WHITE HOUSES 700 00:39:28,365 --> 00:39:29,500 SHOULDN'T THROW HAMBURGERS. 701 00:39:29,567 --> 00:39:33,971 ( LAUGHTER ) POINT IS... 702 00:39:34,038 --> 00:39:36,407 I MEAN, COME ON... 703 00:39:36,474 --> 00:39:41,645 ( LAUGHTER ) COME ON, BRIT OVER. 704 00:39:41,712 --> 00:39:43,247 BRING IT OVER. 705 00:39:43,314 --> 00:39:43,581 THERE. 706 00:39:43,647 --> 00:39:43,914 THIS WAY. 707 00:39:43,981 --> 00:39:44,715 THIS WAY. 708 00:39:44,782 --> 00:39:47,451 RIGHT THERE. 709 00:39:47,518 --> 00:39:50,087 REALLY EARLY ON IN THE RUN FOR ME TO BE DOING THIS. 710 00:39:50,154 --> 00:39:53,023 I THINK YOU'RE THIS WAY A LITTLE BIT. 711 00:39:53,090 --> 00:39:54,225 THERE. 712 00:39:54,291 --> 00:39:55,159 DON'T OVERCORRECT. 713 00:39:55,226 --> 00:39:59,196 I THINK AS THE WEEKS GO ON, I START TO LIST. 714 00:39:59,263 --> 00:40:03,300 WO'S PAYING YOU? 715 00:40:03,367 --> 00:40:05,469 ( LAUGHTER ) NOW, WHAT'S THAT? 716 00:40:05,536 --> 00:40:06,904 NOW, WHERE IS THAT? 717 00:40:06,971 --> 00:40:11,776 IS THAT EXACTLY WHERE YOU WERE? 718 00:40:11,842 --> 00:40:12,243 EXACTLY. 719 00:40:12,309 --> 00:40:15,780 WHICH IS PERFECT. 720 00:40:15,846 --> 00:40:17,548 ( LAUGHTER ) WHERE DO YOU THINK YOU'RE 721 00:40:17,615 --> 00:40:19,784 SUPPOSED TO BE. 722 00:40:19,850 --> 00:40:21,619 >> HERE, OR SOMETIMES HERE. 723 00:40:21,685 --> 00:40:24,421 >> Stephen: OH, WOW. 724 00:40:24,488 --> 00:40:27,358 YOU SAW HIM ATTACK ME. 725 00:40:27,424 --> 00:40:31,762 YOU SAW -- YOU SAW HIM ATTACK ME! 726 00:40:31,829 --> 00:40:36,734 ( LAUGHTER ) WELL, IT'S NOT YESTERDAY, IS IT, 727 00:40:36,801 --> 00:40:37,034 JOHN?