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>> Announcer: IT'S "THE LATE SHOW" WITH STEPHEN COLBERT!
TONIGHT, THE MOST WONDERFUL TIME OF THE YEAR!
PLUS STEPHEN WELCOMES PETER JACKSON AND MUSICAL GUEST
CHELSEA CUTLER, FEATURING JON BATISTE AND "STAY HUMAN."
AND NOW, LIVE ON TAPE FROM THE ED SULLIVAN THEATER IN NEW YORK
CITY, IT'S STEPHEN COLBERT!
( CHEERS AND APPLAUSE ) ( BAND PLAYING )
>> Stephen: WHEY!
WELCOME BACK!
GOOD TO SEE YOU AGAIN!
( CHEERS AND APPLAUSE ) YOU HAVE A NICE THANKSGIVING?
>> Jon: YES, INDEED.
( AUDIENCE CHANTING STEPHEN ) ( PIANO RIFF )
>> Stephen: HEY!
>> Stephen: THANK YOU, LADIES AND GENTLEMEN!
OH!
NICE!
PLEASE HAVE A SEAT.
THANK YOU SO MUCH!
WELCOME TO "THE LATE SHOW."
I'M YOUR HOST STEPHEN COLBERT.
( CHEERS AND APPLAUSE ) A LITTLE BREAK?
HAD A COUPLE OF DAYS OFF FOR THANKSGIVING.
DID YOU HAVE SOMETHING GOOD, JOHN?
>> YEAH, A GOOD MEAL, A GOOD FAMILY TIME.
THAT'S RIGHT ON.
>> Stephen: WHEN YOU WERE DOWN IN NEW ORLEANS, DO YOU HAVE
NEW ORLEANS BASED STUFFING?
CRAYFISH?
>> YOU PUT NEW ORLEANS SEASONING ON IT AND IT MAKES EVERYTHING
NEW ORLEANS.
EVEN IF IT'S JUST REGULAR OLD MAC AND CHEESE, BOP BOW!
>> Stephen: YOU'RE TRANSPORTED.
>> Jon: IT'S SOMEWHERE ELSE.
>> Stephen: BOP BOW!
>> Jon: BOP BOW!
( PIANO RIFF ) >> Stephen: HAPPY MONDAY TO
EVERYONE, AND TO MY JEWISH VIEWERS, HAPPY
SECOND NIGHT OF HANUKKAH.
( CHEERS AND APPLAUSE ) >> Stephen: HAPPY HANUKKAH.
THE SECOND NIGHT IS PARTICULARLY IMPORTANT, BECAUSE IT
COMMEMORATES THE DAY WHEN THE ANCIENT MACCABEES GATHERED IN
THE TEMPLE TO PRETEND THEY LIKED THE DRESS SHIRT THEY GOT FROM
THEIR AUNT.
( LAUGHTER ) IT'S STILL NOVEMBER, SO IT'S AN
UNUSUALLY EARLY CHANUKAH THIS YEAR.
I'M GUESSING IT'S TOUGH TO GO DIRECTLY FROM THANKSGIVING INTO
ANOTHER HOLIDAY.
ESPECIALLY ON THE FOOD FRONT.
"I COULDN'T EAT ANOTHER BITE OF MASHED POTATOES AND CRANBERRY
SAUCE.
OOH, FRIED POTATOES AND APPLESAUCE!"
( LAUGHTER ) MMM!
SOUR CREAM!
>> Jon: WHOO!
>> Stephen: FOR ALL OF YOU PLAYING
DREIDEL TONIGHT, REMEMBER, GAMBLING'S ONLY FUN 'TIL IT
BECOMES A PROBLEM.
AVOID ANYONE SPENDING THEIR GELT ON CHANUKAH BETTING APPS LIKE
DREIDEL-KINGS.
( LAUGHTER ) TODAY IS ALSO CYBER-MONDAY,
A.K.A. "BUY JEFF BEZOS A SECOND PENIS ROCKET DAY."
( LAUGHTER ) >> Jon: OH, MY GOSH.
>> Stephen: IT'S NICE.
TWO.
SWORD FIGHT.
( PIANO RIFF ) SURE.
IT'S THE HIGHLIGHT OF THE HOLIDAY SEASON.
CHILDREN LIE AWAKE IN THEIR BEDS, LISTENING FOR THE CLICK
CLICK CLICK OF THEIR MOM ENTERING PROMO CODES.
( LAUGHTER ) IT MIGHT BE HARD TO FIND THE
PERFECT GIFT THIS SEASON, BECAUSE THE SUPPLY CHAIN IS A
MESS.
WHICH IS WHY "SOME HOLIDAY SHOPPERS ARE DOUBLING DOWN
STOCKPILING GIFTS IN CASE THEIR FAVORITE ITEMS DON'T ARRIVE IN
TIME."
THAT'S WHY REALLY SMART SHOPPERS DON'T WAIT FOR BLACK FRIDAY.
THEY STARTED TRAMPLING PEOPLE WEEKS AGO.
( LAUGHTER ) ONE SURVEY FOUND THAT THIS YEAR
A WHOPPING 20% OF SHOPPERS SAID THEY PLAN TO ORDER MORE GIFTS IN
CASE SOME ARE DELAYED OR CANCELED.
SO, IF YOU'RE DOING THE 12 DAYS OF CHRISTMAS, BE SAFE AND DOUBLE
YOUR ORDER.
THAT'S 16 MAIDS A-MILKING, 20 LORDS A-LEAPING, AND FORGET
ABOUT 12 DRUMMERS DRUMMING-- JUST HIRE THE TEXAS A&M MARCHING
BAND.
( APPLAUSE ) THAT'S GOOD!
>> Jon: PLEASE PLAY THE DRUM FOR ME.
P A-PA-PUM-PUM.
>> Stephen: ONE RETAIL EXPERT DESCRIBED THE MARKET THIS WAY:
"WE SEE A CONSUMER WHO IS ANXIOUS TO SPEND.
THEY ARE EAGER TO SHOP AND ANXIOUS ABOUT THE EXECUTION."
COINCIDENTALLY, "EAGER TO SHOP AND ANXIOUS ABOUT THE EXECUTION"
IS ALSO THE TITLE OF MARIE ANTOINETTE'S MEMOIR.
( LAUGHTER ) YOU KNOW, YOU DON'T HEAR MARIE
ANTOINETTE JOKES ANYMORE.
AUDIENCES LOVE FRENCH REVOLUTION JOKES.
SURE!
( APPLAUSE ) UNFORTUNATELY, THERE ARE A LOT
OF SMALL BUSINESSES STRUGGLING THROUGH THIS PANDEMIC.
SO, WE HERE AT "THE LATE SHOW" HAVE BEEN TRYING TO HELP BY
ENCOURAGING PEOPLE TO POST ABOUT SMALL BUSINESSES THAT COULD
USE A BOOST, USING THE HASHTAG "COLBERT SMALL BIZ BUMP" AND
THEN HIGHLIGHTING SOME OF THEM ON THE SHOW.
WE EVEN MADE A BIG COMMERCIAL FOR A PLACE CALLED FOGGY PINE
BOOKS IN BOONE, NORTH CAROLINA THAT FEATURED TOM HANKS.
AND ANOTHER ONE, JUST HEAVENLY FUDGE FACTORY ON LOPEZ ISLAND
WASHINGTON, THAT FEATURED KENNY G.-- OR COULD IT HAVE BEEN TOM
HANKS PLAYING KENNY G?
HE'S THAT GOOD.
( APPLAUSE ) AND I'M PROUD TO SAY THAT YOUR
SUPPORT HAS MADE A BIG IMPACT ON THE SMALL BUSINESSES WE'VE
FEATURED.
JUST LOOK AT WHAT HAPPENED AFTER WE MENTIONED A SMALL BAKERY ON
"THE LATE SHOW."
>> A STORE IN CEDAR RAPIDS, IOWA, CALLED SHAWNNIECAKES
SPECIALTY TREATS, SAW A HUGE SPIKE IN BUSINESS OVER THE
WEEKEND.
THEY SELL TOFFEE BUTTER COOKIES LEMON POUNDCAKE, CHOCOLATE CAKES
KNOWN AS JORDANS.
>> SHAWNNIECAKES LOOKED GOOD.
I WAS LOOKING ON THE SCREEN.
>> LOOKED REAL GOOD.
>> NOT OFTEN I WANT TO LICK MY TV SCREEN, BUT THAT LOOKED
GOOD.
>> STEPHEN: HUGE SUCCESS!
NOT ONLY DID WE HELP SHAWNNIECAKES, WE TEMPTED GAYLE
KING TO FRENCH KISS HER SAMSUNG!
( CHEERS AND APPLAUSE ) A LITTLE SAMSUNG TONGUE TO
TONGUE THE SAMSUNG!
SHE SAID IT, NOT ME.
AND SINCE WE PUT OUT THE CALL, WE'VE HEARD ABOUT EVEN MORE
SMALL BUSINESSES THAT COULD USE A BOOST.
I'M TALKING ABOUT GREAT PLACES LIKE VINTAGE JEWELRY ON SPRING
STREET IN EUREKA SPRINGS, ARKANSAS; AND PREUSS PETS IN
LANSING, MICHIGAN.
AND, IN AUBURN, MASSACHUSETTS MCCOY'S ACTION KARATE.
SO MUCH MORE EFFECTIVE THAN INACTION KARATE.
"COME AT ME, BRO.
I WILL NOT DO ANYTHING."
( LAUGHTER ) AND WE ALSO GOT THIS VIDEO FROM
GREEN LEAF DENTAL CARE IN HOUSE SPRINGS, MISSOURI.
>> GREETINGS, STEPHEN.
MY NAME'S NATHAN SUTER, DENTIST AND OWNER OF GREEN LEAF DENTAL
CARE IN HOUSE SPRINGS, MISSOURI.
GREEN LEAF DENTAL CARE IS A SMALL REFERENCE IN NAME TO A
"LORD OF THE RINGS" CHARACTER, WHICH I'M SURE YOU KNOW.
>> STEPHEN: WELL I ASSUME YOU MEAN LEGOLAS, ONLY SON OF THE
ELVENKING THRANDUIL OF MIRKWOOD, WHO'S NAME IS A SILVAN DIALECT
FORM OF THE SINDARIN ELVISH "LAEGOLAS," MEANING "GREEN
LEAF."
UNLESS, OF COURSE, THERE'S A LORD OF THE RINGS CHARACTER
NAMED "DENTAL CARE" THAT I'VE NEVER HEARD OF.
BUT, IT WAS WRITTEN BY A GUY FROM ENGLAND, SO I KIND OF DOUBT
IT.
( LAUGHTER ) ( PIANO RIFF )
THAT TAKES A LITTLE MOMENT TO LAND.
SO, MAKE SURE TO CHECK OUT GREEN LEAF DENTAL, THE ONLY DENTIST
WHO CAN TURN THIS... INTO THIS.
( LAUGHTER ) ( APPLAUSE )
HE'S READY TO DATE, BUT HE'LL NEVER GIVE YOU A RING.
WE ALSO HEARD FROM A RESTAURANT CALLED "PIZZA GIRLS" IN PALM
BEACH GARDENS, FLORIDA, WHOSE OWNERS WROTE US TO SAY, "WE
AREN'T STRIPPERS, WE'RE PIZZA GIRLS!
( LAUGHTER ) WE'VE SPENT 26 YEARS IN THE
RESTAURANT BIZ AND WE HAVE AWARD-WINNING PIZZA, BUT NEW
CUSTOMERS THINK WE'RE STRIPPERS!"
WELL, WE WANTED TO HELP GET THIS IMPORTANT INFORMATION OUT, SO
PLEASE JOIN ME AT "THE LATE SHOW'S" PIZZA NEWS CAMERA:
♪♪ ♪♪
BREAKING PIZZA NEWS OUT OF PALM BEACH GARDENS, FLORIDA, WHERE
LOCAL AUTHORITIES HAVE CONFIRMED THAT "PIZZA GIRLS" IS, IN FACT,
A RESTAURANT AND NOT-- I REPEAT NOT-- A STRIP CLUB.
RESIDENTS ARE ENCOURAGED TO VISIT PIZZA GIRLS ONLY IF YOU
ARE LOOKING FOR DELICIOUS ITALIAN FOOD IN AN ENVIRONMENT
WHERE EVERYBODY KEEPS THEIR CLOTHES ON.
IF YOU ARE LOOKING FOR A STRIP CLUB, AUTHORITIES RECOMMEND
TRYING PRETTY MUCH ANYWHERE ELSE IN FLORIDA.
( LAUGHTER ) ( APPLAUSE )
THANKS, STEPHEN.
BUT THERE WAS ONE SMALL BUSINESS THAT REALLY CAUGHT MY EYE: A
PLACE IN NEW HOPE, MINNESOTA, CALLED "REDMON'S POPCORN."
IT WAS STARTED LAST YEAR BY ZACHARY REDMON, WHO LOST HIS JOB
AS A BARBER DURING THE PANDEMIC AND STARTED SELLING GOURMET
POPCORN OUT OF THE TRUNK OF HIS CAR, THEN GOT SUCH A GOOD
REACTION, HE OPENED HIS OWN SHOP.
AND WITH OVER 40 UNIQUE FLAVORS, ZACHARY REDMON DESCRIBES HIS
POPCORN LIKE THIS: >> I'M LIKE A LUXURY VEHICLE OF
POPCORN.
>> STEPHEN: WELL, LUXURY VEHICLE POPCORN DESERVES A LUXURY
VEHICLE COMMERCIAL.
JIM?
>> FOR THOSE WHO ENJOY THE FINER THINGS -- THE ONES WHO BLAZE
THEIR OWN TRAILS -- WHEN YOU DEMAND HIGH PERFORMANCE, ALL
ROADS LEAD TO NEW HOPE, MINNESOTA.
REDMAN'S POPCORN, UNPARALLELED DESIGN, UNRIVALED COMFORT, AND
ABLE TO POP FROM ZERO TO 60 IN 2.3 SECONDS.
IT'S THE ONLY POPCORN TO RECEIVE J.D. POWER & ASSOCIATES AWARD
FOR MID-SIZE LUXURY SNACK.
NOW AVAILABLE IN EXCLUSIVE FINISHES LIKE BANANA PUDDING,
CHILLY CHEESE, BUTTER FINGER, AND FOR THOSE LOOKING TO KICK IT
UP A GEAR, HOT BARBECUE.
HOW DOES REDMAN'S GET EVERY BITE PERFECTLY COATED WITH FLAVOR?
LET'S JUST SAY THEY GO THE EXTRA MILE.
( LAUGHTER ) ONLY REDMAN'S POPCORN IS
ENGINEERED FOR EXCELLENCE.
IN FACT, IT'S SO GOOD, I'M EATING IT RIGHT NOW!
( SMACKING ) >> I KNOW I PROBABLY SHOULD HAVE
WAITED TILL I FINISHED RECORDING THIS, BUT, DAMN!
THIS STUFF IS GOOD!
♪♪ ♪♪
FOR CURRENT SALES EVENTS, VISIT THE DEALERSHIP AT 2738WANETKA
AVENUE, SWEET 150B.
REDMAN'S POPCORN, BUCKLE YOUR TONGUE, BECAUSE YOUR MOUTH IS IN
FOR THE RIDE OF ITS LIFE.
♪♪ ♪♪
( CHEERS AND APPLAUSE ) >> REDMAN'S.
>> Stephen: THANKS TO ZAC REDMAN AND NICK OFFERMAN!
GRAB SOME POPCORN AND STICK AROUND, BECAUSE WE'VE GOT A
GREAT SHOW FOR YOU TONIGHT WITH THE DRAMATIC CONCLUSION OF MY
INTERVIEW OF THE DIRECTOR OF THE LANDMARK NEW BEATLES
DOCUMENTARY, PETER JACKSON.
BUT WHEN WE COME BACK, I DEBUT SOME BRAND-NEW HOLIDAY MOVIE
CLASSICS.
( CHEERS AND APPLAUSE ) ( BAND PLAYING )
>> Stephen: GIVE IT UP FOR JON BATISTE AND "STAY HUMAN,"
EVERYBODY!
( CHEERS AND APPLAUSE ) > Jon: HA HA!
>> Stephen: MONDAY, RIGHT?
>> Jon: YES!
>> Stephen: JON, YOU KNOW HOW I FEEL ABOUT PETER JACKSON,
RIGHT?
>> YES, SURE, SURE.
>> Stephen: AND WHAT AN AMAZING ARTIST HE IS, INCREDIBLE
DIRECTOR, AND SUCH A WIDE VARIETY OF INTERESTS.
HE STARTED OFF COMEDY HORROR, HE'S GOT "THE LORD OF THE RINGS"
MOVIES, NOW HE HAS THE INCREDIBLE DOCUMENTARY ABOUT THE
BEATLES.
NOW HE'S BACK TO TELL THE FULL STORY NOBODY KNOWS OF THE
ROOFTOP CONCERT, PLANET TOP APPLE, IT'S NOT WHAT ANYBODY
THINKS.
IT'S NOT THREE SONGS, IT'S NINE SONGS!
>> Jon: OH, MY GOODNESS!
>> Stephen: OH!
YOU WILL SEE.
>> Jon: YEP.
>> Stephen: FOLKS, THE HOLIDAY SEASON IS FINALLY
TO RECOVER FROM GORGING ON THANKSGIVING DINNER THAN
GORGING ON CHRISTMAS MOVIES.
CHEESY MADE-FOR-TV HOLIDAY MOVIES HAVE BECOME AN ANNUAL
TRADITION, AND THIS YEAR THERE WILL BE MORE THAN EVER,
BECAUSE LIFETIME ALONE WILL RELEASE 35 NEW CHRISTMAS MOVIES,
INCLUDING SOON-TO-BE-CLASSICS, LIKE "AN ICE WINE CHRISTMAS,"
"MERRY LIDDLE CHRISTMAS BABY," "CHRISTMAS WITH A CROWN," AND
"AFIANCEÉ FOR CHRISTMAS."
AND OF COURSE, ITS STEAMIER SEQUEL, "A THROUPLE BY ARBOR
DAY."
AND NOT TO BE OUTDONE, HALLMARK WILL BE RELEASING A STAGGERING
41 NEW HOLIDAY MOVIES.
BUT THERE'S ONE PROBLEM: WHILE THAT MAKES 146 NEW CHRISTMAS
MOVIES BEING RELEASED THIS YEAR, THERE ARE STILL BASICALLY
ZERO HANUKKAH MOVIES.
THAT'S A SHANDA.
EVERYONE DESERVES HOLIDAY MOVIES!
SO, TONIGHT, IN HONOR OF THE SECOND NIGHT OF HANUKKAH, "THE
LATE SHOW" IS BRIDGING THE HOLIDAY MOVIE GAP WITH OUR BRAND
NEW SLATE OF HANUKKAH CLASSICS.
>> THIS CHRISTMAS, GET READY FOR HANUKKAH!
>> I'VE SEARCHED THE WHOLE CITY AND I CAN'T FILE OIL ANYWHERE!
NOW I'LL NEVER ONE THE LATKE COMPETITION.
>> HOW CAN THE WHOLE CITY BE SOLD OUT OF POTATOES?
>> OH, MANY I POTATOES!
MY OIL!
BECAUSE MIRACLES AREN'T JUST FOR MACK ABEES.
>> WHAT DID YOU SAY YOUR NAME WAS?
>> DAVID, DAVID CANOLA.
AND THE ONLY THING THAT LASTS LONGER THAN THE OIL IN THE
TEMPLE IS ROMANCE.
THIS WINTER, IT'S A WHOLE LATKE LOVE.
IT'S NOT JUST ROM-COM, WE ALSO HAVE FRIED FOOD FRENZY, HOME FOR
THE HOLIDAYS, GAULTY AS CHARGED.
>> WE THE INJURY FIND THE DEFENDANT DELICIOUS.
THE EIGHT NIGHTS OF HANUKKAH.
>> THE TIME HAS COME FOR YOU TO PICK A SUITER TO MARRY!
>> HUH HOW CAN I PICK ONE WHEN I LOVE ALL EIGHT?
>> NO, LADY HANUKKAH, IT'S NOT POSSIBLE!
>> SOMEHOW, IT IS!
I MIRACULOUSLY HAVE ENOUGH LOVE FOR ALL EIGHT NIGHTS!
>> GET IT?
A MINORA FOR MOM, THE GHOSTS OF HANUKKAH PAST, I WISH WE
CELEBRATED CHRISTMAS, AND CASINO DREIDEL.
>> YOUR SPIN, MR. BOND.
( SUSPENSEFUL MUSIC ) >> GIMEL.
WE EVEN HANUKKAH'D UP CHRISTMAS CLASSICS.
IT'S A HANUKKAH LIFE, SMA LOMA LOAN, DREIDEL ALL THE WAY, AND A
HANUKKAH CAROL.
>> HI, I'M CAROL.
WE HAVE AS MANY MOVIES AS WAYS TO SPELL HANUKKAH.
SPEAKING OF WITCH THE HANUKKAH MIRACLE.
THE HANUKKAH MIRACLE.
THE C CHAMP CHAN CAY MIRACLE.
AND THE HANUKKAH CAROL 2.
>> SORRY IF I FORGET MY COAT.
THAT AND MORE.
THE HANUKKAH SEASON, BETWEEN THANKSGIVING AND THE NEW YEAR.
IP NOT SURE HOW THE LUNAR CALENDAR WORKS.
ANYWAY, HAPPY HANUKKAH.
>> Stephen: WE'LL BE RIGHT BACK WITH SIR PETER JACKSON.
( CHEERS AND APPLAUSE ) ( BAND PLAYING )
( BAND PLAYING BEATLES SONG HEY JUDE )
>> Stephen: HEY, EVERYBODY!
WELCOME BACK!
LADIES AND GENTLEMEN, TO YET ANOTHER BEAUTIFUL MONDAY NIGHT
HERE AT "THE LATE SHOW."
FOLKS, LAST WEDNESDAY WE AIRED MY INTERVIEW WITH ACADEMY AWARD
WINNING DIRECTOR AND PERSON WHO HAS ACTUALLY LET ME SLEEP AT HIS
HOUSE, PETER JACKSON.
I SPOKE TO PETER FROM NEW ZEALAND ABOUT HIS LATEST
PROJECT, THE ABSOLUTELY STUNNING BEATLES DOCUMENTARY "GET BACK,"
WHICH TAKES YOU BEHIND THE SCENES FOR THE MAKING OF
THEIR ALBUM, "LET IT BE."
PETER'S DOCUMENTARY DID SOMETHING I DIDN'T THINK WAS
POSSIBLE: MAKE ME SIGN UP FOR DISNEY+.
( LAUGHTER ) IT ALSO CHANGED THE WAY I
THOUGHT ABOUT THE BEATLES.
SO, TONIGHT, I'M EXCITED TO SHARE THE REST OF OUR INTERVIEW
BEGINNING WITH THE STORY BEHIND THEIR LEGENDARY ROOFTOP CONCERT.
JIM?
WE'VE CERTAINLY SEEN PARTS OF THE ROOFTOP CONCERT, YOU KNOW,
FOR THE LAST 50 YEARS.
THIS IS THE ENTIRETY OF IT THAT YOU HAVE TO.
>> YEP.
>> Stephen: EVERYBODY THOUGHT IT WAS THREE SONGS.
THEY DID NINE SONGS, SIX SONGS, THREE OF THEM TWICE, SO IT'S
ABOUT A 45-MINUTE CONCERT, ISN'T IT?
>> YEP, THE ROOFTOP CONCERT WAS -- I DIDN'T USUALLY LIKE
THAT BECAUSE ALL THE BAGGAGE OF THE BREAKUP AND IT WAS GRAINY
AND A FEW SONGS AND IT'S FAMOUS BUT THEY DON'T LOOK LIKE THEY'RE
HAVING MUCH FUN.
BUT WITH THE CONTEXT OF IT ALL AND THE WHOLE THING AND THE
RESTORATION, IT'S MY FAVORITE BEATLES PERFORMANCE IN THE
WORLD.
BECAUSE EMOTIONALLY YOU KNOW WHAT THEY'RE TRYING TO ACHIEVE.
AND THEY THEMSELVES DON'T KNOW IF THEY CAN.
THEY'RE NERVOUS ABOUT GOING UP THERE.
THEY DON'T EVEN KNOW IF THEY'RE GOING TO DO IT TEN MINUTES
BEFORE THEY WALK OUT ON THE ROOF.
THEY COME UP, OKAY, OKAY, WE'RE GOING TO DO THIS, AND BY HALFWAY
THROUGH, T -- THEY'RE FOUR TEENAGERS FROM LIVERPOOL GETTING
TO DO ROCK AND ROLL AGAIN.
>> Stephen: CAN YOU TELL ME THE STORY OF WHERE THE FOOTAGE
HAS BEEN FOR 50 YEARS?
>> PEOPLE ASSUME WHEN THEY HEAR THERE'S 60 HOURS OF FILM
UNDISCOVERED, THEY ASSUME IT'S BEEN LOST AND SOMEBODY FOUND IT.
THAT'S NOT TRUE.
THE BEATLES SUPPRESSED IT.
THEY NEVER INTENDED ANYONE TO SEE UT.
THEY DON'T WANT ANYONE TO SEE IT.
>> Stephen: WHAT CHANGED IT?
WELL, I THINK 50 YEARS.
I HAVEN'T HAD THIS CONVERSATION WITH THEM, BUT I GET THE STRONG
FEELING THAT THEY NOW FEEL THAT IT'S TIME FOR HISTORY TO TAKE
DOMINANCE OVER THE THEIR PERSONAL FEELINGS.
YOU KNOW, THEY UNDERSTAND, TOTALLY UNDERSTAND THE HISTORIC
IMPORTANCE OF THIS FOOTAGE, THE AMAZING HISTORIC TREASURY TROVE
AND FEEL THAT AFTER 50 YEARS IT SHOULD COME OUT.
>> Stephen: WHAT WAS THEIR REACTION TO YOU WHEN THEY SAW
IT?
I KNOW THEY DIDN'T GIVE YOU NOTES, BUT WAS THERE ANYTHING
THEY PARTICULARLY LEARNED THAT SHOCKED THEM?
>> WELL, YOU KNOW, THERE'S A MOMENT WHERE PAUL McCARTNEY
LEAVES THE ROOM -- I MEAN, IT'S LUNCHTIME, RINGO AND PAUL LEAVE
THE ROOM, AND JOHN AND GEORGE ARE LEFT THERE, AND GEORGE VERY
NERVOUSLY SAYS TO JOHN, JOHN, I'VE GOT ALL THESE SONGS HERE,
I'VE WRITTEN, I HAVE 20 SONGS I'VE WRITTEN.
NORMAL QUOTA IS TWO SONGS PER ALBUM THAT THE BEATLES LET
GEORGE DO, HE SAID, IT WILL TAKE ME TEN YEARS TO GET THESE SONGS
OUT.
SO I'M THINKING, I MIGHT JUST LIKE TO DO AN ALBUM OF MY OWN,
JUST GET MY SONGS OUT OF THE WAY.
JOHN SAID, ALL BY YOURSELF?
YEAH, IT WOULD BE A GREAT TO DO AN ALBUM WITH ALL MY SONGS AND
HEAR IT.
JOHN SAID, THAW, THAT'S FANTASTIC.
JOHN SAID, WE'LL STILL DO THE BEATLE THING AND JOHN SAID,
YEAH, GEORGE CAN DO AN ALBUM AND JOHN CAN DO AN ALBUM.
THAT'S HOW THE BEATLES WORK, DO THE SOLO WORK AND COME TOGETHER
EVERY NOW AND THEN AND STILL BE THE BEATLES.
PAUL DIDN'T KNOW ABOUT THAT CONVERSATION.
I SAID WHAT DO YOU THINK OF THE CONVERSATION YOU SAW THE FIRST
TIME.
THAT SORT OF PAINTS A PICTURE OF HOW THE BEATLES COULD HAVE
CARRIED ON THE FUTURE.
HE SAID, OH, I WISH I KNEW THEY SAID THAT AT THE TIME.
>> Stephen: WE HAVE TO TAKE A QUICK BREAK, PETER.
DON'T GO ANYWHERE, EVERYBODY.
WE'LL BE BACK WITH THE DIRECTOR OF "THE BEATLES: GET BACK,"
PETER JACKSON.
( CHEERS AND APPLAUSE ) ( BAND PLAYING )
>> Stephen: HEY, EVERYBODY.
WE'RE BACK WITH THE DIRECTOR OF THE BEATLES "GET BACK," PETER
JACKSON.
I LOVE THE BEATLES.
I LOVE THE -- I'M A FAN OF PROCESS.
I'M A FAN OF SEEING, YOU KNOW, GREAT ARTISTS IN THE MESSY ACT
OF CREATION, SWIMMING IN ALL THEIR OWN DOUBTS.
IT PULLS THEM OFF THE PEDESTAL A BIT AND MAKES THEM EVEN MORE
BEAUTIFUL IN WAYS.
THIS IS ALL -- THE PROCESS OF CREATING THESE SONGS IS
FANTASTIC.
AS MY WIFE EVIE SAID, OH, MY GOD THERE ARE SO MANY HOURS OF THEM
JUST PLAYING WITH EACH OTHER.
I MEAN, PLAYING LIKE -- LIKE PLAYING A GAME.
LIKE NOT PLAYING THEIR OWN SONGS, BUT PLAYING OTHER
PEOPLE'S SONGS AND IN A VARIETY OF DIFFERENT STYLES, WHILE
THEY'RE WAITING FOR TAPES TO ROLL OR MICS TO BE SET UP, AND
THEN SUDDENLY THEY WILL START WORKING, AND YOU WILL SEE THEM
DISCOVERING THEIR SONG.
AND WE HAVE A MOMENT HERE WHERE GEORGE IS TRYING TO FIGURE OUT
THE LYRICS TO SOMETHING.
IT'S JUST A NASCENT SONG AT THIS POINT.
JIM?
♪♪ >> WHAT COULD IT BE, PAUL?
SOMETHING IN THE WAY SHE MOVES.
>> WHAT ATTRACTED ME, THAT'S ALL.
>> JUST SAY WHATEVER COMES IN YOUR HEAD AT THE TIME.
>> I HAVE BEEN THROUGH THIS ONE, LIKE, FOR ABOUT SIX MONTHS.
ATTRACTS ME LIKE A -- PROM POMEGRANATE.
THINK OF THAT, ATTRACTS ME LIKE A POMEGRANATE.
( LAUGHTER ) ♪ SOMETHING IN THE WAY SHE
MOVES.
♪ ATTRACTS ME LIKE A POMEGRANATE ♪
♪ SOMETHING IN THE WAY SHE MOVES ME ♪
>> I TELL YOU WHAT, STEPHEN, WHAT SURPRISED ME ABOUT ALL THIS
IS IT'S SUCH AN INTERACTIVE EXPERIENCE.
WHEN I'M WATCHING IT THE FIRST TIME, I'M SCREAMING OUT "NO
OTHER LOVER!" YOU'RE TRYING TO GET BEHIND THEM
TO GET THE WORDS.
IT'S WE THE DIRECTOR.
YOU KNOW.
( LAUGHTER ) >> Stephen: WHEN THEY'RE
TRYING TO FIGURE OUT WHAT SWEET LORETTE AT THAT'S LAST NAME
SHOULD BE.
A SWEET LORETTA MARSH, MARY -- I'M GOING IT'S MARDEN, YOU
IDIOT!
>> THEY GIVE JO JO A SURNAME FOR A WHILE, AND FOR A WHILE JO JO
JACKSON.
I THINK, HEY, THAT'S GOOD!
AND A TERRIBLE MOMENT WHERE PAUL AND JOHN SAY JO JO JACKSON,
THAT'S PAID.
AND I'M, LIKE, COME ON, GUYS.
>> Stephen: I LIKE WHEN JOHN QUESTIONS WHETHER TUCSON'S IN
ARIZONA.
>> AND PAUL SAYS, YEAH, IT'S WHERE THE HIGH CHAPPARAL IS
SHOT.
TUCSON WAS THERE BECAUSE THE HIGH CHAPPARAL TEAM WAS THERE.
PAUL SAID, WHAT'S THAT?
HE SAID, HIGH CHAPPARAL IS WHO WE THANK FOR TUCSON, ARIZONA.
WHO WOULD HAVE THOUGHT.
>> Stephen: I ALSO THINK IT WILL CHANGE PEOPLE'S VIEW OF
YOKO OHNO'S ROLE IN THE BEATLES LAST YEARS TOGETHER.
IT MAY HAVE CAUSED FRICTION IN THEIR PROCESS, HARD TO TELL.
CERTAINLY DOESN'T HAPPEN ON CAMERA.
>> YOU'RE DEALING WITH GUYS WHO ARE GETTING OLDER, THEIR
LIFESTYLE CHANGES.
WHEN THEY WERE THE MOPTOPS ON THE ED SULLIVAN SHOW, WOULD IT
HAVE BEEN APPROPRIATE FOR ONE OF THEIR GIRLFRIENDS TO HANG
AROUND?
I DON'T THINK ANY ONE OF THEM WOULD LIKE THAT.
BUT HERE JOHN AND YOKO ARE IN LOVE AND HE DOESN'T WANT TO BE
APART FROM HER.
WHY'RE IN LOVE, WHY DOESN'T SHE COME ALONG.
SHE SITS BY SIDE HIM BECAUSE THEY'RE IN LOVE.
SHE DOESN'T INTERFERE.
YOU DON'T GET YOKO SUGGESTING TO PAUL HOW THE SOLO SHOULD BE
PLAYED.
YOU KNOW, SHE IS NOT TRYING TO INTERFERE, SHE'S TOTALLY
RESPECTFUL OF WHAT THEY'RE DOING.
SHE'S KNITTING, READING BOOKS, THEY'RE THERE BECAUSE THEY LOVE
EACH OTHER AND T THE BEATLES ARE GETTING ON WITH IT.
THEY'RE NOT THE KIDS, THE LIFESTYLE IS CHANGING, BUT
THEY'RE STILL THE BEATLES AND YOKO AND JOHN ARE ALLOWED, IT
DOESN'T MATTER AT ALL, I MEAN, YEAH.
>> Stephen: YOU SAY THEY'RE NOT KIDS ANYMORE, BUT ONE OF THE
THINGS YOU'RE REMINDED BECAUSE THIS GETS MENTIONED A COUPLE OF
TIMES BY THE BEATLES IN THE DOCUMENTARY.
THEY'RE BETWEEN 26 AND 28 YEARS OLD.
GEORGE IS 26.
>> GEORGE IS 25, I BELIEVE.
GEORGE IS 25, PAUL IS 26 AND RINGO AND JOHN ARE 28, I
BELIEVE.
27 OR 28, I BELIEVE, YEAH.
>> Stephen: I MEAN, TO ME, THAT SEEMS LIKE THEY'RE STILL
KIDS, BUT THEY'RE IN THE LAST YEAR OF THE MOST POP MAKING
BAND.
>> YOU HAVE 25-YEAR-OLD GEORGE HARRISON TOWARDS THE END OF THE
BEATLES CAREER, THEY'RE EIGHT MONTHS FROM BREAKING UP AND HE'S
25 YEARS OLD.
IT'S AMAZING.
EVERYTHING GEORGE ACHIEVED AS A BEATLE HE'S DONE IT UP TO AGE
25.
WHAT AN AMAZING LIFE.
IT'S AMAZING TO THINK BECAUSE THEY'RE YOUNG.
THEY'RE ALMOST KIDS.
THEY JUST -- YEAH.
THAT'S INCREDIBLE, THEIR AGE IS INCREDIBLE.
>> Stephen: WE HAVE TO TAKE ANOTHER BREAK.
BUT STICK AROUND BECAUSE WE'LL BE BACK WITH MORE PETER JACKSON.
( CHEERS AND APPLAUSE ) ( BAND PLAYING )
>> Stephen: HEY, EVERYBODY.
WE'RE BACK WITH THE DIRECTOR OF MY NEW FAVORITE TRILOGY, "THE
BEATLES: GET BACK," PETER JACKSON.
I WANT TO GIVE A SHOUT OUT QUICKLY TO YOUR EDITOR JABEZ
OLSON BECAUSE WHEN I WAS THERE TWO YEARS AGO, WHEN I WAS LUCKY
ENOUGH TO COME TO YOUR PLAYS IN NEW ZEALAND, YOU SAID, OH, DO
YOU WANT TO WATCH THIS FOOTAGE?
WE WENT DOWN TO THE BASEMENT OF YOUR EDITING THEATER, YOUR
EDITING STUDIO, AND YOU AND ME AND JABEZ SAT THERE FOR HOURS
FOR TWO DAYS WHERE YOU SHOWED ME STUFF.
I SAID, HOW CAN YOU TAKE ALL 57 HOURS WHICH I WOULD LOVE TO
WATCH ALL OF, JUST CLEAN UP THE SOUND AND I WOULD HAPPILY STAY
HERE A WEEK AND WATCH ALL OF IT, HOW DO YOU GET THAT INTO AN
ACTUAL MOVIE?
AND ONE OF THE THINGS THAT I JUST WANT TO SAY BECAUSE I'M ONE
OF THE FEW PEOPLE WHO WILL KNOW THIS, THAT FEELING OF WATCHING
IT IN ITS RAW STATE WAS SUCH A PRIVILEGE TO SEE, AND I FEEL
THAT SAME PRIVILEGE IN THE EDIT FOR THAT YOU'VE CREATED HERE
BECAUSE YOU REALLY DO FEEL YOU'RE JUST ANOTHER PERSON IN
THAT STUDIO, BUT YOU'RE ALSO WATCHING A STORY AT THE SAME
TIME, AND MY QUESTION TO YOU IS HOW DID YOU FIND THAT STORY?
BECAUSE IT SEEMS LIKE IT MIGHT HAVE BEEN LIKE ARCHEOLOGY.
YOU DIDN'T KNOW IT WAS ON THE FOOTAGE, IT DIDN'T EVEN HAVE
PROPSH TIME CODES.
THERE'S NO STORY BOARD OR SCRIPT.
WHAT WAS THAT PROCESS LIKE OF FINDING THE STORY?
>> WELL, WHAT ONE OPTION WAS THAT WE THOUGHT ABOUT AND
QUICKLY DISCARDED WAS, OKAY, THIS UNSEEN FOOTAGE HAS COME,
YEAH, FROM 50 YEARS AGO.
TO TELL THE STORY, WE'LL INTERVIEW RINGO TODAY, PAUL
TODAY, JOHN TODAY, THEY CAN TELL THE STORY AND WE'LL CUT THE
CLIPS TO FOOTAGE.
THAT'S THE LAZY WAY OF DOING IT.
YOU GET TODAY AND 50 YEARS AGO AND YOU SORT OF FILL THE GAP.
OFFI ALWAYS FANTASIZE ABOUT GETTING IN A TIME MACHINE AND
SITTING IN THE STUDIO WITH THE BEATLES, THIS IS WHAT WE'VE GOT
TO DO, AND THE BEATLES HAVE GOT TO TELL US THE STORY.
BECAUSE WHEN YOU THINK ABOUT IT, THEY'RE THE -- THE FOUR GUYS ARE
THERE, THEY'VE GOT A PLAN, THEY START TO WORK, THE PLAN GOES
WRONG, THEY'RE TALKING ABOUT THE FACT IT'S GOING WRONG, THEIR
CONVERSATIONS TELL YOU THE STORY, WHICH MAKES IT WAY MORE
INTERESTING AND DRAMATIC BECAUSE THEY'RE HAVING THINGS GOING ON,
THEY HAVE TO COME UP WITH PLANS, AND THEIR DISCUSSIONS OF HOW
THEY DO THAT IS NOT SCRIPTED OR AN INTERVIEW OF TODAY OF SOMEONE
WHO REMEMBERS IT.
YOU SEE IT IN REALTIME THESE FOUR GUYS TRYING TO WORK IT OUT,
AND THE CONVERSATIONS TELL YOU THE STORY.
WE DIDN'T KNOW WHAT THE CONVERSATIONS WERE BECAUSE AS
YOU SAID, THERE WAS NO SCRIPT, SO WE HAD TO WATCH THE STUFF
OVER AND OVER AGAIN AND EAVESDROP ON THE 50-YEAR-OLD
DISCUSSIONS, AND SOMETIMES THERE'S NO FILM, AND YOU'RE
LITERALLY EAVESDROPPING ON WHAT THIS CONVERSATION WAS.
>> Stephen: BECAUSE THE DIRECTOR -- THE DIRECTOR AT THE
TIME WILL IT E LITERALLY HID MICROPHONES.
>> I TELL YOU THE OTHER FUNNY THING THAT MAKES ME LAUGH,
STEPHEN, IS THAT THE BEATLES DECIDE THEY'RE GOING TO ASK
MICHAEL HOLT TO COME IN, FOR THE FIRST TIME OF THEIR CAREER THEY
DECIDE THEY WILL LET THE INTIMATE FLY ON THE WALL PROCESS
BE SHOT.
THEY IMMEDIATELY START TO THIN█K IS THIS A GOOD IDEA?
THIS IS FREAKING US OUT.
AT THAT POINT, IT BECOMES A BATTLE OF THE WILLS.
MICHAEL STARTS TO REALIZE -- MICHAEL NEEDS HUGE CREDIT FOR
THIS -- MICHAEL WAS DETERMINED TO RECORD EVERY INTIMATE
CONVERSATION HE CAN AND HE'S HIDING MICROPHONES.
HALF THE TIME, THEY DON'T KNOW THEY'RE FILMED BECAUSE MICHAEL
USED TO SET THE CAMERAS UP ON TRIPODS, TEN MINUTE ROLES AND
THE CAMERAMEN WERE THERE, THEN THEY PUT TAPE OVER THE RED
LIGHTS BECAUSE WHEN THE CAMERA GOES ON, THE RED LIGHT, AND TAPE
OVER THE RED LIGHT SO THE BEATLES WOULDN'T SEE IT.
THE CAMERAMAN WOULD HIT THE BUTTON AND HEAD OFF TO TEA.
THE CAMERA IS THERE AND NOT ROLLING, SO, OKAY.
THEY DID ALL SORTS OF TRICKS TO TRICK THE BEATLES INTO THINKING
THEY WEREN'T BEING FILMING.
SO THE BEATLES START TO COUNTER.
THEY REALIZE THERE ARE MICROPHONES.
IF THEY WANT TO HAVE A CONVERSATION, THEY CRANK UP THE
AMP, STRUM GUITARS AND GO EVERYTHING -- I MEAN, YOU HAVE A
BATTLE OF THE WILLS.
THE BEATLES DON'T THINK TO SAY TO MICHAEL, COULD YOU STOP
RECORDING.
THEY DON'T THINK ABOUT THAT.
( LAUGHTER ) THIS BATTLE OF THE WILLS ERUPTS
AND THEY ACTUALLY SUCCEEDED THE BETLES BECAUSE THEY'RE HAVING
CONVERSATIONS AND THEIR GUITARS ARE DROWNING IT OUT.
SO WHAT WE'VE DONE IN NEW ZEALAND 50 YEARS LATER, WE
DEVELOPED TECHNOLOGY WITH COMPUTERS AND A.I. THAT HE
TAUGHT A COMPUTER WHAT A GUITAR SOUNDS LIKE.
AND YOU SAID, HELP US GET RID OF THE GUITAR, PLEASE.
WE DON'T WANT TO HEAR THE GUITAR, WE WANT TO HEAR THE
DISCUSSIONS.
IT'S CRAZY, BUT IT WORKS.
WE STRIPPED AWAY ALL THAT THE BEATLES HAD DONE AND AFTER 50
YEARS, THEY'RE TRICKS.
NO, BOYS, WE HEAR IT ALL.
WE HEAR IT ALL.
SO WE'RE LISTENING TO STUFF THAT NO ONE'S ACTUALLY HEARD BECAUSE
IT DID GET SWAMPED OUT.
BUT THAT'S SO GOOD FOR US BECAUSE IT'S STILL THE STORY
THERE.
THE CONVERSATIONS STILL TELL THE STORY, SO WE'VE GOT ACCESS TO
ALL THIS DISCUSSION THAT IS SO RAW AND POTENT AND HONEST AND
REAL AND JUST THEY AT THE TIME DDN'T WANT ANYONE TO HEAR, SO,
YEAH, IT'S BEEN FUN.
>> Stephen: PETER, THANK YOU FOR BEING HERE AND MAKING THE
THREE PART DOCUMENTARY MOVIE ABOUT THE "GET BACK" SESSIONS.
IT IS A BEAUTIFUL LOVE STORY, IT IS EXHILARATING, IT'S
ILLUMINATING, HEARTBREAKING MANY TIMES, AND IT REALLY DOES FEEL
LIKE A PRIVILEGE TO BE LET INTO THIS WORLD.
>> I AGREE.
>> Stephen: AND I'M SO GLAD YOU WERE THE ARCHEOLOGIST TO
TAKE US THROUGH IT BECAUSE IT'S A REALLY BEAUTIFUL STORY.
THANKS AGAIN TO PETER JACKSON.
"THE BEATLES: GET BACK" IS AVAILABLE NOW ON DISNEY+.
WE'LL BE RIGHT BACK WITH A PERFORMANCE BY CHELSEA CUTLER.
>> STEPHEN: PERFORMING, "DEVIL ON MY SHOULDER" FROM HER
ALBUM, "WHEN I CLOSE MY EYES," CHELSEA CUTLER.
( CHEERS AND APPLAUSE ) ♪ ♪ ♪
♪ SMOKE DETECTOR ON THE CEILIN'
I ALREADY KNOW THE FEELIN' ♪ DEVIL ON MY SHOULDER'S REAL
WE'VE BEEN HERE BEFORE ♪ CONSTELLATIONS IN THE CARPET
AND IT'S NOT EVEN GETTIN' ♪ DARK YET
THERE'S ALWAYS THUNDER IN AUGUST ♪ BEFORE THE STORM
NOW MY FRIENDS DON'T CALL ME ♪ ANYMORE 'CAUSE THEY KNOW THAT
I WON'T MAKE IT OUT THE DOOR ♪ TO COME OVER
USED TO THE WEIGHT OF THE WORLD ♪ ON MY SHOULDERS, AH
HELP ME ♪ I'M STILL WAITIN' FOR
SOMEONE TO TELL ME ♪ THIS WON'T LAST FOREVER
BUT IT'S HELL FOR ME ♪ JUST TO REMIND MYSELF
I'M SUPPOSED TO BREATHE ♪ THERE AIN'T NOBODY ELSE
THAT CAN HELP ME ♪ SCREAMIN' IN THE SHOWER
ISN'T HEALTHY ♪ HOLDIN' IT TOGETHER
BUT IT'S HELL FOR ME ♪ I'M NOT THE PERSON THAT
I'M SUPPOSED TO BE ♪ I DON'T THINK I'M
MAKIN' PROGRESS ♪ TALK ABOUT A-- PROCESS
I DON'T WANNA HAVE TO WORK ♪ FOR IT ANYMORE
NO WONDER I WAKE UP EXHAUSTED ♪ WHEN EVERY NIGHT I'M
TURNIN', TOSSIN' ♪ 'CAUSE ALL I DO IS THINK ABOUT
WHAT I DON'T WANNA THINK ABOUT ♪ OH, HELP ME
I'M STILL WAITIN' FOR ♪ SOMEONE TO TELL ME
THIS WON'T LAST FOREVER ♪ BUT IT'S HELL FOR ME
JUST TO REMIND MYSELF ♪ I'M SUPPOSED TO BREATHE
THERE AIN'T NOBODY ELSE ♪ THAT CAN HELP ME
SCREAMIN' IN THE SHOWER ♪ ISN'T HEALTHY
HOLDIN' IT TOGETHER ♪ BUT IT'S HELL FOR ME
I'M NOT THE PERSON THAT ♪ I'M SUPPOSED TO BE
♪ ♪ ♪ ♪ ♪ ♪
♪ NOW MY FRIENDS DON'T CALL ME
ANYMORE 'CAUSE THEY KNOW THAT ♪ I WON'T MAKE IT OUT THE DOOR
TO COME OVER ♪ USED TO THE WEIGHT
OF THE WORLD ON MY SHOULDERS, AH ♪ NOW MY FRIENDS DON'T CALL ME
ANYMORE 'CAUSE THEY KNOW THAT ♪ I WON'T MAKE IT OUT THE DOOR
TO COME OVER ♪ USED TO THE WEIGHT
OF THE WORLD ON MY SHOULDERS, AH ♪ HELP ME
I'M STILL WAITIN' FOR ♪ SOMEONE TO TELL ME
THIS WON'T LAST FOREVER ♪ BUT IT'S HELL FOR ME
JUST TO REMIND MYSELF ♪ I'M SUPPOSED TO BREATHE
THERE AIN'T NOBODY ELSE ♪ THAT CAN HELP ME
SCREAMIN' IN THE SHOWER ♪ ISN'T HEALTHY
HOLDIN' IT TOGETHER ♪ BUT IT'S HELL FOR ME
I'M NOT THE PERSON THAT ♪ I'M SUPPOSED TO BE
I'M SUPPOSED TO BE ♪ ♪ ♪
>> Stephen: CHELSEA CUTLER,
EVERYBODY.
THAT'S IT FOR "THE LATE SHOW."
TUNE IN TOMORROW WHEN MY GUESTS WILL BE PETER DINKLAGE AND STAR
OF "SQUID GAME," LEE JUNG-JAE.
JAMES CORDEN IS NEXT.
GOOD NIGHT.
( CHEERS AND APPLAUSE ) ( THEME SONG PLAYING )
>> Stephen: YOU KNOW WHAT THEY SAY, PEOPLE IN WHITE HOUSES
SHOULDN'T THROW HAMBURGERS.
( LAUGHTER ) POINT IS...
I MEAN, COME ON...
( LAUGHTER ) COME ON, BRIT OVER.
BRING IT OVER.
THERE.
THIS WAY.
RIGHT THERE.
REALLY EARLY ON IN THE RUN FOR ME TO BE DOING THIS.
I THINK YOU'RE THIS WAY A LITTLE BIT.
THERE.
DON'T OVERCORRECT.
I THINK AS THE WEEKS GO ON, I START TO LIST.
WO'S PAYING YOU?
( LAUGHTER ) NOW, WHAT'S THAT?
NOW, WHERE IS THAT?
IS THAT EXACTLY WHERE YOU WERE?
EXACTLY.
WHICH IS PERFECT.
( LAUGHTER ) WHERE DO YOU THINK YOU'RE
SUPPOSED TO BE.
>> HERE, OR SOMETIMES HERE.
>> Stephen: OH, WOW.
YOU SAW HIM ATTACK ME.
YOU SAW -- YOU SAW HIM ATTACK ME!
( LAUGHTER ) WELL, IT'S NOT YESTERDAY, IS IT,
JOHN?