1
00:00:00,500 --> 00:00:07,172
<font color="#ffff00"> Captioning sponsored by CBS</font>
♪ LIKE CRIMINAL UNDER COVER ♪

2
00:00:07,174 --> 00:00:08,440
♪ LIKE CRIMINAL UNDER COVER ♪
>> THERE IS NO DENYING THE

3
00:00:08,442 --> 00:00:11,143
>> THERE IS NO DENYING THE
POPULARITY OF EVERYTHING K-POP.

4
00:00:11,145 --> 00:00:12,444
POPULARITY OF EVERYTHING K-POP.
SEEPING INTO NORTH KOREA HAS

5
00:00:12,446 --> 00:00:17,416
SEEPING INTO NORTH KOREA HAS
DICTATOR KIM JONG-UN CALLING IT

6
00:00:17,418 --> 00:00:19,585
DICTATOR KIM JONG-UN CALLING IT
A VICIOUS CANCER.
A VICIOUS CANCER.

7
00:00:19,587 --> 00:00:21,520
A VICIOUS CANCER.
THE REGIME IS SAID TO BE
THREATENING UP TO 15 YEARS OF

8
00:00:21,522 --> 00:00:23,055
THE REGIME IS SAID TO BE
THREATENING UP TO 15 YEARS OF
HARD LABOR FOR THOSE CAUGHT

9
00:00:23,057 --> 00:00:24,423
THREATENING UP TO 15 YEARS OF
HARD LABOR FOR THOSE CAUGHT
LISTENING OR WATCHING.

10
00:00:24,425 --> 00:00:26,458
HARD LABOR FOR THOSE CAUGHT
LISTENING OR WATCHING.
♪ ♪ ♪

11
00:01:08,501 --> 00:01:29,254
♪ ♪ ♪
>> NOW STREAMING ON DESPOTIFY.
>> Announcer: IT'S "THE LATE

12
00:01:29,256 --> 00:01:32,458
>> NOW STREAMING ON DESPOTIFY.
>> Announcer: IT'S "THE LATE
SHOW," WITH STEPHEN COLBERT.

13
00:01:32,460 --> 00:01:35,327
>> Announcer: IT'S "THE LATE
SHOW," WITH STEPHEN COLBERT.
TONIGHT:

14
00:01:35,329 --> 00:01:42,634
SHOW," WITH STEPHEN COLBERT.
TONIGHT:
PLUS FATHER'S DAY FIRST DRAFTS.

15
00:01:42,636 --> 00:01:43,969
TONIGHT:
PLUS FATHER'S DAY FIRST DRAFTS.
AND STEPHEN WELCOMES:

16
00:01:43,971 --> 00:01:44,503
PLUS FATHER'S DAY FIRST DRAFTS.
AND STEPHEN WELCOMES:
ANDERSON COOPER

17
00:01:44,505 --> 00:01:45,237
AND STEPHEN WELCOMES:
ANDERSON COOPER
AND MUSICAL GUEST

18
00:01:45,239 --> 00:01:48,207
ANDERSON COOPER
AND MUSICAL GUEST
SLEATER-KINNEY.

19
00:01:48,209 --> 00:01:50,442
AND MUSICAL GUEST
SLEATER-KINNEY.
FEATURING JON BATISTE AND STAY

20
00:01:50,444 --> 00:01:51,110
SLEATER-KINNEY.
FEATURING JON BATISTE AND STAY
HUMAN.

21
00:01:51,112 --> 00:01:53,679
FEATURING JON BATISTE AND STAY
HUMAN.
AND NOW, LIVE ON TAPE FROM THE

22
00:01:53,681 --> 00:01:54,780
HUMAN.
AND NOW, LIVE ON TAPE FROM THE
ED SULLIVAN THEATER FROM NEW

23
00:01:54,782 --> 00:02:00,419
AND NOW, LIVE ON TAPE FROM THE
ED SULLIVAN THEATER FROM NEW
YORK CITY, IT'S STEPHEN COLBERT!

24
00:02:00,421 --> 00:02:00,953
ED SULLIVAN THEATER FROM NEW
YORK CITY, IT'S STEPHEN COLBERT!
<i> ( CHEERS AND APPLAUSE )</i>

25
00:02:00,955 --> 00:02:02,754
YORK CITY, IT'S STEPHEN COLBERT!
<i> ( CHEERS AND APPLAUSE )</i>
>> Stephen: HEY, HOW ARE YOU!

26
00:02:02,756 --> 00:02:04,490
<i> ( CHEERS AND APPLAUSE )</i>
>> Stephen: HEY, HOW ARE YOU!
HELLO!

27
00:02:04,492 --> 00:02:17,736
>> Stephen: HEY, HOW ARE YOU!
HELLO!
THE WHEN I MOVE... WHAT'S UP,

28
00:02:17,738 --> 00:02:18,303
HELLO!
THE WHEN I MOVE... WHAT'S UP,
JOHN.

29
00:02:18,305 --> 00:02:20,372
THE WHEN I MOVE... WHAT'S UP,
JOHN.
HEY, LOIS.

30
00:02:20,374 --> 00:02:21,240
JOHN.
HEY, LOIS.
LOIS, JOAN.

31
00:02:21,242 --> 00:02:23,375
HEY, LOIS.
LOIS, JOAN.
GOOD TO SEE YOU!

32
00:02:23,377 --> 00:02:24,443
LOIS, JOAN.
GOOD TO SEE YOU!
THAT WAS GREAT LAST NIGHT,

33
00:02:24,445 --> 00:02:26,278
GOOD TO SEE YOU!
THAT WAS GREAT LAST NIGHT,
WASN'T IT?

34
00:02:26,280 --> 00:02:26,478
THAT WAS GREAT LAST NIGHT,
WASN'T IT?
HEY!

35
00:02:26,480 --> 00:02:27,146
WASN'T IT?
HEY!
<i> ( CHEERS AND APPLAUSE )</i>

36
00:02:27,148 --> 00:02:28,447
HEY!
<i> ( CHEERS AND APPLAUSE )</i>
THANK YOU.

37
00:02:28,449 --> 00:02:29,681
<i> ( CHEERS AND APPLAUSE )</i>
THANK YOU.
VERY KIND.

38
00:02:29,683 --> 00:02:30,616
THANK YOU.
VERY KIND.
PLEASE HAVE A SEAT.

39
00:02:30,618 --> 00:02:32,985
VERY KIND.
PLEASE HAVE A SEAT.
BACK AT YOU, BROTHER.

40
00:02:32,987 --> 00:02:35,888
PLEASE HAVE A SEAT.
BACK AT YOU, BROTHER.
WELCOME ONE AND ALL TO "THE LATE

41
00:02:35,890 --> 00:02:36,455
BACK AT YOU, BROTHER.
WELCOME ONE AND ALL TO "THE LATE
SHOW."

42
00:02:36,457 --> 00:02:37,756
WELCOME ONE AND ALL TO "THE LATE
SHOW."
I AM YOUR HOST, STEPHEN COLBERT.

43
00:02:37,758 --> 00:02:40,025
SHOW."
I AM YOUR HOST, STEPHEN COLBERT.
AND I JUST WANT TO

44
00:02:40,027 --> 00:02:40,559
I AM YOUR HOST, STEPHEN COLBERT.
AND I JUST WANT TO
<i> ( CHEERS AND APPLAUSE )</i>

45
00:02:40,561 --> 00:02:41,660
AND I JUST WANT TO
<i> ( CHEERS AND APPLAUSE )</i>
THAT'S QUITE PLEASANT.

46
00:02:41,662 --> 00:02:44,429
<i> ( CHEERS AND APPLAUSE )</i>
THAT'S QUITE PLEASANT.
HELLO, YOU BEAUTIFUL PEOPLE.

47
00:02:44,431 --> 00:02:45,197
THAT'S QUITE PLEASANT.
HELLO, YOU BEAUTIFUL PEOPLE.
I HAVE YET TO GET OVER HOW GOOD

48
00:02:45,199 --> 00:02:47,966
HELLO, YOU BEAUTIFUL PEOPLE.
I HAVE YET TO GET OVER HOW GOOD
IT FEELS TO BE BACK IN FRONT OF

49
00:02:47,968 --> 00:02:48,333
I HAVE YET TO GET OVER HOW GOOD
IT FEELS TO BE BACK IN FRONT OF
A LIVE AUDIENCE.

50
00:02:48,335 --> 00:02:50,469
IT FEELS TO BE BACK IN FRONT OF
A LIVE AUDIENCE.
IT FEELS-- IT FEELS--

51
00:02:50,471 --> 00:02:51,003
A LIVE AUDIENCE.
IT FEELS-- IT FEELS--
<i> ( CHEERS AND APPLAUSE )</i>

52
00:02:51,005 --> 00:02:54,039
IT FEELS-- IT FEELS--
<i> ( CHEERS AND APPLAUSE )</i>
YOU KNOW, IT'S-- IT'S-- THE

53
00:02:54,041 --> 00:02:57,576
<i> ( CHEERS AND APPLAUSE )</i>
YOU KNOW, IT'S-- IT'S-- THE
RELATIONSHIP FEELS SO FRESH.

54
00:02:57,578 --> 00:02:59,378
YOU KNOW, IT'S-- IT'S-- THE
RELATIONSHIP FEELS SO FRESH.
IT'S LIKE WE'VE RENEWED OUR

55
00:02:59,380 --> 00:02:59,578
RELATIONSHIP FEELS SO FRESH.
IT'S LIKE WE'VE RENEWED OUR
VOWS.

56
00:02:59,580 --> 00:03:02,481
IT'S LIKE WE'VE RENEWED OUR
VOWS.
READY FOR THE HONEYMOON.

57
00:03:02,483 --> 00:03:03,315
VOWS.
READY FOR THE HONEYMOON.
YOU KNOW WHO'S LOOKING TO PUT

58
00:03:03,317 --> 00:03:03,815
READY FOR THE HONEYMOON.
YOU KNOW WHO'S LOOKING TO PUT
THE SPARK BACK IN THEIR

59
00:03:03,817 --> 00:03:04,149
YOU KNOW WHO'S LOOKING TO PUT
THE SPARK BACK IN THEIR
RELATIONSHIP?

60
00:03:04,151 --> 00:03:04,683
THE SPARK BACK IN THEIR
RELATIONSHIP?
THE UNITED STATES AND ITS

61
00:03:04,685 --> 00:03:11,557
RELATIONSHIP?
THE UNITED STATES AND ITS
ALLIES.

62
00:03:11,559 --> 00:03:12,457
THE UNITED STATES AND ITS
ALLIES.
JOE BIDEN IS ON THE EIGHTH AND

63
00:03:12,459 --> 00:03:13,625
ALLIES.
JOE BIDEN IS ON THE EIGHTH AND
FINAL DAY OF HIS SWING THROUGH

64
00:03:13,627 --> 00:03:14,459
JOE BIDEN IS ON THE EIGHTH AND
FINAL DAY OF HIS SWING THROUGH
EUROPE.

65
00:03:14,461 --> 00:03:15,961
FINAL DAY OF HIS SWING THROUGH
EUROPE.
AND HE CLOSED HIS TRIP OUT WITH

66
00:03:15,963 --> 00:03:16,528
EUROPE.
AND HE CLOSED HIS TRIP OUT WITH
A FACE-TO-FACE, TETE-A-TETE,

67
00:03:16,530 --> 00:03:20,432
AND HE CLOSED HIS TRIP OUT WITH
A FACE-TO-FACE, TETE-A-TETE,
MONO-A-MONSTER WITH RUSSIAN

68
00:03:20,434 --> 00:03:24,436
A FACE-TO-FACE, TETE-A-TETE,
MONO-A-MONSTER WITH RUSSIAN
PRESIDENT AND MAN WHO

69
00:03:24,438 --> 00:03:26,471
MONO-A-MONSTER WITH RUSSIAN
PRESIDENT AND MAN WHO
POPULARIZED THE "VLAD BOD,"

70
00:03:26,473 --> 00:03:27,339
PRESIDENT AND MAN WHO
POPULARIZED THE "VLAD BOD,"
VLADIMIR PUTIN.

71
00:03:27,341 --> 00:03:29,141
POPULARIZED THE "VLAD BOD,"
VLADIMIR PUTIN.
THE 68- AND 78-YEAR-OLD LEADERS

72
00:03:29,143 --> 00:03:31,643
VLADIMIR PUTIN.
THE 68- AND 78-YEAR-OLD LEADERS
MET IN SWITZERLAND, NEUTRAL

73
00:03:31,645 --> 00:03:32,444
THE 68- AND 78-YEAR-OLD LEADERS
MET IN SWITZERLAND, NEUTRAL
TERRITORY.

74
00:03:32,446 --> 00:03:33,312
MET IN SWITZERLAND, NEUTRAL
TERRITORY.
IT WAS AN EPIC CONFRONTATION IN

75
00:03:33,314 --> 00:03:38,483
TERRITORY.
IT WAS AN EPIC CONFRONTATION IN
THE TRADITION OF THE "THRILLA IN

76
00:03:38,485 --> 00:03:39,885
IT WAS AN EPIC CONFRONTATION IN
THE TRADITION OF THE "THRILLA IN
MANILA," THE "RUMBLE IN THE

77
00:03:39,887 --> 00:03:40,452
THE TRADITION OF THE "THRILLA IN
MANILA," THE "RUMBLE IN THE
JUNGLE."

78
00:03:40,454 --> 00:03:42,821
MANILA," THE "RUMBLE IN THE
JUNGLE."
IT WAS THE "BONIVA IN GENEVA."

79
00:03:42,823 --> 00:03:43,222
JUNGLE."
IT WAS THE "BONIVA IN GENEVA."
<i> ( LAUGHTER )</i>

80
00:03:43,224 --> 00:03:43,989
IT WAS THE "BONIVA IN GENEVA."
<i> ( LAUGHTER )</i>
GOT THERE.

81
00:03:43,991 --> 00:03:44,489
<i> ( LAUGHTER )</i>
GOT THERE.
GOT THERE.

82
00:03:44,491 --> 00:03:50,829
GOT THERE.
GOT THERE.
( CHEERS AND APPLAUSE ).

83
00:03:50,831 --> 00:03:52,397
GOT THERE.
( CHEERS AND APPLAUSE ).
THE TWO LEADERS SQUARED OFF FROM

84
00:03:52,399 --> 00:03:53,165
( CHEERS AND APPLAUSE ).
THE TWO LEADERS SQUARED OFF FROM
THE GET-GO.

85
00:03:53,167 --> 00:03:55,267
THE TWO LEADERS SQUARED OFF FROM
THE GET-GO.
JUST LOOK AT THIS DRAMATIC

86
00:03:55,269 --> 00:03:56,468
THE GET-GO.
JUST LOOK AT THIS DRAMATIC
PHOTO:

87
00:03:56,470 --> 00:04:00,405
JUST LOOK AT THIS DRAMATIC
PHOTO:
AW, YEAH!

88
00:04:00,407 --> 00:04:02,241
PHOTO:
AW, YEAH!
THEIR GUY FELL ASLEEP FIRST!

89
00:04:02,243 --> 00:04:02,474
AW, YEAH!
THEIR GUY FELL ASLEEP FIRST!
WOOO!

90
00:04:02,476 --> 00:04:03,442
THEIR GUY FELL ASLEEP FIRST!
WOOO!
THAT PHOTO-OP STARTED OFF WITH

91
00:04:03,444 --> 00:04:07,112
WOOO!
THAT PHOTO-OP STARTED OFF WITH
A SHOVING MATCH BETWEEN AMERICAN

92
00:04:07,114 --> 00:04:07,613
THAT PHOTO-OP STARTED OFF WITH
A SHOVING MATCH BETWEEN AMERICAN
AND RUSSIAN JOURNALISTS.

93
00:04:07,615 --> 00:04:09,014
A SHOVING MATCH BETWEEN AMERICAN
AND RUSSIAN JOURNALISTS.
THIS IS TRUE.

94
00:04:09,016 --> 00:04:09,615
AND RUSSIAN JOURNALISTS.
THIS IS TRUE.
THE CHAOS ALSO GOT IN THE WAY

95
00:04:09,617 --> 00:04:11,583
THIS IS TRUE.
THE CHAOS ALSO GOT IN THE WAY
OF THE CAMERAS.

96
00:04:11,585 --> 00:04:12,251
THE CHAOS ALSO GOT IN THE WAY
OF THE CAMERAS.
CHECK OUT THIS RUSSIAN

97
00:04:12,253 --> 00:04:12,851
OF THE CAMERAS.
CHECK OUT THIS RUSSIAN
PHOTOGRAPHER HOGGING THE REAL

98
00:04:12,853 --> 00:04:14,486
CHECK OUT THIS RUSSIAN
PHOTOGRAPHER HOGGING THE REAL
ESTATE:

99
00:04:14,488 --> 00:04:15,954
PHOTOGRAPHER HOGGING THE REAL
ESTATE:
>> CAN HE MOVE?

100
00:04:15,956 --> 00:04:16,555
ESTATE:
>> CAN HE MOVE?
BECAUSE WE CAN'T GET A SHOT OF

101
00:04:16,557 --> 00:04:18,724
>> CAN HE MOVE?
BECAUSE WE CAN'T GET A SHOT OF
BOTH OF THEM.

102
00:04:18,726 --> 00:04:20,459
BECAUSE WE CAN'T GET A SHOT OF
BOTH OF THEM.
CAN YOU MOVE?

103
00:04:20,461 --> 00:04:22,127
BOTH OF THEM.
CAN YOU MOVE?
BECAUSE WE CAN'T GET A SHOT.

104
00:04:22,129 --> 00:04:23,095
CAN YOU MOVE?
BECAUSE WE CAN'T GET A SHOT.
<i> ( LAUGHTER )</i>

105
00:04:23,097 --> 00:04:23,862
BECAUSE WE CAN'T GET A SHOT.
<i> ( LAUGHTER )</i>
>> Stephen: WELL, THAT IS

106
00:04:23,864 --> 00:04:24,429
<i> ( LAUGHTER )</i>
>> Stephen: WELL, THAT IS
CLEARLY AN ACT OF--

107
00:04:24,431 --> 00:04:26,498
>> Stephen: WELL, THAT IS
CLEARLY AN ACT OF--
HEY, CAN YOU MOVE?

108
00:04:26,500 --> 00:04:30,702
CLEARLY AN ACT OF--
HEY, CAN YOU MOVE?
CAN YOU-- I CAN'T-- I CAN'T DO

109
00:04:30,704 --> 00:04:30,902
HEY, CAN YOU MOVE?
CAN YOU-- I CAN'T-- I CAN'T DO
THE--

110
00:04:30,904 --> 00:04:32,437
CAN YOU-- I CAN'T-- I CAN'T DO
THE--
<i> ( LAUGHTER )</i>

111
00:04:32,439 --> 00:04:35,307
THE--
<i> ( LAUGHTER )</i>
<i> ( CHEERS AND APPLAUSE )</i>

112
00:04:35,309 --> 00:04:40,445
<i> ( LAUGHTER )</i>
<i> ( CHEERS AND APPLAUSE )</i>
THE RUSSIANS ARE EVERYWHERE!

113
00:04:40,447 --> 00:04:42,047
<i> ( CHEERS AND APPLAUSE )</i>
THE RUSSIANS ARE EVERYWHERE!
EXPECTATIONS WERE NOT HIGH FOR

114
00:04:42,049 --> 00:04:43,682
THE RUSSIANS ARE EVERYWHERE!
EXPECTATIONS WERE NOT HIGH FOR
THE MEETING, BUT EVERY AMERICAN

115
00:04:43,684 --> 00:04:44,449
EXPECTATIONS WERE NOT HIGH FOR
THE MEETING, BUT EVERY AMERICAN
LEADER GOES IN WITH A SET

116
00:04:44,451 --> 00:04:46,485
THE MEETING, BUT EVERY AMERICAN
LEADER GOES IN WITH A SET
OF OBJECTIVES.

117
00:04:46,487 --> 00:04:48,453
LEADER GOES IN WITH A SET
OF OBJECTIVES.
BIDEN WENT INTO THE DAY HOPING

118
00:04:48,455 --> 00:04:50,455
OF OBJECTIVES.
BIDEN WENT INTO THE DAY HOPING
TO PROMOTE PREDICTABILITY AND

119
00:04:50,457 --> 00:04:52,457
BIDEN WENT INTO THE DAY HOPING
TO PROMOTE PREDICTABILITY AND
STABLITY-- ALSO THE NAME OF THE

120
00:04:52,459 --> 00:04:55,060
TO PROMOTE PREDICTABILITY AND
STABLITY-- ALSO THE NAME OF THE
MOST BORING JANE AUSTEN NOVEL.

121
00:04:55,062 --> 00:04:56,361
STABLITY-- ALSO THE NAME OF THE
MOST BORING JANE AUSTEN NOVEL.
<i> ( LAUGHTER )</i>

122
00:04:56,363 --> 00:04:56,995
MOST BORING JANE AUSTEN NOVEL.
<i> ( LAUGHTER )</i>
EXPERTS HAD EXPECTED A FOUR- TO

123
00:04:56,997 --> 00:04:57,996
<i> ( LAUGHTER )</i>
EXPERTS HAD EXPECTED A FOUR- TO
FIVE-HOUR SUMMIT, BUT IN

124
00:04:57,998 --> 00:05:00,299
EXPERTS HAD EXPECTED A FOUR- TO
FIVE-HOUR SUMMIT, BUT IN
ACTUALITY, THE TOTAL RUNNING

125
00:05:00,301 --> 00:05:04,236
FIVE-HOUR SUMMIT, BUT IN
ACTUALITY, THE TOTAL RUNNING
TIME FOR THE SUMMIT WAS THREE

126
00:05:04,238 --> 00:05:05,137
ACTUALITY, THE TOTAL RUNNING
TIME FOR THE SUMMIT WAS THREE
HOURS AND 21 MINUTES-- SHORTER

127
00:05:05,139 --> 00:05:05,804
TIME FOR THE SUMMIT WAS THREE
HOURS AND 21 MINUTES-- SHORTER
THAN EXPECTED, LIKE VLADIMIR

128
00:05:05,806 --> 00:05:07,739
HOURS AND 21 MINUTES-- SHORTER
THAN EXPECTED, LIKE VLADIMIR
PUTIN.

129
00:05:07,741 --> 00:05:10,976
THAN EXPECTED, LIKE VLADIMIR
PUTIN.
<i> ( LAUGHTER )</i>

130
00:05:10,978 --> 00:05:13,345
PUTIN.
<i> ( LAUGHTER )</i>
SO, WHAT DID THEY-- REALLY?

131
00:05:13,347 --> 00:05:14,479
<i> ( LAUGHTER )</i>
SO, WHAT DID THEY-- REALLY?
PUTIN FANS HERE TONIGHT?

132
00:05:14,481 --> 00:05:17,449
SO, WHAT DID THEY-- REALLY?
PUTIN FANS HERE TONIGHT?
I DID NOT REALIZE.

133
00:05:17,451 --> 00:05:18,016
PUTIN FANS HERE TONIGHT?
I DID NOT REALIZE.
SO, WHAT DID THEY ACCOMPLISH

134
00:05:18,018 --> 00:05:18,517
I DID NOT REALIZE.
SO, WHAT DID THEY ACCOMPLISH
WITH THEIR MINI-MEETING?

135
00:05:18,519 --> 00:05:22,220
SO, WHAT DID THEY ACCOMPLISH
WITH THEIR MINI-MEETING?
I DUNNO.

136
00:05:22,222 --> 00:05:24,423
WITH THEIR MINI-MEETING?
I DUNNO.
I WAS DRIFTING IN AND OUT ALL

137
00:05:24,425 --> 00:05:25,090
I DUNNO.
I WAS DRIFTING IN AND OUT ALL
DAY.

138
00:05:25,092 --> 00:05:27,259
I WAS DRIFTING IN AND OUT ALL
DAY.
I THINK THEY'RE EXCHANGING

139
00:05:27,261 --> 00:05:35,067
DAY.
I THINK THEY'RE EXCHANGING
AMBASSADORS, ISN'T THAT RIGHT?

140
00:05:35,069 --> 00:05:38,503
I THINK THEY'RE EXCHANGING
AMBASSADORS, ISN'T THAT RIGHT?
THEY'RE REVIVING THE IRANIAN

141
00:05:38,505 --> 00:05:40,439
AMBASSADORS, ISN'T THAT RIGHT?
THEY'RE REVIVING THE IRANIAN
NUCLEAR DEAL, AND SOMETHING

142
00:05:40,441 --> 00:05:42,474
THEY'RE REVIVING THE IRANIAN
NUCLEAR DEAL, AND SOMETHING
SOMETHING ARCTIC.

143
00:05:42,476 --> 00:05:43,408
NUCLEAR DEAL, AND SOMETHING
SOMETHING ARCTIC.
BASICALLY, THE ONLY THING THAT

144
00:05:43,410 --> 00:05:44,309
SOMETHING ARCTIC.
BASICALLY, THE ONLY THING THAT
WAS EXCITING ABOUT IT IS THAT IT

145
00:05:44,311 --> 00:05:44,910
BASICALLY, THE ONLY THING THAT
WAS EXCITING ABOUT IT IS THAT IT
WAS NOT THE MOST DEMORALIZING,

146
00:05:44,912 --> 00:05:45,811
WAS EXCITING ABOUT IT IS THAT IT
WAS NOT THE MOST DEMORALIZING,
NAUSEATING, INTERNATIONAL

147
00:05:45,813 --> 00:05:48,347
WAS NOT THE MOST DEMORALIZING,
NAUSEATING, INTERNATIONAL
BOOTLICKING ANYONE HAS EVER

148
00:05:48,349 --> 00:05:48,547
NAUSEATING, INTERNATIONAL
BOOTLICKING ANYONE HAS EVER
SEEN.

149
00:05:48,549 --> 00:05:48,847
BOOTLICKING ANYONE HAS EVER
SEEN.
CHOPPER

150
00:05:48,849 --> 00:05:50,115
SEEN.
CHOPPER
<i> ( CHEERS AND APPLAUSE )</i>

151
00:05:50,117 --> 00:05:52,384
CHOPPER
<i> ( CHEERS AND APPLAUSE )</i>
A SLIGHT DIFFERENCE.

152
00:05:52,386 --> 00:05:55,821
<i> ( CHEERS AND APPLAUSE )</i>
A SLIGHT DIFFERENCE.
TOTALLY-- A SLIGHT DIFFERENCE.

153
00:05:55,823 --> 00:05:56,455
A SLIGHT DIFFERENCE.
TOTALLY-- A SLIGHT DIFFERENCE.
THE "BONIVA IN GENEVA" DIDN'T

154
00:05:56,457 --> 00:05:57,823
TOTALLY-- A SLIGHT DIFFERENCE.
THE "BONIVA IN GENEVA" DIDN'T
HAVE TO CLEAR A VERY HIGH BAR.

155
00:05:57,825 --> 00:05:58,290
THE "BONIVA IN GENEVA" DIDN'T
HAVE TO CLEAR A VERY HIGH BAR.
IT JUST HAD TO BE LESS

156
00:05:58,292 --> 00:05:59,925
HAVE TO CLEAR A VERY HIGH BAR.
IT JUST HAD TO BE LESS
EMBARRASSING THAN THE "STINKY IN

157
00:05:59,927 --> 00:06:00,192
IT JUST HAD TO BE LESS
EMBARRASSING THAN THE "STINKY IN
HELSINKI."

158
00:06:00,194 --> 00:06:02,461
EMBARRASSING THAN THE "STINKY IN
HELSINKI."
<i> ( LAUGHTER )</i>

159
00:06:02,463 --> 00:06:04,429
HELSINKI."
<i> ( LAUGHTER )</i>
AFTER THE SUMMIT, PUTIN TOOK

160
00:06:04,431 --> 00:06:08,333
<i> ( LAUGHTER )</i>
AFTER THE SUMMIT, PUTIN TOOK
SOME SOFTBALL QUESTIONS FROM THE

161
00:06:08,335 --> 00:06:08,934
AFTER THE SUMMIT, PUTIN TOOK
SOME SOFTBALL QUESTIONS FROM THE
RUSSIAN PRESS, AND THEN CALLED

162
00:06:08,936 --> 00:06:11,403
SOME SOFTBALL QUESTIONS FROM THE
RUSSIAN PRESS, AND THEN CALLED
ON ABC'S RACHEL SCOTT:

163
00:06:11,405 --> 00:06:12,104
RUSSIAN PRESS, AND THEN CALLED
ON ABC'S RACHEL SCOTT:
>> Reporter: THE LIST OF YOUR

164
00:06:12,106 --> 00:06:12,671
ON ABC'S RACHEL SCOTT:
>> Reporter: THE LIST OF YOUR
POLITICAL OPPONENTS WHO ARE

165
00:06:12,673 --> 00:06:14,506
>> Reporter: THE LIST OF YOUR
POLITICAL OPPONENTS WHO ARE
DEAD, IMPRISONED, OR JAILED IS

166
00:06:14,508 --> 00:06:16,441
POLITICAL OPPONENTS WHO ARE
DEAD, IMPRISONED, OR JAILED IS
LONG.

167
00:06:16,443 --> 00:06:18,877
DEAD, IMPRISONED, OR JAILED IS
LONG.
ALEXEI NAVALNY'S ORGANIZATION

168
00:06:18,879 --> 00:06:19,378
LONG.
ALEXEI NAVALNY'S ORGANIZATION
CALLS FOR FREE AND FAIR

169
00:06:19,380 --> 00:06:20,545
ALEXEI NAVALNY'S ORGANIZATION
CALLS FOR FREE AND FAIR
ELECTIONS AND END TO CORRUPTION,

170
00:06:20,547 --> 00:06:22,948
CALLS FOR FREE AND FAIR
ELECTIONS AND END TO CORRUPTION,
BUT RUSSIA HAS OUTLAWED THAT

171
00:06:22,950 --> 00:06:24,149
ELECTIONS AND END TO CORRUPTION,
BUT RUSSIA HAS OUTLAWED THAT
ORGANIZATION, CALLING IT

172
00:06:24,151 --> 00:06:24,716
BUT RUSSIA HAS OUTLAWED THAT
ORGANIZATION, CALLING IT
EXTREMIST, AND YOU HAVE NOW

173
00:06:24,718 --> 00:06:26,184
ORGANIZATION, CALLING IT
EXTREMIST, AND YOU HAVE NOW
PREVENTED ANYONE WHO SUPPORTS

174
00:06:26,186 --> 00:06:26,651
EXTREMIST, AND YOU HAVE NOW
PREVENTED ANYONE WHO SUPPORTS
HIM TO RUN FOR OFFICE.

175
00:06:26,653 --> 00:06:27,352
PREVENTED ANYONE WHO SUPPORTS
HIM TO RUN FOR OFFICE.
SO MY QUESTION IS, MR.

176
00:06:27,354 --> 00:06:28,453
HIM TO RUN FOR OFFICE.
SO MY QUESTION IS, MR.
PRESIDENT, WHAT ARE YOU SO

177
00:06:28,455 --> 00:06:32,691
SO MY QUESTION IS, MR.
PRESIDENT, WHAT ARE YOU SO
AFRAID OF?

178
00:06:32,693 --> 00:06:34,993
PRESIDENT, WHAT ARE YOU SO
AFRAID OF?
( AUDIENCE REACTS )

179
00:06:34,995 --> 00:06:39,131
AFRAID OF?
( AUDIENCE REACTS )
>> Stephen: WOW, WOW, MAN.

180
00:06:39,133 --> 00:06:42,267
( AUDIENCE REACTS )
>> Stephen: WOW, WOW, MAN.
THAT-- THAT WAS GREAT.

181
00:06:42,269 --> 00:06:42,701
>> Stephen: WOW, WOW, MAN.
THAT-- THAT WAS GREAT.
SHE WILL BE MISSED.

182
00:06:42,703 --> 00:06:45,737
THAT-- THAT WAS GREAT.
SHE WILL BE MISSED.
<i> ( LAUGHTER )</i>

183
00:06:45,739 --> 00:06:47,606
SHE WILL BE MISSED.
<i> ( LAUGHTER )</i>
WE ALSO LEARNED THE TWO LEADERS

184
00:06:47,608 --> 00:06:52,444
<i> ( LAUGHTER )</i>
WE ALSO LEARNED THE TWO LEADERS
EXCHANGED GIFTS.

185
00:06:52,446 --> 00:06:53,078
WE ALSO LEARNED THE TWO LEADERS
EXCHANGED GIFTS.
AMONG THE PRESENTS BIDEN GAVE TO

186
00:06:53,080 --> 00:06:53,712
EXCHANGED GIFTS.
AMONG THE PRESENTS BIDEN GAVE TO
PUTIN WAS "A PAIR OF CUSTOM

187
00:06:53,714 --> 00:06:56,047
AMONG THE PRESENTS BIDEN GAVE TO
PUTIN WAS "A PAIR OF CUSTOM
AVIATORS."

188
00:06:56,049 --> 00:06:57,549
PUTIN WAS "A PAIR OF CUSTOM
AVIATORS."
<i> ( CHEERS AND APPLAUSE )</i>

189
00:06:57,551 --> 00:06:58,917
AVIATORS."
<i> ( CHEERS AND APPLAUSE )</i>
IT'S-- IT'S GREAT.

190
00:06:58,919 --> 00:07:01,987
<i> ( CHEERS AND APPLAUSE )</i>
IT'S-- IT'S GREAT.
GREAT FOR WILL INTERNATIONAL

191
00:07:01,989 --> 00:07:02,587
IT'S-- IT'S GREAT.
GREAT FOR WILL INTERNATIONAL
RELATIONS, BUT EVEN BETTER

192
00:07:02,589 --> 00:07:04,423
GREAT FOR WILL INTERNATIONAL
RELATIONS, BUT EVEN BETTER
FOR ME.

193
00:07:04,425 --> 00:07:05,457
RELATIONS, BUT EVEN BETTER
FOR ME.
NOW I CAN DO TWO IMPRESSIONS

194
00:07:05,459 --> 00:07:07,359
FOR ME.
NOW I CAN DO TWO IMPRESSIONS
WITH ONE PROP.

195
00:07:07,361 --> 00:07:08,393
NOW I CAN DO TWO IMPRESSIONS
WITH ONE PROP.
"C'MON, JACK!"

196
00:07:08,395 --> 00:07:10,629
WITH ONE PROP.
"C'MON, JACK!"
<i> ( AS PUTIN )</i>

197
00:07:10,631 --> 00:07:11,062
"C'MON, JACK!"
<i> ( AS PUTIN )</i>
"I WILL MURDER YOU."

198
00:07:11,064 --> 00:07:11,430
<i> ( AS PUTIN )</i>
"I WILL MURDER YOU."
<i> ( LAUGHTER )</i>

199
00:07:11,432 --> 00:07:12,931
"I WILL MURDER YOU."
<i> ( LAUGHTER )</i>
THANK YOU, THANK YOU VERY MUCH.

200
00:07:12,933 --> 00:07:14,499
<i> ( LAUGHTER )</i>
THANK YOU, THANK YOU VERY MUCH.
( CHEERS AND APPLAUSE ).

201
00:07:14,501 --> 00:07:18,370
THANK YOU, THANK YOU VERY MUCH.
( CHEERS AND APPLAUSE ).
♪ ♪ ♪

202
00:07:18,372 --> 00:07:20,405
( CHEERS AND APPLAUSE ).
♪ ♪ ♪
COULD YOU HOLD OFF?

203
00:07:20,407 --> 00:07:25,210
♪ ♪ ♪
COULD YOU HOLD OFF?
COULD YOU HOLD OFF?

204
00:07:25,212 --> 00:07:27,012
COULD YOU HOLD OFF?
COULD YOU HOLD OFF?
THEN PUTIN EXPLAINED HILLS LIFE

205
00:07:27,014 --> 00:07:29,548
COULD YOU HOLD OFF?
THEN PUTIN EXPLAINED HILLS LIFE
PHILOSOPHY.

206
00:07:29,550 --> 00:07:31,149
THEN PUTIN EXPLAINED HILLS LIFE
PHILOSOPHY.
>> ( translated ): WERE YOU

207
00:07:31,151 --> 00:07:32,851
PHILOSOPHY.
>> ( translated ): WERE YOU
ABLE TO BRING MUTUAL

208
00:07:32,853 --> 00:07:34,786
>> ( translated ): WERE YOU
ABLE TO BRING MUTUAL
UNDERSTANDING AND TRUST WITH THE

209
00:07:34,788 --> 00:07:36,421
ABLE TO BRING MUTUAL
UNDERSTANDING AND TRUST WITH THE
PRESIDENT OF THE UNITED STATES.

210
00:07:36,423 --> 00:07:40,025
UNDERSTANDING AND TRUST WITH THE
PRESIDENT OF THE UNITED STATES.
IN LIFE THERE IS NO HAPPINESS.

211
00:07:40,027 --> 00:07:40,592
PRESIDENT OF THE UNITED STATES.
IN LIFE THERE IS NO HAPPINESS.
THERE IS ONLY THE SPECTER OF

212
00:07:40,594 --> 00:07:42,160
IN LIFE THERE IS NO HAPPINESS.
THERE IS ONLY THE SPECTER OF
HAPPINESS.

213
00:07:42,162 --> 00:07:42,828
THERE IS ONLY THE SPECTER OF
HAPPINESS.
>> Stephen: YOU DO NOT WANT THIS

214
00:07:42,830 --> 00:07:43,462
HAPPINESS.
>> Stephen: YOU DO NOT WANT THIS
GUY GIVING A TOAST AT YOUR

215
00:07:43,464 --> 00:07:44,196
>> Stephen: YOU DO NOT WANT THIS
GUY GIVING A TOAST AT YOUR
WEDDING.

216
00:07:44,198 --> 00:07:44,529
GUY GIVING A TOAST AT YOUR
WEDDING.
<i> ( AS PUTIN )</i>

217
00:07:44,531 --> 00:07:46,298
WEDDING.
<i> ( AS PUTIN )</i>
"CONGRATULATIONS TO JEFFREY AND

218
00:07:46,300 --> 00:07:46,498
<i> ( AS PUTIN )</i>
"CONGRATULATIONS TO JEFFREY AND
DIANE.

219
00:07:46,500 --> 00:07:48,567
"CONGRATULATIONS TO JEFFREY AND
DIANE.
MAY THE SPECTER OF HAPPINESS

220
00:07:48,569 --> 00:07:52,437
DIANE.
MAY THE SPECTER OF HAPPINESS
HAUNT YOU.

221
00:07:52,439 --> 00:07:54,272
MAY THE SPECTER OF HAPPINESS
HAUNT YOU.
NOW PLEASE HAVE SOME CAKE.

222
00:07:54,274 --> 00:07:55,273
HAUNT YOU.
NOW PLEASE HAVE SOME CAKE.
IT IS MADE OF VANILLA AND

223
00:07:55,275 --> 00:07:56,441
NOW PLEASE HAVE SOME CAKE.
IT IS MADE OF VANILLA AND
CHILDREN'S TEARS, FOR WHAT IS

224
00:07:56,443 --> 00:08:00,412
IT IS MADE OF VANILLA AND
CHILDREN'S TEARS, FOR WHAT IS
LIFE BUT A DIFFICULT BIRTH

225
00:08:00,414 --> 00:08:04,449
CHILDREN'S TEARS, FOR WHAT IS
LIFE BUT A DIFFICULT BIRTH
ASTRIDE OF A GRAVE.

226
00:08:04,451 --> 00:08:07,786
LIFE BUT A DIFFICULT BIRTH
ASTRIDE OF A GRAVE.
THE LIGHT GLEAMS FOR AN INSTANT,

227
00:08:07,788 --> 00:08:08,453
ASTRIDE OF A GRAVE.
THE LIGHT GLEAMS FOR AN INSTANT,
THEN IT IS NIGHT ONCE MORE.

228
00:08:08,455 --> 00:08:12,424
THE LIGHT GLEAMS FOR AN INSTANT,
THEN IT IS NIGHT ONCE MORE.
MAZEL TOV!"

229
00:08:12,426 --> 00:08:14,826
THEN IT IS NIGHT ONCE MORE.
MAZEL TOV!"
<i> ( CHEERS AND APPLAUSE )</i>

230
00:08:14,828 --> 00:08:16,995
MAZEL TOV!"
<i> ( CHEERS AND APPLAUSE )</i>
THEN IT WAS BIDEN'S TURN, AND HE

231
00:08:16,997 --> 00:08:20,432
<i> ( CHEERS AND APPLAUSE )</i>
THEN IT WAS BIDEN'S TURN, AND HE
STARTED HIS PRESSER WITH A WEE

232
00:08:20,434 --> 00:08:21,533
THEN IT WAS BIDEN'S TURN, AND HE
STARTED HIS PRESSER WITH A WEE
GAFFE.

233
00:08:21,535 --> 00:08:24,402
STARTED HIS PRESSER WITH A WEE
GAFFE.
>> I CAUGHT PART OF PRESIDENT

234
00:08:24,404 --> 00:08:26,471
GAFFE.
>> I CAUGHT PART OF PRESIDENT
TRU-- UH, PUTIN'S PRESS

235
00:08:26,473 --> 00:08:28,440
>> I CAUGHT PART OF PRESIDENT
TRU-- UH, PUTIN'S PRESS
CONFERENCE.

236
00:08:28,442 --> 00:08:31,009
TRU-- UH, PUTIN'S PRESS
CONFERENCE.
>> Stephen: OOOH,INGS HEY!

237
00:08:31,011 --> 00:08:33,678
CONFERENCE.
>> Stephen: OOOH,INGS HEY!
HE MIXED THEM UP.

238
00:08:33,680 --> 00:08:35,413
>> Stephen: OOOH,INGS HEY!
HE MIXED THEM UP.
THOUGH, I HAVE TO SAY, IT WAS

239
00:08:35,415 --> 00:08:38,183
HE MIXED THEM UP.
THOUGH, I HAVE TO SAY, IT WAS
OFTEN HARD TO TELL THE

240
00:08:38,185 --> 00:08:38,517
THOUGH, I HAVE TO SAY, IT WAS
OFTEN HARD TO TELL THE
DIFFERENCE.

241
00:08:38,519 --> 00:08:39,851
OFTEN HARD TO TELL THE
DIFFERENCE.
AT THE END, THE PRESIDENT GOT A

242
00:08:39,853 --> 00:08:40,485
DIFFERENCE.
AT THE END, THE PRESIDENT GOT A
LITTLE TESTY WITH ONE REPORTER.

243
00:08:40,487 --> 00:08:41,052
AT THE END, THE PRESIDENT GOT A
LITTLE TESTY WITH ONE REPORTER.
>> Reporter: WHY ARE YOU SO

244
00:08:41,054 --> 00:08:42,921
LITTLE TESTY WITH ONE REPORTER.
>> Reporter: WHY ARE YOU SO
CONFIDENT HE'LL CHANGE HIS

245
00:08:42,923 --> 00:08:43,421
>> Reporter: WHY ARE YOU SO
CONFIDENT HE'LL CHANGE HIS
BEHAVIOR, MR. PRESIDENT?

246
00:08:43,423 --> 00:08:43,955
CONFIDENT HE'LL CHANGE HIS
BEHAVIOR, MR. PRESIDENT?
>> I'M NOT CONFIDENT HE'LL

247
00:08:43,957 --> 00:08:46,925
BEHAVIOR, MR. PRESIDENT?
>> I'M NOT CONFIDENT HE'LL
CHANGE HIS BEHAVIOR.

248
00:08:46,927 --> 00:08:48,426
>> I'M NOT CONFIDENT HE'LL
CHANGE HIS BEHAVIOR.
WHAT THE HELL, WHAT DO YOU DO

249
00:08:48,428 --> 00:08:50,428
CHANGE HIS BEHAVIOR.
WHAT THE HELL, WHAT DO YOU DO
THAT ALL THE TIME?

250
00:08:50,430 --> 00:08:51,062
WHAT THE HELL, WHAT DO YOU DO
THAT ALL THE TIME?
WHEN DID I SAY I WAS CONFIDENT?

251
00:08:51,064 --> 00:08:51,863
THAT ALL THE TIME?
WHEN DID I SAY I WAS CONFIDENT?
I SAID--  WHAT I SAID WAS, LET'S

252
00:08:51,865 --> 00:08:55,634
WHEN DID I SAY I WAS CONFIDENT?
I SAID--  WHAT I SAID WAS, LET'S
GET IT STRAIGHT.

253
00:08:55,636 --> 00:08:56,434
I SAID--  WHAT I SAID WAS, LET'S
GET IT STRAIGHT.
I SAID WHAT WILL CHANGE THEIR

254
00:08:56,436 --> 00:08:57,903
GET IT STRAIGHT.
I SAID WHAT WILL CHANGE THEIR
BEHAVIOR IS IF THE REST OF THE

255
00:08:57,905 --> 00:08:59,137
I SAID WHAT WILL CHANGE THEIR
BEHAVIOR IS IF THE REST OF THE
WORLD REACTS TO THEM AND IT

256
00:08:59,139 --> 00:09:00,438
BEHAVIOR IS IF THE REST OF THE
WORLD REACTS TO THEM AND IT
DIMINISHES THEIR STANDING IN THE

257
00:09:00,440 --> 00:09:00,772
WORLD REACTS TO THEM AND IT
DIMINISHES THEIR STANDING IN THE
WORLD.

258
00:09:00,774 --> 00:09:02,507
DIMINISHES THEIR STANDING IN THE
WORLD.
I'M NOT CONFIDENT OF ANYTHING.

259
00:09:02,509 --> 00:09:08,446
WORLD.
I'M NOT CONFIDENT OF ANYTHING.
I'M JUST STATING A FACT.

260
00:09:08,448 --> 00:09:09,714
I'M NOT CONFIDENT OF ANYTHING.
I'M JUST STATING A FACT.
>> Stephen: WOW, THAT WAS SOME

261
00:09:09,716 --> 00:09:12,450
I'M JUST STATING A FACT.
>> Stephen: WOW, THAT WAS SOME
STRONG "GRAMPA'S HAD IT

262
00:09:12,452 --> 00:09:14,519
>> Stephen: WOW, THAT WAS SOME
STRONG "GRAMPA'S HAD IT
WITH YOUR LIP" ENERGY.

263
00:09:14,521 --> 00:09:15,520
STRONG "GRAMPA'S HAD IT
WITH YOUR LIP" ENERGY.
"WHAT'S THAT?

264
00:09:15,522 --> 00:09:16,087
WITH YOUR LIP" ENERGY.
"WHAT'S THAT?
WHAT'S THAT?

265
00:09:16,089 --> 00:09:20,458
"WHAT'S THAT?
WHAT'S THAT?
YOU WATCH YOUR TONE, MISTER.

266
00:09:20,460 --> 00:09:21,192
WHAT'S THAT?
YOU WATCH YOUR TONE, MISTER.
WATCH YOUR TONE, LITTLE MISTER.

267
00:09:21,194 --> 00:09:22,394
YOU WATCH YOUR TONE, MISTER.
WATCH YOUR TONE, LITTLE MISTER.
KNOCK IT OFF WITH THE GRAB-ASS

268
00:09:22,396 --> 00:09:23,862
WATCH YOUR TONE, LITTLE MISTER.
KNOCK IT OFF WITH THE GRAB-ASS
AND THE HORSEPLAY.

269
00:09:23,864 --> 00:09:24,496
KNOCK IT OFF WITH THE GRAB-ASS
AND THE HORSEPLAY.
THIS ISN'T A DOG-AND-PONY SHOW.

270
00:09:24,498 --> 00:09:25,397
AND THE HORSEPLAY.
THIS ISN'T A DOG-AND-PONY SHOW.
WERE YOU BORN IN A BARN?

271
00:09:25,399 --> 00:09:28,433
THIS ISN'T A DOG-AND-PONY SHOW.
WERE YOU BORN IN A BARN?
IF YOU WERE, GRAB A PAIL AND

272
00:09:28,435 --> 00:09:30,201
WERE YOU BORN IN A BARN?
IF YOU WERE, GRAB A PAIL AND
START MILKING THE COWS BECAUSE

273
00:09:30,203 --> 00:09:31,770
IF YOU WERE, GRAB A PAIL AND
START MILKING THE COWS BECAUSE
THEY'RE COMING HOME TO ROOST,

274
00:09:31,772 --> 00:09:36,007
START MILKING THE COWS BECAUSE
THEY'RE COMING HOME TO ROOST,
LITTLE BOY BLUE.

275
00:09:36,009 --> 00:09:36,441
THEY'RE COMING HOME TO ROOST,
LITTLE BOY BLUE.
I FOUGHT IN KOREA!"

276
00:09:36,443 --> 00:09:36,675
LITTLE BOY BLUE.
I FOUGHT IN KOREA!"
ANYWAY--

277
00:09:36,677 --> 00:09:40,178
I FOUGHT IN KOREA!"
ANYWAY--
<i> ( CHEERS AND APPLAUSE )</i>

278
00:09:40,180 --> 00:09:43,048
ANYWAY--
<i> ( CHEERS AND APPLAUSE )</i>
>> Jon: YEAH, GET IT, GET IT!

279
00:09:43,050 --> 00:09:44,149
<i> ( CHEERS AND APPLAUSE )</i>
>> Jon: YEAH, GET IT, GET IT!
GET IT!

280
00:09:44,151 --> 00:09:44,449
>> Jon: YEAH, GET IT, GET IT!
GET IT!
THE

281
00:09:44,451 --> 00:09:46,585
GET IT!
THE
<i> ( CHEERS AND APPLAUSE )</i>

282
00:09:46,587 --> 00:09:48,119
THE
<i> ( CHEERS AND APPLAUSE )</i>
I LIKE THAT.

283
00:09:48,121 --> 00:09:51,656
<i> ( CHEERS AND APPLAUSE )</i>
I LIKE THAT.
THE WAY YOU PUT THAT JACKET ON,

284
00:09:51,658 --> 00:09:51,890
I LIKE THAT.
THE WAY YOU PUT THAT JACKET ON,
CLASSIC.

285
00:09:51,892 --> 00:09:53,091
THE WAY YOU PUT THAT JACKET ON,
CLASSIC.
>> Stephen: ANYWAY, U.S.,

286
00:09:53,093 --> 00:09:54,225
CLASSIC.
>> Stephen: ANYWAY, U.S.,
RUSSIA, NUCLEAR WEAPONS.

287
00:09:54,227 --> 00:09:56,461
>> Stephen: ANYWAY, U.S.,
RUSSIA, NUCLEAR WEAPONS.
I'M SURE IT'S ALL GOING TO BE

288
00:09:56,463 --> 00:10:00,398
RUSSIA, NUCLEAR WEAPONS.
I'M SURE IT'S ALL GOING TO BE
FINE.

289
00:10:00,400 --> 00:10:01,800
I'M SURE IT'S ALL GOING TO BE
FINE.
IN HAPPIER NEWS FROM THE GRIN

290
00:10:01,802 --> 00:10:04,402
FINE.
IN HAPPIER NEWS FROM THE GRIN
BIN, ONCE AGAIN, IT'S THE THIRD

291
00:10:04,404 --> 00:10:05,003
IN HAPPIER NEWS FROM THE GRIN
BIN, ONCE AGAIN, IT'S THE THIRD
DAY OF OUR IN-PERSON SHOW, AND

292
00:10:05,005 --> 00:10:07,639
BIN, ONCE AGAIN, IT'S THE THIRD
DAY OF OUR IN-PERSON SHOW, AND
I'M STILL BUBBLING WITH

293
00:10:07,641 --> 00:10:08,006
DAY OF OUR IN-PERSON SHOW, AND
I'M STILL BUBBLING WITH
VAXCITEMENT.

294
00:10:08,008 --> 00:10:08,540
I'M STILL BUBBLING WITH
VAXCITEMENT.
<i> ( CHEERS AND APPLAUSE )</i>

295
00:10:08,542 --> 00:10:10,375
VAXCITEMENT.
<i> ( CHEERS AND APPLAUSE )</i>
WE'VE GOT ALL-- ALL-- ALL THE

296
00:10:10,377 --> 00:10:16,615
<i> ( CHEERS AND APPLAUSE )</i>
WE'VE GOT ALL-- ALL-- ALL THE
LATEST IN OUR NEW HOPEFULLY

297
00:10:16,617 --> 00:10:17,415
WE'VE GOT ALL-- ALL-- ALL THE
LATEST IN OUR NEW HOPEFULLY
LONG-RUNNING SEGMENT, "OPEN UP

298
00:10:17,417 --> 00:10:18,683
LATEST IN OUR NEW HOPEFULLY
LONG-RUNNING SEGMENT, "OPEN UP
AND SAY AHHHHMERICA".

299
00:10:18,685 --> 00:10:21,252
LONG-RUNNING SEGMENT, "OPEN UP
AND SAY AHHHHMERICA".
>> WE'RE OPEN!

300
00:10:21,254 --> 00:10:23,221
AND SAY AHHHHMERICA".
>> WE'RE OPEN!
LET'S PARTY NAKED.

301
00:10:23,223 --> 00:10:23,955
>> WE'RE OPEN!
LET'S PARTY NAKED.
GET IN HERE!

302
00:10:23,957 --> 00:10:26,458
LET'S PARTY NAKED.
GET IN HERE!
ALL RIGHT!

303
00:10:26,460 --> 00:10:28,426
GET IN HERE!
ALL RIGHT!
>> WOOOO!

304
00:10:28,428 --> 00:10:30,061
ALL RIGHT!
>> WOOOO!
>> YAY!

305
00:10:30,063 --> 00:10:30,629
>> WOOOO!
>> YAY!
>> I'M GONNA LICK EVERYTHING

306
00:10:30,631 --> 00:10:34,899
>> YAY!
>> I'M GONNA LICK EVERYTHING
THAT MOVES!

307
00:10:34,901 --> 00:10:35,433
>> I'M GONNA LICK EVERYTHING
THAT MOVES!
<i> ( CHEERS AND APPLAUSE )</i>

308
00:10:35,435 --> 00:10:36,868
THAT MOVES!
<i> ( CHEERS AND APPLAUSE )</i>
>> Stephen: OKAY, AS MORE

309
00:10:36,870 --> 00:10:39,604
<i> ( CHEERS AND APPLAUSE )</i>
>> Stephen: OKAY, AS MORE
STATES-- SAM IS CUT, MAN!

310
00:10:39,606 --> 00:10:41,606
>> Stephen: OKAY, AS MORE
STATES-- SAM IS CUT, MAN!
AS MORE STATES FULLY REOPEN,

311
00:10:41,608 --> 00:10:42,507
STATES-- SAM IS CUT, MAN!
AS MORE STATES FULLY REOPEN,
EXPERTS ARE CALLING ON

312
00:10:42,509 --> 00:10:44,442
AS MORE STATES FULLY REOPEN,
EXPERTS ARE CALLING ON
BUSINESSES TO STOP UNNECESSARY

313
00:10:44,444 --> 00:10:45,110
EXPERTS ARE CALLING ON
BUSINESSES TO STOP UNNECESSARY
PRECAUTIONS THAT ARE DESIGNED

314
00:10:45,112 --> 00:10:48,313
BUSINESSES TO STOP UNNECESSARY
PRECAUTIONS THAT ARE DESIGNED
JUST TO MAKE PEOPLE FEEL BETTER,

315
00:10:48,315 --> 00:10:48,947
PRECAUTIONS THAT ARE DESIGNED
JUST TO MAKE PEOPLE FEEL BETTER,
ALSO KNOWN AS "HYGIENE THEATER."

316
00:10:48,949 --> 00:10:56,121
JUST TO MAKE PEOPLE FEEL BETTER,
ALSO KNOWN AS "HYGIENE THEATER."
AH, YES, HYGIENE THEATER.

317
00:10:56,123 --> 00:10:56,755
ALSO KNOWN AS "HYGIENE THEATER."
AH, YES, HYGIENE THEATER.
SHAKESPEARE WAS, OF COURSE, WAS

318
00:10:56,757 --> 00:10:57,155
AH, YES, HYGIENE THEATER.
SHAKESPEARE WAS, OF COURSE, WAS
HIS CLASSIC PLAYS:

319
00:10:57,157 --> 00:10:57,922
SHAKESPEARE WAS, OF COURSE, WAS
HIS CLASSIC PLAYS:
"JULIUS CLEANSER,"

320
00:10:57,924 --> 00:11:00,425
HIS CLASSIC PLAYS:
"JULIUS CLEANSER,"
"CLOROX ANDRONICUS,"

321
00:11:00,427 --> 00:11:01,860
"JULIUS CLEANSER,"
"CLOROX ANDRONICUS,"
"THE PURELLING OF THE SHREW,"

322
00:11:01,862 --> 00:11:02,494
"CLOROX ANDRONICUS,"
"THE PURELLING OF THE SHREW,"
AND "THE MERRY WIPES OF WINDEX."

323
00:11:02,496 --> 00:11:04,462
"THE PURELLING OF THE SHREW,"
AND "THE MERRY WIPES OF WINDEX."
THESE RELATIVELY USELESS

324
00:11:04,464 --> 00:11:07,132
AND "THE MERRY WIPES OF WINDEX."
THESE RELATIVELY USELESS
GESTURES ARE EVERYWHERE, FROM

325
00:11:07,134 --> 00:11:08,400
THESE RELATIVELY USELESS
GESTURES ARE EVERYWHERE, FROM
RESTAURANTS TO SPORTS VENUES,

326
00:11:08,402 --> 00:11:10,068
GESTURES ARE EVERYWHERE, FROM
RESTAURANTS TO SPORTS VENUES,
AND THE WASHINGTON BASEBALL FANS

327
00:11:10,070 --> 00:11:10,402
RESTAURANTS TO SPORTS VENUES,
AND THE WASHINGTON BASEBALL FANS
ARE NOT HAPPY.

328
00:11:10,404 --> 00:11:12,437
AND THE WASHINGTON BASEBALL FANS
ARE NOT HAPPY.
ONE NATIONALS SUPPORTER WAS

329
00:11:12,439 --> 00:11:13,038
ARE NOT HAPPY.
ONE NATIONALS SUPPORTER WAS
PARTICULARLY FRUSTRATED AT THE

330
00:11:13,040 --> 00:11:16,441
ONE NATIONALS SUPPORTER WAS
PARTICULARLY FRUSTRATED AT THE
HANDS-FREE CONDIMENT STATIONS,

331
00:11:16,443 --> 00:11:20,445
PARTICULARLY FRUSTRATED AT THE
HANDS-FREE CONDIMENT STATIONS,
SAYING, "SOMETIMES THE KETCHUP

332
00:11:20,447 --> 00:11:22,914
HANDS-FREE CONDIMENT STATIONS,
SAYING, "SOMETIMES THE KETCHUP
IS BARBECUE.

333
00:11:22,916 --> 00:11:23,415
SAYING, "SOMETIMES THE KETCHUP
IS BARBECUE.
SOMETIMES THE MUSTARD IS

334
00:11:23,417 --> 00:11:23,982
IS BARBECUE.
SOMETIMES THE MUSTARD IS
KETCHUP.

335
00:11:23,984 --> 00:11:24,516
SOMETIMES THE MUSTARD IS
KETCHUP.
THERE'S NO MORE RELISH OR

336
00:11:24,518 --> 00:11:25,717
KETCHUP.
THERE'S NO MORE RELISH OR
ONIONS.

337
00:11:25,719 --> 00:11:26,317
THERE'S NO MORE RELISH OR
ONIONS.
THIS IS THE BIGGEST (BLEEP) OF

338
00:11:26,319 --> 00:11:28,420
ONIONS.
THIS IS THE BIGGEST (BLEEP) OF
THE BALLPARK THIS YEAR.

339
00:11:28,422 --> 00:11:29,654
THIS IS THE BIGGEST (BLEEP) OF
THE BALLPARK THIS YEAR.
NO, CLEARLY, THE BIGGEST (BLEEP)

340
00:11:29,656 --> 00:11:30,321
THE BALLPARK THIS YEAR.
NO, CLEARLY, THE BIGGEST (BLEEP)
THIS YEAR AND EVERY YEAR IS THAT

341
00:11:30,323 --> 00:11:32,290
NO, CLEARLY, THE BIGGEST (BLEEP)
THIS YEAR AND EVERY YEAR IS THAT
YOU CAN'T WEAR THE HATS THAT THE

342
00:11:32,292 --> 00:11:32,724
THIS YEAR AND EVERY YEAR IS THAT
YOU CAN'T WEAR THE HATS THAT THE
ICE CREAM COMES IN.

343
00:11:32,726 --> 00:11:35,894
YOU CAN'T WEAR THE HATS THAT THE
ICE CREAM COMES IN.
WHY MAKE IT A HAT IF IT DOESN'T

344
00:11:35,896 --> 00:11:36,261
ICE CREAM COMES IN.
WHY MAKE IT A HAT IF IT DOESN'T
FIT YOUR HEAD??

345
00:11:36,263 --> 00:11:37,228
WHY MAKE IT A HAT IF IT DOESN'T
FIT YOUR HEAD??
AND MAYBE A BABY.

346
00:11:37,230 --> 00:11:41,032
FIT YOUR HEAD??
AND MAYBE A BABY.
MAYBE YOU CAN JAM IT ON A BABY'S

347
00:11:41,034 --> 00:11:45,103
AND MAYBE A BABY.
MAYBE YOU CAN JAM IT ON A BABY'S
HEAD IF THE FONT NEL HASN'T

348
00:11:45,105 --> 00:11:45,503
MAYBE YOU CAN JAM IT ON A BABY'S
HEAD IF THE FONT NEL HASN'T
CLOSED YET.

349
00:11:45,505 --> 00:11:47,505
HEAD IF THE FONT NEL HASN'T
CLOSED YET.
OH, GROW UP!

350
00:11:47,507 --> 00:11:50,475
CLOSED YET.
OH, GROW UP!
BABY-- BABY HEADS BOUNCE!

351
00:11:50,477 --> 00:11:54,212
OH, GROW UP!
BABY-- BABY HEADS BOUNCE!
<i> ( LAUGHTER )</i>

352
00:11:54,214 --> 00:11:54,813
BABY-- BABY HEADS BOUNCE!
<i> ( LAUGHTER )</i>
NOW, IT'S NOT JUST BALLPARKS.

353
00:11:54,815 --> 00:11:55,680
<i> ( LAUGHTER )</i>
NOW, IT'S NOT JUST BALLPARKS.
ONE EXPERT WONDERED WHY CLEANING

354
00:11:55,682 --> 00:11:56,448
NOW, IT'S NOT JUST BALLPARKS.
ONE EXPERT WONDERED WHY CLEANING
CREWS ARE STILL DISINFECTING

355
00:11:56,450 --> 00:11:59,651
ONE EXPERT WONDERED WHY CLEANING
CREWS ARE STILL DISINFECTING
NEW YORK CITY SUBWAY CARS.

356
00:11:59,653 --> 00:12:00,452
CREWS ARE STILL DISINFECTING
NEW YORK CITY SUBWAY CARS.
YES, BECAUSE BEFORE CORONAVIRUS,

357
00:12:00,454 --> 00:12:02,487
NEW YORK CITY SUBWAY CARS.
YES, BECAUSE BEFORE CORONAVIRUS,
EVERYONE'S FIRST THOUGHT WHEN

358
00:12:02,489 --> 00:12:04,289
YES, BECAUSE BEFORE CORONAVIRUS,
EVERYONE'S FIRST THOUGHT WHEN
GETTING ON A NEW YORK CITY

359
00:12:04,291 --> 00:12:04,923
EVERYONE'S FIRST THOUGHT WHEN
GETTING ON A NEW YORK CITY
SUBWAY CAR WAS, "BOY, THIS LOOKS

360
00:12:04,925 --> 00:12:06,057
GETTING ON A NEW YORK CITY
SUBWAY CAR WAS, "BOY, THIS LOOKS
WAY TOO CLEAN.

361
00:12:06,059 --> 00:12:12,430
SUBWAY CAR WAS, "BOY, THIS LOOKS
WAY TOO CLEAN.
<i> ( LAUGHTER )</i>

362
00:12:12,432 --> 00:12:12,931
WAY TOO CLEAN.
<i> ( LAUGHTER )</i>
AND WHY IS ONLY ONE GUY

363
00:12:12,933 --> 00:12:14,799
<i> ( LAUGHTER )</i>
AND WHY IS ONLY ONE GUY
PLEASURING HIMSELF?!"

364
00:12:14,801 --> 00:12:16,434
AND WHY IS ONLY ONE GUY
PLEASURING HIMSELF?!"
WE'VE GOT A GREAT SHOW FOR YOU

365
00:12:16,436 --> 00:12:16,868
PLEASURING HIMSELF?!"
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.

366
00:12:16,870 --> 00:12:19,370
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.
<i> ( CHEERS AND APPLAUSE )</i>

367
00:12:19,372 --> 00:12:20,238
TONIGHT.
<i> ( CHEERS AND APPLAUSE )</i>
MY GUEST IS ANDERSON COOPER.

368
00:12:20,240 --> 00:12:20,872
<i> ( CHEERS AND APPLAUSE )</i>
MY GUEST IS ANDERSON COOPER.
BUT WHEN WE COME BACK, I'LL SHOW

369
00:12:20,874 --> 00:12:21,506
MY GUEST IS ANDERSON COOPER.
BUT WHEN WE COME BACK, I'LL SHOW
YOU THE YEAR'S HOTTEST FATHER'S

370
00:12:21,508 --> 00:12:22,841
BUT WHEN WE COME BACK, I'LL SHOW
YOU THE YEAR'S HOTTEST FATHER'S
DAY CARDS WITH A VERY SPECIAL

371
00:12:22,843 --> 00:12:23,041
YOU THE YEAR'S HOTTEST FATHER'S
DAY CARDS WITH A VERY SPECIAL
GUEST.

372
00:12:23,043 --> 00:12:26,511
DAY CARDS WITH A VERY SPECIAL
GUEST.
STICK AROUND.

373
00:12:26,513 --> 00:12:26,878
GUEST.
STICK AROUND.
<i> ( APPLAUSE ).</i>

374
00:12:26,880 --> 00:12:27,378
STICK AROUND.
<i> ( APPLAUSE ).</i>
♪ ♪ ♪

375
00:12:46,899 --> 00:12:59,944
♪ ♪ ♪
>> Stephen: HEY, EVERYBODY!
SAY HI TO JON BATISTE AND STAY

376
00:12:59,946 --> 00:13:00,311
>> Stephen: HEY, EVERYBODY!
SAY HI TO JON BATISTE AND STAY
HUMAN.

377
00:13:00,313 --> 00:13:04,949
SAY HI TO JON BATISTE AND STAY
HUMAN.
THE MAN WITH THE PLAN.

378
00:13:04,951 --> 00:13:05,483
HUMAN.
THE MAN WITH THE PLAN.
<i> ( CHEERS AND APPLAUSE )</i>

379
00:13:05,485 --> 00:13:07,986
THE MAN WITH THE PLAN.
<i> ( CHEERS AND APPLAUSE )</i>
FOLKS, CHECK YOUR CALENDARS,

380
00:13:07,988 --> 00:13:09,053
<i> ( CHEERS AND APPLAUSE )</i>
FOLKS, CHECK YOUR CALENDARS,
THIS SUNDAY IS FATHER DAY.

381
00:13:09,055 --> 00:13:10,789
FOLKS, CHECK YOUR CALENDARS,
THIS SUNDAY IS FATHER DAY.
OF COURSE LAST YEAR-- YEAH, GIVE

382
00:13:10,791 --> 00:13:12,524
THIS SUNDAY IS FATHER DAY.
OF COURSE LAST YEAR-- YEAH, GIVE
IT UP FOR THE DADS.

383
00:13:12,526 --> 00:13:13,124
OF COURSE LAST YEAR-- YEAH, GIVE
IT UP FOR THE DADS.
WHY NOT.

384
00:13:13,126 --> 00:13:21,132
IT UP FOR THE DADS.
WHY NOT.
>> Jon: YES, I LIKE THAT?

385
00:13:21,134 --> 00:13:23,001
WHY NOT.
>> Jon: YES, I LIKE THAT?
>> Stephen: OF COURSE, LAST

386
00:13:23,003 --> 00:13:24,736
>> Jon: YES, I LIKE THAT?
>> Stephen: OF COURSE, LAST
YEAR, BECAUSE OF THE PANDEMIC, A

387
00:13:24,738 --> 00:13:25,270
>> Stephen: OF COURSE, LAST
YEAR, BECAUSE OF THE PANDEMIC, A
LOT OF PEOPLE HAD TO SKIP

388
00:13:25,272 --> 00:13:26,137
YEAR, BECAUSE OF THE PANDEMIC, A
LOT OF PEOPLE HAD TO SKIP
FATHER'S DAY.

389
00:13:26,139 --> 00:13:26,771
LOT OF PEOPLE HAD TO SKIP
FATHER'S DAY.
SO THIS YEAR, YOU'RE GOING TO

390
00:13:26,773 --> 00:13:27,372
FATHER'S DAY.
SO THIS YEAR, YOU'RE GOING TO
WANT TO MAKE UP FOR THAT BY

391
00:13:27,374 --> 00:13:28,506
SO THIS YEAR, YOU'RE GOING TO
WANT TO MAKE UP FOR THAT BY
FORGETTING TO BUY YOUR DAD TWO

392
00:13:28,508 --> 00:13:29,174
WANT TO MAKE UP FOR THAT BY
FORGETTING TO BUY YOUR DAD TWO
GIFTS.

393
00:13:29,176 --> 00:13:31,309
FORGETTING TO BUY YOUR DAD TWO
GIFTS.
AND WHAT DAD DOESN'T LOVE TO GET

394
00:13:31,311 --> 00:13:31,910
GIFTS.
AND WHAT DAD DOESN'T LOVE TO GET
A FATHER'S DAY CARD?

395
00:13:31,912 --> 00:13:33,178
AND WHAT DAD DOESN'T LOVE TO GET
A FATHER'S DAY CARD?
THE THING IS, ALL GREETING CARDS

396
00:13:33,180 --> 00:13:35,246
A FATHER'S DAY CARD?
THE THING IS, ALL GREETING CARDS
HAD TO START SOMEWHERE.

397
00:13:35,248 --> 00:13:36,147
THE THING IS, ALL GREETING CARDS
HAD TO START SOMEWHERE.
AND THE PEOPLE WHO WRITE THEM

398
00:13:36,149 --> 00:13:37,148
HAD TO START SOMEWHERE.
AND THE PEOPLE WHO WRITE THEM
DON'T ALWAYS NAIL IT ON THE

399
00:13:37,150 --> 00:13:37,782
AND THE PEOPLE WHO WRITE THEM
DON'T ALWAYS NAIL IT ON THE
FIRST TRY, WHICH IS WHY TONIGHT,

400
00:13:37,784 --> 00:13:44,189
DON'T ALWAYS NAIL IT ON THE
FIRST TRY, WHICH IS WHY TONIGHT,
WE'RE TAKING A LOOK AT SOME

401
00:13:44,191 --> 00:13:45,156
FIRST TRY, WHICH IS WHY TONIGHT,
WE'RE TAKING A LOOK AT SOME
EARLY EFFORTS IN OUR ONGOING

402
00:13:45,158 --> 00:13:45,990
WE'RE TAKING A LOOK AT SOME
EARLY EFFORTS IN OUR ONGOING
SEGMENT, "FIRST DRAFTS"!

403
00:13:45,992 --> 00:13:47,759
EARLY EFFORTS IN OUR ONGOING
SEGMENT, "FIRST DRAFTS"!
>> NO, STUPID!

404
00:13:47,761 --> 00:13:50,328
SEGMENT, "FIRST DRAFTS"!
>> NO, STUPID!
>> Stephen: AS ALWAYS, WITH

405
00:13:50,330 --> 00:13:51,729
>> NO, STUPID!
>> Stephen: AS ALWAYS, WITH
"FIRST DRAFTS" I NEED A

406
00:13:51,731 --> 00:13:52,797
>> Stephen: AS ALWAYS, WITH
"FIRST DRAFTS" I NEED A
VOLUNTEER FROM THE AUDIENCE.

407
00:13:52,799 --> 00:13:54,265
"FIRST DRAFTS" I NEED A
VOLUNTEER FROM THE AUDIENCE.
I SAW YOU FIRST, YOUNG LADY.

408
00:13:54,267 --> 00:13:58,970
VOLUNTEER FROM THE AUDIENCE.
I SAW YOU FIRST, YOUNG LADY.
GET UP HERE.

409
00:13:58,972 --> 00:13:59,504
I SAW YOU FIRST, YOUNG LADY.
GET UP HERE.
<i> ( CHEERS AND APPLAUSE )</i>

410
00:13:59,506 --> 00:14:03,741
GET UP HERE.
<i> ( CHEERS AND APPLAUSE )</i>
POPULALL RIGHT, THERE YOU GO.

411
00:14:03,743 --> 00:14:10,348
<i> ( CHEERS AND APPLAUSE )</i>
POPULALL RIGHT, THERE YOU GO.
RIGHT HERE,s MADAME.

412
00:14:10,350 --> 00:14:10,715
POPULALL RIGHT, THERE YOU GO.
RIGHT HERE,s MADAME.
HEY.

413
00:14:10,717 --> 00:14:11,049
RIGHT HERE,s MADAME.
HEY.
>> HELLO.

414
00:14:11,051 --> 00:14:12,917
HEY.
>> HELLO.
>> Stephen: HI, LOVELY TO SEE

415
00:14:12,919 --> 00:14:13,084
>> HELLO.
>> Stephen: HI, LOVELY TO SEE
YOU.

416
00:14:13,086 --> 00:14:14,352
>> Stephen: HI, LOVELY TO SEE
YOU.
>> LOVELY TO SEE YOU.

417
00:14:14,354 --> 00:14:14,519
YOU.
>> LOVELY TO SEE YOU.
HI.

418
00:14:14,521 --> 00:14:15,653
>> LOVELY TO SEE YOU.
HI.
>> Stephen: I WOULD SAY THIS,

419
00:14:15,655 --> 00:14:18,089
HI.
>> Stephen: I WOULD SAY THIS,
THIS RIGHT HERE IS THE ONLY GOOD

420
00:14:18,091 --> 00:14:19,257
>> Stephen: I WOULD SAY THIS,
THIS RIGHT HERE IS THE ONLY GOOD
THING THAT CAME OUT OF COVID FOR

421
00:14:19,259 --> 00:14:20,992
THIS RIGHT HERE IS THE ONLY GOOD
THING THAT CAME OUT OF COVID FOR
ME IS ALL THE TIME THAT WE GOT

422
00:14:20,994 --> 00:14:21,759
THING THAT CAME OUT OF COVID FOR
ME IS ALL THE TIME THAT WE GOT
TO SPEND TOGETHER.

423
00:14:21,761 --> 00:14:22,694
ME IS ALL THE TIME THAT WE GOT
TO SPEND TOGETHER.
>> IT WAS NICE.

424
00:14:22,696 --> 00:14:23,995
TO SPEND TOGETHER.
>> IT WAS NICE.
>> Stephen: I WANT TO SHOW THE

425
00:14:23,997 --> 00:14:25,129
>> IT WAS NICE.
>> Stephen: I WANT TO SHOW THE
PEOPLE-- IT WAS NICE.

426
00:14:25,131 --> 00:14:27,198
>> Stephen: I WANT TO SHOW THE
PEOPLE-- IT WAS NICE.
>> IT WAS, IT WAS VERY NICE.

427
00:14:27,200 --> 00:14:28,299
PEOPLE-- IT WAS NICE.
>> IT WAS, IT WAS VERY NICE.
>> Stephen: VERY PLEASANT.

428
00:14:28,301 --> 00:14:30,235
>> IT WAS, IT WAS VERY NICE.
>> Stephen: VERY PLEASANT.
YOU TURNED OUT TO BE GOOD

429
00:14:30,237 --> 00:14:30,468
>> Stephen: VERY PLEASANT.
YOU TURNED OUT TO BE GOOD
COMPANY.

430
00:14:30,470 --> 00:14:31,069
YOU TURNED OUT TO BE GOOD
COMPANY.
WHICH IS NICE.

431
00:14:31,071 --> 00:14:33,004
COMPANY.
WHICH IS NICE.
>> YOU USED TO ALWAYS SAY WE

432
00:14:33,006 --> 00:14:33,905
WHICH IS NICE.
>> YOU USED TO ALWAYS SAY WE
SHOULD NEVER WORK TOGETHER.

433
00:14:33,907 --> 00:14:34,405
>> YOU USED TO ALWAYS SAY WE
SHOULD NEVER WORK TOGETHER.
>> Stephen: I DID.

434
00:14:34,407 --> 00:14:35,840
SHOULD NEVER WORK TOGETHER.
>> Stephen: I DID.
I SAID WHAT IF WE DEPARTMENT

435
00:14:35,842 --> 00:14:36,574
>> Stephen: I DID.
I SAID WHAT IF WE DEPARTMENT
LIKE IT?

436
00:14:36,576 --> 00:14:37,108
I SAID WHAT IF WE DEPARTMENT
LIKE IT?
THEN WHAT?

437
00:14:37,110 --> 00:14:37,675
LIKE IT?
THEN WHAT?
>> WORKED OUT.

438
00:14:37,677 --> 00:14:39,344
THEN WHAT?
>> WORKED OUT.
>> Stephen: WORKED OUT FINE.

439
00:14:39,346 --> 00:14:40,979
>> WORKED OUT.
>> Stephen: WORKED OUT FINE.
YOU ACTUALLY-- ONE OF THE THINGS

440
00:14:40,981 --> 00:14:41,713
>> Stephen: WORKED OUT FINE.
YOU ACTUALLY-- ONE OF THE THINGS
PEOPLE MAY OR MAY NOT REMEMBER

441
00:14:41,715 --> 00:14:43,114
YOU ACTUALLY-- ONE OF THE THINGS
PEOPLE MAY OR MAY NOT REMEMBER
WE DID THE FIRST FIVE MONTHS OF

442
00:14:43,116 --> 00:14:44,582
PEOPLE MAY OR MAY NOT REMEMBER
WE DID THE FIRST FIVE MONTHS OF
THE SHOW DOWN IN SOUTH CAROLINA.

443
00:14:44,584 --> 00:14:45,383
WE DID THE FIRST FIVE MONTHS OF
THE SHOW DOWN IN SOUTH CAROLINA.
>> YES.

444
00:14:45,385 --> 00:14:46,684
THE SHOW DOWN IN SOUTH CAROLINA.
>> YES.
>> Stephen: IN A LITTLE ROOM,

445
00:14:46,686 --> 00:14:50,221
>> YES.
>> Stephen: IN A LITTLE ROOM,
LIKE A LITTLE LIBRARY BY

446
00:14:50,223 --> 00:14:50,822
>> Stephen: IN A LITTLE ROOM,
LIKE A LITTLE LIBRARY BY
OURSELVES WITH CABLES COMING

447
00:14:50,824 --> 00:14:52,957
LIKE A LITTLE LIBRARY BY
OURSELVES WITH CABLES COMING
THROUGH THE WINDOW AND A

448
00:14:52,959 --> 00:14:53,958
OURSELVES WITH CABLES COMING
THROUGH THE WINDOW AND A
SATELLITE TRUCK ON THE LAWN.

449
00:14:53,960 --> 00:14:55,260
THROUGH THE WINDOW AND A
SATELLITE TRUCK ON THE LAWN.
AND YOU-- OR ONE OF THE TWO

450
00:14:55,262 --> 00:14:55,693
SATELLITE TRUCK ON THE LAWN.
AND YOU-- OR ONE OF THE TWO
BOYS--

451
00:14:55,695 --> 00:14:57,896
AND YOU-- OR ONE OF THE TWO
BOYS--
>> IT WAS THE BOYS FIRST AND

452
00:14:57,898 --> 00:14:58,162
BOYS--
>> IT WAS THE BOYS FIRST AND
MADELEINE.

453
00:14:58,164 --> 00:14:59,397
>> IT WAS THE BOYS FIRST AND
MADELEINE.
AND WHEN THE KIDS LEFT IT WAS

454
00:14:59,399 --> 00:14:59,764
MADELEINE.
AND WHEN THE KIDS LEFT IT WAS
ME.

455
00:14:59,766 --> 00:15:00,899
AND WHEN THE KIDS LEFT IT WAS
ME.
>> Stephen: IT WAS YOU,

456
00:15:00,901 --> 00:15:01,132
ME.
>> Stephen: IT WAS YOU,
EXACTLY.

457
00:15:01,134 --> 00:15:04,335
>> Stephen: IT WAS YOU,
EXACTLY.
AND YOU WOULD BE ON A S SATELLI,

458
00:15:04,337 --> 00:15:06,337
EXACTLY.
AND YOU WOULD BE ON A S SATELLI,
LIKE ON A HEAD PHONE, WORKING

459
00:15:06,339 --> 00:15:06,704
AND YOU WOULD BE ON A S SATELLI,
LIKE ON A HEAD PHONE, WORKING
THE CAMERA.

460
00:15:06,706 --> 00:15:08,139
LIKE ON A HEAD PHONE, WORKING
THE CAMERA.
>> MAN, THE PEOPLE THAT WORK FOR

461
00:15:08,141 --> 00:15:09,574
THE CAMERA.
>> MAN, THE PEOPLE THAT WORK FOR
YOU ARE SO SWEET.

462
00:15:09,576 --> 00:15:10,909
>> MAN, THE PEOPLE THAT WORK FOR
YOU ARE SO SWEET.
THEY, LIKE, LAMINATED

463
00:15:10,911 --> 00:15:12,210
YOU ARE SO SWEET.
THEY, LIKE, LAMINATED
INSTRUCTIONS IF ARE ME.

464
00:15:12,212 --> 00:15:13,177
THEY, LIKE, LAMINATED
INSTRUCTIONS IF ARE ME.
<i> (  LAUGHTER  ).</i>

465
00:15:13,179 --> 00:15:13,811
INSTRUCTIONS IF ARE ME.
<i> (  LAUGHTER  ).</i>
>> Stephen: SURE.

466
00:15:13,813 --> 00:15:15,480
<i> (  LAUGHTER  ).</i>
>> Stephen: SURE.
THEY PINNED THEM TO YOUR SLEEVE

467
00:15:15,482 --> 00:15:17,181
>> Stephen: SURE.
THEY PINNED THEM TO YOUR SLEEVE
LIKE A CHILD GOING OUT INTO THE

468
00:15:17,183 --> 00:15:17,382
THEY PINNED THEM TO YOUR SLEEVE
LIKE A CHILD GOING OUT INTO THE
SNOW.

469
00:15:17,384 --> 00:15:17,782
LIKE A CHILD GOING OUT INTO THE
SNOW.
>> THEY DID.

470
00:15:17,784 --> 00:15:19,717
SNOW.
>> THEY DID.
AND I WOULD GET IN THERE AND AND

471
00:15:19,719 --> 00:15:22,820
>> THEY DID.
AND I WOULD GET IN THERE AND AND
PUT ON THE HEADSET, "OKAY, I'M

472
00:15:22,822 --> 00:15:25,556
AND I WOULD GET IN THERE AND AND
PUT ON THE HEADSET, "OKAY, I'M
READY," YOU KNOW.

473
00:15:25,558 --> 00:15:26,591
PUT ON THE HEADSET, "OKAY, I'M
READY," YOU KNOW.
>> Stephen: LOOK AT THE BACK

474
00:15:26,593 --> 00:15:28,426
READY," YOU KNOW.
>> Stephen: LOOK AT THE BACK
OF THE CAMERA, SEE THE SECOND

475
00:15:28,428 --> 00:15:29,160
>> Stephen: LOOK AT THE BACK
OF THE CAMERA, SEE THE SECOND
TOGGLE FROM THE LEFT.

476
00:15:29,162 --> 00:15:31,029
OF THE CAMERA, SEE THE SECOND
TOGGLE FROM THE LEFT.
SEE THE RED TOGGLE?

477
00:15:31,031 --> 00:15:31,696
TOGGLE FROM THE LEFT.
SEE THE RED TOGGLE?
DON'T EVER TOUCH THAT.

478
00:15:31,698 --> 00:15:33,164
SEE THE RED TOGGLE?
DON'T EVER TOUCH THAT.
>> AND THEN YOU HAD TO CRAWL

479
00:15:33,166 --> 00:15:34,999
DON'T EVER TOUCH THAT.
>> AND THEN YOU HAD TO CRAWL
OVER THE SOFA TO GET ANYTHING.

480
00:15:35,001 --> 00:15:36,601
>> AND THEN YOU HAD TO CRAWL
OVER THE SOFA TO GET ANYTHING.
>> Stephen: YOU SHOT SOME

481
00:15:36,603 --> 00:15:38,102
OVER THE SOFA TO GET ANYTHING.
>> Stephen: YOU SHOT SOME
FOOTAGE RIGHT BEFORE WE LEFT

482
00:15:38,104 --> 00:15:39,704
>> Stephen: YOU SHOT SOME
FOOTAGE RIGHT BEFORE WE LEFT
THAT LITTLE STUDIO DOWN THERE.

483
00:15:39,706 --> 00:15:41,673
FOOTAGE RIGHT BEFORE WE LEFT
THAT LITTLE STUDIO DOWN THERE.
THAT IS-- THAT'S A LITTLE

484
00:15:41,675 --> 00:15:42,373
THAT LITTLE STUDIO DOWN THERE.
THAT IS-- THAT'S A LITTLE
BOOKSHELF.

485
00:15:42,375 --> 00:15:46,110
THAT IS-- THAT'S A LITTLE
BOOKSHELF.
>> THAT WAS THE SPY CAM.

486
00:15:46,112 --> 00:15:47,845
BOOKSHELF.
>> THAT WAS THE SPY CAM.
>> Stephen: THAT'S THE MONITOR

487
00:15:47,847 --> 00:15:48,880
>> THAT WAS THE SPY CAM.
>> Stephen: THAT'S THE MONITOR
SO WE COULD SEE OURSELVES.

488
00:15:48,882 --> 00:15:50,982
>> Stephen: THAT'S THE MONITOR
SO WE COULD SEE OURSELVES.
>> LAP TOP-- THERE WERE, LIKE,

489
00:15:50,984 --> 00:15:52,884
SO WE COULD SEE OURSELVES.
>> LAP TOP-- THERE WERE, LIKE,
FIVE LAP TOPS THAT DID THE WHOLE

490
00:15:52,886 --> 00:15:53,084
>> LAP TOP-- THERE WERE, LIKE,
FIVE LAP TOPS THAT DID THE WHOLE
THING.

491
00:15:53,086 --> 00:15:53,685
FIVE LAP TOPS THAT DID THE WHOLE
THING.
>> Stephen: THAT'S THE CAMERA

492
00:15:53,687 --> 00:15:55,887
THING.
>> Stephen: THAT'S THE CAMERA
THAT I WOULD TALK INTO.

493
00:15:55,889 --> 00:15:56,421
>> Stephen: THAT'S THE CAMERA
THAT I WOULD TALK INTO.
THAT'S THE PROMPTER.

494
00:15:56,423 --> 00:15:58,356
THAT I WOULD TALK INTO.
THAT'S THE PROMPTER.
THAT'S THE TANGLE--

495
00:15:58,358 --> 00:15:59,090
THAT'S THE PROMPTER.
THAT'S THE TANGLE--
>> OH!

496
00:15:59,092 --> 00:15:59,691
THAT'S THE TANGLE--
>> OH!
THE WIRES!

497
00:15:59,693 --> 00:16:01,926
>> OH!
THE WIRES!
>> Stephen: THE WIRES ON THE

498
00:16:01,928 --> 00:16:02,126
THE WIRES!
>> Stephen: THE WIRES ON THE
FLOOR.

499
00:16:02,128 --> 00:16:03,361
>> Stephen: THE WIRES ON THE
FLOOR.
>> HOW MANY TIMES DID I SAY,

500
00:16:03,363 --> 00:16:05,296
FLOOR.
>> HOW MANY TIMES DID I SAY,
"CAN I JUST CLEAR THE WIRES?"

501
00:16:05,298 --> 00:16:06,798
>> HOW MANY TIMES DID I SAY,
"CAN I JUST CLEAR THE WIRES?"
>> Stephen: "YOU CANNOT TOUCH

502
00:16:06,800 --> 00:16:08,199
"CAN I JUST CLEAR THE WIRES?"
>> Stephen: "YOU CANNOT TOUCH
ANY WIRES THEY WOULD SAY TO

503
00:16:08,201 --> 00:16:08,399
>> Stephen: "YOU CANNOT TOUCH
ANY WIRES THEY WOULD SAY TO
YOU."

504
00:16:08,401 --> 00:16:09,600
ANY WIRES THEY WOULD SAY TO
YOU."
AND THEN YOU GET TO YOUR STATION

505
00:16:09,602 --> 00:16:10,201
YOU."
AND THEN YOU GET TO YOUR STATION
RIGHT THERE.

506
00:16:10,203 --> 00:16:11,269
AND THEN YOU GET TO YOUR STATION
RIGHT THERE.
THAT'S WHERE YOU WOULD SIT.

507
00:16:11,271 --> 00:16:13,104
RIGHT THERE.
THAT'S WHERE YOU WOULD SIT.
>> I WOULD SIT RIGHT THERE.

508
00:16:13,106 --> 00:16:14,305
THAT'S WHERE YOU WOULD SIT.
>> I WOULD SIT RIGHT THERE.
>> Stephen: THAT WAS FIVE

509
00:16:14,307 --> 00:16:14,539
>> I WOULD SIT RIGHT THERE.
>> Stephen: THAT WAS FIVE
MONTHS.

510
00:16:14,541 --> 00:16:15,173
>> Stephen: THAT WAS FIVE
MONTHS.
>> IT WAS CRAZY.

511
00:16:15,175 --> 00:16:16,207
MONTHS.
>> IT WAS CRAZY.
>> Stephen: THANK YOU SO MUCH

512
00:16:16,209 --> 00:16:16,975
>> IT WAS CRAZY.
>> Stephen: THANK YOU SO MUCH
FOR DOING THAT.

513
00:16:16,977 --> 00:16:18,109
>> Stephen: THANK YOU SO MUCH
FOR DOING THAT.
( CHEERS AND APPLAUSE ).

514
00:16:18,111 --> 00:16:18,810
FOR DOING THAT.
( CHEERS AND APPLAUSE ).
>> IT WAS FUN.

515
00:16:18,812 --> 00:16:20,011
( CHEERS AND APPLAUSE ).
>> IT WAS FUN.
>> Stephen: HERE'S A GLASS OF

516
00:16:20,013 --> 00:16:21,612
>> IT WAS FUN.
>> Stephen: HERE'S A GLASS OF
WINE FOR YOU AND A COCKTAIL FOR

517
00:16:21,614 --> 00:16:22,146
>> Stephen: HERE'S A GLASS OF
WINE FOR YOU AND A COCKTAIL FOR
ME.

518
00:16:22,148 --> 00:16:23,915
WINE FOR YOU AND A COCKTAIL FOR
ME.
YOU DON'T HAVE TO DRINK IT.

519
00:16:23,917 --> 00:16:28,186
ME.
YOU DON'T HAVE TO DRINK IT.
YOU CAN BE A PARTY POOPER.

520
00:16:28,188 --> 00:16:28,686
YOU DON'T HAVE TO DRINK IT.
YOU CAN BE A PARTY POOPER.
( CHEERS AND APPLAUSE ).

521
00:16:28,688 --> 00:16:29,187
YOU CAN BE A PARTY POOPER.
( CHEERS AND APPLAUSE ).
>> OKAY!

522
00:16:29,189 --> 00:16:30,922
( CHEERS AND APPLAUSE ).
>> OKAY!
THE.

523
00:16:30,924 --> 00:16:32,156
>> OKAY!
THE.
>> Stephen: DARLING, YOU KNOW

524
00:16:32,158 --> 00:16:34,292
THE.
>> Stephen: DARLING, YOU KNOW
HOW THIS WORKS, RIGHT?

525
00:16:34,294 --> 00:16:34,459
>> Stephen: DARLING, YOU KNOW
HOW THIS WORKS, RIGHT?
YES.

526
00:16:34,461 --> 00:16:35,259
HOW THIS WORKS, RIGHT?
YES.
>> YES.

527
00:16:35,261 --> 00:16:36,995
YES.
>> YES.
>> Stephen: THANK YOU

528
00:16:36,997 --> 00:16:37,328
>> YES.
>> Stephen: THANK YOU
<i> ( LAUGHTER )</i>

529
00:16:37,330 --> 00:16:39,464
>> Stephen: THANK YOU
<i> ( LAUGHTER )</i>
ACTIONS SPEAK LOUDER THAN WORDS.

530
00:16:39,466 --> 00:16:42,000
<i> ( LAUGHTER )</i>
ACTIONS SPEAK LOUDER THAN WORDS.
YES, I HAVE IN MY HAND A

531
00:16:42,002 --> 00:16:43,801
ACTIONS SPEAK LOUDER THAN WORDS.
YES, I HAVE IN MY HAND A
FATHER'S DAY CARD, A GREETING

532
00:16:43,803 --> 00:16:44,535
YES, I HAVE IN MY HAND A
FATHER'S DAY CARD, A GREETING
CARD THAT WAS SUCCESSFUL, AND

533
00:16:44,537 --> 00:16:46,471
FATHER'S DAY CARD, A GREETING
CARD THAT WAS SUCCESSFUL, AND
THEN AFTER I READ THIS ONE, YOU

534
00:16:46,473 --> 00:16:47,705
CARD THAT WAS SUCCESSFUL, AND
THEN AFTER I READ THIS ONE, YOU
WILL HAND ME THE ONE THAT WAS

535
00:16:47,707 --> 00:16:48,639
THEN AFTER I READ THIS ONE, YOU
WILL HAND ME THE ONE THAT WAS
THE FIRST DRAFT THAT WAS NOT

536
00:16:48,641 --> 00:16:52,377
WILL HAND ME THE ONE THAT WAS
THE FIRST DRAFT THAT WAS NOT
GOOD ENOUGH TO BE SOLD.

537
00:16:52,379 --> 00:16:56,581
THE FIRST DRAFT THAT WAS NOT
GOOD ENOUGH TO BE SOLD.
>> THIS PART HAS NOT CHANGED.

538
00:16:56,583 --> 00:16:57,548
GOOD ENOUGH TO BE SOLD.
>> THIS PART HAS NOT CHANGED.
>> Stephen: PREMISE

539
00:16:57,550 --> 00:16:57,915
>> THIS PART HAS NOT CHANGED.
>> Stephen: PREMISE
ESTABLISHED.

540
00:16:57,917 --> 00:16:59,817
>> Stephen: PREMISE
ESTABLISHED.
>> WE HAVE DONE THIS, LIKE, SIX

541
00:16:59,819 --> 00:17:00,084
ESTABLISHED.
>> WE HAVE DONE THIS, LIKE, SIX
TIMES NOW.

542
00:17:00,086 --> 00:17:01,019
>> WE HAVE DONE THIS, LIKE, SIX
TIMES NOW.
>> Stephen: IT'S THE FIRST

543
00:17:01,021 --> 00:17:02,887
TIMES NOW.
>> Stephen: IT'S THE FIRST
TIME WE HAVE DONE IT IN FRONT OF

544
00:17:02,889 --> 00:17:04,355
>> Stephen: IT'S THE FIRST
TIME WE HAVE DONE IT IN FRONT OF
AN AUDIENCE.

545
00:17:04,357 --> 00:17:07,925
TIME WE HAVE DONE IT IN FRONT OF
AN AUDIENCE.
>> Stephen: THAT'S TRUE.

546
00:17:07,927 --> 00:17:08,426
AN AUDIENCE.
>> Stephen: THAT'S TRUE.
HERE'S AN INSPIRING ONE:

547
00:17:08,428 --> 00:17:08,860
>> Stephen: THAT'S TRUE.
HERE'S AN INSPIRING ONE:
"HAPPY FATHER'S DAY.

548
00:17:08,862 --> 00:17:10,728
HERE'S AN INSPIRING ONE:
"HAPPY FATHER'S DAY.
NO ONE COULD EVER FILL YOUR

549
00:17:10,730 --> 00:17:11,062
"HAPPY FATHER'S DAY.
NO ONE COULD EVER FILL YOUR
SHOES!"

550
00:17:11,064 --> 00:17:11,896
NO ONE COULD EVER FILL YOUR
SHOES!"
IT'S NICE.

551
00:17:11,898 --> 00:17:12,997
SHOES!"
IT'S NICE.
A LITTLE DARK, THOUGH.

552
00:17:12,999 --> 00:17:15,700
IT'S NICE.
A LITTLE DARK, THOUGH.
WHY ARE MY SHOES EMPTY?

553
00:17:15,702 --> 00:17:16,034
A LITTLE DARK, THOUGH.
WHY ARE MY SHOES EMPTY?
<i> ( LAUGHTER )</i>

554
00:17:16,036 --> 00:17:20,571
WHY ARE MY SHOES EMPTY?
<i> ( LAUGHTER )</i>
HERE'S THE FIRST DRAFT:

555
00:17:20,573 --> 00:17:21,172
<i> ( LAUGHTER )</i>
HERE'S THE FIRST DRAFT:
"HAPPY FATHER'S DAY.

556
00:17:21,174 --> 00:17:21,739
HERE'S THE FIRST DRAFT:
"HAPPY FATHER'S DAY.
NO ONE COULD EVER FILL YOUR

557
00:17:21,741 --> 00:17:23,141
"HAPPY FATHER'S DAY.
NO ONE COULD EVER FILL YOUR
SHOES, BECAUSE NO ONE WOULD BE

558
00:17:23,143 --> 00:17:24,976
NO ONE COULD EVER FILL YOUR
SHOES, BECAUSE NO ONE WOULD BE
CAUGHT DEAD IN THOSE CROCS."

559
00:17:24,978 --> 00:17:25,743
SHOES, BECAUSE NO ONE WOULD BE
CAUGHT DEAD IN THOSE CROCS."
<i> ( APPLAUSE )</i>

560
00:17:25,745 --> 00:17:30,048
CAUGHT DEAD IN THOSE CROCS."
<i> ( APPLAUSE )</i>
>> TRUE.

561
00:17:30,050 --> 00:17:31,616
<i> ( APPLAUSE )</i>
>> TRUE.
THROW AWAY THE CROCS.

562
00:17:31,618 --> 00:17:32,583
>> TRUE.
THROW AWAY THE CROCS.
>> Stephen: DO YOU HAVE ANY

563
00:17:32,585 --> 00:17:34,085
THROW AWAY THE CROCS.
>> Stephen: DO YOU HAVE ANY
PLANS FOR FATHER'S DAY FOR ME?

564
00:17:34,087 --> 00:17:36,087
>> Stephen: DO YOU HAVE ANY
PLANS FOR FATHER'S DAY FOR ME?
>> I THINK YOU REQUESTED TO

565
00:17:36,089 --> 00:17:36,654
PLANS FOR FATHER'S DAY FOR ME?
>> I THINK YOU REQUESTED TO
SLEEP LATE.

566
00:17:36,656 --> 00:17:37,188
>> I THINK YOU REQUESTED TO
SLEEP LATE.
>> Stephen: THAT IS TRUE.

567
00:17:37,190 --> 00:17:37,588
SLEEP LATE.
>> Stephen: THAT IS TRUE.
THAT IS TRUE.

568
00:17:37,590 --> 00:17:39,590
>> Stephen: THAT IS TRUE.
THAT IS TRUE.
THAT IS ALL I WANT IS-- ALL I

569
00:17:39,592 --> 00:17:41,292
THAT IS TRUE.
THAT IS ALL I WANT IS-- ALL I
WANT IS UNCONSCIOUSNESS.

570
00:17:41,294 --> 00:17:43,761
THAT IS ALL I WANT IS-- ALL I
WANT IS UNCONSCIOUSNESS.
<i> ( LAUGHTER )</i>

571
00:17:43,763 --> 00:17:44,729
WANT IS UNCONSCIOUSNESS.
<i> ( LAUGHTER )</i>
THIS ONE SAYS:

572
00:17:44,731 --> 00:17:45,329
<i> ( LAUGHTER )</i>
THIS ONE SAYS:
"I DON'T KNOW HOW I LUCKED OUT

573
00:17:45,331 --> 00:17:47,265
THIS ONE SAYS:
"I DON'T KNOW HOW I LUCKED OUT
WITH SUCH A SENSITIVE,

574
00:17:47,267 --> 00:17:48,933
"I DON'T KNOW HOW I LUCKED OUT
WITH SUCH A SENSITIVE,
EMOTIONALLY AVAILABLE DAD.

575
00:17:48,935 --> 00:17:49,567
WITH SUCH A SENSITIVE,
EMOTIONALLY AVAILABLE DAD.
BUT I AM GRATEFUL EVERY DAY THAT

576
00:17:49,569 --> 00:17:50,535
EMOTIONALLY AVAILABLE DAD.
BUT I AM GRATEFUL EVERY DAY THAT
YOU ARE YOU."

577
00:17:50,537 --> 00:17:52,036
BUT I AM GRATEFUL EVERY DAY THAT
YOU ARE YOU."
>> OH!

578
00:17:52,038 --> 00:17:53,071
YOU ARE YOU."
>> OH!
THAT'S TRUE.

579
00:17:53,073 --> 00:17:53,738
>> OH!
THAT'S TRUE.
YOU ARE THAT, THOUGH.

580
00:17:53,740 --> 00:17:54,605
THAT'S TRUE.
YOU ARE THAT, THOUGH.
>> Stephen: THANK YOU, THANK

581
00:17:54,607 --> 00:17:55,039
YOU ARE THAT, THOUGH.
>> Stephen: THANK YOU, THANK
YOU VERY MUCH.

582
00:17:55,041 --> 00:17:56,340
>> Stephen: THANK YOU, THANK
YOU VERY MUCH.
>> VERY SENSITIVE?

583
00:17:56,342 --> 00:17:59,243
YOU VERY MUCH.
>> VERY SENSITIVE?
>> Stephen: THE FIRST DRAFT

584
00:17:59,245 --> 00:18:00,511
>> VERY SENSITIVE?
>> Stephen: THE FIRST DRAFT
SAID:

585
00:18:00,513 --> 00:18:01,179
>> Stephen: THE FIRST DRAFT
SAID:
"I DON'T KNOW HOW I LUCKED OUT

586
00:18:01,181 --> 00:18:02,246
SAID:
"I DON'T KNOW HOW I LUCKED OUT
WITH SUCH A SENSITIVE,

587
00:18:02,248 --> 00:18:02,780
"I DON'T KNOW HOW I LUCKED OUT
WITH SUCH A SENSITIVE,
EMOTIONALLY AVAILABLE DAD.

588
00:18:02,782 --> 00:18:04,949
WITH SUCH A SENSITIVE,
EMOTIONALLY AVAILABLE DAD.
BUT COULD YOU PLEASE CRY LESS

589
00:18:04,951 --> 00:18:05,383
EMOTIONALLY AVAILABLE DAD.
BUT COULD YOU PLEASE CRY LESS
AROUND MY FRIENDS?"

590
00:18:05,385 --> 00:18:06,617
BUT COULD YOU PLEASE CRY LESS
AROUND MY FRIENDS?"
>> THAT'S ALSO TRUE.

591
00:18:06,619 --> 00:18:07,151
AROUND MY FRIENDS?"
>> THAT'S ALSO TRUE.
>> Stephen: THAT IS.

592
00:18:07,153 --> 00:18:08,986
>> THAT'S ALSO TRUE.
>> Stephen: THAT IS.
>> THAT'S VERY TRUE.

593
00:18:08,988 --> 00:18:12,890
>> Stephen: THAT IS.
>> THAT'S VERY TRUE.
( CHEERS AND APPLAUSE ).

594
00:18:12,892 --> 00:18:13,591
>> THAT'S VERY TRUE.
( CHEERS AND APPLAUSE ).
>> Stephen: FREQUENTLY.

595
00:18:13,593 --> 00:18:14,559
( CHEERS AND APPLAUSE ).
>> Stephen: FREQUENTLY.
ESPECIALLY OUR DAUGHTER WILL GO,

596
00:18:14,561 --> 00:18:16,294
>> Stephen: FREQUENTLY.
ESPECIALLY OUR DAUGHTER WILL GO,
"ARE YOU GOING TO CRY?"

597
00:18:16,296 --> 00:18:16,761
ESPECIALLY OUR DAUGHTER WILL GO,
"ARE YOU GOING TO CRY?"
>> YEAH.

598
00:18:16,763 --> 00:18:18,296
"ARE YOU GOING TO CRY?"
>> YEAH.
>> Stephen: I LOVE A GOOD CRY.

599
00:18:18,298 --> 00:18:20,832
>> YEAH.
>> Stephen: I LOVE A GOOD CRY.
LOVE A GOOD CRY.

600
00:18:20,834 --> 00:18:21,399
>> Stephen: I LOVE A GOOD CRY.
LOVE A GOOD CRY.
HERE'S A NICE ONE THAT SAYS,

601
00:18:21,401 --> 00:18:23,234
LOVE A GOOD CRY.
HERE'S A NICE ONE THAT SAYS,
"DAD, YOU'RE A NON-STOP FUN

602
00:18:23,236 --> 00:18:25,169
HERE'S A NICE ONE THAT SAYS,
"DAD, YOU'RE A NON-STOP FUN
MACHINE!

603
00:18:25,171 --> 00:18:27,238
"DAD, YOU'RE A NON-STOP FUN
MACHINE!
HAPPY FATHER'S DAY."

604
00:18:27,240 --> 00:18:29,807
MACHINE!
HAPPY FATHER'S DAY."
BUT THE FIRST DRAFT SAID:

605
00:18:29,809 --> 00:18:31,309
HAPPY FATHER'S DAY."
BUT THE FIRST DRAFT SAID:
"DAD, YOU'RE A NON-STOP FUN

606
00:18:31,311 --> 00:18:32,076
BUT THE FIRST DRAFT SAID:
"DAD, YOU'RE A NON-STOP FUN
MACHINE!

607
00:18:32,078 --> 00:18:32,710
"DAD, YOU'RE A NON-STOP FUN
MACHINE!
BUT WE'RE BOTH TOO OLD FOR THESE

608
00:18:32,712 --> 00:18:33,544
MACHINE!
BUT WE'RE BOTH TOO OLD FOR THESE
HORSEY RIDES.

609
00:18:33,546 --> 00:18:36,114
BUT WE'RE BOTH TOO OLD FOR THESE
HORSEY RIDES.
I'M GOING TO SLIP A DISC."

610
00:18:36,116 --> 00:18:37,648
HORSEY RIDES.
I'M GOING TO SLIP A DISC."
<i> ( LAUGHTER )</i>

611
00:18:37,650 --> 00:18:39,550
I'M GOING TO SLIP A DISC."
<i> ( LAUGHTER )</i>
VERY NICE.

612
00:18:39,552 --> 00:18:40,651
<i> ( LAUGHTER )</i>
VERY NICE.
NOW, WHAT ABOUT-- WHAT ABOUT

613
00:18:40,653 --> 00:18:41,252
VERY NICE.
NOW, WHAT ABOUT-- WHAT ABOUT
YOUR FATHER?

614
00:18:41,254 --> 00:18:44,622
NOW, WHAT ABOUT-- WHAT ABOUT
YOUR FATHER?
YOU GOT ANYTHING FOR PETER.

615
00:18:44,624 --> 00:18:46,124
YOUR FATHER?
YOU GOT ANYTHING FOR PETER.
>> YEAH, YOU KNOW WHAT I GOT

616
00:18:46,126 --> 00:18:46,557
YOU GOT ANYTHING FOR PETER.
>> YEAH, YOU KNOW WHAT I GOT
HIM?

617
00:18:46,559 --> 00:18:47,959
>> YEAH, YOU KNOW WHAT I GOT
HIM?
I CAN'T SAY THAT BECAUSE HE

618
00:18:47,961 --> 00:18:48,993
HIM?
I CAN'T SAY THAT BECAUSE HE
MIGHT WATCH THIS.

619
00:18:48,995 --> 00:18:50,027
I CAN'T SAY THAT BECAUSE HE
MIGHT WATCH THIS.
>> Stephen: DOES YOUR DAD

620
00:18:50,029 --> 00:18:52,730
MIGHT WATCH THIS.
>> Stephen: DOES YOUR DAD
WATCH THIS?

621
00:18:52,732 --> 00:18:53,197
>> Stephen: DOES YOUR DAD
WATCH THIS?
YOUR MOM WATCHES.

622
00:18:53,199 --> 00:18:55,066
WATCH THIS?
YOUR MOM WATCHES.
>> THEY WATCHED MONDAY NIGHT AND

623
00:18:55,068 --> 00:18:56,501
YOUR MOM WATCHES.
>> THEY WATCHED MONDAY NIGHT AND
BOTH TOLD ME I DID A GOOD JOB.

624
00:18:56,503 --> 00:18:58,302
>> THEY WATCHED MONDAY NIGHT AND
BOTH TOLD ME I DID A GOOD JOB.
>> Stephen: WHEN YOU CAME OUT.

625
00:18:58,304 --> 00:18:59,203
BOTH TOLD ME I DID A GOOD JOB.
>> Stephen: WHEN YOU CAME OUT.
>> VERY SWEET.

626
00:18:59,205 --> 00:18:59,770
>> Stephen: WHEN YOU CAME OUT.
>> VERY SWEET.
>> Stephen: WHISPER.

627
00:18:59,772 --> 00:19:01,839
>> VERY SWEET.
>> Stephen: WHISPER.
WHAT ARE YOU GOING TO GET HIM?

628
00:19:01,841 --> 00:19:02,406
>> Stephen: WHISPER.
WHAT ARE YOU GOING TO GET HIM?
THAT'S PERFECT.

629
00:19:02,408 --> 00:19:03,808
WHAT ARE YOU GOING TO GET HIM?
THAT'S PERFECT.
HE'S GOING TO LOVE THAT.

630
00:19:03,810 --> 00:19:05,443
THAT'S PERFECT.
HE'S GOING TO LOVE THAT.
CAN'T TELL YOU WHAT IT IS, BUT

631
00:19:05,445 --> 00:19:06,611
HE'S GOING TO LOVE THAT.
CAN'T TELL YOU WHAT IT IS, BUT
PETER MAGEE, YOU'RE GOING TO

632
00:19:06,613 --> 00:19:10,081
CAN'T TELL YOU WHAT IT IS, BUT
PETER MAGEE, YOU'RE GOING TO
LOVE IT.

633
00:19:10,083 --> 00:19:10,581
PETER MAGEE, YOU'RE GOING TO
LOVE IT.
THIS CARD SAYS:

634
00:19:10,583 --> 00:19:11,249
LOVE IT.
THIS CARD SAYS:
"THANK YOU FOR ALWAYS GIVING ME

635
00:19:11,251 --> 00:19:12,650
THIS CARD SAYS:
"THANK YOU FOR ALWAYS GIVING ME
A HAND TO HOLD.

636
00:19:12,652 --> 00:19:13,084
"THANK YOU FOR ALWAYS GIVING ME
A HAND TO HOLD.
HAPPY FATHER'S DAY."

637
00:19:13,086 --> 00:19:13,851
A HAND TO HOLD.
HAPPY FATHER'S DAY."
THAT IS TRULY SWEET.

638
00:19:13,853 --> 00:19:17,188
HAPPY FATHER'S DAY."
THAT IS TRULY SWEET.
>> OUR KIDS WON'T HOLD OUR HANDS

639
00:19:17,190 --> 00:19:18,022
THAT IS TRULY SWEET.
>> OUR KIDS WON'T HOLD OUR HANDS
ANYMORE, HON.

640
00:19:18,024 --> 00:19:19,223
>> OUR KIDS WON'T HOLD OUR HANDS
ANYMORE, HON.
>> Stephen: HOWEVER, THE FIRST

641
00:19:19,225 --> 00:19:21,159
ANYMORE, HON.
>> Stephen: HOWEVER, THE FIRST
DRAFT SAID:

642
00:19:21,161 --> 00:19:21,993
>> Stephen: HOWEVER, THE FIRST
DRAFT SAID:
"THANK YOU FOR ALWAYS GIVING ME

643
00:19:21,995 --> 00:19:22,360
DRAFT SAID:
"THANK YOU FOR ALWAYS GIVING ME
A HAND TO HOLD.

644
00:19:22,362 --> 00:19:23,561
"THANK YOU FOR ALWAYS GIVING ME
A HAND TO HOLD.
BUT, LIKE, WHOSE HANDS WERE

645
00:19:23,563 --> 00:19:25,663
A HAND TO HOLD.
BUT, LIKE, WHOSE HANDS WERE
THOSE?"

646
00:19:25,665 --> 00:19:26,497
BUT, LIKE, WHOSE HANDS WERE
THOSE?"
A LITTLE DARK.

647
00:19:26,499 --> 00:19:29,033
THOSE?"
A LITTLE DARK.
IT'S A LITTLE DARK.

648
00:19:29,035 --> 00:19:30,635
A LITTLE DARK.
IT'S A LITTLE DARK.
THERE WAS SOME CONJECTURE IN

649
00:19:30,637 --> 00:19:32,270
IT'S A LITTLE DARK.
THERE WAS SOME CONJECTURE IN
REHEARSAL AS TO WHETHER I WOULD

650
00:19:32,272 --> 00:19:34,205
THERE WAS SOME CONJECTURE IN
REHEARSAL AS TO WHETHER I WOULD
CUT THAT ONE, BECAUSE IT'S A

651
00:19:34,207 --> 00:19:34,572
REHEARSAL AS TO WHETHER I WOULD
CUT THAT ONE, BECAUSE IT'S A
LITTLE DARK.

652
00:19:34,574 --> 00:19:35,573
CUT THAT ONE, BECAUSE IT'S A
LITTLE DARK.
I'M GLAD I DIDN'T.

653
00:19:35,575 --> 00:19:36,841
LITTLE DARK.
I'M GLAD I DIDN'T.
YOU HAVE TO HAVE THE SALTY WITH

654
00:19:36,843 --> 00:19:38,342
I'M GLAD I DIDN'T.
YOU HAVE TO HAVE THE SALTY WITH
THE SWEET.

655
00:19:38,344 --> 00:19:39,210
YOU HAVE TO HAVE THE SALTY WITH
THE SWEET.
HERE'S A CARD THAT SAYS:

656
00:19:39,212 --> 00:19:41,279
THE SWEET.
HERE'S A CARD THAT SAYS:
"D.A.D."

657
00:19:41,281 --> 00:19:43,181
HERE'S A CARD THAT SAYS:
"D.A.D."
AND INSIDE, THE LETTERS SPELL

658
00:19:43,183 --> 00:19:45,149
"D.A.D."
AND INSIDE, THE LETTERS SPELL
OUT "DOWN TO EARTH, AWESOME

659
00:19:45,151 --> 00:19:46,450
AND INSIDE, THE LETTERS SPELL
OUT "DOWN TO EARTH, AWESOME
DEVILISHLY HANDSOME."

660
00:19:46,452 --> 00:19:46,918
OUT "DOWN TO EARTH, AWESOME
DEVILISHLY HANDSOME."
THAT'S NICE.

661
00:19:46,920 --> 00:19:48,953
DEVILISHLY HANDSOME."
THAT'S NICE.
EVERY DAD WOULD WANT TO GET

662
00:19:48,955 --> 00:19:51,956
THAT'S NICE.
EVERY DAD WOULD WANT TO GET
THAT, WANT TO GET THAT.

663
00:19:51,958 --> 00:19:52,990
EVERY DAD WOULD WANT TO GET
THAT, WANT TO GET THAT.
BUT THE FIRST DRAFT READ:

664
00:19:52,992 --> 00:19:53,424
THAT, WANT TO GET THAT.
BUT THE FIRST DRAFT READ:
"D.A.D., DAD, A DAD.

665
00:19:53,426 --> 00:19:56,327
BUT THE FIRST DRAFT READ:
"D.A.D., DAD, A DAD.
DAMN, WHAT ELSE STARTS WITH

666
00:19:56,329 --> 00:19:57,161
"D.A.D., DAD, A DAD.
DAMN, WHAT ELSE STARTS WITH
"D"?"

667
00:19:57,163 --> 00:19:58,763
DAMN, WHAT ELSE STARTS WITH
"D"?"
<i> ( LAUGHTER )</i>

668
00:19:58,765 --> 00:19:59,096
"D"?"
<i> ( LAUGHTER )</i>
<i> ( APPLAUSE )</i>

669
00:19:59,098 --> 00:20:00,798
<i> ( LAUGHTER )</i>
<i> ( APPLAUSE )</i>
ANY OF THE CHILDREN GOING TO BE

670
00:20:00,800 --> 00:20:01,032
<i> ( APPLAUSE )</i>
ANY OF THE CHILDREN GOING TO BE
AROUND?

671
00:20:01,034 --> 00:20:01,465
ANY OF THE CHILDREN GOING TO BE
AROUND?
>> I THINK PETER.

672
00:20:01,467 --> 00:20:02,900
AROUND?
>> I THINK PETER.
>> Stephen: OKAY, ONE OF THEM

673
00:20:02,902 --> 00:20:04,468
>> I THINK PETER.
>> Stephen: OKAY, ONE OF THEM
WILL BE AROUND, OKAY.

674
00:20:04,470 --> 00:20:04,936
>> Stephen: OKAY, ONE OF THEM
WILL BE AROUND, OKAY.
NO PRESSURE.

675
00:20:04,938 --> 00:20:06,237
WILL BE AROUND, OKAY.
NO PRESSURE.
NO PRESSURE, BULDY.

676
00:20:06,239 --> 00:20:07,838
NO PRESSURE.
NO PRESSURE, BULDY.
YOU HAVE TO HAVE ALL THE LOVE OF

677
00:20:07,840 --> 00:20:10,608
NO PRESSURE, BULDY.
YOU HAVE TO HAVE ALL THE LOVE OF
ALL THREE OF YOU RIGHT AT ME.

678
00:20:10,610 --> 00:20:11,209
YOU HAVE TO HAVE ALL THE LOVE OF
ALL THREE OF YOU RIGHT AT ME.
<i> ( LAUGHTER )</i>

679
00:20:11,211 --> 00:20:13,177
ALL THREE OF YOU RIGHT AT ME.
<i> ( LAUGHTER )</i>
HERE'S A NICE ONE:

680
00:20:13,179 --> 00:20:14,612
<i> ( LAUGHTER )</i>
HERE'S A NICE ONE:
"NOW THAT COVID'S OVER, I CAN

681
00:20:14,614 --> 00:20:16,581
HERE'S A NICE ONE:
"NOW THAT COVID'S OVER, I CAN
REUNITE WITH MY FAVORITE GUY, MY

682
00:20:16,583 --> 00:20:17,181
"NOW THAT COVID'S OVER, I CAN
REUNITE WITH MY FAVORITE GUY, MY
DAD!"

683
00:20:17,183 --> 00:20:18,015
REUNITE WITH MY FAVORITE GUY, MY
DAD!"
>> OH!

684
00:20:18,017 --> 00:20:19,617
DAD!"
>> OH!
>> Stephen: SEE, LOOK AT THAT.

685
00:20:19,619 --> 00:20:21,152
>> OH!
>> Stephen: SEE, LOOK AT THAT.
THEY'RE DOING THEIR PART, TOO,

686
00:20:21,154 --> 00:20:21,586
>> Stephen: SEE, LOOK AT THAT.
THEY'RE DOING THEIR PART, TOO,
OUT IN THE AUDIENCE.

687
00:20:21,588 --> 00:20:24,488
THEY'RE DOING THEIR PART, TOO,
OUT IN THE AUDIENCE.
>> THEY REALLY ARE.

688
00:20:24,490 --> 00:20:25,556
OUT IN THE AUDIENCE.
>> THEY REALLY ARE.
>> Stephen: BUT THE FIRST

689
00:20:25,558 --> 00:20:27,992
>> THEY REALLY ARE.
>> Stephen: BUT THE FIRST
DRAFT SAID:

690
00:20:27,994 --> 00:20:28,593
>> Stephen: BUT THE FIRST
DRAFT SAID:
"NOW THAT COVID'S OVER, I CAN

691
00:20:28,595 --> 00:20:29,193
DRAFT SAID:
"NOW THAT COVID'S OVER, I CAN
REUNITE WITH MY FAVORITE GUY,

692
00:20:29,195 --> 00:20:32,563
"NOW THAT COVID'S OVER, I CAN
REUNITE WITH MY FAVORITE GUY,
MOM'S NEW BOYFRIEND, CHRIS!

693
00:20:32,565 --> 00:20:33,197
REUNITE WITH MY FAVORITE GUY,
MOM'S NEW BOYFRIEND, CHRIS!
HE LETS ME BORROW HIS JET SKI!"

694
00:20:33,199 --> 00:20:37,001
MOM'S NEW BOYFRIEND, CHRIS!
HE LETS ME BORROW HIS JET SKI!"
<i> ( CHEERS AND APPLAUSE )</i>

695
00:20:37,003 --> 00:20:38,536
HE LETS ME BORROW HIS JET SKI!"
<i> ( CHEERS AND APPLAUSE )</i>
>> THEY COULD HAPPEN.

696
00:20:38,538 --> 00:20:39,570
<i> ( CHEERS AND APPLAUSE )</i>
>> THEY COULD HAPPEN.
>> Stephen: IT COULD HAPPEN?

697
00:20:39,572 --> 00:20:41,239
>> THEY COULD HAPPEN.
>> Stephen: IT COULD HAPPEN?
>> I MEAN NOT FOR US.

698
00:20:41,241 --> 00:20:43,140
>> Stephen: IT COULD HAPPEN?
>> I MEAN NOT FOR US.
>> Stephen: IT COULD HAPPEN?

699
00:20:43,142 --> 00:20:43,908
>> I MEAN NOT FOR US.
>> Stephen: IT COULD HAPPEN?
>> NOT FOR US.

700
00:20:43,910 --> 00:20:44,775
>> Stephen: IT COULD HAPPEN?
>> NOT FOR US.
>> Stephen: ALL RIGHT.

701
00:20:44,777 --> 00:20:46,010
>> NOT FOR US.
>> Stephen: ALL RIGHT.
>> I DON'T WANT A BOYFRIEND ON

702
00:20:46,012 --> 00:20:46,510
>> Stephen: ALL RIGHT.
>> I DON'T WANT A BOYFRIEND ON
THE SIDE.

703
00:20:46,512 --> 00:20:47,011
>> I DON'T WANT A BOYFRIEND ON
THE SIDE.
>> Stephen: YOU DON'T?

704
00:20:47,013 --> 00:20:48,646
THE SIDE.
>> Stephen: YOU DON'T?
>> I'M TOO OLD FOR THAT.

705
00:20:48,648 --> 00:20:49,847
>> Stephen: YOU DON'T?
>> I'M TOO OLD FOR THAT.
>> Stephen: WHERE-- WHERE DO

706
00:20:49,849 --> 00:20:50,581
>> I'M TOO OLD FOR THAT.
>> Stephen: WHERE-- WHERE DO
YOU HAVE HIM?

707
00:20:50,583 --> 00:20:50,948
>> Stephen: WHERE-- WHERE DO
YOU HAVE HIM?
#-R

708
00:20:50,950 --> 00:20:51,282
YOU HAVE HIM?
#-R
<i> ( LAUGHTER )</i>

709
00:20:51,284 --> 00:20:52,883
#-R
<i> ( LAUGHTER )</i>
IF NOT ON THE SIDE.

710
00:20:52,885 --> 00:20:53,784
<i> ( LAUGHTER )</i>
IF NOT ON THE SIDE.
>> YES.

711
00:20:53,786 --> 00:20:54,318
IF NOT ON THE SIDE.
>> YES.
>> Stephen: HOLD ON.

712
00:20:54,320 --> 00:20:57,154
>> YES.
>> Stephen: HOLD ON.
FAMILY SHOW.

713
00:20:57,156 --> 00:21:02,493
>> Stephen: HOLD ON.
FAMILY SHOW.
OKAY.

714
00:21:02,495 --> 00:21:03,894
FAMILY SHOW.
OKAY.
HERE'S ANOTHER ONE: I CAN'T

715
00:21:03,896 --> 00:21:05,162
OKAY.
HERE'S ANOTHER ONE: I CAN'T
BELIEVE WE'RE ALL TOGETHER AGAIN

716
00:21:05,164 --> 00:21:06,297
HERE'S ANOTHER ONE: I CAN'T
BELIEVE WE'RE ALL TOGETHER AGAIN
THIS YEAR.

717
00:21:06,299 --> 00:21:12,136
BELIEVE WE'RE ALL TOGETHER AGAIN
THIS YEAR.
HAPPY FATHER'S DAY.

718
00:21:12,138 --> 00:21:13,771
THIS YEAR.
HAPPY FATHER'S DAY.
I CAN'T BELIEVE WE'RE ALL

719
00:21:13,773 --> 00:21:15,339
HAPPY FATHER'S DAY.
I CAN'T BELIEVE WE'RE ALL
TOGETHER AGAIN THIS YEAR.

720
00:21:15,341 --> 00:21:23,214
I CAN'T BELIEVE WE'RE ALL
TOGETHER AGAIN THIS YEAR.
HAPPY FATHER'S DAY.

721
00:21:23,216 --> 00:21:25,149
TOGETHER AGAIN THIS YEAR.
HAPPY FATHER'S DAY.
>> THIS IS THE LAST ONE,

722
00:21:25,151 --> 00:21:25,583
HAPPY FATHER'S DAY.
>> THIS IS THE LAST ONE,
EVERYBODY.

723
00:21:25,585 --> 00:21:27,184
>> THIS IS THE LAST ONE,
EVERYBODY.
HERE WE GO.

724
00:21:27,186 --> 00:21:27,618
EVERYBODY.
HERE WE GO.
HERE'S ANOTHER ONE:

725
00:21:27,620 --> 00:21:28,185
HERE WE GO.
HERE'S ANOTHER ONE:
"I CAN'T BELIEVE WE'RE ALL

726
00:21:28,187 --> 00:21:28,786
HERE'S ANOTHER ONE:
"I CAN'T BELIEVE WE'RE ALL
THANKS SO MUCH FOR BEING HERE.

727
00:21:28,788 --> 00:21:30,288
"I CAN'T BELIEVE WE'RE ALL
THANKS SO MUCH FOR BEING HERE.
>> THANKS FOR HAVING ME.

728
00:21:30,290 --> 00:21:31,289
THANKS SO MUCH FOR BEING HERE.
>> THANKS FOR HAVING ME.
>> Stephen: AND THANKS FOR

729
00:21:31,291 --> 00:21:32,390
>> THANKS FOR HAVING ME.
>> Stephen: AND THANKS FOR
DOING THESE CARDS WITH ME IN

730
00:21:32,392 --> 00:21:34,425
>> Stephen: AND THANKS FOR
DOING THESE CARDS WITH ME IN
THAT LITTLE STORAGE ROOM DOWN IN

731
00:21:34,427 --> 00:21:36,427
DOING THESE CARDS WITH ME IN
THAT LITTLE STORAGE ROOM DOWN IN
SOUTH CAROLINA EVERY HOLIDAY FOR

732
00:21:36,429 --> 00:21:36,794
THAT LITTLE STORAGE ROOM DOWN IN
SOUTH CAROLINA EVERY HOLIDAY FOR
15 MONTHS.

733
00:21:36,796 --> 00:21:38,296
SOUTH CAROLINA EVERY HOLIDAY FOR
15 MONTHS.
>> IT WAS FUN.

734
00:21:38,298 --> 00:21:39,664
15 MONTHS.
>> IT WAS FUN.
>> Stephen: YEAH, AND THIS IS

735
00:21:39,666 --> 00:21:41,065
>> IT WAS FUN.
>> Stephen: YEAH, AND THIS IS
HOW WE DISCOVERED IT WAS OKAY TO

736
00:21:41,067 --> 00:21:42,500
>> Stephen: YEAH, AND THIS IS
HOW WE DISCOVERED IT WAS OKAY TO
WORK TOGETHER.

737
00:21:42,502 --> 00:21:42,700
HOW WE DISCOVERED IT WAS OKAY TO
WORK TOGETHER.
YEAH.

738
00:21:42,702 --> 00:21:44,101
WORK TOGETHER.
YEAH.
I SHOULDN'T HAVE BEEN AFRAID OF

739
00:21:44,103 --> 00:21:45,169
YEAH.
I SHOULDN'T HAVE BEEN AFRAID OF
YOU THIS WHOLE TIME.

740
00:21:45,171 --> 00:21:46,337
I SHOULDN'T HAVE BEEN AFRAID OF
YOU THIS WHOLE TIME.
>> MAYBE.

741
00:21:46,339 --> 00:21:47,238
YOU THIS WHOLE TIME.
>> MAYBE.
>> Stephen: WE'LL SEE, IT'S

742
00:21:47,240 --> 00:21:49,473
>> MAYBE.
>> Stephen: WE'LL SEE, IT'S
EARLY, IT'S EARLY DAYS.

743
00:21:49,475 --> 00:21:53,244
>> Stephen: WE'LL SEE, IT'S
EARLY, IT'S EARLY DAYS.
THIS ONE SAYS: "DAD'S YOU'RE A

744
00:21:53,246 --> 00:21:54,445
EARLY, IT'S EARLY DAYS.
THIS ONE SAYS: "DAD'S YOU'RE A
STAR.

745
00:21:54,447 --> 00:21:55,980
THIS ONE SAYS: "DAD'S YOU'RE A
STAR.
THANKS FOR SHINING YOUR LIGHT.

746
00:21:55,982 --> 00:21:57,148
STAR.
THANKS FOR SHINING YOUR LIGHT.
HAPPY FATHER'S DAY."

747
00:21:57,150 --> 00:22:01,619
THANKS FOR SHINING YOUR LIGHT.
HAPPY FATHER'S DAY."
BUT THE FIRST DRAFT SAID: "DAD,

748
00:22:01,621 --> 00:22:02,987
HAPPY FATHER'S DAY."
BUT THE FIRST DRAFT SAID: "DAD,
YOU'RE'S STAR.

749
00:22:02,989 --> 00:22:04,188
BUT THE FIRST DRAFT SAID: "DAD,
YOU'RE'S STAR.
I COULDN'T EXIST WITHOUT YOU BUT

750
00:22:04,190 --> 00:22:05,656
YOU'RE'S STAR.
I COULDN'T EXIST WITHOUT YOU BUT
YOU'RE MOSTLY GAS AND IMPOSSIBLE

751
00:22:05,658 --> 00:22:07,325
I COULDN'T EXIST WITHOUT YOU BUT
YOU'RE MOSTLY GAS AND IMPOSSIBLE
TO GET CLOSE TO."

752
00:22:07,327 --> 00:22:09,160
YOU'RE MOSTLY GAS AND IMPOSSIBLE
TO GET CLOSE TO."
EVIE MAGEE, EVERYBODY!

753
00:22:09,162 --> 00:22:09,960
TO GET CLOSE TO."
EVIE MAGEE, EVERYBODY!
WE'LL BE RIGHT BACK WITH

754
00:22:09,962 --> 00:22:12,396
EVIE MAGEE, EVERYBODY!
WE'LL BE RIGHT BACK WITH
ANDERSON COOPER.

755
00:22:19,938 --> 00:22:28,045
♪ ♪ ♪
<i> ( APPLAUSE )</i>
>> Stephen: HEY, EVERYBODY.

756
00:22:28,047 --> 00:22:33,617
<i> ( APPLAUSE )</i>
>> Stephen: HEY, EVERYBODY.
WELCOE BACK.

757
00:22:33,619 --> 00:22:34,251
>> Stephen: HEY, EVERYBODY.
WELCOE BACK.
MY GUEST TONIGHT IS AN EMMY AND

758
00:22:34,253 --> 00:22:35,286
WELCOE BACK.
MY GUEST TONIGHT IS AN EMMY AND
PEABODY AWARD-WINNING JOURNALIST

759
00:22:35,288 --> 00:22:36,387
MY GUEST TONIGHT IS AN EMMY AND
PEABODY AWARD-WINNING JOURNALIST
WHO IS A CORRESPONDENT FOR CBS'S

760
00:22:36,389 --> 00:22:36,954
PEABODY AWARD-WINNING JOURNALIST
WHO IS A CORRESPONDENT FOR CBS'S
"60 MINUTES" AND THE HOST OF

761
00:22:36,956 --> 00:22:38,155
WHO IS A CORRESPONDENT FOR CBS'S
"60 MINUTES" AND THE HOST OF
"ANDERSON COOPER 360."

762
00:22:38,157 --> 00:22:38,789
"60 MINUTES" AND THE HOST OF
"ANDERSON COOPER 360."
PLEASE WELCOME BACK TO "THE LATE

763
00:22:38,791 --> 00:22:40,991
"ANDERSON COOPER 360."
PLEASE WELCOME BACK TO "THE LATE
SHOW," ANDERSON COOPER!

764
00:22:40,993 --> 00:22:42,159
PLEASE WELCOME BACK TO "THE LATE
SHOW," ANDERSON COOPER!
♪ ♪ ♪

765
00:22:42,161 --> 00:22:58,576
SHOW," ANDERSON COOPER!
♪ ♪ ♪
<i> ( CHEERS AND APPLAUSE )</i>

766
00:22:59,277 --> 00:23:08,285
>> Stephen: NICE TO SEE YOU.
LOOK AT THE PEOPLE.
>> CRAZY, FANTASTIC.

767
00:23:08,287 --> 00:23:09,286
LOOK AT THE PEOPLE.
>> CRAZY, FANTASTIC.
>> Stephen: SO, THIS IS OUR

768
00:23:09,288 --> 00:23:11,622
>> CRAZY, FANTASTIC.
>> Stephen: SO, THIS IS OUR
THIRD SHOW BACK WITH A FULL

769
00:23:11,624 --> 00:23:11,956
>> Stephen: SO, THIS IS OUR
THIRD SHOW BACK WITH A FULL
AUDIENCE HERE.

770
00:23:11,958 --> 00:23:12,323
THIRD SHOW BACK WITH A FULL
AUDIENCE HERE.
>> YEAH.

771
00:23:12,325 --> 00:23:15,259
AUDIENCE HERE.
>> YEAH.
>> Stephen: AND IT'S-- IT'S

772
00:23:15,261 --> 00:23:16,627
>> YEAH.
>> Stephen: AND IT'S-- IT'S
SORT OF STRIKING HOW QUICKLY

773
00:23:16,629 --> 00:23:18,162
>> Stephen: AND IT'S-- IT'S
SORT OF STRIKING HOW QUICKLY
THINGS ARE STARTING TO FEEL

774
00:23:18,164 --> 00:23:18,396
SORT OF STRIKING HOW QUICKLY
THINGS ARE STARTING TO FEEL
NORMAL.

775
00:23:18,398 --> 00:23:19,563
THINGS ARE STARTING TO FEEL
NORMAL.
>> YES.

776
00:23:19,565 --> 00:23:20,097
NORMAL.
>> YES.
>> Stephen: TO ME.

777
00:23:20,099 --> 00:23:20,498
>> YES.
>> Stephen: TO ME.
>> YEAH.

778
00:23:20,500 --> 00:23:22,066
>> Stephen: TO ME.
>> YEAH.
>> Stephen: WAS THERE A

779
00:23:22,068 --> 00:23:24,135
>> YEAH.
>> Stephen: WAS THERE A
MOMENT, OR HAVE YOU GOTTEN THERE

780
00:23:24,137 --> 00:23:25,302
>> Stephen: WAS THERE A
MOMENT, OR HAVE YOU GOTTEN THERE
YET, WHERE-- HOW ABOUT NEW YORK?

781
00:23:25,304 --> 00:23:26,070
MOMENT, OR HAVE YOU GOTTEN THERE
YET, WHERE-- HOW ABOUT NEW YORK?
YOU GREW UP IN NEW YORK.

782
00:23:26,072 --> 00:23:27,605
YET, WHERE-- HOW ABOUT NEW YORK?
YOU GREW UP IN NEW YORK.
IS THERE A MOMENT WHEN YOU FELT

783
00:23:27,607 --> 00:23:29,407
YOU GREW UP IN NEW YORK.
IS THERE A MOMENT WHEN YOU FELT
LIKE, "OH, GOD, THIS IS WHAT NEW

784
00:23:29,409 --> 00:23:31,108
IS THERE A MOMENT WHEN YOU FELT
LIKE, "OH, GOD, THIS IS WHAT NEW
YORK FEELS LIKE?"

785
00:23:31,110 --> 00:23:32,777
LIKE, "OH, GOD, THIS IS WHAT NEW
YORK FEELS LIKE?"
IT'S BEEN GHOSTLY FOR PART OF

786
00:23:32,779 --> 00:23:33,344
YORK FEELS LIKE?"
IT'S BEEN GHOSTLY FOR PART OF
THE YEAR.

787
00:23:33,346 --> 00:23:34,712
IT'S BEEN GHOSTLY FOR PART OF
THE YEAR.
>> IT HAS BEEN GHOSTLY AND I

788
00:23:34,714 --> 00:23:36,280
THE YEAR.
>> IT HAS BEEN GHOSTLY AND I
HAVE BEEN RIDING MY BIKE

789
00:23:36,282 --> 00:23:37,948
>> IT HAS BEEN GHOSTLY AND I
HAVE BEEN RIDING MY BIKE
THROUGHOUT THE CITY BECAUSE I

790
00:23:37,950 --> 00:23:39,350
HAVE BEEN RIDING MY BIKE
THROUGHOUT THE CITY BECAUSE I
HAVE BEEN GOING TO THE OFFICE.

791
00:23:39,352 --> 00:23:43,254
THROUGHOUT THE CITY BECAUSE I
HAVE BEEN GOING TO THE OFFICE.
>> Stephen: AND YOU COULD RIDE

792
00:23:43,256 --> 00:23:44,722
HAVE BEEN GOING TO THE OFFICE.
>> Stephen: AND YOU COULD RIDE
DOWN BROADWAY FOR PART OF IT.

793
00:23:44,724 --> 00:23:46,757
>> Stephen: AND YOU COULD RIDE
DOWN BROADWAY FOR PART OF IT.
>> I FEEL LIKE NEW YORK IS BACK,

794
00:23:46,759 --> 00:23:47,158
DOWN BROADWAY FOR PART OF IT.
>> I FEEL LIKE NEW YORK IS BACK,
BUT WAY BACK.

795
00:23:47,160 --> 00:23:48,526
>> I FEEL LIKE NEW YORK IS BACK,
BUT WAY BACK.
WHEN I GREW UP IN NEW YORK CITY,

796
00:23:48,528 --> 00:23:50,194
BUT WAY BACK.
WHEN I GREW UP IN NEW YORK CITY,
AND I LIVED RIGHT BY WASHINGTON

797
00:23:50,196 --> 00:23:50,628
WHEN I GREW UP IN NEW YORK CITY,
AND I LIVED RIGHT BY WASHINGTON
SQUARE PARK.

798
00:23:50,630 --> 00:23:53,631
AND I LIVED RIGHT BY WASHINGTON
SQUARE PARK.
WHEN I WAS A KID, WASHINGTON

799
00:23:53,633 --> 00:23:55,032
SQUARE PARK.
WHEN I WAS A KID, WASHINGTON
SQUARE PARK WAS WHERE YOU WENT

800
00:23:55,034 --> 00:23:56,333
WHEN I WAS A KID, WASHINGTON
SQUARE PARK WAS WHERE YOU WENT
TO GET MUGGED.

801
00:23:56,335 --> 00:23:56,867
SQUARE PARK WAS WHERE YOU WENT
TO GET MUGGED.
AND, LIKE --

802
00:23:56,869 --> 00:23:58,202
TO GET MUGGED.
AND, LIKE --
>> Stephen: I'M SORRY, I HAVE

803
00:23:58,204 --> 00:23:59,603
AND, LIKE --
>> Stephen: I'M SORRY, I HAVE
AN APPOINTMENT.

804
00:23:59,605 --> 00:24:01,505
>> Stephen: I'M SORRY, I HAVE
AN APPOINTMENT.
>> I GREW UP IN NEW YORK IN THE

805
00:24:01,507 --> 00:24:03,574
AN APPOINTMENT.
>> I GREW UP IN NEW YORK IN THE
70s AND EARLY 80s, AND ALL

806
00:24:03,576 --> 00:24:05,009
>> I GREW UP IN NEW YORK IN THE
70s AND EARLY 80s, AND ALL
WE TALKED ABOUT AS KIDS WAS WHEN

807
00:24:05,011 --> 00:24:06,577
70s AND EARLY 80s, AND ALL
WE TALKED ABOUT AS KIDS WAS WHEN
WE WERE GOING-- LIKE, WHEN WE

808
00:24:06,579 --> 00:24:08,345
WE TALKED ABOUT AS KIDS WAS WHEN
WE WERE GOING-- LIKE, WHEN WE
WERE GOING TO GET MUGGED,

809
00:24:08,347 --> 00:24:12,049
WE WERE GOING-- LIKE, WHEN WE
WERE GOING TO GET MUGGED,
GETTING MUGGED, WHO STOLE MY BUS

810
00:24:12,051 --> 00:24:12,249
WERE GOING TO GET MUGGED,
GETTING MUGGED, WHO STOLE MY BUS
PASS.

811
00:24:12,251 --> 00:24:12,883
GETTING MUGGED, WHO STOLE MY BUS
PASS.
>> Stephen: WHAT'S THE

812
00:24:12,885 --> 00:24:14,819
PASS.
>> Stephen: WHAT'S THE
ETIQUETTE FOR BEING MUGGED.

813
00:24:14,821 --> 00:24:15,553
>> Stephen: WHAT'S THE
ETIQUETTE FOR BEING MUGGED.
>> EXACTLY.

814
00:24:15,555 --> 00:24:16,987
ETIQUETTE FOR BEING MUGGED.
>> EXACTLY.
AND I WALKED THROUGH WASHINGTON

815
00:24:16,989 --> 00:24:18,556
>> EXACTLY.
AND I WALKED THROUGH WASHINGTON
SQUARE PARK THE OTHER DAY AND A

816
00:24:18,558 --> 00:24:19,723
AND I WALKED THROUGH WASHINGTON
SQUARE PARK THE OTHER DAY AND A
COUPLE OF WEEKS AGO THE

817
00:24:19,725 --> 00:24:21,258
SQUARE PARK THE OTHER DAY AND A
COUPLE OF WEEKS AGO THE
NORTHWEST CORNER OF THE PARK HAD

818
00:24:21,260 --> 00:24:23,427
COUPLE OF WEEKS AGO THE
NORTHWEST CORNER OF THE PARK HAD
BEEN TAKEN OVER BY FOLKS WHO

819
00:24:23,429 --> 00:24:25,696
NORTHWEST CORNER OF THE PARK HAD
BEEN TAKEN OVER BY FOLKS WHO
WERE VERY, YOU KNOW, DEDICATED

820
00:24:25,698 --> 00:24:28,732
BEEN TAKEN OVER BY FOLKS WHO
WERE VERY, YOU KNOW, DEDICATED
TO USING SUBSTANCES.

821
00:24:28,734 --> 00:24:30,000
WERE VERY, YOU KNOW, DEDICATED
TO USING SUBSTANCES.
>> Stephen: THERE'S LIKE A

822
00:24:30,002 --> 00:24:31,168
TO USING SUBSTANCES.
>> Stephen: THERE'S LIKE A
NIGHTLY RAVE SCENE NOW.

823
00:24:31,170 --> 00:24:32,903
>> Stephen: THERE'S LIKE A
NIGHTLY RAVE SCENE NOW.
WHATEVER THAT MEANS THESE DAY.

824
00:24:32,905 --> 00:24:35,239
NIGHTLY RAVE SCENE NOW.
WHATEVER THAT MEANS THESE DAY.
>> I DON'T KNOW WHY ANYONE WOULD

825
00:24:35,241 --> 00:24:37,308
WHATEVER THAT MEANS THESE DAY.
>> I DON'T KNOW WHY ANYONE WOULD
WANT TO GO TO A RAVE IN

826
00:24:37,310 --> 00:24:39,276
>> I DON'T KNOW WHY ANYONE WOULD
WANT TO GO TO A RAVE IN
WASHINGTON SQUARE PARK.

827
00:24:39,278 --> 00:24:41,879
WANT TO GO TO A RAVE IN
WASHINGTON SQUARE PARK.
IT SOUNDS JUST, LIKE, AWFUL TO

828
00:24:41,881 --> 00:24:42,046
WASHINGTON SQUARE PARK.
IT SOUNDS JUST, LIKE, AWFUL TO
ME.

829
00:24:42,048 --> 00:24:43,981
IT SOUNDS JUST, LIKE, AWFUL TO
ME.
AND I I GUESS THE LAST ONE ON

830
00:24:43,983 --> 00:24:45,115
ME.
AND I I GUESS THE LAST ONE ON
SATURDAY NIGHT PEOPLE WERE

831
00:24:45,117 --> 00:24:45,449
AND I I GUESS THE LAST ONE ON
SATURDAY NIGHT PEOPLE WERE
STABBED.

832
00:24:45,451 --> 00:24:46,750
SATURDAY NIGHT PEOPLE WERE
STABBED.
SO THAT DOESN'T SOUND GOOD.

833
00:24:46,752 --> 00:24:48,552
STABBED.
SO THAT DOESN'T SOUND GOOD.
THE PARK HAS BEEN, IT'S, LIKE,

834
00:24:48,554 --> 00:24:49,253
SO THAT DOESN'T SOUND GOOD.
THE PARK HAS BEEN, IT'S, LIKE,
BACK INDEPENDENT 70s.

835
00:24:49,255 --> 00:24:51,121
THE PARK HAS BEEN, IT'S, LIKE,
BACK INDEPENDENT 70s.
I FEEL LIKE I'M BACK TO THE

836
00:24:51,123 --> 00:24:51,455
BACK INDEPENDENT 70s.
I FEEL LIKE I'M BACK TO THE
FUTURE.

837
00:24:51,457 --> 00:24:51,822
I FEEL LIKE I'M BACK TO THE
FUTURE.
<i> ( LAUGHTER ).</i>

838
00:24:51,824 --> 00:24:52,389
FUTURE.
<i> ( LAUGHTER ).</i>
>> Stephen: SO THERE'S GOING

839
00:24:52,391 --> 00:24:54,124
<i> ( LAUGHTER ).</i>
>> Stephen: SO THERE'S GOING
TO BE-- THERE'S GOING TO BE A

840
00:24:54,126 --> 00:24:56,060
>> Stephen: SO THERE'S GOING
TO BE-- THERE'S GOING TO BE A
PUNK SCENE.

841
00:24:56,062 --> 00:24:58,128
TO BE-- THERE'S GOING TO BE A
PUNK SCENE.
I'LL SEE YOU AT STEREO 54.

842
00:24:58,130 --> 00:24:59,663
PUNK SCENE.
I'LL SEE YOU AT STEREO 54.
>> EXACTLY, YES.

843
00:24:59,665 --> 00:25:01,232
I'LL SEE YOU AT STEREO 54.
>> EXACTLY, YES.
>> Stephen: DID YOU GO TO

844
00:25:01,234 --> 00:25:01,465
>> EXACTLY, YES.
>> Stephen: DID YOU GO TO
STUDIO--

845
00:25:01,467 --> 00:25:03,834
>> Stephen: DID YOU GO TO
STUDIO--
>> I WENT TO STUDIO 54 TWICE.

846
00:25:03,836 --> 00:25:05,503
STUDIO--
>> I WENT TO STUDIO 54 TWICE.
BOTH TIMES MY MOM BROUGHT ME,

847
00:25:05,505 --> 00:25:06,637
>> I WENT TO STUDIO 54 TWICE.
BOTH TIMES MY MOM BROUGHT ME,
WHICH TELLS YOU A LITTLE BIT

848
00:25:06,639 --> 00:25:07,938
BOTH TIMES MY MOM BROUGHT ME,
WHICH TELLS YOU A LITTLE BIT
ABOUT HOW I WAS RAISED.

849
00:25:07,940 --> 00:25:11,242
WHICH TELLS YOU A LITTLE BIT
ABOUT HOW I WAS RAISED.
I WAS 11 YEARS OLD WHICH, AGAIN,

850
00:25:11,244 --> 00:25:12,843
ABOUT HOW I WAS RAISED.
I WAS 11 YEARS OLD WHICH, AGAIN,
DOESN'T SEEM LIKE A GOOD IDEA.

851
00:25:12,845 --> 00:25:14,111
I WAS 11 YEARS OLD WHICH, AGAIN,
DOESN'T SEEM LIKE A GOOD IDEA.
>> Stephen: "HONEY, MOMMY IS

852
00:25:14,113 --> 00:25:14,845
DOESN'T SEEM LIKE A GOOD IDEA.
>> Stephen: "HONEY, MOMMY IS
GOING TO GO DANCE.

853
00:25:14,847 --> 00:25:18,549
>> Stephen: "HONEY, MOMMY IS
GOING TO GO DANCE.
YOU STAY HERE WITH MICK AND

854
00:25:18,551 --> 00:25:18,782
GOING TO GO DANCE.
YOU STAY HERE WITH MICK AND
BIANCA."

855
00:25:18,784 --> 00:25:20,217
YOU STAY HERE WITH MICK AND
BIANCA."
>> ACTUALLY, THAT'S NOT A JOKE.

856
00:25:20,219 --> 00:25:22,653
BIANCA."
>> ACTUALLY, THAT'S NOT A JOKE.
FIRST TIME I WENT IT WAS FOR THE

857
00:25:22,655 --> 00:25:24,855
>> ACTUALLY, THAT'S NOT A JOKE.
FIRST TIME I WENT IT WAS FOR THE
PREMIERE OF "THE WIZ," BECAUSE

858
00:25:24,857 --> 00:25:28,526
FIRST TIME I WENT IT WAS FOR THE
PREMIERE OF "THE WIZ," BECAUSE
MY MOM WAS DATING SIDNEY LAMET

859
00:25:28,528 --> 00:25:30,127
PREMIERE OF "THE WIZ," BECAUSE
MY MOM WAS DATING SIDNEY LAMET
AND I WENT WITH MICHAEL JACKSON

860
00:25:30,129 --> 00:25:32,530
MY MOM WAS DATING SIDNEY LAMET
AND I WENT WITH MICHAEL JACKSON
AND I DIDN'T KNOW WHO MICHAEL

861
00:25:32,532 --> 00:25:33,964
AND I WENT WITH MICHAEL JACKSON
AND I DIDN'T KNOW WHO MICHAEL
JACKSON WAS BECAUSE I DIDN'T

862
00:25:33,966 --> 00:25:35,766
AND I DIDN'T KNOW WHO MICHAEL
JACKSON WAS BECAUSE I DIDN'T
LISTEN TO MUSIC AS A KID.

863
00:25:35,768 --> 00:25:38,068
JACKSON WAS BECAUSE I DIDN'T
LISTEN TO MUSIC AS A KID.
I WAS PLAYING "DUDGEONS AND

864
00:25:38,070 --> 00:25:38,335
LISTEN TO MUSIC AS A KID.
I WAS PLAYING "DUDGEONS AND
DRAGONS."

865
00:25:38,337 --> 00:25:40,037
I WAS PLAYING "DUDGEONS AND
DRAGONS."
AND MY ONLY MEMORY WAS SEEING

866
00:25:40,039 --> 00:25:41,705
DRAGONS."
AND MY ONLY MEMORY WAS SEEING
MICHAEL JACKSON DANCE WITH

867
00:25:41,707 --> 00:25:41,972
AND MY ONLY MEMORY WAS SEEING
MICHAEL JACKSON DANCE WITH
SOMEBODY.

868
00:25:41,974 --> 00:25:43,274
MICHAEL JACKSON DANCE WITH
SOMEBODY.
AND I TURNED TO THE PERSON NEXT

869
00:25:43,276 --> 00:25:45,209
SOMEBODY.
AND I TURNED TO THE PERSON NEXT
TO ME AND SAID, "HE'S REALLY

870
00:25:45,211 --> 00:25:45,709
AND I TURNED TO THE PERSON NEXT
TO ME AND SAID, "HE'S REALLY
GOOD AT THAT.

871
00:25:45,711 --> 00:25:46,810
TO ME AND SAID, "HE'S REALLY
GOOD AT THAT.
HE SHOULD PURSUE THAT."

872
00:25:46,812 --> 00:25:48,112
GOOD AT THAT.
HE SHOULD PURSUE THAT."
>> Stephen: THE MOST

873
00:25:48,114 --> 00:25:49,513
HE SHOULD PURSUE THAT."
>> Stephen: THE MOST
BELIEVABLE PART OF THAT STORY IS

874
00:25:49,515 --> 00:25:52,783
>> Stephen: THE MOST
BELIEVABLE PART OF THAT STORY IS
THAT AN 11-YEAR-OLD ANDERSON

875
00:25:52,785 --> 00:25:55,553
BELIEVABLE PART OF THAT STORY IS
THAT AN 11-YEAR-OLD ANDERSON
COOPER WOULD USE THE PHRASE "HE

876
00:25:55,555 --> 00:25:56,186
THAT AN 11-YEAR-OLD ANDERSON
COOPER WOULD USE THE PHRASE "HE
SHOULD PURSUE THAT."

877
00:25:56,188 --> 00:25:57,688
COOPER WOULD USE THE PHRASE "HE
SHOULD PURSUE THAT."
>> YEAH, THAT'S TOTALLY TRUE.

878
00:25:57,690 --> 00:25:59,023
SHOULD PURSUE THAT."
>> YEAH, THAT'S TOTALLY TRUE.
I WAS VERY CONCERNED ABOUT --

879
00:25:59,025 --> 00:26:01,759
>> YEAH, THAT'S TOTALLY TRUE.
I WAS VERY CONCERNED ABOUT --
>> Stephen: HE SHOULD BROADEN

880
00:26:01,761 --> 00:26:02,326
I WAS VERY CONCERNED ABOUT --
>> Stephen: HE SHOULD BROADEN
HIS HORIZONS, MOTHER.

881
00:26:02,328 --> 00:26:05,596
>> Stephen: HE SHOULD BROADEN
HIS HORIZONS, MOTHER.
>> AND THE SECOND TIME WE WENT,

882
00:26:05,598 --> 00:26:06,096
HIS HORIZONS, MOTHER.
>> AND THE SECOND TIME WE WENT,
GRACE JONES PERFORMED.

883
00:26:06,098 --> 00:26:06,964
>> AND THE SECOND TIME WE WENT,
GRACE JONES PERFORMED.
>> Stephen: HOLY COW!

884
00:26:06,966 --> 00:26:08,999
GRACE JONES PERFORMED.
>> Stephen: HOLY COW!
>> YEAH.

885
00:26:09,001 --> 00:26:10,434
>> Stephen: HOLY COW!
>> YEAH.
AND MY MEMORY-- I DON'T KNOW IF

886
00:26:10,436 --> 00:26:11,669
>> YEAH.
AND MY MEMORY-- I DON'T KNOW IF
THIS ACTUALLY HAPPENED.

887
00:26:11,671 --> 00:26:14,038
AND MY MEMORY-- I DON'T KNOW IF
THIS ACTUALLY HAPPENED.
BUT AT SOME POINT, WITH THE

888
00:26:14,040 --> 00:26:15,306
THIS ACTUALLY HAPPENED.
BUT AT SOME POINT, WITH THE
MICROPHONE CABLE, SHE SEEMED TO

889
00:26:15,308 --> 00:26:17,441
BUT AT SOME POINT, WITH THE
MICROPHONE CABLE, SHE SEEMED TO
HAVE MADE SOME SORT OF A, LIKE,

890
00:26:17,443 --> 00:26:19,043
MICROPHONE CABLE, SHE SEEMED TO
HAVE MADE SOME SORT OF A, LIKE,
A NOOSE, PUT IT AROUND THE NECK

891
00:26:19,045 --> 00:26:20,411
HAVE MADE SOME SORT OF A, LIKE,
A NOOSE, PUT IT AROUND THE NECK
OF SOME GUY IN THE AUDIENCE.

892
00:26:20,413 --> 00:26:23,180
A NOOSE, PUT IT AROUND THE NECK
OF SOME GUY IN THE AUDIENCE.
AND I REMEMBER HER LIFTING HIM

893
00:26:23,182 --> 00:26:23,714
OF SOME GUY IN THE AUDIENCE.
AND I REMEMBER HER LIFTING HIM
UP.

894
00:26:23,716 --> 00:26:25,182
AND I REMEMBER HER LIFTING HIM
UP.
I DON'T WILL THINK THAT ACTUALLY

895
00:26:25,184 --> 00:26:26,016
UP.
I DON'T WILL THINK THAT ACTUALLY
HAPPENED, BUT THAT'S HOW IT

896
00:26:26,018 --> 00:26:27,351
I DON'T WILL THINK THAT ACTUALLY
HAPPENED, BUT THAT'S HOW IT
LOOKED TO ME AT 11.

897
00:26:27,353 --> 00:26:27,885
HAPPENED, BUT THAT'S HOW IT
LOOKED TO ME AT 11.
<i> ( LAUGHTER ).</i>

898
00:26:27,887 --> 00:26:30,955
LOOKED TO ME AT 11.
<i> ( LAUGHTER ).</i>
>> Stephen: OKAY, SO, NOW...

899
00:26:30,957 --> 00:26:34,658
<i> ( LAUGHTER ).</i>
>> Stephen: OKAY, SO, NOW...
<i> ( LAUGHTER )</i>

900
00:26:34,660 --> 00:26:36,293
>> Stephen: OKAY, SO, NOW...
<i> ( LAUGHTER )</i>
THIS ALL SOUNDS REALLY FUN TO

901
00:26:36,295 --> 00:26:37,261
<i> ( LAUGHTER )</i>
THIS ALL SOUNDS REALLY FUN TO
ME, ACTUALLY.

902
00:26:37,263 --> 00:26:38,262
THIS ALL SOUNDS REALLY FUN TO
ME, ACTUALLY.
NOW YOU'RE A DAD YOURSELF.

903
00:26:38,264 --> 00:26:40,798
ME, ACTUALLY.
NOW YOU'RE A DAD YOURSELF.
>> IT'S A VERY RELATABLE

904
00:26:40,800 --> 00:26:41,231
NOW YOU'RE A DAD YOURSELF.
>> IT'S A VERY RELATABLE
CHILDHOOD, I THINK.

905
00:26:41,233 --> 00:26:42,366
>> IT'S A VERY RELATABLE
CHILDHOOD, I THINK.
>> Stephen: SPEAKING OF

906
00:26:42,368 --> 00:26:43,334
CHILDHOOD, I THINK.
>> Stephen: SPEAKING OF
CHILDHOOD AND RELATING TO IT,

907
00:26:43,336 --> 00:26:44,969
>> Stephen: SPEAKING OF
CHILDHOOD AND RELATING TO IT,
YOU■ ARE NOW A DAD OF YOUR OWN.

908
00:26:44,971 --> 00:26:45,369
CHILDHOOD AND RELATING TO IT,
YOU■ ARE NOW A DAD OF YOUR OWN.
>> YES.

909
00:26:45,371 --> 00:26:47,538
YOU■ ARE NOW A DAD OF YOUR OWN.
>> YES.
>> Stephen: OF YOUNG WYATT,

910
00:26:47,540 --> 00:26:47,871
>> YES.
>> Stephen: OF YOUNG WYATT,
RIGHT HERE.

911
00:26:47,873 --> 00:26:48,973
>> Stephen: OF YOUNG WYATT,
RIGHT HERE.
>> YES, YEAH.

912
00:26:48,975 --> 00:26:52,209
RIGHT HERE.
>> YES, YEAH.
<i> ( APPLAUSE )</i>

913
00:26:52,211 --> 00:26:52,910
>> YES, YEAH.
<i> ( APPLAUSE )</i>
>> Stephen: TURNED ONE.

914
00:26:52,912 --> 00:26:55,045
<i> ( APPLAUSE )</i>
>> Stephen: TURNED ONE.
>> YEAH, HE TURNED ONE APRIL 27.

915
00:26:55,047 --> 00:26:57,147
>> Stephen: TURNED ONE.
>> YEAH, HE TURNED ONE APRIL 27.
HE TURNED ONE YEARS OLD.

916
00:26:57,149 --> 00:26:58,349
>> YEAH, HE TURNED ONE APRIL 27.
HE TURNED ONE YEARS OLD.
>> Stephen: IS HE TALKING?

917
00:26:58,351 --> 00:27:03,487
HE TURNED ONE YEARS OLD.
>> Stephen: IS HE TALKING?
>> HE TALKS IN A DIALECT OF

918
00:27:03,489 --> 00:27:04,588
>> Stephen: IS HE TALKING?
>> HE TALKS IN A DIALECT OF
HINDI OR URDU, I'M NOT SURE.

919
00:27:04,590 --> 00:27:06,690
>> HE TALKS IN A DIALECT OF
HINDI OR URDU, I'M NOT SURE.
IT'S A REALLY INTERESTING

920
00:27:06,692 --> 00:27:06,924
HINDI OR URDU, I'M NOT SURE.
IT'S A REALLY INTERESTING
DIALECT.

921
00:27:06,926 --> 00:27:07,992
IT'S A REALLY INTERESTING
DIALECT.
I'M TRYING TO UNDERSTAND WHAT IT

922
00:27:07,994 --> 00:27:08,158
DIALECT.
I'M TRYING TO UNDERSTAND WHAT IT
IS.

923
00:27:08,160 --> 00:27:09,193
I'M TRYING TO UNDERSTAND WHAT IT
IS.
IT DOESN'T MAKE ANY SENSE AT

924
00:27:09,195 --> 00:27:11,095
IS.
IT DOESN'T MAKE ANY SENSE AT
THIS POINT BUT HE'S VERY

925
00:27:11,097 --> 00:27:11,595
IT DOESN'T MAKE ANY SENSE AT
THIS POINT BUT HE'S VERY
COMMITTED TO IT.

926
00:27:11,597 --> 00:27:13,030
THIS POINT BUT HE'S VERY
COMMITTED TO IT.
>> Stephen: LOOK AT THOSE

927
00:27:13,032 --> 00:27:13,230
COMMITTED TO IT.
>> Stephen: LOOK AT THOSE
EYES.

928
00:27:13,232 --> 00:27:14,565
>> Stephen: LOOK AT THOSE
EYES.
THE EYES DO NOT FALL FAR FROM

929
00:27:14,567 --> 00:27:15,199
EYES.
THE EYES DO NOT FALL FAR FROM
THE DAD THERE.

930
00:27:15,201 --> 00:27:16,500
THE EYES DO NOT FALL FAR FROM
THE DAD THERE.
>> I KNOW, I KNOW.

931
00:27:16,502 --> 00:27:18,669
THE DAD THERE.
>> I KNOW, I KNOW.
SO JUST FOR THE FIRST TIME, I

932
00:27:18,671 --> 00:27:20,471
>> I KNOW, I KNOW.
SO JUST FOR THE FIRST TIME, I
WAS IN ISRAEL LAST WEEK, MY

933
00:27:20,473 --> 00:27:21,739
SO JUST FOR THE FIRST TIME, I
WAS IN ISRAEL LAST WEEK, MY
FIRST WORK TRIP FOR "60

934
00:27:21,741 --> 00:27:23,340
WAS IN ISRAEL LAST WEEK, MY
FIRST WORK TRIP FOR "60
MINUTES," AND I WAS DOING AN

935
00:27:23,342 --> 00:27:27,478
FIRST WORK TRIP FOR "60
MINUTES," AND I WAS DOING AN
INTERVIEW, AND I GET THIS TEXT

936
00:27:27,480 --> 00:27:29,480
MINUTES," AND I WAS DOING AN
INTERVIEW, AND I GET THIS TEXT
FROM WYATT'S OTHER DAD,

937
00:27:29,482 --> 00:27:34,051
INTERVIEW, AND I GET THIS TEXT
FROM WYATT'S OTHER DAD,
BENJAMIN, AND HE SAID, "HE JUST

938
00:27:34,053 --> 00:27:35,085
FROM WYATT'S OTHER DAD,
BENJAMIN, AND HE SAID, "HE JUST
WALKED."

939
00:27:35,087 --> 00:27:38,055
BENJAMIN, AND HE SAID, "HE JUST
WALKED."
EXCLAMATION MARK, EXCLAMATION

940
00:27:38,057 --> 00:27:38,255
WALKED."
EXCLAMATION MARK, EXCLAMATION
MARK.

941
00:27:38,257 --> 00:27:38,722
EXCLAMATION MARK, EXCLAMATION
MARK.
>> Audience: OOOH.

942
00:27:38,724 --> 00:27:40,791
MARK.
>> Audience: OOOH.
>> YOU WOULD THINK THAT WOULD BE

943
00:27:40,793 --> 00:27:41,492
>> Audience: OOOH.
>> YOU WOULD THINK THAT WOULD BE
MY REACTION.

944
00:27:41,494 --> 00:27:43,227
>> YOU WOULD THINK THAT WOULD BE
MY REACTION.
MY REACTION WAS FURY,s I WAS

945
00:27:43,229 --> 00:27:45,295
MY REACTION.
MY REACTION WAS FURY,s I WAS
LIKE, "A," I CAN'T BELIEVE I

946
00:27:45,297 --> 00:27:47,297
MY REACTION WAS FURY,s I WAS
LIKE, "A," I CAN'T BELIEVE I
MISSED THIS, THAT I'M COULD GO

947
00:27:47,299 --> 00:27:50,034
LIKE, "A," I CAN'T BELIEVE I
MISSED THIS, THAT I'M COULD GO
THIS INTERVIEW IN ISRAEL OF ALL

948
00:27:50,036 --> 00:27:50,668
MISSED THIS, THAT I'M COULD GO
THIS INTERVIEW IN ISRAEL OF ALL
PLACES.

949
00:27:50,670 --> 00:27:53,103
THIS INTERVIEW IN ISRAEL OF ALL
PLACES.
AND, SECONDLY, THEN I GOT REALLY

950
00:27:53,105 --> 00:27:54,505
PLACES.
AND, SECONDLY, THEN I GOT REALLY
PISSED AT BENJAMIN FOR-- I WAS

951
00:27:54,507 --> 00:27:56,240
AND, SECONDLY, THEN I GOT REALLY
PISSED AT BENJAMIN FOR-- I WAS
LIKE, IN MY HOUSEHOLD, WHEN I

952
00:27:56,242 --> 00:27:59,343
PISSED AT BENJAMIN FOR-- I WAS
LIKE, IN MY HOUSEHOLD, WHEN I
GREW UP, YOU WOULD LIE ABOUT

953
00:27:59,345 --> 00:27:59,710
LIKE, IN MY HOUSEHOLD, WHEN I
GREW UP, YOU WOULD LIE ABOUT
EVERYTHING.

954
00:27:59,712 --> 00:28:00,144
GREW UP, YOU WOULD LIE ABOUT
EVERYTHING.
<i> (  LAUGHTER  )</i>

955
00:28:00,146 --> 00:28:02,012
EVERYTHING.
<i> (  LAUGHTER  )</i>
SO HE SHOULD HAVE JUST LIED, AND

956
00:28:02,014 --> 00:28:04,615
<i> (  LAUGHTER  )</i>
SO HE SHOULD HAVE JUST LIED, AND
SHE SHOULDN'T HAVE SAID HE JUST

957
00:28:04,617 --> 00:28:04,848
SO HE SHOULD HAVE JUST LIED, AND
SHE SHOULDN'T HAVE SAID HE JUST
WALKED.

958
00:28:04,850 --> 00:28:05,916
SHE SHOULDN'T HAVE SAID HE JUST
WALKED.
HE SHOULD HAVE LIED AND SAID

959
00:28:05,918 --> 00:28:07,651
WALKED.
HE SHOULD HAVE LIED AND SAID
HE'S NOT WALKING AT ALL.

960
00:28:07,653 --> 00:28:11,021
HE SHOULD HAVE LIED AND SAID
HE'S NOT WALKING AT ALL.
SO WHEN I GOT HOME AND HE WALKED

961
00:28:11,023 --> 00:28:12,823
HE'S NOT WALKING AT ALL.
SO WHEN I GOT HOME AND HE WALKED
WE WOULD HAVE BEEN, "OH, MY GOD,

962
00:28:12,825 --> 00:28:14,224
SO WHEN I GOT HOME AND HE WALKED
WE WOULD HAVE BEEN, "OH, MY GOD,
IT'S THE FIRST WORK."

963
00:28:14,226 --> 00:28:16,093
WE WOULD HAVE BEEN, "OH, MY GOD,
IT'S THE FIRST WORK."
>> Stephen: WOW, WOW.

964
00:28:16,095 --> 00:28:16,460
IT'S THE FIRST WORK."
>> Stephen: WOW, WOW.
<i> ( APPLAUSE ).</i>

965
00:28:16,462 --> 00:28:16,694
>> Stephen: WOW, WOW.
<i> ( APPLAUSE ).</i>
>> YEAH.

966
00:28:16,696 --> 00:28:17,861
<i> ( APPLAUSE ).</i>
>> YEAH.
>> Stephen: BUT THE THING IS--

967
00:28:17,863 --> 00:28:19,663
>> YEAH.
>> Stephen: BUT THE THING IS--
>> AND HE WALKS --

968
00:28:19,665 --> 00:28:20,798
>> Stephen: BUT THE THING IS--
>> AND HE WALKS --
>> Stephen: MISSING YOUR

969
00:28:20,800 --> 00:28:22,566
>> AND HE WALKS --
>> Stephen: MISSING YOUR
CHILD'S FIRST WALK--

970
00:28:22,568 --> 00:28:22,866
>> Stephen: MISSING YOUR
CHILD'S FIRST WALK--
>> RIGHT.

971
00:28:22,868 --> 00:28:24,468
CHILD'S FIRST WALK--
>> RIGHT.
>> Stephen: PROVES YOU ARE A

972
00:28:24,470 --> 00:28:24,702
>> RIGHT.
>> Stephen: PROVES YOU ARE A
FATHER.

973
00:28:24,704 --> 00:28:26,270
>> Stephen: PROVES YOU ARE A
FATHER.
>> I KNOW, EXACTLY, YES.

974
00:28:26,272 --> 00:28:29,139
FATHER.
>> I KNOW, EXACTLY, YES.
AND HE WALKS LIKE A DRUNKEN

975
00:28:29,141 --> 00:28:29,773
>> I KNOW, EXACTLY, YES.
AND HE WALKS LIKE A DRUNKEN
SAILOR.

976
00:28:29,775 --> 00:28:30,174
AND HE WALKS LIKE A DRUNKEN
SAILOR.
AND --

977
00:28:30,176 --> 00:28:31,041
SAILOR.
AND --
>> Stephen: NOT WELL THEN.

978
00:28:31,043 --> 00:28:32,976
AND --
>> Stephen: NOT WELL THEN.
>> HE WALKS LIKE SOMEONE AT THE

979
00:28:32,978 --> 00:28:34,812
>> Stephen: NOT WELL THEN.
>> HE WALKS LIKE SOMEONE AT THE
RAVE IN WASHINGTON SQUARE PARK.

980
00:28:34,814 --> 00:28:36,113
>> HE WALKS LIKE SOMEONE AT THE
RAVE IN WASHINGTON SQUARE PARK.
<i> (  LAUGHTER  )</i>

981
00:28:36,115 --> 00:28:37,614
RAVE IN WASHINGTON SQUARE PARK.
<i> (  LAUGHTER  )</i>
WHICH MAKES ME A LITTLE WORRIED

982
00:28:37,616 --> 00:28:39,116
<i> (  LAUGHTER  )</i>
WHICH MAKES ME A LITTLE WORRIED
ABOUT WHAT HE WAS DOING IN

983
00:28:39,118 --> 00:28:39,349
WHICH MAKES ME A LITTLE WORRIED
ABOUT WHAT HE WAS DOING IN
ISRAEL.

984
00:28:39,351 --> 00:28:40,284
ABOUT WHAT HE WAS DOING IN
ISRAEL.
>> Stephen: DON'T GIVE HIM A

985
00:28:40,286 --> 00:28:40,584
ISRAEL.
>> Stephen: DON'T GIVE HIM A
KNIFE.

986
00:28:40,586 --> 00:28:41,385
>> Stephen: DON'T GIVE HIM A
KNIFE.
SUNDAY IS FATHER'S DAY.

987
00:28:41,387 --> 00:28:41,919
KNIFE.
SUNDAY IS FATHER'S DAY.
THIS IS YOUR SECOND.

988
00:28:41,921 --> 00:28:42,653
SUNDAY IS FATHER'S DAY.
THIS IS YOUR SECOND.
>> YEAH.

989
00:28:42,655 --> 00:28:44,555
THIS IS YOUR SECOND.
>> YEAH.
>> Stephen: HOW HAS FATHER--

990
00:28:44,557 --> 00:28:44,855
>> YEAH.
>> Stephen: HOW HAS FATHER--
WHAT?

991
00:28:44,857 --> 00:28:45,856
>> Stephen: HOW HAS FATHER--
WHAT?
>> NO, GOOD AHEAD.

992
00:28:45,858 --> 00:28:46,724
WHAT?
>> NO, GOOD AHEAD.
>> Stephen: DID I GET

993
00:28:46,726 --> 00:28:47,191
>> NO, GOOD AHEAD.
>> Stephen: DID I GET
SOMETHING WRONG?

994
00:28:47,193 --> 00:28:49,093
>> Stephen: DID I GET
SOMETHING WRONG?
ARE YOU FACT CHECKING ME?

995
00:28:49,095 --> 00:28:50,594
SOMETHING WRONG?
ARE YOU FACT CHECKING ME?
>> NO, IT WAS FUNNY, BECAUSE

996
00:28:50,596 --> 00:28:52,296
ARE YOU FACT CHECKING ME?
>> NO, IT WAS FUNNY, BECAUSE
YOUR PRODUCER SAID-- I TALKED TO

997
00:28:52,298 --> 00:28:53,330
>> NO, IT WAS FUNNY, BECAUSE
YOUR PRODUCER SAID-- I TALKED TO
HER ON THE PHONE BEFORE I CAME

998
00:28:53,332 --> 00:28:53,630
YOUR PRODUCER SAID-- I TALKED TO
HER ON THE PHONE BEFORE I CAME
HERE.

999
00:28:53,632 --> 00:28:55,199
HER ON THE PHONE BEFORE I CAME
HERE.
AND SHE SAID, "STEPHEN MAY ASK

1000
00:28:55,201 --> 00:28:56,166
HERE.
AND SHE SAID, "STEPHEN MAY ASK
YOU ABOUT THIS WEEKEND."

1001
00:28:56,168 --> 00:28:58,068
AND SHE SAID, "STEPHEN MAY ASK
YOU ABOUT THIS WEEKEND."
I SAID, "GREAT.

1002
00:28:58,070 --> 00:28:59,703
YOU ABOUT THIS WEEKEND."
I SAID, "GREAT.
WHAT'S THIS WEEKEND?"

1003
00:28:59,705 --> 00:29:01,438
I SAID, "GREAT.
WHAT'S THIS WEEKEND?"
AND SHE WAS LIKE, "IT'S FATHER'S

1004
00:29:01,440 --> 00:29:02,039
WHAT'S THIS WEEKEND?"
AND SHE WAS LIKE, "IT'S FATHER'S
DAY."

1005
00:29:02,041 --> 00:29:04,742
AND SHE WAS LIKE, "IT'S FATHER'S
DAY."
AND I WAS LIKE OH... BECAUSE MY

1006
00:29:04,744 --> 00:29:06,043
DAY."
AND I WAS LIKE OH... BECAUSE MY
DAD DIED WHEN I WAS 10.

1007
00:29:06,045 --> 00:29:07,845
AND I WAS LIKE OH... BECAUSE MY
DAD DIED WHEN I WAS 10.
>> Stephen: AS DID MINE.

1008
00:29:07,847 --> 00:29:11,882
DAD DIED WHEN I WAS 10.
>> Stephen: AS DID MINE.
>> AND FOR ME, FATHER'S DAY WAS

1009
00:29:11,884 --> 00:29:13,984
>> Stephen: AS DID MINE.
>> AND FOR ME, FATHER'S DAY WAS
SOMETHING I AVOIDED-- I JUST--

1010
00:29:13,986 --> 00:29:15,385
>> AND FOR ME, FATHER'S DAY WAS
SOMETHING I AVOIDED-- I JUST--
JUST DID NOT ACKNOWLEDGE IT.

1011
00:29:15,387 --> 00:29:16,887
SOMETHING I AVOIDED-- I JUST--
JUST DID NOT ACKNOWLEDGE IT.
AND WHEN ALL KIDS IN SCHOOL--

1012
00:29:16,889 --> 00:29:18,021
JUST DID NOT ACKNOWLEDGE IT.
AND WHEN ALL KIDS IN SCHOOL--
AND I THINK FOR ANYBODY OUT

1013
00:29:18,023 --> 00:29:19,823
AND WHEN ALL KIDS IN SCHOOL--
AND I THINK FOR ANYBODY OUT
THERE WHO LOST A PARENT EARLY--

1014
00:29:19,825 --> 00:29:22,059
AND I THINK FOR ANYBODY OUT
THERE WHO LOST A PARENT EARLY--
YOU KNOW, HOLIDAYS AND

1015
00:29:22,061 --> 00:29:23,627
THERE WHO LOST A PARENT EARLY--
YOU KNOW, HOLIDAYS AND
ESPECIALLY FAWGD'S DAY, WHEN YOU

1016
00:29:23,629 --> 00:29:25,929
YOU KNOW, HOLIDAYS AND
ESPECIALLY FAWGD'S DAY, WHEN YOU
DON'T HAVE A DAD, IT'S JUST--

1017
00:29:25,931 --> 00:29:27,264
ESPECIALLY FAWGD'S DAY, WHEN YOU
DON'T HAVE A DAD, IT'S JUST--
I'S NOT EVEN BITTERSWEET.

1018
00:29:27,266 --> 00:29:28,132
DON'T HAVE A DAD, IT'S JUST--
I'S NOT EVEN BITTERSWEET.
IT'S JUST LIKE --

1019
00:29:28,134 --> 00:29:29,032
I'S NOT EVEN BITTERSWEET.
IT'S JUST LIKE --
>> Stephen: KIND OF

1020
00:29:29,034 --> 00:29:29,366
IT'S JUST LIKE --
>> Stephen: KIND OF
INEXPLICABLE.

1021
00:29:29,368 --> 00:29:30,834
>> Stephen: KIND OF
INEXPLICABLE.
>> YEAH, IT'S INEXPLICABLE.

1022
00:29:30,836 --> 00:29:33,036
INEXPLICABLE.
>> YEAH, IT'S INEXPLICABLE.
AND THE PAIN WAS SO GREAT FOR MY

1023
00:29:33,038 --> 00:29:37,174
>> YEAH, IT'S INEXPLICABLE.
AND THE PAIN WAS SO GREAT FOR MY
ENTIRE-- MOST OF MY LIFE, I

1024
00:29:37,176 --> 00:29:38,041
AND THE PAIN WAS SO GREAT FOR MY
ENTIRE-- MOST OF MY LIFE, I
DIDN'T KNOW FATHER'S DAY WAS

1025
00:29:38,043 --> 00:29:39,576
ENTIRE-- MOST OF MY LIFE, I
DIDN'T KNOW FATHER'S DAY WAS
THIS DATE, AND THE INTERESTING

1026
00:29:39,578 --> 00:29:41,278
DIDN'T KNOW FATHER'S DAY WAS
THIS DATE, AND THE INTERESTING
THING FOR ME ABOUT HAVING A SON,

1027
00:29:41,280 --> 00:29:43,180
THIS DATE, AND THE INTERESTING
THING FOR ME ABOUT HAVING A SON,
A CHILD, IT HAS MADE ME SORT OF

1028
00:29:43,182 --> 00:29:47,251
THING FOR ME ABOUT HAVING A SON,
A CHILD, IT HAS MADE ME SORT OF
CONNECT WITH MY DAD AND MY MOM'S

1029
00:29:47,253 --> 00:29:48,986
A CHILD, IT HAS MADE ME SORT OF
CONNECT WITH MY DAD AND MY MOM'S
PAST AND MY BROTHER'S PAST IN A

1030
00:29:48,988 --> 00:29:51,221
CONNECT WITH MY DAD AND MY MOM'S
PAST AND MY BROTHER'S PAST IN A
WAY THAT I NEVER REALLY

1031
00:29:51,223 --> 00:29:51,522
PAST AND MY BROTHER'S PAST IN A
WAY THAT I NEVER REALLY
ANTICIPATED.

1032
00:29:51,524 --> 00:29:54,391
WAY THAT I NEVER REALLY
ANTICIPATED.
LIKE, I FEEL LIKE I AM IN

1033
00:29:54,393 --> 00:29:56,226
ANTICIPATED.
LIKE, I FEEL LIKE I AM IN
COMMUNION WITH THEM IN SOME

1034
00:29:56,228 --> 00:29:57,628
LIKE, I FEEL LIKE I AM IN
COMMUNION WITH THEM IN SOME
STRANGE WAY, AND I REMEMBER

1035
00:29:57,630 --> 00:30:00,197
COMMUNION WITH THEM IN SOME
STRANGE WAY, AND I REMEMBER
THINGS ABOUT MY DAD THAT I NEVER

1036
00:30:00,199 --> 00:30:01,532
STRANGE WAY, AND I REMEMBER
THINGS ABOUT MY DAD THAT I NEVER
REMEMBERED BEFORE BECAUSE I'M

1037
00:30:01,534 --> 00:30:02,633
THINGS ABOUT MY DAD THAT I NEVER
REMEMBERED BEFORE BECAUSE I'M
EXPERIENCING THEM WITH WYATT AS

1038
00:30:02,635 --> 00:30:03,467
REMEMBERED BEFORE BECAUSE I'M
EXPERIENCING THEM WITH WYATT AS
A DAD.

1039
00:30:03,469 --> 00:30:04,001
EXPERIENCING THEM WITH WYATT AS
A DAD.
IT'S REALLY INTERESTING.

1040
00:30:04,003 --> 00:30:05,002
A DAD.
IT'S REALLY INTERESTING.
>> Stephen: THAT'S VERY

1041
00:30:05,004 --> 00:30:05,269
IT'S REALLY INTERESTING.
>> Stephen: THAT'S VERY
BEAUTIFUL.

1042
00:30:05,271 --> 00:30:05,502
>> Stephen: THAT'S VERY
BEAUTIFUL.
>> YEAH.

1043
00:30:05,504 --> 00:30:06,603
BEAUTIFUL.
>> YEAH.
>> Stephen: THAT'S VERY

1044
00:30:06,605 --> 00:30:06,870
>> YEAH.
>> Stephen: THAT'S VERY
BEAUTIFUL.

1045
00:30:06,872 --> 00:30:07,538
>> Stephen: THAT'S VERY
BEAUTIFUL.
I'M VERY HAPPY FOR YOU.

1046
00:30:07,540 --> 00:30:08,739
BEAUTIFUL.
I'M VERY HAPPY FOR YOU.
>> YEAH, NO, IT'S INCREDIBLE.

1047
00:30:08,741 --> 00:30:10,073
I'M VERY HAPPY FOR YOU.
>> YEAH, NO, IT'S INCREDIBLE.
>> Stephen: IT'S AN UNEXPECTED

1048
00:30:10,075 --> 00:30:11,642
>> YEAH, NO, IT'S INCREDIBLE.
>> Stephen: IT'S AN UNEXPECTED
GIFT OF BEING A FATHER

1049
00:30:11,644 --> 00:30:12,009
>> Stephen: IT'S AN UNEXPECTED
GIFT OF BEING A FATHER
<i> ( APPLAUSE ).</i>

1050
00:30:12,011 --> 00:30:12,976
GIFT OF BEING A FATHER
<i> ( APPLAUSE ).</i>
>> IT REALLY IS.

1051
00:30:12,978 --> 00:30:16,213
<i> ( APPLAUSE ).</i>
>> IT REALLY IS.
AND SO MY MOM PAINTED A LOT, AND

1052
00:30:16,215 --> 00:30:18,515
>> IT REALLY IS.
AND SO MY MOM PAINTED A LOT, AND
SHE DID A PORTRAIT OF HER AND MY

1053
00:30:18,517 --> 00:30:19,583
AND SO MY MOM PAINTED A LOT, AND
SHE DID A PORTRAIT OF HER AND MY
FATHER, WHICH I REALLY LIKE.

1054
00:30:19,585 --> 00:30:21,985
SHE DID A PORTRAIT OF HER AND MY
FATHER, WHICH I REALLY LIKE.
AND I PUT IT OUTSIDE WYATT'S

1055
00:30:21,987 --> 00:30:22,186
FATHER, WHICH I REALLY LIKE.
AND I PUT IT OUTSIDE WYATT'S
ROOM.

1056
00:30:22,188 --> 00:30:24,188
AND I PUT IT OUTSIDE WYATT'S
ROOM.
AND EVERY MORNING WHEN I WALK

1057
00:30:24,190 --> 00:30:26,924
ROOM.
AND EVERY MORNING WHEN I WALK
BY, HE STOPS,S AND HE INSISTS ON

1058
00:30:26,926 --> 00:30:29,059
AND EVERY MORNING WHEN I WALK
BY, HE STOPS,S AND HE INSISTS ON
GOING OVER AND TOUCHING THE

1059
00:30:29,061 --> 00:30:33,096
BY, HE STOPS,S AND HE INSISTS ON
GOING OVER AND TOUCHING THE
PORTRAIT OF MY MOM AND MY DAD.

1060
00:30:33,098 --> 00:30:35,766
GOING OVER AND TOUCHING THE
PORTRAIT OF MY MOM AND MY DAD.
WHICH I FIND REALLY...

1061
00:30:35,768 --> 00:30:37,267
PORTRAIT OF MY MOM AND MY DAD.
WHICH I FIND REALLY...
WONDERFUL

1062
00:30:37,269 --> 00:30:38,035
WHICH I FIND REALLY...
WONDERFUL
( VOICE BREAKING ).

1063
00:30:38,037 --> 00:30:39,870
WONDERFUL
( VOICE BREAKING ).
>> Stephen: THAT IS VERY

1064
00:30:39,872 --> 00:30:40,270
( VOICE BREAKING ).
>> Stephen: THAT IS VERY
BEAUTIFUL.

1065
00:30:40,272 --> 00:30:40,637
>> Stephen: THAT IS VERY
BEAUTIFUL.
<i> ( APPLAUSE )</i>

1066
00:30:40,639 --> 00:30:43,907
BEAUTIFUL.
<i> ( APPLAUSE )</i>
I'VE ALWAYS SAID-- I'VE ALWAYS

1067
00:30:43,909 --> 00:30:45,275
<i> ( APPLAUSE )</i>
I'VE ALWAYS SAID-- I'VE ALWAYS
SAID-- I'VE ALWAYS SAID TO

1068
00:30:45,277 --> 00:30:46,643
I'VE ALWAYS SAID-- I'VE ALWAYS
SAID-- I'VE ALWAYS SAID TO
PEOPLE WHO ARE ABOUT TO HAVE

1069
00:30:46,645 --> 00:30:49,546
SAID-- I'VE ALWAYS SAID TO
PEOPLE WHO ARE ABOUT TO HAVE
KIDS, IT CAN BE HARD, BUT IT'S

1070
00:30:49,548 --> 00:30:50,080
PEOPLE WHO ARE ABOUT TO HAVE
KIDS, IT CAN BE HARD, BUT IT'S
ALWAYS BEAUTIFUL.

1071
00:30:50,082 --> 00:30:50,781
KIDS, IT CAN BE HARD, BUT IT'S
ALWAYS BEAUTIFUL.
>> YEAH.

1072
00:30:50,783 --> 00:30:51,682
ALWAYS BEAUTIFUL.
>> YEAH.
>> Stephen: EVEN WHEN YOU

1073
00:30:51,684 --> 00:30:53,851
>> YEAH.
>> Stephen: EVEN WHEN YOU
THINK HOW CAN I GO ON.

1074
00:30:53,853 --> 00:30:55,919
>> Stephen: EVEN WHEN YOU
THINK HOW CAN I GO ON.
I HAVEN'T SLEPT FOR DAYS.

1075
00:30:55,921 --> 00:30:57,554
THINK HOW CAN I GO ON.
I HAVEN'T SLEPT FOR DAYS.
BUT IT TAPS YOU ON THE SHOULDER

1076
00:30:57,556 --> 00:30:59,690
I HAVEN'T SLEPT FOR DAYS.
BUT IT TAPS YOU ON THE SHOULDER
AND PUNCH YOUS IN THE FACE WHEN

1077
00:30:59,692 --> 00:31:00,691
BUT IT TAPS YOU ON THE SHOULDER
AND PUNCH YOUS IN THE FACE WHEN
YOU DON'T EXPECT IT.

1078
00:31:00,693 --> 00:31:02,059
AND PUNCH YOUS IN THE FACE WHEN
YOU DON'T EXPECT IT.
IT PUNCHES YOU WITH THE

1079
00:31:02,061 --> 00:31:02,326
YOU DON'T EXPECT IT.
IT PUNCHES YOU WITH THE
BEAUTIFUL.

1080
00:31:02,328 --> 00:31:03,594
IT PUNCHES YOU WITH THE
BEAUTIFUL.
IT'S NOT THAT IT'S NOT PAINFUL

1081
00:31:03,596 --> 00:31:05,362
BEAUTIFUL.
IT'S NOT THAT IT'S NOT PAINFUL
BUT IT'S HUMAN AND CONNECTS YOU

1082
00:31:05,364 --> 00:31:08,232
IT'S NOT THAT IT'S NOT PAINFUL
BUT IT'S HUMAN AND CONNECTS YOU
ON A PRIMAL LEVEL FLOTONLY TO

1083
00:31:08,234 --> 00:31:10,500
BUT IT'S HUMAN AND CONNECTS YOU
ON A PRIMAL LEVEL FLOTONLY TO
YOUR FATHER BUT ALL THE FATHERS

1084
00:31:10,502 --> 00:31:11,535
ON A PRIMAL LEVEL FLOTONLY TO
YOUR FATHER BUT ALL THE FATHERS
ALL THE WAY BACK.

1085
00:31:11,537 --> 00:31:13,871
YOUR FATHER BUT ALL THE FATHERS
ALL THE WAY BACK.
>> EVERY CLICHE COMES TRUE.

1086
00:31:13,873 --> 00:31:16,340
ALL THE WAY BACK.
>> EVERY CLICHE COMES TRUE.
IT CHANGES THE WAY YOU THINK

1087
00:31:16,342 --> 00:31:16,840
>> EVERY CLICHE COMES TRUE.
IT CHANGES THE WAY YOU THINK
ABOUT THE WORLD.

1088
00:31:16,842 --> 00:31:18,976
IT CHANGES THE WAY YOU THINK
ABOUT THE WORLD.
AND I DID NOT KNOW MY HEART

1089
00:31:18,978 --> 00:31:22,980
ABOUT THE WORLD.
AND I DID NOT KNOW MY HEART
COULD GROW NEW CHAMBERS AND NEW

1090
00:31:22,982 --> 00:31:25,082
AND I DID NOT KNOW MY HEART
COULD GROW NEW CHAMBERS AND NEW
VENTRICLES-- I'M NOT SURE WHAT A

1091
00:31:25,084 --> 00:31:25,415
COULD GROW NEW CHAMBERS AND NEW
VENTRICLES-- I'M NOT SURE WHAT A
VENTRICLE IS.

1092
00:31:25,417 --> 00:31:28,552
VENTRICLES-- I'M NOT SURE WHAT A
VENTRICLE IS.
>> Stephen: IT IS IN THERE.

1093
00:31:28,554 --> 00:31:29,987
VENTRICLE IS.
>> Stephen: IT IS IN THERE.
IT DE-GRINCHIFIES YOU.

1094
00:31:29,989 --> 00:31:31,922
>> Stephen: IT IS IN THERE.
IT DE-GRINCHIFIES YOU.
>> IT WHAT.

1095
00:31:31,924 --> 00:31:34,825
IT DE-GRINCHIFIES YOU.
>> IT WHAT.
>> Stephen: IT DEGRINCHIFIES

1096
00:31:34,827 --> 00:31:34,992
>> IT WHAT.
>> Stephen: IT DEGRINCHIFIES
YOU.

1097
00:31:34,994 --> 00:31:37,060
>> Stephen: IT DEGRINCHIFIES
YOU.
ARE YOU NOT FAMILIAR WITH "HOW

1098
00:31:37,062 --> 00:31:39,763
YOU.
ARE YOU NOT FAMILIAR WITH "HOW
THE GRINCH STOLE CHRISTMAS.

1099
00:31:39,765 --> 00:31:41,798
ARE YOU NOT FAMILIAR WITH "HOW
THE GRINCH STOLE CHRISTMAS.
DO YOU HAVE PLANS FOR THE

1100
00:31:41,800 --> 00:31:42,032
THE GRINCH STOLE CHRISTMAS.
DO YOU HAVE PLANS FOR THE
WEEKEND?

1101
00:31:42,034 --> 00:31:44,001
DO YOU HAVE PLANS FOR THE
WEEKEND?
>> I'M GOING TO GO HANG OUT WITH

1102
00:31:44,003 --> 00:31:46,036
WEEKEND?
>> I'M GOING TO GO HANG OUT WITH
BENJAMIN'S OTHER DAY-- I MEAN,

1103
00:31:46,038 --> 00:31:48,071
>> I'M GOING TO GO HANG OUT WITH
BENJAMIN'S OTHER DAY-- I MEAN,
WYATT'S OTHER DAD, BENJAMIN.

1104
00:31:48,073 --> 00:31:49,740
BENJAMIN'S OTHER DAY-- I MEAN,
WYATT'S OTHER DAD, BENJAMIN.
>> Stephen: BENJAMIN'S DAD CAN

1105
00:31:49,742 --> 00:31:50,941
WYATT'S OTHER DAD, BENJAMIN.
>> Stephen: BENJAMIN'S DAD CAN
COME, TOO,s THAT WOULD BE

1106
00:31:50,943 --> 00:31:51,141
>> Stephen: BENJAMIN'S DAD CAN
COME, TOO,s THAT WOULD BE
COOL.

1107
00:31:51,143 --> 00:31:52,442
COME, TOO,s THAT WOULD BE
COOL.
>> AND WE'RE GOING TO HANG OUT

1108
00:31:52,444 --> 00:31:54,211
COOL.
>> AND WE'RE GOING TO HANG OUT
IN CONNECTICUT AND JUST-- JUST

1109
00:31:54,213 --> 00:31:54,444
>> AND WE'RE GOING TO HANG OUT
IN CONNECTICUT AND JUST-- JUST
BE DADS.

1110
00:31:54,446 --> 00:31:55,279
IN CONNECTICUT AND JUST-- JUST
BE DADS.
>> Stephen: I HAVE A BONE TO

1111
00:31:55,281 --> 00:31:56,280
BE DADS.
>> Stephen: I HAVE A BONE TO
PICK WITH YOU, THOUGH.

1112
00:31:56,282 --> 00:31:57,014
>> Stephen: I HAVE A BONE TO
PICK WITH YOU, THOUGH.
>> UH-OH.

1113
00:31:57,016 --> 00:31:58,048
PICK WITH YOU, THOUGH.
>> UH-OH.
>> Stephen: YOU SEEM TO BE

1114
00:31:58,050 --> 00:31:59,716
>> UH-OH.
>> Stephen: YOU SEEM TO BE
TAKING THIS DAD THING VERY

1115
00:31:59,718 --> 00:31:59,983
>> Stephen: YOU SEEM TO BE
TAKING THIS DAD THING VERY
SERIOUSLY.

1116
00:31:59,985 --> 00:32:00,717
TAKING THIS DAD THING VERY
SERIOUSLY.
AND THAT'S GREAT.

1117
00:32:00,719 --> 00:32:01,852
SERIOUSLY.
AND THAT'S GREAT.
IT'S WONDERFUL AND BEAUTIFUL AND

1118
00:32:01,854 --> 00:32:03,453
AND THAT'S GREAT.
IT'S WONDERFUL AND BEAUTIFUL AND
EVERYTHING YOU HAVE SAID IS

1119
00:32:03,455 --> 00:32:03,654
IT'S WONDERFUL AND BEAUTIFUL AND
EVERYTHING YOU HAVE SAID IS
GREAT.

1120
00:32:03,656 --> 00:32:04,821
EVERYTHING YOU HAVE SAID IS
GREAT.
>> WOW, THAT REALLY CAME FROM

1121
00:32:04,823 --> 00:32:05,088
GREAT.
>> WOW, THAT REALLY CAME FROM
THE HEART.

1122
00:32:05,090 --> 00:32:06,323
>> WOW, THAT REALLY CAME FROM
THE HEART.
>> Stephen: IT REALLY DID, "IT

1123
00:32:06,325 --> 00:32:06,790
THE HEART.
>> Stephen: IT REALLY DID, "IT
REALLY DID.

1124
00:32:06,792 --> 00:32:08,959
>> Stephen: IT REALLY DID, "IT
REALLY DID.
YOU WILL SEE WHY IN JUST A

1125
00:32:08,961 --> 00:32:09,192
REALLY DID.
YOU WILL SEE WHY IN JUST A
SECOND.

1126
00:32:09,194 --> 00:32:11,061
YOU WILL SEE WHY IN JUST A
SECOND.
WHERE IS THE DAD BOD, THOUGH.

1127
00:32:11,063 --> 00:32:12,029
SECOND.
WHERE IS THE DAD BOD, THOUGH.
ANDERSON, YOU'RE NOT REALLY

1128
00:32:12,031 --> 00:32:13,897
WHERE IS THE DAD BOD, THOUGH.
ANDERSON, YOU'RE NOT REALLY
COMMITTED UNTIL I SEE A GUT.

1129
00:32:13,899 --> 00:32:14,865
ANDERSON, YOU'RE NOT REALLY
COMMITTED UNTIL I SEE A GUT.
WHAT'S GOING ON HERE?

1130
00:32:14,867 --> 00:32:17,067
COMMITTED UNTIL I SEE A GUT.
WHAT'S GOING ON HERE?
THIS IS WHAT A DAD LOOKS LIKE.

1131
00:32:17,069 --> 00:32:17,567
WHAT'S GOING ON HERE?
THIS IS WHAT A DAD LOOKS LIKE.
( CHEERS AND APPLAUSE ).

1132
00:32:17,569 --> 00:32:18,602
THIS IS WHAT A DAD LOOKS LIKE.
( CHEERS AND APPLAUSE ).
THIS IS A DAD, OKAY.

1133
00:32:18,604 --> 00:32:20,270
( CHEERS AND APPLAUSE ).
THIS IS A DAD, OKAY.
RIGHT THERE, BABY.

1134
00:32:20,272 --> 00:32:23,340
THIS IS A DAD, OKAY.
RIGHT THERE, BABY.
YEAH.

1135
00:32:23,342 --> 00:32:26,076
RIGHT THERE, BABY.
YEAH.
THERE IT IS.

1136
00:32:26,078 --> 00:32:26,343
YEAH.
THERE IT IS.
ANYTHING?

1137
00:32:26,345 --> 00:32:26,610
THERE IT IS.
ANYTHING?
ANYTHING?

1138
00:32:26,612 --> 00:32:27,844
ANYTHING?
ANYTHING?
>> WELL, YOU KNOW, STEPHEN I'M A

1139
00:32:27,846 --> 00:32:28,478
ANYTHING?
>> WELL, YOU KNOW, STEPHEN I'M A
GAY MAN.

1140
00:32:28,480 --> 00:32:31,782
>> WELL, YOU KNOW, STEPHEN I'M A
GAY MAN.
WE CAN'T LET OURSELVES GO.

1141
00:32:31,784 --> 00:32:35,953
GAY MAN.
WE CAN'T LET OURSELVES GO.
>> Stephen: HIRE STANDARDS!

1142
00:32:35,955 --> 00:32:36,553
WE CAN'T LET OURSELVES GO.
>> Stephen: HIRE STANDARDS!
HIGHER STANDARDS!

1143
00:32:36,555 --> 00:32:37,888
>> Stephen: HIRE STANDARDS!
HIGHER STANDARDS!
>> SET AN EXAMPLE.

1144
00:32:37,890 --> 00:32:39,089
HIGHER STANDARDS!
>> SET AN EXAMPLE.
>> Stephen: WELL WE HAVE TO

1145
00:32:39,091 --> 00:32:41,425
>> SET AN EXAMPLE.
>> Stephen: WELL WE HAVE TO
TAKE A LITTLE BIT OF A BREAK.

1146
00:32:41,427 --> 00:32:42,059
>> Stephen: WELL WE HAVE TO
TAKE A LITTLE BIT OF A BREAK.
PLEASE STICK AROUND.

1147
00:32:42,061 --> 00:32:42,793
TAKE A LITTLE BIT OF A BREAK.
PLEASE STICK AROUND.
WE'LL BE RIGHT BACK W

1148
00:32:49,267 --> 00:32:52,836
WE'RE BACK HERE WITH THE HOST OF
"ANDERSON COOPER 360", ANDERSON
COOPER.

1149
00:32:52,838 --> 00:32:54,404
"ANDERSON COOPER 360", ANDERSON
COOPER.
ANDERSON, I WANT TO TAKE A

1150
00:32:54,406 --> 00:32:56,173
COOPER.
ANDERSON, I WANT TO TAKE A
MOMENT TO TALK ABOUT THE BIG

1151
00:32:56,175 --> 00:32:56,807
ANDERSON, I WANT TO TAKE A
MOMENT TO TALK ABOUT THE BIG
SUMMIT THAT HAPPENED TODAY.

1152
00:32:56,809 --> 00:32:57,774
MOMENT TO TALK ABOUT THE BIG
SUMMIT THAT HAPPENED TODAY.
>> YEAH.

1153
00:32:57,776 --> 00:32:58,775
SUMMIT THAT HAPPENED TODAY.
>> YEAH.
>> Stephen: I MEAN, EVERY NEWS

1154
00:32:58,777 --> 00:33:00,610
>> YEAH.
>> Stephen: I MEAN, EVERY NEWS
ORGANIZATION WAS JUST BLASTING

1155
00:33:00,612 --> 00:33:01,378
>> Stephen: I MEAN, EVERY NEWS
ORGANIZATION WAS JUST BLASTING
IT FOR DAYS.

1156
00:33:01,380 --> 00:33:03,680
ORGANIZATION WAS JUST BLASTING
IT FOR DAYS.
I'M SURE CNN HAD A COUNTDOWN

1157
00:33:03,682 --> 00:33:03,947
IT FOR DAYS.
I'M SURE CNN HAD A COUNTDOWN
CLOCK.

1158
00:33:03,949 --> 00:33:06,216
I'M SURE CNN HAD A COUNTDOWN
CLOCK.
DID THEY HAVE A COUNTDOWN CLOCK?

1159
00:33:06,218 --> 00:33:08,285
CLOCK.
DID THEY HAVE A COUNTDOWN CLOCK?
>> WOULD HAVE GONE WAS THERE AND

1160
00:33:08,287 --> 00:33:10,854
DID THEY HAVE A COUNTDOWN CLOCK?
>> WOULD HAVE GONE WAS THERE AND
THE PRESIDENT KIND OF SORT OF

1161
00:33:10,856 --> 00:33:13,090
>> WOULD HAVE GONE WAS THERE AND
THE PRESIDENT KIND OF SORT OF
PUSHED BACK AT A REPORTER, WHO

1162
00:33:13,092 --> 00:33:14,891
THE PRESIDENT KIND OF SORT OF
PUSHED BACK AT A REPORTER, WHO
ASKED A VERY REASONABLE

1163
00:33:14,893 --> 00:33:15,158
PUSHED BACK AT A REPORTER, WHO
ASKED A VERY REASONABLE
QUESTION.

1164
00:33:15,160 --> 00:33:15,792
ASKED A VERY REASONABLE
QUESTION.
>> Stephen: ABOUT CONFIDENCE?

1165
00:33:15,794 --> 00:33:16,626
QUESTION.
>> Stephen: ABOUT CONFIDENCE?
>> SOMETHING ABOUT CONFIDENCE.

1166
00:33:16,628 --> 00:33:17,928
>> Stephen: ABOUT CONFIDENCE?
>> SOMETHING ABOUT CONFIDENCE.
>> Stephen: HE BIT HER HEAD

1167
00:33:17,930 --> 00:33:19,129
>> SOMETHING ABOUT CONFIDENCE.
>> Stephen: HE BIT HER HEAD
OFF, IS WHAT HE DID.

1168
00:33:19,131 --> 00:33:20,931
>> Stephen: HE BIT HER HEAD
OFF, IS WHAT HE DID.
AND THEN HE APOLOGIZED.

1169
00:33:20,933 --> 00:33:22,332
OFF, IS WHAT HE DID.
AND THEN HE APOLOGIZED.
>> I KNOW HE DID.

1170
00:33:22,334 --> 00:33:24,001
AND THEN HE APOLOGIZED.
>> I KNOW HE DID.
>> Stephen: WHICH IS THE

1171
00:33:24,003 --> 00:33:24,668
>> I KNOW HE DID.
>> Stephen: WHICH IS THE
WEIRDEST THING FOR A PRESIDENT.

1172
00:33:24,670 --> 00:33:26,203
>> Stephen: WHICH IS THE
WEIRDEST THING FOR A PRESIDENT.
>> I KNOW, YEAH.

1173
00:33:26,205 --> 00:33:27,504
WEIRDEST THING FOR A PRESIDENT.
>> I KNOW, YEAH.
>> Stephen: WHAT-- YOU HAVE

1174
00:33:27,506 --> 00:33:28,038
>> I KNOW, YEAH.
>> Stephen: WHAT-- YOU HAVE
WATCHED THESE.

1175
00:33:28,040 --> 00:33:28,939
>> Stephen: WHAT-- YOU HAVE
WATCHED THESE.
YOU'VE BEEN TO THESE.

1176
00:33:28,941 --> 00:33:32,409
WATCHED THESE.
YOU'VE BEEN TO THESE.
YOU WERE IN HELSINKI, RIGHT.

1177
00:33:32,411 --> 00:33:32,943
YOU'VE BEEN TO THESE.
YOU WERE IN HELSINKI, RIGHT.
I WAS AT THE --

1178
00:33:32,945 --> 00:33:33,577
YOU WERE IN HELSINKI, RIGHT.
I WAS AT THE --
>> Stephen: "STINKY IN

1179
00:33:33,579 --> 00:33:34,611
I WAS AT THE --
>> Stephen: "STINKY IN
HELSINKI."

1180
00:33:34,613 --> 00:33:35,912
>> Stephen: "STINKY IN
HELSINKI."
>> IT STILL BLOWS MY MIND.

1181
00:33:35,914 --> 00:33:37,280
HELSINKI."
>> IT STILL BLOWS MY MIND.
>> Stephen: THAT THAT

1182
00:33:37,282 --> 00:33:37,547
>> IT STILL BLOWS MY MIND.
>> Stephen: THAT THAT
HAPPENED.

1183
00:33:37,549 --> 00:33:38,248
>> Stephen: THAT THAT
HAPPENED.
>> THAT THAT HAPPENED.

1184
00:33:38,250 --> 00:33:39,850
HAPPENED.
>> THAT THAT HAPPENED.
AND IN FACT I REMEMBER AFTER IT

1185
00:33:39,852 --> 00:33:42,352
>> THAT THAT HAPPENED.
AND IN FACT I REMEMBER AFTER IT
HAPPENED, AFTER THAT LIVE PRESS

1186
00:33:42,354 --> 00:33:43,820
AND IN FACT I REMEMBER AFTER IT
HAPPENED, AFTER THAT LIVE PRESS
CONFERENCE HAPPENED WHERE THEY

1187
00:33:43,822 --> 00:33:44,988
HAPPENED, AFTER THAT LIVE PRESS
CONFERENCE HAPPENED WHERE THEY
WERE BOTH TOGETHER, AND THE

1188
00:33:44,990 --> 00:33:45,856
CONFERENCE HAPPENED WHERE THEY
WERE BOTH TOGETHER, AND THE
THEN-PRESIDENT OF THE UNITED

1189
00:33:45,858 --> 00:33:48,625
WERE BOTH TOGETHER, AND THE
THEN-PRESIDENT OF THE UNITED
STATES SIDED WITH VLADIMIR PUTIN

1190
00:33:48,627 --> 00:33:49,326
THEN-PRESIDENT OF THE UNITED
STATES SIDED WITH VLADIMIR PUTIN
AGAINST THE UNITED STATES.

1191
00:33:49,328 --> 00:33:50,260
STATES SIDED WITH VLADIMIR PUTIN
AGAINST THE UNITED STATES.
>> Stephen: AND INVITED HIM

1192
00:33:50,262 --> 00:33:51,828
AGAINST THE UNITED STATES.
>> Stephen: AND INVITED HIM
AND SAID, "I'M INVITING HIM TO

1193
00:33:51,830 --> 00:33:52,829
>> Stephen: AND INVITED HIM
AND SAID, "I'M INVITING HIM TO
THE WHITE HOUSE."

1194
00:33:52,831 --> 00:33:58,135
AND SAID, "I'M INVITING HIM TO
THE WHITE HOUSE."
>> BUT I JUST REMEMBER --

1195
00:33:58,137 --> 00:34:00,604
THE WHITE HOUSE."
>> BUT I JUST REMEMBER --
>> Stephen: REALLY IT WAS

1196
00:34:00,606 --> 00:34:03,440
>> BUT I JUST REMEMBER --
>> Stephen: REALLY IT WAS
PRESIDENT JACKIE MASON REQUEST.

1197
00:34:03,442 --> 00:34:08,612
>> Stephen: REALLY IT WAS
PRESIDENT JACKIE MASON REQUEST.
>> IT WAS.

1198
00:34:08,614 --> 00:34:13,483
PRESIDENT JACKIE MASON REQUEST.
>> IT WAS.
>> Stephen: THIS SCHMUCK OVER

1199
00:34:13,485 --> 00:34:15,318
>> IT WAS.
>> Stephen: THIS SCHMUCK OVER
HERE ASKED ME A QUESTION.

1200
00:34:15,320 --> 00:34:17,654
>> Stephen: THIS SCHMUCK OVER
HERE ASKED ME A QUESTION.
JACKIE WAS AT STUDIO 54, TOO.

1201
00:34:17,656 --> 00:34:20,290
HERE ASKED ME A QUESTION.
JACKIE WAS AT STUDIO 54, TOO.
>> YOU EVER SEE HIM ON BROADWAY?

1202
00:34:20,292 --> 00:34:21,825
JACKIE WAS AT STUDIO 54, TOO.
>> YOU EVER SEE HIM ON BROADWAY?
MAYBE HE WAS IN THIS THEATER.

1203
00:34:21,827 --> 00:34:22,559
>> YOU EVER SEE HIM ON BROADWAY?
MAYBE HE WAS IN THIS THEATER.
>> Stephen: WHAT DID YOU MAKE

1204
00:34:22,561 --> 00:34:22,859
MAYBE HE WAS IN THIS THEATER.
>> Stephen: WHAT DID YOU MAKE
OF THE DAY?

1205
00:34:22,861 --> 00:34:24,628
>> Stephen: WHAT DID YOU MAKE
OF THE DAY?
DO YOU THINK WE LEARNED

1206
00:34:24,630 --> 00:34:24,895
OF THE DAY?
DO YOU THINK WE LEARNED
ANYTHING?

1207
00:34:24,897 --> 00:34:25,829
DO YOU THINK WE LEARNED
ANYTHING?
>> I MEAN, NOT REALLY, NO.

1208
00:34:25,831 --> 00:34:27,864
ANYTHING?
>> I MEAN, NOT REALLY, NO.
I THINK THIS WAS MORE ABOUT, YOU

1209
00:34:27,866 --> 00:34:29,132
>> I MEAN, NOT REALLY, NO.
I THINK THIS WAS MORE ABOUT, YOU
KNOW, THE BIDEN WHITE HOUSE

1210
00:34:29,134 --> 00:34:30,434
I THINK THIS WAS MORE ABOUT, YOU
KNOW, THE BIDEN WHITE HOUSE
WANTING TO KIND OF RESET THE

1211
00:34:30,436 --> 00:34:32,602
KNOW, THE BIDEN WHITE HOUSE
WANTING TO KIND OF RESET THE
UNITED STATES ON A GLOBAL STAGE,

1212
00:34:32,604 --> 00:34:35,138
WANTING TO KIND OF RESET THE
UNITED STATES ON A GLOBAL STAGE,
SEND A MESSAGE OF-- TO THE WORLD

1213
00:34:35,140 --> 00:34:36,907
UNITED STATES ON A GLOBAL STAGE,
SEND A MESSAGE OF-- TO THE WORLD
ABOUT WHERE THE UNITED STATES IS

1214
00:34:36,909 --> 00:34:37,174
SEND A MESSAGE OF-- TO THE WORLD
ABOUT WHERE THE UNITED STATES IS
RIGHT NOW.

1215
00:34:37,176 --> 00:34:38,575
ABOUT WHERE THE UNITED STATES IS
RIGHT NOW.
>> Stephen: IT'S LIKE THE

1216
00:34:38,577 --> 00:34:40,010
RIGHT NOW.
>> Stephen: IT'S LIKE THE
ENTIRE PROMISE OF THE BIDEN

1217
00:34:40,012 --> 00:34:41,812
>> Stephen: IT'S LIKE THE
ENTIRE PROMISE OF THE BIDEN
PRESIDENCY IS, "WE'RE GOING TO

1218
00:34:41,814 --> 00:34:43,513
ENTIRE PROMISE OF THE BIDEN
PRESIDENCY IS, "WE'RE GOING TO
NORMAL THE ( BLEEP ) OUT OF

1219
00:34:43,515 --> 00:34:43,713
PRESIDENCY IS, "WE'RE GOING TO
NORMAL THE ( BLEEP ) OUT OF
THIS."

1220
00:34:43,715 --> 00:34:44,381
NORMAL THE ( BLEEP ) OUT OF
THIS."
<i> ( LAUGHTER )</i>

1221
00:34:44,383 --> 00:34:46,850
THIS."
<i> ( LAUGHTER )</i>
"YOU'RE GOING TO BE SO BORED BY

1222
00:34:46,852 --> 00:34:50,420
<i> ( LAUGHTER )</i>
"YOU'RE GOING TO BE SO BORED BY
HOW NORMAL THIS IS GOING TO BE."

1223
00:34:50,422 --> 00:34:51,521
"YOU'RE GOING TO BE SO BORED BY
HOW NORMAL THIS IS GOING TO BE."
>> I MEAN, THE THINGS THAT CAME

1224
00:34:51,523 --> 00:34:53,824
HOW NORMAL THIS IS GOING TO BE."
>> I MEAN, THE THINGS THAT CAME
OUT OF IT, THEY'RE BOTH ANYTHING

1225
00:34:53,826 --> 00:34:54,524
>> I MEAN, THE THINGS THAT CAME
OUT OF IT, THEY'RE BOTH ANYTHING
TO HAVE THE AMBASSADORS GO BACK

1226
00:34:54,526 --> 00:34:56,159
OUT OF IT, THEY'RE BOTH ANYTHING
TO HAVE THE AMBASSADORS GO BACK
AND BE THE AMBASSADORS.

1227
00:34:56,161 --> 00:34:58,395
TO HAVE THE AMBASSADORS GO BACK
AND BE THE AMBASSADORS.
OKAY, THAT'S THE HEADLINE...

1228
00:34:58,397 --> 00:35:00,330
AND BE THE AMBASSADORS.
OKAY, THAT'S THE HEADLINE...
LIKE... I'M NOT SURE HOW GREAT A

1229
00:35:00,332 --> 00:35:00,931
OKAY, THAT'S THE HEADLINE...
LIKE... I'M NOT SURE HOW GREAT A
HEADLINE THAT IS.

1230
00:35:00,933 --> 00:35:02,899
LIKE... I'M NOT SURE HOW GREAT A
HEADLINE THAT IS.
>> Stephen: HAPPY FATHER'S

1231
00:35:02,901 --> 00:35:03,066
HEADLINE THAT IS.
>> Stephen: HAPPY FATHER'S
DAY.

1232
00:35:03,068 --> 00:35:03,433
>> Stephen: HAPPY FATHER'S
DAY.
>> THANK YOU.

1233
00:35:03,435 --> 00:35:05,535
DAY.
>> THANK YOU.
>> Stephen: LOVELY TO SEE YOU

1234
00:35:05,537 --> 00:35:07,170
>> THANK YOU.
>> Stephen: LOVELY TO SEE YOU
AGAIN, THANKS FOR BEING HERE.

1235
00:35:07,172 --> 00:35:09,806
>> Stephen: LOVELY TO SEE YOU
AGAIN, THANKS FOR BEING HERE.
HAVE A HAPPY DAY WITH WYATT AND

1236
00:35:09,808 --> 00:35:10,073
AGAIN, THANKS FOR BEING HERE.
HAVE A HAPPY DAY WITH WYATT AND
BENJAMIN.

1237
00:35:10,075 --> 00:35:19,249
HAVE A HAPPY DAY WITH WYATT AND
BENJAMIN.
>> THANK YOU.

1238
00:35:27,058 --> 00:35:37,200
♪ ♪ ♪

1239
00:35:39,003 --> 00:35:44,107
>> I PLEDGE ALLEGIANCE TO THE
FLAG.
>> SIR, I KNOW IT'S FLAG DAY,

1240
00:35:44,109 --> 00:35:46,076
FLAG.
>> SIR, I KNOW IT'S FLAG DAY,
BUT CAN YOU BACK UP, PLEASE?

1241
00:35:46,078 --> 00:35:48,178
>> SIR, I KNOW IT'S FLAG DAY,
BUT CAN YOU BACK UP, PLEASE?
HELLO, SIR, PLEASE MOVE BACK.

1242
00:35:48,180 --> 00:35:49,246
BUT CAN YOU BACK UP, PLEASE?
HELLO, SIR, PLEASE MOVE BACK.
CAN SOMEONE HELP.

1243
00:35:49,248 --> 00:35:51,314
HELLO, SIR, PLEASE MOVE BACK.
CAN SOMEONE HELP.
THIS ROCK-FACED FREAK IS

1244
00:35:51,316 --> 00:35:52,616
CAN SOMEONE HELP.
THIS ROCK-FACED FREAK IS
BREATHING PULLED PORK ON ME.

1245
00:35:52,618 --> 00:35:54,151
THIS ROCK-FACED FREAK IS
BREATHING PULLED PORK ON ME.
WHY ARE YOU FAWNING OVER ME?

1246
00:35:54,153 --> 00:35:58,989
BREATHING PULLED PORK ON ME.
WHY ARE YOU FAWNING OVER ME?
I DIDN'T EVEN INSULT YOUR WIFE.

1247
00:35:58,991 --> 00:35:59,890
WHY ARE YOU FAWNING OVER ME?
I DIDN'T EVEN INSULT YOUR WIFE.
SORRY, WRONG FLAG.

1248
00:35:59,892 --> 00:36:02,592
I DIDN'T EVEN INSULT YOUR WIFE.
SORRY, WRONG FLAG.
3 AR-15.

1249
00:36:02,594 --> 00:36:04,027
SORRY, WRONG FLAG.
3 AR-15.
GO GET IT, LITTLE FELLA.

1250
00:36:04,029 --> 00:36:06,429
3 AR-15.
GO GET IT, LITTLE FELLA.
LET'S HOPE THERE'S NOT ANOTHER

1251
00:36:06,431 --> 00:36:07,597
GO GET IT, LITTLE FELLA.
LET'S HOPE THERE'S NOT ANOTHER
PATRIOTIC HOLIDAY COMING UP.

1252
00:36:07,599 --> 00:36:09,833
LET'S HOPE THERE'S NOT ANOTHER
PATRIOTIC HOLIDAY COMING UP.
JULY 4, CRA

1253
00:36:17,975 --> 00:36:20,510
"WORRY WITH YOU" FROM THEIR
ALBUM, "PATH OF WELLNESS,"
SLATER-KINNEY!

1254
00:36:22,613 --> 00:36:38,628
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1255
00:36:38,630 --> 00:36:40,830
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1256
00:36:40,832 --> 00:36:46,603
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1257
00:36:46,605 --> 00:36:47,537
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1258
00:36:47,539 --> 00:36:50,574
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1259
00:36:50,576 --> 00:36:52,809
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1260
00:36:52,811 --> 00:36:54,611
♪ ♪ ♪
♪ ♪ ♪
♪ TEN THOUSAND MILES

1261
00:36:54,613 --> 00:36:56,746
♪ ♪ ♪
♪ TEN THOUSAND MILES
AND AN OCEAN BETWEEN US

1262
00:36:56,748 --> 00:36:58,448
♪ TEN THOUSAND MILES
AND AN OCEAN BETWEEN US
♪ GET ME TO YOUR SHORE,

1263
00:36:58,450 --> 00:36:58,915
AND AN OCEAN BETWEEN US
♪ GET ME TO YOUR SHORE,
SO I CAN RECEIVE THIS

1264
00:36:58,917 --> 00:37:01,918
♪ GET ME TO YOUR SHORE,
SO I CAN RECEIVE THIS
♪ IF I'M GONNA WORRY,

1265
00:37:01,920 --> 00:37:02,586
SO I CAN RECEIVE THIS
♪ IF I'M GONNA WORRY,
I'M GONNA WORRY WITH YOU

1266
00:37:02,588 --> 00:37:03,220
♪ IF I'M GONNA WORRY,
I'M GONNA WORRY WITH YOU
♪ ♪ ♪

1267
00:37:03,222 --> 00:37:04,921
I'M GONNA WORRY WITH YOU
♪ ♪ ♪
♪ MIDDLE OF THE NIGHT

1268
00:37:04,923 --> 00:37:06,022
♪ ♪ ♪
♪ MIDDLE OF THE NIGHT
AND DARK THOUGHTS ARE WHIRLING

1269
00:37:06,024 --> 00:37:08,592
♪ MIDDLE OF THE NIGHT
AND DARK THOUGHTS ARE WHIRLING
♪ CROSSING OFF THE DAYS

1270
00:37:08,594 --> 00:37:10,193
AND DARK THOUGHTS ARE WHIRLING
♪ CROSSING OFF THE DAYS
TILL YOU ARE RETURNING

1271
00:37:10,195 --> 00:37:10,660
♪ CROSSING OFF THE DAYS
TILL YOU ARE RETURNING
♪ IF I'M GONNA WORRY,

1272
00:37:10,662 --> 00:37:14,197
TILL YOU ARE RETURNING
♪ IF I'M GONNA WORRY,
I'M GONNA WORRY WITH YOU

1273
00:37:14,199 --> 00:37:14,598
♪ IF I'M GONNA WORRY,
I'M GONNA WORRY WITH YOU
♪ ♪ ♪

1274
00:37:14,600 --> 00:37:15,498
I'M GONNA WORRY WITH YOU
♪ ♪ ♪
♪ OH, I'M ON THE OTHER SIDE

1275
00:37:15,500 --> 00:37:18,001
♪ ♪ ♪
♪ OH, I'M ON THE OTHER SIDE
PICKING UP SPEED

1276
00:37:18,003 --> 00:37:18,535
♪ OH, I'M ON THE OTHER SIDE
PICKING UP SPEED
♪ LET GO OF THE SHAME AND

1277
00:37:18,537 --> 00:37:34,851
PICKING UP SPEED
♪ LET GO OF THE SHAME AND
LIES I DON'T NEED

1278
00:37:34,853 --> 00:37:35,452
♪ LET GO OF THE SHAME AND
LIES I DON'T NEED
♪ IF I'M GONNA FREAK OUT, I'M

1279
00:37:35,454 --> 00:37:35,952
LIES I DON'T NEED
♪ IF I'M GONNA FREAK OUT, I'M
GONNA FREAK OUT WITH YOU

1280
00:37:35,954 --> 00:37:36,219
♪ IF I'M GONNA FREAK OUT, I'M
GONNA FREAK OUT WITH YOU
♪ ♪ ♪

1281
00:37:36,221 --> 00:37:36,686
GONNA FREAK OUT WITH YOU
♪ ♪ ♪
♪ LET'S GET LOST BABY

1282
00:37:36,688 --> 00:37:37,153
♪ ♪ ♪
♪ LET'S GET LOST BABY
AND TAKE A WRONG TURN

1283
00:37:37,155 --> 00:37:38,622
♪ LET'S GET LOST BABY
AND TAKE A WRONG TURN
♪ THAT'S THE LIFE,

1284
00:37:38,624 --> 00:37:39,089
AND TAKE A WRONG TURN
♪ THAT'S THE LIFE,
THAT'S THE LIFE

1285
00:37:39,091 --> 00:37:39,756
♪ THAT'S THE LIFE,
THAT'S THE LIFE
♪ WE NEVER EVER WANNA GET BURNED

1286
00:37:39,758 --> 00:37:40,857
THAT'S THE LIFE
♪ WE NEVER EVER WANNA GET BURNED
LET'S GET LOST BABY

1287
00:37:40,859 --> 00:37:42,459
♪ WE NEVER EVER WANNA GET BURNED
LET'S GET LOST BABY
♪ AND TAKE A WRONG TURN

1288
00:37:42,461 --> 00:37:42,826
LET'S GET LOST BABY
♪ AND TAKE A WRONG TURN
THAT'S THE LIFE,

1289
00:37:42,828 --> 00:37:46,630
♪ AND TAKE A WRONG TURN
THAT'S THE LIFE,
♪ THAT'S THE LIFE

1290
00:37:46,632 --> 00:37:50,634
THAT'S THE LIFE,
♪ THAT'S THE LIFE
WE NEVER EVER WANNA GET BURNED

1291
00:37:50,636 --> 00:37:54,604
♪ THAT'S THE LIFE
WE NEVER EVER WANNA GET BURNED
♪ ♪ ♪

1292
00:37:54,606 --> 00:37:56,806
WE NEVER EVER WANNA GET BURNED
♪ ♪ ♪
♪ I HAD THOUGHT,

1293
00:37:56,808 --> 00:37:58,608
♪ ♪ ♪
♪ I HAD THOUGHT,
THERE WAS NO PLACE

1294
00:37:58,610 --> 00:38:00,944
♪ I HAD THOUGHT,
THERE WAS NO PLACE
♪ FOR WHAT I FEEL

1295
00:38:00,946 --> 00:38:01,378
THERE WAS NO PLACE
♪ FOR WHAT I FEEL
AND THEN I LEARNED,

1296
00:38:01,380 --> 00:38:02,712
♪ FOR WHAT I FEEL
AND THEN I LEARNED,
♪ YOU ARE THE PLACE

1297
00:38:02,714 --> 00:38:04,281
AND THEN I LEARNED,
♪ YOU ARE THE PLACE
FOR WHAT I FEEL

1298
00:38:04,283 --> 00:38:04,848
♪ YOU ARE THE PLACE
FOR WHAT I FEEL
♪ ♪ ♪

1299
00:38:04,850 --> 00:38:06,616
FOR WHAT I FEEL
♪ ♪ ♪
♪ COME AT ME WITH

1300
00:38:06,618 --> 00:38:07,617
♪ ♪ ♪
♪ COME AT ME WITH
ALL OF YOUR SWAGGER

1301
00:38:07,619 --> 00:38:09,219
♪ COME AT ME WITH
ALL OF YOUR SWAGGER
♪ THE STRENGTH OF YOU

1302
00:38:09,221 --> 00:38:10,620
ALL OF YOUR SWAGGER
♪ THE STRENGTH OF YOU
IS WHAT I'VE BEEN AFTER

1303
00:38:10,622 --> 00:38:14,624
♪ THE STRENGTH OF YOU
IS WHAT I'VE BEEN AFTER
♪ IF I'M GONNA MESS UP,

1304
00:38:14,626 --> 00:38:16,359
IS WHAT I'VE BEEN AFTER
♪ IF I'M GONNA MESS UP,
I'M GONNA MESS UP WITH YOU

1305
00:38:16,361 --> 00:38:16,960
♪ IF I'M GONNA MESS UP,
I'M GONNA MESS UP WITH YOU
♪ OH, I FIGURED OUT THAT LOVE

1306
00:38:16,962 --> 00:38:18,628
I'M GONNA MESS UP WITH YOU
♪ OH, I FIGURED OUT THAT LOVE
TAKES YOU FURTHER

1307
00:38:18,630 --> 00:38:20,196
♪ OH, I FIGURED OUT THAT LOVE
TAKES YOU FURTHER
♪ THIS HEART WAS READY

1308
00:38:20,198 --> 00:38:22,098
TAKES YOU FURTHER
♪ THIS HEART WAS READY
FOR THE LIFE PRESERVER

1309
00:38:22,100 --> 00:38:22,632
♪ THIS HEART WAS READY
FOR THE LIFE PRESERVER
♪ IF I'M GONNA WORRY,

1310
00:38:22,634 --> 00:38:25,702
FOR THE LIFE PRESERVER
♪ IF I'M GONNA WORRY,
I'M GONNA WORRY WITH YOU

1311
00:38:25,704 --> 00:38:26,236
♪ IF I'M GONNA WORRY,
I'M GONNA WORRY WITH YOU
♪ IT'S TRUE

1312
00:38:26,238 --> 00:38:26,636
I'M GONNA WORRY WITH YOU
♪ IT'S TRUE
♪ ♪ ♪

1313
00:38:26,638 --> 00:38:28,838
♪ IT'S TRUE
♪ ♪ ♪
LET'S GET LOST BABY

1314
00:38:28,840 --> 00:38:32,676
♪ ♪ ♪
LET'S GET LOST BABY
♪ AND TAKE A WRONG TURN

1315
00:38:32,678 --> 00:38:34,477
LET'S GET LOST BABY
♪ AND TAKE A WRONG TURN
THAT'S THE LIFE,

1316
00:38:34,479 --> 00:38:34,878
♪ AND TAKE A WRONG TURN
THAT'S THE LIFE,
♪ THAT'S THE LIFE

1317
00:38:34,880 --> 00:38:37,013
THAT'S THE LIFE,
♪ THAT'S THE LIFE
WE NEVER EVER WANNA GET BURNED

1318
00:38:37,015 --> 00:38:40,850
♪ THAT'S THE LIFE
WE NEVER EVER WANNA GET BURNED
♪ LET'S GET LOST BABY

1319
00:38:40,852 --> 00:38:42,619
WE NEVER EVER WANNA GET BURNED
♪ LET'S GET LOST BABY
AND TAKE A WRONG TURN

1320
00:38:42,621 --> 00:38:45,255
♪ LET'S GET LOST BABY
AND TAKE A WRONG TURN
♪ THAT'S THE LIFE, THAT'S THE

1321
00:38:45,257 --> 00:38:46,623
AND TAKE A WRONG TURN
♪ THAT'S THE LIFE, THAT'S THE
LIFE

1322
00:38:46,625 --> 00:38:50,627
♪ THAT'S THE LIFE, THAT'S THE
LIFE
♪ WE NEVER EVER WANNA GET BURNED

1323
00:38:50,629 --> 00:38:53,863
LIFE
♪ WE NEVER EVER WANNA GET BURNED
♪ ♪ ♪

1324
00:38:53,865 --> 00:39:01,638
♪ WE NEVER EVER WANNA GET BURNED
♪ ♪ ♪
♪ ♪ ♪

1325
00:39:01,640 --> 00:39:04,841
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1326
00:39:04,843 --> 00:39:10,613
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1327
00:39:10,615 --> 00:39:14,617
♪ ♪ ♪
♪ ♪ ♪
♪ LET'S GET LOST BABY

1328
00:39:14,619 --> 00:39:16,119
♪ ♪ ♪
♪ LET'S GET LOST BABY
AND TAKE A WRONG TURN

1329
00:39:16,121 --> 00:39:16,820
♪ LET'S GET LOST BABY
AND TAKE A WRONG TURN
♪ THAT'S THE LIFE,

1330
00:39:16,822 --> 00:39:18,588
AND TAKE A WRONG TURN
♪ THAT'S THE LIFE,
THAT'S THE LIFE

1331
00:39:18,590 --> 00:39:22,625
♪ THAT'S THE LIFE,
THAT'S THE LIFE
♪ WE NEVER EVER WANNA GET BURNED

1332
00:39:22,627 --> 00:39:26,129
THAT'S THE LIFE
♪ WE NEVER EVER WANNA GET BURNED
LET'S GET LOST BABY

1333
00:39:26,131 --> 00:39:26,629
♪ WE NEVER EVER WANNA GET BURNED
LET'S GET LOST BABY
♪ AND TAKE A WRONG TURN

1334
00:39:26,631 --> 00:39:29,399
LET'S GET LOST BABY
♪ AND TAKE A WRONG TURN
THAT'S THE LIFE, THAT'S THE LIFE

1335
00:39:29,401 --> 00:39:33,303
♪ AND TAKE A WRONG TURN
THAT'S THE LIFE, THAT'S THE LIFE
♪ WE NEVER EVER WANNA GET BURNED

1336
00:39:33,305 --> 00:39:34,637
THAT'S THE LIFE, THAT'S THE LIFE
♪ WE NEVER EVER WANNA GET BURNED
♪ ♪ ♪

1337
00:39:34,639 --> 00:39:37,540
♪ WE NEVER EVER WANNA GET BURNED
♪ ♪ ♪
♪ ♪ ♪

1338
00:39:37,542 --> 00:39:38,007
♪ ♪ ♪
♪ ♪ ♪
♪ TAKE A WRONG TURN,

1339
00:39:38,009 --> 00:39:40,844
♪ ♪ ♪
♪ TAKE A WRONG TURN,
YOU TAKE A WRONG TURN

1340
00:39:40,846 --> 00:39:42,612
♪ TAKE A WRONG TURN,
YOU TAKE A WRONG TURN
♪ TAKE A WRONG TURN,

1341
00:39:42,614 --> 00:39:46,616
YOU TAKE A WRONG TURN
♪ TAKE A WRONG TURN,
YOU TAKE A WRONG TURN

1342
00:39:46,618 --> 00:39:50,620
♪ TAKE A WRONG TURN,
YOU TAKE A WRONG TURN
♪ TAKE A WRONG TURN,

1343
00:39:50,622 --> 00:39:52,789
YOU TAKE A WRONG TURN
♪ TAKE A WRONG TURN,
YOU TAKE A WRONG TURN

1344
00:39:52,791 --> 00:39:58,628
♪ TAKE A WRONG TURN,
YOU TAKE A WRONG TURN
♪ TAKE A WRONG TURN

1345
00:39:58,630 --> 00:40:02,332
YOU TAKE A WRONG TURN
♪ TAKE A WRONG TURN
♪ ♪ ♪

1346
00:40:02,334 --> 00:40:02,632
♪ TAKE A WRONG TURN
♪ ♪ ♪
♪ ♪ ♪

1347
00:40:02,634 --> 00:40:04,834
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1348
00:40:04,836 --> 00:40:08,571
♪ ♪ ♪
♪ ♪ ♪
♪

1349
00:40:19,316 --> 00:40:23,386
THAT'S IT FOR "THE LATE SHOW."
PLEASE, TUNE IN TOMORROW WHEN MY
GUEST WILL BE NATHAN LANE.

1350
00:40:23,388 --> 00:40:27,223
PLEASE, TUNE IN TOMORROW WHEN MY
GUEST WILL BE NATHAN LANE.
JAMES CORDEN IS NEXT.

1351
00:40:27,225 --> 00:40:27,524
GUEST WILL BE NATHAN LANE.
JAMES CORDEN IS NEXT.
GOOD NIGHT.

1352
00:40:27,526 --> 00:40:28,124
JAMES CORDEN IS NEXT.
GOOD NIGHT.
<font color="#ffff00"> Captioning sponsored by CBS</font>

1353
00:40:28,126 --> 00:40:28,458
GOOD NIGHT.
<font color="#ffff00"> Captioning sponsored by CBS</font>
Captioned by

1354
00:40:28,460 --> 00:40:29,325
<font color="#ffff00"> Captioning sponsored by CBS</font>
Captioned by
<font color="#00ffff"> Media Access Group at WGBH</font>

1355
00:40:29,327 --> 00:40:29,692
Captioned by
<font color="#00ffff"> Media Access Group at WGBH</font>
access.wgbh.org