1 00:00:04,537 --> 00:00:07,473 Captioning sponsored by CBS >> IT GOES TO SHOW THE WAYS IN 2 00:00:07,475 --> 00:00:08,107 >> IT GOES TO SHOW THE WAYS IN WHICH U.S. POLITICS ARE STEEPED 3 00:00:08,109 --> 00:00:08,507 WHICH U.S. POLITICS ARE STEEPED INTO LIFE ABROAD. 4 00:00:08,509 --> 00:00:12,111 INTO LIFE ABROAD. WITH NOOR BIN LADEN, THE NIECE 5 00:00:12,113 --> 00:00:12,745 WITH NOOR BIN LADEN, THE NIECE OF OSAMA BIN LADEN, OUTSIDE THE 6 00:00:12,747 --> 00:00:13,379 OF OSAMA BIN LADEN, OUTSIDE THE SUMMIT IN GENEVA FLYING A "TRUMP 7 00:00:13,381 --> 00:00:16,482 SUMMIT IN GENEVA FLYING A "TRUMP WON" FLAG FROM A BOAT. 8 00:00:16,484 --> 00:00:19,385 WON" FLAG FROM A BOAT. >> HI. 9 00:00:19,387 --> 00:00:19,752 >> HI. I'M CHIP MANSON. 10 00:00:19,754 --> 00:00:22,221 I'M CHIP MANSON. NOW, THE MANSON FAMILY MIGHT 11 00:00:22,223 --> 00:00:24,123 NOW, THE MANSON FAMILY MIGHT HAVE A LITTLE BIT OF A CHECKERED 12 00:00:24,125 --> 00:00:24,723 HAVE A LITTLE BIT OF A CHECKERED PAST, BUT THAT DOESN'T MEAN WE 13 00:00:24,725 --> 00:00:25,524 PAST, BUT THAT DOESN'T MEAN WE DON'T KNOW INJUSTICE WHEN WE SEE 14 00:00:25,526 --> 00:00:27,593 DON'T KNOW INJUSTICE WHEN WE SEE IT. 15 00:00:27,595 --> 00:00:28,460 IT. THE DOMINION VOTING MACHINES 16 00:00:28,462 --> 00:00:31,063 THE DOMINION VOTING MACHINES DELIBERATELY MISCOUNTED BALLOTS 17 00:00:31,065 --> 00:00:31,630 DELIBERATELY MISCOUNTED BALLOTS IN AN EFFORT TO STEAL POWER. 18 00:00:31,632 --> 00:00:33,599 IN AN EFFORT TO STEAL POWER. I'D STAKE MY NAME ON IT -- 19 00:00:33,601 --> 00:00:36,035 I'D STAKE MY NAME ON IT -- WHICH, IN CASE YOU FORGOT, IS 20 00:00:36,037 --> 00:00:36,468 WHICH, IN CASE YOU FORGOT, IS CHIP MANSON. 21 00:00:36,470 --> 00:00:39,304 CHIP MANSON. MANSON FOR SHORT. 22 00:00:39,306 --> 00:00:40,472 MANSON FOR SHORT. SOME GOOD FOLKS HAVE ASKED ME TO 23 00:00:40,474 --> 00:00:41,607 SOME GOOD FOLKS HAVE ASKED ME TO DISTANCE MYSELF FROM THE "STOP 24 00:00:41,609 --> 00:00:43,375 DISTANCE MYSELF FROM THE "STOP THE STEAL" MOVEMENT DUE TO THE 25 00:00:43,377 --> 00:00:44,009 THE STEAL" MOVEMENT DUE TO THE BAD OPTICS OR AT LEAST CHANGE MY 26 00:00:44,011 --> 00:00:47,780 BAD OPTICS OR AT LEAST CHANGE MY NAME. 27 00:00:47,782 --> 00:00:48,480 NAME. BUT I LIKE MY NAME -- CHIP! 28 00:00:48,482 --> 00:00:49,515 BUT I LIKE MY NAME -- CHIP! IT'S FUN, IT'S CARE FREE, PLUS 29 00:00:49,517 --> 00:00:51,450 IT'S FUN, IT'S CARE FREE, PLUS IT GOES GREAT WITH MY LAST 30 00:00:51,452 --> 00:00:52,484 IT GOES GREAT WITH MY LAST NAME -- MANSON. 31 00:00:52,486 --> 00:00:54,686 NAME -- MANSON. CHIP MANSON. 32 00:00:54,688 --> 00:00:55,521 CHIP MANSON. SO THE NEXT TIME SOMEONE SAYS 33 00:00:55,523 --> 00:00:56,488 SO THE NEXT TIME SOMEONE SAYS INCITING VIOLENCE TO MAINTAIN 34 00:00:56,490 --> 00:01:00,426 INCITING VIOLENCE TO MAINTAIN POWER IS A BAD THING, JUST TELL 35 00:01:00,428 --> 00:01:01,527 POWER IS A BAD THING, JUST TELL THEM MANSON SAYS DIFFERENTLY. 36 00:01:01,529 --> 00:01:02,528 THEM MANSON SAYS DIFFERENTLY. AND, PLEASE, DON'T JUDGE THIS 37 00:01:02,530 --> 00:01:04,463 AND, PLEASE, DON'T JUDGE THIS MOVEMENT BECAUSE MY UNCLE IS 38 00:01:04,465 --> 00:01:05,364 MOVEMENT BECAUSE MY UNCLE IS CHARLES MANSON. 39 00:01:05,366 --> 00:01:07,499 CHARLES MANSON. I'M ALSO COUSINS WITH MARILYN 40 00:01:07,501 --> 00:01:08,434 I'M ALSO COUSINS WITH MARILYN MANSON. 41 00:01:10,236 --> 00:01:14,139 >> Announcer: IT'S "THE LATE SHOW" WITH STEPHEN COLBERT! 42 00:01:14,141 --> 00:01:16,742 SHOW" WITH STEPHEN COLBERT! TONIGHT, THE EMANCIPATION 43 00:01:16,744 --> 00:01:17,476 TONIGHT, THE EMANCIPATION CELEBRATION! 44 00:01:17,478 --> 00:01:22,147 CELEBRATION! PLUS STEPHEN WELCOMES NATHAN 45 00:01:22,149 --> 00:01:29,488 PLUS STEPHEN WELCOMES NATHAN LANE AND MUSICAL GUEST GRIFF, 46 00:01:29,490 --> 00:01:30,389 LANE AND MUSICAL GUEST GRIFF, FEATURING JON BATISTE AND "STAY 47 00:01:30,391 --> 00:01:30,622 FEATURING JON BATISTE AND "STAY HUMAN." 48 00:01:30,624 --> 00:01:31,824 HUMAN." LIVE ON TAPE FROM THE ED 49 00:01:31,826 --> 00:01:32,791 LIVE ON TAPE FROM THE ED SULLIVAN THEATER IN NEW YORK 50 00:01:32,793 --> 00:01:36,462 SULLIVAN THEATER IN NEW YORK CITY, IT'S STEPHEN COLBERT! 51 00:01:36,464 --> 00:01:52,211 CITY, IT'S STEPHEN COLBERT! ( CHEERS AND APPLAUSE ) 52 00:01:52,545 --> 00:01:58,750 >> Stephen: HELLO, JON! I LIKE THIS, I LIKE THAT! 53 00:01:58,752 --> 00:02:00,953 I LIKE THIS, I LIKE THAT! >> Jon: OH, YEAH! 54 00:02:00,955 --> 00:02:01,854 >> Jon: OH, YEAH! >> Stephen: PLEASE HAVE A 55 00:02:01,856 --> 00:02:03,689 >> Stephen: PLEASE HAVE A SEAT, EVERYBODY. 56 00:02:03,691 --> 00:02:05,791 SEAT, EVERYBODY. WELCOME ONE AND ALL, IN HERE, 57 00:02:05,793 --> 00:02:08,460 WELCOME ONE AND ALL, IN HERE, OUT THERE, UPSTAIRS IN THE 58 00:02:08,462 --> 00:02:13,365 OUT THERE, UPSTAIRS IN THE BALCONY, I'M YOUR HOST STEPHEN 59 00:02:13,367 --> 00:02:13,599 BALCONY, I'M YOUR HOST STEPHEN COLBERT 60 00:02:13,601 --> 00:02:14,099 COLBERT ( CHEERS AND APPLAUSE ) 61 00:02:14,101 --> 00:02:15,601 ( CHEERS AND APPLAUSE ) THE FEELING IS MUTUAL A WALL. 62 00:02:15,603 --> 00:02:17,236 THE FEELING IS MUTUAL A WALL. IT IS GREAT TO BE HERE WITH YOU 63 00:02:17,238 --> 00:02:19,171 IT IS GREAT TO BE HERE WITH YOU ALL ON OUR FIRST THURSDAY BACK 64 00:02:19,173 --> 00:02:20,472 ALL ON OUR FIRST THURSDAY BACK HERE IN THE ED SULLIVAN THEATER. 65 00:02:20,474 --> 00:02:21,607 HERE IN THE ED SULLIVAN THEATER. ( CHEERS AND APPLAUSE ) 66 00:02:21,609 --> 00:02:22,975 ( CHEERS AND APPLAUSE ) NOTHING -- NOTHING LIKE A 67 00:02:22,977 --> 00:02:23,242 NOTHING -- NOTHING LIKE A THURSDAY. 68 00:02:23,244 --> 00:02:25,511 THURSDAY. >> Jon: NOTHING LIKE A 69 00:02:25,513 --> 00:02:25,777 >> Jon: NOTHING LIKE A THURSDAY. 70 00:02:25,779 --> 00:02:26,778 THURSDAY. >> Stephen: AFTER 15 MONTHS 71 00:02:26,780 --> 00:02:29,648 >> Stephen: AFTER 15 MONTHS AWAY, ONE OF THE STRANGEST 72 00:02:29,650 --> 00:02:30,949 AWAY, ONE OF THE STRANGEST THINGS -- I DON'T KNOW IF YOU 73 00:02:30,951 --> 00:02:32,484 THINGS -- I DON'T KNOW IF YOU FEEL THIS WAY, JON -- ONE TO 74 00:02:32,486 --> 00:02:34,019 FEEL THIS WAY, JON -- ONE TO HAVE THE STRANGEST THINGS IS HOW 75 00:02:34,021 --> 00:02:35,220 HAVE THE STRANGEST THINGS IS HOW QUICKLY THIS FEELS NORMAL. 76 00:02:35,222 --> 00:02:35,654 QUICKLY THIS FEELS NORMAL. >> Jon: YES. 77 00:02:35,656 --> 00:02:37,523 >> Jon: YES. >> Stephen: AND I FOR ONE 78 00:02:37,525 --> 00:02:40,459 >> Stephen: AND I FOR ONE NEVER WANT TO FORGET WHAT A 79 00:02:40,461 --> 00:02:43,529 NEVER WANT TO FORGET WHAT A PRIVILEGE IT IS TO BE WITH YOU 80 00:02:43,531 --> 00:02:44,296 PRIVILEGE IT IS TO BE WITH YOU ALL HERE TONIGHT. 81 00:02:44,298 --> 00:02:44,796 ALL HERE TONIGHT. ( CHEERS AND APPLAUSE ) 82 00:02:44,798 --> 00:02:47,232 ( CHEERS AND APPLAUSE ) IT ALL GOT TAKEN AWAY. 83 00:02:47,234 --> 00:02:49,501 IT ALL GOT TAKEN AWAY. >> Jon:ETH ALL GOT TAKEN AWAY. 84 00:02:49,503 --> 00:02:52,471 >> Jon:ETH ALL GOT TAKEN AWAY. >> Stephen: HE GIVETH AND 85 00:02:52,473 --> 00:02:53,105 >> Stephen: HE GIVETH AND TAKETH AWAY. 86 00:02:53,107 --> 00:02:55,974 TAKETH AWAY. I AM THE JOB OF LATE NIGHT. 87 00:02:55,976 --> 00:02:57,943 I AM THE JOB OF LATE NIGHT. I AM ESPECIALLY THRILLED TO BE 88 00:02:57,945 --> 00:03:00,913 I AM ESPECIALLY THRILLED TO BE HERE WITH YOU 89 00:03:00,915 --> 00:03:02,147 HERE WITH YOU SIGNED A BILL MAKING JUNETEENTH 90 00:03:02,149 --> 00:03:03,448 SIGNED A BILL MAKING JUNETEENTH A NATIONAL HOLIDAY! 91 00:03:03,450 --> 00:03:03,949 A NATIONAL HOLIDAY! ( CHEERS AND APPLAUSE ) 92 00:03:03,951 --> 00:03:05,417 ( CHEERS AND APPLAUSE ) >> Jon: I LIKE THAT! 93 00:03:05,419 --> 00:03:07,519 >> Jon: I LIKE THAT! >> Stephen: INCREDIBLE NEWS! 94 00:03:07,521 --> 00:03:09,755 >> Stephen: INCREDIBLE NEWS! THAT'S A GOOD ONE RIGHT THERE! 95 00:03:09,757 --> 00:03:10,122 THAT'S A GOOD ONE RIGHT THERE! >> Jon: YES! 96 00:03:10,124 --> 00:03:12,457 >> Jon: YES! >> Stephen: AMAZING! 97 00:03:12,459 --> 00:03:15,494 >> Stephen: AMAZING! AND NOT ONLY -- AND LONG 98 00:03:15,496 --> 00:03:16,061 AND NOT ONLY -- AND LONG OVERDUE. 99 00:03:16,063 --> 00:03:17,829 OVERDUE. JUNETEENTH COMMEMORATES 100 00:03:17,831 --> 00:03:20,265 JUNETEENTH COMMEMORATES JUNE 19th, 1865, THE DAY THE 101 00:03:20,267 --> 00:03:22,668 JUNE 19th, 1865, THE DAY THE LAST GROUP OF ENSLAVED PEOPLE IN 102 00:03:22,670 --> 00:03:23,202 LAST GROUP OF ENSLAVED PEOPLE IN AMERICA LEARNED ABOUT THE 103 00:03:23,204 --> 00:03:26,538 AMERICA LEARNED ABOUT THE SIGNING OF THE EMANCIPATION 104 00:03:26,540 --> 00:03:27,573 SIGNING OF THE EMANCIPATION PROCLAMATION THAT HAD TAKEN 105 00:03:27,575 --> 00:03:31,510 PROCLAMATION THAT HAD TAKEN PLACE TWO AND A HALF YEARS 106 00:03:31,512 --> 00:03:32,477 PLACE TWO AND A HALF YEARS EARLIER. 107 00:03:32,479 --> 00:03:33,478 EARLIER. THEN, IT ONLY TOOK 156 MORE 108 00:03:33,480 --> 00:03:34,046 THEN, IT ONLY TOOK 156 MORE YEARS UNTIL THE IDEA FINALLY 109 00:03:34,048 --> 00:03:35,013 YEARS UNTIL THE IDEA FINALLY REACHED WASHINGTON THAT MAYBE WE 110 00:03:35,015 --> 00:03:36,481 REACHED WASHINGTON THAT MAYBE WE SHOULD CELEBRATE THIS. 111 00:03:36,483 --> 00:03:38,717 SHOULD CELEBRATE THIS. IT'S GETTING THE FULL HOLIDAY 112 00:03:38,719 --> 00:03:40,485 IT'S GETTING THE FULL HOLIDAY TREATMENT. 113 00:03:40,487 --> 00:03:43,522 TREATMENT. MY UNDERSTANDING IS -- 114 00:03:43,524 --> 00:03:44,223 MY UNDERSTANDING IS -- ( CHEERS AND APPLAUSE ) 115 00:03:44,225 --> 00:03:45,457 ( CHEERS AND APPLAUSE ) MY UNDERSTANDING IS THAT THEY'RE 116 00:03:45,459 --> 00:03:49,528 MY UNDERSTANDING IS THAT THEY'RE GIVING IT THE FULL HOLIDAY 117 00:03:49,530 --> 00:03:51,296 GIVING IT THE FULL HOLIDAY TREATMENT -- A DAY OFF, 118 00:03:51,298 --> 00:03:51,563 TREATMENT -- A DAY OFF, COMMUNITY 119 00:03:51,565 --> 00:03:52,231 COMMUNITY GATHERINGS, AND, ONE ASSUMES, 120 00:03:52,233 --> 00:03:52,864 GATHERINGS, AND, ONE ASSUMES, 50% ALL TEMPUR-PEDIC CALIFORNIA 121 00:03:52,866 --> 00:03:56,134 50% ALL TEMPUR-PEDIC CALIFORNIA KINGS. 122 00:03:56,136 --> 00:03:56,435 KINGS. ( LAUGHTER ) 123 00:03:56,437 --> 00:03:57,436 ( LAUGHTER ) EARLIER TODAY, AT THE SIGNING 124 00:03:57,438 --> 00:03:58,637 EARLIER TODAY, AT THE SIGNING CEREMONY IN THE WHITE HOUSE, THE 125 00:03:58,639 --> 00:03:59,238 CEREMONY IN THE WHITE HOUSE, THE FIRST BLACK VICE PRESIDENT OF 126 00:03:59,240 --> 00:04:00,472 FIRST BLACK VICE PRESIDENT OF THE UNITED STATES CELEBRATED THE 127 00:04:00,474 --> 00:04:02,841 THE UNITED STATES CELEBRATED THE NEW HOLIDAY. 128 00:04:02,843 --> 00:04:03,875 NEW HOLIDAY. >> STEPHEN: SO, THROUGHOUT 129 00:04:03,877 --> 00:04:04,476 >> STEPHEN: SO, THROUGHOUT HISTORY, JUNETEENTH HAS BEEN 130 00:04:04,478 --> 00:04:07,512 HISTORY, JUNETEENTH HAS BEEN KNOWN BY MANY NAMES. 131 00:04:07,514 --> 00:04:11,683 KNOWN BY MANY NAMES. JUBILEE DAY, FREEDOM DAY, 132 00:04:11,685 --> 00:04:12,484 JUBILEE DAY, FREEDOM DAY, LIBERATION DAY, EMANCIPATION 133 00:04:12,486 --> 00:04:16,488 LIBERATION DAY, EMANCIPATION DAY. 134 00:04:16,490 --> 00:04:19,524 DAY. AND TODAY, A NATIONAL HOLIDAY. 135 00:04:19,526 --> 00:04:25,330 AND TODAY, A NATIONAL HOLIDAY. ( CHEERS AND APPLAUSE ) 136 00:04:25,332 --> 00:04:28,367 ( CHEERS AND APPLAUSE ) >> Stephen: JUNE 19th, KNOWN 137 00:04:28,369 --> 00:04:31,536 >> Stephen: JUNE 19th, KNOWN BY MANY NAMES, ALSO KNOWN AS 138 00:04:31,538 --> 00:04:32,704 BY MANY NAMES, ALSO KNOWN AS MACKELMORE'S BIRTHDAY BUT, 139 00:04:32,706 --> 00:04:36,441 MACKELMORE'S BIRTHDAY BUT, HAVEN'T BLACK AMERICANS SUFFERED 140 00:04:36,443 --> 00:04:36,675 HAVEN'T BLACK AMERICANS SUFFERED ENOUGH? 141 00:04:36,677 --> 00:04:36,975 ENOUGH? ( LAUGHTER ) 142 00:04:36,977 --> 00:04:37,576 ( LAUGHTER ) ONE PERSON AT THE CEREMONY WHO 143 00:04:37,578 --> 00:04:40,479 ONE PERSON AT THE CEREMONY WHO HAS BEEN WORKING TO MAKE THIS 144 00:04:40,481 --> 00:04:42,314 HAS BEEN WORKING TO MAKE THIS HAPPEN FOR DECADES IS 145 00:04:42,316 --> 00:04:43,548 HAPPEN FOR DECADES IS 94-YEAR-OLD CIVIL RIGHTS 146 00:04:43,550 --> 00:04:46,051 94-YEAR-OLD CIVIL RIGHTS ACTIVIST OPAL LEE. 147 00:04:46,053 --> 00:04:47,719 ACTIVIST OPAL LEE. HERE'S HOW MS. LEE REACTED TO 148 00:04:47,721 --> 00:04:52,658 HERE'S HOW MS. LEE REACTED TO CONGRESS PASSING THE BILL. 149 00:04:52,660 --> 00:04:55,527 CONGRESS PASSING THE BILL. >> THE BILL IS PASSED! 150 00:04:55,529 --> 00:04:57,929 >> THE BILL IS PASSED! >> WOOHOO! OH OH OH OOH! 151 00:04:57,931 --> 00:05:00,465 >> WOOHOO! OH OH OH OOH! >> STEPHEN: I'M CALLING IT NOW: 152 00:05:00,467 --> 00:05:04,036 >> STEPHEN: I'M CALLING IT NOW: THAT IS THE SONG OF THE SUMMER. 153 00:05:04,038 --> 00:05:04,336 THAT IS THE SONG OF THE SUMMER. ( LAUGHTER ) 154 00:05:04,338 --> 00:05:04,636 ( LAUGHTER ) ( APPLAUSE ) 155 00:05:04,638 --> 00:05:05,704 ( APPLAUSE ) THE BILL GOT UNANIMOUS SUPPORT 156 00:05:05,706 --> 00:05:07,539 THE BILL GOT UNANIMOUS SUPPORT IN THE SENATE, BUT IN THE HOUSE 157 00:05:07,541 --> 00:05:08,473 IN THE SENATE, BUT IN THE HOUSE THERE WERE 14 NO VOTES FROM 158 00:05:08,475 --> 00:05:13,545 THERE WERE 14 NO VOTES FROM REPUBLICAN MEMBERS OF CONGRESS. 159 00:05:13,547 --> 00:05:13,779 REPUBLICAN MEMBERS OF CONGRESS. ( BOOING ) 160 00:05:15,782 --> 00:05:16,748 I WONDER IF THOSE REPRESENTATIVES HAVE ANYTHING IN 161 00:05:16,750 --> 00:05:20,319 REPRESENTATIVES HAVE ANYTHING IN COMMON. 162 00:05:20,321 --> 00:05:26,658 COMMON. AH, YES -- IT'S THE SPF 700 163 00:05:26,660 --> 00:05:26,858 AH, YES -- IT'S THE SPF 700 CLUB. 164 00:05:26,860 --> 00:05:27,893 CLUB. THESE CONGRESSMEN HAD A NUMBER 165 00:05:27,895 --> 00:05:28,460 THESE CONGRESSMEN HAD A NUMBER OF OBJECTIONS TO THE BILL, 166 00:05:28,462 --> 00:05:29,227 OF OBJECTIONS TO THE BILL, RANGING FROM STUPID TO DUMB. 167 00:05:29,229 --> 00:05:29,895 RANGING FROM STUPID TO DUMB. LIKE 168 00:05:29,897 --> 00:05:30,696 LIKE KENTUCKY REPRESENTATIVE THOMAS 169 00:05:30,698 --> 00:05:31,263 KENTUCKY REPRESENTATIVE THOMAS MASSIE, SEEN HERE EXPLAINING 170 00:05:31,265 --> 00:05:31,797 MASSIE, SEEN HERE EXPLAINING THAT HIS GUN IS THAT SIZE 171 00:05:31,799 --> 00:05:36,468 THAT HIS GUN IS THAT SIZE BECAUSE IT'S COLD OUT. 172 00:05:36,470 --> 00:05:42,207 BECAUSE IT'S COLD OUT. ( LAUGHTER ) 173 00:05:42,209 --> 00:05:45,811 ( LAUGHTER ) >> Jon: IT'S AN ANALOGY, 174 00:05:45,813 --> 00:05:47,512 >> Jon: IT'S AN ANALOGY, SEE... 175 00:05:47,514 --> 00:05:50,349 SEE... >> Stephen: MASSEY SWEARS HE 176 00:05:50,351 --> 00:05:50,582 >> Stephen: MASSEY SWEARS HE SUPPORTS 177 00:05:50,584 --> 00:05:52,451 SUPPORTS JUNETEENTH, BUT TAKES ISSUE WITH 178 00:05:52,453 --> 00:05:52,951 JUNETEENTH, BUT TAKES ISSUE WITH THE HOLIDAY'S FULL NAME 179 00:05:52,953 --> 00:05:53,585 THE HOLIDAY'S FULL NAME JUNETEENTH NATIONAL INDEPENDENCE 180 00:05:53,587 --> 00:05:54,319 JUNETEENTH NATIONAL INDEPENDENCE DAY. 181 00:05:54,321 --> 00:05:54,920 DAY. WHY? 182 00:05:54,922 --> 00:05:55,554 WHY? BECAUSE HE SAYS IT WILL CONFLICT 183 00:05:55,556 --> 00:05:56,488 BECAUSE HE SAYS IT WILL CONFLICT WITH JULY 4TH, AND PUSH 184 00:05:56,490 --> 00:05:57,556 WITH JULY 4TH, AND PUSH AMERICANS TO PICK ONE OF THOSE 185 00:05:57,558 --> 00:05:58,156 AMERICANS TO PICK ONE OF THOSE TWO DAYS AS THEIR INDEPENDENCE 186 00:05:58,158 --> 00:05:59,624 TWO DAYS AS THEIR INDEPENDENCE DAY BASED ON THEIR RACIAL 187 00:05:59,626 --> 00:06:00,459 DAY BASED ON THEIR RACIAL IDENTITY. 188 00:06:00,461 --> 00:06:04,463 IDENTITY. LET'S BE REAL. 189 00:06:04,465 --> 00:06:09,801 LET'S BE REAL. AMERICANS MAY HAVE THEIR 190 00:06:09,803 --> 00:06:10,502 AMERICANS MAY HAVE THEIR DIFFERENCES, BUT WE HOLD THESE 191 00:06:10,504 --> 00:06:11,203 DIFFERENCES, BUT WE HOLD THESE TRUTH TO BE SELF-EVIDENT: WE 192 00:06:11,205 --> 00:06:12,471 TRUTH TO BE SELF-EVIDENT: WE TAKE EVERY OPPORTUNITY TO EAT 193 00:06:12,473 --> 00:06:13,338 TAKE EVERY OPPORTUNITY TO EAT AND DRINK TO EXCESS. 194 00:06:13,340 --> 00:06:13,839 AND DRINK TO EXCESS. ( CHEERS AND APPLAUSE ) 195 00:06:13,841 --> 00:06:16,475 ( CHEERS AND APPLAUSE ) FOR PETE'S SAKE, WE'LL DOUBLE 196 00:06:16,477 --> 00:06:16,675 FOR PETE'S SAKE, WE'LL DOUBLE DOWN! 197 00:06:16,677 --> 00:06:19,544 DOWN! WE'LL DO THEM BOTH! 198 00:06:19,546 --> 00:06:20,412 WE'LL DO THEM BOTH! >> COME ON! 199 00:06:20,414 --> 00:06:23,248 >> COME ON! >> Stephen: FOR PETE'S SAKE, 200 00:06:23,250 --> 00:06:24,483 >> Stephen: FOR PETE'S SAKE, WE MAINLINE MARGARITAS ON CINCO 201 00:06:24,485 --> 00:06:25,550 WE MAINLINE MARGARITAS ON CINCO DE MAYO FOR MEXICAN INDEPENDENCE 202 00:06:25,552 --> 00:06:28,387 DE MAYO FOR MEXICAN INDEPENDENCE DAY, AND WE'RE NOT MEXICAN AND 203 00:06:28,389 --> 00:06:29,020 DAY, AND WE'RE NOT MEXICAN AND IT'S NOT EVEN THEIR INDEPENDENCE 204 00:06:29,022 --> 00:06:35,160 IT'S NOT EVEN THEIR INDEPENDENCE DAY. 205 00:06:35,162 --> 00:06:36,461 DAY. ( CHEERS AND APPLAUSE ) 206 00:06:36,463 --> 00:06:37,529 ( CHEERS AND APPLAUSE ) ALSO, I DON'T THINK TWO 207 00:06:37,531 --> 00:06:39,064 ALSO, I DON'T THINK TWO INDEPENDENCE DAYS IS GOING TO 208 00:06:39,066 --> 00:06:40,465 INDEPENDENCE DAYS IS GOING TO CONFUSE A NATION THAT HAS 209 00:06:40,467 --> 00:06:43,402 CONFUSE A NATION THAT HAS LEARNED TO KEEP TRACK OF 210 00:06:43,404 --> 00:06:48,473 LEARNED TO KEEP TRACK OF FOUR HANDSOME CHRIS. 211 00:06:48,475 --> 00:06:50,776 FOUR HANDSOME CHRIS. ( CHEERS AND APPLAUSE ) 212 00:06:50,778 --> 00:06:53,979 ( CHEERS AND APPLAUSE ) ANDs THE DAY WE ALL CELEBRATE 213 00:06:53,981 --> 00:06:59,050 ANDs THE DAY WE ALL CELEBRATE FOUR HAN HANDSOME CHRISES, 214 00:06:59,052 --> 00:07:00,485 FOUR HAN HANDSOME CHRISES, CHRISTMAS. 215 00:07:00,487 --> 00:07:03,321 CHRISTMAS. ( CHEERS AND APPLAUSE ) 216 00:07:03,323 --> 00:07:03,922 ( CHEERS AND APPLAUSE ) THERE WAS ALSO SOME GOOD NEWS 217 00:07:03,924 --> 00:07:04,456 THERE WAS ALSO SOME GOOD NEWS OUT OF THE SUPREME COURT. 218 00:07:04,458 --> 00:07:04,956 OUT OF THE SUPREME COURT. TODAY, THE COURT UPHELD 219 00:07:04,958 --> 00:07:11,963 TODAY, THE COURT UPHELD OBAMACARE AGAIN. 220 00:07:11,965 --> 00:07:12,464 OBAMACARE AGAIN. ( CHEERS AND APPLAUSE ) 221 00:07:12,466 --> 00:07:15,000 ( CHEERS AND APPLAUSE ) ObamaCare LIVES! 222 00:07:15,002 --> 00:07:16,468 ObamaCare LIVES! LIVES! 223 00:07:16,470 --> 00:07:18,537 LIVES! >> Jon: YEAH! 224 00:07:18,539 --> 00:07:19,538 >> Jon: YEAH! >> Stephen: YOU KNOW THAT 225 00:07:19,540 --> 00:07:24,476 >> Stephen: YOU KNOW THAT MEANS ANNUAL PHYSICALS 226 00:07:24,478 --> 00:07:26,378 MEANS ANNUAL PHYSICALS FOR EVERYONE. 227 00:07:26,380 --> 00:07:27,913 FOR EVERYONE. AMERICA, TURN YOUR HEAD AND 228 00:07:27,915 --> 00:07:28,346 AMERICA, TURN YOUR HEAD AND COUGH. 229 00:07:28,348 --> 00:07:29,014 COUGH. YOU'RE GOOD. 230 00:07:29,016 --> 00:07:29,648 YOU'RE GOOD. YOU'RE GOOD. 231 00:07:29,650 --> 00:07:31,516 YOU'RE GOOD. COULDN'T GET IT ON IN TIME. 232 00:07:31,518 --> 00:07:35,120 COULDN'T GET IT ON IN TIME. SOSORRY ABOUT THAT. 233 00:07:35,122 --> 00:07:36,121 SOSORRY ABOUT THAT. THE VOTE WAS A RESOUNDING 7-2 234 00:07:36,123 --> 00:07:36,621 THE VOTE WAS A RESOUNDING 7-2 AGAINST A TEXAS LAWSUIT 235 00:07:36,623 --> 00:07:37,522 AGAINST A TEXAS LAWSUIT CHALLENGING THE INDIVIDUAL 236 00:07:37,524 --> 00:07:38,723 CHALLENGING THE INDIVIDUAL MANDATE. 237 00:07:38,725 --> 00:07:40,459 MANDATE. THE COURT DECIDED THAT TEXAS DID 238 00:07:40,461 --> 00:07:42,327 THE COURT DECIDED THAT TEXAS DID NOT HAVE STANDING TO SUE BECAUSE 239 00:07:42,329 --> 00:07:42,994 NOT HAVE STANDING TO SUE BECAUSE NOBODY WAS FORCED TO PAY A 240 00:07:42,996 --> 00:07:43,495 NOBODY WAS FORCED TO PAY A PENALTY FOR NOT GETTING 241 00:07:43,497 --> 00:07:44,463 PENALTY FOR NOT GETTING INSURANCE. 242 00:07:44,465 --> 00:07:48,467 INSURANCE. WHY? 243 00:07:48,469 --> 00:07:49,468 WHY? BACK IN 2017, THE GOP-CONTROLLED 244 00:07:49,470 --> 00:07:51,036 BACK IN 2017, THE GOP-CONTROLLED CONGRESS PASSED A BILL CUTTING CONGRESS PASSED A BILL CUTTI 245 00:07:51,038 --> 00:07:54,973 CONGRESS PASSED A BILL CUTTI THE INDIVIDUAL MANDATE PENALTY TO ZERO. 246 00:07:54,975 --> 00:07:55,507 THE INDIVIDUAL MANDATE PENALTY TO ZERO. THE REPUBLICANS' PREVIOUS 247 00:07:55,509 --> 00:08:00,479 TO ZERO. THE REPUBLICANS' PREVIOUS ATTEMPT TO KILL OBAMACARE KILLED 248 00:08:00,481 --> 00:08:02,280 THE REPUBLICANS' PREVIOUS ATTEMPT TO KILL OBAMACARE KILLED THIS ATTEMPT TO KILL OBAMACARE 249 00:08:02,282 --> 00:08:03,715 ATTEMPT TO KILL OBAMACARE KILLED THIS ATTEMPT TO KILL OBAMACARE ( CHEERS AND APPLAUSE ) 250 00:08:03,717 --> 00:08:04,483 THIS ATTEMPT TO KILL OBAMACARE ( CHEERS AND APPLAUSE ) WHAT DO YOU KNOW? 251 00:08:04,485 --> 00:08:05,817 ( CHEERS AND APPLAUSE ) WHAT DO YOU KNOW? WHAT DO YOU KNOW? 252 00:08:05,819 --> 00:08:08,153 WHAT DO YOU KNOW? WHAT DO YOU KNOW? >> Jon: THAT'S HOW IT GOES 253 00:08:08,155 --> 00:08:10,555 WHAT DO YOU KNOW? >> Jon: THAT'S HOW IT GOES DOWN SOMETIMES! 254 00:08:10,557 --> 00:08:10,856 >> Jon: THAT'S HOW IT GOES DOWN SOMETIMES! ( APPLAUSE ) 255 00:08:10,858 --> 00:08:11,957 DOWN SOMETIMES! ( APPLAUSE ) >> Stephen: TURNS OUT THE 256 00:08:11,959 --> 00:08:16,461 ( APPLAUSE ) >> Stephen: TURNS OUT THE G.O.P. IS ITS OWN WORST ENEMY. 257 00:08:16,463 --> 00:08:19,531 >> Stephen: TURNS OUT THE G.O.P. IS ITS OWN WORST ENEMY. ALSO, EVERYONE ELSE'S. 258 00:08:19,533 --> 00:08:23,368 G.O.P. IS ITS OWN WORST ENEMY. ALSO, EVERYONE ELSE'S. ( CHEERS AND APPLAUSE ) 259 00:08:23,370 --> 00:08:28,473 ALSO, EVERYONE ELSE'S. ( CHEERS AND APPLAUSE ) WAY OUT WEST, SUMMER IS HERE 260 00:08:28,475 --> 00:08:31,009 ( CHEERS AND APPLAUSE ) WAY OUT WEST, SUMMER IS HERE WITH A VENGEANCE. 261 00:08:31,011 --> 00:08:31,543 WAY OUT WEST, SUMMER IS HERE WITH A VENGEANCE. STATES FROM MONTANA TO 262 00:08:31,545 --> 00:08:32,143 WITH A VENGEANCE. STATES FROM MONTANA TO CALIFORNIA ARE EXPERIENCING 263 00:08:32,145 --> 00:08:32,711 STATES FROM MONTANA TO CALIFORNIA ARE EXPERIENCING ONE OF THE MOST EXTREME HEA 264 00:08:32,713 --> 00:08:35,981 CALIFORNIA ARE EXPERIENCING ONE OF THE MOST EXTREME HEA WAVES EVER OBSERVED. 265 00:08:35,983 --> 00:08:36,515 ONE OF THE MOST EXTREME HEA WAVES EVER OBSERVED. LET'S GO TO THE FORECAST: 266 00:08:36,517 --> 00:08:36,915 WAVES EVER OBSERVED. LET'S GO TO THE FORECAST: >> THANKS, STEVE! 267 00:08:36,917 --> 00:08:39,217 LET'S GO TO THE FORECAST: >> THANKS, STEVE! IT'S A REAL SCORCHER. 268 00:08:39,219 --> 00:08:43,522 >> THANKS, STEVE! IT'S A REAL SCORCHER. OVER TO CHAMPIONSHIP IN SPORTS! 269 00:08:43,524 --> 00:08:44,456 IT'S A REAL SCORCHER. OVER TO CHAMPIONSHIP IN SPORTS! >> AHH NETS IN 6 KEVIN DURANT IS 270 00:08:44,458 --> 00:08:46,424 OVER TO CHAMPIONSHIP IN SPORTS! >> AHH NETS IN 6 KEVIN DURANT IS ON FIRE! 271 00:08:46,426 --> 00:08:47,592 >> AHH NETS IN 6 KEVIN DURANT IS ON FIRE! >> STEPHEN: IN FACT, MULTIPLE 272 00:08:47,594 --> 00:08:48,426 ON FIRE! >> STEPHEN: IN FACT, MULTIPLE WEATHER SERVICE OFFICES IN THE 273 00:08:48,428 --> 00:08:50,195 >> STEPHEN: IN FACT, MULTIPLE WEATHER SERVICE OFFICES IN THE WEST HAVE ISSUED EXCESSIVE-HEAT 274 00:08:50,197 --> 00:08:52,464 WEATHER SERVICE OFFICES IN THE WEST HAVE ISSUED EXCESSIVE-HEAT WARNINGS FOR DANGEROUSLY HOT 275 00:08:52,466 --> 00:08:53,598 WEST HAVE ISSUED EXCESSIVE-HEAT WARNINGS FOR DANGEROUSLY HOT CONDITIONS. 276 00:08:53,600 --> 00:08:54,833 WARNINGS FOR DANGEROUSLY HOT CONDITIONS. IT'S PARTICULARLY HOT IN THE 277 00:08:54,835 --> 00:08:55,534 CONDITIONS. IT'S PARTICULARLY HOT IN THE SOUTHERN CALIFORNIA REGION OF 278 00:08:55,536 --> 00:09:03,875 IT'S PARTICULARLY HOT IN THE SOUTHERN CALIFORNIA REGION OF DOWNTOWN BENNIFER. 279 00:09:03,877 --> 00:09:04,075 SOUTHERN CALIFORNIA REGION OF DOWNTOWN BENNIFER. HUMID. 280 00:09:04,077 --> 00:09:04,676 DOWNTOWN BENNIFER. HUMID. IN ARIZONA, TEMPERATURES HAVE 281 00:09:04,678 --> 00:09:07,546 HUMID. IN ARIZONA, TEMPERATURES HAVE SOARED PAST 115 DEGREES. 282 00:09:07,548 --> 00:09:10,248 IN ARIZONA, TEMPERATURES HAVE SOARED PAST 115 DEGREES. ONE PHOENIX RESIDENT TOLD 283 00:09:10,250 --> 00:09:12,484 SOARED PAST 115 DEGREES. ONE PHOENIX RESIDENT TOLD REPORTERS, I FEEL LIKE I'M IN 284 00:09:12,486 --> 00:09:16,488 ONE PHOENIX RESIDENT TOLD REPORTERS, I FEEL LIKE I'M IN HELL. 285 00:09:16,490 --> 00:09:18,423 REPORTERS, I FEEL LIKE I'M IN HELL. SO, PHOENIX -- 286 00:09:18,425 --> 00:09:19,024 HELL. SO, PHOENIX -- ( APPLAUSE ) 287 00:09:19,026 --> 00:09:19,524 SO, PHOENIX -- ( APPLAUSE ) IT'S LOVELY. 288 00:09:19,526 --> 00:09:21,159 ( APPLAUSE ) IT'S LOVELY. IT'S JUST A JOKE, JON. 289 00:09:21,161 --> 00:09:22,894 IT'S LOVELY. IT'S JUST A JOKE, JON. >> Jon: I QUESTION IT. 290 00:09:22,896 --> 00:09:23,361 IT'S JUST A JOKE, JON. >> Jon: I QUESTION IT. I GET IT. 291 00:09:23,363 --> 00:09:25,297 >> Jon: I QUESTION IT. I GET IT. >> Stephen: I LOVE YOU, 292 00:09:25,299 --> 00:09:25,530 I GET IT. >> Stephen: I LOVE YOU, PHOENIX. 293 00:09:25,532 --> 00:09:26,531 >> Stephen: I LOVE YOU, PHOENIX. ONE OF THE STATES MOST AFFECTED 294 00:09:26,533 --> 00:09:27,332 PHOENIX. ONE OF THE STATES MOST AFFECTED BY RISING TEMPERATURES IS TEXAS. 295 00:09:27,334 --> 00:09:28,233 ONE OF THE STATES MOST AFFECTED BY RISING TEMPERATURES IS TEXAS. THIS IS WHAT HAPPENED YESTERDAY 296 00:09:28,235 --> 00:09:28,867 BY RISING TEMPERATURES IS TEXAS. THIS IS WHAT HAPPENED YESTERDAY WHEN ONE TEXAS WOMAN LEFT A JAR 297 00:09:28,869 --> 00:09:31,536 THIS IS WHAT HAPPENED YESTERDAY WHEN ONE TEXAS WOMAN LEFT A JAR OF DIETARY SUPPLEMENTS IN HER 298 00:09:31,538 --> 00:09:32,470 WHEN ONE TEXAS WOMAN LEFT A JAR OF DIETARY SUPPLEMENTS IN HER CAR. 299 00:09:32,472 --> 00:09:35,440 OF DIETARY SUPPLEMENTS IN HER CAR. HER DOCTOR SAID SHE WASN'T 300 00:09:35,442 --> 00:09:36,374 CAR. HER DOCTOR SAID SHE WASN'T GETTING ENOUGH VITAMIN GOO. 301 00:09:36,376 --> 00:09:36,875 HER DOCTOR SAID SHE WASN'T GETTING ENOUGH VITAMIN GOO. THIS HEAT IS ESPECIALLY 302 00:09:36,877 --> 00:09:42,147 GETTING ENOUGH VITAMIN GOO. THIS HEAT IS ESPECIALLY DANGEROUS FOR TEXANS BECAUSE OF 303 00:09:42,149 --> 00:09:45,984 THIS HEAT IS ESPECIALLY DANGEROUS FOR TEXANS BECAUSE OF THEIR POWER GRID IS FRAGILE. 304 00:09:45,986 --> 00:09:46,818 DANGEROUS FOR TEXANS BECAUSE OF THEIR POWER GRID IS FRAGILE. YOU MIGHT REMEMBER THAT, BACK IN 305 00:09:46,820 --> 00:09:47,552 THEIR POWER GRID IS FRAGILE. YOU MIGHT REMEMBER THAT, BACK IN FEBRUARY, WINTER STORMS LEFT 306 00:09:47,554 --> 00:09:48,086 YOU MIGHT REMEMBER THAT, BACK IN FEBRUARY, WINTER STORMS LEFT MORE THAN 4.8M HOMES AND 307 00:09:48,088 --> 00:09:48,687 FEBRUARY, WINTER STORMS LEFT MORE THAN 4.8M HOMES AND BUSINESSES WITHOUT ELECTRICITY 308 00:09:48,689 --> 00:09:49,521 MORE THAN 4.8M HOMES AND BUSINESSES WITHOUT ELECTRICITY FOR DAYS. 309 00:09:49,523 --> 00:09:51,590 BUSINESSES WITHOUT ELECTRICITY FOR DAYS. SO IT'S GOOD THAT 310 00:09:51,592 --> 00:09:52,157 FOR DAYS. SO IT'S GOOD THAT (SINGING) 311 00:09:52,159 --> 00:09:52,557 SO IT'S GOOD THAT (SINGING) THE STARS AT NIGHT 312 00:09:52,559 --> 00:09:55,527 (SINGING) THE STARS AT NIGHT ARE BIG AND BRIGHT 313 00:09:55,529 --> 00:09:57,929 THE STARS AT NIGHT ARE BIG AND BRIGHT CUZ THERE'S NO LIGHTS IN TEXA 314 00:09:57,931 --> 00:09:58,296 ARE BIG AND BRIGHT CUZ THERE'S NO LIGHTS IN TEXA ( LAUGHTER ) 315 00:09:58,298 --> 00:10:00,332 CUZ THERE'S NO LIGHTS IN TEXA ( LAUGHTER ) OF COURSE -- THANK YOU! 316 00:10:00,334 --> 00:10:03,368 ( LAUGHTER ) OF COURSE -- THANK YOU! WOULDN'T PEE-WEE BE PROUD? 317 00:10:03,370 --> 00:10:04,135 OF COURSE -- THANK YOU! WOULDN'T PEE-WEE BE PROUD? RIGHT ON CUE. 318 00:10:04,137 --> 00:10:05,870 WOULDN'T PEE-WEE BE PROUD? RIGHT ON CUE. HOW DID THEY KNOW? 319 00:10:05,872 --> 00:10:08,039 RIGHT ON CUE. HOW DID THEY KNOW? HOW DID THEY KNOW? 320 00:10:08,041 --> 00:10:08,673 HOW DID THEY KNOW? HOW DID THEY KNOW? >> STEPHEN: OF COURSE, THE POWER 321 00:10:08,675 --> 00:10:09,374 HOW DID THEY KNOW? >> STEPHEN: OF COURSE, THE POWER COMPANY COULD NEVER HAVE 322 00:10:09,376 --> 00:10:11,176 >> STEPHEN: OF COURSE, THE POWER COMPANY COULD NEVER HAVE ANTICIPATED COLD WEATHER IN 323 00:10:11,178 --> 00:10:11,376 COMPANY COULD NEVER HAVE ANTICIPATED COLD WEATHER IN TEXAS. 324 00:10:11,378 --> 00:10:15,714 ANTICIPATED COLD WEATHER IN TEXAS. OR HOT WEATHER IN TEXAS. 325 00:10:15,716 --> 00:10:16,481 TEXAS. OR HOT WEATHER IN TEXAS. ( LAUGHTER ) 326 00:10:16,483 --> 00:10:17,616 OR HOT WEATHER IN TEXAS. ( LAUGHTER ) BECAUSE THIS WEEK, THE TEXAS 327 00:10:17,618 --> 00:10:18,583 ( LAUGHTER ) BECAUSE THIS WEEK, THE TEXAS POWER COMPANY STARTED 328 00:10:18,585 --> 00:10:19,417 BECAUSE THIS WEEK, THE TEXAS POWER COMPANY STARTED BEGGING CUSTOMERS TO TURN OFF 329 00:10:19,419 --> 00:10:19,918 POWER COMPANY STARTED BEGGING CUSTOMERS TO TURN OFF APPLIANCES TO HELP AVERT 330 00:10:19,920 --> 00:10:21,519 BEGGING CUSTOMERS TO TURN OFF APPLIANCES TO HELP AVERT BLACKOUTS. 331 00:10:21,521 --> 00:10:22,721 APPLIANCES TO HELP AVERT BLACKOUTS. SO, THE ENERGY COMPANY'S ADVICE 332 00:10:22,723 --> 00:10:23,321 BLACKOUTS. SO, THE ENERGY COMPANY'S ADVICE IS BUY AN A.C. UNIT, BUT DON'T 333 00:10:23,323 --> 00:10:28,893 SO, THE ENERGY COMPANY'S ADVICE IS BUY AN A.C. UNIT, BUT DON'T TURN IT ON IF IT'S HOT. 334 00:10:28,895 --> 00:10:32,931 IS BUY AN A.C. UNIT, BUT DON'T TURN IT ON IF IT'S HOT. AND JUST TO RUB SALT IN THE 335 00:10:32,933 --> 00:10:33,131 TURN IT ON IF IT'S HOT. AND JUST TO RUB SALT IN THE WOUND, 336 00:10:33,133 --> 00:10:34,132 AND JUST TO RUB SALT IN THE WOUND, THESE WARNINGS ABOUT UNRELIABLE 337 00:10:34,134 --> 00:10:35,567 WOUND, THESE WARNINGS ABOUT UNRELIABLE POWER ARE COMING FROM THE 338 00:10:35,569 --> 00:10:36,468 THESE WARNINGS ABOUT UNRELIABLE POWER ARE COMING FROM THE ELECTRIC RELIABILITY COUNCIL OF 339 00:10:36,470 --> 00:10:39,137 POWER ARE COMING FROM THE ELECTRIC RELIABILITY COUNCIL OF TEXAS. 340 00:10:39,139 --> 00:10:40,472 ELECTRIC RELIABILITY COUNCIL OF TEXAS. ( LAUGHTER ) 341 00:10:40,474 --> 00:10:41,373 TEXAS. ( LAUGHTER ) KIND OF A MISNOMER. 342 00:10:41,375 --> 00:10:41,906 ( LAUGHTER ) KIND OF A MISNOMER. AT THIS POINT, THAT'S LIKE 343 00:10:41,908 --> 00:10:43,541 KIND OF A MISNOMER. AT THIS POINT, THAT'S LIKE THE SOBRIETY COUNCIL OF NEW 344 00:10:43,543 --> 00:10:44,476 AT THIS POINT, THAT'S LIKE THE SOBRIETY COUNCIL OF NEW ORLEANS. 345 00:10:44,478 --> 00:10:48,480 THE SOBRIETY COUNCIL OF NEW ORLEANS. ( LAUGHTER ) 346 00:10:48,482 --> 00:10:50,415 ORLEANS. ( LAUGHTER ) >> Jon: HEY! 347 00:10:50,417 --> 00:10:51,383 ( LAUGHTER ) >> Jon: HEY! NOT EVERYBODY! 348 00:10:51,385 --> 00:10:53,284 >> Jon: HEY! NOT EVERYBODY! >> Stephen: NOT EVERYBODY. 349 00:10:53,286 --> 00:10:54,686 NOT EVERYBODY! >> Stephen: NOT EVERYBODY. NOBODY'S SAYING DON'T PARTY! 350 00:10:54,688 --> 00:10:55,787 >> Stephen: NOT EVERYBODY. NOBODY'S SAYING DON'T PARTY! NOBODY'S SAYING DON'T PARTY. 351 00:10:55,789 --> 00:10:58,056 NOBODY'S SAYING DON'T PARTY! NOBODY'S SAYING DON'T PARTY. >> Jon: NOBODY'S GOT THE 352 00:10:58,058 --> 00:10:58,289 NOBODY'S SAYING DON'T PARTY. >> Jon: NOBODY'S GOT THE COURAGE. 353 00:10:58,291 --> 00:11:00,458 >> Jon: NOBODY'S GOT THE COURAGE. >> Stephen: STAYING IN TEXAS, 354 00:11:00,460 --> 00:11:01,526 COURAGE. >> Stephen: STAYING IN TEXAS, THERE WAS A 355 00:11:01,528 --> 00:11:02,627 >> Stephen: STAYING IN TEXAS, THERE WAS A BIG ANNOUNCEMENT FROM TEXAS 356 00:11:02,629 --> 00:11:03,161 THERE WAS A BIG ANNOUNCEMENT FROM TEXAS GOVERNOR AND MAN BREATHING 357 00:11:03,163 --> 00:11:03,762 BIG ANNOUNCEMENT FROM TEXAS GOVERNOR AND MAN BREATHING EASIER THANKS TO ALLEGRA, GREG 358 00:11:03,764 --> 00:11:04,429 GOVERNOR AND MAN BREATHING EASIER THANKS TO ALLEGRA, GREG ABBOTT. 359 00:11:04,431 --> 00:11:05,930 EASIER THANKS TO ALLEGRA, GREG ABBOTT. ABBOTT SAYS HE'S GOING TO 360 00:11:05,932 --> 00:11:07,098 ABBOTT. ABBOTT SAYS HE'S GOING TO SOLICIT DONATIONS FROM THE 361 00:11:07,100 --> 00:11:07,732 ABBOTT SAYS HE'S GOING TO SOLICIT DONATIONS FROM THE PUBLIC TO FUND THE CONSTRUCTION 362 00:11:07,734 --> 00:11:12,003 SOLICIT DONATIONS FROM THE PUBLIC TO FUND THE CONSTRUCTION OF TEXAS' BORDER WALL. 363 00:11:12,005 --> 00:11:12,470 PUBLIC TO FUND THE CONSTRUCTION OF TEXAS' BORDER WALL. ( BOOING ) 364 00:11:12,472 --> 00:11:15,840 OF TEXAS' BORDER WALL. ( BOOING ) NO, NO, NO, HEAR ME OUT! 365 00:11:15,842 --> 00:11:16,474 ( BOOING ) NO, NO, NO, HEAR ME OUT! IT'S ABOUT TIME. 366 00:11:16,476 --> 00:11:19,544 NO, NO, NO, HEAR ME OUT! IT'S ABOUT TIME. SOMEBODY'S GOTTA KEEP THOSE 367 00:11:19,546 --> 00:11:20,478 IT'S ABOUT TIME. SOMEBODY'S GOTTA KEEP THOSE TEXANS OUT OF THE U.S.. 368 00:11:20,480 --> 00:11:21,112 SOMEBODY'S GOTTA KEEP THOSE TEXANS OUT OF THE U.S.. ( CHEERS AND APPLAUSE ) 369 00:11:21,114 --> 00:11:22,280 TEXANS OUT OF THE U.S.. ( CHEERS AND APPLAUSE ) DO FLORIDA NEXT! 370 00:11:22,282 --> 00:11:22,847 ( CHEERS AND APPLAUSE ) DO FLORIDA NEXT! WHAT? 371 00:11:22,849 --> 00:11:24,182 DO FLORIDA NEXT! WHAT? OH, NO! 372 00:11:24,184 --> 00:11:28,486 WHAT? OH, NO! SO BAD. 373 00:11:28,488 --> 00:11:29,821 OH, NO! SO BAD. ( APPLAUSE ) 374 00:11:29,823 --> 00:11:31,523 SO BAD. ( APPLAUSE ) I'M BEING TOLD IT'S ACTUALLY FOR 375 00:11:31,525 --> 00:11:32,457 ( APPLAUSE ) I'M BEING TOLD IT'S ACTUALLY FOR A U.S.-MEXICO BORDER WALL. 376 00:11:32,459 --> 00:11:34,392 I'M BEING TOLD IT'S ACTUALLY FOR A U.S.-MEXICO BORDER WALL. OKAY, SO, ONE STATE CAN DO ITS 377 00:11:34,394 --> 00:11:35,660 A U.S.-MEXICO BORDER WALL. OKAY, SO, ONE STATE CAN DO ITS OWN FOREIGN POLICY? 378 00:11:35,662 --> 00:11:36,461 OKAY, SO, ONE STATE CAN DO ITS OWN FOREIGN POLICY? IT REMINDS ME OF THAT FAMOUS 379 00:11:36,463 --> 00:11:37,529 OWN FOREIGN POLICY? IT REMINDS ME OF THAT FAMOUS HEADLINE AFTER PEARL HARBOR: 380 00:11:37,531 --> 00:11:43,601 IT REMINDS ME OF THAT FAMOUS HEADLINE AFTER PEARL HARBOR: DELAWARE DECLARES DELA-WAR 381 00:11:43,603 --> 00:11:43,902 HEADLINE AFTER PEARL HARBOR: DELAWARE DECLARES DELA-WAR ( LAUGHTER ) 382 00:11:43,904 --> 00:11:44,502 DELAWARE DECLARES DELA-WAR ( LAUGHTER ) BUT I UNDERSTAND WHY TEXAS IS 383 00:11:44,504 --> 00:11:45,570 ( LAUGHTER ) BUT I UNDERSTAND WHY TEXAS IS DESPERATE. 384 00:11:45,572 --> 00:11:46,237 BUT I UNDERSTAND WHY TEXAS IS DESPERATE. THEY HAVE TO FIND SOME WAY TO 385 00:11:46,239 --> 00:11:48,473 DESPERATE. THEY HAVE TO FIND SOME WAY TO STOP THEIR SENATORS FROM 386 00:11:48,475 --> 00:11:49,541 THEY HAVE TO FIND SOME WAY TO STOP THEIR SENATORS FROM FLEEING TO CANCUN. 387 00:11:49,543 --> 00:11:52,477 STOP THEIR SENATORS FROM FLEEING TO CANCUN. ( LAUGHTER ) 388 00:11:52,479 --> 00:11:54,012 FLEEING TO CANCUN. ( LAUGHTER ) ( CHEERS AND APPLAUSE ) 389 00:11:54,014 --> 00:11:56,414 ( LAUGHTER ) ( CHEERS AND APPLAUSE ) IT'S LIKE WE'RE CATCHING UP ON A 390 00:11:56,416 --> 00:12:00,485 ( CHEERS AND APPLAUSE ) IT'S LIKE WE'RE CATCHING UP ON A LOT OF PUNCH LINES. 391 00:12:00,487 --> 00:12:03,021 IT'S LIKE WE'RE CATCHING UP ON A LOT OF PUNCH LINES. TO PRIME THE DONATION PUMP, 392 00:12:03,023 --> 00:12:03,621 LOT OF PUNCH LINES. TO PRIME THE DONATION PUMP, YESTERDAY ABBOTT ANNOUNCED THE 393 00:12:03,623 --> 00:12:04,456 TO PRIME THE DONATION PUMP, YESTERDAY ABBOTT ANNOUNCED THE STATE WAS KICKING IN $250 394 00:12:04,458 --> 00:12:05,957 YESTERDAY ABBOTT ANNOUNCED THE STATE WAS KICKING IN $250 MILLION. 395 00:12:05,959 --> 00:12:07,525 STATE WAS KICKING IN $250 MILLION. WHAT A WISE USE OF TAXPAYER 396 00:12:07,527 --> 00:12:08,460 MILLION. WHAT A WISE USE OF TAXPAYER MONEY. 397 00:12:08,462 --> 00:12:10,562 WHAT A WISE USE OF TAXPAYER MONEY. YOU WOULDN'T WANT TO WASTE IT ON 398 00:12:10,564 --> 00:12:11,162 MONEY. YOU WOULDN'T WANT TO WASTE IT ON SOMETHING STUPID, LIKE SHORING 399 00:12:11,164 --> 00:12:12,464 YOU WOULDN'T WANT TO WASTE IT ON SOMETHING STUPID, LIKE SHORING UP THEIR COTTON CANDY POWER 400 00:12:12,466 --> 00:12:14,466 SOMETHING STUPID, LIKE SHORING UP THEIR COTTON CANDY POWER GRID. 401 00:12:14,468 --> 00:12:14,766 UP THEIR COTTON CANDY POWER GRID. ( LAUGHTER ) 402 00:12:14,768 --> 00:12:15,333 GRID. ( LAUGHTER ) ABBOTT WAS CLEAR ON WANTING 403 00:12:15,335 --> 00:12:16,468 ( LAUGHTER ) ABBOTT WAS CLEAR ON WANTING MONEY AND WANTING WALL, BUT THE 404 00:12:16,470 --> 00:12:22,073 ABBOTT WAS CLEAR ON WANTING MONEY AND WANTING WALL, BUT THE OTHER DETAILS WERE PRETTY FUZZY. 405 00:12:22,075 --> 00:12:22,941 MONEY AND WANTING WALL, BUT THE OTHER DETAILS WERE PRETTY FUZZY. AS ONE REPORTER PUT IT, 406 00:12:22,943 --> 00:12:23,575 OTHER DETAILS WERE PRETTY FUZZY. AS ONE REPORTER PUT IT, HE SAYS TEXANS CAN DONATE THEIR 407 00:12:23,577 --> 00:12:24,476 AS ONE REPORTER PUT IT, HE SAYS TEXANS CAN DONATE THEIR PRIVATE LAND AND MONEY TO THE 408 00:12:24,478 --> 00:12:27,178 HE SAYS TEXANS CAN DONATE THEIR PRIVATE LAND AND MONEY TO THE PROJECT. 409 00:12:27,180 --> 00:12:28,480 PRIVATE LAND AND MONEY TO THE PROJECT. BUT HE CAN'T SAY WHAT THE 410 00:12:28,482 --> 00:12:31,416 PROJECT. BUT HE CAN'T SAY WHAT THE PROJECT WILL LOOK LIKE, HOW MANY 411 00:12:31,418 --> 00:12:32,050 BUT HE CAN'T SAY WHAT THE PROJECT WILL LOOK LIKE, HOW MANY MILES WILL BE BUILT OR WHERE IT 412 00:12:32,052 --> 00:12:34,519 PROJECT WILL LOOK LIKE, HOW MANY MILES WILL BE BUILT OR WHERE IT WILL BE BUILT. 413 00:12:34,521 --> 00:12:35,987 MILES WILL BE BUILT OR WHERE IT WILL BE BUILT. SO IT'S LESS OF A BORDER POLICY 414 00:12:35,989 --> 00:12:40,458 WILL BE BUILT. SO IT'S LESS OF A BORDER POLICY AND MORE OF AN IMPROV SHOW. 415 00:12:40,460 --> 00:12:46,498 SO IT'S LESS OF A BORDER POLICY AND MORE OF AN IMPROV SHOW. ( APPLAUSE ) 416 00:12:46,500 --> 00:12:47,098 AND MORE OF AN IMPROV SHOW. ( APPLAUSE ) OKAY! 417 00:12:47,100 --> 00:12:47,832 ( APPLAUSE ) OKAY! I NEED THE SUGGESTION OF A PLACE 418 00:12:47,834 --> 00:12:48,466 OKAY! I NEED THE SUGGESTION OF A PLACE TO BUILD A BORDER WALL, HOW LONG 419 00:12:48,468 --> 00:12:49,100 I NEED THE SUGGESTION OF A PLACE TO BUILD A BORDER WALL, HOW LONG IT SHOULD BE, AND A MINORITY TO 420 00:12:49,102 --> 00:12:49,534 TO BUILD A BORDER WALL, HOW LONG IT SHOULD BE, AND A MINORITY TO VILLAINIZE. 421 00:12:49,536 --> 00:12:50,101 IT SHOULD BE, AND A MINORITY TO VILLAINIZE. OKAY, I HEARD SURFACE OF THE 422 00:12:50,103 --> 00:12:50,735 VILLAINIZE. OKAY, I HEARD SURFACE OF THE MOON, 100,000 MILES, AND SPACE 423 00:12:50,737 --> 00:12:51,369 OKAY, I HEARD SURFACE OF THE MOON, 100,000 MILES, AND SPACE HONDURANS. 424 00:12:51,371 --> 00:12:51,970 MOON, 100,000 MILES, AND SPACE HONDURANS. BASED ON THOSE SUGGESTIONS, WE 425 00:12:51,972 --> 00:12:52,604 HONDURANS. BASED ON THOSE SUGGESTIONS, WE TAKE YOU TO THIS PROCTOLOGIST'S 426 00:12:52,606 --> 00:12:59,444 BASED ON THOSE SUGGESTIONS, WE TAKE YOU TO THIS PROCTOLOGIST'S OFFICE. 427 00:12:59,446 --> 00:13:00,345 TAKE YOU TO THIS PROCTOLOGIST'S OFFICE. ( CHEERS AND APPLAUSE ) 428 00:13:00,347 --> 00:13:01,546 OFFICE. ( CHEERS AND APPLAUSE ) HELLO, DOCTOR! 429 00:13:01,548 --> 00:13:03,648 ( CHEERS AND APPLAUSE ) HELLO, DOCTOR! IT'S A SNAKE! 430 00:13:03,650 --> 00:13:04,482 HELLO, DOCTOR! IT'S A SNAKE! SPEAKING OF FOREIGN COUNTRIES, 431 00:13:04,484 --> 00:13:08,787 IT'S A SNAKE! SPEAKING OF FOREIGN COUNTRIES, EUROPE. 432 00:13:08,789 --> 00:13:09,087 SPEAKING OF FOREIGN COUNTRIES, EUROPE. ( LAUGHTER ) 433 00:13:09,089 --> 00:13:10,121 EUROPE. ( LAUGHTER ) THIS SUMMER, EUROPE IS IN THE 434 00:13:10,123 --> 00:13:12,457 ( LAUGHTER ) THIS SUMMER, EUROPE IS IN THE MIDST OF THE EUROPEAN SOCCER 435 00:13:12,459 --> 00:13:12,957 THIS SUMMER, EUROPE IS IN THE MIDST OF THE EUROPEAN SOCCER TOURNAMENT. 436 00:13:12,959 --> 00:13:13,591 MIDST OF THE EUROPEAN SOCCER TOURNAMENT. AN EVENT THAT HAPPENS ONLY, I'M 437 00:13:13,593 --> 00:13:16,261 TOURNAMENT. AN EVENT THAT HAPPENS ONLY, I'M GOING TO SAY, EVERY SNGLE DAY? 438 00:13:16,263 --> 00:13:19,097 AN EVENT THAT HAPPENS ONLY, I'M GOING TO SAY, EVERY SNGLE DAY? ( LAUGHTER ) 439 00:13:19,099 --> 00:13:19,597 GOING TO SAY, EVERY SNGLE DAY? ( LAUGHTER ) ALWAYS TALKING ABOUT IT. 440 00:13:19,599 --> 00:13:20,465 ( LAUGHTER ) ALWAYS TALKING ABOUT IT. THE EVENT IS CALLED 441 00:13:20,467 --> 00:13:22,801 ALWAYS TALKING ABOUT IT. THE EVENT IS CALLED EURO 2020. 442 00:13:22,803 --> 00:13:24,469 THE EVENT IS CALLED EURO 2020. BUT IT'S TAKING PLACE IN 2021 443 00:13:24,471 --> 00:13:27,138 EURO 2020. BUT IT'S TAKING PLACE IN 2021 BECAUSE OF COVID, AND BECAUSE 444 00:13:27,140 --> 00:13:28,473 BUT IT'S TAKING PLACE IN 2021 BECAUSE OF COVID, AND BECAUSE 2021 IS 2020 IN CELSIUS, I 445 00:13:28,475 --> 00:13:30,942 BECAUSE OF COVID, AND BECAUSE 2021 IS 2020 IN CELSIUS, I THINK. 446 00:13:30,944 --> 00:13:31,242 2021 IS 2020 IN CELSIUS, I THINK. ( LAUGHTER ) 447 00:13:31,244 --> 00:13:39,450 THINK. ( LAUGHTER ) AND THERE'S ALREADY BEEN UNE 448 00:13:39,452 --> 00:13:40,251 ( LAUGHTER ) AND THERE'S ALREADY BEEN UNE SCANDALE GRANDE INVOLVING 449 00:13:40,253 --> 00:13:40,819 AND THERE'S ALREADY BEEN UNE SCANDALE GRANDE INVOLVING PORTUGUESE SUPERSTAR AND SEX 450 00:13:40,821 --> 00:13:45,223 SCANDALE GRANDE INVOLVING PORTUGUESE SUPERSTAR AND SEX DOLL OF CRISTIANO RONALDO. 451 00:13:45,225 --> 00:13:46,291 PORTUGUESE SUPERSTAR AND SEX DOLL OF CRISTIANO RONALDO. CRISTIANO RONALDO. 452 00:13:46,293 --> 00:13:46,958 DOLL OF CRISTIANO RONALDO. CRISTIANO RONALDO. HERE'S WHAT HAPPENED. 453 00:13:46,960 --> 00:13:48,126 CRISTIANO RONALDO. HERE'S WHAT HAPPENED. COCA COLA IS A MAJOR SPONSOR OF 454 00:13:48,128 --> 00:13:48,693 HERE'S WHAT HAPPENED. COCA COLA IS A MAJOR SPONSOR OF THE TOURNAMENT, BUT DURING A 455 00:13:48,695 --> 00:13:49,527 COCA COLA IS A MAJOR SPONSOR OF THE TOURNAMENT, BUT DURING A PRESS BRIEFING, RONALDO DID 456 00:13:49,529 --> 00:14:00,471 THE TOURNAMENT, BUT DURING A PRESS BRIEFING, RONALDO DID THIS: 457 00:14:00,473 --> 00:14:03,808 PRESS BRIEFING, RONALDO DID THIS: > AGUA 458 00:14:03,810 --> 00:14:04,475 THIS: > AGUA >> STEPHEN: RONALDO, YOU KNOW 459 00:14:04,477 --> 00:14:07,545 > AGUA >> STEPHEN: RONALDO, YOU KNOW YOU ARE NOT ALLOWED TO DO THAT. 460 00:14:07,547 --> 00:14:12,483 >> STEPHEN: RONALDO, YOU KNOW YOU ARE NOT ALLOWED TO DO THAT. YOU HAVE TO MOVE THE COKE 461 00:14:12,485 --> 00:14:13,151 YOU ARE NOT ALLOWED TO DO THAT. YOU HAVE TO MOVE THE COKE BOTTLES WITH YOUR FEET. 462 00:14:13,153 --> 00:14:13,451 YOU HAVE TO MOVE THE COKE BOTTLES WITH YOUR FEET. ( LAUGHTER ) 463 00:14:13,453 --> 00:14:15,286 BOTTLES WITH YOUR FEET. ( LAUGHTER ) RED CARD. 464 00:14:15,288 --> 00:14:16,454 ( LAUGHTER ) RED CARD. RED CARD. 465 00:14:16,456 --> 00:14:20,725 RED CARD. RED CARD. ( APPLAUSE ) 466 00:14:20,727 --> 00:14:21,826 RED CARD. ( APPLAUSE ) GIVE ME THAT BACK. 467 00:14:21,828 --> 00:14:24,462 ( APPLAUSE ) GIVE ME THAT BACK. I USE THAT TO CHECK OUT 468 00:14:24,464 --> 00:14:28,466 GIVE ME THAT BACK. I USE THAT TO CHECK OUT BOOKS AT THE VATICAN LIBRARY. 469 00:14:28,468 --> 00:14:36,474 I USE THAT TO CHECK OUT BOOKS AT THE VATICAN LIBRARY. ( LAUGHTER ) 470 00:14:36,476 --> 00:14:39,477 BOOKS AT THE VATICAN LIBRARY. ( LAUGHTER ) AFTER MOVING THE BOTTLES, 471 00:14:39,479 --> 00:14:40,178 ( LAUGHTER ) AFTER MOVING THE BOTTLES, RONALDO SAYS "AGUA," WHICH I 472 00:14:40,180 --> 00:14:40,745 AFTER MOVING THE BOTTLES, RONALDO SAYS "AGUA," WHICH I BELIEVE IS PORTUGESE FOR WE 473 00:14:40,747 --> 00:14:43,114 RONALDO SAYS "AGUA," WHICH I BELIEVE IS PORTUGESE FOR WE DON'T HAVE COKE, IS PEPSI OKAY? 474 00:14:43,116 --> 00:14:43,414 BELIEVE IS PORTUGESE FOR WE DON'T HAVE COKE, IS PEPSI OKAY? ( LAUGHTER ) 475 00:14:43,416 --> 00:14:46,718 DON'T HAVE COKE, IS PEPSI OKAY? ( LAUGHTER ) RONALDO IS NOT ALONE. 476 00:14:46,720 --> 00:14:47,352 ( LAUGHTER ) RONALDO IS NOT ALONE. FRENCH STAR PAUL POGBA DID THIS 477 00:14:47,354 --> 00:14:48,486 RONALDO IS NOT ALONE. FRENCH STAR PAUL POGBA DID THIS TO A BOTTLE OF HEINEKEN ZERO 478 00:14:48,488 --> 00:14:52,423 FRENCH STAR PAUL POGBA DID THIS TO A BOTTLE OF HEINEKEN ZERO POINT ZERO. 479 00:14:55,594 --> 00:14:59,998 >> STEPHEN: POGBA, YOU CAN'T DO THAT TO ONE OF YOUR MAJOR SPONSORS LIKE HEINEKEN ZERO 480 00:15:00,000 --> 00:15:00,598 THAT TO ONE OF YOUR MAJOR SPONSORS LIKE HEINEKEN ZERO POINT ZERO, WHICH IS NAMED FOR 481 00:15:00,600 --> 00:15:01,532 SPONSORS LIKE HEINEKEN ZERO POINT ZERO, WHICH IS NAMED FOR THE NUMBER OF GOALS IN AN 482 00:15:01,534 --> 00:15:04,469 POINT ZERO, WHICH IS NAMED FOR THE NUMBER OF GOALS IN AN AVERAGE SOCCER GAME. 483 00:15:04,471 --> 00:15:08,473 THE NUMBER OF GOALS IN AN AVERAGE SOCCER GAME. ( LAUGHTER ) 484 00:15:08,475 --> 00:15:13,077 AVERAGE SOCCER GAME. ( LAUGHTER ) >> Jon: OH, MY GOODNESS! 485 00:15:13,079 --> 00:15:16,214 ( LAUGHTER ) >> Jon: OH, MY GOODNESS! >> Stephen: I WILL SAY THIS, 486 00:15:16,216 --> 00:15:17,215 >> Jon: OH, MY GOODNESS! >> Stephen: I WILL SAY THIS, THOUGH -- SPITTING 487 00:15:17,217 --> 00:15:17,815 >> Stephen: I WILL SAY THIS, THOUGH -- SPITTING IN THE FACE OF A SPONSOR LIKE 488 00:15:17,817 --> 00:15:18,750 THOUGH -- SPITTING IN THE FACE OF A SPONSOR LIKE THAT TAKES COURAGE AND 489 00:15:18,752 --> 00:15:19,517 IN THE FACE OF A SPONSOR LIKE THAT TAKES COURAGE AND INTEGRITY. 490 00:15:19,519 --> 00:15:24,489 THAT TAKES COURAGE AND INTEGRITY. AND WHEN I NEED INTEGRITY, I 491 00:15:24,491 --> 00:15:31,296 INTEGRITY. AND WHEN I NEED INTEGRITY, I REACH FOR AN ICE COLD COCA COLA. 492 00:15:31,298 --> 00:15:31,596 AND WHEN I NEED INTEGRITY, I REACH FOR AN ICE COLD COCA COLA. ( APPLAUSE ) 493 00:15:31,598 --> 00:15:32,463 REACH FOR AN ICE COLD COCA COLA. ( APPLAUSE ) WHICH I ENJOY WITH A LITTLE 494 00:15:32,465 --> 00:15:34,365 ( APPLAUSE ) WHICH I ENJOY WITH A LITTLE HEINEKEN ZERO POINT ZERO. 495 00:15:34,367 --> 00:15:37,535 WHICH I ENJOY WITH A LITTLE HEINEKEN ZERO POINT ZERO. >> Jon: MM-MMM, MM-MMM. 496 00:15:37,537 --> 00:15:40,471 HEINEKEN ZERO POINT ZERO. >> Jon: MM-MMM, MM-MMM. ( CHEERS AND APPLAUSE ) 497 00:15:40,473 --> 00:15:43,541 >> Jon: MM-MMM, MM-MMM. ( CHEERS AND APPLAUSE ) PRINCIPLES. 498 00:15:43,543 --> 00:15:48,479 ( CHEERS AND APPLAUSE ) PRINCIPLES. MM-MMM! 499 00:15:48,481 --> 00:15:51,115 PRINCIPLES. MM-MMM! ( LAUGHTER ) 500 00:15:51,117 --> 00:15:52,483 MM-MMM! ( LAUGHTER ) (GAGGING) 501 00:15:52,485 --> 00:15:55,520 ( LAUGHTER ) (GAGGING) AGUA. 502 00:15:55,522 --> 00:15:57,956 (GAGGING) AGUA. WE'VE GOT A GREAT SHOW FOR YOU 503 00:15:57,958 --> 00:15:58,423 AGUA. WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. 504 00:15:58,425 --> 00:15:58,990 WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. MY GUEST IS NATHAN LANE, BUT 505 00:15:58,992 --> 00:16:00,325 TONIGHT. MY GUEST IS NATHAN LANE, BUT WHEN WE COME BACK, MEANWHILE 506 00:16:00,327 --> 00:16:00,658 MY GUEST IS NATHAN LANE, BUT WHEN WE COME BACK, MEANWHILE STICK AROUND. 507 00:16:00,660 --> 00:16:01,159 WHEN WE COME BACK, MEANWHILE STICK AROUND. ( CHEERS AND APPLAUSE ) 508 00:16:01,161 --> 00:16:01,326 STICK AROUND. ( CHEERS AND APPLAUSE ) ♪ 509 00:16:01,328 --> 00:16:01,526 ( CHEERS AND APPLAUSE ) ♪ MBZ. 510 00:16:01,528 --> 00:16:04,429 ♪ MBZ. ♪ 511 00:16:25,551 --> 00:16:31,222 ♪♪♪ >> Stephen: HEY, EVERYBODY! WELCOME BACK! 512 00:16:31,224 --> 00:16:34,625 >> Stephen: HEY, EVERYBODY! WELCOME BACK! GIVE IT UP FOR JON BATISTE AND 513 00:16:34,627 --> 00:16:41,499 WELCOME BACK! GIVE IT UP FOR JON BATISTE AND "STAY HUMAN"! 514 00:16:41,501 --> 00:16:43,601 GIVE IT UP FOR JON BATISTE AND "STAY HUMAN"! ( CHEERS AND APPLAUSE ) 515 00:16:43,603 --> 00:16:45,503 "STAY HUMAN"! ( CHEERS AND APPLAUSE ) >> Jon: YES! 516 00:16:45,505 --> 00:16:50,742 ( CHEERS AND APPLAUSE ) >> Jon: YES! >> Stephen: HOW'S EVERYBODY? 517 00:16:50,744 --> 00:16:51,342 >> Jon: YES! >> Stephen: HOW'S EVERYBODY? HOW'S EVERYBODY? 518 00:16:51,344 --> 00:16:53,378 >> Stephen: HOW'S EVERYBODY? HOW'S EVERYBODY? I SEE YOU GUYS EVERY DAY. 519 00:16:53,380 --> 00:16:55,146 HOW'S EVERYBODY? I SEE YOU GUYS EVERY DAY. WE DON'T GET TO TALK MUCH. 520 00:16:55,148 --> 00:16:56,214 I SEE YOU GUYS EVERY DAY. WE DON'T GET TO TALK MUCH. HOW'S EVERYBODY IN THE BAND 521 00:16:56,216 --> 00:16:58,383 WE DON'T GET TO TALK MUCH. HOW'S EVERYBODY IN THE BAND FEELING ABOUT THE FIRST WEEK 522 00:16:58,385 --> 00:16:58,649 HOW'S EVERYBODY IN THE BAND FEELING ABOUT THE FIRST WEEK BACK? 523 00:16:58,651 --> 00:16:58,916 FEELING ABOUT THE FIRST WEEK BACK? >> GREAT. 524 00:16:58,918 --> 00:17:00,618 BACK? >> GREAT. >> Stephen: IT'S LIKE LIFE 525 00:17:00,620 --> 00:17:01,486 >> GREAT. >> Stephen: IT'S LIKE LIFE ITSELF, ISN'T IT? 526 00:17:01,488 --> 00:17:01,886 >> Stephen: IT'S LIKE LIFE ITSELF, ISN'T IT? >> IT REALLY IS. 527 00:17:01,888 --> 00:17:03,388 ITSELF, ISN'T IT? >> IT REALLY IS. >> Stephen: COULDN'T DO 528 00:17:03,390 --> 00:17:03,921 >> IT REALLY IS. >> Stephen: COULDN'T DO WITHOUT YOU GUYS. 529 00:17:03,923 --> 00:17:05,923 >> Stephen: COULDN'T DO WITHOUT YOU GUYS. YOU'RE THE ONLY REASON WHY WE'RE 530 00:17:05,925 --> 00:17:08,760 WITHOUT YOU GUYS. YOU'RE THE ONLY REASON WHY WE'RE HERE. 531 00:17:08,762 --> 00:17:09,260 YOU'RE THE ONLY REASON WHY WE'RE HERE. ( CHEERS AND APPLAUSE ) 532 00:17:09,262 --> 00:17:11,295 HERE. ( CHEERS AND APPLAUSE ) >> Jon: PEOPLE REALLY MAKE IT 533 00:17:11,297 --> 00:17:11,529 ( CHEERS AND APPLAUSE ) >> Jon: PEOPLE REALLY MAKE IT HAPPEN. 534 00:17:11,531 --> 00:17:12,964 >> Jon: PEOPLE REALLY MAKE IT HAPPEN. >> Stephen: SO SHOULD PROBABLY 535 00:17:12,966 --> 00:17:13,498 HAPPEN. >> Stephen: SO SHOULD PROBABLY KEEP DOING IT. 536 00:17:13,500 --> 00:17:16,634 >> Stephen: SO SHOULD PROBABLY KEEP DOING IT. >> Jon: YEAH, THAT'S IT. 537 00:17:16,636 --> 00:17:19,704 KEEP DOING IT. >> Jon: YEAH, THAT'S IT. LET'S GET IT 538 00:17:19,706 --> 00:17:20,371 >> Jon: YEAH, THAT'S IT. LET'S GET IT >> STEPHEN: Y'KNOW, I SPEND A 539 00:17:20,373 --> 00:17:21,239 LET'S GET IT >> STEPHEN: Y'KNOW, I SPEND A LOT OF TIME HARVESTING THE DAY'S 540 00:17:21,241 --> 00:17:21,806 >> STEPHEN: Y'KNOW, I SPEND A LOT OF TIME HARVESTING THE DAY'S MOST TOPICAL MATCHA POWDER, 541 00:17:21,808 --> 00:17:22,640 LOT OF TIME HARVESTING THE DAY'S MOST TOPICAL MATCHA POWDER, CAREFULLY POLISHING THE NEWSIEST 542 00:17:22,642 --> 00:17:24,509 MOST TOPICAL MATCHA POWDER, CAREFULLY POLISHING THE NEWSIEST CHAWAN TEA BOWL WITH A HEMP 543 00:17:24,511 --> 00:17:25,309 CAREFULLY POLISHING THE NEWSIEST CHAWAN TEA BOWL WITH A HEMP CLOTH, THEN ADDING THE PUREST 544 00:17:25,311 --> 00:17:25,943 CHAWAN TEA BOWL WITH A HEMP CLOTH, THEN ADDING THE PUREST BOILED WATER COLLECTED FROM THE 545 00:17:25,945 --> 00:17:28,646 CLOTH, THEN ADDING THE PUREST BOILED WATER COLLECTED FROM THE RIVER OF STORIES, TO STAGE THE 546 00:17:28,648 --> 00:17:29,480 BOILED WATER COLLECTED FROM THE RIVER OF STORIES, TO STAGE THE ELEGANT JAPANESE TEA CEREMONY 547 00:17:29,482 --> 00:17:32,784 RIVER OF STORIES, TO STAGE THE ELEGANT JAPANESE TEA CEREMONY THAT IS MY MONOLOGUE. 548 00:17:32,786 --> 00:17:33,484 ELEGANT JAPANESE TEA CEREMONY THAT IS MY MONOLOGUE. BUT SOMETIMES, I CONVINCE A 549 00:17:33,486 --> 00:17:34,619 THAT IS MY MONOLOGUE. BUT SOMETIMES, I CONVINCE A TRUCK DRIVER TO GIVE ME A RIDE 550 00:17:34,621 --> 00:17:37,488 BUT SOMETIMES, I CONVINCE A TRUCK DRIVER TO GIVE ME A RIDE IN EXCHANGE FOR AN UNREGISTERED 551 00:17:37,490 --> 00:17:39,924 TRUCK DRIVER TO GIVE ME A RIDE IN EXCHANGE FOR AN UNREGISTERED GUN AND A HALF-EATEN CAN OF 552 00:17:39,926 --> 00:17:40,625 IN EXCHANGE FOR AN UNREGISTERED GUN AND A HALF-EATEN CAN OF BEANS, HITCHHIKE TO THE SONORA 553 00:17:40,627 --> 00:17:41,492 GUN AND A HALF-EATEN CAN OF BEANS, HITCHHIKE TO THE SONORA DESERT WITH NOTHING BUT AN OLD 554 00:17:41,494 --> 00:17:43,327 BEANS, HITCHHIKE TO THE SONORA DESERT WITH NOTHING BUT AN OLD POT THAT I FILL WITH THE 555 00:17:43,329 --> 00:17:44,495 DESERT WITH NOTHING BUT AN OLD POT THAT I FILL WITH THE NEWSPAPER I'VE BEEN USING FOR A 556 00:17:44,497 --> 00:17:45,496 POT THAT I FILL WITH THE NEWSPAPER I'VE BEEN USING FOR A BLANKET, AND THE SALVAGED 557 00:17:45,498 --> 00:17:50,535 NEWSPAPER I'VE BEEN USING FOR A BLANKET, AND THE SALVAGED TOBACCO FROM SIDEWALK CIGARETTE 558 00:17:50,537 --> 00:17:51,169 BLANKET, AND THE SALVAGED TOBACCO FROM SIDEWALK CIGARETTE BUTT, TO BREW FOR YOU, THE 559 00:17:51,171 --> 00:17:51,803 TOBACCO FROM SIDEWALK CIGARETTE BUTT, TO BREW FOR YOU, THE NIGHTMARE HALLUCINATION-INDUCING 560 00:17:51,805 --> 00:17:52,603 BUTT, TO BREW FOR YOU, THE NIGHTMARE HALLUCINATION-INDUCING FERMENTED AYAHUASCA SLURRY OF 561 00:17:52,605 --> 00:17:53,504 NIGHTMARE HALLUCINATION-INDUCING FERMENTED AYAHUASCA SLURRY OF NEWS THAT IS MY SEGMENT: 562 00:17:53,506 --> 00:17:57,508 FERMENTED AYAHUASCA SLURRY OF NEWS THAT IS MY SEGMENT: (ECHOING) 563 00:17:57,510 --> 00:18:01,512 NEWS THAT IS MY SEGMENT: (ECHOING) >> MEANWHILE! 564 00:18:01,514 --> 00:18:02,013 (ECHOING) >> MEANWHILE! ( CHEERS AND APPLAUSE ) 565 00:18:02,015 --> 00:18:04,348 >> MEANWHILE! ( CHEERS AND APPLAUSE ) >> Stephen: MEAN WHILE, AGING 566 00:18:04,350 --> 00:18:06,918 ( CHEERS AND APPLAUSE ) >> Stephen: MEAN WHILE, AGING IS LIKE A FINE WINE, OR A RIPE 567 00:18:06,920 --> 00:18:09,487 >> Stephen: MEAN WHILE, AGING IS LIKE A FINE WINE, OR A RIPE CHEESE. 568 00:18:09,489 --> 00:18:13,491 IS LIKE A FINE WINE, OR A RIPE CHEESE. ( CHEERS AND APPLAUSE ) 569 00:18:13,493 --> 00:18:16,527 CHEESE. ( CHEERS AND APPLAUSE ) >> STEPHEN: MEANWHILE, RAPPER 570 00:18:16,529 --> 00:18:17,128 ( CHEERS AND APPLAUSE ) >> STEPHEN: MEANWHILE, RAPPER POST MALONE HAS UNVEILED A NEW 571 00:18:17,130 --> 00:18:17,695 >> STEPHEN: MEANWHILE, RAPPER POST MALONE HAS UNVEILED A NEW SMILE, COMPLETE WITH DIAMOND 572 00:18:17,697 --> 00:18:20,098 POST MALONE HAS UNVEILED A NEW SMILE, COMPLETE WITH DIAMOND FANGS. 573 00:18:20,100 --> 00:18:20,665 SMILE, COMPLETE WITH DIAMOND FANGS. SOUNDS COOL, BUT HE'S GOTTA 574 00:18:20,667 --> 00:18:21,499 FANGS. SOUNDS COOL, BUT HE'S GOTTA REMEMBER TO GET HIS ANNUAL 575 00:18:21,501 --> 00:18:24,135 SOUNDS COOL, BUT HE'S GOTTA REMEMBER TO GET HIS ANNUAL CLEANING AT ZALES. 576 00:18:24,137 --> 00:18:24,936 REMEMBER TO GET HIS ANNUAL CLEANING AT ZALES. ( LAUGHTER ) 577 00:18:24,938 --> 00:18:25,503 CLEANING AT ZALES. ( LAUGHTER ) THE NEW CHOMPERS CAME WITH A 578 00:18:25,505 --> 00:18:28,639 ( LAUGHTER ) THE NEW CHOMPERS CAME WITH A PRICE TAG OF $1.6 MILLION. 579 00:18:28,641 --> 00:18:32,343 THE NEW CHOMPERS CAME WITH A PRICE TAG OF $1.6 MILLION. AND IF YOU'RE SHOCKED BY THAT, 580 00:18:32,345 --> 00:18:33,511 PRICE TAG OF $1.6 MILLION. AND IF YOU'RE SHOCKED BY THAT, LEMME ASK: WAS IT THE 'OVER' EYE 581 00:18:33,513 --> 00:18:35,680 AND IF YOU'RE SHOCKED BY THAT, LEMME ASK: WAS IT THE 'OVER' EYE TATTOOS, OR THE 'UNDER' EYE 582 00:18:35,682 --> 00:18:36,314 LEMME ASK: WAS IT THE 'OVER' EYE TATTOOS, OR THE 'UNDER' EYE TATTOOS THAT CONVINCED YOU THIS 583 00:18:36,316 --> 00:18:37,482 TATTOOS, OR THE 'UNDER' EYE TATTOOS THAT CONVINCED YOU THIS IS A MAN WHO MAKES RESPONSIBLE 584 00:18:37,484 --> 00:18:40,618 TATTOOS THAT CONVINCED YOU THIS IS A MAN WHO MAKES RESPONSIBLE CHOICES? 585 00:18:40,620 --> 00:18:44,622 IS A MAN WHO MAKES RESPONSIBLE CHOICES? ( LAUGHTER ) 586 00:18:44,624 --> 00:18:45,490 CHOICES? ( LAUGHTER ) MEANWHILE, VIDEO IS GOING VIRAL 587 00:18:45,492 --> 00:18:46,290 ( LAUGHTER ) MEANWHILE, VIDEO IS GOING VIRAL OF THIS GLIDER PILOT WHO TOOK A 588 00:18:46,292 --> 00:18:46,858 MEANWHILE, VIDEO IS GOING VIRAL OF THIS GLIDER PILOT WHO TOOK A SELFIE WHILE FLYING AROUND A 589 00:18:46,860 --> 00:18:49,494 OF THIS GLIDER PILOT WHO TOOK A SELFIE WHILE FLYING AROUND A TORNADO. 590 00:18:49,496 --> 00:18:51,829 SELFIE WHILE FLYING AROUND A TORNADO. A GREAT LESSON FOR ALL YOU 591 00:18:51,831 --> 00:18:52,630 TORNADO. A GREAT LESSON FOR ALL YOU ASPIRING PILOTS: IF YOU SEE A 592 00:18:52,632 --> 00:18:53,531 A GREAT LESSON FOR ALL YOU ASPIRING PILOTS: IF YOU SEE A SWIRLING FUNNEL OF DEATH, BE 593 00:18:53,533 --> 00:18:55,633 ASPIRING PILOTS: IF YOU SEE A SWIRLING FUNNEL OF DEATH, BE SURE TO GET AS CLOSE AS POSSIBLE 594 00:18:55,635 --> 00:18:56,167 SWIRLING FUNNEL OF DEATH, BE SURE TO GET AS CLOSE AS POSSIBLE FOR A SELFIE WHILE FLYING 595 00:18:56,169 --> 00:18:57,502 SURE TO GET AS CLOSE AS POSSIBLE FOR A SELFIE WHILE FLYING ONE-HANDED IN YOUR TINY, WINGED 596 00:18:57,504 --> 00:19:01,172 FOR A SELFIE WHILE FLYING ONE-HANDED IN YOUR TINY, WINGED COFFIN. 597 00:19:01,174 --> 00:19:01,506 ONE-HANDED IN YOUR TINY, WINGED COFFIN. ( LAUGHTER ) 598 00:19:01,508 --> 00:19:06,277 COFFIN. ( LAUGHTER ) ( CHEERS AND APPLAUSE ) 599 00:19:06,279 --> 00:19:08,946 ( LAUGHTER ) ( CHEERS AND APPLAUSE ) THAT'S KIND OF COOL. 600 00:19:08,948 --> 00:19:09,480 ( CHEERS AND APPLAUSE ) THAT'S KIND OF COOL. KIND OF COOL. 601 00:19:09,482 --> 00:19:10,648 THAT'S KIND OF COOL. KIND OF COOL. MEANWHILE, SOME TROUBLE IN 602 00:19:10,650 --> 00:19:12,517 KIND OF COOL. MEANWHILE, SOME TROUBLE IN FRANCE WHERE IKEA HAS BEEN FINED 603 00:19:12,519 --> 00:19:13,484 MEANWHILE, SOME TROUBLE IN FRANCE WHERE IKEA HAS BEEN FINED 1.1 MILLION EUROS FOR SPYING ON 604 00:19:13,486 --> 00:19:16,621 FRANCE WHERE IKEA HAS BEEN FINED 1.1 MILLION EUROS FOR SPYING ON ITS STAFF. 605 00:19:16,623 --> 00:19:17,488 1.1 MILLION EUROS FOR SPYING ON ITS STAFF. THE STAFF REALIZED THE COMPANY 606 00:19:17,490 --> 00:19:19,657 ITS STAFF. THE STAFF REALIZED THE COMPANY WAS SPYING ON THEM WHEN THE 607 00:19:19,659 --> 00:19:20,258 THE STAFF REALIZED THE COMPANY WAS SPYING ON THEM WHEN THE STORES HAD THEM ASSEMBLING ITS 608 00:19:20,260 --> 00:19:21,492 WAS SPYING ON THEM WHEN THE STORES HAD THEM ASSEMBLING ITS NEWEST PRODUCT: THE 609 00:19:21,494 --> 00:19:25,496 STORES HAD THEM ASSEMBLING ITS NEWEST PRODUCT: THE PEEPERSLOOKEN. 610 00:19:25,498 --> 00:19:29,934 NEWEST PRODUCT: THE PEEPERSLOOKEN. ( LAUGHTER ) 611 00:19:29,936 --> 00:19:34,639 PEEPERSLOOKEN. ( LAUGHTER ) EVERYBODY LOVES THAT. 612 00:19:34,641 --> 00:19:37,508 ( LAUGHTER ) EVERYBODY LOVES THAT. MEANWHILE, SALMA HAYEK'S OWL 613 00:19:37,510 --> 00:19:38,743 EVERYBODY LOVES THAT. MEANWHILE, SALMA HAYEK'S OWL COUGHED A RAT HAIRBALL ON HARRY 614 00:19:38,745 --> 00:19:40,645 MEANWHILE, SALMA HAYEK'S OWL COUGHED A RAT HAIRBALL ON HARRY STYLES. 615 00:19:40,647 --> 00:19:45,483 COUGHED A RAT HAIRBALL ON HARRY STYLES. OWL WELL, WE ALL SAW 'THAT' 616 00:19:45,485 --> 00:19:49,020 STYLES. OWL WELL, WE ALL SAW 'THAT' COMING. 617 00:19:49,022 --> 00:19:49,587 OWL WELL, WE ALL SAW 'THAT' COMING. MEANWHILE, THE WORLD'S FIRST 618 00:19:49,589 --> 00:19:51,389 COMING. MEANWHILE, THE WORLD'S FIRST WOODEN SATELLITE WILL LAUNCH 619 00:19:51,391 --> 00:19:51,756 MEANWHILE, THE WORLD'S FIRST WOODEN SATELLITE WILL LAUNCH THIS YEAR. 620 00:19:51,758 --> 00:19:52,623 WOODEN SATELLITE WILL LAUNCH THIS YEAR. IT WILL BE THE FIRST SATELLITE 621 00:19:52,625 --> 00:19:55,960 THIS YEAR. IT WILL BE THE FIRST SATELLITE TO BURN UP ON EXIT. 622 00:19:55,962 --> 00:19:56,260 IT WILL BE THE FIRST SATELLITE TO BURN UP ON EXIT. ( LAUGHTER ) 623 00:19:56,262 --> 00:19:57,628 TO BURN UP ON EXIT. ( LAUGHTER ) THEY'RE LAUNCHING IT IN ORDER TO 624 00:19:57,630 --> 00:19:59,931 ( LAUGHTER ) THEY'RE LAUNCHING IT IN ORDER TO TEST THE DURABILITY OF PLYWOOD 625 00:19:59,933 --> 00:20:01,499 THEY'RE LAUNCHING IT IN ORDER TO TEST THE DURABILITY OF PLYWOOD PANELS IN THE EXTREME CONDITIONS 626 00:20:01,501 --> 00:20:04,635 TEST THE DURABILITY OF PLYWOOD PANELS IN THE EXTREME CONDITIONS OF SPACE. 627 00:20:04,637 --> 00:20:06,470 PANELS IN THE EXTREME CONDITIONS OF SPACE. AS THE ONE-TIME OWNER OF SEVERAL 628 00:20:06,472 --> 00:20:07,805 OF SPACE. AS THE ONE-TIME OWNER OF SEVERAL IKEA ITEMS, I CAN TELL YOU THAT 629 00:20:07,807 --> 00:20:09,106 AS THE ONE-TIME OWNER OF SEVERAL IKEA ITEMS, I CAN TELL YOU THAT PLYWOOD PANELS CAN'T EVEN HANDLE 630 00:20:09,108 --> 00:20:09,640 IKEA ITEMS, I CAN TELL YOU THAT PLYWOOD PANELS CAN'T EVEN HANDLE THE EXTREME CONDITIONS OF 631 00:20:09,642 --> 00:20:13,477 PLYWOOD PANELS CAN'T EVEN HANDLE THE EXTREME CONDITIONS OF APARTMENT. 632 00:20:13,479 --> 00:20:21,485 THE EXTREME CONDITIONS OF APARTMENT. ( LAUGHTER ) 633 00:20:21,487 --> 00:20:25,489 APARTMENT. ( LAUGHTER ) ( APPLAUSE ) 634 00:20:25,491 --> 00:20:27,058 ( LAUGHTER ) ( APPLAUSE ) MEANWHILE, SCARY NEWS FOR 635 00:20:27,060 --> 00:20:28,292 ( APPLAUSE ) MEANWHILE, SCARY NEWS FOR PELOTON USERS: A NEW CYBER 636 00:20:28,294 --> 00:20:28,893 MEANWHILE, SCARY NEWS FOR PELOTON USERS: A NEW CYBER SECURITY THREAT ANALYSIS FOUND 637 00:20:28,895 --> 00:20:31,295 PELOTON USERS: A NEW CYBER SECURITY THREAT ANALYSIS FOUND THAT SOME PELOTON MACHINES HAVE 638 00:20:31,297 --> 00:20:33,331 SECURITY THREAT ANALYSIS FOUND THAT SOME PELOTON MACHINES HAVE A DANGEROUS FLAW THAT COULD 639 00:20:33,333 --> 00:20:33,965 THAT SOME PELOTON MACHINES HAVE A DANGEROUS FLAW THAT COULD ENABLE HACKERS TO INVISIBLY AND 640 00:20:33,967 --> 00:20:37,501 A DANGEROUS FLAW THAT COULD ENABLE HACKERS TO INVISIBLY AND REMOTELY GAIN CONTROL OF BIKES. 641 00:20:37,503 --> 00:20:40,638 ENABLE HACKERS TO INVISIBLY AND REMOTELY GAIN CONTROL OF BIKES. THIS COULD BE BAD. 642 00:20:40,640 --> 00:20:43,407 REMOTELY GAIN CONTROL OF BIKES. THIS COULD BE BAD. (AS PELOTON INSTRUCTOR) 643 00:20:43,409 --> 00:20:44,275 THIS COULD BE BAD. (AS PELOTON INSTRUCTOR) ALL RIGHT, YOU GUYS LET'S TAKE 644 00:20:44,277 --> 00:20:44,842 (AS PELOTON INSTRUCTOR) ALL RIGHT, YOU GUYS LET'S TAKE THE RESISTANCE UP TO 35. 645 00:20:44,844 --> 00:20:45,509 ALL RIGHT, YOU GUYS LET'S TAKE THE RESISTANCE UP TO 35. AND, JUST FOR KICKS, EVERYONE 646 00:20:45,511 --> 00:20:46,544 THE RESISTANCE UP TO 35. AND, JUST FOR KICKS, EVERYONE SHOUT THEIR SOCIAL SECURITY 647 00:20:46,546 --> 00:20:46,777 AND, JUST FOR KICKS, EVERYONE SHOUT THEIR SOCIAL SECURITY NUMBER. 648 00:20:46,779 --> 00:20:49,146 SHOUT THEIR SOCIAL SECURITY NUMBER. MARLENE P, YOU'RE LAGGING, 649 00:20:49,148 --> 00:20:49,780 NUMBER. MARLENE P, YOU'RE LAGGING, BETTER GIVE ME YOUR ACCOUNT AND 650 00:20:49,782 --> 00:20:50,681 MARLENE P, YOU'RE LAGGING, BETTER GIVE ME YOUR ACCOUNT AND ROUTING NUMBERS TOO. 651 00:20:50,683 --> 00:20:52,650 BETTER GIVE ME YOUR ACCOUNT AND ROUTING NUMBERS TOO. WOOHOOO! 652 00:20:52,652 --> 00:20:57,188 ROUTING NUMBERS TOO. WOOHOOO! DO IT FOR YOU! 653 00:20:57,190 --> 00:20:57,688 WOOHOOO! DO IT FOR YOU! ( CHEERS AND APPLAUSE ) 654 00:20:57,690 --> 00:20:59,323 DO IT FOR YOU! ( CHEERS AND APPLAUSE ) I LOVE IT! 655 00:20:59,325 --> 00:21:04,161 ( CHEERS AND APPLAUSE ) I LOVE IT! CRANK IT UP! 656 00:21:04,163 --> 00:21:04,762 I LOVE IT! CRANK IT UP! THE BIGGEST CONCERN WITH THIS 657 00:21:04,764 --> 00:21:05,496 CRANK IT UP! THE BIGGEST CONCERN WITH THIS HACK IS THAT CRIMINALS COULD SPY 658 00:21:05,498 --> 00:21:06,797 THE BIGGEST CONCERN WITH THIS HACK IS THAT CRIMINALS COULD SPY ON USERS THROUGH THE BIKE'S 659 00:21:06,799 --> 00:21:08,165 HACK IS THAT CRIMINALS COULD SPY ON USERS THROUGH THE BIKE'S CAMERA AND MICROPHONE. 660 00:21:08,167 --> 00:21:09,500 ON USERS THROUGH THE BIKE'S CAMERA AND MICROPHONE. WELL, I'VE DEVELOPED A 661 00:21:09,502 --> 00:21:10,635 CAMERA AND MICROPHONE. WELL, I'VE DEVELOPED A FOOL-PROOF PLAN TO STOP THIS 662 00:21:10,637 --> 00:21:13,504 WELL, I'VE DEVELOPED A FOOL-PROOF PLAN TO STOP THIS FROM HAPPENING TO ME: USING MY 663 00:21:13,506 --> 00:21:20,511 FOOL-PROOF PLAN TO STOP THIS FROM HAPPENING TO ME: USING MY PELOTON ONLY TO HANG MY PANTS. 664 00:21:20,513 --> 00:21:21,512 FROM HAPPENING TO ME: USING MY PELOTON ONLY TO HANG MY PANTS. ( CHEERS AND APPLAUSE ) 665 00:21:21,514 --> 00:21:22,647 PELOTON ONLY TO HANG MY PANTS. ( CHEERS AND APPLAUSE ) MEANWHILE, TO MARK 4OO YEARS 666 00:21:22,649 --> 00:21:25,449 ( CHEERS AND APPLAUSE ) MEANWHILE, TO MARK 4OO YEARS SINCE THE ORIGINAL CROSSING 667 00:21:25,451 --> 00:21:28,619 MEANWHILE, TO MARK 4OO YEARS SINCE THE ORIGINAL CROSSING A ROBOTIC SHIP HAS SET OFF TO 668 00:21:28,621 --> 00:21:32,923 SINCE THE ORIGINAL CROSSING A ROBOTIC SHIP HAS SET OFF TO RETRACE THE MAYFLOWER'S JOURNEY. 669 00:21:32,925 --> 00:21:33,557 A ROBOTIC SHIP HAS SET OFF TO RETRACE THE MAYFLOWER'S JOURNEY. SAID NATIVE AMERICANS: OH, GOOD. 670 00:21:33,559 --> 00:21:34,191 RETRACE THE MAYFLOWER'S JOURNEY. SAID NATIVE AMERICANS: OH, GOOD. WE'RE DOING THIS AGAIN, BUT WITH 671 00:21:34,193 --> 00:21:38,229 SAID NATIVE AMERICANS: OH, GOOD. WE'RE DOING THIS AGAIN, BUT WITH WIFI. 672 00:21:38,231 --> 00:21:38,529 WE'RE DOING THIS AGAIN, BUT WITH WIFI. ( LAUGHTER ) 673 00:21:38,531 --> 00:21:40,464 WIFI. ( LAUGHTER ) MEANWHILE, OLYMPIC TRIALS ARE 674 00:21:40,466 --> 00:21:41,065 ( LAUGHTER ) MEANWHILE, OLYMPIC TRIALS ARE TAKING PLACE RIGHT NOW FOR THE 675 00:21:41,067 --> 00:21:42,099 MEANWHILE, OLYMPIC TRIALS ARE TAKING PLACE RIGHT NOW FOR THE US NATIONAL SWIM TEAM, AND 676 00:21:42,101 --> 00:21:45,503 TAKING PLACE RIGHT NOW FOR THE US NATIONAL SWIM TEAM, AND SWIMMER SIERRA SCHMIDT HAS GONE 677 00:21:45,505 --> 00:21:49,040 US NATIONAL SWIM TEAM, AND SWIMMER SIERRA SCHMIDT HAS GONE VIRAL FOR HER SUPER 678 00:21:49,042 --> 00:21:49,573 SWIMMER SIERRA SCHMIDT HAS GONE VIRAL FOR HER SUPER ENTHUSIASTIC AND ELABORATE 679 00:21:49,575 --> 00:21:52,643 VIRAL FOR HER SUPER ENTHUSIASTIC AND ELABORATE PRERACE WARMUP ROUTINE TO 680 00:21:52,645 --> 00:21:54,845 ENTHUSIASTIC AND ELABORATE PRERACE WARMUP ROUTINE TO WHATEVER IS IN HER HEADPHONES. 681 00:21:54,847 --> 00:21:57,481 PRERACE WARMUP ROUTINE TO WHATEVER IS IN HER HEADPHONES. GO GIRL! 682 00:21:57,483 --> 00:21:58,115 WHATEVER IS IN HER HEADPHONES. GO GIRL! WARM UP LIKE NOBODY'S WATCHING! 683 00:21:58,117 --> 00:21:58,416 GO GIRL! WARM UP LIKE NOBODY'S WATCHING! ( LAUGHTER ) 684 00:21:58,418 --> 00:22:00,284 WARM UP LIKE NOBODY'S WATCHING! ( LAUGHTER ) WARMUPS GENERALLY INVOLVE THE 685 00:22:00,286 --> 00:22:00,885 ( LAUGHTER ) WARMUPS GENERALLY INVOLVE THE SAME MOVEMENTS THE SPORT USES. 686 00:22:00,887 --> 00:22:01,519 WARMUPS GENERALLY INVOLVE THE SAME MOVEMENTS THE SPORT USES. SO I REALLY HOPE THAT'S NOT HOW 687 00:22:01,521 --> 00:22:04,221 SAME MOVEMENTS THE SPORT USES. SO I REALLY HOPE THAT'S NOT HOW SHE ACTUALLY SWIMS. 688 00:22:04,223 --> 00:22:04,522 SO I REALLY HOPE THAT'S NOT HOW SHE ACTUALLY SWIMS. ( LAUGHTER ) 689 00:22:04,524 --> 00:22:05,423 SHE ACTUALLY SWIMS. ( LAUGHTER ) (AS SPORTS COMMENTATOR) 690 00:22:05,425 --> 00:22:06,057 ( LAUGHTER ) (AS SPORTS COMMENTATOR) WELL, CHIP, SHE MAY HAVE COME IN 691 00:22:06,059 --> 00:22:07,525 (AS SPORTS COMMENTATOR) WELL, CHIP, SHE MAY HAVE COME IN LAST BUT YOU GOTTA ADMIT, THAT 692 00:22:07,527 --> 00:22:09,493 WELL, CHIP, SHE MAY HAVE COME IN LAST BUT YOU GOTTA ADMIT, THAT WAS THE JAZZIEST DROWNING IN 693 00:22:09,495 --> 00:22:16,634 LAST BUT YOU GOTTA ADMIT, THAT WAS THE JAZZIEST DROWNING IN OLYMPIC HISTORY. 694 00:22:16,636 --> 00:22:17,301 WAS THE JAZZIEST DROWNING IN OLYMPIC HISTORY. ( CHEERS AND APPLAUSE ) 695 00:22:17,303 --> 00:22:18,969 OLYMPIC HISTORY. ( CHEERS AND APPLAUSE ) >> Stephen: I LOVE IT. 696 00:22:18,971 --> 00:22:20,905 ( CHEERS AND APPLAUSE ) >> Stephen: I LOVE IT. I LOVE IT. 697 00:22:20,907 --> 00:22:21,505 >> Stephen: I LOVE IT. I LOVE IT. MEANWHILE, THERE'S A NEW 698 00:22:21,507 --> 00:22:22,640 I LOVE IT. MEANWHILE, THERE'S A NEW VIRAL TIKTOK HACK THAT HELPS YOU 699 00:22:22,642 --> 00:22:25,476 MEANWHILE, THERE'S A NEW VIRAL TIKTOK HACK THAT HELPS YOU EVENLY BUTTER YOUR MOVIE THEATER 700 00:22:25,478 --> 00:22:28,646 VIRAL TIKTOK HACK THAT HELPS YOU EVENLY BUTTER YOUR MOVIE THEATER POPCORN USING A STRAW. 701 00:22:28,648 --> 00:22:29,513 EVENLY BUTTER YOUR MOVIE THEATER POPCORN USING A STRAW. I'VE GOT AN EVEN BETTER HACK: IF 702 00:22:29,515 --> 00:22:32,350 POPCORN USING A STRAW. I'VE GOT AN EVEN BETTER HACK: IF YOU HAVE MELTED BUTTER AND A 703 00:22:32,352 --> 00:22:32,983 I'VE GOT AN EVEN BETTER HACK: IF YOU HAVE MELTED BUTTER AND A STRAW -- 704 00:22:32,985 --> 00:22:33,484 YOU HAVE MELTED BUTTER AND A STRAW -- (WHISPERS) 705 00:22:33,486 --> 00:22:36,887 STRAW -- (WHISPERS) YOU DON'T NEED THE POPCORN. 706 00:22:36,889 --> 00:22:37,521 (WHISPERS) YOU DON'T NEED THE POPCORN. WE'LL BE RIGHT BACK WITH NATHAN 707 00:22:37,523 --> 00:22:39,190 YOU DON'T NEED THE POPCORN. WE'LL BE RIGHT BACK WITH NATHAN LANE. 708 00:22:39,192 --> 00:22:39,290 WE'LL BE RIGHT BACK WITH NATHAN LANE. ( 709 00:22:47,966 --> 00:22:54,004 ( CHEERS AND APPLAUSE ) ♪♪♪ >> Stephen: HEY, EVERYBODY! 710 00:22:54,006 --> 00:22:55,573 ♪♪♪ >> Stephen: HEY, EVERYBODY! WELCOME BACK! 711 00:22:55,575 --> 00:23:04,915 >> Stephen: HEY, EVERYBODY! WELCOME BACK! ( CHEERS AND APPLAUSE ) 712 00:23:04,917 --> 00:23:05,416 WELCOME BACK! ( CHEERS AND APPLAUSE ) ABSOLUTELY LOVELY! 713 00:23:05,418 --> 00:23:09,720 ( CHEERS AND APPLAUSE ) ABSOLUTELY LOVELY! LADIES AND GENTLEMEN, MY GUEST 714 00:23:09,722 --> 00:23:10,020 ABSOLUTELY LOVELY! LADIES AND GENTLEMEN, MY GUEST TONIGHT -- 715 00:23:10,022 --> 00:23:10,354 LADIES AND GENTLEMEN, MY GUEST TONIGHT -- ( CHANTING ) 716 00:23:10,356 --> 00:23:12,022 TONIGHT -- ( CHANTING ) >> Stephen: THANK YOU. 717 00:23:12,024 --> 00:23:13,591 ( CHANTING ) >> Stephen: THANK YOU. PLEASE HAVE A SEAT. 718 00:23:13,593 --> 00:23:15,960 >> Stephen: THANK YOU. PLEASE HAVE A SEAT. LADIES AND GENTLEMEN, 719 00:23:15,962 --> 00:23:16,594 PLEASE HAVE A SEAT. LADIES AND GENTLEMEN, MY GUEST TONIGHT IS A THREE-TIME 720 00:23:16,596 --> 00:23:17,194 LADIES AND GENTLEMEN, MY GUEST TONIGHT IS A THREE-TIME TONY AWARD WINNER AND A LIVING 721 00:23:17,196 --> 00:23:17,762 MY GUEST TONIGHT IS A THREE-TIME TONY AWARD WINNER AND A LIVING LEGEND OF BROADWAY. 722 00:23:17,764 --> 00:23:18,396 TONY AWARD WINNER AND A LIVING LEGEND OF BROADWAY. PLEASE WELCOME BACK TO THE LATE 723 00:23:18,398 --> 00:23:19,997 LEGEND OF BROADWAY. PLEASE WELCOME BACK TO THE LATE SHOW, NATHAN LANE. 724 00:23:19,999 --> 00:23:22,366 PLEASE WELCOME BACK TO THE LATE SHOW, NATHAN LANE. ( CHEERS AND APPLAUSE ) 725 00:23:22,368 --> 00:23:38,549 SHOW, NATHAN LANE. ( CHEERS AND APPLAUSE ) ♪♪♪ 726 00:24:01,106 --> 00:24:09,880 ( CHEERS AND APPLAUSE ) >> PLEASE, D -- DON'T -- STOP! ( CHEERS AND APPLAUSE ) 727 00:24:09,882 --> 00:24:10,948 >> PLEASE, D -- DON'T -- STOP! ( CHEERS AND APPLAUSE ) >> Stephen: MAESTRO, IT'S 728 00:24:10,950 --> 00:24:12,616 ( CHEERS AND APPLAUSE ) >> Stephen: MAESTRO, IT'S LOVELY TO SEE YOU AGAIN. 729 00:24:12,618 --> 00:24:13,818 >> Stephen: MAESTRO, IT'S LOVELY TO SEE YOU AGAIN. >> IT'S LOVELY TO SEE YOU. 730 00:24:13,820 --> 00:24:15,119 LOVELY TO SEE YOU AGAIN. >> IT'S LOVELY TO SEE YOU. I HAVE TO SIT DOWN SLOWLY. 731 00:24:15,121 --> 00:24:16,587 >> IT'S LOVELY TO SEE YOU. I HAVE TO SIT DOWN SLOWLY. I HAVE A LITTLE PANDEMIC WEIGHT. 732 00:24:16,589 --> 00:24:18,289 I HAVE TO SIT DOWN SLOWLY. I HAVE A LITTLE PANDEMIC WEIGHT. OR I HAD TO STOP SAYING THAT. 733 00:24:18,291 --> 00:24:21,725 I HAVE A LITTLE PANDEMIC WEIGHT. OR I HAD TO STOP SAYING THAT. NOW I JUST TELL PEOPLE I'M DOING 734 00:24:21,727 --> 00:24:25,563 OR I HAD TO STOP SAYING THAT. NOW I JUST TELL PEOPLE I'M DOING THE CHRIS CHRISTIE STORY FOR 735 00:24:25,565 --> 00:24:26,363 NOW I JUST TELL PEOPLE I'M DOING THE CHRIS CHRISTIE STORY FOR LIFETIME. 736 00:24:26,365 --> 00:24:28,632 THE CHRIS CHRISTIE STORY FOR LIFETIME. AND THEY'RE ALL VERY IMPRESSED. 737 00:24:28,634 --> 00:24:30,801 LIFETIME. AND THEY'RE ALL VERY IMPRESSED. LOOK, LET'S JUST TALK YOU AND 738 00:24:30,803 --> 00:24:30,968 AND THEY'RE ALL VERY IMPRESSED. LOOK, LET'S JUST TALK YOU AND ME. 739 00:24:30,970 --> 00:24:34,171 LOOK, LET'S JUST TALK YOU AND ME. >> Stephen: SURE. 740 00:24:34,173 --> 00:24:35,806 ME. >> Stephen: SURE. I JUST WANT TO THANK YOU FOR 741 00:24:35,808 --> 00:24:37,575 >> Stephen: SURE. I JUST WANT TO THANK YOU FOR HAVING ME ON YOUR FIRST WEEK 742 00:24:37,577 --> 00:24:39,643 I JUST WANT TO THANK YOU FOR HAVING ME ON YOUR FIRST WEEK BACK. 743 00:24:39,645 --> 00:24:40,077 HAVING ME ON YOUR FIRST WEEK BACK. IT'S A GREAT HONOR. 744 00:24:40,079 --> 00:24:41,812 BACK. IT'S A GREAT HONOR. >> Stephen: IT'S AN HONOR FOR 745 00:24:41,814 --> 00:24:43,280 IT'S A GREAT HONOR. >> Stephen: IT'S AN HONOR FOR US TO HAVE ONE OF THE JEWELS IN 746 00:24:43,282 --> 00:24:46,917 >> Stephen: IT'S AN HONOR FOR US TO HAVE ONE OF THE JEWELS IN THE CROWN OF BROADWAY ON. 747 00:24:46,919 --> 00:24:48,953 US TO HAVE ONE OF THE JEWELS IN THE CROWN OF BROADWAY ON. >> I WAS SO TOUCHED THAT YOU 748 00:24:48,955 --> 00:24:49,386 THE CROWN OF BROADWAY ON. >> I WAS SO TOUCHED THAT YOU ASKED PERSONALLY. 749 00:24:49,388 --> 00:24:50,788 >> I WAS SO TOUCHED THAT YOU ASKED PERSONALLY. I DON'T KNOW IF GEORGE CLOONEY 750 00:24:50,790 --> 00:24:52,656 ASKED PERSONALLY. I DON'T KNOW IF GEORGE CLOONEY FELL OUT OR WHATEVER HAPPENED, 751 00:24:52,658 --> 00:24:55,559 I DON'T KNOW IF GEORGE CLOONEY FELL OUT OR WHATEVER HAPPENED, BUT I'M HERE AND I'M SO 752 00:24:55,561 --> 00:24:55,826 FELL OUT OR WHATEVER HAPPENED, BUT I'M HERE AND I'M SO DELIGHTED. 753 00:24:55,828 --> 00:24:57,127 BUT I'M HERE AND I'M SO DELIGHTED. AND IT'S SO NICE TO HAVE YOU 754 00:24:57,129 --> 00:24:59,597 DELIGHTED. AND IT'S SO NICE TO HAVE YOU BACK WHERE YOU BELONG. 755 00:24:59,599 --> 00:25:00,097 AND IT'S SO NICE TO HAVE YOU BACK WHERE YOU BELONG. ( CHEERS AND APPLAUSE ) 756 00:25:00,099 --> 00:25:02,366 BACK WHERE YOU BELONG. ( CHEERS AND APPLAUSE ) >> Stephen: OH, THANK YOU. 757 00:25:02,368 --> 00:25:04,869 ( CHEERS AND APPLAUSE ) >> Stephen: OH, THANK YOU. AND OUT OF THE -- OUT OF THAT 758 00:25:04,871 --> 00:25:09,473 >> Stephen: OH, THANK YOU. AND OUT OF THE -- OUT OF THAT SAD LITTLE PANELED REC ROOM, 759 00:25:09,475 --> 00:25:11,308 AND OUT OF THE -- OUT OF THAT SAD LITTLE PANELED REC ROOM, THAT GRIZZLY ADAMS SUBLET, IT 760 00:25:11,310 --> 00:25:18,048 SAD LITTLE PANELED REC ROOM, THAT GRIZZLY ADAMS SUBLET, IT LOOKED LIKE THE UNABOMBER'S COZY 761 00:25:18,050 --> 00:25:18,349 THAT GRIZZLY ADAMS SUBLET, IT LOOKED LIKE THE UNABOMBER'S COZY GETAWAY. 762 00:25:18,351 --> 00:25:18,716 LOOKED LIKE THE UNABOMBER'S COZY GETAWAY. ( LAUGHTER ) 763 00:25:18,718 --> 00:25:20,618 GETAWAY. ( LAUGHTER ) BUT YOU -- YOU KNOW, THE HIGH 764 00:25:20,620 --> 00:25:22,353 ( LAUGHTER ) BUT YOU -- YOU KNOW, THE HIGH LIGHT OF THAT, YOU, OF COURSE, 765 00:25:22,355 --> 00:25:24,421 BUT YOU -- YOU KNOW, THE HIGH LIGHT OF THAT, YOU, OF COURSE, WAS KEEPING THE COMEDY LIGHT IN 766 00:25:24,423 --> 00:25:27,625 LIGHT OF THAT, YOU, OF COURSE, WAS KEEPING THE COMEDY LIGHT IN THE WINDOW FOR ALL OF US AS 767 00:25:27,627 --> 00:25:31,562 WAS KEEPING THE COMEDY LIGHT IN THE WINDOW FOR ALL OF US AS DEMOCRACY GOES DOWN THE DRAIN. 768 00:25:31,564 --> 00:25:34,765 THE WINDOW FOR ALL OF US AS DEMOCRACY GOES DOWN THE DRAIN. BUT THE HIGH LIGHT, REALLY, WAS 769 00:25:34,767 --> 00:25:37,434 DEMOCRACY GOES DOWN THE DRAIN. BUT THE HIGH LIGHT, REALLY, WAS YOUR BEAUTIFUL, LOVELY, ADORABLE 770 00:25:37,436 --> 00:25:38,002 BUT THE HIGH LIGHT, REALLY, WAS YOUR BEAUTIFUL, LOVELY, ADORABLE WIFE EVIE. 771 00:25:38,004 --> 00:25:41,505 YOUR BEAUTIFUL, LOVELY, ADORABLE WIFE EVIE. >> Stephen: I COMPLETELY 772 00:25:41,507 --> 00:25:41,705 WIFE EVIE. >> Stephen: I COMPLETELY AGREE. 773 00:25:41,707 --> 00:25:42,339 >> Stephen: I COMPLETELY AGREE. I COMPLETELY AGREE. 774 00:25:42,341 --> 00:25:43,440 AGREE. I COMPLETELY AGREE. WHAT A DEAR. 775 00:25:43,442 --> 00:25:44,441 I COMPLETELY AGREE. WHAT A DEAR. >> TRAPPED IN THAT LITTLE ROOM, 776 00:25:44,443 --> 00:25:47,411 WHAT A DEAR. >> TRAPPED IN THAT LITTLE ROOM, IT WAS LIKE A HEART WARMING 777 00:25:47,413 --> 00:25:49,146 >> TRAPPED IN THAT LITTLE ROOM, IT WAS LIKE A HEART WARMING HOSTAGE VIDEO WHERE YOU KEPT 778 00:25:49,148 --> 00:25:50,047 IT WAS LIKE A HEART WARMING HOSTAGE VIDEO WHERE YOU KEPT TALKING AND TALKING AND YOU 779 00:25:50,049 --> 00:25:51,815 HOSTAGE VIDEO WHERE YOU KEPT TALKING AND TALKING AND YOU COULD HEAR HER LAUGHING IN THE 780 00:25:51,817 --> 00:25:52,316 TALKING AND TALKING AND YOU COULD HEAR HER LAUGHING IN THE BACKGROUND. 781 00:25:52,318 --> 00:25:53,817 COULD HEAR HER LAUGHING IN THE BACKGROUND. AND I SAID, THAT IS TRUE LOVE. 782 00:25:53,819 --> 00:25:56,086 BACKGROUND. AND I SAID, THAT IS TRUE LOVE. THAT IS TRUE LOVE, AND IT 783 00:25:56,088 --> 00:25:57,788 AND I SAID, THAT IS TRUE LOVE. THAT IS TRUE LOVE, AND IT REMINDS ME OF PEOPLE LIKE US 784 00:25:57,790 --> 00:25:59,690 THAT IS TRUE LOVE, AND IT REMINDS ME OF PEOPLE LIKE US NEED THE PERSON WHO GETS THE 785 00:25:59,692 --> 00:25:59,890 REMINDS ME OF PEOPLE LIKE US NEED THE PERSON WHO GETS THE JOKE. 786 00:25:59,892 --> 00:26:00,291 NEED THE PERSON WHO GETS THE JOKE. >> Stephen: SURE. 787 00:26:00,293 --> 00:26:02,359 JOKE. >> Stephen: SURE. I WAS REMINDED TO HAVE THE 788 00:26:02,361 --> 00:26:04,194 >> Stephen: SURE. I WAS REMINDED TO HAVE THE GREAT ANNE BANCROFT WHO SAID THE 789 00:26:04,196 --> 00:26:05,963 I WAS REMINDED TO HAVE THE GREAT ANNE BANCROFT WHO SAID THE BEST THING ABOUT MEL BROOKS 790 00:26:05,965 --> 00:26:08,032 GREAT ANNE BANCROFT WHO SAID THE BEST THING ABOUT MEL BROOKS WHICH WAS, YOU KNOW WE'RE LIKE 791 00:26:08,034 --> 00:26:10,367 BEST THING ABOUT MEL BROOKS WHICH WAS, YOU KNOW WE'RE LIKE ANY OTHER COUPLE, WE'VE HAD OUR 792 00:26:10,369 --> 00:26:12,069 WHICH WAS, YOU KNOW WE'RE LIKE ANY OTHER COUPLE, WE'VE HAD OUR UPS AND DOWNS, BUT EVERY TIME I 793 00:26:12,071 --> 00:26:14,338 ANY OTHER COUPLE, WE'VE HAD OUR UPS AND DOWNS, BUT EVERY TIME I HEAR THE KEY IN THE DOOR, I KNOW 794 00:26:14,340 --> 00:26:20,711 UPS AND DOWNS, BUT EVERY TIME I HEAR THE KEY IN THE DOOR, I KNOW THE PARTY'S ABOUT TO START. 795 00:26:20,713 --> 00:26:23,948 HEAR THE KEY IN THE DOOR, I KNOW THE PARTY'S ABOUT TO START. A LESSON FOR US ALL. 796 00:26:23,950 --> 00:26:25,049 THE PARTY'S ABOUT TO START. A LESSON FOR US ALL. ( APPLAUSE ) 797 00:26:25,051 --> 00:26:25,783 A LESSON FOR US ALL. ( APPLAUSE ) LET ME CONGRATULATE THE GREAT 798 00:26:25,785 --> 00:26:29,954 ( APPLAUSE ) LET ME CONGRATULATE THE GREAT JON BATISTE ON HIS OSCAR! 799 00:26:29,956 --> 00:26:30,454 LET ME CONGRATULATE THE GREAT JON BATISTE ON HIS OSCAR! ( CHEERS AND APPLAUSE ) 800 00:26:30,456 --> 00:26:32,323 JON BATISTE ON HIS OSCAR! ( CHEERS AND APPLAUSE ) >> Jon: YES! 801 00:26:32,325 --> 00:26:34,024 ( CHEERS AND APPLAUSE ) >> Jon: YES! THANK YOU, THANK YOU. 802 00:26:34,026 --> 00:26:35,826 >> Jon: YES! THANK YOU, THANK YOU. >> ONE OF MY FAVORITE MOVIES OF 803 00:26:35,828 --> 00:26:38,362 THANK YOU, THANK YOU. >> ONE OF MY FAVORITE MOVIES OF LAST YEAR, I WAS A LITTLE 804 00:26:38,364 --> 00:26:40,564 >> ONE OF MY FAVORITE MOVIES OF LAST YEAR, I WAS A LITTLE WRRIED FOR "SOUL" BECAUSE I 805 00:26:40,566 --> 00:26:42,366 LAST YEAR, I WAS A LITTLE WRRIED FOR "SOUL" BECAUSE I THOUGHT IT WAS PERHAPS A TAD MET 806 00:26:42,368 --> 00:26:46,236 WRRIED FOR "SOUL" BECAUSE I THOUGHT IT WAS PERHAPS A TAD MET PHYSICALLY FOR THE PIXAR HEAVY 807 00:26:46,238 --> 00:26:46,904 THOUGHT IT WAS PERHAPS A TAD MET PHYSICALLY FOR THE PIXAR HEAVY PRE-SCHOOL CROWD. 808 00:26:46,906 --> 00:26:49,306 PHYSICALLY FOR THE PIXAR HEAVY PRE-SCHOOL CROWD. BUT I THOUGHT, NO, THE TODDLERS 809 00:26:49,308 --> 00:26:51,375 PRE-SCHOOL CROWD. BUT I THOUGHT, NO, THE TODDLERS SHOULD LEARN EARLY THAT LIFE IS 810 00:26:51,377 --> 00:26:53,377 BUT I THOUGHT, NO, THE TODDLERS SHOULD LEARN EARLY THAT LIFE IS FRAGILE AND COULD ALL BE OVER IN 811 00:26:53,379 --> 00:26:54,345 SHOULD LEARN EARLY THAT LIFE IS FRAGILE AND COULD ALL BE OVER IN A PARTY BEAT! 812 00:26:54,347 --> 00:26:54,778 FRAGILE AND COULD ALL BE OVER IN A PARTY BEAT! ( LAUGHTER ) 813 00:26:54,780 --> 00:26:57,114 A PARTY BEAT! ( LAUGHTER ) BELIEVE ME, I KNOW FROM 814 00:26:57,116 --> 00:26:58,983 ( LAUGHTER ) BELIEVE ME, I KNOW FROM EXPERIENCE BECAUSE I MYSELF WAS 815 00:26:58,985 --> 00:27:00,718 BELIEVE ME, I KNOW FROM EXPERIENCE BECAUSE I MYSELF WAS DECLARED LEGALLY DEAD FOR A YEAR 816 00:27:00,720 --> 00:27:07,591 EXPERIENCE BECAUSE I MYSELF WAS DECLARED LEGALLY DEAD FOR A YEAR WHILE DOING THE ADDAMS FAMILY 817 00:27:07,593 --> 00:27:08,626 DECLARED LEGALLY DEAD FOR A YEAR WHILE DOING THE ADDAMS FAMILY MUSICAL. 818 00:27:08,628 --> 00:27:09,126 WHILE DOING THE ADDAMS FAMILY MUSICAL. ( CHEERS AND APPLAUSE ) 819 00:27:09,128 --> 00:27:10,361 MUSICAL. ( CHEERS AND APPLAUSE ) IT'S GREAT TO BE BACK IN THE ED 820 00:27:10,363 --> 00:27:11,228 ( CHEERS AND APPLAUSE ) IT'S GREAT TO BE BACK IN THE ED SULLIVAN THEATER. 821 00:27:11,230 --> 00:27:15,232 IT'S GREAT TO BE BACK IN THE ED SULLIVAN THEATER. >> Stephen: ISN'T IT THOUGH! 822 00:27:15,234 --> 00:27:17,301 SULLIVAN THEATER. >> Stephen: ISN'T IT THOUGH! JEWEL IN THE CROWN OF BROADWAY, 823 00:27:17,303 --> 00:27:20,437 >> Stephen: ISN'T IT THOUGH! JEWEL IN THE CROWN OF BROADWAY, WHAT'S IT FEEL LIKE TO BE ON A 824 00:27:20,439 --> 00:27:22,339 JEWEL IN THE CROWN OF BROADWAY, WHAT'S IT FEEL LIKE TO BE ON A BROADWAY STAGE FOR THE FIRST 825 00:27:22,341 --> 00:27:25,075 WHAT'S IT FEEL LIKE TO BE ON A BROADWAY STAGE FOR THE FIRST TIME IN FOREVER, 400 PEOPLE HERE 826 00:27:25,077 --> 00:27:30,347 BROADWAY STAGE FOR THE FIRST TIME IN FOREVER, 400 PEOPLE HERE IN THIS BEAUTIFUL THEATER? 827 00:27:30,349 --> 00:27:30,914 TIME IN FOREVER, 400 PEOPLE HERE IN THIS BEAUTIFUL THEATER? ( CHEERS AND APPLAUSE ) 828 00:27:30,916 --> 00:27:32,683 IN THIS BEAUTIFUL THEATER? ( CHEERS AND APPLAUSE ) >> THIS IS WHAT IT'S ALL ABOUT, 829 00:27:32,685 --> 00:27:35,719 ( CHEERS AND APPLAUSE ) >> THIS IS WHAT IT'S ALL ABOUT, THE HUMAN CONNECTION. 830 00:27:35,721 --> 00:27:36,954 >> THIS IS WHAT IT'S ALL ABOUT, THE HUMAN CONNECTION. IT'S A THRILL TO BE BACK. 831 00:27:36,956 --> 00:27:41,125 THE HUMAN CONNECTION. IT'S A THRILL TO BE BACK. I FEEL LIKE THE MIGHTY AND HORNY 832 00:27:41,127 --> 00:27:43,494 IT'S A THRILL TO BE BACK. I FEEL LIKE THE MIGHTY AND HORNY CICADA WHO HAS EMERGED FROM 833 00:27:43,496 --> 00:27:45,496 I FEEL LIKE THE MIGHTY AND HORNY CICADA WHO HAS EMERGED FROM QUARANTINE AND I'M JUST LOOKING 834 00:27:45,498 --> 00:27:49,600 CICADA WHO HAS EMERGED FROM QUARANTINE AND I'M JUST LOOKING FOR A GOOD TIME! 835 00:27:49,602 --> 00:27:50,968 QUARANTINE AND I'M JUST LOOKING FOR A GOOD TIME! ( CHEERS AND APPLAUSE ) 836 00:27:50,970 --> 00:27:52,569 FOR A GOOD TIME! ( CHEERS AND APPLAUSE ) >> BUT I STILL GET NERVOUS. 837 00:27:52,571 --> 00:27:54,238 ( CHEERS AND APPLAUSE ) >> BUT I STILL GET NERVOUS. I STILL GET THE BUTTERFLIES. 838 00:27:54,240 --> 00:27:56,774 >> BUT I STILL GET NERVOUS. I STILL GET THE BUTTERFLIES. YOU KNOW THE OLD ADAGE OF IF 839 00:27:56,776 --> 00:27:58,342 I STILL GET THE BUTTERFLIES. YOU KNOW THE OLD ADAGE OF IF YOU'RE AFRAID TO GO IN FRONT OF 840 00:27:58,344 --> 00:28:00,711 YOU KNOW THE OLD ADAGE OF IF YOU'RE AFRAID TO GO IN FRONT OF A LARGE GROUP OF PEOPLE JUST 841 00:28:00,713 --> 00:28:02,346 YOU'RE AFRAID TO GO IN FRONT OF A LARGE GROUP OF PEOPLE JUST IMAGINE THEM ALL NAKED? 842 00:28:02,348 --> 00:28:04,815 A LARGE GROUP OF PEOPLE JUST IMAGINE THEM ALL NAKED? >> Stephen: YES. 843 00:28:04,817 --> 00:28:05,115 IMAGINE THEM ALL NAKED? >> Stephen: YES. ( CHEERING ) 844 00:28:05,117 --> 00:28:06,283 >> Stephen: YES. ( CHEERING ) >> THAT'S WHAT I LIKE TO DO. 845 00:28:06,285 --> 00:28:08,352 ( CHEERING ) >> THAT'S WHAT I LIKE TO DO. THEN I LIKE TO IMAGINE THEM ALL 846 00:28:08,354 --> 00:28:10,954 >> THAT'S WHAT I LIKE TO DO. THEN I LIKE TO IMAGINE THEM ALL TAKING A LONG, HOT, STEAMY 847 00:28:10,956 --> 00:28:12,990 THEN I LIKE TO IMAGINE THEM ALL TAKING A LONG, HOT, STEAMY SHOWER AND TRYING TO CLEAN THOSE 848 00:28:12,992 --> 00:28:17,327 TAKING A LONG, HOT, STEAMY SHOWER AND TRYING TO CLEAN THOSE HARD TO REACH PLACES. 849 00:28:17,329 --> 00:28:17,795 SHOWER AND TRYING TO CLEAN THOSE HARD TO REACH PLACES. ( LAUGHTER ) 850 00:28:17,797 --> 00:28:21,031 HARD TO REACH PLACES. ( LAUGHTER ) SLOWLY TOWELING OFF, BLOW DRYING 851 00:28:21,033 --> 00:28:23,300 ( LAUGHTER ) SLOWLY TOWELING OFF, BLOW DRYING THEIR HAIR AND GETTING BACK INTO 852 00:28:23,302 --> 00:28:25,169 SLOWLY TOWELING OFF, BLOW DRYING THEIR HAIR AND GETTING BACK INTO THEIR TIGHT-FITTING CLOTHING. 853 00:28:25,171 --> 00:28:26,370 THEIR HAIR AND GETTING BACK INTO THEIR TIGHT-FITTING CLOTHING. THEN I IMAGINE THEM PICKING UP 854 00:28:26,372 --> 00:28:28,605 THEIR TIGHT-FITTING CLOTHING. THEN I IMAGINE THEM PICKING UP THE CASH ON THE DRESSER THAT I 855 00:28:28,607 --> 00:28:31,575 THEN I IMAGINE THEM PICKING UP THE CASH ON THE DRESSER THAT I LEFT FOR THEM. 856 00:28:31,577 --> 00:28:32,810 THE CASH ON THE DRESSER THAT I LEFT FOR THEM. ( LAUGHTER ) 857 00:28:32,812 --> 00:28:33,110 LEFT FOR THEM. ( LAUGHTER ) ( APPLAUSE ) 858 00:28:33,112 --> 00:28:34,344 ( LAUGHTER ) ( APPLAUSE ) >> THAT'S HOW I DO IT. 859 00:28:34,346 --> 00:28:36,480 ( APPLAUSE ) >> THAT'S HOW I DO IT. YOU KNOW, LOOK, THIS IS AN 860 00:28:36,482 --> 00:28:38,682 >> THAT'S HOW I DO IT. YOU KNOW, LOOK, THIS IS AN AUDIENCE LIKE THIS, IT'S MADE ME 861 00:28:38,684 --> 00:28:40,551 YOU KNOW, LOOK, THIS IS AN AUDIENCE LIKE THIS, IT'S MADE ME FORGET THE PANDEMIC. 862 00:28:40,553 --> 00:28:41,051 AUDIENCE LIKE THIS, IT'S MADE ME FORGET THE PANDEMIC. ( CHEERS AND APPLAUSE ) 863 00:28:41,053 --> 00:28:41,985 FORGET THE PANDEMIC. ( CHEERS AND APPLAUSE ) >> Stephen: ISN'T IT 864 00:28:41,987 --> 00:28:46,090 ( CHEERS AND APPLAUSE ) >> Stephen: ISN'T IT INTERESTING HOW QUICKLY YOU CAN 865 00:28:46,092 --> 00:28:46,356 >> Stephen: ISN'T IT INTERESTING HOW QUICKLY YOU CAN TOTALLY -- 866 00:28:46,358 --> 00:28:48,592 INTERESTING HOW QUICKLY YOU CAN TOTALLY -- >> NO, THANK GOD THE WORST IS 867 00:28:48,594 --> 00:28:50,194 TOTALLY -- >> NO, THANK GOD THE WORST IS OVER AND FINALLY BEING A SHUT-IN 868 00:28:50,196 --> 00:28:52,663 >> NO, THANK GOD THE WORST IS OVER AND FINALLY BEING A SHUT-IN WITH A MOOD DISORDER MEANS 869 00:28:52,665 --> 00:28:53,397 OVER AND FINALLY BEING A SHUT-IN WITH A MOOD DISORDER MEANS SOMETHING AGAIN. 870 00:28:53,399 --> 00:28:55,599 WITH A MOOD DISORDER MEANS SOMETHING AGAIN. NOW I CAN BE DEAD INSIDE 871 00:28:55,601 --> 00:28:57,701 SOMETHING AGAIN. NOW I CAN BE DEAD INSIDE OUTSIDE, YOU KNOW WHAT I'M 872 00:28:57,703 --> 00:28:57,935 NOW I CAN BE DEAD INSIDE OUTSIDE, YOU KNOW WHAT I'M SAYING? 873 00:28:57,937 --> 00:28:58,969 OUTSIDE, YOU KNOW WHAT I'M SAYING? >> Stephen: I DO KNOW WHAT 874 00:28:58,971 --> 00:28:59,403 SAYING? >> Stephen: I DO KNOW WHAT YOU'RE SAYING. 875 00:28:59,405 --> 00:29:04,775 >> Stephen: I DO KNOW WHAT YOU'RE SAYING. >> YOU KNOW WHAT I'M SAYING! 876 00:29:04,777 --> 00:29:06,376 YOU'RE SAYING. >> YOU KNOW WHAT I'M SAYING! >> Stephen: NOW, OKAY, AND 877 00:29:06,378 --> 00:29:08,245 >> YOU KNOW WHAT I'M SAYING! >> Stephen: NOW, OKAY, AND THIS ISN'T ANY OLD BROADWAY 878 00:29:08,247 --> 00:29:10,347 >> Stephen: NOW, OKAY, AND THIS ISN'T ANY OLD BROADWAY HOUSE, THIS IS THE ED SULLIVAN 879 00:29:10,349 --> 00:29:11,148 THIS ISN'T ANY OLD BROADWAY HOUSE, THIS IS THE ED SULLIVAN THEATER. 880 00:29:11,150 --> 00:29:11,381 HOUSE, THIS IS THE ED SULLIVAN THEATER. >> YES. 881 00:29:11,383 --> 00:29:13,584 THEATER. >> YES. >> Stephen: ORIGINALLY 882 00:29:13,586 --> 00:29:15,753 >> YES. >> Stephen: ORIGINALLY HAMMERSTEIN BACK IN 1927. 883 00:29:15,755 --> 00:29:16,553 >> Stephen: ORIGINALLY HAMMERSTEIN BACK IN 1927. DO YOU HAVE ANY CONNECTION WITH 884 00:29:16,555 --> 00:29:19,256 HAMMERSTEIN BACK IN 1927. DO YOU HAVE ANY CONNECTION WITH THIS THEATER, MEMORIES OF THIS 885 00:29:19,258 --> 00:29:19,556 DO YOU HAVE ANY CONNECTION WITH THIS THEATER, MEMORIES OF THIS PLACE? 886 00:29:19,558 --> 00:29:19,890 THIS THEATER, MEMORIES OF THIS PLACE? >> CERTAINLY. 887 00:29:19,892 --> 00:29:23,193 PLACE? >> CERTAINLY. WELL, AS A DID I GREW UP 888 00:29:23,195 --> 00:29:25,429 >> CERTAINLY. WELL, AS A DID I GREW UP WATCHING THE ED SULLIVAN SHOW. 889 00:29:25,431 --> 00:29:27,431 WELL, AS A DID I GREW UP WATCHING THE ED SULLIVAN SHOW. DOES ANYBODY REMEMBER ED 890 00:29:27,433 --> 00:29:27,698 WATCHING THE ED SULLIVAN SHOW. DOES ANYBODY REMEMBER ED SULLIVAN? 891 00:29:27,700 --> 00:29:28,298 DOES ANYBODY REMEMBER ED SULLIVAN? ( APPLAUSE ) 892 00:29:28,300 --> 00:29:29,933 SULLIVAN? ( APPLAUSE ) BECAUSE ED WAS A UNIQUE 893 00:29:29,935 --> 00:29:31,568 ( APPLAUSE ) BECAUSE ED WAS A UNIQUE PERSONALITY, AND I USE THE WORD 894 00:29:31,570 --> 00:29:32,736 BECAUSE ED WAS A UNIQUE PERSONALITY, AND I USE THE WORD PERSONALITY LOOSELY. 895 00:29:32,738 --> 00:29:35,239 PERSONALITY, AND I USE THE WORD PERSONALITY LOOSELY. HE WAS SORT OF FAMOUS FOR BEING 896 00:29:35,241 --> 00:29:35,839 PERSONALITY LOOSELY. HE WAS SORT OF FAMOUS FOR BEING PHYSICALLY AWKWARD. 897 00:29:35,841 --> 00:29:38,342 HE WAS SORT OF FAMOUS FOR BEING PHYSICALLY AWKWARD. HE HAD TROUBLE PRONOUNCING 898 00:29:38,344 --> 00:29:40,077 PHYSICALLY AWKWARD. HE HAD TROUBLE PRONOUNCING WORDS, ESPECIALLY PEOPLE'S 899 00:29:40,079 --> 00:29:42,346 HE HAD TROUBLE PRONOUNCING WORDS, ESPECIALLY PEOPLE'S NAMES, AND HE HAD, REALLY, THE 900 00:29:42,348 --> 00:29:44,782 WORDS, ESPECIALLY PEOPLE'S NAMES, AND HE HAD, REALLY, THE PERSONALITY OF THIS DISK, BUT HE 901 00:29:44,784 --> 00:29:47,151 NAMES, AND HE HAD, REALLY, THE PERSONALITY OF THIS DISK, BUT HE ORGANIZED A GREAT SHOW FROM 902 00:29:47,153 --> 00:29:50,387 PERSONALITY OF THIS DISK, BUT HE ORGANIZED A GREAT SHOW FROM PLATE SPINNERS, TO OPERA SINGERS 903 00:29:50,389 --> 00:29:52,189 ORGANIZED A GREAT SHOW FROM PLATE SPINNERS, TO OPERA SINGERS TO BROADWAY AND CIRCUS ACTS. 904 00:29:52,191 --> 00:29:53,857 PLATE SPINNERS, TO OPERA SINGERS TO BROADWAY AND CIRCUS ACTS. IT WAS AN AMAZING SHOW. 905 00:29:53,859 --> 00:29:56,460 TO BROADWAY AND CIRCUS ACTS. IT WAS AN AMAZING SHOW. COMING BACK I WAS REMINDED OF A 906 00:29:56,462 --> 00:29:57,261 IT WAS AN AMAZING SHOW. COMING BACK I WAS REMINDED OF A RATHER DRAMATIC THING THAT 907 00:29:57,263 --> 00:29:57,694 COMING BACK I WAS REMINDED OF A RATHER DRAMATIC THING THAT HAPPENED HERE. 908 00:29:57,696 --> 00:30:01,365 RATHER DRAMATIC THING THAT HAPPENED HERE. THERE WAS AN ANIMAL TRAINER 909 00:30:01,367 --> 00:30:03,567 HAPPENED HERE. THERE WAS AN ANIMAL TRAINER NAMED CLYDE WALL STREETY, THE 910 00:30:03,569 --> 00:30:07,571 THERE WAS AN ANIMAL TRAINER NAMED CLYDE WALL STREETY, THE PRECURSOR TO SIEGFRIED AND ROY. 911 00:30:07,573 --> 00:30:09,940 NAMED CLYDE WALL STREETY, THE PRECURSOR TO SIEGFRIED AND ROY. HE WORKED WITH RINGLING BROTHERS 912 00:30:09,942 --> 00:30:11,675 PRECURSOR TO SIEGFRIED AND ROY. HE WORKED WITH RINGLING BROTHERS AND HAD A BIG LION AND TIGER 913 00:30:11,677 --> 00:30:11,842 HE WORKED WITH RINGLING BROTHERS AND HAD A BIG LION AND TIGER ACT. 914 00:30:11,844 --> 00:30:14,244 AND HAD A BIG LION AND TIGER ACT. THEY BROUGHT HIM IN HERE AND HE 915 00:30:14,246 --> 00:30:16,213 ACT. THEY BROUGHT HIM IN HERE AND HE THOUGHT THE STAGE WAS TOO SMALL 916 00:30:16,215 --> 00:30:17,347 THEY BROUGHT HIM IN HERE AND HE THOUGHT THE STAGE WAS TOO SMALL TO DO THE ACT SAFELY. 917 00:30:17,349 --> 00:30:20,150 THOUGHT THE STAGE WAS TOO SMALL TO DO THE ACT SAFELY. ED AND THE PRODUCERS TAUGHT HIM 918 00:30:20,152 --> 00:30:20,818 TO DO THE ACT SAFELY. ED AND THE PRODUCERS TAUGHT HIM INTO DOING IT. 919 00:30:20,820 --> 00:30:23,020 ED AND THE PRODUCERS TAUGHT HIM INTO DOING IT. IF YOU'VE EVER SEEN THE FOOTAGE, 920 00:30:23,022 --> 00:30:26,323 INTO DOING IT. IF YOU'VE EVER SEEN THE FOOTAGE, IT LOOKS A LITTLE CRAMPED IN THE 921 00:30:26,325 --> 00:30:30,594 IF YOU'VE EVER SEEN THE FOOTAGE, IT LOOKS A LITTLE CRAMPED IN THE CAGE WITH HIM AND THE LIONS AND 922 00:30:30,596 --> 00:30:31,328 IT LOOKS A LITTLE CRAMPED IN THE CAGE WITH HIM AND THE LIONS AND THE TIGERS. 923 00:30:31,330 --> 00:30:32,963 CAGE WITH HIM AND THE LIONS AND THE TIGERS. JUST AS HE FEARED, HE LOSES 924 00:30:32,965 --> 00:30:34,097 THE TIGERS. JUST AS HE FEARED, HE LOSES CONTROL OF THE CATS. 925 00:30:34,099 --> 00:30:36,567 JUST AS HE FEARED, HE LOSES CONTROL OF THE CATS. HE'S HOLDING A WHIP AND A STOOL 926 00:30:36,569 --> 00:30:42,339 CONTROL OF THE CATS. HE'S HOLDING A WHIP AND A STOOL AND A STARTER'S PISTOL TO SCARE 927 00:30:42,341 --> 00:30:44,174 HE'S HOLDING A WHIP AND A STOOL AND A STARTER'S PISTOL TO SCARE THEM -- FRANKLY, THAT'S HOW THEY 928 00:30:44,176 --> 00:30:48,946 AND A STARTER'S PISTOL TO SCARE THEM -- FRANKLY, THAT'S HOW THEY USED TO HANDLE FAYE DUNAWAY IN 929 00:30:48,948 --> 00:30:50,380 THEM -- FRANKLY, THAT'S HOW THEY USED TO HANDLE FAYE DUNAWAY IN THE '80s. 930 00:30:50,382 --> 00:30:50,848 USED TO HANDLE FAYE DUNAWAY IN THE '80s. ( LAUGHTER ) 931 00:30:50,850 --> 00:30:53,016 THE '80s. ( LAUGHTER ) SO HE'S CRACKING THE WHIP AND 932 00:30:53,018 --> 00:30:55,586 ( LAUGHTER ) SO HE'S CRACKING THE WHIP AND PUSHING THEM AWAY WITH THE STOOL 933 00:30:55,588 --> 00:30:57,621 SO HE'S CRACKING THE WHIP AND PUSHING THEM AWAY WITH THE STOOL AND SUDDENLY THERE'S AN AWKWARD 934 00:30:57,623 --> 00:30:59,056 PUSHING THEM AWAY WITH THE STOOL AND SUDDENLY THERE'S AN AWKWARD CAMERA MOVE TO ED. 935 00:30:59,058 --> 00:31:00,591 AND SUDDENLY THERE'S AN AWKWARD CAMERA MOVE TO ED. HE'S IN THE AUDIENCE SAYING, 936 00:31:00,593 --> 00:31:05,596 CAMERA MOVE TO ED. HE'S IN THE AUDIENCE SAYING, NOW, LET'S SEE WHO'S IN OUR 937 00:31:05,598 --> 00:31:06,230 HE'S IN THE AUDIENCE SAYING, NOW, LET'S SEE WHO'S IN OUR AUDIENCE TONIGHT. 938 00:31:06,232 --> 00:31:06,530 NOW, LET'S SEE WHO'S IN OUR AUDIENCE TONIGHT. ( LAUGHTER ) 939 00:31:06,532 --> 00:31:09,766 AUDIENCE TONIGHT. ( LAUGHTER ) WHY, LOOK, IT'S CAROL CHANNING! 940 00:31:09,768 --> 00:31:10,968 ( LAUGHTER ) WHY, LOOK, IT'S CAROL CHANNING! HELLO, ED! 941 00:31:10,970 --> 00:31:16,773 WHY, LOOK, IT'S CAROL CHANNING! HELLO, ED! SO YOUNG CAROL CHANNING STANDS 942 00:31:16,775 --> 00:31:18,075 HELLO, ED! SO YOUNG CAROL CHANNING STANDS UP. 943 00:31:18,077 --> 00:31:19,576 SO YOUNG CAROL CHANNING STANDS UP. MEANWHILE, IN THE BACKGROUND YOU 944 00:31:19,578 --> 00:31:25,582 UP. MEANWHILE, IN THE BACKGROUND YOU HEAR, BACK, SIMBA! 945 00:31:25,584 --> 00:31:28,919 MEANWHILE, IN THE BACKGROUND YOU HEAR, BACK, SIMBA! DOWN, BOY, HEEL, HEEL! 946 00:31:28,921 --> 00:31:33,757 HEAR, BACK, SIMBA! DOWN, BOY, HEEL, HEEL! ED SAYS, I HEAR YOU'RE DOING 947 00:31:33,759 --> 00:31:36,059 DOWN, BOY, HEEL, HEEL! ED SAYS, I HEAR YOU'RE DOING GUYS PREFER BLONDES. 948 00:31:36,061 --> 00:31:37,194 ED SAYS, I HEAR YOU'RE DOING GUYS PREFER BLONDES. >> OPEN THE DOOR! 949 00:31:37,196 --> 00:31:37,895 GUYS PREFER BLONDES. >> OPEN THE DOOR! MAYBE YOU FAVOR -- 950 00:31:37,897 --> 00:31:41,598 >> OPEN THE DOOR! MAYBE YOU FAVOR -- GET ME SOME RAW MEAT, A REAL 951 00:31:41,600 --> 00:31:42,366 MAYBE YOU FAVOR -- GET ME SOME RAW MEAT, A REAL GUN! 952 00:31:42,368 --> 00:31:43,600 GET ME SOME RAW MEAT, A REAL GUN! HELP! 953 00:31:43,602 --> 00:31:46,236 GUN! HELP! HELP! 954 00:31:46,238 --> 00:31:46,536 HELP! HELP! ( LAUGHTER ) 955 00:31:46,538 --> 00:31:53,043 HELP! ( LAUGHTER ) ♪ DIAMONDS ARE A GIRL'S BEST 956 00:31:53,045 --> 00:31:53,310 ( LAUGHTER ) ♪ DIAMONDS ARE A GIRL'S BEST FRIEND ♪ 957 00:31:53,312 --> 00:31:53,810 ♪ DIAMONDS ARE A GIRL'S BEST FRIEND ♪ ( CHEERS AND APPLAUSE ) 958 00:31:53,812 --> 00:31:54,745 FRIEND ♪ ( CHEERS AND APPLAUSE ) >> Stephen: WE HAVE TO TAKE A 959 00:31:54,747 --> 00:31:54,945 ( CHEERS AND APPLAUSE ) >> Stephen: WE HAVE TO TAKE A BREAK. 960 00:31:54,947 --> 00:31:56,780 >> Stephen: WE HAVE TO TAKE A BREAK. BUT PLEASE DON'T GO AWAY. 961 00:31:56,782 --> 00:31:57,848 BREAK. BUT PLEASE DON'T GO AWAY. WE'LL BE RIGHT BACK WITH MORE OF 962 00:31:57,850 --> 00:32:01,318 BUT PLEASE DON'T GO AWAY. WE'LL BE RIGHT BACK WITH MORE OF THE ONE, THE ONLY NATHAN LANE. 963 00:32:01,320 --> 00:32:01,818 WE'LL BE RIGHT BACK WITH MORE OF THE ONE, THE ONLY NATHAN LANE. ( CHEERS A 964 00:32:06,858 --> 00:32:16,633 ♪♪♪ >> Stephen: HEY, EVERYBODY! WELCOME BACK! 965 00:32:16,635 --> 00:32:17,434 >> Stephen: HEY, EVERYBODY! WELCOME BACK! ( CHEERS AND APPLAUSE ) 966 00:32:17,436 --> 00:32:20,570 WELCOME BACK! ( CHEERS AND APPLAUSE ) WE'RE HERE WITH NATHAN LANE. 967 00:32:20,572 --> 00:32:23,907 ( CHEERS AND APPLAUSE ) WE'RE HERE WITH NATHAN LANE. BROADWAY IS OPENING UP SEPTEMBEO 968 00:32:23,909 --> 00:32:24,174 WE'RE HERE WITH NATHAN LANE. BROADWAY IS OPENING UP SEPTEMBEO EXCITING. 969 00:32:24,176 --> 00:32:25,742 BROADWAY IS OPENING UP SEPTEMBEO EXCITING. >> SO EXCITING. 970 00:32:25,744 --> 00:32:26,243 EXCITING. >> SO EXCITING. ( CHEERS AND APPLAUSE ) 971 00:32:26,245 --> 00:32:27,010 >> SO EXCITING. ( CHEERS AND APPLAUSE ) >> Stephen: YOU'RE NOT IN A 972 00:32:27,012 --> 00:32:28,211 ( CHEERS AND APPLAUSE ) >> Stephen: YOU'RE NOT IN A SHOW RIGHT NOW, BUT ARE YOU 973 00:32:28,213 --> 00:32:30,314 >> Stephen: YOU'RE NOT IN A SHOW RIGHT NOW, BUT ARE YOU EXCITED FOR IT TO COME BACK? 974 00:32:30,316 --> 00:32:31,148 SHOW RIGHT NOW, BUT ARE YOU EXCITED FOR IT TO COME BACK? >> WELL, I HAVE A LITTLE 975 00:32:31,150 --> 00:32:31,715 EXCITED FOR IT TO COME BACK? >> WELL, I HAVE A LITTLE ANNOUNCEMENT BECAUSE I'M 976 00:32:31,717 --> 00:32:33,350 >> WELL, I HAVE A LITTLE ANNOUNCEMENT BECAUSE I'M INVOLVED WITH A SHOW THAT'S 977 00:32:33,352 --> 00:32:34,685 ANNOUNCEMENT BECAUSE I'M INVOLVED WITH A SHOW THAT'S STARTING NEXT WEEK, ACTUALLY. 978 00:32:34,687 --> 00:32:36,720 INVOLVED WITH A SHOW THAT'S STARTING NEXT WEEK, ACTUALLY. NOW, I'M NOT STARRING IN IT. 979 00:32:36,722 --> 00:32:40,624 STARTING NEXT WEEK, ACTUALLY. NOW, I'M NOT STARRING IN IT. IT'S A VERY SPECIAL THING. 980 00:32:40,626 --> 00:32:43,393 NOW, I'M NOT STARRING IN IT. IT'S A VERY SPECIAL THING. I AM THE STANDBY FOR SPRINGSTEEN 981 00:32:43,395 --> 00:32:46,196 IT'S A VERY SPECIAL THING. I AM THE STANDBY FOR SPRINGSTEEN ON BROADWAY. 982 00:32:46,198 --> 00:32:46,563 I AM THE STANDBY FOR SPRINGSTEEN ON BROADWAY. ( LAUGHTER ) 983 00:32:46,565 --> 00:32:48,598 ON BROADWAY. ( LAUGHTER ) >> Stephen: UNDERSTANDING, THE 984 00:32:48,600 --> 00:32:48,799 ( LAUGHTER ) >> Stephen: UNDERSTANDING, THE BOSS. 985 00:32:48,801 --> 00:32:51,902 >> Stephen: UNDERSTANDING, THE BOSS. >> I AM JUST ONE BAD SEAFOOD 986 00:32:51,904 --> 00:32:54,371 BOSS. >> I AM JUST ONE BAD SEAFOOD DINNER AWAY FROM BECOMING THE 987 00:32:54,373 --> 00:32:54,571 >> I AM JUST ONE BAD SEAFOOD DINNER AWAY FROM BECOMING THE BOSS! 988 00:32:54,573 --> 00:32:54,871 DINNER AWAY FROM BECOMING THE BOSS! ( LAUGHTER ) 989 00:32:54,873 --> 00:32:56,173 BOSS! ( LAUGHTER ) THEY FIRST ASKED ME, I THOUGHT 990 00:32:56,175 --> 00:32:57,874 ( LAUGHTER ) THEY FIRST ASKED ME, I THOUGHT THIS IS CRAZY, YOU KNOW, BUT 991 00:32:57,876 --> 00:32:59,376 THEY FIRST ASKED ME, I THOUGHT THIS IS CRAZY, YOU KNOW, BUT THEN I THOUGHT SO MANY PEOPLE 992 00:32:59,378 --> 00:33:02,980 THIS IS CRAZY, YOU KNOW, BUT THEN I THOUGHT SO MANY PEOPLE SAY, YOU AND BRUCE, IT'S LIKE 993 00:33:02,982 --> 00:33:05,549 THEN I THOUGHT SO MANY PEOPLE SAY, YOU AND BRUCE, IT'S LIKE YOU WERE SEPARATED AT BIRTH! 994 00:33:05,551 --> 00:33:05,849 SAY, YOU AND BRUCE, IT'S LIKE YOU WERE SEPARATED AT BIRTH! ( LAUGHTER ) 995 00:33:05,851 --> 00:33:07,617 YOU WERE SEPARATED AT BIRTH! ( LAUGHTER ) YOU KNOW, YOU'RE BOTH JERSEY 996 00:33:07,619 --> 00:33:09,720 ( LAUGHTER ) YOU KNOW, YOU'RE BOTH JERSEY BOYS, YOU BOTH GREW UP -- YOU 997 00:33:09,722 --> 00:33:10,821 YOU KNOW, YOU'RE BOTH JERSEY BOYS, YOU BOTH GREW UP -- YOU KNOW, YOU SPENT YOUR LIVES ON 998 00:33:10,823 --> 00:33:14,458 BOYS, YOU BOTH GREW UP -- YOU KNOW, YOU SPENT YOUR LIVES ON THE STAGE, YOU BOTH HAVE THAT 999 00:33:14,460 --> 00:33:15,192 KNOW, YOU SPENT YOUR LIVES ON THE STAGE, YOU BOTH HAVE THAT EVERY MAN QUALITY. 1000 00:33:15,194 --> 00:33:17,294 THE STAGE, YOU BOTH HAVE THAT EVERY MAN QUALITY. MEN WANT YOU, MEN WANT TO BE 1001 00:33:17,296 --> 00:33:17,461 EVERY MAN QUALITY. MEN WANT YOU, MEN WANT TO BE YOU. 1002 00:33:17,463 --> 00:33:18,795 MEN WANT YOU, MEN WANT TO BE YOU. AND I THOUGHT, YOU KNOW, WHY 1003 00:33:18,797 --> 00:33:19,129 YOU. AND I THOUGHT, YOU KNOW, WHY NOT? 1004 00:33:19,131 --> 00:33:21,198 AND I THOUGHT, YOU KNOW, WHY NOT? AND THEN, YOU KNOW, I HAVE BEEN 1005 00:33:21,200 --> 00:33:22,165 NOT? AND THEN, YOU KNOW, I HAVE BEEN GETTING SECOND THOUGHTS BECAUSE, 1006 00:33:22,167 --> 00:33:24,368 AND THEN, YOU KNOW, I HAVE BEEN GETTING SECOND THOUGHTS BECAUSE, YOU KNOW, PEOPLE ARE SPENDING A 1007 00:33:24,370 --> 00:33:28,605 GETTING SECOND THOUGHTS BECAUSE, YOU KNOW, PEOPLE ARE SPENDING A LOT OF MONEY TO SEE BRUCE! 1008 00:33:28,607 --> 00:33:29,039 YOU KNOW, PEOPLE ARE SPENDING A LOT OF MONEY TO SEE BRUCE! BRUCE! 1009 00:33:29,041 --> 00:33:29,272 LOT OF MONEY TO SEE BRUCE! BRUCE! RIGHT? 1010 00:33:29,274 --> 00:33:31,041 BRUCE! RIGHT? BUT THEN I THOUGHT, YOU KNOW 1011 00:33:31,043 --> 00:33:32,676 RIGHT? BUT THEN I THOUGHT, YOU KNOW WHAT, I GET THAT, BUT I HAVE 1012 00:33:32,678 --> 00:33:34,978 BUT THEN I THOUGHT, YOU KNOW WHAT, I GET THAT, BUT I HAVE BEEN REHEARSING A LOT, AND I'M 1013 00:33:34,980 --> 00:33:36,780 WHAT, I GET THAT, BUT I HAVE BEEN REHEARSING A LOT, AND I'M PUTTING MY OWN SPECIALSAURUS ON 1014 00:33:36,782 --> 00:33:41,451 BEEN REHEARSING A LOT, AND I'M PUTTING MY OWN SPECIALSAURUS ON THESE DIDDIES, AND I THINK -- 1015 00:33:41,453 --> 00:33:44,621 PUTTING MY OWN SPECIALSAURUS ON THESE DIDDIES, AND I THINK -- >> Stephen: YOUR SPECIAL SAUCE 1016 00:33:44,623 --> 00:33:46,256 THESE DIDDIES, AND I THINK -- >> Stephen: YOUR SPECIAL SAUCE ON THESE DIDDIES? 1017 00:33:46,258 --> 00:33:46,757 >> Stephen: YOUR SPECIAL SAUCE ON THESE DIDDIES? >> THAT'S RIGHT. 1018 00:33:46,759 --> 00:33:47,057 ON THESE DIDDIES? >> THAT'S RIGHT. ( LAUGHTER ) 1019 00:33:47,059 --> 00:33:48,792 >> THAT'S RIGHT. ( LAUGHTER ) I THINK PEOPLE ARE GOING TO BE 1020 00:33:48,794 --> 00:33:52,229 ( LAUGHTER ) I THINK PEOPLE ARE GOING TO BE REALLY IMPRESSED. 1021 00:33:52,231 --> 00:33:53,730 I THINK PEOPLE ARE GOING TO BE REALLY IMPRESSED. I HAVE BEEN DRINKING A LOT OF 1022 00:33:53,732 --> 00:33:56,600 REALLY IMPRESSED. I HAVE BEEN DRINKING A LOT OF WHISKEY AND SMOKING LINE A 1023 00:33:56,602 --> 00:33:57,968 I HAVE BEEN DRINKING A LOT OF WHISKEY AND SMOKING LINE A FIEND, I'M STARTING TO SOUND 1024 00:33:57,970 --> 00:33:58,702 WHISKEY AND SMOKING LINE A FIEND, I'M STARTING TO SOUND LIKE HIM. 1025 00:33:58,704 --> 00:34:00,771 FIEND, I'M STARTING TO SOUND LIKE HIM. THE HARDEST PART IS SQUEEZING 1026 00:34:00,773 --> 00:34:02,039 LIKE HIM. THE HARDEST PART IS SQUEEZING INTO THE VESTS. 1027 00:34:02,041 --> 00:34:04,107 THE HARDEST PART IS SQUEEZING INTO THE VESTS. HE'S A 71-YEAR-OLD MAN WHO 1028 00:34:04,109 --> 00:34:05,809 INTO THE VESTS. HE'S A 71-YEAR-OLD MAN WHO DRESSES LIKE A NEWSY. 1029 00:34:05,811 --> 00:34:07,844 HE'S A 71-YEAR-OLD MAN WHO DRESSES LIKE A NEWSY. SO IF HE LOOKS QUEASY, I'LL GIVE 1030 00:34:07,846 --> 00:34:11,548 DRESSES LIKE A NEWSY. SO IF HE LOOKS QUEASY, I'LL GIVE YOU A HEADS UP AND YOU COME ON 1031 00:34:11,550 --> 00:34:11,982 SO IF HE LOOKS QUEASY, I'LL GIVE YOU A HEADS UP AND YOU COME ON OVER AND -- 1032 00:34:11,984 --> 00:34:14,051 YOU A HEADS UP AND YOU COME ON OVER AND -- >> Stephen: FANTASTIC. 1033 00:34:14,053 --> 00:34:15,252 OVER AND -- >> Stephen: FANTASTIC. FANTASTIC. 1034 00:34:15,254 --> 00:34:16,620 >> Stephen: FANTASTIC. FANTASTIC. ( CHEERS AND APPLAUSE ) 1035 00:34:16,622 --> 00:34:18,855 FANTASTIC. ( CHEERS AND APPLAUSE ) LADIES AND GENTLEMEN, LET US PUT 1036 00:34:18,857 --> 00:34:20,590 ( CHEERS AND APPLAUSE ) LADIES AND GENTLEMEN, LET US PUT OUR HANDS TOGETHER FOR THE ONE, 1037 00:34:20,592 --> 00:34:23,627 LADIES AND GENTLEMEN, LET US PUT OUR HANDS TOGETHER FOR THE ONE, THE ONLY MR. NATHAN LANE! 1038 00:34:23,629 --> 00:34:24,594 OUR HANDS TOGETHER FOR THE ONE, THE ONLY MR. NATHAN LANE! ( CHEERS AND APPLAUSE ) 1039 00:34:24,596 --> 00:34:28,432 THE ONLY MR. NATHAN LANE! ( CHEERS AND APPLAUSE ) ♪♪♪ 1040 00:34:39,510 --> 00:34:39,709 ♪♪♪ 1041 00:34:55,193 --> 00:35:00,130 >> Stephen: AND NOW, PERFORMING "BLACK HOLE" FROM HER MIXTAPE, "ONE FOOT IN FRONT OF 1042 00:35:00,132 --> 00:35:00,530 PERFORMING "BLACK HOLE" FROM HER MIXTAPE, "ONE FOOT IN FRONT OF THE OTHER," GRIFF. 1043 00:35:00,532 --> 00:35:03,266 MIXTAPE, "ONE FOOT IN FRONT OF THE OTHER," GRIFF. ( CHEERS AND APPLAUSE ) 1044 00:35:05,002 --> 00:35:14,878 ♪ ♪ ♪ ♪ ♪ ♪ (POP/WITH SYNTHPOP BEAT) 1045 00:35:20,184 --> 00:35:24,121 ♪ NOW AND THEN YOUR NAME COMES UP IN ♪ CONVERSATION 1046 00:35:24,123 --> 00:35:26,323 YOUR NAME COMES UP IN ♪ CONVERSATION WITH MY FRIENDS 1047 00:35:26,325 --> 00:35:28,158 ♪ CONVERSATION WITH MY FRIENDS I HATE HOW MUCH I FEEL IT RIGHT 1048 00:35:28,160 --> 00:35:32,162 WITH MY FRIENDS I HATE HOW MUCH I FEEL IT RIGHT ♪ THERE IN MY CHEST 1049 00:35:32,164 --> 00:35:36,166 I HATE HOW MUCH I FEEL IT RIGHT ♪ THERE IN MY CHEST I HATE HOW MUCH I FEEL IT, YEAH 1050 00:35:36,168 --> 00:35:37,334 ♪ THERE IN MY CHEST I HATE HOW MUCH I FEEL IT, YEAH ♪ LIKE, HOW ARE YOU? 1051 00:35:37,336 --> 00:35:38,335 I HATE HOW MUCH I FEEL IT, YEAH ♪ LIKE, HOW ARE YOU? IT SEEMS LIKE THINGS ARE GOING 1052 00:35:38,337 --> 00:35:40,437 ♪ LIKE, HOW ARE YOU? IT SEEMS LIKE THINGS ARE GOING ♪ REALLY WELL FOR YOU 1053 00:35:40,439 --> 00:35:44,107 IT SEEMS LIKE THINGS ARE GOING ♪ REALLY WELL FOR YOU I WISH THAT I COULD SAY THE SAME 1054 00:35:44,109 --> 00:35:44,474 ♪ REALLY WELL FOR YOU I WISH THAT I COULD SAY THE SAME ♪ ABOUT ME TOO 1055 00:35:44,476 --> 00:35:48,145 I WISH THAT I COULD SAY THE SAME ♪ ABOUT ME TOO I WISH THAT I COULD SAY THE SAME 1056 00:35:48,147 --> 00:35:50,347 ♪ ABOUT ME TOO I WISH THAT I COULD SAY THE SAME ♪ AND BOY, YOU KNOW 1057 00:35:50,349 --> 00:35:51,815 I WISH THAT I COULD SAY THE SAME ♪ AND BOY, YOU KNOW I'VE TRIED 1058 00:35:51,817 --> 00:35:52,149 ♪ AND BOY, YOU KNOW I'VE TRIED ♪ TO PRAY 1059 00:35:52,151 --> 00:35:54,851 I'VE TRIED ♪ TO PRAY I'VE BRUISED MY KNEES 1060 00:35:54,853 --> 00:35:56,153 ♪ TO PRAY I'VE BRUISED MY KNEES ♪ I'VE TRIED 1061 00:35:56,155 --> 00:35:58,555 I'VE BRUISED MY KNEES ♪ I'VE TRIED TO BRING YOU BACK TO ME 1062 00:35:58,557 --> 00:36:00,157 ♪ I'VE TRIED TO BRING YOU BACK TO ME ♪ I'VE TRIED 1063 00:36:00,159 --> 00:36:02,359 TO BRING YOU BACK TO ME ♪ I'VE TRIED MY BEST TO FIND 1064 00:36:02,361 --> 00:36:04,161 ♪ I'VE TRIED MY BEST TO FIND ♪ SOME KIND OF PEACE 1065 00:36:04,163 --> 00:36:06,663 MY BEST TO FIND ♪ SOME KIND OF PEACE DON'T YOU SEE? 1066 00:36:06,665 --> 00:36:08,165 ♪ SOME KIND OF PEACE DON'T YOU SEE? ♪ THERE'S A BIG BLACK HOLE 1067 00:36:08,167 --> 00:36:10,133 DON'T YOU SEE? ♪ THERE'S A BIG BLACK HOLE WHERE MY HEART USED TO BE 1068 00:36:10,135 --> 00:36:11,234 ♪ THERE'S A BIG BLACK HOLE WHERE MY HEART USED TO BE ♪ AND I TRIED MY BEST 1069 00:36:11,236 --> 00:36:12,102 WHERE MY HEART USED TO BE ♪ AND I TRIED MY BEST TO FILL IT UP WITH THINGS 1070 00:36:12,104 --> 00:36:14,337 ♪ AND I TRIED MY BEST TO FILL IT UP WITH THINGS ♪ I DON'T NEED 1071 00:36:14,339 --> 00:36:16,106 TO FILL IT UP WITH THINGS ♪ I DON'T NEED IT DON'T WORK LIKE THAT, 1072 00:36:16,108 --> 00:36:18,508 ♪ I DON'T NEED IT DON'T WORK LIKE THAT, ♪ NO, IT'S NOT EASY 1073 00:36:18,510 --> 00:36:20,143 IT DON'T WORK LIKE THAT, ♪ NO, IT'S NOT EASY TO FILL THIS GAP 1074 00:36:20,145 --> 00:36:22,212 ♪ NO, IT'S NOT EASY TO FILL THIS GAP ♪ THAT YOU LEFT IN ME 1075 00:36:22,214 --> 00:36:24,114 TO FILL THIS GAP ♪ THAT YOU LEFT IN ME THERE'S A BIG BLACK HOLE 1076 00:36:24,116 --> 00:36:26,349 ♪ THAT YOU LEFT IN ME THERE'S A BIG BLACK HOLE ♪ WHERE MY HEART USED TO BE 1077 00:36:26,351 --> 00:36:27,951 THERE'S A BIG BLACK HOLE ♪ WHERE MY HEART USED TO BE AND I WISH THAT YOU WOULD 1078 00:36:27,953 --> 00:36:28,585 ♪ WHERE MY HEART USED TO BE AND I WISH THAT YOU WOULD ♪ REALIZE I'M ALL THAT YOU NEED 1079 00:36:28,587 --> 00:36:32,155 AND I WISH THAT YOU WOULD ♪ REALIZE I'M ALL THAT YOU NEED IT DON'T WORK LIKE THAT, 1080 00:36:32,157 --> 00:36:34,357 ♪ REALIZE I'M ALL THAT YOU NEED IT DON'T WORK LIKE THAT, ♪ NO, IT'S NOT EASY 1081 00:36:34,359 --> 00:36:36,159 IT DON'T WORK LIKE THAT, ♪ NO, IT'S NOT EASY TO FILL THIS GAP 1082 00:36:36,161 --> 00:36:36,693 ♪ NO, IT'S NOT EASY TO FILL THIS GAP ♪ THAT YOU LEFT IN ME 1083 00:36:36,695 --> 00:36:38,361 TO FILL THIS GAP ♪ THAT YOU LEFT IN ME WITHOUT A TRACE 1084 00:36:38,363 --> 00:36:40,130 ♪ THAT YOU LEFT IN ME WITHOUT A TRACE ♪ YOU DISAPPEARED 1085 00:36:40,132 --> 00:36:42,232 WITHOUT A TRACE ♪ YOU DISAPPEARED AND TOOK SOME OF ME 1086 00:36:42,234 --> 00:36:43,567 ♪ YOU DISAPPEARED AND TOOK SOME OF ME ♪ WITH YOU, BABE 1087 00:36:43,569 --> 00:36:44,134 AND TOOK SOME OF ME ♪ WITH YOU, BABE LIKE THE WAY I USED TO LAUGH 1088 00:36:44,136 --> 00:36:47,170 ♪ WITH YOU, BABE LIKE THE WAY I USED TO LAUGH ♪ UNTIL MY BELLY ACHE 1089 00:36:47,172 --> 00:36:48,138 LIKE THE WAY I USED TO LAUGH ♪ UNTIL MY BELLY ACHE WELL, 1090 00:36:48,140 --> 00:36:51,975 ♪ UNTIL MY BELLY ACHE WELL, ♪ THAT'S ALL GONE AWAY NOW, YEAH 1091 00:36:51,977 --> 00:36:52,409 WELL, ♪ THAT'S ALL GONE AWAY NOW, YEAH ♪ AND BOY, YOU KNOW 1092 00:36:52,411 --> 00:36:55,212 ♪ THAT'S ALL GONE AWAY NOW, YEAH ♪ AND BOY, YOU KNOW I'VE TRIED TO PRAY 1093 00:36:55,214 --> 00:36:55,712 ♪ AND BOY, YOU KNOW I'VE TRIED TO PRAY ♪ I'VE BRUISED MY KNEES 1094 00:36:55,714 --> 00:36:57,914 I'VE TRIED TO PRAY ♪ I'VE BRUISED MY KNEES I'VE TRIED 1095 00:36:57,916 --> 00:36:59,115 ♪ I'VE BRUISED MY KNEES I'VE TRIED ♪ TO BRING YOU BACK 1096 00:36:59,117 --> 00:37:00,150 I'VE TRIED ♪ TO BRING YOU BACK TO ME 1097 00:37:00,152 --> 00:37:02,319 ♪ TO BRING YOU BACK TO ME ♪ I'VE TRIED 1098 00:37:02,321 --> 00:37:04,120 TO ME ♪ I'VE TRIED MY BEST TO FIND 1099 00:37:04,122 --> 00:37:07,057 ♪ I'VE TRIED MY BEST TO FIND ♪ SOME KIND OF PEACE 1100 00:37:07,059 --> 00:37:08,124 MY BEST TO FIND ♪ SOME KIND OF PEACE DON'T YOU SEE? 1101 00:37:08,126 --> 00:37:10,760 ♪ SOME KIND OF PEACE DON'T YOU SEE? ♪ THERE'S A BIG BLACK HOLE 1102 00:37:10,762 --> 00:37:12,128 DON'T YOU SEE? ♪ THERE'S A BIG BLACK HOLE WHERE MY HEART USED TO BE 1103 00:37:12,130 --> 00:37:14,297 ♪ THERE'S A BIG BLACK HOLE WHERE MY HEART USED TO BE ♪ AND I TRIED MY BEST TO FILL IT 1104 00:37:14,299 --> 00:37:16,099 WHERE MY HEART USED TO BE ♪ AND I TRIED MY BEST TO FILL IT UP WITH THINGS I DON'T NEED 1105 00:37:16,101 --> 00:37:18,802 ♪ AND I TRIED MY BEST TO FILL IT UP WITH THINGS I DON'T NEED ♪ IT DON'T WORK LIKE THAT, 1106 00:37:18,804 --> 00:37:20,136 UP WITH THINGS I DON'T NEED ♪ IT DON'T WORK LIKE THAT, NO, IT'S NOT EASY 1107 00:37:20,138 --> 00:37:22,239 ♪ IT DON'T WORK LIKE THAT, NO, IT'S NOT EASY ♪ TO FILL THIS GAP 1108 00:37:22,241 --> 00:37:24,107 NO, IT'S NOT EASY ♪ TO FILL THIS GAP THAT YOU LEFT IN ME 1109 00:37:24,109 --> 00:37:26,209 ♪ TO FILL THIS GAP THAT YOU LEFT IN ME ♪ THERE'S A BIG BLACK HOLE 1110 00:37:26,211 --> 00:37:26,743 THAT YOU LEFT IN ME ♪ THERE'S A BIG BLACK HOLE WHERE MY HEART USED TO BE 1111 00:37:26,745 --> 00:37:27,877 ♪ THERE'S A BIG BLACK HOLE WHERE MY HEART USED TO BE ♪ AND I WISH THAT YOU WOULD 1112 00:37:27,879 --> 00:37:31,915 WHERE MY HEART USED TO BE ♪ AND I WISH THAT YOU WOULD REALIZE I'M ALL THAT YOU NEED 1113 00:37:31,917 --> 00:37:32,482 ♪ AND I WISH THAT YOU WOULD REALIZE I'M ALL THAT YOU NEED ♪ IT DON'T WORK LIKE THAT, 1114 00:37:32,484 --> 00:37:35,752 REALIZE I'M ALL THAT YOU NEED ♪ IT DON'T WORK LIKE THAT, NO, IT'S NOT EASY 1115 00:37:35,754 --> 00:37:36,186 ♪ IT DON'T WORK LIKE THAT, NO, IT'S NOT EASY ♪ TO FILL THIS GAP 1116 00:37:36,188 --> 00:37:38,321 NO, IT'S NOT EASY ♪ TO FILL THIS GAP THAT YOU LEFT IN ME 1117 00:37:38,323 --> 00:37:40,156 ♪ TO FILL THIS GAP THAT YOU LEFT IN ME ♪ (THAT YOU LEFT IN ME) 1118 00:37:40,158 --> 00:37:42,225 THAT YOU LEFT IN ME ♪ (THAT YOU LEFT IN ME) ♪ OH, OH, OH, OH 1119 00:37:42,227 --> 00:37:44,127 ♪ (THAT YOU LEFT IN ME) ♪ OH, OH, OH, OH (THERE'S SUCH A BIG BLACK HOLE) 1120 00:37:44,129 --> 00:37:45,996 ♪ OH, OH, OH, OH (THERE'S SUCH A BIG BLACK HOLE) ♪ OH, OH, OH, OH 1121 00:37:45,998 --> 00:37:46,329 (THERE'S SUCH A BIG BLACK HOLE) ♪ OH, OH, OH, OH OH, OH, OH, OH 1122 00:37:46,331 --> 00:37:50,333 ♪ OH, OH, OH, OH OH, OH, OH, OH ♪ (THAT YOU LEFT IN ME) 1123 00:37:50,335 --> 00:37:55,071 OH, OH, OH, OH ♪ (THAT YOU LEFT IN ME) OH, OH, OH, OH 1124 00:37:55,073 --> 00:37:56,106 ♪ (THAT YOU LEFT IN ME) OH, OH, OH, OH ♪ THERE'S A BIG BLACK HOLE 1125 00:37:56,108 --> 00:37:59,376 OH, OH, OH, OH ♪ THERE'S A BIG BLACK HOLE WHERE MY HEART USED TO BE 1126 00:37:59,378 --> 00:38:00,110 ♪ THERE'S A BIG BLACK HOLE WHERE MY HEART USED TO BE ♪ AND I TRIED MY BEST TO FILL IT 1127 00:38:00,112 --> 00:38:02,312 WHERE MY HEART USED TO BE ♪ AND I TRIED MY BEST TO FILL IT UP WITH THINGS I DON'T NEED 1128 00:38:02,314 --> 00:38:04,147 ♪ AND I TRIED MY BEST TO FILL IT UP WITH THINGS I DON'T NEED ♪ IT DON'T WORK LIKE THAT, 1129 00:38:04,149 --> 00:38:06,683 UP WITH THINGS I DON'T NEED ♪ IT DON'T WORK LIKE THAT, NO, IT'S NOT EASY 1130 00:38:06,685 --> 00:38:08,118 ♪ IT DON'T WORK LIKE THAT, NO, IT'S NOT EASY ♪ TO FILL THIS GAP 1131 00:38:08,120 --> 00:38:09,452 NO, IT'S NOT EASY ♪ TO FILL THIS GAP THAT YOU LEFT IN ME 1132 00:38:09,454 --> 00:38:20,163 ♪ TO FILL THIS GAP THAT YOU LEFT IN ME ♪ (OH, THAT YOU LEFT IN ME) 1133 00:38:20,165 --> 00:38:21,431 THAT YOU LEFT IN ME ♪ (OH, THAT YOU LEFT IN ME) THERE'S A BIG BLACK HOLE 1134 00:38:21,433 --> 00:38:21,998 ♪ (OH, THAT YOU LEFT IN ME) THERE'S A BIG BLACK HOLE ♪ WHERE MY HEART USED TO BE 1135 00:38:22,000 --> 00:38:23,933 THERE'S A BIG BLACK HOLE ♪ WHERE MY HEART USED TO BE (OH, YEAH, YOU LEFT IN ME) 1136 00:38:23,935 --> 00:38:24,501 ♪ WHERE MY HEART USED TO BE (OH, YEAH, YOU LEFT IN ME) ♪ AND I WISH THAT YOU WOULD 1137 00:38:24,503 --> 00:38:25,602 (OH, YEAH, YOU LEFT IN ME) ♪ AND I WISH THAT YOU WOULD REALIZE I'M ALL THAT YOU NEED 1138 00:38:25,604 --> 00:38:25,835 ♪ AND I WISH THAT YOU WOULD REALIZE I'M ALL THAT YOU NEED ♪ (NO) 1139 00:38:25,837 --> 00:38:26,469 REALIZE I'M ALL THAT YOU NEED ♪ (NO) IT DON'T WORK LIKE THAT, 1140 00:38:26,471 --> 00:38:27,237 ♪ (NO) IT DON'T WORK LIKE THAT, ♪ NO, IT'S NOT EASY 1141 00:38:27,239 --> 00:38:27,704 IT DON'T WORK LIKE THAT, ♪ NO, IT'S NOT EASY (OH NO, IT'S NOT EASY) 1142 00:38:27,706 --> 00:38:28,138 ♪ NO, IT'S NOT EASY (OH NO, IT'S NOT EASY) ♪ TO FILL THIS GAP 1143 00:38:28,140 --> 00:38:28,571 (OH NO, IT'S NOT EASY) ♪ TO FILL THIS GAP THAT YOU LEFT IN ME 1144 00:38:28,573 --> 00:38:35,645 ♪ TO FILL THIS GAP THAT YOU LEFT IN ME ♪ (THAT YOU LEFT IN ME) 1145 00:38:35,780 --> 00:38:37,013 ( CHEERS AND APPLAUSE ) >> STEPHEN: GRIFF, EVERYBODY 1146 00:38:46,624 --> 00:38:51,061 ♪ >> Stephen: HEY, EVERYBODY! WELL, LADIES AND GENTLEMEN, 1147 00:38:51,063 --> 00:38:52,729 >> Stephen: HEY, EVERYBODY! WELL, LADIES AND GENTLEMEN, CHECK YOUR WATCH, YOU WILL SEE 1148 00:38:52,731 --> 00:38:53,596 WELL, LADIES AND GENTLEMEN, CHECK YOUR WATCH, YOU WILL SEE THAT'S ALMOST IT FOR "THE LATE 1149 00:38:53,598 --> 00:38:53,797 CHECK YOUR WATCH, YOU WILL SEE THAT'S ALMOST IT FOR "THE LATE SHOW." 1150 00:38:53,799 --> 00:38:55,732 THAT'S ALMOST IT FOR "THE LATE SHOW." I WANT TO THANK NATHAN LANE AND 1151 00:38:55,734 --> 00:38:56,766 SHOW." I WANT TO THANK NATHAN LANE AND GRIFF. 1152 00:38:56,768 --> 00:38:58,968 I WANT TO THANK NATHAN LANE AND GRIFF. BEFORE WE GO, YOU 1153 00:38:58,970 --> 00:39:00,770 GRIFF. BEFORE WE GO, YOU MAY REMEMBER A FEW MONTHS AGO 1154 00:39:00,772 --> 00:39:03,406 BEFORE WE GO, YOU MAY REMEMBER A FEW MONTHS AGO WHEN WE PUT OUT THIS L.S.S.C. 1155 00:39:03,408 --> 00:39:04,574 MAY REMEMBER A FEW MONTHS AGO WHEN WE PUT OUT THIS L.S.S.C. COVID TOUR T-SHIRT AND OTHER 1156 00:39:04,576 --> 00:39:05,208 WHEN WE PUT OUT THIS L.S.S.C. COVID TOUR T-SHIRT AND OTHER MERCH LISTING THE VARIOUS PLACES 1157 00:39:05,210 --> 00:39:06,943 COVID TOUR T-SHIRT AND OTHER MERCH LISTING THE VARIOUS PLACES WE DID OUR SHOW DURING 1158 00:39:06,945 --> 00:39:08,778 MERCH LISTING THE VARIOUS PLACES WE DID OUR SHOW DURING QUARANTINE. 1159 00:39:08,780 --> 00:39:10,880 WE DID OUR SHOW DURING QUARANTINE. BECAUSE WHAT IS MORE ROCK AND 1160 00:39:10,882 --> 00:39:11,414 QUARANTINE. BECAUSE WHAT IS MORE ROCK AND ROLL THAN FOLLOWING PROPER 1161 00:39:11,416 --> 00:39:12,749 BECAUSE WHAT IS MORE ROCK AND ROLL THAN FOLLOWING PROPER PUBLIC HEALTH AND SAFETY 1162 00:39:12,751 --> 00:39:16,753 ROLL THAN FOLLOWING PROPER PUBLIC HEALTH AND SAFETY PROTOCOLS? 1163 00:39:16,755 --> 00:39:18,922 PUBLIC HEALTH AND SAFETY PROTOCOLS? ( CHEERS AND APPLAUSE ) 1164 00:39:18,924 --> 00:39:22,525 PROTOCOLS? ( CHEERS AND APPLAUSE ) AND WHILE WE WERE ABLE TO KEEP 1165 00:39:22,527 --> 00:39:24,160 ( CHEERS AND APPLAUSE ) AND WHILE WE WERE ABLE TO KEEP WORKING DURING QUARANTINE, NOT 1166 00:39:24,162 --> 00:39:24,761 AND WHILE WE WERE ABLE TO KEEP WORKING DURING QUARANTINE, NOT EVERY BUSINESS WAS SO LUCKY. 1167 00:39:24,763 --> 00:39:28,765 WORKING DURING QUARANTINE, NOT EVERY BUSINESS WAS SO LUCKY. WHICH IS WHY 100% OF THE LATE 1168 00:39:28,767 --> 00:39:30,266 EVERY BUSINESS WAS SO LUCKY. WHICH IS WHY 100% OF THE LATE SHOW'S PROCEEDS GOES TO 1169 00:39:30,268 --> 00:39:30,967 WHICH IS WHY 100% OF THE LATE SHOW'S PROCEEDS GOES TO OPPORTUNITY FUND'S SMALL 1170 00:39:30,969 --> 00:39:32,736 SHOW'S PROCEEDS GOES TO OPPORTUNITY FUND'S SMALL BUSINESS RELIEF FUND. 1171 00:39:32,738 --> 00:39:33,937 OPPORTUNITY FUND'S SMALL BUSINESS RELIEF FUND. THAT MONEY DIRECTLY HELPS SMALL 1172 00:39:33,939 --> 00:39:35,905 BUSINESS RELIEF FUND. THAT MONEY DIRECTLY HELPS SMALL BUSINESSES AFFECTED BY THE 1173 00:39:35,907 --> 00:39:36,773 THAT MONEY DIRECTLY HELPS SMALL BUSINESSES AFFECTED BY THE PANDEMIC. 1174 00:39:36,775 --> 00:39:40,777 BUSINESSES AFFECTED BY THE PANDEMIC. AND AS OF TODAY, WE HAVE RAISED 1175 00:39:40,779 --> 00:39:42,946 PANDEMIC. AND AS OF TODAY, WE HAVE RAISED $271,849 TO HELP SMALL 1176 00:39:42,948 --> 00:39:44,748 AND AS OF TODAY, WE HAVE RAISED $271,849 TO HELP SMALL BUSINESSES. 1177 00:39:44,750 --> 00:39:48,685 $271,849 TO HELP SMALL BUSINESSES. WOO! 1178 00:39:48,687 --> 00:39:49,185 BUSINESSES. WOO! ( CHEERS AND APPLAUSE ) 1179 00:39:49,187 --> 00:39:56,159 WOO! ( CHEERS AND APPLAUSE ) BUT HERE'S THE PROBLEM -- 1180 00:39:56,161 --> 00:39:56,760 ( CHEERS AND APPLAUSE ) BUT HERE'S THE PROBLEM -- OUT TOUR DATES ON OUR T-SHIRTS 1181 00:39:56,762 --> 00:39:57,894 BUT HERE'S THE PROBLEM -- OUT TOUR DATES ON OUR T-SHIRTS WERE INCOMPLETE, BECAUSE NOW 1182 00:39:57,896 --> 00:39:58,695 OUT TOUR DATES ON OUR T-SHIRTS WERE INCOMPLETE, BECAUSE NOW WE'RE IN THE ED SULLIVAN 1183 00:39:58,697 --> 00:39:59,596 WERE INCOMPLETE, BECAUSE NOW WE'RE IN THE ED SULLIVAN THEATER, SO WE'VE UPDATED THEM 1184 00:39:59,598 --> 00:40:00,730 WE'RE IN THE ED SULLIVAN THEATER, SO WE'VE UPDATED THEM TO SHOW THAT WE'RE BACK N' 1185 00:40:00,732 --> 00:40:04,734 THEATER, SO WE'VE UPDATED THEM TO SHOW THAT WE'RE BACK N' VAXXED. 1186 00:40:04,736 --> 00:40:07,804 TO SHOW THAT WE'RE BACK N' VAXXED. ( CHEERS AND APPLAUSE ) 1187 00:40:07,806 --> 00:40:08,638 VAXXED. ( CHEERS AND APPLAUSE ) TO PICK YOUR NEW AND IMPROVED 1188 00:40:08,640 --> 00:40:09,205 ( CHEERS AND APPLAUSE ) TO PICK YOUR NEW AND IMPROVED T-SHIRT, OR ANY OF OUR OTHER 1189 00:40:09,207 --> 00:40:10,306 TO PICK YOUR NEW AND IMPROVED T-SHIRT, OR ANY OF OUR OTHER GREAT MERCH, AND HELP SMALL 1190 00:40:10,308 --> 00:40:12,776 T-SHIRT, OR ANY OF OUR OTHER GREAT MERCH, AND HELP SMALL BUSINESSES WHILE YOU DO IT, GO 1191 00:40:12,778 --> 00:40:15,111 GREAT MERCH, AND HELP SMALL BUSINESSES WHILE YOU DO IT, GO TO COLBERTLATESHOW.COM/COVIDTOUR 1192 00:40:15,113 --> 00:40:15,979 BUSINESSES WHILE YOU DO IT, GO TO COLBERTLATESHOW.COM/COVIDTOUR THESE NEW SHIRTS ARE PERFECT FOR 1193 00:40:15,981 --> 00:40:16,746 TO COLBERTLATESHOW.COM/COVIDTOUR THESE NEW SHIRTS ARE PERFECT FOR ANYBODY WITH A TORSO, AND THE 1194 00:40:16,748 --> 00:40:18,948 THESE NEW SHIRTS ARE PERFECT FOR ANYBODY WITH A TORSO, AND THE EXTRA-LARGE, EVEN MORESO. 1195 00:40:18,950 --> 00:40:20,750 ANYBODY WITH A TORSO, AND THE EXTRA-LARGE, EVEN MORESO. STICK AROUND FOR JAMES CORDEN'S 1196 00:40:20,752 --> 00:40:24,754 EXTRA-LARGE, EVEN MORESO. STICK AROUND FOR JAMES CORDEN'S T-SHIRT'S SHOW, GOODNIGHT 1197 00:40:24,756 --> 00:40:25,622 STICK AROUND FOR JAMES CORDEN'S T-SHIRT'S SHOW, GOODNIGHT ♪ 1198 00:40:28,826 --> 00:40:30,927 Captioning sponsored by CBS Captioned by Media Access Group at WGBH 1199 00:40:30,929 --> 00:40:33,229 Captioned by Media Access Group at WGBH access.wgbh.org