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<font color="#ffff00"> Captioning sponsored by CBS</font>
>> THE F.B.I. AND CAPITOL POLICE
LAUNCHED AN INVESTIGATION AFTER

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00:00:07,842 --> 00:00:08,407
>> THE F.B.I. AND CAPITOL POLICE
LAUNCHED AN INVESTIGATION AFTER
SOMEONE SENT A SUSPICIOUS

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00:00:08,409 --> 00:00:10,342
LAUNCHED AN INVESTIGATION AFTER
SOMEONE SENT A SUSPICIOUS
PACKAGE TO SENATOR RAND PAUL'S

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00:00:10,344 --> 00:00:10,542
SOMEONE SENT A SUSPICIOUS
PACKAGE TO SENATOR RAND PAUL'S
HOME.

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00:00:10,544 --> 00:00:13,379
PACKAGE TO SENATOR RAND PAUL'S
HOME.
THE LARGE ENVELOPE CONTAINED

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00:00:13,381 --> 00:00:14,413
HOME.
THE LARGE ENVELOPE CONTAINED
WHITE POWDER.

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00:00:14,415 --> 00:00:15,681
THE LARGE ENVELOPE CONTAINED
WHITE POWDER.
INVESTIGATORS ARE TRYING TO

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00:00:15,683 --> 00:00:17,383
WHITE POWDER.
INVESTIGATORS ARE TRYING TO
DETERMINE IF THE SUBSTANCE IS

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00:00:17,385 --> 00:00:18,484
INVESTIGATORS ARE TRYING TO
DETERMINE IF THE SUBSTANCE IS
HARMFUL.

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00:00:18,486 --> 00:00:20,019
DETERMINE IF THE SUBSTANCE IS
HARMFUL.
THE KENTUCKY SENATOR HAS SAID HE

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HARMFUL.
THE KENTUCKY SENATOR HAS SAID HE
HAS BEEN TARGETED BY VIOLENT

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00:00:20,588 --> 00:00:21,387
THE KENTUCKY SENATOR HAS SAID HE
HAS BEEN TARGETED BY VIOLENT
TWEETS ON SOCIAL MEDIA,

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00:00:21,389 --> 00:00:22,488
HAS BEEN TARGETED BY VIOLENT
TWEETS ON SOCIAL MEDIA,
INCLUDING BY SINGER RICHARD

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00:00:22,490 --> 00:00:25,924
TWEETS ON SOCIAL MEDIA,
INCLUDING BY SINGER RICHARD
MARX.

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00:00:25,926 --> 00:00:26,458
INCLUDING BY SINGER RICHARD
MARX.
>> AND NOW A RESPONSE FROM

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00:00:26,460 --> 00:00:29,595
MARX.
>> AND NOW A RESPONSE FROM
RICHARD MARX.

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>> AND NOW A RESPONSE FROM
RICHARD MARX.
<i> ( SUNG TO "RIGHT HERE WAITING")</i>

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RICHARD MARX.
<i> ( SUNG TO "RIGHT HERE WAITING")</i>
♪ ♪ ♪

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>> Announcer: IT'S "A LATE SHOW
WITH STEPHEN COLBERT."
TONIGHT:

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WITH STEPHEN COLBERT."
TONIGHT:
PLUS STEPHEN WELCOMES

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TONIGHT:
PLUS STEPHEN WELCOMES
GAYLE KING

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PLUS STEPHEN WELCOMES
GAYLE KING
AND MUSICAL GUESTS BTS

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FEATURING JON BATISTE AND STAY
HUMAN.

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AND NOW, LIVE ON TAPE FROM
THE ED SULLIVAN THEATER OFFICE
BUILDING IN NEW YORK CITY, IT'S

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THE ED SULLIVAN THEATER OFFICE
BUILDING IN NEW YORK CITY, IT'S
STEPHEN COLBERT!

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00:02:03,790 --> 00:02:08,594
>> Stephen: HI!
HEY, THERE!
WELCOME TO "A LATE SHOW."

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HEY, THERE!
WELCOME TO "A LATE SHOW."
I'M YOUR HOST, STEPHEN COLBERT.

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WELCOME TO "A LATE SHOW."
I'M YOUR HOST, STEPHEN COLBERT.
TONIGHT, LADIES AND GENTLEMEN, I

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I'M YOUR HOST, STEPHEN COLBERT.
TONIGHT, LADIES AND GENTLEMEN, I
AM LASER FOCUSED ON THE BIGGEST

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TONIGHT, LADIES AND GENTLEMEN, I
AM LASER FOCUSED ON THE BIGGEST
STORY TODAY, WHICH IS FROM

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00:02:18,272 --> 00:02:18,871
AM LASER FOCUSED ON THE BIGGEST
STORY TODAY, WHICH IS FROM
YESTERDAY, WHICH IS THAT THREE

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00:02:18,873 --> 00:02:20,405
STORY TODAY, WHICH IS FROM
YESTERDAY, WHICH IS THAT THREE
WEEKS FROM NOW, ON JUNE 14, "THE

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YESTERDAY, WHICH IS THAT THREE
WEEKS FROM NOW, ON JUNE 14, "THE
LATE SHOW" IS COMING BACK TO THE

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WEEKS FROM NOW, ON JUNE 14, "THE
LATE SHOW" IS COMING BACK TO THE
ED SULLIVAN THEATER IN A

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00:02:22,877 --> 00:02:26,411
LATE SHOW" IS COMING BACK TO THE
ED SULLIVAN THEATER IN A
TRIUMPHANT RETURN WE'RE CALLING

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00:02:26,413 --> 00:02:30,482
ED SULLIVAN THEATER IN A
TRIUMPHANT RETURN WE'RE CALLING
"THE LATE SHOW VAX IN ACTION: AN

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TRIUMPHANT RETURN WE'RE CALLING
"THE LATE SHOW VAX IN ACTION: AN
IMMUNITY THEATER PRODUCTION OF

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00:02:32,386 --> 00:02:34,486
"THE LATE SHOW VAX IN ACTION: AN
IMMUNITY THEATER PRODUCTION OF
THE STATE OF REUNION, WITH A

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IMMUNITY THEATER PRODUCTION OF
THE STATE OF REUNION, WITH A
LIVE BODY-ODY-AUDIENCE!"

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THE STATE OF REUNION, WITH A
LIVE BODY-ODY-AUDIENCE!"
I AM SO EXCITED.

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00:02:46,467 --> 00:02:47,666
LIVE BODY-ODY-AUDIENCE!"
I AM SO EXCITED.
AND, APPARENTLY, SO ARE YOU,

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I AM SO EXCITED.
AND, APPARENTLY, SO ARE YOU,
BECAUSE LAST NIGHT, AT 11:40,

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AND, APPARENTLY, SO ARE YOU,
BECAUSE LAST NIGHT, AT 11:40,
TICKETS WENT LIVE ON OUR

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BECAUSE LAST NIGHT, AT 11:40,
TICKETS WENT LIVE ON OUR
WEBSITE, AND WE GOT OVER 20,000

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TICKETS WENT LIVE ON OUR
WEBSITE, AND WE GOT OVER 20,000
REQUESTS IN THE FIRST 20

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WEBSITE, AND WE GOT OVER 20,000
REQUESTS IN THE FIRST 20
MINUTES.

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REQUESTS IN THE FIRST 20
MINUTES.
1,000 CLICKS A MINUTE!

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MINUTES.
1,000 CLICKS A MINUTE!
WHAT AM I, KOREAN SUPER-GROUP

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1,000 CLICKS A MINUTE!
WHAT AM I, KOREAN SUPER-GROUP
BTS?

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WHAT AM I, KOREAN SUPER-GROUP
BTS?
NO, BUT THEY ARE MY GUESTS

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BTS?
NO, BUT THEY ARE MY GUESTS
TONIGHT.

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NO, BUT THEY ARE MY GUESTS
TONIGHT.
LOVE.

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TONIGHT.
LOVE.
<i> ( LAUGHTER )</i>

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LOVE.
<i> ( LAUGHTER )</i>
SO, WHILE WE'RE ALREADY SOLD OUT

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00:03:06,487 --> 00:03:08,320
<i> ( LAUGHTER )</i>
SO, WHILE WE'RE ALREADY SOLD OUT
FOR JUNE, SCIENTISTS ARE

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00:03:08,322 --> 00:03:08,887
SO, WHILE WE'RE ALREADY SOLD OUT
FOR JUNE, SCIENTISTS ARE
PREDICTING A SURGE OF OTHER

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00:03:08,889 --> 00:03:10,489
FOR JUNE, SCIENTISTS ARE
PREDICTING A SURGE OF OTHER
MONTHS LATER THIS YEAR.

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00:03:10,491 --> 00:03:14,393
PREDICTING A SURGE OF OTHER
MONTHS LATER THIS YEAR.
SO IF YOU'RE FULLY VACCINATED,

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MONTHS LATER THIS YEAR.
SO IF YOU'RE FULLY VACCINATED,
GO AHEAD AND BOOKMARK THIS LINK

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00:03:15,029 --> 00:03:17,429
SO IF YOU'RE FULLY VACCINATED,
GO AHEAD AND BOOKMARK THIS LINK
FOR TICKETS, AND COME WATCH THE

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00:03:17,431 --> 00:03:18,297
GO AHEAD AND BOOKMARK THIS LINK
FOR TICKETS, AND COME WATCH THE
SHOW IN PERSON.

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FOR TICKETS, AND COME WATCH THE
SHOW IN PERSON.
THE FIRST TWO ROWS WILL GET

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00:03:18,866 --> 00:03:24,603
SHOW IN PERSON.
THE FIRST TWO ROWS WILL GET
PONCHOS, BECAUSE I WILL BE

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00:03:24,605 --> 00:03:25,404
THE FIRST TWO ROWS WILL GET
PONCHOS, BECAUSE I WILL BE
OPENLY WEEPING WITH JOY.

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PONCHOS, BECAUSE I WILL BE
OPENLY WEEPING WITH JOY.
NOW, I'M NOT THE ONLY ONE

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00:03:26,407 --> 00:03:27,573
OPENLY WEEPING WITH JOY.
NOW, I'M NOT THE ONLY ONE
SPREADING THE NEWS ABOUT ME.

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00:03:27,575 --> 00:03:28,640
NOW, I'M NOT THE ONLY ONE
SPREADING THE NEWS ABOUT ME.
THIS MORNING, POLITICO'S NEW

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SPREADING THE NEWS ABOUT ME.
THIS MORNING, POLITICO'S NEW
YORK PLAYBOOK PLUGGED OUR SHOW,

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00:03:29,743 --> 00:03:30,475
THIS MORNING, POLITICO'S NEW
YORK PLAYBOOK PLUGGED OUR SHOW,
BUT-- AND THIS IS REAL-- THEY

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00:03:30,477 --> 00:03:32,611
YORK PLAYBOOK PLUGGED OUR SHOW,
BUT-- AND THIS IS REAL-- THEY
RAN IT WITH A SMALL TYPO.

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00:03:32,613 --> 00:03:34,479
BUT-- AND THIS IS REAL-- THEY
RAN IT WITH A SMALL TYPO.
IT'S SUBTLE, BUT SEE IF YOU CAN

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RAN IT WITH A SMALL TYPO.
IT'S SUBTLE, BUT SEE IF YOU CAN
SPOT IT:

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IT'S SUBTLE, BUT SEE IF YOU CAN
SPOT IT:
"STEPHEN COLBERT'S 'LATE SHOW'

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SPOT IT:
"STEPHEN COLBERT'S 'LATE SHOW'
WILL RETURN ANTI-SEMITIC, ALL-

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"STEPHEN COLBERT'S 'LATE SHOW'
WILL RETURN ANTI-SEMITIC, ALL-
VACCINATED STUDIO AUDIENCE ON

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WILL RETURN ANTI-SEMITIC, ALL-
VACCINATED STUDIO AUDIENCE ON
JUNE 14."

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VACCINATED STUDIO AUDIENCE ON
JUNE 14."
<i> ( LAUGHTER )</i>

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JUNE 14."
<i> ( LAUGHTER )</i>
WHAT!?

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<i> ( LAUGHTER )</i>
WHAT!?
THAT IS HORRIBLE AND TOTALLY

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WHAT!?
THAT IS HORRIBLE AND TOTALLY
WRONG.

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THAT IS HORRIBLE AND TOTALLY
WRONG.
OUR AUDIENCE WILL NOT BE

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WRONG.
OUR AUDIENCE WILL NOT BE
ANTI-SEMITIC.

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OUR AUDIENCE WILL NOT BE
ANTI-SEMITIC.
I'M NOT SURE WHERE THIS CAME

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00:03:52,433 --> 00:03:53,031
ANTI-SEMITIC.
I'M NOT SURE WHERE THIS CAME
FROM, BUT I'LL CHECK WITH OUR

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I'M NOT SURE WHERE THIS CAME
FROM, BUT I'LL CHECK WITH OUR
NEW PUBLICIST, MARJORIE TAYLOR

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FROM, BUT I'LL CHECK WITH OUR
NEW PUBLICIST, MARJORIE TAYLOR
GREENE.

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NEW PUBLICIST, MARJORIE TAYLOR
GREENE.
SPEAKING OF WHOM, GEORGIA

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GREENE.
SPEAKING OF WHOM, GEORGIA
REPRESENTATIVE MARJORIE TAYLOR

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SPEAKING OF WHOM, GEORGIA
REPRESENTATIVE MARJORIE TAYLOR
GREENE, SEEN HERE, I'M GOING TO

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00:04:02,409 --> 00:04:04,042
REPRESENTATIVE MARJORIE TAYLOR
GREENE, SEEN HERE, I'M GOING TO
SAY... FLIRTING?

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GREENE, SEEN HERE, I'M GOING TO
SAY... FLIRTING?
GREENE IS A QANON-BELIEVING,

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00:04:05,346 --> 00:04:05,944
SAY... FLIRTING?
GREENE IS A QANON-BELIEVING,
PROFESSIONAL TROLL WHOSE ONLY

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00:04:05,946 --> 00:04:06,578
GREENE IS A QANON-BELIEVING,
PROFESSIONAL TROLL WHOSE ONLY
MOTIVATION IS MAKING PEOPLE TALK

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00:04:06,580 --> 00:04:08,413
PROFESSIONAL TROLL WHOSE ONLY
MOTIVATION IS MAKING PEOPLE TALK
ABOUT HER.

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MOTIVATION IS MAKING PEOPLE TALK
ABOUT HER.
SO LET'S TALK ABOUT HER.

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ABOUT HER.
SO LET'S TALK ABOUT HER.
LATE LAST WEEK, GREENE WENT ON A

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SO LET'S TALK ABOUT HER.
LATE LAST WEEK, GREENE WENT ON A
CONSERVATIVE PODCAST TO COMPLAIN

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LATE LAST WEEK, GREENE WENT ON A
CONSERVATIVE PODCAST TO COMPLAIN
ABOUT THE HOUSE'S MASK MANDATE

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CONSERVATIVE PODCAST TO COMPLAIN
ABOUT THE HOUSE'S MASK MANDATE
AND MADE A PRETTY TROUBLING

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ABOUT THE HOUSE'S MASK MANDATE
AND MADE A PRETTY TROUBLING
COMPARISON.

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AND MADE A PRETTY TROUBLING
COMPARISON.
>> YOU KNOW, WE CAN LOOK BACK IN

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COMPARISON.
>> YOU KNOW, WE CAN LOOK BACK IN
A TIME IN HISTORY WHERE PEOPLE

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>> YOU KNOW, WE CAN LOOK BACK IN
A TIME IN HISTORY WHERE PEOPLE
WERE TOLD TO WEAR A GOLD STAR,

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A TIME IN HISTORY WHERE PEOPLE
WERE TOLD TO WEAR A GOLD STAR,
AND THEY WERE DEFINITELY TREATED

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WERE TOLD TO WEAR A GOLD STAR,
AND THEY WERE DEFINITELY TREATED
LIKE SECOND-CLASS CITIZENS, SO

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AND THEY WERE DEFINITELY TREATED
LIKE SECOND-CLASS CITIZENS, SO
MUCH SO THAT THEY WERE PUT IN

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LIKE SECOND-CLASS CITIZENS, SO
MUCH SO THAT THEY WERE PUT IN
TRAINS AND TAKEN TO GAS CHAMBERS

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MUCH SO THAT THEY WERE PUT IN
TRAINS AND TAKEN TO GAS CHAMBERS
IN NAZI GERMANY.

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TRAINS AND TAKEN TO GAS CHAMBERS
IN NAZI GERMANY.
AND THIS IS EXACTLY THE TYPE OF

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00:04:34,642 --> 00:04:37,709
IN NAZI GERMANY.
AND THIS IS EXACTLY THE TYPE OF
ABUSE THAT NANCY PELOSI IS

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00:04:37,711 --> 00:04:38,210
AND THIS IS EXACTLY THE TYPE OF
ABUSE THAT NANCY PELOSI IS
TALKING ABOUT.

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00:04:38,212 --> 00:04:38,777
ABUSE THAT NANCY PELOSI IS
TALKING ABOUT.
>> Stephen: COUNTERPOINT: NO

113
00:04:38,779 --> 00:04:43,215
TALKING ABOUT.
>> Stephen: COUNTERPOINT: NO
IT'S NOT.

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00:04:43,217 --> 00:04:45,584
>> Stephen: COUNTERPOINT: NO
IT'S NOT.
GREENHAS UNLEASHED A FIRESTORM

115
00:04:45,586 --> 00:04:47,619
IT'S NOT.
GREENHAS UNLEASHED A FIRESTORM
OF CRITICISM FOR HER COMMENT SO

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00:04:47,621 --> 00:04:52,324
GREENHAS UNLEASHED A FIRESTORM
OF CRITICISM FOR HER COMMENT SO
THIS WEEKEND SHE DOUBLED DOWN.

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OF CRITICISM FOR HER COMMENT SO
THIS WEEKEND SHE DOUBLED DOWN.
>> I SAID NOTHING WRONG.

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THIS WEEKEND SHE DOUBLED DOWN.
>> I SAID NOTHING WRONG.
AND I THINK ANY RATIONAL JEWISH

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00:04:54,028 --> 00:04:54,660
>> I SAID NOTHING WRONG.
AND I THINK ANY RATIONAL JEWISH
PERSON DIDN'T LIKE WHAT HAPPENED

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00:04:54,662 --> 00:04:56,161
AND I THINK ANY RATIONAL JEWISH
PERSON DIDN'T LIKE WHAT HAPPENED
IN NAZI GERMANY, AND ANY

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00:04:56,163 --> 00:04:56,762
PERSON DIDN'T LIKE WHAT HAPPENED
IN NAZI GERMANY, AND ANY
RATIONAL JEWISH PERSON DOESN'T

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00:04:56,764 --> 00:04:58,497
IN NAZI GERMANY, AND ANY
RATIONAL JEWISH PERSON DOESN'T
LIKE WHAT'S HAPPENING WITH

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00:04:58,499 --> 00:05:00,198
RATIONAL JEWISH PERSON DOESN'T
LIKE WHAT'S HAPPENING WITH
OVERBEARING MASK MANDATES AND

124
00:05:00,200 --> 00:05:01,733
LIKE WHAT'S HAPPENING WITH
OVERBEARING MASK MANDATES AND
OVERBEARING VACCINE POLICIES.

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00:05:01,735 --> 00:05:02,401
OVERBEARING MASK MANDATES AND
OVERBEARING VACCINE POLICIES.
<i> ( AS GREENE )</i>

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00:05:02,403 --> 00:05:06,471
OVERBEARING VACCINE POLICIES.
<i> ( AS GREENE )</i>
"AND I BELIEVE THAT THERE ARE

127
00:05:06,473 --> 00:05:10,475
<i> ( AS GREENE )</i>
"AND I BELIEVE THAT THERE ARE
MANY RATIONAL JEWISH PEOPLE.

128
00:05:10,477 --> 00:05:11,843
"AND I BELIEVE THAT THERE ARE
MANY RATIONAL JEWISH PEOPLE.
HOW ELSE WOULD THEY BE

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00:05:11,845 --> 00:05:12,744
MANY RATIONAL JEWISH PEOPLE.
HOW ELSE WOULD THEY BE
ABLE TO CREATE THEIR FOREST FIRE

130
00:05:12,746 --> 00:05:13,378
HOW ELSE WOULD THEY BE
ABLE TO CREATE THEIR FOREST FIRE
SPACE LASERS?"

131
00:05:13,380 --> 00:05:14,413
ABLE TO CREATE THEIR FOREST FIRE
SPACE LASERS?"
SHE GOT A LOT OF CRITICISM FOR

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00:05:14,415 --> 00:05:15,580
SPACE LASERS?"
SHE GOT A LOT OF CRITICISM FOR
THAT, TOO.

133
00:05:15,582 --> 00:05:16,448
SHE GOT A LOT OF CRITICISM FOR
THAT, TOO.
SO THIS MORNING, SHE TRIPLED

134
00:05:16,450 --> 00:05:18,283
THAT, TOO.
SO THIS MORNING, SHE TRIPLED
DOWN WITH THIS UNPARSEABLE

135
00:05:18,285 --> 00:05:18,784
SO THIS MORNING, SHE TRIPLED
DOWN WITH THIS UNPARSEABLE
CLICKBAIT WORD PUDDING:

136
00:05:18,786 --> 00:05:20,419
DOWN WITH THIS UNPARSEABLE
CLICKBAIT WORD PUDDING:
"VACCINATED EMPLOYEES GET A

137
00:05:20,421 --> 00:05:22,287
CLICKBAIT WORD PUDDING:
"VACCINATED EMPLOYEES GET A
VACCINATION LOGO, JUST LIKE THE

138
00:05:22,289 --> 00:05:22,888
"VACCINATED EMPLOYEES GET A
VACCINATION LOGO, JUST LIKE THE
NAZI'S FORCED JEWISH PEOPLE TO

139
00:05:22,890 --> 00:05:25,524
VACCINATION LOGO, JUST LIKE THE
NAZI'S FORCED JEWISH PEOPLE TO
WEAR A GOLD STAR.

140
00:05:25,526 --> 00:05:26,391
NAZI'S FORCED JEWISH PEOPLE TO
WEAR A GOLD STAR.
VACCINE PASSPORTS AND MASK

141
00:05:26,393 --> 00:05:29,695
WEAR A GOLD STAR.
VACCINE PASSPORTS AND MASK
MANDATES CREATE DISCRIMINATION

142
00:05:29,697 --> 00:05:30,495
VACCINE PASSPORTS AND MASK
MANDATES CREATE DISCRIMINATION
AGAINST UNVAXXED PEOPLE WHO

143
00:05:30,497 --> 00:05:32,397
MANDATES CREATE DISCRIMINATION
AGAINST UNVAXXED PEOPLE WHO
TRUST THEIR IMMUNE SYSTEMS TO

144
00:05:32,399 --> 00:05:34,433
AGAINST UNVAXXED PEOPLE WHO
TRUST THEIR IMMUNE SYSTEMS TO
A VIRUS THAT IS 99% SURVIVABLE."

145
00:05:34,435 --> 00:05:36,968
TRUST THEIR IMMUNE SYSTEMS TO
A VIRUS THAT IS 99% SURVIVABLE."
YOU KNOW WHAT I'M GUESSING IS

146
00:05:36,970 --> 00:05:38,070
A VIRUS THAT IS 99% SURVIVABLE."
YOU KNOW WHAT I'M GUESSING IS
NOT 99% SURVIVABLE?

147
00:05:38,072 --> 00:05:38,670
YOU KNOW WHAT I'M GUESSING IS
NOT 99% SURVIVABLE?
COMPARING MASK MANDATES TO THE

148
00:05:38,672 --> 00:05:41,707
NOT 99% SURVIVABLE?
COMPARING MASK MANDATES TO THE
HOLOCAUST.

149
00:05:41,709 --> 00:05:42,474
COMPARING MASK MANDATES TO THE
HOLOCAUST.
BUT THE REAL VILLAINS HERE, OF

150
00:05:42,476 --> 00:05:44,409
HOLOCAUST.
BUT THE REAL VILLAINS HERE, OF
COURSE, ARE THE G.O.P. LEADERS

151
00:05:44,411 --> 00:05:46,478
BUT THE REAL VILLAINS HERE, OF
COURSE, ARE THE G.O.P. LEADERS
WHO HAVE SAT BACK AND SAID

152
00:05:46,480 --> 00:05:50,082
COURSE, ARE THE G.O.P. LEADERS
WHO HAVE SAT BACK AND SAID
NOTHING FOR FIVE DAYS.

153
00:05:50,084 --> 00:05:50,682
WHO HAVE SAT BACK AND SAID
NOTHING FOR FIVE DAYS.
THOUGH, FINALLY, TODAY, HOUSE

154
00:05:50,684 --> 00:05:52,784
NOTHING FOR FIVE DAYS.
THOUGH, FINALLY, TODAY, HOUSE
MINORITY LEADER KEVIN McCARTHY

155
00:05:52,786 --> 00:05:54,186
THOUGH, FINALLY, TODAY, HOUSE
MINORITY LEADER KEVIN McCARTHY
ATTEMPTED TO DISTANCE HIMSELF

156
00:05:54,188 --> 00:05:54,786
MINORITY LEADER KEVIN McCARTHY
ATTEMPTED TO DISTANCE HIMSELF
FROM GREENE'S STATEMENTS, AND

157
00:05:54,788 --> 00:05:56,388
ATTEMPTED TO DISTANCE HIMSELF
FROM GREENE'S STATEMENTS, AND
SHE RESPONDED BY RETWEETING A

158
00:05:56,390 --> 00:05:58,490
FROM GREENE'S STATEMENTS, AND
SHE RESPONDED BY RETWEETING A
SUPPORTER, DESCRIBING KEVIN

159
00:05:58,492 --> 00:06:02,394
SHE RESPONDED BY RETWEETING A
SUPPORTER, DESCRIBING KEVIN
McCARTHY AS A "MORON" AND

160
00:06:02,396 --> 00:06:05,263
SUPPORTER, DESCRIBING KEVIN
McCARTHY AS A "MORON" AND
A "FECKLESS C-WORD."

161
00:06:05,265 --> 00:06:08,800
McCARTHY AS A "MORON" AND
A "FECKLESS C-WORD."
OKAY, I DON'T KNOW EXACTLY CHA

162
00:06:08,802 --> 00:06:11,269
A "FECKLESS C-WORD."
OKAY, I DON'T KNOW EXACTLY CHA
C-WORD THAT IS.

163
00:06:11,271 --> 00:06:12,404
OKAY, I DON'T KNOW EXACTLY CHA
C-WORD THAT IS.
CONSERVATIVE?

164
00:06:12,406 --> 00:06:12,871
C-WORD THAT IS.
CONSERVATIVE?
CAPRICORN?

165
00:06:12,873 --> 00:06:14,239
CONSERVATIVE?
CAPRICORN?
BUT "FECKLESS" IS COMPLETELY

166
00:06:14,241 --> 00:06:14,473
CAPRICORN?
BUT "FECKLESS" IS COMPLETELY
UNFAIR!

167
00:06:14,475 --> 00:06:16,274
BUT "FECKLESS" IS COMPLETELY
UNFAIR!
KEVIN McCARTHY HAS PLENTY OF

168
00:06:16,276 --> 00:06:18,477
UNFAIR!
KEVIN McCARTHY HAS PLENTY OF
FECK.

169
00:06:18,479 --> 00:06:20,412
KEVIN McCARTHY HAS PLENTY OF
FECK.
I'D EVEN GO SO FAR AS TO SAY

170
00:06:20,414 --> 00:06:22,481
FECK.
I'D EVEN GO SO FAR AS TO SAY
HE'S FECKED IN THE HEAD.

171
00:06:22,483 --> 00:06:26,218
I'D EVEN GO SO FAR AS TO SAY
HE'S FECKED IN THE HEAD.
HE CAN ACTUALLY GO FECK HIMSELF.

172
00:06:26,220 --> 00:06:27,219
HE'S FECKED IN THE HEAD.
HE CAN ACTUALLY GO FECK HIMSELF.
<i> ( LAUGHTER )</i>

173
00:06:27,221 --> 00:06:28,019
HE CAN ACTUALLY GO FECK HIMSELF.
<i> ( LAUGHTER )</i>
OH, IN RICH PEOPLE NEWS, LET'S

174
00:06:28,021 --> 00:06:28,987
<i> ( LAUGHTER )</i>
OH, IN RICH PEOPLE NEWS, LET'S
TURN TO AMAZON C.E.O. AND MAN

175
00:06:28,989 --> 00:06:30,155
OH, IN RICH PEOPLE NEWS, LET'S
TURN TO AMAZON C.E.O. AND MAN
WELCOMING YOU TO HIS POLYAMOROUS

176
00:06:30,157 --> 00:06:30,689
TURN TO AMAZON C.E.O. AND MAN
WELCOMING YOU TO HIS POLYAMOROUS
JUICE-MAKING COMMUNE, JEFF

177
00:06:30,691 --> 00:06:34,493
WELCOMING YOU TO HIS POLYAMOROUS
JUICE-MAKING COMMUNE, JEFF
BEZOS.

178
00:06:34,495 --> 00:06:36,628
JUICE-MAKING COMMUNE, JEFF
BEZOS.
THE LATEST BEZOS NEWS-OS IS THAT

179
00:06:36,630 --> 00:06:38,397
BEZOS.
THE LATEST BEZOS NEWS-OS IS THAT
AMAZON IS NEARING A DEAL TO BUY

180
00:06:38,399 --> 00:06:41,767
THE LATEST BEZOS NEWS-OS IS THAT
AMAZON IS NEARING A DEAL TO BUY
THE HOLLYWOOD STUDIO MGM.

181
00:06:41,769 --> 00:06:42,467
AMAZON IS NEARING A DEAL TO BUY
THE HOLLYWOOD STUDIO MGM.
THAT IS SUCH A BILLIONAIRE MOVE.

182
00:06:42,469 --> 00:06:44,069
THE HOLLYWOOD STUDIO MGM.
THAT IS SUCH A BILLIONAIRE MOVE.
NEXT, HE'S GOING TO BUY KELLOG'S

183
00:06:44,071 --> 00:06:44,703
THAT IS SUCH A BILLIONAIRE MOVE.
NEXT, HE'S GOING TO BUY KELLOG'S
JUST SO HE CAN MAKE THE MGM LION

184
00:06:44,705 --> 00:06:46,471
NEXT, HE'S GOING TO BUY KELLOG'S
JUST SO HE CAN MAKE THE MGM LION
FIGHT TONY THE TIGER.

185
00:06:46,473 --> 00:06:50,409
JUST SO HE CAN MAKE THE MGM LION
FIGHT TONY THE TIGER.
THE PRICE TAG IS ALMOST

186
00:06:50,411 --> 00:06:51,910
FIGHT TONY THE TIGER.
THE PRICE TAG IS ALMOST
$9 BILLION AND WOULD GIVE AMAZON

187
00:06:51,912 --> 00:06:54,179
THE PRICE TAG IS ALMOST
$9 BILLION AND WOULD GIVE AMAZON
A TREASURE TROVE OF SHOWBIZ

188
00:06:54,181 --> 00:06:54,813
$9 BILLION AND WOULD GIVE AMAZON
A TREASURE TROVE OF SHOWBIZ
TITLES, INCLUDING THE JAMES BOND

189
00:06:54,815 --> 00:06:58,483
A TREASURE TROVE OF SHOWBIZ
TITLES, INCLUDING THE JAMES BOND
FRANCHISE.

190
00:06:58,485 --> 00:06:59,151
TITLES, INCLUDING THE JAMES BOND
FRANCHISE.
FIRST UP, CHANGING "DIE ANOTHER

191
00:06:59,153 --> 00:07:01,386
FRANCHISE.
FIRST UP, CHANGING "DIE ANOTHER
DAY" TO "DIE IN TWO DAYS FREE

192
00:07:01,388 --> 00:07:02,387
FIRST UP, CHANGING "DIE ANOTHER
DAY" TO "DIE IN TWO DAYS FREE
WITH AMAZON PRIME!"

193
00:07:02,389 --> 00:07:02,988
DAY" TO "DIE IN TWO DAYS FREE
WITH AMAZON PRIME!"
IN FACT, ALL OF MGM'S CLASSIC

194
00:07:02,990 --> 00:07:05,757
WITH AMAZON PRIME!"
IN FACT, ALL OF MGM'S CLASSIC
MOVIES ARE BEING UPDATED FOR

195
00:07:05,759 --> 00:07:06,491
IN FACT, ALL OF MGM'S CLASSIC
MOVIES ARE BEING UPDATED FOR
AMAZON, LIKE "THE WIZARD OF OZ."

196
00:07:06,493 --> 00:07:08,427
MOVIES ARE BEING UPDATED FOR
AMAZON, LIKE "THE WIZARD OF OZ."
♪ WE REPRESENT THE LOLLIPOP

197
00:07:08,429 --> 00:07:10,495
AMAZON, LIKE "THE WIZARD OF OZ."
♪ WE REPRESENT THE LOLLIPOP
GUILD

198
00:07:10,497 --> 00:07:13,632
♪ WE REPRESENT THE LOLLIPOP
GUILD
♪ THE LOLLIPOP GUILD

199
00:07:13,634 --> 00:07:14,099
GUILD
♪ THE LOLLIPOP GUILD
THE LOLLIPOP GUILD ♪

200
00:07:14,101 --> 00:07:17,302
♪ THE LOLLIPOP GUILD
THE LOLLIPOP GUILD ♪
>> NOTE THE LOLLIPOP GUILD HAS

201
00:07:17,304 --> 00:07:19,171
THE LOLLIPOP GUILD ♪
>> NOTE THE LOLLIPOP GUILD HAS
BEEN DISBANDED AND REPLACED BY

202
00:07:19,173 --> 00:07:20,972
>> NOTE THE LOLLIPOP GUILD HAS
BEEN DISBANDED AND REPLACED BY
THE ASSOCIATION OF LOLLIPOP

203
00:07:20,974 --> 00:07:22,541
BEEN DISBANDED AND REPLACED BY
THE ASSOCIATION OF LOLLIPOP
INDEPENDENT CONTRACTORS.

204
00:07:22,543 --> 00:07:26,411
THE ASSOCIATION OF LOLLIPOP
INDEPENDENT CONTRACTORS.
>> Stephen: I'M BEING TOLD WE

205
00:07:26,413 --> 00:07:30,081
INDEPENDENT CONTRACTORS.
>> Stephen: I'M BEING TOLD WE
HAVE AN OFFICIAL STATEMENT

206
00:07:30,550 --> 00:07:33,985
>> GUESS WHAT THE CAT DRAGGED
IN?
$9 BILLION.

207
00:07:33,987 --> 00:07:34,486
IN?
$9 BILLION.
I'M RICH!

208
00:07:34,488 --> 00:07:36,588
$9 BILLION.
I'M RICH!
( LAUGHS )

209
00:07:36,590 --> 00:07:37,255
I'M RICH!
( LAUGHS )
MAKE IT RAIN.

210
00:07:37,257 --> 00:07:39,291
( LAUGHS )
MAKE IT RAIN.
I'M ABOUT TO BE A SEA LION

211
00:07:39,293 --> 00:07:42,127
MAKE IT RAIN.
I'M ABOUT TO BE A SEA LION
BECAUSE DADDY'S GETTING A BRAND

212
00:07:42,129 --> 00:07:42,494
I'M ABOUT TO BE A SEA LION
BECAUSE DADDY'S GETTING A BRAND
NEW YACHT.

213
00:07:42,496 --> 00:07:44,262
BECAUSE DADDY'S GETTING A BRAND
NEW YACHT.
DON'T WORRY, I'VE BEEN ASSURED

214
00:07:44,264 --> 00:07:45,730
NEW YACHT.
DON'T WORRY, I'VE BEEN ASSURED
MY REPLACEMENT IS PERFECTLY

215
00:07:45,732 --> 00:07:50,402
DON'T WORRY, I'VE BEEN ASSURED
MY REPLACEMENT IS PERFECTLY
CAPABLE OF CARRYING ON MY

216
00:07:50,404 --> 00:07:51,937
MY REPLACEMENT IS PERFECTLY
CAPABLE OF CARRYING ON MY
LEGACY.

217
00:07:51,939 --> 00:07:54,473
CAPABLE OF CARRYING ON MY
LEGACY.
>> ROAR, ROAR.

218
00:07:54,475 --> 00:07:57,976
LEGACY.
>> ROAR, ROAR.
<i> ( LAUGHTER )</i>

219
00:07:57,978 --> 00:08:03,415
>> ROAR, ROAR.
<i> ( LAUGHTER )</i>
AND BASISOSE REALLY WANTS MGM,

220
00:08:03,417 --> 00:08:04,049
<i> ( LAUGHTER )</i>
AND BASISOSE REALLY WANTS MGM,
BECAUSE HE'S DROPPING THAT

221
00:08:04,051 --> 00:08:04,850
AND BASISOSE REALLY WANTS MGM,
BECAUSE HE'S DROPPING THAT
9 BILLION ON IT, EVEN THOUGH

222
00:08:04,852 --> 00:08:05,450
BECAUSE HE'S DROPPING THAT
9 BILLION ON IT, EVEN THOUGH
INSIDERS BELIEVE THE STUDIO IS

223
00:08:05,452 --> 00:08:06,051
9 BILLION ON IT, EVEN THOUGH
INSIDERS BELIEVE THE STUDIO IS
ONLY "WORTH ABOUT $5 BILLION."

224
00:08:06,053 --> 00:08:06,485
INSIDERS BELIEVE THE STUDIO IS
ONLY "WORTH ABOUT $5 BILLION."
JEFF!

225
00:08:06,487 --> 00:08:07,152
ONLY "WORTH ABOUT $5 BILLION."
JEFF!
THAT'S WAY TOO MUCH!

226
00:08:07,154 --> 00:08:07,652
JEFF!
THAT'S WAY TOO MUCH!
DIDN'T YOU CHECK ON THE

227
00:08:07,654 --> 00:08:08,420
THAT'S WAY TOO MUCH!
DIDN'T YOU CHECK ON THE
RIGHT-HAND SIDE OF TH PRODUCT

228
00:08:08,422 --> 00:08:09,387
DIDN'T YOU CHECK ON THE
RIGHT-HAND SIDE OF TH PRODUCT
PAGE?

229
00:08:09,389 --> 00:08:10,489
RIGHT-HAND SIDE OF TH PRODUCT
PAGE?
YOU COULD HAVE BOUGHT IT USED

230
00:08:10,491 --> 00:08:14,426
PAGE?
YOU COULD HAVE BOUGHT IT USED
FROM OTHER SELLERS.

231
00:08:14,428 --> 00:08:16,394
YOU COULD HAVE BOUGHT IT USED
FROM OTHER SELLERS.
SO, WHY WOULD ONE OF THE WORLD'S

232
00:08:16,396 --> 00:08:17,662
FROM OTHER SELLERS.
SO, WHY WOULD ONE OF THE WORLD'S
RICHEST MEN PAY ALMOST TWICE THE

233
00:08:17,664 --> 00:08:18,497
SO, WHY WOULD ONE OF THE WORLD'S
RICHEST MEN PAY ALMOST TWICE THE
VALUE FOR A STRUGGLING MOVIE

234
00:08:18,499 --> 00:08:20,365
RICHEST MEN PAY ALMOST TWICE THE
VALUE FOR A STRUGGLING MOVIE
STUDIO THAT RECENTLY WENT

235
00:08:20,367 --> 00:08:21,933
VALUE FOR A STRUGGLING MOVIE
STUDIO THAT RECENTLY WENT
BANKRUPT?

236
00:08:21,935 --> 00:08:22,534
STUDIO THAT RECENTLY WENT
BANKRUPT?
WELL, COULD BE THAT JEFF BEZOS

237
00:08:22,536 --> 00:08:24,870
BANKRUPT?
WELL, COULD BE THAT JEFF BEZOS
HAS AN ONGOING FEUD WITH THE

238
00:08:24,872 --> 00:08:26,404
WELL, COULD BE THAT JEFF BEZOS
HAS AN ONGOING FEUD WITH THE
FORMER PRESIDENT GENGHIS CON.

239
00:08:26,406 --> 00:08:29,241
HAS AN ONGOING FEUD WITH THE
FORMER PRESIDENT GENGHIS CON.
AND GUESS WHAT?

240
00:08:29,243 --> 00:08:30,475
FORMER PRESIDENT GENGHIS CON.
AND GUESS WHAT?
ALL THE OUTTAKES FROM "THE

241
00:08:30,477 --> 00:08:34,279
AND GUESS WHAT?
ALL THE OUTTAKES FROM "THE
APPRENTICE" ARE OWNED BY MGM.

242
00:08:34,281 --> 00:08:34,813
ALL THE OUTTAKES FROM "THE
APPRENTICE" ARE OWNED BY MGM.
HOLY MOTHER OF DVD EXTRAS!

243
00:08:34,815 --> 00:08:38,116
APPRENTICE" ARE OWNED BY MGM.
HOLY MOTHER OF DVD EXTRAS!
THE PRIVATE FOOTAGE OF A TV

244
00:08:38,118 --> 00:08:38,717
HOLY MOTHER OF DVD EXTRAS!
THE PRIVATE FOOTAGE OF A TV
BILLIONAIRE IS GOING TO BELONG

245
00:08:38,719 --> 00:08:42,087
THE PRIVATE FOOTAGE OF A TV
BILLIONAIRE IS GOING TO BELONG
TO AN ACTUAL BILLIONAIRE!

246
00:08:42,089 --> 00:08:42,687
BILLIONAIRE IS GOING TO BELONG
TO AN ACTUAL BILLIONAIRE!
YOU SEE, FOR YEARS, THERE HAVE

247
00:08:42,689 --> 00:08:45,891
TO AN ACTUAL BILLIONAIRE!
YOU SEE, FOR YEARS, THERE HAVE
BEEN ALLEGATIONS ABOUT OUT-TAKES

248
00:08:45,893 --> 00:08:46,491
YOU SEE, FOR YEARS, THERE HAVE
BEEN ALLEGATIONS ABOUT OUT-TAKES
FROM "THE APPRENTICE" WHERE

249
00:08:46,493 --> 00:08:50,428
BEEN ALLEGATIONS ABOUT OUT-TAKES
FROM "THE APPRENTICE" WHERE
THE SLOB FATHER USES RACIST

250
00:08:50,430 --> 00:08:54,266
FROM "THE APPRENTICE" WHERE
THE SLOB FATHER USES RACIST
LANGUAGE, INCLUDING BY ACTOR TOM

251
00:08:54,268 --> 00:08:54,799
THE SLOB FATHER USES RACIST
LANGUAGE, INCLUDING BY ACTOR TOM
ARNOLD, WHO SAYS HE SAW IT

252
00:08:54,801 --> 00:08:56,434
LANGUAGE, INCLUDING BY ACTOR TOM
ARNOLD, WHO SAYS HE SAW IT
PERSONALLY.

253
00:08:56,436 --> 00:08:57,702
ARNOLD, WHO SAYS HE SAW IT
PERSONALLY.
>> I'VE SEEN A COMPILATION TAPE

254
00:08:57,704 --> 00:08:58,470
PERSONALLY.
>> I'VE SEEN A COMPILATION TAPE
THAT MY BUDDY SHARED WITH ME.

255
00:08:58,472 --> 00:09:00,605
>> I'VE SEEN A COMPILATION TAPE
THAT MY BUDDY SHARED WITH ME.
HE SAYS THE N-WORD.

256
00:09:00,607 --> 00:09:02,407
THAT MY BUDDY SHARED WITH ME.
HE SAYS THE N-WORD.
HE SAYS-- HE CALLS ERIC THE

257
00:09:02,409 --> 00:09:03,608
HE SAYS THE N-WORD.
HE SAYS-- HE CALLS ERIC THE
R-WORD.

258
00:09:03,610 --> 00:09:04,242
HE SAYS-- HE CALLS ERIC THE
R-WORD.
IT WAS HIM SITTING IN THAT CHAIR

259
00:09:04,244 --> 00:09:06,478
R-WORD.
IT WAS HIM SITTING IN THAT CHAIR
SAYING THE N-WORD, SAYING THE

260
00:09:06,480 --> 00:09:08,413
IT WAS HIM SITTING IN THAT CHAIR
SAYING THE N-WORD, SAYING THE
C-WORD.

261
00:09:08,415 --> 00:09:10,482
SAYING THE N-WORD, SAYING THE
C-WORD.
HE SAYS EVERY BAD THING EVER,

262
00:09:10,484 --> 00:09:14,319
C-WORD.
HE SAYS EVERY BAD THING EVER,
EVERY DIRTY, EVERY OFFENSIVE,

263
00:09:14,321 --> 00:09:14,719
HE SAYS EVERY BAD THING EVER,
EVERY DIRTY, EVERY OFFENSIVE,
RACIST THING EVER.

264
00:09:14,721 --> 00:09:18,490
EVERY DIRTY, EVERY OFFENSIVE,
RACIST THING EVER.
>> Stephen: SO, ON BRAND.

265
00:09:18,492 --> 00:09:20,425
RACIST THING EVER.
>> Stephen: SO, ON BRAND.
AND IF THIS IS TRUE, SOMEDAY

266
00:09:20,427 --> 00:09:22,494
>> Stephen: SO, ON BRAND.
AND IF THIS IS TRUE, SOMEDAY
SOON, BEZOS MAY RELEASE THE MOST

267
00:09:22,496 --> 00:09:24,462
AND IF THIS IS TRUE, SOMEDAY
SOON, BEZOS MAY RELEASE THE MOST
RACIST THING IN THE MGM CATALOG,

268
00:09:24,464 --> 00:09:26,431
SOON, BEZOS MAY RELEASE THE MOST
RACIST THING IN THE MGM CATALOG,
OTHER THAN "GONE WITH THE WIND."

269
00:09:26,433 --> 00:09:30,502
RACIST THING IN THE MGM CATALOG,
OTHER THAN "GONE WITH THE WIND."
BECAUSE THESE TAPES HAVE NEVER

270
00:09:30,504 --> 00:09:32,404
OTHER THAN "GONE WITH THE WIND."
BECAUSE THESE TAPES HAVE NEVER
BEEN MADE PUBLIC, BUT NOW MOUNT

271
00:09:32,406 --> 00:09:33,505
BECAUSE THESE TAPES HAVE NEVER
BEEN MADE PUBLIC, BUT NOW MOUNT
FLUSHMORE'S ARCH-NEMESIS OWNS IT

272
00:09:33,507 --> 00:09:34,472
BEEN MADE PUBLIC, BUT NOW MOUNT
FLUSHMORE'S ARCH-NEMESIS OWNS IT
ALL!

273
00:09:34,474 --> 00:09:35,373
FLUSHMORE'S ARCH-NEMESIS OWNS IT
ALL!
AND I AM HERE FOR IT.

274
00:09:35,375 --> 00:09:36,007
ALL!
AND I AM HERE FOR IT.
BEZOS COULD RELEASE IT ALL ON

275
00:09:36,009 --> 00:09:37,108
AND I AM HERE FOR IT.
BEZOS COULD RELEASE IT ALL ON
AMAZON PRIME AS THE FOLLOW-UP TO

276
00:09:37,110 --> 00:09:38,410
BEZOS COULD RELEASE IT ALL ON
AMAZON PRIME AS THE FOLLOW-UP TO
FLEABAG:

277
00:09:38,412 --> 00:09:42,480
AMAZON PRIME AS THE FOLLOW-UP TO
FLEABAG:
D-BAG.

278
00:09:42,482 --> 00:09:43,548
FLEABAG:
D-BAG.
<i> ( LAUGHTER )</i>

279
00:09:43,550 --> 00:09:44,416
D-BAG.
<i> ( LAUGHTER )</i>
OH, SPEAKING OF D-BAGS, KENTUCKY

280
00:09:44,418 --> 00:09:45,584
<i> ( LAUGHTER )</i>
OH, SPEAKING OF D-BAGS, KENTUCKY
SENATOR AND MAN EXAGGERATING

281
00:09:45,586 --> 00:09:46,484
OH, SPEAKING OF D-BAGS, KENTUCKY
SENATOR AND MAN EXAGGERATING
HOW MANY FRIENDS HE HAS, RAND

282
00:09:46,486 --> 00:09:49,287
SENATOR AND MAN EXAGGERATING
HOW MANY FRIENDS HE HAS, RAND
PAUL.

283
00:09:49,289 --> 00:09:49,988
HOW MANY FRIENDS HE HAS, RAND
PAUL.
YESTERDAY, THE SENATOR RECEIVED

284
00:09:49,990 --> 00:09:50,622
PAUL.
YESTERDAY, THE SENATOR RECEIVED
A SUSPICIOUS PACKAGE FILLED WITH

285
00:09:50,624 --> 00:09:53,291
YESTERDAY, THE SENATOR RECEIVED
A SUSPICIOUS PACKAGE FILLED WITH
WHITE POWDER.

286
00:09:53,293 --> 00:09:54,492
A SUSPICIOUS PACKAGE FILLED WITH
WHITE POWDER.
IT WAS SUSPICIOUS BECAUSE IT

287
00:09:54,494 --> 00:09:56,428
WHITE POWDER.
IT WAS SUSPICIOUS BECAUSE IT
DIDN'T COME FROM DON JR.

288
00:09:56,430 --> 00:09:58,496
IT WAS SUSPICIOUS BECAUSE IT
DIDN'T COME FROM DON JR.
THE PACKAGE INCLUDED A

289
00:09:58,498 --> 00:10:00,699
DIDN'T COME FROM DON JR.
THE PACKAGE INCLUDED A
THREATENING MESSAGE, WITH AN

290
00:10:00,701 --> 00:10:01,833
THE PACKAGE INCLUDED A
THREATENING MESSAGE, WITH AN
IMAGE OF THE SENATOR IN A NECK

291
00:10:01,835 --> 00:10:02,467
THREATENING MESSAGE, WITH AN
IMAGE OF THE SENATOR IN A NECK
BRACE AND WITH A CAST ON HIS ARM

292
00:10:02,469 --> 00:10:05,637
IMAGE OF THE SENATOR IN A NECK
BRACE AND WITH A CAST ON HIS ARM
ABOVE TEXT READING, "I'LL FINISH

293
00:10:05,639 --> 00:10:06,471
BRACE AND WITH A CAST ON HIS ARM
ABOVE TEXT READING, "I'LL FINISH
WHAT YOUR NEIGHBOR STARTED, YOU

294
00:10:06,473 --> 00:10:09,808
ABOVE TEXT READING, "I'LL FINISH
WHAT YOUR NEIGHBOR STARTED, YOU
(BLEEP)."

295
00:10:09,810 --> 00:10:10,508
WHAT YOUR NEIGHBOR STARTED, YOU
(BLEEP)."
THE MESSAGE REFERS TO A 2017

296
00:10:10,510 --> 00:10:11,776
(BLEEP)."
THE MESSAGE REFERS TO A 2017
INCIDENT IN WHICH RAND PAUL

297
00:10:11,778 --> 00:10:12,844
THE MESSAGE REFERS TO A 2017
INCIDENT IN WHICH RAND PAUL
STEPPED OFF A RIDING LAWN MOWER

298
00:10:12,846 --> 00:10:14,012
INCIDENT IN WHICH RAND PAUL
STEPPED OFF A RIDING LAWN MOWER
AS THE MAN WHO LIVED NEXT DOOR

299
00:10:14,014 --> 00:10:14,512
STEPPED OFF A RIDING LAWN MOWER
AS THE MAN WHO LIVED NEXT DOOR
CHARGED AND TACKLED HIM.

300
00:10:14,514 --> 00:10:15,880
AS THE MAN WHO LIVED NEXT DOOR
CHARGED AND TACKLED HIM.
OF COURSE, NEIGHBORS GET IN

301
00:10:15,882 --> 00:10:17,182
CHARGED AND TACKLED HIM.
OF COURSE, NEIGHBORS GET IN
FIGHTS ALL THE TIME.

302
00:10:17,184 --> 00:10:18,483
OF COURSE, NEIGHBORS GET IN
FIGHTS ALL THE TIME.
WE ALL REMEMBER THAT ONE EPISODE

303
00:10:18,485 --> 00:10:21,453
FIGHTS ALL THE TIME.
WE ALL REMEMBER THAT ONE EPISODE
OF "HOME IMPROVEMENT."

304
00:10:21,455 --> 00:10:26,057
WE ALL REMEMBER THAT ONE EPISODE
OF "HOME IMPROVEMENT."
NOW, LET ME BE CLEAR ABOUT

305
00:10:26,059 --> 00:10:26,424
OF "HOME IMPROVEMENT."
NOW, LET ME BE CLEAR ABOUT
SOMETHING.

306
00:10:26,426 --> 00:10:27,626
NOW, LET ME BE CLEAR ABOUT
SOMETHING.
I'M NO FAN OF RAND PAUL.

307
00:10:27,628 --> 00:10:28,693
SOMETHING.
I'M NO FAN OF RAND PAUL.
HE TRIED TO SELL ME WEED

308
00:10:28,695 --> 00:10:29,494
I'M NO FAN OF RAND PAUL.
HE TRIED TO SELL ME WEED
BACKSTAGE HERE ONE NIGHT.

309
00:10:29,496 --> 00:10:30,362
HE TRIED TO SELL ME WEED
BACKSTAGE HERE ONE NIGHT.
BUT THERE IS NEVER ANY EXCUSE

310
00:10:30,364 --> 00:10:30,962
BACKSTAGE HERE ONE NIGHT.
BUT THERE IS NEVER ANY EXCUSE
FOR VIOLENCE OR THREATS OF ANY

311
00:10:30,964 --> 00:10:32,430
BUT THERE IS NEVER ANY EXCUSE
FOR VIOLENCE OR THREATS OF ANY
KIND AT ANY TIME AGAINST ANYONE

312
00:10:32,432 --> 00:10:34,399
FOR VIOLENCE OR THREATS OF ANY
KIND AT ANY TIME AGAINST ANYONE
FOR ANY REASON.

313
00:10:34,401 --> 00:10:34,933
KIND AT ANY TIME AGAINST ANYONE
FOR ANY REASON.
THAT IS NOT HOW WE SETTLE

314
00:10:34,935 --> 00:10:40,505
FOR ANY REASON.
THAT IS NOT HOW WE SETTLE
CONFLICTS IN A FREE SOCIETY.

315
00:10:40,507 --> 00:10:41,306
THAT IS NOT HOW WE SETTLE
CONFLICTS IN A FREE SOCIETY.
WE DO THAT WITH LIP SYNC

316
00:10:41,308 --> 00:10:41,873
CONFLICTS IN A FREE SOCIETY.
WE DO THAT WITH LIP SYNC
BATTLES.

317
00:10:41,875 --> 00:10:42,474
WE DO THAT WITH LIP SYNC
BATTLES.
LL COOL J DECIDES THE WINNER.

318
00:10:42,476 --> 00:10:44,409
BATTLES.
LL COOL J DECIDES THE WINNER.
IT'S IN THE CONSTITUTION.

319
00:10:44,411 --> 00:10:46,478
LL COOL J DECIDES THE WINNER.
IT'S IN THE CONSTITUTION.
AUTHORITIES DON'T KNOW WHO SENT

320
00:10:46,480 --> 00:10:48,880
IT'S IN THE CONSTITUTION.
AUTHORITIES DON'T KNOW WHO SENT
THE PACKAGE, BUT RAND PAUL IS

321
00:10:48,882 --> 00:10:50,415
AUTHORITIES DON'T KNOW WHO SENT
THE PACKAGE, BUT RAND PAUL IS
BLAMING POP SINGER RICHARD MARX.

322
00:10:50,417 --> 00:10:53,051
THE PACKAGE, BUT RAND PAUL IS
BLAMING POP SINGER RICHARD MARX.
WAIT, THE WHAT?

323
00:10:53,053 --> 00:10:54,486
BLAMING POP SINGER RICHARD MARX.
WAIT, THE WHAT?
THE GUY WHO SANG "ENDLESS

324
00:10:54,488 --> 00:10:56,321
WAIT, THE WHAT?
THE GUY WHO SANG "ENDLESS
SUMMER NIGHTS"?

325
00:10:56,323 --> 00:10:56,955
THE GUY WHO SANG "ENDLESS
SUMMER NIGHTS"?
THIS IS THE MOST UNEXPECTED ACT

326
00:10:56,957 --> 00:10:58,490
SUMMER NIGHTS"?
THIS IS THE MOST UNEXPECTED ACT
OF VIOLENCE SINCE HALL & OATES

327
00:10:58,492 --> 00:11:02,427
THIS IS THE MOST UNEXPECTED ACT
OF VIOLENCE SINCE HALL & OATES
THREW BABY JESSICA DOWN A WELL.

328
00:11:02,429 --> 00:11:02,994
OF VIOLENCE SINCE HALL & OATES
THREW BABY JESSICA DOWN A WELL.
HERE'S RAND PAUL'S CHAIN OF

329
00:11:02,996 --> 00:11:05,163
THREW BABY JESSICA DOWN A WELL.
HERE'S RAND PAUL'S CHAIN OF
LOGIC: SUNDAY, MARX TWEETED,

330
00:11:05,165 --> 00:11:05,830
HERE'S RAND PAUL'S CHAIN OF
LOGIC: SUNDAY, MARX TWEETED,
"IF I EVER MEET RAND PAUL'S

331
00:11:05,832 --> 00:11:06,431
LOGIC: SUNDAY, MARX TWEETED,
"IF I EVER MEET RAND PAUL'S
NEIGHBOR, I'M GOING TO HUG HIM

332
00:11:06,433 --> 00:11:07,065
"IF I EVER MEET RAND PAUL'S
NEIGHBOR, I'M GOING TO HUG HIM
AND BUY HIM AS MANY DRINKS AS HE

333
00:11:07,067 --> 00:11:12,537
NEIGHBOR, I'M GOING TO HUG HIM
AND BUY HIM AS MANY DRINKS AS HE
CAN CONSUME."

334
00:11:12,539 --> 00:11:16,541
AND BUY HIM AS MANY DRINKS AS HE
CAN CONSUME."
THAT LED RAND PAUL TO COMPLAIN

335
00:11:16,543 --> 00:11:17,742
CAN CONSUME."
THAT LED RAND PAUL TO COMPLAIN
"JUST THIS WEEKEND, RICHARD MARX

336
00:11:17,744 --> 00:11:20,278
THAT LED RAND PAUL TO COMPLAIN
"JUST THIS WEEKEND, RICHARD MARX
CALLED FOR VIOLENCE AGAINST ME

337
00:11:20,280 --> 00:11:22,480
"JUST THIS WEEKEND, RICHARD MARX
CALLED FOR VIOLENCE AGAINST ME
AND I RECEIVED THIS

338
00:11:22,482 --> 00:11:24,683
CALLED FOR VIOLENCE AGAINST ME
AND I RECEIVED THIS
POWDER-FILLED LETTER.

339
00:11:24,685 --> 00:11:25,150
AND I RECEIVED THIS
POWDER-FILLED LETTER.
"CALLED FOR VIOLENCE"?

340
00:11:25,152 --> 00:11:25,750
POWDER-FILLED LETTER.
"CALLED FOR VIOLENCE"?
IT WAS A CALL TO BUY SOMEONE A

341
00:11:25,752 --> 00:11:26,418
"CALLED FOR VIOLENCE"?
IT WAS A CALL TO BUY SOMEONE A
DRINK.

342
00:11:26,420 --> 00:11:27,452
IT WAS A CALL TO BUY SOMEONE A
DRINK.
BUT I GET IT.

343
00:11:27,454 --> 00:11:28,119
DRINK.
BUT I GET IT.
RICHARD MARX HAS OVER 300,000

344
00:11:28,121 --> 00:11:29,954
BUT I GET IT.
RICHARD MARX HAS OVER 300,000
FOLLOWERS ON TWITTE-- I BELIEVE

345
00:11:29,956 --> 00:11:30,555
RICHARD MARX HAS OVER 300,000
FOLLOWERS ON TWITTE-- I BELIEVE
THEY'RE CALLED MARXISTS-- AND

346
00:11:30,557 --> 00:11:31,189
FOLLOWERS ON TWITTE-- I BELIEVE
THEY'RE CALLED MARXISTS-- AND
WITH THAT KIND OF SOCIAL MEDIA

347
00:11:31,191 --> 00:11:32,023
THEY'RE CALLED MARXISTS-- AND
WITH THAT KIND OF SOCIAL MEDIA
PLATFORM, YOU HAVE TO BE CAREFUL

348
00:11:32,025 --> 00:11:32,457
WITH THAT KIND OF SOCIAL MEDIA
PLATFORM, YOU HAVE TO BE CAREFUL
ABOUT WHAT YOU SAY.

349
00:11:32,459 --> 00:11:33,658
PLATFORM, YOU HAVE TO BE CAREFUL
ABOUT WHAT YOU SAY.
STILL, TO THINK THAT RICHARD

350
00:11:33,660 --> 00:11:34,492
ABOUT WHAT YOU SAY.
STILL, TO THINK THAT RICHARD
MARX IS DANGEROUS IS JUST

351
00:11:34,494 --> 00:11:37,562
STILL, TO THINK THAT RICHARD
MARX IS DANGEROUS IS JUST
RIDICULOUS.

352
00:11:37,564 --> 00:11:38,430
MARX IS DANGEROUS IS JUST
RIDICULOUS.
I MEAN, WHEN YOU CONSIDER THE--

353
00:11:38,432 --> 00:11:40,065
RIDICULOUS.
I MEAN, WHEN YOU CONSIDER THE--
>> BWAHAHAHAHA!

354
00:11:40,067 --> 00:11:42,500
I MEAN, WHEN YOU CONSIDER THE--
>> BWAHAHAHAHA!
IS IT, STEVE?

355
00:11:42,502 --> 00:11:44,169
>> BWAHAHAHAHA!
IS IT, STEVE?
>> Stephen: GRAMMY AWARD-WINNING

356
00:11:44,171 --> 00:11:44,803
IS IT, STEVE?
>> Stephen: GRAMMY AWARD-WINNING
ARTIST WHO TOPPED THE CHARTS IN

357
00:11:44,805 --> 00:11:46,471
>> Stephen: GRAMMY AWARD-WINNING
ARTIST WHO TOPPED THE CHARTS IN
FOUR DIFFERENT DECADES,

358
00:11:46,473 --> 00:11:47,272
ARTIST WHO TOPPED THE CHARTS IN
FOUR DIFFERENT DECADES,
CHICAGO'S VERY OWN RICHARD

359
00:11:47,274 --> 00:11:47,639
FOUR DIFFERENT DECADES,
CHICAGO'S VERY OWN RICHARD
MARX?!

360
00:11:47,641 --> 00:11:50,375
CHICAGO'S VERY OWN RICHARD
MARX?!
HOW DID YOU BREAK INTO MY

361
00:11:50,377 --> 00:11:50,642
MARX?!
HOW DID YOU BREAK INTO MY
BROADCAST?

362
00:11:50,644 --> 00:11:54,479
HOW DID YOU BREAK INTO MY
BROADCAST?
>> OH, STEVE, WHEREVER YOU GO.

363
00:11:54,481 --> 00:11:57,849
BROADCAST?
>> OH, STEVE, WHEREVER YOU GO.
WHATEVER YOU DO, I, RICHARD

364
00:11:57,851 --> 00:11:58,283
>> OH, STEVE, WHEREVER YOU GO.
WHATEVER YOU DO, I, RICHARD
WILL

365
00:11:58,285 --> 00:11:58,783
WHATEVER YOU DO, I, RICHARD
WILL
♪ BE RIGHT HERE WAITING

366
00:11:58,785 --> 00:12:06,491
WILL
♪ BE RIGHT HERE WAITING
FOR YOU ♪

367
00:12:06,493 --> 00:12:07,092
♪ BE RIGHT HERE WAITING
FOR YOU ♪
ALONG WITH MY 300,000 TWITTER

368
00:12:07,094 --> 00:12:07,726
FOR YOU ♪
ALONG WITH MY 300,000 TWITTER
FOLLOWERS.

369
00:12:07,728 --> 00:12:08,426
ALONG WITH MY 300,000 TWITTER
FOLLOWERS.
WHO I CALL "THE RICHARDS."

370
00:12:08,428 --> 00:12:09,461
FOLLOWERS.
WHO I CALL "THE RICHARDS."
>> Stephen: OKAY, BUT YOU'RE NOT

371
00:12:09,463 --> 00:12:09,994
WHO I CALL "THE RICHARDS."
>> Stephen: OKAY, BUT YOU'RE NOT
INCITING VIOLENCE AGAINST

372
00:12:09,996 --> 00:12:10,495
>> Stephen: OKAY, BUT YOU'RE NOT
INCITING VIOLENCE AGAINST
PEOPLE, ARE YOU?

373
00:12:10,497 --> 00:12:11,730
INCITING VIOLENCE AGAINST
PEOPLE, ARE YOU?
>> OF COURSE NOT.

374
00:12:11,732 --> 00:12:12,397
PEOPLE, ARE YOU?
>> OF COURSE NOT.
ALL I WANT IS WORLD DOMINATION.

375
00:12:12,399 --> 00:12:14,432
>> OF COURSE NOT.
ALL I WANT IS WORLD DOMINATION.
I WILL NOT REST UNTIL RICHARD

376
00:12:14,434 --> 00:12:21,673
ALL I WANT IS WORLD DOMINATION.
I WILL NOT REST UNTIL RICHARD
MARX'S REACH IS...

377
00:12:21,675 --> 00:12:22,307
I WILL NOT REST UNTIL RICHARD
MARX'S REACH IS...
AVAILABLE AT richardmarx.com!

378
00:12:22,309 --> 00:12:22,841
MARX'S REACH IS...
AVAILABLE AT richardmarx.com!
>> Stephen: OKAY, THAT'S A

379
00:12:22,843 --> 00:12:23,808
AVAILABLE AT richardmarx.com!
>> Stephen: OKAY, THAT'S A
LITTLE SCARY.

380
00:12:23,810 --> 00:12:25,744
>> Stephen: OKAY, THAT'S A
LITTLE SCARY.
AREN'T YOU WORRIED THAT BY

381
00:12:25,746 --> 00:12:26,344
LITTLE SCARY.
AREN'T YOU WORRIED THAT BY
TALKING ABOUT THIS ON NATIONAL

382
00:12:26,346 --> 00:12:26,945
AREN'T YOU WORRIED THAT BY
TALKING ABOUT THIS ON NATIONAL
TV, WORLD LEADERS ARE GOING TO

383
00:12:26,947 --> 00:12:30,215
TALKING ABOUT THIS ON NATIONAL
TV, WORLD LEADERS ARE GOING TO
BAND TOGETHER AND STOP YOU?

384
00:12:30,217 --> 00:12:30,849
TV, WORLD LEADERS ARE GOING TO
BAND TOGETHER AND STOP YOU?
>> THEY'D HAVE TO CATCH ME FIRST

385
00:12:30,851 --> 00:12:33,318
BAND TOGETHER AND STOP YOU?
>> THEY'D HAVE TO CATCH ME FIRST
AT UNION CHAPEL IN LONDON,

386
00:12:33,320 --> 00:12:36,187
>> THEY'D HAVE TO CATCH ME FIRST
AT UNION CHAPEL IN LONDON,
SEPTEMBER 1, 2, 3.

387
00:12:36,189 --> 00:12:37,055
AT UNION CHAPEL IN LONDON,
SEPTEMBER 1, 2, 3.
TICKETS AVAILABLE AT

388
00:12:37,057 --> 00:12:38,456
SEPTEMBER 1, 2, 3.
TICKETS AVAILABLE AT
richardmarx.com!

389
00:12:38,458 --> 00:12:39,991
TICKETS AVAILABLE AT
richardmarx.com!
>> Stephen: WAIT A SECOND.

390
00:12:39,993 --> 00:12:40,558
richardmarx.com!
>> Stephen: WAIT A SECOND.
RICHARD, ARE YOU USING THIS

391
00:12:40,560 --> 00:12:42,494
>> Stephen: WAIT A SECOND.
RICHARD, ARE YOU USING THIS
CONTROVERSY JUST TO PROMOTE

392
00:12:42,496 --> 00:12:45,396
RICHARD, ARE YOU USING THIS
CONTROVERSY JUST TO PROMOTE
YOURSELF?

393
00:12:45,398 --> 00:12:45,964
CONTROVERSY JUST TO PROMOTE
YOURSELF?
>> YOU GOT ME, STEVIE.

394
00:12:45,966 --> 00:12:46,498
YOURSELF?
>> YOU GOT ME, STEVIE.
IT'S PART OF MY EVIL PLAN,

395
00:12:46,500 --> 00:12:50,268
>> YOU GOT ME, STEVIE.
IT'S PART OF MY EVIL PLAN,
THAT YOU CAN LEARN ALL ABOUT IN

396
00:12:50,270 --> 00:12:50,802
IT'S PART OF MY EVIL PLAN,
THAT YOU CAN LEARN ALL ABOUT IN
MY NEW MEMOIR, "STORIES TO

397
00:12:50,804 --> 00:12:51,469
THAT YOU CAN LEARN ALL ABOUT IN
MY NEW MEMOIR, "STORIES TO
TELL," AVAILABLE FOR PRE-ORDER

398
00:12:51,471 --> 00:12:51,903
MY NEW MEMOIR, "STORIES TO
TELL," AVAILABLE FOR PRE-ORDER
ON richardmarx.com!

399
00:12:51,905 --> 00:12:52,437
TELL," AVAILABLE FOR PRE-ORDER
ON richardmarx.com!
>> Stephen: RICHARD MARX,

400
00:12:52,439 --> 00:12:54,472
ON richardmarx.com!
>> Stephen: RICHARD MARX,
EVERYBODY!

401
00:12:54,474 --> 00:12:56,007
>> Stephen: RICHARD MARX,
EVERYBODY!
>> DOT-COM!

402
00:12:56,009 --> 00:12:56,608
EVERYBODY!
>> DOT-COM!
>> Stephen: WE'VE GOT A GREAT

403
00:12:56,610 --> 00:12:58,409
>> DOT-COM!
>> Stephen: WE'VE GOT A GREAT
SHOW FOR YOU TONIGHT.

404
00:12:58,411 --> 00:12:58,910
>> Stephen: WE'VE GOT A GREAT
SHOW FOR YOU TONIGHT.
MY GUEST IS GAYLE KING.

405
00:12:58,912 --> 00:13:00,945
SHOW FOR YOU TONIGHT.
MY GUEST IS GAYLE KING.
BUT WHEN WE COME BACK, GLOBAL

406
00:13:00,947 --> 00:13:01,312
MY GUEST IS GAYLE KING.
BUT WHEN WE COME BACK, GLOBAL
SUPERGROUP BTS.

407
00:13:01,314 --> 00:13:02,447
BUT WHEN WE COME BACK, GLOBAL
SUPERGROUP BTS.
AND I TEACH YOU SOME COOL NEW

408
00:13:02,449 --> 00:13:05,650
SUPERGROUP BTS.
AND I TEACH YOU SOME COOL NEW
HAND GESTURES.

409
00:13:05,652 --> 00:13:06,484
AND I TEACH YOU SOME COOL NEW
HAND GESTURES.
LOVE.

410
00:13:06,486 --> 00:13:08,419
HAND GESTURES.
LOVE.
♪ ♪ ♪

411
00:13:26,972 --> 00:13:36,347
♪ ♪ ♪
>> Stephen: HEY, EVERYBODY,
WELCOME BACK TO "A LATE SHOW."

412
00:13:36,349 --> 00:13:38,082
>> Stephen: HEY, EVERYBODY,
WELCOME BACK TO "A LATE SHOW."
YOU KNOW WHAT?

413
00:13:38,084 --> 00:13:41,186
WELCOME BACK TO "A LATE SHOW."
YOU KNOW WHAT?
WHY DON'T WE SAY HELLO TO JON

414
00:13:41,188 --> 00:13:41,486
YOU KNOW WHAT?
WHY DON'T WE SAY HELLO TO JON
BATISTE.

415
00:13:41,488 --> 00:13:41,753
WHY DON'T WE SAY HELLO TO JON
BATISTE.
♪ ♪ ♪

416
00:13:41,755 --> 00:13:42,687
BATISTE.
♪ ♪ ♪
I GOT THE SAME ENERGY.

417
00:13:42,689 --> 00:13:45,056
♪ ♪ ♪
I GOT THE SAME ENERGY.
I GOT THE SAME ENERGY.

418
00:13:45,058 --> 00:13:47,325
I GOT THE SAME ENERGY.
I GOT THE SAME ENERGY.
JON, LAST NIGHT, LAST NIGHT, I

419
00:13:47,327 --> 00:13:48,760
I GOT THE SAME ENERGY.
JON, LAST NIGHT, LAST NIGHT, I
DON'T KNOW IF YOU KNOW THIS.

420
00:13:48,762 --> 00:13:50,161
JON, LAST NIGHT, LAST NIGHT, I
DON'T KNOW IF YOU KNOW THIS.
>> Jon: WHAT'S THAT?

421
00:13:50,163 --> 00:13:50,829
DON'T KNOW IF YOU KNOW THIS.
>> Jon: WHAT'S THAT?
WHAT'S THAT?

422
00:13:50,831 --> 00:13:51,930
>> Jon: WHAT'S THAT?
WHAT'S THAT?
>> Stephen: WE PUT THE

423
00:13:51,932 --> 00:13:54,566
WHAT'S THAT?
>> Stephen: WE PUT THE
TICKETS, MADE THEM AVAILABLE AT

424
00:13:54,568 --> 00:13:56,734
>> Stephen: WE PUT THE
TICKETS, MADE THEM AVAILABLE AT
AROUND 11:40 LAST NIGHT.

425
00:13:56,736 --> 00:13:58,837
TICKETS, MADE THEM AVAILABLE AT
AROUND 11:40 LAST NIGHT.
BY MIDNIGHT-- YOU KNOW WE HAVE

426
00:13:58,839 --> 00:14:00,805
AROUND 11:40 LAST NIGHT.
BY MIDNIGHT-- YOU KNOW WE HAVE
400 SEATS IN THE THEATER.

427
00:14:00,807 --> 00:14:01,873
BY MIDNIGHT-- YOU KNOW WE HAVE
400 SEATS IN THE THEATER.
>> Jon: YEAH, YEAH.

428
00:14:01,875 --> 00:14:03,842
400 SEATS IN THE THEATER.
>> Jon: YEAH, YEAH.
>> Stephen: BY MIDNIGHT,

429
00:14:03,844 --> 00:14:05,944
>> Jon: YEAH, YEAH.
>> Stephen: BY MIDNIGHT,
20,000 TICKET REQUESTS IN 20

430
00:14:05,946 --> 00:14:06,177
>> Stephen: BY MIDNIGHT,
20,000 TICKET REQUESTS IN 20
MINUTES.

431
00:14:06,179 --> 00:14:07,745
20,000 TICKET REQUESTS IN 20
MINUTES.
WE HAVE TO GET A BIGGER THEATER.

432
00:14:07,747 --> 00:14:09,814
MINUTES.
WE HAVE TO GET A BIGGER THEATER.
WE HAVE TO DO THIS SHOW AT

433
00:14:09,816 --> 00:14:10,181
WE HAVE TO GET A BIGGER THEATER.
WE HAVE TO DO THIS SHOW AT
YANKEE STADIUM.

434
00:14:10,183 --> 00:14:11,616
WE HAVE TO DO THIS SHOW AT
YANKEE STADIUM.
>> Jon: THAT'S WHAT I WAS

435
00:14:11,618 --> 00:14:12,083
YANKEE STADIUM.
>> Jon: THAT'S WHAT I WAS
GOING TO SAY.

436
00:14:12,085 --> 00:14:14,819
>> Jon: THAT'S WHAT I WAS
GOING TO SAY.
LET'S GET A STADIUM OR ARENA.

437
00:14:14,821 --> 00:14:16,888
GOING TO SAY.
LET'S GET A STADIUM OR ARENA.
>> Stephen: WE'RE GOING TO

438
00:14:16,890 --> 00:14:18,890
LET'S GET A STADIUM OR ARENA.
>> Stephen: WE'RE GOING TO
ARENA ROCK LAST-NIGHT

439
00:14:18,892 --> 00:14:19,190
>> Stephen: WE'RE GOING TO
ARENA ROCK LAST-NIGHT
TELEVISION.

440
00:14:19,192 --> 00:14:20,992
ARENA ROCK LAST-NIGHT
TELEVISION.
>> Jon: YOU'RE INNOVATIVE.

441
00:14:20,994 --> 00:14:22,827
TELEVISION.
>> Jon: YOU'RE INNOVATIVE.
THAT'S INNOVATIVE TO ANOTHER

442
00:14:22,829 --> 00:14:23,027
>> Jon: YOU'RE INNOVATIVE.
THAT'S INNOVATIVE TO ANOTHER
LEVEL.

443
00:14:23,029 --> 00:14:23,628
THAT'S INNOVATIVE TO ANOTHER
LEVEL.
>> Stephen: YOU AND THE BAND

444
00:14:23,630 --> 00:14:24,963
LEVEL.
>> Stephen: YOU AND THE BAND
COULD FILL THAT STADIUM.

445
00:14:24,965 --> 00:14:26,064
>> Stephen: YOU AND THE BAND
COULD FILL THAT STADIUM.
YOU COULD REACH IT?

446
00:14:26,066 --> 00:14:28,800
COULD FILL THAT STADIUM.
YOU COULD REACH IT?
A. WE COULD HILT THE TOP OF THE.

447
00:14:28,802 --> 00:14:29,400
YOU COULD REACH IT?
A. WE COULD HILT THE TOP OF THE.
>> Stephen: WHAT'S THE BIGGEST

448
00:14:29,402 --> 00:14:30,468
A. WE COULD HILT THE TOP OF THE.
>> Stephen: WHAT'S THE BIGGEST
CROWD YOU EVER PLAYED?

449
00:14:30,470 --> 00:14:32,403
>> Stephen: WHAT'S THE BIGGEST
CROWD YOU EVER PLAYED?
>> Jon: WHEN I PLAYED WITH

450
00:14:32,405 --> 00:14:35,373
CROWD YOU EVER PLAYED?
>> Jon: WHEN I PLAYED WITH
PRINCE WE PLAYED AT MET LIFE IN

451
00:14:35,375 --> 00:14:35,840
>> Jon: WHEN I PLAYED WITH
PRINCE WE PLAYED AT MET LIFE IN
MADISON SQUARE GARDEN.

452
00:14:35,842 --> 00:14:36,374
PRINCE WE PLAYED AT MET LIFE IN
MADISON SQUARE GARDEN.
>> Stephen: HOLD ON.

453
00:14:36,376 --> 00:14:38,142
MADISON SQUARE GARDEN.
>> Stephen: HOLD ON.
"WHEN I PLAYED WITH PRINCE."

454
00:14:38,144 --> 00:14:38,776
>> Stephen: HOLD ON.
"WHEN I PLAYED WITH PRINCE."
I'M SORRY.

455
00:14:38,778 --> 00:14:39,410
"WHEN I PLAYED WITH PRINCE."
I'M SORRY.
>> Jon: THAT'S WHAT HAPPENED.

456
00:14:39,412 --> 00:14:42,914
I'M SORRY.
>> Jon: THAT'S WHAT HAPPENED.
>> Stephen: I'M JUST SAYING.

457
00:14:42,916 --> 00:14:45,750
>> Jon: THAT'S WHAT HAPPENED.
>> Stephen: I'M JUST SAYING.
"WHEN I PLAYED WITH PRINCE..."

458
00:14:45,752 --> 00:14:49,020
>> Stephen: I'M JUST SAYING.
"WHEN I PLAYED WITH PRINCE..."
>> Jon: OH, OKAYLY, NO, THE

459
00:14:49,022 --> 00:14:50,054
"WHEN I PLAYED WITH PRINCE..."
>> Jon: OH, OKAYLY, NO, THE
MARCH FOR SCIENCE, LAST

460
00:14:50,056 --> 00:14:50,421
>> Jon: OH, OKAYLY, NO, THE
MARCH FOR SCIENCE, LAST
ADMINISTRATION.

461
00:14:50,423 --> 00:14:52,156
MARCH FOR SCIENCE, LAST
ADMINISTRATION.
>> Stephen: OH, SCIENCE!

462
00:14:52,158 --> 00:14:52,357
ADMINISTRATION.
>> Stephen: OH, SCIENCE!
SORRY.

463
00:14:52,359 --> 00:14:53,725
>> Stephen: OH, SCIENCE!
SORRY.
>> Jon: YEAH, YEAH, SCIENCE.

464
00:14:53,727 --> 00:14:54,926
SORRY.
>> Jon: YEAH, YEAH, SCIENCE.
I LOVE SCIENCE.

465
00:14:54,928 --> 00:14:55,860
>> Jon: YEAH, YEAH, SCIENCE.
I LOVE SCIENCE.
>> Stephen: DO YOU HAVE-- DO

466
00:14:55,862 --> 00:14:57,662
I LOVE SCIENCE.
>> Stephen: DO YOU HAVE-- DO
YOU HAVE ANY-- DO YOU HAVE ANY

467
00:14:57,664 --> 00:14:59,030
>> Stephen: DO YOU HAVE-- DO
YOU HAVE ANY-- DO YOU HAVE ANY
SCIENCE IN YOUR FINGERS YOU

468
00:14:59,032 --> 00:14:59,964
YOU HAVE ANY-- DO YOU HAVE ANY
SCIENCE IN YOUR FINGERS YOU
COULD SHARE WITH THE PEOPLE?

469
00:14:59,966 --> 00:15:02,901
SCIENCE IN YOUR FINGERS YOU
COULD SHARE WITH THE PEOPLE?
>> Jon: OH, LET'S SEE.

470
00:15:02,903 --> 00:15:04,869
COULD SHARE WITH THE PEOPLE?
>> Jon: OH, LET'S SEE.
THE SENTENCE...

471
00:15:04,871 --> 00:15:15,280
>> Jon: OH, LET'S SEE.
THE SENTENCE...
♪ ♪ ♪

472
00:15:15,282 --> 00:15:16,881
THE SENTENCE...
♪ ♪ ♪
THAT'S THE SCIENCE OF

473
00:15:16,883 --> 00:15:17,181
♪ ♪ ♪
THAT'S THE SCIENCE OF
MODULATION.

474
00:15:17,183 --> 00:15:18,082
THAT'S THE SCIENCE OF
MODULATION.
>> Stephen: THERE YOU GO.

475
00:15:18,084 --> 00:15:21,486
MODULATION.
>> Stephen: THERE YOU GO.
THE MUSIC OF THE SPHERS.

476
00:15:21,488 --> 00:15:22,887
>> Stephen: THERE YOU GO.
THE MUSIC OF THE SPHERS.
MR. JON BATISTE, EVERYBODY.

477
00:15:22,889 --> 00:15:24,789
THE MUSIC OF THE SPHERS.
MR. JON BATISTE, EVERYBODY.
THANK YOU, JON.

478
00:15:24,791 --> 00:15:26,024
MR. JON BATISTE, EVERYBODY.
THANK YOU, JON.
LADIES AND GENTLEMEN, I AM VERY

479
00:15:26,026 --> 00:15:28,326
THANK YOU, JON.
LADIES AND GENTLEMEN, I AM VERY
EXCITED ABOUT MY MUSICAL GUEST

480
00:15:28,328 --> 00:15:30,261
LADIES AND GENTLEMEN, I AM VERY
EXCITED ABOUT MY MUSICAL GUEST
TONIGHT, BTS.

481
00:15:30,263 --> 00:15:33,364
EXCITED ABOUT MY MUSICAL GUEST
TONIGHT, BTS.
PAUSE FOR SCREAMING FANS.

482
00:15:33,366 --> 00:15:34,666
TONIGHT, BTS.
PAUSE FOR SCREAMING FANS.
BECAUSE, BTS ISN'T JUST A BAND.

483
00:15:34,668 --> 00:15:35,233
PAUSE FOR SCREAMING FANS.
BECAUSE, BTS ISN'T JUST A BAND.
THEY'RE A GLOBAL PHENOMENON.

484
00:15:35,235 --> 00:15:38,236
BECAUSE, BTS ISN'T JUST A BAND.
THEY'RE A GLOBAL PHENOMENON.
THEY'VE SOLD MILLIONS OF ALBUMS,

485
00:15:38,238 --> 00:15:38,903
THEY'RE A GLOBAL PHENOMENON.
THEY'VE SOLD MILLIONS OF ALBUMS,
THEY'VE BEEN STREAMED BILLIONS

486
00:15:38,905 --> 00:15:42,907
THEY'VE SOLD MILLIONS OF ALBUMS,
THEY'VE BEEN STREAMED BILLIONS
OF TIMES, AND PLAYED TO PACKED

487
00:15:42,909 --> 00:15:43,541
THEY'VE BEEN STREAMED BILLIONS
OF TIMES, AND PLAYED TO PACKED
STADIUMS ALL AROUND THE WORLD.

488
00:15:43,543 --> 00:15:44,142
OF TIMES, AND PLAYED TO PACKED
STADIUMS ALL AROUND THE WORLD.
THEY ARE SO INFLUENTIAL, THEY

489
00:15:44,144 --> 00:15:46,311
STADIUMS ALL AROUND THE WORLD.
THEY ARE SO INFLUENTIAL, THEY
ARE THE REASON I GOT THIS

490
00:15:46,313 --> 00:15:46,878
THEY ARE SO INFLUENTIAL, THEY
ARE THE REASON I GOT THIS
HAIRCUT.

491
00:15:46,880 --> 00:15:50,915
ARE THE REASON I GOT THIS
HAIRCUT.
THEY HAVE EVEN HELPED SPREAD

492
00:15:50,917 --> 00:15:52,884
HAIRCUT.
THEY HAVE EVEN HELPED SPREAD
TRENDS FROM KOREA, LIKE THIS

493
00:15:52,886 --> 00:15:55,253
THEY HAVE EVEN HELPED SPREAD
TRENDS FROM KOREA, LIKE THIS
HAND GESTURE RIGHT HERE.

494
00:15:55,255 --> 00:15:58,156
TRENDS FROM KOREA, LIKE THIS
HAND GESTURE RIGHT HERE.
YOU SEE THAT?

495
00:15:58,158 --> 00:15:58,890
HAND GESTURE RIGHT HERE.
YOU SEE THAT?
WHERE YOU USE YOUR THUMB AND

496
00:15:58,892 --> 00:16:01,292
YOU SEE THAT?
WHERE YOU USE YOUR THUMB AND
INDEX FINGER TO MAKE A TINY

497
00:16:01,294 --> 00:16:01,759
WHERE YOU USE YOUR THUMB AND
INDEX FINGER TO MAKE A TINY
LITTLE HEART.

498
00:16:01,761 --> 00:16:02,694
INDEX FINGER TO MAKE A TINY
LITTLE HEART.
BY THE WAY, ONLY THIS PART IS

499
00:16:02,696 --> 00:16:02,961
LITTLE HEART.
BY THE WAY, ONLY THIS PART IS
THE HEART.

500
00:16:02,963 --> 00:16:07,165
BY THE WAY, ONLY THIS PART IS
THE HEART.
IF YOUR HEART HAS THIS PART DOWN

501
00:16:07,167 --> 00:16:07,832
THE HEART.
IF YOUR HEART HAS THIS PART DOWN
HERE, THAT'S A PROBLEM.

502
00:16:07,834 --> 00:16:09,500
IF YOUR HEART HAS THIS PART DOWN
HERE, THAT'S A PROBLEM.
SEEK HELP.

503
00:16:09,502 --> 00:16:10,101
HERE, THAT'S A PROBLEM.
SEEK HELP.
AND TONIGHT, I AM THRILLED TO

504
00:16:10,103 --> 00:16:10,902
SEEK HELP.
AND TONIGHT, I AM THRILLED TO
ANNOUNCE THAT BTS HAS AGREED TO

505
00:16:10,904 --> 00:16:14,906
AND TONIGHT, I AM THRILLED TO
ANNOUNCE THAT BTS HAS AGREED TO
GIVE "A LATE SHOW" AN EXCLUSIVE

506
00:16:14,908 --> 00:16:15,740
ANNOUNCE THAT BTS HAS AGREED TO
GIVE "A LATE SHOW" AN EXCLUSIVE
LOOK AT A WHOLE BUNCH OF NEW

507
00:16:15,742 --> 00:16:16,341
GIVE "A LATE SHOW" AN EXCLUSIVE
LOOK AT A WHOLE BUNCH OF NEW
HAD GESTURES THAT ALL THE COOL

508
00:16:16,343 --> 00:16:16,975
LOOK AT A WHOLE BUNCH OF NEW
HAD GESTURES THAT ALL THE COOL
KIDS ARE GOING TO BE USING NEXT.

509
00:16:16,977 --> 00:16:18,042
HAD GESTURES THAT ALL THE COOL
KIDS ARE GOING TO BE USING NEXT.
JIM?

510
00:16:18,044 --> 00:16:19,444
KIDS ARE GOING TO BE USING NEXT.
JIM?
>> HI.

511
00:16:19,446 --> 00:16:22,580
JIM?
>> HI.
A FEW YEARS AGO, WE HELPED

512
00:16:22,582 --> 00:16:23,848
>> HI.
A FEW YEARS AGO, WE HELPED
POPULARIZE FINGER HEARTS, A

513
00:16:23,850 --> 00:16:25,149
A FEW YEARS AGO, WE HELPED
POPULARIZE FINGER HEARTS, A
SYMBOL THAT MEANS LOVE AND

514
00:16:25,151 --> 00:16:25,583
POPULARIZE FINGER HEARTS, A
SYMBOL THAT MEANS LOVE AND
INFECTION.

515
00:16:25,585 --> 00:16:28,052
SYMBOL THAT MEANS LOVE AND
INFECTION.
BUT THAT'S ONLY ONE OF MANY

516
00:16:28,054 --> 00:16:29,187
INFECTION.
BUT THAT'S ONLY ONE OF MANY
POPULAR GESTURES WE USE.

517
00:16:29,189 --> 00:16:31,489
BUT THAT'S ONLY ONE OF MANY
POPULAR GESTURES WE USE.
TONIGHT, ME AND THE BOYS OF BTS

518
00:16:31,491 --> 00:16:33,124
POPULAR GESTURES WE USE.
TONIGHT, ME AND THE BOYS OF BTS
ARE GOING TO TEACH YOU THE REST.

519
00:16:33,126 --> 00:16:34,892
TONIGHT, ME AND THE BOYS OF BTS
ARE GOING TO TEACH YOU THE REST.
LET'S GO.

520
00:16:34,894 --> 00:16:38,096
ARE GOING TO TEACH YOU THE REST.
LET'S GO.
♪ ♪ ♪

521
00:16:38,098 --> 00:16:39,764
LET'S GO.
♪ ♪ ♪
HEART IS ONE OF THE IMPORTANT

522
00:16:39,766 --> 00:16:39,998
♪ ♪ ♪
HEART IS ONE OF THE IMPORTANT
ORGANS.

523
00:16:40,000 --> 00:16:42,900
HEART IS ONE OF THE IMPORTANT
ORGANS.
YOU CAN COMMUNICATE WITH YOUR

524
00:16:42,902 --> 00:16:43,134
ORGANS.
YOU CAN COMMUNICATE WITH YOUR
FINGERS.

525
00:16:43,136 --> 00:16:50,441
YOU CAN COMMUNICATE WITH YOUR
FINGERS.
FOR EXAMPLE, THIS...

526
00:16:50,576 --> 00:16:54,879
AND THIS IS LONG INTENSIVE.
.

527
00:17:02,654 --> 00:17:10,862
>> IT LOOKS DELICIOUS.
BUT REMEMBER, DO NOT EAT YOUR
FINGER.

528
00:18:56,802 --> 00:19:02,006
>> Stephen: HEY!
SOMEBODY CALL FOR ME?
>> NOPE, WE ARE JUST SHOWING

529
00:19:02,008 --> 00:19:03,908
SOMEBODY CALL FOR ME?
>> NOPE, WE ARE JUST SHOWING
PEOPLE THE HAND GESTURES.

530
00:19:03,910 --> 00:19:05,877
>> NOPE, WE ARE JUST SHOWING
PEOPLE THE HAND GESTURES.
>> Stephen: DAMN IT!

531
00:19:05,879 --> 00:19:06,110
PEOPLE THE HAND GESTURES.
>> Stephen: DAMN IT!
AGAIN?

532
00:19:06,112 --> 00:19:08,146
>> Stephen: DAMN IT!
AGAIN?
YOU KNOW I HAVE A SHOW TONIGHT.

533
00:19:08,148 --> 00:19:10,581
AGAIN?
YOU KNOW I HAVE A SHOW TONIGHT.
IT'S A 16-HOUR PLANE RIDE BACK

534
00:19:10,583 --> 00:19:10,915
YOU KNOW I HAVE A SHOW TONIGHT.
IT'S A 16-HOUR PLANE RIDE BACK
FROM KOREA.

535
00:19:10,917 --> 00:19:12,150
IT'S A 16-HOUR PLANE RIDE BACK
FROM KOREA.
>> SORRY, STEPHEN.

536
00:19:12,152 --> 00:19:13,851
FROM KOREA.
>> SORRY, STEPHEN.
>> Stephen: FOR PETE'S SAKE,

537
00:19:13,853 --> 00:19:14,886
>> SORRY, STEPHEN.
>> Stephen: FOR PETE'S SAKE,
COME ON

538
00:19:34,973 --> 00:19:40,011
>> Stephen: THANK YOU, BTS.
WE'LL HAVE MORE BTS LATER,
BUT WE'LL BE RIGHT BACK WITH

539
00:19:40,013 --> 00:19:42,880
WE'LL HAVE MORE BTS LATER,
BUT WE'LL BE RIGHT BACK WITH
GAYLE KING!

540
00:19:44,783 --> 00:19:46,884
♪ ♪ ♪

541
00:19:55,994 --> 00:19:57,862
♪ ♪ ♪

542
00:19:58,497 --> 00:20:06,437
>> Stephen: HEY, EVERYBODY,
WELCOME BACK.
MY GUEST TONIGHT IS A CO-HOST OF

543
00:20:06,439 --> 00:20:07,138
WELCOME BACK.
MY GUEST TONIGHT IS A CO-HOST OF
"CBS THIS MORNING,"

544
00:20:07,140 --> 00:20:07,872
MY GUEST TONIGHT IS A CO-HOST OF
"CBS THIS MORNING,"
EDITOR-AT-LARGE OF "OPRAH

545
00:20:07,874 --> 00:20:09,006
"CBS THIS MORNING,"
EDITOR-AT-LARGE OF "OPRAH
DAILY," AND HOST OF THE

546
00:20:09,008 --> 00:20:10,241
EDITOR-AT-LARGE OF "OPRAH
DAILY," AND HOST OF THE
SIRIUS-XM SHOW "GAYLE KING IN

547
00:20:10,243 --> 00:20:11,876
DAILY," AND HOST OF THE
SIRIUS-XM SHOW "GAYLE KING IN
THE HOUSE."

548
00:20:11,878 --> 00:20:17,582
SIRIUS-XM SHOW "GAYLE KING IN
THE HOUSE."
PLEASE WELCOME BACK TO "A LATE

549
00:20:17,584 --> 00:20:18,149
THE HOUSE."
PLEASE WELCOME BACK TO "A LATE
SHOW," OUR FRIEND AND YOURS

550
00:20:18,151 --> 00:20:19,517
PLEASE WELCOME BACK TO "A LATE
SHOW," OUR FRIEND AND YOURS
GAYLE KING.

551
00:20:19,519 --> 00:20:19,850
SHOW," OUR FRIEND AND YOURS
GAYLE KING.
HI, GAYLE.

552
00:20:19,852 --> 00:20:21,352
GAYLE KING.
HI, GAYLE.
>> HI, STEPHEN COLBERT.

553
00:20:21,354 --> 00:20:22,653
HI, GAYLE.
>> HI, STEPHEN COLBERT.
>> Stephen: THE LAST TIME WE

554
00:20:22,655 --> 00:20:24,155
>> HI, STEPHEN COLBERT.
>> Stephen: THE LAST TIME WE
SPOKE WAS ALMOST A YEAR AGO.

555
00:20:24,157 --> 00:20:26,290
>> Stephen: THE LAST TIME WE
SPOKE WAS ALMOST A YEAR AGO.
IT WAS MAY 19 OF LAST YEAR.

556
00:20:26,292 --> 00:20:28,092
SPOKE WAS ALMOST A YEAR AGO.
IT WAS MAY 19 OF LAST YEAR.
AND OBVIOUSLY WE THOUGHT WE WERE

557
00:20:28,094 --> 00:20:30,428
IT WAS MAY 19 OF LAST YEAR.
AND OBVIOUSLY WE THOUGHT WE WERE
DEEPLY INTO COVID AT THAT TIME.

558
00:20:30,430 --> 00:20:32,163
AND OBVIOUSLY WE THOUGHT WE WERE
DEEPLY INTO COVID AT THAT TIME.
YOU HADN'T LEFT THE HOUSE IN 32

559
00:20:32,165 --> 00:20:32,363
DEEPLY INTO COVID AT THAT TIME.
YOU HADN'T LEFT THE HOUSE IN 32
DAYS.

560
00:20:32,365 --> 00:20:32,730
YOU HADN'T LEFT THE HOUSE IN 32
DAYS.
>> NOPE.

561
00:20:32,732 --> 00:20:36,400
DAYS.
>> NOPE.
SO THIS WAS, LIKE -- THIS WAS IN

562
00:20:36,402 --> 00:20:36,734
>> NOPE.
SO THIS WAS, LIKE -- THIS WAS IN
2020, STEPHEN.

563
00:20:36,736 --> 00:20:37,902
SO THIS WAS, LIKE -- THIS WAS IN
2020, STEPHEN.
>> Stephen: FIREMEMBER RIGHT.

564
00:20:37,904 --> 00:20:38,603
2020, STEPHEN.
>> Stephen: FIREMEMBER RIGHT.
>> YEAH.

565
00:20:38,605 --> 00:20:39,570
>> Stephen: FIREMEMBER RIGHT.
>> YEAH.
WE WERE LOCKED DOWN.

566
00:20:39,572 --> 00:20:41,205
>> YEAH.
WE WERE LOCKED DOWN.
AND I WAS SO AFRAID TO LEAVE THE

567
00:20:41,207 --> 00:20:43,541
WE WERE LOCKED DOWN.
AND I WAS SO AFRAID TO LEAVE THE
HOUSE.

568
00:20:43,543 --> 00:20:43,908
AND I WAS SO AFRAID TO LEAVE THE
HOUSE.
YOU'RE RIGHT.

569
00:20:43,910 --> 00:20:47,078
HOUSE.
YOU'RE RIGHT.
WE WERE BROADCASTING FROM HERE.

570
00:20:47,080 --> 00:20:48,412
YOU'RE RIGHT.
WE WERE BROADCASTING FROM HERE.
I'D LITERALLY GO FROM MY BEDROOM

571
00:20:48,414 --> 00:20:49,814
WE WERE BROADCASTING FROM HERE.
I'D LITERALLY GO FROM MY BEDROOM
TO THE TV ROOM TO THE KITCHEN TO

572
00:20:49,816 --> 00:20:51,849
I'D LITERALLY GO FROM MY BEDROOM
TO THE TV ROOM TO THE KITCHEN TO
THE BEDROOM TO THE TV ROOM.

573
00:20:51,851 --> 00:20:53,784
TO THE TV ROOM TO THE KITCHEN TO
THE BEDROOM TO THE TV ROOM.
FOR EXCITEMENT, I'D GO STAND IN

574
00:20:53,786 --> 00:20:57,588
THE BEDROOM TO THE TV ROOM.
FOR EXCITEMENT, I'D GO STAND IN
THE LIVING ROOM AND WAVE AT THE

575
00:20:57,590 --> 00:20:59,223
FOR EXCITEMENT, I'D GO STAND IN
THE LIVING ROOM AND WAVE AT THE
BIRDS-- "HI, BIRDS, HI!"

576
00:20:59,225 --> 00:21:00,424
THE LIVING ROOM AND WAVE AT THE
BIRDS-- "HI, BIRDS, HI!"
I WAS SO AFRAID.

577
00:21:00,426 --> 00:21:02,526
BIRDS-- "HI, BIRDS, HI!"
I WAS SO AFRAID.
BUT NOW, STEPHEN, I AM

578
00:21:02,528 --> 00:21:02,827
I WAS SO AFRAID.
BUT NOW, STEPHEN, I AM
VACCINATED.

579
00:21:02,829 --> 00:21:03,861
BUT NOW, STEPHEN, I AM
VACCINATED.
IT IS MY SUPER POWER.

580
00:21:03,863 --> 00:21:04,762
VACCINATED.
IT IS MY SUPER POWER.
I AM VACCINATED.

581
00:21:04,764 --> 00:21:05,997
IT IS MY SUPER POWER.
I AM VACCINATED.
>> Stephen: AND YOU'RE OUT AND

582
00:21:05,999 --> 00:21:06,664
I AM VACCINATED.
>> Stephen: AND YOU'RE OUT AND
ABOUT, RIGHT?

583
00:21:06,666 --> 00:21:09,634
>> Stephen: AND YOU'RE OUT AND
ABOUT, RIGHT?
>> I'M TAKING LITTLE BABY STEPS.

584
00:21:09,636 --> 00:21:10,201
ABOUT, RIGHT?
>> I'M TAKING LITTLE BABY STEPS.
I'M TAKING --

585
00:21:10,203 --> 00:21:11,869
>> I'M TAKING LITTLE BABY STEPS.
I'M TAKING --
>> Stephen: MARINE BABY STEP!

586
00:21:11,871 --> 00:21:13,204
I'M TAKING --
>> Stephen: MARINE BABY STEP!
LOOK AT THIS.

587
00:21:13,206 --> 00:21:15,873
>> Stephen: MARINE BABY STEP!
LOOK AT THIS.
THAT IS-- BABIES-- BABIES DON'T

588
00:21:15,875 --> 00:21:19,844
LOOK AT THIS.
THAT IS-- BABIES-- BABIES DON'T
GO TO SEE THE NETS ON SATURDAY.

589
00:21:19,846 --> 00:21:22,380
THAT IS-- BABIES-- BABIES DON'T
GO TO SEE THE NETS ON SATURDAY.
>> 14,000-PLUS PEOPLE, STEPHEN.

590
00:21:22,382 --> 00:21:23,347
GO TO SEE THE NETS ON SATURDAY.
>> 14,000-PLUS PEOPLE, STEPHEN.
>> Stephen: YEAH, YEAH.

591
00:21:23,349 --> 00:21:24,982
>> 14,000-PLUS PEOPLE, STEPHEN.
>> Stephen: YEAH, YEAH.
>> BUT, SEE --

592
00:21:24,984 --> 00:21:27,184
>> Stephen: YEAH, YEAH.
>> BUT, SEE --
>> Stephen: LOOK AT THAT.

593
00:21:27,186 --> 00:21:27,718
>> BUT, SEE --
>> Stephen: LOOK AT THAT.
THERE YOU GO.

594
00:21:27,720 --> 00:21:29,186
>> Stephen: LOOK AT THAT.
THERE YOU GO.
>> WHERE I WAS SITTING,

595
00:21:29,188 --> 00:21:31,122
THERE YOU GO.
>> WHERE I WAS SITTING,
EVERYBODY HAD TO BE VACCINATED.

596
00:21:31,124 --> 00:21:33,658
>> WHERE I WAS SITTING,
EVERYBODY HAD TO BE VACCINATED.
AND THEY DID COVID TESTING AT

597
00:21:33,660 --> 00:21:34,458
EVERYBODY HAD TO BE VACCINATED.
AND THEY DID COVID TESTING AT
THE ARENA.

598
00:21:34,460 --> 00:21:36,661
AND THEY DID COVID TESTING AT
THE ARENA.
SO I WAS VACCINATE-- YUP.

599
00:21:36,663 --> 00:21:37,795
THE ARENA.
SO I WAS VACCINATE-- YUP.
I WAS VACCINATED.

600
00:21:37,797 --> 00:21:40,264
SO I WAS VACCINATE-- YUP.
I WAS VACCINATED.
TOOK A COVID TEST AT THE ARENA.

601
00:21:40,266 --> 00:21:43,801
I WAS VACCINATED.
TOOK A COVID TEST AT THE ARENA.
THEY HAVE "VACCINATED ONLY"

602
00:21:43,803 --> 00:21:44,068
TOOK A COVID TEST AT THE ARENA.
THEY HAVE "VACCINATED ONLY"
SECTIONS.

603
00:21:44,070 --> 00:21:46,137
THEY HAVE "VACCINATED ONLY"
SECTIONS.
THE BROOKLYN NETS THEY AREN'T

604
00:21:46,139 --> 00:21:46,837
SECTIONS.
THE BROOKLYN NETS THEY AREN'T
PLAYING AROUND.

605
00:21:46,839 --> 00:21:48,072
THE BROOKLYN NETS THEY AREN'T
PLAYING AROUND.
I ACTUALLY FELT SAFE.

606
00:21:48,074 --> 00:21:49,473
PLAYING AROUND.
I ACTUALLY FELT SAFE.
14,000 OF MY CLOSEST FRIEND WHO

607
00:21:49,475 --> 00:21:51,575
I ACTUALLY FELT SAFE.
14,000 OF MY CLOSEST FRIEND WHO
I DO NOT KNOW, BUT I ACTUALLY

608
00:21:51,577 --> 00:21:51,842
14,000 OF MY CLOSEST FRIEND WHO
I DO NOT KNOW, BUT I ACTUALLY
FELT SAFE.

609
00:21:51,844 --> 00:21:53,210
I DO NOT KNOW, BUT I ACTUALLY
FELT SAFE.
>> Stephen: WERE ALL THE

610
00:21:53,212 --> 00:21:55,313
FELT SAFE.
>> Stephen: WERE ALL THE
CONCESSIONS OPEN?

611
00:21:55,315 --> 00:21:56,947
>> Stephen: WERE ALL THE
CONCESSIONS OPEN?
COULD YOU LIKE--

612
00:21:56,949 --> 00:21:57,748
CONCESSIONS OPEN?
COULD YOU LIKE--
>> I DON'T KNOW.

613
00:21:57,750 --> 00:21:59,717
COULD YOU LIKE--
>> I DON'T KNOW.
I DIDN'T DO ANY CONCESSIONS.

614
00:21:59,719 --> 00:22:00,184
>> I DON'T KNOW.
I DIDN'T DO ANY CONCESSIONS.
THIS IS THE THING.

615
00:22:00,186 --> 00:22:02,386
I DIDN'T DO ANY CONCESSIONS.
THIS IS THE THING.
I'M TIRED OF BEING SCARED,

616
00:22:02,388 --> 00:22:02,653
THIS IS THE THING.
I'M TIRED OF BEING SCARED,
HONESTLY.

617
00:22:02,655 --> 00:22:04,288
I'M TIRED OF BEING SCARED,
HONESTLY.
I'VE BEEN SO AFRAID HUNKERED

618
00:22:04,290 --> 00:22:05,289
HONESTLY.
I'VE BEEN SO AFRAID HUNKERED
DOWN HERE AT HOME.

619
00:22:05,291 --> 00:22:06,324
I'VE BEEN SO AFRAID HUNKERED
DOWN HERE AT HOME.
I'M TIRED OF BEING SCARED.

620
00:22:06,326 --> 00:22:07,858
DOWN HERE AT HOME.
I'M TIRED OF BEING SCARED.
>> Stephen: WE'RE BACK IN OUR

621
00:22:07,860 --> 00:22:09,093
I'M TIRED OF BEING SCARED.
>> Stephen: WE'RE BACK IN OUR
THEATER ON JUNE 14.

622
00:22:09,095 --> 00:22:10,428
>> Stephen: WE'RE BACK IN OUR
THEATER ON JUNE 14.
>> I'M SO EXCITED FOR YOU.

623
00:22:10,430 --> 00:22:11,595
THEATER ON JUNE 14.
>> I'M SO EXCITED FOR YOU.
>> Stephen: AND I'M ON THE

624
00:22:11,597 --> 00:22:13,164
>> I'M SO EXCITED FOR YOU.
>> Stephen: AND I'M ON THE
EDGE OF HAPPY TEARS HERE ABOUT

625
00:22:13,166 --> 00:22:13,731
>> Stephen: AND I'M ON THE
EDGE OF HAPPY TEARS HERE ABOUT
THE WHOLE THING.

626
00:22:13,733 --> 00:22:16,367
EDGE OF HAPPY TEARS HERE ABOUT
THE WHOLE THING.
I CAN'T WAIT TO GET BACK IN THE

627
00:22:16,369 --> 00:22:16,600
THE WHOLE THING.
I CAN'T WAIT TO GET BACK IN THE
THEATER.

628
00:22:16,602 --> 00:22:19,070
I CAN'T WAIT TO GET BACK IN THE
THEATER.
YOU'RE MOVING TO A NEW SPACE.

629
00:22:19,072 --> 00:22:19,603
THEATER.
YOU'RE MOVING TO A NEW SPACE.
>> YES.

630
00:22:19,605 --> 00:22:21,472
YOU'RE MOVING TO A NEW SPACE.
>> YES.
>> Stephen: FAIRLY SOON.

631
00:22:21,474 --> 00:22:23,140
>> YES.
>> Stephen: FAIRLY SOON.
AND IT'S NOT GOING TO BE MY

632
00:22:23,142 --> 00:22:23,374
>> Stephen: FAIRLY SOON.
AND IT'S NOT GOING TO BE MY
THEATER.

633
00:22:23,376 --> 00:22:24,575
AND IT'S NOT GOING TO BE MY
THEATER.
YOU ALL USED THE ED SULLIVAN

634
00:22:24,577 --> 00:22:26,577
THEATER.
YOU ALL USED THE ED SULLIVAN
THEATER FOR THE FIRST-- HOW

635
00:22:26,579 --> 00:22:26,777
YOU ALL USED THE ED SULLIVAN
THEATER FOR THE FIRST-- HOW
LONG?

636
00:22:26,779 --> 00:22:28,479
THEATER FOR THE FIRST-- HOW
LONG?
>> YES, YOU WERE VERY GRACIOUS.

637
00:22:28,481 --> 00:22:30,414
LONG?
>> YES, YOU WERE VERY GRACIOUS.
YOU LET US COME IN AND WE WORKED

638
00:22:30,416 --> 00:22:31,615
>> YES, YOU WERE VERY GRACIOUS.
YOU LET US COME IN AND WE WORKED
WITH SOME OF YOUR CREW.

639
00:22:31,617 --> 00:22:34,251
YOU LET US COME IN AND WE WORKED
WITH SOME OF YOUR CREW.
YOU HAVE A GREAT CREW, BY THE

640
00:22:34,253 --> 00:22:34,418
WITH SOME OF YOUR CREW.
YOU HAVE A GREAT CREW, BY THE
WAY.

641
00:22:34,420 --> 00:22:35,753
YOU HAVE A GREAT CREW, BY THE
WAY.
>> Stephen: I'M NOT SURE I HAD

642
00:22:35,755 --> 00:22:36,287
WAY.
>> Stephen: I'M NOT SURE I HAD
A CHOICE.

643
00:22:36,289 --> 00:22:37,321
>> Stephen: I'M NOT SURE I HAD
A CHOICE.
DID I HAVE A CHOICE?

644
00:22:37,323 --> 00:22:39,690
A CHOICE.
DID I HAVE A CHOICE?
I DID NOT HAVE A CHOICE.

645
00:22:39,692 --> 00:22:42,460
DID I HAVE A CHOICE?
I DID NOT HAVE A CHOICE.
>> LET ME SAY YOU HAVE A LOVELY

646
00:22:42,462 --> 00:22:42,760
I DID NOT HAVE A CHOICE.
>> LET ME SAY YOU HAVE A LOVELY
CREW THERE.

647
00:22:42,762 --> 00:22:44,061
>> LET ME SAY YOU HAVE A LOVELY
CREW THERE.
>> Stephen: LEWIS, WE DO.

648
00:22:44,063 --> 00:22:45,262
CREW THERE.
>> Stephen: LEWIS, WE DO.
BUT YOU'RE GOING TO A NEW SPOT.

649
00:22:45,264 --> 00:22:47,698
>> Stephen: LEWIS, WE DO.
BUT YOU'RE GOING TO A NEW SPOT.
WHERE ARE YOU GOING?

650
00:22:47,700 --> 00:22:48,599
BUT YOU'RE GOING TO A NEW SPOT.
WHERE ARE YOU GOING?
>> HOW ABOUT THIS, STEPHEN WHERE

651
00:22:48,601 --> 00:22:49,734
WHERE ARE YOU GOING?
>> HOW ABOUT THIS, STEPHEN WHERE
WE DID THE ELECTIONS.

652
00:22:49,736 --> 00:22:51,202
>> HOW ABOUT THIS, STEPHEN WHERE
WE DID THE ELECTIONS.
RIGHT THERE ON TIMES SQUARE.

653
00:22:51,204 --> 00:22:53,170
WE DID THE ELECTIONS.
RIGHT THERE ON TIMES SQUARE.
IT'S THE CROSSROADS OF THE

654
00:22:53,172 --> 00:22:53,371
RIGHT THERE ON TIMES SQUARE.
IT'S THE CROSSROADS OF THE
WORLD.

655
00:22:53,373 --> 00:22:53,771
IT'S THE CROSSROADS OF THE
WORLD.
>> Stephen: SURE.

656
00:22:53,773 --> 00:22:55,406
WORLD.
>> Stephen: SURE.
>> RIGHT ACROSS FROM "GOOD

657
00:22:55,408 --> 00:22:55,940
>> Stephen: SURE.
>> RIGHT ACROSS FROM "GOOD
MORNING AMERICA."

658
00:22:55,942 --> 00:22:58,609
>> RIGHT ACROSS FROM "GOOD
MORNING AMERICA."
I CAN GO, "HEY, ROBIN!

659
00:22:58,611 --> 00:22:59,844
MORNING AMERICA."
I CAN GO, "HEY, ROBIN!
HEY, GEORGE!

660
00:22:59,846 --> 00:23:00,411
I CAN GO, "HEY, ROBIN!
HEY, GEORGE!
HEY, MICHAEL!

661
00:23:00,413 --> 00:23:01,011
HEY, GEORGE!
HEY, MICHAEL!
OVER HERE!

662
00:23:01,013 --> 00:23:01,912
HEY, MICHAEL!
OVER HERE!
>>hStephen: YOU HAVE TO GET

663
00:23:01,914 --> 00:23:05,416
OVER HERE!
>>hStephen: YOU HAVE TO GET
ONE OF THOSE WATER BALLOON

664
00:23:05,418 --> 00:23:05,683
>>hStephen: YOU HAVE TO GET
ONE OF THOSE WATER BALLOON
LAUNCHERS.

665
00:23:05,685 --> 00:23:06,517
ONE OF THOSE WATER BALLOON
LAUNCHERS.
JUST SOAK THEM DOWN.

666
00:23:06,519 --> 00:23:08,552
LAUNCHERS.
JUST SOAK THEM DOWN.
>> LISTEN, BUT I LOVE BEING

667
00:23:08,554 --> 00:23:10,054
JUST SOAK THEM DOWN.
>> LISTEN, BUT I LOVE BEING
RIGHT THERE IN THE HEART OF NEW

668
00:23:10,056 --> 00:23:10,254
>> LISTEN, BUT I LOVE BEING
RIGHT THERE IN THE HEART OF NEW
YORK.

669
00:23:10,256 --> 00:23:11,756
RIGHT THERE IN THE HEART OF NEW
YORK.
I THINK IT WILL BE GREAT FOR THE

670
00:23:11,758 --> 00:23:11,956
YORK.
I THINK IT WILL BE GREAT FOR THE
SHOW.

671
00:23:11,958 --> 00:23:13,190
I THINK IT WILL BE GREAT FOR THE
SHOW.
>> Stephen: IT'S ANDREW YANG'S

672
00:23:13,192 --> 00:23:14,692
SHOW.
>> Stephen: IT'S ANDREW YANG'S
FAVORITE PLACE, ACTUALLY.

673
00:23:14,694 --> 00:23:16,026
>> Stephen: IT'S ANDREW YANG'S
FAVORITE PLACE, ACTUALLY.
I HEAR HE LOVES TIMES SQUARE

674
00:23:16,028 --> 00:23:17,361
FAVORITE PLACE, ACTUALLY.
I HEAR HE LOVES TIMES SQUARE
MORE THAN ANY OTHER PLACE IN NEW

675
00:23:17,363 --> 00:23:17,561
I HEAR HE LOVES TIMES SQUARE
MORE THAN ANY OTHER PLACE IN NEW
YORK.

676
00:23:17,563 --> 00:23:18,295
MORE THAN ANY OTHER PLACE IN NEW
YORK.
THAT'S WHAT HE SAID.

677
00:23:18,297 --> 00:23:22,500
YORK.
THAT'S WHAT HE SAID.
>> HE SAID THAT'S HIS FAVORITE

678
00:23:22,502 --> 00:23:23,868
THAT'S WHAT HE SAID.
>> HE SAID THAT'S HIS FAVORITE
SUBWAY STOP.

679
00:23:23,870 --> 00:23:25,369
>> HE SAID THAT'S HIS FAVORITE
SUBWAY STOP.
HAY, ANDREW YANG WAS AT THE

680
00:23:25,371 --> 00:23:26,904
SUBWAY STOP.
HAY, ANDREW YANG WAS AT THE
BROOK NETS GAME THE OTHER DAY,

681
00:23:26,906 --> 00:23:27,138
HAY, ANDREW YANG WAS AT THE
BROOK NETS GAME THE OTHER DAY,
STEPHEN.

682
00:23:27,140 --> 00:23:27,505
BROOK NETS GAME THE OTHER DAY,
STEPHEN.
HE WAS THERE.

683
00:23:27,507 --> 00:23:27,872
STEPHEN.
HE WAS THERE.
I SAW HIM.

684
00:23:27,874 --> 00:23:29,440
HE WAS THERE.
I SAW HIM.
>> Stephen: GOOD.

685
00:23:29,442 --> 00:23:29,907
I SAW HIM.
>> Stephen: GOOD.
A YANG SIGHTING.

686
00:23:29,909 --> 00:23:30,574
>> Stephen: GOOD.
A YANG SIGHTING.
>> YUP.

687
00:23:30,576 --> 00:23:32,376
A YANG SIGHTING.
>> YUP.
I THOUGHT I WOULD THROW THAT OUT

688
00:23:32,378 --> 00:23:34,478
>> YUP.
I THOUGHT I WOULD THROW THAT OUT
THERE FOR YOU.

689
00:23:34,480 --> 00:23:35,880
I THOUGHT I WOULD THROW THAT OUT
THERE FOR YOU.
I'M FULL OF ALL SORTS OF

690
00:23:35,882 --> 00:23:37,314
THERE FOR YOU.
I'M FULL OF ALL SORTS OF
INFORMATION YOU DIDN'T KNOW YOU

691
00:23:37,316 --> 00:23:38,649
I'M FULL OF ALL SORTS OF
INFORMATION YOU DIDN'T KNOW YOU
NEEDED, BUT GO AHEAD.

692
00:23:38,651 --> 00:23:39,717
INFORMATION YOU DIDN'T KNOW YOU
NEEDED, BUT GO AHEAD.
>> Stephen: THAT'S WHAT I LOOK

693
00:23:39,719 --> 00:23:42,653
NEEDED, BUT GO AHEAD.
>> Stephen: THAT'S WHAT I LOOK
FOR FROM CBS NEWS: INFORMATION I

694
00:23:42,655 --> 00:23:43,854
>> Stephen: THAT'S WHAT I LOOK
FOR FROM CBS NEWS: INFORMATION I
DIDN'T KNOW I NEEDED.

695
00:23:43,856 --> 00:23:47,024
FOR FROM CBS NEWS: INFORMATION I
DIDN'T KNOW I NEEDED.
<i> (  LAUGHTER  )</i>

696
00:23:47,026 --> 00:23:50,928
DIDN'T KNOW I NEEDED.
<i> (  LAUGHTER  )</i>
YOUR COHOST, TONY DACOPEUL IS ON

697
00:23:50,930 --> 00:23:54,565
<i> (  LAUGHTER  )</i>
YOUR COHOST, TONY DACOPEUL IS ON
PATERNITY LEAVE AND YOU'VE HAD

698
00:23:54,567 --> 00:23:56,467
YOUR COHOST, TONY DACOPEUL IS ON
PATERNITY LEAVE AND YOU'VE HAD
AGREEMENT COHOSTS, DREW

699
00:23:56,469 --> 00:23:56,734
PATERNITY LEAVE AND YOU'VE HAD
AGREEMENT COHOSTS, DREW
BARRYMORE.

700
00:23:56,736 --> 00:23:59,670
AGREEMENT COHOSTS, DREW
BARRYMORE.
BUT I'M PARTIAL WITH THE GUY YOU

701
00:23:59,672 --> 00:24:00,771
BARRYMORE.
BUT I'M PARTIAL WITH THE GUY YOU
HAVE COMING UP THE NEXT COUPLE

702
00:24:00,773 --> 00:24:03,073
BUT I'M PARTIAL WITH THE GUY YOU
HAVE COMING UP THE NEXT COUPLE
OF DAYS, MR. JOON EJON BATISTE.

703
00:24:03,075 --> 00:24:05,910
HAVE COMING UP THE NEXT COUPLE
OF DAYS, MR. JOON EJON BATISTE.
ARE YOU READY FOR THAT KIND OF

704
00:24:05,912 --> 00:24:07,278
OF DAYS, MR. JOON EJON BATISTE.
ARE YOU READY FOR THAT KIND OF
LEVEL IN IN THE MORNING?

705
00:24:07,280 --> 00:24:09,079
ARE YOU READY FOR THAT KIND OF
LEVEL IN IN THE MORNING?
>> I AM.

706
00:24:09,081 --> 00:24:09,780
LEVEL IN IN THE MORNING?
>> I AM.
THIS IS THE THING.

707
00:24:09,782 --> 00:24:11,449
>> I AM.
THIS IS THE THING.
HE CAME IN FOR A REHEARSAL.

708
00:24:11,451 --> 00:24:13,017
THIS IS THE THING.
HE CAME IN FOR A REHEARSAL.
BUT HE WAS SO GRACIOUS WITH HIS

709
00:24:13,019 --> 00:24:13,884
HE CAME IN FOR A REHEARSAL.
BUT HE WAS SO GRACIOUS WITH HIS
TIME HE WANTED TO GET THE LAY OF

710
00:24:13,886 --> 00:24:14,318
BUT HE WAS SO GRACIOUS WITH HIS
TIME HE WANTED TO GET THE LAY OF
THE LAND.

711
00:24:14,320 --> 00:24:16,654
TIME HE WANTED TO GET THE LAY OF
THE LAND.
I SAID TO HIM, I SAID, "DO YOU

712
00:24:16,656 --> 00:24:17,655
THE LAND.
I SAID TO HIM, I SAID, "DO YOU
SING ALL THE TIME?

713
00:24:17,657 --> 00:24:20,224
I SAID TO HIM, I SAID, "DO YOU
SING ALL THE TIME?
BECAUSE HE JUST WALKS AROUND AND

714
00:24:20,226 --> 00:24:21,425
SING ALL THE TIME?
BECAUSE HE JUST WALKS AROUND AND
HE JUST BREAKS OUT INTO SONG.

715
00:24:21,427 --> 00:24:22,426
BECAUSE HE JUST WALKS AROUND AND
HE JUST BREAKS OUT INTO SONG.
I LOVE THAT ABOUT HIM.

716
00:24:22,428 --> 00:24:23,761
HE JUST BREAKS OUT INTO SONG.
I LOVE THAT ABOUT HIM.
>> Stephen: HE DOES.

717
00:24:23,763 --> 00:24:25,196
I LOVE THAT ABOUT HIM.
>> Stephen: HE DOES.
NO, NO, MUSIC COMES OUT OF HIM.

718
00:24:25,198 --> 00:24:25,930
>> Stephen: HE DOES.
NO, NO, MUSIC COMES OUT OF HIM.
>> I KNOW.

719
00:24:25,932 --> 00:24:27,097
NO, NO, MUSIC COMES OUT OF HIM.
>> I KNOW.
>> Stephen: JUST LIKE FLOWERS

720
00:24:27,099 --> 00:24:27,631
>> I KNOW.
>> Stephen: JUST LIKE FLOWERS
OUT OF GROUND.

721
00:24:27,633 --> 00:24:29,600
>> Stephen: JUST LIKE FLOWERS
OUT OF GROUND.
>> WHICH, BY THE WAY, STEPHEN,

722
00:24:29,602 --> 00:24:33,471
OUT OF GROUND.
>> WHICH, BY THE WAY, STEPHEN,
IT'S NOT JUST JON BATISTE.

723
00:24:33,473 --> 00:24:37,007
>> WHICH, BY THE WAY, STEPHEN,
IT'S NOT JUST JON BATISTE.
IT'S OSCAR WINNER JON BATISTE TO

724
00:24:37,009 --> 00:24:37,174
IT'S NOT JUST JON BATISTE.
IT'S OSCAR WINNER JON BATISTE TO
US.

725
00:24:37,176 --> 00:24:39,844
IT'S OSCAR WINNER JON BATISTE TO
US.
>> Stephen: OSCAR, BAFTA,

726
00:24:39,846 --> 00:24:40,511
US.
>> Stephen: OSCAR, BAFTA,
GOLDEN GLOBE.

727
00:24:40,513 --> 00:24:41,745
>> Stephen: OSCAR, BAFTA,
GOLDEN GLOBE.
THAT'S HIS PRIMARY OCCUPATION

728
00:24:41,747 --> 00:24:43,614
GOLDEN GLOBE.
THAT'S HIS PRIMARY OCCUPATION
THESE DAYS WINNING AWARDS.

729
00:24:43,616 --> 00:24:45,115
THAT'S HIS PRIMARY OCCUPATION
THESE DAYS WINNING AWARDS.
EVERYTHING ELSE IS A SIDE

730
00:24:45,117 --> 00:24:45,349
THESE DAYS WINNING AWARDS.
EVERYTHING ELSE IS A SIDE
HUSTLE.

731
00:24:45,351 --> 00:24:46,417
EVERYTHING ELSE IS A SIDE
HUSTLE.
I MIGHT HAVE TO POP IN, I MIGHT

732
00:24:46,419 --> 00:24:48,853
HUSTLE.
I MIGHT HAVE TO POP IN, I MIGHT
HAVE TO POP IN TOMORROW MORNING

733
00:24:48,855 --> 00:24:52,723
I MIGHT HAVE TO POP IN, I MIGHT
HAVE TO POP IN TOMORROW MORNING
AND SAY IN CASE YOU NEED ANY

734
00:24:52,725 --> 00:24:53,290
HAVE TO POP IN TOMORROW MORNING
AND SAY IN CASE YOU NEED ANY
ELP WRANGLING BATISTE.

735
00:24:53,292 --> 00:24:54,992
AND SAY IN CASE YOU NEED ANY
ELP WRANGLING BATISTE.
>> ARE YOU THINKING ABOUT

736
00:24:54,994 --> 00:24:55,493
ELP WRANGLING BATISTE.
>> ARE YOU THINKING ABOUT
POPPING IN?

737
00:24:55,495 --> 00:24:56,660
>> ARE YOU THINKING ABOUT
POPPING IN?
>> Stephen: I'M THINKING ABOUT

738
00:24:56,662 --> 00:24:57,628
POPPING IN?
>> Stephen: I'M THINKING ABOUT
POPPING IN TOMORROW MORNING.

739
00:24:57,630 --> 00:24:58,929
>> Stephen: I'M THINKING ABOUT
POPPING IN TOMORROW MORNING.
WHAT TIME ARE YOU GUYS ON?

740
00:24:58,931 --> 00:25:01,799
POPPING IN TOMORROW MORNING.
WHAT TIME ARE YOU GUYS ON?
>> I'M NOT TELLING YOU.

741
00:25:01,801 --> 00:25:03,868
WHAT TIME ARE YOU GUYS ON?
>> I'M NOT TELLING YOU.
I'M INSULTED BY THAT QUESTION.

742
00:25:03,870 --> 00:25:07,671
>> I'M NOT TELLING YOU.
I'M INSULTED BY THAT QUESTION.
IT WOULD BE LIKE ME ASKING,

743
00:25:07,673 --> 00:25:10,441
I'M INSULTED BY THAT QUESTION.
IT WOULD BE LIKE ME ASKING,
"WHAT TIME ARE ON YOU ON,

744
00:25:10,443 --> 00:25:12,409
IT WOULD BE LIKE ME ASKING,
"WHAT TIME ARE ON YOU ON,
STEPHEN COLBERT, 'THE LATE

745
00:25:12,411 --> 00:25:12,610
"WHAT TIME ARE ON YOU ON,
STEPHEN COLBERT, 'THE LATE
SHOW?"

746
00:25:12,612 --> 00:25:13,210
STEPHEN COLBERT, 'THE LATE
SHOW?"
>> Stephen: I DON'T KNOW.

747
00:25:13,212 --> 00:25:15,479
SHOW?"
>> Stephen: I DON'T KNOW.
I HAVE A JOB TO GET UP FOR.

748
00:25:15,481 --> 00:25:17,348
>> Stephen: I DON'T KNOW.
I HAVE A JOB TO GET UP FOR.
>> SMATTER PANTS, WE'RE ON 7:00

749
00:25:17,350 --> 00:25:19,049
I HAVE A JOB TO GET UP FOR.
>> SMATTER PANTS, WE'RE ON 7:00
TO 9:00 EVERY DAY.

750
00:25:19,051 --> 00:25:19,850
>> SMATTER PANTS, WE'RE ON 7:00
TO 9:00 EVERY DAY.
PLEASE POP IN.

751
00:25:19,852 --> 00:25:22,119
TO 9:00 EVERY DAY.
PLEASE POP IN.
>> Stephen: ALL RIGHT, CAN WE

752
00:25:22,121 --> 00:25:22,586
PLEASE POP IN.
>> Stephen: ALL RIGHT, CAN WE
ARRANGE THAT?

753
00:25:22,588 --> 00:25:23,854
>> Stephen: ALL RIGHT, CAN WE
ARRANGE THAT?
WE'LL ARRANGE THAT.

754
00:25:23,856 --> 00:25:25,990
ARRANGE THAT?
WE'LL ARRANGE THAT.
TONY IS NOT THE ONLY ONE WITH

755
00:25:25,992 --> 00:25:26,824
WE'LL ARRANGE THAT.
TONY IS NOT THE ONLY ONE WITH
BABY NEWS.

756
00:25:26,826 --> 00:25:28,526
TONY IS NOT THE ONLY ONE WITH
BABY NEWS.
YOU'RE ABOUT TO BE A GRANDMA!

757
00:25:28,528 --> 00:25:30,494
BABY NEWS.
YOU'RE ABOUT TO BE A GRANDMA!
HERE IS YOUR DAUGHTER, KIRBY,

758
00:25:30,496 --> 00:25:31,262
YOU'RE ABOUT TO BE A GRANDMA!
HERE IS YOUR DAUGHTER, KIRBY,
RIGHT THERE.

759
00:25:31,264 --> 00:25:33,030
HERE IS YOUR DAUGHTER, KIRBY,
RIGHT THERE.
>> MY DAUGHTER KIRBY.

760
00:25:33,032 --> 00:25:33,931
RIGHT THERE.
>> MY DAUGHTER KIRBY.
I'M VERY EXCITED.

761
00:25:33,933 --> 00:25:34,665
>> MY DAUGHTER KIRBY.
I'M VERY EXCITED.
I'M VERY EXCITED.

762
00:25:34,667 --> 00:25:35,699
I'M VERY EXCITED.
I'M VERY EXCITED.
ALTHOUGH, THEY HAVE A LITTLE

763
00:25:35,701 --> 00:25:37,601
I'M VERY EXCITED.
ALTHOUGH, THEY HAVE A LITTLE
CHART WHEN YOU'RE FURTHER ALONG.

764
00:25:37,603 --> 00:25:41,472
ALTHOUGH, THEY HAVE A LITTLE
CHART WHEN YOU'RE FURTHER ALONG.
RIGHT NOW, WE'VE GOT KIRBY.

765
00:25:41,474 --> 00:25:44,275
CHART WHEN YOU'RE FURTHER ALONG.
RIGHT NOW, WE'VE GOT KIRBY.
HER HUSBAND'S NAME IS VIRGIL.

766
00:25:44,277 --> 00:25:46,477
RIGHT NOW, WE'VE GOT KIRBY.
HER HUSBAND'S NAME IS VIRGIL.
SO WE CALL HIM VERB.

767
00:25:46,479 --> 00:25:48,579
HER HUSBAND'S NAME IS VIRGIL.
SO WE CALL HIM VERB.
HE'S THE SIZE OF A GRAPE FRUIT

768
00:25:48,581 --> 00:25:50,614
SO WE CALL HIM VERB.
HE'S THE SIZE OF A GRAPE FRUIT
NOW ACCORDING TO THE CHART.

769
00:25:50,616 --> 00:25:51,882
HE'S THE SIZE OF A GRAPE FRUIT
NOW ACCORDING TO THE CHART.
HE'S DUE MID-SEPTEMBER.

770
00:25:51,884 --> 00:25:54,451
NOW ACCORDING TO THE CHART.
HE'S DUE MID-SEPTEMBER.
THE MINUTE I HEAR SHE'S GOING

771
00:25:54,453 --> 00:25:57,154
HE'S DUE MID-SEPTEMBER.
THE MINUTE I HEAR SHE'S GOING
INTO LABOR, I'M HOPPING ON ANY

772
00:25:57,156 --> 00:25:59,123
THE MINUTE I HEAR SHE'S GOING
INTO LABOR, I'M HOPPING ON ANY
PLANE THAT IS GOING TO

773
00:25:59,125 --> 00:25:59,423
INTO LABOR, I'M HOPPING ON ANY
PLANE THAT IS GOING TO
CALIFORNIA.

774
00:25:59,425 --> 00:25:59,857
PLANE THAT IS GOING TO
CALIFORNIA.
I WANT TO BE THERE.

775
00:25:59,859 --> 00:26:02,826
CALIFORNIA.
I WANT TO BE THERE.
I SAID, "KIRBY, CAN I BE IN THE

776
00:26:02,828 --> 00:26:03,327
I WANT TO BE THERE.
I SAID, "KIRBY, CAN I BE IN THE
DELIVER ROOM?

777
00:26:03,329 --> 00:26:05,596
I SAID, "KIRBY, CAN I BE IN THE
DELIVER ROOM?
I WANT TO BE IN THE DELIVERY

778
00:26:05,598 --> 00:26:05,796
DELIVER ROOM?
I WANT TO BE IN THE DELIVERY
ROOM."

779
00:26:05,798 --> 00:26:07,298
I WANT TO BE IN THE DELIVERY
ROOM."
HE SAID, "WE'LL SEE."

780
00:26:07,300 --> 00:26:09,166
ROOM."
HE SAID, "WE'LL SEE."
WHICH IS HER WAY OF SAYING NO.

781
00:26:09,168 --> 00:26:10,768
HE SAID, "WE'LL SEE."
WHICH IS HER WAY OF SAYING NO.
SHE SAID, WE'LL SEE.

782
00:26:10,770 --> 00:26:11,769
WHICH IS HER WAY OF SAYING NO.
SHE SAID, WE'LL SEE.
WE HAVE TIME."

783
00:26:11,771 --> 00:26:13,904
SHE SAID, WE'LL SEE.
WE HAVE TIME."
I SAID,IMENT" TO BE IN THE

784
00:26:13,906 --> 00:26:14,471
WE HAVE TIME."
I SAID,IMENT" TO BE IN THE
DELIVERY ROOM."

785
00:26:14,473 --> 00:26:15,873
I SAID,IMENT" TO BE IN THE
DELIVERY ROOM."
IS THAT A REASONABLE REQUEST?

786
00:26:15,875 --> 00:26:17,107
DELIVERY ROOM."
IS THAT A REASONABLE REQUEST?
>> Stephen: BECAUSE YOU'RE MY

787
00:26:17,109 --> 00:26:27,184
IS THAT A REASONABLE REQUEST?
>> Stephen: BECAUSE YOU'RE MY
GUEST, I WILL SAY NO, THAT'S NOT

788
00:26:27,186 --> 00:26:27,685
>> Stephen: BECAUSE YOU'RE MY
GUEST, I WILL SAY NO, THAT'S NOT
AN UNREASONABLE REQUEST.

789
00:26:27,687 --> 00:26:28,152
GUEST, I WILL SAY NO, THAT'S NOT
AN UNREASONABLE REQUEST.
>> DO YOU THINK IT IS?

790
00:26:28,154 --> 00:26:28,686
AN UNREASONABLE REQUEST.
>> DO YOU THINK IT IS?
DO YOU REALLY THINK IT IS?

791
00:26:28,688 --> 00:26:29,219
>> DO YOU THINK IT IS?
DO YOU REALLY THINK IT IS?
>> Stephen: I DON'T KNOW.

792
00:26:29,221 --> 00:26:29,753
DO YOU REALLY THINK IT IS?
>> Stephen: I DON'T KNOW.
I MEAN, IT GETS CROWDED IN

793
00:26:29,755 --> 00:26:29,954
>> Stephen: I DON'T KNOW.
I MEAN, IT GETS CROWDED IN
THERE.

794
00:26:29,956 --> 00:26:30,554
I MEAN, IT GETS CROWDED IN
THERE.
LISTEN OUR DAUGHTER, OUR FIRST

795
00:26:30,556 --> 00:26:31,188
THERE.
LISTEN OUR DAUGHTER, OUR FIRST
CHILD WAS BORN IN SEPTEMBER,

796
00:26:31,190 --> 00:26:31,789
LISTEN OUR DAUGHTER, OUR FIRST
CHILD WAS BORN IN SEPTEMBER,
AND, PLEASE, JUST TELL YOUR

797
00:26:31,791 --> 00:26:32,456
CHILD WAS BORN IN SEPTEMBER,
AND, PLEASE, JUST TELL YOUR
DAUGHTER THE BEST PART IS THAT

798
00:26:32,458 --> 00:26:33,891
AND, PLEASE, JUST TELL YOUR
DAUGHTER THE BEST PART IS THAT
SHE'S GOING TO BE MASSIVE

799
00:26:33,893 --> 00:26:35,059
DAUGHTER THE BEST PART IS THAT
SHE'S GOING TO BE MASSIVE
PREGNANT ALL DURING THE SUMMER

800
00:26:35,061 --> 00:26:36,260
SHE'S GOING TO BE MASSIVE
PREGNANT ALL DURING THE SUMMER
AND THAT'S NOT UNCOMFORTABLE IN

801
00:26:36,262 --> 00:26:36,493
PREGNANT ALL DURING THE SUMMER
AND THAT'S NOT UNCOMFORTABLE IN
ANY WAY.

802
00:26:36,495 --> 00:26:37,428
AND THAT'S NOT UNCOMFORTABLE IN
ANY WAY.
>> I KNOW.

803
00:26:37,430 --> 00:26:38,629
ANY WAY.
>> I KNOW.
BUT SHE'S VERY PSYCHED ABOUT IT,

804
00:26:38,631 --> 00:26:40,464
>> I KNOW.
BUT SHE'S VERY PSYCHED ABOUT IT,
AND I AM, TOO.

805
00:26:40,466 --> 00:26:42,666
BUT SHE'S VERY PSYCHED ABOUT IT,
AND I AM, TOO.
SO, STEPHEN, I'M ON THE HUNT FOR

806
00:26:42,668 --> 00:26:43,767
AND I AM, TOO.
SO, STEPHEN, I'M ON THE HUNT FOR
COOL GRANDMOTHER NAMES BECAUSE I

807
00:26:43,769 --> 00:26:47,071
SO, STEPHEN, I'M ON THE HUNT FOR
COOL GRANDMOTHER NAMES BECAUSE I
DON'T WANT TO BE "GRANDMA" O

808
00:26:47,073 --> 00:26:47,338
COOL GRANDMOTHER NAMES BECAUSE I
DON'T WANT TO BE "GRANDMA" O
ORNANA"."

809
00:26:47,340 --> 00:26:49,473
DON'T WANT TO BE "GRANDMA" O
ORNANA"."
I DON'T WANT THAT.

810
00:26:49,475 --> 00:26:51,342
ORNANA"."
I DON'T WANT THAT.
>> Stephen: OH, GAYLE--

811
00:26:51,344 --> 00:26:52,710
I DON'T WANT THAT.
>> Stephen: OH, GAYLE--
>> I DON'T WANT TO BE GAYLE.

812
00:26:52,712 --> 00:26:53,777
>> Stephen: OH, GAYLE--
>> I DON'T WANT TO BE GAYLE.
I DON'T WANT TO BE GAYLE.

813
00:26:53,779 --> 00:26:55,212
>> I DON'T WANT TO BE GAYLE.
I DON'T WANT TO BE GAYLE.
>> Stephen: WHAT ABOUT

814
00:26:55,214 --> 00:26:57,514
I DON'T WANT TO BE GAYLE.
>> Stephen: WHAT ABOUT
SOMETHING LIKE GIGO, ONE OF

815
00:26:57,516 --> 00:26:59,149
>> Stephen: WHAT ABOUT
SOMETHING LIKE GIGO, ONE OF
THOSE NAMES THAT DON'T MAKE ANY

816
00:26:59,151 --> 00:26:59,350
SOMETHING LIKE GIGO, ONE OF
THOSE NAMES THAT DON'T MAKE ANY
SENSE.

817
00:26:59,352 --> 00:27:00,684
THOSE NAMES THAT DON'T MAKE ANY
SENSE.
YOU HAVE TO WAIT-- THE BABY'S

818
00:27:00,686 --> 00:27:01,485
SENSE.
YOU HAVE TO WAIT-- THE BABY'S
GOING TO MAKE IT UP.

819
00:27:01,487 --> 00:27:02,252
YOU HAVE TO WAIT-- THE BABY'S
GOING TO MAKE IT UP.
IT'S UP TO THE BABY.

820
00:27:02,254 --> 00:27:06,523
GOING TO MAKE IT UP.
IT'S UP TO THE BABY.
>> I THAT YOU WANT YOU LIKED ME.

821
00:27:06,525 --> 00:27:07,558
IT'S UP TO THE BABY.
>> I THAT YOU WANT YOU LIKED ME.
GIGO?

822
00:27:07,560 --> 00:27:07,725
>> I THAT YOU WANT YOU LIKED ME.
GIGO?
NO.

823
00:27:07,727 --> 00:27:09,693
GIGO?
NO.
>> Stephen: MY FATHER-IN-LAW,

824
00:27:09,695 --> 00:27:12,229
NO.
>> Stephen: MY FATHER-IN-LAW,
WHOSE NAME IS PETER, ALL THE

825
00:27:12,231 --> 00:27:14,665
>> Stephen: MY FATHER-IN-LAW,
WHOSE NAME IS PETER, ALL THE
GRANDCHILDREN CALL HIM "GIGGLE."

826
00:27:14,667 --> 00:27:15,432
WHOSE NAME IS PETER, ALL THE
GRANDCHILDREN CALL HIM "GIGGLE."
>> GIGGLE.

827
00:27:15,434 --> 00:27:16,934
GRANDCHILDREN CALL HIM "GIGGLE."
>> GIGGLE.
>> Stephen: THEY CALL HIM

828
00:27:16,936 --> 00:27:17,167
>> GIGGLE.
>> Stephen: THEY CALL HIM
GIGGLE.

829
00:27:17,169 --> 00:27:17,868
>> Stephen: THEY CALL HIM
GIGGLE.
>> THAT'S CUTE.

830
00:27:17,870 --> 00:27:18,435
GIGGLE.
>> THAT'S CUTE.
THAT'S CUTE.

831
00:27:18,437 --> 00:27:20,904
>> THAT'S CUTE.
THAT'S CUTE.
THEY TELL ME THE KID MAKE UP A

832
00:27:20,906 --> 00:27:21,105
THAT'S CUTE.
THEY TELL ME THE KID MAKE UP A
NAME.

833
00:27:21,107 --> 00:27:22,806
THEY TELL ME THE KID MAKE UP A
NAME.
I HAVE HEARD THAT.

834
00:27:22,808 --> 00:27:23,407
NAME.
I HAVE HEARD THAT.
I HAVE HEARD THAT.

835
00:27:23,409 --> 00:27:25,376
I HAVE HEARD THAT.
I HAVE HEARD THAT.
>> Stephen: THE BEST PART IS

836
00:27:25,378 --> 00:27:25,643
I HAVE HEARD THAT.
>> Stephen: THE BEST PART IS
DISCOVERY.

837
00:27:25,645 --> 00:27:27,478
>> Stephen: THE BEST PART IS
DISCOVERY.
>> I LIKE-- TELL ME WHAT YOU

838
00:27:27,480 --> 00:27:31,015
DISCOVERY.
>> I LIKE-- TELL ME WHAT YOU
THINK OF THIS, "MOM-MOM."

839
00:27:31,017 --> 00:27:32,883
>> I LIKE-- TELL ME WHAT YOU
THINK OF THIS, "MOM-MOM."
OH, MY FAVORITE, "GUYA."

840
00:27:32,885 --> 00:27:34,151
THINK OF THIS, "MOM-MOM."
OH, MY FAVORITE, "GUYA."
>> Stephen: LIKE THE GREEK GOD

841
00:27:34,153 --> 00:27:37,021
OH, MY FAVORITE, "GUYA."
>> Stephen: LIKE THE GREEK GOD
OF THE EARTH, LIEB THE MOTHER

842
00:27:37,023 --> 00:27:37,354
>> Stephen: LIKE THE GREEK GOD
OF THE EARTH, LIEB THE MOTHER
EARTH?

843
00:27:37,356 --> 00:27:39,189
OF THE EARTH, LIEB THE MOTHER
EARTH?
>> IT MEANS MOTHER EARTH.

844
00:27:39,191 --> 00:27:40,824
EARTH?
>> IT MEANS MOTHER EARTH.
I LIKE GUYA BECAUSE IT KIND OF

845
00:27:40,826 --> 00:27:43,227
>> IT MEANS MOTHER EARTH.
I LIKE GUYA BECAUSE IT KIND OF
SOUND LIKE GAYLE BUT NOT QUITE

846
00:27:43,229 --> 00:27:43,427
I LIKE GUYA BECAUSE IT KIND OF
SOUND LIKE GAYLE BUT NOT QUITE
GAYLE.

847
00:27:43,429 --> 00:27:43,894
SOUND LIKE GAYLE BUT NOT QUITE
GAYLE.
YOU'RE NOT FEELING IT.

848
00:27:43,896 --> 00:27:44,928
GAYLE.
YOU'RE NOT FEELING IT.
I CAN TELL.

849
00:27:44,930 --> 00:27:46,263
YOU'RE NOT FEELING IT.
I CAN TELL.
>> Stephen: NO, IT'S

850
00:27:46,265 --> 00:27:46,530
I CAN TELL.
>> Stephen: NO, IT'S
BEAUTIFUL.

851
00:27:46,532 --> 00:27:48,165
>> Stephen: NO, IT'S
BEAUTIFUL.
IT SOUNDS LIKE YOU'RE STARTING A

852
00:27:48,167 --> 00:27:48,666
BEAUTIFUL.
IT SOUNDS LIKE YOU'RE STARTING A
CULT.

853
00:27:48,668 --> 00:27:49,566
IT SOUNDS LIKE YOU'RE STARTING A
CULT.
<i> (  LAUGHTER  )</i>

854
00:27:49,568 --> 00:27:51,268
CULT.
<i> (  LAUGHTER  )</i>
>> WELL, AS KIRBY SAID, THE BABY

855
00:27:51,270 --> 00:27:52,569
<i> (  LAUGHTER  )</i>
>> WELL, AS KIRBY SAID, THE BABY
IS NOT DUE UNTIL SEPTEMBER.

856
00:27:52,571 --> 00:27:55,039
>> WELL, AS KIRBY SAID, THE BABY
IS NOT DUE UNTIL SEPTEMBER.
THE BABY WON'T BE TALKING FOR

857
00:27:55,041 --> 00:27:55,839
IS NOT DUE UNTIL SEPTEMBER.
THE BABY WON'T BE TALKING FOR
ANOTHER NINE MONTHS.

858
00:27:55,841 --> 00:27:57,441
THE BABY WON'T BE TALKING FOR
ANOTHER NINE MONTHS.
YOU'VE GOT TIME.

859
00:27:57,443 --> 00:27:58,008
ANOTHER NINE MONTHS.
YOU'VE GOT TIME.
YOU'VE GOT TIME.

860
00:27:58,010 --> 00:27:58,809
YOU'VE GOT TIME.
YOU'VE GOT TIME.
>> Stephen: GAYLE, WE HAVE TO

861
00:27:58,811 --> 00:28:00,244
YOU'VE GOT TIME.
>> Stephen: GAYLE, WE HAVE TO
TAKE A QUICK BREAK.

862
00:28:00,246 --> 00:28:01,912
>> Stephen: GAYLE, WE HAVE TO
TAKE A QUICK BREAK.
BUT PLEASE DON'T GO ANYWHERE,

863
00:28:01,914 --> 00:28:03,247
TAKE A QUICK BREAK.
BUT PLEASE DON'T GO ANYWHERE,
ANYONE, BECAUSE WE'LL BE RIGHT

864
00:28:03,249 --> 00:28:03,547
BUT PLEASE DON'T GO ANYWHERE,
ANYONE, BECAUSE WE'LL BE RIGHT
BACK WITH--

865
00:28:03,549 --> 00:28:07,184
ANYONE, BECAUSE WE'LL BE RIGHT
BACK WITH--
>> I WOULD NEVER LEAVE YOU,

866
00:28:07,186 --> 00:28:07,418
BACK WITH--
>> I WOULD NEVER LEAVE YOU,
STEPHEN.

867
00:28:07,420 --> 00:28:08,252
>> I WOULD NEVER LEAVE YOU,
STEPHEN.
I'LL BE RIGHT HERE.

868
00:28:08,254 --> 00:28:09,920
STEPHEN.
I'LL BE RIGHT HERE.
>> Stephen: WITH GUYA KING.

869
00:28:09,922 --> 00:28:11,855
I'LL BE RIGHT HERE.
>> Stephen: WITH GUYA KING.
>> I'LL BE RIGHT HERE.

870
00:28:11,857 --> 00:28:12,423
>> Stephen: WITH GUYA KING.
>> I'LL BE RIGHT HERE.
♪ ♪ ♪

871
00:28:22,233 --> 00:28:23,867
♪ ♪ ♪

872
00:28:24,302 --> 00:28:31,108
>> Stephen: HEY, EVERYBODY.
WE'RE BACK WITH ONE OF THE HOSTS
OF "CBS THIS MORNING," GAYLE

873
00:28:31,110 --> 00:28:31,875
WE'RE BACK WITH ONE OF THE HOSTS
OF "CBS THIS MORNING," GAYLE
KING.

874
00:28:31,877 --> 00:28:34,078
OF "CBS THIS MORNING," GAYLE
KING.
GAYLE, TODAY MARKS THE FIRST

875
00:28:34,080 --> 00:28:35,245
KING.
GAYLE, TODAY MARKS THE FIRST
ANNIVERSARY OF GEORGE FLOYD'S

876
00:28:35,247 --> 00:28:35,446
GAYLE, TODAY MARKS THE FIRST
ANNIVERSARY OF GEORGE FLOYD'S
DEATH.

877
00:28:35,448 --> 00:28:39,516
ANNIVERSARY OF GEORGE FLOYD'S
DEATH.
AND I KNOW THAT YOU WERE IN

878
00:28:39,518 --> 00:28:41,351
DEATH.
AND I KNOW THAT YOU WERE IN
MINNEAPOLIS COVERING THE TRIAL

879
00:28:41,353 --> 00:28:43,320
AND I KNOW THAT YOU WERE IN
MINNEAPOLIS COVERING THE TRIAL
AND EVENTUAL CONVICTION OF

880
00:28:43,322 --> 00:28:44,488
MINNEAPOLIS COVERING THE TRIAL
AND EVENTUAL CONVICTION OF
DERRICK CHAUVIN FOR FLOYD'S

881
00:28:44,490 --> 00:28:44,722
AND EVENTUAL CONVICTION OF
DERRICK CHAUVIN FOR FLOYD'S
MURDER.

882
00:28:44,724 --> 00:28:49,493
DERRICK CHAUVIN FOR FLOYD'S
MURDER.
HOW DO YOU THINK THIS LAST YEAR

883
00:28:49,495 --> 00:28:50,828
MURDER.
HOW DO YOU THINK THIS LAST YEAR
AND WHAT WAS SPARKED, THE

884
00:28:50,830 --> 00:28:51,528
HOW DO YOU THINK THIS LAST YEAR
AND WHAT WAS SPARKED, THE
AWARENESS AND THE MOVEMENT THAT

885
00:28:51,530 --> 00:28:53,097
AND WHAT WAS SPARKED, THE
AWARENESS AND THE MOVEMENT THAT
WAS SPARKED BY FLOYD'S DEATH A

886
00:28:53,099 --> 00:28:55,032
AWARENESS AND THE MOVEMENT THAT
WAS SPARKED BY FLOYD'S DEATH A
YEAR AGO, HOW DO YOU THINK IT

887
00:28:55,034 --> 00:28:56,700
WAS SPARKED BY FLOYD'S DEATH A
YEAR AGO, HOW DO YOU THINK IT
HAS CHANGED NOT ONLY HOW BLAD

888
00:28:56,702 --> 00:28:59,369
YEAR AGO, HOW DO YOU THINK IT
HAS CHANGED NOT ONLY HOW BLAD
LIVES MATTER AND THAT MOVEMENT

889
00:28:59,371 --> 00:29:00,637
HAS CHANGED NOT ONLY HOW BLAD
LIVES MATTER AND THAT MOVEMENT
IS PERCEIVED, BUT THE COUNTRY AS

890
00:29:00,639 --> 00:29:03,207
LIVES MATTER AND THAT MOVEMENT
IS PERCEIVED, BUT THE COUNTRY AS
A WHOLE AND HOW WE TALK ABOUT

891
00:29:03,209 --> 00:29:03,574
IS PERCEIVED, BUT THE COUNTRY AS
A WHOLE AND HOW WE TALK ABOUT
RACE?

892
00:29:03,576 --> 00:29:05,476
A WHOLE AND HOW WE TALK ABOUT
RACE?
>> WELL, LISTEN, I AM SO

893
00:29:05,478 --> 00:29:06,977
RACE?
>> WELL, LISTEN, I AM SO
GRATEFUL FOR THE CONVERSATION,

894
00:29:06,979 --> 00:29:08,112
>> WELL, LISTEN, I AM SO
GRATEFUL FOR THE CONVERSATION,
STEPHEN, BECAUSE WE ALL

895
00:29:08,114 --> 00:29:09,279
GRATEFUL FOR THE CONVERSATION,
STEPHEN, BECAUSE WE ALL
REMEMBER, WE ALL REMEMBER

896
00:29:09,281 --> 00:29:10,114
STEPHEN, BECAUSE WE ALL
REMEMBER, WE ALL REMEMBER
WATCHING THAT HORRIBLE DEATH.

897
00:29:10,116 --> 00:29:13,083
REMEMBER, WE ALL REMEMBER
WATCHING THAT HORRIBLE DEATH.
IT WAS ONE OF THOSE THINGS THAT

898
00:29:13,085 --> 00:29:14,084
WATCHING THAT HORRIBLE DEATH.
IT WAS ONE OF THOSE THINGS THAT
YOU COULDN'T BELIEVE THAT YOU

899
00:29:14,086 --> 00:29:18,088
IT WAS ONE OF THOSE THINGS THAT
YOU COULDN'T BELIEVE THAT YOU
WERE WATCHING IT, THE

900
00:29:18,090 --> 00:29:20,591
YOU COULDN'T BELIEVE THAT YOU
WERE WATCHING IT, THE
CALLOUSNESS OF IT, THE

901
00:29:20,593 --> 00:29:21,692
WERE WATCHING IT, THE
CALLOUSNESS OF IT, THE
NONCHALANCE OF IT, AND YOU

902
00:29:21,694 --> 00:29:23,327
CALLOUSNESS OF IT, THE
NONCHALANCE OF IT, AND YOU
THOUGHT IF THIS DOESN'T CHANGE

903
00:29:23,329 --> 00:29:25,162
NONCHALANCE OF IT, AND YOU
THOUGHT IF THIS DOESN'T CHANGE
THE GAME, IF THIS DOESN'T CHANGE

904
00:29:25,164 --> 00:29:27,064
THOUGHT IF THIS DOESN'T CHANGE
THE GAME, IF THIS DOESN'T CHANGE
THE GAME, I DON'T KNOW WHAT

905
00:29:27,066 --> 00:29:27,397
THE GAME, IF THIS DOESN'T CHANGE
THE GAME, I DON'T KNOW WHAT
WILL.

906
00:29:27,399 --> 00:29:28,732
THE GAME, I DON'T KNOW WHAT
WILL.
AND THE THING THAT WAS SO

907
00:29:28,734 --> 00:29:30,434
WILL.
AND THE THING THAT WAS SO
GRATIFYING TO ME WAS TO SEE NOT

908
00:29:30,436 --> 00:29:32,603
AND THE THING THAT WAS SO
GRATIFYING TO ME WAS TO SEE NOT
JUST BLACKS, BUT BLACKS AND

909
00:29:32,605 --> 00:29:33,403
GRATIFYING TO ME WAS TO SEE NOT
JUST BLACKS, BUT BLACKS AND
WHITES, YOUNG AND OLD, TOOK TO

910
00:29:33,405 --> 00:29:34,938
JUST BLACKS, BUT BLACKS AND
WHITES, YOUNG AND OLD, TOOK TO
THE STREETS TO SAY THIS IS NOT

911
00:29:34,940 --> 00:29:36,774
WHITES, YOUNG AND OLD, TOOK TO
THE STREETS TO SAY THIS IS NOT
OKAY AND THINGS HAVE GOT TO

912
00:29:36,776 --> 00:29:37,007
THE STREETS TO SAY THIS IS NOT
OKAY AND THINGS HAVE GOT TO
CHANGE.

913
00:29:37,009 --> 00:29:38,075
OKAY AND THINGS HAVE GOT TO
CHANGE.
HAVE THEY CHANGED YET?

914
00:29:38,077 --> 00:29:38,575
CHANGE.
HAVE THEY CHANGED YET?
NO.

915
00:29:38,577 --> 00:29:40,177
HAVE THEY CHANGED YET?
NO.
BECAUSE WE STILL HAVE HAD CASE

916
00:29:40,179 --> 00:29:42,079
NO.
BECAUSE WE STILL HAVE HAD CASE
AFTER CASE, THAT HASH TAG LIST

917
00:29:42,081 --> 00:29:44,748
BECAUSE WE STILL HAVE HAD CASE
AFTER CASE, THAT HASH TAG LIST
IS STILL GROWING, BUT AT LEAST

918
00:29:44,750 --> 00:29:46,183
AFTER CASE, THAT HASH TAG LIST
IS STILL GROWING, BUT AT LEAST
THE CONVERSATION IS STILL VERY

919
00:29:46,185 --> 00:29:47,384
IS STILL GROWING, BUT AT LEAST
THE CONVERSATION IS STILL VERY
FRONT AND CENTER.

920
00:29:47,386 --> 00:29:49,586
THE CONVERSATION IS STILL VERY
FRONT AND CENTER.
WHEN I WAS IN MINNEAPOLIS, I GOT

921
00:29:49,588 --> 00:29:51,722
FRONT AND CENTER.
WHEN I WAS IN MINNEAPOLIS, I GOT
TO TO GO TO GEORGE FLOYD SQUARE.

922
00:29:51,724 --> 00:29:54,024
WHEN I WAS IN MINNEAPOLIS, I GOT
TO TO GO TO GEORGE FLOYD SQUARE.
I WANTED TO SEE FOR MYSELF.

923
00:29:54,026 --> 00:29:55,859
TO TO GO TO GEORGE FLOYD SQUARE.
I WANTED TO SEE FOR MYSELF.
I WENT INTO THE CUP FOODS, AND I

924
00:29:55,861 --> 00:29:57,461
I WANTED TO SEE FOR MYSELF.
I WENT INTO THE CUP FOODS, AND I
WANTED TO SEE WHAT THAT WAS LIKE

925
00:29:57,463 --> 00:29:59,630
I WENT INTO THE CUP FOODS, AND I
WANTED TO SEE WHAT THAT WAS LIKE
AND IT WAS A VACRED SPACE.

926
00:29:59,632 --> 00:30:00,564
WANTED TO SEE WHAT THAT WAS LIKE
AND IT WAS A VACRED SPACE.
AND I DON'T WANT TO LOSE SIGHT

927
00:30:00,566 --> 00:30:02,366
AND IT WAS A VACRED SPACE.
AND I DON'T WANT TO LOSE SIGHT
OF WHAT IS AT STAKE HERE.

928
00:30:02,368 --> 00:30:04,101
AND I DON'T WANT TO LOSE SIGHT
OF WHAT IS AT STAKE HERE.
WE STILL HAVE A LOT OF WORK TO

929
00:30:04,103 --> 00:30:04,268
OF WHAT IS AT STAKE HERE.
WE STILL HAVE A LOT OF WORK TO
DO.

930
00:30:04,270 --> 00:30:05,502
WE STILL HAVE A LOT OF WORK TO
DO.
>> Stephen: PRESIDENT BIDEN

931
00:30:05,504 --> 00:30:07,805
DO.
>> Stephen: PRESIDENT BIDEN
HOSTED GEORGE FLOYD'S FAMILY

932
00:30:07,807 --> 00:30:10,874
>> Stephen: PRESIDENT BIDEN
HOSTED GEORGE FLOYD'S FAMILY
TODAY AT THE WHITE HOUSE, BUT

933
00:30:10,876 --> 00:30:12,075
HOSTED GEORGE FLOYD'S FAMILY
TODAY AT THE WHITE HOUSE, BUT
THE GEORGE FLOYD JUSTICE IN

934
00:30:12,077 --> 00:30:14,578
TODAY AT THE WHITE HOUSE, BUT
THE GEORGE FLOYD JUSTICE IN
POLICING ACT, I BELIEVE IT'S

935
00:30:14,580 --> 00:30:18,482
THE GEORGE FLOYD JUSTICE IN
POLICING ACT, I BELIEVE IT'S
CALLED, HAS YET TO PASS

936
00:30:18,484 --> 00:30:18,749
POLICING ACT, I BELIEVE IT'S
CALLED, HAS YET TO PASS
CONGRESS.

937
00:30:18,751 --> 00:30:22,553
CALLED, HAS YET TO PASS
CONGRESS.
DO YOU-- AS YOU SAY, IT HASN'T

938
00:30:22,555 --> 00:30:23,554
CONGRESS.
DO YOU-- AS YOU SAY, IT HASN'T
CHANGED YET.

939
00:30:23,556 --> 00:30:28,492
DO YOU-- AS YOU SAY, IT HASN'T
CHANGED YET.
DO YOU HAVE HOPE THAT THE-- THE

940
00:30:28,494 --> 00:30:29,393
CHANGED YET.
DO YOU HAVE HOPE THAT THE-- THE
MOVEMENT THIS SPARKED WILL

941
00:30:29,395 --> 00:30:30,160
DO YOU HAVE HOPE THAT THE-- THE
MOVEMENT THIS SPARKED WILL
CONTINUE, THE PRESSURE WILL

942
00:30:30,162 --> 00:30:31,228
MOVEMENT THIS SPARKED WILL
CONTINUE, THE PRESSURE WILL
CONTINUE, AND THERE WILL

943
00:30:31,230 --> 00:30:34,097
CONTINUE, THE PRESSURE WILL
CONTINUE, AND THERE WILL
ACTUALLY BE THIS KIND OF

944
00:30:34,099 --> 00:30:34,631
CONTINUE, AND THERE WILL
ACTUALLY BE THIS KIND OF
SUBSTANTIVE CHANGE THAT'S

945
00:30:34,633 --> 00:30:34,898
ACTUALLY BE THIS KIND OF
SUBSTANTIVE CHANGE THAT'S
NECESSARY?

946
00:30:34,900 --> 00:30:35,866
SUBSTANTIVE CHANGE THAT'S
NECESSARY?
>> WELL, I'LL TELL YOU THIS, I

947
00:30:35,868 --> 00:30:37,301
NECESSARY?
>> WELL, I'LL TELL YOU THIS, I
DON'T SEE ANY SIGNS OF PEOPLE

948
00:30:37,303 --> 00:30:39,269
>> WELL, I'LL TELL YOU THIS, I
DON'T SEE ANY SIGNS OF PEOPLE
LETTING UP ON THE CONVERSATION.

949
00:30:39,271 --> 00:30:40,838
DON'T SEE ANY SIGNS OF PEOPLE
LETTING UP ON THE CONVERSATION.
I DON'T SEE PEOPLE THINKING

950
00:30:40,840 --> 00:30:43,373
LETTING UP ON THE CONVERSATION.
I DON'T SEE PEOPLE THINKING
THAT-- I DON'T SEE PEOPLE

951
00:30:43,375 --> 00:30:43,941
I DON'T SEE PEOPLE THINKING
THAT-- I DON'T SEE PEOPLE
RETREATING FROM THIS.

952
00:30:43,943 --> 00:30:45,475
THAT-- I DON'T SEE PEOPLE
RETREATING FROM THIS.
WE HAD SENATOR CORY BOOKER ON

953
00:30:45,477 --> 00:30:47,144
RETREATING FROM THIS.
WE HAD SENATOR CORY BOOKER ON
THIS MORNING WHO IS VERY

954
00:30:47,146 --> 00:30:48,612
WE HAD SENATOR CORY BOOKER ON
THIS MORNING WHO IS VERY
INVOLVED WITH THIS.

955
00:30:48,614 --> 00:30:50,848
THIS MORNING WHO IS VERY
INVOLVED WITH THIS.
AND TIM SCOTT, WHO, AS YOU KNOW,

956
00:30:50,850 --> 00:30:52,182
INVOLVED WITH THIS.
AND TIM SCOTT, WHO, AS YOU KNOW,
IS A DEMOCRAT, SENATOR TIM SCOTT

957
00:30:52,184 --> 00:30:53,817
AND TIM SCOTT, WHO, AS YOU KNOW,
IS A DEMOCRAT, SENATOR TIM SCOTT
IS A REPUBLICAN.

958
00:30:53,819 --> 00:30:54,484
IS A DEMOCRAT, SENATOR TIM SCOTT
IS A REPUBLICAN.
THEY'RE BOTH BLACK MEN, AS YOU

959
00:30:54,486 --> 00:30:56,520
IS A REPUBLICAN.
THEY'RE BOTH BLACK MEN, AS YOU
KNOW, AND AS CORY POINTED OUT,

960
00:30:56,522 --> 00:30:57,855
THEY'RE BOTH BLACK MEN, AS YOU
KNOW, AND AS CORY POINTED OUT,
THEY HAVE LIFE EXPERIENCES IN

961
00:30:57,857 --> 00:30:59,623
KNOW, AND AS CORY POINTED OUT,
THEY HAVE LIFE EXPERIENCES IN
DEALING WITH THIS ISSUE WITH THE

962
00:30:59,625 --> 00:30:59,857
THEY HAVE LIFE EXPERIENCES IN
DEALING WITH THIS ISSUE WITH THE
POLICE.

963
00:30:59,859 --> 00:31:02,092
DEALING WITH THIS ISSUE WITH THE
POLICE.
AND I THINK FOR THE FIRST TIME

964
00:31:02,094 --> 00:31:04,161
POLICE.
AND I THINK FOR THE FIRST TIME
THAT MAYBE, MAYBE IT'S GAINING

965
00:31:04,163 --> 00:31:05,596
AND I THINK FOR THE FIRST TIME
THAT MAYBE, MAYBE IT'S GAINING
TRACTION ON BOTH SIDES OF THE

966
00:31:05,598 --> 00:31:06,864
THAT MAYBE, MAYBE IT'S GAINING
TRACTION ON BOTH SIDES OF THE
AISLE WITH THE TWO OF THEM

967
00:31:06,866 --> 00:31:07,698
TRACTION ON BOTH SIDES OF THE
AISLE WITH THE TWO OF THEM
WORKING TOGETHER.

968
00:31:07,700 --> 00:31:09,600
AISLE WITH THE TWO OF THEM
WORKING TOGETHER.
YOU KNOW, I DON'T KNOW.

969
00:31:09,602 --> 00:31:12,469
WORKING TOGETHER.
YOU KNOW, I DON'T KNOW.
IF WE CAN'T LEAD TO CHANGE AFTER

970
00:31:12,471 --> 00:31:13,871
YOU KNOW, I DON'T KNOW.
IF WE CAN'T LEAD TO CHANGE AFTER
WHAT WE WITNESSED WITH GEORGE

971
00:31:13,873 --> 00:31:16,173
IF WE CAN'T LEAD TO CHANGE AFTER
WHAT WE WITNESSED WITH GEORGE
FLOYD AND WE'RE WITNESSING WITH

972
00:31:16,175 --> 00:31:18,575
WHAT WE WITNESSED WITH GEORGE
FLOYD AND WE'RE WITNESSING WITH
RONALD GREEN, I HONESTLY DON'T

973
00:31:18,577 --> 00:31:20,611
FLOYD AND WE'RE WITNESSING WITH
RONALD GREEN, I HONESTLY DON'T
KNOW WHAT IT'S GOING TO TAKE.

974
00:31:20,613 --> 00:31:21,511
RONALD GREEN, I HONESTLY DON'T
KNOW WHAT IT'S GOING TO TAKE.
THERE HASN'T BEEN ANY

975
00:31:21,513 --> 00:31:22,946
KNOW WHAT IT'S GOING TO TAKE.
THERE HASN'T BEEN ANY
SIGNIFICANT CHANGE IN POLICING

976
00:31:22,948 --> 00:31:25,916
THERE HASN'T BEEN ANY
SIGNIFICANT CHANGE IN POLICING
AND REFORMS AND THESE KIND OF

977
00:31:25,918 --> 00:31:26,884
SIGNIFICANT CHANGE IN POLICING
AND REFORMS AND THESE KIND OF
BILLS SINCE RODNEY KING.

978
00:31:26,886 --> 00:31:28,385
AND REFORMS AND THESE KIND OF
BILLS SINCE RODNEY KING.
SO NOW I THINK THAT WE'RE AT A

979
00:31:28,387 --> 00:31:29,686
BILLS SINCE RODNEY KING.
SO NOW I THINK THAT WE'RE AT A
PLACE WHERE LEAST PEOPLE ARE

980
00:31:29,688 --> 00:31:31,688
SO NOW I THINK THAT WE'RE AT A
PLACE WHERE LEAST PEOPLE ARE
PAYING ATTENTION AND YOU'VE GOT

981
00:31:31,690 --> 00:31:34,091
PLACE WHERE LEAST PEOPLE ARE
PAYING ATTENTION AND YOU'VE GOT
PEOPLE-- BLACK AND WHITE-- ON

982
00:31:34,093 --> 00:31:36,326
PAYING ATTENTION AND YOU'VE GOT
PEOPLE-- BLACK AND WHITE-- ON
BOTH SIDESFUL AISLE.

983
00:31:36,328 --> 00:31:37,995
PEOPLE-- BLACK AND WHITE-- ON
BOTH SIDESFUL AISLE.
BUT IT'S AN UPHILL CLIMB STILL.

984
00:31:37,997 --> 00:31:39,997
BOTH SIDESFUL AISLE.
BUT IT'S AN UPHILL CLIMB STILL.
AND IT SADDENS ME THAT WE'RE

985
00:31:39,999 --> 00:31:41,765
BUT IT'S AN UPHILL CLIMB STILL.
AND IT SADDENS ME THAT WE'RE
STILL SITTING HERE IN 2021

986
00:31:41,767 --> 00:31:42,633
AND IT SADDENS ME THAT WE'RE
STILL SITTING HERE IN 2021
HAVING THIS CONVERSATION.

987
00:31:42,635 --> 00:31:43,500
STILL SITTING HERE IN 2021
HAVING THIS CONVERSATION.
>> Stephen: WELL, SPEAKING OF

988
00:31:43,502 --> 00:31:45,836
HAVING THIS CONVERSATION.
>> Stephen: WELL, SPEAKING OF
2021, NEXT WEEK MARKS THE

989
00:31:45,838 --> 00:31:49,306
>> Stephen: WELL, SPEAKING OF
2021, NEXT WEEK MARKS THE
100th ANNIVERSARY OF THE

990
00:31:49,308 --> 00:31:49,673
2021, NEXT WEEK MARKS THE
100th ANNIVERSARY OF THE
TULSA MASSACRE.

991
00:31:49,675 --> 00:31:50,040
100th ANNIVERSARY OF THE
TULSA MASSACRE.
>> YEAH.

992
00:31:50,042 --> 00:31:53,477
TULSA MASSACRE.
>> YEAH.
>> Stephen: WHEN HUNDREDS OF--

993
00:31:53,479 --> 00:31:54,177
>> YEAH.
>> Stephen: WHEN HUNDREDS OF--
>> ANOTHER TRAVESTY.

994
00:31:54,179 --> 00:31:56,480
>> Stephen: WHEN HUNDREDS OF--
>> ANOTHER TRAVESTY.
>> Stephen: THREE-- AT LEAST

995
00:31:56,482 --> 00:31:58,882
>> ANOTHER TRAVESTY.
>> Stephen: THREE-- AT LEAST
300 PEOPLE, BLACK MEMBERS OF THE

996
00:31:58,884 --> 00:32:02,386
>> Stephen: THREE-- AT LEAST
300 PEOPLE, BLACK MEMBERS OF THE
TULSA-- CITIZENS OF TULSA WERE

997
00:32:02,388 --> 00:32:04,955
300 PEOPLE, BLACK MEMBERS OF THE
TULSA-- CITIZENS OF TULSA WERE
KILLED, AND I UNDERSTAND THAT

998
00:32:04,957 --> 00:32:07,357
TULSA-- CITIZENS OF TULSA WERE
KILLED, AND I UNDERSTAND THAT
NEXT MONDAY, YOU'RE GOING TO BE

999
00:32:07,359 --> 00:32:08,358
KILLED, AND I UNDERSTAND THAT
NEXT MONDAY, YOU'RE GOING TO BE
HOSTING-- ANCHORING A SPECIAL

1000
00:32:08,360 --> 00:32:08,926
NEXT MONDAY, YOU'RE GOING TO BE
HOSTING-- ANCHORING A SPECIAL
ABOUT IT.

1001
00:32:08,928 --> 00:32:09,860
HOSTING-- ANCHORING A SPECIAL
ABOUT IT.
WHAT CAN WE EXPECT?

1002
00:32:09,862 --> 00:32:12,562
ABOUT IT.
WHAT CAN WE EXPECT?
>> YEAH, ON THE 100th

1003
00:32:12,564 --> 00:32:12,863
WHAT CAN WE EXPECT?
>> YEAH, ON THE 100th
ANNIVERSARY.

1004
00:32:12,865 --> 00:32:14,765
>> YEAH, ON THE 100th
ANNIVERSARY.
LISTEN, THIS WAS SOMETHING THAT

1005
00:32:14,767 --> 00:32:17,634
ANNIVERSARY.
LISTEN, THIS WAS SOMETHING THAT
IT WAS A COMBINATION OF HATRED

1006
00:32:17,636 --> 00:32:19,903
LISTEN, THIS WAS SOMETHING THAT
IT WAS A COMBINATION OF HATRED
AND JEALOUSY THAT LED TO THE

1007
00:32:19,905 --> 00:32:22,739
IT WAS A COMBINATION OF HATRED
AND JEALOUSY THAT LED TO THE
SLAUGHTER THE OF, THE MASSACRE

1008
00:32:22,741 --> 00:32:24,274
AND JEALOUSY THAT LED TO THE
SLAUGHTER THE OF, THE MASSACRE
WAS WHAT WAS KNOWN AS "BLACK

1009
00:32:24,276 --> 00:32:26,109
SLAUGHTER THE OF, THE MASSACRE
WAS WHAT WAS KNOWN AS "BLACK
WALL STREET," WHERE YOU HAD

1010
00:32:26,111 --> 00:32:27,978
WAS WHAT WAS KNOWN AS "BLACK
WALL STREET," WHERE YOU HAD
PROFESSIONAL BLACKS WHO WERE

1011
00:32:27,980 --> 00:32:29,479
WALL STREET," WHERE YOU HAD
PROFESSIONAL BLACKS WHO WERE
VERY ECONOMICALLY SOLID.

1012
00:32:29,481 --> 00:32:30,948
PROFESSIONAL BLACKS WHO WERE
VERY ECONOMICALLY SOLID.
IT WAS DESCRIBED TO ME THIS WAY:

1013
00:32:30,950 --> 00:32:33,951
VERY ECONOMICALLY SOLID.
IT WAS DESCRIBED TO ME THIS WAY:
18 HOURS OF SHEER TERROR WHERE

1014
00:32:33,953 --> 00:32:35,752
IT WAS DESCRIBED TO ME THIS WAY:
18 HOURS OF SHEER TERROR WHERE
PEOPLE WERE DEPUTIZED AT RANDOM

1015
00:32:35,754 --> 00:32:38,088
18 HOURS OF SHEER TERROR WHERE
PEOPLE WERE DEPUTIZED AT RANDOM
TO GO AND KILL BLACK PEOPLE.

1016
00:32:38,090 --> 00:32:40,157
PEOPLE WERE DEPUTIZED AT RANDOM
TO GO AND KILL BLACK PEOPLE.
THERE WAS AN INCIDENT INVOLVING

1017
00:32:40,159 --> 00:32:44,561
TO GO AND KILL BLACK PEOPLE.
THERE WAS AN INCIDENT INVOLVING
A TEENAGED BLACK BOY AND A

1018
00:32:44,563 --> 00:32:46,096
THERE WAS AN INCIDENT INVOLVING
A TEENAGED BLACK BOY AND A
TEENAGED WHITE GIRL IN AN

1019
00:32:46,098 --> 00:32:46,630
A TEENAGED BLACK BOY AND A
TEENAGED WHITE GIRL IN AN
ELEVATOR.

1020
00:32:46,632 --> 00:32:47,631
TEENAGED WHITE GIRL IN AN
ELEVATOR.
IT'S BELIEVED THAT HE TRIPPED

1021
00:32:47,633 --> 00:32:49,466
ELEVATOR.
IT'S BELIEVED THAT HE TRIPPED
AND FELL ON HER.

1022
00:32:49,468 --> 00:32:50,534
IT'S BELIEVED THAT HE TRIPPED
AND FELL ON HER.
SHE STARTED SCREAMING AND

1023
00:32:50,536 --> 00:32:50,767
AND FELL ON HER.
SHE STARTED SCREAMING AND
CRYING.

1024
00:32:50,769 --> 00:32:51,868
SHE STARTED SCREAMING AND
CRYING.
AND THEN BEFORE YOU KNOW IT, THE

1025
00:32:51,870 --> 00:32:53,236
CRYING.
AND THEN BEFORE YOU KNOW IT, THE
FIRST SHOTS WERE FIRED.

1026
00:32:53,238 --> 00:32:54,871
AND THEN BEFORE YOU KNOW IT, THE
FIRST SHOTS WERE FIRED.
THERE WAS ALL SORT OF-- NO ONE

1027
00:32:54,873 --> 00:32:56,206
FIRST SHOTS WERE FIRED.
THERE WAS ALL SORT OF-- NO ONE
REALLY KNOWS WHO FIRED THE FIRST

1028
00:32:56,208 --> 00:32:57,941
THERE WAS ALL SORT OF-- NO ONE
REALLY KNOWS WHO FIRED THE FIRST
SHOT, BUT WHAT THEY KNOW IS

1029
00:32:57,943 --> 00:32:59,843
REALLY KNOWS WHO FIRED THE FIRST
SHOT, BUT WHAT THEY KNOW IS
AFTER THAT, IT WAS 18 HOURS OF

1030
00:32:59,845 --> 00:33:00,077
SHOT, BUT WHAT THEY KNOW IS
AFTER THAT, IT WAS 18 HOURS OF
TERROR.

1031
00:33:00,079 --> 00:33:01,945
AFTER THAT, IT WAS 18 HOURS OF
TERROR.
AND WHEN IT WAS ALL OVER, BLACK

1032
00:33:01,947 --> 00:33:04,047
TERROR.
AND WHEN IT WAS ALL OVER, BLACK
WALL STREET WAS BURNED DOWN TO

1033
00:33:04,049 --> 00:33:04,848
AND WHEN IT WAS ALL OVER, BLACK
WALL STREET WAS BURNED DOWN TO
THE GROUND, YOU KNOW.

1034
00:33:04,850 --> 00:33:07,117
WALL STREET WAS BURNED DOWN TO
THE GROUND, YOU KNOW.
THERE WERE, AT THE TIME, YOU

1035
00:33:07,119 --> 00:33:10,087
THE GROUND, YOU KNOW.
THERE WERE, AT THE TIME, YOU
KNOW, 600 VERY THRIVING

1036
00:33:10,089 --> 00:33:13,590
THERE WERE, AT THE TIME, YOU
KNOW, 600 VERY THRIVING
BUSINESSES, BLACK BUSINESSES.

1037
00:33:13,592 --> 00:33:14,424
KNOW, 600 VERY THRIVING
BUSINESSES, BLACK BUSINESSES.
TODAY THERE ARE ONLY 26.

1038
00:33:14,426 --> 00:33:16,693
BUSINESSES, BLACK BUSINESSES.
TODAY THERE ARE ONLY 26.
SO THE PROBLEM IS NO ONE WAS

1039
00:33:16,695 --> 00:33:18,762
TODAY THERE ARE ONLY 26.
SO THE PROBLEM IS NO ONE WAS
EVER-- NO ONE EVER PAID FOR THE

1040
00:33:18,764 --> 00:33:19,096
SO THE PROBLEM IS NO ONE WAS
EVER-- NO ONE EVER PAID FOR THE
CRIME.

1041
00:33:19,098 --> 00:33:22,165
EVER-- NO ONE EVER PAID FOR THE
CRIME.
YOU KNOW, THERE IS NOT BLACK

1042
00:33:22,167 --> 00:33:24,501
CRIME.
YOU KNOW, THERE IS NOT BLACK
GENERATIONAL WEALTH PASSED ON IN

1043
00:33:24,503 --> 00:33:24,768
YOU KNOW, THERE IS NOT BLACK
GENERATIONAL WEALTH PASSED ON IN
FAMILIES.

1044
00:33:24,770 --> 00:33:26,703
GENERATIONAL WEALTH PASSED ON IN
FAMILIES.
AND IT'S STORIES LIKE THAT,

1045
00:33:26,705 --> 00:33:30,040
FAMILIES.
AND IT'S STORIES LIKE THAT,
WHICH IS WHY-- IT'S THOSE KIND

1046
00:33:30,042 --> 00:33:32,442
AND IT'S STORIES LIKE THAT,
WHICH IS WHY-- IT'S THOSE KIND
OF STORIES IN TULSA, OKLAHOMA,

1047
00:33:32,444 --> 00:33:34,077
WHICH IS WHY-- IT'S THOSE KIND
OF STORIES IN TULSA, OKLAHOMA,
WHERE THERE IS SO MUCH

1048
00:33:34,079 --> 00:33:35,545
OF STORIES IN TULSA, OKLAHOMA,
WHERE THERE IS SO MUCH
CONTROVERSY ABOUT NOT HAVING

1049
00:33:35,547 --> 00:33:36,480
WHERE THERE IS SO MUCH
CONTROVERSY ABOUT NOT HAVING
BLACK GENERATIONAL WEALTH.

1050
00:33:36,482 --> 00:33:38,749
CONTROVERSY ABOUT NOT HAVING
BLACK GENERATIONAL WEALTH.
IT WAS DESCRIBED TO ME THIS WAY:

1051
00:33:38,751 --> 00:33:41,918
BLACK GENERATIONAL WEALTH.
IT WAS DESCRIBED TO ME THIS WAY:
FOR INSTANCE, A HOTEL WAS WORTH

1052
00:33:41,920 --> 00:33:43,420
IT WAS DESCRIBED TO ME THIS WAY:
FOR INSTANCE, A HOTEL WAS WORTH
$100,000 AT THAT TIME.

1053
00:33:43,422 --> 00:33:45,122
FOR INSTANCE, A HOTEL WAS WORTH
$100,000 AT THAT TIME.
TODAY IT COULD HAVE BEEN WORTH

1054
00:33:45,124 --> 00:33:45,689
$100,000 AT THAT TIME.
TODAY IT COULD HAVE BEEN WORTH
$100 MILLION.

1055
00:33:45,691 --> 00:33:47,524
TODAY IT COULD HAVE BEEN WORTH
$100 MILLION.
WHO KNOWS WHAT THAT BUSINESS

1056
00:33:47,526 --> 00:33:48,225
$100 MILLION.
WHO KNOWS WHAT THAT BUSINESS
COULD HAVE BEEN?

1057
00:33:48,227 --> 00:33:49,559
WHO KNOWS WHAT THAT BUSINESS
COULD HAVE BEEN?
WHO KNOWS WHAT THE CHAIN COULD

1058
00:33:49,561 --> 00:33:49,860
COULD HAVE BEEN?
WHO KNOWS WHAT THE CHAIN COULD
HAVE BEEN?

1059
00:33:49,862 --> 00:33:51,194
WHO KNOWS WHAT THE CHAIN COULD
HAVE BEEN?
BUT NONE OF THAT MONEY WAS

1060
00:33:51,196 --> 00:33:53,196
HAVE BEEN?
BUT NONE OF THAT MONEY WAS
PASSED ON TO BLACK FAMILY

1061
00:33:53,198 --> 00:33:53,430
BUT NONE OF THAT MONEY WAS
PASSED ON TO BLACK FAMILY
MEMBERS.

1062
00:33:53,432 --> 00:33:54,097
PASSED ON TO BLACK FAMILY
MEMBERS.
AND WHEN YOU LOOK AT THE PEOPLE

1063
00:33:54,099 --> 00:33:57,167
MEMBERS.
AND WHEN YOU LOOK AT THE PEOPLE
THAT DIED THAT DAY, VERY

1064
00:33:57,169 --> 00:33:58,101
AND WHEN YOU LOOK AT THE PEOPLE
THAT DIED THAT DAY, VERY
SUCCESSFUL, PROFESSIONAL,

1065
00:33:58,103 --> 00:33:59,903
THAT DIED THAT DAY, VERY
SUCCESSFUL, PROFESSIONAL,
BLACKS, FOR WHAT REASON?

1066
00:33:59,905 --> 00:34:02,439
SUCCESSFUL, PROFESSIONAL,
BLACKS, FOR WHAT REASON?
SO NOW THERE IS A WHOLE BIG

1067
00:34:02,441 --> 00:34:04,174
BLACKS, FOR WHAT REASON?
SO NOW THERE IS A WHOLE BIG
GROUNDSWELL TO HOW CAN WE MAKE

1068
00:34:04,176 --> 00:34:05,842
SO NOW THERE IS A WHOLE BIG
GROUNDSWELL TO HOW CAN WE MAKE
THIS RIGHT?

1069
00:34:05,844 --> 00:34:07,677
GROUNDSWELL TO HOW CAN WE MAKE
THIS RIGHT?
WHAT IS RIGHT AND WHAT IS THE

1070
00:34:07,679 --> 00:34:08,478
THIS RIGHT?
WHAT IS RIGHT AND WHAT IS THE
FAIR THING TO DO?

1071
00:34:08,480 --> 00:34:10,080
WHAT IS RIGHT AND WHAT IS THE
FAIR THING TO DO?
AND I TALKED TO, YOU KNOW, THREE

1072
00:34:10,082 --> 00:34:12,783
FAIR THING TO DO?
AND I TALKED TO, YOU KNOW, THREE
LIVING SURVIVORS-- THERE ARE

1073
00:34:12,785 --> 00:34:13,950
AND I TALKED TO, YOU KNOW, THREE
LIVING SURVIVORS-- THERE ARE
106, AND 107 WHO STILL REMEMBER

1074
00:34:13,952 --> 00:34:16,153
LIVING SURVIVORS-- THERE ARE
106, AND 107 WHO STILL REMEMBER
THAT DAY, AND THEY WERE JUST

1075
00:34:16,155 --> 00:34:16,753
106, AND 107 WHO STILL REMEMBER
THAT DAY, AND THEY WERE JUST
LITTLE KIDS AT THE TIME.

1076
00:34:16,755 --> 00:34:18,088
THAT DAY, AND THEY WERE JUST
LITTLE KIDS AT THE TIME.
>> Stephen: AND NOT ONLY DID

1077
00:34:18,090 --> 00:34:20,557
LITTLE KIDS AT THE TIME.
>> Stephen: AND NOT ONLY DID
THIS CRIME HAPPEN, NOT ONLY DID

1078
00:34:20,559 --> 00:34:21,658
>> Stephen: AND NOT ONLY DID
THIS CRIME HAPPEN, NOT ONLY DID
THIS CRIME HAPPEN, BUT THERE WAS

1079
00:34:21,660 --> 00:34:23,527
THIS CRIME HAPPEN, NOT ONLY DID
THIS CRIME HAPPEN, BUT THERE WAS
A CONCERTED EFFORT TO ERASE ANY

1080
00:34:23,529 --> 00:34:25,929
THIS CRIME HAPPEN, BUT THERE WAS
A CONCERTED EFFORT TO ERASE ANY
MEMORY OF THE CRIME SO THAT

1081
00:34:25,931 --> 00:34:28,165
A CONCERTED EFFORT TO ERASE ANY
MEMORY OF THE CRIME SO THAT
THERE WOULD NEVER BE ANY

1082
00:34:28,167 --> 00:34:29,733
MEMORY OF THE CRIME SO THAT
THERE WOULD NEVER BE ANY
ACCOUNTABILITY, WHICH IS WHY ALL

1083
00:34:29,735 --> 00:34:31,234
THERE WOULD NEVER BE ANY
ACCOUNTABILITY, WHICH IS WHY ALL
THE MORE IMPORTANT ON THIS

1084
00:34:31,236 --> 00:34:32,235
ACCOUNTABILITY, WHICH IS WHY ALL
THE MORE IMPORTANT ON THIS
100th ANNIVERSARY THAT SHOWS

1085
00:34:32,237 --> 00:34:34,704
THE MORE IMPORTANT ON THIS
100th ANNIVERSARY THAT SHOWS
LIKE THIS BROADCAST TO REMIND

1086
00:34:34,706 --> 00:34:35,872
100th ANNIVERSARY THAT SHOWS
LIKE THIS BROADCAST TO REMIND
EVERYBODY OF THE HISTORY OF THIS

1087
00:34:35,874 --> 00:34:37,741
LIKE THIS BROADCAST TO REMIND
EVERYBODY OF THE HISTORY OF THIS
KIND OF OPPRESSION.

1088
00:34:37,743 --> 00:34:38,975
EVERYBODY OF THE HISTORY OF THIS
KIND OF OPPRESSION.
SO, THANK YOU, GAYLE.

1089
00:34:38,977 --> 00:34:41,144
KIND OF OPPRESSION.
SO, THANK YOU, GAYLE.
>> STEPHEN, LET ME TELL YOU

1090
00:34:41,146 --> 00:34:41,378
SO, THANK YOU, GAYLE.
>> STEPHEN, LET ME TELL YOU
THIS.

1091
00:34:41,380 --> 00:34:43,013
>> STEPHEN, LET ME TELL YOU
THIS.
I'M SO GLAD YOU BROUGHT UP THAT

1092
00:34:43,015 --> 00:34:43,213
THIS.
I'M SO GLAD YOU BROUGHT UP THAT
POINT.

1093
00:34:43,215 --> 00:34:45,048
I'M SO GLAD YOU BROUGHT UP THAT
POINT.
NOT ONLY DID THEY TRY TO ERASE

1094
00:34:45,050 --> 00:34:45,215
POINT.
NOT ONLY DID THEY TRY TO ERASE
IT.

1095
00:34:45,217 --> 00:34:46,083
NOT ONLY DID THEY TRY TO ERASE
IT.
MOST PEOPLE DON'T EVEN KNOW

1096
00:34:46,085 --> 00:34:47,951
IT.
MOST PEOPLE DON'T EVEN KNOW
ABOUT IT, INCLUDING THE PEOPLE

1097
00:34:47,953 --> 00:34:49,152
MOST PEOPLE DON'T EVEN KNOW
ABOUT IT, INCLUDING THE PEOPLE
LIVING IN TULSA!

1098
00:34:49,154 --> 00:34:51,154
ABOUT IT, INCLUDING THE PEOPLE
LIVING IN TULSA!
I DIDN'T KNOW ABOUT IT UNTIL AT

1099
00:34:51,156 --> 00:34:52,589
LIVING IN TULSA!
I DIDN'T KNOW ABOUT IT UNTIL AT
LEAST, YOU KNOW, 20 YEARS AGO.

1100
00:34:52,591 --> 00:34:54,891
I DIDN'T KNOW ABOUT IT UNTIL AT
LEAST, YOU KNOW, 20 YEARS AGO.
I DIDN'T EVEN KNOW ABOUTHIT.

1101
00:34:54,893 --> 00:34:56,460
LEAST, YOU KNOW, 20 YEARS AGO.
I DIDN'T EVEN KNOW ABOUTHIT.
SOMEBODY SAID, "OF COURSE YOU

1102
00:34:56,462 --> 00:34:56,860
I DIDN'T EVEN KNOW ABOUTHIT.
SOMEBODY SAID, "OF COURSE YOU
HEARD OF IT."

1103
00:34:56,862 --> 00:34:58,161
SOMEBODY SAID, "OF COURSE YOU
HEARD OF IT."
I HAD NEVER HEARD OF IT.

1104
00:34:58,163 --> 00:35:00,864
HEARD OF IT."
I HAD NEVER HEARD OF IT.
IT'S NOT TAUGHT IN SCHOOLS

1105
00:35:00,866 --> 00:35:01,498
I HAD NEVER HEARD OF IT.
IT'S NOT TAUGHT IN SCHOOLS
ANYWHERE-- THAT'S CHANGING.

1106
00:35:01,500 --> 00:35:02,933
IT'S NOT TAUGHT IN SCHOOLS
ANYWHERE-- THAT'S CHANGING.
BUT BLACK PEOPLE AND WHITE

1107
00:35:02,935 --> 00:35:04,067
ANYWHERE-- THAT'S CHANGING.
BUT BLACK PEOPLE AND WHITE
PEOPLE DIDN'T KNOW ABOUT THAT.

1108
00:35:04,069 --> 00:35:04,634
BUT BLACK PEOPLE AND WHITE
PEOPLE DIDN'T KNOW ABOUT THAT.
THAT'S WRONG.

1109
00:35:04,636 --> 00:35:10,107
PEOPLE DIDN'T KNOW ABOUT THAT.
THAT'S WRONG.
SO WE WANT TO CHANGE THAT

1110
00:35:10,109 --> 00:35:11,475
THAT'S WRONG.
SO WE WANT TO CHANGE THAT
>> Stephen: "TULSA 1921: AN

1111
00:35:11,477 --> 00:35:13,677
SO WE WANT TO CHANGE THAT
>> Stephen: "TULSA 1921: AN
AMERICAN TRAGEDY" AIRS NEXT

1112
00:35:13,679 --> 00:35:14,244
>> Stephen: "TULSA 1921: AN
AMERICAN TRAGEDY" AIRS NEXT
MONDAY AT 10:00 P.M. ON CBS.

1113
00:35:14,246 --> 00:35:16,880
AMERICAN TRAGEDY" AIRS NEXT
MONDAY AT 10:00 P.M. ON CBS.
"CBS THIS MORNING" AIRS WEEKDAY

1114
00:35:16,882 --> 00:35:19,082
MONDAY AT 10:00 P.M. ON CBS.
"CBS THIS MORNING" AIRS WEEKDAY
ON CBS FROM 7:00 TO 9:00.

1115
00:35:19,084 --> 00:35:21,485
"CBS THIS MORNING" AIRS WEEKDAY
ON CBS FROM 7:00 TO 9:00.
>> HOPE YOU DO A POP-IN

1116
00:35:21,487 --> 00:35:22,152
ON CBS FROM 7:00 TO 9:00.
>> HOPE YOU DO A POP-IN
TOMORROW, STEPHEN.

1117
00:35:22,154 --> 00:35:23,720
>> HOPE YOU DO A POP-IN
TOMORROW, STEPHEN.
I HOPE YOU DO A POP-IN.

1118
00:35:23,722 --> 00:35:26,089
TOMORROW, STEPHEN.
I HOPE YOU DO A POP-IN.
>> Stephen: IT'S ALL UP TO

1119
00:35:26,091 --> 00:35:27,290
I HOPE YOU DO A POP-IN.
>> Stephen: IT'S ALL UP TO
CHRIS.

1120
00:35:27,292 --> 00:35:27,824
>> Stephen: IT'S ALL UP TO
CHRIS.
WE'LL BE RIGHT BACK WITH A

1121
00:35:27,826 --> 00:35:29,593
CHRIS.
WE'LL BE RIGHT BACK WITH A
PERFORMANCE BY BTS.

1122
00:35:29,595 --> 00:35:30,760
WE'LL BE RIGHT BACK WITH A
PERFORMANCE BY BTS.
THANKS, GAYLE.

1123
00:35:36,534 --> 00:35:44,441
♪ ♪ ♪

1124
00:35:52,483 --> 00:36:00,490
>> THE MEDIA DOESN'T WANT THE
SQUAD TO LOOK BAD.
THEY JUST WANT MARJORIE TAYLOR

1125
00:36:00,492 --> 00:36:02,592
SQUAD TO LOOK BAD.
THEY JUST WANT MARJORIE TAYLOR
TO LOOK BAD.

1126
00:36:02,594 --> 00:36:04,928
THEY JUST WANT MARJORIE TAYLOR
TO LOOK BAD.
AND YOU ARE ANTI-ISRAEL AND THE

1127
00:36:04,930 --> 00:36:07,631
TO LOOK BAD.
AND YOU ARE ANTI-ISRAEL AND THE
WAY THAT SHE IS HAS THE REAL

1128
00:36:07,633 --> 00:36:08,832
AND YOU ARE ANTI-ISRAEL AND THE
WAY THAT SHE IS HAS THE REAL
POWER OF LEGISLATIVE CHANGE.

1129
00:36:08,834 --> 00:36:10,433
WAY THAT SHE IS HAS THE REAL
POWER OF LEGISLATIVE CHANGE.
WE HAVE SEEN LAST WEEK.

1130
00:36:10,435 --> 00:36:12,435
POWER OF LEGISLATIVE CHANGE.
WE HAVE SEEN LAST WEEK.
MORE INFLUENTIAL THAN A.O.C., IS

1131
00:36:12,437 --> 00:36:12,869
WE HAVE SEEN LAST WEEK.
MORE INFLUENTIAL THAN A.O.C., IS
JUST INACCURATE.

1132
00:36:12,871 --> 00:36:14,504
MORE INFLUENTIAL THAN A.O.C., IS
JUST INACCURATE.
AND IT'S JUST NOT--

1133
00:36:14,506 --> 00:36:16,306
JUST INACCURATE.
AND IT'S JUST NOT--
>> YES, IT IS-- WE'RE GOING TO

1134
00:36:16,308 --> 00:36:18,642
AND IT'S JUST NOT--
>> YES, IT IS-- WE'RE GOING TO
BREAK AND WHEN WE COME BACK YOU

1135
00:36:18,644 --> 00:36:19,609
>> YES, IT IS-- WE'RE GOING TO
BREAK AND WHEN WE COME BACK YOU
CAN CONTINUE TALKING BUT NOW

1136
00:36:19,611 --> 00:36:22,412
BREAK AND WHEN WE COME BACK YOU
CAN CONTINUE TALKING BUT NOW
WE'RE GOING TO BREAK SO WE'LL BE

1137
00:36:22,414 --> 00:36:24,447
CAN CONTINUE TALKING BUT NOW
WE'RE GOING TO BREAK SO WE'LL BE
RIGHT BACK.

1138
00:36:31,422 --> 00:36:39,930
BROKE STREAMING RECORDS ON
SPOTIFY AND YOUTUBE.
NOW, PERFORMING "BUTTER," GLOBAL

1139
00:36:39,932 --> 00:36:43,833
SPOTIFY AND YOUTUBE.
NOW, PERFORMING "BUTTER," GLOBAL
SUPERSTARS, BTS!

1140
00:36:54,845 --> 00:36:59,849
♪ ♪ ♪
♪ ♪ ♪
♪ SMOOTH LIKE BUTTER

1141
00:36:59,851 --> 00:37:03,053
♪ ♪ ♪
♪ SMOOTH LIKE BUTTER
LIKE A CRIMINAL UNDERCOVER

1142
00:37:03,055 --> 00:37:03,853
♪ SMOOTH LIKE BUTTER
LIKE A CRIMINAL UNDERCOVER
♪ GON' POP LIKE TROUBLE

1143
00:37:03,855 --> 00:37:05,021
LIKE A CRIMINAL UNDERCOVER
♪ GON' POP LIKE TROUBLE
BREAKIN' INTO YOUR HEART

1144
00:37:05,023 --> 00:37:05,755
♪ GON' POP LIKE TROUBLE
BREAKIN' INTO YOUR HEART
♪ LIKE THAT

1145
00:37:05,757 --> 00:37:07,490
BREAKIN' INTO YOUR HEART
♪ LIKE THAT
(OOH)

1146
00:37:07,492 --> 00:37:07,958
♪ LIKE THAT
(OOH)
♪ COOL SHADE STUNNER

1147
00:37:07,960 --> 00:37:11,861
(OOH)
♪ COOL SHADE STUNNER
YEAH, I OWE IT ALL TO MY MOTHER

1148
00:37:11,863 --> 00:37:13,763
♪ COOL SHADE STUNNER
YEAH, I OWE IT ALL TO MY MOTHER
♪ HOT LIKE SUMMER YEAH,

1149
00:37:13,765 --> 00:37:14,564
YEAH, I OWE IT ALL TO MY MOTHER
♪ HOT LIKE SUMMER YEAH,
I'M MAKIN' YOU SWEAT LIKE THAT

1150
00:37:14,566 --> 00:37:15,865
♪ HOT LIKE SUMMER YEAH,
I'M MAKIN' YOU SWEAT LIKE THAT
♪ BREAK IT DOWN

1151
00:37:15,867 --> 00:37:18,969
I'M MAKIN' YOU SWEAT LIKE THAT
♪ BREAK IT DOWN
OH, WHEN I LOOK IN THE MIRROR

1152
00:37:18,971 --> 00:37:19,869
♪ BREAK IT DOWN
OH, WHEN I LOOK IN THE MIRROR
♪ I'LL MELT YOUR HEART INTO TWO

1153
00:37:19,871 --> 00:37:21,271
OH, WHEN I LOOK IN THE MIRROR
♪ I'LL MELT YOUR HEART INTO TWO
I GOT THAT SUPERSTAR GLOW SO

1154
00:37:21,273 --> 00:37:22,005
♪ I'LL MELT YOUR HEART INTO TWO
I GOT THAT SUPERSTAR GLOW SO
(OOH)

1155
00:37:22,007 --> 00:37:23,840
I GOT THAT SUPERSTAR GLOW SO
(OOH)
♪ DO THE BOOGIE LIKE

1156
00:37:23,842 --> 00:37:27,510
(OOH)
♪ DO THE BOOGIE LIKE
SIDE STEP, RIGHT,

1157
00:37:27,512 --> 00:37:27,911
♪ DO THE BOOGIE LIKE
SIDE STEP, RIGHT,
♪ LEFT TO MY BEAT

1158
00:37:27,913 --> 00:37:31,848
SIDE STEP, RIGHT,
♪ LEFT TO MY BEAT
HIGH LIKE THE MOON,

1159
00:37:31,850 --> 00:37:33,783
♪ LEFT TO MY BEAT
HIGH LIKE THE MOON,
♪ ROCK WITH ME, BABY

1160
00:37:33,785 --> 00:37:34,317
HIGH LIKE THE MOON,
♪ ROCK WITH ME, BABY
KNOW THAT I GOT THAT HEAT

1161
00:37:34,319 --> 00:37:35,752
♪ ROCK WITH ME, BABY
KNOW THAT I GOT THAT HEAT
♪ LET ME SHOW YOU

1162
00:37:35,754 --> 00:37:36,186
KNOW THAT I GOT THAT HEAT
♪ LET ME SHOW YOU
'CAUSE TALK IS CHEAP

1163
00:37:36,188 --> 00:37:39,022
♪ LET ME SHOW YOU
'CAUSE TALK IS CHEAP
♪ SIDE STEP, RIGHT,

1164
00:37:39,024 --> 00:37:39,889
'CAUSE TALK IS CHEAP
♪ SIDE STEP, RIGHT,
LEFT TO MY BEAT

1165
00:37:39,891 --> 00:37:42,826
♪ SIDE STEP, RIGHT,
LEFT TO MY BEAT
♪ GET IT, LET IT ROLL

1166
00:37:42,828 --> 00:37:43,860
LEFT TO MY BEAT
♪ GET IT, LET IT ROLL
SMOOTH LIKE BUTTER

1167
00:37:43,862 --> 00:37:45,996
♪ GET IT, LET IT ROLL
SMOOTH LIKE BUTTER
♪ PULL YOU IN LIKE NO OTHER

1168
00:37:45,998 --> 00:37:47,864
SMOOTH LIKE BUTTER
♪ PULL YOU IN LIKE NO OTHER
DON'T NEED NO USHER

1169
00:37:47,866 --> 00:37:51,368
♪ PULL YOU IN LIKE NO OTHER
DON'T NEED NO USHER
♪ TO REMIND ME YOU GOT IT BAD

1170
00:37:51,370 --> 00:37:51,768
DON'T NEED NO USHER
♪ TO REMIND ME YOU GOT IT BAD
AIN'T NO OTHER

1171
00:37:51,770 --> 00:37:52,269
♪ TO REMIND ME YOU GOT IT BAD
AIN'T NO OTHER
♪ THAT CAN SWEEP YOU UP

1172
00:37:52,271 --> 00:37:54,070
AIN'T NO OTHER
♪ THAT CAN SWEEP YOU UP
LIKE A ROBBER

1173
00:37:54,072 --> 00:37:55,639
♪ THAT CAN SWEEP YOU UP
LIKE A ROBBER
♪ STRAIGHT UP,

1174
00:37:55,641 --> 00:37:55,872
LIKE A ROBBER
♪ STRAIGHT UP,
I GOT YA

1175
00:37:55,874 --> 00:37:59,843
♪ STRAIGHT UP,
I GOT YA
♪ MAKIN' YOU FALL LIKE THAT

1176
00:37:59,845 --> 00:38:01,011
I GOT YA
♪ MAKIN' YOU FALL LIKE THAT
BREAK IT DOWN OH, WHEN I LOOK IN

1177
00:38:01,013 --> 00:38:02,879
♪ MAKIN' YOU FALL LIKE THAT
BREAK IT DOWN OH, WHEN I LOOK IN
♪ THE MIRROR I'LL MELT YOUR

1178
00:38:02,881 --> 00:38:03,847
BREAK IT DOWN OH, WHEN I LOOK IN
♪ THE MIRROR I'LL MELT YOUR
HEART INTO TWO

1179
00:38:03,849 --> 00:38:04,481
♪ THE MIRROR I'LL MELT YOUR
HEART INTO TWO
♪ I GOT THAT SUPERSTAR GLOW SO

1180
00:38:04,483 --> 00:38:07,017
HEART INTO TWO
♪ I GOT THAT SUPERSTAR GLOW SO
(OOH)

1181
00:38:07,019 --> 00:38:07,851
♪ I GOT THAT SUPERSTAR GLOW SO
(OOH)
♪ DO THE BOOGIE LIKE

1182
00:38:07,853 --> 00:38:09,986
(OOH)
♪ DO THE BOOGIE LIKE
SIDE STEP, RIGHT,

1183
00:38:09,988 --> 00:38:11,855
♪ DO THE BOOGIE LIKE
SIDE STEP, RIGHT,
♪ LEFT TO MY BEAT

1184
00:38:11,857 --> 00:38:14,491
SIDE STEP, RIGHT,
♪ LEFT TO MY BEAT
HIGH LIKE THE MOON,

1185
00:38:14,493 --> 00:38:15,859
♪ LEFT TO MY BEAT
HIGH LIKE THE MOON,
♪ ROCK WITH ME,

1186
00:38:15,861 --> 00:38:18,962
HIGH LIKE THE MOON,
♪ ROCK WITH ME,
BABY KNOW THAT I GOT THAT HEAT

1187
00:38:18,964 --> 00:38:19,362
♪ ROCK WITH ME,
BABY KNOW THAT I GOT THAT HEAT
♪ LET ME SHOW YOU

1188
00:38:19,364 --> 00:38:19,863
BABY KNOW THAT I GOT THAT HEAT
♪ LET ME SHOW YOU
'CAUSE TALK IS CHEAP

1189
00:38:19,865 --> 00:38:21,998
♪ LET ME SHOW YOU
'CAUSE TALK IS CHEAP
♪ SIDE STEP, RIGHT,

1190
00:38:22,000 --> 00:38:23,033
'CAUSE TALK IS CHEAP
♪ SIDE STEP, RIGHT,
LEFT TO MY BEAT

1191
00:38:23,035 --> 00:38:23,867
♪ SIDE STEP, RIGHT,
LEFT TO MY BEAT
♪ GET IT,

1192
00:38:23,869 --> 00:38:31,841
LEFT TO MY BEAT
♪ GET IT,
LET IT ROLL

1193
00:38:31,843 --> 00:38:33,977
♪ GET IT,
LET IT ROLL
♪ ♪ ♪

1194
00:38:33,979 --> 00:38:34,244
LET IT ROLL
♪ ♪ ♪
♪ GET IT,

1195
00:38:34,246 --> 00:38:40,650
♪ ♪ ♪
♪ GET IT,
LET IT ROLL

1196
00:38:40,652 --> 00:38:41,751
♪ GET IT,
LET IT ROLL
♪ GET IT,

1197
00:38:41,753 --> 00:38:43,119
LET IT ROLL
♪ GET IT,
LET IT ROLL

1198
00:38:43,121 --> 00:38:43,853
♪ GET IT,
LET IT ROLL
♪ ICE ON MY WRIST,

1199
00:38:43,855 --> 00:38:44,888
LET IT ROLL
♪ ICE ON MY WRIST,
I'M THE NICE GUY

1200
00:38:44,890 --> 00:38:45,989
♪ ICE ON MY WRIST,
I'M THE NICE GUY
♪ GOT THE RIGHT BODY

1201
00:38:45,991 --> 00:38:47,590
I'M THE NICE GUY
♪ GOT THE RIGHT BODY
AND THE RIGHT MIND

1202
00:38:47,592 --> 00:38:48,091
♪ GOT THE RIGHT BODY
AND THE RIGHT MIND
♪ ROLLIN' UP TO PARTY,

1203
00:38:48,093 --> 00:38:49,025
AND THE RIGHT MIND
♪ ROLLIN' UP TO PARTY,
GOT THE RIGHT VIBE

1204
00:38:49,027 --> 00:38:49,392
♪ ROLLIN' UP TO PARTY,
GOT THE RIGHT VIBE
♪ SMOOTH LIKE

1205
00:38:49,394 --> 00:38:50,093
GOT THE RIGHT VIBE
♪ SMOOTH LIKE
(BUTTER)

1206
00:38:50,095 --> 00:38:50,794
♪ SMOOTH LIKE
(BUTTER)
♪ HATE US

1207
00:38:50,796 --> 00:38:51,795
(BUTTER)
♪ HATE US
(LOVE US)

1208
00:38:51,797 --> 00:38:52,228
♪ HATE US
(LOVE US)
♪ FRESH BOY PULL UP

1209
00:38:52,230 --> 00:38:53,963
(LOVE US)
♪ FRESH BOY PULL UP
AND WE LAY LOW

1210
00:38:53,965 --> 00:38:55,265
♪ FRESH BOY PULL UP
AND WE LAY LOW
♪ ALL THE PLAYAS GET MOVIN'

1211
00:38:55,267 --> 00:38:55,865
AND WE LAY LOW
♪ ALL THE PLAYAS GET MOVIN'
WHEN THE BASS LOW

1212
00:38:55,867 --> 00:38:57,334
♪ ALL THE PLAYAS GET MOVIN'
WHEN THE BASS LOW
♪ GOT ARMY RIGHT BEHIND US

1213
00:38:57,336 --> 00:38:58,001
WHEN THE BASS LOW
♪ GOT ARMY RIGHT BEHIND US
WHEN WE SAY SO

1214
00:38:58,003 --> 00:38:59,836
♪ GOT ARMY RIGHT BEHIND US
WHEN WE SAY SO
♪ LET'S GO

1215
00:38:59,838 --> 00:39:01,805
WHEN WE SAY SO
♪ LET'S GO
SIDE STEP, RIGHT,

1216
00:39:01,807 --> 00:39:03,506
♪ LET'S GO
SIDE STEP, RIGHT,
♪ LEFT TO MY BEAT

1217
00:39:03,508 --> 00:39:04,007
SIDE STEP, RIGHT,
♪ LEFT TO MY BEAT
(RIGHT, LEFT TO MY BEAT)

1218
00:39:04,009 --> 00:39:07,844
♪ LEFT TO MY BEAT
(RIGHT, LEFT TO MY BEAT)
♪ HIGH LIKE THE MOON,

1219
00:39:07,846 --> 00:39:09,479
(RIGHT, LEFT TO MY BEAT)
♪ HIGH LIKE THE MOON,
ROCK WITH ME, BABY

1220
00:39:09,481 --> 00:39:10,046
♪ HIGH LIKE THE MOON,
ROCK WITH ME, BABY
♪ KNOW THAT I GOT THAT HEAT

1221
00:39:10,048 --> 00:39:11,848
ROCK WITH ME, BABY
♪ KNOW THAT I GOT THAT HEAT
LET ME SHOW YOU

1222
00:39:11,850 --> 00:39:12,816
♪ KNOW THAT I GOT THAT HEAT
LET ME SHOW YOU
♪ 'CAUSE TALK IS CHEAP

1223
00:39:12,818 --> 00:39:13,516
LET ME SHOW YOU
♪ 'CAUSE TALK IS CHEAP
(YOU KNOW THAT TALK IS CHEAP)

1224
00:39:13,518 --> 00:39:14,884
♪ 'CAUSE TALK IS CHEAP
(YOU KNOW THAT TALK IS CHEAP)
♪ SIDE STEP, RIGHT,

1225
00:39:14,886 --> 00:39:15,485
(YOU KNOW THAT TALK IS CHEAP)
♪ SIDE STEP, RIGHT,
LEFT TO MY BEAT

1226
00:39:15,487 --> 00:39:15,852
♪ SIDE STEP, RIGHT,
LEFT TO MY BEAT
♪ GET IT,

1227
00:39:15,854 --> 00:39:17,754
LEFT TO MY BEAT
♪ GET IT,
LET IT ROLL

1228
00:39:17,756 --> 00:39:18,254
♪ GET IT,
LET IT ROLL
♪ SMOOTH LIKE

1229
00:39:18,256 --> 00:39:18,588
LET IT ROLL
♪ SMOOTH LIKE
(BUTTER)

1230
00:39:18,590 --> 00:39:19,055
♪ SMOOTH LIKE
(BUTTER)
♪ COOL SHADE

1231
00:39:19,057 --> 00:39:19,689
(BUTTER)
♪ COOL SHADE
(STUNNER)

1232
00:39:19,691 --> 00:39:20,056
♪ COOL SHADE
(STUNNER)
♪ AND YOU KNOW

1233
00:39:20,058 --> 00:39:21,257
(STUNNER)
♪ AND YOU KNOW
WE DON'T STOP

1234
00:39:21,259 --> 00:39:21,858
♪ AND YOU KNOW
WE DON'T STOP
♪ HOT LIKE

1235
00:39:21,860 --> 00:39:22,092
WE DON'T STOP
♪ HOT LIKE
(SUMMER)

1236
00:39:22,094 --> 00:39:23,059
♪ HOT LIKE
(SUMMER)
♪ AIN'T NO

1237
00:39:23,061 --> 00:39:23,860
(SUMMER)
♪ AIN'T NO
(BUMMER)

1238
00:39:23,862 --> 00:39:25,295
♪ AIN'T NO
(BUMMER)
♪ YOU BE LIKE,

1239
00:39:25,297 --> 00:39:26,129
(BUMMER)
♪ YOU BE LIKE,
OH MY GOD

1240
00:39:26,131 --> 00:39:26,629
♪ YOU BE LIKE,
OH MY GOD
♪ WE GON' MAKE YOU ROCK

1241
00:39:26,631 --> 00:39:27,630
OH MY GOD
♪ WE GON' MAKE YOU ROCK
AND YOU SAY

1242
00:39:27,632 --> 00:39:27,864
♪ WE GON' MAKE YOU ROCK
AND YOU SAY
(YEAH)

1243
00:39:27,866 --> 00:39:28,631
AND YOU SAY
(YEAH)
♪ WE GON' MAKE YOU BOUNCE

1244
00:39:28,633 --> 00:39:29,632
(YEAH)
♪ WE GON' MAKE YOU BOUNCE
AND YOU SAY

1245
00:39:29,634 --> 00:39:30,266
♪ WE GON' MAKE YOU BOUNCE
AND YOU SAY
(YEAH)

1246
00:39:30,268 --> 00:39:31,234
AND YOU SAY
(YEAH)
♪ HOTTER?

1247
00:39:31,236 --> 00:39:31,868
(YEAH)
♪ HOTTER?
SWEETER COOLER?

1248
00:39:31,870 --> 00:39:34,003
♪ HOTTER?
SWEETER COOLER?
♪ BUTTER

1249
00:39:34,005 --> 00:39:41,544
SWEETER COOLER?
♪ BUTTER
GET IT, LET IT ROLL

1250
00:39:47,618 --> 00:39:53,189
LATE SHOW."
A SPECIAL THANKS TO CHICAGO'S
OWN RICHARD MARX FOR BEING HERE.

1251
00:39:53,191 --> 00:39:53,790
A SPECIAL THANKS TO CHICAGO'S
OWN RICHARD MARX FOR BEING HERE.
TUNE IN TOMORROW WHEN MY GUEST

1252
00:39:53,792 --> 00:39:54,257
OWN RICHARD MARX FOR BEING HERE.
TUNE IN TOMORROW WHEN MY GUEST
WILL BE WILL ARNETT.

1253
00:39:54,259 --> 00:39:54,724
TUNE IN TOMORROW WHEN MY GUEST
WILL BE WILL ARNETT.
JAMES CORDEN IS NEXT.

1254
00:39:54,726 --> 00:39:56,926
WILL BE WILL ARNETT.
JAMES CORDEN IS NEXT.
GOOD NIGHT.

1255
00:39:56,928 --> 00:39:59,129
JAMES CORDEN IS NEXT.
GOOD NIGHT.
♪ ♪ ♪

1256
00:39:59,131 --> 00:39:59,362
GOOD NIGHT.
♪ ♪ ♪
♪ ♪ ♪

1257
00:40:00,731 --> 00:40:02,365
<font color="#ffff00"> Captioning sponsored by CBS</font>
Captioned by
<font color="#00ffff"> Media Access Group at WGBH</font>

1258
00:40:02,367 --> 00:40:18,648
Captioned by
<font color="#00ffff"> Media Access Group at WGBH</font>
access.wgbh.org