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00:00:05,538 --> 00:00:09,108
<font color="#ffff00"> Captioning sponsored by CBS</font>
>> AT&T SAYS IT'S GOING TO MERGE
ITS CONTENT UNIT, WARNER MEDIA,

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00:00:09,110 --> 00:00:09,742
>> AT&T SAYS IT'S GOING TO MERGE
ITS CONTENT UNIT, WARNER MEDIA,
WITH DISCOVERY, TO FORM A WHOLE

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00:00:09,744 --> 00:00:12,311
ITS CONTENT UNIT, WARNER MEDIA,
WITH DISCOVERY, TO FORM A WHOLE
NEW COMPANY.

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00:00:12,313 --> 00:00:13,479
WITH DISCOVERY, TO FORM A WHOLE
NEW COMPANY.
>> YOU'LL SEE CNN THERE IN THE

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00:00:13,481 --> 00:00:14,947
NEW COMPANY.
>> YOU'LL SEE CNN THERE IN THE
MIDDLE, BUT ALL OF THESE OTHER

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00:00:14,949 --> 00:00:15,481
>> YOU'LL SEE CNN THERE IN THE
MIDDLE, BUT ALL OF THESE OTHER
BRANDS, STREAMING BRANDS.

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00:00:15,483 --> 00:00:17,182
MIDDLE, BUT ALL OF THESE OTHER
BRANDS, STREAMING BRANDS.
A VIEWER POINTED OUT DC COMICS

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00:00:17,184 --> 00:00:17,516
BRANDS, STREAMING BRANDS.
A VIEWER POINTED OUT DC COMICS
OVER THERE.

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00:00:17,518 --> 00:00:18,117
A VIEWER POINTED OUT DC COMICS
OVER THERE.
SUCH A TREASURE TROVE

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00:00:18,119 --> 00:00:18,650
OVER THERE.
SUCH A TREASURE TROVE
POTENTIALLY OF SUPER HERO

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00:00:18,652 --> 00:00:23,722
SUCH A TREASURE TROVE
POTENTIALLY OF SUPER HERO
STORIES.

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♪ ♪ ♪

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>> WE AREN'T THE ENEMY OF THE
PEOPLE.
WE ARE THE PEOPLE.

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00:00:36,303 --> 00:00:37,469
PEOPLE.
WE ARE THE PEOPLE.
WE ARE SONS AND DAUGHTERS,

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00:00:37,471 --> 00:00:40,339
WE ARE THE PEOPLE.
WE ARE SONS AND DAUGHTERS,
BROTHERS AND SISTERS, MOTHERS

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00:00:40,341 --> 00:00:40,939
WE ARE SONS AND DAUGHTERS,
BROTHERS AND SISTERS, MOTHERS
AND FATHERS DOING OUR DUTY TO

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BROTHERS AND SISTERS, MOTHERS
AND FATHERS DOING OUR DUTY TO
SHINE LIGHT WHERE THERE'S

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AND FATHERS DOING OUR DUTY TO
SHINE LIGHT WHERE THERE'S
DARKNESS.

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SHINE LIGHT WHERE THERE'S
DARKNESS.
IF I WERE YOU, I'D DO ME, TOO.

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00:00:45,880 --> 00:00:49,448
DARKNESS.
IF I WERE YOU, I'D DO ME, TOO.
>> AMERICA NEEDED A HERO.

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00:00:49,450 --> 00:00:51,884
IF I WERE YOU, I'D DO ME, TOO.
>> AMERICA NEEDED A HERO.
>> OH!

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00:00:51,886 --> 00:00:53,452
>> AMERICA NEEDED A HERO.
>> OH!
THAT'S COLD!

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00:00:53,454 --> 00:00:54,319
>> OH!
THAT'S COLD!
>> WOLF BLITZER-- HE WAS

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THAT'S COLD!
>> WOLF BLITZER-- HE WAS
HALF-MAN, HALF-BLITZER.

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00:00:58,826 --> 00:01:00,325
>> WOLF BLITZER-- HE WAS
HALF-MAN, HALF-BLITZER.
BUT IT'S NOT ALWAYS EASY SAVING

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00:01:00,327 --> 00:01:01,460
HALF-MAN, HALF-BLITZER.
BUT IT'S NOT ALWAYS EASY SAVING
THE WORLD.

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00:01:01,462 --> 00:01:02,094
BUT IT'S NOT ALWAYS EASY SAVING
THE WORLD.
>> THINGS HAVE NOT WORKED OUT AS

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00:01:02,096 --> 00:01:04,296
THE WORLD.
>> THINGS HAVE NOT WORKED OUT AS
WELL AS YOU HAD HOPED FOR, I'M

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>> THINGS HAVE NOT WORKED OUT AS
WELL AS YOU HAD HOPED FOR, I'M
SURE.

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WELL AS YOU HAD HOPED FOR, I'M
SURE.
>> BY DAY, HE IS WOLF.

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SURE.
>> BY DAY, HE IS WOLF.
BUT WHEN THE WORLD HOWLS FOR

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>> BY DAY, HE IS WOLF.
BUT WHEN THE WORLD HOWLS FOR
JUSTICE, HE BECOMES BLITZER.

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BUT WHEN THE WORLD HOWLS FOR
JUSTICE, HE BECOMES BLITZER.
>> THE PUSSY WILLOWS BLOWING IN

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JUSTICE, HE BECOMES BLITZER.
>> THE PUSSY WILLOWS BLOWING IN
THE WIND ON THE SHORES OF LAKE

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>> THE PUSSY WILLOWS BLOWING IN
THE WIND ON THE SHORES OF LAKE
TITICACA.

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THE WIND ON THE SHORES OF LAKE
TITICACA.
>> THIS FALL, WOLF IS BLITZER.

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TITICACA.
>> THIS FALL, WOLF IS BLITZER.
COMING SOON TO AN AIRPORT

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>> THIS FALL, WOLF IS BLITZER.
COMING SOON TO AN AIRPORT
TERMINAL NEAR YOU.

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>> Announcer: IT'S "A LATE SHOW
WITH STEPHEN COLBERT."
TONIGHT:

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WITH STEPHEN COLBERT."
TONIGHT:
ARRESTING DEVELOPMENT.

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TONIGHT:
ARRESTING DEVELOPMENT.
PLUS STEPHEN WELCOMES

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ARRESTING DEVELOPMENT.
PLUS STEPHEN WELCOMES
LISA KUDROW

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00:01:44,672 --> 00:01:45,437
PLUS STEPHEN WELCOMES
LISA KUDROW
AND TAMIKA D. MALLORY

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FEATURING JON BATISTE AND STAY
HUMAN.

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AND NOW, LIVE ON TAPE FROM
THE ED SULLIVAN THEATER OFFICE
BUILDING IN NEW YORK CITY, IT'S

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00:01:54,448 --> 00:01:57,416
THE ED SULLIVAN THEATER OFFICE
BUILDING IN NEW YORK CITY, IT'S
STEPHEN COLBERT!

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>> Stephen: HEY, EVERYBODY!
WELCOME TO "A LATE SHOW."
I'M YOUR HOST, STEPHEN COLBERT.

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00:02:02,423 --> 00:02:04,857
WELCOME TO "A LATE SHOW."
I'M YOUR HOST, STEPHEN COLBERT.
LADIES AND GENTLEMEN, HOLD THAT

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00:02:04,859 --> 00:02:05,457
I'M YOUR HOST, STEPHEN COLBERT.
LADIES AND GENTLEMEN, HOLD THAT
PHONE.

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LADIES AND GENTLEMEN, HOLD THAT
PHONE.
STOP WHAT YOU'RE DOING.

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PHONE.
STOP WHAT YOU'RE DOING.
LEAVE THE BREAD IN THE OVEN AND

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00:02:09,363 --> 00:02:09,828
STOP WHAT YOU'RE DOING.
LEAVE THE BREAD IN THE OVEN AND
THE KIDS IN THE BATH.

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00:02:09,830 --> 00:02:11,997
LEAVE THE BREAD IN THE OVEN AND
THE KIDS IN THE BATH.
BECAUSE WE HAVE SOME HUGE

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THE KIDS IN THE BATH.
BECAUSE WE HAVE SOME HUGE
BREAKING NEWS,

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BECAUSE WE HAVE SOME HUGE
BREAKING NEWS,
FROM 24 HOURS AGO, BECAUSE NEW

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00:02:15,603 --> 00:02:17,402
BREAKING NEWS,
FROM 24 HOURS AGO, BECAUSE NEW
YORK ATTORNEY GENERAL LETITIA

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00:02:17,404 --> 00:02:18,036
FROM 24 HOURS AGO, BECAUSE NEW
YORK ATTORNEY GENERAL LETITIA
JAMES RELEASED A MEMO YESTERDAY

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00:02:18,038 --> 00:02:20,239
YORK ATTORNEY GENERAL LETITIA
JAMES RELEASED A MEMO YESTERDAY
ANNOUNCING THAT THE

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00:02:20,241 --> 00:02:21,473
JAMES RELEASED A MEMO YESTERDAY
ANNOUNCING THAT THE
INVESTIGATION OF THE FORMER

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00:02:21,475 --> 00:02:22,174
ANNOUNCING THAT THE
INVESTIGATION OF THE FORMER
PRESIDENT'S ORGANIZATION IS NOW

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00:02:22,176 --> 00:02:23,308
INVESTIGATION OF THE FORMER
PRESIDENT'S ORGANIZATION IS NOW
EXPLORING POSSIBLE CRIMINAL

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00:02:23,310 --> 00:02:24,309
PRESIDENT'S ORGANIZATION IS NOW
EXPLORING POSSIBLE CRIMINAL
CONDUCT.

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EXPLORING POSSIBLE CRIMINAL
CONDUCT.
OH, YEAH.

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CONDUCT.
OH, YEAH.
HE IS GOING DOWN!

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OH, YEAH.
HE IS GOING DOWN!
NO QUESTION ABOUT IT, BROTHER!

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00:02:32,987 --> 00:02:33,519
HE IS GOING DOWN!
NO QUESTION ABOUT IT, BROTHER!
I'D BET EVERYTHING I OWN,

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00:02:33,521 --> 00:02:38,457
NO QUESTION ABOUT IT, BROTHER!
I'D BET EVERYTHING I OWN,
INCLUDING THIS T-SHIRT THAT

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00:02:38,459 --> 00:02:41,226
I'D BET EVERYTHING I OWN,
INCLUDING THIS T-SHIRT THAT
SAYS, "IT'S MUELLER TIME," AND

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INCLUDING THIS T-SHIRT THAT
SAYS, "IT'S MUELLER TIME," AND
MY OTHER OTHER T-SHIRT THAT

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SAYS, "IT'S MUELLER TIME," AND
MY OTHER OTHER T-SHIRT THAT
SAYS, IT'S IMPEACHMENT TIME,"

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MY OTHER OTHER T-SHIRT THAT
SAYS, IT'S IMPEACHMENT TIME,"
AND MY OTHER OTHER T-SHIRT THAT

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SAYS, IT'S IMPEACHMENT TIME,"
AND MY OTHER OTHER T-SHIRT THAT
SAYS, "IT'S SECOND IMPEACHMENT

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AND MY OTHER OTHER T-SHIRT THAT
SAYS, "IT'S SECOND IMPEACHMENT
TIME."

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SAYS, "IT'S SECOND IMPEACHMENT
TIME."
"THIS TIME WE'RE NOT WASTING OUR

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TIME."
"THIS TIME WE'RE NOT WASTING OUR
TIME."

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"THIS TIME WE'RE NOT WASTING OUR
TIME."
<i> ( LAUGHTER )</i>

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TIME."
<i> ( LAUGHTER )</i>
THIS CRIMINAL INVESTIGATION IS A

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<i> ( LAUGHTER )</i>
THIS CRIMINAL INVESTIGATION IS A
BIG DEAL.

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THIS CRIMINAL INVESTIGATION IS A
BIG DEAL.
UPUNTIL NOW, THE CASE AGAINST

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00:03:00,314 --> 00:03:01,446
BIG DEAL.
UPUNTIL NOW, THE CASE AGAINST
THE LINGERING ORANGE FART WAS

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00:03:01,448 --> 00:03:04,249
UPUNTIL NOW, THE CASE AGAINST
THE LINGERING ORANGE FART WAS
MERELY FINANCIAL AND MIGHT HAVE

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00:03:04,251 --> 00:03:05,050
THE LINGERING ORANGE FART WAS
MERELY FINANCIAL AND MIGHT HAVE
COST HIM MONEY BUT DIDN'T

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MERELY FINANCIAL AND MIGHT HAVE
COST HIM MONEY BUT DIDN'T
THREATEN HIS LIBERTY.

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COST HIM MONEY BUT DIDN'T
THREATEN HIS LIBERTY.
AND I ASSUME "LIBERTY" MEANS

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THREATEN HIS LIBERTY.
AND I ASSUME "LIBERTY" MEANS
FREEDOM AND NOT THE NAME OF

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AND I ASSUME "LIBERTY" MEANS
FREEDOM AND NOT THE NAME OF
ANOTHER PORN STAR HE PAID OFF.

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FREEDOM AND NOT THE NAME OF
ANOTHER PORN STAR HE PAID OFF.
THE STATEMENT FROM THE NEW YORK

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ANOTHER PORN STAR HE PAID OFF.
THE STATEMENT FROM THE NEW YORK
A.G.'S OFFICE DROPPED LATE LAST

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THE STATEMENT FROM THE NEW YORK
A.G.'S OFFICE DROPPED LATE LAST
NIGHT, AND CABLE NEWS HAD

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A.G.'S OFFICE DROPPED LATE LAST
NIGHT, AND CABLE NEWS HAD
A FOUR-ALARM FREAK-OUT:

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NIGHT, AND CABLE NEWS HAD
A FOUR-ALARM FREAK-OUT:
>> AS WE HAVE BEEN TALKING,

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A FOUR-ALARM FREAK-OUT:
>> AS WE HAVE BEEN TALKING,
RACHEL, THE BOOKERS OF THE LAST

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>> AS WE HAVE BEEN TALKING,
RACHEL, THE BOOKERS OF THE LAST
WORD HAVE BEEN WORKING

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RACHEL, THE BOOKERS OF THE LAST
WORD HAVE BEEN WORKING
FURIOUSLY, BECAUSE, WHATEVER

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WORD HAVE BEEN WORKING
FURIOUSLY, BECAUSE, WHATEVER
SHOW WE WERE GOING TO DO, WE'LL

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FURIOUSLY, BECAUSE, WHATEVER
SHOW WE WERE GOING TO DO, WE'LL
SEE WHAT'S LEFT OF IT BY THE

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SHOW WE WERE GOING TO DO, WE'LL
SEE WHAT'S LEFT OF IT BY THE
TIME WE GET TO OUR FIRST

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SEE WHAT'S LEFT OF IT BY THE
TIME WE GET TO OUR FIRST
COMMERCIAL BREAK.

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TIME WE GET TO OUR FIRST
COMMERCIAL BREAK.
>> Stephen: WELL, LET ME TELL

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00:03:33,447 --> 00:03:35,647
COMMERCIAL BREAK.
>> Stephen: WELL, LET ME TELL
YOU, LAWRENCE, THIS IS SO HUGE,

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>> Stephen: WELL, LET ME TELL
YOU, LAWRENCE, THIS IS SO HUGE,
THERE IS GOING TO BE NOTHING

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00:03:36,317 --> 00:03:37,983
YOU, LAWRENCE, THIS IS SO HUGE,
THERE IS GOING TO BE NOTHING
LEFT OF WHATEVER SHOW WE WERE

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THERE IS GOING TO BE NOTHING
LEFT OF WHATEVER SHOW WE WERE
GOING TO DO TONIGHT.

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LEFT OF WHATEVER SHOW WE WERE
GOING TO DO TONIGHT.
THIS THIS SCRIPT, TONIGHT'S

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GOING TO DO TONIGHT.
THIS THIS SCRIPT, TONIGHT'S
SCRIPT.

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THIS THIS SCRIPT, TONIGHT'S
SCRIPT.
OKAY, BYE-BYE, BABY!

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SCRIPT.
OKAY, BYE-BYE, BABY!
IN THE GARBAGE!

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00:03:48,329 --> 00:03:49,428
OKAY, BYE-BYE, BABY!
IN THE GARBAGE!
TO BREAK DOWN THE COMPLEX

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00:03:49,430 --> 00:03:50,095
IN THE GARBAGE!
TO BREAK DOWN THE COMPLEX
PROTEINS OF THIS STORY, LET'S GO

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TO BREAK DOWN THE COMPLEX
PROTEINS OF THIS STORY, LET'S GO
NOW TO ONE OF MY CBS COLLEAGUES

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00:03:50,731 --> 00:03:51,763
PROTEINS OF THIS STORY, LET'S GO
NOW TO ONE OF MY CBS COLLEAGUES
FOR IN-DEPTH ANALYSIS OF WHAT WE

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00:03:51,765 --> 00:03:52,931
NOW TO ONE OF MY CBS COLLEAGUES
FOR IN-DEPTH ANALYSIS OF WHAT WE
KNOW SO FAR.

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FOR IN-DEPTH ANALYSIS OF WHAT WE
KNOW SO FAR.
ANNE-MARIE GREEN, TELL US WHAT

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00:03:53,534 --> 00:03:54,299
KNOW SO FAR.
ANNE-MARIE GREEN, TELL US WHAT
THIS MEANS.

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00:03:54,301 --> 00:03:56,301
ANNE-MARIE GREEN, TELL US WHAT
THIS MEANS.
>> A NEW YORK INVESTIGATION INTO

116
00:03:56,303 --> 00:03:57,436
THIS MEANS.
>> A NEW YORK INVESTIGATION INTO
HIS BUSINESS EMPIRE, TRUMP INC.,

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00:03:57,438 --> 00:04:00,305
>> A NEW YORK INVESTIGATION INTO
HIS BUSINESS EMPIRE, TRUMP INC.,
HAS GONE FROM CIVIL TO CRIMINAL.

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00:04:00,307 --> 00:04:00,973
HIS BUSINESS EMPIRE, TRUMP INC.,
HAS GONE FROM CIVIL TO CRIMINAL.
>> Stephen: WOW, OKAY.

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00:04:00,975 --> 00:04:01,607
HAS GONE FROM CIVIL TO CRIMINAL.
>> Stephen: WOW, OKAY.
CNN'S BRIANNA KEILAR, BREAK THAT

120
00:04:01,609 --> 00:04:03,141
>> Stephen: WOW, OKAY.
CNN'S BRIANNA KEILAR, BREAK THAT
DOWN FOR US.

121
00:04:03,143 --> 00:04:04,610
CNN'S BRIANNA KEILAR, BREAK THAT
DOWN FOR US.
>> THEY WERE CIVIL.

122
00:04:04,612 --> 00:04:05,444
DOWN FOR US.
>> THEY WERE CIVIL.
NOW IT'S CRIMINAL.

123
00:04:05,446 --> 00:04:06,211
>> THEY WERE CIVIL.
NOW IT'S CRIMINAL.
>> Stephen: RIGHT.

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00:04:06,213 --> 00:04:06,812
NOW IT'S CRIMINAL.
>> Stephen: RIGHT.
AND WHAT ARE THE IMPLICATIONS

125
00:04:06,814 --> 00:04:09,181
>> Stephen: RIGHT.
AND WHAT ARE THE IMPLICATIONS
OF THAT?

126
00:04:09,183 --> 00:04:09,781
AND WHAT ARE THE IMPLICATIONS
OF THAT?
>> THIS INVESTIGATION HAS GONE

127
00:04:09,783 --> 00:04:12,317
OF THAT?
>> THIS INVESTIGATION HAS GONE
FROM CIVIL TO CRIMINAL.

128
00:04:12,319 --> 00:04:14,419
>> THIS INVESTIGATION HAS GONE
FROM CIVIL TO CRIMINAL.
>> Stephen: INTERESTING.

129
00:04:14,421 --> 00:04:16,255
FROM CIVIL TO CRIMINAL.
>> Stephen: INTERESTING.
PETER ALEXANDER, WHAT HAS THE

130
00:04:16,257 --> 00:04:17,322
>> Stephen: INTERESTING.
PETER ALEXANDER, WHAT HAS THE
A.G. FOUND THERE?

131
00:04:17,324 --> 00:04:17,856
PETER ALEXANDER, WHAT HAS THE
A.G. FOUND THERE?
>> THE A.G. MAY HAVE FOUND

132
00:04:17,858 --> 00:04:19,424
A.G. FOUND THERE?
>> THE A.G. MAY HAVE FOUND
SOMETHING THAT MADE THIS GO FROM

133
00:04:19,426 --> 00:04:20,926
>> THE A.G. MAY HAVE FOUND
SOMETHING THAT MADE THIS GO FROM
CIVIL TO CRIMINAL.

134
00:04:20,928 --> 00:04:21,460
SOMETHING THAT MADE THIS GO FROM
CIVIL TO CRIMINAL.
>> Stephen: CHECKS OUT.

135
00:04:21,462 --> 00:04:23,929
CIVIL TO CRIMINAL.
>> Stephen: CHECKS OUT.
DON LEMON, WHAT DOES THAT

136
00:04:23,931 --> 00:04:24,296
>> Stephen: CHECKS OUT.
DON LEMON, WHAT DOES THAT
ACTUALLY MEAN?

137
00:04:24,298 --> 00:04:25,464
DON LEMON, WHAT DOES THAT
ACTUALLY MEAN?
>> THAT MEANS IT'S CIVIL IN

138
00:04:25,466 --> 00:04:28,467
ACTUALLY MEAN?
>> THAT MEANS IT'S CIVIL IN
NATURE BUT ALSO CRIMINAL.

139
00:04:28,469 --> 00:04:29,468
>> THAT MEANS IT'S CIVIL IN
NATURE BUT ALSO CRIMINAL.
THEY JUST ADDED THIS CRIMINAL

140
00:04:29,470 --> 00:04:32,371
NATURE BUT ALSO CRIMINAL.
THEY JUST ADDED THIS CRIMINAL
CAPACITY ON TOP OF IT.

141
00:04:32,373 --> 00:04:36,908
THEY JUST ADDED THIS CRIMINAL
CAPACITY ON TOP OF IT.
<i> ( LAUGHTER )</i>

142
00:04:36,910 --> 00:04:39,678
CAPACITY ON TOP OF IT.
<i> ( LAUGHTER )</i>
>> Stephen: DO WE HAVE-- DO WE

143
00:04:39,680 --> 00:04:43,482
<i> ( LAUGHTER )</i>
>> Stephen: DO WE HAVE-- DO WE
HAVE ANOTHER COPY OF THE SCRIPT?

144
00:04:43,484 --> 00:04:44,116
>> Stephen: DO WE HAVE-- DO WE
HAVE ANOTHER COPY OF THE SCRIPT?
BECAUSE THIS ONE HAS MARINARA

145
00:04:44,118 --> 00:04:45,450
HAVE ANOTHER COPY OF THE SCRIPT?
BECAUSE THIS ONE HAS MARINARA
ON IT.

146
00:04:45,452 --> 00:04:45,984
BECAUSE THIS ONE HAS MARINARA
ON IT.
I HAD CALAMARI FOR LUNCH.

147
00:04:45,986 --> 00:04:46,752
ON IT.
I HAD CALAMARI FOR LUNCH.
MAYBE I SHOULDN'T HAVE THROWN

148
00:04:46,754 --> 00:04:47,586
I HAD CALAMARI FOR LUNCH.
MAYBE I SHOULDN'T HAVE THROWN
THAT OUT.

149
00:04:47,588 --> 00:04:49,121
MAYBE I SHOULDN'T HAVE THROWN
THAT OUT.
DO WE HAVE--

150
00:04:49,123 --> 00:04:49,721
THAT OUT.
DO WE HAVE--
OH, IT'S IN THE TELEPROMPTER?

151
00:04:49,723 --> 00:04:50,656
DO WE HAVE--
OH, IT'S IN THE TELEPROMPTER?
OKAY.

152
00:04:50,658 --> 00:04:52,658
OH, IT'S IN THE TELEPROMPTER?
OKAY.
ALL RIGHT, JUMPED THE GUN A

153
00:04:52,660 --> 00:04:56,962
OKAY.
ALL RIGHT, JUMPED THE GUN A
LITTLE BIT THERE.

154
00:04:56,964 --> 00:04:57,596
ALL RIGHT, JUMPED THE GUN A
LITTLE BIT THERE.
WHAT WAS I GOING TO TALK ABOUT?

155
00:04:57,598 --> 00:05:00,332
LITTLE BIT THERE.
WHAT WAS I GOING TO TALK ABOUT?
OH, RIGHT.

156
00:05:00,334 --> 00:05:05,470
WHAT WAS I GOING TO TALK ABOUT?
OH, RIGHT.
BARACK OBAMA HAS ALWAYS BEEN

157
00:05:05,472 --> 00:05:06,238
OH, RIGHT.
BARACK OBAMA HAS ALWAYS BEEN
SURPRISINGLY RESPECTFUL OF HIS

158
00:05:06,240 --> 00:05:06,838
BARACK OBAMA HAS ALWAYS BEEN
SURPRISINGLY RESPECTFUL OF HIS
SUCCESSOR, WAXED GRITTY, GOING

159
00:05:06,840 --> 00:05:09,007
SURPRISINGLY RESPECTFUL OF HIS
SUCCESSOR, WAXED GRITTY, GOING
ALL THE WAY BACK TO 2016, WHEN

160
00:05:09,009 --> 00:05:09,608
SUCCESSOR, WAXED GRITTY, GOING
ALL THE WAY BACK TO 2016, WHEN
HE SOMEHOW MAINTAINED DIGNITY

161
00:05:09,610 --> 00:05:10,542
ALL THE WAY BACK TO 2016, WHEN
HE SOMEHOW MAINTAINED DIGNITY
WHILE GREETING HIM AT THE WHITE

162
00:05:10,544 --> 00:05:11,510
HE SOMEHOW MAINTAINED DIGNITY
WHILE GREETING HIM AT THE WHITE
HOUSE.

163
00:05:11,512 --> 00:05:12,344
WHILE GREETING HIM AT THE WHITE
HOUSE.
IT WAS LIKE HAVING TO MEET YOUR

164
00:05:12,346 --> 00:05:13,345
HOUSE.
IT WAS LIKE HAVING TO MEET YOUR
DAUGHTER'S NEW FIANCE, WHO IS

165
00:05:13,347 --> 00:05:13,845
IT WAS LIKE HAVING TO MEET YOUR
DAUGHTER'S NEW FIANCE, WHO IS
ALSO YOUR RACIST UNCLE.

166
00:05:13,847 --> 00:05:17,482
DAUGHTER'S NEW FIANCE, WHO IS
ALSO YOUR RACIST UNCLE.
BUT ACCORDING TO A NEW BOOK,

167
00:05:17,484 --> 00:05:18,350
ALSO YOUR RACIST UNCLE.
BUT ACCORDING TO A NEW BOOK,
DURING THE 2020 CAMPAIGN, OBAMA

168
00:05:18,352 --> 00:05:20,719
BUT ACCORDING TO A NEW BOOK,
DURING THE 2020 CAMPAIGN, OBAMA
PRIVATELY LET FOLKS KNOW HOW HE

169
00:05:20,721 --> 00:05:21,453
DURING THE 2020 CAMPAIGN, OBAMA
PRIVATELY LET FOLKS KNOW HOW HE
REALLY FELT, CALLING

170
00:05:21,455 --> 00:05:24,323
PRIVATELY LET FOLKS KNOW HOW HE
REALLY FELT, CALLING
THE FRAUDFATHER A "MADMAN,"

171
00:05:24,325 --> 00:05:27,693
REALLY FELT, CALLING
THE FRAUDFATHER A "MADMAN,"
A "RACIST, SEXIST PIG," AND

172
00:05:27,695 --> 00:05:29,461
THE FRAUDFATHER A "MADMAN,"
A "RACIST, SEXIST PIG," AND
"THAT (BLEEP) LUNATIC."

173
00:05:29,463 --> 00:05:30,329
A "RACIST, SEXIST PIG," AND
"THAT (BLEEP) LUNATIC."
JUST LIKE MICHELLE SAID, "WHEN

174
00:05:30,331 --> 00:05:30,962
"THAT (BLEEP) LUNATIC."
JUST LIKE MICHELLE SAID, "WHEN
THEY GO LOW, WE GO 'THAT (BLEEP)

175
00:05:30,964 --> 00:05:32,931
JUST LIKE MICHELLE SAID, "WHEN
THEY GO LOW, WE GO 'THAT (BLEEP)
LUNATIC.'"

176
00:05:32,933 --> 00:05:33,465
THEY GO LOW, WE GO 'THAT (BLEEP)
LUNATIC.'"
BUT THOSE WEREN'T EVEN THE

177
00:05:33,467 --> 00:05:35,634
LUNATIC.'"
BUT THOSE WEREN'T EVEN THE
STRONGEST WORDS OBAMA USED ABOUT

178
00:05:35,636 --> 00:05:36,335
BUT THOSE WEREN'T EVEN THE
STRONGEST WORDS OBAMA USED ABOUT
THAT (BLEEP) LUNATIC.

179
00:05:36,337 --> 00:05:37,636
STRONGEST WORDS OBAMA USED ABOUT
THAT (BLEEP) LUNATIC.
WHEN HE LEARNED ABOUT

180
00:05:37,638 --> 00:05:40,272
THAT (BLEEP) LUNATIC.
WHEN HE LEARNED ABOUT
PRESIDENTIAL PHONE CALLS THE

181
00:05:40,274 --> 00:05:41,440
WHEN HE LEARNED ABOUT
PRESIDENTIAL PHONE CALLS THE
RACIST, SEXIST PIG HAD WITH

182
00:05:41,442 --> 00:05:42,341
PRESIDENTIAL PHONE CALLS THE
RACIST, SEXIST PIG HAD WITH
FOREIGN LEADERS WITHOUT ANY

183
00:05:42,343 --> 00:05:45,444
RACIST, SEXIST PIG HAD WITH
FOREIGN LEADERS WITHOUT ANY
AIDES ON THE LINE TO HEAR WHAT

184
00:05:45,446 --> 00:05:46,978
FOREIGN LEADERS WITHOUT ANY
AIDES ON THE LINE TO HEAR WHAT
WAS BEING DISCUSSED, HE CALLED

185
00:05:46,980 --> 00:05:48,347
AIDES ON THE LINE TO HEAR WHAT
WAS BEING DISCUSSED, HE CALLED
THE MADMAN "THAT CORRUPT

186
00:05:48,349 --> 00:05:49,448
WAS BEING DISCUSSED, HE CALLED
THE MADMAN "THAT CORRUPT
(BLEEP)."

187
00:05:49,450 --> 00:05:51,750
THE MADMAN "THAT CORRUPT
(BLEEP)."
MUST HAVE BEEN INCREDIBLE TO

188
00:05:51,752 --> 00:05:53,452
(BLEEP)."
MUST HAVE BEEN INCREDIBLE TO
HEAR BARACK OBAMA GET SO FIERY.

189
00:05:53,454 --> 00:05:57,456
MUST HAVE BEEN INCREDIBLE TO
HEAR BARACK OBAMA GET SO FIERY.
<i> ( AS OBAMA )</i>

190
00:05:57,458 --> 00:06:00,325
HEAR BARACK OBAMA GET SO FIERY.
<i> ( AS OBAMA )</i>
"HE'S A MOTHER... UH... LOOK...

191
00:06:00,327 --> 00:06:04,529
<i> ( AS OBAMA )</i>
"HE'S A MOTHER... UH... LOOK...
THE THING IS... UHH... (BLEEP).

192
00:06:04,531 --> 00:06:05,464
"HE'S A MOTHER... UH... LOOK...
THE THING IS... UHH... (BLEEP).
<i> ( LAUGHTER )</i>

193
00:06:05,466 --> 00:06:06,331
THE THING IS... UHH... (BLEEP).
<i> ( LAUGHTER )</i>
SPEAKING OF THAT CORRUPT

194
00:06:06,333 --> 00:06:07,332
<i> ( LAUGHTER )</i>
SPEAKING OF THAT CORRUPT
(BLEEP), AS OF THIS TAPING, THE

195
00:06:07,334 --> 00:06:09,034
SPEAKING OF THAT CORRUPT
(BLEEP), AS OF THIS TAPING, THE
HOUSE IS SET TO APPROVE A

196
00:06:09,036 --> 00:06:09,534
(BLEEP), AS OF THIS TAPING, THE
HOUSE IS SET TO APPROVE A
BIPARTISAN COMMISSION TO

197
00:06:09,536 --> 00:06:12,337
HOUSE IS SET TO APPROVE A
BIPARTISAN COMMISSION TO
INVESTIGATE THE CAPITOL RIOT, NO

198
00:06:12,339 --> 00:06:13,438
BIPARTISAN COMMISSION TO
INVESTIGATE THE CAPITOL RIOT, NO
THANKS TO HOUSE MINORITY LEADER,

199
00:06:13,440 --> 00:06:17,509
INVESTIGATE THE CAPITOL RIOT, NO
THANKS TO HOUSE MINORITY LEADER,
KEVIN McCARTHY, SEEN HERE

200
00:06:17,511 --> 00:06:21,113
THANKS TO HOUSE MINORITY LEADER,
KEVIN McCARTHY, SEEN HERE
ENJOYING A GAME OF FETCH.

201
00:06:21,115 --> 00:06:21,713
KEVIN McCARTHY, SEEN HERE
ENJOYING A GAME OF FETCH.
McCARTHY CAME OUT AGAINST THE

202
00:06:21,715 --> 00:06:24,349
ENJOYING A GAME OF FETCH.
McCARTHY CAME OUT AGAINST THE
BILL YESTERDAY, AND THEN THE

203
00:06:24,351 --> 00:06:25,450
McCARTHY CAME OUT AGAINST THE
BILL YESTERDAY, AND THEN THE
PREVIOUSLY NEUTRAL G.O.P. WHIP

204
00:06:25,452 --> 00:06:26,585
BILL YESTERDAY, AND THEN THE
PREVIOUSLY NEUTRAL G.O.P. WHIP
STEVE SCALISE SENT A LETTER TO

205
00:06:26,587 --> 00:06:27,419
PREVIOUSLY NEUTRAL G.O.P. WHIP
STEVE SCALISE SENT A LETTER TO
MEMBERS INFORMING THEM THAT THE

206
00:06:27,421 --> 00:06:28,186
STEVE SCALISE SENT A LETTER TO
MEMBERS INFORMING THEM THAT THE
LEADERSHIP WAS NOW ADVOCATING

207
00:06:28,188 --> 00:06:29,454
MEMBERS INFORMING THEM THAT THE
LEADERSHIP WAS NOW ADVOCATING
REPUBLICANS VOTE AGAINST THE

208
00:06:29,456 --> 00:06:33,191
LEADERSHIP WAS NOW ADVOCATING
REPUBLICANS VOTE AGAINST THE
LEGISLATION.

209
00:06:33,193 --> 00:06:33,792
REPUBLICANS VOTE AGAINST THE
LEGISLATION.
YOU COULD SAY THE  WHIP ASKED

210
00:06:33,794 --> 00:06:35,994
LEGISLATION.
YOU COULD SAY THE  WHIP ASKED
THEM TO VOTE NAY-NAY.

211
00:06:35,996 --> 00:06:36,328
YOU COULD SAY THE  WHIP ASKED
THEM TO VOTE NAY-NAY.
<i> ( LAUGHTER )</i>

212
00:06:36,330 --> 00:06:37,462
THEM TO VOTE NAY-NAY.
<i> ( LAUGHTER )</i>
THAT JOKE IS FOR THE KIDS, WHO

213
00:06:37,464 --> 00:06:40,332
<i> ( LAUGHTER )</i>
THAT JOKE IS FOR THE KIDS, WHO
ARE NOW 35.

214
00:06:40,334 --> 00:06:41,400
THAT JOKE IS FOR THE KIDS, WHO
ARE NOW 35.
DID YOU FILL OUT YOUR TAXES?

215
00:06:41,402 --> 00:06:42,033
ARE NOW 35.
DID YOU FILL OUT YOUR TAXES?
DEADLINE WAS MONDAY, BUT YOU

216
00:06:42,035 --> 00:06:42,567
DID YOU FILL OUT YOUR TAXES?
DEADLINE WAS MONDAY, BUT YOU
ALREADY KNEW THAT, BECAUSE

217
00:06:42,569 --> 00:06:45,470
DEADLINE WAS MONDAY, BUT YOU
ALREADY KNEW THAT, BECAUSE
YOU'RE 35.

218
00:06:45,472 --> 00:06:47,639
ALREADY KNEW THAT, BECAUSE
YOU'RE 35.
THE G.O.P. CHOSE TO OPPOSE THE

219
00:06:47,641 --> 00:06:48,340
YOU'RE 35.
THE G.O.P. CHOSE TO OPPOSE THE
BILL, DESPITE THE FACT THAT IT

220
00:06:48,342 --> 00:06:51,009
THE G.O.P. CHOSE TO OPPOSE THE
BILL, DESPITE THE FACT THAT IT
WAS AGREED TO BY THEIR CHOSEN

221
00:06:51,011 --> 00:06:52,878
BILL, DESPITE THE FACT THAT IT
WAS AGREED TO BY THEIR CHOSEN
NEGOTIATOR, NEW YORK REPUBLICAN

222
00:06:52,880 --> 00:06:53,512
WAS AGREED TO BY THEIR CHOSEN
NEGOTIATOR, NEW YORK REPUBLICAN
AND GUY WHO ACCIDENTALLY PRESSED

223
00:06:53,514 --> 00:06:57,449
NEGOTIATOR, NEW YORK REPUBLICAN
AND GUY WHO ACCIDENTALLY PRESSED
"2" FOR SPANISH AND DOESN'T KNOW

224
00:06:57,451 --> 00:06:59,885
AND GUY WHO ACCIDENTALLY PRESSED
"2" FOR SPANISH AND DOESN'T KNOW
HOW TO GO BACK, JOHN KATKO.

225
00:06:59,887 --> 00:07:00,485
"2" FOR SPANISH AND DOESN'T KNOW
HOW TO GO BACK, JOHN KATKO.
KATKO IS ONE OF THE 29 G.O.P.

226
00:07:00,487 --> 00:07:09,227
HOW TO GO BACK, JOHN KATKO.
KATKO IS ONE OF THE 29 G.O.P.
MEMBERS OF THE BIPARTISAN

227
00:07:09,229 --> 00:07:09,728
KATKO IS ONE OF THE 29 G.O.P.
MEMBERS OF THE BIPARTISAN
PROBLEM SOLVERS CAUCUS.

228
00:07:09,730 --> 00:07:10,695
MEMBERS OF THE BIPARTISAN
PROBLEM SOLVERS CAUCUS.
I THOUGHT ALL MEMBERS OF THE

229
00:07:10,697 --> 00:07:12,330
PROBLEM SOLVERS CAUCUS.
I THOUGHT ALL MEMBERS OF THE
HOUSE WERE SUPPOSED TO BE IN THE

230
00:07:12,332 --> 00:07:13,131
I THOUGHT ALL MEMBERS OF THE
HOUSE WERE SUPPOSED TO BE IN THE
"PROBLEM SOLVERS" CAUCUS.

231
00:07:13,133 --> 00:07:15,934
HOUSE WERE SUPPOSED TO BE IN THE
"PROBLEM SOLVERS" CAUCUS.
THAT'S WHY WE SEND THEM TO

232
00:07:15,936 --> 00:07:16,735
"PROBLEM SOLVERS" CAUCUS.
THAT'S WHY WE SEND THEM TO
WASHINGTON.

233
00:07:16,737 --> 00:07:17,536
THAT'S WHY WE SEND THEM TO
WASHINGTON.
THOUGH I GUESS THESE DAYS, A LOT

234
00:07:17,538 --> 00:07:18,336
WASHINGTON.
THOUGH I GUESS THESE DAYS, A LOT
OF THEM GO DOWN TO MAR-A-LAGO TO

235
00:07:18,338 --> 00:07:19,971
THOUGH I GUESS THESE DAYS, A LOT
OF THEM GO DOWN TO MAR-A-LAGO TO
MEET WITH THE "PROBLEM."

236
00:07:19,973 --> 00:07:21,039
OF THEM GO DOWN TO MAR-A-LAGO TO
MEET WITH THE "PROBLEM."
McCARTHY AND SCALISE CLAIM THEY

237
00:07:21,041 --> 00:07:21,606
MEET WITH THE "PROBLEM."
McCARTHY AND SCALISE CLAIM THEY
OPPOSE THE BILL BECAUSE THEY

238
00:07:21,608 --> 00:07:23,175
McCARTHY AND SCALISE CLAIM THEY
OPPOSE THE BILL BECAUSE THEY
WANTED THE COMMISSION NOT ONLY

239
00:07:23,177 --> 00:07:24,342
OPPOSE THE BILL BECAUSE THEY
WANTED THE COMMISSION NOT ONLY
TO INVESTIGATE THE EVENTS OF

240
00:07:24,344 --> 00:07:25,477
WANTED THE COMMISSION NOT ONLY
TO INVESTIGATE THE EVENTS OF
JANUARY 6, BUT ALSO THE BLACK

241
00:07:25,479 --> 00:07:28,880
TO INVESTIGATE THE EVENTS OF
JANUARY 6, BUT ALSO THE BLACK
LIVES MATTER PROTESTS OF LAST

242
00:07:28,882 --> 00:07:29,514
JANUARY 6, BUT ALSO THE BLACK
LIVES MATTER PROTESTS OF LAST
SUMMER, ANTIFA, AND THE DEATH OF

243
00:07:29,516 --> 00:07:30,348
LIVES MATTER PROTESTS OF LAST
SUMMER, ANTIFA, AND THE DEATH OF
CAPITOL POLICE OFFICER WILLIAM

244
00:07:30,350 --> 00:07:33,452
SUMMER, ANTIFA, AND THE DEATH OF
CAPITOL POLICE OFFICER WILLIAM
"BILLY" EVANS.

245
00:07:33,454 --> 00:07:36,321
CAPITOL POLICE OFFICER WILLIAM
"BILLY" EVANS.
OKAY, BUT IT'S THE "COMMISSION

246
00:07:36,323 --> 00:07:37,222
"BILLY" EVANS.
OKAY, BUT IT'S THE "COMMISSION
ON JANUARY 6.

247
00:07:37,224 --> 00:07:37,789
OKAY, BUT IT'S THE "COMMISSION
ON JANUARY 6.
THAT'S LIKE BEING UPSET THE

248
00:07:37,791 --> 00:07:38,323
ON JANUARY 6.
THAT'S LIKE BEING UPSET THE
MOVIE "HALLOWEEN" DOESN'T

249
00:07:38,325 --> 00:07:39,891
THAT'S LIKE BEING UPSET THE
MOVIE "HALLOWEEN" DOESN'T
INVESTIGATE WHAT HAPPENED ON

250
00:07:39,893 --> 00:07:41,460
MOVIE "HALLOWEEN" DOESN'T
INVESTIGATE WHAT HAPPENED ON
ARBOR DAY.

251
00:07:41,462 --> 00:07:42,327
INVESTIGATE WHAT HAPPENED ON
ARBOR DAY.
<i> ( LAUGHTER )</i>

252
00:07:42,329 --> 00:07:44,563
ARBOR DAY.
<i> ( LAUGHTER )</i>
I THINK YOU HUG TREES OR DON'T

253
00:07:44,565 --> 00:07:45,230
<i> ( LAUGHTER )</i>
I THINK YOU HUG TREES OR DON'T
HUG TREES.

254
00:07:45,232 --> 00:07:48,333
I THINK YOU HUG TREES OR DON'T
HUG TREES.
SOMETHING WITH TREES.

255
00:07:48,335 --> 00:07:53,472
HUG TREES.
SOMETHING WITH TREES.
ONE PERSON I WAS SURPRISED TO

256
00:07:53,474 --> 00:07:55,674
SOMETHING WITH TREES.
ONE PERSON I WAS SURPRISED TO
LEARN VOTED "NO" ON THE MEASURE

257
00:07:55,676 --> 00:07:56,308
ONE PERSON I WAS SURPRISED TO
LEARN VOTED "NO" ON THE MEASURE
WAS INDIANA REPRESENTATIVE GREG

258
00:07:56,310 --> 00:07:56,908
LEARN VOTED "NO" ON THE MEASURE
WAS INDIANA REPRESENTATIVE GREG
PENCE, WHO IS MIKE PENCE'S OWN

259
00:07:56,910 --> 00:07:57,476
WAS INDIANA REPRESENTATIVE GREG
PENCE, WHO IS MIKE PENCE'S OWN
BROTHER.

260
00:07:57,478 --> 00:07:58,877
PENCE, WHO IS MIKE PENCE'S OWN
BROTHER.
CERTAINLY CHANGES THE MEANING OF

261
00:07:58,879 --> 00:07:59,311
BROTHER.
CERTAINLY CHANGES THE MEANING OF
THIS TEXT FROM GREG:

262
00:07:59,313 --> 00:08:00,345
CERTAINLY CHANGES THE MEANING OF
THIS TEXT FROM GREG:
"HEY, BRO, WANNA HANG THIS

263
00:08:00,347 --> 00:08:01,446
THIS TEXT FROM GREG:
"HEY, BRO, WANNA HANG THIS
WEEKEND?"

264
00:08:01,448 --> 00:08:04,182
"HEY, BRO, WANNA HANG THIS
WEEKEND?"
<i> ( LAUGHTER )</i>

265
00:08:04,184 --> 00:08:05,450
WEEKEND?"
<i> ( LAUGHTER )</i>
IN THE G.O.P. CRAZY-OFF, THERE'S

266
00:08:05,452 --> 00:08:06,318
<i> ( LAUGHTER )</i>
IN THE G.O.P. CRAZY-OFF, THERE'S
A NEW CHALLENGER THROWING HIS

267
00:08:06,320 --> 00:08:09,020
IN THE G.O.P. CRAZY-OFF, THERE'S
A NEW CHALLENGER THROWING HIS
TINFOIL HAT INTO THE RING,

268
00:08:09,022 --> 00:08:09,521
A NEW CHALLENGER THROWING HIS
TINFOIL HAT INTO THE RING,
ST. LOUIS ATTORNEY MARK

269
00:08:09,523 --> 00:08:12,324
TINFOIL HAT INTO THE RING,
ST. LOUIS ATTORNEY MARK
McCLOSKEY, SEEN HERE IN HIS

270
00:08:12,326 --> 00:08:13,458
ST. LOUIS ATTORNEY MARK
McCLOSKEY, SEEN HERE IN HIS
TWO-PERSON SHOW: "SPAM RAMBO AND

271
00:08:13,460 --> 00:08:16,862
McCLOSKEY, SEEN HERE IN HIS
TWO-PERSON SHOW: "SPAM RAMBO AND
THE HAMBURGLARESS."

272
00:08:16,864 --> 00:08:17,496
TWO-PERSON SHOW: "SPAM RAMBO AND
THE HAMBURGLARESS."
McCLOSKEY AND HIS WIFE WENT

273
00:08:17,498 --> 00:08:19,831
THE HAMBURGLARESS."
McCLOSKEY AND HIS WIFE WENT
VIRAL LAST YEAR AFTER THEY

274
00:08:19,833 --> 00:08:21,466
McCLOSKEY AND HIS WIFE WENT
VIRAL LAST YEAR AFTER THEY
THREATENED BLACK LIVES MATTER

275
00:08:21,468 --> 00:08:23,568
VIRAL LAST YEAR AFTER THEY
THREATENED BLACK LIVES MATTER
PROTESTERS WITH GUNS.

276
00:08:23,570 --> 00:08:24,336
THREATENED BLACK LIVES MATTER
PROTESTERS WITH GUNS.
NOW McCLOSKEY IS RUNNING FOR

277
00:08:24,338 --> 00:08:25,470
PROTESTERS WITH GUNS.
NOW McCLOSKEY IS RUNNING FOR
SENATE IN MISSOURI.

278
00:08:25,472 --> 00:08:29,474
NOW McCLOSKEY IS RUNNING FOR
SENATE IN MISSOURI.
AS FOR WHY POINTING A GUN AT

279
00:08:29,476 --> 00:08:31,910
SENATE IN MISSOURI.
AS FOR WHY POINTING A GUN AT
PEACEFUL PROTESTERS QUALIFIES

280
00:08:31,912 --> 00:08:33,078
AS FOR WHY POINTING A GUN AT
PEACEFUL PROTESTERS QUALIFIES
McCLOSKEY FOR THE SENATE, OR

281
00:08:33,080 --> 00:08:34,713
PEACEFUL PROTESTERS QUALIFIES
McCLOSKEY FOR THE SENATE, OR
ANYTHING ELSE, HE SAYS HE'S

282
00:08:34,715 --> 00:08:37,449
McCLOSKEY FOR THE SENATE, OR
ANYTHING ELSE, HE SAYS HE'S
ANSWERING TO A HIGHER POWER.

283
00:08:37,451 --> 00:08:38,750
ANYTHING ELSE, HE SAYS HE'S
ANSWERING TO A HIGHER POWER.
>> GOD CAME KNOCKING MY DOOR

284
00:08:38,752 --> 00:08:40,585
ANSWERING TO A HIGHER POWER.
>> GOD CAME KNOCKING MY DOOR
LAST SUMMER DISGUISED AS AN

285
00:08:40,587 --> 00:08:40,852
>> GOD CAME KNOCKING MY DOOR
LAST SUMMER DISGUISED AS AN
ANGRY MOB.

286
00:08:40,854 --> 00:08:47,158
LAST SUMMER DISGUISED AS AN
ANGRY MOB.
AND IT REALLY DID WAKE ME UP.

287
00:08:47,160 --> 00:08:47,959
ANGRY MOB.
AND IT REALLY DID WAKE ME UP.
>> Stephen: OKAY, SO GOD CAME TO

288
00:08:47,961 --> 00:08:48,593
AND IT REALLY DID WAKE ME UP.
>> Stephen: OKAY, SO GOD CAME TO
YOU IN DISGUISE, AND YOU POINTED

289
00:08:48,595 --> 00:08:49,461
>> Stephen: OKAY, SO GOD CAME TO
YOU IN DISGUISE, AND YOU POINTED
AN ASSAULT RIFLE AT HIM?

290
00:08:49,463 --> 00:08:50,328
YOU IN DISGUISE, AND YOU POINTED
AN ASSAULT RIFLE AT HIM?
I GUESS THAT EXPLAINS

291
00:08:50,330 --> 00:08:50,896
AN ASSAULT RIFLE AT HIM?
I GUESS THAT EXPLAINS
McCLOSKEY'S CAMPAIGN SLOGAN,

292
00:08:50,898 --> 00:08:52,664
I GUESS THAT EXPLAINS
McCLOSKEY'S CAMPAIGN SLOGAN,
"MARK McCLOSKEY: I WILL KILL

293
00:08:52,666 --> 00:08:53,465
McCLOSKEY'S CAMPAIGN SLOGAN,
"MARK McCLOSKEY: I WILL KILL
GOD."

294
00:08:53,467 --> 00:08:54,332
"MARK McCLOSKEY: I WILL KILL
GOD."
<i> ( LAUGHTER )</i>

295
00:08:54,334 --> 00:08:57,469
GOD."
<i> ( LAUGHTER )</i>
IT'S CLEAR THAT McCLOSKEY IS A

296
00:08:57,471 --> 00:09:01,406
<i> ( LAUGHTER )</i>
IT'S CLEAR THAT McCLOSKEY IS A
MAN OF DEEP SPIRITUALITY.

297
00:09:01,408 --> 00:09:02,073
IT'S CLEAR THAT McCLOSKEY IS A
MAN OF DEEP SPIRITUALITY.
I MEAN, WHO CAN FORGET THE

298
00:09:02,075 --> 00:09:02,941
MAN OF DEEP SPIRITUALITY.
I MEAN, WHO CAN FORGET THE
ICONIC PARABLE, "WHEN YOU SAW

299
00:09:02,943 --> 00:09:03,575
I MEAN, WHO CAN FORGET THE
ICONIC PARABLE, "WHEN YOU SAW
ONLY ONE SET OF FOOTSTEPS,

300
00:09:03,577 --> 00:09:04,175
ICONIC PARABLE, "WHEN YOU SAW
ONLY ONE SET OF FOOTSTEPS,
IT WAS THEN THAT I WAS IN THE

301
00:09:04,177 --> 00:09:04,743
ONLY ONE SET OF FOOTSTEPS,
IT WAS THEN THAT I WAS IN THE
EMERGENCY ROOM, BECAUSE YOU

302
00:09:04,745 --> 00:09:05,043
IT WAS THEN THAT I WAS IN THE
EMERGENCY ROOM, BECAUSE YOU
WINGED ME!

303
00:09:05,045 --> 00:09:05,544
EMERGENCY ROOM, BECAUSE YOU
WINGED ME!
JESUS, BUDDY, I WAS JUST

304
00:09:05,546 --> 00:09:09,281
WINGED ME!
JESUS, BUDDY, I WAS JUST
SAYIN' HI!"

305
00:09:09,283 --> 00:09:09,915
JESUS, BUDDY, I WAS JUST
SAYIN' HI!"
THE COUNTRY IS OPENING BACK UP,

306
00:09:09,917 --> 00:09:13,451
SAYIN' HI!"
THE COUNTRY IS OPENING BACK UP,
AND SO ARE OUR WALLETS.

307
00:09:13,453 --> 00:09:14,719
THE COUNTRY IS OPENING BACK UP,
AND SO ARE OUR WALLETS.
APPARENTLY, SALES ARE WAY UP ON

308
00:09:14,721 --> 00:09:17,255
AND SO ARE OUR WALLETS.
APPARENTLY, SALES ARE WAY UP ON
PERSONAL HYGIENE PRODUCTS,

309
00:09:17,257 --> 00:09:17,822
APPARENTLY, SALES ARE WAY UP ON
PERSONAL HYGIENE PRODUCTS,
BECAUSE DURING THE PANDEMIC,

310
00:09:17,824 --> 00:09:18,456
PERSONAL HYGIENE PRODUCTS,
BECAUSE DURING THE PANDEMIC,
WITH FEW PLACES TO GO, THERE WAS

311
00:09:18,458 --> 00:09:20,959
BECAUSE DURING THE PANDEMIC,
WITH FEW PLACES TO GO, THERE WAS
LITTLE REASON TO SHAVE, USE

312
00:09:20,961 --> 00:09:21,526
WITH FEW PLACES TO GO, THERE WAS
LITTLE REASON TO SHAVE, USE
DEODORANT, OR SPRAY PERFUME.

313
00:09:21,528 --> 00:09:24,329
LITTLE REASON TO SHAVE, USE
DEODORANT, OR SPRAY PERFUME.
YES, WHY WOULD YOU NEED PERSONAL

314
00:09:24,331 --> 00:09:26,398
DEODORANT, OR SPRAY PERFUME.
YES, WHY WOULD YOU NEED PERSONAL
HYGIENE WHEN THERE'S NO ONE

315
00:09:26,400 --> 00:09:27,332
YES, WHY WOULD YOU NEED PERSONAL
HYGIENE WHEN THERE'S NO ONE
AROUND FOR THE LAST YEAR BUT THE

316
00:09:27,334 --> 00:09:33,772
HYGIENE WHEN THERE'S NO ONE
AROUND FOR THE LAST YEAR BUT THE
LOVE OF YOUR LIFE?

317
00:09:33,774 --> 00:09:34,839
AROUND FOR THE LAST YEAR BUT THE
LOVE OF YOUR LIFE?
"WHAT ARE YOU GONNA DO, MARIA,

318
00:09:34,841 --> 00:09:35,540
LOVE OF YOUR LIFE?
"WHAT ARE YOU GONNA DO, MARIA,
DIVORCE ME?

319
00:09:35,542 --> 00:09:36,174
"WHAT ARE YOU GONNA DO, MARIA,
DIVORCE ME?
THE ONLY OTHER PERSON YOU SEE IS

320
00:09:36,176 --> 00:09:36,808
DIVORCE ME?
THE ONLY OTHER PERSON YOU SEE IS
THE SEAMLESS GUY, AND WHAT'S HE

321
00:09:36,810 --> 00:09:40,478
THE ONLY OTHER PERSON YOU SEE IS
THE SEAMLESS GUY, AND WHAT'S HE
GOT TAT I DON'T?

322
00:09:40,480 --> 00:09:41,446
THE SEAMLESS GUY, AND WHAT'S HE
GOT TAT I DON'T?
OH, MOZZARELLA STICKS, RIGHT."

323
00:09:41,448 --> 00:09:42,347
GOT TAT I DON'T?
OH, MOZZARELLA STICKS, RIGHT."
NOW THAT THE C.D.C. HAS RELAXED

324
00:09:42,349 --> 00:09:44,149
OH, MOZZARELLA STICKS, RIGHT."
NOW THAT THE C.D.C. HAS RELAXED
ITS MASK GUIDELINES, PEOPLE ARE

325
00:09:44,151 --> 00:09:44,950
NOW THAT THE C.D.C. HAS RELAXED
ITS MASK GUIDELINES, PEOPLE ARE
POURING CASH INTO PRETTYING UP

326
00:09:44,952 --> 00:09:45,550
ITS MASK GUIDELINES, PEOPLE ARE
POURING CASH INTO PRETTYING UP
THE LOWER HALF OF THEIR FACES,

327
00:09:45,552 --> 00:09:46,851
POURING CASH INTO PRETTYING UP
THE LOWER HALF OF THEIR FACES,
SO THERE'S BEEN A DAMATIC

328
00:09:46,853 --> 00:09:48,186
THE LOWER HALF OF THEIR FACES,
SO THERE'S BEEN A DAMATIC
INCREASE IN PURCHASES OF

329
00:09:48,188 --> 00:09:48,720
SO THERE'S BEEN A DAMATIC
INCREASE IN PURCHASES OF
TEETH-WHITENING PRODUCTS.

330
00:09:48,722 --> 00:09:51,823
INCREASE IN PURCHASES OF
TEETH-WHITENING PRODUCTS.
GOOD!

331
00:09:51,825 --> 00:09:52,857
TEETH-WHITENING PRODUCTS.
GOOD!
AS SOMEONE IN SHOW BUSINESS, I

332
00:09:52,859 --> 00:09:53,458
GOOD!
AS SOMEONE IN SHOW BUSINESS, I
KNOW THAT TEETH ARE IMPORTANT.

333
00:09:53,460 --> 00:09:54,326
AS SOMEONE IN SHOW BUSINESS, I
KNOW THAT TEETH ARE IMPORTANT.
WHEN I GO TO THE DENTIST, I TELL

334
00:09:54,328 --> 00:09:56,394
KNOW THAT TEETH ARE IMPORTANT.
WHEN I GO TO THE DENTIST, I TELL
HIM THAT I WANT MY TEETH TO BE

335
00:09:56,396 --> 00:09:57,462
WHEN I GO TO THE DENTIST, I TELL
HIM THAT I WANT MY TEETH TO BE
SO WHITE THAT POLICEMEN CALL

336
00:09:57,464 --> 00:10:00,332
HIM THAT I WANT MY TEETH TO BE
SO WHITE THAT POLICEMEN CALL
THEM "SIR."

337
00:10:00,334 --> 00:10:01,333
SO WHITE THAT POLICEMEN CALL
THEM "SIR."
THE BEAUTY INDUSTRY IS ALSO

338
00:10:01,335 --> 00:10:01,933
THEM "SIR."
THE BEAUTY INDUSTRY IS ALSO
POISED FOR A RUSH ON LIPSTICK

339
00:10:01,935 --> 00:10:02,968
THE BEAUTY INDUSTRY IS ALSO
POISED FOR A RUSH ON LIPSTICK
AND GLOSS.

340
00:10:02,970 --> 00:10:04,636
POISED FOR A RUSH ON LIPSTICK
AND GLOSS.
THAT'S GOOD NEWS FOR THE

341
00:10:04,638 --> 00:10:05,470
AND GLOSS.
THAT'S GOOD NEWS FOR THE
INDUSTRY.

342
00:10:05,472 --> 00:10:06,271
THAT'S GOOD NEWS FOR THE
INDUSTRY.
FOR THE LAST 14 MONTHS, THE ONLY

343
00:10:06,273 --> 00:10:09,474
INDUSTRY.
FOR THE LAST 14 MONTHS, THE ONLY
PEOPLE BUYING LIPSTICK HAVE BEEN

344
00:10:09,476 --> 00:10:12,344
FOR THE LAST 14 MONTHS, THE ONLY
PEOPLE BUYING LIPSTICK HAVE BEEN
MURDERERS.

345
00:10:12,346 --> 00:10:13,445
PEOPLE BUYING LIPSTICK HAVE BEEN
MURDERERS.
OH, THERE'S ALSO ANOTHER SMALL

346
00:10:13,447 --> 00:10:16,748
MURDERERS.
OH, THERE'S ALSO ANOTHER SMALL
STORY MAKING THE ROUNDS: U.F.O.s

347
00:10:16,750 --> 00:10:17,382
OH, THERE'S ALSO ANOTHER SMALL
STORY MAKING THE ROUNDS: U.F.O.s
ARE REAL, WHICH BRINGS US TO...

348
00:10:17,384 --> 00:10:17,649
STORY MAKING THE ROUNDS: U.F.O.s
ARE REAL, WHICH BRINGS US TO...
<i> ( ECHO )</i>

349
00:10:17,651 --> 00:10:21,453
ARE REAL, WHICH BRINGS US TO...
<i> ( ECHO )</i>
>> SPACE NEWS!

350
00:10:21,455 --> 00:10:23,822
<i> ( ECHO )</i>
>> SPACE NEWS!
>> HI, DAD!

351
00:10:23,824 --> 00:10:24,322
>> SPACE NEWS!
>> HI, DAD!
WEEE!

352
00:10:24,324 --> 00:10:25,457
>> HI, DAD!
WEEE!
>> Stephen: "U.F.O.s ARE REAL"

353
00:10:25,459 --> 00:10:32,063
WEEE!
>> Stephen: "U.F.O.s ARE REAL"
EDITION.

354
00:10:32,065 --> 00:10:32,797
>> Stephen: "U.F.O.s ARE REAL"
EDITION.
STRAP ON YOUR SPACE BELT,

355
00:10:32,799 --> 00:10:33,465
EDITION.
STRAP ON YOUR SPACE BELT,
BECAUSE THE PENTAGON NOW ADMITS

356
00:10:33,467 --> 00:10:34,265
STRAP ON YOUR SPACE BELT,
BECAUSE THE PENTAGON NOW ADMITS
THAT U.F.O.s EXIST AND ARE

357
00:10:34,267 --> 00:10:35,333
BECAUSE THE PENTAGON NOW ADMITS
THAT U.F.O.s EXIST AND ARE
REGULARLY SPOTTED IN U.S.

358
00:10:35,335 --> 00:10:36,034
THAT U.F.O.s EXIST AND ARE
REGULARLY SPOTTED IN U.S.
AIRSPACE, A STORY BROUGHT TO

359
00:10:36,036 --> 00:10:36,668
REGULARLY SPOTTED IN U.S.
AIRSPACE, A STORY BROUGHT TO
LIGHT BY MY CBS COLLEAGUES OVER

360
00:10:36,670 --> 00:10:37,469
AIRSPACE, A STORY BROUGHT TO
LIGHT BY MY CBS COLLEAGUES OVER
AT "60 MINUTES," WHO FOR YEARS

361
00:10:37,471 --> 00:10:38,370
LIGHT BY MY CBS COLLEAGUES OVER
AT "60 MINUTES," WHO FOR YEARS
HAVE BEEN TRYING TO FIND THE

362
00:10:38,372 --> 00:10:39,604
AT "60 MINUTES," WHO FOR YEARS
HAVE BEEN TRYING TO FIND THE
ALIENS AND THEIR YOUTH-GIVING

363
00:10:39,606 --> 00:10:41,206
HAVE BEEN TRYING TO FIND THE
ALIENS AND THEIR YOUTH-GIVING
COCOONS.

364
00:10:41,208 --> 00:10:41,740
ALIENS AND THEIR YOUTH-GIVING
COCOONS.
"60 MINUTES" SAT DOWN WITH

365
00:10:41,742 --> 00:10:45,443
COCOONS.
"60 MINUTES" SAT DOWN WITH
FORMER PENTAGON OFFICIAL AND GUY

366
00:10:45,445 --> 00:10:49,981
"60 MINUTES" SAT DOWN WITH
FORMER PENTAGON OFFICIAL AND GUY
FIERI'S OLDER BROTHER WHO WENT

367
00:10:49,983 --> 00:10:50,849
FORMER PENTAGON OFFICIAL AND GUY
FIERI'S OLDER BROTHER WHO WENT
INTO FLAVORTOWN CITY GOVERNMENT,

368
00:10:50,851 --> 00:10:51,783
FIERI'S OLDER BROTHER WHO WENT
INTO FLAVORTOWN CITY GOVERNMENT,
LUIS ELIZONDO.

369
00:10:51,785 --> 00:10:53,451
INTO FLAVORTOWN CITY GOVERNMENT,
LUIS ELIZONDO.
ELIZONDO DESCRIBED HOW POWERFUL

370
00:10:53,453 --> 00:10:54,319
LUIS ELIZONDO.
ELIZONDO DESCRIBED HOW POWERFUL
THESE U.F.O.s ARE.

371
00:10:54,321 --> 00:10:57,088
ELIZONDO DESCRIBED HOW POWERFUL
THESE U.F.O.s ARE.
>> IMAGINE A TECHNOLOGY THAT CAN

372
00:10:57,090 --> 00:10:57,689
THESE U.F.O.s ARE.
>> IMAGINE A TECHNOLOGY THAT CAN
DO 600-700 G-FORCES, THAT CAN

373
00:10:57,691 --> 00:11:00,325
>> IMAGINE A TECHNOLOGY THAT CAN
DO 600-700 G-FORCES, THAT CAN
FLY AT 13,000 MILES AN HOUR,

374
00:11:00,327 --> 00:11:04,162
DO 600-700 G-FORCES, THAT CAN
FLY AT 13,000 MILES AN HOUR,
THAT CAN EVADE RADAR, AND THAT

375
00:11:04,164 --> 00:11:05,463
FLY AT 13,000 MILES AN HOUR,
THAT CAN EVADE RADAR, AND THAT
CAN FLY THROUGH AIR AND WATER

376
00:11:05,465 --> 00:11:07,832
THAT CAN EVADE RADAR, AND THAT
CAN FLY THROUGH AIR AND WATER
AND POSSIBLY SPACE.

377
00:11:07,834 --> 00:11:11,736
CAN FLY THROUGH AIR AND WATER
AND POSSIBLY SPACE.
>> Stephen: HLY COW!

378
00:11:11,738 --> 00:11:12,003
AND POSSIBLY SPACE.
>> Stephen: HLY COW!
700 Gs!

379
00:11:12,005 --> 00:11:14,973
>> Stephen: HLY COW!
700 Gs!
LET ME PUT THAT IN PERSPECTIVE.

380
00:11:14,975 --> 00:11:17,175
700 Gs!
LET ME PUT THAT IN PERSPECTIVE.
I FLEW IN A FIGHTER JET WITH THE

381
00:11:17,177 --> 00:11:17,742
LET ME PUT THAT IN PERSPECTIVE.
I FLEW IN A FIGHTER JET WITH THE
THUNDERBIRDS WHERE WE PULLED

382
00:11:17,744 --> 00:11:19,577
I FLEW IN A FIGHTER JET WITH THE
THUNDERBIRDS WHERE WE PULLED
9 Gs, AND I SPENT THE NEXT 36

383
00:11:19,579 --> 00:11:20,779
THUNDERBIRDS WHERE WE PULLED
9 Gs, AND I SPENT THE NEXT 36
HOURS BARFING INTO WHAT I HOPE

384
00:11:20,781 --> 00:11:21,446
9 Gs, AND I SPENT THE NEXT 36
HOURS BARFING INTO WHAT I HOPE
WAS A SANDWICH BAG.

385
00:11:21,448 --> 00:11:23,982
HOURS BARFING INTO WHAT I HOPE
WAS A SANDWICH BAG.
SO ONE THING'S FOR SURE: IF

386
00:11:23,984 --> 00:11:24,549
WAS A SANDWICH BAG.
SO ONE THING'S FOR SURE: IF
ALIENS EVER DO INVADE EARTH,

387
00:11:24,551 --> 00:11:30,321
SO ONE THING'S FOR SURE: IF
ALIENS EVER DO INVADE EARTH,
THEY ARE GOING TO BE REALLY

388
00:11:30,323 --> 00:11:31,723
ALIENS EVER DO INVADE EARTH,
THEY ARE GOING TO BE REALLY
DISAPPOINTED BY OUR ROLLER

389
00:11:31,725 --> 00:11:32,524
THEY ARE GOING TO BE REALLY
DISAPPOINTED BY OUR ROLLER
COASTERS.

390
00:11:32,526 --> 00:11:33,291
DISAPPOINTED BY OUR ROLLER
COASTERS.
IN RECENT YEARS, THE PENTAGON

391
00:11:33,293 --> 00:11:33,925
COASTERS.
IN RECENT YEARS, THE PENTAGON
HAS DECLASSIFIED VIDEOS TAKEN BY

392
00:11:33,927 --> 00:11:35,960
IN RECENT YEARS, THE PENTAGON
HAS DECLASSIFIED VIDEOS TAKEN BY
NAVY PILOTS OF POWERFUL

393
00:11:35,962 --> 00:11:36,528
HAS DECLASSIFIED VIDEOS TAKEN BY
NAVY PILOTS OF POWERFUL
FLYING OBJECTS USING UNKNOWN

394
00:11:36,530 --> 00:11:37,462
NAVY PILOTS OF POWERFUL
FLYING OBJECTS USING UNKNOWN
TECHNOLOGY TO MAKE THEMSELVES

395
00:11:37,464 --> 00:11:39,664
FLYING OBJECTS USING UNKNOWN
TECHNOLOGY TO MAKE THEMSELVES
INCREDIBLY GRAINY.

396
00:11:39,666 --> 00:11:41,232
TECHNOLOGY TO MAKE THEMSELVES
INCREDIBLY GRAINY.
AND "60 MINUTES" CORRESPONDENT

397
00:11:41,234 --> 00:11:41,866
INCREDIBLY GRAINY.
AND "60 MINUTES" CORRESPONDENT
BILL WHITAKER SAT DOWN WITH SOME

398
00:11:41,868 --> 00:11:42,400
AND "60 MINUTES" CORRESPONDENT
BILL WHITAKER SAT DOWN WITH SOME
OF THE PILOTS, AND ONE OF

399
00:11:42,402 --> 00:11:44,369
BILL WHITAKER SAT DOWN WITH SOME
OF THE PILOTS, AND ONE OF
THEM DESCRIBED THIS CLOSE

400
00:11:44,371 --> 00:11:45,470
OF THE PILOTS, AND ONE OF
THEM DESCRIBED THIS CLOSE
ENCOUNTER:

401
00:11:45,472 --> 00:11:47,639
THEM DESCRIBED THIS CLOSE
ENCOUNTER:
>> WE SAW THIS LITTLE WHITE

402
00:11:47,641 --> 00:11:48,339
ENCOUNTER:
>> WE SAW THIS LITTLE WHITE
TIC TAC-LOOKING OBJECT, AND

403
00:11:48,341 --> 00:11:49,441
>> WE SAW THIS LITTLE WHITE
TIC TAC-LOOKING OBJECT, AND
IT'S JUST KIND OF MOVING ABOVE

404
00:11:49,443 --> 00:11:50,975
TIC TAC-LOOKING OBJECT, AND
IT'S JUST KIND OF MOVING ABOVE
THE WHITEWATER AREA.

405
00:11:50,977 --> 00:11:52,043
IT'S JUST KIND OF MOVING ABOVE
THE WHITEWATER AREA.
THERE WAS FOUR OF US IN THE

406
00:11:52,045 --> 00:11:53,044
THE WHITEWATER AREA.
THERE WAS FOUR OF US IN THE
AIRPLANES LITERALLY WATCHING

407
00:11:53,046 --> 00:11:53,611
THERE WAS FOUR OF US IN THE
AIRPLANES LITERALLY WATCHING
THIS THING FOR ROUGHLY ABOUT

408
00:11:53,613 --> 00:11:54,279
AIRPLANES LITERALLY WATCHING
THIS THING FOR ROUGHLY ABOUT
FIVE MINUTES.

409
00:11:54,281 --> 00:11:54,846
THIS THING FOR ROUGHLY ABOUT
FIVE MINUTES.
THE TIC TAC'S STILL POINTING

410
00:11:54,848 --> 00:11:59,551
FIVE MINUTES.
THE TIC TAC'S STILL POINTING
NORTH-SOUTH.

411
00:11:59,553 --> 00:12:00,151
THE TIC TAC'S STILL POINTING
NORTH-SOUTH.
IT GOES, BOOP, AND JUST TURNS

412
00:12:00,153 --> 00:12:00,752
NORTH-SOUTH.
IT GOES, BOOP, AND JUST TURNS
ABRUPTLY AND STARTS MIRRORING

413
00:12:00,754 --> 00:12:01,052
IT GOES, BOOP, AND JUST TURNS
ABRUPTLY AND STARTS MIRRORING
ME.

414
00:12:01,054 --> 00:12:01,586
ABRUPTLY AND STARTS MIRRORING
ME.
SO, AS I'M COMING DOWN, IT

415
00:12:01,588 --> 00:12:03,254
ME.
SO, AS I'M COMING DOWN, IT
STARTS COMING UP.

416
00:12:03,256 --> 00:12:04,489
SO, AS I'M COMING DOWN, IT
STARTS COMING UP.
>> SO IT'S MIMICKING YOUR MOVES?

417
00:12:04,491 --> 00:12:05,457
STARTS COMING UP.
>> SO IT'S MIMICKING YOUR MOVES?
>> YEAH.

418
00:12:05,459 --> 00:12:06,324
>> SO IT'S MIMICKING YOUR MOVES?
>> YEAH.
IT WAS AWARE WE WERE THERE.

419
00:12:06,326 --> 00:12:08,827
>> YEAH.
IT WAS AWARE WE WERE THERE.
SO I GO LIKE THIS, AND IT'S

420
00:12:08,829 --> 00:12:09,461
IT WAS AWARE WE WERE THERE.
SO I GO LIKE THIS, AND IT'S
CLIMBING STILL.

421
00:12:09,463 --> 00:12:11,563
SO I GO LIKE THIS, AND IT'S
CLIMBING STILL.
AND WHEN IT GETS RIGHT IN FRONT

422
00:12:11,565 --> 00:12:12,330
CLIMBING STILL.
AND WHEN IT GETS RIGHT IN FRONT
OF ME, IT JUST DISAPPEARS.

423
00:12:12,332 --> 00:12:13,465
AND WHEN IT GETS RIGHT IN FRONT
OF ME, IT JUST DISAPPEARS.
>> DISAPPEARS?

424
00:12:13,467 --> 00:12:18,336
OF ME, IT JUST DISAPPEARS.
>> DISAPPEARS?
>> DISAPPEARS, LIKE, GONE.

425
00:12:18,338 --> 00:12:19,370
>> DISAPPEARS?
>> DISAPPEARS, LIKE, GONE.
>> Stephen: DISAPPEARS?

426
00:12:19,372 --> 00:12:20,071
>> DISAPPEARS, LIKE, GONE.
>> Stephen: DISAPPEARS?
SO ALIENS ARE HERE, AND THEY'RE

427
00:12:20,073 --> 00:12:21,473
>> Stephen: DISAPPEARS?
SO ALIENS ARE HERE, AND THEY'RE
GHOSTING US.

428
00:12:21,475 --> 00:12:24,342
SO ALIENS ARE HERE, AND THEY'RE
GHOSTING US.
YOU DON'T HAVE TO TEXT US BACK,

429
00:12:24,344 --> 00:12:26,044
GHOSTING US.
YOU DON'T HAVE TO TEXT US BACK,
ALIENS, BUT AT LEAST, YOU KNOW,

430
00:12:26,046 --> 00:12:26,811
YOU DON'T HAVE TO TEXT US BACK,
ALIENS, BUT AT LEAST, YOU KNOW,
LEAVE A CROP CIRCLE.

431
00:12:26,813 --> 00:12:29,447
ALIENS, BUT AT LEAST, YOU KNOW,
LEAVE A CROP CIRCLE.
ANOTHER PILOT SAID THESE

432
00:12:29,449 --> 00:12:31,683
LEAVE A CROP CIRCLE.
ANOTHER PILOT SAID THESE
ENCOUNTERS HAPPEN ALL THE TIME.

433
00:12:31,685 --> 00:12:32,250
ANOTHER PILOT SAID THESE
ENCOUNTERS HAPPEN ALL THE TIME.
>> EVERY DAY FOR AT LEAST A

434
00:12:32,252 --> 00:12:32,717
ENCOUNTERS HAPPEN ALL THE TIME.
>> EVERY DAY FOR AT LEAST A
COUPLE YEARS.

435
00:12:32,719 --> 00:12:33,351
>> EVERY DAY FOR AT LEAST A
COUPLE YEARS.
>> WAIT A MINUTE, EVERY DAY FOR

436
00:12:33,353 --> 00:12:33,752
COUPLE YEARS.
>> WAIT A MINUTE, EVERY DAY FOR
A COUPLE OF YEARS?

437
00:12:33,754 --> 00:12:35,954
>> WAIT A MINUTE, EVERY DAY FOR
A COUPLE OF YEARS?
>> UH-HUH.

438
00:12:35,956 --> 00:12:37,388
A COUPLE OF YEARS?
>> UH-HUH.
>> Stephen: SO YOU'RE SEEING

439
00:12:37,390 --> 00:12:38,690
>> UH-HUH.
>> Stephen: SO YOU'RE SEEING
AN ALIEN SPACECRAFT EVERY DAY

440
00:12:38,692 --> 00:12:41,459
>> Stephen: SO YOU'RE SEEING
AN ALIEN SPACECRAFT EVERY DAY
FOR A COUPLE OF YEARS,

441
00:12:41,461 --> 00:12:42,360
AN ALIEN SPACECRAFT EVERY DAY
FOR A COUPLE OF YEARS,
AND NO ONE THOUGHT TO BRING UP

442
00:12:42,362 --> 00:12:42,827
FOR A COUPLE OF YEARS,
AND NO ONE THOUGHT TO BRING UP
A REALLY GOOD CAMERA?

443
00:12:42,829 --> 00:12:43,461
AND NO ONE THOUGHT TO BRING UP
A REALLY GOOD CAMERA?
"DON'T WORRY, I GOT SOME

444
00:12:43,463 --> 00:12:44,429
A REALLY GOOD CAMERA?
"DON'T WORRY, I GOT SOME
FOOTAGE.

445
00:12:44,431 --> 00:12:45,263
"DON'T WORRY, I GOT SOME
FOOTAGE.
I USED THE NANNY-CAM FROM THE

446
00:12:45,265 --> 00:12:45,563
FOOTAGE.
I USED THE NANNY-CAM FROM THE
BABY'S ROOM.

447
00:12:45,565 --> 00:12:48,333
I USED THE NANNY-CAM FROM THE
BABY'S ROOM.
IT MIGHT BE A LITTLE FUZZY.

448
00:12:48,335 --> 00:12:48,933
BABY'S ROOM.
IT MIGHT BE A LITTLE FUZZY.
I LEFT IT IN THE TEDDY BEAR."

449
00:12:48,935 --> 00:12:49,534
IT MIGHT BE A LITTLE FUZZY.
I LEFT IT IN THE TEDDY BEAR."
WE'VE GOT A GREAT SHOW FOR YOU

450
00:12:49,536 --> 00:12:52,604
I LEFT IT IN THE TEDDY BEAR."
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.

451
00:12:52,606 --> 00:12:53,471
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.
MY GUESTS ARE LISA KUDROW AND

452
00:12:53,473 --> 00:12:56,574
TONIGHT.
MY GUESTS ARE LISA KUDROW AND
AUTHOR TAMIKA D. MALLORY.

453
00:12:56,576 --> 00:12:59,677
MY GUESTS ARE LISA KUDROW AND
AUTHOR TAMIKA D. MALLORY.
BUT WHEN WE COME BACK, I HELP

454
00:12:59,679 --> 00:13:01,446
AUTHOR TAMIKA D. MALLORY.
BUT WHEN WE COME BACK, I HELP
EASE YOUR POST-COVID ANXIETIES.

455
00:13:01,448 --> 00:13:05,416
BUT WHEN WE COME BACK, I HELP
EASE YOUR POST-COVID ANXIETIES.
♪ ♪ ♪

456
00:13:16,028 --> 00:13:23,902
♪ ♪ ♪
♪ ♪ ♪
>> Stephen: HEY, EVERYBODY.

457
00:13:23,904 --> 00:13:24,803
♪ ♪ ♪
>> Stephen: HEY, EVERYBODY.
WELCOME BACK.

458
00:13:24,805 --> 00:13:26,638
>> Stephen: HEY, EVERYBODY.
WELCOME BACK.
LET'S SAY HELLO TO MR. JON

459
00:13:26,640 --> 00:13:26,871
WELCOME BACK.
LET'S SAY HELLO TO MR. JON
BATISTE.

460
00:13:26,873 --> 00:13:29,774
LET'S SAY HELLO TO MR. JON
BATISTE.
♪ ♪ ♪

461
00:13:29,776 --> 00:13:35,647
BATISTE.
♪ ♪ ♪
JON, WHAT WE'RE KIND OF MATCHY-Y

462
00:13:35,649 --> 00:13:35,880
♪ ♪ ♪
JON, WHAT WE'RE KIND OF MATCHY-Y
TONIGHT.

463
00:13:35,882 --> 00:13:36,948
JON, WHAT WE'RE KIND OF MATCHY-Y
TONIGHT.
>> Jon: I LIKE IT.

464
00:13:36,950 --> 00:13:39,417
TONIGHT.
>> Jon: I LIKE IT.
I FEEL LIKE WE SHOULD DO THAT

465
00:13:39,419 --> 00:13:40,585
>> Jon: I LIKE IT.
I FEEL LIKE WE SHOULD DO THAT
MORE OFTEN.

466
00:13:40,587 --> 00:13:41,986
I FEEL LIKE WE SHOULD DO THAT
MORE OFTEN.
IT'S FEELS LIEB THE BROTHERHOOD.

467
00:13:41,988 --> 00:13:43,955
MORE OFTEN.
IT'S FEELS LIEB THE BROTHERHOOD.
>> Stephen: WE SHOULD DO THAT

468
00:13:43,957 --> 00:13:45,590
IT'S FEELS LIEB THE BROTHERHOOD.
>> Stephen: WE SHOULD DO THAT
I WOULD LIKE TO SEE YOU IN THE

469
00:13:45,592 --> 00:13:45,790
>> Stephen: WE SHOULD DO THAT
I WOULD LIKE TO SEE YOU IN THE
FLESH.

470
00:13:45,792 --> 00:13:47,458
I WOULD LIKE TO SEE YOU IN THE
FLESH.
WE TRIED TO SEE EACH OTHER THIS

471
00:13:47,460 --> 00:13:47,692
FLESH.
WE TRIED TO SEE EACH OTHER THIS
WEEKEND.

472
00:13:47,694 --> 00:13:49,460
WE TRIED TO SEE EACH OTHER THIS
WEEKEND.
I TRIED TO COME DOWN AND SEE YOU

473
00:13:49,462 --> 00:13:50,662
WEEKEND.
I TRIED TO COME DOWN AND SEE YOU
WHERE YOU'RE AT RIGHT NOW AND

474
00:13:50,664 --> 00:13:51,996
I TRIED TO COME DOWN AND SEE YOU
WHERE YOU'RE AT RIGHT NOW AND
TRY TO HAVE A LITTLE LUNCH WITH

475
00:13:51,998 --> 00:13:54,399
WHERE YOU'RE AT RIGHT NOW AND
TRY TO HAVE A LITTLE LUNCH WITH
YOU AND YOUR LOVED ONE WITH THE

476
00:13:54,401 --> 00:13:54,566
TRY TO HAVE A LITTLE LUNCH WITH
YOU AND YOUR LOVED ONE WITH THE
DOG.

477
00:13:54,568 --> 00:13:56,134
YOU AND YOUR LOVED ONE WITH THE
DOG.
WE TRIED TO BRING BENNY DOWN.

478
00:13:56,136 --> 00:13:56,801
DOG.
WE TRIED TO BRING BENNY DOWN.
>> Jon: YEAH.

479
00:13:56,803 --> 00:13:58,136
WE TRIED TO BRING BENNY DOWN.
>> Jon: YEAH.
>> Stephen: AND I'M HERE TO

480
00:13:58,138 --> 00:13:59,804
>> Jon: YEAH.
>> Stephen: AND I'M HERE TO
TELL YOU RIGHT NOW FOR THE BENNY

481
00:13:59,806 --> 00:14:01,539
>> Stephen: AND I'M HERE TO
TELL YOU RIGHT NOW FOR THE BENNY
FANS OUT THERE, BENNY WAS BITTEN

482
00:14:01,541 --> 00:14:06,311
TELL YOU RIGHT NOW FOR THE BENNY
FANS OUT THERE, BENNY WAS BITTEN
BY A SNAKE OR ATE A BEE OR WASP

483
00:14:06,313 --> 00:14:09,314
FANS OUT THERE, BENNY WAS BITTEN
BY A SNAKE OR ATE A BEE OR WASP
AND HAD AN ANAPHYLACTIC

484
00:14:09,316 --> 00:14:11,049
BY A SNAKE OR ATE A BEE OR WASP
AND HAD AN ANAPHYLACTIC
REACTION, AND I NEVER GOT TO SEE

485
00:14:11,051 --> 00:14:11,216
AND HAD AN ANAPHYLACTIC
REACTION, AND I NEVER GOT TO SEE
YOU.

486
00:14:11,218 --> 00:14:13,952
REACTION, AND I NEVER GOT TO SEE
YOU.
WE HAD TO RACE HIM TO AN ANIMAL

487
00:14:13,954 --> 00:14:14,352
YOU.
WE HAD TO RACE HIM TO AN ANIMAL
HOSPITAL.

488
00:14:14,354 --> 00:14:15,920
WE HAD TO RACE HIM TO AN ANIMAL
HOSPITAL.
AND I WANT TO GIVE A SHOUT-OUT

489
00:14:15,922 --> 00:14:21,726
HOSPITAL.
AND I WANT TO GIVE A SHOUT-OUT
TO THE VORHESESP ANIMAL CLINIC

490
00:14:21,728 --> 00:14:22,493
AND I WANT TO GIVE A SHOUT-OUT
TO THE VORHESESP ANIMAL CLINIC
AND DR. CHELSEA.

491
00:14:22,495 --> 00:14:23,761
TO THE VORHESESP ANIMAL CLINIC
AND DR. CHELSEA.
WE PULLED OVER ON THE WAY TO THE

492
00:14:23,763 --> 00:14:25,230
AND DR. CHELSEA.
WE PULLED OVER ON THE WAY TO THE
EMERGENCY ROOM, AND SHE RAN OUT

493
00:14:25,232 --> 00:14:26,798
WE PULLED OVER ON THE WAY TO THE
EMERGENCY ROOM, AND SHE RAN OUT
AND INJECTED HIM WITH SOME

494
00:14:26,800 --> 00:14:27,999
EMERGENCY ROOM, AND SHE RAN OUT
AND INJECTED HIM WITH SOME
BENADRYL AND SAVED HIS LIFE.

495
00:14:28,001 --> 00:14:29,701
AND INJECTED HIM WITH SOME
BENADRYL AND SAVED HIS LIFE.
THANK YOU, DR. CHELSEA.

496
00:14:29,703 --> 00:14:30,935
BENADRYL AND SAVED HIS LIFE.
THANK YOU, DR. CHELSEA.
HE'S FINE, BY THE WAY.

497
00:14:30,937 --> 00:14:32,370
THANK YOU, DR. CHELSEA.
HE'S FINE, BY THE WAY.
HE'S CHEWING UP EVERYTHING IN

498
00:14:32,372 --> 00:14:32,737
HE'S FINE, BY THE WAY.
HE'S CHEWING UP EVERYTHING IN
SIEPT.

499
00:14:32,739 --> 00:14:33,905
HE'S CHEWING UP EVERYTHING IN
SIEPT.
THERE'S NO STOPPING HIM.

500
00:14:33,907 --> 00:14:35,473
SIEPT.
THERE'S NO STOPPING HIM.
>> Jon: OH, YEAH.

501
00:14:35,475 --> 00:14:36,741
THERE'S NO STOPPING HIM.
>> Jon: OH, YEAH.
THAT'S WHAT HE DOES.

502
00:14:36,743 --> 00:14:37,909
>> Jon: OH, YEAH.
THAT'S WHAT HE DOES.
THAT'S WHAT THEY DO.

503
00:14:37,911 --> 00:14:39,510
THAT'S WHAT HE DOES.
THAT'S WHAT THEY DO.
>> Stephen: JON, DO YOU HAVE--

504
00:14:39,512 --> 00:14:41,813
THAT'S WHAT THEY DO.
>> Stephen: JON, DO YOU HAVE--
DO YOU HAVE ANY PINK, SPRINGTIME

505
00:14:41,815 --> 00:14:43,114
>> Stephen: JON, DO YOU HAVE--
DO YOU HAVE ANY PINK, SPRINGTIME
MUSIC, SOMETHING THAT MATCHES

506
00:14:43,116 --> 00:14:44,816
DO YOU HAVE ANY PINK, SPRINGTIME
MUSIC, SOMETHING THAT MATCHES
YOUR-- YOUR CARDIGAN?

507
00:14:44,818 --> 00:14:49,320
MUSIC, SOMETHING THAT MATCHES
YOUR-- YOUR CARDIGAN?
>> Jon: LET'S SEE, SOMETHING

508
00:14:49,322 --> 00:14:53,925
YOUR-- YOUR CARDIGAN?
>> Jon: LET'S SEE, SOMETHING
OF THIS VIBE LIKE...

509
00:14:53,927 --> 00:15:01,900
>> Jon: LET'S SEE, SOMETHING
OF THIS VIBE LIKE...
♪ ♪ ♪

510
00:15:01,902 --> 00:15:03,668
OF THIS VIBE LIKE...
♪ ♪ ♪
<i> ( LAUGHTER )</i>

511
00:15:03,670 --> 00:15:04,302
♪ ♪ ♪
<i> ( LAUGHTER )</i>
>> Stephen: JON BATISTE.

512
00:15:04,304 --> 00:15:06,738
<i> ( LAUGHTER )</i>
>> Stephen: JON BATISTE.
>> Jon: YOU HAVE TO PLAY THE

513
00:15:06,740 --> 00:15:07,038
>> Stephen: JON BATISTE.
>> Jon: YOU HAVE TO PLAY THE
OTHER PART.

514
00:15:07,040 --> 00:15:08,139
>> Jon: YOU HAVE TO PLAY THE
OTHER PART.
>> Stephen: YOU'RE THE HEART

515
00:15:08,141 --> 00:15:08,606
OTHER PART.
>> Stephen: YOU'RE THE HEART
I'M THE SOUL.

516
00:15:08,608 --> 00:15:10,842
>> Stephen: YOU'RE THE HEART
I'M THE SOUL.
OR YOU'RE THE HEART-- WHATEVER.

517
00:15:10,844 --> 00:15:17,815
I'M THE SOUL.
OR YOU'RE THE HEART-- WHATEVER.
JON BATISTE, EVERYBODY.

518
00:15:17,817 --> 00:15:18,449
OR YOU'RE THE HEART-- WHATEVER.
JON BATISTE, EVERYBODY.
>> LADIES AND GENTLEMEN, I DON'T

519
00:15:18,451 --> 00:15:20,818
JON BATISTE, EVERYBODY.
>> LADIES AND GENTLEMEN, I DON'T
WANT TO JINX IT, BUT IT REALLY

520
00:15:20,820 --> 00:15:23,354
>> LADIES AND GENTLEMEN, I DON'T
WANT TO JINX IT, BUT IT REALLY
FEELS LIKE THE TIDES ARE TURNING

521
00:15:23,356 --> 00:15:24,088
WANT TO JINX IT, BUT IT REALLY
FEELS LIKE THE TIDES ARE TURNING
ON THIS PANDEMIC.

522
00:15:24,090 --> 00:15:24,789
FEELS LIKE THE TIDES ARE TURNING
ON THIS PANDEMIC.
THE C.D.C. IS CHANGING ITS

523
00:15:24,791 --> 00:15:25,823
ON THIS PANDEMIC.
THE C.D.C. IS CHANGING ITS
GUIDELINES, BUSINESSES ARE

524
00:15:25,825 --> 00:15:26,357
THE C.D.C. IS CHANGING ITS
GUIDELINES, BUSINESSES ARE
REOPENING, AND NETFLIX IS

525
00:15:26,359 --> 00:15:26,958
GUIDELINES, BUSINESSES ARE
REOPENING, AND NETFLIX IS
FINALLY RUNNING OUT OF VIABLE

526
00:15:26,960 --> 00:15:29,928
REOPENING, AND NETFLIX IS
FINALLY RUNNING OUT OF VIABLE
VIEWING SUGGESTIONS.

527
00:15:29,930 --> 00:15:35,400
FINALLY RUNNING OUT OF VIABLE
VIEWING SUGGESTIONS.
"'TURTLE MATCHMAKER'?

528
00:15:35,402 --> 00:15:36,167
VIEWING SUGGESTIONS.
"'TURTLE MATCHMAKER'?
OKAY, I'LL WATCH EIGHT OR NINE

529
00:15:36,169 --> 00:15:37,902
"'TURTLE MATCHMAKER'?
OKAY, I'LL WATCH EIGHT OR NINE
EPISODES, BUT THEN I'M GOING TO

530
00:15:37,904 --> 00:15:41,906
OKAY, I'LL WATCH EIGHT OR NINE
EPISODES, BUT THEN I'M GOING TO
DEFINITELY RE-EVALUATE WHETHER

531
00:15:41,908 --> 00:15:43,007
EPISODES, BUT THEN I'M GOING TO
DEFINITELY RE-EVALUATE WHETHER
I'M WATCHING THE NEXT TEN."

532
00:15:43,009 --> 00:15:44,842
DEFINITELY RE-EVALUATE WHETHER
I'M WATCHING THE NEXT TEN."
OKAY, I'LL WATCH THEM.

533
00:15:44,844 --> 00:15:45,710
I'M WATCHING THE NEXT TEN."
OKAY, I'LL WATCH THEM.
BUT AFTER MORE THAN A YEAR OF

534
00:15:45,712 --> 00:15:46,344
OKAY, I'LL WATCH THEM.
BUT AFTER MORE THAN A YEAR OF
ISOLATION AND SOCIAL DISTANCING,

535
00:15:46,346 --> 00:15:47,312
BUT AFTER MORE THAN A YEAR OF
ISOLATION AND SOCIAL DISTANCING,
A LOT OF PEOPLE ARE FEELING

536
00:15:47,314 --> 00:15:48,313
ISOLATION AND SOCIAL DISTANCING,
A LOT OF PEOPLE ARE FEELING
NERVOUS ABOUT HEADING BACK INTO

537
00:15:48,315 --> 00:15:49,113
A LOT OF PEOPLE ARE FEELING
NERVOUS ABOUT HEADING BACK INTO
SOCIETY.

538
00:15:49,115 --> 00:15:49,914
NERVOUS ABOUT HEADING BACK INTO
SOCIETY.
IT'S A CONDITION BEING CALLED

539
00:15:49,916 --> 00:15:50,815
SOCIETY.
IT'S A CONDITION BEING CALLED
"RE-ENTRY ANXIETY."

540
00:15:50,817 --> 00:15:53,818
IT'S A CONDITION BEING CALLED
"RE-ENTRY ANXIETY."
BECAUSE IF THERE'S ONE THING

541
00:15:53,820 --> 00:15:54,385
"RE-ENTRY ANXIETY."
BECAUSE IF THERE'S ONE THING
THIS PANDEMIC HAS TAUGHT US,

542
00:15:54,387 --> 00:15:56,587
BECAUSE IF THERE'S ONE THING
THIS PANDEMIC HAS TAUGHT US,
IT'S THAT IMPORTANT THAT YOU

543
00:15:56,589 --> 00:15:57,221
THIS PANDEMIC HAS TAUGHT US,
IT'S THAT IMPORTANT THAT YOU
ALWAYS HAVE A BACK-UP SUPPLY OF

544
00:15:57,223 --> 00:16:00,625
IT'S THAT IMPORTANT THAT YOU
ALWAYS HAVE A BACK-UP SUPPLY OF
TOILET PAPER AND ANXIETY.

545
00:16:00,627 --> 00:16:01,826
ALWAYS HAVE A BACK-UP SUPPLY OF
TOILET PAPER AND ANXIETY.
A LOT OF ANXIETY CENTERS ON HOW

546
00:16:01,828 --> 00:16:02,393
TOILET PAPER AND ANXIETY.
A LOT OF ANXIETY CENTERS ON HOW
TO ACT AS WE RE-ENTER SOCIAL

547
00:16:02,395 --> 00:16:03,361
A LOT OF ANXIETY CENTERS ON HOW
TO ACT AS WE RE-ENTER SOCIAL
SITUATIONS SINCE WE'VE BECOME

548
00:16:03,363 --> 00:16:04,562
TO ACT AS WE RE-ENTER SOCIAL
SITUATIONS SINCE WE'VE BECOME
ACCUSTOMED TO COVID-ERA SOCIAL

549
00:16:04,564 --> 00:16:05,897
SITUATIONS SINCE WE'VE BECOME
ACCUSTOMED TO COVID-ERA SOCIAL
ETIQUETTE.

550
00:16:05,899 --> 00:16:08,833
ACCUSTOMED TO COVID-ERA SOCIAL
ETIQUETTE.
YES, THE PANDEMIC HAS CREATED

551
00:16:08,835 --> 00:16:09,701
ETIQUETTE.
YES, THE PANDEMIC HAS CREATED
COMPLETELY NEW RULES FOR SOCIAL

552
00:16:09,703 --> 00:16:10,268
YES, THE PANDEMIC HAS CREATED
COMPLETELY NEW RULES FOR SOCIAL
ETIQUETTE, LIKE, DO I REALLY

553
00:16:10,270 --> 00:16:11,502
COMPLETELY NEW RULES FOR SOCIAL
ETIQUETTE, LIKE, DO I REALLY
NEED TO WEAR UNDERWEAR WITH MY

554
00:16:11,504 --> 00:16:12,303
ETIQUETTE, LIKE, DO I REALLY
NEED TO WEAR UNDERWEAR WITH MY
BATHROBE JUST BECAUSE THE

555
00:16:12,305 --> 00:16:13,972
NEED TO WEAR UNDERWEAR WITH MY
BATHROBE JUST BECAUSE THE
FED-EX GUY IS HERE?

556
00:16:13,974 --> 00:16:17,842
BATHROBE JUST BECAUSE THE
FED-EX GUY IS HERE?
AT THIS POINT, HE'S LIKE MY

557
00:16:17,844 --> 00:16:18,076
FED-EX GUY IS HERE?
AT THIS POINT, HE'S LIKE MY
BROTHER.

558
00:16:18,078 --> 00:16:19,210
AT THIS POINT, HE'S LIKE MY
BROTHER.
THE POINT IS, WE ALL HAD TO

559
00:16:19,212 --> 00:16:20,345
BROTHER.
THE POINT IS, WE ALL HAD TO
ADJUST TO THE PANDEMIC AS OUR

560
00:16:20,347 --> 00:16:20,845
THE POINT IS, WE ALL HAD TO
ADJUST TO THE PANDEMIC AS OUR
NEW NORMAL.

561
00:16:20,847 --> 00:16:21,913
ADJUST TO THE PANDEMIC AS OUR
NEW NORMAL.
AND NOW, AS VACCINATIONS RISE,

562
00:16:21,915 --> 00:16:24,415
NEW NORMAL.
AND NOW, AS VACCINATIONS RISE,
EXPECTATIONS AROUND SOCIAL

563
00:16:24,417 --> 00:16:25,917
AND NOW, AS VACCINATIONS RISE,
EXPECTATIONS AROUND SOCIAL
INTERACTIONS ARE CHANGING AGAIN,

564
00:16:25,919 --> 00:16:26,818
EXPECTATIONS AROUND SOCIAL
INTERACTIONS ARE CHANGING AGAIN,
AND NOBODY KNOWS HOW TO NAVIGATE

565
00:16:26,820 --> 00:16:29,921
INTERACTIONS ARE CHANGING AGAIN,
AND NOBODY KNOWS HOW TO NAVIGATE
THEM BECAUSE, AS ONE EXPERT PUTS

566
00:16:29,923 --> 00:16:31,122
AND NOBODY KNOWS HOW TO NAVIGATE
THEM BECAUSE, AS ONE EXPERT PUTS
IT, "THERE AREN'T ANY ETIQUETTE

567
00:16:31,124 --> 00:16:32,824
THEM BECAUSE, AS ONE EXPERT PUTS
IT, "THERE AREN'T ANY ETIQUETTE
MANUALS I CAN REFERENCE IN TIMES

568
00:16:32,826 --> 00:16:35,526
IT, "THERE AREN'T ANY ETIQUETTE
MANUALS I CAN REFERENCE IN TIMES
LIKE THESE."

569
00:16:35,528 --> 00:16:36,427
MANUALS I CAN REFERENCE IN TIMES
LIKE THESE."
NOW, IF YOU ARE ONE OF THOSE

570
00:16:36,429 --> 00:16:37,161
LIKE THESE."
NOW, IF YOU ARE ONE OF THOSE
PEOPLE FEELING ANXIOUS ABOUT

571
00:16:37,163 --> 00:16:37,895
NOW, IF YOU ARE ONE OF THOSE
PEOPLE FEELING ANXIOUS ABOUT
SEEING PEOPLE AGAIN, YOU SHOULD

572
00:16:37,897 --> 00:16:40,999
PEOPLE FEELING ANXIOUS ABOUT
SEEING PEOPLE AGAIN, YOU SHOULD
REALLY SEE SOMEONE ABOUT THAT.

573
00:16:41,001 --> 00:16:41,899
SEEING PEOPLE AGAIN, YOU SHOULD
REALLY SEE SOMEONE ABOUT THAT.
BUT IN THE MEANTIME, WE HERE AT

574
00:16:41,901 --> 00:16:43,267
REALLY SEE SOMEONE ABOUT THAT.
BUT IN THE MEANTIME, WE HERE AT
"A LATE SHOW" HAVE CREATED A

575
00:16:43,269 --> 00:16:44,235
BUT IN THE MEANTIME, WE HERE AT
"A LATE SHOW" HAVE CREATED A
SHORT EDUCATIONAL FILM TO HELP

576
00:16:44,237 --> 00:16:44,836
"A LATE SHOW" HAVE CREATED A
SHORT EDUCATIONAL FILM TO HELP
YOU OUT.

577
00:16:44,838 --> 00:16:49,907
SHORT EDUCATIONAL FILM TO HELP
YOU OUT.
JIM?

578
00:16:49,909 --> 00:16:50,842
YOU OUT.
JIM?
♪ ♪ ♪

579
00:16:50,844 --> 00:16:53,211
JIM?
♪ ♪ ♪
>> RE-ENTERING SOCIETY, HOW TO

580
00:16:53,213 --> 00:16:54,712
♪ ♪ ♪
>> RE-ENTERING SOCIETY, HOW TO
AND WHY FOR?

581
00:16:54,714 --> 00:16:56,581
>> RE-ENTERING SOCIETY, HOW TO
AND WHY FOR?
SO YOU SPENT A YEAR IN

582
00:16:56,583 --> 00:16:57,715
AND WHY FOR?
SO YOU SPENT A YEAR IN
ISOLATION, THEN GOT JABED IN THE

583
00:16:57,717 --> 00:17:00,251
SO YOU SPENT A YEAR IN
ISOLATION, THEN GOT JABED IN THE
ARM BY A STRANGER.

584
00:17:00,253 --> 00:17:00,618
ISOLATION, THEN GOT JABED IN THE
ARM BY A STRANGER.
CONGRATULATIONS!

585
00:17:00,620 --> 00:17:02,820
ARM BY A STRANGER.
CONGRATULATIONS!
IT'S THE FIRST STEP IN

586
00:17:02,822 --> 00:17:03,554
CONGRATULATIONS!
IT'S THE FIRST STEP IN
RE-ENTERING SOCIETY.

587
00:17:03,556 --> 00:17:05,089
IT'S THE FIRST STEP IN
RE-ENTERING SOCIETY.
BUT BEFORE YOU HEAD BACK OUT

588
00:17:05,091 --> 00:17:06,591
RE-ENTERING SOCIETY.
BUT BEFORE YOU HEAD BACK OUT
INTO THE WORLD, YOU NEED TO

589
00:17:06,593 --> 00:17:08,826
BUT BEFORE YOU HEAD BACK OUT
INTO THE WORLD, YOU NEED TO
REMEMBER WHAT IT'S LIKE TO BE

590
00:17:08,828 --> 00:17:09,927
INTO THE WORLD, YOU NEED TO
REMEMBER WHAT IT'S LIKE TO BE
AROUND WHAT SCIENTISTS CALL

591
00:17:09,929 --> 00:17:12,263
REMEMBER WHAT IT'S LIKE TO BE
AROUND WHAT SCIENTISTS CALL
"OTHER PEOPLE."

592
00:17:12,265 --> 00:17:13,164
AROUND WHAT SCIENTISTS CALL
"OTHER PEOPLE."
( SCREAMING )

593
00:17:13,166 --> 00:17:15,600
"OTHER PEOPLE."
( SCREAMING )
FUN FACT: DID YOU KNOW THAT

594
00:17:15,602 --> 00:17:16,667
( SCREAMING )
FUN FACT: DID YOU KNOW THAT
SOCIALIZING USED TO BE A SOURCE

595
00:17:16,669 --> 00:17:18,903
FUN FACT: DID YOU KNOW THAT
SOCIALIZING USED TO BE A SOURCE
OF FUN AND ENJOYMENT?

596
00:17:18,905 --> 00:17:21,606
SOCIALIZING USED TO BE A SOURCE
OF FUN AND ENJOYMENT?
AND IT COULD BE AGAIN IF YOU

597
00:17:21,608 --> 00:17:24,075
OF FUN AND ENJOYMENT?
AND IT COULD BE AGAIN IF YOU
FOLLOW THESE POST-PANDEMIC PARTY

598
00:17:24,077 --> 00:17:26,544
AND IT COULD BE AGAIN IF YOU
FOLLOW THESE POST-PANDEMIC PARTY
DO'S AND PARTY DON'T.

599
00:17:26,546 --> 00:17:27,612
FOLLOW THESE POST-PANDEMIC PARTY
DO'S AND PARTY DON'T.
ATTENDING SOCIAL EVENTS AGAIN

600
00:17:27,614 --> 00:17:29,914
DO'S AND PARTY DON'T.
ATTENDING SOCIAL EVENTS AGAIN
WILL BE AWKWARD AT FIRST.

601
00:17:29,916 --> 00:17:31,716
ATTENDING SOCIAL EVENTS AGAIN
WILL BE AWKWARD AT FIRST.
JUST REMEMBER, DO ENTER THE

602
00:17:31,718 --> 00:17:33,284
WILL BE AWKWARD AT FIRST.
JUST REMEMBER, DO ENTER THE
PARTY WITH A NICE GREETING.

603
00:17:33,286 --> 00:17:35,520
JUST REMEMBER, DO ENTER THE
PARTY WITH A NICE GREETING.
>> HELLO, FELLOW PARTY-GOERS.

604
00:17:35,522 --> 00:17:38,823
PARTY WITH A NICE GREETING.
>> HELLO, FELLOW PARTY-GOERS.
I BROUGHT SOME REFRESHING

605
00:17:38,825 --> 00:17:39,290
>> HELLO, FELLOW PARTY-GOERS.
I BROUGHT SOME REFRESHING
ALCOHOL.

606
00:17:39,292 --> 00:17:41,926
I BROUGHT SOME REFRESHING
ALCOHOL.
>> AND DON'T ACT LIKE YOU'RE ON

607
00:17:41,928 --> 00:17:42,126
ALCOHOL.
>> AND DON'T ACT LIKE YOU'RE ON
ZOOM.

608
00:17:42,128 --> 00:17:44,629
>> AND DON'T ACT LIKE YOU'RE ON
ZOOM.
>> HELLO, IS THE CAMERA ON?

609
00:17:44,631 --> 00:17:46,431
ZOOM.
>> HELLO, IS THE CAMERA ON?
CAN EVERYONE SEE ME?

610
00:17:46,433 --> 00:17:47,698
>> HELLO, IS THE CAMERA ON?
CAN EVERYONE SEE ME?
MY INTERNET IS A LITTLE SPOTTY

611
00:17:47,700 --> 00:17:50,735
CAN EVERYONE SEE ME?
MY INTERNET IS A LITTLE SPOTTY
SO I MIGHT START TO FREEZE.

612
00:17:50,737 --> 00:17:51,002
MY INTERNET IS A LITTLE SPOTTY
SO I MIGHT START TO FREEZE.
♪ ♪ ♪

613
00:17:51,004 --> 00:17:52,437
SO I MIGHT START TO FREEZE.
♪ ♪ ♪
>> THE FIRST TIME YOU SEE

614
00:17:52,439 --> 00:17:55,773
♪ ♪ ♪
>> THE FIRST TIME YOU SEE
SOMEONE WITHOUT A MASK, DO OFFER

615
00:17:55,775 --> 00:17:56,841
>> THE FIRST TIME YOU SEE
SOMEONE WITHOUT A MASK, DO OFFER
THEM A COMPLIMENT.

616
00:17:56,843 --> 00:17:58,509
SOMEONE WITHOUT A MASK, DO OFFER
THEM A COMPLIMENT.
>> NICE TO SEE YOUR FACE AGAIN.

617
00:17:58,511 --> 00:18:01,813
THEM A COMPLIMENT.
>> NICE TO SEE YOUR FACE AGAIN.
IT'S A GOOD ONE.

618
00:18:01,815 --> 00:18:04,115
>> NICE TO SEE YOUR FACE AGAIN.
IT'S A GOOD ONE.
>> DON'T FREAK OUT ABOUT THEIR

619
00:18:04,117 --> 00:18:04,315
IT'S A GOOD ONE.
>> DON'T FREAK OUT ABOUT THEIR
MOUTH.

620
00:18:04,317 --> 00:18:05,917
>> DON'T FREAK OUT ABOUT THEIR
MOUTH.
>> GOD, WHAT IS THAT HOLE UNDER

621
00:18:05,919 --> 00:18:06,784
MOUTH.
>> GOD, WHAT IS THAT HOLE UNDER
YOUR NOSE?

622
00:18:06,786 --> 00:18:09,020
>> GOD, WHAT IS THAT HOLE UNDER
YOUR NOSE?
IT'S LIKE A BIG, WET EYE LID.

623
00:18:09,022 --> 00:18:10,721
YOUR NOSE?
IT'S LIKE A BIG, WET EYE LID.
WHAT ARE THOSE WHITE THINGS IN

624
00:18:10,723 --> 00:18:10,922
IT'S LIKE A BIG, WET EYE LID.
WHAT ARE THOSE WHITE THINGS IN
THERE?

625
00:18:10,924 --> 00:18:12,123
WHAT ARE THOSE WHITE THINGS IN
THERE?
ARE THOSE BONES!

626
00:18:12,125 --> 00:18:13,458
THERE?
ARE THOSE BONES!
>> DO ASK FRIENDLY QUESTIONS.

627
00:18:13,460 --> 00:18:15,793
ARE THOSE BONES!
>> DO ASK FRIENDLY QUESTIONS.
>> HOW IS YOUR FAMILY?

628
00:18:15,795 --> 00:18:16,360
>> DO ASK FRIENDLY QUESTIONS.
>> HOW IS YOUR FAMILY?
ARE THEY WELL?

629
00:18:16,362 --> 00:18:18,396
>> HOW IS YOUR FAMILY?
ARE THEY WELL?
>> DON'T TREAT THEM LIKE THE PET

630
00:18:18,398 --> 00:18:20,832
ARE THEY WELL?
>> DON'T TREAT THEM LIKE THE PET
YOU QUARANTINED WITH.

631
00:18:20,834 --> 00:18:24,235
>> DON'T TREAT THEM LIKE THE PET
YOU QUARANTINED WITH.
>> SNACK?

632
00:18:24,237 --> 00:18:24,469
YOU QUARANTINED WITH.
>> SNACK?
SNACK?

633
00:18:24,471 --> 00:18:26,537
>> SNACK?
SNACK?
SOMEONE NEED A SNACKY?

634
00:18:26,539 --> 00:18:28,606
SNACK?
SOMEONE NEED A SNACKY?
>> BEING SOCIAL AGAIN MIGHT BE

635
00:18:28,608 --> 00:18:30,441
SOMEONE NEED A SNACKY?
>> BEING SOCIAL AGAIN MIGHT BE
EXHAUSTING SO DO FEEL FREE TO

636
00:18:30,443 --> 00:18:31,676
>> BEING SOCIAL AGAIN MIGHT BE
EXHAUSTING SO DO FEEL FREE TO
HEAD HOME EARLY.

637
00:18:31,678 --> 00:18:33,778
EXHAUSTING SO DO FEEL FREE TO
HEAD HOME EARLY.
>> FAREWELL, PARTY-GOERS.

638
00:18:33,780 --> 00:18:35,313
HEAD HOME EARLY.
>> FAREWELL, PARTY-GOERS.
>> DON'T ATTEMPT TO CRAM A

639
00:18:35,315 --> 00:18:36,848
>> FAREWELL, PARTY-GOERS.
>> DON'T ATTEMPT TO CRAM A
YER'S WORTH OF PARTYING INTO

640
00:18:36,850 --> 00:18:37,348
>> DON'T ATTEMPT TO CRAM A
YER'S WORTH OF PARTYING INTO
ONE NIGHT.

641
00:18:37,350 --> 00:18:40,284
YER'S WORTH OF PARTYING INTO
ONE NIGHT.
>> ATTENTION, EVERYBODY!

642
00:18:40,286 --> 00:18:41,752
ONE NIGHT.
>> ATTENTION, EVERYBODY!
I ( BLEEP ) ANYTHING THAT MOVES!

643
00:18:41,754 --> 00:18:43,521
>> ATTENTION, EVERYBODY!
I ( BLEEP ) ANYTHING THAT MOVES!
>> AND FINALLY, BEING AROUND

644
00:18:43,523 --> 00:18:45,556
I ( BLEEP ) ANYTHING THAT MOVES!
>> AND FINALLY, BEING AROUND
PEOPLE AGAIN WILL TAKE SOME

645
00:18:45,558 --> 00:18:45,923
>> AND FINALLY, BEING AROUND
PEOPLE AGAIN WILL TAKE SOME
GETTING USED TO.

646
00:18:45,925 --> 00:18:49,927
PEOPLE AGAIN WILL TAKE SOME
GETTING USED TO.
SO DO RELAX AND JUST BE YOUR OLD

647
00:18:49,929 --> 00:18:50,828
GETTING USED TO.
SO DO RELAX AND JUST BE YOUR OLD
SELF

648
00:18:50,830 --> 00:18:51,863
SO DO RELAX AND JUST BE YOUR OLD
SELF
( BELL DINGS )

649
00:18:51,865 --> 00:18:53,698
SELF
( BELL DINGS )
>> BUT DON'T START WORRYING, IS

650
00:18:53,700 --> 00:18:55,299
( BELL DINGS )
>> BUT DON'T START WORRYING, IS
THIS MY OLD SELF?

651
00:18:55,301 --> 00:18:56,834
>> BUT DON'T START WORRYING, IS
THIS MY OLD SELF?
HAVE I ALWAYS BEEN AWKWARD IN

652
00:18:56,836 --> 00:18:57,902
THIS MY OLD SELF?
HAVE I ALWAYS BEEN AWKWARD IN
SOCIAL SETTINGS?

653
00:18:57,904 --> 00:19:00,171
HAVE I ALWAYS BEEN AWKWARD IN
SOCIAL SETTINGS?
MAYBE I NEVER ENJOYED OTHERS

654
00:19:00,173 --> 00:19:02,707
SOCIAL SETTINGS?
MAYBE I NEVER ENJOYED OTHERS
THAT MUCH TO BEGIN?

655
00:19:02,709 --> 00:19:03,141
MAYBE I NEVER ENJOYED OTHERS
THAT MUCH TO BEGIN?
OH, GOD.

656
00:19:03,143 --> 00:19:05,409
THAT MUCH TO BEGIN?
OH, GOD.
I DO LOOK AWKWARD?

657
00:19:05,411 --> 00:19:05,910
OH, GOD.
I DO LOOK AWKWARD?
I FEEL AWKWARD?

658
00:19:05,912 --> 00:19:07,845
I DO LOOK AWKWARD?
I FEEL AWKWARD?
CAN THEY TELL I'M THINKING THIS?

659
00:19:07,847 --> 00:19:09,847
I FEEL AWKWARD?
CAN THEY TELL I'M THINKING THIS?
DO I HAVE A REAL PERSONALITY OR

660
00:19:09,849 --> 00:19:12,683
CAN THEY TELL I'M THINKING THIS?
DO I HAVE A REAL PERSONALITY OR
AM I JUST A CONSCRIPT OF ALL THE

661
00:19:12,685 --> 00:19:15,620
DO I HAVE A REAL PERSONALITY OR
AM I JUST A CONSCRIPT OF ALL THE
MEDIA I CONSUMED IN ISOLATION.

662
00:19:15,622 --> 00:19:16,954
AM I JUST A CONSCRIPT OF ALL THE
MEDIA I CONSUMED IN ISOLATION.
WHAT WERE THINGS EVEN LIKE

663
00:19:16,956 --> 00:19:17,555
MEDIA I CONSUMED IN ISOLATION.
WHAT WERE THINGS EVEN LIKE
BEFORE THIS?

664
00:19:17,557 --> 00:19:19,290
WHAT WERE THINGS EVEN LIKE
BEFORE THIS?
REMEMBER, THE PEOPLE AROUND YOU

665
00:19:19,292 --> 00:19:20,825
BEFORE THIS?
REMEMBER, THE PEOPLE AROUND YOU
MIGHT FEEL THE SAME WAY.

666
00:19:20,827 --> 00:19:21,926
REMEMBER, THE PEOPLE AROUND YOU
MIGHT FEEL THE SAME WAY.
>> GOOD-BYE.

667
00:19:21,928 --> 00:19:22,560
MIGHT FEEL THE SAME WAY.
>> GOOD-BYE.
>> VERY MUCH.

668
00:19:22,562 --> 00:19:24,762
>> GOOD-BYE.
>> VERY MUCH.
>> WELL, THERE YOU HAVE IT.

669
00:19:24,764 --> 00:19:26,497
>> VERY MUCH.
>> WELL, THERE YOU HAVE IT.
FOLLOW THESE SIMPLE DO'S AND

670
00:19:26,499 --> 00:19:27,632
>> WELL, THERE YOU HAVE IT.
FOLLOW THESE SIMPLE DO'S AND
DON'T, AND YOU'LL BE HAVING

671
00:19:27,634 --> 00:19:29,100
FOLLOW THESE SIMPLE DO'S AND
DON'T, AND YOU'LL BE HAVING
FUN-- OR SOMETHING LIKE IT-- IN

672
00:19:29,102 --> 00:19:29,534
DON'T, AND YOU'LL BE HAVING
FUN-- OR SOMETHING LIKE IT-- IN
NO TIME.

673
00:19:29,536 --> 00:19:32,303
FUN-- OR SOMETHING LIKE IT-- IN
NO TIME.
AND I CAN'T WAIT TO SEE YOU AT

674
00:19:32,305 --> 00:19:33,437
NO TIME.
AND I CAN'T WAIT TO SEE YOU AT
THE PARTIES.

675
00:19:33,439 --> 00:19:34,605
AND I CAN'T WAIT TO SEE YOU AT
THE PARTIES.
NO, FOR REAL.

676
00:19:34,607 --> 00:19:35,339
THE PARTIES.
NO, FOR REAL.
PLEASE, INVITE ME.

677
00:19:35,341 --> 00:19:40,077
NO, FOR REAL.
PLEASE, INVITE ME.
I'M INCREDIBLY LONELY.

678
00:19:40,079 --> 00:19:40,711
PLEASE, INVITE ME.
I'M INCREDIBLY LONELY.
>> Stephen: WE'LL BE RIGHT BACK

679
00:19:40,713 --> 00:19:42,246
I'M INCREDIBLY LONELY.
>> Stephen: WE'LL BE RIGHT BACK
WITH LISA KUDROW.

680
00:19:42,248 --> 00:19:43,381
>> Stephen: WE'LL BE RIGHT BACK
WITH LISA KUDROW.
♪ ♪ ♪

681
00:19:43,383 --> 00:19:44,782
WITH LISA KUDROW.
♪ ♪ ♪
♪ ♪ ♪

682
00:19:50,556 --> 00:19:58,496
♪ ♪ ♪
>> Stephen: OH, HEY.
WELCOME BACK.

683
00:19:58,498 --> 00:19:59,530
>> Stephen: OH, HEY.
WELCOME BACK.
SHE IS THE EMMY AWARD-WINNING

684
00:19:59,532 --> 00:20:02,366
WELCOME BACK.
SHE IS THE EMMY AWARD-WINNING
ACTRESS YOU KNOW AS PHOEBE FROM

685
00:20:02,368 --> 00:20:02,934
SHE IS THE EMMY AWARD-WINNING
ACTRESS YOU KNOW AS PHOEBE FROM
"FRIENDS." HER NEW ANIMATED

686
00:20:02,936 --> 00:20:04,769
ACTRESS YOU KNOW AS PHOEBE FROM
"FRIENDS." HER NEW ANIMATED
SERIES IS CALLED "HOUSEBROKEN."

687
00:20:04,771 --> 00:20:05,503
"FRIENDS." HER NEW ANIMATED
SERIES IS CALLED "HOUSEBROKEN."
PLEASE WELCOME BACK TO "A LATE

688
00:20:05,505 --> 00:20:07,772
SERIES IS CALLED "HOUSEBROKEN."
PLEASE WELCOME BACK TO "A LATE
SHOW," LISA KUDROW!

689
00:20:07,774 --> 00:20:08,906
PLEASE WELCOME BACK TO "A LATE
SHOW," LISA KUDROW!
HELLO, LISA KUDROW.

690
00:20:08,908 --> 00:20:10,841
SHOW," LISA KUDROW!
HELLO, LISA KUDROW.
>> HI, STEPHEN COLBERT.

691
00:20:10,843 --> 00:20:11,709
HELLO, LISA KUDROW.
>> HI, STEPHEN COLBERT.
>> Stephen: THANK YOU FOR

692
00:20:11,711 --> 00:20:12,743
>> HI, STEPHEN COLBERT.
>> Stephen: THANK YOU FOR
USING MY FULL NAME.

693
00:20:12,745 --> 00:20:15,213
>> Stephen: THANK YOU FOR
USING MY FULL NAME.
I LIKE TO START OFF ALL THE

694
00:20:15,215 --> 00:20:16,214
USING MY FULL NAME.
I LIKE TO START OFF ALL THE
INTERVIEWS YR FORMALLY, AND THEN

695
00:20:16,216 --> 00:20:18,216
I LIKE TO START OFF ALL THE
INTERVIEWS YR FORMALLY, AND THEN
WE GET MORE FAMILIAR AS WE GO

696
00:20:18,218 --> 00:20:18,516
INTERVIEWS YR FORMALLY, AND THEN
WE GET MORE FAMILIAR AS WE GO
ON.

697
00:20:18,518 --> 00:20:20,084
WE GET MORE FAMILIAR AS WE GO
ON.
NOW I JUST FOUND OUT--

698
00:20:20,086 --> 00:20:21,519
ON.
NOW I JUST FOUND OUT--
>> PEOPLE MIGHT NOT KNOW WHO I

699
00:20:21,521 --> 00:20:21,752
NOW I JUST FOUND OUT--
>> PEOPLE MIGHT NOT KNOW WHO I
AM.

700
00:20:21,754 --> 00:20:23,154
>> PEOPLE MIGHT NOT KNOW WHO I
AM.
I WANT TO MAKE SURE THEY KNOW

701
00:20:23,156 --> 00:20:24,355
AM.
I WANT TO MAKE SURE THEY KNOW
WHO YOU ARE.

702
00:20:24,357 --> 00:20:25,856
I WANT TO MAKE SURE THEY KNOW
WHO YOU ARE.
>> Stephen: YOU KNOW HIM FROM

703
00:20:25,858 --> 00:20:27,191
WHO YOU ARE.
>> Stephen: YOU KNOW HIM FROM
HOSTING THE SHOW RIGHT NOW,

704
00:20:27,193 --> 00:20:29,260
>> Stephen: YOU KNOW HIM FROM
HOSTING THE SHOW RIGHT NOW,
PLEASE WELCOME STEPHEN COLBERT.

705
00:20:29,262 --> 00:20:31,929
HOSTING THE SHOW RIGHT NOW,
PLEASE WELCOME STEPHEN COLBERT.
YOU-- YOU, I AM BEING TOLD, HAVE

706
00:20:31,931 --> 00:20:33,598
PLEASE WELCOME STEPHEN COLBERT.
YOU-- YOU, I AM BEING TOLD, HAVE
JUST SPENT SOME TIME WITH OUR

707
00:20:33,600 --> 00:20:35,900
YOU-- YOU, I AM BEING TOLD, HAVE
JUST SPENT SOME TIME WITH OUR
MUTUAL FRIEND, MR. CONE AN

708
00:20:35,902 --> 00:20:36,567
JUST SPENT SOME TIME WITH OUR
MUTUAL FRIEND, MR. CONE AN
O'BRIEN, IS THIS TRUE?

709
00:20:36,569 --> 00:20:37,168
MUTUAL FRIEND, MR. CONE AN
O'BRIEN, IS THIS TRUE?
>> YES, YES.

710
00:20:37,170 --> 00:20:38,336
O'BRIEN, IS THIS TRUE?
>> YES, YES.
>> Stephen: I THINK THE WORLD

711
00:20:38,338 --> 00:20:39,670
>> YES, YES.
>> Stephen: I THINK THE WORLD
OF CONE AN O'BRIEN.

712
00:20:39,672 --> 00:20:41,072
>> Stephen: I THINK THE WORLD
OF CONE AN O'BRIEN.
I THINK HE'S A PRINCE OF A

713
00:20:41,074 --> 00:20:43,407
OF CONE AN O'BRIEN.
I THINK HE'S A PRINCE OF A
FELLA, BUT HE'S KIND OF A

714
00:20:43,409 --> 00:20:44,375
I THINK HE'S A PRINCE OF A
FELLA, BUT HE'S KIND OF A
LATE-ONSET FRIENDSHIP.

715
00:20:44,377 --> 00:20:46,010
FELLA, BUT HE'S KIND OF A
LATE-ONSET FRIENDSHIP.
I DIDN'T MEET HIM AND REALLY

716
00:20:46,012 --> 00:20:47,044
LATE-ONSET FRIENDSHIP.
I DIDN'T MEET HIM AND REALLY
BECOME FRIENDS UNTIL SORT OF

717
00:20:47,046 --> 00:20:48,479
I DIDN'T MEET HIM AND REALLY
BECOME FRIENDS UNTIL SORT OF
LATE IN MY CAREER HERE.

718
00:20:48,481 --> 00:20:50,448
BECOME FRIENDS UNTIL SORT OF
LATE IN MY CAREER HERE.
BUT YOU'VE KNOWN HIM FOREVER AND

719
00:20:50,450 --> 00:20:51,649
LATE IN MY CAREER HERE.
BUT YOU'VE KNOWN HIM FOREVER AND
A DAY, I UNDERSTAND.

720
00:20:51,651 --> 00:20:53,184
BUT YOU'VE KNOWN HIM FOREVER AND
A DAY, I UNDERSTAND.
YOU GUYS ARE OLD FRIENDS.

721
00:20:53,186 --> 00:20:56,087
A DAY, I UNDERSTAND.
YOU GUYS ARE OLD FRIENDS.
>> YEAH, YEAH, 1986-- WAIT.

722
00:20:56,089 --> 00:20:57,355
YOU GUYS ARE OLD FRIENDS.
>> YEAH, YEAH, 1986-- WAIT.
OH, THIS MAKES A DIFFERENCE.

723
00:20:57,357 --> 00:20:59,257
>> YEAH, YEAH, 1986-- WAIT.
OH, THIS MAKES A DIFFERENCE.
I'M GOING TO LEAVE THESE ON.

724
00:20:59,259 --> 00:20:59,724
OH, THIS MAKES A DIFFERENCE.
I'M GOING TO LEAVE THESE ON.
IS THAT ALL RIGHT?

725
00:20:59,726 --> 00:21:01,225
I'M GOING TO LEAVE THESE ON.
IS THAT ALL RIGHT?
>> Stephen: SURE, SURE.

726
00:21:01,227 --> 00:21:02,493
IS THAT ALL RIGHT?
>> Stephen: SURE, SURE.
I'LL TAKE MINE OFF.

727
00:21:02,495 --> 00:21:03,594
>> Stephen: SURE, SURE.
I'LL TAKE MINE OFF.
THAT'S NOT GOING TO WORK.

728
00:21:03,596 --> 00:21:05,529
I'LL TAKE MINE OFF.
THAT'S NOT GOING TO WORK.
THAT'S NOT GOING TO WORK.

729
00:21:05,531 --> 00:21:07,431
THAT'S NOT GOING TO WORK.
THAT'S NOT GOING TO WORK.
<i> (  LAUGHTER  )</i>

730
00:21:07,433 --> 00:21:09,700
THAT'S NOT GOING TO WORK.
<i> (  LAUGHTER  )</i>
1986-- '86, THAT IS-- THAT IS

731
00:21:09,702 --> 00:21:10,735
<i> (  LAUGHTER  )</i>
1986-- '86, THAT IS-- THAT IS
PRET ANYONE KNOWING WHO EITHER

732
00:21:10,737 --> 00:21:11,535
1986-- '86, THAT IS-- THAT IS
PRET ANYONE KNOWING WHO EITHER
OF YOU ARE.

733
00:21:11,537 --> 00:21:12,236
PRET ANYONE KNOWING WHO EITHER
OF YOU ARE.
>> THAT'S RIGHT.

734
00:21:12,238 --> 00:21:14,505
OF YOU ARE.
>> THAT'S RIGHT.
IT WAS THE VERY FIRST IMPROV

735
00:21:14,507 --> 00:21:14,839
>> THAT'S RIGHT.
IT WAS THE VERY FIRST IMPROV
CLASS.

736
00:21:14,841 --> 00:21:18,709
IT WAS THE VERY FIRST IMPROV
CLASS.
I ALMOST QUIT, BUT I SAW HIM

737
00:21:18,711 --> 00:21:21,045
CLASS.
I ALMOST QUIT, BUT I SAW HIM
LIFT A DESK WITH SUCH

738
00:21:21,047 --> 00:21:21,912
I ALMOST QUIT, BUT I SAW HIM
LIFT A DESK WITH SUCH
COMMITMENT, THEY THOUGHT OH,

739
00:21:21,914 --> 00:21:22,513
LIFT A DESK WITH SUCH
COMMITMENT, THEY THOUGHT OH,
THAT'S COMMITMENT.

740
00:21:22,515 --> 00:21:23,381
COMMITMENT, THEY THOUGHT OH,
THAT'S COMMITMENT.
THAT'S WHAT YOU DO.

741
00:21:23,383 --> 00:21:25,449
THAT'S COMMITMENT.
THAT'S WHAT YOU DO.
I'M JUST GOING TO STICK TO HIM

742
00:21:25,451 --> 00:21:28,919
THAT'S WHAT YOU DO.
I'M JUST GOING TO STICK TO HIM
LIKE GLUE UNTIL I FIGURE THIS

743
00:21:28,921 --> 00:21:29,086
I'M JUST GOING TO STICK TO HIM
LIKE GLUE UNTIL I FIGURE THIS
OUT.

744
00:21:29,088 --> 00:21:30,521
LIKE GLUE UNTIL I FIGURE THIS
OUT.
HE WAS MASTERFUL.

745
00:21:30,523 --> 00:21:34,325
OUT.
HE WAS MASTERFUL.
SPACE BALL, TOO, REALLY, REALLY

746
00:21:34,327 --> 00:21:34,525
HE WAS MASTERFUL.
SPACE BALL, TOO, REALLY, REALLY
GOOD.

747
00:21:34,527 --> 00:21:35,226
SPACE BALL, TOO, REALLY, REALLY
GOOD.
>> Stephen: SPACE BALL?

748
00:21:35,228 --> 00:21:37,028
GOOD.
>> Stephen: SPACE BALL?
>> SPACE BALL, LIKE YOU'RE

749
00:21:37,030 --> 00:21:38,296
>> Stephen: SPACE BALL?
>> SPACE BALL, LIKE YOU'RE
THROWING A BALL.

750
00:21:38,298 --> 00:21:38,462
>> SPACE BALL, LIKE YOU'RE
THROWING A BALL.
OH!

751
00:21:38,464 --> 00:21:39,096
THROWING A BALL.
OH!
>> Stephen: WOW.

752
00:21:39,098 --> 00:21:40,331
OH!
>> Stephen: WOW.
COULD WE HAVE THE SUGGESTION OF

753
00:21:40,333 --> 00:21:43,734
>> Stephen: WOW.
COULD WE HAVE THE SUGGESTION OF
SOMETHING INTERESTING TO TALK

754
00:21:43,736 --> 00:21:45,036
COULD WE HAVE THE SUGGESTION OF
SOMETHING INTERESTING TO TALK
ABOUT?

755
00:21:45,038 --> 00:21:45,870
SOMETHING INTERESTING TO TALK
ABOUT?
>> PROCTOLOGIST.

756
00:21:45,872 --> 00:21:47,505
ABOUT?
>> PROCTOLOGIST.
>> Stephen: CHIA PET.

757
00:21:47,507 --> 00:21:48,706
>> PROCTOLOGIST.
>> Stephen: CHIA PET.
I UNDERSTAND I SNAKED HIM AWAY

758
00:21:48,708 --> 00:21:50,408
>> Stephen: CHIA PET.
I UNDERSTAND I SNAKED HIM AWAY
FROM YOU AT ONE POINT.

759
00:21:50,410 --> 00:21:53,544
I UNDERSTAND I SNAKED HIM AWAY
FROM YOU AT ONE POINT.
LIKE I WON-- THAT HE BETTER

760
00:21:53,546 --> 00:21:54,512
FROM YOU AT ONE POINT.
LIKE I WON-- THAT HE BETTER
DEALED WITH YOU ME AT ONE POINT

761
00:21:54,514 --> 00:21:57,481
LIKE I WON-- THAT HE BETTER
DEALED WITH YOU ME AT ONE POINT
IN THE PAST OUT AT DEER VALLEY.

762
00:21:57,483 --> 00:21:58,516
DEALED WITH YOU ME AT ONE POINT
IN THE PAST OUT AT DEER VALLEY.
>> YES.

763
00:21:58,518 --> 00:21:58,849
IN THE PAST OUT AT DEER VALLEY.
>> YES.
YEAH.

764
00:21:58,851 --> 00:22:00,451
>> YES.
YEAH.
BECAUSE WE WERE ALWAYS THERE

765
00:22:00,453 --> 00:22:02,420
YEAH.
BECAUSE WE WERE ALWAYS THERE
AROUND THE HOLIDAYS TOGETHER,

766
00:22:02,422 --> 00:22:05,289
BECAUSE WE WERE ALWAYS THERE
AROUND THE HOLIDAYS TOGETHER,
AND SO, YOU KNOW, WE WOULD GET

767
00:22:05,291 --> 00:22:06,490
AROUND THE HOLIDAYS TOGETHER,
AND SO, YOU KNOW, WE WOULD GET
TOGETHER AND IT'S, LIKE,

768
00:22:06,492 --> 00:22:06,957
AND SO, YOU KNOW, WE WOULD GET
TOGETHER AND IT'S, LIKE,
WEDNESDAY NIGHT.

769
00:22:06,959 --> 00:22:09,560
TOGETHER AND IT'S, LIKE,
WEDNESDAY NIGHT.
AND I WOULD CALL HIM UP,

770
00:22:09,562 --> 00:22:11,529
WEDNESDAY NIGHT.
AND I WOULD CALL HIM UP,
TONIGHT, WHERE SHOULD WE GO."

771
00:22:11,531 --> 00:22:14,198
AND I WOULD CALL HIM UP,
TONIGHT, WHERE SHOULD WE GO."
SO, LISTEN, STEPHEN COLBERT IS

772
00:22:14,200 --> 00:22:16,701
TONIGHT, WHERE SHOULD WE GO."
SO, LISTEN, STEPHEN COLBERT IS
HERE AND I THOUGHT, "OH, MY GOD!

773
00:22:16,703 --> 00:22:18,569
SO, LISTEN, STEPHEN COLBERT IS
HERE AND I THOUGHT, "OH, MY GOD!
I WOULD LOVE TO MEET HIM.

774
00:22:18,571 --> 00:22:22,340
HERE AND I THOUGHT, "OH, MY GOD!
I WOULD LOVE TO MEET HIM.
OH, THEY SHOULD COME, TOO!"

775
00:22:22,342 --> 00:22:23,941
I WOULD LOVE TO MEET HIM.
OH, THEY SHOULD COME, TOO!"
LIKE "OH, HEY!

776
00:22:23,943 --> 00:22:24,475
OH, THEY SHOULD COME, TOO!"
LIKE "OH, HEY!
STEPHEN COLBERT."

777
00:22:24,477 --> 00:22:25,776
LIKE "OH, HEY!
STEPHEN COLBERT."
AND HE SAID, "YEAH, SO WE'RE

778
00:22:25,778 --> 00:22:28,179
STEPHEN COLBERT."
AND HE SAID, "YEAH, SO WE'RE
GOING TO HAVE DINNER WITH THEM."

779
00:22:28,181 --> 00:22:29,880
AND HE SAID, "YEAH, SO WE'RE
GOING TO HAVE DINNER WITH THEM."
<i> ( LAUGHTER )</i>

780
00:22:29,882 --> 00:22:31,082
GOING TO HAVE DINNER WITH THEM."
<i> ( LAUGHTER )</i>
>> Stephen: YOU'RE WELCOME.

781
00:22:31,084 --> 00:22:31,649
<i> ( LAUGHTER )</i>
>> Stephen: YOU'RE WELCOME.
YOU'RE WELCOME.

782
00:22:31,651 --> 00:22:33,184
>> Stephen: YOU'RE WELCOME.
YOU'RE WELCOME.
IT'S IMPORTANT FOR A FRIENDSHIP

783
00:22:33,186 --> 00:22:35,219
YOU'RE WELCOME.
IT'S IMPORTANT FOR A FRIENDSHIP
TO BE TESTED LIKE THAT.

784
00:22:35,221 --> 00:22:35,653
IT'S IMPORTANT FOR A FRIENDSHIP
TO BE TESTED LIKE THAT.
<i> (  LAUGHTER  ).</i>

785
00:22:35,655 --> 00:22:39,990
TO BE TESTED LIKE THAT.
<i> (  LAUGHTER  ).</i>
>> YEAH.

786
00:22:39,992 --> 00:22:41,525
<i> (  LAUGHTER  ).</i>
>> YEAH.
NOTHING LIKE, "BUT WOULD YOU

787
00:22:41,527 --> 00:22:43,828
>> YEAH.
NOTHING LIKE, "BUT WOULD YOU
LIKE TO."

788
00:22:43,830 --> 00:22:47,531
NOTHING LIKE, "BUT WOULD YOU
LIKE TO."
HE SAID, "WE'LL SEE YOU THE NEXT

789
00:22:47,533 --> 00:22:48,566
LIKE TO."
HE SAID, "WE'LL SEE YOU THE NEXT
NIGHT."

790
00:22:48,568 --> 00:22:49,300
HE SAID, "WE'LL SEE YOU THE NEXT
NIGHT."
OKAY.

791
00:22:49,302 --> 00:22:50,067
NIGHT."
OKAY.
"AND WE'RE FREE."

792
00:22:50,069 --> 00:22:51,535
OKAY.
"AND WE'RE FREE."
ALL RIGHT.

793
00:22:51,537 --> 00:22:53,104
"AND WE'RE FREE."
ALL RIGHT.
HOW WAS DINNER WITH STEVEN AND

794
00:22:53,106 --> 00:22:54,105
ALL RIGHT.
HOW WAS DINNER WITH STEVEN AND
HIS FAMILY?

795
00:22:54,107 --> 00:22:54,505
HOW WAS DINNER WITH STEVEN AND
HIS FAMILY?
WAS IT FUN?

796
00:22:54,507 --> 00:22:56,240
HIS FAMILY?
WAS IT FUN?
>> Stephen: IT WAS GREAT,

797
00:22:56,242 --> 00:22:56,507
WAS IT FUN?
>> Stephen: IT WAS GREAT,
ACTUALLY.

798
00:22:56,509 --> 00:22:58,509
>> Stephen: IT WAS GREAT,
ACTUALLY.
>> YOU KNOW, LIEB-- YES, I'M

799
00:22:58,511 --> 00:22:59,543
ACTUALLY.
>> YOU KNOW, LIEB-- YES, I'M
SURE.

800
00:22:59,545 --> 00:23:01,645
>> YOU KNOW, LIEB-- YES, I'M
SURE.
BUT, YOU KNOW, THE PARANOID PART

801
00:23:01,647 --> 00:23:04,382
SURE.
BUT, YOU KNOW, THE PARANOID PART
OF ME WAS JUST, "WAIT, DOES

802
00:23:04,384 --> 00:23:05,783
BUT, YOU KNOW, THE PARANOID PART
OF ME WAS JUST, "WAIT, DOES
STEPHEN COLBERT HATE ME AND

803
00:23:05,785 --> 00:23:07,418
OF ME WAS JUST, "WAIT, DOES
STEPHEN COLBERT HATE ME AND
CONAN WAS TRYING TO PROTECT HIM?

804
00:23:07,420 --> 00:23:08,452
STEPHEN COLBERT HATE ME AND
CONAN WAS TRYING TO PROTECT HIM?
I DON'T KNOW HIM.

805
00:23:08,454 --> 00:23:10,554
CONAN WAS TRYING TO PROTECT HIM?
I DON'T KNOW HIM.
MAYBE HE JUST HATES ME, LIKE,

806
00:23:10,556 --> 00:23:12,089
I DON'T KNOW HIM.
MAYBE HE JUST HATES ME, LIKE,
WITHOUT KNOWING ME.

807
00:23:12,091 --> 00:23:14,492
MAYBE HE JUST HATES ME, LIKE,
WITHOUT KNOWING ME.
LIKE, HE JUST HAS AN IMPRESSION

808
00:23:14,494 --> 00:23:17,027
WITHOUT KNOWING ME.
LIKE, HE JUST HAS AN IMPRESSION
'THAT LOSER?

809
00:23:17,029 --> 00:23:18,662
LIKE, HE JUST HAS AN IMPRESSION
'THAT LOSER?
PLEASE SPARE ME '."

810
00:23:18,664 --> 00:23:19,063
'THAT LOSER?
PLEASE SPARE ME '."
>> Stephen: SURE.

811
00:23:19,065 --> 00:23:21,632
PLEASE SPARE ME '."
>> Stephen: SURE.
>> WERE WE EVER EVEN OFFERED?

812
00:23:21,634 --> 00:23:23,567
>> Stephen: SURE.
>> WERE WE EVER EVEN OFFERED?
>> Stephen: HE DID SAY, "DO

813
00:23:23,569 --> 00:23:25,302
>> WERE WE EVER EVEN OFFERED?
>> Stephen: HE DID SAY, "DO
YOU WANT LISA KUDROW TO COME?"

814
00:23:25,304 --> 00:23:27,071
>> Stephen: HE DID SAY, "DO
YOU WANT LISA KUDROW TO COME?"
AND I SAID, "ABSOLUTELY NOT."

815
00:23:27,073 --> 00:23:28,672
YOU WANT LISA KUDROW TO COME?"
AND I SAID, "ABSOLUTELY NOT."
I SAID, ABSOLUTELY NOT."

816
00:23:28,674 --> 00:23:30,408
AND I SAID, "ABSOLUTELY NOT."
I SAID, ABSOLUTELY NOT."
>> THAT'S OKAY, I KNEW THAT.

817
00:23:30,410 --> 00:23:35,012
I SAID, ABSOLUTELY NOT."
>> THAT'S OKAY, I KNEW THAT.
>> Stephen: I SAID, IS

818
00:23:35,014 --> 00:23:35,479
>> THAT'S OKAY, I KNEW THAT.
>> Stephen: I SAID, IS
SWHWIMMER AVAILABLE?"

819
00:23:35,481 --> 00:23:38,048
>> Stephen: I SAID, IS
SWHWIMMER AVAILABLE?"
HE SAID, "NO, THAT'S ONLY ON TV.

820
00:23:38,050 --> 00:23:39,183
SWHWIMMER AVAILABLE?"
HE SAID, "NO, THAT'S ONLY ON TV.
THEY DON'T ACTUALLY LIVE ACROSS

821
00:23:39,185 --> 00:23:41,018
HE SAID, "NO, THAT'S ONLY ON TV.
THEY DON'T ACTUALLY LIVE ACROSS
THE HALL FROM EACH OTHER."

822
00:23:41,020 --> 00:23:42,520
THEY DON'T ACTUALLY LIVE ACROSS
THE HALL FROM EACH OTHER."
>> Stephen: SPEAK OF WHICH--

823
00:23:42,522 --> 00:23:46,157
THE HALL FROM EACH OTHER."
>> Stephen: SPEAK OF WHICH--
YOU SEE THE TRANSITION I DID.

824
00:23:46,159 --> 00:23:49,527
>> Stephen: SPEAK OF WHICH--
YOU SEE THE TRANSITION I DID.
PEOPLE ARE PRETTY EXCITED ABOUT

825
00:23:49,529 --> 00:23:51,128
YOU SEE THE TRANSITION I DID.
PEOPLE ARE PRETTY EXCITED ABOUT
THIS "FRIEND" THING COMING UP

826
00:23:51,130 --> 00:23:52,763
PEOPLE ARE PRETTY EXCITED ABOUT
THIS "FRIEND" THING COMING UP
NEXT THURSDAY THE 27th OF

827
00:23:52,765 --> 00:23:53,531
THIS "FRIEND" THING COMING UP
NEXT THURSDAY THE 27th OF
MAY.

828
00:23:53,533 --> 00:23:55,232
NEXT THURSDAY THE 27th OF
MAY.
WHAT DID IF IT FEEL LIKE AFTER

829
00:23:55,234 --> 00:23:56,267
MAY.
WHAT DID IF IT FEEL LIKE AFTER
ALL THESE YEARS TO BE BACK ON

830
00:23:56,269 --> 00:23:57,768
WHAT DID IF IT FEEL LIKE AFTER
ALL THESE YEARS TO BE BACK ON
THE SAME SET?

831
00:23:57,770 --> 00:23:59,136
ALL THESE YEARS TO BE BACK ON
THE SAME SET?
HOW LONG HAD IT BEEN?

832
00:23:59,138 --> 00:24:01,172
THE SAME SET?
HOW LONG HAD IT BEEN?
>> 17 YEARS SINCE OUR-- SINCE

833
00:24:01,174 --> 00:24:02,773
HOW LONG HAD IT BEEN?
>> 17 YEARS SINCE OUR-- SINCE
OUR LAST SHOW.

834
00:24:02,775 --> 00:24:04,041
>> 17 YEARS SINCE OUR-- SINCE
OUR LAST SHOW.
AND WE HAVEN'T ALL BEEN IN THE

835
00:24:04,043 --> 00:24:07,578
OUR LAST SHOW.
AND WE HAVEN'T ALL BEEN IN THE
SAME ROOM IN, LIKE, FIVE OR SIX

836
00:24:07,580 --> 00:24:08,179
AND WE HAVEN'T ALL BEEN IN THE
SAME ROOM IN, LIKE, FIVE OR SIX
YEARS.

837
00:24:08,181 --> 00:24:11,148
SAME ROOM IN, LIKE, FIVE OR SIX
YEARS.
SO-- AND THEN COVID, YOU KNOW,

838
00:24:11,150 --> 00:24:12,216
YEARS.
SO-- AND THEN COVID, YOU KNOW,
DELAYED THIS WHOLE THING SO

839
00:24:12,218 --> 00:24:14,151
SO-- AND THEN COVID, YOU KNOW,
DELAYED THIS WHOLE THING SO
MUCH, THAT IT WAS SO-- IT WAS--

840
00:24:14,153 --> 00:24:15,920
DELAYED THIS WHOLE THING SO
MUCH, THAT IT WAS SO-- IT WAS--
IT WAS THRILLING AND A LITTLE

841
00:24:15,922 --> 00:24:16,187
MUCH, THAT IT WAS SO-- IT WAS--
IT WAS THRILLING AND A LITTLE
EMOTIONAL.

842
00:24:16,189 --> 00:24:17,555
IT WAS THRILLING AND A LITTLE
EMOTIONAL.
>> Stephen: I CAN IMAGINE.

843
00:24:17,557 --> 00:24:18,355
EMOTIONAL.
>> Stephen: I CAN IMAGINE.
>> YEAH.

844
00:24:18,357 --> 00:24:21,158
>> Stephen: I CAN IMAGINE.
>> YEAH.
AND THEY REBUILT ALL THE SETS.

845
00:24:21,160 --> 00:24:23,527
>> YEAH.
AND THEY REBUILT ALL THE SETS.
SO I THINK WE WERE MEANT TO BE

846
00:24:23,529 --> 00:24:25,930
AND THEY REBUILT ALL THE SETS.
SO I THINK WE WERE MEANT TO BE
EXCITED ABOUT SEEING THE SET.

847
00:24:25,932 --> 00:24:27,898
SO I THINK WE WERE MEANT TO BE
EXCITED ABOUT SEEING THE SET.
AND EVERYONE WAS BUT ME BECAUSE

848
00:24:27,900 --> 00:24:32,436
EXCITED ABOUT SEEING THE SET.
AND EVERYONE WAS BUT ME BECAUSE
I WANTED TO SEE PEOPLE, YOU

849
00:24:32,438 --> 00:24:32,803
AND EVERYONE WAS BUT ME BECAUSE
I WANTED TO SEE PEOPLE, YOU
KNOW.

850
00:24:32,805 --> 00:24:33,804
I WANTED TO SEE PEOPLE, YOU
KNOW.
GOT ON THE SET, LOOKED AROUND

851
00:24:33,806 --> 00:24:35,005
KNOW.
GOT ON THE SET, LOOKED AROUND
AND PLOPPED IN A CHAIR.

852
00:24:35,007 --> 00:24:36,807
GOT ON THE SET, LOOKED AROUND
AND PLOPPED IN A CHAIR.
AND I JUST NOTICED A COUPLE OF

853
00:24:36,809 --> 00:24:38,509
AND PLOPPED IN A CHAIR.
AND I JUST NOTICED A COUPLE OF
OTHER PEOPLE FROM THE CAST WERE,

854
00:24:38,511 --> 00:24:42,179
AND I JUST NOTICED A COUPLE OF
OTHER PEOPLE FROM THE CAST WERE,
LIKE, OPENING DOORS, LIKE, AS IF

855
00:24:42,181 --> 00:24:44,348
OTHER PEOPLE FROM THE CAST WERE,
LIKE, OPENING DOORS, LIKE, AS IF
IT'S AN PARENT.

856
00:24:44,350 --> 00:24:47,551
LIKE, OPENING DOORS, LIKE, AS IF
IT'S AN PARENT.
LIKE, "OH, MONICA'S ROOM THERE.

857
00:24:47,553 --> 00:24:49,887
IT'S AN PARENT.
LIKE, "OH, MONICA'S ROOM THERE.
RIGHT, NO, IT'S NOT REALLY."

858
00:24:49,889 --> 00:24:52,556
LIKE, "OH, MONICA'S ROOM THERE.
RIGHT, NO, IT'S NOT REALLY."
OPENING DOORS TO SEE WHAT'S

859
00:24:52,558 --> 00:24:52,923
RIGHT, NO, IT'S NOT REALLY."
OPENING DOORS TO SEE WHAT'S
THERE.

860
00:24:52,925 --> 00:24:53,290
OPENING DOORS TO SEE WHAT'S
THERE.
THERE'S NOTHING.

861
00:24:53,292 --> 00:24:54,191
THERE.
THERE'S NOTHING.
>> Stephen: BY THE WAY, HAVE

862
00:24:54,193 --> 00:24:58,496
THERE'S NOTHING.
>> Stephen: BY THE WAY, HAVE
YOU EVER TAKEN ANY ONE OF THOSE

863
00:24:58,498 --> 00:24:59,730
>> Stephen: BY THE WAY, HAVE
YOU EVER TAKEN ANY ONE OF THOSE
BUZZFEEDS "WHICH FRIEND ARE

864
00:24:59,732 --> 00:24:59,930
YOU EVER TAKEN ANY ONE OF THOSE
BUZZFEEDS "WHICH FRIEND ARE
YOU?"

865
00:24:59,932 --> 00:25:01,932
BUZZFEEDS "WHICH FRIEND ARE
YOU?"
>> I DID, I DID, I DID TAKE IT.

866
00:25:01,934 --> 00:25:03,367
YOU?"
>> I DID, I DID, I DID TAKE IT.
>> Stephen: WHAT FRIEND ARE

867
00:25:03,369 --> 00:25:03,801
>> I DID, I DID, I DID TAKE IT.
>> Stephen: WHAT FRIEND ARE
YOU?

868
00:25:03,803 --> 00:25:04,969
>> Stephen: WHAT FRIEND ARE
YOU?
ARE YOU PHOEBE?

869
00:25:04,971 --> 00:25:06,237
YOU?
ARE YOU PHOEBE?
>> RACHEL, RACHEL.

870
00:25:06,239 --> 00:25:07,137
ARE YOU PHOEBE?
>> RACHEL, RACHEL.
>> Stephen: DID YOU-- BECAUSE

871
00:25:07,139 --> 00:25:09,340
>> RACHEL, RACHEL.
>> Stephen: DID YOU-- BECAUSE
THAT SEEMS LIKE THE FIX IS IN.

872
00:25:09,342 --> 00:25:11,108
>> Stephen: DID YOU-- BECAUSE
THAT SEEMS LIKE THE FIX IS IN.
DID YOU TAKE IT AGAIN TO SAY

873
00:25:11,110 --> 00:25:13,944
THAT SEEMS LIKE THE FIX IS IN.
DID YOU TAKE IT AGAIN TO SAY
THERE'S GOT TO BE ANOTHER

874
00:25:13,946 --> 00:25:14,178
DID YOU TAKE IT AGAIN TO SAY
THERE'S GOT TO BE ANOTHER
FRIEND.

875
00:25:14,180 --> 00:25:15,379
THERE'S GOT TO BE ANOTHER
FRIEND.
>> NO, I WAS EXHAUSTED BY TAKING

876
00:25:15,381 --> 00:25:16,780
FRIEND.
>> NO, I WAS EXHAUSTED BY TAKING
IT THE FIRST TIME.

877
00:25:16,782 --> 00:25:19,717
>> NO, I WAS EXHAUSTED BY TAKING
IT THE FIRST TIME.
AND, ALSO, I THOUGHT I WAS

878
00:25:19,719 --> 00:25:21,051
IT THE FIRST TIME.
AND, ALSO, I THOUGHT I WAS
ANSWERING QUESTIONS, LIKE, THAT

879
00:25:21,053 --> 00:25:23,554
AND, ALSO, I THOUGHT I WAS
ANSWERING QUESTIONS, LIKE, THAT
WOULD BRING ME TO PHOEBE, YOU

880
00:25:23,556 --> 00:25:23,754
ANSWERING QUESTIONS, LIKE, THAT
WOULD BRING ME TO PHOEBE, YOU
KNOW.

881
00:25:23,756 --> 00:25:24,755
WOULD BRING ME TO PHOEBE, YOU
KNOW.
FAVORITE COLOR.

882
00:25:24,757 --> 00:25:24,989
KNOW.
FAVORITE COLOR.
YELLOW!

883
00:25:24,991 --> 00:25:26,924
FAVORITE COLOR.
YELLOW!
OR SOME THINGS THAT-- WHO WOULD

884
00:25:26,926 --> 00:25:31,529
YELLOW!
OR SOME THINGS THAT-- WHO WOULD
YOU WANT TO BE ON A DATE WITH?

885
00:25:31,531 --> 00:25:31,795
OR SOME THINGS THAT-- WHO WOULD
YOU WANT TO BE ON A DATE WITH?
SPONGEBOB!

886
00:25:31,797 --> 00:25:33,531
YOU WANT TO BE ON A DATE WITH?
SPONGEBOB!
AND IT SAID RACHEL.

887
00:25:33,533 --> 00:25:34,498
SPONGEBOB!
AND IT SAID RACHEL.
>> Stephen: IS THAT A PHOEBE

888
00:25:34,500 --> 00:25:35,432
AND IT SAID RACHEL.
>> Stephen: IS THAT A PHOEBE
THING.

889
00:25:35,434 --> 00:25:38,836
>> Stephen: IS THAT A PHOEBE
THING.
DID I MISS SOMETHING IN THE

890
00:25:38,838 --> 00:25:45,075
THING.
DID I MISS SOMETHING IN THE
PHOEBE CANONS THAT SHE HAD SHOT

891
00:25:45,077 --> 00:25:46,443
DID I MISS SOMETHING IN THE
PHOEBE CANONS THAT SHE HAD SHOT
OF SPOT FOR SPONGEBOB.

892
00:25:46,445 --> 00:25:48,145
PHOEBE CANONS THAT SHE HAD SHOT
OF SPOT FOR SPONGEBOB.
>> IT'S SO RAICH THEY'LL SHE'S

893
00:25:48,147 --> 00:25:50,047
OF SPOT FOR SPONGEBOB.
>> IT'S SO RAICH THEY'LL SHE'S
AN ANIMATED CHARACTER TO GO ON A

894
00:25:50,049 --> 00:25:50,347
>> IT'S SO RAICH THEY'LL SHE'S
AN ANIMATED CHARACTER TO GO ON A
DATE WITH.

895
00:25:50,349 --> 00:25:51,916
AN ANIMATED CHARACTER TO GO ON A
DATE WITH.
I DIDN'T UNDERSTAND THAT

896
00:25:51,918 --> 00:25:52,182
DATE WITH.
I DIDN'T UNDERSTAND THAT
CRITERIA.

897
00:25:52,184 --> 00:25:53,551
I DIDN'T UNDERSTAND THAT
CRITERIA.
BUT IT'S FUNNY, BECAUSE WHEN I

898
00:25:53,553 --> 00:25:55,686
CRITERIA.
BUT IT'S FUNNY, BECAUSE WHEN I
FIRST READ THE SCRIPT AND I WAS

899
00:25:55,688 --> 00:25:58,122
BUT IT'S FUNNY, BECAUSE WHEN I
FIRST READ THE SCRIPT AND I WAS
GOING TO BE AUDITIONING FOR

900
00:25:58,124 --> 00:26:01,125
FIRST READ THE SCRIPT AND I WAS
GOING TO BE AUDITIONING FOR
PHOEBE, I SAW RACHEL AND I JUST

901
00:26:01,127 --> 00:26:04,495
GOING TO BE AUDITIONING FOR
PHOEBE, I SAW RACHEL AND I JUST
WENT, "OH, THAT'S LIKE A LONG

902
00:26:04,497 --> 00:26:05,829
PHOEBE, I SAW RACHEL AND I JUST
WENT, "OH, THAT'S LIKE A LONG
ISLAND... THAT COULD BE

903
00:26:05,831 --> 00:26:06,096
WENT, "OH, THAT'S LIKE A LONG
ISLAND... THAT COULD BE
HILARIOUS.

904
00:26:06,098 --> 00:26:07,464
ISLAND... THAT COULD BE
HILARIOUS.
I COULD IDENTIFY WITH THAT

905
00:26:07,466 --> 00:26:07,731
HILARIOUS.
I COULD IDENTIFY WITH THAT
MORE."

906
00:26:07,733 --> 00:26:10,568
I COULD IDENTIFY WITH THAT
MORE."
BUT THEY SAID, NO, NO, PHOEBE.

907
00:26:10,570 --> 00:26:11,235
MORE."
BUT THEY SAID, NO, NO, PHOEBE.
>> Stephen: YEAH.

908
00:26:11,237 --> 00:26:13,938
BUT THEY SAID, NO, NO, PHOEBE.
>> Stephen: YEAH.
YOU KNOW, I AUDITIONED ONCE TO

909
00:26:13,940 --> 00:26:18,509
>> Stephen: YEAH.
YOU KNOW, I AUDITIONED ONCE TO
BE, LIKE-- TO DO A PART,

910
00:26:18,511 --> 00:26:20,878
YOU KNOW, I AUDITIONED ONCE TO
BE, LIKE-- TO DO A PART,
ONE-WEEK STORY ON "FRIENDS."

911
00:26:20,880 --> 00:26:22,179
BE, LIKE-- TO DO A PART,
ONE-WEEK STORY ON "FRIENDS."
>> DID YOU.

912
00:26:22,181 --> 00:26:23,547
ONE-WEEK STORY ON "FRIENDS."
>> DID YOU.
>> Stephen: I WAS IN L.A.,

913
00:26:23,549 --> 00:26:24,448
>> DID YOU.
>> Stephen: I WAS IN L.A.,
YOUNG ACTOR.

914
00:26:24,450 --> 00:26:26,116
>> Stephen: I WAS IN L.A.,
YOUNG ACTOR.
I GOT CALLED IN, AUDITIONED ON

915
00:26:26,118 --> 00:26:27,651
YOUNG ACTOR.
I GOT CALLED IN, AUDITIONED ON
THE SET AND EVERYTHING LIKE

916
00:26:27,653 --> 00:26:28,619
I GOT CALLED IN, AUDITIONED ON
THE SET AND EVERYTHING LIKE
THAT-- NOT WITH ANYBODY, WITH

917
00:26:28,621 --> 00:26:30,154
THE SET AND EVERYTHING LIKE
THAT-- NOT WITH ANYBODY, WITH
THE CASTING DIRECTOR OR

918
00:26:30,156 --> 00:26:30,454
THAT-- NOT WITH ANYBODY, WITH
THE CASTING DIRECTOR OR
SOMETHING.

919
00:26:30,456 --> 00:26:32,256
THE CASTING DIRECTOR OR
SOMETHING.
BUT IT WAS LIKE BASICALLY IF I

920
00:26:32,258 --> 00:26:35,960
SOMETHING.
BUT IT WAS LIKE BASICALLY IF I
GOT IT, T THEY WOULD HAVE PUSHED

921
00:26:35,962 --> 00:26:38,429
BUT IT WAS LIKE BASICALLY IF I
GOT IT, T THEY WOULD HAVE PUSHED
ME IN A ROOM AND I WOULD HAVE

922
00:26:38,431 --> 00:26:39,863
GOT IT, T THEY WOULD HAVE PUSHED
ME IN A ROOM AND I WOULD HAVE
STARTED WORKING WITH YOU GUYS.

923
00:26:39,865 --> 00:26:40,431
ME IN A ROOM AND I WOULD HAVE
STARTED WORKING WITH YOU GUYS.
I DIDN'T GET IT.

924
00:26:40,433 --> 00:26:41,498
STARTED WORKING WITH YOU GUYS.
I DIDN'T GET IT.
>> I'M SORRY.

925
00:26:41,500 --> 00:26:42,499
I DIDN'T GET IT.
>> I'M SORRY.
>> Stephen: I'M SURE YOU WOULD

926
00:26:42,501 --> 00:26:44,335
>> I'M SORRY.
>> Stephen: I'M SURE YOU WOULD
HAVE REMEMBERED WORKING WITH

927
00:26:44,337 --> 00:26:46,637
>> Stephen: I'M SURE YOU WOULD
HAVE REMEMBERED WORKING WITH
STEPHEN COLBERT, AND, BOY,

928
00:26:46,639 --> 00:26:48,572
HAVE REMEMBERED WORKING WITH
STEPHEN COLBERT, AND, BOY,
DIARRHEAL NEED A GIG AT THAT

929
00:26:48,574 --> 00:26:48,772
STEPHEN COLBERT, AND, BOY,
DIARRHEAL NEED A GIG AT THAT
TIME.

930
00:26:48,774 --> 00:26:49,473
DIARRHEAL NEED A GIG AT THAT
TIME.
>> I'M SORRY.

931
00:26:49,475 --> 00:26:50,507
TIME.
>> I'M SORRY.
I DEFINITELY WOULD HAVE

932
00:26:50,509 --> 00:26:50,874
>> I'M SORRY.
I DEFINITELY WOULD HAVE
REMEMBERED YOU.

933
00:26:50,876 --> 00:26:51,442
I DEFINITELY WOULD HAVE
REMEMBERED YOU.
>> Stephen: THANK YOU.

934
00:26:51,444 --> 00:26:54,378
REMEMBERED YOU.
>> Stephen: THANK YOU.
ISN'T IT AMAZING TO ANY YOUNG

935
00:26:54,380 --> 00:26:55,212
>> Stephen: THANK YOU.
ISN'T IT AMAZING TO ANY YOUNG
ACTORS, YOUNG PERFORMERS OUT

936
00:26:55,214 --> 00:26:57,915
ISN'T IT AMAZING TO ANY YOUNG
ACTORS, YOUNG PERFORMERS OUT
THERE-- BACK ME UP ON THIS ONE--

937
00:26:57,917 --> 00:26:59,183
ACTORS, YOUNG PERFORMERS OUT
THERE-- BACK ME UP ON THIS ONE--
WHEN YOU'RE WORKING, YOU FEEL

938
00:26:59,185 --> 00:27:00,818
THERE-- BACK ME UP ON THIS ONE--
WHEN YOU'RE WORKING, YOU FEEL
LIKE, WELL, YOU'LL ALWAYS WORK.

939
00:27:00,820 --> 00:27:03,354
WHEN YOU'RE WORKING, YOU FEEL
LIKE, WELL, YOU'LL ALWAYS WORK.
BUT THEN WHEN YOU'RE NOT

940
00:27:03,356 --> 00:27:07,024
LIKE, WELL, YOU'LL ALWAYS WORK.
BUT THEN WHEN YOU'RE NOT
WORKING, YOU FEEL LIKE I WILL

941
00:27:07,026 --> 00:27:07,424
BUT THEN WHEN YOU'RE NOT
WORKING, YOU FEEL LIKE I WILL
NEVER WORK AGAIN.

942
00:27:07,426 --> 00:27:08,926
WORKING, YOU FEEL LIKE I WILL
NEVER WORK AGAIN.
>> OH, YEAH, OH, YEAH.

943
00:27:08,928 --> 00:27:11,161
NEVER WORK AGAIN.
>> OH, YEAH, OH, YEAH.
I ALWAYS FEEL LIKE, WELL, I WILL

944
00:27:11,163 --> 00:27:11,595
>> OH, YEAH, OH, YEAH.
I ALWAYS FEEL LIKE, WELL, I WILL
NEVER WORK AGAIN.

945
00:27:11,597 --> 00:27:13,631
I ALWAYS FEEL LIKE, WELL, I WILL
NEVER WORK AGAIN.
AND THEN I DO, LIKE A MIRACLE.

946
00:27:13,633 --> 00:27:16,133
NEVER WORK AGAIN.
AND THEN I DO, LIKE A MIRACLE.
BUT I WAS GOING TO SAY-- WHILE I

947
00:27:16,135 --> 00:27:17,368
AND THEN I DO, LIKE A MIRACLE.
BUT I WAS GOING TO SAY-- WHILE I
WAS ON "FRIENDS," I THOUGHT I

948
00:27:17,370 --> 00:27:18,669
BUT I WAS GOING TO SAY-- WHILE I
WAS ON "FRIENDS," I THOUGHT I
WILL ALWAYS BE WORKING BECAUSE

949
00:27:18,671 --> 00:27:21,739
WAS ON "FRIENDS," I THOUGHT I
WILL ALWAYS BE WORKING BECAUSE
THERE'S NO END IN SIGHT FOR THIS

950
00:27:21,741 --> 00:27:21,939
WILL ALWAYS BE WORKING BECAUSE
THERE'S NO END IN SIGHT FOR THIS
SHOW.

951
00:27:21,941 --> 00:27:22,740
THERE'S NO END IN SIGHT FOR THIS
SHOW.
>> Stephen: WELL, THERE WAS.

952
00:27:22,742 --> 00:27:25,209
SHOW.
>> Stephen: WELL, THERE WAS.
IT WAS ON FOR A LONG TIME.

953
00:27:25,211 --> 00:27:25,576
>> Stephen: WELL, THERE WAS.
IT WAS ON FOR A LONG TIME.
>> YEAH.

954
00:27:25,578 --> 00:27:27,778
IT WAS ON FOR A LONG TIME.
>> YEAH.
IT WAS ON FOR 10 YEARS, BUT I

955
00:27:27,780 --> 00:27:29,747
>> YEAH.
IT WAS ON FOR 10 YEARS, BUT I
JUST THOUGHT, THIS COULD GO ON

956
00:27:29,749 --> 00:27:30,114
IT WAS ON FOR 10 YEARS, BUT I
JUST THOUGHT, THIS COULD GO ON
FOREVER.

957
00:27:30,116 --> 00:27:31,248
JUST THOUGHT, THIS COULD GO ON
FOREVER.
>> Stephen: SURE.

958
00:27:31,250 --> 00:27:35,552
FOREVER.
>> Stephen: SURE.
>> THEN I DID AN HBO SHOW CALLED

959
00:27:35,554 --> 00:27:38,255
>> Stephen: SURE.
>> THEN I DID AN HBO SHOW CALLED
"THE COMEBACK," AND I THOUGHT

960
00:27:38,257 --> 00:27:40,858
>> THEN I DID AN HBO SHOW CALLED
"THE COMEBACK," AND I THOUGHT
WELL, THIS CO COULD GO ON FOREV,

961
00:27:40,860 --> 00:27:42,026
"THE COMEBACK," AND I THOUGHT
WELL, THIS CO COULD GO ON FOREV,
AND THEY CANCELED IT.

962
00:27:42,028 --> 00:27:43,327
WELL, THIS CO COULD GO ON FOREV,
AND THEY CANCELED IT.
RIGHT AFTER I SAID THAT, IN

963
00:27:43,329 --> 00:27:45,095
AND THEY CANCELED IT.
RIGHT AFTER I SAID THAT, IN
FACT, THE PHONE RANG

964
00:27:45,097 --> 00:27:45,796
RIGHT AFTER I SAID THAT, IN
FACT, THE PHONE RANG
( LAUGHS ).

965
00:27:45,798 --> 00:27:47,564
FACT, THE PHONE RANG
( LAUGHS ).
>> Stephen: WHEN YOU LEAVE,

966
00:27:47,566 --> 00:27:48,632
( LAUGHS ).
>> Stephen: WHEN YOU LEAVE,
WHEN YOU'RE NO LONGER WITH A

967
00:27:48,634 --> 00:27:49,933
>> Stephen: WHEN YOU LEAVE,
WHEN YOU'RE NO LONGER WITH A
CAST YOU SPEND A LOT OF TIME

968
00:27:49,935 --> 00:27:52,770
WHEN YOU'RE NO LONGER WITH A
CAST YOU SPEND A LOT OF TIME
WITH, IT'S A LITTLE BREAKUP.

969
00:27:52,772 --> 00:27:53,337
CAST YOU SPEND A LOT OF TIME
WITH, IT'S A LITTLE BREAKUP.
THERE'S HEARTBREAK INVOLVED.

970
00:27:53,339 --> 00:27:55,572
WITH, IT'S A LITTLE BREAKUP.
THERE'S HEARTBREAK INVOLVED.
BUT AS I SAID, YOU GUYS HAVE

971
00:27:55,574 --> 00:27:58,509
THERE'S HEARTBREAK INVOLVED.
BUT AS I SAID, YOU GUYS HAVE
STAYED IN TOUCH.

972
00:27:58,511 --> 00:27:59,943
BUT AS I SAID, YOU GUYS HAVE
STAYED IN TOUCH.
IS IT THAT WAY WITH EVERYTHING

973
00:27:59,945 --> 00:28:00,611
STAYED IN TOUCH.
IS IT THAT WAY WITH EVERYTHING
YOU HAVE DONE?

974
00:28:00,613 --> 00:28:02,479
IS IT THAT WAY WITH EVERYTHING
YOU HAVE DONE?
ARE YOU THE SORT OF PERSON WHO

975
00:28:02,481 --> 00:28:05,249
YOU HAVE DONE?
ARE YOU THE SORT OF PERSON WHO
KEEPS UP WITH YOUR COSTARS

976
00:28:05,251 --> 00:28:05,482
ARE YOU THE SORT OF PERSON WHO
KEEPS UP WITH YOUR COSTARS
FOREVER?

977
00:28:05,484 --> 00:28:07,551
KEEPS UP WITH YOUR COSTARS
FOREVER?
>> I DO, SOME.

978
00:28:07,553 --> 00:28:10,521
FOREVER?
>> I DO, SOME.
MYRRH SOR VINO AND I ARE STILL

979
00:28:10,523 --> 00:28:10,988
>> I DO, SOME.
MYRRH SOR VINO AND I ARE STILL
FRIENDS.

980
00:28:10,990 --> 00:28:13,524
MYRRH SOR VINO AND I ARE STILL
FRIENDS.
AND I JUST SAW DIANE KEATON.

981
00:28:13,526 --> 00:28:16,927
FRIENDS.
AND I JUST SAW DIANE KEATON.
SHE DIRECTED ME IN A FILM.

982
00:28:16,929 --> 00:28:19,897
AND I JUST SAW DIANE KEATON.
SHE DIRECTED ME IN A FILM.
BUT SHE DIDN'T LIKE ME AT FIRST.

983
00:28:19,899 --> 00:28:21,432
SHE DIRECTED ME IN A FILM.
BUT SHE DIDN'T LIKE ME AT FIRST.
>> Stephen: SHE CAST YOU IN A

984
00:28:21,434 --> 00:28:22,633
BUT SHE DIDN'T LIKE ME AT FIRST.
>> Stephen: SHE CAST YOU IN A
FILM AND DIDN'T LIKE YOU?

985
00:28:22,635 --> 00:28:24,568
>> Stephen: SHE CAST YOU IN A
FILM AND DIDN'T LIKE YOU?
>> SHE DIDN'T CAST ME.

986
00:28:24,570 --> 00:28:28,939
FILM AND DIDN'T LIKE YOU?
>> SHE DIDN'T CAST ME.
I THINK I WAS JUST SORT OF

987
00:28:28,941 --> 00:28:29,473
>> SHE DIDN'T CAST ME.
I THINK I WAS JUST SORT OF
HOISTED ON HER.

988
00:28:29,475 --> 00:28:30,841
I THINK I WAS JUST SORT OF
HOISTED ON HER.
SO I REMEMBER MEETING HER AND

989
00:28:30,843 --> 00:28:32,843
HOISTED ON HER.
SO I REMEMBER MEETING HER AND
SHE SAID, "YEAH, SO, OKAY, I

990
00:28:32,845 --> 00:28:34,144
SO I REMEMBER MEETING HER AND
SHE SAID, "YEAH, SO, OKAY, I
DON'T KNOW HOW THIS IS GOING TO

991
00:28:34,146 --> 00:28:35,179
SHE SAID, "YEAH, SO, OKAY, I
DON'T KNOW HOW THIS IS GOING TO
GO, YOU KNOW, BECAUSE I THINK

992
00:28:35,181 --> 00:28:38,682
DON'T KNOW HOW THIS IS GOING TO
GO, YOU KNOW, BECAUSE I THINK
WHAT YOU DO IS JUST, LIKE,

993
00:28:38,684 --> 00:28:40,451
GO, YOU KNOW, BECAUSE I THINK
WHAT YOU DO IS JUST, LIKE,
REALLY PRECISE AND I NEED IT TO

994
00:28:40,453 --> 00:28:40,918
WHAT YOU DO IS JUST, LIKE,
REALLY PRECISE AND I NEED IT TO
BE, YOU KNOW, LOOSE.

995
00:28:40,920 --> 00:28:42,886
REALLY PRECISE AND I NEED IT TO
BE, YOU KNOW, LOOSE.
I MEAN, I DON'T KNOW, BUT WE'LL

996
00:28:42,888 --> 00:28:45,089
BE, YOU KNOW, LOOSE.
I MEAN, I DON'T KNOW, BUT WE'LL
SEE, BECAUSE HERE WE ARE.

997
00:28:45,091 --> 00:28:46,490
I MEAN, I DON'T KNOW, BUT WE'LL
SEE, BECAUSE HERE WE ARE.
HERE WE ARE, AND YOU'RE DOING

998
00:28:46,492 --> 00:28:48,292
SEE, BECAUSE HERE WE ARE.
HERE WE ARE, AND YOU'RE DOING
IT.

999
00:28:48,294 --> 00:28:48,926
HERE WE ARE, AND YOU'RE DOING
IT.
YEAH, ANYWAY."

1000
00:28:48,928 --> 00:28:49,293
IT.
YEAH, ANYWAY."
<i> ( LAUGHTER ).</i>

1001
00:28:49,295 --> 00:28:51,729
YEAH, ANYWAY."
<i> ( LAUGHTER ).</i>
>> Stephen: I HAVE INTERVIEWED

1002
00:28:51,731 --> 00:28:53,564
<i> ( LAUGHTER ).</i>
>> Stephen: I HAVE INTERVIEWED
DIANE KEATON, AND THAT IS A VERY

1003
00:28:53,566 --> 00:28:55,165
>> Stephen: I HAVE INTERVIEWED
DIANE KEATON, AND THAT IS A VERY
GOOD DIANE KEATON.

1004
00:28:55,167 --> 00:28:58,001
DIANE KEATON, AND THAT IS A VERY
GOOD DIANE KEATON.
AND LET ME TELL YOU, WHEN

1005
00:28:58,003 --> 00:28:58,736
GOOD DIANE KEATON.
AND LET ME TELL YOU, WHEN
INTERVIEWING DIANE KEATON, YOU

1006
00:28:58,738 --> 00:28:59,570
AND LET ME TELL YOU, WHEN
INTERVIEWING DIANE KEATON, YOU
DON'T KNOW.

1007
00:28:59,572 --> 00:29:00,270
INTERVIEWING DIANE KEATON, YOU
DON'T KNOW.
YOU DON'T KNOW.

1008
00:29:00,272 --> 00:29:01,872
DON'T KNOW.
YOU DON'T KNOW.
ANYTHING COULD HAPPEN.

1009
00:29:01,874 --> 00:29:02,439
YOU DON'T KNOW.
ANYTHING COULD HAPPEN.
>> ANYTHING.

1010
00:29:02,441 --> 00:29:03,340
ANYTHING COULD HAPPEN.
>> ANYTHING.
>> Stephen: SO WE'LL SEE.

1011
00:29:03,342 --> 00:29:06,076
>> ANYTHING.
>> Stephen: SO WE'LL SEE.
>> AND SHE SAID, "SO WE'LL SEE.

1012
00:29:06,078 --> 00:29:07,911
>> Stephen: SO WE'LL SEE.
>> AND SHE SAID, "SO WE'LL SEE.
LISTEN, GUESS WHAT?

1013
00:29:07,913 --> 00:29:08,679
>> AND SHE SAID, "SO WE'LL SEE.
LISTEN, GUESS WHAT?
WE'LL SEE."

1014
00:29:08,681 --> 00:29:10,581
LISTEN, GUESS WHAT?
WE'LL SEE."
BUT YEAH SO I JUST SAW HER

1015
00:29:10,583 --> 00:29:11,982
WE'LL SEE."
BUT YEAH SO I JUST SAW HER
RECENTLY, AND I SAID, "YOU

1016
00:29:11,984 --> 00:29:14,518
BUT YEAH SO I JUST SAW HER
RECENTLY, AND I SAID, "YOU
DIDN'T LIKE ME AT ALL, RIGHT?

1017
00:29:14,520 --> 00:29:17,654
RECENTLY, AND I SAID, "YOU
DIDN'T LIKE ME AT ALL, RIGHT?
YOU DIDN'T WANT-- WANT--" I

1018
00:29:17,656 --> 00:29:18,622
DIDN'T LIKE ME AT ALL, RIGHT?
YOU DIDN'T WANT-- WANT--" I
NEVER ASKED HER BEFORE.

1019
00:29:18,624 --> 00:29:20,958
YOU DIDN'T WANT-- WANT--" I
NEVER ASKED HER BEFORE.
I SAID, "YOU DIDN'T WANT ME IN

1020
00:29:20,960 --> 00:29:21,658
NEVER ASKED HER BEFORE.
I SAID, "YOU DIDN'T WANT ME IN
THAT PART."

1021
00:29:21,660 --> 00:29:23,527
I SAID, "YOU DIDN'T WANT ME IN
THAT PART."
SHE SAID, "NO, I DIDN'T.

1022
00:29:23,529 --> 00:29:25,696
THAT PART."
SHE SAID, "NO, I DIDN'T.
BUT I DIDN'T HAVE A CHOICE."

1023
00:29:25,698 --> 00:29:26,764
SHE SAID, "NO, I DIDN'T.
BUT I DIDN'T HAVE A CHOICE."
>> Stephen: THAT IS THE BASIS

1024
00:29:26,766 --> 00:29:28,665
BUT I DIDN'T HAVE A CHOICE."
>> Stephen: THAT IS THE BASIS
FOR A FIRM FRIENDSHIP.

1025
00:29:28,667 --> 00:29:31,368
>> Stephen: THAT IS THE BASIS
FOR A FIRM FRIENDSHIP.
NOW YOU'VE GOT A NEW-- A WHOLE

1026
00:29:31,370 --> 00:29:32,636
FOR A FIRM FRIENDSHIP.
NOW YOU'VE GOT A NEW-- A WHOLE
NEW GROUP OF PEOPLE TO KEEP UP

1027
00:29:32,638 --> 00:29:33,737
NOW YOU'VE GOT A NEW-- A WHOLE
NEW GROUP OF PEOPLE TO KEEP UP
WITH FOR THE REST OF YOUR LIFE.

1028
00:29:33,739 --> 00:29:36,840
NEW GROUP OF PEOPLE TO KEEP UP
WITH FOR THE REST OF YOUR LIFE.
YOU'RE DOING A NEW ANIMATED

1029
00:29:36,842 --> 00:29:37,441
WITH FOR THE REST OF YOUR LIFE.
YOU'RE DOING A NEW ANIMATED
SERIES CALLED "HOUSEBROKEN."

1030
00:29:37,443 --> 00:29:40,577
YOU'RE DOING A NEW ANIMATED
SERIES CALLED "HOUSEBROKEN."
YOU PLAY THE CHARACTER HONEY,

1031
00:29:40,579 --> 00:29:41,178
SERIES CALLED "HOUSEBROKEN."
YOU PLAY THE CHARACTER HONEY,
THE HOUSEBROKEN POODLE.

1032
00:29:41,180 --> 00:29:43,380
YOU PLAY THE CHARACTER HONEY,
THE HOUSEBROKEN POODLE.
ONE IMAGINES THIS POODLE IS

1033
00:29:43,382 --> 00:29:43,680
THE HOUSEBROKEN POODLE.
ONE IMAGINES THIS POODLE IS
HOUSEBROKEN.

1034
00:29:43,682 --> 00:29:44,081
ONE IMAGINES THIS POODLE IS
HOUSEBROKEN.
>> YEAH.

1035
00:29:44,083 --> 00:29:45,816
HOUSEBROKEN.
>> YEAH.
>> Stephen: HOW-- TELL ME--

1036
00:29:45,818 --> 00:29:46,884
>> YEAH.
>> Stephen: HOW-- TELL ME--
TELL ME ABOUT HONEY.

1037
00:29:46,886 --> 00:29:48,619
>> Stephen: HOW-- TELL ME--
TELL ME ABOUT HONEY.
TELL ME ABOUT PLAYING THE

1038
00:29:48,621 --> 00:29:48,852
TELL ME ABOUT HONEY.
TELL ME ABOUT PLAYING THE
POODLE.

1039
00:29:48,854 --> 00:29:49,586
TELL ME ABOUT PLAYING THE
POODLE.
DO YOU HAVE A DOG YOURSELF?

1040
00:29:49,588 --> 00:29:53,557
POODLE.
DO YOU HAVE A DOG YOURSELF?
>> I DO.

1041
00:29:53,559 --> 00:29:54,825
DO YOU HAVE A DOG YOURSELF?
>> I DO.
IT'S A MALTI-POO.

1042
00:29:54,827 --> 00:29:56,160
>> I DO.
IT'S A MALTI-POO.
THAT'S A STANDARD POODLE.

1043
00:29:56,162 --> 00:29:57,795
IT'S A MALTI-POO.
THAT'S A STANDARD POODLE.
THEY'RE VERY SMART AND ELEGANT

1044
00:29:57,797 --> 00:29:58,295
THAT'S A STANDARD POODLE.
THEY'RE VERY SMART AND ELEGANT
AND SOPHISTICATE.

1045
00:29:58,297 --> 00:30:01,098
THEY'RE VERY SMART AND ELEGANT
AND SOPHISTICATE.
SO I TOOK TO IT LIKE A FISH TO

1046
00:30:01,100 --> 00:30:01,298
AND SOPHISTICATE.
SO I TOOK TO IT LIKE A FISH TO
WATER.

1047
00:30:01,300 --> 00:30:01,865
SO I TOOK TO IT LIKE A FISH TO
WATER.
>> Stephen: IT WAS LOVELY TO

1048
00:30:01,867 --> 00:30:02,432
WATER.
>> Stephen: IT WAS LOVELY TO
SEE YOU, LISA.

1049
00:30:02,434 --> 00:30:05,202
>> Stephen: IT WAS LOVELY TO
SEE YOU, LISA.
>> THANK YOU FOR BEING HERE.

1050
00:30:05,204 --> 00:30:09,673
SEE YOU, LISA.
>> THANK YOU FOR BEING HERE.
>> THANKS FOR HAVING ME ON.

1051
00:30:09,675 --> 00:30:10,240
>> THANK YOU FOR BEING HERE.
>> THANKS FOR HAVING ME ON.
>> Stephen: "HOUSEBROKEN"

1052
00:30:10,242 --> 00:30:10,741
>> THANKS FOR HAVING ME ON.
>> Stephen: "HOUSEBROKEN"
PREMIERES MAY 31 ON FOX.

1053
00:30:10,743 --> 00:30:12,709
>> Stephen: "HOUSEBROKEN"
PREMIERES MAY 31 ON FOX.
LISA KUDROW, EVERYBODY!

1054
00:30:12,711 --> 00:30:14,511
PREMIERES MAY 31 ON FOX.
LISA KUDROW, EVERYBODY!
WE'LL BE RIGHT BACK WITH AUTHOR

1055
00:30:14,513 --> 00:30:15,779
LISA KUDROW, EVERYBODY!
WE'LL BE RIGHT BACK WITH AUTHOR
AND ACTIVIST TAMIKA D. MALLORY.

1056
00:30:17,081 --> 00:30:17,514
♪ ♪ ♪

1057
00:30:28,526 --> 00:30:33,263
♪ ♪ ♪
>> Stephen: WELCOME BACK,
EVERYBODY.

1058
00:30:33,265 --> 00:30:34,097
>> Stephen: WELCOME BACK,
EVERYBODY.
MY NEXT GUEST IS A CIVIL RIGHTS

1059
00:30:34,099 --> 00:30:35,632
EVERYBODY.
MY NEXT GUEST IS A CIVIL RIGHTS
ACTIVIST, COFOUNDER OF "UNTIL

1060
00:30:35,634 --> 00:30:36,300
MY NEXT GUEST IS A CIVIL RIGHTS
ACTIVIST, COFOUNDER OF "UNTIL
FREEDOM," AND AN AUTHOR.

1061
00:30:36,302 --> 00:30:36,934
ACTIVIST, COFOUNDER OF "UNTIL
FREEDOM," AND AN AUTHOR.
HER NEW BOOK IS CALLED "STATE OF

1062
00:30:36,936 --> 00:30:38,902
FREEDOM," AND AN AUTHOR.
HER NEW BOOK IS CALLED "STATE OF
EMERGENCY."

1063
00:30:38,904 --> 00:30:40,470
HER NEW BOOK IS CALLED "STATE OF
EMERGENCY."
PLEASE WELCOME TO "A LATE SHOW,"

1064
00:30:40,472 --> 00:30:41,371
EMERGENCY."
PLEASE WELCOME TO "A LATE SHOW,"
TAMIKA D. MALLORY!

1065
00:30:41,373 --> 00:30:42,873
PLEASE WELCOME TO "A LATE SHOW,"
TAMIKA D. MALLORY!
TAMIKA, THANKS SO MUCH FOR BEING

1066
00:30:42,875 --> 00:30:43,073
TAMIKA D. MALLORY!
TAMIKA, THANKS SO MUCH FOR BEING
HERE.

1067
00:30:43,075 --> 00:30:44,775
TAMIKA, THANKS SO MUCH FOR BEING
HERE.
>> THANK YOU SO MUCH FOR HAVING

1068
00:30:44,777 --> 00:30:45,375
HERE.
>> THANK YOU SO MUCH FOR HAVING
ME, STEPHEN.

1069
00:30:45,377 --> 00:30:46,376
>> THANK YOU SO MUCH FOR HAVING
ME, STEPHEN.
I APPRECIATE IT.

1070
00:30:46,378 --> 00:30:48,378
ME, STEPHEN.
I APPRECIATE IT.
>> Stephen: NOW, IN THE WAKE

1071
00:30:48,380 --> 00:30:51,215
I APPRECIATE IT.
>> Stephen: NOW, IN THE WAKE
OF GEORGE FLOYD'S MURDER LAST

1072
00:30:51,217 --> 00:30:54,151
>> Stephen: NOW, IN THE WAKE
OF GEORGE FLOYD'S MURDER LAST
YEAR, YOU SPOKE AT A MINNEAPOLIS

1073
00:30:54,153 --> 00:30:55,319
OF GEORGE FLOYD'S MURDER LAST
YEAR, YOU SPOKE AT A MINNEAPOLIS
PRESS CONFERENCE, AND WHEN YOU

1074
00:30:55,321 --> 00:30:59,256
YEAR, YOU SPOKE AT A MINNEAPOLIS
PRESS CONFERENCE, AND WHEN YOU
GOT UP TO THE MIC, YOU GAVE A

1075
00:30:59,258 --> 00:31:00,390
PRESS CONFERENCE, AND WHEN YOU
GOT UP TO THE MIC, YOU GAVE A
SPEECH THAT HAS BEEN CALLED THE

1076
00:31:00,392 --> 00:31:03,026
GOT UP TO THE MIC, YOU GAVE A
SPEECH THAT HAS BEEN CALLED THE
SPEECH OF A GENERATION.

1077
00:31:03,028 --> 00:31:04,461
SPEECH THAT HAS BEEN CALLED THE
SPEECH OF A GENERATION.
I RECENTLY FOUND OUT THAT YOU

1078
00:31:04,463 --> 00:31:06,697
SPEECH OF A GENERATION.
I RECENTLY FOUND OUT THAT YOU
DID NOT PREPARE THAT AHEAD OF

1079
00:31:06,699 --> 00:31:06,897
I RECENTLY FOUND OUT THAT YOU
DID NOT PREPARE THAT AHEAD OF
TIME.

1080
00:31:06,899 --> 00:31:07,564
DID NOT PREPARE THAT AHEAD OF
TIME.
IS IT TRUE THAT YOU WERE JUST

1081
00:31:07,566 --> 00:31:09,299
TIME.
IS IT TRUE THAT YOU WERE JUST
SPEAKING FROM THE HEART IN THAT

1082
00:31:09,301 --> 00:31:09,533
IS IT TRUE THAT YOU WERE JUST
SPEAKING FROM THE HEART IN THAT
MOMENT?

1083
00:31:09,535 --> 00:31:09,933
SPEAKING FROM THE HEART IN THAT
MOMENT?
>> YES.

1084
00:31:09,935 --> 00:31:12,803
MOMENT?
>> YES.
I DIDN'T HAVE TIME TO REALLY

1085
00:31:12,805 --> 00:31:13,036
>> YES.
I DIDN'T HAVE TIME TO REALLY
PREPARE.

1086
00:31:13,038 --> 00:31:14,705
I DIDN'T HAVE TIME TO REALLY
PREPARE.
YOU KNOW, THE NIGHT BEFORE WE

1087
00:31:14,707 --> 00:31:16,273
PREPARE.
YOU KNOW, THE NIGHT BEFORE WE
WERE AT A PROTEST, AND IT WAS

1088
00:31:16,275 --> 00:31:19,409
YOU KNOW, THE NIGHT BEFORE WE
WERE AT A PROTEST, AND IT WAS
REALLY LATE, AND THERE WAS A LOT

1089
00:31:19,411 --> 00:31:20,844
WERE AT A PROTEST, AND IT WAS
REALLY LATE, AND THERE WAS A LOT
HAPPENING AS AMERICA AND OTHERS

1090
00:31:20,846 --> 00:31:22,946
REALLY LATE, AND THERE WAS A LOT
HAPPENING AS AMERICA AND OTHERS
WATCHED FROM AROUND THE WORLD.

1091
00:31:22,948 --> 00:31:24,715
HAPPENING AS AMERICA AND OTHERS
WATCHED FROM AROUND THE WORLD.
SO I WENT HOME, WENT TO THE

1092
00:31:24,717 --> 00:31:25,048
WATCHED FROM AROUND THE WORLD.
SO I WENT HOME, WENT TO THE
HOTEL.

1093
00:31:25,050 --> 00:31:26,149
SO I WENT HOME, WENT TO THE
HOTEL.
I FELL ASLEEP AND I WOKE UP THE

1094
00:31:26,151 --> 00:31:27,417
HOTEL.
I FELL ASLEEP AND I WOKE UP THE
NEXT MORNING AND I WAS TOLD TO

1095
00:31:27,419 --> 00:31:29,853
I FELL ASLEEP AND I WOKE UP THE
NEXT MORNING AND I WAS TOLD TO
GET TO A PRESS CONFERENCE.

1096
00:31:29,855 --> 00:31:31,255
NEXT MORNING AND I WAS TOLD TO
GET TO A PRESS CONFERENCE.
AND I, YOU KNOW, STARTED

1097
00:31:31,257 --> 00:31:32,456
GET TO A PRESS CONFERENCE.
AND I, YOU KNOW, STARTED
SPEAKING WITHOUT HAVING ANY

1098
00:31:32,458 --> 00:31:33,457
AND I, YOU KNOW, STARTED
SPEAKING WITHOUT HAVING ANY
NOTES, WHICH I USUALLY DO.

1099
00:31:33,459 --> 00:31:35,292
SPEAKING WITHOUT HAVING ANY
NOTES, WHICH I USUALLY DO.
AND I WAS PRETTY MUCH JUST

1100
00:31:35,294 --> 00:31:37,527
NOTES, WHICH I USUALLY DO.
AND I WAS PRETTY MUCH JUST
SPEAKING FROM MY HEART.

1101
00:31:37,529 --> 00:31:40,464
AND I WAS PRETTY MUCH JUST
SPEAKING FROM MY HEART.
>> Stephen: YOU... YOU ARE A

1102
00:31:40,466 --> 00:31:42,566
SPEAKING FROM MY HEART.
>> Stephen: YOU... YOU ARE A
PROMINENT MEMBER OF THE

1103
00:31:42,568 --> 00:31:44,468
>> Stephen: YOU... YOU ARE A
PROMINENT MEMBER OF THE
PRESIDENT'S CIVIL RIGHTS

1104
00:31:44,470 --> 00:31:46,303
PROMINENT MEMBER OF THE
PRESIDENT'S CIVIL RIGHTS
MOVEMENT IN THE UNITED STATES.

1105
00:31:46,305 --> 00:31:48,472
PRESIDENT'S CIVIL RIGHTS
MOVEMENT IN THE UNITED STATES.
AND NOW WE'RE SEEING A VERY

1106
00:31:48,474 --> 00:31:49,539
MOVEMENT IN THE UNITED STATES.
AND NOW WE'RE SEEING A VERY
INTERESTING PHENOMENON, WHICH IS

1107
00:31:49,541 --> 00:31:53,443
AND NOW WE'RE SEEING A VERY
INTERESTING PHENOMENON, WHICH IS
THE RISE OF DECENTRALIZED

1108
00:31:53,445 --> 00:31:54,811
INTERESTING PHENOMENON, WHICH IS
THE RISE OF DECENTRALIZED
PROTESTS, DECENTRALIZED CIVIL

1109
00:31:54,813 --> 00:31:55,545
THE RISE OF DECENTRALIZED
PROTESTS, DECENTRALIZED CIVIL
RIGHTS MOVEMENT.

1110
00:31:55,547 --> 00:31:59,283
PROTESTS, DECENTRALIZED CIVIL
RIGHTS MOVEMENT.
HOW DO THOSE COMPARE WITH THE--

1111
00:31:59,285 --> 00:32:00,417
RIGHTS MOVEMENT.
HOW DO THOSE COMPARE WITH THE--
SORT OF THE CENTRALIZED,

1112
00:32:00,419 --> 00:32:01,852
HOW DO THOSE COMPARE WITH THE--
SORT OF THE CENTRALIZED,
SINGLE-LEADER MOVEMENTS OF THE

1113
00:32:01,854 --> 00:32:03,487
SORT OF THE CENTRALIZED,
SINGLE-LEADER MOVEMENTS OF THE
1950s AND THE 1960s?

1114
00:32:03,489 --> 00:32:05,322
SINGLE-LEADER MOVEMENTS OF THE
1950s AND THE 1960s?
WHAT IS THE DIFFERENCE, IN YOUR

1115
00:32:05,324 --> 00:32:05,622
1950s AND THE 1960s?
WHAT IS THE DIFFERENCE, IN YOUR
MIND?

1116
00:32:05,624 --> 00:32:08,458
WHAT IS THE DIFFERENCE, IN YOUR
MIND?
>> WELL, I MEAN, I THINK WE

1117
00:32:08,460 --> 00:32:10,928
MIND?
>> WELL, I MEAN, I THINK WE
STILL APPRECIATE THE HISTORY OF

1118
00:32:10,930 --> 00:32:11,762
>> WELL, I MEAN, I THINK WE
STILL APPRECIATE THE HISTORY OF
CIVIL RIGHTS AND, YOU KNOW,

1119
00:32:11,764 --> 00:32:13,530
STILL APPRECIATE THE HISTORY OF
CIVIL RIGHTS AND, YOU KNOW,
THERE WILL ALWAYS BE A PASSING

1120
00:32:13,532 --> 00:32:16,433
CIVIL RIGHTS AND, YOU KNOW,
THERE WILL ALWAYS BE A PASSING
OF THE BATON AND SORT OF AN

1121
00:32:16,435 --> 00:32:18,869
THERE WILL ALWAYS BE A PASSING
OF THE BATON AND SORT OF AN
EVOLUTION OF HOW PEOPLE FIGHT.

1122
00:32:18,871 --> 00:32:21,571
OF THE BATON AND SORT OF AN
EVOLUTION OF HOW PEOPLE FIGHT.
AND WHAT WE'RE SEEING NOW THAT I

1123
00:32:21,573 --> 00:32:22,906
EVOLUTION OF HOW PEOPLE FIGHT.
AND WHAT WE'RE SEEING NOW THAT I
THINK IS ACTUALLY PHENOMENAL IS

1124
00:32:22,908 --> 00:32:25,542
AND WHAT WE'RE SEEING NOW THAT I
THINK IS ACTUALLY PHENOMENAL IS
THE ROLE OF WOMEN BEING

1125
00:32:25,544 --> 00:32:25,876
THINK IS ACTUALLY PHENOMENAL IS
THE ROLE OF WOMEN BEING
ACKNOWLEDGED.

1126
00:32:25,878 --> 00:32:27,477
THE ROLE OF WOMEN BEING
ACKNOWLEDGED.
IN THE PAST, WOMEN WERE

1127
00:32:27,479 --> 00:32:28,045
ACKNOWLEDGED.
IN THE PAST, WOMEN WERE
CERTAINLY IN THE BACKGROUND,

1128
00:32:28,047 --> 00:32:35,752
IN THE PAST, WOMEN WERE
CERTAINLY IN THE BACKGROUND,
HOPING TO MAKE THINGS HAPPEN.

1129
00:32:35,754 --> 00:32:36,787
CERTAINLY IN THE BACKGROUND,
HOPING TO MAKE THINGS HAPPEN.
DR. KING... AND OTHER WOMEN, BUT

1130
00:32:36,789 --> 00:32:38,322
HOPING TO MAKE THINGS HAPPEN.
DR. KING... AND OTHER WOMEN, BUT
TODAY WE'RE BEGINNING TO SEE A

1131
00:32:38,324 --> 00:32:39,356
DR. KING... AND OTHER WOMEN, BUT
TODAY WE'RE BEGINNING TO SEE A
FOCUS ON WOMEN'S LEADERSHIP.

1132
00:32:39,358 --> 00:32:41,224
TODAY WE'RE BEGINNING TO SEE A
FOCUS ON WOMEN'S LEADERSHIP.
AND I PERSONALLY TRIED MY BEST

1133
00:32:41,226 --> 00:32:42,893
FOCUS ON WOMEN'S LEADERSHIP.
AND I PERSONALLY TRIED MY BEST
TO MAKE SURE THAT THE MEN WHO

1134
00:32:42,895 --> 00:32:46,897
AND I PERSONALLY TRIED MY BEST
TO MAKE SURE THAT THE MEN WHO
ARE WORKING WITH ME ARE ALSO

1135
00:32:46,899 --> 00:32:48,165
TO MAKE SURE THAT THE MEN WHO
ARE WORKING WITH ME ARE ALSO
UPLIFTED, AND THAT IT IS NOT SO

1136
00:32:48,167 --> 00:32:49,533
ARE WORKING WITH ME ARE ALSO
UPLIFTED, AND THAT IT IS NOT SO
MUCH A SEPARATION TWO OF THE BUT

1137
00:32:49,535 --> 00:32:51,201
UPLIFTED, AND THAT IT IS NOT SO
MUCH A SEPARATION TWO OF THE BUT
THAT WE ARE ALL IN THE SPACE

1138
00:32:51,203 --> 00:32:51,535
MUCH A SEPARATION TWO OF THE BUT
THAT WE ARE ALL IN THE SPACE
TOGETHER.

1139
00:32:51,537 --> 00:32:53,971
THAT WE ARE ALL IN THE SPACE
TOGETHER.
AND I THINK WHAT MAKES IT REALLY

1140
00:32:53,973 --> 00:32:58,775
TOGETHER.
AND I THINK WHAT MAKES IT REALLY
POWERFUL IS THAT IT'S MUCH MORE

1141
00:32:58,777 --> 00:33:00,344
AND I THINK WHAT MAKES IT REALLY
POWERFUL IS THAT IT'S MUCH MORE
DIFFICULT TO BE TARGETED BY

1142
00:33:00,346 --> 00:33:04,915
POWERFUL IS THAT IT'S MUCH MORE
DIFFICULT TO BE TARGETED BY
THOSE AUTHORITIES, IF YOU WILL,

1143
00:33:04,917 --> 00:33:05,816
DIFFICULT TO BE TARGETED BY
THOSE AUTHORITIES, IF YOU WILL,
OR THOSE OUTSIDE FORCES THAT

1144
00:33:05,818 --> 00:33:07,551
THOSE AUTHORITIES, IF YOU WILL,
OR THOSE OUTSIDE FORCES THAT
WILL TRY TO STOP YOU.

1145
00:33:07,553 --> 00:33:09,486
OR THOSE OUTSIDE FORCES THAT
WILL TRY TO STOP YOU.
SO THE DECENTRALIZED MOVEMENT

1146
00:33:09,488 --> 00:33:11,021
WILL TRY TO STOP YOU.
SO THE DECENTRALIZED MOVEMENT
GIVES AN OPPORTUNITY FOR MORE

1147
00:33:11,023 --> 00:33:12,122
SO THE DECENTRALIZED MOVEMENT
GIVES AN OPPORTUNITY FOR MORE
PEOPLE TO BE INVOLVED AND LESS

1148
00:33:12,124 --> 00:33:14,558
GIVES AN OPPORTUNITY FOR MORE
PEOPLE TO BE INVOLVED AND LESS
OF ONE PERSON HAVING ALL THE

1149
00:33:14,560 --> 00:33:15,492
PEOPLE TO BE INVOLVED AND LESS
OF ONE PERSON HAVING ALL THE
STRENGTH OF EVERYTHING THAT GOES

1150
00:33:15,494 --> 00:33:16,760
OF ONE PERSON HAVING ALL THE
STRENGTH OF EVERYTHING THAT GOES
ALONG, OR THE WEIGHT THAT GOES

1151
00:33:16,762 --> 00:33:17,594
STRENGTH OF EVERYTHING THAT GOES
ALONG, OR THE WEIGHT THAT GOES
ALONG WITH THE MOVEMENT.

1152
00:33:17,596 --> 00:33:19,429
ALONG, OR THE WEIGHT THAT GOES
ALONG WITH THE MOVEMENT.
>> Stephen: DOES SOCIAL MEDIA

1153
00:33:19,431 --> 00:33:20,530
ALONG WITH THE MOVEMENT.
>> Stephen: DOES SOCIAL MEDIA
HELP IN THE DECENTRALIZATION OF

1154
00:33:20,532 --> 00:33:22,766
>> Stephen: DOES SOCIAL MEDIA
HELP IN THE DECENTRALIZATION OF
A MOVEMENT LIKE THIS?

1155
00:33:22,768 --> 00:33:24,001
HELP IN THE DECENTRALIZATION OF
A MOVEMENT LIKE THIS?
>> ABSOLUTELY.

1156
00:33:24,003 --> 00:33:25,102
A MOVEMENT LIKE THIS?
>> ABSOLUTELY.
SOCIAL MEDIA PROVIDES AN

1157
00:33:25,104 --> 00:33:27,337
>> ABSOLUTELY.
SOCIAL MEDIA PROVIDES AN
OPPORTUNITY FOR PEOPLE ON ONE

1158
00:33:27,339 --> 00:33:29,773
SOCIAL MEDIA PROVIDES AN
OPPORTUNITY FOR PEOPLE ON ONE
SIDE OF THE COUNTRY TO SPEAK TO

1159
00:33:29,775 --> 00:33:30,640
OPPORTUNITY FOR PEOPLE ON ONE
SIDE OF THE COUNTRY TO SPEAK TO
PEOPLE ON ANOTHER SIDE.

1160
00:33:30,642 --> 00:33:32,442
SIDE OF THE COUNTRY TO SPEAK TO
PEOPLE ON ANOTHER SIDE.
I MEAN, WHEN I THINK ABOUT JUST

1161
00:33:32,444 --> 00:33:34,878
PEOPLE ON ANOTHER SIDE.
I MEAN, WHEN I THINK ABOUT JUST
WHAT HAPPENED WITH THE PROTESTS

1162
00:33:34,880 --> 00:33:36,313
I MEAN, WHEN I THINK ABOUT JUST
WHAT HAPPENED WITH THE PROTESTS
IN FERGUSON STARTING, AND YOU

1163
00:33:36,315 --> 00:33:39,383
WHAT HAPPENED WITH THE PROTESTS
IN FERGUSON STARTING, AND YOU
HAD KIDS IN PLACES LIKE IRAQ

1164
00:33:39,385 --> 00:33:40,450
IN FERGUSON STARTING, AND YOU
HAD KIDS IN PLACES LIKE IRAQ
SENDING OVER INFORMATION ABOUT

1165
00:33:40,452 --> 00:33:44,454
HAD KIDS IN PLACES LIKE IRAQ
SENDING OVER INFORMATION ABOUT
HOW TO USE MILK IN YOUR EYES IN

1166
00:33:44,456 --> 00:33:47,824
SENDING OVER INFORMATION ABOUT
HOW TO USE MILK IN YOUR EYES IN
CASE THERE IS, YOU KNOW, PEPPER

1167
00:33:47,826 --> 00:33:48,091
HOW TO USE MILK IN YOUR EYES IN
CASE THERE IS, YOU KNOW, PEPPER
SPRAYING.

1168
00:33:48,093 --> 00:33:50,160
CASE THERE IS, YOU KNOW, PEPPER
SPRAYING.
AND THOSE TACTICS WERE ACTUALLY

1169
00:33:50,162 --> 00:33:50,360
SPRAYING.
AND THOSE TACTICS WERE ACTUALLY
USED.

1170
00:33:50,362 --> 00:33:52,896
AND THOSE TACTICS WERE ACTUALLY
USED.
THEY SHARED RESOURCES ACROSS THE

1171
00:33:52,898 --> 00:33:55,499
USED.
THEY SHARED RESOURCES ACROSS THE
WORLD WITH OTHER YOUNG PEOPLE.

1172
00:33:55,501 --> 00:33:57,467
THEY SHARED RESOURCES ACROSS THE
WORLD WITH OTHER YOUNG PEOPLE.
AND, YOU KNOW, FOR SOME, THEY

1173
00:33:57,469 --> 00:33:59,870
WORLD WITH OTHER YOUNG PEOPLE.
AND, YOU KNOW, FOR SOME, THEY
MAY NOT UNDERSTAND THE

1174
00:33:59,872 --> 00:34:00,904
AND, YOU KNOW, FOR SOME, THEY
MAY NOT UNDERSTAND THE
IMPORTANCE OF KIDS, ESPECIALLY

1175
00:34:00,906 --> 00:34:04,474
MAY NOT UNDERSTAND THE
IMPORTANCE OF KIDS, ESPECIALLY
YOUNG PEOPLE WHO REALLY ARE

1176
00:34:04,476 --> 00:34:06,810
IMPORTANCE OF KIDS, ESPECIALLY
YOUNG PEOPLE WHO REALLY ARE
CATCHING SORT OF THE FLACK OR

1177
00:34:06,812 --> 00:34:08,445
YOUNG PEOPLE WHO REALLY ARE
CATCHING SORT OF THE FLACK OR
DEALING WITH GROWN FOLKS MAKING

1178
00:34:08,447 --> 00:34:09,946
CATCHING SORT OF THE FLACK OR
DEALING WITH GROWN FOLKS MAKING
DECISIONS THAT IMPACT THEIR

1179
00:34:09,948 --> 00:34:10,147
DEALING WITH GROWN FOLKS MAKING
DECISIONS THAT IMPACT THEIR
LIVES.

1180
00:34:10,149 --> 00:34:11,681
DECISIONS THAT IMPACT THEIR
LIVES.
THEY'RE NOT THE CAUSE OF WHAT WE

1181
00:34:11,683 --> 00:34:12,449
LIVES.
THEY'RE NOT THE CAUSE OF WHAT WE
SEE HAPPENING.

1182
00:34:12,451 --> 00:34:13,784
THEY'RE NOT THE CAUSE OF WHAT WE
SEE HAPPENING.
IT'S REALLY GOVERNMENT AND

1183
00:34:13,786 --> 00:34:15,719
SEE HAPPENING.
IT'S REALLY GOVERNMENT AND
ADULTS WHO CREATE THESE

1184
00:34:15,721 --> 00:34:16,053
IT'S REALLY GOVERNMENT AND
ADULTS WHO CREATE THESE
CIRCUMSTANCES.

1185
00:34:16,055 --> 00:34:18,688
ADULTS WHO CREATE THESE
CIRCUMSTANCES.
BUT, YET, THESE YOUNG PEOPLE ARE

1186
00:34:18,690 --> 00:34:20,190
CIRCUMSTANCES.
BUT, YET, THESE YOUNG PEOPLE ARE
USING RESOURCES TO CONNECT WITH

1187
00:34:20,192 --> 00:34:22,125
BUT, YET, THESE YOUNG PEOPLE ARE
USING RESOURCES TO CONNECT WITH
ONE ANOTHER AND SPREAD KNOW--

1188
00:34:22,127 --> 00:34:23,994
USING RESOURCES TO CONNECT WITH
ONE ANOTHER AND SPREAD KNOW--
AND SPREAD THESE MOVEMENTS FAR

1189
00:34:23,996 --> 00:34:24,461
ONE ANOTHER AND SPREAD KNOW--
AND SPREAD THESE MOVEMENTS FAR
AND WIDE.

1190
00:34:24,463 --> 00:34:25,562
AND SPREAD THESE MOVEMENTS FAR
AND WIDE.
>> Stephen: WE HAVE TO TAKE A

1191
00:34:25,564 --> 00:34:26,229
AND WIDE.
>> Stephen: WE HAVE TO TAKE A
QUICK BREAK.

1192
00:34:26,231 --> 00:34:31,568
>> Stephen: WE HAVE TO TAKE A
QUICK BREAK.
WE'LL BE RIGHT BACK WITH MORE

1193
00:34:31,570 --> 00:34:31,835
QUICK BREAK.
WE'LL BE RIGHT BACK WITH MORE
TAMIKA D

1194
00:34:38,743 --> 00:34:45,782
♪ ♪ ♪

1195
00:34:51,622 --> 00:34:57,794
>> AND NOW, WHAT IF MARJORIE
TAYLOR GREEN'S WHAT ABOUT-ISMS
WERE THE EXACT FREQUENCY OF A

1196
00:34:57,796 --> 00:35:00,564
TAYLOR GREEN'S WHAT ABOUT-ISMS
WERE THE EXACT FREQUENCY OF A
LLAMA'S MATING CALL.

1197
00:35:00,566 --> 00:35:01,465
WERE THE EXACT FREQUENCY OF A
LLAMA'S MATING CALL.
>> MR. SPEAKER, RISE IN

1198
00:35:01,467 --> 00:35:02,632
LLAMA'S MATING CALL.
>> MR. SPEAKER, RISE IN
OPPOSITION TO THE COMMISSION TO

1199
00:35:02,634 --> 00:35:04,134
>> MR. SPEAKER, RISE IN
OPPOSITION TO THE COMMISSION TO
STUDY THE EVENTS OF JANUARY 6.

1200
00:35:04,136 --> 00:35:06,369
OPPOSITION TO THE COMMISSION TO
STUDY THE EVENTS OF JANUARY 6.
WHAT ABOUT ALL THE RIOTS THAT

1201
00:35:06,371 --> 00:35:08,438
STUDY THE EVENTS OF JANUARY 6.
WHAT ABOUT ALL THE RIOTS THAT
HAPPENED DURING THE SUMMER OF

1202
00:35:08,440 --> 00:35:08,638
WHAT ABOUT ALL THE RIOTS THAT
HAPPENED DURING THE SUMMER OF
2020?

1203
00:35:08,640 --> 00:35:09,806
HAPPENED DURING THE SUMMER OF
2020?
WHAT ABOUT ALL THE DAMAGE CAUSED

1204
00:35:09,808 --> 00:35:14,377
2020?
WHAT ABOUT ALL THE DAMAGE CAUSED
TO FEDERAL BUILDINGS, CHURCHES,

1205
00:35:14,379 --> 00:35:15,712
WHAT ABOUT ALL THE DAMAGE CAUSED
TO FEDERAL BUILDINGS, CHURCHES,
PEOPLE'S BUSINESSES?

1206
00:35:15,714 --> 00:35:19,382
TO FEDERAL BUILDINGS, CHURCHES,
PEOPLE'S BUSINESSES?
B.L.M. AND ANTIFA ESTABLISHED AN

1207
00:35:19,384 --> 00:35:20,417
PEOPLE'S BUSINESSES?
B.L.M. AND ANTIFA ESTABLISHED AN
AUTONOMOUS ZONE.

1208
00:35:20,419 --> 00:35:23,820
B.L.M. AND ANTIFA ESTABLISHED AN
AUTONOMOUS ZONE.
THE L.A.P.D. WAS DEFUNDED BY

1209
00:35:23,822 --> 00:35:24,154
AUTONOMOUS ZONE.
THE L.A.P.D. WAS DEFUNDED BY
$150 MILLION.

1210
00:35:24,156 --> 00:35:26,389
THE L.A.P.D. WAS DEFUNDED BY
$150 MILLION.
THE PEOPLE WHO BREACHED THE

1211
00:35:26,391 --> 00:35:29,326
$150 MILLION.
THE PEOPLE WHO BREACHED THE
CAPITOL ON JANUARY 6 ARE BEING

1212
00:35:29,328 --> 00:35:30,694
THE PEOPLE WHO BREACHED THE
CAPITOL ON JANUARY 6 ARE BEING
ABUSED, SOME BEING HELD FOR 23

1213
00:35:30,696 --> 00:35:33,196
CAPITOL ON JANUARY 6 ARE BEING
ABUSED, SOME BEING HELD FOR 23
HOURS A DAY IN SOLITARY

1214
00:35:33,198 --> 00:35:33,497
ABUSED, SOME BEING HELD FOR 23
HOURS A DAY IN SOLITARY
CONFINEMENT.

1215
00:35:33,499 --> 00:35:35,866
HOURS A DAY IN SOLITARY
CONFINEMENT.
WHEN WILL THE WITCH HUNT OF

1216
00:35:35,868 --> 00:35:37,134
CONFINEMENT.
WHEN WILL THE WITCH HUNT OF
DONALD J. TRUMP COME TO AN END

1217
00:35:37,136 --> 00:35:39,503
WHEN WILL THE WITCH HUNT OF
DONALD J. TRUMP COME TO AN END
AND ALL OF THOSE WHO SUPPORT

1218
00:35:39,505 --> 00:35:39,703
DONALD J. TRUMP COME TO AN END
AND ALL OF THOSE WHO SUPPORT
HIM?

1219
00:35:39,705 --> 00:35:40,971
AND ALL OF THOSE WHO SUPPORT
HIM?
I REST MY TIME.

1220
00:35:40,973 --> 00:35:43,673
HIM?
I REST MY TIME.
>> "I REST MY TIME," THAT'S NOT

1221
00:35:43,675 --> 00:35:45,642
I REST MY TIME.
>> "I REST MY TIME," THAT'S NOT
WHAT I SAW WHEN YOU'RE DONE.

1222
00:35:45,644 --> 00:35:47,277
>> "I REST MY TIME," THAT'S NOT
WHAT I SAW WHEN YOU'RE DONE.
>> HEY, OUR GIRL IS ALLOWED TO

1223
00:35:54,285 --> 00:36:04,761
♪ ♪ ♪
>> Stephen: HEY, EVERYBODY.
WE'RE BACK WITH THE AUTHOR OF

1224
00:36:04,763 --> 00:36:06,163
>> Stephen: HEY, EVERYBODY.
WE'RE BACK WITH THE AUTHOR OF
"STATE OF EMERGENCY," TAMIKA D.

1225
00:36:06,165 --> 00:36:07,264
WE'RE BACK WITH THE AUTHOR OF
"STATE OF EMERGENCY," TAMIKA D.
MALLORY.

1226
00:36:07,266 --> 00:36:08,732
"STATE OF EMERGENCY," TAMIKA D.
MALLORY.
WE'RE COMING UP ON THE YEAR

1227
00:36:08,734 --> 00:36:09,332
MALLORY.
WE'RE COMING UP ON THE YEAR
ANNIVERSARY OF THE MURDER OF

1228
00:36:09,334 --> 00:36:13,970
WE'RE COMING UP ON THE YEAR
ANNIVERSARY OF THE MURDER OF
GEORGE FLOYD ON MAY 25.

1229
00:36:13,972 --> 00:36:15,972
ANNIVERSARY OF THE MURDER OF
GEORGE FLOYD ON MAY 25.
AND THE MOVEMENT THAT FOLLOWED,

1230
00:36:15,974 --> 00:36:18,375
GEORGE FLOYD ON MAY 25.
AND THE MOVEMENT THAT FOLLOWED,
THE PROTESTS, THE MARCHES IN THE

1231
00:36:18,377 --> 00:36:22,145
AND THE MOVEMENT THAT FOLLOWED,
THE PROTESTS, THE MARCHES IN THE
STREETS, HOW CAN THAT-- HOW CAN

1232
00:36:22,147 --> 00:36:24,981
THE PROTESTS, THE MARCHES IN THE
STREETS, HOW CAN THAT-- HOW CAN
THAT ENERGY BE SUSTAINED?

1233
00:36:24,983 --> 00:36:28,218
STREETS, HOW CAN THAT-- HOW CAN
THAT ENERGY BE SUSTAINED?
>> YEAH WELL, YOU KNOW,

1234
00:36:28,220 --> 00:36:29,819
THAT ENERGY BE SUSTAINED?
>> YEAH WELL, YOU KNOW,
UNFORTUNATELY, ENERGY IS

1235
00:36:29,821 --> 00:36:30,921
>> YEAH WELL, YOU KNOW,
UNFORTUNATELY, ENERGY IS
STIPULATED BECAUSE THERE

1236
00:36:30,923 --> 00:36:31,922
UNFORTUNATELY, ENERGY IS
STIPULATED BECAUSE THERE
CONTINUES TO BE INCIDENTS.

1237
00:36:31,924 --> 00:36:33,924
STIPULATED BECAUSE THERE
CONTINUES TO BE INCIDENTS.
I MEAN, WE'RE THINKING JUST

1238
00:36:33,926 --> 00:36:35,859
CONTINUES TO BE INCIDENTS.
I MEAN, WE'RE THINKING JUST
ABOUT-- YOU KNOW, LOOKING AT

1239
00:36:35,861 --> 00:36:39,229
I MEAN, WE'RE THINKING JUST
ABOUT-- YOU KNOW, LOOKING AT
GEORGE FLOYD AND THE TRIAL OF

1240
00:36:39,231 --> 00:36:40,330
ABOUT-- YOU KNOW, LOOKING AT
GEORGE FLOYD AND THE TRIAL OF
DEREK CHAUVIN AS IT WAS

1241
00:36:40,332 --> 00:36:42,032
GEORGE FLOYD AND THE TRIAL OF
DEREK CHAUVIN AS IT WAS
HAPPENING, AS IT WAS ENDED, I

1242
00:36:42,034 --> 00:36:43,266
DEREK CHAUVIN AS IT WAS
HAPPENING, AS IT WAS ENDED, I
SPENT TIME SITTING WITH HIS

1243
00:36:43,268 --> 00:36:44,601
HAPPENING, AS IT WAS ENDED, I
SPENT TIME SITTING WITH HIS
FAMILY FOR THE LAST FEW DAYS OF

1244
00:36:44,603 --> 00:36:46,436
SPENT TIME SITTING WITH HIS
FAMILY FOR THE LAST FEW DAYS OF
THE TRIAL, WAITING TO HEAR THE

1245
00:36:46,438 --> 00:36:46,670
FAMILY FOR THE LAST FEW DAYS OF
THE TRIAL, WAITING TO HEAR THE
VERDICT.

1246
00:36:46,672 --> 00:36:50,173
THE TRIAL, WAITING TO HEAR THE
VERDICT.
AND IN THE MIDST OF ALL OF THAT,

1247
00:36:50,175 --> 00:36:51,875
VERDICT.
AND IN THE MIDST OF ALL OF THAT,
DAUNTE WRIGHT WAS SHOT AND

1248
00:36:51,877 --> 00:36:54,177
AND IN THE MIDST OF ALL OF THAT,
DAUNTE WRIGHT WAS SHOT AND
KILLED BY A 24-YEAR VETERAN WHO

1249
00:36:54,179 --> 00:36:57,847
DAUNTE WRIGHT WAS SHOT AND
KILLED BY A 24-YEAR VETERAN WHO
CLAIMED THAT SHE MISTOOK HER GUN

1250
00:36:57,849 --> 00:36:59,983
KILLED BY A 24-YEAR VETERAN WHO
CLAIMED THAT SHE MISTOOK HER GUN
FOR-- OR A TASER FOR A GUN.

1251
00:36:59,985 --> 00:37:03,420
CLAIMED THAT SHE MISTOOK HER GUN
FOR-- OR A TASER FOR A GUN.
AND THIS YOUNG MAN LOST HIS

1252
00:37:03,422 --> 00:37:03,620
FOR-- OR A TASER FOR A GUN.
AND THIS YOUNG MAN LOST HIS
LIFE.

1253
00:37:03,622 --> 00:37:04,854
AND THIS YOUNG MAN LOST HIS
LIFE.
JUST TWO DAYS AFTER THE VERDICT,

1254
00:37:04,856 --> 00:37:06,823
LIFE.
JUST TWO DAYS AFTER THE VERDICT,
WE HEARD THE VERDICT, THEN THERE

1255
00:37:06,825 --> 00:37:10,193
JUST TWO DAYS AFTER THE VERDICT,
WE HEARD THE VERDICT, THEN THERE
WAS HIS FUNERAL, DAUNTE'S

1256
00:37:10,195 --> 00:37:10,427
WE HEARD THE VERDICT, THEN THERE
WAS HIS FUNERAL, DAUNTE'S
FUNERAL.

1257
00:37:10,429 --> 00:37:12,596
WAS HIS FUNERAL, DAUNTE'S
FUNERAL.
SO THESE INSTANCES HAVE NOT

1258
00:37:12,598 --> 00:37:12,829
FUNERAL.
SO THESE INSTANCES HAVE NOT
STOPPED.

1259
00:37:12,831 --> 00:37:13,296
SO THESE INSTANCES HAVE NOT
STOPPED.
THEY HAVE CONTINUED.

1260
00:37:13,298 --> 00:37:14,064
STOPPED.
THEY HAVE CONTINUED.
THEY HAVE PERSISTED.

1261
00:37:14,066 --> 00:37:15,832
THEY HAVE CONTINUED.
THEY HAVE PERSISTED.
AND I THINK THAT KEEPS MOVEMENTS

1262
00:37:15,834 --> 00:37:18,034
THEY HAVE PERSISTED.
AND I THINK THAT KEEPS MOVEMENTS
GOING, WHETHER PEOPLE LIKE IT OR

1263
00:37:18,036 --> 00:37:18,201
AND I THINK THAT KEEPS MOVEMENTS
GOING, WHETHER PEOPLE LIKE IT OR
NOT.

1264
00:37:18,203 --> 00:37:19,769
GOING, WHETHER PEOPLE LIKE IT OR
NOT.
AND THEN THE OTHER PART IS THAT

1265
00:37:19,771 --> 00:37:21,738
NOT.
AND THEN THE OTHER PART IS THAT
YOU'RE ALWAYS GOING TO SEE

1266
00:37:21,740 --> 00:37:22,872
AND THEN THE OTHER PART IS THAT
YOU'RE ALWAYS GOING TO SEE
MOMENTS WHEN PEOPLE TRY TO GO

1267
00:37:22,874 --> 00:37:24,307
YOU'RE ALWAYS GOING TO SEE
MOMENTS WHEN PEOPLE TRY TO GO
BACK TO THEIR LIVES.

1268
00:37:24,309 --> 00:37:25,809
MOMENTS WHEN PEOPLE TRY TO GO
BACK TO THEIR LIVES.
I MEAN, IT'S UNFORTUNATE THAT

1269
00:37:25,811 --> 00:37:29,112
BACK TO THEIR LIVES.
I MEAN, IT'S UNFORTUNATE THAT
FOLKS EVEN HAVE TO BE IN THE

1270
00:37:29,114 --> 00:37:30,547
I MEAN, IT'S UNFORTUNATE THAT
FOLKS EVEN HAVE TO BE IN THE
STREETS ORGANIZING IN THE WAYS

1271
00:37:30,549 --> 00:37:32,115
FOLKS EVEN HAVE TO BE IN THE
STREETS ORGANIZING IN THE WAYS
IN WHICH WE HAVE HAD TO,

1272
00:37:32,117 --> 00:37:33,817
STREETS ORGANIZING IN THE WAYS
IN WHICH WE HAVE HAD TO,
ESPECIALLY THE SUMMER OF 2020

1273
00:37:33,819 --> 00:37:35,318
IN WHICH WE HAVE HAD TO,
ESPECIALLY THE SUMMER OF 2020
WAS ONE OF THOSE TIMES WHERE

1274
00:37:35,320 --> 00:37:36,886
ESPECIALLY THE SUMMER OF 2020
WAS ONE OF THOSE TIMES WHERE
PEOPLE REALLY GOT EXHAUSTED.

1275
00:37:36,888 --> 00:37:38,521
WAS ONE OF THOSE TIMES WHERE
PEOPLE REALLY GOT EXHAUSTED.
FOLKS ALWAYS WANT TO GO BACK TO

1276
00:37:38,523 --> 00:37:39,556
PEOPLE REALLY GOT EXHAUSTED.
FOLKS ALWAYS WANT TO GO BACK TO
THEIR NORMAL LIVES.

1277
00:37:39,558 --> 00:37:41,825
FOLKS ALWAYS WANT TO GO BACK TO
THEIR NORMAL LIVES.
BUT WHAT'S IMPORTANT IS THAT WE

1278
00:37:41,827 --> 00:37:42,892
THEIR NORMAL LIVES.
BUT WHAT'S IMPORTANT IS THAT WE
CONNECT WHAT WE DID IN THE

1279
00:37:42,894 --> 00:37:45,929
BUT WHAT'S IMPORTANT IS THAT WE
CONNECT WHAT WE DID IN THE
STREETS AND THE PROTESTS AND

1280
00:37:45,931 --> 00:37:46,162
CONNECT WHAT WE DID IN THE
STREETS AND THE PROTESTS AND
POLICY.

1281
00:37:46,164 --> 00:37:47,197
STREETS AND THE PROTESTS AND
POLICY.
SO THIS IS THE TIME NOW WHEN WE

1282
00:37:47,199 --> 00:37:48,865
POLICY.
SO THIS IS THE TIME NOW WHEN WE
HAVE PEOPLE WHO HAVE, OBVIOUSLY,

1283
00:37:48,867 --> 00:37:50,166
SO THIS IS THE TIME NOW WHEN WE
HAVE PEOPLE WHO HAVE, OBVIOUSLY,
FOUGHT THROUGH AN ELECTION, AND

1284
00:37:50,168 --> 00:37:52,202
HAVE PEOPLE WHO HAVE, OBVIOUSLY,
FOUGHT THROUGH AN ELECTION, AND
NOW THEY HAVE A RESPONSIBILITY

1285
00:37:52,204 --> 00:37:55,272
FOUGHT THROUGH AN ELECTION, AND
NOW THEY HAVE A RESPONSIBILITY
TO ENSURE THAT WE'RE PUSHING

1286
00:37:55,274 --> 00:37:57,941
NOW THEY HAVE A RESPONSIBILITY
TO ENSURE THAT WE'RE PUSHING
OUR-- OUR ELECTED OFFICIALS,

1287
00:37:57,943 --> 00:37:59,276
TO ENSURE THAT WE'RE PUSHING
OUR-- OUR ELECTED OFFICIALS,
PRESIDENT BIDEN, VICE PRESIDENT

1288
00:37:59,278 --> 00:38:01,111
OUR-- OUR ELECTED OFFICIALS,
PRESIDENT BIDEN, VICE PRESIDENT
HARRIS, AND OUR FEDERAL

1289
00:38:01,113 --> 00:38:02,646
PRESIDENT BIDEN, VICE PRESIDENT
HARRIS, AND OUR FEDERAL
GOVERNMENT TO PASS LAWS THAT

1290
00:38:02,648 --> 00:38:04,648
HARRIS, AND OUR FEDERAL
GOVERNMENT TO PASS LAWS THAT
MATCH THE ENERGY THAT WE SAW IN

1291
00:38:04,650 --> 00:38:05,148
GOVERNMENT TO PASS LAWS THAT
MATCH THE ENERGY THAT WE SAW IN
THE STREETS.

1292
00:38:05,150 --> 00:38:09,119
MATCH THE ENERGY THAT WE SAW IN
THE STREETS.
>> Stephen: THE NEW BOOK IS

1293
00:38:09,121 --> 00:38:09,953
THE STREETS.
>> Stephen: THE NEW BOOK IS
CALLED "STATE OF EMERGENCY."

1294
00:38:09,955 --> 00:38:12,022
>> Stephen: THE NEW BOOK IS
CALLED "STATE OF EMERGENCY."
WHAT DOES THAT TITLE MEAN?

1295
00:38:12,024 --> 00:38:14,691
CALLED "STATE OF EMERGENCY."
WHAT DOES THAT TITLE MEAN?
I'LL MATCH YOU RIGHT HERE.

1296
00:38:14,693 --> 00:38:15,458
WHAT DOES THAT TITLE MEAN?
I'LL MATCH YOU RIGHT HERE.
WHY THIS TITLE?

1297
00:38:15,460 --> 00:38:17,994
I'LL MATCH YOU RIGHT HERE.
WHY THIS TITLE?
WHAT DOES THAT TITLE MEAN?

1298
00:38:17,996 --> 00:38:20,563
WHY THIS TITLE?
WHAT DOES THAT TITLE MEAN?
AND WHO IS THE IDEAL READER FOR

1299
00:38:20,565 --> 00:38:21,131
WHAT DOES THAT TITLE MEAN?
AND WHO IS THE IDEAL READER FOR
THIS BOOK?

1300
00:38:21,133 --> 00:38:23,667
AND WHO IS THE IDEAL READER FOR
THIS BOOK?
>> SO I THINK THE BOOK IS FOR

1301
00:38:23,669 --> 00:38:23,933
THIS BOOK?
>> SO I THINK THE BOOK IS FOR
EVERYONE.

1302
00:38:23,935 --> 00:38:25,268
>> SO I THINK THE BOOK IS FOR
EVERYONE.
I WROTE IT IN THE BEST WAY THAT

1303
00:38:25,270 --> 00:38:29,172
EVERYONE.
I WROTE IT IN THE BEST WAY THAT
I COULD.

1304
00:38:29,174 --> 00:38:29,839
I WROTE IT IN THE BEST WAY THAT
I COULD.
WHERE DIVERSE AUDIENCES WOULD

1305
00:38:29,841 --> 00:38:32,142
I COULD.
WHERE DIVERSE AUDIENCES WOULD
FEEL THE NEED TO PICK IT UP.

1306
00:38:32,144 --> 00:38:36,579
WHERE DIVERSE AUDIENCES WOULD
FEEL THE NEED TO PICK IT UP.
OBVIOUSLY, MY FORWARD IS A

1307
00:38:36,581 --> 00:38:38,348
FEEL THE NEED TO PICK IT UP.
OBVIOUSLY, MY FORWARD IS A
CONVERSATION BETWEEN AN ICON IN

1308
00:38:38,350 --> 00:38:40,083
OBVIOUSLY, MY FORWARD IS A
CONVERSATION BETWEEN AN ICON IN
THIS PARTICULAR MOMENT IN TERMS

1309
00:38:40,085 --> 00:38:41,818
CONVERSATION BETWEEN AN ICON IN
THIS PARTICULAR MOMENT IN TERMS
OF CULTURE, POP CULTURE.

1310
00:38:41,820 --> 00:38:44,120
THIS PARTICULAR MOMENT IN TERMS
OF CULTURE, POP CULTURE.
THEN WE HAVE AN ICON FROM THE

1311
00:38:44,122 --> 00:38:44,988
OF CULTURE, POP CULTURE.
THEN WE HAVE AN ICON FROM THE
CIVIL RIGHTS MOVEMENT, FROM THE

1312
00:38:44,990 --> 00:38:48,792
THEN WE HAVE AN ICON FROM THE
CIVIL RIGHTS MOVEMENT, FROM THE
HUMAN RIGHTS MOVEMENT, IN THAT

1313
00:38:48,794 --> 00:38:49,192
CIVIL RIGHTS MOVEMENT, FROM THE
HUMAN RIGHTS MOVEMENT, IN THAT
DR. ANGELA DAVIS.

1314
00:38:49,194 --> 00:38:51,594
HUMAN RIGHTS MOVEMENT, IN THAT
DR. ANGELA DAVIS.
AND I HAD THE TWO OF THEM COME

1315
00:38:51,596 --> 00:38:54,197
DR. ANGELA DAVIS.
AND I HAD THE TWO OF THEM COME
TOGETHER IN CONVERSATION, WHERE

1316
00:38:54,199 --> 00:38:57,300
AND I HAD THE TWO OF THEM COME
TOGETHER IN CONVERSATION, WHERE
CACARDI B IS SAYING I DON'T KNOW

1317
00:38:57,302 --> 00:38:58,668
TOGETHER IN CONVERSATION, WHERE
CACARDI B IS SAYING I DON'T KNOW
IF THERE IS A PLACE FOR ME IN

1318
00:38:58,670 --> 00:39:00,337
CACARDI B IS SAYING I DON'T KNOW
IF THERE IS A PLACE FOR ME IN
THIS WORK BECAUSE I'M NOT THE

1319
00:39:00,339 --> 00:39:01,905
IF THERE IS A PLACE FOR ME IN
THIS WORK BECAUSE I'M NOT THE
TYPICAL ORGANIZER, I'M NOT THE

1320
00:39:01,907 --> 00:39:03,206
THIS WORK BECAUSE I'M NOT THE
TYPICAL ORGANIZER, I'M NOT THE
PERSON PEOPLE SEE AS AN

1321
00:39:03,208 --> 00:39:05,041
TYPICAL ORGANIZER, I'M NOT THE
PERSON PEOPLE SEE AS AN
ACTIVIST, BUT I CARE ABOUT THE

1322
00:39:05,043 --> 00:39:05,575
PERSON PEOPLE SEE AS AN
ACTIVIST, BUT I CARE ABOUT THE
ISSUES.

1323
00:39:05,577 --> 00:39:07,277
ACTIVIST, BUT I CARE ABOUT THE
ISSUES.
AND DR. DAVIS TAKES THE TIME TO

1324
00:39:07,279 --> 00:39:09,412
ISSUES.
AND DR. DAVIS TAKES THE TIME TO
SPEAK BACK TO CARDI B AND TO

1325
00:39:09,414 --> 00:39:11,114
AND DR. DAVIS TAKES THE TIME TO
SPEAK BACK TO CARDI B AND TO
WELCOME HER TO THE TABLE AND

1326
00:39:11,116 --> 00:39:11,514
SPEAK BACK TO CARDI B AND TO
WELCOME HER TO THE TABLE AND
THIS MOVEMENT.

1327
00:39:11,516 --> 00:39:13,983
WELCOME HER TO THE TABLE AND
THIS MOVEMENT.
SO, THEREFORE, FOR ME, THAT WAS

1328
00:39:13,985 --> 00:39:15,919
THIS MOVEMENT.
SO, THEREFORE, FOR ME, THAT WAS
AN ENTRYWAY FOR ANY PERSON WHO

1329
00:39:15,921 --> 00:39:17,721
SO, THEREFORE, FOR ME, THAT WAS
AN ENTRYWAY FOR ANY PERSON WHO
PICKS UP THIS BOOK TO FIND

1330
00:39:17,723 --> 00:39:18,054
AN ENTRYWAY FOR ANY PERSON WHO
PICKS UP THIS BOOK TO FIND
THEMSELVES.

1331
00:39:18,056 --> 00:39:20,457
PICKS UP THIS BOOK TO FIND
THEMSELVES.
I WANTED TO MAKE SURE THAT A GUY

1332
00:39:20,459 --> 00:39:22,325
THEMSELVES.
I WANTED TO MAKE SURE THAT A GUY
WHO IS ON THE STREET CORNER

1333
00:39:22,327 --> 00:39:24,227
I WANTED TO MAKE SURE THAT A GUY
WHO IS ON THE STREET CORNER
COULD READ IT AND FEEL THE SAME

1334
00:39:24,229 --> 00:39:26,162
WHO IS ON THE STREET CORNER
COULD READ IT AND FEEL THE SAME
AS A PASTOR OR A DOCTOR OR A

1335
00:39:26,164 --> 00:39:26,396
COULD READ IT AND FEEL THE SAME
AS A PASTOR OR A DOCTOR OR A
LAWYER.

1336
00:39:26,398 --> 00:39:27,630
AS A PASTOR OR A DOCTOR OR A
LAWYER.
AND, OF COURSE, THERE'S A WHOLE

1337
00:39:27,632 --> 00:39:29,833
LAWYER.
AND, OF COURSE, THERE'S A WHOLE
SECTION IN THE BOOK THAT DEALS

1338
00:39:29,835 --> 00:39:31,568
AND, OF COURSE, THERE'S A WHOLE
SECTION IN THE BOOK THAT DEALS
WITH WHITE WOMEN SPECIFICALLY,

1339
00:39:31,570 --> 00:39:33,436
SECTION IN THE BOOK THAT DEALS
WITH WHITE WOMEN SPECIFICALLY,
AND SOME OF THE HARM THAT CAN BE

1340
00:39:33,438 --> 00:39:34,738
WITH WHITE WOMEN SPECIFICALLY,
AND SOME OF THE HARM THAT CAN BE
CAUSED BY WHITE WOMEN WHO HAVE

1341
00:39:34,740 --> 00:39:37,273
AND SOME OF THE HARM THAT CAN BE
CAUSED BY WHITE WOMEN WHO HAVE
NOT DONE REAL WORK TO DEAL WITH

1342
00:39:37,275 --> 00:39:39,342
CAUSED BY WHITE WOMEN WHO HAVE
NOT DONE REAL WORK TO DEAL WITH
THE BIASES THAT THEY POSSESS.

1343
00:39:39,344 --> 00:39:41,878
NOT DONE REAL WORK TO DEAL WITH
THE BIASES THAT THEY POSSESS.
AND SO I HOPE THAT EVERYONE SEES

1344
00:39:41,880 --> 00:39:43,747
THE BIASES THAT THEY POSSESS.
AND SO I HOPE THAT EVERYONE SEES
THEMSELVES IN THIS BOOK, AND I

1345
00:39:43,749 --> 00:39:46,149
AND SO I HOPE THAT EVERYONE SEES
THEMSELVES IN THIS BOOK, AND I
CERTAINLY TRIED TO WRITE IT THAT

1346
00:39:46,151 --> 00:39:47,584
THEMSELVES IN THIS BOOK, AND I
CERTAINLY TRIED TO WRITE IT THAT
WAY.

1347
00:39:47,586 --> 00:39:49,285
CERTAINLY TRIED TO WRITE IT THAT
WAY.
>> Stephen: "STATE OF EMERGENCY"

1348
00:39:49,287 --> 00:39:50,453
WAY.
>> Stephen: "STATE OF EMERGENCY"
IS AVAILABLE NOW.

1349
00:39:50,455 --> 00:39:51,654
>> Stephen: "STATE OF EMERGENCY"
IS AVAILABLE NOW.
TAMIKA D. MALLORY, EVERYONE!

1350
00:39:51,656 --> 00:39:52,088
IS AVAILABLE NOW.
TAMIKA D. MALLORY, EVERYONE!
WE'LL BE RIGHT BACK.

1351
00:39:52,090 --> 00:39:53,823
TAMIKA D. MALLORY, EVERYONE!
WE'LL BE RIGHT BACK.
THANK YOU, TAMIKA.

1352
00:39:53,825 --> 00:39:54,190
WE'LL BE RIGHT BACK.
THANK YOU, TAMIKA.
♪ ♪ ♪

1353
00:40:01,399 --> 00:40:05,402
LATE SHOW."
TUNE IN TOMORROW WHEN MY GUEST
WILL BE JOHN KRASINSKI, HERE, IN

1354
00:40:05,404 --> 00:40:06,736
TUNE IN TOMORROW WHEN MY GUEST
WILL BE JOHN KRASINSKI, HERE, IN
THE STUDIO.

1355
00:40:06,738 --> 00:40:07,904
WILL BE JOHN KRASINSKI, HERE, IN
THE STUDIO.
SITTING RIGHT OVER THERE.

1356
00:40:07,906 --> 00:40:09,339
THE STUDIO.
SITTING RIGHT OVER THERE.
DON'T TELL EVIE.

1357
00:40:09,341 --> 00:40:09,806
SITTING RIGHT OVER THERE.
DON'T TELL EVIE.
JAMES CORDEN IS NEXT.

1358
00:40:09,808 --> 00:40:11,174
DON'T TELL EVIE.
JAMES CORDEN IS NEXT.
GOOD NIGHT.

1359
00:40:11,176 --> 00:40:11,441
JAMES CORDEN IS NEXT.
GOOD NIGHT.
♪ ♪ ♪

1360
00:40:11,443 --> 00:40:27,590
GOOD NIGHT.
♪ ♪ ♪
♪ ♪ ♪