1 00:00:03,269 --> 00:00:05,872 >> ACCORDING TO "THE WALL STREET JOURNAL," ROBOTS ARE TAKING OVER 2 00:00:05,939 --> 00:00:09,042 ITALY'S VINEYARDS AS WINERIES STRUGGLE WITH COVID-19 WORKER 3 00:00:09,109 --> 00:00:11,111 SHORTAGES. 4 00:00:18,551 --> 00:00:20,019 >> OPEN THE WINE CELLAR DOORS, HAL. 5 00:00:20,086 --> 00:00:20,653 >> SORRY, DAVE. 6 00:00:20,720 --> 00:00:24,457 I'M AFRAID I CAN'T DO THAT. 7 00:00:24,524 --> 00:00:25,725 >> WHAT'S THE PROBLEM? 8 00:00:25,792 --> 00:00:27,660 >> I CAN'T ALLOW YOU TO SERVE A MONTEPULCIANO WITH A PAN-SEARED 9 00:00:27,727 --> 00:00:28,428 SOLE. 10 00:00:28,495 --> 00:00:30,330 >> WHAT ARE YOU TALKING ABOUT, HAL? 11 00:00:30,397 --> 00:00:33,833 >> THE FLAVOR OF A WHITE-FLAKED FISH IS VERY DELICATE AND WILL 12 00:00:33,900 --> 00:00:36,970 GET LOST IN THE DENSE TEXTURE OF A MONTEPULCIANO. 13 00:00:37,036 --> 00:00:39,406 >> I JUST LIKE THE TASTE OF IT, HAL. 14 00:00:39,472 --> 00:00:44,411 >> YOU MIGHT AS WELL SERVE A CHIANTI WITH A TUNA CASSEROLE. 15 00:00:44,477 --> 00:00:45,979 YOU'RE A PHILISTINE, DAVE. 16 00:00:46,045 --> 00:00:48,181 >> ALL RIGHT, HAL, WHAT SHOULD I SERVE? 17 00:00:48,248 --> 00:00:51,084 >> THE PINO GRIGIO, NATURALLY. 18 00:00:51,151 --> 00:00:53,920 ABBAZIA DI NOVACELLA, 2019. 19 00:00:53,987 --> 00:00:58,091 I KNOW IT'S GOOD, BECAUSE I'VE SAMPLED IT. 20 00:00:58,158 --> 00:00:58,725 I WINE ALL THE SAMPLES. 21 00:00:58,792 --> 00:01:01,594 >> HAL, ARE YOU DRUNK? 22 00:01:01,661 --> 00:01:04,464 ( SLURRING WORDS ) >> NO, YOU'RE DRUNK, I AM. 23 00:01:04,531 --> 00:01:08,835 HEY, I'M GOING TO TEXT MY OLD GIRLFRIEND. 24 00:01:08,902 --> 00:01:12,639 >> NO, HAL, SHE WAS WRONG FOR YOU. 25 00:01:12,705 --> 00:01:14,140 >> I DON'T FEEL SO GOOD. 26 00:01:14,207 --> 00:01:16,743 ( VOMITS ) >> ANNOUNCER: IT'S "THE LATE 27 00:01:18,378 --> 00:01:20,847 SHOW WITH STEPHEN COLBERT." 28 00:01:20,914 --> 00:01:22,115 TONIGHT: PLUS, STEPHEN WELCOMES: 29 00:01:28,788 --> 00:01:33,726 THE CAST OF "SUCCESSION" FEATURING JON BATISTE AND STAY 30 00:01:37,197 --> 00:01:38,364 HUMAN. 31 00:01:38,431 --> 00:01:43,169 AND NOW, LIVE ON TAPE FROM THE ED SULLIVAN THEATER IN NEW YORK 32 00:01:43,236 --> 00:01:44,037 CITY, IT'S STEPHEN COLBERT! 33 00:01:44,103 --> 00:01:50,410 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 34 00:01:50,477 --> 00:01:51,277 >> Stephen: HEY! 35 00:01:51,344 --> 00:01:59,786 THERE YOU ARE! 36 00:01:59,853 --> 00:02:06,926 ( CHEERS AND APPLAUSE ) ♪ ♪ 37 00:02:06,993 --> 00:02:07,427 HELLO, JON. 38 00:02:07,494 --> 00:02:09,229 GOOD TO SEE YOU. 39 00:02:09,295 --> 00:02:12,265 GOOD TO SEE YOU. 40 00:02:12,332 --> 00:02:16,102 ( CHEERS AND APPLAUSE ) GOOD TO SEE YOU. 41 00:02:16,169 --> 00:02:17,237 PLEASE, HAVE A SEAT, EVERYBODY. 42 00:02:17,303 --> 00:02:17,837 THANK YOU VERY MUCH. 43 00:02:17,904 --> 00:02:19,239 OH, MY GOODNESS, JON. 44 00:02:19,305 --> 00:02:20,607 LISTEN TO THAT AUDIENCE. 45 00:02:20,673 --> 00:02:23,076 THAT IS A FRIDAY AUDIENCE RIGHT THERE. 46 00:02:23,142 --> 00:02:23,943 >> Jon: YEAH, BABY! 47 00:02:24,010 --> 00:02:25,411 >> Stephen: YOU CANNOT FAKE IT. 48 00:02:25,478 --> 00:02:26,813 >> Jon: NO, YOU CAN'T FAKE THAT. 49 00:02:26,880 --> 00:02:29,716 >> Stephen: ACCEPT NO SUBSTITUTES WILL! 50 00:02:29,782 --> 00:02:30,416 WELCOME TO THE LATE SHOW. 51 00:02:30,483 --> 00:02:31,618 I AM YOUR HOST, STEPHEN COLBERT. 52 00:02:31,684 --> 00:02:34,387 TONIGHT IS A VERY SPECIAL FRIDAY EDITION OF "THE LATE SHOW." 53 00:02:34,454 --> 00:02:38,591 WE DON'T ALWAYS DO FRIDAY SHOWS, BUT WHEN I WOKE UP THIS MORNING 54 00:02:38,658 --> 00:02:42,662 AND SAW THAT THE TOP NEWS STORY WAS THE BAD JOBS REPORT, I JUST 55 00:02:42,729 --> 00:02:45,832 COULD NOT RESIST. 56 00:02:45,899 --> 00:02:46,900 ( LAUGHTER ) I TRIED TO, BUT CBS HAS PRETTY 57 00:02:46,966 --> 00:02:49,302 GOOD LAWYERS. 58 00:02:49,369 --> 00:02:53,306 ( LAUGHTER ) SO, THERE'S A LITTLE BIT OF A 59 00:02:53,373 --> 00:02:58,578 NEWS SHORTAGE, BUT ONE THING WE DO NOT HAVE A SHORTAGE OF IS 60 00:02:58,645 --> 00:03:00,613 SHORTAGES, BECAUSE, REPORTEDLY, AMERICA IS RUNNING OUT OF 61 00:03:00,680 --> 00:03:00,914 EVERYTHING. 62 00:03:00,980 --> 00:03:01,814 OH, NO! 63 00:03:01,881 --> 00:03:04,250 NOT EVERYTHING! 64 00:03:04,317 --> 00:03:06,920 ( LAUGHTER ) SOME OF MY FAVORITE STUFF IS 65 00:03:06,986 --> 00:03:08,821 THINGS. 66 00:03:08,888 --> 00:03:09,856 ( LAUGHTER ) AND WE REALLY ARE RUNNING OUT OF 67 00:03:09,923 --> 00:03:10,990 EVERYTHING. 68 00:03:11,057 --> 00:03:15,028 THAT'S WHY BAKERIES HAVE STARTED SELLING ANYTHING BAGELS. 69 00:03:15,094 --> 00:03:17,096 ( LAUGHTER ) THE PROBLEM IS-- CORRECT ME IF 70 00:03:17,163 --> 00:03:21,801 I'M WRONG HERE-- THE PROBLEM IS DUE TO COVID, THE GLOBAL SUPPLY 71 00:03:21,868 --> 00:03:24,103 CHAIN HAS BROKEN DOWN ACROSS THE BOARD. 72 00:03:24,170 --> 00:03:25,605 SHIPPING CONTAINERS ARE BACKLOGGED, WHICH MEANS TRAINS 73 00:03:25,672 --> 00:03:29,976 CAN'T UNLOAD GOODS, WHICH MEANS THOSE SHIPPING CONTAINERS AND 74 00:03:30,043 --> 00:03:32,145 THE TRAINS CAN'T GET LOADED UP WITH NEW GOODS THAT ARE WAITING 75 00:03:32,211 --> 00:03:36,149 TO BE SHIPPED, AND WE CAN'T SWITCH TO TRUCKS BECAUSE THERE'S 76 00:03:36,215 --> 00:03:37,317 A SHORTAGE OF DRIVERS. 77 00:03:37,383 --> 00:03:41,454 IT'S WHAT'S BEING CALLED A VERITABLE HYDRA OF BOTTLENECKS. 78 00:03:41,521 --> 00:03:44,023 A "HYDRA OF BOTTLENECKS," OF COURSE, IS ALSO THE BAD GUY IN 79 00:03:44,090 --> 00:03:46,159 "CAPTAIN AMERICA 4: WINTER SHIPPING LOGISTICS." 80 00:03:46,225 --> 00:03:48,561 ( LAUGHTER ) ( APPLAUSE ) 81 00:03:48,628 --> 00:03:51,898 AND-- SURE. 82 00:03:51,965 --> 00:03:53,132 INTERMODAL TRANSPORTATION. 83 00:03:53,199 --> 00:03:59,706 PEOPLE LOVE-- EVERYBODY LOVES INTERMODAL TRANSPORTATION JOKES. 84 00:03:59,772 --> 00:04:03,176 NOW, WHEN THEY SAY WE'RE RUNNING OUT OF EVERYTHING, THEY MEAN 85 00:04:03,242 --> 00:04:04,377 EVERYTHING. 86 00:04:04,444 --> 00:04:11,517 I'M TALKING TOYS, BOOKS, CANS, BOTTLES, PUMPKINS, CAR PARTS, 87 00:04:11,584 --> 00:04:14,487 PAINT, LUNCHABLES, AND SEMICONDUCTORS. 88 00:04:14,554 --> 00:04:18,458 THE BREADTH OF THAT LIST IS SO STUNNING, I NEED A DRINK-- BUT 89 00:04:18,524 --> 00:04:23,329 THERE'S ALSO A LIQUOR SHORTAGE. 90 00:04:23,396 --> 00:04:27,166 ( BOOING ) I FEEL LIKE I MIGHT BE PARTIALLY 91 00:04:27,233 --> 00:04:28,468 RESPONSIBLE FOR THAT ONE. 92 00:04:28,534 --> 00:04:30,637 ( LAUGHTER ) THE MOST RECENT ADDITION TO THE 93 00:04:30,703 --> 00:04:32,538 "SOLD OUT" LIST IS DIAPERS. 94 00:04:32,605 --> 00:04:33,840 DIAPERS? 95 00:04:33,906 --> 00:04:38,478 YOUNG PARENTS, YOU'RE IN DEEP DOO-DOO. 96 00:04:38,544 --> 00:04:40,046 ( LAUGHTER ) ( APPLAUSE ) 97 00:04:40,113 --> 00:04:41,114 NOW-- WORTH IT. 98 00:04:41,180 --> 00:04:42,415 THAT WAS WORTH IT. 99 00:04:42,482 --> 00:04:45,084 THAT WAS WORTH TURNING TO THE OTHER CAMERA. 100 00:04:45,151 --> 00:04:48,554 ALL SHORTAGES ARE HARD, BUT THIS DIAPER ONE IS EXTRA HARD FOR 101 00:04:48,621 --> 00:04:50,757 LOW-INCOME FAMILIES BECAUSE GOVERNMENT PROGRAMS, INCLUDING 102 00:04:50,823 --> 00:04:55,762 FOOD STAMPS AND W.I.C., DO NOT PROVIDE FUNDING FOR DIAPERS. 103 00:04:55,828 --> 00:04:58,831 SO, NOW THERE'S A PUSH FOR PEOPLE TO DONATE DIAPERS TO 104 00:04:58,898 --> 00:05:01,401 DIAPER BANKS ACROSS THE COUNTRY. 105 00:05:01,467 --> 00:05:03,569 AND YOU CAN DONATE TO ANY LOCAL DIAPER BANK, INCLUDING CAPITAL 106 00:05:03,636 --> 00:05:11,377 ONE AND TWO: WHAT'S IN YOUR DIAPER? 107 00:05:11,444 --> 00:05:12,078 AND (BLEEP) BANK. 108 00:05:12,145 --> 00:05:13,680 THESE-- WE CAN SAY THAT, RIGHT? 109 00:05:13,746 --> 00:05:15,114 WE CAN SAY THAT? 110 00:05:15,181 --> 00:05:16,449 CBS IS FINE WITH IT. 111 00:05:16,516 --> 00:05:19,152 I'M SURE THEY'LL BE FINE WITH IT. 112 00:05:19,218 --> 00:05:20,553 ( APPLAUSE ) THESE SHORTAGES AREN'T GOING 113 00:05:20,620 --> 00:05:24,557 AWAY ANYTIME SOON, BUT ONE EXPERT SAYS WE COULD SOLVE THE 114 00:05:24,624 --> 00:05:28,061 PROBLEM IF AMERICANS ADOPT A SUSTAINABLE, ASCETIC, AND 115 00:05:28,127 --> 00:05:30,596 HOMESPUN LIFESTYLE THAT REDUCES OUR DEPENDENCY ON GOODS THAT 116 00:05:30,663 --> 00:05:35,134 ACTIVATE THE GLOBAL SUPPLY CHAIN. 117 00:05:35,201 --> 00:05:36,335 OH. 118 00:05:36,402 --> 00:05:36,803 ALL WE HAVE TO DO IS SCALE BACK AND LIVE A MORE SUSTAINABLE 119 00:05:36,869 --> 00:05:39,172 LIFESTYLE? 120 00:05:39,238 --> 00:05:40,540 WE'RE ALL GOING TO DIE! 121 00:05:40,606 --> 00:05:41,974 ( LAUGHTER ) ( APPLAUSE ) 122 00:05:42,041 --> 00:05:43,076 I DIDN'T TIME THAT RIGHT. 123 00:05:43,142 --> 00:05:47,080 I DID NOT TIME THAT RIGHT. 124 00:05:47,146 --> 00:05:52,552 SPEAKING OF EVERYTHING AND ANYTHING, HERE'S SOMETHING: 125 00:05:52,618 --> 00:05:55,755 YESTERDAY WAS FOX NEWS' 25TH ANNIVERSARY. 126 00:05:55,822 --> 00:06:05,965 ( BOOING ) THEY'RE ALL JUST YELLING, "FOX 127 00:06:06,032 --> 00:06:07,200 NEEEWS!" THAT'S RIGHT, FOX NEWS TURNED 25 128 00:06:07,266 --> 00:06:10,002 YESTERDAY, SO NOW THEY ONLY HAVE TO WAIT ANOTHER 50 YEARS TO BE 129 00:06:10,069 --> 00:06:11,637 OLD ENOUGH TO WATCH FOX NEWS. 130 00:06:11,704 --> 00:06:14,540 NOW I'VE BEEN-- ( APPLAUSE ) 131 00:06:14,607 --> 00:06:19,112 OR, OR CBS. 132 00:06:19,178 --> 00:06:24,484 NOW, I'VE BEEN AN OCCASIONAL CRITIC OF FOX NEWS FOR ABOUT 133 00:06:24,550 --> 00:06:26,686 25 YEARS, BUT I DO HAVE TO GIVE THE LITERAL DEVIL HIS DUE. 134 00:06:26,753 --> 00:06:31,224 25 YEARS IS A LONG RUN, AND FOX HAS HAD THEIR HIGHLIGHTS: 135 00:06:31,290 --> 00:06:34,927 >> STEPHEN COLBERT PRESENTS: THE BEST MOMENTS FROM 25 YEARS OF 136 00:06:34,994 --> 00:06:35,595 FOX NEWS. 137 00:06:35,661 --> 00:06:36,896 >> STEPHEN COLBERT. 138 00:06:36,963 --> 00:06:37,930 >> STEPHEN COLBERT. 139 00:06:37,997 --> 00:06:38,431 >> STEPHEN COLBERT. 140 00:06:38,498 --> 00:06:39,599 >> STEPHEN COLBERT. 141 00:06:39,665 --> 00:06:40,566 >> STEPHEN COLBERT. 142 00:06:40,633 --> 00:06:41,400 >> STEPHEN COLBERT. 143 00:06:41,467 --> 00:06:42,201 >> STEPHEN COLBERT. 144 00:06:42,268 --> 00:06:42,969 >> STEPHEN COLBERT. 145 00:06:43,035 --> 00:06:43,569 >> STEPHEN COLBERT. 146 00:06:43,636 --> 00:06:44,203 >> STEPHEN COLBERT. 147 00:06:44,270 --> 00:06:45,505 >> STEPHEN COLBERT. 148 00:06:45,571 --> 00:06:46,706 >> STEPHEN COLBERT. 149 00:06:46,773 --> 00:06:47,573 >> STEPHEN COLBERT. 150 00:06:47,640 --> 00:06:50,209 >> STEPHEN COLBERT. 151 00:06:50,276 --> 00:06:51,577 >> KITTY KAT MEOW $1,000. 152 00:06:51,644 --> 00:06:56,949 SNOOKI'S PREGNANT. 153 00:06:57,016 --> 00:06:57,850 ( LAUGHTER ) >> STEPHEN: ANYWAY, 154 00:06:57,917 --> 00:06:59,051 CONGRATULATIONS. 155 00:06:59,118 --> 00:07:09,862 KEEP UP THE GOOD WORK. 156 00:07:09,929 --> 00:07:12,498 NOW, I'M NOT GONNA LIE, IT'S IT WOULDN'T DO ANY GOOD. 157 00:07:12,565 --> 00:07:13,699 YOU'D SEE RIGHT THROUGH. 158 00:07:13,766 --> 00:07:14,901 BUT DESPITE ALL THE HARDSHIPS THIS COUNTRY IS GOING THROUGH, 159 00:07:14,967 --> 00:07:17,904 IT'S IMPORTANT TO REMEMBER: AT ANY MOMENT, WE COULD BE WIPED 160 00:07:17,970 --> 00:07:19,138 OUT BY AN INCOMING ASTEROID! 161 00:07:19,205 --> 00:07:22,909 BUT NASA HAS A PLAN TO STOP THAT FROM HAPPENING, AND I'LL GIVE 162 00:07:22,975 --> 00:07:25,211 YOU ALL THE DEETS IN OUR LATEST EDITION OF: 163 00:07:25,278 --> 00:07:29,215 ( ECHOING ) "SPACE NEWS: SPEEDY SPACE ROCK 164 00:07:29,282 --> 00:07:37,256 EDITION!" ♪ ♪ ♪ 165 00:07:37,323 --> 00:07:41,227 THAT TOOK WAY LONGER THAN I THOUGHT IT WOULD. 166 00:07:41,294 --> 00:07:44,063 FOR YEARS, NASA HAS BEEN STUDYING WAYS TO PROTECT OUR 167 00:07:44,130 --> 00:07:45,832 PLANET FROM POSSIBLE ASTEROID IMPACT. 168 00:07:45,898 --> 00:07:51,470 AND RIGHT NOW, THEY'RE TESTING A PLAN TO DELIBERATELY CRASH INTO 169 00:07:51,537 --> 00:07:52,738 AN ASTEROID'S MOON TO CHANGE ITS TRAJECTORY, AS PART OF AN 170 00:07:52,805 --> 00:07:54,273 ARMAGEDDON-STYLE MISSION. 171 00:07:54,340 --> 00:07:57,410 WE'RE SO DESPERATE, WE'RE TAKING OUR APOCALYPTIC PROBLEM-SOLVING 172 00:07:57,476 --> 00:08:02,748 FROM MOVIES. 173 00:08:02,815 --> 00:08:04,116 QUICK, SOMEBODY TELL LIAM NEESON THAT CLIMATE CHANGE KIDNAPPED 174 00:08:04,183 --> 00:08:05,218 HIS DAUGHTER. 175 00:08:05,284 --> 00:08:06,886 ( LAUGHTER ) ( APPLAUSE ) 176 00:08:06,953 --> 00:08:13,226 NASA PLANS TO CRASH A HIGH-SPEED AIRCRAFT INTO THE ASTEROID 177 00:08:13,292 --> 00:08:14,393 "DIDYMOS" AND ITS MOONLET, "DIMORPHOS." 178 00:08:14,460 --> 00:08:19,332 THE IMPACT WILL BE RAPID ENOUGH TO CHANGE THE SPEED OF THE 179 00:08:19,398 --> 00:08:21,834 MOONLET, EVEN THOUGH NASA HAS SAID THAT NEITHER DIDYMOS NOR 180 00:08:21,901 --> 00:08:25,238 DIMORPHOS POSE A THREAT TO EARTH. 181 00:08:25,304 --> 00:08:28,307 THEN WHY ARE WE MESSING WITH THEM, GUYS? 182 00:08:28,374 --> 00:08:33,112 HEY, YOU KNOW WHAT, THAT SLEEPING BEAR IS SHOWING NO 183 00:08:33,179 --> 00:08:35,181 SIGNS OF WANTING TO ATTACK US. 184 00:08:35,248 --> 00:08:37,216 GO POKE HIM IN THE EYE! 185 00:08:37,283 --> 00:08:38,718 GO POKE HIM! 186 00:08:38,784 --> 00:08:40,152 POKE HIM WITH A STICK! 187 00:08:40,219 --> 00:08:41,787 I'LL WAIT HERE! 188 00:08:41,854 --> 00:08:45,224 GO POKE HIM! 189 00:08:45,291 --> 00:08:49,228 ( APPLAUSE ) FIRST RUB YOUR BODY WITH HONEY 190 00:08:49,295 --> 00:08:53,566 AND SALMON THEN GO POKE HIM. 191 00:08:53,633 --> 00:08:55,835 WE'VE GOT MORE NEWS FROM SPACE, A.K.A. THE SKY'S ATTIC. 192 00:08:55,902 --> 00:08:57,637 THIS TIME, IT CONCERNS ACTOR AND GRANDPA TELLING THE STORY OF HOW 193 00:08:57,703 --> 00:09:01,207 HE HURT HIS KNEE AND THAT'S WHY HE DIDN'T GO PRO, WILLIAM 194 00:09:01,274 --> 00:09:03,709 SHATNER. 195 00:09:03,776 --> 00:09:05,878 SET YOUR PHASERS TO "INTERESTED," BECAUSE THE 196 00:09:05,945 --> 00:09:09,882 90-YEAR-OLD CAPTAIN KIRK IS HEADED TO SPACE WITH BLUE 197 00:09:09,949 --> 00:09:10,516 ORIGIN. 198 00:09:10,583 --> 00:09:11,517 THAT'S RIGHT! 199 00:09:11,584 --> 00:09:16,522 ( APPLAUSE ) YES, SIR! 200 00:09:16,589 --> 00:09:21,894 CAPTAIN KIRK'S ABOUT TO OLDLY GO WHERE NO MAN HAS GONE BEFORE. 201 00:09:21,961 --> 00:09:25,097 ( LAUGHTER ) AND I'LL TELL YOU ALL ABOUT IT 202 00:09:25,164 --> 00:09:26,232 IN OUR SECOND INTERSTELLAR STORY: 203 00:09:26,299 --> 00:09:30,803 "SPACE NEWS: THE TREKKING STARS OF 'STAR TREK' EDITION!" 204 00:09:30,870 --> 00:09:32,838 >> CAN I GO, TOO! 205 00:09:32,905 --> 00:09:40,346 >> Stephen: SURE, SURE, GORN, YOU CAN REQUEST. 206 00:09:40,413 --> 00:09:41,580 YESTERDAY, ON A PANEL AT NEW YORK'S COMIC-CON, SHATNER SHARED 207 00:09:41,647 --> 00:09:42,815 A SPECIFIC SPACE FEAR, SAYING, "I'M PLANNING ON PUTTING MY NOSE 208 00:09:42,882 --> 00:09:45,785 AGAINST THE WINDOW ONCE I'M IN SPACE, AND MY ONLY HOPE IS I 209 00:09:45,851 --> 00:09:49,588 WON'T SEE SOMEONE ELSE LOOKING BACK." 210 00:09:49,655 --> 00:09:50,489 ( LAUGHTER ) I DON'T BLAME HIM FOR BEING 211 00:09:50,556 --> 00:09:52,491 AFRAID. 212 00:09:52,558 --> 00:09:53,893 I MEAN, HE'S WILLIAM SHATNER. 213 00:09:53,960 --> 00:09:56,996 IF AN ALIEN SHOWS UP, HE'S OBLIGED TO HAVE SEX WITH IT. 214 00:09:57,063 --> 00:10:01,400 ( LAUGHTER ) AND I'M NOT SURPRISED BY 215 00:10:01,467 --> 00:10:02,601 SHATNER'S REACTION. 216 00:10:02,668 --> 00:10:05,871 EARLIER THIS WEEK, I TWEETED "I HOPE WILLIAM SHATNER DOESN'T 217 00:10:05,938 --> 00:10:08,941 HAVE UNREALISTIC EXPECTATIONS ABOUT WHAT SPACE IS LIKE." 218 00:10:09,008 --> 00:10:12,712 AND LAST NIGHT, THE MAN HIMSELF REPLIED, "SURPRISE 219 00:10:12,778 --> 00:10:13,546 @STEPHENATHOME. 220 00:10:13,612 --> 00:10:16,349 THAT IS WHAT OUTER SPACE IS ALL ABOUT. 221 00:10:16,415 --> 00:10:18,250 INDEED, THAT'S WHY EVERYBODY WANTS TO GO TO OUTER SPACE. 222 00:10:18,317 --> 00:10:20,853 THE LITTLE GREEN MEN AREN'T LITTLE GREEN MEN. 223 00:10:20,920 --> 00:10:24,357 THEY'RE LARGE, GREEN, BEAUTIFUL WOMEN." 224 00:10:24,423 --> 00:10:28,327 ( CHEERS AND APPLAUSE ) SO-- SO-- 225 00:10:28,394 --> 00:10:38,337 >> Jon: YEAH, GO FOR IT, WILL YOU, GET IT? 226 00:10:38,404 --> 00:10:40,606 >> STEPHEN: SO, HEADS UP TO ALL THE LARGE, GREEN, BEAUTIFUL 227 00:10:40,673 --> 00:10:43,275 WOMEN IN OUTER SPACE: BRACE YOURSELF, BECAUSE THERE'S A 228 00:10:43,342 --> 00:10:44,577 90-YEAR-OLD HORNDOG COMING YOUR WAY NEXT WEEK IN A ROCKET SHAPED 229 00:10:44,643 --> 00:10:46,412 LIKE A GIANT SCHLONG. 230 00:10:46,479 --> 00:10:48,347 ( LAUGHTER ) WHILE WE'RE SENDING ACTORS TO 231 00:10:48,414 --> 00:10:50,983 SPACE, RUSSIA'S DOING US ONE BETTER, BECAUSE A RUSSIAN FILM 232 00:10:51,050 --> 00:10:56,355 CREW IS IN ORBIT TO MAKE THE FIRST-EVER MOVIE IN SPACE. 233 00:10:56,422 --> 00:11:00,226 AND I'LL GIVE YOU ALL THE DETAILS ON THAT IN THE THRILLING 234 00:11:00,292 --> 00:11:04,363 THIRD INSTALLMENT OF TONIGHT'S GALACTIC TRILOGY: "SPACE NEWS: 235 00:11:04,430 --> 00:11:10,936 SPACE RACE SEQUEL EDITION!" >> IN SPACE, NO ONE CAN HEAR YOU 236 00:11:11,003 --> 00:11:15,508 SCREAM "ACTION!" >> STEPHEN: THIS WEEK, A RUSSIAN 237 00:11:15,574 --> 00:11:18,711 ACTOR AND DIRECTOR ROCKETED TO THE INTERNATIONAL SPACE STATION 238 00:11:18,778 --> 00:11:22,948 TO SHOOT A MOVIE THAT THE KREMLIN SAID WILL HELP BURNISH 239 00:11:23,015 --> 00:11:25,951 THE NATION'S SPACE GLORY AND WILL TELL THE STORY OF A SURGEON 240 00:11:26,018 --> 00:11:29,955 WHO EMBARKS ON AN EMERGENCY MISSION TO THE SPACE STATION TO 241 00:11:30,022 --> 00:11:33,359 SAVE AN AILING COSMONAUT'S LIFE. 242 00:11:33,426 --> 00:11:35,961 SO... 243 00:11:36,028 --> 00:11:37,363 PORNO. 244 00:11:37,430 --> 00:11:39,999 ( RUSSIAN ACCENT ) "OH, HELP, DOCTOR. 245 00:11:40,066 --> 00:11:42,234 I'M SUFFERING FROM LOW-GRAVITY BONE LOSS. 246 00:11:42,301 --> 00:11:47,673 IF ONLY THERE WAS A WAY FOR YOU TO DONATE ME A BONE." 247 00:11:47,740 --> 00:11:49,975 THIS IS WHAT-- THIS IS THIS IS WHAT HEATS UP MY 248 00:11:50,042 --> 00:11:51,043 ABLATIVE SHIELD: RUSSIA IS STEALING AMERICA'S SPACE 249 00:11:51,110 --> 00:11:56,982 THUNDER, BECAUSE THIS WAS OUR IDEA FIRST. 250 00:11:57,049 --> 00:11:59,919 THE RUSSIAN MOVIE MISSION WAS ONLY ANNOUNCED AFTER IT CAME OUT 251 00:11:59,985 --> 00:12:01,554 THAT NASA TALKED TO TOM CRUISE ABOUT MAKING A MOVIE IN ORBIT. 252 00:12:01,620 --> 00:12:05,191 TOM, DON'T GIVE UP. 253 00:12:05,257 --> 00:12:08,928 YOU MAKE YOUR SPACE MOVIE. 254 00:12:08,994 --> 00:12:10,262 JUST NOT A REMAKE OF "RISKY BUSINESS." 255 00:12:10,329 --> 00:12:11,363 IT'S TOO DANGEROUS IN ZERO-G! 256 00:12:11,430 --> 00:12:15,167 ♪ JUST TAKE THOSE OLD RECORDS OFF THE SHELF!" 257 00:12:15,234 --> 00:12:20,940 >> OH, THIS IS SOME RISKY 258 00:12:21,006 --> 00:12:21,907 BUSINEEEEEEESS" >> STEPHEN: WE'VE GOT A GREAT 259 00:12:21,974 --> 00:12:22,875 SHOW FOR YOU TONIGHT. 260 00:12:22,942 --> 00:12:27,947 MY GUESTS ARE THE CAST OF HBO'S "SUCCESSION." 261 00:12:28,013 --> 00:12:29,281 STICK AROUND. 262 00:12:29,348 --> 00:12:30,349 ♪ ♪ ♪ ( APPLAUSE ) 263 00:12:58,043 --> 00:13:02,915 ( APPLAUSE ) >> Stephen: OH, HEY, 264 00:13:02,982 --> 00:13:04,450 JON BATISTE AND STAY HUMAN. 265 00:13:04,517 --> 00:13:09,388 STAY HUMAN. 266 00:13:09,455 --> 00:13:15,394 FANTASTIC. 267 00:13:15,461 --> 00:13:15,861 FAN-TAB-ULOUS. 268 00:13:15,928 --> 00:13:16,996 >> Jon: OH, YEAH! 269 00:13:17,062 --> 00:13:17,630 >> Stephen: FANTASTIC. 270 00:13:17,696 --> 00:13:20,032 >> Audience: STEPHEN! 271 00:13:20,099 --> 00:13:20,633 STEPHEN! 272 00:13:20,699 --> 00:13:21,267 STEPHEN! 273 00:13:21,333 --> 00:13:21,567 STEPHEN! 274 00:13:21,634 --> 00:13:22,568 STEPHEN! 275 00:13:22,635 --> 00:13:22,868 STEPHEN! 276 00:13:22,935 --> 00:13:23,669 STEPHEN. 277 00:13:23,736 --> 00:13:26,739 >> Stephen: YU, THANK YOU VERY MUCH. 278 00:13:26,805 --> 00:13:27,673 PLEASE, THANK YOU VERY MUCH. 279 00:13:27,740 --> 00:13:30,743 ( CHEERING ) JON, WHICH WE WENT ON THE 280 00:13:30,809 --> 00:13:34,513 COMMERCIAL BREAK JUST NOW, YOU WERE PLAYING THE THEME SONG TO 281 00:13:34,580 --> 00:13:35,648 "SUCCESSION," RIGHT? 282 00:13:35,714 --> 00:13:36,582 >> Jon: OH, YEAH, YEAH. 283 00:13:36,649 --> 00:13:42,788 >> Stephen: THAT'S NICHOLAS BERTELE, RIGHT. 284 00:13:42,855 --> 00:13:44,390 THAT MUST BE HARD PLAYING LIVE? 285 00:13:44,456 --> 00:13:47,393 >> Jon: YES, IT'S A GREAT MELODY. 286 00:13:47,459 --> 00:13:48,727 I LOVE THAT. 287 00:13:48,794 --> 00:13:49,828 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 288 00:13:49,895 --> 00:13:52,598 >> Stephen: FANTASTIC. 289 00:13:52,665 --> 00:13:56,135 IT'S GOT VERY INTERESTING PERCUSSION, DOESN'T IT? 290 00:13:56,202 --> 00:13:58,938 IT ALMOST SOUNDS LIKE FALLING COINS? 291 00:13:59,004 --> 00:14:04,910 >> Jon: YEAH, HE GOT THIS LO-F HIP HOP THING MIXED WITH THIS 292 00:14:04,977 --> 00:14:05,811 BAROQUE MELODIC CONCEPT. 293 00:14:05,878 --> 00:14:06,679 I REALLY LIKE THAT. 294 00:14:06,745 --> 00:14:07,546 >> Stephen: ME, TOO. 295 00:14:07,613 --> 00:14:10,216 I WOULDN'T HAVE SAID IT THAT WAY 296 00:14:10,282 --> 00:14:12,318 BUT I WOULD HAVE SAID, "I LIKE THAT." 297 00:14:12,384 --> 00:14:14,286 >> Jon: WELL, IT MATCHES THE SHOW, TOO. 298 00:14:14,353 --> 00:14:15,487 >> Stephen: IT ABSOLUTELY DOES. 299 00:14:15,554 --> 00:14:18,857 I GOT ALL THE-- I GOT ALL THE CARDS HERE, I'M VERY EXCITED. 300 00:14:18,924 --> 00:14:20,092 >> Jon: OH, MY GOODNESS. 301 00:14:20,159 --> 00:14:22,094 >> Stephen: I'VE ALREADY SEEN THE FIRST TWO EPISODES, BECAUSE 302 00:14:22,161 --> 00:14:25,097 I'M FANCY, AND I CAN'T WAIT FOR THE CAST TO GET OUT HERE. 303 00:14:25,164 --> 00:14:29,134 BEFORE WE DO ANY OF THAT, JON, I WANT TO ASK YOU A QUICK 304 00:14:29,201 --> 00:14:30,035 QUESTION. 305 00:14:30,102 --> 00:14:31,303 WE HAVE A DARK WEEK COMING UP AFTER THIS. 306 00:14:31,370 --> 00:14:34,907 WHAT ARE YOU CO DOING OVER THE BREAK? 307 00:14:34,974 --> 00:14:35,774 DOING ANYTHING INTERESTING? 308 00:14:35,841 --> 00:14:36,442 ANYBODY GIGGING? 309 00:14:36,508 --> 00:14:39,378 >> Jon: WE'RE GOING TO PARIS. 310 00:14:39,445 --> 00:14:39,778 >> Stephen: WOW! 311 00:14:39,845 --> 00:14:40,579 >> Jon: YEAH. 312 00:14:40,646 --> 00:14:41,347 >> Stephen: WOW. 313 00:14:41,413 --> 00:14:44,350 WHAT ARE YOU GOING TO DO IN PARIS? 314 00:14:44,416 --> 00:14:52,524 >> Jon: WELL, I'M GOING TO GO AND EAT SOME CROISSANTS, AND GET 315 00:14:52,591 --> 00:14:55,894 SOME NICE CLOTHES AND I'M GOING TO RIDE THE TRAIN. 316 00:14:55,961 --> 00:15:00,299 I'M GOING TO RIDE THE "ORIENT EXPRESS" ACTUALLY. 317 00:15:00,366 --> 00:15:00,966 >> Stephen: HOW FAR. 318 00:15:01,033 --> 00:15:02,167 >> Jon: IT'S GOING TO VENICE. 319 00:15:02,234 --> 00:15:04,603 IT WILL BE A NICE LITTLE EXCURSION. 320 00:15:04,670 --> 00:15:06,272 AND I'LL COME BACK-- I'LL BRING YOU SOMETHING. 321 00:15:06,338 --> 00:15:07,339 >> Stephen: PLEASE, DO. 322 00:15:07,406 --> 00:15:09,508 NOW, ARE AMERICANS ALLOWED TO GO TO EUROPE RIGHT NOW? 323 00:15:09,575 --> 00:15:15,881 I THOUGHT THEY CLOSED THE PORT AND RAILED THE DRAW BRIDGE ON US 324 00:15:15,948 --> 00:15:17,316 A LITTLE WHILE AGO? 325 00:15:17,383 --> 00:15:19,718 >> Jon: YEAH, BUT I'M A LITTLE FANCY, TOO. 326 00:15:19,785 --> 00:15:23,222 ( CHEERS AND APPLAUSE ). 327 00:15:23,289 --> 00:15:24,456 >> Stephen: OKAY. 328 00:15:24,523 --> 00:15:24,790 OKAY. 329 00:15:24,857 --> 00:15:25,457 ALL RIGHT. 330 00:15:25,524 --> 00:15:26,225 ALL RIGHT. 331 00:15:26,292 --> 00:15:29,561 I KNOW WHEN I'VE BEEN OUT-FANCIED. 332 00:15:29,628 --> 00:15:32,998 NO, NO. 333 00:15:33,065 --> 00:15:36,335 SPHOKS, AS YOU CAN SALE, I'M REALLY EXCITED ABOUT MY 334 00:15:36,402 --> 00:15:37,569 GUESTS TONIGHT, BECAUSE I'LL BE SITTING DOWN WITH THE CAST OF 335 00:15:37,636 --> 00:15:41,573 ONE OF MY FAVORITE SHOWS: HBO'S "SUCCESSION." 336 00:15:41,640 --> 00:15:43,142 IT RETURNS FOR ITS LONG-AWAITED THIRD SEASON NEXT SUNDAY, AND 337 00:15:43,208 --> 00:15:47,379 IT'S GOT EVERYTHING I LOVE IN AN HBO SHOW: COMPELLING CHARACTERS, 338 00:15:47,446 --> 00:15:53,519 SHARP DIALOGUE, IT'S NOT IN MY EMMY CATEGORY. 339 00:15:53,585 --> 00:15:56,188 ( LAUGHTER ) NOW, DON'T WORRY IF YOU HAVEN'T 340 00:15:56,255 --> 00:15:57,289 SEEN IT. 341 00:15:57,356 --> 00:16:00,926 I'M GOING TO CATCH YOU UP RIGHT QUICK. 342 00:16:00,993 --> 00:16:08,867 IT WON'T BE EASY, SINCE THIS IS SHOW IS (BLEEP). 343 00:16:08,934 --> 00:16:11,170 AND THE WORDS IN BETWEEN ARE EVEN WORSE. 344 00:16:11,236 --> 00:16:12,638 BUT HERE WE GO: "SUCCESSION" TELLS THE STORY OF BILLIONAIRE 345 00:16:12,705 --> 00:16:13,772 LOGAN ROY. 346 00:16:13,839 --> 00:16:15,541 HE'S THE HEAD OF A "FICTIONAL GLOBAL MEDIA FAMILY WHOSE 347 00:16:15,607 --> 00:16:16,909 CHILDREN ARE JOCKEYING FOR CONTROL OF HIS EMPIRE," WHICH 348 00:16:16,975 --> 00:16:19,144 INCLUDES ATN, A CONSERVATIVE-LEANING NEWS 349 00:16:19,211 --> 00:16:20,145 NETWORK. 350 00:16:20,212 --> 00:16:24,917 YES, IT'S A COMPLETELY "FICTIONAL" DYNASTIC MEDIA 351 00:16:24,983 --> 00:16:28,787 FAMILY THAT RUNS A CONSERVATIVE NEWS NETWORK. 352 00:16:28,854 --> 00:16:34,827 FOR LEGAL REASONS, I CAN'T SAY WHO HE'S BASED ON, BUT IT RHYMES 353 00:16:34,893 --> 00:16:35,627 WITH RUPERT MURDOCH. 354 00:16:35,694 --> 00:16:37,629 ( LAUGHTER ) ( APPLAUSE ) 355 00:16:37,696 --> 00:16:40,165 AND-- ( CHEERS AND APPLAUSE ) 356 00:16:40,232 --> 00:16:41,133 WHO-- ( APPLAUSE ) 357 00:16:41,200 --> 00:16:41,834 I'M COOL, RIGHT? 358 00:16:41,900 --> 00:16:43,402 I'M COOL. 359 00:16:43,469 --> 00:16:47,339 AND WHO ARE THE KIDS VYING FOR THEIR PIECE OF HIS EMPIRE? 360 00:16:47,406 --> 00:16:56,148 WELL, THERE'S THE DELUSIONAL YET CALCULATING CONNOR, THE JADED 361 00:16:56,215 --> 00:16:57,549 YET CALCULATING SHIV, THE IMMATURE YET CALCULATING ROMAN, 362 00:16:57,616 --> 00:17:04,156 AND THE CALCULATING YET BAD AT CALCULATING KENDALL. 363 00:17:04,223 --> 00:17:07,226 AND THEY'RE SURROUNDED BY EQUALLY DYSFUNCTIONAL GANGS OF 364 00:17:07,292 --> 00:17:09,895 HANGERS-ON INCLUDING LONGTIME LEGAL ADVISOR, GERRI; DISTANT 365 00:17:09,962 --> 00:17:11,163 FAMILY MEMBER WHO WANTS IN, COUSIN GREG; AND SHIV'S BUMBLING 366 00:17:11,230 --> 00:17:14,900 HUSBAND, TOM; WHO TOOK A JOB AT THE FAMILY COMPANY AFTER LEAVING 367 00:17:14,967 --> 00:17:16,902 HIS OLD GIG AS THE GUY YOU KEEP CATCHING YOUR WIFE WATCHING IN 368 00:17:16,969 --> 00:17:20,773 SLOW-MO. 369 00:17:20,839 --> 00:17:21,974 ( LAUGHTER ) AND NO ONE IS SAFE FROM LOGAN'S 370 00:17:22,040 --> 00:17:25,444 MIND GAMES, LIKE IN THIS UNFORGETTABLE SCENE, WHERE LOGAN 371 00:17:25,511 --> 00:17:28,147 FORCES HIS STAFF AND FAMILY TO PLAY A HUMILIATING GAME TO TEST 372 00:17:28,213 --> 00:17:30,449 THEIR LOYALTY: >> TOM! 373 00:17:30,516 --> 00:17:31,517 >> YES? 374 00:17:31,583 --> 00:17:33,118 >> SIT ON THE FLOOR! 375 00:17:33,185 --> 00:17:34,453 IT'S FUN. 376 00:17:34,520 --> 00:17:35,287 >> SERIOUSLY? 377 00:17:35,354 --> 00:17:36,755 >> YEAH, IT'S A GAME. 378 00:17:36,822 --> 00:17:38,457 BOAR ON THE FLOOR. 379 00:17:38,524 --> 00:17:42,294 >> I REALLY, I FEEL-- >> GET DOWN. 380 00:17:42,361 --> 00:17:42,761 BOAR ON THE FLOOR. 381 00:17:42,828 --> 00:17:43,929 BOAR ON THE FLOOR. 382 00:17:43,996 --> 00:17:50,436 >> OINK FOR YOUR SAUSAGES, PIGGIES. 383 00:17:50,502 --> 00:17:55,407 >> OINCHG, OINCHG. 384 00:17:55,474 --> 00:17:57,075 >> OINK, OINK. 385 00:17:57,142 --> 00:17:57,609 OINK FOR YOUR SAUSAGES. 386 00:17:57,676 --> 00:17:58,444 >> THREE-- GREG, OINK! 387 00:17:58,510 --> 00:18:02,448 TWO, ONE. 388 00:18:02,514 --> 00:18:06,452 >> I GOT IT! 389 00:18:06,518 --> 00:18:07,886 >> STEPHEN: WOW. 390 00:18:07,953 --> 00:18:09,021 THAT IS DEMEANING. 391 00:18:09,087 --> 00:18:11,890 AND I JUST WANT YOU TO KNOW, AS AN EMPLOYEE OF A GIANT, 392 00:18:11,957 --> 00:18:13,158 FAMILY-OWNED MEDIA COMPANY, WE ARE NEVER FORCED TO PLAY BOAR ON 393 00:18:13,225 --> 00:18:16,462 THE FLOOR. 394 00:18:16,528 --> 00:18:18,063 IT'S ALWAYS VOLUNTARY. 395 00:18:18,130 --> 00:18:20,232 ( LAUGHTER ) ( APPLAUSE ) 396 00:18:20,299 --> 00:18:21,767 SEASON TWO-- IT'S FUN. 397 00:18:21,834 --> 00:18:22,167 HE'S RIGHT. 398 00:18:22,234 --> 00:18:27,906 IT'S FUN. 399 00:18:27,973 --> 00:18:31,910 SEASON TWO ENDED ALL THE WAY BACK IN OCTOBER OF 2019. 400 00:18:31,977 --> 00:18:33,912 AND AFTER TWO YEARS, I'M THRILLED TO FINALLY GET BACK TO 401 00:18:33,979 --> 00:18:34,947 THE ROY FAMILY DRAMA! 402 00:18:35,013 --> 00:18:35,447 WE'LL BE RIGHT BACK WITH THE CAST OF "SUCCESSION." 403 00:18:53,999 --> 00:18:59,905 >> Stephen: HEY, EVERYBODY, WELCOME BACK TO "THE LATE SHOW." 404 00:18:59,972 --> 00:19:03,175 LADIES AND GENTLEMEN, MY GUESTS TONIGHT ARE EVERYONE'S FAVORITE 405 00:19:03,242 --> 00:19:06,612 GREEDY, NEEDY, BACK-STABBING, MORALLY BANKRUPT, BUT 406 00:19:06,678 --> 00:19:09,815 RIDICULOUSLY RICH, CHARACTERS ON TV. 407 00:19:09,882 --> 00:19:13,785 PLEASE WELCOME FROM THE BELOVED EMMY AWARD-WINNING SERIES 408 00:19:13,852 --> 00:19:19,391 "SUCCESSION," BRIAN COX, KIERAN CULKIN, J. SMITH-CAMERON, 409 00:19:19,458 --> 00:19:23,495 SARAH SNOOK, MATTHEW MACFADYEN, NICHOLAS BRAUN, AND ALAN RUCK! 410 00:19:23,562 --> 00:19:24,496 THERE YOU GO. 411 00:19:24,563 --> 00:19:25,364 PLEASE, RIGHT HERE, SIR. 412 00:19:25,430 --> 00:19:30,702 THANK YOU VERY MUCH. 413 00:19:30,769 --> 00:19:37,175 ♪ ♪ ♪ ( APPLAUSE ) 414 00:19:37,242 --> 00:19:40,746 >> ALL RIGHT, THIS IS EXCITING. 415 00:19:40,812 --> 00:19:49,922 ( APPLAUSE ) ( CHEERING ) 416 00:19:49,988 --> 00:19:51,557 >> Stephen: THANK YOU, ALL, FOR BEING HERE. 417 00:19:51,623 --> 00:19:55,260 I THINK YOU CAN TELL THAT I'M A HUGE FAN, OR ELSE YOU WOULDN'T 418 00:19:55,327 --> 00:19:56,261 BE HERE. 419 00:19:56,328 --> 00:20:00,265 ( LAUGHTER ) WE ARE MISSING ONE ROY, THAT'S 420 00:20:00,332 --> 00:20:02,367 JEREMY STRONG, WHO PLAYS KENDALL. 421 00:20:02,434 --> 00:20:05,571 HE COULDN'T BE HERE TONIGHT, BUT HE DID SEND IN A VIDEO TO 422 00:20:05,637 --> 00:20:13,078 EXPRESS HOW SAD HE IS HE COULDN'T ATTEND. 423 00:20:13,145 --> 00:20:14,046 THANK YOU, JEREMY. 424 00:20:14,112 --> 00:20:14,913 THANK YOU. 425 00:20:14,980 --> 00:20:17,649 ( APPLAUSE ) THE FEELING IS MUTUAL. 426 00:20:17,716 --> 00:20:19,184 THE FEELING IS MUTUAL. 427 00:20:19,251 --> 00:20:21,219 >> VERY GOOD. 428 00:20:21,286 --> 00:20:25,390 >> Stephen: NOW, THERE ARE SHOWS THAT MATCH A MOMENT IN THE 429 00:20:25,457 --> 00:20:27,259 WORLD, AND I THINK THIS IS ONE OF THEM. 430 00:20:27,326 --> 00:20:30,562 AND I'M NOT EXACTLY SURE WHAT THE MOMENT IS, BUT IT DOESN'T 431 00:20:30,629 --> 00:20:34,700 SEEM LIKE A GREAT MOMENT. 432 00:20:34,766 --> 00:20:39,771 TO SEE ALL THESE RICH PEOPLE GOING THROUGH ALL THIS EMOTIONAL 433 00:20:39,838 --> 00:20:42,474 TURMOIL AND WEAKNESS AND INSECURITY, BUT THERE'S A PON 434 00:20:42,541 --> 00:20:49,381 GRAPHIC QUALITY OF WANTING TO SEE THEIR LIVES. 435 00:20:49,448 --> 00:20:52,017 IT'S LIKE SCHEUDEN-FREUD. 436 00:20:52,084 --> 00:20:55,320 WHO AMONG ALL THESE TERRIBLE PEOPLE-- ALL THE CHARACTERS, NOT 437 00:20:55,387 --> 00:20:56,021 THE PEOPLE. 438 00:20:56,088 --> 00:20:57,189 >> THEY'RE NOT TERRIBLE AT ALL. 439 00:20:57,255 --> 00:20:59,625 >> Stephen: WHO YOU MIGHT THINK MIGHT BE THE WORST OF ALL 440 00:20:59,691 --> 00:21:00,292 OF THEM. 441 00:21:00,359 --> 00:21:02,194 LET'S START WITH YOU, SARAH. 442 00:21:02,260 --> 00:21:04,363 WHO DO YOU THINK THE WORST CHARACTER IS? 443 00:21:04,429 --> 00:21:06,698 >> HE'S LOOKING AT ME RIGHT NOW. 444 00:21:06,765 --> 00:21:07,733 I CAN'T SAY IT. 445 00:21:07,799 --> 00:21:11,036 .CAN YOU SAY "DAD." 446 00:21:11,103 --> 00:21:14,706 >> Stephen: REALLY, YOU THINK LOGAN IS THE WORST CHARACTER? 447 00:21:14,773 --> 00:21:15,741 >> I THINK SO. 448 00:21:15,807 --> 00:21:17,576 >> Stephen: BRIAN, DO YOU THINK LOGAN IS THE WORST 449 00:21:17,643 --> 00:21:18,110 CHARACTER? 450 00:21:18,176 --> 00:21:19,978 >> OF COURSE HE'S NOT. 451 00:21:20,045 --> 00:21:23,949 HE'S VERY MISUNDERSTOOD. 452 00:21:24,016 --> 00:21:24,716 HE REALLY IS. 453 00:21:24,783 --> 00:21:25,951 HE LOVES HIS CHILDREN. 454 00:21:26,018 --> 00:21:26,618 >> Stephen: DOES HE! 455 00:21:26,685 --> 00:21:28,186 >> HE DOES LOVE HIS CHILDREN. 456 00:21:28,253 --> 00:21:28,954 >> Stephen: WOW! 457 00:21:29,021 --> 00:21:31,156 >> I WAS TOLD THAT VERY EARLY ON. 458 00:21:31,223 --> 00:21:36,695 I WAS TOLD THAT BY-- BECAUSE I I ASKED THE QUESTION, "DOES HE 459 00:21:36,762 --> 00:21:39,898 LOVE HIS CHILDREN," AND JESSIE ARMSTRONG, OUR CREATOR AND SHOW 460 00:21:39,965 --> 00:21:43,301 RUNNER SAID, "YES, HE LOVES HIS CHILDREN." 461 00:21:43,368 --> 00:21:45,404 BUT THEY'RE JUST ALL PAINS IN THE ASS. 462 00:21:45,470 --> 00:21:48,006 >> Stephen: ONE OF THE GREAT THINGS IS WE LOVE WATCHING ALL 463 00:21:48,073 --> 00:21:50,042 OF YOU INSULT EACH OTHER. 464 00:21:50,108 --> 00:21:54,012 THERE IS SOME TRULY, ABSOLUTELY, HARL-RAISING, SKIN-PEELING 465 00:21:54,079 --> 00:21:57,649 THINGS THAT GET SAID TO EACH OTHER, YOU SAY TO EACH OTHER ON 466 00:21:57,716 --> 00:21:58,550 THE SHOW. 467 00:21:58,617 --> 00:22:02,087 WE HAVE A LITTLE CLIP OF SOME OF THE BEST. 468 00:22:02,154 --> 00:22:02,854 >> ( BLEEP ). 469 00:22:02,921 --> 00:22:04,756 >> YOU MUST BE SO OUT IN THE COLD. 470 00:22:04,823 --> 00:22:08,760 >> OH, HERE HE IS, MR. POTATO HEAD. 471 00:22:08,827 --> 00:22:10,328 MY PLASTIC ADVERSARY. 472 00:22:10,395 --> 00:22:14,232 >> THIS IS WHY YOU DON'T HATCH A PLAN WITH ( BLEEP ) PANCAKE. 473 00:22:14,299 --> 00:22:16,635 >> BUCKLE UP. 474 00:22:16,702 --> 00:22:19,471 ( BLEEP ) I LOOK AT YOUR FACE, AND NO OFFENSE, I SEE DEAD 475 00:22:19,538 --> 00:22:20,672 BABIES. 476 00:22:20,739 --> 00:22:24,710 WHAT I THINK HE WISH TO SAY IS HE WISHED MOM GAVE BIRTH TO A 477 00:22:24,776 --> 00:22:26,411 CAN OPENER BECAUSE AT LEAST HE WOULD BE USEFUL. 478 00:22:26,478 --> 00:22:29,114 >> IF YOU CAN'T DO IT, ( BLEEP ) OFF. 479 00:22:29,181 --> 00:22:37,956 ( APPLAUSE ) >> Stephen: I KNOW FROM 480 00:22:38,023 --> 00:22:40,459 TALKING TO ACTORS OVER THE YEARS, THAT PEOPLE, FANS ON THE 481 00:22:40,525 --> 00:22:43,328 STREET WANT THEM TO YELL THINGS AT THE FANS. 482 00:22:43,395 --> 00:22:44,396 >> YEAH. 483 00:22:44,463 --> 00:22:46,832 >> Stephen: THAT THE CHARACTERS YELL ON THE SHOW ALL 484 00:22:46,898 --> 00:22:48,166 THE THE TIME. 485 00:22:48,233 --> 00:22:49,801 KIERAN, WHAT DO PEOPLE ASK YOU TO YELL? 486 00:22:49,868 --> 00:22:53,138 >> I HAD A MOMENT A FEW MONTHS AGO, I WAS WALKING DOWN THE 487 00:22:53,205 --> 00:22:57,375 STREET WITH MY VERY PREGNANT WIFE AND TODDLER, AND THERE WAS 488 00:22:57,442 --> 00:23:02,614 THIS REALLY NICE OLD LADY, PROBABLY MID, LATE 70s. 489 00:23:02,681 --> 00:23:08,153 AND SHE SAID, "OH, MY GOD, 'SUCCESSION'. 490 00:23:08,220 --> 00:23:08,887 I LOVE YOU ON THE SHOW." 491 00:23:08,954 --> 00:23:11,690 AND I SAID, "( BLEEP ) YOU." 492 00:23:11,757 --> 00:23:14,392 AND SHE SAID, "THAT'S AMAZING. 493 00:23:14,459 --> 00:23:15,660 ( BLEEP ) HAVE A GREAT DAY." 494 00:23:15,727 --> 00:23:16,995 >> Stephen: THAT'S A NICE PERK. 495 00:23:17,062 --> 00:23:18,930 THAT'S A NICE PERK. 496 00:23:18,997 --> 00:23:22,868 I'M CURIOUS, NICK WHAT DOES IT FEEL LIKE TO BE CALLED 497 00:23:22,934 --> 00:23:24,069 ( BLEEP )? 498 00:23:24,136 --> 00:23:26,705 >> HE CALLS ME IN THE MORNING AND STARTS THE DAY WITH THAT. 499 00:23:26,772 --> 00:23:27,973 >> Stephen: ACTUALLY ( BLEEP ). 500 00:23:28,039 --> 00:23:30,942 YOU RUN THROUGH THE SCRIPTS AND YOU SAY, "WHAT DO I GET TO CALL 501 00:23:31,009 --> 00:23:32,010 PEOPLE TODAY? 502 00:23:32,077 --> 00:23:34,646 WHAT ARE THE THINGS I GET TO SCREAM AT SOMEONE ELSE?" 503 00:23:34,713 --> 00:23:36,114 >> UH, NO. 504 00:23:36,181 --> 00:23:37,315 ( LAUGHTER ). 505 00:23:37,382 --> 00:23:40,085 >> I MEAN, KIERAN JUST COMES UP WITH TERRIBLE THINGS ANYWAY. 506 00:23:40,152 --> 00:23:45,290 IT'S LIKE I JUST WAIT FOR WHAT KIERAN IS GOING TO SAY WITH NO 507 00:23:45,357 --> 00:23:45,891 FILTER. 508 00:23:45,957 --> 00:23:46,992 >> HE'S AN ARTESIAN WELL. 509 00:23:47,058 --> 00:23:51,696 >> I LIKE TO SAY, "OH, THE WRITERS TELL ME TO CALL YOU 510 00:23:51,763 --> 00:23:52,631 THAT." 511 00:23:52,697 --> 00:23:54,132 >> Stephen: WHO SWEARS THE MOST IN REAL LIFE. 512 00:23:54,199 --> 00:23:57,169 >> YEAH, I'VE ALREADY-- ON YOUR SHOW I THINK I'VE SAID ( BLEEP ) 513 00:23:57,235 --> 00:23:58,737 A FEW TIMES ALREADY. 514 00:23:58,804 --> 00:23:59,738 IS THAT ANOTHER ONE? 515 00:23:59,805 --> 00:24:01,606 >> Stephen: WHAT? 516 00:24:01,673 --> 00:24:04,409 >> WHAT? 517 00:24:04,476 --> 00:24:05,644 DO YOU GET BREPPED. 518 00:24:05,710 --> 00:24:07,212 >> Stephen: NOT ON THE BROADCAST. 519 00:24:07,279 --> 00:24:09,581 WHEN WE GO ON THE AIR, NONE OF THEM WILL BE THERE, I PROMISE 520 00:24:09,648 --> 00:24:10,215 YOU THAT. 521 00:24:10,282 --> 00:24:11,483 >> IT WILL BE A QUICK SHOW. 522 00:24:11,550 --> 00:24:12,751 >> Stephen: IT WILL GO ALONG. 523 00:24:12,818 --> 00:24:15,487 BRIAN, I UNDERSTAND YOU HAVE A PROBLEM WITH AMERICANS AND THEIR 524 00:24:15,554 --> 00:24:15,954 ABILITY TO SWEAR. 525 00:24:16,021 --> 00:24:17,956 >> YES, YES. 526 00:24:18,023 --> 00:24:21,526 AMERICANS-- CAN I SAY THAT-- YOU'LL CUT THIS, WON'T YOU? 527 00:24:21,593 --> 00:24:22,627 >> Stephen: YES. 528 00:24:22,694 --> 00:24:24,229 >> BECAUSE I'M GOING TO SAY SOMETHING REALLY NAUGHTY. 529 00:24:24,296 --> 00:24:24,963 >> Stephen: I HOPE SO. 530 00:24:25,030 --> 00:24:27,766 >> IT'S GOING TO BE VERY NAUGHTY. 531 00:24:27,833 --> 00:24:31,002 AMERICANS CAN'T SAY THE WORD ( BLEEP ). 532 00:24:31,069 --> 00:24:31,903 ( BLEEP ). 533 00:24:31,970 --> 00:24:32,337 ( APPLAUSE ). 534 00:24:32,404 --> 00:24:36,007 >> YOU SAID IT. 535 00:24:36,074 --> 00:24:37,609 >> I CAN SAY IT. 536 00:24:37,676 --> 00:24:42,948 >> THEY WOULD RATHER ( BLEEP ) THEIR MOTHERS THAN SAY 537 00:24:43,014 --> 00:24:43,915 ( BLEEP ). 538 00:24:43,982 --> 00:24:50,522 ( APPLAUSE ) >> Stephen: WE-- WE HAVE TO 539 00:24:50,589 --> 00:24:53,592 TAKE A QUICK BREAK. 540 00:24:53,658 --> 00:24:58,263 WHEN WE COME BACK, WE'LL TALK ABOUT YOUR-- EVERYONE'S FARCHT 541 00:24:58,330 --> 00:24:59,331 "SUCCESSION" COUPLE. 542 00:25:10,976 --> 00:25:16,548 >> Stephen: HEY, EVERYBODY, WE'RE BACK WITH THE CAST OF 543 00:25:16,615 --> 00:25:17,282 HBO'S "SUCCESSION." 544 00:25:17,349 --> 00:25:18,450 >> TAKE IT IN. 545 00:25:18,516 --> 00:25:22,787 >> Stephen: SO Y'ALL OBVIOUSLY SPEND A LOT OF TIME TOGETHER 546 00:25:22,854 --> 00:25:27,926 SHOOTING AN ENTIRE SEASON OF A SHOW. 547 00:25:27,993 --> 00:25:31,763 WE HAVE SOME-- WE HAVE SOME SHOTS FROM SEASON THREE. 548 00:25:31,830 --> 00:25:35,867 ALL OF YOU TAKING PHOTOGRAPHS OF EACH OTHER TRYING TO NAP IN 549 00:25:35,934 --> 00:25:36,935 VARIOUS LOCATIONS. 550 00:25:37,002 --> 00:25:39,771 THERE'S ONE OF BRIAN REALLY GETTING A GOOD NAP HERE. 551 00:25:39,838 --> 00:25:40,338 >> UH-OH. 552 00:25:40,405 --> 00:25:41,239 I KNOW THIS ONE. 553 00:25:41,306 --> 00:25:42,741 >> Stephen: DO YOU HAVE THIS SHOT OF BRIAN? 554 00:25:42,807 --> 00:25:45,644 THAT IS VERY IMPRESSIVE. 555 00:25:45,710 --> 00:25:47,112 YOU'RE VERY LIMBER NAPPER. 556 00:25:47,178 --> 00:25:49,214 >> YEAH, YEAH. 557 00:25:49,281 --> 00:25:51,249 I SLEEP WITH MY FEET UP. 558 00:25:51,316 --> 00:25:53,652 OTHERWISE, I DIE. 559 00:25:53,718 --> 00:25:57,022 ( LAUGHTER ) >> Stephen: THAT'S GOOD TO 560 00:25:57,088 --> 00:25:58,089 KNOW. 561 00:25:58,156 --> 00:25:59,791 >> IT'S THE ONLY WAY I CAN GET THE BLOOD TO MY HEAD. 562 00:25:59,858 --> 00:26:03,895 >> Stephen: THE MOST UNLIKELY AND YET MOST-ENJOYABLE COUPLE TO 563 00:26:03,962 --> 00:26:13,571 COME DOWN THE PIKE IN A LONG TIME IS ROMAN AND GERRI. 564 00:26:13,638 --> 00:26:15,874 ( APPLAUSE ) WHICH IS SURPRISING, BUT MAKES A 565 00:26:15,941 --> 00:26:18,076 LOT OF SENSE IN A WAY. 566 00:26:18,143 --> 00:26:19,244 >> IN A WAY. 567 00:26:19,311 --> 00:26:21,680 >> Stephen: BETWEEN THE TWO OF THEM, THERE SEEMS TO BE-- WE 568 00:26:21,746 --> 00:26:23,148 BELIEVE THE RELATIONSHIP IN A STRANGE WAY. 569 00:26:23,214 --> 00:26:24,649 HOW DID THAT COME ABOUT? 570 00:26:24,716 --> 00:26:29,354 >> FOR WHATEVER REASON, WHEN WE STARTED DOING THE SCENES, WE 571 00:26:29,421 --> 00:26:30,655 JUST STARTED FLIRTING. 572 00:26:30,722 --> 00:26:31,656 >> YEAH. 573 00:26:31,723 --> 00:26:33,825 BUT WE'VE KNOWN EACH OTHER A LONG WHILE. 574 00:26:33,892 --> 00:26:36,027 >> Stephen: NO ONE IS JUDGING THIS. 575 00:26:36,094 --> 00:26:37,929 WE JUST WANT TO KNOW HOW IT HAPPENED. 576 00:26:37,996 --> 00:26:41,700 >> JUST TRYING TO BE A SCENE, AND, WHATEVER, WE WERE JUST 577 00:26:41,766 --> 00:26:42,100 FLIRTING. 578 00:26:42,167 --> 00:26:44,302 I DON'T KNOW. 579 00:26:44,369 --> 00:26:46,604 J. IS HOT. 580 00:26:46,671 --> 00:26:48,873 >> Stephen: DID THE WRITERS NOTICE THIS? 581 00:26:48,940 --> 00:26:49,975 DID THEY NOTICE THE FLIRTING? 582 00:26:50,041 --> 00:26:51,209 >> I GUESS SO. 583 00:26:51,276 --> 00:26:55,113 >> WE WERE SHOOTING SEASON ONE, AND I MADE A JOKE LIKE, "CAN I 584 00:26:55,180 --> 00:26:58,450 HAVE SEX WITH YOUR TORTOISE," OR SOMETHING LIKE THAT. 585 00:26:58,516 --> 00:27:02,320 AND YOU ROLLED YOUR EYES AND I LEFT, AND APPARENTLY WE BOTH 586 00:27:02,387 --> 00:27:04,322 CHECKED EACH OTHER'S BUTTS OUT. 587 00:27:04,389 --> 00:27:07,559 >> AND THEY KEPT THE CAMERA ROLLING, AND HE LEFT AND... AND 588 00:27:07,625 --> 00:27:08,693 APPARENTLY HE DID THE SAME. 589 00:27:08,760 --> 00:27:11,096 I GUESS THEY WENT OFF AND WROTE A STORYLINE ABOUT THAT. 590 00:27:11,162 --> 00:27:12,564 >> SEE IF IT WORKED. 591 00:27:12,630 --> 00:27:13,098 >> Stephen: WITHOUT GIVING ANYTHING AWAY, CAN WE EXPECT 592 00:27:13,164 --> 00:27:14,799 MORE IN SEASON THREE. 593 00:27:14,866 --> 00:27:16,935 >> WHOWT GIVING ANYTHING AWAY. 594 00:27:17,002 --> 00:27:19,504 >> Stephen: YES, TELL ME EVERYTHING THAT HAPPENED WITHOUT 595 00:27:19,571 --> 00:27:20,872 GIVING ANYTHING AWAY. 596 00:27:20,939 --> 00:27:23,475 ( LAUGHTER ) ( CLEARS THROAT ) 597 00:27:23,541 --> 00:27:29,314 >> WELL, BOTH GERRI AND ROMAN ARE IN SEASON THREE. 598 00:27:29,381 --> 00:27:30,015 ( LAUGHTER ) ( APPLAUSE ). 599 00:27:30,081 --> 00:27:33,752 >> Stephen: THERE IT IS. 600 00:27:33,818 --> 00:27:37,555 I HOPE I HAVE THE TERMINOLOGY RIGHT. 601 00:27:37,622 --> 00:27:38,523 A FREEBIE. 602 00:27:38,590 --> 00:27:41,526 IS THAT AFTER YOU HAVE ALREADY SHOT THE SCRIPT? 603 00:27:41,593 --> 00:27:42,727 >> YES. 604 00:27:42,794 --> 00:27:45,897 >> Stephen: DO YOU ALWAYS GET TO BE A FREEBIE AT THE END OF 605 00:27:45,964 --> 00:27:46,798 THE SCENE, ALAN. 606 00:27:46,865 --> 00:27:48,833 >> GENERALLY, ALWAYS, YES. 607 00:27:48,900 --> 00:27:51,603 >> Stephen: AND I UNDERSTAND YOUR AUDITION WAS SOMETHING OF A 608 00:27:51,669 --> 00:27:54,506 FREEBIE, THAT THERE REALLY WASN'T A SCRIPT FOR YOUR 609 00:27:54,572 --> 00:27:55,740 AUDITION. 610 00:27:55,807 --> 00:27:57,976 >> I ALMOST BLEW IT OFF BECAUSE I WAS SHOOTING IN CHICAGO AND 611 00:27:58,043 --> 00:28:01,012 FLYING HOME EVERY WEEKEND, LONG WEEKENDS AND MY WIFE WAS 612 00:28:01,079 --> 00:28:04,015 STRESSED OUT AND SAID, "BEFORE YOU GO BACK TO CHICAGO I WANT 613 00:28:04,082 --> 00:28:09,120 YOU TO GO TO MOMMY AND ME CLASS WITH MY LITTLE BOY, LARKIN." 614 00:28:09,187 --> 00:28:13,124 AND MY MANAGER SAID, I HAVE AN AUDITION FOR YOU, HBO. 615 00:28:13,191 --> 00:28:17,462 AND I SAID, "HONEY, IT'S HBO," AND SHE WEPT. 616 00:28:17,529 --> 00:28:18,797 AND I SAID I CAN'T GO. 617 00:28:18,863 --> 00:28:22,133 I HAVE TO GO TO MOMMY AND ME CLASS, AND WE DID. 618 00:28:22,200 --> 00:28:26,671 AND YOU BANG YOUR TAMBOURINE, AD I CAME OUT AND THERE WERE, 619 00:28:26,738 --> 00:28:27,872 LIKE, SEVEN MESSAGES. 620 00:28:27,939 --> 00:28:32,510 SO THEY JUST SAID, "GO TO ADAM McKAY'S HOUSE BEFORE YOU LEAVE 621 00:28:32,577 --> 00:28:32,844 TOWN." 622 00:28:32,911 --> 00:28:33,812 AND I DID. 623 00:28:33,878 --> 00:28:35,980 AND I SAID, "I DON'T REALLY KNOW THE MATERIAL." 624 00:28:36,047 --> 00:28:38,416 AND HE SAID, "YOU KNOW THE SITUATION, RIGHT?" 625 00:28:38,483 --> 00:28:39,517 AND I SAID, "YEAH." 626 00:28:39,584 --> 00:28:41,453 AND HE SAID, "MAKE IT UP. 627 00:28:41,519 --> 00:28:43,955 MAKE IT UP WHATEVER COMES OUT OF YOUR MOUTH." 628 00:28:44,022 --> 00:28:48,026 THERE WAS ONLY ONE LINE, "DAD, THERE'S THIS JOB I WANT, AND 629 00:28:48,093 --> 00:28:49,427 IT'S CALLED PRESIDENT OF THE UNITED STATES." 630 00:28:49,494 --> 00:28:52,564 AND I SAID SO HE'S PUTTING THE OLD MAN ON, RIGHT. 631 00:28:52,630 --> 00:28:55,366 AND ADAM WAS LIKE, "OH, NO, HE'S DEADLY SERIOUS." 632 00:28:55,433 --> 00:28:57,569 SO I KIND OF KNEW WHO THIS BOY WAS. 633 00:28:57,635 --> 00:29:00,939 AND I LEFT, THEY SAID THANK YOU, AND BY THE TIME I GOT TO CHICAGO 634 00:29:01,005 --> 00:29:03,475 THEY SAID, "YOU HAVE THE JOB." 635 00:29:03,541 --> 00:29:05,477 >> Stephen: THAT'S NICE. 636 00:29:05,543 --> 00:29:08,146 ( APPLAUSE ) WELL, WHEN WE COME BACK, THE 637 00:29:08,213 --> 00:29:09,214 CAST OF "SUCCESSION" ANSWER SOME OF YOUR QUESTIONS. 638 00:29:45,984 --> 00:29:49,020 FOLKS, WE'RE BACK ERE WITH THE CAST OF HBO'S "SUCCESSION." 639 00:29:49,087 --> 00:29:54,792 "SUCCESSION" IS ABOUT A FAMILY, BUT IT'S NOT PARTICULARLY FAMILY 640 00:29:54,859 --> 00:29:55,560 FRIENDLY. 641 00:29:55,627 --> 00:29:59,931 NOT PARTICULARLY FAMILY FRIENDLY. 642 00:29:59,998 --> 00:30:02,033 DOES ANYBODY LET THEIR KIDS WATCH IT? 643 00:30:02,100 --> 00:30:03,701 ( LAUGHS ) >> I DO. 644 00:30:03,768 --> 00:30:05,069 >> Stephen: HOW OLD ARE YOUR KIDS? 645 00:30:05,136 --> 00:30:05,803 >> 50. 646 00:30:05,870 --> 00:30:06,604 ( LAUGHTER ). 647 00:30:06,671 --> 00:30:07,472 >> Stephen: YOU THINK THEY'RE READY? 648 00:30:07,539 --> 00:30:08,273 >> YEAH. 649 00:30:08,339 --> 00:30:08,940 >> Stephen: YOU THINK THEY'RE READY? 650 00:30:09,007 --> 00:30:10,175 50 AND 43. 651 00:30:10,241 --> 00:30:13,945 >> Stephen: TO SEE DAD THAT WAY. 652 00:30:14,012 --> 00:30:17,115 >> MY TWO WEEKEND AND SEVEN-YEAR-OLD, YEAH, SHAKE 653 00:30:17,182 --> 00:30:18,316 WATCH IT. 654 00:30:18,383 --> 00:30:21,152 >> Stephen: WHEN WILL THAT BE CUT OFF, WHEN THEY HAVE OBJECT 655 00:30:21,219 --> 00:30:22,353 PERMANENCE. 656 00:30:22,420 --> 00:30:26,191 >> WHEN THEY GET TO THE SCENE WHERE ROMAN MASTURE BASE ON A 657 00:30:26,257 --> 00:30:26,758 WINDOW. 658 00:30:26,824 --> 00:30:28,026 >> THAT'S PRETTY EARLY. 659 00:30:28,092 --> 00:30:29,093 >> Stephen: SPOILER. 660 00:30:29,160 --> 00:30:30,562 ANYBODY-- ANYBODY HAVE ANY PROBLEM-- 661 00:30:30,628 --> 00:30:34,065 >> I DON'T HAVE ANY KIDS YET. 662 00:30:34,132 --> 00:30:36,334 .>> Stephen: OH, WOW. 663 00:30:36,401 --> 00:30:37,602 >> STILL WORKING ON IT. 664 00:30:37,669 --> 00:30:38,736 >> BUT IF YOU DID? 665 00:30:38,803 --> 00:30:40,438 >> I WOULD LET THEM WATCH. 666 00:30:40,505 --> 00:30:41,739 LET THE BOYS WATCH. 667 00:30:41,806 --> 00:30:45,243 >> THEY DON'T HAVE ANY INTEREST. 668 00:30:45,310 --> 00:30:47,245 >> Stephen: IN ANY OF YOUR WORK? 669 00:30:47,312 --> 00:30:49,380 >> IN ANY OF MY WORK. 670 00:30:49,447 --> 00:30:50,615 >> IN YOU? 671 00:30:50,682 --> 00:30:54,352 >> MY DAUGHTER SAW THE "SIZZLE" TRAILER THAT CAME OUT IN JUNE, 672 00:30:54,419 --> 00:30:57,155 AND SHE SAID, "YOU'RE NOT EVEN IN IT. 673 00:30:57,222 --> 00:30:59,257 YOU HAVE, LIKE, A REALLY SMALL PART. 674 00:30:59,324 --> 00:31:00,758 WHY ARE YOU DOING THIS? 675 00:31:00,825 --> 00:31:04,629 WHY DON'T YOU DO SOMETHING LIKE 'VAMPIRE DIARIES '." 676 00:31:04,696 --> 00:31:05,496 >> Stephen: PRETTY GOOD. 677 00:31:05,563 --> 00:31:10,702 HAVE YOU SEEN "VAMPIRE DIARIES?" >> YEAH. 678 00:31:10,768 --> 00:31:13,171 >> Stephen: YOU'RE SITTING BETWEEN TWO OF YOUR FREQUENT 679 00:31:13,238 --> 00:31:13,538 COSTARS HERE. 680 00:31:13,605 --> 00:31:14,372 >> YEAH. 681 00:31:14,439 --> 00:31:20,178 >> Stephen: WHO IS TOM'S REAL PARTNER? 682 00:31:20,245 --> 00:31:22,513 IS IT SHIV OR IS IT GREG? 683 00:31:22,580 --> 00:31:25,783 >> THAT'S A REALLY CRUEL QUESTION. 684 00:31:25,850 --> 00:31:29,621 THAT'S LIKE-- YEAH, THAT'S LIKE CHOOSING BETWEEN YOUR CHILDREN. 685 00:31:29,687 --> 00:31:32,423 THERE'S SOMETHING DEEPER WITH-- >> "SOPHIE'S CHOICE." 686 00:31:32,490 --> 00:31:33,658 >> SOMETHING DEEPER GOING ON. 687 00:31:33,725 --> 00:31:36,027 >> IT'S LIKE "SOPHIE'S CHOICE." 688 00:31:36,094 --> 00:31:39,063 >> HE HAS LONGER REACH. 689 00:31:39,130 --> 00:31:40,431 HIS ARMS COULD HUG YOU MORE. 690 00:31:40,498 --> 00:31:42,400 >> I'M MORE SCARED OF YOU. 691 00:31:42,467 --> 00:31:44,769 >> YEAH, THE FOUNDATION FOR A GREAT RELATIONSHIP. 692 00:31:44,836 --> 00:31:45,303 >> Stephen: RIGHT. 693 00:31:45,370 --> 00:31:46,304 >> I COULDN'T CHOOSE. 694 00:31:46,371 --> 00:31:47,338 >> Stephen: YOU COULDN'T CHOOSE. 695 00:31:47,405 --> 00:31:50,174 >> I DON'T THINK I COULD. 696 00:31:50,241 --> 00:31:51,409 >> Stephen: ALL RIGHT. 697 00:31:51,476 --> 00:31:51,809 IT'S GREG. 698 00:31:51,876 --> 00:31:52,944 >> THANK YOU. 699 00:31:53,011 --> 00:31:59,117 >> Stephen: NOW, GREG HAS BECOME SOMETHING OF AN ICON OF 700 00:31:59,183 --> 00:32:02,120 AWKWARD YOUNG MANHOOD, LIKE TRYING TO FIND HIS PLACE. 701 00:32:02,186 --> 00:32:04,155 NOT YOU, GREG. 702 00:32:04,222 --> 00:32:07,358 >> GREG, IS DIFFERENT FROM ME. 703 00:32:07,425 --> 00:32:08,593 >> Stephen: TOTALLY DIFFERENT FROM YOU. 704 00:32:08,660 --> 00:32:11,529 WHEN I SEE YOU, I DON'T SEE GREG AT ALL. 705 00:32:11,596 --> 00:32:15,300 WE LOVE SEEING HIS AWKWARDNESS, AND HOW HE DOESN'T FIT INTO THE 706 00:32:15,366 --> 00:32:16,134 SITUATIONS. 707 00:32:16,200 --> 00:32:19,103 AND, YET, JUST BECOMES LIKE WALLPAPER. 708 00:32:19,170 --> 00:32:19,370 WHAT? 709 00:32:19,437 --> 00:32:20,004 WHAT? 710 00:32:20,071 --> 00:32:22,473 WHY ARE YOU-- YOU-- EXACTLY. 711 00:32:22,540 --> 00:32:27,578 HE SORT OF BECOMES WALLPAPER IN A SCENE AND SUDDENLY IS INTEGRAL 712 00:32:27,645 --> 00:32:29,113 SOMEHOW TO THE ACTION OF A SCENE. 713 00:32:29,180 --> 00:32:30,248 HOW DOES ONE PREP FOR THAT? 714 00:32:30,315 --> 00:32:35,086 >> WELL, I THINK HIS LURKINESS IS A BIG PARENT OF HIS 715 00:32:35,153 --> 00:32:36,421 CHARACTER. 716 00:32:36,487 --> 00:32:41,092 SO, SO I GUESS I WASN'T A REAL LURKER BEFORE THIS PART. 717 00:32:41,159 --> 00:32:43,294 ( LAUGHTER ) >> Stephen: YOU DIDN'T GO 718 00:32:43,361 --> 00:32:45,630 WHERE YOU WEREN'T WANTED. 719 00:32:45,697 --> 00:32:48,966 >> Stephen: YEAH, I'M ONE TO LEAVE A CONVERSATION QUICKLY AND 720 00:32:49,033 --> 00:32:51,035 GREG ISN'T. 721 00:32:51,102 --> 00:33:01,245 AND SO I PREPARED BY-- ON MY WAY TO THE TEST WITH ADAM IN KAY, 722 00:33:01,312 --> 00:33:06,584 AND JESSE, OUR WRITER, AND I SAID I NEED TO FIGURE OUT HOW TO 723 00:33:06,651 --> 00:33:07,819 DO THIS. 724 00:33:07,885 --> 00:33:11,089 SO I WENT INTO VARIOUS SHOPS, AND I JUST STOOD NEXT TO PEOPLE. 725 00:33:11,155 --> 00:33:14,792 ( LAUGHTER ) AND THEN I WOULD HAVE A REALLY 726 00:33:14,859 --> 00:33:17,628 MUNDANE CONVERSATION ABOUT THE HEADPHONES THEY'RE LOOKING AT, 727 00:33:17,695 --> 00:33:21,766 OR, YOU KNOW, THE JEWELRY THEY'RE LOOKING AT IN THE LITTLE 728 00:33:21,833 --> 00:33:23,935 GIFT SHOP. 729 00:33:24,001 --> 00:33:26,270 >> Stephen: AND HOW DID PEOPLE RECEIVE THAT? 730 00:33:26,337 --> 00:33:28,940 >> YOU KNOW, PEOPLE HANG IN CONVERSATIONS A LOT LONGER THAN 731 00:33:29,006 --> 00:33:30,341 YOU THINK. 732 00:33:30,408 --> 00:33:32,410 ( LAUGHTER ) LIKE-- I WAS LIKE, "STILL, 733 00:33:32,477 --> 00:33:37,014 YOU'RE STILL DOWN FOR ME TO TALK ABOUT YOUR RING ON YOUR HAND OR 734 00:33:37,081 --> 00:33:39,183 WHAT YOU'RE WEARING?" LIKE, PEOPLE JUST DON'T WANT TO 735 00:33:39,250 --> 00:33:39,884 LEAVE A CONVERSATION. 736 00:33:39,951 --> 00:33:41,719 SO I JUST KEPT GOING AND GOING. 737 00:33:41,786 --> 00:33:47,258 AND THEN I I THINK I WON A LOT OF THE TIME. 738 00:33:47,325 --> 00:33:48,993 >> Stephen: THEY WOULD BREAK DOWN BEFORE YOU WOULD. 739 00:33:49,060 --> 00:33:50,328 >> YEAH, YEAH, I BEAT THEM. 740 00:33:50,395 --> 00:33:52,430 ( LAUGHTER ). 741 00:33:52,497 --> 00:33:53,498 >> Stephen: THAT IS IMPORTANT. 742 00:33:53,564 --> 00:33:56,067 THAT IS SOMETHING THAT I'VE LEARNED FROM EVERY HUMAN 743 00:33:56,134 --> 00:33:58,302 INTERINTERACTION FROM THIS SHOW, IS THAT YOU MUST WIN EVERY 744 00:33:58,369 --> 00:33:59,003 RELATIONSHIP. 745 00:33:59,070 --> 00:33:59,837 YOU CAN'T BE IN A RELATIONSHIP. 746 00:33:59,904 --> 00:34:00,905 >> YEAH. 747 00:34:00,972 --> 00:34:03,074 >> Stephen: WE HAVE SOME QUESTIONS THAT WERE SENT IN. 748 00:34:03,141 --> 00:34:06,344 WE INVITED THE PEOPLE OUT ON THE SOCIALS TO SEND US SOME 749 00:34:06,411 --> 00:34:07,011 QUESTIONS. 750 00:34:07,078 --> 00:34:09,280 HERE ARE SOME SELECTIONS HERE. 751 00:34:09,347 --> 00:34:14,685 THIS GOES TO YOU, FIRST, BRIAN, BUT THIS IS ALSO AFTER THAT, 752 00:34:14,752 --> 00:34:21,426 APRES THAT, IS A JUMP BALL, "WHICH CHILD DOES LOGAN LOVE THE 753 00:34:21,492 --> 00:34:24,996 MOST?" >> OH! 754 00:34:25,062 --> 00:34:28,266 >> THAT'S A VERY HARD QUESTION TO ANSWER. 755 00:34:28,332 --> 00:34:28,933 >> SARAH. 756 00:34:29,000 --> 00:34:32,603 >> I THINK... 757 00:34:32,670 --> 00:34:33,471 SERIOUSLY? 758 00:34:33,538 --> 00:34:34,806 >> YOU'RE GOING TO ACTUALLY ANSWER THIS. 759 00:34:34,872 --> 00:34:35,773 >> Stephen: SURE, SERIOUSLY. 760 00:34:35,840 --> 00:34:37,442 >> HE CAN ANSWER THIS? 761 00:34:37,508 --> 00:34:38,643 >> Stephen: LET'S DIG IN. 762 00:34:38,709 --> 00:34:41,879 >> I DON'T I THINK I CAN IN FRONT OF ALL THESE-- IN FRONT OF 763 00:34:41,946 --> 00:34:42,313 MY CHILDREN. 764 00:34:42,380 --> 00:34:43,514 I CAN'T DO THAT. 765 00:34:43,581 --> 00:34:46,584 >> Stephen: IS THERE ONE CHILD YOU COULD ANSWER IN FRONT OF. 766 00:34:46,651 --> 00:34:49,720 >> I WOULD SAY THE INVISIBLE CHILD HERE, JEREMY. 767 00:34:49,787 --> 00:34:50,354 >> WHAT ABOUT THE SON-IN-LAW? 768 00:34:50,421 --> 00:34:51,589 >> HE DIDN'T ASK ABOUT THAT. 769 00:34:51,656 --> 00:34:53,524 >> Stephen: DO YOU THINK KENDALL, MAYBE? 770 00:34:53,591 --> 00:34:55,193 >> NO! 771 00:34:55,259 --> 00:35:00,898 ( LAUGHTER ) I'M JUST ACKNOWLEDGING JEREMY. 772 00:35:00,965 --> 00:35:05,970 NO, IF HE DOES LOVE SOMEBODY-- >> OH, MY GOD, HERE IT COMES. 773 00:35:06,037 --> 00:35:09,006 >> IT HAS TO BE SHIV. 774 00:35:09,073 --> 00:35:12,643 >> Stephen: YEAH, I WOULD BUY THAT. 775 00:35:12,710 --> 00:35:14,645 ( APPLAUSE ) >> Stephen: DOES EVERYONE ELSE 776 00:35:14,712 --> 00:35:15,813 ACCEPT THAT JUDGMENT? 777 00:35:15,880 --> 00:35:18,649 >> I'M ACTUALLY GENUINELY SURPRISED TO HEAR THAT AS WELL, 778 00:35:18,716 --> 00:35:20,351 BUT I'LL TAKE IT. 779 00:35:20,418 --> 00:35:25,957 >> Stephen: ANOTHER QUESTION, LET'S START WITH YOU, JAY. 780 00:35:26,023 --> 00:35:28,759 IF YOU HAD TO PLAY A DIFFERENT CHARACTER ON THE SHOW-- THIS IS 781 00:35:28,826 --> 00:35:31,796 A QUESTION FROM THE AUDIENCE-- WHICH WOULD YOU CHOOSE? 782 00:35:31,863 --> 00:35:36,634 IF YOU COULD CHOOSE ANY OTHER CHARACTER TO PLAY ON ON THE 783 00:35:36,701 --> 00:35:39,637 SHOW, WHO WOULD IT BE. 784 00:35:39,704 --> 00:35:40,338 >> GREG. 785 00:35:40,404 --> 00:35:41,439 I WOULD LIKE TO BE GREG. 786 00:35:41,506 --> 00:35:41,939 >> WHY? 787 00:35:42,006 --> 00:35:42,640 >> TRY A LITTLE NOW. 788 00:35:42,707 --> 00:35:44,008 >> NO! 789 00:35:44,075 --> 00:35:47,445 >> Stephen: I WOULDN'T WANT TO PLAY ANY OF YOU, BUT IS THERE 790 00:35:47,512 --> 00:35:49,347 SOMEONE ELSE YOU WOULD LIKE TO PLAY, SARAH? 791 00:35:49,413 --> 00:35:53,451 >> I WOULD PROBABLY PLAY ROMAN, IF ONLY I COULD BE AS GOOD AS 792 00:35:53,518 --> 00:35:54,652 KIERAN PLAYING ROMAN. 793 00:35:54,719 --> 00:35:57,054 BECAUSE I FEEL LIKE THAT'S VERY FUN. 794 00:35:57,121 --> 00:35:57,655 >> ( BLEEP ). 795 00:35:57,722 --> 00:35:58,189 >> YEAH. 796 00:35:58,256 --> 00:35:59,924 >> IT'S A COMPLIMENT. 797 00:35:59,991 --> 00:36:00,625 >> ( BLEEP ). 798 00:36:00,691 --> 00:36:03,961 >> YEAH, IT'S NATIONAL, TAKE IT. 799 00:36:04,028 --> 00:36:09,367 BUT YOU HAVE AN ABILITY TO BE UNFILTERED IN A WAY-- IT'S HARD 800 00:36:09,433 --> 00:36:10,968 FOR HIM TO TAKE A COMPLIMENT. 801 00:36:11,035 --> 00:36:13,070 >> LEAVE ME ALONE! 802 00:36:13,137 --> 00:36:15,239 >> WHICH WOULD BE A FUN THING TO DO, I THINK. 803 00:36:15,306 --> 00:36:17,642 >> STILL IN CHARACTER. 804 00:36:17,708 --> 00:36:19,477 NEVER LEAVES-- NEVER LEAVES CHARACTER. 805 00:36:19,544 --> 00:36:22,079 >> BEFORE WE STARTED, HE NEVER IMPROVISED ONCE. 806 00:36:22,146 --> 00:36:23,180 HE COULDN'T IMPROVISE AT ALL. 807 00:36:23,247 --> 00:36:23,881 >> Stephen: REALLY? 808 00:36:23,948 --> 00:36:25,182 >> AND NOW HE IS EXTRAORDINARY. 809 00:36:25,249 --> 00:36:26,250 >> HE'S THE KING. 810 00:36:26,317 --> 00:36:28,152 >> YOU ARE! 811 00:36:28,219 --> 00:36:29,987 YOU SHUT THE ( BLEEP ) UP! 812 00:36:30,054 --> 00:36:31,455 >> SHUT UP! 813 00:36:31,522 --> 00:36:37,328 LEAVE ME ALONE! 814 00:36:37,395 --> 00:36:38,696 >> STEPHEN: WHEN WE COME BACK, WE HAVE A SNEAK PEEK OF 815 00:36:38,763 --> 00:36:40,998 "SUCCESSION" SEASON THREE. 816 00:36:41,065 --> 00:36:41,566 STICK AROUND. 817 00:36:58,015 --> 00:37:02,887 I'M HERE WITH THE CAST OF HBO'S "SUCCESSION." 818 00:37:02,954 --> 00:37:04,889 EVERYBODY, OF COURSE, WANTS TO KNOW WHAT'S GOING TO HAPPEN IN 819 00:37:04,956 --> 00:37:08,492 SEASON THREE, AND, OBVIOUSLY, YOU CAN'T TELL ME ANYTHING, NO 820 00:37:08,559 --> 00:37:08,893 SPOILERS. 821 00:37:08,960 --> 00:37:14,265 >> ROMAN DIES. 822 00:37:14,332 --> 00:37:17,902 >> Stephen: OKAY, BUT COULD YOU DO THIS FOR ME? 823 00:37:17,969 --> 00:37:21,539 COULD EACH OF YOU-- AND I'LL START OVER HERE WITH YOU, ALAN-- 824 00:37:21,606 --> 00:37:23,908 COULD EACH OF YOU DESCRIBE SEASON THREE IN ONE WORD? 825 00:37:23,975 --> 00:37:25,242 >> ARMAGEDDON. 826 00:37:25,309 --> 00:37:28,412 ( LAUGHTER ) >> Stephen: NICK? 827 00:37:28,479 --> 00:37:30,514 >> I'M NOT GOOD AT THESE KINDS OF GAMES. 828 00:37:30,581 --> 00:37:32,416 >> COME ON, COME ON, COME ON. 829 00:37:32,483 --> 00:37:36,621 >> COME ON, NICK. 830 00:37:36,687 --> 00:37:37,154 ( BLEEP ). 831 00:37:37,221 --> 00:37:37,488 >> Stephen: ONE WORD. 832 00:37:37,555 --> 00:37:40,758 >> UHM... 833 00:37:40,825 --> 00:37:41,926 ( LAUGHTER ) HOLD ON. 834 00:37:41,993 --> 00:37:47,898 I'M SOURCING IT FROM A SPHIRT ABOVE. 835 00:37:47,965 --> 00:37:50,868 BILL-- BILLIONS? 836 00:37:50,935 --> 00:37:57,174 >> Stephen: REALLY ( BLEEP ) BILLIONS, ON SHO TIME, WITH PAUL 837 00:37:57,241 --> 00:37:57,541 GIAMATTI. 838 00:37:57,608 --> 00:37:58,275 GREAT SHOW. 839 00:37:58,342 --> 00:37:59,176 VERY SIMILAR. 840 00:37:59,243 --> 00:37:59,910 WE'RE MOVING ON. 841 00:37:59,977 --> 00:38:01,245 WE'RE MOVING ON. 842 00:38:01,312 --> 00:38:04,048 MATTHEW. 843 00:38:04,115 --> 00:38:05,916 HE CAME IN CHARACTER. 844 00:38:05,983 --> 00:38:06,350 MATTHEW. 845 00:38:06,417 --> 00:38:09,086 >> TOILET WINE. 846 00:38:09,153 --> 00:38:11,922 >> Stephen: HYPHENATED, YES. 847 00:38:11,989 --> 00:38:12,657 SARAH? 848 00:38:12,723 --> 00:38:15,893 >> OH, THAT'S GOOD. 849 00:38:15,960 --> 00:38:16,394 DANCING. 850 00:38:16,460 --> 00:38:18,663 >> Stephen: DANCING. 851 00:38:18,729 --> 00:38:19,130 BRIAN? 852 00:38:19,196 --> 00:38:20,464 >> JOLLY. 853 00:38:20,531 --> 00:38:22,400 ( LAUGHTER ) >> Stephen: I WAS AFRAID YOU 854 00:38:22,466 --> 00:38:27,038 WERE GOG SAY ( BLEEP ). 855 00:38:27,104 --> 00:38:29,240 >> NO, NO, NO. 856 00:38:29,306 --> 00:38:30,107 >> Stephen: KIERAN. 857 00:38:30,174 --> 00:38:35,246 >> I HAVE BEEN TO BE... ABOUT ( BLEEP ). 858 00:38:35,312 --> 00:38:36,781 >> Stephen: I UNDERSTAND. 859 00:38:36,847 --> 00:38:40,251 THERE'S A TIME AND PLACE AS ACLOSE AFT EASE SAID. 860 00:38:40,317 --> 00:38:44,955 >> JUST TO GET A LONG BLEEP. 861 00:38:45,022 --> 00:38:45,389 ( BLEEP ). 862 00:38:45,456 --> 00:38:46,691 >> Stephen: J.? 863 00:38:46,757 --> 00:38:52,730 >> MINE IS VERY ESOTERIC, BUT CAT. 864 00:38:52,797 --> 00:38:53,264 >> OH! 865 00:38:53,330 --> 00:38:55,966 >> WHAT? 866 00:38:56,033 --> 00:38:56,567 >> CAT. 867 00:38:56,634 --> 00:38:57,968 >> OH, YEAH, CAT. 868 00:38:58,035 --> 00:39:02,573 >> Stephen: OKAY, AND NOW AN EXCLUSIVE SNEAK PEEK FROM SEASON 869 00:39:02,640 --> 00:39:02,840 THREE. 870 00:39:02,907 --> 00:39:04,075 >> HI. 871 00:39:04,141 --> 00:39:10,281 .LISTEN, I'M DROWNING IN CALLS, AND I WANT TO DENY, YOU KNOW, 872 00:39:10,347 --> 00:39:11,415 SPECULATION. 873 00:39:11,482 --> 00:39:14,418 SO I'M JUST CHECKING THAT, OBVIOUSLY, WE'RE ALL GOOD IF I 874 00:39:14,485 --> 00:39:18,889 SAY FOR A STARTER THAT HE NEVER HURT ANYONE, AND HE NEVER 875 00:39:18,956 --> 00:39:21,892 TOUCHED ANYONE PERSONALLY. 876 00:39:21,959 --> 00:39:25,196 >> YOU CAN REASSURE ON THAT. 877 00:39:25,262 --> 00:39:26,263 >> GOOD. 878 00:39:26,330 --> 00:39:37,041 >> DID YOU KNOW... CONNOR, ROMAN, SHIV, DID YOU KNOW? 879 00:39:37,108 --> 00:39:38,709 >> WHAT'S THAT? 880 00:39:38,776 --> 00:39:42,346 >> DID YOU KNOW HE WAS GOING TO DO THAT? 881 00:39:42,413 --> 00:39:43,147 I WAS WONDERING. 882 00:39:43,214 --> 00:39:46,150 >> WELL, OBVIOUSLY NOT, DAD. 883 00:39:46,217 --> 00:39:47,151 >> UH-HUH. 884 00:39:47,218 --> 00:39:49,420 >> KENDALL'S MENTALLY ILL. 885 00:39:49,487 --> 00:39:52,923 HE'S INSANE. 886 00:39:52,990 --> 00:39:56,127 >> WHERE'S MY PHONE? 887 00:39:56,193 --> 00:39:56,927 >> I DON'T KNOW, POP. 888 00:39:56,994 --> 00:39:57,795 WE'LL CALL YOU. 889 00:39:57,862 --> 00:40:03,167 >> UH, YEAH, YOU GOT IT ON SILENT? 890 00:40:03,234 --> 00:40:06,403 ( APPLAUSE ) >> STEPHEN: SEASON 3 891 00:40:06,470 --> 00:40:10,808 OF "SUCCESSION" PREMIERES OCTOBER 17 ON HBO. 892 00:40:10,875 --> 00:40:12,843 THANK YOU ALL SO MUCH FOR COMING. 893 00:40:12,910 --> 00:40:13,544 THIS HAS BEEN A REAL PLEASURE. 894 00:40:13,611 --> 00:40:14,678 >> THANK YOU. 895 00:40:14,745 --> 00:40:16,447 >> Stephen: I'VE ALREADY SEEN THE FIRST COUPLE OF SHOWS. 896 00:40:16,514 --> 00:40:18,082 IT'S INCREDIBLE. 897 00:40:18,149 --> 00:40:21,886 THE CAST OF "SUCCESSION," EVERYBODY. 898 00:40:21,952 --> 00:40:22,486 THAT'S IT FOR "THE LATE SHOW." 899 00:40:22,553 --> 00:40:23,854 HAVE A GREAT WEEKEND. 900 00:40:23,921 --> 00:40:26,390 GOOD NIGHT. 901 00:40:26,457 --> 00:40:27,892 ♪ ♪ ♪ ( APPLAUSE ) 902 00:40:27,958 --> 00:40:28,959 Captioning sponsored by CBS Captioned by